#also a lot of people making team posts with little to no actual relevant information to someone looking for a team

[slicksquid]

there are so many goddamn div 6-8 teams

[tellthemeerkatsitsfine]

Hey everyone, look what I made. It took me a completely normal amount of time and I definitely did not spent all weekend on it. All weekend just transcribing and collating. Not counting the time across the last couple of years I spent finding all this stuff. I wouldn't do that.

But if I had done that, it would have started as an Excel file, but some of the transcripts were too long to fit into even the maximum sizes of a cell. Exporting it as a PDF has page breaks and won't let it take up the whole screen, and turning it into an image destroyed the links.

So I ended up going back to the HTML that I learned at computer camp when I was 13 and then used to make Harry Potter websites when I was 14 and have hardly ever used since. Had to Google a bunch of stuff to remember how to do it, but I managed to rewrite the entire table in HTML code in Notepad, and then I found a website that let me upload it in exchange for that annoying little purple thing at the bottom. I would not like to admit how long I spent trying to work out how to just upload one HTML page without having to sign up for building an entire website. Because it was too long. There had to be an easier way to do this. But I don't know what it is.

Anyway, I made this:

So... does anyone want that? It's a spreadsheet where I've collected everything I've found that seems like it could be a direct reference to the Chocolate Milk Gang. It's got transcriptions of the relevant bits of video and audio, and links to PDFs of the text or mp3s or mp4s of the video and audio files, and overall, I spent way too much time on it.

I may have gone slightly Beautiful Mind about it this weekend, pinning links up to my metaphorical cork board, connecting them with bits of red string, and frantically declaring, "It doesn't add up! What, exactly, did Andrew Maxwell call them in 2002? Because I'm getting conflicting stories here!"

At least I now have an easy thing to link to when I want to tell people what the Chocolate Milk Gang is. I realize I throw that term around a lot on this blog, and I stop to explain it every few months or, but I'm also aware that sometimes people come across these posts without all that context and it's confusing. So there you go, if anyone's ever confused by what I mean when I say "Chocolate Milk Gang". It's that, the stuff at that link. It's all those things. It's an international crime syndicate that sometimes organizes soccer matches.

I realize there are a bunch of different sources at that link, making it look like information is easy to find about it. So for some further context, those 16 spreadsheet entries are the only references to it that I've been able to find, across many many hours of searching, across the last couple of years. If you're confused about what the Chocolate Milk Gang is and you want to know the real answer, it's that a few years ago I happened to hear one particular Daniel Kitson show too soon after I'd resigned as board president of my wrestling team, and I got a bit overly attached to the idea of simpler times when people were still building their dream, before it all got out of hand. So I decided to obsessively research this term that appeared on John Oliver's Wikipedia page. It made sense at the time.

Having one link I can point to and say "the stuff we know about the what the Chocolate Milk Gang was - it's all in there" is a nice bonus for that spreadsheet, but it wasn't the original point of it. I mainly wanted to make that spreadsheet so I could get some clear data on 1) its membership list, and 2) its actual name. Hence the spreadsheet columns for both those things.

I’d consider most name that appear in my column for the membership list to be a significant Chocolate Milk Gang member. Though one membership list included Jimmy Carr, as part of the “gang” of comedians who hung out with Demetri Martin in Edinburgh. I’ve already addressed that in another post, but the upshot is that obviously Jimmy Carr’s not in the Chocolate Milk Gang. He's just a guy Demetri Martin probably hung out with in Edinburgh once, so that article grouped him in with the others.

Oh, and there’s the Russell Howard documentary that describes his "golden generation" of comedians, which included some key CMG people, but then moved on to his other comedy friends, like his roommates from the famous Bristol house, and Wil Hodgson. I don’t think the other Bristol guys (Richardson, Robins, Olver) count as CMG, since they were younger and weren't doing comedy during those earlier days when the CMG was formed. But Wil Hodgson performed in Edinburgh in 2004.

This of course gets complicated, because if we’re being very literal about defining the CMG as “people who got milkshakes at the restaurant called Favorit after late-night shows at the Edinburgh Fringe Festival in 2002” – which was the original meaning of the name – then we’re leaving out some important people who turn up on most CMG membership lists, like Josie Long and Alun Cochrane. So I tend to use the term more broadly than that, to mean “people who were making a certain type of comedy in the 00s, a type that at the time was considered alternative because it was more gentle and indie-like than their more glamorous showbiz predecessors, and they crossed over with each other a lot, personally and professionally.” But that definition can make it difficult to get a clear list, as it basically boils down to: anyone who, while performing comedy from about 2002 to 2007, ever wore a t-shirt on stage, made a vaguely nerdy joke, and hung out with Daniel Kitson. And that can include quite a lot of people. It may well include Wil Hodgson. It could arguably include some of those Bristol guys (although I think “not being an alcoholic” was a fairly big part of the CMG ethos, which rules out Richardson and Robins). Pappy's Fun Club? Lots of people were around at the time.

I think of a few people as being CMG even if they’re mentioned in that spreadsheet list at all. I count Gavin Osborn as a bona fide central CMG member, even though he sure didn't perform in Edinburgh in 2002. He’s been involved in so many collaborations with other central CMG figures, and his work so embodies their ethos, that it doesn’t matter that he didn’t do all that stuff in Edinburgh. He was in the National Youth Theatre with John Oliver; his CMG connections pre-date Edinburgh 2002.

I think I’d count Isy Suttie as CMG, too. She was performing during prime CMG years, and doing that type of comedy that characterized the CMG (gentle, indie-like). She’s also collaborated with CMG people quite a bit. So she didn’t have to be literally drinking milkshakes with them in Edinburgh 2002 to count on their membership list (though it’s possible that she could have been drinking milkshakes with them in 2002, as she was definitely spending lots of time with at least one CMG member at the time, but I’m pretty sure she wasn’t in Edinburgh that year).

So I would say, probably, the main list of Chocolate Milk Gang members is: Daniel Kitson, David O'Doherty, John Oliver, Andy Zaltzman, Russell Howard, Josie Long, Gavin Osborn, Isy Suttie, Alun Cochrane, Bret McKenzie, Jermaine Clement, Demetri Martin. Maybe Taika Waititi? He got mentioned a couple of times but I'm not sure he did any actual CMG stuff, I think he was just a guy David O'Doherty liked.

So that's the membership list. Now I'd like to address the title, and issue with which is what prompted me to start on this spreadsheet in the first place. That issue being: Why has everyone let me spend nearly 2.5 years posting constantly about a British group called the Chocolate Milk Gang, without informing me that the term "chocolate milk" isn't used in Britain like it is in North America? That is an important piece of information for my research, which someone gave me for the first time last week, and it made me decide I should probably do a full-scale study into what this means.

I had wondered, before, why they got named after chocolate milk, when they were apparently drinking milkshakes. I assumed it was just other comedians making fun of them for immaturely not drinking alcohol, implying that they weren't just drinking milkshakes, they were drinking chocolate milk, the way children do.

Nope. It turns out that in Britain, when they say "chocolate milk", they're referring to a chocolate milkshake. When they say "chocolate milkshake", they are also referring to a chocolate milkshake. How do they refer to chocolate milk? Most of the time they don't, apparently it's not as common there. I think. Someone in England told me this, and I've tried looking it up further, but it's confusing. Chocolate milk definitely does exist over there, it just apparently isn't served in nearly every restaurant, the way I'm used to in Canada. So I guess they weren't using that term for the milk and started just using it to mean milkshakes? I don't know, Britain is a confusing place. They also refer to juices as smoothies.

That certainly explains why some comedians got named after chocolate milk, when they were drinking milkshakes. It also explains a bit of the occasional variation in the group's name - Russell Howard recently called them "The Milkshake Brigade", and in an interview in 2006, David O'Doherty said they were "The Milkshake Kids". If "chocolate milk" and "chocolate milkshakes" are interchangeable terms over there, then I guess they can be interchangeable in the gang's name, too.

But it's definitely supposed to be a gang. I don't know where this "brigade" stuff is coming from. David McSavage called them the "Chocolate Milk Brigade", as well. And, again, David O'Doherty once called them kids. What is that? I am not going to change my blog's tagline to saying I am preserving the legacy of the "Chocolate Milk Kids".

And then we have the differing stories about the name's origins. David O'Doherty claims that Glenn Wool coined the term "Chocolate Milk Gang". David McSavage claims that Andrew Maxwell coined it (though he also claims that the coined term is "Chocolate Milk Brigade). David O'Doherty does tell stories of Andrew Maxwell being one of those people who made fun of them for the general nerdiness that got them the CMG nickname, but in his story, Andrew Maxwell was mainly making fun of their bags, rather than their drinking habits.

The interesting thing about the above paragraph is that no one in it is British. I've tried to look up whether chocolate milk was a thing in Ireland in 2002, and whether Irish people said "chocolate milk" to mean "chocolate milkshake" like British people did. I can barely find information about British people doing it, so of course there wasn't anything on Irish differences. But they share a whole lot of cultural colloquialisms, so I'm going to assume it was probably similar.

Glenn Wool, however, is Canadian. And Canadians definitely do not conflate chocolate milk with chocolate milkshakes, even in 2002. So it's odd if he coined that term, calling them the Chocolate Milk Gang because they drank milkshakes. So maybe it did, in fact, originally come from Andrew Maxwell. I assume they both used that term, making it not too difficult to reconcile O'Doherty and McSavage's differing claims about whose term it was.

...I am tired. I think I probably have more to say about that spreadsheet, but I need to go to bed. I could save this as a draft and add more to it tomorrow, but I genuinely think I'll sleep better if I hit "post" on this now and feel like I've got something to share from an entire weekend spent on such a pointless project. I'll just make a new post later if I have more to say. It's all right. So that's what I've been up to. How's everyone else doing?

[braintapes]

man i know ive been reblogging a lot of posts abt how awful the job hunt is but truly. genuinely. the whole thing is just so utterly thoroughly completely fuckin Borked dude. fully just Does Not Work

job listings are either fake, scams, inaccurate to the role they want filled, poorly written, written by someone who doesn't know what the job is supposed to entail, are either way too short or way too long, and/or by and large don't include the actual information you actually for real actually NEED to know whether the job is worth your time to apply for, such as, i dunno, the salary. your actual everyday job duties and what you Actually need to perform them. an absurd amount go out of their way to specify just how able bodied you need to even Think about Breathing on the job listing (very) even when that's blatantly false because fuck anyone with a disability i suppose.

assuming some of the jobs are, in fact, real jobs that someone would like filled by a human person to perform a series of tasks, you still may not have a good selection. depending on location you could be out of luck for any halfway decent work. there's a billion positions open for things you Know you can't do. the jobs all seem to come in the following flavors: entry level (but you must have 1-2 years experience in this field) entry level (must have a masters degree a phd and 6-10 years experience) and entry level (must have 5 years experience and be willing to lift an entire house's weight in manual labor every single day with no break)

if you don't have experience having a job well. sucks to suck i guess!

but whatever. okay. find some promising (read: seemingly not fake/scam) listings. go to apply. upload a resume you spent hours poring over to make sure ATS wouldn't mangle it while also keeping it professional and with all the relevant information to make you look as good as possible to prospective employers. the company website then takes the resume you uploaded (in the correct format) and dumps it in the trash. manually write down all of the information in their little text boxes please! oh and also make an account with all your personal information to even have the privilege of getting to fill out this application. mandatory work history information required. fill out this questionnaire - just be sure not to step on the mines and answer a question Wrongly. "why do you want to work at this company?" write an essay for us detailing the most personal aspects of yourself. dont click the buttons that masquerade as offering accommodations and diversity inclusion because theyll actually just set all of this on fire if youre actually honest. grovel in our uncaring text boxes about how badly you want to be part of our team and how YOU can best serve US you worthless dog. slowly crawl your way out of the last circle of hell so you can be done with the application. click the last button. write the last bit of forced-smile text so your teeth dont feel like they're going to shatter apart anymore

wait for weeks. then for months only for a rejection long since youve moved on. assuming you get a response, as the standard now seems to be ghosting. repeat process again and again and again and AGAIN. endlessly. scraping and clawing and begging. youre not grovelling enough. youre not kneeling and cowering and pleading hard enough. the people in your life who Do have jobs cant seem to understand why youre so distressed by it all because, well, They got jobs so Why Can't You? repeat process. repeat process. repeat process.

on a rare occasion, get a response (!!) and make it to the interview stage (!!!!!) which as it turns out is not actually a discussion about the job and how youd fit into it but a vibes check where you prostrate yourself once again to the hiring manager and they decide if they personally like you enough as someone they'd want to hang out with on the weekends to let you in. high chance to fail this immediately if you are some kind of minority, but because they dont want to get in trouble for discrimination, they instead Make Up A Reason not to hire you which then makes it perfectly fine because you can't prove the real reason. browse through your email to see the other rejections. repeat process.

remember that for every application you send out youre competing with hundreds of other desperate people who just need some money to god damned Survive. try to go find advice and find that everything is so heavily weighted in favor of employers it might as well be a fucking black hole (which would be apt considering everyones applications magically disappear) so the only advice anyone can give is pithy little platitudes about how you should look and act and speak and dress and behave and make sure youre grovelling! have you tried grovelling!! are you doing that enough because if you arent well it really is your fault isnt it then!

god and like even if you GET a job it's still a shit job and there's still no ladder any more. there's no Progression it's just moving horizontally across various shit jobs. even the "easiest" jobs to get hired at, customer service jobs, retail, food service, etc, are so terrible you arent treated like a human being by basically anyone from customers to managers. you arent allowed to sit down. you need to grovel STILL. to your boss. to customers. constantly. for 10 dollars an hour, probably less depending on location. but you have to agree to work all their horrible shifts for 10 hours a day on your feet no sitting 2 15 minute breaks fuck man. fuck. FUCK. WHAT IS ANYONE SUPPOSED TO DO AT THIS POINT?????

[shrimp-library]

The CV Guide for Girlies

Disclaimer: Most of the advice does not apply for ATS scanners. Still don't know how those work.

Let's say you've just been laid off unexpectedly, or you finally decided to put an end to your comfy NEET days, and you need a piece of digital paper to show someone because you wish to get paid. It's so overwhelming, where do you even begin? Well, you're in the right place, because this article right here is all you need to make a CV and actually land a job.

Before we start, there is a difference between a CV and a résumé. Curriculum Vitae (CV) is basically a your entire life, all your achievements, certificates, degrees, experience, all of it compiled together, while a résumé is a quick rundown of relevant information for the job you want. This is all completely irrelevant, because no one says résumé anymore, and no one except academia will expect your entire life course so far, but for the sake of brevity, the term CV will be used from now on.

Describe yourself in a thousand words

Firstly, sit down and write your academic achievements and all the work experience you have, in a single document. Try to be as detailed as possible. Mention everything, from fetching coffee for your slightly misogynistic boss to taking photos of university events. Anything that comes to your mind, just jot it down. Much like a lot of aspects of a job, it's easier to remove unnecessary fluff than to add it on the spot.

Next step is to translate your plebeian plainspeak to corporatese. You didn't stand in queue for 20 mins because your boss forgot his morning cuppa, you procured vital resources to ensure the team's success. You didn't just post some selfies from that boring conference, you created content to help boost the popularity of X university. It's mindboggling why humans have to communicate to each other in this way, but we live in a society.

Put aside that document for now, and browse jobs that are sort of within your expertise. As an example, we will be pretend that your desired position is that of Administrative Assistant, because it's a broad term that means literally anything and your dear author is not nearly as creative as HR. Administrative jobs can include the very general Assistant, Receptionist, AccountantLite, you name it. Then it branches off to specific establishments, like offices, hotels, spas, etc. It is all similar, but not quite the same, like how synonyms work in the English language.

Now we go back to your original document. Separate the experience you have based on the jobs you've scoured. There are customer-facing jobs, like a Hotel Receptionist, that also force you to deal with money and guest reservations, which is quite different than having to deal with social shenanigans in an office environment. Keep the original document intact, and create new documents for this step.

Designing yourself in a one-page document

Alright, the most daunting part is done. Good job! Pat yourself on the back, and follow this link to Canva, type "CV" into the search bar, and window shop for the one you like the most. Highly recommend these new sleek and modern ones, they are comfortable to look at for more than two seconds and people in HR won't discard them immediately. Choose a template or make your own from scratch, but keep in mind that people actually still use printers and will print out your application, so the contrast between the background color and the font color has to be high enough. Can't fail with a black-on-white approach, though a slightly darker white (#F4F4F4) and a slightly lighter black (#212121) work great and don't strain our eyes as much as the tried-and-true does.

Eye strain happens because of how our iris contracts with a lot of light being received, which is not a hard task for these miracles of nature, but then having to look at and actually read black words is a little bit hard for them. Absolutely demolished by simple text.

Pro tip: One page of CV = 10 years, or less, of experience. Do NOT go over one page. Make it fit.

The reason for the One Page Rule is simply because attention span of a person who is looking at potentially hundreds of CVs in a day is limited, and their patience might be thin. If a CV is unreadable, or looks absolutely horrible to read at first glance, it will be discarded. The point of a CV is to get an interview, not to get a job immediately. You want them to look at your pixels, actually read them, and give you a call.

There are a few good rules to keep in mind when designing a CV.

Make sure your name is clear, bold, and visible, in upper left corner or in the middle of the document.

Your future employers won't remember the exact details, but they will jot down your name as a potential new recruit. It should be visible, even from a thumbnail.

Contact information should be separated into a different "box", and should include phone number and e-mail address.

In case they wish to contact you, do not make them look for your information for more than a second, they will not bother with that. Adding a home address depends on where you are from, and the kind of job you want. If you are only looking for remote work, home address is not needed, but adding your address nowadays is usually redundant. Better to keep your sensitive information to yourself if you can, as you never know who's watching.

Bullet points are a great way to summarise previous experience, and they never end in a full stop.

Attention to detail and knowledge of proper text formatting etiquette is imperative in a lot of jobs nowadays. Show them you know what you're doing right off the bat with your wonderful CV. In case you are adding slashes (/), there should be space before and after the slash if there are two or more words on each side.

Example:

Peaches/Bananas

Ripe peaches / Spotty bananas

The order of all points should be in reverse chronological order, so the first point should be the most recent work experience or academic achievement, then go down the list with the second, third, and so on.

Font choice is extremely important.

Sans-serif basically means 'no decoration', and is generally perceived as friendlier and more relatable, but is often also more readable (which is why we're using it for this website).

'Serif' fonts have tiny little decorative ends to each letter, and are seen as more formal and professional.

The best design choice is to combine both font categories. Use 'serif' for job titles you've previously held, and the additional information about them, like the company you worked at and the time that you spent there (with the time span being in italics so it doesn't look too uniform and stands out). The bullet points should be in a 'sans-serif' font of your choice, as they usually mean more text, so it's easier to read.

There are many font families to choose from, and most people default to Times New Roman for 'serif', and Arial for 'sans-serif'. Switch it up a bit, and use Garamond instead of TNR, and Calibri instead of Arial. It's the little things that matter the most, and you want to stand out among the crowd, so min-maxxing like this is a good idea.

Keywords should be found, and they should be bold.

First impressions are everything, as often times, the only chance you'll get is a quick glance, unless you pull them in. Words that are bold seem more important, and people will look at them before anything else, so use the bold to highlight the things you want them to look at. A good trick is to bold up the keywords that the employer used in the job description. They mentioned one of the responsibilities is scheduling office meetings? You bold that stuff right up in your CV.

Finding the keywords in job descriptions is basically the same game as bolding them in your CV. There's a lot of corporatese fluff they use in these descriptions, same as we have to, so it's a tug of war from both sides to figure out what the hell everyone's talking about. Here's an example of the first job that popped up on Indeed!

This is a highly effective method, because it works in real life as well. Mirroring gestures and repeating back slightly different words to people we're talking to makes them subconsciously kinda like us. They think we're cool, because they usually think they themselves are cool. Also, it makes sense that if an employer is looking for these specific things, you'll want to mimic them to get a call back. You want them to look at your CV and say "Yes, this is exactly who we need!". It really is that simple, though it will take a little bit more time upfront, but it pays off in the long run. Rather spend 10 minutes on this, than send out hundreds of applications with no results.

Most jobs within a field have very similar responsibilities, perhaps just worded a bit differently. Create a few different versions of your CV to apply to these slightly different jobs.

An important note to all the above is to keep an eye out for any big names. HR loves knowledge of industry-standard software, so if you are proficient in MS Excel (god bless), you put that in and you bold it. Same goes with numbers. Any "increases in volume", or "saved the company X amount of money through this unique special trick of knowing what you're doing", and they will drool at your CV. Big name software and actual quantifiable numbers should always be included and always be bold.

FAQ

Should I use a photo of myself?

Probably not. There are a thousand different biases that people have, and you want to avoid that like the plague. You might be too blonde, too brunette, too skinny, too pretty, too . A photo catches immediate attention, and you don't want them to be looking at you, you want them to look at your words.

I don't have any work experience, what do?

First of all, do not lie outright. If you went through university/college, did you organise any study groups? Did you write any articles for the school's newspaper, or publish any killer essays? Were you a cheerleader? A leader of a book club? Include that. Fluff it up. You probably did something, even if it's having awesome grades. Include professor references, too!

I'm not sure if I should apply to this job.

Apply to literally any job that you feel you can do. On average, women seem to be very shy in applying for jobs they are not at least 90% qualified for, while men don't seem to overthink as we do and just apply to anything that resembles a job description. The worst that can happen is be ignored. Enjoy the rush of euphoria as you hit that Send button!

I'm an American and we are prompted to disclose our very personal information that is usually illegal in other countries.

Disclosing your religion, sexuality, and race can be a double-edged sword. There are many diversity quotas that companies are dying to fill, but if you're unsure about sharing this information, do some stalking of the company's website. They usually have a page dedicated to all their employees, and if you notice a staggering lack of women in there, it actually might be a good idea to apply. Women often offer unique perspectives to problem-solving that men just don't even think about until it's too late. If the company's website mentions any of the new buzzwords, you may fluff up your personality a bit, but make sure the info you provide is not verifiable or outright questionable. You want to go for plausible deniability.

I have large time gaps between jobs.

That is nothing to fret about, unless you're applying for some high-rolling intense corpo job we see in movies. One way to minimise the initial impact of the gaps is to only state the month and the year you spent at a job (August 2019 - March 2020). When you land an interview, and they ask about it, you have three options.

Option A

Claim family issues. People are generally more lenient about this when it comes to women, which might seem like a cool life perk until you realise they are lenient because women are expected to take care of family members. This option also allows for mental health breaks from working, and you wouldn't technically be lying because you are someone's family.

Option B

Claim travel. If you claim you went abroad to volunteer at animal shelters for a year, they will ask you why haven't you put that down in the CV, and that is just an awkward situation. But, if you claim you went abroad or to another state to protest against testing on animals because you feel strongly about the cause, they might even be impressed by your passion. Travelling to see family abroad also works. Make sure your social media accounts are private.

Option C

Claim NDA. The very nature of Non-Disclosure Agreements is that you cannot talk about whatever you did. Can't put it in CV, can't talk about it, that's that. This option requires very good lying skills and a good delivery. If they stay silent after your claim to try to get you to talk, do NOT break the silence. Stare into their soul and wait until they break first.

If you are still worried about the gaps, you can try to fill those with completed certificates and courses that are somewhat related to your field and will help you in the long run.

This is already very long, so take all of this advice, create some gorgeous CVs, and go get that bread.

You can do it!

[wolfiejack]

Ok as a "USAmerican" (never seen it written like that btw, kinda cool tho) here's my thoughts (even tho no one asked, I'm bored, yall can ignore this if u want)

The brands thing makes total sense, I get a bit of that with regional brands and such (like if I asked my boyfriend what Harris Teeter was he would have no idea because it's an east coast grocery store and he's lived in the Midwest his whole life)

Would love an example of the Weird American Things, I know there's a lot, I think we probably have some of the weirdest but I think all countries have some weird things only they do.

An inch is roughly 2.54 cm I believe. And a foot is 12 inches. Why? No idea... also I'm 5ft9 and that means I'm 69 inches tall which is way more fun than being ~174cm

A pound is ~2.2kg and no idea why it's shortened to lbs (probably something latin?)

Military time is just a 24 hour time format, so instead of 12 hours each of am and pm its just 24 hours. The first 2 digits are the hour. The second 2 are the minutes. So 0000 is midnight, 0730 is 7:30am, anything past 1300 just subtract 1200 and add pm so 1600 becomes 0400 so 4pm

Yup. Generally the US has some of the most fucked up legal processes which means those are the ones that end up needing explanation posts. Also people on the internet assume everyone is in the US especially Americans. We really do tend to forget that things work differently in other parts of the world.

I personally avoid political stuff mostly cuz it stresses me out, but I do certainly reblog many posts about events in the news so more people will hear about it (and tbh the guilt tripping sometimes works) and maybe something can be done cuz I am broke and disabled have very little I can do personally to make change happen right now.

Makes sense that people would pick up slang without realizing the context of it in another country. I don't think it's really an issue if ur not trying to be disrespectful but I'm white and not as educated on the history of AAVE as I'd like to be so my philosophy is to just do my best and be kind and hope that if I accidentally do something offensive people can be kind and respectful in letting me know so I can learn.

I actually thought Chick-fil-A was more widespread... maybe only in a few other countries. Anyway it's a fast food place that has a lot of chicken based food (chicken sandwiches, nuggets, etc.) They have historically been very homophobic. They no longer donate directly to anti-lgbt groups. Now the CEO (at least I think it's the ceo) donates to those places personally to make the company not look as bad. They did recently start hiring a diversity team tho so like they are getting better even if the ceo is a homophobe. Also I knew a trans girl (my roomate a couple years ago) who had dietary restrictions and Chick-fil-A was the only place she could eat on campus. I generally avoid eating there but there are reasons to do so and I think people treat it as more black and white than it is.

History is a BIG subject. No one can ever know all of it. I don't know that much US LGBT history let alone other countries. This is a problem with the education system here. I have no idea if other countries are better at teaching more relevant history than us (all history is important, but the US education system focuses so much on big world conflicts and far past stuff and less on the stuff that's relevant to current day politics).

I would be very interested to learn about words that are harmless in one place and offensive when directly translated. People in the US tend to be a bit easily offended about some words (the whole "politically correct" thing) but other words do have a historical background here that makes the offensive but the same word history did not happen in another country. I wish people could stop assuming malicious intent all the time and instead just assume ignorance and be kind about it and offer education rather than criticism. Then the person being informed on the offensiveness of a word would probably feel more comfortable to ask for other less offensive translations or terms they can use.

I feel like I have a better grasp on US Geography than many people, I had a little wooden puzzle map of the US as a kid and I got to a point I could to it super fast. Most people only know the state they live in, the nearby states, and some big main ones like California and Texas. We may have a slightly better grasp on locations of the smaller/ less talked about states but most people in the US could not draw any decent map. Americans just like to act like know-it-alls to foreigners tbh and I hate it.

I mostly use US spellings but sometimes (like the word grey/ gray) I prefer the British spelling. But also i agree that it really doesn't matter. Words are meant to communicate ideas, rules can help but obsessing over the rules is pointless because language changes and adapts and as long as the idea gets across then what does it matter.

Long car rides are very normal for me. I pass the time playing on my phone or listening to an audiobook if I'm driving. Honestly I fine it pretty relaxing but it can make my back and muscles sore sometimes. My definition of a long drive is probably different than yours tho. A long drive is at LEAST 45 min and potentially several hours. 15-30min is a very short drive to me. Very normal. I leave for work 30min before my shift in case of traffic. Many people commute an hour or more each way especially for office jobs. Also pur cars are bigger? I mean I know semis are big cuz of transporting products across the country and such but our normal cars are bigger?

Fire drills. Tornado drills. Earthquake drills. Active shooter drills. We have a lot of drills. It's good to know what to do in an emergency but very sad that an active shooter is a common enough emergency to warrant so much preparation.

Many US based studies should be broadly applicable to other countries depending on the subject. But yeah anything cultural won't be very useful.

While I do feel bad about messing up words from another language, I dont do it to be offensive (or on purpose at all) its just ignorance. Also i still hold with what I said earlier that language is about communication so my goal is less to follow the rules and more to get an idea across the best I can.

I frequently pretended to say the pledge. Made me very uncomfortable. I also will stand for things like the national anthem at sports events but I don't take my hat off or put my hand over my heart. Basically I try to avoid having to explain myself to other people around me while protesting subtly.

No idea where those words came from either. Here's a basic explanation of our system: pre-k/ kindergarten is ages 4-6, then grades 1-12 starting 1st grade at age 6, graduating at age 18. These grades are generally sectioned into elementary/ middle/ high school because there usually multiple school buildings, with each one to teach kids in certain grades. High school is grades 9-12. These grades are also called freshman, sophomore, junior, senior. I don't know why. Then if you go to college it's generally 4 years to get a bachelor's degree so they use the same 4 names. So you can be a sophomore in high school (grade 10, second year of high school) or a sophomore in college (second year of college).

The gas thing is probably a result of our fucked up economy and also a cultural trust issues thing. Gotta pay first so they know you have enough money for the gas you want to get. It is kinda weird but it's basically trust thing. Most things like events you have to pay first. You pay for groceries before you take them home. You pay for food before you receive it. The only exception I can really think of is sit down restaurants where you generally pay at the end. Basically in the US they don't trust you to have enough money you have to prove you have they money before you can get the thing so that the company does not lose money especially on things that can't be returned or resold like experiences or gas.

The US does have a lot of love for comfort foods, tho I bet most countries have their own weird ones I've not heard of too but you just don't see as much posts about those because the internet is so American centralized (likely due in part to the size of our population plus our being a large player in global politics, plus our culture of exaggerating self importance, which is a bit of a self fulfilling proficy)

I think the reason there's so much push to "learn your history" is because of that quote about learning your history or being doomed to repeat it. Also because unlike most countries the US is particularly terrible about repeating bad parts of history and not learning from mistakes.

Anyway if you’re from the US and you ever wanted to know what tumblr feels like from a non-USAmerican perspective (please note that the rest of the world is not a monolith either and none of these apply without exception):

Everybody’s talking about brands and stores you’ve never seen in real life. You generally assume they exist, but they might as well be one giant prank the rest of the internet is in on.

You find a post that just sounds wrong. It makes no sense. It’s like OP lives in a weird alternate reality. 9/10 times, it’s just some USAmerican Thing.

You’re still not entirely sure how much an inch is. Or a foot. Or even how many of the former there are in the latter. You maybe know your height in feet and inches.

You have no idea how much a pound is. You’d also like to know how the fuck pound shortens to lbs.

What the fuck is “military time”

Somebody talks about some legal process or something similar. They don’t mention which country’s legal system this pertains to. You know anyway.

People talk about politics. None of it pertains to you. Many posts contain guilt tripping. “How can you not care about this?? Why won’t you reblog this?? People need to know this about x candidate for y position!” You’re busy trying to stay on top of the political landscape in your own country.

You pick up some random slang from the internet. Monkey see monkey do. You’re called racist. You didn’t know it was AAVE. You learnt it from black letters on white background, not from the mouths of people whose faces you could see. How would you have known? You try to unlearn it.

People tell you that you must publicly denounce Chick-fil-A or you’re homophobic. You don’t even know what a Chick-fil-A is.

People say you don’t know LGBTQ+ history. What they mean is you don’t know USAmerican LGBTQ+ history. Nobody cares about your country’s history.

You’re “called out” on using an “offensive” term. It’s (a direct translation of) a completely harmless word where you live.

People expect you to have an idea of how far apart 2 USAmerican states are. You barely know geography past your country’s immediate neighbors.

You randomly switch between British and American spellings. Nothing’s real and there are no rules.

People talk about multiple hour car rides and you get twitchy just thinking about it. You suddenly understand why USAmerican cars are so big.

Somebody talks about school shooting drills. You only ever had fire alarm drills.

You see a cool statistic. The study’s only about the US. It’s unfortunately of no use to you.

People misuse/misspell words and names from your native language. It’s tiring.

(You feel sorry for the French. Nobody should be allowed to mangle the word déjà vu like that.)

You’re still not over the fact that USAmerican school children are supposed to say that pledge thing every morning. You’re never getting over that.

You still don’t know why the men are fresh or what the fuck a sophomore is.

Who the fuck pays up first and then fills up gas??? That’s made up, right??

Everybody has a weird obsession with some comfort food you’d never even heard of before you signed up here.

Fellow non-USAmericans, please add anything else you can think of.

[gingercauldron]

Quiet Brilliance (Spencer Reid x BAU! Reader)

A/N: Here is my offering to the Criminal Minds fandom. Also this is my first time really writing fanfic? Just really wanted to have Spencer impressed by the reader and fall in love with them. So I hope you enjoy!! This is totally not an excuse to somehow make random stuff I’ve read about relevant in BAU cases lol

Pairing: Spencer Reid x BAU! Reader

Synopsis: Spencer notices how intelligent you really are, as well as how shy you are about it. He can’t stop thinking about you, your brilliance, and how much he just wants to hold you.

Warnings: None really, just fluff, and normal Criminal Minds content

Wordcount: 1.9k

No one in the BAU seemed to give you enough credit.

Not that it was their intention, of course, but Dr. Spencer Reid could not help but notice all of the times that your quiet brilliance went by as unremarkable. He might have had an eidetic memory, carrying a labyrinthine of facts and figures in his head - but you knew things that even he had not come across. He could tell that you were a researcher, that you would explore through files for knowledge because you wanted to.

When Spencer would pull a fact or statistic out of the air, you would be listening raptly. On several occasions you would scribble something down afterwards, and it made Spencer’s heart swell. This was how he first became so attuned to you when you joined the team. After that, he made sure to observe you.

He noticed that you would duck your head into files of each case, going through detail after detail with a furrowed brow. You would write in a frantic scrawl on post-it notes as a cue to do further research.

The most endearing part of it all, was that you would do the same thing even if there wasn’t a case. You would carry a tome with you, with the tails of post-it flaps coming out the side, each one crowded with writing. You were smart, Spencer learned, and he wondered why it wasn’t seen as big of an asset as it truly was to the team.

At first he could pretend that his interest was merely for the good of the team, learning more about you and what you were capable of. Obviously you were hired for a reason, likely your careful observations and sharp psychological profiling — but there was so much more. Spencer was finding it harder to pretend that this interest was not at all motivated by the affection that was developing for you.

He had three PhDs and was the so-called “resident genius,” but he wondered if you could give him a run for his money. The thing was, because you were quiet and private, he didn’t know — and that in itself was exciting.

On one case where you were observing the body at the scene, a particularly strange case where the jaw of the victim had swelled with tumors, you quickly told everyone to back up.

“What is it?” Hotch asked.

“It looks like possible radiation poisoning because of how localized the tumors are — like the unsub had the victim consume radium.” You said. “I could be wrong, of course. We could check her teeth.”

“Teeth?” Morgan asked.

Spencer quickly replied. “Radium has properties that make it glow in the dark, it was used as a novelty for that reason well into the 1970’s before restrictions were placed on it, actually. If the victim had been ingesting radium it is possible her teeth might glow. In 1938 a case was settled where a group factory workers sued their employment because they had been encouraged to lick paintbrushes covered in radium in the course of their work, resulting in massive tumours around the neck and jaw.”

“And the factory workers had tumours like this?” Hotch asked. He was asking Spencer now, not you.

“Remarkably similar.” Spencer replied.

Spencer glanced at you, but it didn’t seem to bother you that he had jumped in. In fact, the only that seemed to be upsetting to you was the fact that the unsub was on the loose.

“I’ll call some radiologists in.” Hotch said, already lifting the phone to his ear.

It turned out, that you were right. It was in fact radium, and you made sure that the team was safe by telling them to keep their distance from the body. The radiation levels on the body were dangerous.

On the plane home from that case Spencer had sat beside you, and he couldn’t stop thinking about your astute observation. You smiled up at him when he settled next to you, looking back down at the book in your lap.

“Hey, Y/N?”

You looked back up at him. “Yeah, Spencer?”

“That was a good catch with the radium.”

“Oh, that. Thank you.” You beamed. “But you would have caught it if I hadn’t.”

Would he? With all of the gruesome things he had seen they all morphed together, he wasn’t sure that he would have jumped to radium, of all things, as quickly as you had. That he would have been as cautious in avoiding the body to investigate if you hadn’t said something.

“I mean it. It was good catch. It was pretty brilliant, actually.”

“Thanks, Spence.” You said softly.

He knew he should let you get back to your book that was covered in post-it notes, but there was a thought that kept nagging at him. “Y/N?” He said again.

“Yeah?”

“Did it — did I overstep when you were telling the team about the radiation? Because if I did—”

“No, I got to stop you there. You helped. I’d rather not have the attention.”

He furrowed his brow, but didn’t say anything more, letting you return to your book.

After that it seemed that the rest of the team was starting to pick up on your fierce intelligence, too. It was hard to ignore the books you carried with you, but Spencer thought it would have been impossible to not notice you. Not just because you were utterly beautiful, but because everything about your mind was captivating.

Morgan remarked on it when you found a pattern in the artwork of a string of victims’ homes. The artwork looked nothing alike, but you picked it up.

“This painting.” You said, pointing at it. “It’s German expressionist.”

“Okay?” Morgan said.

“It could be nothing, but the last victim had a print of German artwork in their home — it was from the dada movement — but they’re both from the same time period. The other two victims had books on the Bauhaus — an influential German design school that operated between the first and second world wars.” You explained. “I wouldn’t have said anything, but the average joe wouldn’t have German post-World War One art. All of our victims are interested in the same time period for art — seems like too much of a coincidence.”

Morgan stared at you.

“What?” You asked sheepishly.

“Did Reid just possess you for a moment there? How’d you know all that?”

You shrugged and changed the subject. “I’ll call Garcia and see if she can connect the victims through local art groups or galleries.”

Morgan stared at you as you walked off, phoning Garcia. Spencer came up beside him and squinted at the painting on the wall.

“I think I know how the victims might be connected.” Spencer said to Morgan, analyzing the painting.

“The art?”

Spencer looked at Morgan in surprise. “You know about German art?”

Morgan snorted and shook his head. He gestured to you. “Y/N is calling up Garcia right now. Can’t imagine how she knew anything about it.”

Spencer furrowed his brow. “I knew it, though.”

“Exactly.” Morgan patted Spencer’s shoulder and left to talk to Hotch.

You put the phone down and turned noticing Spencer looking at you. You smiled when you saw him. He loved the way you smiled at him, as if he was the only other person in the entire world. He felt his heart rate increase and new, scientifically speaking, that he was completely infatuated with you.

“Garcia found a connection.” You told him.

You said nothing to him of the connections you had made first, but it made him appreciate the fact that he knew all the more. You downplayed your accomplishments. He wanted nothing more than to be by your side so that he could learn about every one of them.

Rossi noticed during a case, when Spencer was reading one of the unsub’s journals. Flipping through the book quickly and absorbing the information.

“Hard to believe the kid can read that fast sometimes.” Rossi said to you. “He reads 20,000 words per minute.”

“It’s over 60 times the norm. He’s pretty amazing.” You said back.

“The norm?”

You nodded. “Yeah, average adult reads between 200 to 300 words per minute, he reads around 333 words per second.”

“You some kind of whiz kid, too?” Rossi asked.

You scoffed. “Hardly. I just read a lot.”

“So does Reid.”

“You know what I mean.” And with that you left Rossi, effectively stopping the conversation.

Spencer smiled, having overheard you two. Whether you wanted to or not, you would slip little bits of information that show just how much you were thinking. You couldn’t hide your mind completely, and Spencer couldn’t stop thinking about what conversations would ensue in just spending a day with you alone.

Your voice saying he’s pretty amazing kept playing in his head and he could feel his face flush. Did you know how that sounded? You thought he, of all people, was amazing - not his brain, or his skills, but him. Did you mean it to sound like that?

Rossi turned to Spencer. “You know your face is red.” He said.

Spencer stared at Rossi, but he couldn’t make his mouth form any words. A grin spread across Rossi’s face, reading Spencer like a book.

“It’s okay Doctor, I won’t tell anyone.” Rossi said, and got back to his own work.

The rest of the day Spencer could hardly focus on anything, constantly aware of where you were in the bullpen - or distracted when you left the bullpen to see Garcia because that meant you were gone. He tried to keep his head down and look at evidence, but you were so close and you thought that he was pretty amazing, and it was nearly impossible to think about anything else. By the time he felt satisfied enough with the work he had done that day to maybe pack up it was already dark out.

Spencer saw you reading at your desk in the bullpen. Everyone had gone home already, but you were there scribbling notes down. When Spencer neared your desk he saw the book, a book he had been reading two days ago.

You looked up and smiled at him in surprise, with those dazzling eyes of yours. You pushed your hair behind your ear and all that Spencer could think about was what it would feel like to touch.

“Hi, Spence.” You said. “What’s up?”

Spencer swallowed, and his world came to a standstill. The words came out of his mouth before he could stop them. “I think I love you.” His eyes suddenly went wide when he realized what he had said.

He turned around on his heel and rushed towards the door. He could hear your chair scratch against the floor and you called out.

“Spencer!”

He stilled, his hand on the door. He wanted to run, to get as far away and hopefully have you forget about it and not lose your friendship. He never wanted to disappoint you or make you uncomfortable, but he couldn’t turn his back on you either. He turned his head slowly, afraid to see your face.

You didn’t look angry. You had a small shy smile on your face.

“I think I love you, too.”

He dropped his hand from the door. “You do?”

You nodded. “I do.”

He laughed, feeling giddy. “I can’t stop thinking about you.” He confessed. “About your kindness and your brilliance, and just, you. I just — can I kiss you?”

“Why, Dr. Spencer Reid, I would like nothing more.”

That was all he needed before he was across the room, holding your face in his hands and kissing you. Spencer, with his eidetic memory, could not remember having ever been so happy.

[hatchetation]

NCIS Hawai’i: What’s in a Name?

Happy Monday! I decided to make a long post about character names and meanings in NCIS Hawai’i. I included what I already said about Lucy and Kate in this post (with a couple of additions), and added the rest of the NCIS Hawai’i team. It’s a bit long but I think a decent amount thought was put into their names so that’s cool!

Lucy Tara: Lucy (coming from Latin) means “light;” Tara (coming from Sanskrit + some other related languages) means “star.” To me, these names together show that Lucy is the type of person who lights up a room, someone whose compassion and determination, like a star, shine through and are a beacon for others. Also, Lucy is an overachiever and is clearly already a fan favorite--total star in her field 🌟! Her last name being Tara also gives some info about her ethnicity (i.e. possibly Arab).

(gif from @gaytvthings​ )

Kate Whistler: Kate (nickname for Katherine, coming from English) means “pure;” Whistler (also coming from English) means “one who whistles.”

Well, first off, Kate is a pretty commonplace name but Whistler is a little more unusual. Second, if this most recent sneak peek shows us anything, it’s that Kate’s reasons for being a DIA officer are pure–she’s there because of her beliefs about how to best serve her country. But, most people call her Whistler, not Kate, and seem to find her to be more of a nuisance than anything (like, say, someone who whistles all the time lol). Also, she’s kind of like the referee blowing a whistle and putting a stop to the NCIS agents’ missions (Ernie literally referred to her as an alarm in 1x06 🚨). Last thing, the writers probably knew that a lot of characters would call her Whistler rather than Kate so maybe wanted something distinctive for that.

(gif from @fuckinprototype​ )

Jane Tennant: Jane (coming from English) means “God is gracious;” Tennant (coming from Scottish and English) means “tenant.”

So for Jane’s name, I think the historical and etymological name meanings are less important than what her name /sounds/ like. First, Jane is kind of an everywoman (think “Jane Doe”) and I think her character is meant to be an everywoman--a mom and careerwoman in whom many women could see themselves if they lived in an alternate universe where they had been in the CIA 🕵. Second, Tennant is a humble name in that a tenant is not an owner or landlord but someone trying to live on the land. Tennant is in a position of power, but as a woman that position isn’t typical or guaranteed. Also, to me, Tennant sounds like tenet (and a quick google search shows that tenet is often confused with the word tenant)--a principle or belief. Jane is a principled woman and her principles guide her decision making.

(pic from tvline.com)

Jesse Boone: Jesse (coming from Hebrew) means “king” or “God’s gift;” Boone (coming from French) means “good.” For Jesse’s name, I also relied less on the name meanings (although if I were straight I might say Jesse is God’s gift...to women 🤪). The name Jesse brings to mind Jesse James, the infamous American outlaw. The name Boone brings to mind Daniel Boone, a famous American pioneer and folk hero. So Jesse Boone is strongly rooted in American ideals and principles like rugged individualism. Basically, Jesse is an all-American guy, married, Christian, etc.

Kai Holman: Kai (coming from Hawai’ian) means “sea;” Holman (coming from English) means “dweller on an island.”

I think Kai’s name pretty much says it all 🌊 and also makes me rethink his catchphrase from the pilot episode--never turn your back on the ocean. Kai is a native Hawai’ian and his roots are important to him and inform everything that he does. (Also just fyi, Holman has a few name meanings, but I thought island dweller was the most relevant).

(pic from tvinsider.com)

Ernie Malik: Ernie (short for Ernest, coming from German) means “serious” or “battle to the death;” Malik (coming from Arabic) means “king.” I found Ernie’s name really interesting! I don’t actually know if Ernie is short for Ernest, but it’s a common nickname for Ernest so... Ernest means serious and the word earnest means “showing sincere or intense conviction.” Ernie is an earnest person--his work his highly credible, he’s passionate about it, and without him the team wouldn’t get far. That said, he’s a fun loving guy with a good sense of humor which explains to me why he goes by a nickname. And then Malik--I think this is mostly to indicate Ernie’s ethnicity but also, Ernie is a king among men 👑.

(pic from tvinsider.com)

[ot3]

i watched red vs blue: zero with my dear friends today and i was asked to “post” my “thoughts” on the subject. Please do not click this readmore unless, for some reason, you want to read three thousand words on the subject of red vs blue: zero critical analysis. i highly doubt that’s the reason anyone is following me, but hey. 

anyway. here you have it. 

Here are my opinions on RVB0 as someone who has quite literally no nostalgia for any older RVB content. I’ve seen seasons 1-13 once and bits and pieces of it more than once here and there, but I only saw it for the first time within the past couple of months. I’ve literally never seen any other RT/AH content. I can name a few people who worked on OG Red vs. Blue but other than Mounty Oum I have NO idea who is responsible for what, really, or what anything else they’ve ever worked on is, or whether or not they’re awful people. I know even less about the people making RVB0 - All I know is that the main writer is named Torrian but I honestly don’t even know if that’s a first name, a last name, or a moniker. All this to say; nothing about my criticism is rooted in any perceived slight against the franchise or branding by the new staff members, because I don’t know or care about any of it. In fact, I’m going to try and avoid any direct comparison between RVB0 and earlier seasons of RVB as a means of critique until the very end, where I’ll look at that relationship specifically.

So here is my opinion of RVB0 as it stands right now:

1. The Writing

Everything about RVB0 feels as if it was written by a first-time writer who hasn’t learned to kill his darlings. The narrative is both simultaneously far too full, leaving very little breathing room for character interaction, and oddly sparse, with a story that lacks any meaningful takeaway, interesting ideas, or genuine emotional connection. It also feels like it’s for a very much younger audience - I don’t mean this as a negative at all. I love tv for kids. I watch more TV for kids than I do for adults, mostly, but I think it’s important to address this because a lot of the time ‘this is for kids’ is used to act like you’re not allowed to critique a narrative thoroughly. It definitely changes the way you critique it, but the critique can still be in good faith.  I watched the entirety of RVB0 only after it was finished, in one sitting, and I was giving it my full attention, essentially like it was a movie. I’m going to assume it was much better to watch in chunks, because as it stood, there was literally no time built into the narrative to process the events that had just transpired, or try and predict what events might be coming in the future. When there’s no time to think about the narrative as you’re watching it, the narrative ends up as being something that happens to the audience, not something they engage with. It’s like the difference between taking notes during a lecture or just sitting and listening. If you’re making no attempt to actively process what’s happening, it doesn’t stick in your mind well. I found myself struggling to recall the events and explanations that had immediately transpired because as soon as one thing had happened, another thing was already happening, and it was like a mental juggling act to try and figure out which information was important enough to dwell on in the time we were given to dwell on it.

Which brings me to another point - pacing. Every event in the show, whether a character moment, a plot moment, or a fight scene, felt like it was supposed to land with almost the exact same amount of emotional weight. It all felt like The Most Important Thing that had Yet Happened. And I understand that this is done as an attempt to squeeze as much as possible out of a rather short runtime, but it fundamentally fails. When everything is the most important thing happening, it all fades into static. That’s what most of 0’s narrative was to me: static. It’s only been a few hours since I watched it but I had to go step by step and type out all of the story beats I could remember and run it by my friends who are much more enthusiastic RVB fans than I am to make sure I hadn’t missed or forgotten anything. I hadn’t, apparently, but the fact that my takeaway from the show was pretty accurate and also disappointingly lackluster says a lot. Strangely enough, the most interesting thing the show alluded to - a holo echo, or whatever the term they used was - was one of the things least extrapolated upon in the show’s incredibly bulky exposition. Benefit of the doubt says that’s something they’ll explore in future seasons (are they getting more? Is that planned? I just realized I don’t actually know.)

And bulky it was! I have quite honestly never seen such flagrant disregard for the rule of “show, don’t tell.” There was not a single ounce of subtlety or implication involved in the storytelling of RVB0. Something was either told to you explicitly, or almost entirely absent from the narrative. Essentially zilch in between. We are told the dynamic the characters have with each other, and their personality pros and cons are listed for us conveniently by Carolina. The plot develops in exposition dumps. This is partially due to the series’ short runtime, but is also very much a result of how that runtime was then used by the writers. They sacrificed a massive chunk of their show for the sake of cramming in a ton of fight scenes, and if they wanted to keep all of those fight scenes, it would have been necessary to pare down their story and characters proportionally in comparison, but they didn’t do that either. They wanted to have it both ways and there simply wasn’t enough time for it. 

The story itself is… uninteresting. It plays out more like the flimsy premise of a video game quest rather than a piece of media to be meaningfully engaged with. RVB0 is I think something I would be pitched by a guy who thinks the MCU and BNHA are the best storytelling to come out of the past decade. It is nothing but tropes. And I hate having to use this as an insult! I love tropes. The worst thing about RVB0 is that nothing it does is wholly unforgivable in its own right. Hunter x Hunter, a phenomenal shonen, is notoriously filled with pages upon pages of detailed exposition and explanations of things, and I absolutely love it. Leverage, my favorite TV show of all time, is literally nothing but a five man band who has to learn to work as a team while seemingly systematically hitting a checklist of every relevant trope in the book. Pacific Rim is an incredibly straightforward good guys vs giant monsters blockbuster to show off some cool fight scenes such as a big robot cutting an alien in half with a giant sword, and it’s some of the most fun I ever have watching a movie. Something being derivative, clunky, poorly executed in some specific areas, narratively weak, or any single one of these flaws, is perfectly fine assuming it’s done with the intention and care that’s necessary to make the good parts shine more. I’ll forgive literally any crime a piece of media commits as long as it’s interesting and/or enjoyable to consume. RVB0 is not that. I’m not sure what the main point of RVB0 was supposed to be, because it seemingly succeeds at nothing. It has absolutely nothing new or innovative to justify its lack of concern for traditional storytelling conventions. Based solely on the amount of screentime things were given, I’d be inclined to say the narrative existed mostly to give flimsy pretense for the fight scenes, but that’s an entire other can of worms.

2. The Visuals + Fights

I have no qualms with things that are all style and no substance. Sometimes you just want to see pretty colors moving on the screen for a while or watch some cool bad guys and monsters or whatever get punched. RVB0 was not this either. The show fundamentally lacked a coherent aesthetic vision. Much of the show had a rather generic sci-fi feel to it with the biggest standouts to this being the very noir looking cityscape, which my friends and I all immediately joked looked like something from a batman game, or the temple, which my friends and I all immediately joked looked like a world of warcraft raid. They were obviously attempting to get variety in their environment design, which I appreciate, but they did this without having a coherent enough visual language to feel like it was all part of the same world. In general, there was also just a lack of visual clarity or strong shots. The value range in any given scene was poor, the compositions and framing were functional at best, and the character animation was unpleasantly exaggerated. It just doesn’t really look that good beyond fancy rendering techniques.

The fight scenes are their entire own beast. Since ‘FIGHT SCENE’ is the largest single category of scenes in the show, they definitely feel worth looking at with a genuine critical eye. Or, at least, I’d like to, but honestly half the time I found myself almost unable to look at them. The camera is rarely still long enough to really enjoy what you’re watching - tracking the motion of the character AND the camera at such constant breakneck high speeds left little time to appreciate any nuances that might have been present in the choreography or character animation. I tried, believe me, I really did, but the fight scenes leave one with the same sort of dizzy convoluted spectacle as a Michael Bay transformers movie. They also really lacked the impact fight scenes are supposed to have.

It’s hard to have a good, memorable fight scene without it doing one of three things: 1. Showing off innovative or creative fighting styles and choreography 2. Making use of the fight’s setting or environment in an engaging and visually interesting way or 3. Further exploring a character’s personality or actions by the way they fight. It’s also hard to do one of these things on its own without at least touching a bit on the other two. For the most part, I find RVB0’s fight scenes fail to do this. Other than rather surface level insubstantial factors, there was little to visually distinguish any of RVB0’s fight scenes from each other. Not only did I find a lot of them difficult to watch and unappealing, I found them all difficult to watch and unappealing in an almost identical way. They felt incredibly interchangeable and very generic. If you could take a fight scene and change the location it was set and also change which characters were participating and have very little change, it’s probably not a good fight scene. 

I think “generic” is really just the defining word of RVB0 and I think that’s also why it falls short in the humor department  as well.

3. The Comedy

Funny shit is hard to write and humor is also incredibly subjective but I definitely got almost no laughs out of RVB0. I think a total of three. By far the best joke was Carolina having a cast on top of her armor, which, I must stress, is an incredibly funny gag and I love it. But overall I think the humor fell short because it felt like it was tacked on more than a natural and intentional part of this world and these characters. A lot of the jokes felt like they were just thrown in wherever they’d fit, without any build up to punchlines and with little regard for what sort of joke each character would make. Like, there was some, obviously Raymond’s sense of humor had the most character to it, but the character-oriented humor still felt very weak. When focusing on character-driven humor, there’s a LOT you can establish about characters based on what sort of jokes they choose to make, who they’re picking as the punchlines of these jokes, and who their in-universe audience for the jokes is. In RVB0, the jokes all felt very immersion-breaking and self aware, directed wholly towards the audience rather than occurring as a natural result of interplay between the characters. This is partially due to how lackluster the character writing was overall, and the previously stated tight timing, but also definitely due to a lack of a real understanding about what makes a joke land. 

A rule of thumb I personally hold for comedy is that, when push comes to shove, more specific is always going to be more funny. The example I gave when trying to explain this was this:

saying two characters had awkward sex in a movie theater: funny

saying two characters had an awkward handjob in a cinemark: even funnier

saying two characters spent 54 minutes of 11:14's 1:26 runtime trying out some uncomfortably-angled hand stuff in the back of a dilapidated cinemark that lost funding halfway through retrofitting into a dinner theater: the funniest

The more specific a joke is, the more it relies on an in-depth understanding of the characters and world you’re dealing with and the more ‘realistic’ it feels within the context of your media. Especially with this kind of humor. When you’re joking with your friends, you don’t go for stock-humor that could be pulled out of a joke book, you go for the specific. You aim for the weak spots. If a set of jokes could be blindly transplanted into another world, onto another cast of characters, then it’s far too generic to be truly funny or memorable. I don’t think there’s a single joke in RVB0 where the humor of it hinged upon the characters or the setting.

Then there’s the issue of situational comedy and physical comedy. This is really where the humor being ‘tacked on’ shows the most. Once again, part of what makes actually solid comedy land properly is it feeling like a natural result of the world you have established. Real life is absurd and comical situations can be found even in the midst of some pretty grim context, and that’s why black comedy is successful, and why comedy shows are allowed to dip into heavier subject matter from time to time, or why dramas often search for levity in humor. It’s a natural part of being human to find humor in almost any situation. The key thing, though, once again, is finding it in the situation. Many of RVB0’s attempts at humor, once again, feel like they would be the exact same jokes when stripped from their context, and that’s almost never good. A pretty fundamental concept in both storytelling in general but particularly comedy writing is ‘setup and payoff’. No joke in RVB0 is a reward for a seemingly innocuous event in an earlier scene or for an overlooked piece of environmental design. The jokes pop in when there’s time for them in between all the exposition and fighting, and are gone as soon as they’re done. There’s no long term, underlying comedic throughline to give any sense of coherence or intent to the sense of humor the show is trying to establish. Every joke is an isolated one-off quip or one-liner, and it fails to engage the audience in a meaningful way.

All together, each individual component of RVB0 feels like it was conjured up independently, without any concern to how it interacted with the larger product they were creating. And I think this is really where it all falls apart. RVB0 feels criminally generic in a way reminiscent of mass-market media which at least has the luxury of attributing these flaws, this complete and total watering down of anything unique, to heavy oversight and large teams with competing visions. But I don’t think that’s the case for RVB0. I don’t know much about what the pipeline is like for this show, but I feel like the fundamental problem it suffers from is a lack of heart.

In comparison to Red vs. Blue

Let's face it. This is a terrible successor to Red vs. Blue. I wouldn’t care if NONE of the old characters were in it - that’s not my problem. I haven’t seen past season 13 because from what I heard the show already jumped the shark a bit and then some. That’s not what makes it a poor follow up. What makes it a bad successor is that it fundamentally lacks any of the aspects of the OG RVB that made it unique or appealing at all. I find myself wondering what Torrian is trying to say with RVB0 and quite literally the only answer I find myself falling back onto is that he isn’t trying to say anything at all. Regardless of what you feel about the original RVB, it undeniably had things to say. The opening “why are we here” speech does an excellent job at establishing that this is a show intended to poke fun at the misery of bureaucracy and subservience to nonsensical systems, not just in the context of military life, but in a very broad-strokes way almost any middle-class worker can relate to. At the end of the day, fiction is at its best when it resonates with some aspect of its audience’s life. I know instantly which parts of the original Red vs Blue I’m supposed to relate to. I can’t say anything even close to that about 0.

RVB is an absurdist parody that heavily satirizes aspects of the military and life as a low-on-the-food-chain worker in general that almost it’s entire target audience will be familiar with. The most significant draw of the show to me was how the dialogue felt like listening to my friends bicker with each other in our group chats. It required no effort for me to connect with and although the narrative never outright looked to the camera and explained ‘we are critiquing the military’s stupid red tape and self-fullfilling eternal conflict’ they didn’t need to, because the writing trusted itself and its audience enough to believe this could be conveyed. It is, in a way, the complete antithesis to the badass superhero macho military man protagonist that we all know so well. RVB was saying something, and it was saying it in a rather novel format.

Nothing about RVB0 is novel. Nothing about RVB0 says anything. Nothing about it compels me to relate to any of these characters or their situations. RVB0 doesn’t feel like absurdism, or satire. RVB0 feels like it is, completely uncritically, the exact media that RVB itself was riffing off of. Both RVB0 and RVB when you watch them give you the feeling that what you’re seeing here is kids on a playground larping with toy soldiers. It’s all ridiculous and over the top cliche stupid garbage where each side is trying to one-up the other. The critical difference is, in RVB, we’re supposed to look at this and laugh at how ridiculous this is. In RVB0 we’re supposed to unironically think this is all pretty badass. 

The PFL arc of the original RVB existed to show us that setting up an elite team of supersoldiers with special powers was something done in bad faith, with poor outcomes, that left everyone involved either cruel, damaged, or dead. It was a bad thing. And what we’re seeing in RVB0 is the same premise, except, this time it’s good. We’re supposed to root for this format. RVB0 feels much more like a demo reel, cutscenes from a video game that doesn’t exist, or a shonen anime fanboy’s journal scribbling than it feels like a piece of media with any objective value in any area.  In every area that RVB was anti-establishment, RVB0 is pure undiluted establishment through and through.  

[drconstellation]

I think there is more tragedy yet to be revealed, and the Metatron is certainly involved in it. A lot of the story has already been presented to us, we've been piecing it together, its just a matter of stringing it together as a whole, and we're getting close, believe it or not.

I was having a discussion about these two images that the Good Omens media team released post-show release with @atlas-hope and about what they might represent.

They have nothing to with S2. They don't appear in the show. They are deliberately posed shots.

Now, people picked up pretty quickly that they were mirroring classic religious iconography: Aziraphale is posing as the Madonna Mary, and Crowley is posing as Jesus on the cross. Oh cool, said everyone, made them their wallpaper or lock screens, then walked off.

Time to come back to them. Because they actually tell us part of the story of Crowley's Fall, Aziraphale's part in it, and how that affects the story we see in S2.

Lets start with Crowley, because his story is much clearer and a little easier to see. Jesus on the Cross. A sacrifice. Done to take others sins away. This is Crowley the Scapegoat, just before the Fall.

He got caught up with the wrong crowd:

He fought with Furfur, on the side that became the Fallen in the Great War (only a third of the Host fell, btw)

"We were in the same Legion. Doing dubious battle on the plains of Heaven." (Which is a ref to Milton's Paradise Lost, btw)

We know there is a distinct impression that he was wrongly convicted, and he was never told why. Crowley relives it with the goats in the Job minisode when he has to "destroy" them:

And emphasizes again that they were blameless to Job and Sitis.

(yes, I'm aware there is a whole thing about a ritual scapegoat in some theologies, and I also know there is other allegory between the goat/sheep mentions here, and they are all relevant, but for brevity I will leave them out.)

And again we told that asking questions is not a good thing.

And we know asking questions is a very Crowley thing to do. He's always asked questions, even before the Beginning. In S1 we see him lamenting that he was made a demon for the petty crime of "only asking questions."

So when the Metatron turns up with his "watchful" almond syrup-laden offer-that-isnt-a-choice at the book shop, then gives Crowley the evilest of evil side-eyes complete with scary music to make sure we notice:

then shortly later informing us just to be sure we notice there is some nasty history between them:

"Always did want to go his own way. Always asking damn fool questions," he comments about Crowley.

Really, Metatrash? You recall that? From when? What did Crowley really do to get on your nerves so badly?

I think we're all starting to point the finger at the Metatron having a larger hand in events at hand, and even in the past. He's always reminded me of a gate-keeping personal assistant sitting in front of the directors office, so no one can get a word directly into the head honcho's ear.

We know Crowley is not a reliable narrator about his own Fall, and has a long-term memory like swiss cheese. Lots of little incidents in S2 were shown to us about that. But it's also interesting to note that more than one person has also suggested that Aziraphale is also not the most reliable of narrators, and may even have memory problems of their own. I feel this is were we might be starting to circle an uncomfortable truth.

Back to Aziraphale's posed shot:

The Madonna pose. If you aren't so religiously indoctrinated, like me (in non-catholic matters, anyway, I do have some religious education) its not quite so clear what Aziraphale might be representing here.

Back to my discussion with @atlas-hope ; they suggested two possible themes, and this is the one that fell into place for me:

fffffsssss.....

She stood and watched the sacrifice, the Scapegoat, be taken from her, and she. said. not. a. word.

Oh, Aziraphale. What must you have been thinking as you watched the Metatron single out Crowley from Lucifer and the guys, and arraign him for special punishment, to made an example of, so the Metatron could command obedience from others by means of fear. You must have known that the Metatron would have hated his constant questioning of his authority, and that Crowley didn't like toeing the party line. Oh, you may have warned angel!Crowley multiple times not to do it, but it was only because you cared. But you still stood there, in silence, and just watched. You let it happen. Because you still wanted to be seen as a "good" angel, to be on the side of the "righteous."

Could you have done more? Could you have stepped out and spoken out in defense of your beloved? You'll never know. Its too late now. Its always too late.

And ever since, the Metatron has always been watching these two. They've always been trouble. And now they are causing trouble together, again. Its a relief to have them separated once more. Can't have them on the loose causing foment or using big miracle energy too much, it might ruin the Great Plan that we're so close to pulling off this time...

At the moment, its difficult to tell what may have happened to Aziraphale and his memory at the end of the Great War and the casting out of the Fallen angels. I hope we get some clarity on that in S3.

And I have the feeling that Aziraphale will learn - perhaps we should say, re-learn - the truth around Crowley's Fall, but also be forced to face his role in it as well. That will be his wake-up call. Not having the reality of the harshness of Heaven shoved in his face. He knows that. It's facing himself, and his own past, that he needs to do. Isn't that what we all need to do, if we want to heal? To stop living with what ever guilt or shame we have burdened ourselves with due to trauma, at some point you have to turn and face it, full on. And its going to hurt.

Is Crowley and Aziraphale's central issue truly miscommunication? Because it really sounded like Aziraphale genuinely thought Crowley would jump at the chance to be an angel again, and that indicates such a fundamental misjudgment of who Crowley is as a person that I don't know how they get past it?

In so many ships, the characters just need to get trapped in an elevator for long enough to actually have an honest conversation, and it would solve all their problems (looking at you, Destiel). But for Aziraphale and Crowley, this breakdown means something more than a simple conversation could correct. It means something about how Aziraphale makes sense of their shared history, how he perceives Crowley's worth as a demon in comparison to his own as an angel, and what he understands to be the roadblock standing in the way of them being truly together.

Crowley named that roadblock as he sees it - the structures of heaven and hell themselves ("We don't need heaven, we don't need hell, they're toxic!"). But for Aziraphale, that roadblock appears to be Crowley's demon-ness, which he sees as extricable from Crowley himself (which it isn't). His roadblock is Crowley himself. And if that's the case, that's not a miscommunication, that's a tragedy.

[rev3rb]

Hi!! It’s me again asking about the new chapter. Literally every other page had me like 😳 from either the gayness or just the plot points like wtf. I complained last time about being confused from lack of info and now I’m confused from too much info but very excited to see where this goes lmaoo

I think the illusion part was a fun lil twist. Sometimes it can be annoying when a high stakes situation turns out to be fake all along, but the way it was done sorta short kept things interesting and added to Rigr’s sly behavior. Also just Rigr bantering with Urd by being oddly sweet and saying how he was planning to come back and work together was such an intriguing 180 flip. Urd already considering the offer & being on the same page with the hostages was kinda gold. I feel like he’s already sorta accepting his fate, I’d honestly be surprised if he doesn’t decide to team up with Rigr next chp.

And then on top of all ~that~ the stuff about all versions of Yu being made for Mika?! We get it, they’ve been destined to each other for thousands of years, they’re soulmates, it’s gay 🙄 I haven’t been super onboard with Mika becoming Yu’s demon bc I want him to stay himself & have a role on his own, but now I’m more excited for how that works/messes with the First’s plan.

Oh, and I enjoyed seeing Byakkomaru + Raimeiki despite being worried for Shinya + Kureto. I feel like all the demons/progenitors relationships to the First get more complicated each chapter and I would really like a better breakdown on where loyalties lie at this point lol

Hello once again anon! I was wondering if you'd crop up!

Ho boy. This chapter. A lot happened. I can see why you're confused. While this chapter did give us quite a bit of information, we can still only speculate as to how everything fits together. There's really no right or wrong right now. I have a feeling that starting next chapter, we'll finally be able to start fitting things together. If not then we'll at least be getting back into some action I imagine. It'll be nice after the last handful of chapters.

In that same vein, I agree with what you said about the illusion. It was fun to get some action even if it did end up being fake, but not only did this serve as some fun, it developed Ky Luc and Lest Karr as well as what you said about Rigr. While we've seen Ky Luc fight before, we didn't really see him with his back against the wall. As Guren and Shinya put it:

(They tied as Guren said shortly before this but this is funnier)

It was nice to see how Ky Luc fights in a tough situation. It speaks to his character quite a bit. On top of that, there's Rigr's comment about Ky Luc being strong enough to kill a 3rd Progenitor. I'm sure that will be relevant later, possibly even explained, but likely not for a while. Not only that, but, and correct me if I'm wrong, we haven't seen Lest Karr fight before. This was a cool insight into what his battle presence is like. I imagine that both of these things will come into play sometime later. Plus! It's like Rigr said:

At the very least it tells us Ky and Lest will side with whoever Urd does.

I ish made a post addressing Urd and Rigr, but god, yeah. These bitches gay, Rigr especially. Good for them. It makes me think that Rigr always intended to return to Urd's side (in a gay way or not). After all, as he said, this is all according to plan apparently.

It's interesting to think about, but I think Urd is as much a pawn in this game as the likes of Guren. He has his own view/side to things, but he's going to get swept up in other people's messes/plans whether he wants to or not. Given his history with Rigr and it being unlikely (at the moment) that Rigr will betray him again, I imagine Urd and Rigr will be on the same side going forward? Allegiances change like the weather though so who knows. This is just the feeling I get at this point in time, and you alluded to it too.

I'm left a little unsure about how to feel about the whole Yu and Mika situation. None of what was shown really comes as a surprise. The eye being a doorway to the past was something I didn't expect, neither was The First being able to affect that vision, but pretty much everything else was. We'd already been basically told that Yus were somehow grown/created, so now we just finally get to see what the exact method is. Can't say I understand how that works, but there you go. It wasn't much of an explanation, but it's something I guess.

Mika becoming Yu's demon/weapon also doesn't come as a large surprise. Ever since he "died" back in chapter 90 (91?), this is pretty much what I expected. I'm not even that surprised that it was something that Mika ultimately chose. It's not quite something I would have speculated back when Mika first died, but after we started getting chapters that showed off demon Mika, it was something I suspected might happen. And maybe it's just me, but I don't think Mika will become any less important now that he's Yu's weapon. I wouldn't be surprised if he took a role similar to Mahiru going forward. Mahiru is one of Guren's demons, but she's still her own character and can sorta do her own thing. I don't see why Mika couldn't be the same, even if their situations are a bit different.

SHINYA!!! I, like many others, have been waiting for this moment. Never would have guessed that he ended up getting captured, but what surprises me more is that Kureto was also captured. Last we saw he was directing troops. It seemed like things were going well for him. I wonder what happened that resulted in both of them getting captured. Is the rest of Guren squad okay? Who's running the Imperial Demon army now? I hope it's not Seishiro. Hey, maybe that's what happened to Narumi. He's running the army now :) In all seriousness though, if Guren squad is okay, I could actually see them running the army, but again I digress.

I made a post talking about what I think will happen to Shinya and Kureto (and by extension, Byakkomaru and Reimeiki) here. While I too am worried about them, I think that they'll be okay. If Rigr or Urd wanted to kill them, they probably would have done it by now. That's not to say that they couldn't be harmed though. I'm just hopeful that being hostages means that they'll stay alive.

Maybe it's a weird thing to say, but because of Guren's attachment to Shinya, I'd actually say that it's likely that Shinya has some thick plot armor in this instance. I'm confident that Shinya will remain alive at least until Guren is around him again. As for Kureto... well. I don't think there's as much plot armor for him. Again I think he'll be okay? He's the representative of normal humanity in all this and there's no good replacement for him (there's lit no other character that cares about humanity as a whole), so I think he'll stay alive for at least a little while longer.

And that pretty much sums up my thoughts! Sorry this got long, but as I said at the start, a lot happened. There was a lot to analyze and process. Thanks again for the ask! I hope you enjoyed hearing my thoughts.

[superlinguo]

Practical advice if you want to start a podcast

I wrote a post for the RED team at La Trobe with some general advice for podcasting, but I’ve found there are some recurring questions that I get about setting up a podcast. This post is here to answer those questions.

If you’re not interested in starting a podcast, but want to listen to more linguistics podcasts, I’ve got a list for you!

I last updated this post in June 2021 - if you find this post a few years after this you might want to search for some more up to date specs. I’ll continue to update this from time to time as new questions (or answers) come up.

Picture your audience

Before you make any decisions about your show, know who it is for. Your topic might be incredibly niche and have an audience in the hundreds, which is very different to a potentially larger but less engaged audience. See the classic blog post from Kevin Kelly on the power of 1000 true fans. Knowing your potential audience, where they hang out online, and how they’re likely to support you, will help your decision making. I have a self-guided slide set for refining your project before you start working on it. It’s also ok to know who you don’t want as your audience, and make choices that don’t actively include them. Do this early and clearly so people aren’t disappointed. For example, having a show with clearly noted explicit language selects away from young kids and their parents.

The length and format of your show are a product of your aims

I personally like shows in the 25-35 minute range. But, having said that, I love Shortwave, which regularly clocks in at 10 minutes, and I’m disappointed when an episode of You’re Wrong About is less than an hour.

Know your audience and the level of depth you want to explore a topic in. The frequency of episodes and the amount of time you have to prepare and edit will also affect how long episode end up. Record a few episodes first and share them with people you trust will give you good feedback.

The best interviews are conversations

Good interviews are just conversations that are intentionally lopsided, and good interviewers make the conversation feel like it’s not lopsided. Do your homework, write out some questions, and then take a step back and actually listen to the person you’re interviewing.

Anyone who has done even a few interviews has already faced most of the questions you first think of. There are some fixes for this: push through your initial brainstorming, think about the specific angles on their topic that are most relevant to your audience and (again) listen to what the person is telling you. Like many podcasting skills, good interviewing takes practice, and you can practice by staying curious about humans you interact with in any area of your life, not just your podcast guests.

Use the best mics you can, but don’t over-invest

You don’t have go and buy the fanciest tech. If you have access to a studio, great! If you don’t, then decide what your budget is. When we started Lingthusiasm, Gretchen recorded into her phone, because we were running the show on no budget and had no idea if we’d stick it out more than 6 months. When we started making money we got Gretchen a Zoom H4n to match mine. It’s still not the fanciest, but it’s rugged and adequate, especially if you make sure you’re in a closet with some blankets. Do I regret the earlier episodes of Lingthusiasm don’t sound amazing? Not as much as I would have regretted investing hundreds of dollars in a podcast that had 4 episodes.

Edit your show

Even a light edit will make the show easier for your audience to listen to, and show respect for the people you interview. I know people believe there’s an aesthetic of authenticity that comes with not editing, but all podcasting is a performance. Editing is a politeness to your audience.

Editing means a very wide range of things. You can do full production editing, including the addition of music, multiple different voice-overs and voices reading parts (e.g. getting someone else to read author quotes to bring them to life) and additional sound effects. Or you might just edit out the start and end of the recording, and any false starts and errors throughout the show. A lot of the pauses and fillers we use in conversation are designed for an audience who is in on the conversation and can reply, and can feel like they’re holding up a conversation when you’re a passive listener like a podcast audience. Many of the best conversational podcasts are given an edit to make them easier on the ears.

I use audacity to edit

Audacity is free to use. It takes a little longer to learn than something like GarageBand, but once you know how to use it, you’ll be much faster at editing. I appreciate that it has stayed pretty much the same since I started using it almost 15 years ago.

Get your levels right

Once you’ve edited your show, making sure there aren’t too many loud laughs, or your two hosts aren’t unbalanced in loudness. You’ll also need to make sure your podcast isn’t too loud or soft compared to others in people’s list. You need to regularise it. A lot of podcasts regularise to -16 LUFS. A few other numbers bounce around (-14, -18), but this is what we use and no one complains.  Audacity can’t do it. You can process a certain number of hours of audio for free each month using the web-based Auphonic. It’s great. 

There’s lots of great free music to use

You want to look for music that has a license that’s free to use. Even if you don’t plan to make money from your podcast, make sure the license includes commercial use so you don’t limit your future options. SoundCloud and YouTube have lots of options, as does Kevin MacLeod - who has created royalty-free music in a massive range of genres. 

Web hosting is different to getting your show on iTunes

We use SoundCloud to upload and share our audio. It’s fine. I have no complaints. Once you’ve uploaded a few hours of audio you’ll have to pay annually for a pro account. Anchor seems to be a good new competitor, it’s free - I assume they make money off people choosing to run ads on their podcasts. You then generate an RSS feed, which is the thing that points all the podcast players to the place you’ve uploaded your recording. You’ll then have to add your show to major podcast platforms (Apple Podcast, Google Podcast), smaller ones will pick it up from there.

It takes a few days for your show to get picked up on all the podfeeders

Launching a podcast is a bit of a mess - it will go live on your hosting site but then you’ll have to set yourself up with iTunes, Google Podcast etc. and that can take a few days to update and populate. The sites that are popular, and the process of linking into those spaces, changes often enough that you should just google advice when you’re ready to launch, and give yourself a few days. This is part of why some podcasts launch a short ‘episode 0′ or a trailer, it gets the show set up.

Transcripts should be one of the first things you fund

Not every podcast has the time or funds to make transcripts. I do think they’re important though; for people who can’t or don’t want to listen, for discoverability and for your own record when you can’t remember when you talked about a specific story. If you have any time or money and want to be taken seriously at all, this should be one of your earliest priorities. This is even more true for educational podcasts, where a transcript ensures all students can appreciate the content of your show.

You don’t neeeeed a website, but it’s handy

You can run a show using a hosting platform and some social media. Having a website does allow you to add more information about the show and yourself. The Lingthusiasm page has grown over the years as the show has; we made a page for our liveshow events, we provide a list of episodes by topic, information about our Discord community, and our marvelous wall of supporters. The website was much more minimal when we started, but compared to just having a SoundCloud it gave the show room to grow.

You probably want socials, but be selective

You need to make your podcast discoverable by people who are likely to be your audience. Social media is one way to do this, but it’s better to be actually engaging on fewer social platforms than overextend yourself. Focus on platforms that are the intersection of where your possible fans are likely to be and where you enjoy being.

Funding a podcast takes time, and takes work

There are three main revenue streams for podcasts: advertising, crowdfunding and merch. A fourth option is institutional support (through your university or business), but then you’re beholden to the funder. Whichever revenue options work for you, think about them and plan towards them early. Part of that is making sure your podcast gets in as many ears as possible. Most successful podcasts spend as much, if not more, time on marketing, audience engagement and business planning as they do podcasting (it’s just not very glamorous to admit that!).

Choose whether each episode can stand alone

Some podcasts build a narrative over multiple episodes. Others allow listeners to jump in at any point and listen in any order. Whatever you choose, make this clear to your audience. This choice is going to influence a range of choices around what information to include in the opening and closing, how topical to make the show, and how you promote your podcast. 

Seasons are a great structure to keep a podcast manageable

Regardless of whether your show runs in a sequence, planning a season with a fixed number of episodes allows you to take some time off, to maybe change some things that weren’t working, or to step away from the project with a podcast that hasn’t been left hanging.

[candyopala]

Stuck in his ways, Chapter 6

Chapter summary:  Obito follows Kakashi’s advice and tries to find out more about Y/N. When things don’t go his way, he finds himself lost and on Y/N’s house in the middle of the night.

Words: 2.3k

AO3

Please like or reblog if you enjoy, check my rules for requests too!

It’s almost time for work and Obito hasn’t slept yet. Despite the weird act, Kakashi gave some actually useful advice to him. He said that he manages to get team seven to work harder by playing with their goals, using their objectives as something to incentivize them through a tough mission or a hard exercise. Especially with Naruto, who can get a little lazy sometimes, bringing up his objective to be Hokage as his father seems to always work like a charm.

The thing is: Obito knows virtually nothing about Y/N. Besides what he has on her personal file, he knows nothing about her personal life and objectives. He spent too much time acting like an asshole to the girl instead of trying to get to know her. He keeps on going through her files maniacally while his mind gets lost in thought.

Don’t get him wrong, Obito hasn’t put any effort to meet new people since his accident. In addition to his insecurities with his appearance, his social skills get worse by the day. Okay, Kakashi does make him go in blind dates from time to time, but those always end up in failure, since he refuses to actually give any girl a chance. He tends to get lost in his thoughts while they talk and he usually ends up straight up ignoring them, which would make anyone reasonably mad.

His face still hurts when he remembers about that time that Yamanaka lady slapped him right on the face after he yawned while she talked. Or that time Kakashi ended up going home with both girls and he had to help take Gai into the hospital, after the fool hurt himself in a bet with their friend. Not to mention that time Kakashi tried to hook him up with a lady fifty years his senior. He would have been actually okay with it if she had not called him “grandson” twice. Obito shivers at the thought. Truth is, Obito actually has not given a chance to himself since the accident and Rin’s passing. Obito shakes his head to make the thought go away once his mind mentions his former teammate’s name.

Give me a break for once brain, right?

He finally gives up on the files and goes to lay in his bed, only to be instantly scared by the alarm clock, letting him know he should be waking up. He goes through with his morning routine on autopilot, putting on the jonin vest and heading out to meet Y/N on the training field. For the first time in ages, he arrives on time. He was so into his head that he did not get distracted on the way. He needs to learn more about Y/N today, one way or the other, so that he can get this whole deal to end soon.

Y/N arrives shortly after, looking sleepy and grumpy.

��You’re on time; did you die and get replaced for someone responsible?”

“Ha, funny. Why the grumpy look?”

“I had a little trouble sleeping tonight”

Come on Obito, what’s the best way of trying to connect to someone and to learn about them? Right, through empathy, being relatable!

“Ugh, me too, totally. What’s on your mind?”

“Lunch and dinner. Come on, let’s start.”

“Ouch”

Fuck, alright, this is bound to be tough.

Obito starts today’s training with some blade technique. Y/N is admittedly really good with hers, but she could use some refinement if she is going to be a shinobi now. He corrects her stance first, also focusing on not letting her leave her defense open.

“Raise your arm like this” He shows to her the things he learned from his family during his childhood.

Their treatment of him at that time was… harsh. Being a direct descendant of Madara made everyone treat him like a potential fuckup, and his abilities before the accident corroborated that. They only opened up more to him and begun to treat him with respect after he became one of Konoha’s finest jonins and one of the few ones to awaken the mangekyo in the whole family. Remembering this makes Obito feel a little cramped on the inside, making him want to go back to his current objective with Y/N.

“Right”

“So… when did you learn to use your sword?”

“On the road”

“And?”

“And I think it’s cool”

“Nice… I guess…”

Fuck fuck fuck.

They both go on for the rest of the morning with Obito not being able to make any progress. His difficulty with social situations is making an already hard situation get even tougher. Y/N refuses to respond to any prodding, only talking back to crack jokes at his expense and to cut him off.

“Want to go get some barbecue for lunch?” He asks hoping for her to accept, as a last desperate attempt to approach her somehow.

“Can’t do Uchiha, I have a reunion with the Hokage, later”

She leaves him in the field alone, a sense of hopelessness eating him up by the second. Then comes the explosive frustration of not getting what he wants. He just needs to make this end quicker; he needs to go back to relevant missions to make his objectives come true. He cannot be left behind, he has to make his promise to her come true, he needs to change it all and he can only do that by becoming the next Hokage.

Tears prickle up at his eye, hurting his heart more than his pride. He gets angry at this completely ridiculous situation he put himself in, he had lost focus lately, he got lazy. He had lost the fire that once burned inside him, only leaving him a pile of sadness and old regrets.

It all explodes within him, driving him to start training in a maniacal way, trying to create something new with kamui and kunais at all costs. He has been trying to develop a new jutsu for a while, but he always ends up stumped. The thought of failure is the last straw, he starts to attack the training posts with all he has, not noticing the pain consuming his arms as the hundreds of knifes coming out of his other dimension go through them in a whirlpool of time and space.

It’s the middle of the night when his body achieves its limit, he spent the whole day training and rampaging on the field. Obito falls down on the dirt face first as exhaustion and blood loss finally hits him. Still filled with adrenaline, his last thought is to head to Y/N’s house to get that information, one way or the other.

 ~”~

 A rushed couple of knocks wake Y/N from her slumber. Confused, she looks around the small apartment in search of the noise’s origin. She hears them again, coming from her front door. She looks over to the clock on the kitchenette; it shows that it is around two in the morning. She knows virtually no one in the village still, who could it be?

She grabs her trusty sword at the entrance area and heads to the door, expecting it to be some scammer or maniac. Without turning the lights on, she opens it only to find a tall figure, with broad shoulders and that forlorn look on his face… Obito.

What is he even doing here?

Upon further inspection, she notices that his figure seems a little bit off, worn out even. She finally turns on the lights, only to be met with a grizzly sight: he is covered in dirt and his arms are all bloodied, his shoulders are slumped and his signature messy hair is even unrulier. This image brings her an awful distant memory.

“Want to go for that barbecue?”

“Obito, what happened?”

“Don’t worry about it; we can talk it out on the way” The man speaks in a catatonic way, fully running on his impulses and on the verge of exhaustion.

Those unwanted memories rush back into her mind: a bloodied hand touching her face delicately, a catatonic smile, foggy eyes, a goodbye that came too soon. Her head rushes with rage, rage at her own mind for reminding her of that, anger at him for leaving so soon, anger at Obito for doing whatever he did to do this to himself.

Before she can even think, she pushes the man into her house with force, guiding his almost limp body to her tight bathroom, sitting him on the rim of her bathtub. He does not respond, his eye is directed at nothing, he just lets out a small wave of breath when he sits down. She grabs her first aid kit from under the sink, kneeling down to face him as best as she can in the small space.

“What happened?”

“…”

“Obito!”

She snaps her fingers in front of his face, taking him out of his trance. He gets startled, as if he had just woken up from a nightmare.

“Sorry, I’ll be going, okay?”

He tried to get up again, only to be swatted by Y/N and forced to sit back down on the tub.

“We have to tend to your wounds; you look like you lost a lot of blood already. It’s okay if you don’t want to tell me what happened, but I’m not letting you go like this”

“I’ll just go to the hospital”

“The hospital is on the other side of the village, dumbass”

He flinches and tries weakly to tear his arm away from her grasp, once her hand touches an exposed bit of his bicep. Y/N does her best to rip away the ripped fabric that covers the wounds, trying not to pull the parts that are stuck together with the cuts. She rips his sleeves away, exposing a mass of cuts in all directions all over the length of his arm.

Y/N bites her lips at the sight, her brain working against her again. Tears threaten to well up on her eyes, so she tries to make go away as best as she can.

They stay silent as she cleans his wounds, still having to hold him in place from time to time. He manages to be stubborn even in times like this, incredible. Once she finishes up bandaging him up, she just sits by his side on the tub.

“Obito…”

“Thank you”

“Is there something going on?”

“A lot”

“… I get it”

They cross looks quickly, Y/N immediately cutting the contact away as soon as it happens.

“I promise I won’t ask anything else… just… did you do this intentionally?”

“No”

“Alright”

A couple of extra minutes passes, only the sound of their breaths filling in the room. Obito looks up again and faces Y/N’s direction. She looks back at him, completely lost in all that is happening. First, he seems to loathe her, treat her like a chore, and now he appears at her door in the middle of the night like this…

Obito opens a small smile in her direction, a genuine one. It’s the first time she sees wrinkles around his eye sockets. He still has that sad look deep down, but he seems to be trying to honestly lighten the mood and say that everything is okay. Y/N lets out a little bit of her tension go away, letting her shoulders relax a little bit more, but not completely.

“Did some granny stab you Obito?”

“Yup, they stole all my money and dignity also”

“Maybe I’m the one who’s babysitting someone huh? Seems like I’ll have to be around to look for you”

Cracking jokes is Y/N’s way of trying to lighten the mood, but it does not seem to work. Obito suddenly gets that really sad look back up on his eye again, looking back down. Y/N can just make out a single tear rolling out of his right eye.

Did I say something wrong?

“Obi-“

He interrupts her by starting to break down, crying loudly and closing his fists with force on his thighs. Y/N instinctively grabs his hand and forces it open, holding his hand with her own with some degree of strength, to try to calm him down. She feels the heavy texture of his palm on hers, a sign of closeness she missed a lot for the past couple of years, something she refused to admit she… longed for. She comforts him like this for the next couple of minutes until his cries diminish to some uneven breathing.

“Thank you, Y/N. I guess having you around… is… uhm… forget it”

Despite the weirdness of his words, she eventually convinces him to go to the hospital to get his wounds healed, letting his warm hand go and realizing she might have done something wrong. She accompanies him to the door, thoughts flooding her mind while they both must up the courage to say something.

You should not be getting this close; you know what happens when you do that. Why did you do that?

“Promise me you go straight to the hospital?”

“Sure…”

“Obito…”

“What, Y/N?

Despite all that, she feels the urge to give him a hug. She is conflicted, she feels that he needs it badly, but she also feels like getting this close is far too dangerous. She should not be opening up like this to someone she barely knows, to someone that might not even like her as person. There is something that drives her to him, something she does not understand. He seems hurt, he seems like he needs a friend, someone by his side.

No, shut up. I didn’t come here for this, I can’t live all that again.

All she can muster up is a weak goodbye before rushing back in.

What the hell even was all of this?

[perpetual-pathos]

to understand limbus means you need to have prior knowledge of older games in order to grasp on the terminology..

Full guide on this series.

Project Moon is an indie south korean-based company responsible for three games: lobotomy corporation, library of ruina and limbus company. All three games take place in the same setting and universe: a dystopian city where society is ruled by the rich, capitalism runs rampant and a world where people are at their core, selfish for their own personal needs. Their games are also well recieved for being very punishing by their difficulty as well as their writing.

It would be better if you play these games yourself since at this time where I'm posting there should be a discount for ruina (idk why lobcorp isnt) , since these are only summarised gameplay introduction. Both games will give you sufficient information to elevate your experience as you play Limbus Company (a free gacha game!)

Here are spoiler free introductions to the games.

Lobotomy Corporation

Lobotomy corporation (Lobcorp) is the first game in the series, and is a monster management simulator where you, the manager of said energy generating company must manage your employees from dying to scp-like creatures of increasing risk type through special gear called EGO, collect energy to fill the quota while learning more about this facility and the AI who run the departments you're managing. One of these AIs is called Angela, who will be super relevant because she is not who she seems to be.

Genre: Monster management, strategy, simulation

Library of Ruina

The direct sequel to Lobcorp. Absolutely themed with books. After the true ending of Lobcorp, Angela has broken free from the shit thats been happening to her in the facility, and chooses to open up a "Library" where she finds people in the City to invite, incite them with the promises to find information and valuable secrets from within her Library and collect their story in order to find the one true book that she wants to finally feel human.

Your job is to help the previously AI-now-human people from lobcorp to complete the reception of these guests by killing these people to turn them into books and get stronger. (By getting stronger you get to unlock more stronger guests and become a dangerous entity in the City) It makes you feel bad for a while but the game makes sure you learn that you have no say in Angela's decision, and slowly you get desensitized to these deaths. This game is very emotionally charged compared to lobcorp because of the situations you pit your guests into, as well as the fact that this game explores a BUNCH of character trauma. (I'm not kidding the recurring antagonist is literally an MC hate club support group)

this game might suck difficulty wise, but its actually useful for limbus company because it introduces you to the social dynamics of the city as well as familiarise the player with the amount of associations and offices. very important info later on.

Genre: Deck building, turn based strategy, some adventure sprinkled in there

Limbus Company

Congratulations Project moon for trying to attempt at a mobile game! This game is unlike any other, and will be slowly updating itself over time. (You can absolutely play this on cross platform btw)

So, its been some unspecific time since the first game. The buildings of lobcorp have fallen into a Very Abandoned State ever since their base collapsed sometime ago. You're this amnesiac guy called Dante, who finds out he can make a pact with these 12 sinners who Just So Happens To Be the biggest crossover in all of literature. Every sinner is based off one literature character or figure.* (See: Yi Sang the poet) Together with your silly little team of 12 you have to travel around the City in search of said Abandoned Lobcorp Buildings and collect these crystallised wish-granting energy called Boughs for an unknown reason. And there's a lot of places to be.

Each Canto/Chapter so far focuses on one sinner. The game is unique in that it builds onto the continuous worldbuilding from the previous games as well as the webcomics, as well as a whole new combat system compared to Ruina. It's also a gacha game where you use the gacha element to roll for alternate identities and EGO of your sinners to supplement your team's strength against the various enemies you will face.

Genre: Deck building, turn based strategy, adventure and 18+ rating for darker themes.

I have no idea if this will answer your question but my askbox is open if you have further inquiries. I know its possible to play Limbus without any knowledge but it might leave you confused at worse.

But im curious what is limbus company about

Idk either. Project Moon lore is hefty and really big.

You'll need to look back onto lobotomy Corp, then Library of Ruina and then Limbus Corp I think.

@perpetual-pathos, you wanna take the stage to answer?

[wirewitchviolet]

A Little Horrifying Primer on Transphobes

Some time ago, I put together a Little Fact Checking Primer on Trans People, as a basic resource for disabusing people of some of the many completely ridiculous yet absurdly widespread beliefs about trans people that simply have no basis whatsoever in reality. And wouldn’t you know it, every single lie exposed in that primer is not only still widely believed, but is presently being used as a basis to sign some absolutely horrific human rights abuses into law. So it’s high time I follow that up, in this case focused more on who keeps actively spreading these lies and why. I’m going to try and keep things as light as I can here, but we’re going to be looking at the most monstrous side of human nature, so apologies in advance if this is a dark read.

First, let me just note that there are two things I don’t plan to do in this piece. I’m not going to waste time debunking the arguments of the people I’m highlighting (much of this is already covered in my earlier primer, others have done the work in cases where I haven’t, and frankly these people’s claims should be self-evidently utter nonsense to begin with). I am also going to be very selective in what I link to, or even share related images of, as I would frankly not like to fill a post on a blog I generally try to keep safe for all audiences with media directly dealing with, for instance, child sexual assault, and much of the relevant information also involves stochastic terrorism against innocent people, and I would prefer not to throw more fuel onto such fires.

Transphobes lie constantly, about everything.

To some degree this is obvious. We’re talking about people who scaremonger about the possibilities of trans women dominating competitive sports and assaulting people in restrooms, despite the status quo already reflecting the conditions they insist would make these inevitibilities for decades and centuries respectively, and their grim visions never once having come to pass, and also constantly insisting that the woman in the photo below is actually a man, going further to say this is evident to anyone giving her the merest glance.

It goes beyond that though. There’s at least a little plausible deniablity in claims like this, or that “science is on their side” if they were simply uninformed about the world they live in, never actually looking into what laws exist, what science actually says, and never actually meeting a trans person or even seeing a picture of one of us. I’m talking really bold lies here. Like wholecloth fabricating a story that a convicted murder was trans, including anecdotes about wigs dresses and a planned name change, in a major newspaper. Or to cite an old favorite of mine, the time a pack of bigots walked up to a crowd of people peacefully picketing a transphobic legal proposal, started roughing them up and taking closeup photos of members of the crowd to stalk online when they got home, got sufficiently riled up for one to straight up assault an innocent person half her size, filmed the whole thing, uploaded it to youtube, and used stills of that assault as acomanying photos when they went home to write articles about the assailant being a “grandmother” attacked by rowdy trans women. And yes, they did monkey’s paw my wish to see that specific image on newspapers. Interesting side note, when it came to real public light that J.K. Rowling endorsed this sort of hatred, it was because she accidentally pasted some profanity laden rambling about how the imagined moral character of the other party in that incident, years after the fact, into a post praising a child’s fan art of her work.

To be a little less niche, transphobes can’t get enough of spreading the lie that the young fellow in this photo is a girl. Specifically a trans girl, providing proof that all their scaremongering about the dastardly threat of trans girls in competitive sports has finally come to pass.

To be fully clear, that’s a man (or a boy if you want to split hairs about him being 17 in that photo). Mack Beggs. A rather insidious choice for this sort of story, considering the actual context for that photo. See, Beggs attended high school in Texas, during a (still ongoing as I write this) period wherein that particular state had caved to this exact sort of propaganda, and in order to head off a wholly imagined wave of trans girls competing on girls’ sports teams, and enacted a law mandating that in all such competitions must compete under whatever gender is stated on their birth certificates. And as it happens, the first, and to my knowledge ONLY time this has come up was with Beggs here, who again, is a man, as no one with a grip on reality could argue against, has “female” on his birth certificate. Which is another way of saying he is a trans man. The guys in the same boat as trans women who we talk about a whole hell of a lot less because their existence is extremely inconvenient to the majority of transphobic propaganda. Case in point. And this is all information it is really impossible to come across if you’re coming across this photo in any sort of respectable source. Take this story, which is as unambiguous about this as you can get. And yet, in the very comments section of that story, there they are. Carrying on like this story about a trans guy, forced by a transphobic law to compete as a girl, which he absolutely did not want, and received horrific threats over, using phrases like “female to male” and bringing up that he was assigned female at birth and is on testosterone-based HRT, is about a trans woman cheating the system. Or to quote word for word, “Now also transgender female want to be male also compete in female sport. biological born“ That’s not “being confused,” that’s standing next to you in a white desert and complaining about being adrift in a black ocean, bald-faced, not even trying to be convincing just make a power play, lying through one’s teeth.

I could spend this whole article on just this point. Lying about who they are, various people’s falsified credentials, whole websites full of “anonymous parents of children who think they’re trans” turning out to be one single woman documenting the abuse of her very much trans son, or of course the people behind the whole “bathroom bill” panic candidly admitting it was all based on utter fiction. I do have other points to cover though.

Transphobes are firmly entrenched in the media.

It is extremely difficult to find oneself in a position of having to explain to people that a particular group of people is effectively in control of press outlets, as that is rather classically a claim conspiracy theorists absolutely love to toss around at various marginalized groups (including trans people hilariously enough, but of course the most common and lingering version of this is the antisemitic variant). I really can’t get around it here though. Specifically in the U.K., you honestly can say that transphobes control the media. I already touched on this with the assault case I mentioned above and the fabricated story about the murderer, but this is a pretty well-documented situation. I mean, even The Guardian calls out The Guardian on this, and that’s the outlet that gets the most attention because it’s the one with the most otherwise respected name, but every paper in the country has been running transphobic propaganda pieces on a weekly if not daily basis for years now, and while they do get reprimanded by watchdog groups and have mass walk-outs over the worst of it, it’s not like there’s some governing body with the authority to step in about it. Meanwhile the BBC is constantly inviting diehard zealots like Graham Linehan to news programs where he compares being trans to being a nazi, and hosting debates where someone just sits down and repeatedly chants the word “penis” at a trans woman.

Things are better in the rest of the world, but we still have right-wing creeps like Jesse Singal both writing horrific propaganda pieces (we’ll get back to that one) and blackballing trans writers out of covering trans issues ourselves (and personally stalking the hell out of those of us who try). We’ve got our Joe Rogans and Tucker Carlsons out there (no way in hell I’m linking videos here, have a real information link and a still).

The line between diehard transphobes and straight-up nazis basically does not exist.

What even is there to say here? You can easily poke around havens for nazi activity for yourself and compare the particular unique vocabulary used there to the primary bastion of anti-trans hate speech on the internet (the “feminism” section of what was originally a site for parenting tips before violent fascists took the forums over) or just peruse the follows of the thousands of people I’ve blocked on social media and see if you can sort out a clear division in the networks of channers with frog avatars and the accounts with names like GoodieXXrealwoman, or you can read up on Gab and Spinster, the two twitter alternatives that are just different portals to the same server, set up by the same guy. Maybe do some research into “the LGB Alliance,” or WoLF but any way you slice it the only real difference to be found is the general purpose nazis take a little time off now and then to watch borderline pedophilic anime and the really dedicated transphobes think to use language that sounds vaguely well-educated and left-leaning. I mean, this came from the “feminist” side of the fence:

And not to belabor the point here, but the ones claiming to be a bunch of “feminist mums” sure do let the mask slip any time they’re confronted with the fact that “women” includes black women, and oh just have a whole thread about all the weird conspiratory theories these people have about how trans people’s whole existence is some sort of Jewish plot for world domination. I swear a few months ago they were all passing around a story about some bank having an above average number of trans employees and they were all just “and we all know who controls the banks, right?” about it.

Transphobes endorse an awful lot of people who are openly pro-pedophila.

This is the part where I am really loath to link the many many specific examples I have on hand. Or to talk about this at all for reasons of good taste. Or, for that matter, to talk about this in a tumblr post when there’s an ongoing problem of people with backgrounds strongly tied to this site making baseless accusations of pedophilia against every queer person they can find, so let me be very clear just what I’m talking about while avoiding anything too graphic.

That’s James Cantor. Transphobes love him for being one of the closest things they have to a scientist on their side. And I am featuring him in a screenshot here showing that he is followed by current queen of the transphobes J.K. Rowling, while speaking to both another big name in transphobic circles, Debra Soh, and based on their names, what I’m guessing is at least one straight-up nazi. And in case you think “the P” he’s talking about adding to LGBT (or “GLBT” as weird anti-queer bigots who also have issues with women often write it) might stand for “poly” or “pan” he’s all too happy to clarify that.

This is the entire thrust of Cantor’s work and life. He is the world’s biggest pedophile rights advocate. He wants it declassified as a mental disorder, all stigma on it removed, and tirelessly pushes forward the idea that the majority of.. people who feel compelled to sexually assault children are good people who present no potential harm to anyone and should in fact be lauded.

I am not generally one to claim that someone with a PhD is spewing out questionable garbage with regard to their field, but the reason I am aware of Cantor at all is that other transphobes keep trying to hold up a particular post on his blog as "a study” (which it is not) that offers “proof” (in the form of a blurry jpeg of basically some random numbers) of some ridiculous quackery about how trans kids will “grow out of it” if exposed to conversion therapy (another way of saying torture), which Cantor himself seems to be pushing, so I am somewhat skeptical of his academic chops. And I am, of course, REALLY suspicious that all these other bigots gravitate to him purely because they’re that desperate to find anyone with a PhD in anything that backs them up against literally every scientist in a relative field, to the point that they merely forgive his particular advocacy they are plainly all aware of, particularly when such a common fig leaf used by transphobes is “keeping children safe from sexual deviants.”

And of course, Cantor is most often invoked when coming to the defense of Kenneth Zucker. This Kenneth Zucker.

Those are separate papers. Zucker isn’t controversial though for organizing panels to discuss how attractive people agree small children are (at least not exclusively). Mostly, he’s known for running a conversion therapy center which subjected gay and trans children to various sorts of torture in an effort to “fix” them, which at least for those trans "patients” I have spoken with involved a fair amount of having them strip completely naked and talking a lot about their genitals.

Zucker is something of a controversial figure with the transphobic scene, as they are extremely on board with his sexual torture of queer children, but he does actual work (for some value of the term) involving trans people and thus is not able to commit as fully as they would prefer to making life horrible for trans people, due to a professional obligation to acknowledge reality now and then. As an aside, the similarly positioned Ray Blanchard, while not to my knowledge particularly interested in the attractiveness of children, lives in a similar purgatory of trying to reconcile his career, bigotry, and sexual hangups, yielding compromises like this:

Of course, that’s just looking at the straws transphobes grasp at when looking for scientific credibility. Real leaders of the movement include Germaine Greer, author of The Beautiful Boy, which is about what you are afraid it might be, and features a very young child in a cover feature he did not consent to posing for. Or Julie Bindel, who among other things is rather infamous for writing whole articles on subjects like whether a teenage girl she came across maybe has a huge penis you can totally see if you really squint at her skirt. Again, I will not share a link to go along with that one.

Transphobes terrorize and attempt to defund charities and other unambiguously good organizations.

Graham Linehan, previously best known for cowriting some sitcoms and possibly spending a year angling to get into my pants so awkwardly I didn’t pick up on it is now best known for trying to pull the plug on a children’s charity, in a story that somehow also involves Donkey Kong. Well, and the interview about nazis. And possibly the other interview about “defending me from nazis” until it got into his head that I might not be as young and hot as he imagined. Rather not link to a far right extremist youtube channel though.

There’s also a current effort to replace Stonewall (an organization named after the location where a pair of trans women kicked off a riot which is generally agreed to be the start of the LGBT+ rights movement) as the UK’s primary LGBT+ rights organization with the “LGB Alliance.” The hate group mentioned above, with the skull face and the rifle. Closest I can find to an article on that effort on short notice that isn’t propaganda.

Transphobes paper areas in truly disgusting propaganda.

I don’t want to directly link to grown adults skulking around children’s playgrounds and bathrooms plastering surfaces with mass printed stickers of crudely drawn penises, but would encourage you to read this very long post, being sure to load all the images, to really understand how deeply strange this behavior gets.

Finally, I cannot stress this enough, this really extreme behavior I’m citing, and the specific people involved in the examples I’m giving, these aren’t random cranks on the fringe of things. The people going on televised panel discussions, writing up news stories, and testifying before lawmakers in efforts to pass horrifically discriminatory if not literally life-endangering laws (there is a major ongoing effort to legally end all medical care for trans people, and I don’t just mean care directly relating to being trans) are literally the same people involved in the sexualization of children, nazi collaborations, and roving gangs assaulting people in the street. At a bare minimum I urge people, when booking guests and handing out writing contracts, to do background checks and see if they’re platforming actual terrorists. If we could actually bring legal consequences to bear against the worst of this, that would be great too. As things stand though, the whole world is just consistently citing a bunch of racist, woman-hating, serial liars with no real credentials, and questionable attitudes towards the sexual abuse of children, as “trusted experts” and refusing to seat actual trans people or people who have legitimately committed lifetimes to academic and practical work with trans people any seats at the table.

[cruciatusforeplay]

This is part two of a hella big post. Check out part one here. These are all a lot more recent, so I'm gonna try to be less spoilery, but there are gonna be some.

A not-so-brief history of Hawkeye in Comics Part Two (spoilers below the cut)

A note on events, dying and doubling down on Hawkeyes

Comics love doing big events, and I'm not covering them in here. Partly because they are huge and complex and to just focus on Hawkeye would be an injustice to the stories, but also because the amount of stuff I would need to spoil would be way beyond just a little Hawkeye. Clint was involved in Secret Wars (1984), which was one of the first crossover events of its kind. Another notable era is 2004-2009, where there is an incredible amount of superhero politics driving big narratives. If you're new to comics, you might not know that characters dying is common and rarely permanent. This is relevant because while I said that I wouldn't talk about events, I think it would be pretty uncool to not mention that Hawkeye dies and is brought back to life (Avengers Disassembled, House of M, New Avengers #26). It's around here that Clint picks up the Ronin mantle.

This is also when Dark Reign/Dark Avengers is going on. For anyone who'd like some Clint whump from this era, there's a top notch naked torture scene in New Avengers Annual (2009). Clint is involved in several other big events and crossovers over later years, but that's definitely a seperate list.

In the time where Clint is dead, Captain America is hanging out with a group of newly formed Young Avengers, including archery badass Kate Bishop. Cap suggests to her that she take up the Hawkeye mantle and gives her Clint's old bow. After Clint returns, he becomes initially her mentor, before they form a very close friendship. Clint is initially doing Ronin things, but even when he lays down ninja robes, they decide to be very Hawkeye about the whole thing and both keep calling themselves Hawkeye, despite the obvious confusion this causes.

Hawkeye's ears: Hawkeye vs. Deadpool #0-4 (2014)

This is a fun little miniseries that you could treat as a Halloween special if you so desired. It's set in the time after Fraction's run and there are a few callbacks, but nothing major if you've not read that. Clint is a little short-tempered and hypermasculine in this run for my personal taste, but it's got lots of grumpy Clint Vs sassy Wade while they vaguely attempt to team up. The thing this run does really well is Clint's deafness, despite the lack of visible hearing aids. There are comments around lip-reading, wearing aids when wearing other headgear, there's some sign language, and this is the run where Deadpool pulls his mask up so Clint can lipread and see his face while he signs (facial expressions are really key in sign language). It's lovely. Otherwise the run gives you a Kate cameo, some Deadpool and Hawkeye disaster/shenanigans, and perhaps most importantly, the return of the skycycle.

Key background: All New Hawkeye #1-6 (2015)

This run is often overlooked, but the art in the flashbacks is beautiful. We get some key information around Clint and Barney's abusive home situation - with their dad who drank and beat them, and how they ended up in care after their parents died, and subsequently their early days in the circus. There is a definite shift in how Barney is characterized as a bad influence compared to the 2003 run. It parallels with the rest of the arc which focuses on Clint and Kate Bishop working together to get some kids out of a very bad situation. The rest of Lemires run is a little weird and has no major repurcussions for anyone except Barney (which I won't elaborate on because it's relevant to the Fraction run).

Back to your roots: Tales of Suspense #100-104 (2017)

Seeing Clint cycle back and return to Tales of Suspense is really lovely. This comic is one of my all time favourites. It's incredibly tight story-telling with a great plot and really fun dynamic. The premise is Clint and Bucky teaming up to figure out the body trail being left after Black Widow's death. Clint is obnoxious and a delightful mess, Bucky is sporting a permanent scowl and is hilariously level-headed. It's a lot of fun and it's a lovely build on the tension and teamwork between these two idiots (who I, as an avid Winterhawk shipper, am completely gone for, but even without that, this is a great comic.) It also has some killer covers, and the facial expressions are absolutely hilarious.

Hawkeyes together: Hawkeye #13-16 (2017) and West Coast Avengers #1-10 (2018)

The Hawkeye run is Kate Bishops run and it has a larger continuing storyline that runs from the beginning of her Hawkeye and way into WCA, but I've listed the issues that you'll want for Kate and Clint shenanigans, and you should be able to catch up without the rest if you don't want it. These comics are ridiculously fun, especially West Coast Avengers, which has Kate leading the team this time. There's loads of jokes, and it strikes a nice balance between Hawkeyes being disasters and being hyper competent. Truthfully, this is Kate's show, and Clint takes a backseat, but their dynamic is killer here so I think is deserves a mention. There are also plenty of Clint related wardrobe malfunctions and Lucky the Pizza Dog is around.

Our most recent boy: Hawkeye freefall #1-6 (2020)

I haven't read this one yet, but it's been extremely well received by the fandom. As a result, good news: no spoilers! It's a short run, which may have had something to do with it being published during 2020, and specifically around a time when Marvel were experiencing some major distribution issues (which would have led to digital release only and as a result lower sales), but that's all guesswork because I haven't actually researched it. This run has someone dressing as Ronin and letting Clint take the blame for their nefarious deeds (oh no!). Clint makes some classic Clint (read: dumpster fire) decisions, and the art looks fun and vibrant. Can't really give you more without reading it myself 😅 If you need more Clint still, he's also rumoured to be knocking around in the 2020 Black Widow run, but I've not had the money to get my mitts on that yet either.

Notable AUs:

Marvel is a big fan of throwing a well known cast into an alternative universes, so there are a few other places to look for him.

The Ultimates universe was largely speaking a bit of a shitshow, but they did give us a very dark and gritty Clint, so if that's your jam, ultimate hawkeye is the place to be. Old Man Hawkeye appears alongside Old Man Logan, and they are both, you guessed it, old. It's not the only time we get Clint as a wrinkly dude (the second half Lemire's run also has some timey-wimey stuff happening), but this is a version of Clint who is going blind (granted we've seen that before too, but this is a darker vibe than Blindspot). Wanna know who the greatest marksman is without his sight - old man Hawkeye for you! Finally there's the Zombie 'verse: zombie Clint is a little confused, but he's got the spirit. Clint got zombiefied and then left in some rubble as only a head for 40 years before getting picked up, so he's a little worse for wear. If you need that in your life then Marvel Zombies is your universe. For a full rundown of all the universes including animated and MCU, click here.

Notable aliases:

Clint's been a few other people than Hawkeye in the 616 universe (the main Marvel Comics universe). He used one of Hank Pyms growth serums and became a giant strongman in Avengers #63 (1969) and stuck around in his Goliath form for more than a few issues. After Cap had died, Clint returned from the dead and tried on Captain America for all of one issue in Fallen Son #3 (2007). He decided (with a little help from Kate) that it wasn't right to wear the uniform, which in turn led to some interesting tension between him and Bucky Barnes when Buck did become the new Captain America. Finally, there's his most well-known alternate persona: Ronin. Clint becomes Ronin after returning from the dead, wanting a break from his Hawkeye persona and an opportunity to become Ronin arises in New Avengers #27 (2007). Clint is not the only person to have used these aliases. Additionally, Hawkeye has been used not only by Clint and Kate Bishop, but also by Bullseye during the Dark Reign.

The things we haven't talked about

Like I said at the very beginning, there is a lot of Clint Barton knocking around in comics and even with all this there's a lot of content I haven't focused on. For instance, I've not talked a lot about his relationships, beyond his marriage to mockingbird (and really I only scratched the surface with that), and honestly once you start getting into interpersonal relationships we're starting to move on from what can be done in a Tumblr thread.

There are also some topic specific threads floating around, which you might like to look at too.

@vaguelyrotten has done a run down of some great dumpster fire Clint Barton comics (some of which I haven't listed) and you can see that here.

@bobbimorses did a great summary of Clint's historical deafness for instance which you can find here.

There's also this little bit all about Clint and Bucky in canon (thanks to @nightwideopen ) and how Winterhawk became a thing (thanks to @1000-directions )

This is slight sidenote, but @clintscoffeepot did a really great comprehensive of Fraction Clint's apartment which is just a really useful writing resource and you can get that here.

There is also this website which I stumbled across fairly far into writing this post which does actually look like it might be comprehensive.

If I've missed anything major, or listed something incorrectly or you just have some Clint related opinions that I need to know about, do hit me up.

[lightns881]

DTeam Tumblr Demographics Survey Results (Part 2):

What does DTeamblr look like, what does it have to do with MCYT history, and why does it look like a rainbow?

I’ll make an educated guess here and say y'all enjoyed my last post (totally unrelated to the way I gained almost 50 followers overnight). Anyhow, thank you so much for the overwhelming support! I’m so glad a lot of you felt you could relate to my deep-dive into the leading personality type on DTeam Tumblr. It took me so many hours to write and research, and as a math major and honors student, it’s no easy feat, so I’m so grateful for the attention it got!

Today we’re discussing the general demographics of DTeam Tumblr and why they might look the way they do. Number 8 will blow your mind! So make sure to keep reading and hit that little grey heart and arrow at the bottom if you like it, so more people get to see it! Thanks for your support! Now, let’s jump straight into the post!

Your Daily Dose of Data

From the 449 responses we received, these are some pie charts displaying the gender, age, and sexuality of all respondents.

Image Description: Female (52.8%), Non-Binary (37.4%), Male (9.8%)

Image Description: 16-17 (37%), 13-15 (31.4%), 18 and over (29.4%), 12 and under (2.2%)

Image Description: Bisexual/Pansexual (54.1%), Homosexual (16%), Asexual (14.7%), Other (7.8%), Heterosexual (7.3%)

Mmhm, delicious! Y'all ready to dig into these stats? Because I don’t know about you, but they certainly don’t strike me as what the general population looks like!

Welcome to Tumblr, the Only Community Where Straight Men are the Minority

So these statistics certainly didn’t take me by surprise. Mostly because the DNF Shipper Survey I took some time ago revealed a similar trend. Not to mention, Tumblr is probably the QUEEREST internet community on the planet. 

Funny enough, the survey revealed a shocking number of ZERO heterosexual males respondents. I’ll say it louder for the people in the back. ZERO straight males were recorded out of 449 respondents for this survey!

Now, this isn’t surprising for the Tumblr community by itself, but I can say I’m somewhat surprised in terms of the MCYT Tumblr community. (Obviously, the survey specified DTeam Tumblr, but there is a big overlap between both communities, so I will be using them interchengably when it seems relevant.)

Let’s break this down. The survey reveals the largest age population is 16-17, though it’s not by a great margin in comparison to 13-15 and 18 and older, which doesn’t surprise me either. Some of the major critics of the DTeam Fandom and other MCYT Fandoms love to claim the fanbase’s majority age range lies with children and pre-teens. While it’s an undeniable fact children are drawn to Minecraft, it’s also a misconception to paint it as solely a community for younger viewers.

In the MCYT Tumblr and DTeam Tumblr communities, specifically, we see this is not the case. Only 1/3 of the respondents of this survey are under the age of 16 (you could attribute part of it to the fact younger people might be less inclined to participate in this survey, but it is still a notable difference). I can’t say these age ranges are similar in other parts of the community like DTeam Twitter, Tik Tok, or Reddit, but if I had to make a guess, I’d say Tumblr lies toward the older of the bunch, with Reddit being the oldest and Tik Tok being the youngest (I do hope to perform this survey on some of the other communities, so please stay until the end if you want to help with that).

One of the likely explanations to why the ages for DTeam Tumblr look this way is the fact a big chunk of the community has likely been watching MCYT for a long time (even with breaks in between). I, myself, used to watch channels like PopularMMOs, Aphmau, and PrestonPlayz as a kid, and I presume many of you are familiar with them as well. With the resurgence of MCYT in the past year, it likely drew a lot of the older viewers in addition to the new ones.

But enough about age. What I really want to highlight on this post is the attraction of queer individuals to DTeam Tumblr and MCYT as a whole.

Why is the current MCYT Fandom so queer in comparison to the previous generations?

This is a huge open-ended question and considering I can only capture so much of the DTeam and MCYT community, the rest of this post should be taken solely as a theoretical analysis as opposed to fact.

With that out of the way, let’s start by discussing the shift MCYT has undergone over the years (I promise this will circle back to the question of queerness in the MCYT fandom, but we need some background before we can come up with a decent theory).

When Minecraft was first released, it proved to be a monumental change in the gaming industry. This simple little indie game took the world by storm. It was so vastly different from what the general population generally viewed gaming as (first-person shooters, story-driven games, action games, etc.) Not to mention, it didn’t exactly solely appeal to only a small margin of gamers, those being white cis males.

The gaming industry has notoriously been known in the past for its heteronormative community and general prejudice toward minorities. Though it has gone through a significant change over the decades, we certainly can’t say it’s fully gone.

Yet for whatever reason, the recent MCYT has taken the interest of so many queer people in comparison to other gaming YouTube communities. Why? Why are queer people so drawn to this community? And, more precisely, why does it feel so different than the old MCYT? Lastly, how does this relate to the conclusion about the leading personalities of this fandom we made in the last post?

The Niche Communities of MCYT Over the Years

MCYT has always been a huge, over-saturated genre of YouTube with content appealing to a variety of audiences. It’s dominated gaming content for years, and I think we can all safely say it’s never been bigger than it is today.

So why is it that just now it feels like the queerness of the fandom is popping off? Why now as opposed to say five years ago when MCYT was at another one of it’s strongest stages?

It seems like the community has made a tremendous shift in relation to breaking gender norms and LGBTQ+ subjects, not only in the fans but within the creators themselves. Was flirting and calling a pretty-boy streamer pet names as normal in the past as it is today? Were straight gamer guys putting on dresses and a full-face of make-up as supported back then? Were “marriages” and “pregnancies” within Minecraft boys an everyday occurrence like they are now? How is it that MCYT has dominated a Twitch dating show where flirting with the gay host and among straight contestants themselves is just another bit of entertainment? Where is this all coming from?

Recently, I watched a 2 hour documentary depicting all of the stages of Minecraft YouTube and how it has changed over the years. If you haven’t seen it and you have some time to spare, I HIGHLY recommend it! It’s very informative, and it honestly gave me such a strong sense of nostalgia that makes me choke up every time I think about it. I’ll link it below.

The documentary does a great job at exploring the different niche communities that dominated MCYT since it first took off. Some of such communities include the basic Let’s Players, the team-based Let’s Play channels like How2Minecraft, the roleplay story-centric ones like Aphmau and Samgladiator, the tutorial, building and technical side like Mumbo and Grian, the PVP-centric Bedwars or Hypixel channels, the Machinima community, the comedy side like ExplosiveTNT, the parody music videos, and so many more. All of the mentioned communities have dominated Minecraft at one point or another, many of them still having a rippling effect and/or a loyal community today. All of these communities have certain aspects that define them, some of which parallel the current overtaking content in the present.

How can we compare MyStreet to the Dream SMP?

Taking Aphmau as an example, her MyStreet series had a TREMENDOUS success a few years ago, racking in millions of views and bringing in a lot of money that eventually allowed her to hire voice actors and increase the production of mentioned episodes. The roleplay series was so successful it ran for six seasons!

Now, let’s compare that to the Dream SMP. It seems like a big comparison to be making considering they appear so different at first glance. For once, Aphmau is just one channel whose audience caters toward girls and younger people who enjoy romance. The series is set-up in an episodic-format that resembles more of a TV series than actual Minecraft videos.

Meanwhile, the Dream SMP is a collection of content creators with a mix of improvised storylines and the occasional regular video that resembles more of a Let’s Play series than a RP series.

You could say the only true comparisons to draw out of these two are the popularity they had/have and the profit they brought to their respective creators. 

However, there’s two other key similarities that you’ll find not only within these two specific examples, but many other channels and communities as well. Story and characters.

MyStreet’s story aspect is fairly obvious seeing as it’s a episodic series that focuses on a fictional story. The Dream SMP’s story aspect isn’t as clear, but it’s evident there is a story playing out in the foreground and background, whether intentional or unintentional, or improvised or not.

Character is where some of you might start to question me. It’s obvious MyStreet has characters. I mean, it is a fictional story, after all. But the Dream SMP? Light, they’re obviously people!

Well, my answer to that is yes and no--sort of. The Dream SMP’s story heavily relies on roleplay, bits as you might call them. Events that aren’t necessarily planned out as a fictional plot like the typical MyStreet episode is, but they aren’t exactly real. Schlatt is obviously not a villain in real life, he just likes to impersonate as one for the narrative. Wilbur isn’t crazy, but it’s a way to spice up the heroic story surrounding Tommy and him.

It’s video-game improv. Except the actors behind the content just so happen to be real people playing off the personalities and “brands” they have obtained. 

Brands. It all boils down to this. In the entertainment business, without a clear vision of your project and a clear way to brand what your consumer intakes, your project will likely not find a lot of success.

There’s a reason why Tommy plays off his loudness, using an overexaggerated laugh that although may not be completely fake, it is likely not the laugh he uses everyday. Or why BadBoyHalo is this supposed innocent muffin who doesn’t understand the crafting table meme and other references that are fairly easy to google and find the meaning of. Or why Sapnap is this chaotic being who loves starting pet wars and we love to paint as an arsonist in the Dream SMP. While all of these personality traits may be a part of their true selves, they’re played up for the camera--for the story. They act as the personas that define their characters in the narrative.

They have a clear brand and vision that appeals to the audience and makes them tune in on the daily to see how they all come together. It’s like roleplaying a more extreme version of yourself, one that brings home the money.

Story and characters run across every entertainment outlet. They define their brand. Aphmau has her characters and series. Hermitcraft has a set of memorable personalities and episodic videos that formulate its own story that is less like a narrative and more of a history of the server. ExplodingTNT has his recurring cast and comedic sketches. Most of these niche communities have a form of story and character defining them. It’s how they achieve a clear sense of branding and cater to a specific audience.

Queer Theory in MCYT

Having said all that, why does the MCYT of today draw in so many queer viewers?

Let’s think about this. In my last post, I ended by mentioning DTeam Tumblr is a sort of safe haven for INFP and INxx types who might be placed in the “other” category by society. INFPs, specially, are predisposed for escapism--one common form of it being fiction and entertainment. Not to mention, INFPs are feeling types who, as introverts, seek a personable connection. It’s why it’s so easy for them to obsess over book characters or fall in love with content creators.

Now, let’s imagine a whole community of LGBTQ+ INFP and INxx types. Actually, scratch that, we don’t even have to imagine it.

It’s what our community looks like today.

And why are so many so drawn to the DTeam and Dream SMP of all things? It’s a personable storyline that essentially forms a direct tie to the viewer. Unlike pre-recorded fictional TV series you tune into on your device, the Dream SMP is a whole load of chaos that blurs the lines between reality and fiction where fans can directly connect to creators and get to know them as people through a storyline that features sub-textual queer themes and non-conforming behaviors.

The MCYT content creator community of today is more non-conforming than ever before, and knowing this whole fact, knowing that many of them might place themselves in the “other” category or at the very least aren’t afraid to break the norms and be seen in that light, is a comfort in itself for LGBTQ+ INFP types. Once again, it’s a safe space that helps you escape from the troubles of real life, one you relate to.

Okay. So although this does answer why the fans look like they do, what about the creators themselves? Are we really supposed to believe this all came through naturally? That a bunch of straight guys suddenly decided wearing dresses was something they wanted to do?

I don’t mean to sound cynical here, and I’m in no way trying to insinuate creators have solely some sort of corrupt ulterior motive. Things are never as simple as they look. However, the truth is, a part of it lies on the attention it’s gotten.

I’ve talked a lot about DreamNotFound and the way Dream uses it as a marketing ploy. I stand by my point. However, he’s not the only one who does this in the MCYT community. Why did Finn suddenly go from wearing a dress to cross-dressing as a girl for a whole week? Why are so many creators suddenly deciding wearing dresses is fun? Why does every freaking straight MCYT actively want to flirt with George nowadays?

Let’s just let Techno’s favorite word answer this for us: clout.

It gets attention from one of the largest historically underserved minority community in the entertainment business. We might not be able to see gay flirting in every Netflix TV show or guys not minding dresses and getting fake marriages, but you are certainly going to get at least one of those in every Dream SMP stream and video you tune into. It gets attention. It brings home the money. And do I blame them? Not really.

Interestingly enough, there’s a lot of analytical posts on the MCYT Tumblr community that discuss the dangers of these tactics and why gay jokes and the way queer subtext is treated by MCYT creators is harmful. Despite this, it still attracts such a huge community of queers. So why exactly would queer people actively watch something that’s offensive or harmful to us?

I have a lot more to say about this topic and the morality behind Dream’s tactics, but I’m out of breath for today, so I’ll talk about it in my next post. What better way to start the conversation about the DNF and Karlnap questions of the survey than a good ol’ discussion on the morality of queerbaiting and the likes?

If you got this far, I’d appreciate it if you liked and reblogged this post if you enjoyed it and/or learned something new! Also, important news, I would really like to perform a similar study on the DTeam Twitter Community to measure the differences in demographics across platforms. I would REALLY appreciate it if you guys could go like, retweet and share the link I posted on my Twitter about it (tweet will be linked in the reblog below) so it reaches more of the DTeam Twitter community!

However, if you filled out the survey yourself here or you associate more with DTeam Tumblr than DTeam Twitter please DO NOT fill out the survey again! I’m trying to make sure it reaches the audience that mains on Twitter, but I need a little help with that since I don’t have as big of an influence on Twitter than on here for obvious reasons.

Anyhow, thank you so much for all your support! I really appreciate y’all and make sure to hit the follow if you want to lookout for the next demographics post! <3

(Pssst, I’m releasing a MCYT DNF superpower AU longfic next month... You should totally go check out the post on that if you’re interested in it...)