#also characters alluded to in order:

[aq2003]

this is such a cleverly written line

[madlori]

On Tommy and narrative threads

So some fans who are vehemently anti-Tommy frequently use the talking point that they need to have Buck confront Tommy about his past behavior while under Gerrard, or have him find out about it if he doesn't already know, and that he should break up with him about it. Or they need some kind of reckoning to happen with Hen and Chim in order to move forward.

I'm 95% sure neither of those things are going to happen, and here is why: the show considers that narrative thread to be closed.

It has run its course. It's done. It's been resolved. As fans and viewers - and as many of us are fic readers and writers - we always want to see things hashed out onscreen in exhaustive detail but that's not practically possible. The narrative sometimes has to signal that threads are resolved in other ways, in the way characters act towards each other and speak about each other.

Throughout the course of the three Begins episodes in which he appears, the writers clearly selected Tommy to represent the "firefighter who acted kinda jerky but got better through personal growth and friendship with new people" narrative. By the end of Bobby Begins Again, this narrative is more or less complete, as we've now seen Tommy act to support Hen and also be accepted into a friendly relationship with both her and Chim, not to mention Bobby. When he reappears in season 7, nobody acts like he's anything other than a friend, and Chim outright admires him.

This is the conclusion of this thread, as far as the show is concerned. Did he ever sit down with Hen and Chim and make some big speech or have some big discussion about how he's learned and changed? Probably not. Those kinds of direct conversations sometimes do happen in reality, but more often than not, you just spend years working with someone and your opinion of them shifts as all of you change. And remember, Hen and Chim worked with Tommy for years before Bobby even showed up.

And ask yourself this question: if Hen and Chim have both moved on, and have accepted whatever direct or implicit apology Tommy offered, how is it Buck's business to decide that no, that's not good enough, HE'S going to demand some kind of restitution on their behalf? That's patronizing as fuck. These are people with their own agency who don't need Buck to advocate for them and exact some kind of retroactive revenge for something they're not even mad about anymore. Would he be upset that Tommy ever made off-color remarks, or was less than welcoming to people who are now his friends? Maybe. Is he upset that Eddie nearly killed a man? Is he filled with moral outrage and disappointment that Hen cheated on her wife? Chim physically assaulted him, and so did Bobby. Is he still holding that against them? Is he upset NOW that nobody's speaking up on HIS behalf when Gerrard targets him? Buck's an adult. He knows that people frequently look back on their past behavior and cringe at what jerks they were, himself included.

Tommy has several times alluded to being ashamed of his past actions. He knows the score. The message we're meant to take from those comments is that he's taken steps to not be that guy anymore. Need he flagellate himself forever? Does this need to cost him and Buck a relationship they both value? It can't have been easy to come from a terrible father, go into the army, then into the LAFD with a terrible captain, and then to meet people who challenged your behavior and made you want to be a better person. The fact that he became a better person is something he should be admired for, not punished.

[pinkeoni]

Will is Going to Die by Sacrificing Himself

...and come back to life. To me, it seems pretty obvious, but I'll explain why.

Will has been characterized as someone who puts others before himself since season one, even if it means costing him his life. The entire series starts off with Will casting fireball instead of protection during their Dungeons & Dragons game, putting his character in danger for the sake of the rest of the party.

This self-sacrificial nature is echoed in season two, but two a much more extreme end, when Will instructs everyone to close the gate to stop the Mind Flayer, despite knowing that doing so will kill him.

While we don't see this same self-sacrifice from Will in seasons three and four, we do see two related characters make their own sacrifices, possibly hinting at Will's future fate.

First we have the other character named William, Billy, sacrifice himself at the end of season three in order to stop the meat flayer.

Then in season four, we have Eddie sacrifice himself while the same song that played for Will after he came back to life in season one plays in the background— "When It's Cold I'd Like to Die" by Moby.

There are also little ways that we are told/shown of Will's selfless nature, such as giving a girl his tonka truck because she was sad, or giving Mike his painting under El's name. While this trait could be seen as admirable, I think it will ultimately be his undoing.

But why would Will need to sacrifice himself?

Well, we know that despite all of this time, Will still holds a connection to Vecna, and likely to the Mind Flayer and the Upside Down himself. Putting a stop to all of these things is going to be intrinsic to Will's arc next season.

I don't know how many people know about Noah's letterboxd, but he has been rewatching the Harry Potter movies.

Perhaps for personal enjoyment, or perhaps to study for his character?

The comparisons between Will/Vecna and Harry/Voldemort have been made before, and the Duffers are derivative of other sources if anything.

I think that this could be likened to a horcrux situation. At the end of season four, we saw Vecna be totally flambéd by the older teens, and yet, he's still kicking, and Will is the one to tell us this.

If the brain dies the body dies, but also, could the brain latch on to another body in order to keep it alive? Similar to how Harry had to die so that Voldemort could be defeated, I believe Will might have to die (at least temporarily) in order to take down Vecna/MF/UD.

We know that the show is bringing back "Should I Stay or Should I Go," which is going to prompt an important question that Will needs to find the answer to, should he stay or should he go? While this could also relate to his romantic endeavors for the season, I think that the song could be alluding to Will's choice to sacrifice himself in order to save everyone else.

What I think will probably happen is this: At some point in the season, Will is going to learn what has to happen, and he is going to go off to sacrifice himself without telling anyone so no one can stop him. (I'm guessing that Will can't just off himself, there's probably a specific way that it needs to be done).

Something I realized while making this post is that Mike is always the one who figures out what needs to be done, or brings up Will's sacrifice to others. My guess is that Mike is going to find out what Will is up to, and try to stop him. Emphasis on try, because I think this death is inevitable. However, bringing the show back full circle to season one (and because ST can never keep a main character dead), he will come back to life.

[hauntingofhouses]

Very interesting to me that a certain subset of the BES fandom's favourite iterations of Mizu and Akemi are seemingly rooted in the facades they have projected towards the world, and are not accurate representations of their true selves.

And I see this is especially the case with Mizu, where fanon likes to paint her as this dominant, hyper-masculine, smirking Cool GuyTM who's going to give you her strap. And this idea of Mizu is often based on the image of her wearing her glasses, and optionally, with her cloak and big, wide-brimmed kasa.

And what's interesting about this, to me, is that fanon is seemingly falling for her deliberate disguise. Because the glasses (with the optional combination of cloak and hat) represent Mizu's suppression of her true self. She is playing a role.

Take this scene of Mizu in the brothel in Episode 4 for example. Here, not only is Mizu wearing her glasses to symbolise the mask she is wearing, but she is purposely acting like some suave and cocky gentleman, intimidating, calm, in control. Her voice is even deeper than usual, like what we hear in her first scene while facing off with Hachiman the Flesh-Trader in Episode 1.

This act that Mizu puts on is an embodiment of masculine showboating, which is highly effective against weak and insecure men like Hachi, but also against women like those who tried to seduce her at the Shindo House.

And that brings me to how Mizu's mask is actually a direct parallel to Akemi's mask in this very same scene.

Here, Akemi is also putting up an act, playing up her naivety and demure girlishness, using her high-pitched lilted voice, complimenting Mizu and trying to make small talk, all so she can seduce and lure Mizu in to drink the drugged cup of sake.

So what I find so interesting and funny about this scene, characters within it, and the subsequent fandom interpretations of both, is that everyone seems to literally be falling for the mask that Mizu and Akemi are putting up to conceal their identities, guard themselves from the world, and get what they want.

It's also a little frustrating because the fanon seems to twist what actually makes Mizu and Akemi's dynamic so interesting by flattening it completely. Because both here and throughout the story, Mizu and Akemi's entire relationship and treatment of each other is solely built off of masks, assumptions, and misconceptions.

Akemi believes Mizu is a selfish, cocky male samurai who destroyed her ex-fiance's career and life, and who abandoned her to let her get dragged away by her father's guards and forcibly married off to a man she didn't know. on the other hand, Mizu believes Akemi is bratty, naive princess who constantly needs saving and who can't make her own decisions.

These misconceptions are even evident in the framing of their first impressions of each other, both of which unfold in these slow-motion POV shots.

Mizu's first impression of Akemi is that of a beautiful, untouchable princess in a cage. Swirling string music in the background.

Akemi's first impression of Mizu is of a mysterious, stoic "demon" samurai who stole her fiance's scarf. Tense music and the sound of ocean waves in the background.

And then, going back to that scene of them together in Episode 4, both Mizu and Akemi continue to fool each other and hold these assumptions of each other, and they both feed into it, as both are purposely acting within the suppressive roles society binds them to in order to achieve their goals within the means they are allowed (Akemi playing the part of a subservient woman; Mizu playing the part of a dominant man).

But then, for once in both their lives, neither of their usual tactics work.

Akemi is trying to use flattery and seduction on Mizu, but Mizu sees right through it, knowing that Akemi is just trying to manipulate and harm her. Rather than give in to Akemi's tactics, Mizu plays with Akemi's emotions by alluding to Taigen's death, before pinning her down, and then when she starts crying, Mizu just rolls her eyes and tells her to shut up.

On the opposite end, when Mizu tries to use brute force and intimidation, Akemi also sees right through it, not falling for it, and instead says this:

"Under your mask, you're not the killer you pretend to be."

Nonetheless, despite the fact that they see a little bit through each other's masks, they both still hold their presumptions of each other until the very end of the season, with Akemi seeing Mizu as an obnoxious samurai swooping in to save the day, and Mizu seeing Akemi as a damsel in distress.

And what I find a bit irksome is that the fandom also resorts to flattening them to these tropes as well.

Because Mizu is not some cool, smooth-talking samurai with a big dick sword as Akemi (and the fandom) might believe. All of that is the facade she puts up and nothing more. In reality, Mizu is an angry, confused and lonely child, and a masterful artist, who is struggling against her own self-hatred. Master Eiji, her father figure who knows her best, knows this.

And Akemi, on the other hand, is not some girly, sweet, vain and spoiled princess as Mizu might believe. Instead she has never cared for frivolous things like fashion, love or looks, instead favouring poetry and strategy games instead, and has always only cared about her own independence. Seki, her father figure who knows her best, knows this.

But neither is she some authoritative dominatrix, though this is part of her new persona that she is trying to project to get what she wants. Because while Akemi is willful, outspoken, intelligent and authoritative, she can still be naive! She is still often unsure and needs to have her hand held through things, as she is still learning and growing into her full potential. Her new parental/guardian figure, Madame Kaji, knows this as well.

So with all that being said, now that we know that Mizu and Akemi are essentially wearing masks and putting up fronts throughout the show, what would a representation of Mizu's and Akemi's true selves actually look like? Easy. It's in their hair.

This shot on the left is the only time we see Mizu with her hair completely down. In this scene, she's being berated by Mama, and her guard is completely down, she has no weapon, and is no longer wearing any mask, as this is after she showed Mikio "all of herself" and tried to take off the mask of a subservient housewife. Thus, here, she is sad, vulnerable, and feeling small (emphasised further by the framing of the scene). This is a perfect encapsulation of what Mizu is on the inside, underneath all the layers of revenge-obsession and the walls she's put around herself.

In contrast, the only time we Akemi with her hair fully down, she is completely alone in the bath, and this scene takes place after being scorned by her father and left weeping at his feet. But despite all that, Akemi is headstrong, determined, taking the reigns of her life as she makes the choice to run away, but even that choice is reflective of her youthful naivety. She even gets scolded by Seki shortly after this in the next scene, because though she wants to be independent, she still hasn't completely learned to be. Not yet. Regardless, her decisiveness and moment of self-empowerment is emphasised by the framing of the scene, where her face takes up the majority of the shot, and she stares seriously into the middle distance.

To conclude, I wish popular fanon would stop mischaracterising these two, and flattening them into tropes and stereotypes (ie. masculine badass swordsman Mizu and feminine alluring queen but also girly swooning damsel Akemi), all of which just seems... reductive. It also irks me when Akemi is merely upheld as a love interest and romantic device for Mizu and nothing more, when she is literally Mizu's narrative foil (takes far more narrative precedence over romantic interest) and the deuteragonist of this show. She is her own person. That is literally the theme of her entire character and arc.

[ranchstoryblog]

Fandom Memories: HMFarm

Hmmm. So, nearly a quarter of you whippersnappers wanna hear about the good ol' days, huh? Well, back in the day, you wouldn't just hang out on one or two big websites to try to find people who shared your niche interests among a million random users. Everything had its own dedicated site, with its own special pack of weirdos that you probably wouldn't find anywhere else. Home grown fandom, sprouting from the cement sidewalks of the freshly paved internet like so many weeds with pretty little flowers on top. So, let's take a little stroll down memory lane and visit one of the oldest fan sites with Archive.org's "Wayback Machine."

Ahh, just like I remember it. This here is "Harvest Moon Farm." 'course, we just called it HMFarm, like the URL did. This used to be the place to be. The prime progenitor of all farmin' fansites in the English speaking community. Maybe not the literal first, but up until around 2005, this was where you would go if you wanted to know anythin' about digital farmin'. It truly was a magical place to visit.

This screenshot isn't the oldest design, but it's the one I fondly remember. The majority of my time using the site was during the lead-up to A Wonderful Life, which was probably also when it was the most active as an information source. Seeing the screenshots, checking the forums, speculatin', wonderin', dreamin'... It's a warm feeling. I can't really describe how it felt to look at these shots for the first time. Granted, they were mostly sourced from various places like IGN or Newtechnix, but who wanted to go to THOSE messy sites when all the info I wanted was right here? IGN wasn't telling me how to revive the Vineyard in Harvest Moon 64 while I was waiting for AWL news either.

Our first look at the character we would come to know as Muffy, the sheer novelty of being able to go into the townsfolk's glorious, 3D-rendered rooms, the apparent misidentification of flowering tomatoes... The webmaster, Gamergirl87, would caption each one as well. Some of the captions of those screenshots ended up not being exactly true, but it was the closest thing to on-going coverage we really had. Who else was there to trust?

It's a little off topic, but I think at one point after learning about the GBA connectivity, I must have dreamed about this very gallery and seeing a screenshot of a Gamecube-ized Popuri with the caption that Mineral Town villagers would visit after connecting the GC and GBA together. At least, I'm pretty sure it was a dream. I've met some people who claim they saw the same thing, but none of us have been able to find that screenshot or comment again.

The one that would most catch my attention was the one on the left here. I didn't have a PlayStation 2, so I was coming fresh off of the GameBoy and Nintendo 64 when going into A Wonderful Life. The pond, the mysterious glowing plants, the mood and ambiance of their lighting, the little tree on the door... Naturally, I mirrored it on my first day the remake was available.

It's a real shame that the message boards are poorly preserved, since it doesn't look like there was a news post about the pre-order plush cow. I was hoping to find the name of whoever it was that convinced me to commit my first ever preorder. I still have the receipt, but without the forum post it's really only tangentially related to HM Farm.

'course, just learning about existing games and upcoming games wasn't the only good thing HM Farm was for. As I alluded to, there was a whole community here! While it's a shame that the message boards aren't well preserved by the Wayback Machine, you know what is?

The "ideas" list! This incredible time capsule was one of the first "interactive" parts of the site, starting in the year 2000. It's kind of fun to see how many of these ideas actually happened. Obviously, new characters and personalities were probably expected, but Animal Parade would eventually feature a honeymoon, several games have clothing and other customization, a mall, city, and pig would be added as soon as GBC 3, a goat would be in A Wonderful Life... It's actually amazing how prescient a lot of the suggestions are.

I'd share the whole thing, but the amount of e-mail addresses involved gives me pause. Still, there's a couple I wanna highlight:

Considering how often I still hear about people wanting to marry the moms and people attributing it to just "the fans getting older," it's funny to see Laserion lay out that, no, we've always been like this. Right down to using Manna's unhappy marriage and Lillia's husband never returning as valid reasons they should be available.

Tuan145, on the other hand, I just find extremely amusing because of the specific "2002 Escalade" part. Yes, this is clearly the ideal vehicle for all farmers in the Story of Seasons universe. This is now accepted headcanon. The boat was added in GBC 3 too, so obviously a 2002 Escalade is going to be added any day now.

Another thing that's amazingly well preserved is the site's fan art section. There's a few missing images here and there, but for the most part the entire thing is open to explore. People of basically all ages and skill levels happily submitted their creations, including original characters, digital art, traditional art, crossovers with popular series like Sailor Moon, a liiittle bit of drug use... Y'know, all the kinds of things you'd expect to see in a fan art gallery of the day.

Even better, some of the artists are still doing art today! Looking around, I quickly discovered one of my favorites, Rina Cat, is now on Blue Sky. I made sure to ask for permission to repost their art before including it here. Reaching out to everyone would be a bit much though, so I'll just encourage you to just browse the gallery using the Wayback Machine yourself. There's poetry and fanfics too!

There's a lot more to the site, including useful bits of history like keeping track of release dates for games, pre-release screenshots, and information that was only available on Japanese websites at the time, but I'll leave it at that for now.

Unfortunately, though the site continued to be updated until 2010 and stayed online until 2021, it's no longer available on the regular internet and the URL doesn't seem safe to access anymore. I wanted to include an interview with the former webmaster as well, but all their readily available contact information was tied to the website and I haven't had any luck so far in finding other means of contact. If I have any success, I'll be sure to make a follow-up! If you have any memories of HMFarm, or other fan sites, I'd be happy to hear about it.

[extraordinarilyextreme]

on 妖 yao (and 慕声 Mu Sheng) in 永夜星河 Love Game in Eastern Fantasy (2024)

crossposted from a twitter thread!

there are SO many things i love about YYXH, but something i really appreciate is their portrayal of 妖 yao.

in ep. 10, Mu Sheng says, “人心有七窍，妖心只有一窍。所以大多数妖物的品行都简单执拗。” / "Human hearts have seven apertures [are complex and calculating]; but yao hearts have only one [are simple]. That's why the conduct of most yao creatures is uncomplicated and obstinate."

窍 / apertures (openings; orifices) are where the human body is connected to the outside world. as such, 七窍 seven orifices usually refers to the eyes (2), nose (2 nostrils), ears (2), and mouth (1). BUT...

in the context of the heart, it more often alludes to the virtuous character of 比干 Prince Bigan from the Ming dynasty novel 《封神演义》 Investiture of the Gods.

there, it was said that 圣人之心有七窍 / the hearts of saints [good men] have seven apertures...

...so, of course, the righteous and smart Bigan was rumored to possess a 七窍玲珑心 / lit. delicate seven aperture heart.

Bigan's story didn't end well (his heart was cut out by order of the infamous King Zhou of Shang), but 七窍玲珑 still means "clever and quick-witted."

now... 窍 can mean "opening"—but another way to say so could be 眼 / eye (or, "hole"). that is, we can draw a near-equivalency between 七窍玲珑心 / lit. seven-chambered heart and 多心眼 / lit. many heart's eyes; an overabundance of concern...

in particular, 多心眼 (or to say that someone 心眼多) not only implies wit and sharpness (i.e., "having a lot of thoughts"), but also some level of cunning and shrewdness. that is, to be "mindful of many things" means one is "considering of many things" and "calculating."

hence, returning to Mu Sheng's explanation: humans are crafty, always thinking of a hundred other variables and planning another hundred steps ahead. (that's why humans betray and deceive and hurt one another...)

but yao are simple.

yao don't have so many of these excess considerations. if they are hungry, they will seek to feed. if they are hurt, they will fight back. if they are scared, they will hide. if they are cared for, they will respond with equal gentleness.

in other words: yao are not human.

and this distinction is what made so many classic xianxias and yao-centric stories so compelling (think 白素贞 Bai Suzhen from the romance folktale 白蛇传 White Snake Legend).

to discuss our beloved 慕声 Mu Sheng as an example: it can be easy to say he has a jiejie-complex or is almost yandere-like about 慕瑶 Mu Yao, but we have to remember that as half-yao, he doesn't operate on the same frame of reference as humans. Mu Yao is the one person who has been consistently kind to him since he was young, and so he will reciprocate that kindness to (human standards of) extremity. likewise, when our cutie-pie 凌妙妙 Ling Miaomiao regards him with kindness, Mu Sheng will feel inclined to answer that with affections a hundred or a thousand times stronger.

though he grew up among humans, Mu Sheng's yao half should not be forgotten. humans may be fickle in their feelings; but yao (in general) will not be. once they have found someone worth their affections, they will love fiercely and to a terrifying degree. you can also understand it as yao not necessarily posessing the same understanding of 分寸 / "propriety" that humans do.

so, again, yao are not human—and that is why their stories have always been so compelling to us. we place limits on our conduct and behavior for a variety of socially-imposed and learned reasons, but yao as an imperfect reflection of our human selves allow us to live out our "fantasies" of extremity.

i think the new era of xianxias have largely traded that yao-human distinction for other things, like eye-catching CGI, flowy costumes, and the three lives, three worlds formula—which are, of course, not inherently bad.

YYXH itself is part of this new chapter of storytelling/the genre of xianxias after all (esp. given its existence as a 古偶), but that is ultimately precisely why it stands out so much to me.

is it the first or only xianxia in recent years to show that yao are nuanced? that yao are neither all good nor all bad? — of course not!

but i think it is undoubtedly among the very, very few in recent years that has successfully portrayed just what it is that makes yao so uniquely compelling. and that is due in large part to both strong writers (who also did 《苍兰诀》 Love Between Fairy and Devil) and strong actors.

in short, YYXH feels like a labor of love. love for the original 《黑莲花攻略手册》 novel; love for the xianxia genre; love for storytelling, in an era driven by capitalistic cash-grabs and the ruthlessness of c-ent.

the reality of that is up for debate, but as one individual viewer, i want to say that this drama has made me very happy. it is both respectful of and pays homage to the yao of classic xianxias.

and to be able to share and enjoy that cultural artefact—something that is so uniquely and immutably Chinese—with others, is something that brings me a lot of joy. ✨

[tarnishedtwill]

Nevarran Culture

Nevarran Surnames – It is remarked briefly in a codex that most Nevarran surnames are three syllables. This seems to be true with the majority we are exposed to in game: Pentaghast, Van Markham, Hezenkoss, Volkarin, Anaxas & Tanhausen to name a few examples. However we do see an exception with the Blackthorne’s and Forsythia families. Blackthorne’s notably adopted their surname from the land that was gifted to them, and Forsythia which [has four syllables] doesn’t seem to have any information alluding to them not being originally from Nevarra. 

Nevarran Features – From looking at a handful of known Nevarran characters [Emmrich, Cassandra, Myrna, & Tessa] It seems that generally speaking, most Nevarrans tend to have dark hair, often black, as well as brown to green eyes. [Hazel seems quite recurring.]  This of course is not always the case, but it seems to be quite prevalent. Likewise it seems that olive complexions seem to be quite common in the region.

[Death Watch] Beetles –The imagery of beetles can be found amidst Nevarran motifs. Fitting in amongst the geometric shapes well. Perhaps thats where the fascination first rose. Hard in Hightown mentions the use of encrusted wings being used decoratively by the Nevarrans. Boxes of Beetles can be found in the Black Emporium [DAII] with the following Codex [Crate of Live Death Watch Beetles] The Death Watch Beetle is thought to fortell death, and thusly has become prized. Sometimes families go as far as keeping one caged in their homes as good luck. Insect symbols are also used throughout the Grand Necropolis, necromancers state they, “Honor the work of the humblest creatures in our funerary rites.”  While this may be true looking at longstanding traditions in Nevarra including oftentimes vegetarianism, the codex goes on to provide a more clear idea on beetles. It states that Nevarran found a kind of beetle that consumes flesh of the dead [i.e. a carrion beetle] This leaves behind only the skeleton, insects like this are probably valuable in the grand necropolis to expedite decay processes and keep things ‘cleanly’. Emmrich notes [codex: ‘on beetles’] that the Watchers have bred ‘fascinating variations’ of the beetles, I find it so interesting that they rely on nature for this process instead of using magic as part of ritual. It’s unclear if these are specifically the death watch beetles mentioned in Hard in Hightown, but it is interesting to see the beetle motif surface in so many ways within Nevarran culture. [I also personally find several of the Mourn Watch insignias to look like stylized beetles.]

Hexagons– Alright, so I would adore anyone who may have additional insight, but now with the nearly completely decoded Nevarran script I feel comfortable to make this assertion, but the Hexagon has some type of cultural significance to Nevarran culture, it features not only in things like architecture and clothing [even the chains on Emmrich's outfit are hexagonal links] but also things like, every mourn watch symbol I have run across fits into a hexagonal outer silhouette not to mention the script of the Nevarran language’s alphabet fits neatly into a hex-base as well. I am trying to dig for design notes on this, but I don’t have access to the artbook. If anyone knows more I’d love the insight.

Cuisine – With the evidence provided by a menu in Rivain, referring to ordering a dish meatless as Nevarran, and several dialogue and text mentions of Emmrich not eating meat [though cheese seems fine]. It can be assumed its pretty common practice in Nevarra to be vegetarian. This makes sense if you look at their cultural reverence for dead and the importance of the body in their burial rites, probably paints eating the bodies of creatures in a different light. To us what is simply meat, is probably seen as mild desicration. Emmrich even goes as far to state: each Watcher must decide what they wll and won't take a life for. Though it is probably common for Nevarrans to think this way and partake in vegitarian based diets, I also would argue this could be in part class based as well. We know that Emmrich grew up in a poor family, and his father was a butcher. A butcher in Nevarra. This implies that despite the pervasiveness of things like no meat options being referred to as 'Nevarran', and there being cultural significance to how they percieve meat and death, people in Nevarra are still in fact eating meat with enough demand that a butcher was a feasable occupation. This also could imply perhaps meat is seen as a lower-class consumable, and being able to sustain a vegitarian diet with more diverse ingredients a privilege. Known dishes include: Blood Orange Salad, Flatbread [similar to a pita], and Hazlenut Torte. Nevarrans also take great pride in aesthetic presentation and plating of food, often displaying it quite beautifully and with care.

Grave Mist– With the appearance of a churning cloud within a bottle, Grave Mist is magically infused vapors. It is captured near tombs where spirits dwell, and has some type of intoxicating nature to it. We don’t know if its more along the lines of inebriation or hallucination, but Emmrich notes that while he personally doesn’t partake, he hears it’s effects are quite invigorating.

Duchess's Games- Held at the Anaxas estate in the Summertime, in which scholars from Cumberland test their wit against those of the Free Marches in debates. [often times over philosophy and rhetoric], usually taking place over tea with the Duchess Ravria Anaxas. 

Hunt Balls- Nevarran high society awakens each Winter, while other areas of Thedas brace for the cold. Winter is historically speaking one of the best times to conduct dragon hunts, as the cold weather causes them to be sluggish and stick closer to their hordes. As a society that celebrates the hunt of these magnificent beasts ‘Hunt Balls’ gained prominence quite early in their history. A chance for these nobles and ‘heroes’ to show off their mighty kills. Traditionally the great halls would be decorated with rather gruesome displays of the slain dragon, perhaps is heart or head the focal point. Now, with the scarcity of dragons to hunt, the balls have become more of a cultural metaphor. A display of passion amidst the cold winter, symbolizing the thrill of the chase, couples dress in armor and flowing red cloth and dance with fervor and passion to symbolize the hunt.

Additional note on Winter in Nevarra, the Minanter river is known to completely freeze over. It is a common site to see people skating along its surface, with vendors set up along the banks selling hot spiced teas, and roasted nuts.

Wintersend – A wide spread Andrastian holiday, originally called “Urthalis” [named after the draconic Old God of beauty Urthemiel], and since has been transformed in to a celebration of the Maker. It signifies for most throughout Thedas, the end of Winter and beginning of Spring. In Nevarra it begins a series of contexts and tournaments primarily focused on archery and tests of arms. Also note, Emmrich’s mom apparently made a Hazlenut Torte every Windersend.

Nevarran Statues/ Ancestral Pageants – While the finest statues and displays of pageantry happen in the Castrum Draconis, it is said that Nevarran statues honoring it’s heroes and ancestors extend out from the city, to the streets of even the meanest villages and even in to the gilded streets of Cumberland. Each autumn, residents of Nevarra city hold lavish pageants to honor these ancestors. Families are known to drape statues in colorful cloths often in their house colors, and lanterns are lit along the streets to illuminate them. Actors [paid in copper coins, which is specifically noted and an odd detail] are hired to recreate and perform stories and exploits of the heroes. The nobility are often known to compete over the best displays, notably the Pentaghasts and Van Markhams. It is to be noted that the Mortalitasi of the Grand Necropolis are also known to perform autumn rites at this time, ‘according to rumor’, it’s unknown if theirs are open to the public. I unfortunately have not run across a name for this festival/pageant.

Nevarran Spirit Philosophy- This is one of the main reasons that the Nevarran people choose to entomb and mummify their dead versus cremation, which is the more common form of ritual throughout Thedas. The idea is that once dead, a persons soul passes into the fade. This causes a spirit to then be displaced into the world, if mummified remains are nearby this gives the spirit a safe place to reside without risk of corrupting/turning. It’s a concept of balance, some scholars argue wether or not death is a 1:1 transaction across the fade. Emmrich states [codex: The Great Passage] that spirits have difficulty grasping the concept of quantities let alone numbers. Also that, no one knows a way to effectively tally both spirits in the fade, and people in the world, to ever entirel prove or disprove this theory. Nevertheless this is the concept at the heart of most Mortalitasi ideology, it is woven into the very folklore of Nevarra. The higher dead may be a melding of a spirit with the memories of the soul who came before– or even able to retain their souls.

Grave Dowry- It’s mentioned when asked why Emmrich wears so much gold that it is considered a custom called grave dowry. This is reinforced by the fact that if Mourn Watch Rook selects gold as their favourite color (conditional), the dialogue continues as Emmrich asks them if they have started their collection of grave gold yet. To which Rook responds they ‘have to decide which pieces are good enough for eternity’. If Rook is not a watcher and chooses gold, Emmrich replies by saying, ‘The Watchers wear grave gold in acknowledgement of our own deaths.’ [This implies that gold and opulence worn by members of the Mortalitasi is ritual. Its seen as something with foresight to have in death. This is very much so akin to grave good practices seen throughout the ancient world: think Mycenae, Egypt, or even Bulgaria <see Varna Necropolis>] Another codex [Aurum Profundis] mentions a passage from Prelate Vestalus Pentaghast remarking, “Gold is the eternal metal, and the sun beneath our vaults. It was first worked by our ancestors in tribute to the dead, and only Nevarra appriciates it’s sacred nner nature. Silver will tarnish, copper corrode and iron rust. Gold endures as our dead endure, and will ever adorn the inhabitants of the Necropolis.” I find that this quote perfectly captures the ideology and watcher sensibilities towards gold and the concept of dowry. It however is unclear if this is an ideology throughout Nevarra or just a tithe within the Mortalitasi.

This is my first post of several. I have been taking close notes deep diving Nevarra, the Mortalitasi, and the Grand Necropolis. I will be organizing them on my page under the tag Nevarran lore, If missed any key details or got anything wrong please by all means let me know, I want to make this as good as possible and would be happy to correct. Both for a resource for fic writers but also knowledge for my fellow lore nerds. More will be posted soon as feel sections become complete or mostly complete.

Update Edits:

Added information about Hexagons & the Nevarran Language.

Removed a section of lore on Recruitment as I found the citation to be unbacked and probably fanon.

Insight on why Butchers would be in Nevarra.

[iwillneverforgiveyousunghanbin]

bully⋆.ೃ࿔*:･

the endings

⋆˙⟡ zbully1 smut series masterlist! hanbin, jiwoong, hao, matthew, and taerae included. click here for game day (group) chapter.

⋆˙⟡ wc: member endings are ~1k each, group endings are less than 500 words each! (in total: ~5k)

⋆˙⟡ reader: no pronouns used for reader at all in any of the endings :)

⋆˙⟡ series summary: five bullies. six days. it's gonna be a hell of a week, babe. stay hydrated.

⋆˙⟡ endings summary: choose your own ending! jiwoong, hao, matthew, hanbin, taerae, group (quasi-poly), and group (revenge) are all included. most are angst/fluff and some are suggestive.

⋆˙⟡ warnings: there is no smut in these endings, but they allude to smut that happened previously or suggest smut that would follow these endings. please, minors dni still with this post! member endings are all happy (with angst). revenge ending is also happy, depending on what makes you happy! lol.

I'M SO SAD IT'S OVER. writing the bully series was so much fun! thank you to the anon who suggested it in the first place a couple months ago and for everyone who has given positive feedback/input! i appreciate it so much. these endings are all crafted with so much love! let me know which one you love most. maybe i'll put a poll at the bottom lol. ily, catch you in the next series!!

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jiwoong 🎭

“so i’ll hand out these scripts and we’ll get started right away,” professor lee announces, walking around the room and handing out scripts for everyone’s assigned scenes. mina sits next to you as usual, except this week she’s staring daggers at jiwoong from across the room. you guess it beats her making googly eyes at him.

mina had called you last night to rant again about how much of a jerk “jiwoong-sshi” is. note the absence of the word “oppa”. you were sorry that he’d stood her up, but you knew what kind of a person he could be long before last week. 

and she unfortunately didn’t seem to care how much of a jerk jiwoong was when you were the one bearing the brunt of it.

but you don’t want to dwell on it. you’d just fucked him and four of his friends in the campus activities lounge and had no plans to tell her. she’d asked you how the “revenge” went, but you’d kept it all pretty vague. mina was no prude, but she might have the urge to gossip a bit with news as insane as that. you wouldn’t blame her if she did.

still, you didn’t regret what you did saturday. not even a little bit. in fact, it made you feel kind of proud every time you thought about it.

you spend all of class working on a scene with mina in which you play a really outrageous set of characters trying to escape arrest. it’s a role that you’ve never opted to take before— one that requires you to be bold, funny, and brave. 

professor lee praises you after you present it at the end of class. “excellent work. what’s gotten into you, (y/n)-sshi? whatever it is, let’s keep peeling back that shell!”

you smile with pride, eyes scanning the rest of the room until they happen to land on kim jiwoong.

he’s smiling, too.

when class ends, you pick your bag up off the floor and toss in your marked-up script. you’d normally throw it in the recycling bin, but you want to keep it this time. as a reminder of what you’re capable of when you’re sure of yourself.

mina giggles as you walk out the door together and into the hallway. “i’m surprised, but you really pulled that off!”

“i’m not.”

both of your heads whip around to find kim jiwoong leaning against the wall behind you.  

“you just needed some... encouragement,” he says with a smirk, but there’s a noticeable warmth in his eyes.

“and what exactly do you need in order to be able to show up to a commitment you made?” mina asks with a scowl. your eyes narrow at him, too.

“listen, i–... i’m really sorry, mina,” he responds sincerely. the fact that he even got her name right has you stifling a gasp— let alone the apology that prefaced it. “i shouldn’t’ve stood you up. that was mean. so i’m sorry.”

mina sucks in her cheek, looking at the ceiling as she considers his sentiment.

“but i actually have something else to apologize for, too,” he adds quickly, gaze moving back and forth between the both of you. “i... i wasn’t really interested in you in the first place. i was—... i used you. to get a reaction out of the person i’m actually interested in.”

his eyes meet yours. your lips part in shock at his sudden confession. you stare at him for a long moment, unspeaking until—

“AREYOUKIDDINGMEYOUABSOLUTEDICKOFAHUMANBEINGYOULIETOANDSTANDUPMYFRIENDANDLEAVEHERINFUCKINGTURMOILOVERYOUANDTHEN—.”

you glance over at mina, expecting to see tears running down her face but instead...

she’s grinning. from ear to ear. and not in a joker sort of way— just genuine happiness.

“i knew it,” she says, clasping her hands together in front of her face and jumping excitedly. “i KNEW it! i knew you both liked each other!”

“you—... what!?” you exclaim, eyes bugging at this bizarre turn of events. “what do you mean, ‘you knew we liked each other’!?”

“i’m also confused,” jiwoong says with a frown. “considering i didn’t really know until, like, yesterday.”

“well, i knew you were going to like each other. eventually,” she says with a nod. “you know, shy, quiet person and arrogant, attractive person trope. it’s destiny!”

“if you really thought that, then why did you wanna go out with him so bad?” you ask through furrowed brow.

“‘cause he’s hot. duh,” she says, shaking her head with a smile as if your question was very silly. “can you blame me for wanting a taste first?”

“well, if it’s just a taste we’re talking about—,” jiwoong starts to offer with a smirk.

“one more word and the only thing you’ll be tasting is—” you interject, balling your hand into a fist.

“aw, first lovers’ spat! i’ll leave you guys to it,” mina says quickly before sprinting off down the now-empty hall. 

you look down at your shoes awkwardly. “i have nothing else to say to you.”

“then, you won’t mind if i talk?” jiwoong asks, not waiting for a response to continue. “when hanbin made me start bullying you last year, i honestly didn’t want to. you were pathetic enough already without my help.”

“gee, thanks,” you reply with with a frown.

“but then i sort of started to have fun with it. the way you reacted was absolutely intoxicating. you made it all so rewarding— coming up with a new plan to drive you crazy every day,” he explains. “then last week, when we started that competition, i found a whole new way to drive you crazy. and i liked it a lot more.”

“this is the most convoluted apology i’ve ever received,” you remark with a sigh.

“after saturday, seeing you like that... you were far from pathetic. and it made me proud. i think, somewhere along the way, i just became really fond of you,” jiwoong confesses, stuffing his hands in his pockets. “and i also desperately want to buy you better clothes.”

“okay, i’m leaving now,” you announce, turning on your heel.

“what a coincidence. me too,” jiwoong says, grabbing your hand and lacing his fingers with yours as he starts to drag you with him down the hall. “you’re hungry, right?”

you start to protest, but as you look at his handsome side profile— dark hair covering the tips of his ears— you realize you are, in fact... hungry.

“starving,” you answer. 

he stops walking to look at you, eyes widening with surprise. “yeah? what would you like to eat then?”

staring at his lips, you can’t help but lick your own. “mina’s right, y’know.”

jiwoong’s head tilts, the corner of his lip upturning slowly as he registers your expression. “is she?”

“mhm,” you answer, pressing your lips to his. he responds quickly: soft, lazy, and stupidly addictive. you can’t believe you let him get away last week without kissing you. you could give him just one chance, couldn’t you? “but what she doesn’t know...”

he attaches your lips again, free hand cupping your jaw.

“is that one taste of you...”

jiwoong inhales sharply as you gently bite his bottom lip.

“just isn’t enough.”

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

hao 🎻

you rush into orchestra on tuesday, already five minutes late. unfortunately, your regular bus never showed at the stop. and then your back-up bus also never showed. which means you had to walk all the way to campus when you hadn’t planned to— your violin case in tow.

rehearsal having started already, you make a beeline for your seat and frantically open your violin case. luckily you’d warmed up your instrument before you’d left your house this week and your bow is ready to play when it hits the violin strings. 

or, it would be, if you didn’t just realize you forgot your sheet music.

“oh, for fucks sake,” you mumble, looking up at the sky and begging for the sweet release of death in this tragically embarrassing moment.

a soft creaking noise draws your attention to your left, where you find hao’s music stand is suddenly angled in your direction.

he doesn’t say anything or look at you. he just keeps playing. and so you follow the first chair’s lead.

rehearsal goes surprisingly well. you’re sure you managed to correct all of your mistakes from last week after being able to put more rosin on your bow.

“third and fourth chair are falling behind the tempo,” hao replies when professor ahn asks him for notes about the performance. your eyes widen when he names a violinist other than yourself that needs correcting. “it makes it harder for first and second chair to successfully introduce and complete the next movement.”

first and second chair? hao was voluntarily grouping you together?

professor ahn seems as surprised as you. she nods, writing down her own notes in the binder on her music stand. she waves her hand, dismissing the orchestra for the day. you clean your violin, getting it ready to be put back in its case as your classmates begin to file out of the orchestra room.

“(y/n)-sshi,” professor ahn calls suddenly from the doorway. your heart drops to your stomach at the mention of your name. “you actually played quite well today. i’ll assume it’s because you had the help of the concertmaster’s annotations. don’t be late again.”

you nod quickly, bowing your head respectfully to her. “thank you, professor-nim. i’ll play even better next time.”

you’re left alone with hao as usual, both cleaning your violins with the utmost care. when you finish, you place your instrument in its case before fishing around in the side pocket and pulling out something small.

hao locks his violin case, placing it sideways at his feet. finally, he looks at you.

you hold out the cake of rosin that he’d given you last week and told you to bring to your next rehearsal. you’d be remiss to notice that even though you didn’t show him until after class, he never told professor ahn that you’d stolen it like he threatened.

hao examines the rosin, completely ruined from what you’d both done with it. there was no cleaning it and you couldn’t use it if you tried.

you expect to catch some attitude, but, to your surprise, he smiles. “guess it couldn’t be salvaged, huh?”

“guess not,” you agree with a shrug. “at least you got some use out of it.”

“mm,” he hums after a moment before reaching down and reopening his violin case delicately. his hand disappears into one of the side pockets and pulls out a fresh cake of his premium rosin.

and then he hands it to you.

you stare at it in your palm, wide-eyed. “w-what are you—”

“you’re a pretty decent violinist,” hao says matter-of-factly. “sometimes— not often— but sometimes i feel like you have the potential to be almost as good as me. but you’ll never reach it if you don’t start using higher quality products to care for your instrument.”

“oh,” you reply, brow furrowing as he locks up his violin again. “so you’ve decided to take pity on me now?”

he smirks. “something like that.”

“i guess it’s better than pure hatred,” you respond, rolling your eyes as you tuck the box of rosin into your own violin case.

“i never hated you,” hao says with a frown. you sit back up, lips parting as your eyes meet his. “i didn’t particularly like you, but i only told professor ahn about the mistakes you were making because they were careless. you always came in the next week with those same mistakes completely perfected.”

“so you were motivating me through public shame?” you clarify, one brow piqued in disbelief. 

“doing whatever it takes to improve the sound of the orchestra is what sets a great concertmaster apart from a mediocre one,” he explains, deciding to paint himself as a misunderstood martyr. 

“oh, i’m sure it was so difficult for you to step up and take one from the team,” you mock, a laugh escaping you at hao’s audacity. “do you hear what you’re saying? you’re so fucking full of yourself. who gave you the right to play god and—?”

hao leans in, connecting his lips to yours mid-rant. your breath hitches in disbelief as he pulls back.

“would you be mad if i said i wanna get to know you better?” he asks, hand resting on your thigh.

you look down at his long fingers on your soft skin. “furious,” is what you answer.

he presses his lips together in a hopeless smile. “i’ll take it that means you don’t feel the same way then.”

“you always think you know everything about everything,” you huff, grabbing his hand in yours and bringing it further up your thigh. “but you don’t. so i guess you will have to get to know me better if you wanna keep being an insufferable know-it-all.”

as soon as a smile appears on hao’s face, it’s replaced by the cutest frown. “i’m sad now.”

“why?” you ask, not sure how your answer could’ve possibly made him sad when it was the one he wanted.

“i took for granted how absolutely fucking adorable you are when you’re angry,” he whines, a disheartened little pout on his pretty lips. “kind of makes me wish i could keep making you angry from time to time.”

you blink at him, looking around awkwardly as a reluctant smile grows on your face. “i mean—... i guess i’d have to worry about my playing skills suffering if you stop completely. that wouldn’t be very responsible of concertmaster-nim.”

“no, it wouldn’t,” he replies, biting his lip in a smirk. you’re fully aware of what this title does to him. “so what should i do to keep you playing well?”

you look up at the ceiling, considering your options. “maybe you could see what other things in the music room fit up my—” “that’s depraved,” hao scolds, shaking his head at you in shock before a grin peeks through. “are you free right now?”

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matthew 💪

with three weeks left of your soccer unit in phys. ed, you braced for an awkward class on wednesday. as you wait outside in the warm, spring breeze with your classmates, you waited anxiously for matthew to show up.

he doesn’t. 

coach yang blows his whistle, signaling for you to form a straight line in front of him. luckily one of your classmates asks the question for you.

“coach-nim! where’s matthew hyung?” the younger boy asks in front of you. “we wanted to talk to him about the game.”

“ah, matthew-sshi is on a strict regimen of weight-training and cardio until the championship,” coach yang answers with a sigh. a little quieter, he adds, “and maybe that’ll teach him to stay in line.”

maybe, you think. maybe not.

it’s a surprisingly pleasant p.e. class. your classmates are respectful, giving you as much grace during the game as possible. your sunbaenim from your calc class even pushes you behind him when a ball comes a bit too quickly towards your face.

“thanks,” you say with a smile.

he smiles back. “don’t mention it.”

this class sure was different when someone wasn’t trying to kill you the whole time. that being said, you’re pretty disappointed that matthew isn’t here. you can’t help but wonder how he would’ve treated you today after saturday night.

when class is over, coach yang hands you a hose, some rags and a ball trolley. he still can’t look you in the eye after what happened. “here’s your supplies. shouldn’t take you more than an hour.”

you nod ashamedly, getting to work right away.

“and a word of advice,” coach yang adds over his shoulder. “don’t be afraid to put him in his place from time to time. you played well today without him. it’s nice to see you have some more confidence, (y/n)-sshi. good luck.”

the last thing you were expecting today was a pep talk from coach yang. you walk over to the right side of the field and pick up a muddy, grass-stained ball and bring it over to the hose. washing it thoroughly and buffing any stains with a rag, you drop it into the ball trolley and make your way to the back of the field to retrieve a couple more.

you grab one from behind the goal, turning around to fetch the other one. but as you do, you come face to face with matthew— tossing the ball gently back and forth between his hands.

“hi,” he greets shyly. 

your lips press together in an awkward smile. “hi.”

he doesn’t say anything else for a moment, so you brush past him— bringing your ball back to the hose. he follows behind you quietly, placing his soccer ball on the ground beside yours. you pick up the hose and douse them both in the cold water.  matthew picks up a rag and kneels down on the ground next to you, buffing the soccer ball you’d brought over.

you pick up the one he brought over, doing the same. “that one was mine.”

his eyes widen, holding out the ball to you wordlessly in an attempt to give it back.

you can’t help but laugh. “i was just kidding.”

“right,” he replies with a nod, returning to cleaning the ball. “sorry.”

you raise one eyebrow at him quizzically. “are you okay?”

“hm?” he asks before nodding quickly. “oh, yeah. i’m fine.”

“are you sure?” you question further. “because this is my punishment and you’re helping me when you should be getting ready for practice.”

matthew shrugs. “it was my fault.”

“it absolutely was,” you agree, tossing your soccer ball into the trolley. “and you got away with it scot-free.”

suddenly, matthew’s hand reaches toward your forehead— thumb brushing over the tiny scar from where the ball he kicked had scraped your skin. “i shouldn’t have.”

well this is... new. matthew taking accountability for his actions? you never thought you’d see the day.

“i—... um...” he stutters, starting to pick at the grass in front of him. “i think i should probably be punished. for that. and for a lot of things.”

oh.

so he’d really liked it.

“oh. should i tell coach yang to—,” you play dumb, starting to stand up like you’re about to march right into his office yourself. 

“NO! ... no. no,” matthew grabs your hand, keeping you seated next to him. he bites his lip, clearly embarrassed by what he’s about to say. “want you to do it.”

“huh,” you reply with frown. “i thought you didn’t really prefer people who were tainted.”

“you aren’t tainted,” he says, shaking his head. “that—... that was really immature of me to say. and gross. and i’m... i’m sorry.”

you look at him for a long moment, studying his eyes to see if he’s being genuine or not. there’s no obvious signs of lying. he’s very nervous, but it’s not because he’s being untruthful. maybe it’s because he finally is.

“and i can also assume that you said sorry to the waterboy?” you ask, pressing your lips together in an attempt to not laugh at his panicked expression. “and that defense player on the other team? actually, you should probably just draft a mass apology and send it to every university team you’ve ever played against. it would save some time.”

matthew nods sullenly. “yeah. i can do that.”

you have to admit, you like matthew quite a bit when he’s like this. he’s agreeable, apologetic, and distressingly adorable.

“i appreciate your willingness to cooperate,” you reply, patting him on the shoulder gently. “i think... maybe... we could make this work.”

matthew’s eyes light up at this. “really? you’d wanna keep doing... this?”

you smile. “yeah. it doesn’t sound so bad, now that you’re being nice to me.”

matthew smiles with embarrassment, avoiding your gaze. “i guess i should’ve tried this approach last year. but i—... have you ever heard of alpha male podcasts?”

“matthew,” you groan, palm flying to your forehead in disbelief. “you’re gonna unsubscribe from every single one of those, okay?”

he nods frantically. “of course. they didn’t get me anything anyway, except a light ‘roid addiction.”

“do not tell anyone that, oh my god,” you reprimand, hitting his thigh. “you’re also gonna throw all of that out immediately.

“ah, it was so expensive though,” he winces, tilting his head as he weighs the consequences. “can’t i sell them instead?”

“JUST GET RID OF—,” you shout, cutting yourself off when matthew suddenly leans over and kisses your cheek.

he grins. “you’re so beautiful when you’re disappointed in me.”

“you’re—... you—...” you stutter until matthew leans in again, pressing his lips to yours this time. he pulls back, leaving your brain hazy. “please don’t be so mean to me again.”

he shakes his head decisively. “i won’t. i promise.”

you smile, stomach fluttering as he beams at you. 

“but, like... you’re okay with being mean to me sometimes, right?” matthew asks, scratching the back of his neck.

“oh, absolutely,” you answer with a nod. “i’ll start now.”

he laughs passively, obviously interpreting this as a joke. “sure, sure.”

you stand up, hovering your foot over his crotch. “finish cleaning these soccer balls. now.”

matthew’s eyes widen with fear, hopping to his feet immediately, bowing his head to you, and sprinting off to the end of the field to complete his task.

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

hanbin 📝

“hanbin-ah!” you shout, running down the dimly-lit, empty hallway. how far could he have made it in the few minutes since he’d stormed out of the activities lounge without so much as a word. 

“hanbin-ah...”

a banging down the hallway to your right seems to signal his location. you turn down it, running until you reach the end and a long hall of public lockers unfolds before you. to your left is a very distraught hanbin, clanging his locker door about as he holds a small book in his hands.

the floor is littered with torn up pieces of paper, that seem to be coming from the book he’s holding.

“FUCK,” he yells, ripping out another page from the book and crumpling it up— tossing it onto the ground, where it lands at your feet.

you bend down and pick it up, carefully unfolding it and reading what’s written:

what the fuck does (y/n) see in junseo hyung-nim? i thought that poem was for me. could (y/n) really choose him over me? is he better than me? i don’t understand. what did i do wrong?

it’s a diary entry— your name, mentioned twice. the confession contained in it sends a chill down your spine. hanbin had posted your poem about junseo sunbaenim out of spite.

out of jealousy?

you pick up another crumpled paper and unfold it, reading:

i just hung up all the copies of the poem around campus. i got the other guys in on it, too. maybe this’ll teach you not to take people for granted. maybe it’ll keep you thinking about me.

hanbin throws his empty journal across the hallway, sitting down on the ground with his back against a locker as he runs a hand through his hair in distress.

you walk over to him cautiously, standing in front of him and waiting until he looks up at you. you hold out the pieces of paper from his journal and drop them on his lap. “so you decided to ruin my life because you couldn’t have me?”

hanbin reads the writing on the crumpled papers, tears suddenly spilling over and streaming down his cheeks. he wipes them away as quickly as they come. his chin dimples up with sadness. it reminds you of something...

you look in his locker, finding his messenger bag and opening the flap. you dig around gently until your hand wraps around it.

you sit down next to hanbin, back against a locker as you place the little, plush hamster in his lap. he stares at it for a long moment before finally picking it up in his hand and giving it a gentle squish. a tear falls onto the hamster’s nose.

“you found this the other day?” he says, rubbing the back of his hand across his cheeks again.

you nod. “he’s cute.”

hanbin smiles. “i was hoping you’d think that.”

“what do you mean?” you ask, a confused pout forming on your lips.

“i was hoping you’d think he was cute,” he says, running his thumb over the hamster’s fur, “when i bought it for you.”

“what?”

“on the class trip to the national library last year,” he continues. “we sat next to each other on the bus and you pulled three plushies out of your bag like it was the most normal thing ever. and you told me all their names and what they wanted to be when they grew up.”

“hanbin-ah...”

“and we took those polaroids of each other outside on the grass. and ate kimbap at the picnic table in the garden. and ran around together finding the weirdest books we could. and then, in the giftshop, they had a bunch of cute plushies themed off of children’s books and...” hanbin rambles wistfully. “and i bought this one for you while you weren’t looking.”

“hanbinnie, i’m so sorry,” you interject truthfully. you see the full picture now and you never had before. “i shouldn’t’ve been so oblivious as to make you feel like i was leading you on, but i was. and i never should’ve told you about that poem in the first place. i’m sorry.”

he blinks back at you before shaking his head adamantly. “it’s— it’s not your fault.”

“but i hurt your feelings,” you assert, meeting his gaze. “and i never wanted to do that. you were my first friend i made at university. actually, you’re the only friend i’ve made at university. how pathetic is that?”

he shakes his head again, brow furrowing sadly. “it’s not. it’s—... it’s my fucking fault that that happened. it’s... it’s all my fault.”

“hanbinnie, it’s—... it’s okay, you—,” you try to alleviate his burden, like the moral person you are.

“no, don’t do that. don’t say it’s okay, because it’s not,” hanbin asserts, rubbing his forehead with the heel of his palm. “i made you share something you didn’t want to. and i betrayed your trust. and i—... fucking—... all because i couldn’t handle my own emotions?”

you chew your cheek nervously. “listen, it’s okay—.”

“you’re the nicest person on the fucking planet if you can sit here and say that’s okay,” he says, a sad laugh escaping him. “i don’t deserve your forgiveness, but... i don’t know if i’ll ever be able to fully express to you how sorry i am.”

you don’t respond, stunned by hanbin’s genuine apology. 

“i could try, though, if you want me to,” he blathers on anxiously. “i could write a hundred thousand words worth of apologies and you could rip them all up and make me start again and—.”

“he looks like you,” you interject suddenly.

he frowns. “hm?”

“the hamster,” you clarify, holding out your hand. eyes wide, hanbin places the hamster in your palm. “he looks a lot like you.”

hanbin doesn’t say anything, his eyes trained on the side of your face as you squish the little plush. 

“it’s funny, actually,” you hold the hamster up for him to see. “looking at this hamster and trying to be mad at him is a lot like how it feels when i look at you.”

eyes still wide, hanbin’s bottom lip finds its way between his teeth— not sure how to answer to your overwhelming mercy.

“you’re right. that wasn’t okay,” you say as you bring the hamster to your lips, giggling after you give him a little peck. “but this is okay.”

“this?” he repeats.

“doesn’t this feel pretty nice?” you pose, eyes locking with his. “us getting along?”

hanbin nods slowly. “yeah. it does.”

“what do you say we continue this?” you ask with a smile. “indefinitely.”

“i—...” he stutters as a smile grows on his lips as well. “i’d really like that.”

“me too,” you agree, eyes abruptly narrowing. “but it’ll cost you.”

his brow raises, swallowing hard at your words. “absolutely. anything. name your price.”

you hold up the hamster to the side of your face, doing your best to mimic his little expression. “i want him.”

if hanbin’s eyes could turn to cartoon love hearts, they would. but because he’s a human person, his pupils simply dilate. “you—... i—... he’s yours. he was always yours.”

you grin, giving the hamster a hug. “thanks.”

“thank you,” he says, still reeling from your cuteness. “i’ll miss him, but he’s where he belongs now.”

“maybe you can visit him sometimes,” you offer, biting your lip shyly. “you’re clearly his biological father, after all. i’m sure your presence in his life is nothing less than enriching.”

he laughs. “some father i am. i didn’t even manage to give him a name.”

you smile. “he has a name.”

hanbin tilts his head curiously. “he does?”

you nod. “his name is binnie. jr.”

his cheeks turn red at this suggestion. “really? you want to name him after me?”

you don’t answer. instead, you ask softly, “hanbinnie?”

“yeah?” he replies eagerly.

“do you...” you start, finding the confidence to finish your question. “do you still like me?”

hanbin’s breath hitches in his throat. “um...”

“it’s okay if you don’t,” you assure with a sigh. “i just... a year ago, i didn’t even know someone like you would be interested in me. you’re so handsome. and smart. and the soccer team’s star player. i never even considered the possibility that you felt that way about me. but now, i—... i have more confidence. maybe you accidentally gave it to me, but i have it nonetheless.”

he looks at you intently, waiting for you to continue.

“and i think i realized that... i want you to like me,” you confess. “i wanted you to like me the whole time. i just didn’t want to admit it because i was afraid it was too much to ask for. and i—.”

“(y/n),” hanbin interjects with the fondest smile imaginable. “i like you so much i think my chest might explode.”

you can’t stop the grin that spreads across your face. neither can he. hanbin brings his hand to cup your jaw, leaning in and pressing his lips to yours. 

“oh and i’m sorry i fucked all your friends right in front of your face,” you say, pulling back momentarily.

hanbin laughs, shrugging it off. “i totally deserved it. and... it was pretty hot.”

“keep kissing me,” you request with a smile.

“don’t have to tell me twice.”

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

taerae 🎤

after a completely bizarre session of portraits and quotes for the campus newspaper, the boys all awkwardly grab their things and head out the door. as you place your clipboard and pen on the activities director’s desk, you see a familiar backpack shoved behind a chair. you forgot you’d stashed taerae’s bag and phone in here when he didn’t come back for it on friday.

you walk over to it, picking it up off of the floor and slinging it over your shoulder. you shut off the lights, walking down the hallway until you spot your former best friend— sitting alone on the entrance steps to kang hall in the spring night air.

you plop yourself down next to him, placing his bag on the step in front of him. he turns to you, eyes red and watery.

“oh, tae,” you whisper, head falling instinctively to his shoulder. 

“why’re you comforting me?” he asks with a sniffle. “you should be punching me in the face or something.”

“would you prefer it?” you joke, trying to get him to smile. “because i can absolutely just—.”

“this is good,” he says with a breathy laugh.

“good,” you affirm, lifting your head to meet his gaze. “i love you.”

“(y/n),” taerae seems to plead. “i can’t—.”

“i love you,” you repeat. “and i miss you so much.”

“i—...” he stumbles verbally, but grabs your hand in his. “i—.”

“when did you lose your virginity?” you ask, tilting your head curiously. 

he gulps. “uh... a couple years ago.”

“and you didn’t tell me?” you question, a little hurt that he’d kept this big news a secret from you even when you were still friends. “to who?”

taerae shakes his head anxiously. “it’s not that important.”

“oh, come on,” you urge, squeezing his hand. “i told you i lost mine to sungchan oppa during that pool party at mina’s dad’s house.”

he flinches at this. “i remember.”

“it was that same pool party where you threw up in the pool,” you say with a smirk. “an eventful night for both of us.”

“mhm,” taerae mumbles shortly. he was definitely growing more bothered with each mention of that party.

“and to think, a couple of years later we’d do what we just did,” you muse in an attempt to dig something more out of him. “we’ve come so far from you throwing up in the pool at the thought of kissing me.”

“i never said that!” taerae exclaims with frustration. “you said that. and i just... went with it.”

you shake your head, brow furrowing confusedly. “then why did you throw up?”

“because—... because i was nervous,” he says softly. “i was so nervous to kiss you that i threw up in mina’s dad’s pool and then i was so embarrassed that i couldn’t even open my mouth to deny that i was disgusted by the thought of kissing you.”

you blink at him in shock. “did—... did you have feelings for me?”

after a long moment, he nods. but there’s more tension lingering under the surface. you know there’s more that needs to be said.

“i really liked you,” taerae confesses softly. “i never wanted to weird you out or anything, but i just liked you from the first day i met you. i loved being your friend, but i just couldn’t help it. when you told me at that party that you’d hooked up with sungchan hyung... i just got so jealous. i thought i could be cool about it, but i was drunk and...”

your eyes are wide, clinging onto his every word.

“and i hooked up with someone, too,” he admits with a pained expression. “i thought it might be the only way to make you jealous back, so i—... i—...”

you hold your breath.

“i hooked up with mina!” he exclaims quickly, looking down at his lap in shame.

“YOU WHAT!?” you scream, grabbing his jaw and forcing him to look you in the eyes. “that’s not fucking funny!”

“i know it’s not,” he replies despairingly. “i regretted it instantly afterwards. no— while it was happening. i was so disgusted with myself. i hated lying to you, but i just couldn’t bring myself to tell you the truth. i thought i wouldn’t have to until last year, when hanbin hyung came up to me in the hallway after class.”

your brow furrows at the mention of hanbin’s name.

“he said he knew what i’d done with mina. apparently he had a few friends that went to the party,” he explains sadly. “and that if i didn’t do exactly what he told me to, that he’d tell you what i did and he’d make things even worse for you. i just couldn’t let either of those things happen.”

“how—... how did you even manage to bag mina?” you ask in a daze.

“well, i mean,” taerae grimaces. “it’s mina.”

“she’s a total slut,” you nod, catching on immediately. “more power to her.”

“the most power to her,” taerae agrees quickly. 

“why didn’t she tell me?” you wonder.

“oh, that one’s easy,” taerae answers with a shrug. “she said she’d rather die than let anyone know we slept together.”

“that sounds like mina,” you affirm. so the truth was out. it’s hard to wrap your head around everything all at once, but you were definitely relieved that taerae didn’t actually hate you. he was just an idiot.

“i’m so sorry, (y/n),” he apologizes genuinely. “for everything.”

you sigh heavily. “i’m sorry, too.”

taerae’s eyes widen in surprise. “what do you mean? you don’t have anything to be sorry for.”

“i’m sorry i bragged to you about losing my virginity. i could’ve been more sensitive with that information,” you reply. “and i’m sorry that i said you threw up in the pool, because you didn’t want to kiss me and never asked you what the truth was. i could’ve been more considerate of my best friend.”

“i love you,” taerae says abruptly. “being without you this year was literally the worst thing that’s ever happened to me.”

you nod in affirmation. “let’s never do it again.”

“never,” he agrees with a wide, dimpled grin. that smile you missed so much. you watch it fade naturally, replaced by a fond gaze. but you desperately want to see it again.

so you do the only thing that you can.

you kiss him.

he pulls back after a moment, that perfect grin shining back at you. it’s enough to light up the night sky. 

“i know i was using the past tense before, but,” taerae says, biting his lip. “i still really like you.”

you smile, pulling him back in to meet your lips again. “prove it.”

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

group (poly) 🥵

you look around the room, every boy avoiding eye contact with you in an attempt to quell the awkward tension. it feels amazing. exactly how you were hoping it would.

"so, uh," jiwoong starts, scratching the back of his neck. "are we gonna do those interviews now?"

you shrug. "you can just text me a quote, if you want. probably easier actually."

they all agree nonverbally, the uncomfortable haze still lingering in the air.

"you can also text me about when you'll be free again," you add, the boys heads turning rapidly to look at you.

"uh... which one of us?" matthew asks with a frown.

you shrug. “whoever’s down.”

“you—… you wanna do this again?” hao asks, lips parted in shock.

“why not?” you answer honestly. “i had fun. but if you’re not into it, that’s okay too.”

“i’m into it!” hao replies a bit too quickly. “i just meant that… i didn’t know you would be.”

“i guess before last week, someone would’ve had a hard time convincing me that i’d wanna do this once— let alone twice,” you admit with a smile. “but i think i’ve proved i changed.”

“and you’re okay with… changing?” taerae asks, worry in his eyes.

you nod definitively. “yeah. i am.”

“so, after all this, you’ve decided you just wanna fuck all of us whenever you want?” hanbin asks, standing up from the desk he’s sitting on and walking over to you. “you really think you’re hot enough for that?”

you smile at him. “no one’s forcing you to participate.”

hanbin frowns, studying you as you hold eye contact.

“don’t be too upset, hanbinnie,” you say with a pout. “you’re the one who wanted me to fuck your friends in the first place. you just forgot to consider i might end up really liking it.”

he stares at you for another long moment. and then, he smiles. “i guess you’ve won your own game then?”

you smile back. “i guess i have.”

“then i have to pay the price, fair and square. we all do,” hanbin nods with respect— an undeniable warmth in his gaze. “congratulations.”

you look at the other boys around you— excitement reaching their eyes as you grin. were they really all yours now?

“thanks,” you say happily. “i couldn’t have done it without you.”

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

group (revenge) 😈

˚　　　　✦　　　.　　. 　 ˚　.　　　　　 . ✦　

you look around the room, every boy avoiding eye contact with you in an attempt to quell the awkward tension. it feels amazing. exactly how you were hoping it would.

"hey, is that camera on?" jiwoong suddenly asks, pointing at the camera you set up by the photo wall to take portraits for the campus activities interviews.

at least, that's why you told them you set it up.

"there's a little red flashing light," hao observes with a frown. "to the left of the lens."

"did—... did you record this?" matthew asks, fear palpable in his eyes as he looks at you.

you hop off the desk you're sitting on, grabbing your shorts and shimmying them on. walking over to the camera, you hit the record button again to stop filming. then you, take the camera off it's tripod and throw it in your bag that's sitting on the ground beside it.

"it was a pleasure doing business with you boys," you say, making your way towards the door.

hanbin stands up, grabbing your shoulder. "what are you gonna do with that?"

you shrug. "nothing."

his brow furrows tensely, not sure whether to relax or not.

"yet," you finish.

"(y/n), please," taerae begs from behind you. "please don't post that."

"i'm not gonna post it," you say, rolling your eyes. "i'm in the video, too, remember?"

the boys look around at each other, not sure what to do.

"but if i have to," you threaten, unlocking the door, "i won't hesitate. could anything be worse than what you've already put me through?"

"wait, (y/n)!" jiwoong calls. "we're—... we're sorry. we're all really sorry for everything."

"i'm sure you are," you reply, opening the door and exiting the activities lounge...

"i'm sure you'll stay sorry for a long time, too."

[eyecan02]

Beetlebabes Spoiler: Discussing THAT Ending Scene

At the end, Lydia wakes up from a nightmare of Astrid giving birth to Babyjuice only to find Beetlejuice in bed with her groggily saying, "I just had the strangest dream." before Lydia wakes up one final time, slowly looks over and sees no one there but there is a definite imprint on the pillow and sheets that Beetlejuice had definitely been lying down next to Lydia.

First of all, kudos to Tim for briefly getting Beej and Lydia into bed together. It was probably one of the most shocking parts of the movie for me. There's a couple of interesting things about this scene I thought was worth discussing.

First of all, it's cute that Beetlejuice sleeps with the covers all the way to his neck. Ghosts would probably be cold all the time so that makes sense. My headcanon is that sleeping next to Lydia not only gives Beej some warmth, but it's also the only way he gets a good night sleep.

Another interesting thing worth noting is the fact that they appear to have had the same dream.

"I just had the strangest dream."

I don't think it was a random dream. It had to be VERY strange in order for someone as weird as Beej to call it "strange". And I would say having a nightmare of his potential step daughter giving birth to a baby that looks like him definitely would be strange as hell.

Earlier in the film, Beetlejuice alluded to him and Lydia sharing a psychic connection. So it seems they're able to share dreams. Beetlejuice may have actually been the first to wake up and forced Lydia to wake up as well so that she wouldn't have to continue to experience such a nightmare.

Lydia may have said that she was ready to "start living life", but what we have to understand is that while Lydia's ghost show is over, Lydia will always carry the ability to see ghosts so "living" for her will never mean leading a normal life, which Beetlejuice is taking full advantage of.

Beej couldn't marry Lydia but still became the "man of her dreams" in a sense. lol We don't know how much time passed/how much space Beetlejuice gave Lydia before he started haunting her again, but it's clear that he'll always haunt her/be a part of her. I think he'll always be looking out for her best interests/keeping her away from assholes like Rory.

One thing that bothers me about this ending is that Tim had said in an interview that "every character gets a satisfying ending except Astrid." Except this ending doesn't feel satisfying for Lydia. Great that she made up with Astrid but this weird ghost guy is gonna be haunting her during the day and sharing her bed at night?

It just seems like a weird, unsatisfying ending for Lydia, especially with how Winona has said that Tim has always been protective of Lydia's character. It didn't have to be a traditional ending of them married (but yes it should have been lol) but Lydia's story ending with her never truly finding peace? It just doesn't sit right with me and other fans.

Instead of leaning into a horror ending, I think somehow it could've still ended with a musical song and dance number just like the first film. I want there to be a third part so bad that I'm actually thinking of writing my dream script for it, AND I'm delulu enough to believe Tim will find it floating around on the internet a few months from now and love the script so much that he officially announces Beetlejuice Beetlejuice Beetlejuice. Delulu is the Solulu.

[velvetures]

Hello loves💕 I still can't get over your writing I'm obsessed!!

I would love to request Roommate König x fem reader. König hears you fucking some guy on the other side of the wall and he can tell you faked it so once the dude is gone he's got you over his shoulder and is walking you to his bedroom to fuck you right. I love the idea of her trying to get him to confess to her and trying anything after months or years of mutual pining, her last resort is to make him jealous.

Overheard

a/n: I'm so sorry for being so slow my love... I always have the worst self-confidence with nsfw reqs. I constantly write them, delete them, and start all over... (this is like... the 8th full-draft retry) So I hope you'll forgive me if this isn't up to standard. Also, I know this trope has been covered by some really talented writers and I hoped to do it justice, and not feel like a carbon copy of something better. (ps. This shit is too long... but I knew if I deleted anything, I'd delete the whole thing over again.)

tw's: 18+ ONLY, nameless hookup, alluded unprotected sex w/side character, unintentional orgasm denial, the reader is mentally not in the best place for sex (disconnected), voyeurism, jealously, fem-oral receiving, fem-fingering receiving, dirty talk, König being a bit of a loser, König omitting his lack of experience, aftercare.

His mom kept saying it was about time to settle down. That the biological clock, normally pushed on women, was ever-present and ticking against his favor. But his sweet, innocent, mother didn’t know the depth of his awkwardness. Not even the slightest idea that her well-mannered boy, turned praise-worthy Colonel was nothing but a bumbling fucking idiot when it came to speaking with women. In the field, sure. He could give orders, discuss tactics, and even bullshit with the best of the best… but if a woman was among those? Oh hell. It was like trying to talk to a brick wall with a randomly developed stuttering issue.

He didn’t understand where it came from either.

It wasn’t like his mother was one of the overbearing types that made dating impossible, and nor did he exactly have the worst time when he was younger with women being interested. It was just… after they showed interest, that became the struggle. Relaxing wasn’t possible. Not when he knew that a woman’s perception of him was far higher than that of any man. Believing that even the smallest of gestures and phrases could earn him an immediate dismissal, and his name or photo being sent in some group-chat to be berated after a first date. He didn’t blame any of the women though… he knew what he looked like. What he sounded like… and God, how miserable his personality was compared to what his career and position would lead others to assume.

A shred of truth could always be found in his mother’s warning though.

He’d gone years without any meaningful relationship where the softer, side of a woman could be found. He found bastardized ways of getting a taste, but he could only allocate so much money a month to porn sites and camgirls without feeling like a total sleaze. The Colonel felt much more confident mapping out a prospective warzone than the contours of a woman’s body, and fuck… it made him more than a little embarrassed to admit. Enough so, that when you mentioned that your rental agreement was coming to an end, and you were trying to find somewhere new to stay, he offered for you to just move in with him.

He owned. Which made the idea of ‘rent’ or you paying it almost unquestionably stupid. It made the deal a little sweeter -in his mind- for you to agree, and then he wouldn’t have to be quite so personally diligent on logging onto online portals to pay utilities. That is, if he could get you to move in. And while in his own mind and body, every synapse screamed that he was being unrealistic, you hadn’t caught on. He’d looked just as stoic and cold as ever when he propositioned that you just start moving over your things into his house. Save money… it’ll be easier for you; He’d said, hard eyes glancing over your face. You thought saying ‘yes’ was anxiety-inducing? König nearly passed out in his office after walking there on numb feet and weak knees.

In the week following, he brought you a small ring of keys, and you started moving your life into his, one cardboard box at a time. And every night after returning from his on-base duties, he would have to physically restrain himself from opening up the taped flaps and getting a peek at the unattended items sitting by the front door. At the time, he thought it was nothing more than unchecked curiosity and instinct to feel-out a new situation. Just simply wanting to learn more about you before you started sleeping over. Merely the soldier in him. But box, by box, that curiosity didn’t dampen down. Even when your items began making their way out of their containers and enmeshing with his around the house.

Tea cups in the kitchen cabinet next to his thicker, coffee mugs. Throw blankets rolled and stacked in the far corning of the couch he rarely sat on. A little rug you’d tossed down in the kitchen in front of the stove with a little floral print that he’d been utterly possessed to not get any stains on while cooking, or by taking off his boots before walking inside. And while never claiming to be a ‘minimalist’ man, he learned right away that his house was nothing short of a hotel when it came to personality.

You’d brought at least five full walls worth of decor. Little trinkets and cute things from all over the world you’d been sneaky enough to stuff into the pockets of your gear. And all of it, had initially been shoved into an empty linen closet he’d been perfect happy with you claiming as your own since it was ‘on your side of the house’. That was, until he found himself noticing that you’d put more than “storage” things away, and had silently refused to put them where they belonged.

On the damn walls.

“I don’t decorate well anyways..” It’d been his excuse… or at least something along those lines. Maybe a little bit more gruff. Guarded. Because even in his own home, he had the tendency of walking around like someone was going to sneak up behind him.

So one week, while he was away, you took the permission and ran with it. Buying the picture hanging kits, and everything else needed to begin covering the Colonel’s walls with your amassed collection of utterly unnecessary, but brain-scratching decorations, art, and collectable junk. Spending a good half hour walking around the halls and rooms with a little smile of accomplishment on your face seeing the colonel’s house feeling more like a home. Totally unaware that he’d been checking the security cameras dotted around, watching you scale a shitty stepladder, climb the kitchen cabinets, and struggle to lift the more heavy items. All the while, growing more and more intrigued with this new arrangement. Debating whether he liked it or not. Rapt attention making the instinctive suggestion that you’d make a good wife far less perverse than he should’ve felt it to be.

Missions took precedence though. And it kept both of you busy more than not. Fully living adjacent instead of in a more dependent role. But there were decidedly small decisions that needed to be made. Like who was in charge of buying groceries, and getting essentials that you both used. König ended up just leaving cash on the counter once a week so you could take care of his end for him. Saving the trouble of a second loaf of bread being bought, or doubling up on paper towels after a miscommunication lead to fifty rolls of the shit needing to be stored somewhere. You did the job more than credibly, and it got you out of the house too.

Which was good, because you rarely left.

Not unlike him, you preferred your time spent in calm situations. Either reading reports, answering emails, and other related tasks before just closing that tab on your laptop and opening up an new one to watch a show or scroll on your phone. You appeared to thrive in his house when you could curl up like some little bird in a nest and just rest. Developing almost permanently sleepy eyes when you came through the door, and a softer tone of voice that took some getting used to. König didn’t exactly understand it. Why your demeanor changed so much within the house, and how it got substantially much more noticeable when your schedules aligned for both of you to be there at the same time.

A solid seven months or more passed before he got his answer. And from your late-night scrolling nonetheless.

Some woman, blabbering on about her husband, and all of the ways that he effected her life once she moved in with him. And, honestly, König wasn’t listening all that much. Having just begun sitting on the other end of the couch with you, since it was where you spent your evenings after dinner. And, it’d become a little bit of a new experience. Just being halfway close to you. Interacting, but not. A safe way to enjoy your presence without any expectations. But that woman on your phone caught his attention when she made the joke about being tired all the time. Tired. Sleepy. All the fucking time. He had to stare down at the TV to keep his head from snapping in your direction.

Apparently it was chemical. Some little thing in the back of a woman’s mind that men didn’t have the complexity to experience the same way. That this woman -and you- were so mentally focused for such a long time, that when the right person was around you, and created a safe space, it acted like a the strongest sleeping pill in existence. Flooding you with dopamine and melatonin to the point that your pretty face got even sweeter with those deep, sleepy looks and constant yawns at all times of the day. Getting a glimpse of you tapping the screen twice, and then tapping at your keyboard to leave a comment only reinforced his inquisitiveness. From the moving boxes, to watching you on cameras while away… and now realizing that you acted so sweet and docile around the house because of him..? He didn’t know how to control himself, and still find a way to keep figuring you out.

Wanting more…

Needing a chance to find out if things could go further than just living in his house.

Dating wasn’t a walk in the park for you either. Call it a hazard of military work. Computers and filing paperwork was more your speed than the guns and blood that König was accustomed to, but it still limited the amount of men who were interested. Especially in the long-term.

It really came down to the uniform and lack of free time that could be allotted to the guys that you did have the fortune to meet. They wanted to take you on dates, and your superiors preferred you stay late to take minutes for a meeting. They always suggested you take a vacation, since it was clear just how tired you were on a daily basis. But vacations were practically a laughable dream you knew wouldn’t come to fruition until you finally were sent the retirement packet everyone in the service dreamed of. But.. on the rare occasion, you did have the energy to entertain a man for a night. Just. One. Night.

Thankfully König was out.

Such good timing considering you’d spent nearly a week, taking your sweet time to wring orgasms out of yourself just for the sheer frustration of getting them, and still not feeling satisfied. Instinctively missing the warmth of skin on skin and the dynamic of having someone else provide and take pleasure from you. Even getting on the app had felt more like a shopping trip than a chance to go on a date. Looking through photos and bios with nothing more on your mind than someone big enough, and pretty enough to make the ordeal worth it. The guy who answered back to your painfully blatant request for a good fuck, didn’t ask any questions either. Just asked politely asked if you wanted to go to him, or vice versa and gave you ample time to get yourself ready before the knock on the front door.

Your mental ruined any chance of having a good time though.

The poor guy sucking at your neck and grunting soft praises was nice… but you couldn’t get into it. Feeling tense. Going through the motions. Foreplay becoming an act of forced moans to reassure the guy genuinely trying to make you feel good, and unable to even make eye contact for a slightly guilty feeling that pervaded your thoughts. Hell, you even refused to have missionary, just to make sure that your facial expressions didn’t have to constantly match the fake whimpers and whines.

John… Joe… Jacob… whatever his name was, he was honestly a sweet guy. Giving your clit attention, no just shoving his cock in you without prep, and actively checking in without making it overbearing. On another day, you’d have really been trying harder to impress him. Give the impression that you were interested in him for more than the sex you couldn’t surrender to. Hope that he liked you enough to stick around. But deep down, you thought better of it. Withholding your feelings to ensure that when he left you alone for the night, that you wouldn’t hate yourself.

König, on the other hand, came home a bit earlier than expected. Walking in the door quietly to expect a silent house, and you sleeping in your bed or on the couch after waiting up for him. Only to be stunned with wet, skin slapping and familiar, pathetic, whimpers getting overrun by deep grunts and low, almost whispered sounds from a man.

God… you were getting fucked.

His whole chest tightened in embarrassment and his face felt hot. You’d never been quite this comfortable… at least to his knowledge. Plenty of nights he had overheard the faint sounds of you getting off alone�� soft little moans and gentle hums of a vibrator filtering down the hallway to him. But he’d never heard anything quite that… loud. Even when you fucked yourself on a dildo -he’d always been too curious not to listen intently- the slick sounds of your cunt always made louder noise than your voice. As mortified as he was hearing it… part of him knew something was wrong. Like his whole body was stiff, realizing that you weren’t enjoying it. Faking it… for some unknown reason.

Why couldn’t you say something? Surely you could ask him to… to do something different right? To let you use a toy? Or… or touch your clit? Whatever it took to help you enjoy yourself. But those pinched, almost broken moans starting grating on him within seconds. Stalking towards your bedroom door quietly, and leaning against the wall. Eyes closed and his breath getting heavier with each imagined scene in his head that developed. Picturing him doing all the wrong things… Touching you… tasting you… and living out his own pleasure without the slightest idea that every sound out of your mouth was a fucking lie.

König’s jaw clenched. Resisting a sudden desire to bang on the door or make some other loud noise that would bring this all to an end. Even his fist clenched at his side flinched towards the bedroom door, as if he was insane enough to actually bust in.

What would he even do?

The question rang out a bit too harshly in his mind.

He didn’t have the first idea how to… do better. To make you feel good, or any woman really. Plenty of jealousy rose in his throat at the thought of that bastard fucking you, but he hadn’t even touched a pussy in years. And the last time he did it, he was, pathetically inexperienced. Using his huge fingers to try and prep his partner, but not hitting any of the right spots. Accidentally taking a clinical approach, and it left him feeling like a damn gynecologist instead of a good fuck.

He couldn’t please you, no matter how much he wanted to…

The sobering thought forced him to back away from your bedroom door. But pride alone forced him into the kitchen, leaning against the counter with a glass of scotch in his hand. The last -and unavoidable- line of defense before the front door. No doubt in his mind that if nothing else, he’d get a good look at the man you’d brought home for a disappointing night of sex. Wanting to at least humiliate the bastard for a few seconds. Because while he knew himself to not be an acceptable partner, the guy currently riding out his high in your bedroom wasn’t going to know it. And seeing him -in his daily fatigues- and his hood, would give any man a moment of pause.

You felt sticky. Hot. And more than a little achy in all the wrong ways as Jeff… Josh… whoever the fuck he was, removed himself form your bed and began pulling on his jeans. Watching cautiously as he excused himself into your bathroom -sweetly- offering you a wet washcloth and a too-shy smile for a man who’d just come all over your stomach.

You didn’t bother putting on pants to walk him out to the front door. Too disappointed and stuck in your own head to see König standing in the corner of the kitchen. His dark eyes glaring daggers at your… ‘guest’ who was much more observant, and stood stock still. Shirt in his hands, and forced to raise his gaze more than normal to get the best look at the terrifying man looming in the shadows. It took you far longer than it should’ve. To trace Jonah… Josiah’s… gaze, and recognize your roommate. And even longer to remember that you weren’t wearing pants.

“Hey man…”

You had to give what’s-his-name credit for being as casual as he sounded. Because in all honesty, you were just as taken aback. Shuffling to stand behind the guy just enough that your bare pussy and ass weren’t totally out for him to see.

“Evening…” König sounded… bored? Not his normal tone. “Heading out already?” The guy you were using as a shield, just nodded his head. Looking a bit apologetic, but still anxious.

“Yeah, man…” He pulled his head over his shirt, patting his pockets for the jingle of car keys before glancing back at you with an truly apologetic smile, and a clear unpreparedness for the situation. “I… uh…. thanks for… letting me come over…”

You can’t manage more than a nod. No smile, no reassuring touch to him… nothing. Just a silent acknowledgment and the subsequent scamper over to the couch to grab a blanket to cover yourself up.

Shit… König fucking waved bye…

He didn’t expect you to come out. Nor to get his first-ever look at your pussy. And god it’d taken a lot of restraint not to just stare at you and memorize what he could get get a look at. You just looked soft. So fucking small and soft… A slight sheen of sweat on your face and the roots of your hair damp from the erotic affair.

Too bad it was all an act.

“Thanks for letting him come, huh?” He can’t resist… the guy just hadn’t been cautious enough to not fuel the fire of jealously in him.

Seeing you wrap that blanket around you tighter, avoiding all eye contact, and even turning your side to him a bit… it makes him smile under his hood. An amused one. A sickeningly happy sort of feeling rising in his gut where you appear vulnerable under his gaze. You’re already much more expressive just talking to him than you’d sounded with that bastards cock inside you.

“Didn’t think you’d be back for a while…” Your valid excuse falls a bit flat, especially when those dark brown eyes scan your entire body. He lifts his tumbler of scotch under his hood, nodding before taking a long drink. Feeling a secondary burn that soothes the heat building everywhere else in him.

“I can see that…” He chuckles lowly. To him, it sounds unsure… and maybe tinged with anger, jealously. But on your face, he’s clear that you don’t recognize it. Far too embarrassed to see that there’s just as much uncertainty flooding him as well. “Could hear it too…”

He literally sees your shoulders sink. The wave of embarrassment. Part of him loves it. Knowing you��re experiencing some of the same things he is. That you to, know what it’s like to leave a bed feeling like things didn’t go right, and there’s a guilt that hardens like sediment in your gut. Yet the other half, resists pushing harder. Using this same, defensive, and chastising tone. To give you just a bit of respite, because, he’s not really mad… he’s just fuming with jealously.

“If I knew… I wouldn’t have…” You can’t manage much more. Both of you knowing damn well this wouldn’t have happened if you knew what his arrival was going to be. You always kept so good to his schedules… and not just because this was his house. But because you were so genuinely sweet around him.

“Been so loud?” He suggests, downing the last gulp of his scotch and pushing away from the counter. “Speaking of that…” His gaze lingers on your throat… those faked moans echoing in his mind.

“I didn’t know it was common practice for women to walk their fucktoys to the door… especially when he doesn’t make you come.”

If your stomach was twisting before, there wasn’t a doubt now. And god… you couldn’t tell if it was that he was home, or his voice, or just the edged-feeling of your aching pussy; but König was making you squirm. More than he’d ever done before… and you’d gotten yourself off to the thought of him plenty of times before when no other fantasy had done the trick.

“I finished.” You defend, tightening the blanket around your waist and tucking your bare feet under the excess material pooling on the floor.

König’s eyes blacken, and he laughs lowly. It’s the closest you’ve seen to his behavior when he’s interrogating someone. His power of knowing all the right answers and just dangling the freedom to lie right in front of your face. Maddening, to say the least. And enough to make your thighs flex together.

“I’d like to believe you…” he begins, making leisurely steps closer. “Yet, I’ve spent more nights than I care to admit hearing you come… and what I just hear… is nothing close to the real thing.”

“It’s different with—when it’s not just me.” You gape at him, trying to find anger at the audacity.

Searching for something other than a feeling of arousal knowing that despite your muffled cries into pillows, he’d still heard you at night. Still listened, and if nothing else, knew what your true pleasure sounded like to call you on bullshit. He shrugs, massive hands resting on his hips. Watching them sway a little as he keeps getting closer. Testing the boundary lines you no doubt had. Pushing and prodding at weak spots, and wondering if he can set foot on the living room rug you stood at the center of.

“Different, huh?” The fake acceptance doesn’t last long. “So if I asked for proof… you’d have it?”

“Proof?” You choke out. “What kind of proof could I even give you?” There are plenty running around in your head, all of them raunchier than the previous. But you’re almost desperate to hear him say it.

“Sweetheart, you’ve got the wettest fucking cunt I’ve ever heard,” He growls softly. “You never finish yourself off without making the slickest goddamn noises. Can hear it from down the hallway like it’s playing off my phone.” He adds, voice getting gritty, eyes lowering towards your hips and back up.

“Show me, that is… if he really did make you come.”

Air in your lungs evaporates. God it’s criminal how fucking lewd anything could sound coming from his mouth. And your dry pussy is pathetically getting wetter by the second. Fluttering muscles twitching with each filthy admission he makes. You’re already resorting to putting pressure against your clit by flexing your legs, trying to deny the feelings. Excusing it all by the still-lingering desire for release and not König. Not moving, and a miserable lack of a response forces him to approach faster. Stepping onto the rug serving as a mental barrier for you.

“Embarrassed?” He asks, head tilting a little and stretching the hood to pull away from his chest a little. Putting a bit more of his chest on display in that tight t-shirt.

You shake your head defiantly.

“Oh? Okay then… you should be able to show me then, right? Pretty girl like you, wanting to get fucked… Should be more than willing to brag that you got satisfied. That he left you satiated…”

Your face burns. Debating how to answer. If it’s even smart to try and test your voice in the first place.

“Nothing to see… got-got cleaned up…” God the miserable truth that your no-name partner’s cum was the only thing needing cleaned off of you hits like a punch to the gut.

A massive hand grabs at the blanket in your grip stops all possibility of lying anymore. A warning. Gentle, for sure and meant to be just a small test of consent. However, you too far into this to not want more. He’s just hitting all the right buttons, whether he means to or not.

“How about I… check for myself?” He asks lowly, free hand -covered in a glove- sliding up under his hood and returning into sight with the achingly sexy sight of a huge, scarred hand. His meaning isn’t lost on you, and it’s almost like your cunt floods in anticipation.

“Slide my hand between your pretty thighs, and see just how good he treated you…” He murmurs, trailing fingers down the two sides of the blanket pulled together. “Let me see if that pussy is fucking drenched like she deserves to be.”

“König.” You warn softly, eyes darting down to his hand and back to his eyes.

Not the slightest bit worried about him touching you. Not at all. But about what would happen after all the tension faded. What would come of your relationship if you fucked… or, just made things complicated in general.And he pauses, looking to you a bit cooler. His breathing still heavy, and laden with emotion.

“Yes, sweetheart?”

You’re desperate to think of a way to explain yourself, but the most basic, stupid, comment comes out of your mouth.

“I don’t want this to end badly.”

He straightens just a bit. But his hands don’t move. And while from your perspective, it seems he’s hesitating on whether or not to continue, that’s not what’s got him stuck mere inches away from slipping his fingers between your folds.

He’s worried you know. That you’ve caught on to his inexperience, and are merely defending yourself from a second bad experience in one night. And god it makes this throat burn. Desperate to defend himself and prove that while -yes- he’s more than a little bit lost when it comes to the manual process, he’s still going to be the most teachable fucking man you’ve ever met.

“I’ll listen so well…” He eventually mutters, stepping just a bit closer. Voice lowering and a hint of desperation entering it. “Can—can give you everything you want… Just need to tell me…” he adds, unable to look you in the eyes.

It’s not exactly what you were expecting to hear, but it still strokes that burn between your thighs. Especially when his hands grip your hips through the blanket wrapped around you. Groping softly, massaging at the fat over your muscles and feeling hungry just to touch you.

“I… I don’t want things to be awkward afterwards.” You try to reexplain. Hoping the clarification will help him see why you hadn’t already leaned into his commanding touch.

“Awkward,” he repeats, as if it’s a foreign idea. Like it’d never crossed his mind. “Don’t plan on ignoring you anymore… Not—Not after hearing that… and knowing… fuck…”

“He couldn’t have listened… please tell me you tried to tell him what to do… what you wanted,” His rambles get more panicked. Like every thought in his head is equally important and he can’t take the time to pick one and let me even answer. “Should’ve asked what your pussy needed… how to make you feel good… make those pretty sounds..”

You’re half dazed just watching his breathy words fan the material of his hood to react to his boot kicking your feet apart. Wide hand sliding between your thighs and groaning. A deep, guttural sound that reminds of him being winded. And really… he probably should be. Because your inner thighs are dry to the touch. The wetness he’d been creating still not enough to make much fuss over. But he’s not satisfied with that alone. Immediately curling a finger to spread your lips, feeling the thick, slick of new arousal that had been nothing, if not his doing.

“Ohh, you poor baby…” He sighs lowly, head rolling back at the mere sensation of your pussy under his fingertips. Feeling you a bit anxiously, yet getting a buzz in the back of his skull when your hole pulses against his prodding touch. “Left you so fucking hot…”

It’s a fast movement but he’s got you off your feet and dropped down onto the couch in one swift move. Your back arched in the slumped position and the blanket that’d been covering your -pathetic- modesty, fluttered open on both sides of your hips. Leaving your core exposed to his hungry and heavy-lidded eyes. Letting out a little whine of a sound when he slowly drops to a knee; tracing his hands down your inner thighs like he was scared of touching you too harshly.

“König, please…” You gasp out, watching his thumb run over your swollen labias. Pinching your fat lips together softly and inadvertently putting delicious pressure on your swollen clit. He curses under his breath, free hand grabbing your thigh with bruising strength.

“Tell me how to please you,” He commands, eyes flashing dangerously wide in the icy moonlight streaming through the living room windows. “I need to make you come.”

His desperate, and knows you can see it. His whole body shakes seeing your flushed pussy a mere foot away from his face, and nothing but opportunity and his hood preventing him from burying his face in it. Watching as you shyly reach for his wrist, guiding his hand where you want it. Extending his fingers and whimpering when your motion for him to rub small circles over your clit sends those to-intense waves of pleasure through your pussy.

“Like that… just like that…” You’re able to praise with a shaky nod of your head.

Rocking your hips in tandem with his movements and nearly crying out in relief when he diligently keeps the same pressure to you despite your little twitches and grinds. Allowing you the freedom to plant your feet on the edge of the couch and simply feel. König’s lost in it. Lost in the sight of you. Your pretty mouth gaping open and your hips chasing the touch he’s providing. His breath catching when you cry out or give a weak praise for his work. Like you’re enjoyingwhat he’s doing.

But god he’s happy to stay right where you want him, how you want him. Feeling his knee dig into the harsh floorboards, and ignoring it with a refreshed feeling of duty he’d long lost as a soldier. Never had he been given such a pretty fucking prize to work for. Nothing as sweet as seeing your cunt drip from his rough fingers rubbing soft, almost too-soft circles over it. Not even realizing that he’d spent almost fifteen minutes just rubbing your clit lazily when your hand reaches back down. Happy to direct him yet again, especially when he doesn’t even need a verbal direction to do exactly what you want.

“Fingers,” You whisper through panting exhales. “Give me your fingers…”

Your little hand grabs his pointer and middle fingers, spreading your own slick over them like a goddamn professional before guiding him down to your aching hole. Letting go just long enough to feel the thick digits press though that first little ring of tightened muscle. Forcing your eyes open to witness his mostly-hidden expression as he sinks knuckle deep inside of you.

“So fucking pretty,” His head shakes a little, lost in the creamy slick gathering at the base of his fingers as he curls him up towards your pelvis just a little. Subconsciously scared to do the wrong thing, but desperate to keep your cunt flex and mold to his touch. “Tell me, sweetheart… show me what she needs.”

You’re too possessed to chase your high to not listen. Readjusting your bent legs on the couch to gently lift your hips and sink them back down. Slowly getting used to the feeling of his thick fingers, already deeper than your no-name partner. Groaning when they bump into your g-spot just hard enough to make your clit burn. Grinding against his hand and keeping one hand wrapped around his wrist just to try and ground yourself to the present situation. Lost in the rhythm of fucking yourself -quite literally- stupid within mere minutes. Beginning to hear that vulgar, sucking sound of your pussy gripping his fingers and utterly drooling over his palms.

König’s helpless to so more than sing your praise. “That’s a good girl… so good for me. Using me like a fucking toy.”

It’s the best he’s felt in a long time. Watching you take from him. Too absorbed to even think about anything other than yourself. Not in enough control to even worry about the true moans and yelps escaping you. Real pleasure wracking your body and burning every nerve ending.

“More… please more…” You cry softly, hips slowing to a painfully sexy grind as you squeeze the tendons in his wrist with your thumb.

König takes a little more initiative than he’s normally comfortably using, but adds a third finger. Slowly pumping them in and out, little by little, to help you adjust. Watching as your eyebrows pinch together in focus. A low growl rumbles in his chest, his mouth practically watering as your cunt sucks him in.

“Let me taste it, baby…” He huffs, head flinching forwards before backing off, repeating the action a couple more times. “Wanna help… just—just let me taste you…”

You clench around his fingers when he rests his cheek against your inner thigh. Big, wide eyes pleading with you so innocently like he isn’t stretching your hole wider than the biggest of your toys can with nothing but a few fingers. Forcing you to slow the roll of your hips, a shaky hand reaching out to cup his face through the mask. Rubbing a thumb over his hidden cheekbone with a little whimpered hum. Pulling his head closer to you, hissing when the hem of his hood merely grazes your clit.

“How’d you want it?” He asks, head down and pulling his mask up so you’re stuck. Forced to merely feel his mouth so close to you, and not see the shape of his mouth.

“Lick-lick my clit… s-soft…” You whine, eye shutting when the hot fan of his exhale his your fevered skin.

Holding his head steady with one hand, you almost coming up off the couch when his tongue makes one, long, lazy, lap between your folds. Gripping at the material of his hood just tight enough that he ends up ripping the whole thing off. Tossing it to the floor with an aggressive snarl that rumbles against your clit. Sparks of pleasure forcing your thighs apart and jerking your hips back up. Chasing his mouth. The rough texture of his tongue, and the slight graze of his teeth against your slicked folds.

Your orgasm approaches fast from there. Between his fingertips stroking you deep, and the new rhythm of his tongue lapping your slick up to massage your clit, it’s hard to even warn König that he can’t stop for risk of ruining your long-awaited release.

“König… K… oh… fuucckk…”

Your back arches tightly, both hands grabbing harshly at his hair with an unintelligible shout as you come. Jerking wildly and one of your feet losing it’s hold on the edge of the couch. Trying to fight through the shocks of pleasure, and groaning curses with a hoarse throat. Feeling König’s free hand latch onto your thigh to keep you from running away too far from his still-working lips and tongue. Sucking up the wet drips of release trying to drip down his hand.

“Slow, slow down.” You whimper, pushing at his forehead just a little. The pressure too much. The stretch of his fingers still satisfying but overstimulating.

Your so fucking grateful that he doesn’t fight you on it, or force you to try for another. And maybe it’s just the mere sight of you. abdominal muscles twitching, forcing your upper body to do baby-curls with each flex of your pulsing cunt. Toes curled and an all-over buzzing sensation making it hard to even make sense of where your limbs are in relation to the rest of your body, much less König or the couch your hardly laying on.

“You okay, sweetheart?” His softened voice almost gives you emotional whiplash, especially when he bends over you forehead resting against yours softly.

Gently removing his fingers with murmured apologies when your little winces mar your pretty features. Both hands sliding up your sides to help lift you back onto the couch, moving to sit himself next to you just long enough to reposition your body on his lap. Pulling that blanket back over your bottom half and maneuvering your cold, tingling feet between his thighs like he can tell they’re freezing. He presses soft kisses all over your forehead and nose. Rocking you softly and squeezing at the muscles in the back of your neck reassuringly.

“You needed that… needed to feel good…” he murmurs almost lovingly.

You nod dumbly, laying your head against his shoulder. Letting out soft nearly unconscious whimpers and a soft repetition of his name in cum-drunk appreciation.

“Told you I could listen… could be good for you,” He adds, almost like he’s reassuring himself of the idea. “Wanted to be better than him. Needed to prove it.”

He holds up your weighty head, stabilizing it with care and a sickeningly sweet look of devotion in his eyes.

“You’re never going to fake it again, sweetheart.”

reblogs & comments are always appreciated <3

[writers-potion]

this is a little hyper specific lmao but i was wondering if you have any advice on writing a pov character being mysterious? tyyy

Writing A Mysterious POV Character

Thanks for the question!

Here are some characteristics that I think makes a POV character "mysterious"

The reader is not meant to understand everything the POV character says, describes or alludes to.

The POV character actively holds off information from the readers either because (1) it's hard for them to talk about it or (2) they don't think it's important, somehow.

They reconstruct the narrative in the way they perceive it, not following the chronological order of events and often providing piecemeal information that only (if ever) comes together at the end.

The POV character simply has a wholly different perspective that a human reader will have difficulties understanding (i.e. story told from an animal or alien's POV)

I think the best way to portray this is to provide examples, which I think qualify as mysterious narrators. Note that not all mysterious narrators are unreliable narrators, although they could be. Here are the selected narrators and a few extracts for illustration purposes, divided by loosely defined subcategories (there can be overlaps!):

Incomprehensive Jargon & Allusions

Given that you can do this without boring or genuinely pissing off the reader, using lots of jargon, making allusions to things your target audience will probably not know to create atmosphere can be effective.

I recommend having a strong thematic core to justify all that jargon and reference, though.

Richard Papen from <The Secret History> by Donna Tartt

The characters talk and make references to Greek/the Classics. Arguably, it is not "incomprehensible", but the entire book is tirelessly full of them and unless you are a scholar in a related field, very unlikely to know all the Greek/ancient works being referenced all the time.

by M.L.Rio

Interesting style where the characters talk and even think in Shakespeare. They literally quote lines from Shakespeare to talk to each other. Not as difficult to follow as <The Secret History>, given that these are q famous plays (Hamlet, Macbeth, etc.) but it certainly adds well to the mystery at the heart of the book's plot.

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Witholding Information

Have your narrator subtely refer to a large event in their past (a murder, a traumatic memory, etc) but never telling the reader upfront, making them only make implied guesses.

The only reservation I would have for this option is to not annoy the reader by letting them know the narrator has information, but is somehow not telling them. It would help to have a clear reason for them to not talk about it: e.g. they haven't accepted the past themselves, they're too scared to talk about it, etc.

by Eliza Clark

In here, the narrator has killed someone in the past - a fact that only becomes kind of clear at the end. Even then, the murder is never referenced because this narrator has some serious mental issues, but when you look back with this knowledge at the end of the book, her behavior starts making more sense.

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Reconstructing the Narrative

Don't go in chronological order. Use time skips, or invent a new system for the narrator to arrange their memories and thus, retell the story. This gives the narrator power over the narrative because they've seen the whole thing play out, but the readers are getting bits and pieces, trying to get the puzzle pieces to fall together.

Other options:

POV character has amnesia

POV character has dementia

Using narrative interruptions that are in a completely different style (can work for 3rd person, look at Olivie Blake's work referenced below)

Olivie Black's <Alone With You in the Ether>

Using screenplay-like interruptions to the narrative that limits the reader's access to the characters' minds. Also creates interesting tone.

Kim Youngha's <Diary of the Murderer>

[I don't have pictures for this because I only have the Korean version....but really worth mentioning]

Here, the narrator has dementia and cannot fully remember the murders he has committed in the past. He is also an unreliable narrator who can only remember things in bits and pieces - thus the typical chronological order is interrupted.

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"Non-Human" Perspectives

Give yourself a narrator that is not human, or is "dehumanized" in some way (lack of emotion, inability to relate to others, etc.) to view the entire world from a perspective not often experienced by the average human.

Death as a narrator from <The Book Thief> by Marcus Zusak.

Zusak inserts these little "pronouncements" or "interruptions" to the narrative and the calm but transcending tone constantly raises questions.

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Do note that the overall tone of the novel contributes significantly to how the narrator comes across to the readers. Many of the works above also deal with "reality vs. unreality" as a theme, which is augmented by the use of a mysterious narrator that prompts the reader to challenge

Hope this helps, Happy writing :)

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[espace--positif]

This image from the third Elden Ring Book of Knowledge on SOTE has been circulating, and people are citing it as proof that Radahn was a willing participant in Miquella's plans. I don't think these words can serve as definitive proof, and I maintain that Radahn was controlled by Miquella. Here's why.

Image credits: @/Siofra_Mariner on Twitter

To me, the words "their order" and "their cause" don't prove that Radahn is united with Miquella by choice. These deliberate words make me think of Leda's group, Those United in Common Cause, who end up at odds with each other when Miquella's charm inevitably breaks. I think that that very same influence is being alluded to here, with Miquella having used his influence to control Radahn and join him to his cause.

The words "Miquella will intervene once again" imply that Miquella has to fight against some form of natural current, has to change the course of fate, in order to succeed (or try to succeed) at defeating the Lord of the Old Order; to me, the first time he intervened and changed the course of fate is referred to in the first paragraph, where they detail his resurrection of Radahn's body, free of scarlet rot. The text also refers to Radahn's "deserved rest" - again implying that Miquella's resurrection and use of Radahn is somewhat unnatural and morally wrong. If Radahn truly were a willing participant, I don't think that it would have been referred to this way. The story of one intervening with another's fate ironically occurs earlier in the base game, with Radahn stilling Ranni's fate by holding back the stars.

Next, I want to talk about, guess what, more wording.

"Miquella's wish to instill Radahn as his Promised Consort upon his ascent to godhood, a promise he made to Radahn in their childhood."

Note that the wish is Miquella's wish, not Miquella and Radahn's wish, not their collective wish. The word promise is also interesting if we look at the way Miquella uses the word in the DLC dialogue, and towards whom it's directed.

"I promise you, a thousand year voyage, guided by compassion."

Miquella says this to the Tarnished when they are grabbed. Two grabs, and the Tarnished gets their "Heart Stolen", charmed by Miquella forevermore. The Tarnished is resistant, and this is one way through which Miquella deals with resistance.

To Miquella, promises and vows are not shared agreements, but they are the way he enacts his will and influence upon others. They are unidirectional, assured, and a means to an end. His compassion extends to all, but strips all free will, and Radahn's is no exception.

A few notes that didn't fit into any of the above points:

This is my interpretation of the game and the text, and I always enjoy reading other people's interpretations. I think that's the great thing about Elden Ring's ambiguous lore; there can be many readings, and we'll really never know which are right.

I'm very biased when it comes to the topic of Miquella's desecration of both Radahn and Mohg, one in body, and one in soul - I feel like it really cemented how wrong Miquella ended up turning after abandoning all those aspects of himself in the Land of Shadow, and I felt all kinds of icky and sad when I finished the DLC because of this. St. Trina's being discarded and her death was devastating, especially when she was one of the most human and compassionate characters in Elden Ring, granting respite to all the frenzied merchants out of true compassion.

I do believe that Miquella is a victim of the cycle, though, and that he lost himself in more ways than one after witnessing what happened to his mother. To Miquella, the only way to make people stop doing horrible things is to stop them from doing anything of their own volition at all. In theory, it works. But it is so sad. I'm reminded of Melina's dialogue when you choose to inherit the frenzied flame: "However ruined this world has become, however mired in torment and despair, life endures. Births continue. There is beauty in that, is there not?" I sympathize with Miquella, I really do. I understand that he did all this because he not find any alternatives. The world being comprised of cyclical happenings that one person cannot fix is a recurring theme in Souls in general, and Miquella is just another victim of another cycle, which ends up begetting more violence, much like the violence enacted on Marika which prompted Miquella to try and fix things in the first place.

That’s it! I really needed to get this off my chest, and it definitely didn’t fit into a tweet (which is where all the discourse is happening lol). If you made it to the bottom of this yap, I'd love to hear your thoughts on this as well! Thanks for reading my ramblings <3

[bikini-krill]

Having not actually seen Sonic 3 yet (c'mon UK release!!) here's my dumb gay pitch for Sonic 4.

Obviously they're introducing Amy and Metal Sonic, alluding to a loose adaptation of Sonic CD (where the two first appeared). Sonic CD has a time travel element which sees alternate futures, both good and bad. So here's my pitch.

Robotnik died during the events of Sonic 3. He is dead and that sticks. Somehow, our heroes and Agent Stone get thrust into an alternate future - the bad future. It's a future where Robotnik did not experience the events of Sonic 2 and 3, and so is alive and has successfully conquered the world. He invented Metal Sonic as his minion, replacing Agent Stone (who he feels no love for in this future).

It is a different character of Robotnik than we've seen, he is more ruthless, heartless and wholly evil. He's had none of the character development from the past movies. He isn't even that funny anymore. Bad-Robotnik gets reunited with our Agent Stone who is completely heartbroken to see how Robotnik has turned out in contrast to the man he knew in Sonic 3. Stone has to struggle with a huge inner-conflict because he wants to be with Robotnik again but it is simply not the man he has grown to love.

The Sonic team ask Stone to help them take down the villain, furthering Stones conflict. Bad-future Robotnik recognises this and uses it to his advantage, manipulating Stone and exploiting his conflicted feelings. Stone must accept and grieve the loss of his lover, whilst haunted by what feels a malicious ghost, in order to overcome and do what's right.

It's basically a tragic Stobotnik story. The hedgehogs and friends are also there.

[utilitycaster]

Do you think this episode is so boring because they brought back the Nein and reminded us how good they are? I keep thinking about this as I'm absently watching this episode, saw your post and would love to hear your thoughts on it. Because like, at least to me, most villains this campaign are painfully boring. But the Weave Mind are also boring. That was fine, M9 handled it perfectly and I loved it. Ludinus is arguably the only kinda interesting bad guy and a PC's mom is in mortal danger and I can't manage to care.

I don't find Ludinus and the Weave Mind boring! I don't find Liliana boring either! And I found Ozo Cruth and Otohan Thull DREADFULLY boring but actually, the fights with them are pretty fucking great. I mean, I have a LOT of criticism about the first Otohan fight that boils down to "this was EXCEPTIONALLY poorly signaled and I'd be PISSED if my character was killed for someone else's arc at this point in the story" but Otohan being boring is about the non-combat elements; she felt very real and compelling as a THREAT, just, she could have been a giant blender of magic knives that the party was going to be dumped in for all she had an impact on the story as a person. But I do think it is because we've seen the Mighty Nein and Vox Machina recently and remembered that they're orders of magnitude more compelling.

I think it's really like...I don't even want to say Bells Hells isn't bonded, but they lack something. I think I alluded to it in the tags of one of my posts but there's no banter between party members or sense of urgency. Like, I enjoyed the whole All-Minds-Burn/Myceit scenes a lot, actually, but after Imogen's initial (justified) panic the pacing felt unbelievably slow until we got to combat. I have found that really, for a good deal of the campaign, you have to kind of take things episode by episode and enjoy the good set pieces and scenes because it simply does not make for a pleasing and rewarding whole. The reason I didn't care about Liliana is, to be fair, partly because I think having her die would be an interesting development, but also because there wasn't a sense of "we can't stop and fuck around with mushrooms, LILIANA IS DYING" within the episode itself. No one was comforting Imogen as they ran through the tunnels. The Mighty Nein showed more personality and investment in the lead up to a fight that really, they had no more stake in other than the broad world-ending ones. As someone who's been playing a LOT of Veilguard which is all about building a close-knit team, and who's had VM and the Nein the past month to compare Bells Hells with, that lack is immediately apparent.

I said, over a year ago (possibly over two, I don't recall) now about one of the relationships in the campaign that it felt like when I see a single episode from a soap opera I don't follow. The actors are imbuing lines with emotion, but everything feels kind of disconnected. Like, this is all in a deeply subjective realm, I cannot give you a strong argument based on logic here as it's very much vibes-based, but I feel like when I watched this, my thought process was "BAFTA-winning Actor Laura Bailey is doing an excellent job of conveying the emotions 'terror and anguish over a dying relative' in this line read, and not "Imogen Temult, a character I've been familiar with since October 2021, is devastated over the potential demise of her mother.' " And I never had that issue with C1 and C2. Like, you can call it je ne sais quoi or the juice or the sauce or chemistry or the spark or whatever the fuck but Campaign 3/Bells Hells simply doesn't seem to have it for a huge number of people who have adored pretty much every other Critical Role work, and that means something. My personal thought is that it's because this has been such a plot-focused campaign without strong DM prepping of what kind of characters would be appropriately invested that we've had the problems we did (rampant indecision, lack of party chemistry due to lack of early opportunities to mingle and meld, lack of investment in each others' lives due to insufficient time focused on backstory-related plotlines), but I could be wrong, and ultimately the root cause isn't super important to this question, which is just. they don't have the it factor.

[glassautomaton]

What Is the First Magic, Anyways? (Or How I Learned to Stop Worrying and Love FGO Spoilers)

Out of the five instances of True Magic, the Second and Third are known about in some detail, the Fouth is a total unknown from what I can gather and simply hasn't been expanded upon in the lore quite yet, and the Fifth being shown, but not explained in detail, which is its own post. The First Magic falls somewhere in the middle here, where a few vague things are known about it and the person who attained it, but not much in the way of details.

What we do know for sure is that the Magician of the First Magic was Yumina, the First Witch, who founded the Meinster lineage and used the First to create Ploys, which were passed down to Alice Kuonji, considered to be the last pureblooded Meinster by 1989 following the 'death' of her mother. Based on some information about Witches and the Meinsters in particular from the FGO collab from back in April, I think I can hazard a strong guess as to what the First Magic actually is: authority over Mystics/Mysticism itself.

Some spoilers for FGO's Lostbelt 6, though nothing critical to the plot, as well as this translation of Alice Kuonji's FGO profile.

First off, some basic information about Witches and Yumina that was dropped a solid decade after Witch on the Moly Night first came out, because Nasu's a fucking comedian:

This establishes a few things, first and foremost that Alice is actually Yumina's descendant, that Witches aren't human and are instead closer to faeries (although I'm not sure if they can be considered true faeries as this is phrased like they were created by an individual rather than born from the land or the Inner Sea), and that the daughters of Witches are essentially the next vessel for a singular consciousness, such that lineages are more like a single individual with several reincarnations. Not all of this information is actually completely relevant to this point but how insane is it that Alice got a lore drop for the first time in a decade and it was buried in the ass-end of a six-year-old mobile game? I just needed to get that off my chest.

Alice's profile reinforces this by seeming to allude that Alice's mother and her ancestors were all the same person, as well as the third paragraph using similar wording to how True Magic is often explained.

Crucially, the final line also states that Meinsters stand in defense of Mystics from humanity's constant march towards order, which inevitably destroys Mystics by coming to understand them, as is one of the overarching themes in Type Moon in general. Yumina's lineage seems to be actively pushing back on this.

Knowing Nasu, I could stop right here. See, it's thematically cohesive with the Meinsters and Alice's character arc of growing past the reminders of her family's past and learning to appreciate the present, and thematic cohesion is really all you need in Type Moon, established lore and rules be damned.

However, I think that my point is supported by the Ploys, which are all products of the First Magic. We'll start off with the Three Great Ploys, which we know were created by Yumina proper and not any of her later descendants/incarnations.

Flat Snark, Oil of the Moon, is the Great Ploy that's featured most prominently in Mahoyo. This is pretty straightforward - the prose in the scenes that feature it describe it as Magic, and it functions by transforming the world inside of its domain into a landscape of fantastical insanity. It is, quite literally, draping the landscape in Mystics once again. Even the air becomes dense with mana, similar to the atmosphere in the Age of Gods (as shown in Absolute Demonic Front), when Mystics were at their most common and well-integrated, before humanity had begun to push it back as much as they had.

The Thames Troll is the second of the Great Three Ploys, and one that, at first glance, seems to be by far the most simple - it's a massive golem that can get stronger based on what it's built out of. Alice states she has poor compatibility with it, and therefore can only use its first two forms, that being wood and clay/brick/stone, with its final two forms being iron and steel, then silver and gold. Thames uses the environment to create its body, be it the woods the first time we see it or the brickwork in the park during Alice's fight with Touko, which would mean that further forms would likely do the same. As Alice says that the final form would overshadow even London, this would mean that Thames is capable of annihilating entire cities. However, considering it would need iron and steel nearby to do so, it could likely only become so powerful when being used within a more advanced human settlement, likely for the express purpose of destroying it. Therefore, Thames is the Ploy that most directly serves the Meinster's goals of opposing humanity and safeguarding Mystics.

The final of the Great Three Ploys, which isn't directly stated in Witch on the Holy Night but instead FGO, is Wandersnatch, which frankly could and probably should be its own post. There's a whole hell of a lot going on with that thing.

The long and short of it is that the Ploy consists of a dense fog, and numerous entities within it. Only by glimpsing Wandersnatch's true form in the fog can one escape, which makes the Ploy itself act as a microcosm for Mystics in general - it's an impossible, insurmountable obstacle that can only be weakened and overcome by observing it and learning more about it. It's little surprise, then, that Yumina herself choose Wandersnatch to inhabit while her current descendant doesn't yet harbor her consciousness - much of Wandersnatch’s presence has to do with Yumina attempting to exert more control on Alice in order to possess her and incarnate.

Ultimately, though, the smoking gun for me isn't one of the Three Great Ploys, but the most common one we see used: Diddle Diddle, Alice's favorite Ploy. This one has a simple function, that being that it strengthens Mystics in a certain area when dropped on the ground. Which is simple, yes, but also just absurd. You mean she can just crank out little Christmas tree ornaments that can singlehandedly counteract the one consistent force present in every single Type Moon property? She can just do that? Alice, and only Alice, can just say "nuh uh?" That's not attainable through normal magecraft, and has got to be an application of the First Magic through the Ploy. Considering how straightforward the effect is, it seems to pretty clearly point towards the First Magic being tied to Mystics.

As a final note, I also think this makes sense of Nasu's note that the First Magic was discovered after the Third but named as such for a special reason relating to its nature (although this is from an unofficial translation from the Fandom wiki so take this with a grain of salt). It would be very in keeping with what we know about mage society for them to say Mystics are more foundational and important than souls.

[sandraharissa]

Some cool Powder/Jinx design details:

1) The very noticeable, very badly cut bang that highlights that her/Vi/someone else (likely Powder herself) cuts her hair to prevent it from covering up her eye. Which then ends up growing out fully and covers up her right eye completely, making her resemble Silco. I love this implication that there’s clumsy but determined attempts at preventing the bang from growing, like it represents that there’s clumsy but determined attempts at preventing insanity from seeping in.

2) The changing eye color. It goes from this grey color when she’s ‘unremarkable’ to blue and then pink, both colors representing her trauma and how it colors her view of the world/life. Blue for the explosion and pink for the pink bullets. As a person grows older it’s possible that their eye color could change slightly like going from grey to blue but the color still represents hextech/arcane and its impact on her life. The pink is directly caused by shimmer and also represents its impact on her life. It also alludes to Silco who’s the shimmer dealer and who’s got a glowing red eye that’s very close to the pink eye that Jinx gets.

3) The tattoos and their colors also represent the trauma. Blue clouds for the arcane explosion and in s2 likely pink bullets for her minigun ammunition. To me it’s also reminiscent of Silco’s scar, it’s wearing your trauma on display.

4) Braids reflecting her mental state. Again, as Powder she had a simple, relatively short and straight braid. Based on the reddit QnA she’d have this poorly done, skewed to one side braid as little Jinx, cos Silco didn’t know how to braid hair. With her later in life taking the look of the skewed braid and making it intentionally her hairstyle, making it symmetrical and also longer, nicer. More polished with more jewelry/bolts in there. Kinda highlighting that immediately after the trauma she’d be at her lowest but that later in life she attempts to keep her life together.

5) I love that Silco braiding Jinx’s hair is semi-canon now cos I always loved the image, braiding these long-ass braids really conveys visually how effort and time consuming taking care of Jinx is. It also indirectly confirms that Vi must have braided her hair before, keeping it straight and by implication keeping her sane.

6) I also wonder what’s the motivation for the hairstyle. What would make sense to me is that if for Silco’s character it represents how much he has to take care of her then for Jinx it would represent how attention seeking and love-starved she is, right? So maybe she splits the braid in two and starts growing it out as much as she can in order to get more time/attention from Silco? It strikes me as smth little Powder/Jinx would absolutely do. Maybe it’s wishful thinking but I also used to think that about the concept of Silco braiding her hair in general.

7) They changed Jinx’s design to look more punk-like, which makes her fit the world more. Zaun’s aesthetics/fashion are partially borrowed from the 80s working class punk subculture.

8) An X on her outfit for jinX, similarly to how Mylo had an M with a crown in 'Mylo' on his outfit. Both of them also already had X's on their outfits as kids. Kinda how s2 will likely have Vi wearing Claggor’s glasses. Each sister somewhere on their outfit having a reference to the brother who was more like them.