#also a bit of a ramble so here we are

[thelustybraavosimaid]

What is your Favorite Jon Snow Moment?

"The Wall will stop them," Jon heard himself say. He turned and said it again, louder. "The Wall will stop them. The Wall defends itself." Hollow words, but he needed to say them, almost as much as his brothers needed to hear them. "Mance wants to unman us with his numbers. Does he think we're stupid?" He was shouting now, his leg forgotten, and every man was listening. "The chariots, the horsemen, all those fools on foot...what are they going to do to us up here? Any of you ever see a mammoth climb a wall?" He laughed, and Pyp and Owen and half a dozen more laughed with him. "They're nothing, they're less use than our straw brothers here, they can't reach us, they can't hurt us, and they don't frighten us, do they?"

"NO!" Grenn shouted.

"They're down there and we're up here," Jon said, "and so long as we hold the gate they cannot pass. They cannot pass!" They were all shouting then, roaring his own words back at him, waving swords and longbows in the air as their cheeks flushed red. Jon saw Kegs standing there with a warhorn slung beneath his arm. "Brother," he told him, "sound for battle." (Jon VIII, ASoS)

Still upset that they didn't let Jon have this kind of moment in the show. Instead they gave it to...Alliser...

He laughed, and Pyp and Owen and half a dozen more laughed with him.

I really wanna talk about this part for a bit. I believe it also has significance here, because:

[Joffrey] laughed...and when the king laughs, the court laughs with him. (Sansa IV, ASoS)

:)

My second one is this:

"The lord commander must pardon my bluntness, but I have no softer way to say this. What you propose is nothing less than treason. For eight thousand years the men of the Night's Watch have stood upon the Wall and fought these wildlings. Now you mean to let them pass, to shelter them in our castles, to feed them and clothe them and teach them how to fight. Lord Snow, must I remind you? You swore an oath."

"I know what I swore." Jon said the words. "I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against the cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. Were those the same words you said when you took your vows?"

"They were. As the lord commander knows."

"Are you certain that I have not forgotten some? The ones about the king and his laws, and how we must defend every foot of his land and cling to each ruined castle? How does that part go?" Jon waited for an answer. None came. "I am the shield that guards the realms of men. Those are the words. So tell me, my lord—what are these wildlings, if not men?"

Bowen Marsh opened his mouth. No words came out. A flush crept up his neck. (Jon XI, ADwD)

Jon has this way about him that really gets people to listen. They may not agree, but they listen, and he gets his points across succinctly.

I like a lot of Jon moments, but those two are certainly my favourites. I like who he is as a character. He's such an internal one, so much of what we know about him is because we have his POV, and I enjoy that. He's snarky, he's stubborn, he's fierce, he's an enigma. Pragmatic, straightforward, brave. (and abnormally strong but that's neither here nor there lol)

He's written incredibly well. Certainly my favourite overall in the series.

[nemurenaivoron]

Fields of Mistria is a Horror game where you play as The Horror

The game starts pretty normally - the village needs a boost in the economy to recover after a horrible earthquake, so might as well get some farmer to occupy that abandoned plot of land south of the village. Might as well contact the adventurers guild, surely they'll have someone willing to settle down for something less adventurous.

Balor picks up the new farmer at the bridge and brings the newbie to the farm. Eiland shows the farmer around - the two of them find a curious statue of a dragon on that abandoned farm but Eiland doesn't pay it too much attention and never comes to check it again (despite his interest in all old stuff).

And yet, the statue speaks to the new farmer. Teaches the farmer magic. Urges the farmer to remove the seals deep in the mines. Who sealed the dragon is unknown. No one suspects the seals are there for a reason. Clearly, the seals must be removed, since the farmer says so.

Magic, dragons, Witchspeak - all are things of fairy tales after all. There's no way this will have any bad effect on the village.

Surely, the farmer summoning a rain or commanding the plants to grow or conjuring a horse out of thin air is… normal, right? The villagers are quick to comment on the new crops shipped, on the new museum finds. No one says a word about the magic. The horse. The rains. The crops. The dragon.

No one says a word about the farmer being able to tell where any villager is at any given moment. No one says a word when the farmer changes the clothes, the haircut, the hair colour, the skin colour in just a second. The farmer always looked like this of course. No one notices when the farmer's name changes. The farmer's name was always Ȧ̷͎̟͉̓͌̄̌͘r̷̘̠̙̪̤͔̥̥̀̿ī̴̭̗̯̜̺̂̈́, was it not?

Surely, it is fine to have the s̷h̸a̴p̵e̸s̶h̵i̷f̵t̸i̷n̸g̸ ̴m̸e̸m̴o̸r̶y̴-̵m̶o̴d̴i̶f̷y̵i̸n̵g̶ ̸m̵a̸g̷i̶c̵-̴c̵a̵s̴t̴i̶n̷g̸ ̷e̶n̵t̵i̶t̵y̶ in your village.

It helps the village to recover after the earthquake, after all.

The earthquake that opened the seals that hold the dragon down.

The seals that Ȧ̷͎̟͉̓͌̄̌͘r̷̘̠̙̪̤͔̥̥̀̿ī̴̭̗̯̜̺̂̈́ is trying to remove.

Surely, this is all for the greater good.

[nandermoenthusiast]

The coffin lands with a crash, Nandor already out of it gracefully as his vampiric nature grants him.

“Have you survived the fall Guillermo, are you allright?” he asks haughtily and with a barely concealed predatory grin at the yelping heap of limbs and clothes that is Guillermo right now. Of course he was never truly worried for his well being, Guillermo might be human, but he is no regular human, if his van Helsing blood has anything to say about that. Nandor just likes to tease.

“Yes master, im fine, i just wasnt prepa-“

Nandor offers him a hand out of the coffin, the way Guillermo has done so many times before for him. Nandor looks at him curiously, Guillermo looks all flustered right now, hes cute. Hes always cute of course, but damn. He hasn’t even realised the obvious parallel yet, just took his hand absent-mindedly as he was rambling about something. His hair is all mussed up too. Cute.

Probably the moment registers into Guillermo’s mind as Nandor hears his muttering protests suddenly cut short. He’s looking at their gingerly intertwined hands and kinda looks like hes about to swallow a frog, or maybe like he’s about to start crying again. This fucking guy. Always a theatrics with him. But Nandor has learned to lean into his little guy’s moods. He leaves him to his maybe horny maybe emotional thoughts and finishes helping him out of the coffin.

The air is thick between them now. He can sort of hear Guillermo’s heartbeat from this distance, the little guy probably has a concert thumping in his ears right now. Nandor enjoys playing with his food, always has, and today is no different. He takes a step closer. Guillermo takes an infinitesimal step back. There is a wall very close to his back. Right where Nandor wanted him.

“You know as i was saying about the cameras, Guillermo…” he starts feign-casual as he very not casually hovers over him, black eyes boring into him with the fire that only very rarely comes out in front of the crew. Guillermo looks like he’s a mixture between disbelieving and like he’s gonna pass out from hyperventilation at a moments notice. It’s an endearing mix.

“Y-yes, you -were saying something about your hair…” Guillermo couldn’t physically look away from Nandor if his life depended on it right now.

“And other reasons”, very seriously.

“- Yeah”, an exhale.

Just look at his eager little eyes. Should he put the guy out of his misery? Well come to think of it, should he put himself out of his own misery? He’s been in love with the guy for the better part of a decade now. Of course he’s not about to say that now. Let him play the part of suave vampire for his Guillermo, let him fullfill any fantasy he’s ever had, at the very least this very first time they do this dance. There will be time for the mushy stuff later. Come to think of it, what is Nandor doing?? Acting on years of pent up sexual and romantic tension, of course, but what is he setting himself up to? Heartbreak.

Violent, earth shattering heartbreak. Maybe not today, maybe not in 10 years, but soon. Soon to a vampire anyway. No- you don’t know that. If Guillermo loves me, he might find a way to not leave me like he always does. He always does leave. But then he also always comes back. Doesn’t he? Nandor loses himself in these thoughts for a moment, and Guillermo seems to notice his mind is suddenly somewhere else.

Oh, to be known so completely. Oh, to have a worthy partner, a partner who knows everything about you, a Lazlo to your Nadja, a Charmaine to your Sean, a Sire to your Baron. And to have to lose it in a matter of years. Just his luck. But also like Colin Robinson said, dont be sad cause its over, smile cause it happened.

Nandor’s eyes keep searching Guillermo’s as he draws closer and closer, eyes intensely registering every microexpression on his beloved’s face, the little crinkle between his brows and the small nervous smile that’s forming around his lips. His hands land seamlessly and delicately on either side of Guillermo’s face, and he feels his breath hitch. He really doesn’t give a flying fuck if he’s gonna suffer for a thousand years, Guillermo is here right now and he looks like he’s gonna break under his touch. One hand goes to cradle his head, thumb delicately swiping over Guillermo’s ear and pulse point, as Nandor brings their noses together and they breathe the same air for a moment. The other hand is held gently across his cheek, just there, a reassuring weight. “I’m going to kiss you now”.

And Nandor kisses him.

[kagoutiss]

as if it was never there at all.

[prettybbychim]

[this became much longer than i intended whoops]

u know i think it would’ve been much better if the ode of resurrection was not shown to us immediately, and wasn’t a main part of their culture. have people die throughout the archon quest, make us believe that there’s no saving them. kill off kachina at the start and convince us that she’s the first playable character in genshin thats not alive.

build up these bonds, forge these friendships, make us care.

just to take it all away

that’s war.

but there’s a tiny flame, that glimmer of hope. maybe it’s something the pyro archons have been working on, passing it down to their successors. something mavuika has been working on. yeah u heard that right she’s actually doing something wow get citlali in there to help out. get the whole goddamn tribe involved idc

there’s a scramble to find the last of the heroes. they don’t want to force it or fuck something up but they’re running out of time. the abyss is coming. it will consume the nation. they need to fucking buckle up and get down to it.

they could probably still go into the night kingdom to search for kachina, so that mualani can get her ancient name. or it can occur under entirely different circumstances. haven’t given that much thought yet. do they find her?

do they find her and can’t actually bring her back to the surface?

for the next part, we’re gonna have to shake things up because we need the captain on our team sooner rather than later. how that happens is up in the air but regardless, we put aside our differences to save natlan.

so, we help the captain find old dragon tech. maybe we enlist the help of kinich and ajaw, maybe we go into ochkanatlan, tie some of that shit in. we can take iansan along too, who is super duper strong and can carry all our fancy dragon tech or smth idk the three of them need more involvement !!! ajaw would drive me up the wall but it’s a necessary evil

in ochkanatlan, we see how the abyss can mimic lifeforms. the twin is in irminsul right? maybe it’s steals the twin’s image, but the traveler knows it’s not them because their twin would never say things like this. we learn that they abyss manifestations are (always?) twisted and mutilated.

we see the dragon. we don’t defeat it, that’s for the world quest lol but we get the image of the dragon in our minds so that when it shows up later down the line, we know what the fuck is happening lol

on our trip, we learn bits and pieces about the captain. it’s all disconnected, nothing makes sense. and since we’re nosey little fuckers, we find correspondence with the tsaritsa in his belongings.

capitano is gentle with his body. maybe a little too gentle. it catches the traveler’s eye but they don’t know what it means, they have no grounds for suspicion. it’s blown off as recovering from his duel with mavuika. (little do we know that he was hit directly in the heart and he’s worried, goddamnit)

ororon lets it slip that something feels off with the captain’s soul. (could the captain be using ororon’s sensitivities to monitor the souls housed inside him? would he eventually tell ororon what’s going on? or would that be too risky?)

ororon receives ancient name same as before, nothing really needs to change there i suppose. more suspicion is thrown on the captain because of the identity of the soul trying to possess ororon. maybe the captain didn’t share his plan in its entirety, he has a lot riding on this, he can’t afford to fuck it up, and keeps his cards close to his chest. he and mavuika can still argue in front of ororon like mom and dad lol

chuychu dies. she doesn’t get to give a long goodbye. she bleeds out in her sister’s arms. (they actually try to stop the bleeding and give her medical care) chasca goes berserk hell yeah, there’s a struggle. she manages to rein herself in, the love between sisters reigns supreme. chasca gets her ancient name

boom u got all ur heroes. they supercharge mavuika to beat back the abyss core thing. what was its name? gilgamesh? i don’t fucking know

the losses are extreme

fast forward a bit bc i’m losing steam and attention span here

we dive back into the night kingdom to track down the “brain” of the abyss corruption. the people we’ve met and lost in natlan help us out. kachina can be added to the mix. the gay lovers, chuychu and her pokémon team, boba and coconut — the whole gang’s here yooo i actually loved this part. favorite section by far

and after our trip in ochkanatlan, we know that the dragon we’re fighting is an abyssal manifestation. the voices of the previous pyro archons are their own but the words are all wrong, designed to discourage and distress us.

we defeat it using the power of friendship (i’m gonna kms)

also mavuika’s kit is completely different. i’m giving her a redesign fuck it. but that’s a post for another time.

traveler seems pretty good ngl i just wish the cons aren’t limited to fighting the dragon. i really liked what i was seeing and then they pooped all over my party (what’s the point!!!)

instead of a big parade, we gather around together at the stadium to finally try the thing all the pyro archons have been cooking. the heroes are a necessary component.

the incandescent ode of resurrection

among the many, kachina comes out of the flames. mualani sobs her heart out and vows to never let her out of her sight ever again

chuychu perhaps? 👀 pls pls she’s the only one besides cap and ororon that i give a shit about pllssssss playable chuychu when? her design is fantastic as is u dont need to touch it PLEASE—

now we can have a party!! after everything is all said and done, we can have One party instead of the five or so we’ve had since we came to natlan. (nation of war? more like nation of fiestas)

ororon, though, feels uneasy, and not because of the atmosphere. he says he’s going to find the captain, but he can’t explain why. concerned, the traveler and paimon try to follow him but are intercepted by citlali, who is for once not freaking out about ororon’s whereabouts, instead…

oh but wait. where’s mavuika gone? oh nooo

plays out relatively the same i suppose. could use some tweaking but not anything significant enough to mention right now.

except now we have somewhat of an understanding of the captain already, all the little bits and pieces we noticed, and the clues we (so rudely) discovered, it’s all starting to make sense now. we’ve also spent more time w him, the emotional attachment runs deeper, and it’s much more painful to experience.

bittersweet

mavuika is confused, especially in the days coming after. she had planned to die then. she said her goodbyes in a roundabout way. she finished the painting of her family, so they’ll never be forgotten. she saved her nation from the oppression of the abyss, resurrected so, so many. there was only one thing left to do… she was supposed to be the one to do it.

what does she do now?

what does she do with herself now, when she hadn’t planned for her own future? it was supposed to end, she was supposed to die. could she have reunited with her family? could she have seen them once again? she’s sad over what could have been, she’s confused because how did it end up like this, she’s mad because the captain stole it from her, she’s guilty because he was ultimately the better choice

what do you do when you’ve spent hundreds of years waiting for your destined day? when you’re only ambition has been this.

it’s time to learn how to live.

the end~

[doubleedgemode]

Happy summer, everybody!

This has been a big project to take and while there's stuff to improve I'm pretty happy with it. Be sure to zoom in the big picture for details and read the comic from left to right. (Needless to say, please don't try A.B.A's behaviour.. For your safety)

Bonus doodle:

[imerian]

✷ Pedroscar matching phone charms ✷

[pencilofawesomeness]

The Midoriya Twins from Singularity by WinterMoonlight

I've been wanted to draw fanart for this fic for a while now, especially as an excuse to draw Satoru with his eye scars, and I figured it's one year anniversary (and Satoru's canon birthday lol) was a good occasion for a little sketch. Both Izuku and Satoru benefit from having a brother so much and I weep at how wholesome they are.

(By the way Singularity is a great JJK x MHA fic where several JJK characters get reincarnated in MHA and it's so good and I cannot recommend it enough. We get fun new character dynamics AND it does canon character dynamics so well. Consider this the tip of the iceberg of my propaganda.)

[chaosxcrushed]

There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.

That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.

However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.

“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:

The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).

Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”

1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.

2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.

3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.

What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.

This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.

Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.

[doodleodds]

Happy Valentines, Akira. Happy Valentines, Asshole.

If you can’t read what Akechi’s secondary inner-dialogue says cause I obscured it too much behind his regular dialogue, here’s a transcription in panel order: Hello, you fucking- Ah- Hello, Akira! Fuck off, why should I tell you- Just a soda- there’s a new flavor.

I don’t want your shitty gift. Oh- haha! You’re so sweet.

I hope I choke. They’re lovely, thank you.

Like hell. Likewise. There’s no way it’s just a coincidence. Still though, it’s a funny coincidence.

[luck-of-the-drawings]

OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever

[angeart]

hhau mimic arc rambles - part III: aftermath

(~5,5 k words) // other parts & au masterpost here

After Grian and Scar reunite, they’re tucked away in a makeshift shelter—nothing too grand, but good enough for a small pause, a little bit of rest, a faint semblance of respite.

Except, turns out, it might have to be a more permanent place to stay than they’ve thought.

It’s almost in a haze that they deal with wounds and all the other immediate things, and then Grian’s curled up and pressed against Scar, asking if they’re safe. Are they safe? Can they rest? He hasn’t had a chance to rest for a week straight—a week of moving, of running, of adrenaline and stress and, literally, fighting for his life. He’s frayed, barely holding on. 

Scar assures him he can sleep. Despite the syrupy way everything feels, despite the disconcerting flicker of magic hue crawling across his skin, despite the lightheadedness that terrifies him because it reminds him of the weakness potions— He still intends to take the first watch. To guard Grian and let him rest. 

Grian doesn’t need to hear more than that little assurance. Scar is warm and he’s here and Grian finally—finally—feels safe. Hopeful, even. Like maybe things will start looking up now. Like as long as his arms are draped over Scar, holding onto him, things will be okay.

He blacks out pretty fast, slinking into a deep pit of dreamless sleep.

Scar tries, he really tries to be a good guard. To stay alert and ready for any potential threat. But as he’s slumped underneath Grian’s reassuring weight, feeling his small even breaths against him, he can’t help it. His own exhaustion’s gnawing at him, stripping him of choice, and he finds himself drifting in and out of consciousness.

Thankfully, nothing attacks them.

Grian sleeps for hours, and he wakes up dazed and disoriented after a much needed rest. It’s chilly, but not outright cold, and it takes him a moment to parse through everything to realise it’s Scar’s warmth and the weight of the cloak securely over his wings that make things so much better, curling a tentative, fragile safety behind his ribcage. 

His wounds throb and his stomach churns, running on empty, but it all feels distant as Grian shifts and looks up at Scar’s sleeping face. The familiar map of scars stretching across muddied skin. Long lashes fluttering gently as Grian lifts his hand and lightly touches the stubble on his jaw, feeling the flood of fondness and grounding at the familiarly prickly texture.

His gaze jumps higher, tracing everything, taking Scar in.

Until he snags at a patch of white.

Grian jolts.

He pushes himself up and with careful hands brushes through Scar’s hair, letting his fingers slip through the white streak that starkly contrasts with the brown. He makes sure it’s not just dirty from something; that the white is real, not smudging across his fingers; a permanent mark left on Scar, a touch that this world now left on him forever.

He waits with uneasy patience, pressed close to Scar, refusing to put any distance between them. (He needs to see and feel and hear that Scar is here. That this isn’t a trick of his mind. That this isn’t some wretched half-dream.) (Scar came back. Scar came back, he found him, and— And his skin pulsed in pale blue (something that’s now thankfully gone), and his wings were tattered, and he’s got a white streak in his hair.) (Grian’s insanely worried.) (He can’t take it. He can’t take it if Scar leaves him again after all of this, in any way shape or form.)

Once Scar’s awake, with a tense little bird curled in his arms, the first thing he does is kiss the top of Grian’s head. (It feels natural.) 

Grian squirms and looks up at him and he asks him, quietly, if he’s okay.

He gets back a grimace, a faltering pause, a clear hesitation.

He points out Scar’s hair, and notes how Scar’s equally as surprised as he was. 

Scar blames the magic. With an awkward laugh, he says he probably overdid it. It’s gonna be fine. 

Grian’s suspicious and still uneasy, but lets the explanation pass. Says they need to go find some supplies, food, maybe a better shelter.

Scar, usually eager to follow any plans that lead directly towards their survival, falls silent at that.

What falls eventually past his lips is a quiet, “I can’t.”

The sheer amount of weakness potions, the overextertion, the overuse of magic—it all culminates into an awful flare up, leaves Scar depleted and immobilised and incredibly vulnerable. And Grian’s seen a bad flare-up before. Only once when it was really bad, back in Boatem. 

But back then, there was a big bed, and safe walls, and a fridge stocked with food. All Grian really had to do at that point was to keep Scar some company and occasionally fetch things from the kitchen. 

Now? Now they have nothing.

They have a shelter that could barely hold upon inspection of alert eyes. They have a few sips of water left. It’s cold and harsh here, nowhere to really rest comfortably, and there’s nothing to eat.

Grian hates this. Feverishly, fervently, he hates this. He wants to make things better for Scar, but that means going out. It means losing sight of Scar and simply hoping he’ll still be there when Grian returns. (A fear that makes him feel viscerally nauseous.) (He thinks of returning back to an empty shelter, Scar and Juni both gone without a trace.) 

It also means leaving Scar behind when he can’t defend himself. 

The fate is stringing them up and playing with them as it twists their very first encounter and shakes it upside-down—back when Scar tucked Grian into a makeshift hiding place and had to tear himself away from him, leave him alone and defenceless without being sure Grian will still be there—or be alive at all—when he returns, as he had to go get supplies for their survival.

Now it’s on Grian to return the favour.

He pushes down the clawing edge of panic, gently brushes Scar’s hair aside with a shaky hand, and presses a soft kiss to his cheek. Asks him to sit tight for him. Promising he’ll be back.

The words shouldn’t feel like farewell, but they’re bitter on his tongue, and even worse in Scar’s exhausted mind. (He thinks about how he left Grian and didn’t come back to him. Leaving him completely alone, without a weapon or supplies. He thinks of the wounds that now mar Grian’s skin as a result, a reminder of a time when Scar should’ve been there but wasn’t.) 

Grian always felt like he’s the burden. Like he’s the beacon, the weak link, the one to constantly drag danger and doom to them. He wonders if now Scar’s mind awfully echoes those thoughts that always plague Grian. (A distant memory of Grian asking Scar to leave him behind because he’s nothing but a dead weight slithers and burns through Grian’s mind.) (He’s not going to accept or even entertain those words should Scar ever utter them back.) 

With a hastily put-together screen of dead branches and rocks, Grian tries to hide Scar away, telling him to rest. 

(They both try to ignore the spike of anxiety. The way it feels final. The way it feels like this is it, another cliff edge that crumbles beneath their feet and gives them nothing to hold onto to prevent the fall.) 

As Grian moves, he’s overcome with lightheadedness that threatens dark spots across his vision. His own body is depleted, barely working. Starving. He grits his teeth, takes mental note of where the hideout is, and delves deeper into the forest all on his own anyway. (He has to. He has to.)

There’s something absolutely horrible about the way he recalls the best ways to forage for food in a pinch. It’s something Juni taught him. An ironic thing, to be taught survival skills by a person who never cared whether Grian lives or dies. A person who abandoned him so very easily, leaving him in a way that almost guaranteed Grian’s demise. (And yet here he is, pushing on.) (And he’s going to keep pushing, until he’s back at Scar’s side. Until he knows Scar is okay.) 

The only reason why he can now finally gather some scraps of food is because he has the cloak, shielding the violet hues of his feathers, enveloping him in muted tones that match the wintery deadness of the world around. He’s still careful as he stumbles around on unsteady limbs, crouching through his dizzy spells, trying to keep track of directions.

He makes it back to Scar, instantly welcomed by needy arms pulling him closer. Scar’s heart was tearing itself to pieces every second that Grian was gone, terrified. (What if Grian needs him out there?) (What if something happens to him?) (What if Grian never was here actually, what if that was all a weird fever dream, a lingering effect of too much magic and weakness potions?) (What if Scar is alone, and Grian’s also alone, and nothing will ever be fixed?)

Scar is insanely clingy after being separated. (Grian is too, to be fair.) With a chest full of heartache, Grian is aware of why Scar’s like that—that he’s afraid and guilty—but it does feel nice. It’s so very needed. Grian’s been alone and barely keeping himself alive through the horrors—the wounds and scars are there to show it—so when he has Scar back? He’s so desperate to reclaim that tiny fragment of safety. He keeps thinking it’ll slip through his fingers. That the moment he looks away, the moment he stops holding on, Scar will be gone again.

This all makes Grian’s repeated foraging trips that much harder, for both of them. 

At one point, Grian finds a better hiding place, but doesn’t mention it, knowing Scar wouldn’t be able to make the trip. It doesn’t need to weight on Scar, that pressure of failure; the last thing Grian wants is for Scar to push himself more when he already came so close to a complete collapse. 

And then there comes a day when Grian doesn’t return for far too long. Scar is worried sick, mind spinning with scenarios, each more horrible than the last, the anxieties taking over. 

What if Grian doesn’t return at all?

But he does. 

He comes back at the brink of dusk, coated in blood which, for the most part, isn’t his. (>> bonus ramble about that titled hunted <<)

No other incidents beyond that occur as they try to recuperate, pulling themselves together and trying to slot back into a semblance of normalcy, curled against each other’s side in their little, barely-sufficient shelter.

-- please stay --

They spend a couple of days stay put, Grian attentively fussing over Scar, chastising him whenever Scar feels like maybe he should help with things. Once Scar sleeps less and is more aware and awake, their new dynamic truly settles into place: the over-eager clinginess underlaced with guilt and fear and endless stumbling for reassurance. 

One night, Scar whispers a soft, mumbled string of words into Grian’s hair. He’s thanking the worlds, the gods, the fate, anything and everything, that Grian is alive. His fractured, fragile gratitude spilling out of him in a string of half-formed sentences that aren’t meant to be heard by the sleeping avian in his arms.

Except Grian shifts and, turns out, he wasn’t quite asleep yet.

Scar shifts his words, redirects them to ones that belong to Grian and Grian alone: a string of gentle praises. That Grian stayed alive, he was so strong, so brave. Scar is so sorry. 

And somewhere amidst it all: “Thank you for waiting for me. I’d never leave you, never, never—” (Except he did, even if unwillingly, unintentionally, unknowingly, and the reality of it is killing him.) 

Grian has that But you did on the tip of his tongue. It tastes acidic. He doesn’t want to say it.

Instead, he just burrows closer and tightly shuts his eyes. Trying so so so hard not to think about just how long Scar didn't even realise that Grian wasn't there.

Of course Scar tried to explain, over and over. That he was weakened, dizzy, confused, scared. But it just feels like hollow excuses on his tongue. It doesn’t change anything about it, about the fact that it happened. That he didn’t even know it was happening, until it was almost too late.

In the end, Scar’s intentions and his promises amount to nothing.

He often trails off. He feels like he doesn’t deserve to cover up the searing guilt with a pile of feeble explanations, his eyes drawn to the wounds and scars that litter Grian’s skin, marks that might’ve not been there if only Scar was around. A dire reminder that Grian could’ve died, and Scar would be none the wiser. 

He swallows down the excuses and tries to make up for it, to show rather than to speak the volume of his feelings. The reverent touches to Grian’s scars, his affection, his tight hold and kisses pressed into Grian’s hair.

Grian doesn’t know how to feel about any of it. It’s a tangled mess that feels too heavy and painful to untangle. 

During his time alone, he didn’t know if he got abandoned, or if Scar got killed. Somehow, those seemed like the only options in his mind. To have it turn out that Scar was tricked away from him—tricked so easily—that he didn’t mean to abandon Grian, and yet failed to realise that Grian wasn’t by his side for days… 

Scar finds himself apologising frequently, quiet, somber. But Grian doesn't really want those apologies. They don't make it stop hurting. They don't put lid on that thick, overflowing uncertainty that took root in his soul. 

Whenever his feelings slip and spiral a bit too much, he keeps begging Scar to stay. He pleads for him to not leave him again, in a choked, broken, terrified voice. 

He tells Scar he won't be able to take it the second time. He won't, he won’t.

That breaks Scar’s heart. It’s suffocating, absolutely horrible. Scar can’t even vocalize a decent response. He just shakes his head, holds Grian tighter, and weeps.

-- a familiar face --

It takes Scar a while to realise just how traumatising the whole thing was for him. Because it was more than just being terrified of losing Grian or overexterting himself. He was basically kidnapped. Tricked. Poisoned. His trust betrayed in such an absolute, irrevocable way. And the worst part of it is that Juni used Grian’s face to do all those things to him. 

It keeps tripping Scar up, in unguarded, jolting moments. He finds himself sweepingly overcome with doubt, abruptly terrified that this is all a lie—that he’s still with the wrong person, being strung along, stuck in a trap he doesn’t know how to escape. 

When Grian offers Scar some water, Scar finds himself hesitating. Should he drink it? What if it’s dosed with weakness? Is this just another trick? — But he doesn’t know how to check. He can’t touch Grian’s feathers. He can’t ask.

He can’t admit he’s not sure.

Grian searches Scar’s eyes, confused why Scar wouldn’t take it from him. He calls his name softly, a question that goes unanswered.

But he thinks he knows. 

He knows, because Scar looks at him with the kind of unsure, frightened expression teetering on distrust that could only be rooted in one cause.

So in the evenings, Grian slots next to Scar and talks. About Hermitcraft. About past memories and plans that never came to be. About things only he would know.

He aches talking about it, but once he connects Scar’s hesitation to the fact that the mimic was wearing Grian’s face (a fact that he hates; it makes him sick to his stomach, he feels tainted, violated in ways he can’t express), he knows he has to.

First time, it all comes out wobbly and fragmented. He doesn’t get far. He can’t. The memories hurt.

But he keeps trying.

It makes Scar feel so much better. He holds Grian close and whispers an emotional little “thank you.”

-- anchor, memories, and self --

One evening, all that Grian offers is a quiet, sorrow-riddled “I miss Mumbo.” Just that. (It has to be enough.) (He doesn’t want to keep talking.)

It makes Scar choke-sob a laugh. It’s so sad, but it’s so honest, and familiar. (He misses him too.) He nods, and lets the confession linger, fill up the space between them where another person should be.

Grian curls against him, falling silent. Sad. Clingy.

They don’t say anything else that night.

But the issue persists. Of course it does, Scar himself still wrangling with the aftermath of everything, processing it and trying to find his footing. To look at Grian and really, truly understand who it is he’s looking at, without a sliver of doubt.

Grian hates that confused, searching look Scar gives him sometimes without meaning to. In little moments like when he’s tired, or just after waking up. Groggy from sleep that feels like a dose of weakness. 

It feels like something was stolen from him and Grian doesn’t know how to repair it. It just hurts. 

But he can’t keep talking about Hermitcraft to make it better every single time. It sets a vicious kind of pain alight within him, traps it in his ribcage for it to bloom and grow razor-sharp thorns, reminding him of everything they lost and aren’t getting back. He’s been avoiding thinking about Hermitcraft for so long, and now it’s here, pressing against the edges of his skull like wildfire.

It tastes like ashes on his tongue, like grief-drenched nostalgia, like everything he wishes to have back—every single person they lost along with their safety and home.

They’re never going to hear Mumbo’s awkward laughter again. They’ll never hear Doc grumblingly chastise them for being crazy and annoying. They’ll never see Pearl’s eyes crinkle in laughter, or Impulse’s eyes widen as they set some prank right at his feet. 

They’ll never again make silly meeting rooms and pointlessly huge builds constructed for no other reason than a whim. They’ll never run to each other with inspiration chasing in their footsteps, feeling free, toppling into their friends’ arms along the way. They’ll never again hear the sound of their laughter melding in with others’, mingling into one big melody that keeps them trapped in a mutual giggling fit.

Never, never, never.

It’s all gone, and remembering hurts.

He can’t keep thinking about that, day after day after day, even if it’s to keep Scar afloat. It would consume him.

So even though it seems like the best tool to prove to Scar who he is, and he’s always glad that it helps Scar feel calmer and more secure, ultimately making it worth it every time, it doesn’t mean it’s easy—not in the slightest.

So Grian tries to implement other things. Subtle little gestures. Nonverbal language that is still closely rooted in their own intimate experiences—namely brushing his fingers over Scar’s ear. 

And then he builds on it, adds to it, lends it some habitual intricacy like a secret code only the two of them will ever understand. Tracing the same swirly pattern under Scar’s ear with his fingers each time, then kissing the spot. (A little I love you ritual.) Interlacing their fingers while purposefully gathering the ribbon between their palms, or wrapping an end of it around scar’s finger. 

He tells Scar his favourite spots to kiss. 

He kisses them often, in a pattern.  

All these things, gathered like a silent plea. It’s me. Please believe me. I love you. Stay.

Scar adores this little ritual, but he also realises why Grian is doing it—that Grian knows Scar is confused sometimes when he sees his face. And it breaks his heart, because he never got it wrong before. He wants to believe he couldn’t be fooled in his right mind, but how can he be sure, after everything that happened? 

 Eventually, Scar says it. He grabs Grian by his cheeks, looks at him seriously, and instead of this dance they’ve been doing around the topic, he says: “I know it’s you.” 

He kisses Grian in that pattern they’ve come accustomed to. Kisses him on the lips. Keeps holding his face so so gently.

Grian tears up, gaze jumping between Scar’s eyes. Breathless and wavering, he shoots back a challenging but afraid, “Do you?” 

That breaks a stitch in Scar’s patched up broken heart. He swallows hard, but insists. “Yes, I do.”

“Okay,” Grian whispers, and it’s still so wobbly. So very raw and emotional. He closes his eyes and leans into Scar’s touch, and it’s so trusting. So giving. He wants this to be true. He wants this to keep being true. “I’m here,” he manages to murmur. He is here, and so is Scar.

Scar nods. “You’re here.” And he normally says “I’m here”, but right now it feels more important to show how sure he is that Grian is.

It sucks how easily that asuredness was overwritten. Scar never mistook Grian and Juni for each other before. (Not even before the mimic altered his appearance slightly. Those moments when he’d look like Grian, approach Scar and touch his arm. When Grian’d bristle from across the way, just barely out of sight. Scar always responded accurately. He always innately knew it wasn’t Grian.) (It soothed Grian then, to see that. To have that sliver of security when everything else felt so awful.) (And yet… And yet.) The one time it did happen, it was so devastating, and now they’re both left in the warzone of the aftermath, trying to pick up the pieces and rebuild something that could hold.

Because now sometimes when Grian touches Scar, Scar reacts slightly off. 

Because now Scar doesn’t know how to trust himself (or Grian) anymore.

Grian watches Scar slightly flinch, that miniscule, unsure, instinctive recoil, and he feels sick to his stomach.

But they’re in this together. They’re here, both of them, and they’ll keep building from ruins until something sticks.

-- scars and permanent damage --

This is also the time when they acquaint themselves with the permanent damage marks on their bodies. 

Grian has new scars, some of them facial. They’re something Scar is forced to see all the time, knowing he wasn’t there for it. Knowing they happened while Grian was alone, struggling, fighting for his life. (If Scar was there, maybe it wouldn’t have happened—)

They don’t have mirrors, only murky water at best. Grian doesn’t even know how his face looks like now, for a long while. He can feel the scarred skin, once it stops being too tender to touch, but he prefers to keep his hands off it.

Scar touches Grian’s face, though. Gently, tenderly. He caresses the wounded bits of skin. There’s sadness to it, but also determination and acceptance. Because it means Grian’s survived. It means Grian is still alive, and Scar is now here, and he isn’t going to let anyone else touch him again. (Or, he will do his best, anyway.) (Wounds are a harsh inevitability in this world, after all.)

Once Grian gets a hint of his reflection, staring at himself and hardly recognising his face—for multiple reasons—he traces a hand across his own cheek, in a pattern he recognises from Scar’s soft touch. Feels the difference. Explores the edges, everything that’s now going to be forever a part of him. (Until he dies. Which will probably be sooner rather than later anyway, he thinks.) 

He can’t exactly say he hates those scars—it’s not like he doesn’t love every inch of Scar’s face, scars regardless. But it still feels different and strange. Foreign. It makes him feel vulnerable. It makes him realise he’s been hurt, in some deep, irreversible way. (The ugly damage on his heart is finally visible—) He’ll never be the same.

He tries not to touch his face too much, or look for his reflections. But at the same time, he craves Scar’s touch against the parts of him that are so clearly broken and changed. Scar’s fingers are soft and comforting, filled with heartache. Loving, despite everything. And Grian needs that.

He’s so used to tracing Scar’s scars and kissing the pattenrs of his skin, adoring every single bit of it. But this? This is new to him. He feels unsure and shy, fragile under Scar’s fingertips. 

Scar’s vulnerabilities also get revealed at around this time. When they met up, Grian caught a frantic glimpse of Scar’s wings, but there was too much panic and choking emotions to really process and address it until later. 

Scar’s wings were torn to tatters months ago, and he’s kept quiet about it. Meticulously hiding them away from Grian’s sight, the secret heavy, burning through him like a lit coal. But Grian doesn’t know that—not at first.

He thinks that Scar’s wings got hurt while they were separated. While Scar was left with Juni. But as he thinks about it more… When was the last time he saw Scar’s wings?

Sheepishly, Grian asks Scar about it.

And Scar is forced to admit it happened a long time ago. That he was hiding it from him.

It stings Grian, the knowledge that Scar felt like he couldn’t tell him. That he suffered alone, tucking something so significant away. 

(And it’s true the circumstances of it all were horrible—when it happened, Grian certainly wasn’t in a state to process it correctly or deal with it; he was barely alive and in the depths of a rising fever. But there were still plenty of weeks and months since, when Scar could’ve taken the chance and tell him.) 

(He didn’t know how.) 

(Scar himself was afraid to face the damage. To see the tattered remains of his wings. To feel what’s happened to them.) (It was much preferrable to hide them and pretend it away.)

Softly, Grian asks if he can see them. (He wants to see it; he wants to bear it together with Scar; he wants to be there for him and show gentleness, especially because this is about wings of all things.) He instantly backpedals, saying Scar doesn’t have to—especially if it would hurt. 

But Scar does it before Grian can fully take it back.

It feels like a deep breath after holding it in for so long, but it’s also like a broken choke on that very same air; it feels so wrong to let them loose, but he does it. He shows Grian the extent of the damage, offers the vulnerable undersides of his shredded wings so willingly.

Grian half reaches out, then pauses. Looks over their state.

It’s horrible.

He asks, very quietly, if it hurts.

Scar’s heart leaps in his chest at that small reach, but then he pulls himself together and shakes his head. It doesn’t hurt. (Not anymore.) 

Grian retracts his hand, falling silent. He doesn’t want to touch uninvited, but he isn’t sure how else to show Scar some softness and comfort. He settles for leaning in and pressing a kiss to his jaw.

It feels like an apology, and like love. 

His hands wrap around Scar’s torso and he buries his face in his shoulder, simply holding him. He asks, muffledly, if they will heal? Do vexes heal over time? Scar has plenty of scars on him, but his wings are technically made of magic, so maybe they’re different?

Scar doesn’t have the answers to those questions. He doesn’t know.

Grian hugs him tighter around his middle and kisses his shoulder. He thanks Scar, for pulling them out at his request. For showing him. (There’s a lump in his throat that tells him that Scar hid this from him, for so long. He swallows it down.)

Scar mutters a quiet “Of course.” 

Slowly, he’s realising just how much he wants Grian to touch his wings, but he has no idea how to ask for it when it’s something Grian can’t fathom in reverse. He can’t bring himself to ask, but he opts to wrap his wings around the both of them, even if they’re broken and offer practically nothing. (And, truthfully, it does hurt a little to strain them after all the time of them being put away with unhealed wounds, but he needs this.)

Grian shudders, taking a choked breath. He presses himself closer against Scar, trying to navigate the abrupt onslaught of emotions. Something about hurt wings and vulnerability and pain, and— The feeling of wings wrapped around him is so comforting, even despite their state. Even despite everything. His brain goes a bit haywire, thinking flock and protection.

-- kindness that persists --

They eventually talk about Juni. Little fragments of conversations that feel like tripping over uneven ground. 

Scar admits he doesn’t know what the mimic wanted from him. If it was security, or something else entirely. He’ll never really know. 

At some point, Grian asks, quietly. “Is he dead?”

Scar sighs, not sure how to feel about his answer. “... No.”

It’s a weird and unpleasant mix of feelings for them both. 

Part of Grian wishes the mimic was dead—it would end some of the anxiety. But of course Scar didn’t do it, and another part of Grian is immensely glad for it. There’s something incredibly soothing about how much of Scar’s humanity remains intact despite everything this world throws at them. But even then, the awful feeling in the pit of Grian’s stomach remains, acidic and conflicted. 

Because if the mimic is alive, he might return.

Because as long as he breathes, this might not be over.

Scar feels vile, admitting Juni is alive. It’s the first time he’s ever felt sick about not killing someone. Because what if not killing the mimic means failing in protecting Grian? It leaves too much room for this to come back and harm them again. 

Being soft is what got Scar into this situation to begin with. Trusting too much, giving too much. 

He felt sure about it before. Relieved he didn’t kill him. But what if he should have? Because that was once again being too damn soft and maybe he shouldn’t be.

He becomes quieter again after this. Feeling like he needs to try to be stronger, less like himself. His vex instincts rumble beneath his skin as he spirals, urging him to kill anything that threatens him and his partner.

Scar is convincing himself softness truly is a weakness. That he needs to change.

One night, he’s swelling with too many emotions as he holds Grian tight—guilt, affection, a little bit of doubt again. His chest flickers with blue light, a sign of distress, and he croaks out, “Am I—” What’s the word even? Weak? Too kind? A fool? He goes with, “Do I need to change?”

Grian squirms in his arms, peeks up at him. “No, Scar. No, nono.” His voice is stitched through with a mixture of emotions—urgency and confusion, a soft shushing and deep, rich tenderness. His fingers gently brush Scar’s face and he presses a kiss to his jaw. “Don’t change. Be my Scar. Not somebody else.”

Scar’s eyes well up with tears and he ducks his face into Grian’s shoulder, breath hitching with a sob, overwhelmed by an abrupt tide of feelings—especially upon hearing the words my Scar. It makes him ache, but in a good way.

Grian wraps his arms around him and lets him cry. He caresses and kisses his hair and murmurs soft, reassuring things to him, hoping to make it all at least slightly more bearable. To anchor him somewhere safe. Somewhere where Scar can remain himself, despite all the horrors that suffocatingly pile up on them.

Scar’s voice is small and muffled against Grian’s sweater. “What if… I get us hurt?” There’s a shaky breath afterwards, sounding quite a bit like a choked “Again.”

Grian holds on a little tighter. “It won’t be your fault.” It would be the world’s, and those who actually hurt them. He needs Scar to understand that. With another kiss pressed to Scar’s hair, he pulls away slightly, urging Scar to look at him, to meet his eyes. “I need my Scar. I need—” He chokes up a little, his vision turning blurry. 

Instead of finishing whatever he was going to say, Grian leans forward, pressing their foreheads together. Murmuring a small apology that all this pressure was on Scar. Promising he’ll do better, that it’s the two of them against the world—that Scar isn’t alone in this fight.

Scar doesn’t want Grian’s apologies, but… he likes this way of putting it. Them against the world.

He doesn’t need to lose his kindness. He just needs to focus it on the only person who matters.

[13eyond13]

love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world

[lavenoon]

This started out as cat mirroring and fluff but unfortunately for Eclipse a lot of my trapcards have their origin in the first half of the 20th century and I'd like words.

@naffeclipse someone save him

*self insert Aster is not a girl (he/ she)

og detective au by sunnys-aesthetic!

[discjude]

SO funny that the only explanation for why Aric stabbed Rhian is, in Japeth's words, "because [Rhian] said things about [his and Aric's] friendship" (the full actual quote is "because you said things! About him and me! About our friendship!"). Which is such a funny way of phrasing it because that could mean LITERALLY anything. Soman why would you phrase it like that. genuinely

The only other elaboration we get on the stabbing ever is right after the first line and it's vague as to what it's actually talking about, which is where Rhian says "Because he was a monster / a sadist with no soul" (which. yeah lmao), but that could be either "he stabbed me because he was a monster" OR "I said those things because he was a monster", and the rest of the line supports the second interpretation, so we just???? don't know what made aric do it??????? This is the single most influential event in the series it literally doubled the series' length what do you MEAN there's only ever two lines about it????? ? ? ??? arbed prequel when hello

[beesinspades]

happy pride month from vash the stampede!!!! 💜 seeing all the ace vash art makes me so happy I wanted to contribute!