#also also this page is based. on true story

[unproduciblesmackdown]

the sense of having any lore about the ancient [ten to thirteen years ago] of marble hornets times like granpa granpa tell us a greentext story....the only hitch is not having stories and instead having "i guess you had to be there" tales from the fringes, unless instead of a hitch you frame this as a bit

[literaryvein-reblogs]

Writing Notes: Plot Method

The Save the Cat! Beat Sheet was originally developed by Blake Snyder to help screenwriters plot movies, but it works just as well with novels.

It breaks down the 3-act structure into small, specific sections (sometimes just one scene long).

Each section pushes your story forward in its own way.

The exact word count/page count of each section depends on how long your novel is and what type of story you’re telling, but you can use the colored chart below and the percentages in the instructions as a guide. 

Context Note: This method is based on the concept of the Three Act Structure, which is an inherently Western approach to plot. It can be a useful way to tell a story, but it is by no means the only one.

ACT 1

Opening Image (0-1%)

Show a “before” snapshot of your protagonist and their world.

What is life like before the adventure begins?

It represents the struggle & tone of the story.

Set-up (1-10%)

Expand on the “before” snapshot.

Explore your protagonist’s life, including the internal flaws and external challenges they’ll have to overcome in order to change for the better by the end of the story.

Present the main character’s world as it is, and what is missing in their life.

Also introduce important supporting characters.

Theme Stated (happens during the Set-up)

What your story is about; the message, the truth.

Usually, it is spoken to the main character or in their presence, but they don���t understand the truth/lesson…not until later, when they have some personal experience and context to support it.

Thus, include a scene where a character says something that hints at what the protagonist’s big life lesson will be - how they’ll have to change and grow by the end of the story.

Catalyst (10%)

The moment where life as it is changes.

Examples: It is the telegram, the act of catching your loved-one cheating, allowing a monster onboard the ship, meeting the true love of your life, etc.

There’s no going back to the “before” world from here… What is the inciting incident that pushes the protagonist into the next phase of the story?

Debate (11-20%)

But change is scary and for a moment, or a brief number of moments, the main character doubts the journey they must take.

Show the protagonist questioning themselves and resisting the path ahead - wondering whether they have what it takes, or whether or they should just run home and hide under the bed.

“Should I just…?” “I really shouldn’t because…” “But what about…” Can I face this challenge? Do I have what it takes? Should I go at all?

It is the last chance for the hero to chicken out.

ACT 2

Break Into 2 (20%; Choosing Act Two)

The main character makes a choice and the journey begins.

We leave the “Thesis” world and enter the upside-down, opposite world of Act 2.

They make the choice to begin their adventure/transformation/journey/new thing.

Show your protagonist deciding to plunge into Act 2.

The Promise of the Premise (21-50%)

This is when the reader thinks “Ah, now we’re getting to the good stuff they hinted at on the back cover of this book!”

It’s also one of the longest sections in your book.

Show your protagonist getting used to their new world - loving it, hating it, making mistakes or doing well, meeting new people (see more below) and keeping the reader entertained.

This is when the main character explores the new world and the audience is entertained by the premise they have been promised.

B Story (happens during The Promise of the Premise)

This is when there’s a discussion about the Theme – the nugget of truth.

Usually, this discussion is between the main character and the love interest.

So, the B Story is usually called the “love story”.

Introduce a new character or characters who will eventually help the protagonist learn their life lesson.

Friends? Mentors? Love interests? Nemeses (nemesi?)? Who are they? How will they help?

Midpoint (50%)

This moment is when everything seems “great” or everything seems “awful,” depending on your story.

The main character either gets everything they think they want (“great”) or doesn’t get what they think they want at all (“awful”).

Either the Fun and Games section has lead to a false victory for your protagonist (they think they’ve been doing great so far) or a false defeat (they’ve been having a hard time so far).

What happens in this moment, halfway between beginning and end?

But not everything we think we want is what we actually need in the end.

Bad Guys Close In (51-75%)

Get ready for a bumpy ride. If your Midpoint was a false victory, now things start to go wrong for your protagonist.

If the Midpoint was a false defeat, well, things seem to be looking up, but the bad guys are getting closer and will have something to say.

Note: Bad guys can be actual physical enemies, but they can also be emotional enemies, like doubt or jealousy or fear.

Doubt, jealousy, fear, foes both physical and emotional regroup to defeat the main character’s goal, and the main character’s “great”/“awful” situation disintegrates.

Show the protagonist’s newly-built world beginning to unravel.

This will also be one of the longer sections in your novel.

All is Lost (75%)

This is when something happens to make your character hit rock bottom.

It’s the absolute lowest part of your novel.

Maybe someone or something dies (either literally or figuratively).

The initial goal now looks even more impossible than before. And here, something or someone dies.

It can be physical or emotional, but the death of something old makes way for something new to be born.

What does this moment look like for your protagonist?

Dark Night of the Soul (76-80%)

Your protagonist now has time to react to their “All is lost” moment, to mourn what they lost and wallow in hopelessness.

They’re worse off than they were at the beginning of the novel.

Show how low things have gotten.

Mourning the loss of what has “died” – the dream, the goal, the mentor character, the love of your life, etc.

But, you must fall completely before you can pick yourself back up and try again.

ACT 3

Break Into 3 (80%; Choosing Act Three)

The “aha!” moment; the “lift yourself up and try again” moment.

Show the protagonist realizing what they need to do in order to tackle their problems, both external and internal.

Thanks to a fresh idea, new inspiration, or last-minute Thematic advice from the B Story (usually the love interest), the main character chooses to try again.

Finale (81-99%)

The protagonist does what they decided to do in the Break Intro 3 beat, and (because of all the learning/growing they’ve done and the support or insight from the B Story), their plan works.

This time around, the main character incorporates the Theme – the nugget of truth that now makes sense to them – into their fight for the goal because they have experience from the A Story and context from the B Story.

The Bad Guys are defeated, the world is changed for the better.

What are the battles? How will the protagonist triumph (or not)?

This is another longer section, so you’ve got the space to make things dramatic and intense.

Act Three is about Synthesis.

Final Image (99-100%)

This is the opposite of the Opening Image, the “after” snapshot instead of the “before.”

Show the reader how the protagonist and their world have changed.

THE END

Sources: 1 2 ⚜ Writing Notes & References

[uyuforu]

Romance Numbers in Destiny of Matrix

Hi people! So I have been discovering Destiny of Matrix for some days and I LOVE this technique. And of course, anytime I discover some thing, I love to check with the people I know to see how accurate it is. Moreover, I feel like it hasn't been talked much on Tumblr? Like there are posts but not enough in my opinion. I wanted to try to give my interpretation as I have made some researches based on people I know. So this post is totally my own interpretation! Though, I hope this can give some insights, and some good tools too.

All pictures were found on Pinterest

Other posts you could like:

જ⁀➴ How to know when you will get married?

જ⁀➴ How to know where your Future Spouse was born?

જ⁀➴ Derivative Astrology: our Future Spouse in our Natal Chart

READINGS BOOKING OPEN

email adress: tarotjunoboda@gmail.com

Soft To You presentation and Q&A ᡣ𐭩 rules ᡣ𐭩 private readings reviews

astrology menu ᡣ𐭩 tarot menu ᡣ𐭩 special astrology & tarot readings

What is Destiny Matrix?

⋆.˚₊˚⊹ ᰔ Destiny Matrix is an Esoteric tool that explores the 22 Arcana's of the Tarot to see a different approach of yourself and your life, as a Chart, similar to Astrology. It's a tool that also enable you to develop your full potential as an individual. Numbers and Chakras are used instead of signs, houses and degrees.

⋆.˚₊˚⊹ ᰔ Calculate your Destiny Matrix Chart here.

⋆.˚₊˚⊹ ᰔ Numbers on the Chart will go from 1 to 22, representing each Tarot's 22 Major Arcanas.

⋆.˚₊˚⊹ ᰔ Colored Numbers are your main energies, they are also great tools to understand your true potential and why you came into this life, but also past life, desires, and your soul's purpose. Though this isn't the theme in this post.

⋆.˚₊˚⊹ ᰔ Some more ressources on Tumblr here!

How do you use Destiny Matrix?

⋆.˚₊˚⊹ ᰔ In this post, we will talk about the romance and love part of your life. And mostly numbers. On each sides of the chart, you'll see your different ages, representing different eras of your life. And above those different ages, you'll see a number, between 1 to 22.

⋆.˚₊˚⊹ ᰔ As you may have guessed it, those numbers will express the energy of what is happening in your life in those eras. It doesn't only mean one thing, it's a global energy. So this energy can be taken in romance, career, etc.

⋆.˚₊˚⊹ ᰔ It's more about energies and main events. It's a life forecast.

⋆.˚₊˚⊹ ᰔ Now, each numbers above your different ages represent a Tarot Major Arcana, to know more, here is the Wikipedia page.

⋆.˚₊˚⊹ ᰔ Of course, each Arcana have also their own energies and meanings, and the way I interpret cards have always been taking both positive and negative energies. In this tool, I think it's important to take both.

⋆.˚₊˚⊹ ᰔ I have so studied this technique with my personal knowledge and thought of doing an observation post about it, please read this before continuing:

⋆.˚₊˚⊹ ᰔ Please know this post is based on my personal researches. I practice Tarot too and I have some knowledge on the cards, but I am still new at Destiny of Matrix. My main goal in this post is to give more insights and my own point of view on the matter. I of course use relatives and individuals I knows to support all theories here. This is truly an observation post. Please take it lightly!

⋆.˚₊˚⊹ ᰔ Also please use your intuition, I bet you'll not have children at 5 years old, so even if you see a number that can indicate pregnancy, think twice that it might not happen when you are too young. Use your own discernment, and take it in an open-minded way! Those are possible indicators only!

Meeting your Future Spouse Numbers

1: The Magician

The first Major Arcana can be an indicator of meeting your Future spouse. This card is the very first card, which usually represents new beginnings, something new coming to your life. It also indicates lovestruck, beginning of a relationship, and building a story with someone. In this case, this can be taken as a something new starting, and def something major in your life.

5: The Hierophant

The Hierophant, also called The Pope, is the 5th card and is an indicator of meeting your FS. This card is considered linked to marriage, as the man on the card usually seal a union between two individuals. Usually this card represent a union that can go far, meaning to marriage. So this can also be an indicator of meeting someone you'll marry in the future. It seems like this number happened with people when they realized who they will marry.

6: The Lovers

The Lovers is the 6th card and it's also an indicator of meeting your FS! It's a quite strong indicator in my opinion, since this card is a divine union card, so soulmates for example are often represented with this card. You could meet a destined lover with this number, or just fall in love too.

10: The Wheel of Fortune

The 10th card usually represents major change in our life, so if you have a 10 number, this can be a year when you'll meet someone who will deeply change your life. This can be a year when you'll meet your FS, things will change!

14: Temperance

This number can also indicate meeting your FS, as this card is also a Soulmate card. Just as the Lovers card, you could meet a divine partner this year but also someone who you'll love deeply. It can also be a soulmate, but this can def be an indicator of meeting the person you'll marry.

16: The Tower

The Tower is also called "The House of God" in the French Version, and it can then represent something fated by a higher force. The number 16 can be a time when you'll meet someone who was "sent" to you, someone who is destined to meet you, and they could perhaps be your FS. It usually also represents a happy union.

17: The Star

The Star is the 17th card of the Tarot for Major Arcana, and it is a sign of hope, happiness and optimism. This number can also be an indicator of meeting someone who will bring you great joy. This is an indicator of having a protected Union, being a couple that will last a long time but also a couple who will having high chances to have children together. Fertility is a keyword for this card.

18: The Moon

So, at first I wasn't going to include this number but two of my family members got it the year they met their FS. So it caught my interest. This card can indicate meeting someone you'll want children with. And it is also a sign of fertility. This number can then be an indicator of meeting your FS since it also talks about meeting someone you'll feel at home and comfortable with, and perhaps meeting someone who is a soulmate too. I have also noticed a pattern with this number: both my relative who got this number met their FS while being in a relationship! Perhaps this can be an indicator...

19: The Sun

AH the Sun! The happy card! The Sun to me makes it obvious we need to add the number 19. This number will bring great happiness and joy into your life, so this can be a year you can meet your FS since they will usually (I wish you that at least), great happiness. This card represents union, a couple that is a great fit for one another, but also a couple that is very tender and wish to build a future together. But it also represents universal and unconditional love!

20: Judgment

The number 20 can be another indicator of meeting your FS. That number is about meeting a person who will be a major meeting in our life. It's also about love at first sight. But also about our destiny. So we could be meeting someone who was meant for us.

22: The Fool

This is the last card in the Major arcana, and it usually represents a meeting a new person in a very unexpected way. But it also represents honeymoon, and meeting a passionate lover. While this can be surprising for others, I think it's important to remember this card represents endings leading to new beginnings. So yes, this can also be an indicator.

Examples

⋆.˚₊˚⊹ ᰔ My mom was a 10 when she met my dad.

⋆.˚₊˚⊹ ᰔ My dad only married my step mother, and he had number 10 the year he met her.

⋆.˚₊˚⊹ ᰔ The year I met my FS online I was a 6.

⋆.˚₊˚⊹ ᰔ And the year we met in real life I was a 16!

⋆.˚₊˚⊹ ᰔ Both my grandma and my aunt were a 18 when they met their FS, yet both met them at a time they were already in a relationship!

⋆.˚₊˚⊹ ᰔ My grandfather was a 20 when he met my grandma.

⋆.˚₊˚⊹ ᰔ My other grandma was also a 10 when she met my other grandfather.

⋆.˚₊˚⊹ ᰔ My FS was a 16 when we first met and 5 when we met in real life.

⋆.˚₊˚⊹ ᰔ One of my best friend was a 5 the first time she met her FS.

Getting Engaged / Marriage Numbers

2: The Popess

5: The Hierophant

6: The Lovers

7: The Chariot

This card is about moving, and things moving fast, forward. An engagement or a wedding is a new step in a relationship, so this card can be an indicator.

8: The Justice

Marriage contract

10: The Wheel of Fortune

16: The Tower

19: The Sun

20: The Judgment

21: The World

22: The Fool

A new era of your life, something totally new coming.

Examples

⋆.˚₊˚⊹ ᰔ When my dad and step mother married, she was a 21 and my dad was a 20.

⋆.˚₊˚⊹ ᰔ My grandma was an 8 when she got married for the second time.

⋆.˚₊˚⊹ ᰔ My grandfather was a 22 when he got married the second time.

⋆.˚₊˚⊹ ᰔ My other grandmother was a 21 when she got married too.

⋆.˚₊˚⊹ ᰔ My aunt was a 5 when she got married.

⋆.˚₊˚⊹ ᰔ If I follow my predictions, I will be an 8 or 16 when I'll get married.

⋆.˚₊˚⊹ ᰔ My mother has indicators of getting married soon and she will be a 7 soon LOL.

Pregnancies/ Having Children Numbers

2: The Popess

The Popess represents the oldest woman, the woman who has knowledges and experiences, so it can also represents a nurse, or women who help during the pregnancies. And it is also a sign, as the card itself, of pregnancies. It is governed by the Moon. It represents the desire to have children, and also to be pregnant. It is also a sign of maternal wisdom or nurturing.

3: The Empress (for women specifically)

The Empress represents the woman, and it is a major number to have for years to be pregnant. I would say that it represents being pregnant best, and more if you are a woman actually. This card is represented by Venus, and it is a huge indicators of being pregnant, being fertile, and having children. Pregnancy is a huge theme on this card. The Empress represents the mother in Tarot.

4: The Emperor (for men specifically)

As the Empress represents the mother, the Emperor represents the father! So if you are a man, this can be an indicator of becoming a father a certain year.

6: The Lovers

It wasn't an indicator to me at first but I saw two of my family members being a 6 during pregnancies or when they had a child, so I have decided to mark it. I guess since the Lovers represents being two, and when a woman is pregnant, she is two (her + the child), it can be an indicator. Both of those family members had this indicator with their first children!

10: The Wheel of Fortune

The Wheel of Fortune isn't necessarily a pregnancy indicator in Tarot, at least not specifically. But, this card represents big change or transformation in one's life. So it's obvious it can mean something is changing. This can so indicate pregnancies, and if you are a woman, this can even indicate something is changing in your body!

13: Death

While Death represents change and transformation, it can also apply in this case in my opinion. It means new beginnings, it's a card that indicates deep change, so even physically and mentally. So this can mean deep change and transformation in your body, but also in your life, as having children brings total new beginnings.

16: The Tower

This card brings happy news and it's a card about fertility, and also men's fertility. It represents pregnancies in some cases as it brings happy news specially to the home.

17: The Stars

This card represents women, fertility, feeling harmonious, and wishes for pregnancies. It represents possible birth and children.

18: The Moon

This is a feminine card too! A card ruled by Cancer, and a big indicator for pregnancies and children. In Tarot, this totally represents being pregnant. It also represents the desire to be pregnant, and the action to fall pregnant (so s3x, but def in order to be pregnant).

19: The Sun

So, there are two reasons as to why I think this can be an indicator. First, this card represents happy news, and so this is obvious (generally) a pregnancy is a happy new. But this card is also ruled by the Sun & Leo, and it so is the card of children.

21: The World

The World is a card that can also represents pregnancies. First, it's a card that has more feminine and women energies. This card represent the end of a project, and it can be the outcome of a couple project (what do couples do together... iykyk), it also represents a perfect project.

Examples

⋆.˚₊˚⊹ ᰔ My mother had number 3 when she had me.

⋆.˚₊˚⊹ ᰔ When my step-mother was pregnant with my sister, she was a 18.

⋆.˚₊˚⊹ ᰔ My aunt was a 10 during her first pregnancy.

⋆.˚₊˚⊹ ᰔ The next years she is a 13 and then 16, I am pretty sure she will fall pregnant again (I have astro indicator of having a new cousin this year).

⋆.˚₊˚⊹ ᰔ My dad was a 18 when my mom was pregnant, and a 10 when I was born.

⋆.˚₊˚⊹ ᰔ He was a 10 again when my brother was born.

⋆.˚₊˚⊹ ᰔ My grandma was a 21 when she was pregnant with her first child.

⋆.˚₊˚⊹ ᰔ Funny thing, my grandma was a 4 when she had my mother, but the story was that my grand father reallyyyy wanted a child that year.

⋆.˚₊˚⊹ ᰔ My other grandma was a 21 when she had my aunt.

FS being a Foreigner Numbers

For this part, we will focus on the numbers near the hearts, and actually those three (see pictures). Those numbers are indicators and a way to describe your FS. In those numbers, you can see if your FS can be a foreigner. Here are some numbers can indicate such thing.

7: The Chariot

The Chariot is a card that represents the act of moving, and it can also indicate traveling. Despite it's not necessarily a card that means this, it is still connected to the world, since the Chariot goes and doesn't stop. It can go anywhere, so this can be an indicator of having a foreign spouse.

14: Temperance

Temperance is a card that is related to holidays and traveling for vacations, so this card can also be linked to the foreign world. This card also reminded me of the foreign land, foreign people and people who are open-minded. After all, Aquarius rule over this card, so it makes sense.

19: The Sun

This can be surprising, yet I don't think it's a major indicator, but it can still be. Actually, the Sun as a card represent countries that are hot, and places where we can go on vacations, so this is again linked to foreign lands and foreigners.

21: The World

This one is obvious, the World literally represents what it is meant to. This is the biggest indicator to me.

22: The Fool

The last card of the Tarot to me is an indicator of having a foreign spouse as well, and I would say in my opinion, 2nd biggest. This card is ruled by Uranus, so Aquarius too. This card represents the travelers, people who go and just want to discover, curiosity, it represents "everywhere".

Not a lot of people around me married foreigners for now, I don't have much examples, except my FS is a foreigner and I have a 22 number lol. But this is just my guesses since those are cards that are linked to foreign lands.

Being Single / Breaking Up / Divorce Numbers

1: The Magician

New beginnings, starting a new project, cheating, being cheated on etc.

7: The Chariot

Moving on, moving to someone/ something else/ searching for something else.

8: The Justice

Breaking a contract, divorce.

9: The Hermit

Wanting to be alone, being left alone, someone breaking up with us, breaking up and staying single, being single.

10: The Wheel of Fortune

Change, suddenly breaking up, changing partner, passing from one partner to the other, etc.

12: The Hanged Man

Stop of a relationship, breaking up, divorce, the end of a relationship, leaving a partner.

13: Death

End of a relationship, divorce, separation, break up, being heart broken.

14: Temperance

End of a relationship, breaking up, could be a break up in good term, but also a break up because of miscommunication, couple not being made for each other.

15: The Devil

Cheating, being cheated on, doing terrible things against your partner, or your partner being terrible things to you, divorce, break up, leaving your partner for someone else, your partner leaving you for someone else, having bad intentions.

16: The Tower

Break up, divorce, separation, fights, arguments, cheating, being cheated on, breaking up on bad terms.

21: The World

Being rejected by your partner, being cheated on, partner breaking up with you, couple failing, couple not being made for each other, divorce, break up, cheating, wanting adventures.

22: The Fool

End of a relationship, stepping away from a partner, wanting to be single, being single, wanting to go on adventures, cheating, being cheated on, a partner leaving us, sudden endings.

Examples

⋆.˚₊˚⊹ ᰔ When my mom and dad divorced, my mom was a 13. My dad was a 10.

⋆.˚₊˚⊹ ᰔ My step mother was a 12 when she and my dad divorced.

⋆.˚₊˚⊹ ᰔ I was a 16 when I had a big break up with one of my ex who cheated on me (and then made me believe it was my fault lmao).

⋆.˚₊˚⊹ ᰔ My aunt left her partner to be with her current husband the year she was a 10.

⋆.˚₊˚⊹ ᰔ My dad was a 12 the year he got divorced from my step mother.

⋆.˚₊˚⊹ ᰔ My grand father was a 12 when he left his first wife.

⋆.˚₊˚⊹ ᰔ My grand mother was a 10 when she left her first husband for my grand father.

⋆.˚₊˚⊹ ᰔ My grandmother was a 8 when she got divorced from my grandfather.

Thank you for reading!

back to index ; ask ; request ; rules

[feyd-meowtha]

Some thoughts on Dune, media literacy and the way we interact (and do not interact) with difficult topics in fiction....

Buddy, imma say this with kindness in my heart.... If this gets you 'tweaking' then you aren't gonna like the ending of Children of Dune...

On the media literacy note.... big sigh.

It is explicitly said that Feyd and Paul were meant to marry and have a child had Paul been born a girl - obviously the natural reaction is to consider what the nature/implications of that would have been. The source material is EXPLICITLY telling you that they were made for eachother, destined to be together. This is also the text EXPLICITLY telling you that this relationship would be an acceptable thing in this world. Therefore engaging with this concept is not at all a reach and is very much backed up by the source material. People are not getting this idea from nowhere.

(Also if that still offends you, they're not actually first cousins but cousins once removed and 2 seconds of thinking about the family tree would have made that obvious, not that it really matters at all in the context of this story, but it is a very easy feat of inductive reasoning)

The fact is that this is a story about ruling families and (as they almost always do) it involves a degree of incest. This is ESPECIALLY true in the world of Dune where these people are being selectively bred like show dogs to have certain genetic characteristics, I hope I do not have to patronise anyone by explaining how that works. Especially given as Reverend Mother Mohiam says this, oh, 10 pages into the first book:

People who haven't read the literature love to lecture people on literacy, funny.

So, in conclusion, if this is how you feel then, with love, Dune is not the story for you. The fact is that a degree of incest IS normalised in this universe and if you're inclined toward tedious moralising based on writers exploring difficult ideas in fiction then I'm honestly surprised you ended up here in the first place. Dune is a story that constantly presents the reader with difficult ideas and invites them to critique and analyse them for themselves, including the morality of the Bene Gesserit breeding programme. In Dune no character is morally pure, no ideology is beyond corruption and no path is free of ugly choices. As adults we can engage with these difficult topics as we wish.

*Sigh* A few years ago these people learned the term 'media literacy' and they've been insufferable ever since.

[idlerin]

CAN I CALL YOU MINE?

celebrity!sakusa kiyoomi x f!reader

part 1 | part 2 | part 3

the ikarus incident (band au)

+ word count: 9.3k

content — you're the miya twins younger sister yes, essentially brothers bsf (thats if sakusa treats atsumu as a bff, tsumu says yes, still up for debate), in this au inarizaki is based in tokyo!, as usual can be read as a stand-alone despite it being part of a mini series :3, uhh light angst for now, reader has had a crush on sakusa since childhood, she has a fan acc dedicated to him and he knows abt it too lol. oh and four year age gap.

it seemed like everyone (well, mostly your brothers) was against the idea of you liking sakusa, even sakusa himself. although you'd do everything you can to reach him, impossible it may be.

“IKARUS’ SAKUSA KIYOOMI and Haiba Alisa dating rumors heat up after viral video claims evidence of lovestagrams,” you read out loud, eyebrows furrowing, “What the hell are lovestagrams?”

Despite knowing this was more than likely a case of false assumptions made by story-starved journalists, you continued to read the article trending in your circle.

Fans express a mixture of dread and joy for a potential romance between Haiba Alisa and Sakusa Kiyoomi as a trending tiktok video compiles ‘dating evidence’ of the pair’s relationship. The video meticulously pieces together videos and clips of the past three years of Haiba and Sakusa’s interactions that seem to hint at a deeper relationship between the model and the music artist. The account also pieces together instagram posts of the pair that insinuate that they were near or at the same place, sharing similar poses reminiscent of ‘lovestagrams’ shared by couples.

That was when you stopped reading. You clicked out of the tab to quote the tweet the article was attached to. Words such as ‘when has sakusa ever seemed like the type to plan an ig layout?’ and ‘isn’t it weird to say that two people are dating just because they looked at each other or breathed at the same place’ that you both deleted in place of saying ‘i’d be happy if this were true’—you would not—‘only if sakusa announces it. like he’s said so many times that if he were to ever be in a relationship he’d tell the media himself’. A couple of seconds pass before you get a notification.

leia @keijisrealgf · 1m Replying to @kiyominiscient ur so real oomf. sakusa hates gossip pages byeee 7:04 PM · Jul 3, 20XX

[name] | kiyo’s future wife (real) @kiyominiscient · 36s Replying to @keijisrealgf  he’s like their worst enemy lol 7:04 PM · Jul 3, 20XX

leia @keijisrealgf · 6s Replying to @kiyominiscient hes more likely to date atsumu !!! 7:04 PM · Jul 3, 20XX

In the middle of typing out a reply, your door slams open harshly, “Oi, you better be ready, we’re leaving in thirty minutes,” the sight of your older brother, Osamu, in a plain shirt and jeans (which eerily reminds you of your father) makes you turn your attention to him, “You better still not be in pajamas.”

“Is it true that Kiyo’s dating Haiba?” you ask instead, tone in slight distress, rising from your lounge on the bed. Despite your reassurance for Sakusa’s other fans, you were more than less assured of anything. The last time you had a proper conversation with the man even through text was over a week ago, and he would never tell you if he was seeing anyone.

Osamu raised a brow, “How would I know if Kiyoomi was dating anyone? And Haiba? The model?”

“Yes, the model and I don’t know, does Atsumu not tell you or something? He would tell you if that were to ever happen, right? Right?” you were insistent. You knew your twin brothers had gossip sessions without you because of their weekly calls you walk into now that you’re temporarily staying with Osamu. You wouldn’t have wanted to sit through Atsumu’s girl problems anyway, he’d ask you directly for advice (he does this a lot) if he needed it.

“I guess so?” Osamu affirms, kind of.

“You didn’t notice anything when you visited their studio two weeks ago?” you ask, looking back at the dreaded day you scheduled a pilates class because you wanted to try it out and Osamu told you last minute when he dropped you off at the gym that he was going to the studio because Atsumu paid him to make food. You stood there, mouth agape, watching as your brother drove away, missing the chance to see the love of your life—what’s worse was Osamu did that because you would have asked to come with him, “Cause ‘Tsumu would never let him be! He’d be all up in his ass about it.”

Osamu contemplates your judgment of Atsumu, “Fair, he would do that. But I didn’t notice anyone acting differently last time I went.”

You sigh in relief, “Oh oka—”

“But doesn’t that mean if Kiyoomi were to get a girlfriend he would never tell ‘Tsumu?” Osamu thinks out loud, you froze at his glaringly correct answer, “Anyways, it’s none of our business. You’ve got to get over your silly crush on the guy. Now get up, you lazy bum.”

You frown before putting your laptop to the side after shutting it down—not forgetting to hit post on the reply—you stand up, patting down the white layered maxi skirt you were wearing and fixing the sides of your top before showing him your palms to show you were all ready before he starts to nag you, “Why would I ever be lazy with an opportunity to see Kiyo? I’ll just do my hair for a bit.”

Osamu blinks at you before sighing, already used to your comments about Sakusa, “Okay just do it quickly,” he says before leaving. You were staying with him while on vacation from university because you had nothing to do if you went back to your house. Your parents were currently on a three-month-long trip touring Europe, they should be back in a month or so, and you’d hate to be stuck in the dormitory without any company (your roommate and most of your other friends went back to their hometowns or abroad), so what was left was bothering one of your older brothers.

Your other brother, Atsumu, was too busy being a famous celebrity to house you. Alright, he’s not that mean, the reality was he was too busy moving out of his old condominium and moving into his shiny new penthouse to offer you a place to stay. Even if he did make an offer, you would choose to stay at Osamu’s any day because it meant you didn’t have to cook for yourself. As much as you were interested in Atsumu’s band activities, or more specifically, bandmate, you would not suffer through the horrors of living with him again even for only two months, you’ve had plenty of experience in that field. It’s not like Osamu wasn’t the same kind of horror, he is, just in a different font, but again, he can cook!

Securing the last strand of your hair and smiling at yourself in the mirror, you put your essentials in your handbag. Grabbing the bouquet of blue dahlias made out of paper you decided to make on a whim the past week once you found out Atsumu was hosting a housewarming party and Sakusa would most definitely be attending. You eye the three flowers you spent hours perfecting, you were badly hoping Sakusa would keep them this time. Unreachable. The meaning of the flower coincided with how you felt for him. You’ve had a slight obsession with flowers and their hidden meanings since you gave him a rose on his birthday a year ago.

You skip out of the guest room to see Osamu by the counter twirling his keys, he looks at the bouquet in your arms, you asked him if it looked pretty and he replied by muttering a ‘when the hell did you even get the time to do that’ before leading you out of his cozy apartment and heading to the parking lot. The drive didn’t feel like it was forty minutes, you were humming in excitement as you clutched your hand-made bouquet to your stomach on one hand as it sat daintily on your lap and scrolled through your phone on the other to read through the latest antics on twitter.

Soon enough you were thrown in to face the security check in at Atsumu’s new place, you kind of didn’t get it when Osamu was asked to show his ID when he said that he was Atsumu’s brother. Isn’t looking at his face already enough proof? But of course you get that it’s for security reasons, it was just funny to think about since they were literally carbon copies of each other.

You continued your humming until you were in front of Atsumu’s door, you quickly faced your brother, “Samu do I look okay?”

Osamu grunted out a yes (very unhelpful) as he told Atsumu through the phone to let you guys in. You stayed fiddling with the hem of your top when the door opened and you were greeted by Atsumu, his platinum blonde dyed hair one of the only clear distinctions he had with Osamu.

“Well if it isn’t my dearest beloved sibli—” you ducked under Atsumu mid-sentence, patting his back and absentmindedly saying a ‘yeah yeah love you too’. You were faced by nothingness, portraits and paintings but no sign of people, you do admit that his marble floors facing the skyline did pose a pretty view.

“If you’d let me finish my sentence, you would’ve known everyone’s out at the patio,” an arm was lurched on your shoulder, the same arm twisted you and angled you to the direction of open glass doors leading out to a private terrace where you spot familiar silhouettes. You heard Osamu’s footfalls follow behind you two. You couldn’t escape Atsumu’s hold and was forced to be etched at his side as he stood still on his main living area with no plans of moving anytime soon.

“She’s been restless for the past hour,” Osamu quips, sitting comfortably on a sofa chair and stretching, the comment makes you the subject of Atsumu’s jabs.

“Was it because you were excited to see me?” Atsumu grins down at you, using his free hand to murder the top of your head. You made a sound similar to a hiss as you tried to shoo his hand away.

You display your displeasure with a large frown, “I see you all the time through Samu,” you grumble.

“Gross!” Atsumu’s face scrunches and Osamu raises a threatening fist from his resting position, eyes closed and completely relaxed, “I meant seeing me, I raised you!”

“You were four when I was born,” you scrutinize, trying to get his arm off your shoulder and fail again, you kept glancing behind you where you would very much like to be at the moment, “And I do see you. On the trending page on youtube, tsu-tsu,” you chuckle at the latest nickname your brother was given because of his recent performance wearing a pink tutu. That specific performance of the band went to every corner of the internet because of the ridiculousness of their costumes (well mostly because of the ridiculousness of your brother too). You couldn’t help but think Sakusa still looked attractive wearing a colorful zebra print jumpsuit.

“I rocked that, didn’t I?” Atsumu smirked, unfazed by your obvious mockery.

“Can we go out now? Shouldn’t you be accommodating your guests or something, I’m hungry,” you groan, saying the last bit as an excuse, eyes drifting out again. You spot a head of wavy strands standing from the settee and going deeper into the corner of the patio, making your eyes widen, clutching your bouquet even tighter in anticipation.

Atsumu ignores you and glances down at your flowers, “My guests are just the guys and some other old friends, they can serve themselves,” he scoffs, giving Osamu a look, “And I’m hoping those flowers are for me.”

You made a noncommittal sound, taking the bouquet in your hands away from his view, “It’s not.”

Your brothers have always been unsupportive of your feelings for Sakusa ever since you voiced it out when you turned eighteen, hoping that confessing your feelings at that age would make them more accepting of it (spoiler: it did not). They kept acting as if it was just some phase because Sakusa was one of the first guys you’ve ever known, but you knew it was deeper than that. It wasn’t like your feelings showed up overnight, you’ve liked him ever since you were eleven and moved in the house next to the Sakusas. Your family moved because your father’s job required him to stay in Tokyo, it was a difficult decision moving so far away from Hyogo and everything familiar to you, adjusting took a while.

As an eleven year old, you were upset that you had to move away from all of your friends. You sulked for days and your brothers had to use petty tricks to get you to talk to them. Teasing and annoying you were their way to get you to respond, it was torture. They did what they did because you weren’t yourself for weeks, they were worried and didn’t know how to express it properly as stupid teenage boys.

Until one day your brothers annoyed you enough that you stormed out of the house, tears brimming in your eyes as you ran and ran till you tired yourself out. You saw a bench nearby and decided to sulk even more there. You were missing your friends and was frustrated because of your brothers, you cried your heart out for what felt like hours but were really just minutes. You were sniffling to yourself and wallowing in self pity when a handkerchief was suddenly in your blurry view. You look up at the owner holding it out to you, seeing an older boy looking awkwardly to the side, you observe what you can and the most you can make of him was his wavy hair and lean figure.

“This is my second lap in the area and you’re still sitting there looking pitiful,” his words were sharp and shouldn’t have been something said to a total stranger, you knew that much at your age, your shock from his attitude momentarily made the tears stop flowing.

“So? Aren’t you going to take it?” the stranger nudges the cloth to you again as you reluctantly take it to wipe your tears. You felt a bit better knowing a stranger cared enough to approach you, even if he was a bit rude.

You watch as the stranger starts to walk away, you inhale a sharp breath and with your quavering voice you manage to utter, “Uhm stay, please,” it was so soft that you thought he didn’t hear you for a moment.

But the stranger does stop in his tracks and looks back at you with a pointed gaze that should have been intimidating, he just stood there and you realized that he was waiting for what you had to say. Now with your less blurry gaze, you observed him more objectively. Noting how he was what you and your friends would say was a cute boy, you guessed he was around your brothers’ age.

Before you could say anything else, loud, obnoxious voices started shouting your name and running towards you. You watch in horror as your brothers approach and in your surprise, you hide behind the boy you just met. It took minutes of your brothers shouting their worry and claiming how stupid you were for running around in an unfamiliar place (which you wouldn’t have done if they weren’t being so mean in the first place!). That’s why you refused to go back with them, still using the stranger as your shield. The boy was obviously starting to get more and more irritated with each second that passed, he never asked to be in this situation when he was just doing a good deed for once.

That was when the twins finally acknowledged his presence and started questioning him, the stranger explained that he saw you crying at the bench and approached you to give you something so you would stop (he said this in an annoyed tone), and that he was about to leave when they showed up. The twins, especially Atsumu, were relentless and kept drilling him with stupid accusations like ‘Were you planning to kidnap her?! Huh!?’ when Sakusa at the time barely looked like he cared.

“Stop it!” you finally intervened, stepping out from your human shield, “Stop being so mean to him! You’re already mean enough to me,” you huffed, dramatically crossing your arms and glaring at your brothers. This made Atsumu quiet down, looking at you with a large pout on his face as if that would make you start thinking he deserved forgiveness.

“Hey, you know we didn’t mean it like that,” Osamu began, stepping forward and reaching a hand towards you—a supposed comforting invitation, “We’re sorry, so let’s go home.”

“I don’t want to,” your glare was still set, your stubbornness evident as you placed your foot down. It made both of your brothers groan, knowing when you were in your mood, you were in your mood, meaning, it’s going to take them a lot of convincing and bargaining.

“Hey,” the voice from behind you caught your attention, the chilly air was making a mess of his hair, “I don’t know whatever it is that happened but you should go home. It’s getting dark and you wouldn’t want to stay out here so late,” the stranger looks at his watch.

You contemplate it because he did have a point, and you were missing the comfort of your bed… “You’re right,” your shoulders slump and you mumble a small, “Fine.”

Atsumu cheers and you glare at him again before looking at the stranger who really looks like he wanted to leave, “What’s your name?” you finally ask.

Your brothers took your calm tone as a sign that they could approach you and they flocked to your sides as if making sure you wouldn’t run away again, they also waited in curiosity for the stranger to introduce himself.

“Sakusa Kiyoomi,” he says, “And you guys are…?” The twins introduced themselves, their guard down after deducing that Sakusa wasn’t a threat at all. You were a bit more shy when saying your name, you suddenly felt bashful because it was now just sinking in that this stranger-no-more saw you crying your eyes out like a baby.

Sakusa was saying his long-awaited farewell when Atsumu asked him if he lived around here and Sakusa said he was ten blocks ahead to the right, Atsumu’s exact words were ‘No way?! Us too!’. It turned into you guys walking towards your homes together with Atsumu leading the conversation with Sakusa, it turns out he was dead-set on making this guy his friend. You stepped back with Osamu and just watched as Sakusa pointedly shot down a lot of Atsumu’s statements, it made you laugh.

A couple of minutes later you guys find out that you lived right next to each other, another ‘No way?!’ from Atsumu. Osamu had to push his twin back into the house to get him—metaphorically—off Sakusa in his excitement.

You stayed out as the raven-haired opened his door, you exclaimed, “I’ll give you back your handkerchief after I wash it!”

Sakusa waved his hand as an answer, the action made another grin slip through your lips.

That began a series of countless encounters and moments with the family living next door and Atsumu successfully making Sakusa his friend (still up to debate, although he successfully roped him into forming a band with two other friends so that’s a success in making him a lifetime friend for sure). You’ve had off-hand conversations with Sakusa here and there but as the days passed you grew more and more self-conscious around the teen, until one day you found yourself looking in the mirror and admitting to your reflection that you have a huge crush on Sakusa Kiyoomi.

“I thought liking Sakusa was just a phase,” Atsumu sounded baffled, this brought you back to reality, “How many times do we have to tell you he’s too old for you?”

“He is not,” you defended, four years was practically nothing! You were twenty this year! Sure you’ve liked him since you were a kid and it was just a stupid crush back then but you weren’t a kid anymore and you still like him. Doesn’t that mean something?

“He’s practically ancient,” Atsumu says as if the person he was talking about wasn’t a few feet away. The heavy weight on your shoulders makes its presence known, you look at Osamu for help but he just stares at you because he agrees with Atsumu. 

You grunt, “You’re literally the same age, are you calling yourself ancient?”

“What’s the hold up?” another voice joins, you all turn to look at Suna Rintarou holding a plate with pepperoni pizza, “Atsumu you need to buy more food, and before you say anything else Akaashi and Kita agreed that we do need more food. Oh! It’s little Miya, long time no see.”

You frown at the nickname, Suna insists on calling you that even though you’ve told him countless times that you had a proper name. He’s part of the same band Atsumu and Sakusa were in, he’s also the twins’ former schoolmate at Inarizaki High which was how they met in the first place, “Hi Suna,” you greet blandly, looking defeated.

“You’re looking more and more like the twins every day,” the corner of Suna’s lips raise in a smirk as your face contorts to an expression that could only be described as disgust.

“I will start crying, tell me you don’t mean that,” you use your free hand to cover your face in exasperation at your situation. You just wanted to see and talk to Sakusa! You don’t understand why your brothers were being such a pain by keeping you away from him (which they didn’t do before, they only started with this weird intervention when you confessed your feelings for Sakusa a year ago). It wasn’t like you were going to pounce on the guy as soon as you saw him! You still had some decency and respected his space. 

“I give you a part of your allowance, little brat,” Atsumu sneers. Your extra meals and clothes you were only able to buy because Atsumu spoiled you with his music money flash before your eyes.

“Tell me you didn’t mean it as a joke,” you add to remedy your previous statement. It seemed to appease Atsumu enough but it didn’t warrant him setting you free.

“This is starting to get tedious, I think it’s been enough. Let her loose,” Osamu states, standing up with his hands crossed against his chest. In his words, you scowl even as Atsumu finally lets you go, you massage the part of your shoulder where Atsumu’s weight was pressed using your free hand.

“I’m not your little pet,” you point using your handmade blue flowers in the air, dragging them from Atsumu to Osamu, as if making the statement ‘I’m going to do whatever I want’. You huff as you turn your heels to see Suna’s amused face which you glare at as well before practically running towards Atsumu’s fancy terrace.

Not before faintly hearing Suna badgering Atsumu about more food as you slide out the glass doors and are greeted by the chill of the evening air. You made eye contact and greeted the three people seated around the gray L-shaped sofa. Akaashi on the furthest to the left—the main vocalist of their band, the one most of your friends had a crush on—and Atsumu’s closest former seniors back in high school, Kita and Aran, if you remembered correctly. You knew this housewarming party would only consist of a few people because Atsumu wasn’t exactly sociable, despite his obnoxious and loud demeanor. You were surprised to not see another face though, you briefly wondered if they had another fight. You shake those thoughts away and focus on what’s important. Greeting Sakusa.

His tall figure was leaning on the edge of the patio, keeping to himself as usual. You walked around the small table displayed in the middle, sidestepping the decorative plants. You were careful as you approached, not knowing what reaction you would get. Would he act again as if he didn’t know you had feelings for him? Ignore you? Treat you coldly? But you know Sakusa wasn’t like that, despite everything, you practically grew up together. You could never be a stranger, you hoped you’d never be a stranger.

“Miya,” you almost jump in surprise at him acknowledging you first. He’s always called you by your last name, you didn’t know why when he could call the twins by their first name just fine. It’s not like he doesn’t say your name or nickname sometimes too, he just chooses to call you Miya for some reason. It improved in some way, he used to call you ‘Little Miya’ like Suna did back when you were sixteen, and you complained enough about it that he stopped. 

“Were you waiting for me?” you gave him a sheepish smile, braver, stepping closer until you were standing beside him. You didn’t wait for his response in case your heart gets crushed by his answer and instead showed him the blue dahlias, “I made these for you.”

Sakusa gives one glance at the paper flowers before meeting your gaze, you wait with bated breath for his response, “You didn’t get poisoned by the rotten apple fruit shake, then?”

You almost didn’t understand what he meant, then you remembered the series of texts you sent him a few days ago which he never replied to, so you thought he hadn’t read it. You almost pout at the thought that he just didn’t want to reply, but that was typical of him already, “It looked normal on the outside okay? I told you it was Samu’s fault, who in their right mind would keep those lying around in their homes—and you’re distracting me!” you accuse once you realized he was trying to change the topic.

The corners of his lips twitch and if you hadn’t grown up with him you wouldn’t have noticed that little change in his otherwise deadpan expression, you place emphasis on your gift once again by lightly shaking it. He takes another glance, a hand reaching out to gently nudge the delicate paper-made petals with his fingers, “How long did it take you to make these?” “Around three days,” you answer dismissively, waiting patiently for him to take it, “I chose to make a nonexistent flower eternal,” you boast, proud of yourself.

“You could’ve used that time for other things, enjoy your summer break,” Sakusa says offhandedly, turning to look at the view, “Don’t waste it making gifts for me.”

“Making gifts for you is not a waste, this is the only way I can show you that what I feel for you is sincere,” your brows furrow, “And I am enjoying summer break, I’ve done a lot of things already.”

“I know,” Sakusa sighs, you didn’t know what he was referring to. Your sincerity? Or that you’ve been spending your break to the fullest? You do update him through texts from time to time, you make sure not to bother him too much for fear that he starts finding you annoying like a lot of other aspects of his life.

To your happiness, he plucks the bouquet from your hands. You were then overcome with the irrational fear that he would drop it, which was silly, “Keep it in a vase, okay?” you ask, “Preferably somewhere like your countertop or in the lobby,” you began to suggest the most visible ways he could display it, your own little way of putting bits and pieces of you in his life.

“Why didn’t you come with Osamu when he delivered Atsumu’s food?” Sakusa asks instead, changing the conversation.

A small pout forms on your lips, “He left me,” you complain, “They’re on some weird pact trying to keep me away from you.”

“They mean well,” Sakusa says, a glint of amusement in his eyes, probably imagining the twins doing everything so you wouldn’t be able to make any advances on him, “You’re their only baby sister, of course they would be protective.”

You lean against the stone railing, looking out on the view, slightly upset, “I know they mean well, that makes it worse. It’s not like I can’t think for myself, I know what I’m doing.” “Do you?” Sakusa asks, adjusting his body to look at you properly.

“You said you’d let me try,” you mumble, looking back at the time you confessed to him and declared you would try to win his heart, that he should give you a chance. At the time, Sakusa looked surprised, never thinking of the possibility that you would develop feelings for him deeper than anything platonic.

“Because I thought you’d find some other guy your age you’d focus on more when you start university,” Sakusa lets out a breath, “I’m not the one for you, Miya.”

His statement stabs you directly in the heart.

“You don’t…” you gulp, a lump stuck in your throat, “...have to like me back,” you bit down on your lower lip, “Can’t you just let me like you?”

“You mean a lot to me,” ‘just not in the way you want me to’, you could almost hear Sakusa’s train of thought, “You’re young—”

“You are not that much older,” you practically groaned, that was always their excuse.

“And yet I’ve known and experienced more in life than you,” Sakusa states bluntly, “Be serious, Miya. What you want isn’t going to work, so get over me,” talking down on you.

Your jaw clenches and you raise your chin at him, even with his frame towering over you, “It’s not that easy, Sakusa,” it was petty, not using the nickname you’ve called him since you were a kid. Being petty by using his last name as if that would put more distance between you two. It wasn’t wise letting your emotions control you, and perhaps it was proving to him more that you were still too childish for someone who already presents himself to be so mature. Though it did give the point across, that you were seriously upset, watching as something flickers in his eyes as you turn on your heels away from him.

You decide to sit in between Osamu and Akaashi, Osamu was splayed on the couch talking to Suna who was on his left about stuff you hardly care about. Even if your brother does notice your foul mood, he doesn’t point it out. Atsumu walks in holding three more boxes of pizza with a delivery guy trailing behind him holding more drinks. Which consisted mostly of alcohol and a few juices, which was most likely for your benefit. You were allowed to drink but you never liked the taste of alcohol. You watch as Atsumu directs the guy to put it on the side and that’s when you lose interest, choosing to listen in on Osamu and Suna instead.

You were catching in on their topic, but you were mostly just confused. It looks like they’re talking about Osamu’s planned business. You know this one, the onigiri franchise he wants to start. He’s working a corporate job right now to save up for his restaurant-ish (you didn’t really know what to call it), he didn’t want to risk focusing on that immediately after graduating. You know he’s near his goal, you’ve been hearing talks about finding the right building and stuff. All this business talk almost distracts you from your previous state of anger.

“Can I sit there, Akaashi?” you don’t look up to see the one person you’ve wanted to see all night. You knew he was blunt, that was just the kind of person he is, and you were used to it. Doesn’t mean just because you were used to it and you liked him, that you were immune to getting your feelings hurt.

“Sure,” Akaashi says nonchalantly, he was just on his phone the whole time you sat here, he also probably noticed you weren’t in the mood which was why he didn’t attempt conversation. You see in your peripheral vision Akaashi offering to help Atsumu with arranging the food.

You continued to listen in on Osamu’s conversation, it was beginning to be difficult to ignore the presence next to you. Your body was always hyper-aware when he was settling down, it betrays your need for indifference.

In your view, a bottle of juice was presented, it was one of your favorite flavors, “Your drink,” his voice was closer, closer than you were when you were together on the ledge. It was so difficult to stay mad at him. This was his way of making amends, you knew, and it was hard to act like you didn’t like it when he paid special attention to you. When you take no action to take the drink, he places it on the table top in front of you.

“I’ll get you food,” he says, standing up and leaving the space beside you empty. It was natural, his knowledge of knowing exactly how to appease you. It makes you feel even more devastated knowing he’s just doing this because of his years spent on familiarness with you and your habits, usually, he’d be doing this after Atsumu or Osamu (or even both of them) did something to upset you. To him, you were still the shell of the child you used to be and that meant he still wouldn’t be taking you seriously.

That was partially your fault, you were still so… emotional and childish. You knew that, you were trying to work on it, really. Based on the way you acted just a few minutes ago, you’d have to work harder. Your gaze lands on the spot at the empty seat he was in where your blue dahlias rested, he decided to keep them after all. Your chest tightens in even more fondness. Osamu glances once back at you and you shove him away.

When Sakusa came back, you took the food he offered with no complaints and drank the juice he placed in front of you, murmuring a soft, “Thank you.”

“I heard you still have that fan account up, Rika says you play pretend there,” Sakusa mentions once he settles down beside you again, gauging that you were in the mood again to talk to him properly.

You were still a bit ashamed because of how you acted, which is why you replied hesitantly, “It’s not playing pretend, I’m genuinely a fan.”

“Rika says she saw some of your tweets acting like you didn’t know Atsumu,” Sakusa seemed amused at this notion which distracted you enough that you didn’t care Rika was technically stalking you. Komori Rika was Sakusa’s cousin who works for him as his assistant, you’ve met her a couple of times and you text her whenever you want to know if Sakusa was busy or not (so you would know if it was okay to message him). She was very sweet to you so you didn’t mind it that much.

“It’s not just online, I don’t tell anyone he’s my brother—mostly because they don’t ask. And my friends would start acting differently if they knew I was directly related to ‘Tsumu,” your nose scrunches. It does disgust you when one of your friends starts gushing over him, it is probably better that you never say that fact about your family relations because your friends would start being mortified remembering all the things they said about these guys.

Sakusa hummed, knowing that part of the reason why you don’t tell people you knew Ikarus and was related to one of the band members was because of your worry that people would start befriending you because of that. He was there when your high school friendships fell apart, after all.

“What’cha guys talking about?” Atsumu intrudes by sitting between you and Sakusa, your face contorts into another unpleasant expression as Atsumu makes his presence very known and very unwanted.

You give a look at Sakusa, silently saying ‘See? I told you so’ which he responds by giving Atsumu a once-over, “You’re half-sitting on my thigh,” Sakusa grunts at him, moving to the side to be free of your brother.

“Omi-omi my guy, you know our connection transcends beyond the naked eye,” Atsumu threw an arm around Sakusa’s shoulder as you rolled your eyes and took a bite of your pizza.

For the rest of the night, you never got the chance to talk to Sakusa one-on-one again. You’d try to start a conversation with him and Atsumu butts in with his own smart-ass answer unrelated to your question in the first place. Eventually, you gave up because you knew Atsumu wouldn’t back down. You stood up from your seat, earning a few glances from the men around you. When Atsumu asks where you’re going, you say you planned to raid his house. He lets you be and you take one look back at Sakusa who was getting bothered by Atsumu before stepping inside the living room again.

First, you walked aimlessly but your feet led you to the kitchen. You started opening Atsumu’s cupboards only to find them disappointedly empty. The fridge was your next stop, you open the freezer and find chocolate bars you gladly steal. You sat on one of the countertop stools, distantly hearing Suna and Atsumu’s laughter.

What can you do for Sakusa to take you seriously? Maybe you should distance yourself for a bit, make him miss you. You chuckle at the absurd thought, in your dreams. Though it would be okay to get some space away, you’re not giving up, not by a long shot. But you’ve never really given much thought to what Sakusa’s type was since he’s never dated anyone—no one that you know of—for the past almost decade of knowing him. During high school, he only cared about his studies and the band. Then in college—where you started seeing him less—you don’t know of him dating anyone. Maybe you should ask Rika? Or maybe Motoya? Since they’re the same age.

Having a plan decided, you hum to yourself, satisfied. Biting off the last piece of chocolate, you threw the wrapper in a trash can. Then you found that the drums Atsumu had displayed in the living room interested you, spotting a pair of drumsticks lazily thrown on a desk. You take these sticks and put one experimental hit on the cymbals. A stinging ring echoed in the room.

“Oi! You better be careful with that!” Atsumu shouts from the patio, but doesn’t storm in to take them from you so that must be a good sign.

When you were younger, he never even let you near his instruments. That made playing with his instruments even more desirable. Music has always been Atsumu’s thing—well, the playing instruments part, he wasn’t very blessed vocally, Osamu used to take lessons too but stopped because it didn’t interest him enough. Your parents tried to put you through music lessons, but after accidentally plucking off the strings of your guitar one by one, they decided that for your own safety, you weren’t allowed to touch instruments.

You can still clearly remember the day Atsumu brought the three other boys home and declared he was going to start a band with them. The only person that interested you back then was Sakusa, because you didn’t know he was musically inclined. You would sneak into their practices in the extra room in your house and would stay even when Atsumu would screech at you to leave. There were days when they went to Akaashi’s house to practice so you were left pouty because you were unable to come with.

Sometimes, Sakusa was the only one who would come to your house because Atsumu begged him enough to play with him. Those were the days you enjoyed the most because Sakusa let you stay with him and watch him play the guitar. You asked him once why he didn’t play the electric guitar in the band, he said that he preferred playing the bass because it was a more reserved position, they weren’t too loud but they were a vital part of giving soul to the art (his words, not yours). That made you respect bassists even though you knew nothing about the music industry.

It was the first time you saw Sakusa with that expression on his face—at peace—it made you think that this path really must be something he loved. You were overjoyed when his and the band’s efforts paved off, even though it meant seeing him and your brother even less. They became busy, too busy for you, but you’ve learned that it was nice seeing them trending and going viral. Your social circles began to talk about them and they fawned over you too for being Atsumu’s sister.

Of course, all good things come to an end and people who you thought were your closest friends just used you to get close to them. Sakusa was there during the fallout, he checked in on you and asked if you were okay. He even took you out to distract you in place of Atsumu, who had a brand deal scheduled at the time outside the city, and Osamu, who was also out of the district for an internship. Sakusa stayed with you as you cried and cared for you more than you could ever ask. Before that, you began to think your childhood crush on him was fading but that experience when you were seventeen was when you realized that your feelings for Sakusa never left even with the distance life took him, and it probably never will.

“I’m hopeless,” you mumble to yourself, letting go of Atsumu’s drumsticks.

It only took a few minutes for Osamu to call you saying you’re going because he still had work early the following morning, all the guys say their farewells to you two. Atsumu was a tad bit over-dramatic because he was a tad bit drunk. Osamu had to pull you away from Atsumu’s embrace. You met eyes with Sakusa, giving a smile reserved just for him before Osamu completely dragged you out, noticing you were quote en quote ‘making goo-goo eyes at the poor guy’.

The rest of your summer break was uneventful.

You managed to beg Osamu to take you to a pottery class on his day off, it was fun at first but Osamu showed extraordinary skill in pottery that made your work pale in comparison. You sent a picture of you two to the group chat you had with Atsumu and the latter spammed crying emojis and threatening gifs. On Atsumu’s day off you went to a bake-your-own cake store with him, his platinum blonde hair begged for attention so you forced him to wear a beanie the whole time. 

The end of break was nearing and in your last week, your parents had gone back so you had a nice complete family dinner for once. The next few days you started to pack your things again because you had to move back into your dorm, were three suitcases and a large shoulder bag a bit excessive for a two-month stay? You’d like to think not.

You were posed with another problem though, Osamu couldn’t take you back to your university because he had some three-day team building thing he was going to a day before you were supposed to go back. You thought it would be okay because you asked Atsumu and he was free that afternoon, he said that he just had a promotional shoot in the morning but he would be able to pick you up, so you thought you were all settled.

On the day itself, you stood in the lobby of Osamu’s building when Atsumu sent a message. You were starting to get irritated because he was supposed to be here by four, he promised to be here by four.

annoying blonde brother 4:00 PM I CANT MAKE IT IM SO SORRY :<< I TRIED TO I SWEAR THE SHOOT IS STILL GOING ON I THOUGHT IT WOULD FINISH EARLY BUT WE APPARENTLY HAD SOLO SHOTS???

you 4:01 PM why do u hate me :(

annoying blonde brother 4:01 PM I DONT IM SORRY IM SO SORRY :<<<< HB U WAIT IN OSAMUS APT FOR A BIT?? ITLL ONLY TAKE AN HOUR MORE I THINK

you 4:02 PM i cant i alr locked the door and left the keys inside because you were supposed to be here by now.

annoying blonde brother 4:03 PM I KNOW I KNOW IM SORRY OK WAIT THERE IN THE LOBBY ILL GET SOMEONE TO PICK YOU UP

You frown as you sit on one of the lobby chairs, alone with the receptionist. You pull your two suitcases against your legs and hug your shoulder bag, having nothing better to do. You scroll aimlessly on your feed, it wasn’t like you could do anything but wait as patiently as you possibly can in your irritable state for this ‘someone’ Atsumu is roping in to help you.

annoying blonde brother 4:11 PM he’s on his way

Atsumu neglects to tell you who this ‘he’ is. How were you supposed to know who it was? You don’t question it further, not replying back, your own form of rebellion. How could he promise to pick you up and then tell you at the last minute that he couldn’t? He had major making up to do, that’s for sure, you were not going to let him off easily. With that final thought, you were already browsing for links to clothes you’d make him buy for you.

Thirty minutes passed and you were already getting bored out of your mind. You had your head buried in your bag when your phone buzzed, signaling that it received a notification. You almost dropped your phone when you saw who it was from.

kiyo <3 4:43 PM I’m outside Osamu’s building

Sakusa? Sakusa was the one Atsumu asked to pick you up? Unbelievable. Was it his way of making up to you? What? Huh? That doesn’t seem like something Atsumu would do. What? You were puzzled, but oddly happy.

Once you got yourself together you stood up, making sure to fix yourself up, looking at your reflection on the walls. You hurriedly gather your suitcases, slinging your bag over your shoulder. You talk yourself into calming down, since this was the first time you’d be talking to him in a while. You refrained from messaging him, practicing your self-restraint, but you missed talking to him so much, even when his replies barely held any substance.

Walking towards the pavement, your heels creating a clicking sound. You held your breath as you finally saw his familiar figure leaning against his sleek black ride, was it a new car? You’ve never seen it before. His hair was styled from their usual free curls and he wore a classy white button up that hugged his body nicely. He looked straight out of a magazine—which was probably exactly where he came from. He looked up at you and your luggage.

He started walking closer to you and all you could say was a breathless, “Hi.”

Sakusa reaches for your suitcases and you gladly let him take them, “Straight to your dormitory?”

“Atsumu asked you?” you asked once you got your thoughts organized coherently, it was a spectacle you still couldn’t comprehend.

You saw that same ghost of a smile on Sakusa’s face again, “He asked Akaashi and Suna first, but they were still doing their solo shots. He even tried asking our manager. I was the last person he asked, even though I was the first one to finish, he looked pained doing it too.”

That sounded more like Atsumu, a smile plastered on your face, “Even better, fate wants us to be together.”

Sakusa shook his head as he got your shoulder bag. You followed him as he put your luggage in the back of his car, he told you to get in and you complied, walking over to the passenger seat. Happy to use this as a way to spend more time with him, and catch up with what you’ve missed in the month and a half you made yourself Sakusa-free (that didn’t mean you had to stay away from the media though, he posted exactly one instagram post that you liked immediately), that was technically abiding by being contactless.

The seatbelt clicks into place and you wait for Sakusa to get inside, you are silent as he starts to drive.

“Thank you for picking me up,” you say, hoping to start a conversation. Your university wasn’t that far from Osamu’s, probably around thirty to forty minutes away, but you didn’t know how to drive and you didn’t want to take the train with all of your necessities.

“Do you need help bringing your luggage up once we’re there?” Sakusa asks, steering, your eyes following the movement of his hands. “Uhm,” you wanted to lie and say yes, “No, I don’t think so. We have an elevator, and it would be more troublesome for you because you’d have to sign a sheet to go in. You might run into a fan too, you might see your name trending again.”

“Okay,” was his only reply. He continued to drive silently as you moped while thinking of a way to start another conversation. Time was ticking and you hadn’t realized almost an hour drive could feel this fast, does the world hate you after all?

Your brain cells were saved when Sakusa spoke next, “Have you thought about it?”

“About what?” you rubbed your palms to keep warmth, confused by what he meant.

“Dating guys in your university,” he states plainly. Your mouth hung slightly as you were struck by the memory of your conversation out at Atsumu’s patio.

You purse your lips, gripping the edge of your leather seat, “Absolutely not.”

Sakusa surprised you yet again with what he said next, “I thought that was the reason why you weren’t messaging me.”

You gaped at him, disbelieving. You didn’t even think he would notice! Suddenly you were overcome with a burst of joy, “You missed me?” you sounded way too happy for your own good.

Sakusa went completely silent. You knew you weren’t going to get an answer out of him but you were still happy with the thought of him waiting for a message from you. It was likely enough to keep you happy to be simply looking out the window on the whole way to your dormitory. But of course, you don’t miss the chance to talk to him more. You asked him a few questions here and there like how the new album was holding up and the shoots and other important marketing stuff the band needed to attend to. He answered in short one-word answers and if you were lucky, a full sentence.

Your good mood toned down when you were on the street that led to your dormitory, knowing you’d have to say goodbye to him again soon.

“Why don’t you consider it?” Sakusa asks as he stops the car in front of your building, “Seeing other guys?”

It was a bit funny how your mood went completely sour, when you were brimming with happiness a few minutes ago. Your expression was passive as you say, “I told you, you’re the only one I like,” he was bringing this up again. He couldn’t get it through his head that you would only ever like him.

“You started liking me when you were barely a teen,” Sakusa references your confession to him, where you admitted that you’ve liked him ever since you met him, “You should give yourself a chance to look at other people.”

“You won’t even look at me,” your shoulders curled, you felt like your chest was caving in on you with how loud it beat. You wondered if he could hear it.

“You’re better off with another guy,” Sakusa insists, leaning against his seat, exasperated, as if you were draining the life out of him.

“So you keep saying,” you say in almost a whisper, “Is it because you’re already seeing someone?” you ask, your mind thinking of other possible reasons as to why he didn’t even seem to want to let you like him. If he were to say that he was, you’d stop. Even though it would hurt.

“No,” Sakusa sighs, completely turning off the engine. 

“Then why can’t you even let me like you?” your voice almost cracks at the end. Your nails dug in your palm.

“Stop being stubborn, Miya,” Sakusa faces you completely, his jaw set, his eyes, the only tell for his actual emotions.

“Am I not pretty enough?” it was out before you could control yourself, you couldn’t even look him in the eye because of how ashamed you were at your question, “Sorry, I know you’re not the type to be shallow about appearances. But, of course you still have standards and that… might not… be me,” your voice getting fainter the more you talk.

There was a ringing in your ear, you felt lightheaded. Thinking of ways to remedy the situation, a sour situation you turned even more dour. You started feeling anxious in your seat, too bare, too exposed.

A touch was what got you out of your blinded stupor. A touch that was cold against your warmth.

“That’s not it at all,” a gentle hand raised your chin so you could meet his gaze, “You’re getting it all wrong.”

“I’m sorry,” you apologize again, guilty you were letting him in your emotional frenzy.

“Don’t… apologize,” Sakusa began looking frustrated, his jaw ticking and his eyes shaky, “You’re beautiful, okay?”

You blinked, once, twice.

Despite all the signs that you weren’t dreaming, you still weren’t convinced this was your reality. Sakusa just called you beautiful. Sakusa told you, you were beautiful. Sakusa called you beautiful. No matter how many times you rephrase it in your head, it still felt unreal. You dumbly stared back, not knowing what to reply.

“I, uhm, o-okay?” you embarrassingly stutter out. Sakusa found you beautiful.

“I’m only looking out for you,” the hand still on your chin caressed your cheek. His words brought your senses back. You were afraid he was going on another tirade about how your affection shouldn’t be directed at him. That you should find some other guy to pour your heart out to. That no matter what you do, he would never be the one for you.

You nibbled on your lower lip, observing as his gaze fell down to it and back up to meet your unsteady stare.

“But…” you began, thinking of comebacks, reasons, anything, “I like you,” your eyes fluttered, in the end, that was the only thing that mattered to you, “So much,” your voice was fragile, and you could barely look at him straight.

You watched as his gaze sharpened, you waited seconds for a frustrated remark but it never happened. Instead, it looked like he was contemplating something. You waited, patient, willing to take whatever it was that he was willing to give you. And then finally, as if he couldn’t resist it, he tilted your head to the side and slowly, softly, lips barely grazing your cheek. Like his touch, it was cool, yet it gave you warmth all the same as heat rose to your face.

It was quick, and abrupt, and he let go of you immediately after as if your skin gave him burns.

Sakusa was tense as he opened the door and stepped out of the car. You gulped, your heart wanted to escape your chest, and you could hardly remember how to breathe.

Steadily—as steady as you can manage in your current state—and carefully, a hand went up to hold your cheek where Sakusa kissed you.

a/n — alright so i went a lil crazy with this one BUT MY EXCUSE IS i am in love with sakusa kiyoomi HES SO UGH mine

general taglist + @luvrsthrist @cherries4denki @cloud-lyy @misscaller06 @noideawhothatis @wolffmaiden @rivaiken @wooasecret @nicerthanu @sukunasrealgf @ris-krispie @seiamor @electriclovei @leeknowsarchive @todorokiskitten @rory-cakes @sexyandcringe @rinheartshyunlix @wh0zumy2k @iluv-ace @xiakyo @sanaexus @clyches @noble-17 @renardiererin @gra-eae @ilyless @girlincrimson

[afreakingdork]

Support Rise of the TMNT: Tips on Buying the TMNT 40th Anniversary Comic

As someone who has been reading comics for over a decade, i understand that the comics world can be a confusing place that isn't kind to new readers. I've seen many people confused about the new TMNT anniversary comic and as such I wanted to make a helpful little guide for those trying to get a copy.

As you may know, besides getting a new 8-page rottmnt story and those sweet future designs, picking up this comic is an actionable way to get more rise content.

Now it may seem easy to pre-order this bad boy. You'll see pre-orders for the book pretty much wherever books are sold online, but these are The Deluxe Editions i.e. Hardcovers i.e. This is the comic equivalent of what is known as a Trade. Now Trades, also known as trade paperbacks, are usually collections of single comic issues that are reprinted into book form. I imagine that in this case it will be the original comic plus bonus content such as spreads of the alternate covers, but I'm getting ahead of myself.

THE PRE-ORDER IS NOT FOR THE COMIC THAT COMES OUT JULY 10, 2024.

The issue that is going to come out on July 10th is the true single issue of the comic i.e. the classic floppy comics you picture from years of olde. Now we can go back and forth on what's more important to the industry (a sale is a sale supposedly), but traditionally, a comic lives or dies by its single issue sales. Comics typically don't get trades if their single issues don't sell well. Now this is already getting a trade so we don't have to worry about that, but Ron seemed to heavily imply here that the sales that are important on this one are the single issue sales. This means:

IF YOU CAN, YOU SHOULD BUY THE JULY 10TH SINGLE ISSUE COMIC IF YOU WANT TO SUPPORT RISE.

Okay, but how do you do that? Comic book stores are intimidating and they don't exist everywhere. It goes without saying that if there's no comic shop in your area or if you are not financially able to then don't feel pressure to get this comic. However, if you can, we know for a fact it will help us get a chance at more content. With that said, here's how you do it:

New comics come out on Wednesdays (July 10th in this case)

Most comic shops have a designated area for that week's new comics

Most comic shops operate on a first-come-first-serve basis unless you have a pull list

Anniversary comics sell fast because they are special and collector's items.

Summarized: Go straight to your local comic book shop the moment they open on Wednesday if you want to secure a copy.

Something else to note: Variant covers of the comic exist. Now, the typical cover is going to be a cover by Laird and Eastman, but there are a bunch of variants as listed here. All letter variants may or may not be sold at your local comic shop. This is up to their discretion to buy. The 1:# variants are based on how many units they buy and will always be more expensive because they are even more limited in quantity.

I hope this helps! Let's support Rise of the TMNT!!

[anim-ttrpgs]

Eureka: Investigative Urban Fantasy by A.N.I.M.

Allow us to introduce ourselves, we are The Agency of Narrative Intrigue and Mystery, or “A.N.I.M.”, a very small TTRPG studio based out of the southern U.S. but ultimately made up of people from many different walks of life.

Eureka: Investigative Urban Fantasy, our debut TTRPG, is a neo-noir investigation-focused RPG with (as you can probably guess from the title) a supernatural twist, that is currently in production after an extremely successful crowdfunding campaign on Kickstarter.

How far would you go to learn the truth?

Play amateur detectives caught up in things they barely understand, and explore how the lives of your characters unravel as they push themselves to dig deeper into the unknown!

Eureka innovates on and revolutionizes investigative gameplay, TTRPG combat, and what it means to play as a monster as a character in a TTRPG, filling several voids we have noticed in the TTRPG space. Eureka supports investigation to a degree never before seen, ensuring that searching for clues is a granular and player-driven process, but also ensuring that the whole story doesn’t grind to a halt after one single failed investigation check.

Character-driven gameplay!

Stats and abilities are based on who your character is as a person. Freeform character creation allows you to build a totally unique little guy, and have a totally unique gameplay experience with him! This is supported by the backbone of the Composure mechanic. Stress, fear, fatigue, and hunger will wear your investigators down as they trudge deeper into the unknown. Food, sleep, and connections with their fellow investigators are the only way to keep them going!

Secrets inside and out! 

Any investigator could be a monster, helping their friends while trying not to reveal their true natures. The party will learn to trust and rely on each other, or explode into a tangled net of drama!

Though most PCs will be mundane humans—or perhaps because most PCs will be mundane humans—Eureka also supports playing monstrous PCs, such as a vampire, in a way never seen before. This isn’t just a watered-down stat bonus, it’s like playing an almost entirely different game, with all the monster’s strengths and weaknesses to account for while solving the mystery, plus the added incentive to keep it a secret from the other PCs as well as their players.

(You can also play as something like The Thing from John Carpenter's The Thing!)

If you like or are interested in Call of Cthulhu, Monster of the Week, Dresden Files, X-Files, Kolchak: The Night Stalker, Apocalypse Keys, World of Darkness, or Gumshoe, you’ll probably find something in Eureka to really enjoy.

Intense, tactical combat! 

Hits are devastating, and misses are unpredictable–firing a gun will always change the situation somehow, for better or for worse!

Now in Technicolor!

Evocative artwork from talented femme-fatales @chaospyromancy and @qsycomplainsalot and the mysterious @theblackwarden paint a gorgeously-realized portrait of a world with shadows lurking in every corner.

Elegantly designed and thoroughly playtested, Eureka represents the culmination of three years of near-daily work from our team, as well as a lot of our own money. If you’re just now reading this and learning about Eureka for the first time, you missed the crowdfunding window unfortunately, but you can still check out the public beta on itch.io to learn more about what Eureka: Investigative Urban Fantasy actually is, as that is where we have all the fancy art assets, the animated trailer, links to video reviews by podcasts and youtubers, etc.!

You can also follow updates on our Kickstarter page where we post regular updates on the status of our progress finishing the game and getting it ready for final release.

Beta Copies through the Patreon

If you want more, you can download regularly updated playable beta versions of Eureka: Investigative Urban Fantasy earlier, plus extra content such as adventure modules by subscribing to our Patreon at the $5 tier or higher. Subscribing to our patreon also grants you access to our patreon discord server where you can talk to us directly and offer valuable feedback on our progress and projects.

The A.N.I.M. TTRPG Book Club

If you would like to meet the A.N.I.M. team and even have a chance to play Eureka with us, you can join the A.N.I.M. TTRPG Book Club discord server. It’s also just a great place to talk and discuss TTRPGs, so there is no schedule obligation, but the main purpose of it is to nominate, vote on, then read, discuss, and play different indie TTRPGs. We put playgroups together based on scheduling compatibility, so it’s all extremely flexible. This is a free discord server, separate from our patreon exclusive one. https://discord.gg/7jdP8FBPes

Other Stuff

We also have a ko-fi and merchandise if you just wanna give us more money for any reason.

We hope to see you there, and that you will help our dreams come true and launch our careers as indie TTRPG developers with a bang by getting us to our base goal and blowing those stretch goals out of the water, and fight back against WotC's monopoly on the entire hobby. Wish us luck.

[alphajocklover]

AirBoyfriendNBoyfriend

**based off an ask I accidentally deleted, but had already written a story for. I don't remember the exact words, but I'll do my best to paraphrase. Was written with the help of my friend, editor and beta reader, @innermostthoughtsartappreciation **

'My 2 straight friends and I are going on vacation together. We went to our AirBnB but things have been weird since we got here. One of my friends seems more muscular than usual? He was already pretty tall but not he's really built. And last night I swear I heard my friends talking about sex in the other room or something? And this morning I woke up with a ring on my finger? Whats happening?'

You say this all started because you and your two friends went to an Airbnb? And you woke up with a ring on your finger?

In this case, what's happening isn’t some sort of elaborate conspiracy conducted by a shadowy cabal, nor is it some nefarious scheme by one of your friends/enemies to transform you to their liking, nor is it anything else of that sort. What happened here is very simple: you guys used the wrong AirBnB.

No doubt you all know that I’ve talked about EB Jewelry before. You know the jewelry company that transforms people using their products. They’re one of, if not, the biggest name in the transformation business. Still, there are plenty of other companies out there that use transformation devices and items. Most are much smaller than EB Jewelry and try to fly under the radar when it comes to being able to transform people, but they are still out there. Including the very AirBnB that you and your friends signed up for. Air-Boyfriend-and-Boyfriend. Usually only referred to as simply AirBFnBF by those who use it, they’re often mistaken for AirBnB. You probably think they should be sued for copyright infringement, but you are entirely wrong. It is shockingly near impossible to sue a company that uses magic, and not as shockingly completely not worth the hassle and complications it would cause. For a $70 billion company like the real AirBnB to sue.

Despite their similar-sounding names and acronyms, the two companies do wildly different things and cater to a rather starkly different clientele. Airbnb lets you rent different houses for short periods and market themselves for all people to use, while AirBFnBF lets you rent out different relationships for however you wish to be in them, and usually exclusively caters their services to gay men.

Here's how it works. Just like with Airbnb, you go into the app or on their website and you choose the place you want to stay at during the duration of your trip from the list of vacant places. Unlike AirBnB however, you also get to choose the people you want to become during your trip. You can customize whoever each party member becomes, and your relationship to and with each other. It’s a way for groups of people, though usually a couple, to try out different fantasies and sexual scenarios together.

What I believe must have happened was that one of your friends earnestly mistook the AirBFnBF app for the AirBnB app, and skipped the relationship settings page entirely because he didn’t understand what it was for what it was supposed to mean. Therefore, if he did do that, the app would have gone to a random fixed preset, which there aren’t a lot of for a group of three men.

I have a friend who works for AirBFnBF, and they told me you guys have probably been randomly assigned their most popular thresome preset: A Newlywed Throuple: consisting of a Hunk, a Muscle Daddy, and a Twunk. I know it sounds strangely specific, but you’d be surprised by just how many people love to use this one Throuple in particular.

You’re going to be in for a lot of surprises during these next two weeks. Including a new body, new memories, and a ludicrous amount of hot & steamy sex with your two new husbands. None of you will remember your true- selves until the two-week vacation rental is over. So until then, enjoy yourself!

That's what you’re supposed to do on a honeymoon after all. Your friends will probably be very confused when these two weeks are over. However, on the off chance they or you all enjoy being big gay hunks and having tons of hot & steamy sex with you or together, there is a permanent settlement option you can invoke. It cost a small fortune, but with how happy, hot, and horny the three of you are all acting together now, I'd bet anything you guys will make your money back in no time

[calamari-inari]

"... you become what you believe."

Dimitri and AM!Ferdinand mini doujin, 7 pages. Read right to left!

Transcript and personal captions under the cut

CW: blood

Comic transcript. Thoughts/monologues are in parentheses. Background dialogue is in brackets.

PAGE 1

D: Ferdinand.

D: I've been wanting to ask you a question...

F: (He looks like a demon..!)

F: Yes? What is it? Please speak properly...

PAGE 2

D: Why did you leave the Empire?

D: I remember how you were during our time at the Officers Academy.

D: You placed so much pride in your heritage.

F: What is the use of pride if I have nothing left?

F: The former Duke Aegir was dismissed. My title, my land... They are all gone now.

D: ...It's because of that woman.

D: Tell me, what do you seek?

PAGE 3

F: I am not sure I understand.

D: Last night, I entrusted one task to you.

[P-please! I'll tell you what I know!]

F: Yes. I killed the Imperial soldier as you had instructed me.

D: That is what I mean.

D: You are simply following my orders.

D: You did not want to kill him, correct?

F: Dimitri, he had vital information for us and you did not let him finish!

PAGE 4

D: Anyway, similarly, I also lost the throne. I have little care for that, however.

D: Now, I'm fighting with a single mission: avenging the dead. They will not be satisfied until I have her head.

F: *sigh* You had said that, but you should not accept that as true.

D: What rubbish. Anyone that deserves to die will die.

F: Dimitri! That is-

PAGE 5

D: Silence, Ferdinand!

D: This hatred and regret I feel... Nothing I do will ever be enough until that witch is gone.

D: What are you-

PAGE 6

D: ... Hmph. What a pest you are.

D: Why do you insist on staying by my side? As you used to closely affiliate with that woman, I could easily kill you here and now.

F: You do not wish to, do you? Because your heart says otherwise. Learn to forgive yourself.

D: But do I deserve forgiveness? The guilt that weighs down on me is...

PAGE 7

F: Dimitri, while I may have left the Empire behind, my nobility has not dulled.

F: Create the grandest vision for yourself because you become what you believe. Do you understand? It is a noble's duty to support you until the end, no matter how far you may stray.

F: That is why I am here for you.

💙🧡💙🧡💙🧡

I don't really draw comics often, but this was certainly worth the effort!! I've always thought Ferdinand is the greatest support character ever, and with him joining the Blue Lions, his role won't change. Just like in the stories of Pan and Loog, Ferdinand would choose to help Dimitri on his path to become the restoration king of Faerghus without ever taking any credit. It's quite evident in his character based on some of his paired endings. I just think that's one of the things that makes them so great and sweet 🥺 I imagine Ferdinand wouldn't hate Edelgard in AM, but rather, he wants to show her that he's able to support his lord (Dimitri) in a way that she never would have thought of. After all in AM, Edelgard only ever knew his snobby academy version who would always childishly rival her.

Please let me know if you liked it!! I'm definitely creating more fanart of these two (maybe a little more intimate next time because I want to lol 🫶)

[auroblaze]

Sonic Frontiers DLC dropped and since then I've been consumed and obsessed to put it lightly, that on spare times at work I stopped to doodle down what I thought The End could've been like 👀👉👈

More thoughts in depth about the final boss after the cut:

Okay so here's the thing, I went into the final battle expecting it to be like the one from the base game but with, more ( like most of us did I assume). The fact is, while technically it was like that, I found myself missing some details I liked from the original one, such as obviously The End's speech and the overall vibe... heck I made a three pages comic about it, so SOMETHING was done right there, otherwise it wouldn't have me inspired at all.

The new final battle was still a great spectacle to me, mind you! It genuinely hyped me through the whole run! I simply was expecting The End to eventually reveal it's...not even true form I guess, because it says to have multiple incarnations and I think that kind of makes sense. But A different form from the gigantic moon would've been pretty dope to see nontheless. From the trailer I was sure that the "seven arms possessed Supreme" was gonna take the place of regular Supreme. I didn't quite get why The End would use Supreme again since the first time clearly didn't work..? I mean the battle was still amazing but frankly there are many choices in the story I didn't understand djfhgdg... I hope the next title puts some more effort on the story too because they are really *so close*!

I started to think that, since the game proposes you as island/level bosses the Titans... as something different (as it usually works for the final battles in sonic games) it could have worked that The End was gonna fight Sonic at his level, almost his size. I mean the game is clearly full of anime references so this wouldn't have been that much weird to see lmao.

The last picture in this post was actually the first bunch of sketches I did before the release of the DLC. At first I imagined The End as like, an alien death's-head hawkmoth (Acherontia atropos if u prefer) that could shapeshift in different adversaries based on Sonic's memories, right because of its speech to him about "seeing into his mind" and all his past challenges. I wanted also to add another anime influence on his appearence by making it kind of like the Anti-Spiral boss from Tengen Toppa Gurren Lagann.

The sketches AFTER the DLC are also various other ideas from the brainrot sjghdf, it's mostly The End picking the Ancients' technology design as mockery, and Sonic going all-out continues to be a thing because that genuinely slapped👀👀👀

[mibkid]

Can i just say as both an artist and cosplayer i am so greatful and amazed over Jojo's amazing linked universe comic and just how much time and effort she puts into it.

i mean i am floored over 10 pages a month fully colored with detailed backgrounds and good story, believe me it's crazy amount of work. ...and speech bubbles. eurgh typography...(u can guess which part of comic making i enjoy the least)

Not only that but i am eternally greatfull for just how many angles we get to see the characters in the comic, the varied poses and expressions are not only amazing to look at and great way to show personalities, but also just such great reference points when either drawing the characters or trying to figure out how the hell a costume is built up.

AND jojo has drawn them in various stages of their clothes on during the comic, so you KNOW HOW THE LAYERING WORKS.

How is Time's armor built up? Boom right there in multiple angles and sometimes off.

Ah how does Hyrule's layering work? BOOM right there with an interesting maybe leather based under-armor??

How large is Twilight's chainmail and how is it built up? BAM right there.

Jojo literally drew a whole page of how Sky's clothes are built up, layer by layer.

It's truly a blessing!

AND IT IS CRAZY that jojo added so much beautiful embroidery to the characters' clothes.

(my brain is like "oh but me like to know every detail of the embroidery of every character", and i end up looking at the pictures and say "sush brain don't be a spoilsport they're already detailed just use your imagination of what jojo has drawn and what could fit the specifics", because that is fun too! like Sky's embroidery on his over-undershirt could very much be berries of some sort on twig together with some sort of classic skyloftian forms, like lingon berries though it isn't,( i know that lingon berries don't exist in hyrule...) but it would be a fun idea!)

As you can see by my... detailed oriented nature i am very interested in their designs. But again the whole comic is a true wonder, i mean, so many angles not just the characters but the surroundings. So many different zoom-outs and zoom-ins utilized, the comic knows when to change from one character to another to more than one. So it's great on a technical standpoint too. And it's SO cool to see how Jojo's art has changed through time. (that is not a pun)

Anyway, i felt like i had a lot to say, and this was me saying it. I guess it's a Appreciation post for jojo, for showing other artists and creatives so much different and amazing artwork. (and giving us amazing references)

But also it's that i want other people to see(though i think they do already) how much time and effort and love has been put into it, not that it matters much coming from me as a random person who happens to enjoy her work.

But i think it's fun to show appreciation for artists and writers anyway.

[starastrologyy]

Composite Chart Notes 🪐

Hi everyone, please do not copy or repost anything I write on other social media platforms :) I recently became aware of a Pinterest page reposting all my posts from TikTok/tumblr! I don’t have a Pinterest for my astrology blog :)

A composite Aries Rising, can often indicate a very active couple. They may enjoy partaking in various sports or various forms of physical activities together. However, they can appear to be a very argumentative couple, this is especially true of mars, mercury, or pluto squares the composite ascendant. Their conflicts can often be made public.

This is interesting because in terms of long-distance couples, I often see Uranus conjunct the descendent or Uranus in the 3rd house in their composite charts. A composite Sag or Aqua rising is also common in the charts of couples who are long distance.

The North Node in the composite 5th house can indicate a couple who have children together.

Another indication of a “hidden” or private relationship, is if the composite chart ruler is in the 12th house.

This is more of a personal anecdote, but I once had a man slide in my DMs on Instagram. We had mutual followers but I didn’t personally know him. Long story short, he just began offering to buy me things/send me money with nothing in return. Obviously I found that kind of suspicious as there’s usually a catch! He didn’t even push meeting me in person! We just kinda spoke online for a bit. I got his birth details and ran a synastry chart between us. We had no 2nd or 8th house overlays. However, his Jupiter did aspect my Sun (which explains why he was so generous towards me). I then took a look into our composite chart, and our composite Sun & Moon are both in the composite 2nd house! Additionally , the ruler of our composite ascendant is in the 8th. Which explains why our relationship is literally based on him sharing his resources with me, giving me money, and buying me things. Obviously not all relationships with this kind of configuration will play out like this, I just thought this was so interesting.

There can be elements of sexual idealizations in relationships where there are hard Mars-Neptune aspects in the composite chart. One or both people may feel as if they have met their “dream” sexual partner if the orb is particularly tight. However, once the illusion or initial “high” fades. This aspect can prove to be problematic in many ways. There can be deceptions and disappointments that start to manifest. Mars square Neptune is common to see in the charts of *affairs* or short lived sexual relationships. However, please remember the entire chart needs to be taken into consideration.

Couples who travel a lot together usually have significant 3rd and 9th house placements in the composite. Jupiter in the composite 9th, 3rd, or conjunct the composite Mercury can also indicate a couple that travels frequently.

A couple with Jupiter or Venus in the composite 7th house, can make very good business partners. Couples who have the ruler of their composite midheaven, in the 7th house, may also decide to go into business together.

My readings are still open for those interested ! The link is in my bio :)

[literaryvein-reblogs]

Writing Notes: Dialogue

A Guide to Writing Better Dialogue

Consider the following criteria:

The dialogue must move the story forward. After each conversation or exchange, the reader should be one step closer to either the climax or the conclusion.

Reveal relevant information about the character. The right dialogue will give the reader insight into how the character feels, and what motivates them to act.

It must help the reader understand the relationship between the characters.

Tips for Better Dialogue

12 tips to writing forward-focused dialogue:

Keep it brief

Dialogue shouldn’t go over for pages and pages. The best dialogue is brief.

You don’t need to go into lengthy exchanges to reveal an important truth about the characters, their motivations, and how they view the world.

Pair the dialogue down to the minimum that you need for the characters to say to each other.

Avoid small talk

In the real world, small talk fills in the awkward silence, but in the world of your novel, the only dialogue to include is the kind that reveals something necessary about the character and/or plot.

How’s the weather? doesn’t move the plot.

If you’d like to show that your character doesn’t like awkward pauses, work on characterization and scene description.

Instead of using mind-numbingly long exchanges, show the character’s discomfort by describing how she taps her fingers against the window pane, or takes a series of sharp sighs.

Small talk can water down the effectiveness of your scene.

Instead, pick exchanges that capture the essence of the moment, and bypass small talk altogether. Let that be an understood nod between you and the reader, and dive right into the action.

Don’t info dump

While you can certainly use dialogue to learn more about your characters, you shouldn’t use it to dump a whole lot of information on the reader.

If you must info dump, don’t do it in dialogue.

It may slow dialogue to a grinding halt. It may sound awkward.

What’s the difference between info dumping and revealing relevant information?

Info dump is a large amount of exposition given all at once, and left for the reader to sort out.

Relevant information is more subtle, and it’s dispensed a little at a time.

Give your characters a unique way of speaking

Every character, just like every person you know, will have a unique way of speaking and delivering their thoughts.

Some people are more forceful and deliberate.

Others are more passive and meandering.

You can honor these (and other) different styles without rambling.

One method is to focus on word choice.

Example: To show that someone is rather gruff or abrupt, go towards single syllable or somewhat quick words, like “yeah.”

Same basic concept but different delivery, based on character.

Of course, word choice alone can’t dictate character.

You’ll do most of this through characterization, but word choice should subtly support and reinforce characterization.

Also establish a pattern of speech:

Does the character speak in a sharp staccato, or a deliberate, flowy manner?

By knowing how the character (especially the protagonist) speaks, you can create consistency whenever the character dialogues with others.

Be consistent

Remember to be consistent with your characters.

Someone who speaks in a self-depreciating and shy demeanor won’t automatically become bold and acerbic.

When your characters speak, they should stay true to who they are.

Even without character tags, the reader should be able to figure out who’s talking.

Create suspense

Use dialogue to increase the suspense between characters.

It’s human nature for people to withhold what they’re truly thinking or feeling.

People leave a lot unsaid, and this is also true for the characters in your novel.

To create a realistic interaction between your characters, you must honor the fact that most people leave a lot of things unsaid.

But that doesn’t mean that the reader can’t be privy to what’s being left unsaid.

As a writer, you can build the scene, show the characters’ motivations and desires before the scene, and let it play out, with the reader wanting a resolution that doesn’t quite happen.

Answer the following questions to setup your scene for suspense:

Does one character have the upper hand in the scene?

Is the other character seething just under the surface?

What does the reader find out through the exchange?

You can control all of this through dialogue.

Honor the relationship

Characters tend to speak differently based on who they’re speaking to.

A character will speak to his mother differently than he does to his best friend. That’s not a shift in consistency.

It actually gives more depth and realness to the character. You can still stay true to the personality you’ve created by using the same speech pattern.

Show, don’t tell

“Show, don’t tell” is the writer’s mantra.

When writing dialogue, it’s easy to start “telling” what the characters are feeling instead of showing it.

Instead of your character saying, “I’m angry!” describe how the character’s body is closed--tight lips, narrow eyes, deep breaths.

Don’t underestimate your reader.

The reader likes to see the scene, pick up the cues and come to the conclusion, instead of being told what to think. Your dialogue shouldn’t be completely on the nose, and explain exactly what the character is feeling.

Most people -- including your characters -- aren’t always aware of how they feel.

And sometimes, what they say they feel is different from what they truly feel.

Use dialogue to reveal characters, but not directly.

Body language is also an important part of dialogue, and should be written into every scene. It gives the reader important clues that they’ll use to recreate the scene in their mind.

Minimize identifying tags

“He said, she said” gets boring after a while.

And the answer isn’t to switch out those “said” tags with other words like “enthused” or “shouted”. (When it doubt, “said” wins out.)

Not only is it boring for the reader to constantly see “he said” or “said she”, it may be disruptive.

Identifiers take the reader out of the immersive world of your story and reminds them that you, the author, are relaying a story.

That can be pretty jarring, and it can happen if you use identifiers too often.

Of course, you can’t not use identifiers.

They’re vital for establishing who’s speaking, but can be minimized by doing the following:

Creating a unique pattern of speech.

Using descriptive follow ups. (e.g., “That’s not what I said.” Vincent reached for the rock.)

The second option can show what the characters are doing to further emphasize their words, or add context to the scene.

Greetings and goodbyes aren’t always necessary

While it’s only polite to say hello and bid adieu, it’s not necessary in novel dialogue to document these courtesies.

You can use exposition for salutations, but do avoid writing a blow-by-blow.

Set up the scene by describing how the character enters or leaves the scene.

Avoid speeches and soliloquies

Most people, in conversation form, do not have the privilege of extended speech.

They’re almost always interrupted because who wants to listen to someone natter on and on?

Read it aloud

During the editing process, you should always read your manuscript aloud, but do pay special attention to your dialogue.

If the dialogue doesn’t seem to flow, or you’re tripping over your words, it’s not going to sound right to the reader.

Even though you’re not capturing every part of a conversation in your dialogue, everything that’s written should sound like an actual person said it. If not, it’s time to erase and try again.

Source Writing References: Worldbuilding ⚜ Plot ⚜ Character More: Formatting Dialogue ⚜ Children's Dialogue ⚜ Dialogue Prompts

[violetasteracademic]

The Glass Coffin: HOFAS x Elriel

Many HOFAS spoilers ahead!! This is an INTENSIVE post on all the Elriel coding in HOFAS, so strap in! This is largely a theory post and my personal interpretations, so take it or leave it! It's all in good fun.

Let's start with The Glass Coffin. When it comes to the analysis of the songs Bryce played for Azriel and Nesta in the much beloved and much dissected bonus chapter, I have seen a lot of conversation around Stone Mother and significantly less (if any?) around The Glass Coffin!

The Glass Coffin is played next after the Stone Mother. And it is a ballet.

What is the The Glass Coffin?

My friends, it is Sleeping Beauty.

Now we all know that many suspect Elriel to be a Sleeping Beauty retelling. And I'll be honest, I take a lot of the mythology or "retellings" with a grain of salt when it comes to SJM, because she doesn't do incredibly loyal retellings but takes bits and pieces of inspiration. I suppose it's up to you where you draw the line of a retelling, or free IP inspiration. But one thing to understand about IP is that Sarah J. Maas would have to get Disney's permission to call her work a retelling of Disney's Sleeping Beauty. Much like Beauty and The Beast, she did not "retell" the Disney princess movie, but the original La Belle et la Bête by Gabrielle-Suzanne Barbot de Villeneuve published in 1740. So with that little lesson in intellectual property, lets look at the story of The Glass Coffin, because it is actually quite interesting:

A magician forces a proposal on a Maiden using his magic. The Maiden is repulsed by the use of magic in the proposal and rejects him. The Magician turns her brother into a stag, traps her in the glass coffin, and enchants the land around them.

There is a LOT to unpack here. I do not think Lucien is "The Magician" in this story. Instead, I think the Cauldron is, and I do think that the use of magic to force a proposal is a very close parallel to what Azriel discovered in HOFAS: That the Cauldron had been corrupted by the Asteri to serve their will. If you have read all of the books in the multiverse, you know that there is no other SJM universe where mating bond rejections happen. There is no other universe in which there are unhappily mated pairs forced together because the function of the mating bond, at a base level, is simply to produce the most powerful offspring. Mates in other worlds are true soulmates, and they fall in love before discovering they are mates.

In HOFAS, Azriel listened to a song from The Glass Coffin. He also listened to the story of Silene, and learned that the Cauldron was corrupted by the Asteri. It is not a theory or interpretation that the Asteri curate powerful bloodlines to ensure they have the strongest food from the souls that they eat. It is a fact. So it is not a jump to interpret that the Cauldron's corruption by the Asteri, and mates that are not a good fit on a soul level but forced together to produce powerful offspring, are one and the same. At this time, both Azriel and Elain have discussed feelings of repulsion or discomfort regarding E/ucien's bond. There are also negative consequences to a female rejecting the bond, as there were for the Maiden in The Glass Coffin. Rejecting a bond can lead to madness on the males end in Prythian because he believes he is entitled to her, just as the Maiden rejecting the Magician's proposal led to him trapping her in glass and enchanting the lands so no one else could have her.

This is already quite interesting, but it gets even more powerful as you continue to breakdown the Elain coding in HOFAS.

This line basically started a war:

"I can hear your heart beating through the stone." She angled her head, as if the city view held some answer, "Can you hear mine?" (ACOWAR, chpt. 24)

Now many people have used this to claim she is Lucien's mate, because she can hear his heartbeat. Though only a few pages earlier, we had this moment:

Elain can hear Feyre's heartbeat. She says if she listens carefully, she can hear hers too. At the time, we all assumed she was talking about Nesta. And yet we've discovered that Vesperus, an Asteri, (or Valg, depending on which theory you vibe with) was also a beating heart under the stone.

Inside a glass coffin.

More than that, we have this passage:

We now know that the Prison was once the Dusk Court, and just like UTM, The Hewn City, and Ramiel, it is encapsulated in stone beneath the mountain. Within the stone of the Prison lies the long buried heart of the Dusk Court. When you look back at Elain's line to Lucien, and see that she is staring out at the city, looking for answers at the heart she can hear beating beneath the stone, and not Lucien, this all starts to click together in a brilliant way. And the imagery, the island having a soul nurtured and blossoming under her care, has Elain written all over it.

Now, the reason I bring up the Hewn City here is because I believe there is a reason for Elain's lifelessness and distress in the Hewn City that has nothing to do with her wearing the color black.

In HOFAS, we discover a few important things about Earth Fae. Lidia discovers in her time on Team Archives what the Earth Fae did, and what their powers were used for:

Earth Fae were used on Midgard to discover ley lines of power to create powerful strongholds. One important thing I have noticed is that all Fae on Midgard are said to come from either Erilea or Prythian (at least that is all that is mentioned) and yet there is no indicator of where the Earth Fae come from. it is my personal belief the Earth Fae are from Prythian. Yet the entire Dusk Court disappeared, and their story continued on Midgard. It is my belief that Elain is not only a Seer, but that she has also been gifted with the Earth powers that have since been lost on Prythian, priming her to both restore Earth powers on Prythian as well as the Dusk Court.

What does this have to do with the Hewn City?

Earth Fae experience distress when they are in places where the magic is dead or warped, and they are the only ones that can feel it:

Bryce mentions she forgets the Earth Fae even have magic, because what they can do is often unseen.

If Elain is in possession of the lost Earth power, she would have been able to feel her power literally shriveling up and dying anywhere that has been warped by that magic.

And then of course we have the fact that the cave on Prythian is an exact match to the Cave of Princes on Avallen. We end HOFAS with all the weapons in the possession of the IC, the knowledge that there are cache's of magic hidden in the lands, and that there are places where the magic has been twisted and must be freed, one being the Prison/Dusk Court.

This was the imagery used once the magic was freed on Avallen, and it took its true, lush, blossoming form:

If what is true on Avallen will also be true once the Dusk Court is freed on Prythian, answer this question honestly: When you read this imagery- blooming vines and roses, beautiful and surreal, the land seeming to know her, small blooming flowers nestling around her body and in her hair- who do you think of? Who could this possibly be alluding to back in Prythian?

Elain's coding was all over HOFAS, and Azriel's "what if the Cauldron was wrong storyline" continued. These statements are true, even if none of my theories about her being an Earth Fae are right, though I know I'm not the only one who believes that is where we are headed!

The fact that The Glass Coffin is Sleeping Beauty, and that Azriel listened to it, may not be a powerful statement on its own (though I think it is). But the fact that the Cauldron corruption was revealed, and The Glass Coffin is a story of a woman who was entrapped due to her rejecting a proposal forced by magic, and Sarah used the Glass Coffin again with Vesperus, potentially tying her back to the heartbeat Elain can hear if she listens closely, it's all just too much to ignore.

I was personally overwhelmed by all of the Elain and Azriel nods in HOFAS. I think they get buried under all of the criticism in the book. I am so excited to see where everything goes, and I hope you had fun going down this rabbit hole with me!

[aihoshiino]

chapter 165 thoughts

Aqua Hoshigan Status: It's Officially Hoshinover

Chapters Until The Story Ends Without The 143 Kiss Being Addressed Or Acknowledged: 1

damn i guess they really did just kill his ass

I'm gonna be so real with you gamers, I kind of don't have a lot to say about this one either lol. Which I acknowledge sounds completely wild given the Everything that happens in it, but most of my meat and potatoes analysis in these reviews comes from breaking down characterization and we're flying through everything at such breakneck pace that we're barely getting any characterization.

It continues to drive me bugfuck insane that Ai is completely absent from this finale despite the importance of 15 Year Lie. Its imagery is plastered all over but whenever we return to it, we just see Aqua. Not only that, but Gotanda is the one who insists on pushing the movie through for Aqua. 15YL as a story about Ai's true self and her tragedy is now officially taking a backseat to being about Aqua's tragic death and legacy. It was already bad enough that we spent so much time in the Movie Arc not actually focusing on Ai to the extent that, as everyone pointed out, based on what we saw on-page it was basically a Sad Kamiki Movie, but this really is just pissing right in the wound at this point lmao.

The funeral scene also serves as the final nail in the coffin for any Secretly Alive Aqua copes, which is kind of a relief. I still don't like how Aqua's death played out, but I think dragging it out for four chapters then going "sorry you thought i was /srs when i was just /jk" would have been infinitely more insulting. I don't like this ending, but I can respect that Akasaka seems to be sticking to his guns on it, even if we still do have like a whole chapter left for him to whip around and go "I WAS /JK ALL ALONG!!!!" but I don't see it happening.

Anyway, yeah! The funeral! Uh. Is it gonna sound weird if I say I felt kind of like… grossed out reading this the first time? Like, I really don't know how else to explain the visceral "why the fuck is the author making me read this" reaction I had to it. I think it's just because Kana is so fucking distraught here and the drama is just so hammy and so over the top that it feels kind of… ech. I dunno. I just really didn't vibe.

It doesn't help that this is part of a much broader pattern in the back half of OnK of Aka getting us right up close into the gory details of a character's complete mental breakdown and suffering and then spend zero time or focus on their recovery. This happened with Ruby all over the Movie Arc and this many times and with this little runway to the end of the series, it just starts to feel exploitative, like a way to cheaply pull at our heartstrings without doing the work to build everyone back up after tearing them down.

also pre-emptively dreading all the fuel this is going to add to the fires of People Who Are Weird And Misogynistic About Kana but she could die saving innocent children from a burning building and people would find reasons to be shitty about her lmao

we really are not seeing ruby's reaction to finding out her brother was dead huh lol

I will say the one thing I didn't Actively Dislike about this chapter was Ruby, though. I was honestly starting to get pretty skeeved out with how many people were gleefully predicting or actively wishing for her immediate suicide purely for ship motivated reasons and I was also worrying that the story was going to pretend that Ruby doesn't like. Have a life and support system outside of Aqua. Yes, she should absolutely be affected by his death but this period of her shutting down only to drag herself back onto her feet that we seem to be getting feels way more in line with pre-Movie Arc flanderization Ruby and I'll take that W where I can get it.

god. I haven't even talked about Kamiki's supposed serial killer cult. I just don't have the strength. Like… that's self-evidently stupid, right? I don't need to explain to you why that's ridiculous and unbelievable? You don't need me to tell you why it's fucking crazy that we're getting this information about the alleged overarching antagonist of the series not only in the second-to-last chapter of the entire series but after he was already dead, right? We can just move on? Ok good. jesus christ.

FINAL CHAPTER NEXT WEEK…

[nthspecialll]

Red Dead History: My problems with it

Red Dead History is a book that does a great job at casting light over the history and background to the scenes, places and troubles we meet in Red Dead Redemption 2. Talking about both the things done well and the things done not so well, what is true to the time and place and what is not.

It is clear that the author knows alot about history and studied it, however there are times where I find it clear he spent more time focused on the real history rather than the in game and thus forgetting facts and drawing wrong conclusions.

When talking about the real life criminals that Dutch and Arthur are based on (Butch Cassidy, Sundance Kid and their gang The Wild Bunch) this very lovely and wrong sentence comes up: "Like Dutch and company, the Wild Bunch undertook robberies primarily for personal gain, not as a moral crusade against capitalism. Butch and Harry, like the van der Linde crew, certianly had a disdain for the corporate titans of their day, but it was desire for their wealth far more than social justice that motivated their heists." (The Wild Bunch, page 86) I do not think the author understood Dutch Van Der Linde very well, I don't think he understood the gang very well.

Dutch is a man based on princips, who can be found on any time of the day reading a philosopher who challenges capitalism and questions what man has become. "Men are fixated on greed, on desire, and on the acquisition not of experiences or pleasures but the ability to acquire." This is Dutch's hero, and he has several interactions with different characters like Mary-Beth, Molly, John, Abigail, Lenny and Arthur reading up quotes and discussing them, praising Miller to the heavens!

If that is not enough, lets look at the very first bank robbery that they commited, they did not keep the money, they gave it to the poor! And they still have their morals, like not robbing the poor, only the rich. We also have the fact that Javier joined the gang because of these morals, because he agreed with them.

While in the end, yes it might have been more for themselves, to get them to Tahiti because they got too big a price on their head, the majority of their time has not been.

Another example, just a bit further down the page that is wrong: "Another parallel to Arthur and Dutch, Butch Cassidy had a pronounced distaste for the racist ideologies so dominant around the turn of the century." While I can agree with him on Arthur, I can't agree with him on Dutch, Dutch is fairly racist, slowing his speech with people of other origins, calling Bronte a slur and "Here we are in this strange land of Papists and rapists." Papists meaning catholics, and the fact that a lot of minorities were hated on due to being catholics. (Read more detailed here)

Now this sentence is followed by: "One Black gambling companion of the gang noted that if anyone treated him unfairly, Butch would "get after them" with furious vengeance." Now that is not at all like Arthur or Dutch who are both in on the "stand up for youself" idea which is why they condone Micah because they expect Javier, Lenny and Charles to stand up for themselves. They ain't going to do anything. Also when they return with Sadie and Micah complains about having to sleep around people of color, Butch would have acted, Dutch and Arthut did not.

Several many pages later while talking about blood feuds we have this line "Like the mysteriously stolen gold from Red Dead Redemption 2" (The Blood Feud, 235) where I would like to point out that it is neither mysterious nor stolen(at least not by who you think). While it is not told in the story, we as players have the ability to learn about what happened to the gold.

On an island not far outside Saint Denis, hidden under a tree in a chest we can find a letter. This letter comes from Lucille Braithewaite and was written in 1803 to a Douglas Gray, whoms story was esencially that of Penelope and Beau, except Lucille was exiled by her family and took her family money, hiding it for Douglas to find and give to an organisation that would abolish slavery.

While it is not common knowledge about the letter, the other two things are, and if you are writing and publishing a book I would expect you to know your things.

A minor problem I have with his writing is that he puts the player experience into unenssesary boxes. For example he talks about the KKK and how Arthur encountered them: "One evening soon after their arrival, Arthur is riding on the outskirts of the dusty plantation town of Rhodes when he notices a constelllation of bright lights in the nearby woods." (The white-hooded menace, 115) He continues to talk about how Arthur curiously dismounts and sees who it is and that the player then has the choice to kill the KKK or watch them die.

While I do understand setting a scene, I think it is such an unessesary thing to add with the timing and place and what Arthur does when reacting to them. Rdr2 is known for being so unique and it feels so wrong to remove that, also because this encounter can happen at any time pretty much anywhere. I have never met them in Rhodes but I have met them in Big Valley twice, one time in chap 6 and one time with John.

Similarly he talks about the racist guy in Saint Denis and how it leads to the "inevitable conclusion of violence, with Arthur beating ot shooting the pamphleteer" (The Paradox of race, 96) as if it isn't completely possible to just walk away. And it isn't like the author never talks about the many choices the player can make, for example he talks about how Rockstar was under critisism because some boys had a kick out of tying up and killing women NPCs in different ways.

Red dead is such a wide experience and I don't understand why he is trying to narrow it down and tie it up into a box when he could have gotten his point across without needing to.

Last point I want to talk about is his idea for red dead three, that being Arthur Morgan in 1871 (Epilogue, 242), where I feel that it is more because he liked the time period more than anything. Arthur would be eight at this point and living with his dad (the one pic we have of him is taken in 1874). From what the author presents of the time period it does sound interesting with a lot of possibilites but I do not think it should be with Arthur if so, maybe with Black Belle or someone.

While I do really like all the history facts that the author brings, I am surprised at his lack of understanding for the gang considering his 3 playthroughs and 300 hours in game.

I have also heard rumors of historical inacuracies, and I am trying to dig deeper into that to see if there is something, but if anyone uses his work for something I would fact check him just to be safe.