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#also a bit of a ramble so here we are
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What is your Favorite Jon Snow Moment?
"The Wall will stop them," Jon heard himself say. He turned and said it again, louder. "The Wall will stop them. The Wall defends itself." Hollow words, but he needed to say them, almost as much as his brothers needed to hear them. "Mance wants to unman us with his numbers. Does he think we're stupid?" He was shouting now, his leg forgotten, and every man was listening. "The chariots, the horsemen, all those fools on foot...what are they going to do to us up here? Any of you ever see a mammoth climb a wall?" He laughed, and Pyp and Owen and half a dozen more laughed with him. "They're nothing, they're less use than our straw brothers here, they can't reach us, they can't hurt us, and they don't frighten us, do they?"
"NO!" Grenn shouted.
"They're down there and we're up here," Jon said, "and so long as we hold the gate they cannot pass. They cannot pass!" They were all shouting then, roaring his own words back at him, waving swords and longbows in the air as their cheeks flushed red. Jon saw Kegs standing there with a warhorn slung beneath his arm. "Brother," he told him, "sound for battle." (Jon VIII, ASoS)
Still upset that they didn't let Jon have this kind of moment in the show. Instead they gave it to...Alliser...
He laughed, and Pyp and Owen and half a dozen more laughed with him.
I really wanna talk about this part for a bit. I believe it also has significance here, because:
[Joffrey] laughed...and when the king laughs, the court laughs with him. (Sansa IV, ASoS)
:)
My second one is this:
"The lord commander must pardon my bluntness, but I have no softer way to say this. What you propose is nothing less than treason. For eight thousand years the men of the Night's Watch have stood upon the Wall and fought these wildlings. Now you mean to let them pass, to shelter them in our castles, to feed them and clothe them and teach them how to fight. Lord Snow, must I remind you? You swore an oath."
"I know what I swore." Jon said the words. "I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against the cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. Were those the same words you said when you took your vows?"
"They were. As the lord commander knows."
"Are you certain that I have not forgotten some? The ones about the king and his laws, and how we must defend every foot of his land and cling to each ruined castle? How does that part go?" Jon waited for an answer. None came. "I am the shield that guards the realms of men. Those are the words. So tell me, my lord—what are these wildlings, if not men?"
Bowen Marsh opened his mouth. No words came out. A flush crept up his neck. (Jon XI, ADwD)
Jon has this way about him that really gets people to listen. They may not agree, but they listen, and he gets his points across succinctly.
I like a lot of Jon moments, but those two are certainly my favourites. I like who he is as a character. He's such an internal one, so much of what we know about him is because we have his POV, and I enjoy that. He's snarky, he's stubborn, he's fierce, he's an enigma. Pragmatic, straightforward, brave. (and abnormally strong but that's neither here nor there lol)
He's written incredibly well. Certainly my favourite overall in the series.
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"Laughing stock" can be their ship name ;)
OHHHHH GALAXY BRAIN thats so good omg. LaughingStock my beloved <3
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doubleedgemode · 2 months
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Happy summer, everybody!
This has been a big project to take and while there's stuff to improve I'm pretty happy with it. Be sure to zoom in the big picture for details and read the comic from left to right. (Needless to say, please don't try A.B.A's behaviour.. For your safety)
Bonus doodle:
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#a.b.a#paracelsus#slayer#guilty gear#I almost forgot slayer's shirt pattern! I was also supposed to draw his cape floating over sharon to shield her from the sun but...#this whole drawing collection took roughly a month to complete and I forgot. I'm too tired right now#speaking of. it's my first time drawing sharon I hope she's okay!#yes slayer carries and wears in the nose his 200 spf sunscreen from xrds treasure hunt animation :)#as for the big main picture. it left me quite exhausted and I know the lighting leaves a lot to be desired but I'm proud! learnt a lot#first time drawing blue para too. I hope his metallic sheen is alright#more than aba's skin sheen for sure. I'll improve it in the future! btw tweaked a bit her attire's palette from last time and made her keep#the headband cause trying to figure out how her hair would properly fall was a hassle lmao#fun fact: the bird is an european herring gull#the crab is an edible crab and the palm trees are coconut palm trees with no fruit lol#I wanted to draw fan palms which are a kind of palm tree that deserves more love but the leaf shape was so difficult to draw#I did struggle a lot with these two.. they look more like feathers but again. that can be studied and improved in the future#despite all the lows summertime can have for me whenever it's a nice day and we can go to the beach I feel everything is worth it and will#be okay. hope I could translate that here. hi new people I tend to ramble a lot in my post tags#art tag2b named#sharon
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chaosxcrushed · 6 months
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There's a certain CCCC summary video that we really, really like. We think it is a great video for people if they want to grasp the story more clearly, if they're confused, or if they're listening to the album for the first time.
That video being Chonny Jash and the Weight of the Mind on Youtube by W3tBl@nk3t. We think they cover it really well.
However, I'm sharing this for a different reason; they say few certain things that really struck with us until now, that I'd like to share with the fandom. Sometimes, we see people really just.. Miss the point of CCCC entirely, and I'd like to shine a light on what was said here. If you'd like to hear this for yourself on video, the timestamp is 35:57-36:45.
“..I bet we all could relate to that, they are the prime example of the side of you that suffers and the side of you that hates yourself for suffering:
The side of you that just wants to slow down and feel everything even to the unhealthy extent of not being able to do anything else(1), but also the side of you that so desperately wants you to get over it(2).
Sure, laying in bed all day every day to rot isn't healthy, but neither is boiling things down and invalidating your own emotions. Both are paths to inevitable disaster, and that's what Chonny is doing here. Keep in mind that the idea behind this album is being whole, and that means neither of these sides are entirely in the right or the wrong; this album is about inner compromise and acceptance(3).”
1.) The side of you that suffers; Heart. He is representative of Whole's emotions, he holds them. Your emotions can go haywire, especially when one's mentally ill and has no way of their feelings being validated. An emotional person like Heart suffers under the weight of crushing, devastating feelings. He wants to feel things out, have time to just process everything, even if it takes them days or weeks to get over it. It's not healthy, but feeling is what he does, and he wants to help because he knows he has importance. Solely focusing on just your emotions isn't the best thing to do, however.
2.) The side of you that so desperately wants you to get over it; Mind. Many people have been there, have wanted themselves to stop wallowing in their own emotions and just do something else, even to the point where you think feeling things out is unnecessary. This is also unhealthy, but not intentionally. Like Heart, Mind just wants to help, everything he does is in best interest. This is what he thinks will get them to move on the quickest; to leave behind emotions and focus on anything BUT that. Also not the best thing to do.
3.) This album is about inner compromise and acceptance; About being whole. Neither of Heart and Mind are right nor wrong. They have their own ways of doing things, of what they think will help their whole self out the most, but both are unhealthy despite the good intentions. They fight over who's wrong or right, when they shouldn't even be doing so in the first place. It's your thoughts against your emotions, basically; your feelings contradict your thoughts, and it leads to an inner war of sorts. This won't make things better, which is why you can't have Mind over Heart or vice versa; you'll need both of them. In the album, they are only able to be whole when they get along. They harmonize, they 'combine', they see eye to eye with each other and work together instead of fighting over and over. Inner compromise is achieved with this, and acceptance can lead them away from any disaster that there's to come.
What we're trying to say is that mental health is a large thing tackled within CCCC, and yet we see a lot of people who overlook it; thus, end up missing the point of the whole album. We see a lot of people believe Mind's perspective a little too much and treat Heart quite harshly, or the other way where people demonize Mind and say that Heart is perfect, when it's not really that in the slightest.
This is not a hate post towards people's interpretations of CCCC or how they view characters, I'm just saying that people can tend to overlook what's in the very narrative, and we see a concerning amount of people do such.
Anyways. Stream CCCC and put your Hearts and Minds in the get along shirt. Have a nice day.
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kagoutiss · 5 months
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as if it was never there at all.
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doodleodds · 2 years
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Happy Valentines, Akira. Happy Valentines, Asshole.
If you can’t read what Akechi’s secondary inner-dialogue says cause I obscured it too much behind his regular dialogue, here’s a transcription in panel order: Hello, you fucking- Ah- Hello, Akira! Fuck off, why should I tell you- Just a soda- there’s a new flavor.
I don’t want your shitty gift. Oh- haha! You’re so sweet.
I hope I choke. They’re lovely, thank you.
Like hell. Likewise. There’s no way it’s just a coincidence. Still though, it’s a funny coincidence.
#p5#akeshu#akechi goro#kurusu akira#wow- me?? posting a valentines comic... actually on?? valentines????? wack. absolutely wack#it's a short one! I purposefully tried to keep it short. it was a challenge and it still ended up being 3 pages. but i blame my canvas size#also in case u can't see what akira is holding out to akechi: theyre chocolate covered strawberries on sticks!#i saw them irl and was like oh god i want those. i am going to project that feeling on my favorite characters so help me god#and now! here we are! but my shitty-ass coloring & line quality make it hard to discern them so. sorry about that lmaooooo#ANYWAY i don't do enough post-maruki stuff so. i made this one a little bittersweet. :)#why did i put akechi's scarf in a bow? honestly i dont know! i think i saw some art a while ago that did that too and i thought it was cute#well. plus i guess there's the symbolism of 'akechi being alive and reciprocating your feelings (however involuntarily) IS a gift' part#hence that hes wrapped up in a bow. like a present. :)#also god. the first panel is supposed to be akechi's reflection in a vending machine window. I could NOT get it to look right#so for reference!!! just so you guys understand!!!!!! thats what that panel is supposed to be!!! he is NOT in fact a ghost. (sigh)#hope you enjoyed and had a lovely valentines!! for my part i have eaten nothing but sweets today and hoo boy will that have been a mistake#ALSO in terms of the audience-participation comic...hopefully coming soon. if i can ever gain the will to draw it.#but at least tumblr has polls now so i can do the audience-choose-y bit without needing to use a separate website! so thats good i guess#anyway anyway anway thanks for listening to me ramble if you made it this far! have a lovely rest of your day and hopefully see u again soon
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luck-of-the-drawings · 7 months
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OH ARTHUR BENNETT.. such a gorgeous and intriguing character. terribly burdened by a GRUESOME set of crimes, his light suffocated by a HEAVY century of GUILT. so tragic, so dark and broody, and yet PAINFULLY awkward in any social setting ever
#jrwi fanart#cw blood#jrwi show#jrwi suckening#arthur bennett#OUHH THIS ONE WAS SITTING IN MY WIPS FOR SO LOOOONGwhen i took it out there was mould on it :sob:#BUT i think i was able to fix it up okay#i keep seeing SO MANY MISTAKES RRAAAHHH BUT YOU DONT SEE THEM RIGHT?? THATS ONLY ME. RIGHT?? EXACTLY.#THE KEY IS TO SAY. AND REPEAT AFTER ME. 'FUUUCK IT WE BALL#so anyway. arthur bennett huh? grizzly says that arthur is reaal fuckin difficult to play. and i SUPER get that. i mean LOOK AT HIM..#grizz often needs a minute to think abt what hes gonna say in a way that matches w that Stoic Personality. which is FAIR but also that#ends up making way for awkward confrontations like: the lady in the parky lot. he took too long to answer and scared her away.& I LOVE THAT#arthur is tragic and sad and cool and stoic but hes ALSO awkward and silly and kinda dumb and short sighted. HE HAS COMPLEXITIES#I LOVE WHEN TTRPG CHARACTERS HAVE A GOOD SET OF SHORTCOMINGS. ESPECIALLY WHEN U FIND THEM ONLY AS U PLAY THEM.#I COULd go on and on saying the same things w different words abt arthurs intriguing and entertaining character but i shall spare u. for no#ILL ALSO MENTION HOW MUCH I LOVE HIS FLAVOR THO.. I LOVE TALL HOT BOY WHOS ONE W THE DARKNESS.. I REMEMBER WHEN HE FIRST MENTIONED THE#BADLUCK. N I WAS LIKE OOOHH THATS WHY HIS DESIGN IS SO COOL N CHAOTIC N ASYMMETRICAL. HES UNLUCKY!!! i love love love his design so much...#GRaaauruguguraguhhghghgh what else what else is there for me to spew on abt...i think im reachin a limit here..OH MAGNUS. i hope that#we get to know more abt how magnus and arthur met.. like How they became besties... ouuhh... I ALSO WANNA KNOW MORE ABT MARY DAVIS. LIKEHOW#he also apparently spent alotta time in a zone dominated by edward twilight? all he remembers is constant partying? I WANNA KNOW MORE..#i think i got room 4 one more ramble SO. THE ART PIECE.as i said its gone a lil stale BUT. im still very proud o the bits where hes allScar#I WANNA SEE HIM GET SCARYMORE. I like the idea of shadows solidifying to make him strange and eerie.like TEETH n CLAWS n SPINES n YESS#also the SILVER EYES.no1 does silver eyes like the show Claymore. they make em look so striking and eerie...i also like to think that#human arthur had deep beautiful brown eyes.just in my beaitufl heart.i mean look at him..i wanna cook him n eat him.ANYWAY#i think thats all my ramblin for this piece. now i gotta go cancel a single day i had ata hotel bc my work schedule change last minute FUCK#feel free to ramble in my tags aswell tho i read all of them and i chew on thenm and i love them so sos os mcuh
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imerian · 4 days
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✷ Pedroscar matching phone charms ✷
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angeart · 4 months
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hhau mimic arc rambles - part III: aftermath
(~5,5 k words) // other parts & au masterpost here
After Grian and Scar reunite, they’re tucked away in a makeshift shelter—nothing too grand, but good enough for a small pause, a little bit of rest, a faint semblance of respite.
Except, turns out, it might have to be a more permanent place to stay than they’ve thought.
It’s almost in a haze that they deal with wounds and all the other immediate things, and then Grian’s curled up and pressed against Scar, asking if they’re safe. Are they safe? Can they rest? He hasn’t had a chance to rest for a week straight—a week of moving, of running, of adrenaline and stress and, literally, fighting for his life. He’s frayed, barely holding on. 
Scar assures him he can sleep. Despite the syrupy way everything feels, despite the disconcerting flicker of magic hue crawling across his skin, despite the lightheadedness that terrifies him because it reminds him of the weakness potions— He still intends to take the first watch. To guard Grian and let him rest. 
Grian doesn’t need to hear more than that little assurance. Scar is warm and he’s here and Grian finally—finally—feels safe. Hopeful, even. Like maybe things will start looking up now. Like as long as his arms are draped over Scar, holding onto him, things will be okay.
He blacks out pretty fast, slinking into a deep pit of dreamless sleep.
Scar tries, he really tries to be a good guard. To stay alert and ready for any potential threat. But as he’s slumped underneath Grian’s reassuring weight, feeling his small even breaths against him, he can’t help it. His own exhaustion’s gnawing at him, stripping him of choice, and he finds himself drifting in and out of consciousness.
Thankfully, nothing attacks them.
Grian sleeps for hours, and he wakes up dazed and disoriented after a much needed rest. It’s chilly, but not outright cold, and it takes him a moment to parse through everything to realise it’s Scar’s warmth and the weight of the cloak securely over his wings that make things so much better, curling a tentative, fragile safety behind his ribcage. 
His wounds throb and his stomach churns, running on empty, but it all feels distant as Grian shifts and looks up at Scar’s sleeping face. The familiar map of scars stretching across muddied skin. Long lashes fluttering gently as Grian lifts his hand and lightly touches the stubble on his jaw, feeling the flood of fondness and grounding at the familiarly prickly texture.
His gaze jumps higher, tracing everything, taking Scar in.
Until he snags at a patch of white.
Grian jolts.
He pushes himself up and with careful hands brushes through Scar’s hair, letting his fingers slip through the white streak that starkly contrasts with the brown. He makes sure it’s not just dirty from something; that the white is real, not smudging across his fingers; a permanent mark left on Scar, a touch that this world now left on him forever.
He waits with uneasy patience, pressed close to Scar, refusing to put any distance between them. (He needs to see and feel and hear that Scar is here. That this isn’t a trick of his mind. That this isn’t some wretched half-dream.) (Scar came back. Scar came back, he found him, and— And his skin pulsed in pale blue (something that’s now thankfully gone), and his wings were tattered, and he’s got a white streak in his hair.) (Grian’s insanely worried.) (He can’t take it. He can’t take it if Scar leaves him again after all of this, in any way shape or form.)
Once Scar’s awake, with a tense little bird curled in his arms, the first thing he does is kiss the top of Grian’s head. (It feels natural.) 
Grian squirms and looks up at him and he asks him, quietly, if he’s okay.
He gets back a grimace, a faltering pause, a clear hesitation.
He points out Scar’s hair, and notes how Scar’s equally as surprised as he was. 
Scar blames the magic. With an awkward laugh, he says he probably overdid it. It’s gonna be fine. 
Grian’s suspicious and still uneasy, but lets the explanation pass. Says they need to go find some supplies, food, maybe a better shelter.
Scar, usually eager to follow any plans that lead directly towards their survival, falls silent at that.
What falls eventually past his lips is a quiet, “I can’t.”
The sheer amount of weakness potions, the overextertion, the overuse of magic—it all culminates into an awful flare up, leaves Scar depleted and immobilised and incredibly vulnerable. And Grian’s seen a bad flare-up before. Only once when it was really bad, back in Boatem. 
But back then, there was a big bed, and safe walls, and a fridge stocked with food. All Grian really had to do at that point was to keep Scar some company and occasionally fetch things from the kitchen. 
Now? Now they have nothing.
They have a shelter that could barely hold upon inspection of alert eyes. They have a few sips of water left. It’s cold and harsh here, nowhere to really rest comfortably, and there’s nothing to eat.
Grian hates this. Feverishly, fervently, he hates this. He wants to make things better for Scar, but that means going out. It means losing sight of Scar and simply hoping he’ll still be there when Grian returns. (A fear that makes him feel viscerally nauseous.) (He thinks of returning back to an empty shelter, Scar and Juni both gone without a trace.) 
It also means leaving Scar behind when he can’t defend himself. 
The fate is stringing them up and playing with them as it twists their very first encounter and shakes it upside-down—back when Scar tucked Grian into a makeshift hiding place and had to tear himself away from him, leave him alone and defenceless without being sure Grian will still be there—or be alive at all—when he returns, as he had to go get supplies for their survival.
Now it’s on Grian to return the favour.
He pushes down the clawing edge of panic, gently brushes Scar’s hair aside with a shaky hand, and presses a soft kiss to his cheek. Asks him to sit tight for him. Promising he’ll be back.
The words shouldn’t feel like farewell, but they’re bitter on his tongue, and even worse in Scar’s exhausted mind. (He thinks about how he left Grian and didn’t come back to him. Leaving him completely alone, without a weapon or supplies. He thinks of the wounds that now mar Grian’s skin as a result, a reminder of a time when Scar should’ve been there but wasn’t.) 
Grian always felt like he’s the burden. Like he’s the beacon, the weak link, the one to constantly drag danger and doom to them. He wonders if now Scar’s mind awfully echoes those thoughts that always plague Grian. (A distant memory of Grian asking Scar to leave him behind because he’s nothing but a dead weight slithers and burns through Grian’s mind.) (He’s not going to accept or even entertain those words should Scar ever utter them back.) 
With a hastily put-together screen of dead branches and rocks, Grian tries to hide Scar away, telling him to rest. 
(They both try to ignore the spike of anxiety. The way it feels final. The way it feels like this is it, another cliff edge that crumbles beneath their feet and gives them nothing to hold onto to prevent the fall.) 
As Grian moves, he’s overcome with lightheadedness that threatens dark spots across his vision. His own body is depleted, barely working. Starving. He grits his teeth, takes mental note of where the hideout is, and delves deeper into the forest all on his own anyway. (He has to. He has to.)
There’s something absolutely horrible about the way he recalls the best ways to forage for food in a pinch. It’s something Juni taught him. An ironic thing, to be taught survival skills by a person who never cared whether Grian lives or dies. A person who abandoned him so very easily, leaving him in a way that almost guaranteed Grian’s demise. (And yet here he is, pushing on.) (And he’s going to keep pushing, until he’s back at Scar’s side. Until he knows Scar is okay.) 
The only reason why he can now finally gather some scraps of food is because he has the cloak, shielding the violet hues of his feathers, enveloping him in muted tones that match the wintery deadness of the world around. He’s still careful as he stumbles around on unsteady limbs, crouching through his dizzy spells, trying to keep track of directions.
He makes it back to Scar, instantly welcomed by needy arms pulling him closer. Scar’s heart was tearing itself to pieces every second that Grian was gone, terrified. (What if Grian needs him out there?) (What if something happens to him?) (What if Grian never was here actually, what if that was all a weird fever dream, a lingering effect of too much magic and weakness potions?) (What if Scar is alone, and Grian’s also alone, and nothing will ever be fixed?)
Scar is insanely clingy after being separated. (Grian is too, to be fair.) With a chest full of heartache, Grian is aware of why Scar’s like that—that he’s afraid and guilty—but it does feel nice. It’s so very needed. Grian’s been alone and barely keeping himself alive through the horrors—the wounds and scars are there to show it—so when he has Scar back? He’s so desperate to reclaim that tiny fragment of safety. He keeps thinking it’ll slip through his fingers. That the moment he looks away, the moment he stops holding on, Scar will be gone again.
This all makes Grian’s repeated foraging trips that much harder, for both of them. 
At one point, Grian finds a better hiding place, but doesn’t mention it, knowing Scar wouldn’t be able to make the trip. It doesn’t need to weight on Scar, that pressure of failure; the last thing Grian wants is for Scar to push himself more when he already came so close to a complete collapse. 
And then there comes a day when Grian doesn’t return for far too long. Scar is worried sick, mind spinning with scenarios, each more horrible than the last, the anxieties taking over. 
What if Grian doesn’t return at all?
But he does. 
He comes back at the brink of dusk, coated in blood which, for the most part, isn’t his. (>> bonus ramble about that titled hunted <<)
No other incidents beyond that occur as they try to recuperate, pulling themselves together and trying to slot back into a semblance of normalcy, curled against each other’s side in their little, barely-sufficient shelter.
-- please stay --
They spend a couple of days stay put, Grian attentively fussing over Scar, chastising him whenever Scar feels like maybe he should help with things. Once Scar sleeps less and is more aware and awake, their new dynamic truly settles into place: the over-eager clinginess underlaced with guilt and fear and endless stumbling for reassurance. 
One night, Scar whispers a soft, mumbled string of words into Grian’s hair. He’s thanking the worlds, the gods, the fate, anything and everything, that Grian is alive. His fractured, fragile gratitude spilling out of him in a string of half-formed sentences that aren’t meant to be heard by the sleeping avian in his arms.
Except Grian shifts and, turns out, he wasn’t quite asleep yet.
Scar shifts his words, redirects them to ones that belong to Grian and Grian alone: a string of gentle praises. That Grian stayed alive, he was so strong, so brave. Scar is so sorry. 
And somewhere amidst it all: “Thank you for waiting for me. I’d never leave you, never, never—” (Except he did, even if unwillingly, unintentionally, unknowingly, and the reality of it is killing him.) 
Grian has that But you did on the tip of his tongue. It tastes acidic. He doesn’t want to say it.
Instead, he just burrows closer and tightly shuts his eyes. Trying so so so hard not to think about just how long Scar didn't even realise that Grian wasn't there.
Of course Scar tried to explain, over and over. That he was weakened, dizzy, confused, scared. But it just feels like hollow excuses on his tongue. It doesn’t change anything about it, about the fact that it happened. That he didn’t even know it was happening, until it was almost too late.
In the end, Scar’s intentions and his promises amount to nothing.
He often trails off. He feels like he doesn’t deserve to cover up the searing guilt with a pile of feeble explanations, his eyes drawn to the wounds and scars that litter Grian’s skin, marks that might’ve not been there if only Scar was around. A dire reminder that Grian could’ve died, and Scar would be none the wiser. 
He swallows down the excuses and tries to make up for it, to show rather than to speak the volume of his feelings. The reverent touches to Grian’s scars, his affection, his tight hold and kisses pressed into Grian’s hair.
Grian doesn’t know how to feel about any of it. It’s a tangled mess that feels too heavy and painful to untangle. 
During his time alone, he didn’t know if he got abandoned, or if Scar got killed. Somehow, those seemed like the only options in his mind. To have it turn out that Scar was tricked away from him—tricked so easily—that he didn’t mean to abandon Grian, and yet failed to realise that Grian wasn’t by his side for days… 
Scar finds himself apologising frequently, quiet, somber. But Grian doesn't really want those apologies. They don't make it stop hurting. They don't put lid on that thick, overflowing uncertainty that took root in his soul. 
Whenever his feelings slip and spiral a bit too much, he keeps begging Scar to stay. He pleads for him to not leave him again, in a choked, broken, terrified voice. 
He tells Scar he won't be able to take it the second time. He won't, he won’t.
That breaks Scar’s heart. It’s suffocating, absolutely horrible. Scar can’t even vocalize a decent response. He just shakes his head, holds Grian tighter, and weeps.
-- a familiar face --
It takes Scar a while to realise just how traumatising the whole thing was for him. Because it was more than just being terrified of losing Grian or overexterting himself. He was basically kidnapped. Tricked. Poisoned. His trust betrayed in such an absolute, irrevocable way. And the worst part of it is that Juni used Grian’s face to do all those things to him. 
It keeps tripping Scar up, in unguarded, jolting moments. He finds himself sweepingly overcome with doubt, abruptly terrified that this is all a lie—that he’s still with the wrong person, being strung along, stuck in a trap he doesn’t know how to escape. 
When Grian offers Scar some water, Scar finds himself hesitating. Should he drink it? What if it’s dosed with weakness? Is this just another trick? — But he doesn’t know how to check. He can’t touch Grian’s feathers. He can’t ask.
He can’t admit he’s not sure.
Grian searches Scar’s eyes, confused why Scar wouldn’t take it from him. He calls his name softly, a question that goes unanswered.
But he thinks he knows. 
He knows, because Scar looks at him with the kind of unsure, frightened expression teetering on distrust that could only be rooted in one cause.
So in the evenings, Grian slots next to Scar and talks. About Hermitcraft. About past memories and plans that never came to be. About things only he would know.
He aches talking about it, but once he connects Scar’s hesitation to the fact that the mimic was wearing Grian’s face (a fact that he hates; it makes him sick to his stomach, he feels tainted, violated in ways he can’t express), he knows he has to.
First time, it all comes out wobbly and fragmented. He doesn’t get far. He can’t. The memories hurt.
But he keeps trying.
It makes Scar feel so much better. He holds Grian close and whispers an emotional little “thank you.”
-- anchor, memories, and self --
One evening, all that Grian offers is a quiet, sorrow-riddled “I miss Mumbo.” Just that. (It has to be enough.) (He doesn’t want to keep talking.)
It makes Scar choke-sob a laugh. It’s so sad, but it’s so honest, and familiar. (He misses him too.) He nods, and lets the confession linger, fill up the space between them where another person should be.
Grian curls against him, falling silent. Sad. Clingy.
They don’t say anything else that night.
But the issue persists. Of course it does, Scar himself still wrangling with the aftermath of everything, processing it and trying to find his footing. To look at Grian and really, truly understand who it is he’s looking at, without a sliver of doubt.
Grian hates that confused, searching look Scar gives him sometimes without meaning to. In little moments like when he’s tired, or just after waking up. Groggy from sleep that feels like a dose of weakness. 
It feels like something was stolen from him and Grian doesn’t know how to repair it. It just hurts. 
But he can’t keep talking about Hermitcraft to make it better every single time. It sets a vicious kind of pain alight within him, traps it in his ribcage for it to bloom and grow razor-sharp thorns, reminding him of everything they lost and aren’t getting back. He’s been avoiding thinking about Hermitcraft for so long, and now it’s here, pressing against the edges of his skull like wildfire.
It tastes like ashes on his tongue, like grief-drenched nostalgia, like everything he wishes to have back—every single person they lost along with their safety and home.
They’re never going to hear Mumbo’s awkward laughter again. They’ll never hear Doc grumblingly chastise them for being crazy and annoying. They’ll never see Pearl’s eyes crinkle in laughter, or Impulse’s eyes widen as they set some prank right at his feet. 
They’ll never again make silly meeting rooms and pointlessly huge builds constructed for no other reason than a whim. They’ll never run to each other with inspiration chasing in their footsteps, feeling free, toppling into their friends’ arms along the way. They’ll never again hear the sound of their laughter melding in with others’, mingling into one big melody that keeps them trapped in a mutual giggling fit.
Never, never, never.
It’s all gone, and remembering hurts.
He can’t keep thinking about that, day after day after day, even if it’s to keep Scar afloat. It would consume him.
So even though it seems like the best tool to prove to Scar who he is, and he’s always glad that it helps Scar feel calmer and more secure, ultimately making it worth it every time, it doesn’t mean it’s easy—not in the slightest.
So Grian tries to implement other things. Subtle little gestures. Nonverbal language that is still closely rooted in their own intimate experiences—namely brushing his fingers over Scar’s ear. 
And then he builds on it, adds to it, lends it some habitual intricacy like a secret code only the two of them will ever understand. Tracing the same swirly pattern under Scar’s ear with his fingers each time, then kissing the spot. (A little I love you ritual.) Interlacing their fingers while purposefully gathering the ribbon between their palms, or wrapping an end of it around scar’s finger. 
He tells Scar his favourite spots to kiss. 
He kisses them often, in a pattern.  
All these things, gathered like a silent plea. It’s me. Please believe me. I love you. Stay.
Scar adores this little ritual, but he also realises why Grian is doing it—that Grian knows Scar is confused sometimes when he sees his face. And it breaks his heart, because he never got it wrong before. He wants to believe he couldn’t be fooled in his right mind, but how can he be sure, after everything that happened? 
 Eventually, Scar says it. He grabs Grian by his cheeks, looks at him seriously, and instead of this dance they’ve been doing around the topic, he says: “I know it’s you.” 
He kisses Grian in that pattern they’ve come accustomed to. Kisses him on the lips. Keeps holding his face so so gently.
Grian tears up, gaze jumping between Scar’s eyes. Breathless and wavering, he shoots back a challenging but afraid, “Do you?” 
That breaks a stitch in Scar’s patched up broken heart. He swallows hard, but insists. “Yes, I do.”
“Okay,” Grian whispers, and it’s still so wobbly. So very raw and emotional. He closes his eyes and leans into Scar’s touch, and it’s so trusting. So giving. He wants this to be true. He wants this to keep being true. “I’m here,” he manages to murmur. He is here, and so is Scar.
Scar nods. “You’re here.” And he normally says “I’m here”, but right now it feels more important to show how sure he is that Grian is.
It sucks how easily that asuredness was overwritten. Scar never mistook Grian and Juni for each other before. (Not even before the mimic altered his appearance slightly. Those moments when he’d look like Grian, approach Scar and touch his arm. When Grian’d bristle from across the way, just barely out of sight. Scar always responded accurately. He always innately knew it wasn’t Grian.) (It soothed Grian then, to see that. To have that sliver of security when everything else felt so awful.) (And yet… And yet.) The one time it did happen, it was so devastating, and now they’re both left in the warzone of the aftermath, trying to pick up the pieces and rebuild something that could hold.
Because now sometimes when Grian touches Scar, Scar reacts slightly off. 
Because now Scar doesn’t know how to trust himself (or Grian) anymore.
Grian watches Scar slightly flinch, that miniscule, unsure, instinctive recoil, and he feels sick to his stomach.
But they’re in this together. They’re here, both of them, and they’ll keep building from ruins until something sticks.
-- scars and permanent damage --
This is also the time when they acquaint themselves with the permanent damage marks on their bodies. 
Grian has new scars, some of them facial. They’re something Scar is forced to see all the time, knowing he wasn’t there for it. Knowing they happened while Grian was alone, struggling, fighting for his life. (If Scar was there, maybe it wouldn’t have happened—)
They don’t have mirrors, only murky water at best. Grian doesn’t even know how his face looks like now, for a long while. He can feel the scarred skin, once it stops being too tender to touch, but he prefers to keep his hands off it.
Scar touches Grian’s face, though. Gently, tenderly. He caresses the wounded bits of skin. There’s sadness to it, but also determination and acceptance. Because it means Grian’s survived. It means Grian is still alive, and Scar is now here, and he isn’t going to let anyone else touch him again. (Or, he will do his best, anyway.) (Wounds are a harsh inevitability in this world, after all.)
Once Grian gets a hint of his reflection, staring at himself and hardly recognising his face—for multiple reasons—he traces a hand across his own cheek, in a pattern he recognises from Scar’s soft touch. Feels the difference. Explores the edges, everything that’s now going to be forever a part of him. (Until he dies. Which will probably be sooner rather than later anyway, he thinks.) 
He can’t exactly say he hates those scars—it’s not like he doesn’t love every inch of Scar’s face, scars regardless. But it still feels different and strange. Foreign. It makes him feel vulnerable. It makes him realise he’s been hurt, in some deep, irreversible way. (The ugly damage on his heart is finally visible—) He’ll never be the same.
He tries not to touch his face too much, or look for his reflections. But at the same time, he craves Scar’s touch against the parts of him that are so clearly broken and changed. Scar’s fingers are soft and comforting, filled with heartache. Loving, despite everything. And Grian needs that.
He’s so used to tracing Scar’s scars and kissing the pattenrs of his skin, adoring every single bit of it. But this? This is new to him. He feels unsure and shy, fragile under Scar’s fingertips. 
Scar’s vulnerabilities also get revealed at around this time. When they met up, Grian caught a frantic glimpse of Scar’s wings, but there was too much panic and choking emotions to really process and address it until later. 
Scar’s wings were torn to tatters months ago, and he’s kept quiet about it. Meticulously hiding them away from Grian’s sight, the secret heavy, burning through him like a lit coal. But Grian doesn’t know that—not at first.
He thinks that Scar’s wings got hurt while they were separated. While Scar was left with Juni. But as he thinks about it more… When was the last time he saw Scar’s wings?
Sheepishly, Grian asks Scar about it.
And Scar is forced to admit it happened a long time ago. That he was hiding it from him.
It stings Grian, the knowledge that Scar felt like he couldn’t tell him. That he suffered alone, tucking something so significant away. 
(And it’s true the circumstances of it all were horrible—when it happened, Grian certainly wasn’t in a state to process it correctly or deal with it; he was barely alive and in the depths of a rising fever. But there were still plenty of weeks and months since, when Scar could’ve taken the chance and tell him.) 
(He didn’t know how.) 
(Scar himself was afraid to face the damage. To see the tattered remains of his wings. To feel what’s happened to them.) (It was much preferrable to hide them and pretend it away.)
Softly, Grian asks if he can see them. (He wants to see it; he wants to bear it together with Scar; he wants to be there for him and show gentleness, especially because this is about wings of all things.) He instantly backpedals, saying Scar doesn’t have to—especially if it would hurt. 
But Scar does it before Grian can fully take it back.
It feels like a deep breath after holding it in for so long, but it’s also like a broken choke on that very same air; it feels so wrong to let them loose, but he does it. He shows Grian the extent of the damage, offers the vulnerable undersides of his shredded wings so willingly.
Grian half reaches out, then pauses. Looks over their state.
It’s horrible.
He asks, very quietly, if it hurts.
Scar’s heart leaps in his chest at that small reach, but then he pulls himself together and shakes his head. It doesn’t hurt. (Not anymore.) 
Grian retracts his hand, falling silent. He doesn’t want to touch uninvited, but he isn’t sure how else to show Scar some softness and comfort. He settles for leaning in and pressing a kiss to his jaw.
It feels like an apology, and like love. 
His hands wrap around Scar’s torso and he buries his face in his shoulder, simply holding him. He asks, muffledly, if they will heal? Do vexes heal over time? Scar has plenty of scars on him, but his wings are technically made of magic, so maybe they’re different?
Scar doesn’t have the answers to those questions. He doesn’t know.
Grian hugs him tighter around his middle and kisses his shoulder. He thanks Scar, for pulling them out at his request. For showing him. (There’s a lump in his throat that tells him that Scar hid this from him, for so long. He swallows it down.)
Scar mutters a quiet “Of course.” 
Slowly, he’s realising just how much he wants Grian to touch his wings, but he has no idea how to ask for it when it’s something Grian can’t fathom in reverse. He can’t bring himself to ask, but he opts to wrap his wings around the both of them, even if they’re broken and offer practically nothing. (And, truthfully, it does hurt a little to strain them after all the time of them being put away with unhealed wounds, but he needs this.)
Grian shudders, taking a choked breath. He presses himself closer against Scar, trying to navigate the abrupt onslaught of emotions. Something about hurt wings and vulnerability and pain, and— The feeling of wings wrapped around him is so comforting, even despite their state. Even despite everything. His brain goes a bit haywire, thinking flock and protection.
-- kindness that persists --
They eventually talk about Juni. Little fragments of conversations that feel like tripping over uneven ground. 
Scar admits he doesn’t know what the mimic wanted from him. If it was security, or something else entirely. He’ll never really know. 
At some point, Grian asks, quietly. “Is he dead?”
Scar sighs, not sure how to feel about his answer. “... No.”
It’s a weird and unpleasant mix of feelings for them both. 
Part of Grian wishes the mimic was dead—it would end some of the anxiety. But of course Scar didn’t do it, and another part of Grian is immensely glad for it. There’s something incredibly soothing about how much of Scar’s humanity remains intact despite everything this world throws at them. But even then, the awful feeling in the pit of Grian’s stomach remains, acidic and conflicted. 
Because if the mimic is alive, he might return.
Because as long as he breathes, this might not be over.
Scar feels vile, admitting Juni is alive. It’s the first time he’s ever felt sick about not killing someone. Because what if not killing the mimic means failing in protecting Grian? It leaves too much room for this to come back and harm them again. 
Being soft is what got Scar into this situation to begin with. Trusting too much, giving too much. 
He felt sure about it before. Relieved he didn’t kill him. But what if he should have? Because that was once again being too damn soft and maybe he shouldn’t be.
He becomes quieter again after this. Feeling like he needs to try to be stronger, less like himself. His vex instincts rumble beneath his skin as he spirals, urging him to kill anything that threatens him and his partner.
Scar is convincing himself softness truly is a weakness. That he needs to change.
One night, he’s swelling with too many emotions as he holds Grian tight—guilt, affection, a little bit of doubt again. His chest flickers with blue light, a sign of distress, and he croaks out, “Am I—” What’s the word even? Weak? Too kind? A fool? He goes with, “Do I need to change?”
Grian squirms in his arms, peeks up at him. “No, Scar. No, nono.” His voice is stitched through with a mixture of emotions—urgency and confusion, a soft shushing and deep, rich tenderness. His fingers gently brush Scar’s face and he presses a kiss to his jaw. “Don’t change. Be my Scar. Not somebody else.”
Scar’s eyes well up with tears and he ducks his face into Grian’s shoulder, breath hitching with a sob, overwhelmed by an abrupt tide of feelings—especially upon hearing the words my Scar. It makes him ache, but in a good way.
Grian wraps his arms around him and lets him cry. He caresses and kisses his hair and murmurs soft, reassuring things to him, hoping to make it all at least slightly more bearable. To anchor him somewhere safe. Somewhere where Scar can remain himself, despite all the horrors that suffocatingly pile up on them.
Scar’s voice is small and muffled against Grian’s sweater. “What if… I get us hurt?” There’s a shaky breath afterwards, sounding quite a bit like a choked “Again.”
Grian holds on a little tighter. “It won’t be your fault.” It would be the world’s, and those who actually hurt them. He needs Scar to understand that. With another kiss pressed to Scar’s hair, he pulls away slightly, urging Scar to look at him, to meet his eyes. “I need my Scar. I need—” He chokes up a little, his vision turning blurry. 
Instead of finishing whatever he was going to say, Grian leans forward, pressing their foreheads together. Murmuring a small apology that all this pressure was on Scar. Promising he’ll do better, that it’s the two of them against the world—that Scar isn’t alone in this fight.
Scar doesn’t want Grian’s apologies, but… he likes this way of putting it. Them against the world.
He doesn’t need to lose his kindness. He just needs to focus it on the only person who matters.
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13eyond13 · 8 months
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love it when a character that's hard to read intuitively for you has like a dedicated fandom interpreter who can just glance at their blank face in a panel and then give you a 3k word essay on their innermost thoughts & desires & fears and neatly tie it back into the themes & whatnot as if it's the most obvious thing in the world
#im talking about griffith btw#guts i feel i get intuitively - maybe because i have some personality traits in common with him#and we get more about his life concretely told to us in canon. so he is a bit easier to pin down as a character and feel attached to for me#but whenever i was reading the manga i just kept wanting more insight about griffith's actions and feelings#like ok yeah its fun to have mysterious antagonists and suspense /tension etc but its also fun to feel like you deeply understand them too#and i felt like that was a bit missing from him for me in canon#so reading about him in analysis and fics is the most fun for me rn#he always felt kinda half unreal to me- which maybe was the point of him - but i wanted a bit more about his childhood or something?#and wished we had more stuff explicitly from his pov in the story to read or explanation about his transformation or wtv#and now he's so much more closed off to me even than he was in the golden age. i keep waiting for him to explain stuff and he does not#ANYWAYS all this rambling to say some people out there are very good at interpreting him and making his like. insecurities#more obvious to me bc i didnt really get that side of him from canon intuitively well#also im really enjoying reading the first few berserk fics ive read#there may not be a ton of them out there but there is def writing talent in the fandom#i'll share some recs once i'm done sifting through most of what's out there to read#also (not to tie everything back to death note but it IS my home fandom after all)#i feel griffith is obvs the more light-like character here and L maybe a bit guts-like? but unlike berserk in death note#light is the one you get to know best and L is the mysterious / unreal one you don't get a lot of concrete insight into#and in the DN fandom I can read the more mysterious character intuitively but had to warm up to the less mysterious one instead#and the mystery of L makes sense to me and doesnt bug me as much due to like - he HAS to hide a lot about himself or else he will die lol#so some similarities there but also some opposite feels as well#berserk spoilers#p
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damnation-if · 4 months
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hey!! can i ask for a color palatte description for the ro's? like what their hair/eye colors are?
hope you're having a good week 💙💙💙
Hi!
I spent a long time putting together a graphic for this before I realised that you asked for just a description haha... oops. well. here is the graphic anyway XD
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If you're looking for a link to the page with more general descriptions, there are some on the RO's page.
Very sorry for the delay in replying! My life is. hectic. smdnfgbsfgf
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lavenoon · 1 year
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This started out as cat mirroring and fluff but unfortunately for Eclipse a lot of my trapcards have their origin in the first half of the 20th century and I'd like words.
@naffeclipse someone save him
*self insert Aster is not a girl (he/ she)
og detective au by sunnys-aesthetic!
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beesinspades · 1 year
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happy pride month from vash the stampede!!!! 💜 seeing all the ace vash art makes me so happy I wanted to contribute!
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crystallizsch · 4 months
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And here I am bringing yet another song that reminds me of ur ocs sigh... Well, kinda, more like a relationship your oc has with someone 😭
I do not want to force u to ship Yuuna and Riddle, let me just get this out of the way😔 In fact if you wanna use this you can use this was just Riddle's little unrequited love for Yuuna<3
Anyways enough😭 ok so one of my favorite singers, Laufey, released a song a while ago called Must be Love and it's just??? So Riddle?? Like it's very Riddle falling for Yuuna kinda thing...
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Like especially these two parts... Yes it made me think of him because of the word "Wonderland" but listen!! It's so funny (and cute) to imagine people asking Riddle why he's so distracted and the reason being because he just can't help but be entranced by Yuuna🥺🥺 and the fact that he's so strict with himself and others and now he just acts so dumb and lovestruck because of them
ARHHHHGGG I HOPE IM MAKING SENSE
And then she rejects him😀 oh well
AARUGHH NOOO THAT'S SO CUTEEE
I GET YOU I GET WHAT YOU MEANNN
THE LYRICS ARE ALL SO RIDDLE
like any mild mention of yuuna or reminder of them would get him all unnecessarily flustered and defensive and he doesn't know why at first
and then he finally realizes "oh no" he like likes yuuna
You made a sappy stupid something out of me The kind I swore I'd never be
AUDSGHDSKJFLKD
ALSO SMALL TANGENT. THAT REMINDS ME OF THAT ONE SCENE IN BOOK 2 OF RIDDLE FIXING THE PREFECT'S TIE WHICH GOT ME INTO RIDOYUU IN THE FIRST PLACE
AND IT DIDNT HELP THAT THE MANGA ALSO MADE IT SO CUTE
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(YUUNA DOESNT HAVE A TIE AHHH SO HE'S FIXING THEIR COLLAR INSTEAD)
RIDOYUU IS REAL (i am delusional)
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okay anywaysss i kind of. did a small comic (+ some extra ramblings) of the confession under the cut ----
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i’m still debating on whether i want riddle to already know hes gonna be rejected bc of a reality check from ace/deuce/grim
or if i want him to find out all by himself
because with the first one it’s a slow buildup and dread knowing the answer and when he finally receives the confirmation, riddle allows his heart to 100% break and finally come to terms that there isn’t going to be that kind of reciprocation from yuuna
for the LATTER, I want it to be like he mistook their friendliness as them undoubtedly having the same feelings, like he’s so certain about it. "they're acting this way towards me, so why not?? they'll give me a chance. I'll just make the first move" but he's still nervous, of course, but when he got rejected, it completely upended him because all of what he thought he had misinterpreted. of course he wouldn't blame yuuna for it, he would be more upset with himself for not being able to get it right and assuming in the first place
but EITHER WAY it's good good yummy angst
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simgerale · 5 months
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CHAPTER ONE ; 1/3
TRANSCRIPT:
[sounds of swords clashing and rowdy cheering]
geordie: Your highness, apologies for the intrusion, but her majesty has asked me to remind you of the time.
killian: [panting] The time? And what exactly is the time?
g: Half past noon.
k: So she wished to inform me of my tardiness. Thank you, Geordie. I will be with you shortly.
---
k: Am I the only late one?
g: I am afraid so. Even the princess arrived promptly.
k: Drat. Dara will never let me live it down. The one time I lose track of the hour…
g: No matter, your highness. Soon you will be Knight Captain and have plenty of excuses for tardiness.
k: I sincerely hope not. I am perfectly satisfied with my rank.
---
luca: There you are, at last.
k: Apologies, apologies. What did I miss?
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compressedrage · 3 months
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Hey y'all remember that series that kind of happened a few months ago where I was rewatching AvAM and giving my thoughts and such?
Well it's back. Hi :)
The last one of these I did was Monster School, wow. In May, good grief. Okay here we go–
The Raid: Episode 29.
This episode is awesome because we get to see Yellow and Blue! The beloveds! I have feelings about them and love them very much!
I've talked about this before, but they are so ready to help. They just escaped death by disintegration and gained an immensely powerful block, only to be met with more danger. Instead of turning around and escaping a different way, they get captured and decide to help. They're so selfless.
I love how when Yellow gets dragged off to make his own command staff Blue balks for a moment, before jumping in and taking charge. He immediately sets them up for success the best he can– crafting weapons, sending the villagers out to mine for resources, and even training the villagers who wished to defend their village. He's actually a really good coordinator. I'm so proud of him.
Here's the thing: often scientists/inventors in stories either don't believe in magic or are skeptical of its usefulness. Yellow, however, is not. His reaction to the cleric enchanting the staff is one of pure awe. He wields it with reverence and respect.
(side note: do you think those effects he gave to the three villagers ever wore off? they didn't seem to be on a timer after all...)
The integration of the Titan Ravager is genius, let me talk about it for a minute. Not only is its design amazing, but it serves as a parallel to King. Dead loved one(s) resulting in fear/bitterness, and then leading to seeking revenge. Someone help me.
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