#also I’ve seen a lot of concepts where the masters hate or look down on Stephen

[mysticcoffeecat]

Re: Post-COVID Stan and his Job, a Kind-Of Defense:

Soooo I know a lot of folks aren’t too happy about the fixed/final timeline’s Stan’s future job in the Space Force, and I get it. But I’d like to argue that it isn’t as far off base for his character as many folks give credit for. I’m not saying it’s the perfect job for him, but it’s not completely off-base, and I really do think the creators gave careful consideration to his job here.

Before I explain, first let me say that I do understand some of the frustrations and wish they would do some type of episode about the Space Force with Stan as a kid to establish his interest in it, or at the very least in a government job. It’s not like Stan hasn’t been to space before or had Space themed episodes (pinewood derby being a very underrated episode), but the Space Force is such a ridiculous concept that it could be a funny episode and parody and could help the ending of Post-Covid feel more well-rounded. They could have an episode where Stan has to get rid of the Space Jail his dad had created and dealing with the Space Cops or some shit like that.

I’ve seen some discourse asking why Stan couldn’t have been a musician or a vet due to his love of animals. To answer that - I think it’s very realistic that Stan didn’t end up a musician. I’m just going to leave it at that. Most people don’t make it in the music industry, and I really don’t think Stan would take it that seriously as an adult to try to navigate that. He’s not that naturally passionate. I think he’d more likely keep it as a hobby. It’s just the reality of things (though I think a fic in that direction would be valid and interesting. Lmk any fic recs for that).

As far as being a vet goes - look, I love animal lover Stan, but let’s think this through logically. He loves animals, and it’s adorable. But that’s exactly why he would HATE being a vet. It’s canon that Stan doesn’t do well with blood, and it’s canon that Stan does not do well with animals being in pain. Being a vet literally combines those two things together that Stan viscerally hates. He’d love being able to be around animals, sure, but he would hate having to perform surgeries/see animals suffer. It would deepen his depression, and he would be too queasy to handle it according to canon. Again, it’s one thing to see this in a fic and I think that would be cute. But in a canon episode? That would make no sense and would be contradictory to several established character points.

So if being a vet or a musician are off the table, where does that leave us? What are some of Stan’s strengths, or some things we know about him that would translate well into the professional field?

Well, we know he loves board games (this is not a one-off from an episode, there are SO many instances of Stan and his complicated board games, whether they being showcased in the background of his bedroom, or him playing them)- and these are not surface-level board games like Settlers of Catan (which I can totally see him looking down on as a ‘way too easy and therefore boring game’). We’re talking about games that take grown adults years to master, let alone learn the complex rules. Not sure how many of you have delved into these types of games he likes, but some of those games are almost like learning a whole new language, and the amount of strategizing you do in the types of games he likes is very high (and we know that Stan can strategize/think quickly on his feet well).

His skills in board games translate into how he navigates the world pretty well. We also know that he shows high critical thinking skills (sometimes to the point of being too critical. Him being diagnosed a ‘cynical asshole’ by a doctor wasn’t just because of the depression- he kinda always has been one to an extent, even before that episode) and very easily sees through bullshit. He also is very adaptable with natural leader skills and is good at adjusting to his environment physically, so I have no doubt that he would be able to learn about, say, working a spaceship.

Basically, a lot of Stan’s strengths that I think are often slept on in the fandom overall are all the things that would translate quite well into some type of military or government intel analyst role. The ridiculousness of the Space Force also aligns with the ridiculousness of South Park in general 100% (there’s so much satire potential there). It also just went well with the political climate of the time the episode aired.

Fun fact: according to his uniform, he appears to be a Chief Master Sergent, which is the second highest enlisted rank possible. He also has an insane amount of awards on his uniform.

One of Stan’s weaknesses is that he has a lack of motivation. I can absolutely see him being unsure of what to do in life but not wanting to be like his dad and joining the military to help at least give him guidance/something to make of himself in his life when he lacks the motivation/structure to think of something himself. And then I can see it evolving from there as he joins the military/how it adapts to his own natural skills. I also think he would secretly like the status he would gain from ranking high up.

Btw this is kinda off topic but I completely head-canon that Craig also works in the Space Force with Stan. Also, Stan is not short (look to the screenshots). . Looks to be the tallest of the main four, followed by Kyle, Kenny, then Cartman who is quite short.

[sjjdkdkwo]

Based off this prompt (#735) from @ironstrangeprompts

——

“Slick his hair back!”

 “No! No! It looks better down!”

“Ugh! Absolutely not! And what’s with that tie!? I thought we agreed all black was the best choice!”

 “He’s going to an auction not a funeral, you fool!”

 “I say we forgo the suit all together and have him go casual!”

 In all his years practicing the mystic arts, Stephen never once thought his vocation in sorcery would one day lead to him standing half naked in a room surrounded by various old men giving him fashion advice.

 “All of you, quiet!” Wong called out amongst the commotion, silencing all the residents in the room at once. “Besides, what he wears is the least of our problems. What we need to worry about is his seduction skills, or should I say, lack thereof.”

 Wong eyed him disdainfully, crossing his arms and shaking his head at him. Stephen scoffed, spreading his arms out in indignation as the masters around him flittered about.

 “Well he’s going to have to learn soon, or we’ll never get the relic.” Master Dee said as he circled around Stephen, leering over him and reaching out squeeze one of Stephen’s biceps. To the other side of him Master Lhamo leaned in to squint at Stephen’s bottom from behind his glasses—and gave it a firm pinch.

 “Excuse you!” Stephen cried out, jumping away from them as he turned a bright shade of red. “That’s enough! I will not be subjected to manhandling for a relic that — in case you needed reminding—for all we know could have been rendered nugatory after years of obsolescence!”

 “Need we remind you, that regardless of whether or not the relic is still functioning—“ Master Zam growled, his tone leaving no room for argument. “—If whoever gets their hands on it finds a way to get it to work again, they could potentially wipe out all existing life as we know it!”

 Stephen sniffed, turning to look away. Logically he knew the masters were right, now that they’d been made aware of the relic and what it could do, it was of utmost importance that they retrieved it before landed in the wrong hands. The only problem was it’s current location and keeper—the Maria Stark foundation. Worse then, they’d come to find out that not only did the MSF hold proprietorship over the relic, they were looking to auction it off to any bidder with enough money to get it too.

 The even bigger problem with that was that the order was, for lack of a better word—well, broke. So painfully and terribly broke.

 Realizing this is what had brought forth their current plan into fruition—the seduction of Maria Stark’s only son in order to retrieve said relic; Anthony Edward Stark. Unfortunately for all of them however, their plan was proving harder to carry out than they’d at first perceived. First and foremost was the fact that the idea of trying to trick Tony into developing any sort of attraction toward him under false pretenses, didn’t sit well with Stephen. At all. Secondly, there was also Stephen’s shortage of dating from now to all the way back to the days of the accident. It wasn’t really that Stephen lacked the proper skills to charm the pants (literally) off Tony Stark, per say, rather that he lacked the ability to carry them out through his new withdrawn and modest disposition. Which is how he had ended up here, enduring dating tips from people older than the Hindenburg disaster.

 Stephen sighed and pinched the bride of his nose, nodding and plastering on a sardonic smile as he looked around the room. “Very well. Please. As Wong said, I need all the help I can get.”

 “Bah!” Master Tenzin cried out, smacking his hand across Stephen’s back with a bright laugh and causing him choke on his own spit. “Don’t you worry, Stephen, I’ll have you know I was quite the lady charmer before my days in the order. Why the women practically swarmed toward me like bees to honey!”

 “More like flies to dung.” Master Dee sniggered beside him, elbowing Stephen in the side as he laughed—it seemed neither of them new the meaning of personal space.

 Stephen could only offer him a wry smile in return as Master Tenzin waved the other man off, stepping in front of Stephen instead.

 “Hush, you. Now, pretend I’m Stark, young, handsome and ready for the taking.” He said, reaching up a hand to floof his imaginary hair while sticking his hips out seductively.

 “I think you mean ancient, ugly and ready for the grave!” Master Dee called out beside him, trying in no way to hide the obnoxious laughter that followed.

 “You shut your mouth! Stephen needs to focus if he wants to score tonight.” Master Tenzin rebuked, shaking his fist in resentment at his fellow master before looking back to wink playfully at Stephen. “Pay him no mind, Stephen. Just focus on me. Now—” Tenzin’s voice lowered down an octave before he spoke again. “What’s a big strong handsome man like you doing here, hmm?”

 Stephen shuddered in disgust and turned to glare at Wong who merely shrugged. Maybe the destruction of all life in the universe wouldn’t be so bad after all.

  —

 After three long tedious hours of role-playing with Master Tenzin, (along with rude commentary from Master Dee) Stephen was even less sure of himself than he had been before as he stood between the crowd of gala attendees. After almost bumping into the fifth person that night in trying to look for Stark, Stephen opted instead to make his way to the bar. Only to actually bump into someone just as he was about to reach the counter. spilling the person’s drink all over them in the processes. Fantastic.

 “Fuck, I’m sorry.” Stephen mumbled, clumsily trying to wipe down the other person’s shirt with shaky hands. He hoped the tremors weren’t too noticeable, but he also knew his sudden nervousness was only making them worse. “I didn’t mean to—let me—if there’s anything I can do?”

 Stephen winced at his lack of eloquence.

 “Maybe stop trying to do whatever this is? Pretty sure you’re making it worse.” The person chuckled, and Stephen finally decided to look up from his poor attempts at cleaning up his mess, only to find none other than Tony Stark himself. “Another drink wouldn’t hurt either.”

 Stephen could only stare dumbfounded as he tried to say something in response. Retracting his hands he finally settled on: “You don’t drink.”

 Tony raised a brow, pursing his lips and nodding. It wasn’t a secret these days that Tony Stark held an aversion towards alcohol after years of battling substance abuse. Still, Stephen didn’t think stating obvious facts about the man to his own face could be counted as flirting. It seemed Tony agreed, if the amused expression on his face was anything to go by. “Alcohol, yeah. But…I wouldn’t say no to some water?”

 “Right. That was um…” Stephen swallowed and tried to remember what the masters had told him prior to coming to the event. All at once their words swarmed his head in a bewildering mess and Stephen tried to pick out something suitable from the muddle of instructions. “Your eyes are as hard as your body.”

 Stephen wished each of the masters a terrible case of bowel obstruction that night.

 “Excuse me?” Tony asked, furrowing his brow as he tentatively stepped back an inch. “I think your the one who ought to worry about his own drinking habits, pal.”

 “No, please—“ Stephen’s hand lifted slightly before he thought better of it and kept it firmly in its place at his side. “Sorry its just, been a while since I’ve been to one of these things. I guess you could say I’m nervous?”

 Tony’s face softened a bit before he placed a gentle hand on one Stephen’s shoulders and guided him to the far off left side of the bar counter, and away from everyone else. “Well, lucky for you I spend nearly half my time at these things. Allow me to help you settle back in.”

 “Thanks.” Stephen mumbled, turning to call over the bartender only for Tony to brush him off and order for them himself.

 “Water and…?”

 “Water.”

 Tony squinted dubiously at Stephen, repeating his words to the bartender before looking back at him. A moment of silence passed before Tony started to drum his fingers against the counter. Stephen strategically kept his own hands tucked between his thighs.

 “So, not much of a drinker yourself, then?” Tony asked, flashing Stephen a blithe smile.

 Not if I want to be in control of my magic, no. Stephen thought.

 “Not for a while, no.” He said aloud instead. “Sorry, how rude of me, I just realized I haven’t even told you my name.”

 He didn’t reach out a hand for Tony to shake; he didn’t need yet another person’s pity after seeing the state of his damaged hands. “I’m Doctor Stephen Strange.”

 “Tony Stark.” The other man responded easily.

 “I know that.” Stephen smiled.

 “Maybe, but I’m trying not to assume things like that these days.” Tony said, muttering thanks when the bartender came over with their drinks. “Correct me if I’m wrong however, but last I heard Doctor Stephen Strange disappeared off the map completely after a rather nasty car accident. Or am I thinking of another Doctor Stephen Strange?”

 To the onlooker Tony appeared to be nothing but carefree and relaxed in his current company. But Stephen could see the way his body tensed just so, and the suspicious gleam in his eye as he smiled tersely at him. Ever the futurist indeed, Stephen wondered if he’d bumped into him on purpose to better survey him. Stephen couldn’t blame him though; he could only assume what kind of paranoia’s followed a man who’d been kidnapped, betrayed and attacked all in half a lifetime. Even so, Stephen found himself unwilling to reply, his own insecurities and fears teetering around the edges of his mind, besides; perhaps it was best to let Tony take the lead in things. Maybe the spurious sense of control would be enough to aid him in accomplishing his task of retrieving the relic from the other man.

 “So tell me, what are you doing here, Doctor Strange.” Tony continued after a beat of Stephen’s silence. Reaching over he picked up his glass to take a sip, eyes never leaving Stephen as he did.

 “I’m here for the auction like everyone else.” Stephen answered mindfully.

 “Really now…” Tony dragged out the words as a heedful smirk made its way over his features before his gaze roamed over Stephen’s face, looking for any signs of ambiguity. “I can’t help but wonder how you’re even going to partake in tonight’s main event, given that you’re broke now and all.”

 Stephen sucked in a harsh breath and tried not to let the flippant words get to him. He still had a job to do regardless, and if that meant putting up with Tony’s glib attitude then he had no choice but to accept every word thrown at him. He closed his eyes and counted backwards from ten before opening them again to look at Tony with his best enticing smile. Leaning forward he settled his mouth against Tony’s ear, just scarcely brushing his lips over his lobule.

 “If you take me somewhere more private, I could show you.” He whispered provocatively, enjoying the sound of Tony’s breathe hitching as he made out the sight of the man’s body shivering from the corner of his eye. “What do you say, Mr. Stark?”

—

 Stephen cried out as Tony all but flung him onto the bed, and leaned over him to press desperate kisses against his neck. Stephen moaned softly, trying to press back against Tony when he felt the other man grind down against him until a sudden feeling of revulsion and erring washed over him.

 “Stop.” He cried out weakly, shaky hands pressing up against Tony’s chest. “Stop...”

 “What?” Tony murmured against the side of his face.

 “I said stop. Please.” Stephen said, louder this time.

 In an instant Tony was crawling off of him, moving to his side and giving him ample room away from him on the bed. His face was scrunched up in overt worry but Stephen found he couldn’t look at him in that moment, instead turning to look at the ceiling and reaching up to cover his face in his hands.

 “Hey, you ok?” He heard Tony ask quietly from the other side of the bed. Stephen also heard him slide off it after a long pause of silence. “Right, ok. I’m sorry, really, I just want to know if you’re ok. Or…do you want me to leave? Cause I can leave if you need that, just say the word and—“

 Stephen let out a pitiful laugh from behind his hands before whining in self-pity. “No, it’s not you. I just—I’m sorry but I can’t do this to you.”

 “Um, I’m pretty sure I wanted this.” Tony chuckled nervously. “Like, really wanted this.”

 “That’s exactly the problem.” Stephen mumbled.

 “How is that a problem?”

 “Because I’m using you.” Stephen said, pulling his hands away and pushing himself onto his elbows to look at Tony dejectedly. Tony made a non committal hum, cradling his chin with his fingers as though to appear deep in thought.

 “Maybe, but you know, I’m pretty fine with being used by you.” Tony grinned, still flushed from his earlier tumble with Stephen.

 “You don’t understand.” Stephen shook his head. “I’m supposed to be getting your mothers vase.”

 Tony blinked stupidly at him before slumping back against the wall with a bemused expression.

 “Huh, that’s a first.” He muttered under his breath. He nodding like he knew exactly what Stephen was talking about. “So what, you figured the best way to do that would be to sleep with me?”

 Stephen could see the mental hurtles he was going through in that moment and decided to take pity on him.

 “Not me, it was actually my colleague’s idea.” Stephen said as he got off the bed and bumped his hands twice together before twin mandala’s sparked to life in front of him and submerged the room in a soft yellow glow. Before he knew it, the blue flare of one of Tony’s repulsors’ was merging with the phosphorescence of his magic to illuminate the space around them as well. 

 “You have about ten seconds to explain before I turn you into dust particles.” Tony bit out harshly, any traces of nonchalance and playfulness long gone as he aimed the repulsor straight at Stephen’s face.

 “I’m not here to cause trouble.” Stephen said, his own features taking on a more serious note.

 “One.” Tony countered.

 “But you have to listen to me, the fate of the universe depends on it.”

 “Two.” Tony continued. “Three.”

 “Please! The vase you’re auctioning off tonight, it’s not just any antique decoration!” Stephen tried to cut to the chase, but there was so only so much he could explain under Tony’s impossible time limit. “It’s an ancient artifact that could destroy all life as we know it!

 “Four, five, Six…”

 “Stop that!”

 “Seveneightnineten.” Tony finished pointedly before his frown deepened. “Time’s up. Sorry, but that’s a bullshit excuse if I ever heard one. And I’ve heard a lot.”

 “Please! Just give me a chance to prove it to you! That’s all I ask!” Stephen pleaded; firm and steady even with Tony threatening his life.

 Something in his expression must have exuded some semblance of sincerity—or perhaps it was more like desperation— as Tony lowered his arm some, analyzing Stephen through his suspicion like before.

 “Let’s say I do believe you—“

 “I should hope so.” Stephen murmured. Tony lifted his hand back again, flashing the light of the repulsor directly into Stephen’s eyes once more. “Right, not the best time to joke around.”

 Tony let out a sarcastic chuckle, smiling at him snidely.

 “Great observation, Merlin.” He taunted. “Anyway, even if I do decide to go along with this, how the hell are you going to prove to me that, that vase is some sort of evil portal or whatever?”

 Stephen fought back the urge to correct Tony’s statement and forced himself to swallow his pride. He offered him a jaded smile in return and lowered his hands in hope of manifesting the appearance of solidarity between them.

 “If you take me somewhere more private, I could show you.” He repeated his words from earlier, softer and lighter this time around.

 Tony lowered his arm, brown eyes easing with back somewhat into their familiar teasing vigilance. He smirked apprehensively at Stephen, letting his gaze rake over him in intrigue. Almost as though he was being presented with a new and exciting and project. Stephen supposed he was. He didn’t move as Tony walked over and leaned in close to his ear like he had done to him before.

 “Do me wrong, and you won’t live to regret it.” He warned harshly before his tone took on a huskier tone. “Do my right, and maybe I’ll let you do me in other ways afterwards.”

 Stephen let out a shaky breath. He was definitely going to rub this in the masters, and Wong’s faces once this was all said and done. For now, he’d gladly work with Tony to retrieve the dangerous artifact and move on to more pressing, or rather, pleasing matters.

[musclesandhammering]

Every Single Issue I Have With S*lki (It’s Not Just The Selfcest)

Here goes. I threatened to post this a few days ago and never did, but I just saw a s*lki stan Twitter account claim that Loki caring about Sylvie more than the whole multiverse was a Good And Romantic thing and it pushed me over the fucking edge, so now you all have to read this. I’ve divided it into categories cause there’s just THAT much.

OOC Bullshit

• First and foremost, no amount of mental gymnastics you do will ever make me believe that this specific Loki- the one that just invaded New York, that just came off a year of Thanos Torture, that just got done being influenced by the sceptre, that was literally in the middle of a crisis already, and then on top of that went through all the trauma of Ep 1- would even be worried about a romantic relationship. That would be the furthest thing from his mind. Go back and watch how he acted in Avengers- you think that guy would abandon his previous mission to become a snivelling simp for a girl he’d just met 3 days prior? Yeah, there’s no universe in which that makes sense.

• “It’s very in character for Loki to fall in love with himself lololol-“ NO, it’s literally not. Out of all the characters in the mcu, I don’t think I can think of anyone that genuinely hates themselves more than Loki. He even referred to all his other male variants as “monsters” and said meeting them was “a nightmare” in this series. He’s got so much self-loathing, plus the fact that he genuinely thinks himself to be an evil backstabbing scourge- so there’s no evidence at all suggesting that he would ever develop a fondness for, or even be inclined to trust, another version of himself, after only knowing them for 3 days.

• Building on that, the whole concept of Loki falling in love with a version of himself just feeds into the annoying ass misconception that he’s a narcissist. No matter which way you stack it, he’s not. If you’re referring to NPD, he doesn’t fit the criteria, and if you’re saying “narcissist” just as a slang term meaning “selfish and arrogant”, that still doesn’t accurately describe him. But when creators like Waldron and Herron do things like having him fall in love with himself, it makes it so much easier for casual viewers to think that he is.

Shitty LGBT Rep

• It’s kinda sus that Loki’s are allegedly genderfluid and yet the only female-presenting variant we see (and apparently the only female-presenting variant there is, cause the male Loki’s all seemed unfamiliar with the concept) is treated as some kind of mind-bogglingly special paradox. Also very sus that, out of all the Loki variants, the one our Loki falls in love with just so happens to be the only female one. What a coincidence.

• The fact that the creators of the show went around bragging about Loki’s bisexuality and Marvel purposefully (lbr) allowed stories about Loki possibly having a male love interest to circulate, specifically enticing queer viewers to watch the show (you know, the definition of queerbaiting), and then instead of having a male love interest (Loki was the first queer main character, so it was the perfect opportunity) they gave us *gestures to this dumpster fire* this… it’s just a middle finger to LGBT fans. The fact that they would rather have this relationship with all its myriad of problems than have a gay relationship is just……. Very telling.

• While him being with a woman obviously doesn’t refute his bisexuality, the fact that they showed/talked about him being interested in 3 different women (flight attendant, Sylvie, Sif) and never even hinted at him being attracted to a man, definitely makes it seem like they were trying to cover up his bisexuality to smooth things over with the more homophobic viewers. You know? It’s like “I know you’re pissed that we sorta confirmed Loki as bi, so we promise we’ll never mention it again! Or even hint at it! As a matter of fact, we’ll give him lots of female lovies and make him seem as straight as possible! That’ll take your mind off of that horrible crumb of queer rep, right? Please please please keep giving us your money!!!”

• Aside from all the other issues, at its core, the biggest reason why I think I’m so irritated with s*lki is that it took one of the most interesting, complex, and diverse characters in cinema atm and squished him into a tired ass unnecessary heteronormative subplot…. Like literally every. single. other. protagonist. ever. Loki is such a unique character, and it’s so so so incredibly disappointing that they stuck him into that same boring cookie cutter romance that happens to every other character in every other movie I’ve ever seen. It’s a disservice, and it’s honestly just not compelling or entertaining at all.

Thematic Issues Galore

• His arc didn’t need a romance. With anyone. It was unnecessary and it didn’t make sense plot-wise. In fact, one of the reasons he was my fav prior to this was because he was the only big-name mcu character whose story wasn’t muddied-up by a romance that didn’t need to be there. So much for that.

• He wasn’t emotionally ready for a romantic relationship with anyone. Hell, just a genuine friendship would’ve been pushing it for him at this point. He was in such a bad state that any relationship he got into would’ve been toxic and unhealthy for both him and the other person, and it doesn’t make sense why the writers would want to put him in one when there were so many cons and essentially no pros (other than “Uwu aren’t they cute together”).

• Sylvie’s character in general was unnecessary and Loki’s character was robbed just by her being there. The whole show became about her post-Ep 2. They spent most of the time giving her backstory, building her up, telling us how awesome she is, trying to convince us to like her, etc when what they really needed to be doing was building Loki up- cause I gotta say, if I had to describe TVA!Loki in a few words, they would be Flat, Boring, and Weak.

• The romance overtakes the plot. They spend time portraying their supposed connection that could’ve been spent adding depth and complexity to literally any of the characters. They make the big Nexus Event them giving each other googly eyes on Lamentis when it could’ve been so many other way more profound things that speak to the fundamental nature of Loki’s. They have the climax of the finale be “oh no she betrayed him to kill He Who Remains” when it could’ve been something way more compelling (Loki having a moral crisis over whether or not to kill HWR, Loki contemplating the state of the multiverse and weighing the pros and cons of freedom vs order, Loki looking into some What If situations and getting emotional about what could’ve been regarding his family, Loki realising the gravity of HWR’s offer and finally coming to terms with how important he is to the universal cycle, etc etc). The entire plot suffered in favour of a romance that half of us didn’t even want.

• It essentially reduced all of Loki’s potential character growth down to “He did it for his crush.” He seemed to at least have some motivations of his own in Ep 1-2 (feeble as they were) but after Sylvie showed up in Ep 3, literally every action he took was just him being a simp for her. Why did he lie in the interrogation? To try to protect Sylvie. Why did he fight the minutemen and Timekeepers? To survive kinda, but mostly cause it was important to Sylvie. Why did he get pruned? Cause he got distracted trying to confess his crush to Sylvie. Why did he try to get out of The Void? Cause he thought Sylvie needed him. Why did he stay in The Void? Cause Sylvie was staying. Why did he try to enchant Alioth? Cause Sylvie told him to. Why did the multiverse get cracked open, leading to an infinite number of Kangs waging war on all of existence? Cause Loki didn’t wanna hurt Sylvie in their fight at the Citadel and then get distracted by her kissing him. It’s uninteresting and honestly pretty embarrassing.

• Throughout their “relationship arc” the writers do their absolute damndest to convince us that we should like Sylvie more than Loki. And you know what? It’s the most hypocritical shit I’ve ever seen. They preach and preach about how Sylvie’s life has been so difficult/we should feel bad for her/she had it so bad/poor poor sylvie/she had it SO much worse than pampered prince Loki…. But then they never even touch on any of Loki’s trauma of hardships (the ones that have been ignored for literally 3 movies now). They frame Sylvie as a good person and a Freedom Fighter after she spent literal decades/centuries mass-murdering brainwashed TVA agents and showing exactly zero remorse for it….. but then they make it their mission to constantly remind us that Loki is a terrible person and constantly put him in situations where he’s forced to acknowledge his wrongdoings/show remorse/admit to how “evil” he is for being a mass murderer for like 2 years. They show him on-screen having a wider range of powers than her, and perpetuate his whole shtick of being a “master manipulator” or whatever….. But then they make Sylvie “the brawn” more competent, intelligent, and physically capable than him. Tell me how it’s a good thing for a ship to be so narratively biased toward one character.

Missed Opportunities

• If they absolutely had to have a romance subplot, then they could’ve paired Loki with one of the characters that have already been established OR one of the characters that were a big part of the whole TVA storyline anyway. It would’ve been so interesting if they’d revealed that Loki had a history with some of the players from previous films (Sif and Fandral both come to mind). It also would’ve been really interesting if they’d given Loki a love interest that actually had some allegiance to the TVA as a whole (Mobius maybe, but not necessarily. It also could’ve been Renslayer or B-15). Hell, imo it would’ve been cool if they’d followed through with that “See you again someday” line that he said to the flight attendant in Ep 1. ALL of these characters have way more chemistry with him than Sylvie, and they were also already relevant to the plot without wasting half the show to give background info on them.

• If they absolutely had to have a hetero-presenting love story involving an enchantress-type figure, then there’s a whole Enchantress (Amora) that was actually Loki’s love interest in the comics. Plus, fans have been screaming for Amora to appear in the mcu for years. Plus, Tom literally pitched an Amora/Loki storyline way back in 2012-13. Also, Lorelei (another enchantress) is also one of Loki’s love interests in the comics, and she already exists in the mcu (she was on Agents of SHIELD). There were several different established characters for them to choose from. Creating a whole knew amalgamation of a character and going with the “she’s a Loki variant” storyline was just completely unnecessary and made no sense.

• They completely robbed us of a Chaos Twins dynamic. Had they handled Sylvie better and not forced her and Loki to smooch, the two of them could’ve had a really really complex and interesting sibling relationship. Loki could’ve stepped into Thor’s shoes and sort of used that new role to gain some self importance, and Sylvie could’ve finally had somebody to look out for her/teach her magic/be there for her. It would’ve been very aesthetically pleasing, the vibes would’ve been out of this world, it would’ve been way more profound than this bs, and frankly it would’ve been much more entertaining to watch.

• Loki’s relationship (read: obsession) with Sylvie completely overshadows all Loki’s other relationships in the show. Loki and Mobius were literally the focal point of the series in Ep 1-2, but after Sylvie showed up in Ep 3, they barely had any interactions with each other, and Mobius pretty much faded to the background entirely. Loki had the beginnings of a pretty interesting antagonistic relationship with Renslayer (with her wanting him pruned, then arguing with Mobius that he couldn’t be trusted), but after Sylvie showed up the dynamic shifted to focus on the history between her and Ravonna. Loki and B-15 started off very badly and openly disliked each other throughout Ep 1-2, and then in the end of Ep 2, Loki showed a little bit of concern for her when she was possessed, hinting that they might be inching toward a reconciliation- especially considering how obvious it was that Loki was gonna uncover the TVA’s sins eventually. There was so much potential for him to be the one to give her her memories back and convince her to change sides, but no, of course that honor went to Sylvie. In fact, after Sylvie showed up, Loki and B-15 never even spoke to each other again.

Various S*lki Fails

• If they were trying to convince us that this affection was mutual, they completely failed. There’s nothing I’ve seen that even hints at Sylvie feeling the same way about Loki that he does about her. At most, I’d say she has a slight endearment to him. She finds him likeable and she’s grudgingly fond of him, but she definitely isn’t in love with the guy. Maybe she thinks he’s cute and hopes that he gets out of this mess alright, but her mission obviously comes before him- whereas, it’s been confirmed multiple times that Loki cares about her above anything else. She doesn’t trust him, she looks at him like he’s an incompetent fool half the time, she shows little to no reaction during most of his confession moments, and she kissed him as a means to distract him so that she could get him out of her way. Look, all I’m saying is, when you get into a relationship where one of you is way more invested than the other, it never ends well.

• This goes without saying for a lot of us, but the selfcest is just straight up odd and cringey. If you’re cool with that sort of thing, fine! People can ship what they want! But don’t pretend it’s not at least a little bit uncomfortable. Yes, I know they’re not technically siblings so it’s not technically incest, and they’re also not technically the exact same person, but they’re similar enough that it makes things weird. And yes I know selfcest can’t happen in real life, so there’s no way to judge it morally, but neither can most of the other stuff that happens in these shows/movies (the Snap, Loki destroying jotunheim, superhero with powers being held accountable, mind control) and yet we still find ways to judge their morality, because they all mirror real-world events. (The snap= genocide; Loki destroying Jotunheim= bombing other countries; superhero accountability= weapons accountability; mind control= grooming and coercion). And lbr the closest real-world mirror to two versions of the same person (who may or may not share DNA, family, backgrounds, physical and emotion characteristics) being romantically involved with one another is incest. And you can be ok with that if you want- that’s your prerogative- but don’t get pissy just cause a lot of us are squicked out by it.

• The whole mirror metaphor (learning self love via each other) thing just fell completely flat. First of all, having Loki learn to love himself by looking at someone who mirrors him did not, in any way shape or form, require them to be romantically involved. But they were. Of course. Secondly, the creators have contradicted themselves so many times on whether Loki and Sylvie are the same or not, that it doesn’t even really register to the viewer that the mirroring thing was what they were going for. Finally, Loki and Sylvie are shown to have so little in common- and to have only the most bare minimum of similarities personality-wise- that it doesn’t even make sense that Loki would “learn to love himself through loving her”. Like? They’re nothing alike. So how would he make the connection that he himself is actually pretty cool, based on her alone? There’s virtually nothing in her that reflects him.

• I know the objective of the entire show was to convince us of how awesome and unique Sylvie is, but honestly her relationship with Loki just did the opposite. A hallmark of a Mary Sue is having her constantly upstage the male lead, and then having him instantly fall madly in love with her anyway. And that’s.. exactly what happened here. Everything they’re doing to try to force her character to be more stan-able is really just forcing her to look more like their self-insert OC. Which is exactly what she is. It would’ve been so much more satisfying if she didn’t have to try so hard to look cool, if they didn’t have to try so hard to make her backstory tear-inducing, if they didn’t have to turn our protagonist into a snivelling simp just to prove how incredible she supposedly is. Very much #GirlBoss energy and we all know how performative and cheap that is.

• The entire thing was too rushed, there was too little build-up, and it was nowhere near believable. As stated above, it’s ridiculously unlikely that Loki would canonically even be interested in Sylvie, and this show did nothing to explain why he was. He just suddenly was. There was nothing they showed us as viewers that would justify a guy as closed-off and preoccupied as Loki falling head-over-heels for a girl he just met. Their was no explanation, no big revelation, no reasoning, it just… kinda happened. And I’m also severely skeptical of any love story that has the characters go in this deep after only 3 45-minute episodes of exposition.

I’m sure there’s other stuff, so if anyone thinks of anything, let me know and I’ll be more than happy to add it. Tagging @janetsnakehole02 @raifenlf @natures-marvel and @brightredsunset800 for expressing interest. This is all your faults.

[phoenixyfriend]

Okay so you know how one of my big things with fandom is forcing characters into completely new contexts that they just have to Deal With (recently most commonly with time travel, crossovers, and things like the suddenly omegaverse AU).

So, canon characters get Yanked and somehow tossed into a Modern AU context, possibly just as some Matrix-esque 'your brain is trapped in a simulation' thing, possibly as a Sith Holocron thing, possibly as a weird crossover, it doesn't matter. The point is mostly this:

1. Nobody has the Force. 2. Ahsoka is suddenly human, and she hates it.

This is mostly an excuse for Ahsoka to be overwhelmed by some things (her sense of taste is completely different) and underwhelmed by others (this is your eyesight???) and panicked by others (her sense of echolocation is completely GONE), and then Anakin calming her down by Brushing Her Hair, something she's never had before.

Ahsoka has a meltdown and Anakin, who is also very panicked because the Force is just gone for him, is doing his best to keep her somewhat level and ANYWAY Anakin knows how to do cool, solid, safe braids because Padme taught him how to do her wig-secure crown braids, so when Ahsoka's being overwhelmed by the sensory hell of her new hair touching her shoulders, Anakin brushes it out and braids it up for her while Obi-Wan tries to find them a way out, and Rex and Cody help him notice things like "we can't read this alphabet for shit" and "that's not a speeder... is it..."

The clones are Itchy without their armor in an unfamiliar space. The Jedi keep tripping on sidewalk cracks and stuff because they're not used to needing to look where they're going. Also they don't have their sabers or blasters.

Ahsoka tucked into Anakin's side in a coffee shop that they somehow managed to Exchange Currency at... sipping on something sweet and complicated-flavor that she doesn't recognize and is very confused by because none of these tastes are familiar... a barista asks if she's okay and Anakin has to stutter over "my padawan" in favor of "my sister" because it's kind of safer but anyway could they get a cup of ice water for the kid?

The clones get asked if they're from New Zealand or Australia because of the accents and just Blank Stare until the person leaves in discomfort like "Was it something I said? Maybe they think I should be able to tell the difference?" but no they just don't fucking know what New Zealand and Australia are.

Imagine if she couldn’t really taste sweetness before. She finally understands the appeal of candy!

Ahsoka doesn't like 'being' human but she decides she likes the Expanded Taste Range (now she understands WHY people add spices) and having her hair played with (she's maybe a little jealous of people like Padme now).

Several of the Jedi keep forgetting they can’t jump 20 feet high anymore and keep slamming into fences. One of them tries to jump off something and is tackled by a clone. The clones keep forgetting they can’t jump off things and get caught anymore.

“Normal humans die when they do that!”

The clones don't register as clones to anyone, just Young Hot Guys With Nice Muscles, so Cody and Rex get hit on by strangers more in the Modern AU adventure than in the rest of their lives put together.

They register as twins though. And some people are maybe into that specifically. Strangely, in this context, being genetically identical is more attractive.

The only person in this group that knows how to recognize flirtation and how to flirt back is Obi-Wan.

Someone sees a Marvel movie playing a TV store and just drags the other four over because IS THAT MASTER WINDU WITH AN EYEPATCH. Or alternately IS THAT AN OLDER SENATOR AMIDALA IN BORING CLOTHES.

Per @atagotiak on discord

Hey, it could be worse, it could be literally almost anything else Ewan McGregor is in. I enjoy the other movies I’ve seen him in (though I haven’t seen a lot) it’s just every last one would be jarring as heck to them.

Birds of prey “Wow Obi-Wan, you’re a dick”

It's just Moulin Rouge's steamy scenes and Obi-Wan is like [head tilt] is... is that supposed to be me????

(I'm going to say that none of the Star Wars movies exist in this modern AU, but only because that would get too complicated.)

Ahsoka gets yelled at by Someone (a store employee, a cop, a random douchebag on the street), and Obi-Wan steps in because he's closest and also the person most invested in making sure she doesn't start throwing punches.

Person: Sorry man, didn't mean to scare your, uh, daughter. Obi-Wan's face: [is doing complicated things]

(Being Ahsoka’s dad is probably less weird than being Anakin’s dad. Just agewise and all that.)

Obi-Wan objectively recognizes that this is a reasonable assumption and also a safe one to work with, in that explaining their actual relationship might be sketchy depending on whether or not apprenticeships are a thing on this planet, and going with a person's first not-terrible assumption is usually a safe bet to not draw too much attention!

But 'parent' is a bit of a loaded concept for a lineage so prone to attachment (and tragedy).

Ahsoka finds herself getting inexplicably tired a few hours into a walk that would normally leave her fine, and since Anakin and Obi-Wan are also having trouble, it's apparently not a humans thing, it's... not having the Force. They’re still pretty strong and have good endurance but they’re not superhuman anymore so.

Adding in that Ahsoka's a young teenager who has no idea what she can eat that she can actually stand the taste of yet, so she keeps getting sugar crashes since it's the only thing she can reliably stomach...

[misstressshelby]

The Good The Bad and Everything In-between

Summary: Living with two Shebly men has its ups and downs. A second part of my Lost Boy writing. (I suck at summaries)

Warnings: Language

Word Count:1,856

Paring: Tommy/Reader (Reader is GN but there is a slight refecne to pregnancy)

(A/N: I just want to say thank you for 50 notes on Lost Boy! I didn’t think anyone would he interested in a little headcanon I created. I guess we can all agree Finn deserved better. )

You longed for Arrow House even as it’s large gates came into view. Tommy planned to go eighty percent legitimate by the end of next year so that meant playing nice with the tofts. Spending all afternoon with the wives of Tommy’s business associates had drained you. You couldn’t remember if the pit in your stomach or the thumping in your head started before or after lunch.

All you knew was as soon as you entered the house you instantly felt better. Mary was waiting for you as usual. You had lived in Arrow House for a year now but still weren’t used to having maids around.

“Good afternoon Mrs.Shelby. How was your lunch?” Mary smiled as soon you walked in.

“Long Mary, very long.” You gave a tight smile back. Offering a ‘Thank You” as she took your coat.

Before you could ask her where the rest of your family was, Finn walked out of the living room. He was still wearing his school uniform he claimed to hate because it made him look like a “posh twat”. His tutor Mr.Chapman followed behind him shuffling papers into a briefcase.

“Hello, Finn, how's tutoring going?’ You asked.

‘Yeah, it’s alright.’ The redhead grunted back before moving to go outside.

“Are you finished with your homework?” You questioned already suspecting the answer.

“Nah I got a couple more pages but I wanna go to the stables. I’ll only be an hour I swear it.” Finn gave you the pleading look he’d mastered.

After considering it for a moment you nodded,” An hour Finn. Then you finish up your homework before dinner.”

The boy gave you half a hug on his way out. He had to lean down to capture you in his arms. He was only fifteen but he was already taller than you and your husband though Tom would never admit it.

Watching Finn run out the door you turned your attention to the tutor. The man was standing in the hallway fiddling with his bag uneasily.

“How is he doing Mr.Chapman?'' You finally addressed him.

“Well he’s doing alright I suppose.” He continued seeing your questioning stare. “He’s still struggling with a few concepts but he’s quick to figure things out.”

“Yeah, that’s the Shelby in ‘im” You chuckle to yourself. “Do we owe you for the week?

Shaking his head Mr.Chapman told you “No.No. Mr.Shelby already took care of it.’

Adjusting his satchel he quickly left out the same door as Finn. He never stayed long after their sessions.

Not giving it much thought, you headed straight to your husband’s office. He was already gone when you woke this morning and as silly as it was you missed him. After knocking against the door you pull it open before Tommy’s muffled “come in” could even start.

“Hello, Tommy, how ‘is your day going?” You greet him while making the short walk to his desk.

He looked up from his papers with a cigarette hanging off his lips to give a short “Busy.”, before writing again.

You didn’t let this deter you as you sat on the edge of his desk that wasn’t covered in files. Taking the cigarette from his lips you kissed him as if you had been deprived of him for months.

“The tutor just left. He said Finn is making good progress.” You informed him.

He watched as you took a drag off his cigarette with a glint in his eyes. Knowing you wouldn’t leave until he gave you the attention you demanded he leaned back in his chair.

“How was lunch with Minnie and Ida then?” He asked.

‘It was like every other boring lunch, we sat around and ate tiny food while they complained about the other wives. I've invited Minnie and Richard to dinner next Wednesday.”, You could feel your headache return as you told him.

Tommy gave you a curious look waiting for you to take another drag.

‘She was telling me Richard is looking into investing in the car business while it’s on the rise and all. So I figured we’d have them for dinner and if business happens to be brought up you two can talk about it.” You explain.

“So happens to be brought up?” Tommy teased.

“Yes, it usually happens at these things.” You tell him with a slight smile.

“Now you finish up whatever you’re doing. Dinner will be ready at seven.” You command slipping off the desk while putting the cigarette out in the ashtray.

Your husband let out a loud sigh which was never a good sign.

“Love, I have a lot of work to do ton-’ He started.

“Yes, and you can finish it when you come back from dinner.” You cut him off.

This was the ever-going battle in your home making Tommy stop working and take care of himself. But you’d be damned if you didn’t go down without a fight.

You lean over the side of the desk pulling him lightly by his silk tie into another kiss.

“Thomas Shelby, I will drag you out of this office. Don’t you think for a second I won’t.” You threaten him with a grin.

” Wouldn’t dream of it Mrs.Shelby.”, He smirked back.

At seven on the dot, you all sat down for dinner together as a family.

Finn talked for most of the dinner about school and his favorite football club going to the championship.

You mused about your plans for Minnie’s dinner Wednesday.

Tommy spent most of dinner listening, offering nods or the occasional “yeah”.

Once he and Finn started talking about a horse he wanted to buy for the races he didn’t stop. Long forgotten was the pile of contracts in his office.

For the first time since you woke this morning you were content. The moments you spent with your little family were the ones you cherished the most.

~~~~~~~~~~

The sound of a door slamming startled you awake. While the two voices yelling kept you from falling back to sleep. Before you could wonder what the fuss was about, an acidic taste overtook your mouth. You barely made it to the toilet, your knees hitting the hard floor as the bile rose. By the time you had emptied your stomach laying on the bathroom floor the screaming had stopped.

You couldn’t think about anything over the pounding in your head made worse from the buzzing of the lights. Making your way downstairs you noticed everything irritated you.

The fact that you tripped over Thomas’s shoes you had told him to put away last night. The coldness of the house even though there was a fireplace in almost every room. Even the way Mary greeted you with “Good Morning Mrs.Shelby.” seemed to drip with condescension.

As you reached the dining room you had a feeling the day was going to drag on forever.

Finn was glaring at his eggs while pushing them around his plate. Beside him, Tommy hid behind a newspaper with only a line of smoke to be seen.

The room was tense and you knew neither of the men would say anything first. Stubbornness also ran in the Shelbys.

“Do either of you want to tell what the fuck all the commotion this morning was about?” You snapped sitting in front of your own breakfast.

Finn gave you a glare before starting in,” Yeah Tommy won’t let me go to a football match with me friends. It’s fooking bullshit!”

In return, Tommy put down the paper with a sigh,” You’re not going to Manchester. I’m not discussing this again Finn.”

Both of them looked at you as if you had a say in the matter.

“If Thomas says no the answer is no Finn.” You settled.

“This is complete bollocks. You took me away from me friends in Birmingham and now I’m not allowed to have any friends here either?” Finn screamed standing up from the table.

“We never said you couldn’t have friends Finn. It’s just not the right time to go to Manc-” You tried to calm him down.

“ You’re not me fucking mother you can’t tell me what to do!” He slammed his chair against the table.

“You will not fooking talk too ‘er like that! This is me fooking house and what I say fooking goes.” Tommy said in a cold voice.

The table shook as he slammed his palm down on it, breaking his calm facade.

With that Finn stomped up to his room and Tommy to his office both slamming the door when they arrived.

Waking from a nap you had hoped would help with the sickness you felt you heard silence. You laid in bed for a bit longer feeling tears build up in your eyes. Instead of wallowing, you decided to make peace. You chose to try talking to the youngest first making your way to his room. You knocked on the door.

After waiting to hear a reply or shuffle come from the room you knocked again.

“Fuck off.,” Finn answered.

Ignoring him you opened the door anyway to find him lying on his bed still dressed from this morning. He simply turned away from you to face the wall instead.

You sat on the edge of the bed before trying to talk.

“Finn I know you don’t understand this but Tommy is just trying to keep you safe.” You started.

Finn scoffed and moved closer to the wall.

“I know you don’t know this because you’ve been so busy with school, but we’ve had some trouble in Manchester. There’s a gang up there the Scuttlers, who've been trying to move on us. We can’t protect you there Finn. That’s all it is.” Moving closer you put a hand on his shoulder.

``We're happy you’ve made friends at school really. It’s just one match yeah? You can hang out with them another time.” You tried reasoning.

“Yeah.” He grunted, not moving from his spot.

You decided you would take it before going to deal with the other man child.

You found Tommy sitting in his office chair finishing a drink before pouring another.

“ Who does he think he ‘is eh? Talking to me like that in me own fucking house. I should go up there and-’ Tommy began rambling pointing towards the door you just walked through.

“Tom, it's fine. I talked to him and explained everything. Just give ‘im a week and he’ll forget all about it.”You sat in the chair opposite of him.

Once you said that he seemed to relax a little bit.

“I’m still talking to ‘im later. He will not disrespect me or you like that again.” He told you.

To that, you chuckled, “ He’s a teenage boy Thomas he’s gonna argue. But I agree you should talk to him after you’ve both calmed down.”

Tommy nodded and took another swing of his whiskey. He walked over to where you sat leaning against the desk. To your surprise, he smiled.

“You’d make a good mum you know?” He leaned down to stroke your cheek.

“Yeah about that.” You let out.

[beybladefanboy]

Beyblade Seasons Ranked

Here is my personal ranking, from worst to best, of the seasons of Beyblade Metal Fight: Metal Fusion, Metal Masters, Metal Fury, and the awkward spin-off Shogun Steel. Yeah, let’s get into that:

4 Shogun Steel

Honestly even if I did like Shogun Steel for what it is, it would still be at the bottom just by default. It can barely be considered part of the Metal Saga. The main characters in the last three seasons are either absent or reduced to supporting roles in favour of new characters who aren’t nearly as interesting or likeable. It is by definition a spin off. It feels very disjointed from the rest of the series because of these factors along with the lighter tone, the changes to the Beyblade system, and even some continuity errors particularly with Fury. Bringing back Doji again was also the biggest leap in logic this whole series made and feels downright lazy. The whole story just feels like a watered down Fusion with many of the story beats being similar and some characters never growing past mere echoes of the old characters. Some of the bey battles are fun and Ren and Takanosuke are decent characters but there’s a reason this show doesn’t get much attention. It falls into the Star Wars Sequel Trilogy trap of being overly dependent on original series sucker punches for its appeal and not putting as much effort into the new stuff. So as a result, the new stuff, some of which has potential, isn’t as fleshed out as it should be. This show is honestly fine on its own but awful when compared to the Metal Saga and it is comparing itself to the Metal Saga. This show intentionally put itself in the Metal Saga’s shadow and seemed content with being just that: a shadow of greatness.

3 Metal Masters

Okay, this is where I’m gonna start pissing people off. Don’t get me wrong, Masters is great and I don’t think it’s clearly worse than the other two seasons or anything. I think the main three seasons are very close in quality and putting them in any kind of order was incredibly difficult. However, I do think Masters is slightly weaker than Fusion and Fury. First off, it introduces Masamune. I don’t like Masamune. I find his whole “I’m the number 1 blader” shtick incredibly obnoxious and he’s everything I don’t like in real Americans: self absorbed, disloyal, big mouthed, entitled, and just annoying in general. He did have good character development over the course of the season but I personally can’t stand him. The pacing of this season also isn’t the best. With the exception of the Dark Tsubasa arc (which I’ll get to!), the season is just a normal world tournament until they get to America, which I don’t find very interesting. Kenta is also criminally underused. In Fusion he was basically a second main character and there are some episodes specifically following him. Then in Masters, he’s pushed aside in favour of side characters. People say Fury underused characters, and I’ll get to that, but holy crap, Masters gave Kenta no room to grow. Aside from him though, the other characters are used really well. I particularly like how Kyoya and Ryuga are incorporated. This is actually the season where I grew attached to Ryuga during my viewing in December. I was starting to like him in Fusion but this season cemented my newfound attachment. This season also gave us the dark Tsubasa arc, which is one of my favourite plot points from the show overall. It’s a fascinating look into the mind of a character I already really liked and it allowed Tsubasa to develop a lot. I love the conclusion that you cannot drive out the darkness in yourself, you have to accept it as part of who you are in order to properly control it. It’s brilliant, and I can personally relate this message to my own life. The dark Tsubasa arc is probably the strongest part of the season overall as the rest of it until we get to the HD Academy conflict kind of drags for me. However, when we do finally get to the HD Academy conflict, it is very fun. The whole “spiral energy” thing was actually pretty creative and while brainwashing isn’t a new concept for this show, I think they went more in depth with it in this season and it was pretty interesting. So yeah, still a really good season.

2 Metal Fusion

If I was ranking based on nostalgia, this would be number one. In fact, it probably deserves to be number one. However, I do have a few problems with this season that hold it back and it’s not the pacing. Actually, out of all the seasons, Fusion probably has the best pacing. The main villains, Doji and Ryuga, are introduced early in the season and all the characters are developed throughout the season, building up to the final tournament: Battle Bladers, which is also set up fairly early. The story is predictable but very well-structured. My biggest problem with this season is the plot twist with Gingka’s dad. Not only is it painfully obvious, but the reveal of the twist drags the plot to a screeching halt for nearly an entire episode, hurting the pacing and making an entire episode an exposition dump. It also made Gingka’s dad a terrible character. You can argue that him abandoning his teenage son and making him believe he was dead was for the greater good, although I personally still think it’s messed up, but breaking Gingka’s point counter like that was a step way too far. That moment serves to further the story by forcing Gingka to work harder to get into Battle Bladers. But did it have to be his dad who broke the point counter? I argue it didn’t. Gingka’s dad was flat out abusive to his son on that occasion and was pretty cold to him in general as Phoenix and yet the plot and even some of the characters praise Ryo for doing this. Why?! The way the story is structured puts Ryo in the right for abusing his son which disgusts me. That is my biggest problem with this season and possibly the whole series to be honest. I hate it that much. However, apart from that and those random filler episodes with Sora that in my opinion were boring, this season was really solid. Like I said, the story is told well and the characters are all introduced and developed well. Battle Bladers is definitely the highlight of this season, having the most intense battles and hardest hitting moments. Those episodes are exhausting to watch, because of Reiji and Ryuga. Reiji was randomly introduced in Battle Bladers and decided to try and rival Ryuga in how much he could traumatize the characters (and younger me). I have no idea why they decided to do that, but it worked. Ryuga in this season is the best villain in the whole series. He has such a presence to him: his (dubbed) voice, his sadistic expressions, his abilities, the music that plays when he’s onescreen. He’s over the top but in my opinion, Ryuga is the perfect balance between entertaining and intimidating. He’s even slightly sympathetic by the end of the season when he gets taken over by dark power and is seen trying to fight its control. They managed to both make Ryuga an irredeemable psychopath and found a believable way to redeem him. I love that in the end, Gingka isn’t fighting to defeat Ryuga, he’s fighting to defeat the dark power, which came from the greed and hatred of humans. Basically, the problem isn’t humanity, it’s humanity’s greed/hatred and being consumed by these feelings lead to evil. That is genius. This season also had two of my favourite battles in the entire series: Kyoya vs Ryuga, and Gingka vs Ryuga.

1 Metal Fury

Yeah, I said it. Fury is my personal favourite season. It probably has more wrong with it than Masters and Fusion but honestly, Fury’s strengths more than make up for its weaker parts for me. The only problem I have with Fury that actively hinders my enjoyment is Kyoya’s poorly handled arc, which I’ve been over multiple times and wrote a whole fanfiction rectifying. To sum it up briefly: it was rushed and weakened Kyoya’s character when it had the chance to develop him. I will admit this season also had too few episodes. I don’t think it was rushed per say, it just feels like parts are missing. There should’ve been more leading up to Nemesis’ revival and an actual epilogue episode because as it stands now, Fury ends really suddenly without much actual confirmation of where the characters we know and love ended up. It’s kind of jarring. Overall however, I really love Fury. I love the adventure style story and there's so much variety to the bey battles this time around, both in terms of the beys themselves and the stadiums. It’s just more interesting to watch. It also did a great job giving all the major characters victories, not just Gingka. This is something Masters also did well and a gripe I have with Fusion: Gingka gets all the major victories in Metal Fusion and pushes the other characters to the wayside. Well, Masters and Fury fixed this issue in my opinion. The very final fight of Fury against the shadow Nemesis could’ve been executed better in my opinion. However, it hits all the right emotional beats for a final battle and still grabs my attention rewatching it, so I can put aside my criticisms of it while watching it. Also, I like that “destiny” is something these characters are controlling themselves and can go either way rather than being some unstoppable force that they will all give in to eventually otherwise they’re villains. Because that’s how Yugioh does it and it’s probably my biggest problem with that show. In that series, it feels like the characters are all just blindly accepting “destiny” and those that don’t, Kaiba and Marik most notably, are deemed villains for wanting to take control over their lives and not be governed by some invisible force. Yes, I know Marik went to some horrible extremes using this logic but it still bothers me that the only characters in that show that don’t throw their lives away blindly following someone else’s whims are deemed villains. It’s just kind of messed up. Fury thankfully subverts this. “Destiny” is not an unstoppable force in Beyblade, it’s the will of the characters and those characters are allowed to make their own choices. It makes the story more interesting and the characters more likeable because the characters are the ones driving the story, which feels so much more natural. Yeah, I really like the characters in Fury. Honestly, I’m more attached to Yuki, King, and Chris than anyone introduced in Masters and the other legendary blader characters all bring something different and interesting to the table that I don’t think older characters could have. I also like how the old characters are used. Sure, Tsubasa and Yu are underused this season. But guess who also got a lot of focus last season? Tsubasa and Yu. And some of the characters who were underused in Masters, Kyoya and Kenta, get more focus in this season. They did mess up Kyoya’s arc in my opinion but the effort is there and I appreciate his presence before and after that. Kenta especially was severely underused in Masters so this season decided to make him relevant again and they did it in such an endearing way. You all know how much I love Ryuga and Kenta’s friendship. It’s one of the things that should have gotten more focus but what we do get is good enough build up. This season was the one that drew the most emotion out of me during my most recent viewing and that was because of Ryuga and Kenta. I was devastated by Ryuga’s death (even if he may not actually be dead, that’s certainly what it felt like in the moment) and the scene where he gives Kenta his power was the most touching moment in the entire show for me.

Well, that ranking probably pissed some people off. Again, I love the classic three seasons. (I’m not a fan of Shogun Steel but it has its moments.) Choosing between the three of them like that was incredibly difficult, especially Fusion and Fury. In the end, I just had to go with my gut.

[odos-bucket]

My sister made me watch the Witcher so you can thank her for this

I’ve been thinking about Geralt not really having a concept of how he should be treated in almost any kind of situation, and that coming up in his relationship with Jaskier. which it probably does in a bunch of different contexts, but I’ve been thinking about their first time having sex (which for the purposes of the scenario I’m going to say is a little while after they’ve had the conversation that’s in every fic where they talk about their feelings, rather than immediately following that.)

Jaskier has had a lot of partners he probably has the pre-sex ‘let’s talk about what each of us does or doesn’t want’ conversation down to an artform. Geralt hasn’t really had any type of conversation with most of the people who he’s slept with, he’s just kind of let them do whatever they wanted. So when they’re at an inn, making out, starting to undress, and Jaskier says “we should talk” Geralt is

Confused.

But he just sort of nods and leans back. And Jaskier starts talking about where he is and isn’t comfortable being touched, and things he doesn’t like to be called, and he keeps talking. And Geralt has never had a lover do this before but he’s listening intently because he so wants this to be good for the bard. But then he stops talking, and is looking at him expectantly

So Geralt moves towards him again, assuming that they’re just going to continue, but then Jaskier says “what about you?”

This time he doesn’t lean back, but he does kind of shift the way he’s kneeling over his friends legs.

“What about me?”

“I want to make sure I don’t hurt you without meaning to.”

Geralt raises an eyebrow at that.

“I’m being serious,” Jaskier presses.

“I thought the reason people bedded witchers was to have a partner they don’t have to worry about being gentle with.”

And that is absolutely the wrong thing to say, because everything about Jaskier changes. His expression goes kind of blank, his posture tightens. The smell of arousal dissipates into something that’s sad and angry. He starts to reach for Geralt, but pauses.

“Can I...”

Geralt nods, because why shouldn’t Jaskier touch him? And the bard lurches forward, wraps his arms so tightly around his shoulders, and he’s shaking, and Geralt has no fucking clue what to do, but then Jaskier’s voice is right by his ear, and the breaths between his words are shaking too.

“Has no one been gentle with you, darling?”

Geralt doesn’t know how to respond to that, but the hug is nice, and still kind of new. He returns it the way he often returns embraces, with a mix of greed and awe. He’s still a little confused, but the still novel experience of being touched by someone who isn’t trying to hurt him, who doesn’t reek of fear, overpowers that.

When they separate, Jaskier’s hands trail down Geralt’s arms, and eventually take hold of his own. They’re still close enough that they’re bare knees press together.

“Is that a stupid question? I don’t-” He looks distracted, he smells almost scared. It’s a scent that would usually have Geralt backing off, but Jaskier is still holding onto him so tightly, and then talking very quickly. 

“I don’t mean to knock anyone who likes it a little rough, everyone’s entitled to their preferences, live and let live, and it’s not that I don’t understand the appeal at all. It’s just...” He takes his first breath since he’s started talking, shakes his head, and slows down. “I don’t like the way that sounded, Geralt. And, if we’re going to be involved like this-” then suddenly he’s freezing again, his eyes widening in alarm, and his hands retreating from Geralt’s. And there’s no mistaking his fear for anything else now, so Geralt moves to get off the bed, to leave the room if he has to, to give Jaskier any space he needs. But then the sound of the bard’s voice holds him in place.

“Do you want this?” He asks. “Be honest, gods, please be honest.”

“Yes.” He didn’t mean for it to come out so fast, so certain, but there it was. And Jaskier is relaxing again, if only minutely, so maybe allowing the embarrassing excess of emotion into his voice had been worth it. Geralt hesitantly rejoins their hands. “’If we’re going to be involved like this...?’“ he prompts.

“I need to know that you won’t let me do anything that you don’t want. I need you to tell me what isn’t okay.” Geralt’s never heard him sound more urgent. “Because- because I’ve seen you let people hurt you because you thought that if you defended yourself you would hurt them. And I can’t become one of those people. I won’t.”

And it makes Geralt feel kind of raw when he finally understands what Jaskier is saying to him, and suddenly there’s a ridiculous flutter of anxiety in his chest and stomach.

“Okay.” He clears his throat. “Thank you.”

“This isn’t something you should have to thank me for.”

“Consider it a thanks for everything then.”

That brings the first smile to Jaskier’s face since the start of this whole discussion. And that smile makes Geralt feel safe, it has for a long time, makes him feel like he can say or do things that he thought he never would.

But even so there’s this pesky gnat of fear. He doesn’t want to say something that could ruin this. Then again, he had felt the same way before kissing the bard for the first time, before admitting that he cared. He had been so scared of disrupting their existing friendship. And that had turned out all right.

“I don’t like to be restrained,” he admits, and dammit, now his voice is shaking too. “And don’t call me ‘mutant’, or ‘witcher.’”

He watches for a few seconds as relief and anger war through Jaskier. After several seconds, his expression settles into the former, while his scent maintains hints of the latter. He brings their foreheads together and closes his eyes.

“You’re upset,” Geralt observes after a few more seconds. It isn’t in his posture, or written on his face, but it’s still there in his smell.

Jaskier nods.

“You know it’s not at you, right?”

Geralt nods.

“I hate whoever or whatever it was that made you feel like you couldn’t tell me these things.”

“I just didn’t want-” Geralt begins. Jaskier opens his eyes as he speaks, and is looking at him with an adoration that Geralt never could have imagined having directed at him. “I know it can be a dealbreaker for people.”

Jaskier makes a face that somehow manages to be amused and unhappy at the same time.

“What the hell are you talking about?”

“The bindings,” he elaborates. “People want to be sure that I can’t hurt them. It makes sense, I just-”

“No!” Jaskier cuts in, a wave of anger washing out his previous cocktail of mixed emotions. The hands that had been tracing lightly over his skin come to clutch at his arms. “It does not make sense! Fuck! Geralt, people who are so scared of you they won’t touch you unless you’re tied up don’t deserve to touch you at all! I don’t think they deserve to look at you!”

Indignation on his behalf isn’t something Geralt thinks he’ll ever get used to. It overwhelms him every time. But in that moment he also feels a little annoyed. He’s not sure why; he’s barely mastered the art of identifying the emotions themselves, figuring out where they come from is going to be a whole other matter.

“I don’t exactly have a lot of options.” It might come out harsher than he intends. Jaskier’s expression is suddenly apologetic. “I’m sorry,” he mumbles. 

“No, I’m sorry. That wasn’t meant to be a condemnation on your choices. I just- it’s hard for me to think about people hurting you. The thought that I could have done it scared me. Will you promise-” He shakes his head. “No. Will you try to make your needs known? Every time. No matter who you’re with.”

In just that moment, Geralt really isn’t sure if he can promise that or not. But in just that moment, it hardly seems like it matters; he’s not planning to be with anyone else any time soon.

~end~

that was supposed to be a short headcannon idk what happened. I haven’t written fanfiction in a million years and I guess I just did it accidentally? It was fun though, might try doing it again sometime.

[parachutingkitten]

Season 5 Analysis

STANDARD DISCLAIMER: I am going to be applying the concept of criticism to a TV show you presumably love and adore as much as I do. If you do not want your idea that the show is immaculate to be challenged, I would not advise reading past this point.

Additional Disclaimer: This includes criticism of Nya’s arc, so if you’re the type of person to get catty about this subject, turn back now.

Mood for this season: It’s spoopy time.

You don’t need to, but if you are interested, and haven’t seen my analysis of past seasons, you can find those here:

Pilot - Season 1 - Season 2 - Season 3 - Season 4

You can also find all of these, and future installments, on my blog using the tag #analysis 

Hey everyone! I’m still doing these things! Let’s see, when was my last one? Over two years ago...? Yikes, I owe y’all an apology. I really didn’t mean to put these off that long. Anyway, get ready to hate me, cuz although (for the most part) this seems to be the fandom favorite season… I think it’s overhyped. I know, don’t kill me. I’ll explain myself. I don’t think it’s bad or anything, it’s very well structured, but I definitely wouldn’t rank it among my favorites. First, for a little context, I am making a one second of every ninjago episode video right now, so I’ve been binging the series and all it’s shorts back to back, so I think I’ll have a bit more to say about connective tissue between seasons, and hopefully you guys can look forward to more of these analyses between now and the new year when I’m releasing that video. I’m also officially a film major now so… sorry if I come of as extra pretentious or get too deep. Anyway, let’s jump into the thick of it, shall we? 

Plot

This is probably the area I have the fewest number of complaints about. This season has a breakneck pace and it keeps everyone busy. I think that’s why people like it. Everyone’s favorite has something to do. Which brings me to the question… which ninja’s season is this? Lloyd is on a lot of the promotional stuff, but he’s possessed and out of the picture for over half the season, so that can’t be right. Cole turns into a ghost, and the season is a ghost season, but that can’t be right cuz I don’t know that I’ve ever heard anyone claim it was his. Nya reaches her true potential, maybe it’s hers? Well, she does have a large b-plot, but she is consistently not a part of the a-plot. Kai has a whole thing with being protective of Lloyd, he has his fear of water, maybe it’s just another Kai season? Thing is, it’s no one’s. It is an ensemble season, and I think that’s a healthy thing for ninjago to keep doing. The more we label certain seasons for certain ninja, the more complaining we’ll get about who’s turn it is for screen time that we’ll miss out on telling a good story. Also, If the season is focused on a ninja you don’t like, you are less likely to like the season (see my next analysis for that can of worms). Again, this season tells it’s story really well. Morro directly ties into the ending of last season, and Nya’s getting water powers was foreshadowed the season before. That’s some cool connective tissue to start. The opening episode establishes the three different things the ninja will be looking for, and for once they’re actual tools instead of a series of weapons, blades, masks, whatever. I like that. Jay has some really good humor, Zane has his speech changes, Kai has his irrational fears and protective instincts, Cole has his ghost angst, Lloyd has to deal with his father’s passing, Nya is a new water ninja, Wu has a shop to run and a student to reconnect with, even Ronin has an arc about developing morals and gaining friends. There’s the mystery about how to deal with the ghosts, what the rules are, there’s the leader subplot, the ninja’s money situation, and lore of the different realms, they even worked in Skylor and Borg, there’s a lot of cool stuff going on. This is a tightly woven script that manages to include a lot of new concepts that you get pretty quick. I don’t feel like there’s even that much fat to cut. The opening is a little slow and strange, and the cloud kingdom episode feels a little unnecessary, but I do like the idea of visiting a different realm early in the season so the audience isn’t caught off guard in the climax. Again, the plot all works for me, it’s the other stuff I find myself pretty meh on.

Characters

Ronin

I’m pretty sure Ronin is the only new (non villain) character introduced. I like him a lot. Ninjago needed a true wildcard to shake things up and be unpredictable. I also think he’s pretty nicely woven into the action of the plot. I think his introduction is a bit strange. Like, the ninja already know him, but we’ve never seen him before? Just the way they talk about him sounds like they’re quickly recapping who this guy is for those who missed previous episodes. It’s fine if the ninja already know him but either 1) Introduce or foreshadow him a season earlier or 2) Introduce their dynamic to the audience before it becomes plot relevant. Maybe the ninja are grumbling about him being a nuisance while tea shenanigans are going on or something. Or maybe you have a scene of him stealing the scroll and making snarky remarks about the ninja while he does it. Idk. just something so his sudden plot relevance isn’t out of nowhere. Also, I don’t hate his and Nya’s dynamic, but I know a lot of people love it, and I’m just not totally here for it. Is he supposed to be a father figure for her? Mentor? Frienemy? Just plain friend? (love interest???) it’s not super clear and I could have used some clarification. I also like his use and tie to the next season, so overall, well integrated character.

Nya

I’m adding in Nya here cuz she goes through a major character change, and how she’s handled is one of the things that rubs me the wrong way about the season. A lot of people will probably disagree and/or hate me for this section of the analysis so… here we go! The thing she has to get past to reach her true potential is fear of failure (supposedly) and the solution to that is to just… not care as much? First of all, I know this isn’t supper important, but the fun thing about the ninjago elements is that every elemental master matched up personality wise with their element. Jay is the energetic master of lightning, Kai is the hothead master of fire, Zane is the calm and calculating master of ice, Cole is the strong and dependable master of earth, Lloyd is the literal child master of energy. This especially goes for all the new season 4 masters. So what qualities are often associated with water personalities? Well, serenity, control, flexibility, elegance, patience… calm. You know, like a Zane type character (the element directly adjacent to hers). These are things that Nya isn’t - or at the very least don’t define her. (there’s also something to be said about water and its ties to more feminine qualities, which Nya has been actively shown to reject, but I won’t go into that rant here.) She was designed as the fire master’s sister, and when you try to fit a fire personality into a water shaped character mold… it doesn’t exactly mesh well. It doesn’t make sense. But, like I said, whatever. Maybe that’s the point? Like she has to change her personality to be more in tune with water? Sure. But let’s talk about this fear of failure thing. Because that’s the stated thing that dialogue tells us she needs to overcome. But when has Nya ever been afraid of failure? Fear of failure means avoiding doing something because of fear. Nya is ridiculously persistent, always has been (you know, fire personality). She tries training when no one tells her to, she makes her own alter ego to try and be a hero and save the people who would constantly tell her she wasn’t ready. Wu says she only wants things that come easy, but that’s never been her character before now, she has carried the team with her tech, research, and covert ops that no one forced her to do, all things which are not easy. Fear of failure is usually characterized by what if questions. If Nya is so afraid of failure, why don’t we hear her saying stuff like “but what if I’m not strong enough, what if I can’t save them in time, or worse, what if I lose control of my power and end up hurting people?” Cole shows much more of a fear of failure this season surrounding his insecurity about being a ghost. He wants to sit out from missions because he’s not sure he’ll be able to do it - he’s afraid of failure. But whatever, the writing isn’t clear at expressing her true setbacks, but she does display a real problem that a lot of people have and I think could have been well done if set up correctly. She shows an undying persistence that gets her too close, and makes her increasingly incapable. She lets her frustration hinder her progress (again, fire personality trait), and I think that’s interesting because I don’t think ninjago has done this character arc yet. The supposed solution to this problem is that she just needs to… care less? And yes, I kind of see where they were going with this, we sometimes cloud our natural potential by thinking about it too much, but saying “you need to stop caring” is the absolute wrong way to word it. Caring is not her problem, the problem is her control over the emotions that come from her caring. Caring is a good thing, and teaching kids that if you’re ambivalent about your problems, they’ll go away is not a good message. What she needs to do is take a step back. She needs to take a break, stop to think, and look at the big picture instead of hyper focusing on the roadblock directly in front of her. The usual and much better wording of the moral I think they were going for is “stop overthinking things”. Teaching kids to look at a problem from a different angle and give themselves time to cool down is a great thing. And just think of it, in the climax she could have this ah-ha moment where she steps back and looks at the bigger picture - the whole town, surrounded by the ocean - and gets the idea to sink the preeminent into the water, you could even easily tie that back into the bucket exercise, and that’s what triggers her true potential rather than the current… I’m honestly not sure what. Random flashbacks and the end of the season approaching quickly. Alternatively, you could tie it more directly into samurai x, and make her struggle with letting go of the past and allowing yourself to give up something good in your life to progress to something better. Anyway, I don’t think this was a bad decision long term, she needed to be solidified on the team as a full fledged ninja, I just think this season doesn’t handle the transition that well. Anyway, whatever, I’ll be waiting for your hate comments in the notes.

Romance

Um… there’s none this season? Like there’s a few Wusako moments that are still as weird as they were in season 2, but they’re really not prevalent. There’s also the Jay seeing the future thing which has some weird implications next season (again, some interesting connective tissue between seasons), but that’s about it. Maybe that’s part of why I don’t love this season? Like where’s the pixane? Lol, I’m kidding. But maybe that’s why a lot of people do like it. If you don’t like the canon ships… this is a nice little safe haven for you. Rare for a majority of the series.

Villains

So Morro is a good idea… in theory. I know he’s the fandom’s favorite edgy boy, but idk I think the brand of angsty teen they ended up with was more of an angsty 13 year old than 17 year old. His voice is really grating and I always want to yell at him to just… go get some cough drops. Stop throat screaming, use your diaphragm man! Also, everyone goes on about his last minute redemption, but as far as season 5 goes, he has like half a second of a change of heart. Literally, when Wu comes over and he’s drowning, he’s still being a persistent little idiot like “you never cared about me nooooo!” and it’s only at the last possible second that gives him the crystal, and even that he does it kind of saltily. The preeminent is pretty cool, I like her concept, her design, all that. All the other ghosts are fine I guess. Nothing super memorable out of them, although their aesthetic, especially when there’s a bunch of them swarming around is pretty cool. One last thing was I never understood how Morro “becoming the green ninja” worked and what exactly it was that… did for him? Like he didn’t actually get the power of energy, right? I don’t remember him using it. Did just him defeating Lloyd make him the green ninja? How does that transfer work? And why did he need it to take over the world or realms or whatever? Like I get that it’s supposed to give him more power and what not but idk, it wasn’t super clear. That’s a minor thing though.

Climax

Pretty cool. I like the ATMOSPHERE. Green light is a hard thing to use and justify correctly, but it works really well here, especially with the dark kinda gray blue sky complimenting it. When the preeminent starts walking into the ocean, it’s genuinely terrifying, but you understand exactly how it works and why she’s strong enough to do it. Nya’s true potential is again a little out of left field and could have had some better motivation put behind it. Like what is it Nya learned in that instant? To not be afraid to protect people? She’s… been doing that. Idk. I’ve hit on that enough for now. Overall, there was good variety. I like the green ninja fake out, I like the realm hopping, I even like the little Garmadon visit and Lloyd getting the robe. I feel like we didn’t need a part one and two, you could have had different titles. I mean come on. But hey, now we know, if Pix had only been there, the whole climax would have been wrapped up in like 10 minutes apparently. Pix for the win.

Humor

Really good. Like I’m surprised how much I laughed. Jay wasn’t annoying humor, it was good stuff, there were some good running gags, there’s a solid fourth wall joke about who the lead ninja is at the beginning of the season. Overall, I am pretty impressed. My favorite joke was perhaps the bit where Jay is sarcastically positive, the voice acting is just really solid. Then again, there’s also the whole Borg scene where he roasts half the ninja, that’s solid stuff right there. There’s just some really solid character interaction this season and the humor feels a lot more natural and less forced.

Drama

Okay, we’ve got a lot this season. Y’all know how I feel about Nya’s arc by now. It does not work for me. Ronin’s relationship with her is alright, but kind of comes out of nowhere. Ronin’s solo plot about kinda working for the ghosts works. Cole’s ghost angst works for the most part, although I wish he would have actually skipped a mission and then gone in to help save his friends once they can’t do it without him. That was probably the most solid drama of the season. The other main thing we have this season is Kai’s whole… fear/protective streak. This also doesn’t really work for me. Like, I get that Lloyd and Kai are friends and stuff, like his whole true potential was centered around Lloyd. But like, why does it have to be framed so weirdly? Sometimes in trying to make it seem like Kai is protective of him, it seems like the other ninja just like… don’t care about him? Not all the time, but there are some weird vibes. Also, it doesn’t really go anywhere. No one learns anything about themselves from this subplot, nothing comes of it, there isn’t really a payoff. Also, Kai has yet another irrational fear, this time of water, which really comes right the hell out of nowhere. They try to explain it away like “Oh, Kai feels powerless and so water can get to him” but like… what? That’s the exact situation he was in at the end of season 2 and he seemed perfectly content to literally swim across the ocean (which um… what do you mean the sworn protector of ninjago can’t swim?). Where is this coming from?! Again, it doesn’t really go anywhere, there’s not a point where he has to learn to confront it or he grows because of it. It’s just pointless stuff added cuz the writers like giving Kai vague trails to try and develop him. The cloud kingdom is kinda cool. That last minute twist about them working with Morro is… stupid and unnecessary though. 

Spotlight Episode

I really like the Spinjitzu master tomb episode. Some cool riddles, I like the first two rooms a lot. I do think the third room is a bit strange. Like, the clue was “don’t look ahead” and the solution was to look beneath them, which is the exact same solution as the previous room. Like, you already have magic ice that shows the future, why not play into that? Don’t look ahead could maybe mean don’t look to the future, the opposite of that being the past. Maybe they have to draw on their past adventures to solve it somehow? Learning from the past is a good lesson, right? But overall, I really like it. Some real solid humor this episode. This episode has the sarcastic Jay optimism, Kai totally stalling for time, Zane dealing a pretty sick burn on Cole, just a lot of fun stuff. I like it. It just has great energy and nothing feels like it’s drawn out for too long.

Misc

The aesthetic this season… can be inconsistent, but the main ghost vibe displayed in the opening theme is really solid and I really like it

Speaking of the opening, Ghost wip is great and the opening in on par with last season’s (which is my fav) for sure

Ice age references… okay.

Chima references…. OKAY...

Okay, but like Deepstone can… kill ghosts? Or not? Is it just something ghosts can touch? It’s supposed to be like water in weapon form, right? Like that’s how I understood it when they first introduced it. Wouldn’t the deepstone bars kill Ghoultar then? And then like, Cole’s bike is made of deepstone. He uses it as a weapon. Wouldn’t it kill him? It kills other ghosts when they touch it. How… how does it work?! I need answers!!!

The captain of the steam boat says they’re going as fast as possible, but later Ronin comes in and cranks it up like twice as fast… that always bothered me like, why would he lie about that? Who is this captain and why is he so chill about everyone’s lives?! And then later Wu cranks it up yet again, like the ship had slowed down to it’s previous speed. What the hell is happening with the controls of this ship???

So pissed that the nasty CGI nightmare cloud monster that chases the ninja is named Nimbus. Totally forgot about that. I have an OC with a cat named Nimbus… I promise, there is not going to be a stupid twist bout the cat being the monster thing in Mists of Fate. That would be very stupid.

I was all excited that season 13 gave us minecart chases, but I totally forgot season 5 gave us one first. I really like the return to the caves of despair btw, good reuse of a known location.

How many times this season did we do the: 

Kai: Oh, I don’t like water, I can’t do it uwu  Cole: ...You serious?

Thanks for reading! And if you got this far… I don’t know. I would love to hear your thoughts if you have any! These are just my opinions, so don’t think too much of it if you disagree.

-Kitten

[onyxiana-is-obsessed]

hey! i hope it’s ok if i send a request here! (also, my english it’s not the best sorry TT). could you do a fem reader x bakugou where she’s like sUper powerful and competitive, so they’re always fighting for who’s the best lol. she also loves to annoy him for fun bc it’s funny when he’s angry lol. and then one day baku realizes “i? like?? her??? lol nah, impossible.” but then his friends notice that he’s been less competitive around her and annoy him until he asks her out. love your writing! xx

Hello! This was a pretty cute request and I had fun writing it! I hope you liked it! Normally I wouldn’t choose your quirk for you, but I ended up doing it here. I don’t have an instance where you use it, so you can change it to whatever you like. I’ve also decided to try titling these things so my master list doesn’t look bland. So far, I hate where it’s sitting. Pronouns used: She/her Length: 1.5k

Full Name: (y/f/n) Quirk: Soul Barrage; the user has the ability to create powerful shields/barriers that when destroyed, deal damage to enemies. The user can also turn their soul energy into powerful beams of destructive energy. Age: 16

Attraction

Katsuki Bakugou thought he hated (y/f/n). She was annoying, she always messed with him, and not to mention they constantly fought each other. Though he wouldn’t admit it, her powerful quirk schooled him almost every other time.

Katsuki knew he was the best and (f/n) wasn’t going to prove him wrong. He came to UA to become the best hero, to become number 1. She wasn’t gonna get in his way, no matter how impressive that stupid quirk of hers was.

“Hey, Kacchan!” (f/n) giggled as she ran up behind Bakugou. He felt the fury build up as his face turned red from anger but he kept walking.

“Stop calling me that!” She really likes to push his buttons and he learned that early on. Because of her powerful defense quirk, she wasn’t very scared of him.

(f/n)’s quirk was called Soul Barrage. It let her turn her own soul energy into powerful protective barriers, which also had the capability of exploding and causing damage to the enemy. That wasn’t all, however. (f/n) also had the ability to turn that same energy into light beams from her hands which allowed her to destroy anything nearby. The destruction heavily depended on the amount of energy she put in.

(f/n) had the perfect counter to Katsuki’s quirk and she wasn’t afraid to show it. (f/n)’s barriers were powerful and could withstand quite a bit of abuse, which with effort, Katsuki could destroy. But if he did manage to shatter the shield, its destruction was followed by an explosion. Something Katsuki couldn’t counter.

“Or what Kacchan?” She asked, making him growl and turn around. Katsuki’s hand was aimed at (f/n)’s face and he let loose an explosion. (f/n) flinched but her barrier was up immediately, causing her no damage. After a moment, she burst into laughter infuriating the blonde even more.

However, Katsuki opted to shove his hands in his pockets and walk away. (f/n) did all of this to get a reaction out of him and he always gave her one. That frustrated him even more! Maybe if her stupid eyes weren’t so beautiful, he wouldn’t want them to look at him even more.

What?

Katsuki came to a halt in front of his classroom door as he tried to process his own thoughts. Did… did he just think that (f/n)’s eyes were… beautiful?

No.

No.

Hell no. Over his dead body would he think her stupid eyes were beautiful. Nope.

***

“Hey, Kacchan?” Katsuki rolled his eyes at the familiar female voice behind him. He didn’t even bother answering her and kept walking towards the cafeteria when she called out again. “Kacchan? Come on, Suki! I’m trying to talk to you!”

“What?!” He asked, abruptly turning around and glaring at the girl behind him. She sighed and crossed her arms.

“Let’s fight.”

“What?”

“Did I stutter? I said let’s fight. Spar with me.”

“I don’t have time for you shit, dumbass.” This time, (f/n) rolled her eyes as she followed him.

“I’m not messing around, I’m serious. Fight me.” She went on a little tangent but Katsuki just drowned her out as he kept walking, refusing to give her any attention. Her angelic voice was pretty hard to ignore though.

Woah.

Katsuki came to a halt and his eyes widened. Again? What the hell was wrong with him?! With a loud growl, Katsuki turned around and flared at (f/n).

“For once in your life can you be anything but a nuisance?!” He could tell that hurt a little, but that expression quickly disappeared and (f/n) shrugged, walking off.

For the rest of the day, all Katsuki could think about was how… not ugly (f/n) looked that day. She… her hair looked… decent. It was annoying and he wanted to stop! She wasn’t that special! She wasn’t anything. She was just another stepping stone on his way to being the number one hero.

“Hey, Kacchan! You’re staring again.” Katsuki’s eyes widened as he looked over to Kaminari, who had a huge smile on his face. He blinked and realized he’d been staring at (f/n) this entire time!

“No, I wasn’t Pikachu!” He grumbled, his eyes looking down at his food. No, he wasn’t, he was looking behind her! Why would he want to look at her?!

“You like her don’t you?” Kaminari teased, making Katsuki glare at him.

“No, I don’t, dumbass!”

“You sure?  You stare at her a lot and you’re not as competitive with her. You let her get away with quite a bit of stuff.” Kirishima commented, taking a sip from his drink.

“You like her! You like her! You like her!” Kaminari and Mina chanted, making Katsuki growl.

“I do not!” However, for the rest of the day, Katsuki wasn’t able to get their words out of his head. Could… he like her? Was that a possibility? He didn’t like people in general, so why would be romantically interested in some stupid girl? These dumb thoughts were even more annoying than her.

***

“Hey, Kacchan!” Katsuki immediately grumbled at the voice as (f/n) ran up to him and clung to his arm. He tried to pry it out of her grasp, but she held on tightly. “So! About that sparring match of yours! We should do it this weekend! I was thi-”

“NO!” He yelled as he shoved her off and glared at her. “I don’t want to spar with you. Now leave me alone.” Of course, she didn’t and followed after him as he walked towards his class.

“Why not?”

“I don’t have time.” That was a lie, but the less time he spent around her, the better.

“Oh come on, you always have time to fight someone! Hell, you made time to fight Izu that one night!”

“Just leave me alone.”

“Hey, answer me! What’s been up with you lately? You’ve been so weird!”

“Go away, idiot!”

“I’m just trying to ask-” Katsuki abruptly stopped and glared at her, a type of glare that even she hadn’t seen before.

“No.” With that, he walked away leaving (f/n) standing in the halls, confused and a little unnerved.

***

“Just ask her out!” Kirishima exclaimed for the umpteenth time as Katsuki still denied his attraction towards (f/n). All of his friends knew and they were desperately trying to get him to ask her out. It was like pulling teeth with him! It was painfully obvious that Katsuki had a crush on (f/n), but he refused to do anything about it. All because of his dumb pride.

“I don’t like her!”

“Yes, you do!” Sero argued, his own frustrations getting to him. “You like her and it’s ok! Just ask her out!” They had been going at this for almost an hour now and they weren’t the only ones getting frustrated.

“Fine! Fine! I’ll ask her out! Now shut up and leave me alone about it!” Mina, Sero, Kaminari, and Kirishima sighed in relief, falling onto their backs on the ground. Katsuki rolled his eyes at their antics and mentally prepared himself for rejection.

***

(f/n) was sitting in her room, doing her homework when she heard loud banging on her door. She jumped at the loud sound invading the silence of her room and quickly stood up. Opening her door, she saw her favorite blond waiting outside.

“Hey, Kacchan!” She greeted him with a bright smile, which he tried to ignore. She looked pretty damn cute in that outfit of hers. His eyes slowly slid down her body as he took in her form. They trailed back up, to meet her curious eyes which widened as she realized what he’d done. A blush appeared on her cheeks which almost made him smirk.

“Go out with me.” He said, shoving his hands into his pockets.

“Wh-what?”

“You heard me. Go out with me.” Was… that a request? Seemed more like a demand.

“I-I um… wh-what?” It was clear that (f/n) wasn’t grasping the concept here and it made Katsuki sigh in frustration. He wasn’t sure if she liked him or not, but he was going to take his chance. Taking a deep breath, he took a step forward. He gently pushed (f/n) into her room, closed the door behind her, and pressed his lips against hers.

Unlike his personality which was rough and harsh, his kiss was the exact opposite. It was soft, gentle, it wasn’t demanding, and it was very hesitant. (f/n)’s body stiffened, but within seconds, her eyes fluttered closed and she melted into his touch.

Her lips moved against his slowly and carefully, meaning she was also scared to make a mistake. His hands landed on her hips, pulling her closer as her arms wrapped around his neck.

The kiss wasn’t too long and they pulled away, staring at each other with red faces.

“Will you go out with me, (f/n)?” She smiled, the words finally making sense in her head.

“Of course, Kacchan.”

[ghoste-catte]

multiples of 3 ✌🏼-sgmdrcklee

@sagemoderocklee you’re really trying to kill me lol

This got long as heck so I’m throwing it behind a cut. Read on for answers and fic recs! (Mostly the fic recs)

3. favorite line/scene you wrote this year

This is a tough one to answer for me generally because I tend to spit words onto the page and once I have written them I no longer remember writing them. And 2020 has stretched on so long that as I’m looking at some of the stuff I wrote in the beginning of this year, I hardly remember what’s even in it. I think at one point someone (@goblin-draws maybe?) mentioned a line in Sleeptalk with Me where the innkeeper calls Kankuro “chubby boy”, and I was like “Oh ... did I write that? Yeah, sounds like something I’d have someone say to Kankuro ...” 

It might be easier to talk about this in other terms. One of the scenes I worked the hardest on this year was the fight scene in Chapter 3 of Skeleton Key. The original draft of the scene was a lot shorter, and a lot of the backstory for Misaki’s revenge quest was elided. The scene as originally written was clunky, confusing, and as my lovely wife/beta put it sounded “like a Naruto villain” was doing the dialogue, when previously she’d found Misaki sinister and intriguing. Which wasn’t what I wanted. I basically entirely overhauled the scene and re-wrote it several times. I wouldn’t call it a ‘favorite’ scene (I hate writing fight scenes generally; having chosen to immerse myself in a fandom about ninja where much of the drama comes from battle is my eternal regret), but it is a scene that I put a lot of effort into, and I’m moderately satisfied with the improved product that resulted.  

6. least popular fic this year

By far my least popular fic by kudos ever is Pitch Perfect. Which makes complete sense to me. It’s a fic where I’ve written 2 characters who are men in canon as cis women, which pushes a lot of uncomfortable buttons for a lot of people. It contains F/F smut, which is something that a lot of people who choose to read GaaLee probably aren’t out there looking for. And people comment and kudos less on smutfics, I assume because they don’t want their username attached to porn or because they’re embarrassed (which I totally get, no shame there). It’s a modern AU with a sports twist, and AUs are often less popular than canonverse in my experience. I will say though that it has a surprisingly high number of private bookmarks compared to other fics with comparable hit and kudos counts. So I assume people are just a bit more shy because the premise is so ‘out there’. I will say as far as my fics go, it’s one of my personal favorites and probably one of the most intimate and true-to-life things I’ve written? So it actually is a little comforting to know that something so vulnerable has relatively little attention. 

9. longest wip of the year

If we’re going based on stuff that’s partially published but not complete, my Gaara-adopts-Shinki fic On My Way Home is my longest in-progress fic at just over 20k words, although technically I started it in 2019. It will probably end up being right around 40-50k when it’s complete, which might end up situating it as my longest fic ever? 

12. favorite character to write about this year

Okay, this is an easy one. I love writing Kankuro. I think he is hilarious. He is the devil on my shoulder and a creature of pure id, and every time I write a line of dialogue for him it’s the summation of my rudest thoughts about a situation put in the crudest possible terms. If there were a megaphone directly from my unfiltered brain giving running commentary, that would be Kankuro.

15. something you learned this year

I have learned SO much this year! This is only my 2nd year properly ‘focusing’ on writing fic and investing any substantial time into it. I think the biggest thing I have learned, though, is how to overcome a lot of my self-consciousness about writing stories with NSFW elements in them. Starting out, I was so extremely shy and mortified about writing fic at all, much less things like hugging or (god forbid!) kissing. So taking on the smut prompts I took this year and really buckling down on learning to write the mechanics and emotions of sex has been a massive learning experience. (And sorry, by the way, if I haven’t gotten to a prompt you sent me in January yet. I do intend to write all of them eventually!) 

18. current number of WIPs

Ah. The call-out question. My general fic process is idea -> outline -> wip -> edit -> ready to post (where the final draft sits in my docs until I gin up the courage to actually post it). So skipping fics that are just “ideas” on the big mega-list, I have 3 fics in the “outline” stage, 13 fics in the partially written “wip” stage, 1 fic in the “editing” stage, and 2 that are complete but yet-to-be-posted. So, like, 19 total in the offing. (The “ideas” list is even worse lol.)

21. most memorable comment/review

This is such a difficult question because every single comment I get makes me do a little dance for joy. That’s not an exaggeration btw I really sit there and like bounce around in my seat for a moment before I open the Ao3 email. I am not an especially emotive person irl, but there have been times I’ve been brought near tears by comments. I’ll also occasionally show them to my wife like !! look at this nice thing this person said !! and she’s indulgent enough to actually read them. There have been a couple comments that have really stuck with me, that I starred in my inbox and return to frequently, but I don’t want to bring attention to someone else without their permission. I will say there was one person recently who mentioned (not in the comments on one of my fics) that they had found someone who does physical binding of fanfiction and they were about to ask my permission to do that, but then the person who does the binding only does certain ships that she likes ... so that, just, absolutely floored me. The idea that someone might actual want a physical copy of my stupid little ninja fanfictions is, like, so truly immense and completely overwhelming?

24. favorite fic you read this year

You can’t make me pick just one!! (For reference, I have bookmarked right around 180 fics in the past year, and that’s not including fics that I just read, really enjoyed, but didn’t think I could ‘handle’ a second time around.) So, skipping over the ones that AREN’T Naruto ... here is a brief sampling of some faves:

Silica by deepestbluest (rated E, GaaLee, ShikaTema, and Kankiba) - An absolute emotional powerhouse of a fic that manages to skillfully interweave three complex relationship dynamics, satisfactorily resolve them, and give you ALL the sandsibs feels in just over 10k words. 

Childhood Not-Friends (series) by MegaWallflower (rated G, KakaGai) - @megawallflower is a KakaGai god for good reason. Absolutely adorable relationship development fics (five of them!) with the premise that Kakashi thinks he and Gai have been dating since they were kids ... Gai just hasn’t been clued into it yet. These stories will give you heart-eyes.

The Bright Side by gidget_goes (rated T, GaaLee) - This is the Buffy AU I never knew I needed, because I’ve never seen Buffy the Vampire Slayer. But truly you don’t need any Buffy knowledge to enjoy this fic. @gidget-goes command of imagery is masterful, and the way they manage to snap from snark to tugging at your heartstrings is awe-inspiring. Gaara breaks my heart in this. And did I mention Kankuro wears a 10-gallon hat? Because Kankuro wears a 10-gallon hat. 

Nature vs. Nurture by Bidiza (rated T, GaaLee) - So introspective and so poetic. This looks like a WIP but it’s actually multiple oneshots, although by the end of the second one you’ll be dying for the rest of the promised series. 

I’m a Fool to Want You by BeelieveRosemarie (rated M, GaaLee) - Turns out @tuttiefruttiegaalee isn’t just an amazing artist, they’re a writer, too! Slow-dancing that will break your heart. Listen to the Frank Sinatra song while you read this for extra tear-jerking effect.

Let Love be Known (series) by TenTomatoes (rated G, GaaLee) - This is the twist on the arranged marriage trope and Beauty and the Beast that I didn’t realize this fandom was missing. I’m absolutely obsessed with their concept of Gaara as the Beast

I Could Be by LilacNoctua (rated T, GaaLee) - I know I big up @lilac-writes Worthwhile series a lot (deservedly so, because it’s so good it makes you look at the series and go “Why the fuck didn’t Kishimoto make this canon exactly like this?”), but this story made me absolutely die between the butterflies in my stomach and how hard I was laughing. There’s one line--you’ll know it when you read it--that absolutely bowls me over every time I re-read this. 

And Then Continue by EgregiousDerp (rated E, GaaLee) - Obviously I’m biased because this was a gift, but @egregiousderp writes some of the the best characterized porn I’ve ever read. You will read this and go “Wow! This is exactly how it would happen!” It’s such a tender, beautiful exploration of Gaara’s insecurities and a very real feeling first time, for all its soft edges. 

Cake by citronelle (rated E, KanKiba) - I don’t even know what to say about this one other than ... phew, this is extremely well written, extremely hot, and extremely in character. Just read it. I promise it’s worth it. 

Saudade by YumKiwiDelicious (rated M, GaaLee) - I’ve run around reccing this to just about every person on the face of the earth at this point. If you’re in the GaaLee Discord you probably saw everyone salivating over every new update of this fic and with good reason. The twists and turns of this fic will have you on the edge of your seat, second guessing every single moment. And it will break your heart in the meantime. What more could you want?

the love potion commotion by floating_cats (rated T, NejiSasu with background GaaLee) - One of those fics where you wish the author’s sense of humor was your own. So many hilarious moments in this story, and it brought me a new appreciation for a ship I never would have even considered. 

Finger Lickin’ Good by whazzername (rated E, GaaLee) - Whazz is another one of those authors where I literally want to rec every single thing she’s ever written, she’s just that good. (Speaking of which, if you haven’t read Fools Rush In and its sequel Degrees of Separation, you’re missing out on the best possible Metal origin story of all time. Don’t deprive yourself of this.) But this story is just ... so incredibly in character for a situation that reads like crack. It’s handled with the utmost straight-facedness and it’s so. freakin’. good. 

heart lines by winterberry_holly (rated M, NejiTen and GaaLee) - I don’t even have the words to describe how perfect this fic is. It’s a truly beautiful exploration of Tenten’s relationship with her palmistry hobby and with the people in her life. My heart ached with every single line. 

Standing on Ceremony by kuroashi (rated E, GaaLee) - This is just ... such a beautiful wedding story. So lovely, like getting the best possible warm hug from someone you love. If that love one was slightly strange and socially inept, because, well. It’s still Gaara doing Gaara-things. @baphometsss is another one of those authors whose handling of smut scenes is so stupendous it makes me wildly jealous. 

Thrall by RokiRiot (rated T, GaaLee) - Idiots-to-lovers with a magic AU twist! This is such a wonderful story, and Gaara’s internal monologue is absolutely amazing. And Lee is Deaf in this fic, which I never ever get to see and which absolutely made my entire day/week/month/life. 

Make-Out Consequences by LuxaLucifer (rated M, KakaGai with background canon Boruto ships) - I laughed so hard reading this that I had to take a breather to stop crying. That’s not an exaggeration. The characterization in this fic is impeccable and the humor is to die for. Naruto’s buffoonery truly shines here, and the author’s wit is just beyond anything I could even properly summarize. Hysterical. A++. 

Thirteen Strokes by Luna_Lee (rated T, GaaLee) - Again, like, if you aren’t reading literally everything @sagemoderocklee writes, are you even really a GaaLee fan? But this fic is beyond even for one of Eeri’s incredibly excellent writings. The worldbuilding in this, the cultural notes, the imagery ... it’s all so lush and so fulfilling and so beautiful. It’s a story about love and it’s a story that you can tell has love poured into every single line. I can’t recommend it enough. 

Checkmate by shadowstrangle (rated G, GaaLee) - The pettiness vibes ... this is so funny. Such a cute story and I love Gaara’s sense of humor here. Not a lot of writers give him a sense of humor, but I love how @shadowstrangle gives him a slightly odd, slightly left-of-center take on humor that still manages to be so funny. 

To Court a Village by FanFictionEngineer (rated G, GaaLee) - Another one where my bias is perhaps slightly obvious, but the premise of this fic is amazing. I love cultural misunderstandings, and the idea of Lee trying his hardest to court Gaara ineptly is just so perfect. 

affliction of feeling by theformerone (rated E, SakuHina) - One of those ships that it would never have occurred to me to seek out but that absolutely works with how the author’s set it up. The dynamics here are delicious. It’s so rare to find good F/F porn but this is one of them for sure. 

Tried and Tested by twentysomething (Rated M, KakaIru with background canon Boruto ships and GaaLee) - Iruka’s narration in this story is just incredible. I haven’t laughed this hard reading a fic in ages. And the concept alone (that Naruto can’t be promoted to Hokage until he passes his chuunin exams ... as an adult ... and Sasuke gets dragged along for the ride) is just brilliant. Amazing concept, amazingly executed. 

a fireside waltz by winterberry_holly (rated M, GaaLee) - I really tried not to rec a single author more than once here but for this one I had to. I got about halfway through this fic and immediately started running around ringing the town crier bell like READ THIS FIC! READ THIS FIC! An absolutely smoldering Regency AU with such beautiful, intimate dance scenes. My heart was racing every single time their fingers brushed. If you don’t read anything else on this list, at the very least read this. 

27. favorite fanfic author of the year

I really can’t pick just one. I am lucky enough that @egregiousderp passes me her drafts under the table before (or without) publishing, and getting to read those is a private treat of unparalleled proportions. Some of my favorite things I’ve read this year I can’t even rec because they’re her unpublished stuff. 

30. favorite fandom to read fic from this year

This is gonna come off strange because I just wrote such a long Naruto reclist, but I recently watched What We Do in the Shadows, and found an incredibly talented group of authors in that fandom with really amazingly good dialogue and narrative voice. I also read a lot of fic for the new It movies (even though I couldn’t watch the 2nd one for ~reasons~), and damn if there isn’t a talented crop of authors in that fandom, too. And finally with ATLA making its way onto Netflix, I had the chance to start watching that for the first time and found a ton of really good fic there as well! 

fanfic end of the year asks!

[musical-chick-13]

About that “Chibnall killed Doctor who post”

I’m kinda on the inbetween of that arguement, I remained a fan of Doctor who throughout this Chibnall era, but I definitely think Chibnall isn’t as good of a Doctor who writer as RTD or Moffat.

I think literally any episode he did (keeping the original concept) could’ve been done better with RTD or Moffat.

E.G. I really liked the Concept of the Timeless child and I the episode itself was pretty good, but I think if RTD had worked on series 11 and 12, the timeless child thing would’ve been something similar to bad Wolf, with a lot more hinting and build up throughout the series.

But again, I still watch it, and I’m still a fan since there were some good episodes in Chibnall’s era. But I am excited for RTD’s return.

Hey, fellow Doctor Who fan! Thanks for the ask! (And for being respectful and descriptive while sending it. I love, like...actual fandom dialogue and idea exchange, and I am always down to talk about Doctor Who.)

I'm sorry this response got so long (turns out I love to ramble about TV I follow), so I'm putting the rest under a "read more."

I totally get why people are excited for RTD coming back. Personally, I just like the characters and acting more in the other eras (sans Martha, who is my favorite companion forever and ever, but I still didn't really like the way Ten treated her?). They spoke to me in a way that many in RTD-era number one just...didn't? I'm not completely sure why, so I guess I'll have to work on figuring that out, haha. But I primarily care about characters/character arcs when I watch something because I've been a Theatre Kid™ (and later a Theatre Adult™) my entire life, and the reason why is because I like getting into the heads of fictional people and figuring out where they emotionally end up. Foreshadowing and plot concepts are often secondary to me. But for people who value those things, absolutely I get the love for RTD because he was (and likely will continue to be) good at it.

I think, ultimately, a big part of the problem in terms of how the Chibnall era was received stemmed, not just from genuine criticisms of or objections to the show, but also the fact that many fans would take every opportunity to talk about how every single thing was completely awful with no redeeming qualities and deserved no chances. People who stopped watching the show would still talk about it, even though they hadn't actually seen what was happening, and despite me seeing a lot of discussion about how people were willing to accept some of RTDs (and even, occasionally, Steven Moffat's, though that was far less common) because they got value out of enough other things in the show. But I...haven't seen the same grace extended to the Chibnall era. There were some episodes that fell flat for me, but I think Ryan's arc of learning what he wants and accepting the beauty of a life on Earth, and Graham's reflection on grief, and Yaz's ill-advised devotion and mental health struggle backstory, and everything about Thirteen, and everything about Sacha Dhawan's portrayal of The Master ultimately mean more to me than the episodes I find less-than-stellar. But many times when I've tried to go into Doctor Who-related tags or look for video essays on YouTube or skim the official Facebook page for news, I just see an avalanche of content about how the whole thing is worthless and we should throw it all out. Add in the fact that there were some infamous plotlines and fandom drama in the "Super" and "Lock" parts of SuperWhoLock (which as a totality has recently made the shift in cultural perception to "Cringe™"), which bled over into assuming Doctor Who would follow suit, and there's a lot of negativity that unfairly skews the perception of what people's relationship to and opinion of the show are. Many times, the people who hate something are the loudest about it. And a lot of times, that dissuades people who genuinely love the thing from talking about how much they love it. (Or, at the very least, prevents those talks from getting traction, because people who hate things, in my experience, are...very adamant about running people who disagree with them off of public platforms.)

I can get why the Chibnall era wouldn't hit as well for some people. And if it's not someone's thing, that is completely fine. (God knows there are lots of things that aren't for me.) I think, though, that if someone decides something isn't their thing, it's better for everyone for them to say, "Hey, it's not my thing" and watch something else that is. I don't think continuing to talk about how much they hate it is very helpful to anyone involved. Obviously people can vent and make posts about their feelings on the show, but there's a line and I've seen a lot of people (in unprecedented numbers) cross it. And, ultimately, I think that is the thing that's the most responsible for the public negative reactions to Chibnall.

[thewokewordsmith]

Zuko and Katara are refugees and war orphans who have been trained by the White Lotus since childhood to hone their bending skills to assassinate the Fire Navy’s highest ranking members.

I originally made this gifset for Zutara month but a lot of people in the notes were asking for a fanfic and I finally got around to writing it. It’s a one shot for now but I might eventually turn it into a multi chapter fic. Anyway please enjoy.

If you summed up my life until this point it would be. Travel light. Move quick. Create distance. It’s a way of life when your an assassin. Nothing left behind. Nothing to tie you to the scene of the crime. Leave no trace of your ever having been there. Leave no trace of your existence. Make it quick. Make it clean. Flee the scene.

That’s what they used to sing to us when we were little. They made a game out of the killing. Turned it into a song. A nursery rhyme so that our young minds could grasp the concept of killing. I don’t feel bad for being an assassin. I’m doing what needs to be done to end the war. Some say it’s hopeless to still fight after the Avatar was killed by Fire Lord Ozai’s daughter Azula, but I say fighting is better than giving up. People always think things are impossible until someone does the impossible.  When it comes to ending this war I don’t believe in can’t. There’s just can’t right now. We can’t defeat Ozai right now, but we will.

Working at night has always been to my advantage, but my partner Zuko has never let it be to his disadvantage. His firebending is as deadly at night as it is during the daytime, and if ever it wasn't his dao swords more than make up for the discrepancy. The White Lotus masters pick our partners by watching the way all of us played together as children. To us it seemed like a regular playtime innocent enough, but there's nothing innocent about being one of the White Lotus' orphans, and it was really a test; a compatibility test to see what assassin we paired best with.  Not only did they see how well we played together but they also watched how we fought with each other.

Zuko and I have always had our share of fights but we always resolved them. We don't let things fester we knock down, drag out, and make up. I guess that's one of the reasons the masters put us together. I don't know all of the reasons why the two of us were paired and I've never felt the need to ask. Zuko and I just work. We are both opposites and equals an unmovable object and an unstoppable force.    

“We should be reaching Whaletail island in about fifteen minutes.” Zuko calls out.

“Who’s the mark?” I ask.

“Lieutenant Shimizu.”

I don’t need to study the photo of Lieutenant Shimizu I’ve got his face memorized already. I always remember their face even if I don’t remember their names. I don’t like calling the marks by their name. The killing is easier if I only think of them as marks.

“Five more minutes.”

I flex the veins in my fingers and my arms preparing myself to bloodbend as Zuko slips his Blue Spirit mask over his face. Our sky bison, Appa, dips low over the water. The members of the white lotus told us that Appa once belonged to the Avatar and I don’t doubt it because who else beside an airbender would have a sky bison? Some people say the Avatar isn’t dead. I’ve heard rumors that he’s in hiding and just waiting for the right moment to come back and save the world. I can’t waste my time with rumors and what ifs. I want a life beyond killing, running, and hiding. The only way to do that is to end this war, and I will by any means necessary.

The lieutenant’s ship comes upon us quickly. Bile rises up in my throat forcing me to clamp my lips shut tight and fight against the hot sick feeling but I hold back the urge to wretch. I always get an intense sick feeling before a kill. For a moment my skin is clammy but I whisk the sweat away with my bending to prevent chills. I’ve got to be totally focused. Zuko and I have planned this down to every last detail, but I don’t think I’ll ever get used to the killing.

“We can't fly in directly to the outpost we'll have to find somewhere to land Appa and then make our way from there.”

“How many are stationed at the outpost?”

“Less than ten.” Zuko replies. “It's strictly no take downs unless anyone sees us then we have no choice but to take them out.”

“I know the drill besides they never see us coming. That's what makes us assassins.”

I remember my first kill and the shocked look on the mark's face as my ice crystal pierced his heart. It slipped into him so easily, and even though the mark didn't know me he looked so betrayed. His eyes stayed on me until he fell to the floor. There wasn't any blood it all seemed too neat to be a killing. Murder was supposed to be messy and hard but my first time had been neither of those things.

“Is he really dead, Zuko?”

“Come on Katara we don’t have time.”

“But he-.”

“Come on! Make it quick. Make it clean. Leave the scene.” Zuko reminded me as he pulled me out of the room by the sleeve of my cloak, but I couldn't take my eyes off of the man lying in the floor. He was dead. I really did it. I  killed someone.

We were out of the building before anyone even noticed that the general was dead and I couldn't believe how easy it was. Surely they won’t be all easy I thought. They weren't. There has been more than one mark that's put up a good fight. I've got the scars to prove it but the outcome is always the same. They die and Zuko and I live on to kill again and again; enough to amass a body count. I've seen the look of death on so many people's faces but I never can forget my first. To this day that surprise look of betrayal haunts me.

“We can land over there.” Zuko points to a small island a few yards away and I guide Appa towards it. We leap off the back of Appa before he touches down to the ground.

“We're going to have to sail our way over.”

“I'm on it.” I bend out a piece of ice big enough and thick enough to carry Zuko and I over to the Fire Navy's communication outpost. The floating block of ice cuts through the water like a knife through flesh. When we get close enough to the out post I create a wave big enough to lift us up to the tower. For a moment it's like the two of us are flying, and how I wish that we could. I wish that the two of us could fly away from this all, but as it stands there is no running away there's only fighting and surviving in a world that's ruled by fire.

The outpost is made of metal that is old and rusted from years upon years of being left to bare the brunt of  the assault from it's natural enemy the salty sea water, and surely it creeks and groans but as we climb the stairs to the top floor there is no sound. Zuko and I spent years mastering Gōsutomōshon. Ghost motion. The art of  moving without being heard.

The guards are just starting up their rounds, and as we reach the top floor we stay out of their line of sight and they remain oblivious to our presence. We wait until they head in the opposite direction before making our way through the open door that will lead us to Lieutenant Shimizu. There is no one in the corridors no sounds save for the sea.

In the moments before a kill I become a different person. I wash away all traces of my off duty self and wholly become an assassin. Ice water pumps through my veins and I know longer know mercy or pity. You cannot bargain your way out of the fate at hand; not when my own hands are already stained with too much blood to turn back now.

“This is it. The lieutenant's room.” Zuko informs me.

“Not for long.”

I force the door open with a surge of water that pushes the solid metal door back on it's hinges. It alerts the lieutenant and before we can even step into his room he's bending at us. It doesn't do him any good. Zuko deflects his fire blast until I step into the room behind him to end things.

“Wh-who are you?” The lieutenant ask.

“The last thing you'll ever see.” Zuko answers.  

I hate it when they talk. I don't want to know what they sound like I just want them dead. “Shatter!” I cry out  and clap my hands together.

Zuko jumps on the spot. “Damn it, Katara you’re supposed to warn me before you do that!” Zuko snaps as the body lands directly in front of him with a loud thud of dead weight.

“Me saying shatter was your warning. Besides it's the quickest and most humane way I know to kill someone.”

“Humane? Freezing all of someone’s blood vessels and then shattering them into a million pieces is about a brutal death as you can get.”

“I’m sure they feel a lot less pain this way as opposed to boiling their blood.”

Zuko sucks on his teeth. “Whatever. Let’s get out of here.”

We leave the same way we came in. By the time the other soldiers discover their lieutenant's body we'll be long gone. As Appa flies us back to our camp  we are silent. I've never asked Zuko what he's thinking about after a kill and he's never asked me. There is no need to; we are both thinking about the same thing. A life where we are not killers. We are thinking about a time when all of this bloody effort will pay off and we'll see the end of the war. It has to end someday. It has to. The hope that the war will one day end is the only thing that gives me the strength to keep killing. Above all else I believe that we will win; I just pray to Yue that we win this war before Zuko and I lose the war between good and evil that is being waged within us.  

[belphegorbillickin]

Okay, but I can definitely imagine Barb/Dia doing that. It seems like quite a possibility. But wasn't dying mc's own fault though? Like,, Barbatos did warn,,, unless he knew this was gonna happen and mc was DUMB AND STUPID enough to show up to everyone like: "hi." and possibly be dumb enough to get killed. Idk lol I forgot this part.

But what you said about Beel, I really like that. I think you even mentioned belphie guilt tripping you in your yandere hcs, and trying to make you completely depend on him?? I like those possibilities. Mammon though,, too soft. Like you said, they've robbed him a lot. He could have had so much potential to be a dark character. Similarly Levi omg.

The brothers are the embodiments of the 7 deadly sins, yet, tbh, I haven't seen too much of this side of them. At least, not like how'd I expect. Leviathan, for eg. Envy. I don't recall seeing his sin playing out anywhere except in the TSL Quiz thingy. I mean, it's been toned down a lot for someone who's the literal embodiment is envy. Idk I just don't feel he's like that? As from what I found: Envy (Latin: invidia), like greed and lust, is characterized by an insatiable desire. It can be described as a sad or resentful covetousness towards the traits or possessions of someone else. The struggle aroused by envy has three stages: during the first stage, the envious person attempts to lower another's reputation; in the middle stage, the envious person receives either "joy at another's misfortune"(if he succeeds in defaming the other person) or "grief at another's prosperity" (if he fails); the third stage is hatred because "sorrow causes hatred".[38]

Envy is said to be the motivation behind Cain murdering his brother, Abel, as Cain envied Abel because God favored Abel's sacrifice over Cain's.

They toned him down a little too much?? If this game has actually been inspired by demons and the 7 deadly sins, they could at least make them similar to the demons, at least in some way. I'm not that far into the game yet, but so far that I've played, I haven't seen much. As for a demon who is the embodiment of envy... I wish to see more. Levi is capable of A LOT.

Similarly, Satan. I sometimes wonder why is he even called the Avatar of Wrath when we hardly see it?? The only time I remember is him losing his calm during the whole body swap event. The fact Satan got mad at us refusing a pact actually made me think that he was the sin "wrath", but idk now. And the way it was said that "every smile is an act", I really like that concept too. But I don't think I've paid much attention to see where it played out. Sigh now Satan simps for cats like,,, please show me your dark/evil side sir.

The way you said Barb and Dia took part in a torture dungeon, I want to see more of that too. If they're demons, wouldn't they have caused SOME sort of bloodshed in a way? Especially if they're the strongest demons. Killing humans, eating them, or I even like to think doing the same to their own race. Torturing... Seems like something that every demon's blood would contain lmao, I'm not answering questions bye.

And I believe so too. The human seems like a pawn... I feel the demons would use humans for entertainment and their own purposes, while keeping up the facade of loving them. It's easy, since demons are manipulative. In that case, losing the human whether by their own hands or not would go like: "Oh well, that's unfortunate. Time for another human."

But if they REALLY did love you, I feel they'd still be manipulative. Like you said. Corrupting/spoiling the human so much to the point that they'd just HAVE to depend on them. I feel they'd also have yandere tendencies, or be "protective". Like, then I feel they really wouldn't want to let you go, despite knowing how much it can ruin your innocence.

I also don't like how everyone is after mc like "uwuwu master". The human is still a weakling despite having pacts, plus, the pacts aren't even demanding the human's soul or anything. I don't get why they let mc walk over them when they are CLEARLY much stronger? If I were a demon I'd do the opposite lmao. Making the human seem as if they are controlling me, but it's the opposite. I don't think a mere pact can change the fact that the demon's stronger,,, esp if the pact didn't demand the human's soul/life/whatever.

Also, thank you! Things got better for me :)) and also,

💫✨💕send this to ten bloggers you think are wonderful. keep the game going 💕✨

Ofc you don't have to do this, but I got this, and it really made me happy, so here ^^

Oh btw in lesson...56 I think?? Just gonna tag this as a spoiler, but where for whatever reason Satan was "Sully" and the angel Lucifer asked him whether he liked books, let me just say I haven't even played it that far yet, but Satan going, "...Every book here is precious."

TOUCHED ME SO BAD LIKE. I DON'T KNOW IT REALLY MADE ME SOFT LMAO HE'S JUST SO okay I'll stop 🏃– 🍹

It's been a while since I've thought in-depth about the whole time traveling thing tbh, but couldn't Barbatos generally see the outcomes of the world?

We went back because they wanted to know who opened it, but considering Diavolo's the ruler of hell who turned Lilith human and Barbatos is basically the ruler of time & practically the universe I believe they already knew Lilith did it since it had to be "blood related" basically.

Barbatos also knows he can stitch together timelines and get of "extra" MCs essentially, so I believe he'd take that into account. I'm not saying MC getting killed was 100% part of the plan, but that they didn't care of MC was traumatized because they knew they could bring them back if necessary.

Imo the real goal wasn't to find out who did it, but to avoid breaking the family's bonds and devotion to Diavolo. The way it worked out was incredibly convenient and "coincidentally" a huge upgrade for Diavolo that kept the status quo and made him look good (or at least better) to Belphie and Beel without making Lucifer choose.

We see that kind of repeat later when Diavolo withdraws from the play because he was worried Lucifer wouldn't be as loyal. That's also why Lucifer gets that warning from Barbatos.

I think a huge part of why Levi's characterization is like that is because not enough people like him enough to tolerate it tbh. Even Mammon and Lucifer stans complain about the other characters hogging screen time and a lot of them admit to feeling bad for other fans. Levi is pretty much always second to last popularity wise.

I think he'd actually be more liked if they focused more on the jealously instead of making almost every interaction otaku/Ruri-chan related, but it's a bit too late now. I really, really hate how they just pretend otaku culture always existed and that's all Levi ever was. Like at least make him have an obsessive personality and be hyperfixated on novels instead of talking manga in an era before Japan even existed. It's so unbelievably lazy and really takes me out of the story.

Another problem is we only really see him interact with family or people that could enact severe consequences like Diavolo & Barbatos or people protected by the exchange program. He never gets a chance to shine or be cunning. The closest we get is things like him purposefully trying to ruin Christmas for random people online in his Christmas card. I think if he genuinely got jealous of MC and some random demon he would summon lotan almost instantly.

It's especially painful knowing what we had & being so excited to get more only for all of that to get dropped.

In an early devilgram, Be You, Satan gets jealous and feels bad about not having much unique to him and Lucifer comforts him in his own way when the others make it worse. Mammon is the most empathetic though ofc. They also talk about horror movies and Mammon says he doesn't find them scary (& the way it's framed sounds honest, idk if it's a retcon or a lie,) and Satan says "I'm sure we've all witnessed plenty of real-life horrors worse than anything in the movies."

Then when Lucifer asks for a time when he was really angry Satan first casually then gleefully talks about torturing a family to death because a kid set him up to get scolded by their parents. Meanwhile the brothers act wary of him and worry about him getting out of control while Lucifer tells everyone to take cover for their own safety with a smile. Satan happily talks about them begging for their lives and says he wishes they saw it too.

Levi also says he hates hearing about people being happy, but likes hearing about the negative things. While Asmo and Mammon are freaking out he also calls Satan cool. Which shows at least a little bit of his envy for once. Satan also says just the aura of his rage is usually too much for humans which is also interesting.

But back to Diavolo and Barbatos, I don't hate how the whole torture thing isn't super open, it makes sense imo, but I would like to see hints of them hiding it. Especially if Satan or even attic Belphie was the one you could go to to learn more about it. If anyone would defy Diavolo for that it'd be them trying to bring Lucifer down with them, or even just Satan rewarding the hunt for knowledge and not understanding the human psyche fully.

Imagine if instead of a paper thin lie about being human we got a Belphie manipulating us by pretending he was locked up because he was against hurting humans and the whole exchange program was a scam? Or at least if he told us things no one else would about Diavolo that were true so we wouldn't trust him and etc. That's the angle I'm going with in my fanfiction at least, the original story is just so lazy and boring imo.

Yeah I'm not a huge fan of how they handled pacts either, especially considering they don't even get MC's soul. It's way too one-sided to the point where I don't believe someone like Satan would ever offer it, even if the first offer was a trick and he'd get your soul or something. I agree on the whole manipulation thing too, like how is it partnership if one side has complete control over the other?

Even just making it so that demons can fight against if they really don't want to do something like harming each other and having it corrupt MC would make it a million times better.

And that's so sweet, thank you! You've made my days a lot brighter too. Not much makes me happier than infodumping and complaining about Obey Me rn lol.

I really liked Satan's line there too, although I did wish he had more a reaction to everything tbh. That whole section felt a bit too easy imo though, like I kept waiting for it to all go to shit or something. I am glad they went back into more story-based chapters too. I hope they keep that trend and expand on it.

[ratingtheframe]

Enola Holmes, The Devil All the Time and i’m thinking of ending things: Everything I watched in September.

Thank God we are almost at the end of the year. With October just around the corner and 2021 in full view, it seems like the film industry is slowly piecing themselves back together after months of being on a complete hiatus. Cinemas are slowly starting to return back to normal and streaming services are now full to capacity with content.

Netflix in particular has some exciting things to come and the successful release of Harry Bradbeer’s Enola Holmes and Antonio Campos’ The Devil All the Time, has proven that their ability to produce outstanding content hasn’t been stunted at all by COVID-19. Here are the 31 titles I watched this month and for you to add to your watch list. 

Searching (2018) as seen on Netflix

Searching recently came onto Netflix, however the film was actually first released in 2018, screening at Sundance Film Festival. It had a very impressive response and grossed $75 million worldwide and with a budget of only $880,000 it was certainly a success. I rate this film highly, due to the simplicity and execution of it, with a lot of twists and turns in appropriate places. Structurally, the film is flawless and it’s clear a lot of thought had gone into the payoff of the entirety of the film. Certainly an indie filmmaker's dream and a film to watch to learn about the “less is more” rule of screenwriting.

Score: 10/10

Zodiac (2007) as seen on Netflix

I’ve been avoiding Zodiac on Netflix for a loooong time, and after watching it I wonder why I didn’t check it out sooner. David Fincher’s (Fight Club, Panic Room, the Social Network) thriller based on the case files of the “Zodiac Killer” stars the likes of Mark Ruffalo, Robert Downey Junior and Jake Gyllenhaal, all of which had amazing on screen chemistry. The dialogue and structure is Aaron Sorkin-esque as you figuratively become one the detectives, unravelling the case as the two and a half hour film delves deeper and deeper. You honestly feel as if you become one of the team whilst watching Zodiac and just for that, it goes down as a praise worthy film with a perfect structure and surprising twist to the end. Zodiac is the thriller of thrillers.

Score: 11/10

I See You (2019) as seen on Netflix

Now a film like I see you has me questioning

Netflix’s

choices a little. The film scores handsomely on

Rotten Tomatoes

, with a metric score of

78%,

which is quite high for a largely gimmicky film. I can’t quite fault the overall concept, however the story itself fell flat by the end. Things just seemed to mount too much to the point that it became overtly inauthentic and questionable. Instead of paying attention to the movie, I found myself picking up all the irregularities such as why a police man would suffocate someone, drive them to their own home and then shoot them in the head. Surely a policeman would just leave her in the woods? On a brighter note,

Judah Lewis’ (Babysitter: Killer Queen)

was quite praiseworthy in his performance, but it wasn’t enough to drag the film out of a hole of confusion.

Score: 2/10

Fear and Loathing in Las Vegas (1998) as seen on Netflix

If there is one film that you NEED to watch from this list, it would be Terry Gilliam’s Fear and Loathing in Las Vegas. The crackhead energy in this film is OFF THE CHARTS as Johnny Depp and Benecio Del Toro play two drug addicts exploring Las Vegas. The production design in this is marvellous and really captures the psychedelic world the two men enter every time they’re high. I particularly enjoyed Depp’s narration throughout this; his voice is the most sensual yet hilarious thing to listen to for 2 hours straight. Fear and Loathing in Las Vegas is HILARIOUS and such a well rounded, off the wall film to watch.

Score: 12/10

I’m thinking of ending things (2020) as seen on Netflix 

Even though I watched i’m thinking of ending things nearly a month ago, I’m still recovering from it. Charlie Kaufman (Adaptation, Being John Malkovich) directs this satisfying yet highly confusing tale based on the Iain Reid book with the same title. Despite it’s perplexing plot, I certainly can’t fault the film’s performances or set design. Jesse Plemons, Jess Buckley, Toni Colette and David Thwelis made a surprisingly good ensemble and the makeup in this film is probably the best I have ever seen. HOWEVER and this is a big however, the waywardness of the story can’t override the success of artistry behind the film. I feel like there’s becoming a trend where films are visually perfect but make zero sense. By sense I mean a clear, concise story, that has character journeys and some sort of resolution at the end, no matter how big or small. I’m thinking of ending things that had just about NONE of these elements, and that doesn’t make it a bad film at all. It’s certainly not a film I’ve seen before and perhaps it raises the questions whether films need to make complete sense in order for them to be good. We can take a look at experimental cinema to delve deeper into that theory, for within this type of cinema, films can still be appreciated even when they are confusing. Perhaps the meaning of i’m thinking of ending things, is more powerful and higher than the average movie goer can understand, but still appreciate.

score: 9/10

Hacksaw Ridge (2016) as seen on Amazon Prime

Again, another film I’ve been avoiding for a loooong time and regret not watching sooner. The film stars Andrew Garfield as a devoted Christian who goes to war to serve his country, but refuses to carry a weapon yet lives to tell the tale. Preacher Desmond T. Doss saved the lives of between 50-100 men on Hacksaw Ridge during the Second World War. He was heavily commended for his service and the film itself earnt 6 Academy Award nominations. It’s a story that was born to be on screen and it’s hard to believe it was all true. Andrew Garfield’s performance was exemplary and he is definitely underrated as a truthful actor.

Score: 10/10

Fear (1996) as seen on Netflix 

I am sucker for a thriller, good OR bad and this one from 1996 was surprisingly decent. Starring Mark Wahlberg and Reese Witherspoon in their early days, Fear follows a pair of young lovers whose strong relationship turns into a possessive one, when Witherspoon’s character, Nicole learns the true intentions of her boyfriend. It's a 90s teen flick that isn’t talked about enough and certainly an easy one to get sucked into as a guilty pleasure.

Score: 10/10

Make Up (2019) as seen at the BFI Southbank 

Make Up first screened at the London Film Festival last year and was later released this year. I wanted to catch it at the festival and was glad it made it into cinemas. The eeriness of the british film directed by Claire Oakley, was a slow burnt, intriguing watch, however as artistically visual it was, a satisfying resolution to the film was missed. The payoff of the story was easy to define despite it’s ambiguity, however it wasn’t as hard hitting as it should’ve been, which is common in most indie features. The better ones expose ideas and truths in a punchy way, such as La Haine or Whiplash. The film’s genre was also undefinebale and although the story was interesting, I wouldn't be inclined to come back for more of it. 

Score: 7/10

Zoolander (2001) as seen on Netflix

I’m not a huge comedy fan, however it’s about time I watched Zoolander, for it’s probably one of the most iconic films of the early 2000s. The film follows a model targeted by a fashion brand who wants him to kill the prime minister of Malaysia. Anyone who was anyone in the 00s is in this film, from Naomi Campbell to Lil’ Kim, Paris Hilton, Donald Trump, Lenny Kravitz, Natalie Porter and even David Bowie. How they managed to get these famous faces as well as the actual cast (Owen Wilson, Ben Stiller and Will Ferrell) onto this film is certainly a mastery at casting. As far as comedies go, Zoolander is iconic and a must watch for those who are thoroughly in love with these types of outlandish films. 

Score: 8/10

American Pie (2001) as seen on Netflix 

This is the my first time seeing American Pie and for someone who hates comedies, it thoroughly made me laugh. I definitely had to look past at the amount of misogyny and questionable scenes in this film and just sit back and enjoy it all. I felt that all four leads (Jason Briggs, Thomas Ian Nicholas, Chris Klein and Eddie Kaye Thomas) were well casted as an ensemble and were really down to earth in their performances. They were authentic in being high school boys still figuring themselves out and in the end I found each one to be highly likeable. As a comedy, this is definitely a go to and an iconic film from the early 2000s. 

Score: 9/10

Clemency (2019) as seen on Amazon Prime 

A Sundance Film Festival graduate, Clemency was a deeply moving and well shot film that exposed the shocking reality of prison inmates on death row in the US. The word clemency is essentially a term used to define an act of mercy by the justice system, who at the last minute of a prison’s life can grant “clemency” if they feel worthy of doing so, stopping them from being executed. Factors such as new evidence or a parole grant can influence this decision and this film shows the abrasiveness of such an idea. Imagine being a prisoner moments away from death and because of Clemency, you sit there thinking your life can still be saved. But as this film depicts, this isn’t always the case and the masterful acting of Alfre Woodard puts this grief into context beautifully. Her performance ignited this film and it was easy to see this story got to her on a deeper level, that went beyond serving a character. A seriously good film that is professional, dynamic and heart wrenching.

Score: 10/10

Gladiator (2000) as seen on Netflix

I never saw myself as someone who would like Gladiator, however Ridley Scott’s Oscar winning film thoroughly surprised me in an unexpected way. Moving past the amazing visuals and outstanding production value of this film, the actual story itself was just so damn good. It had an excellent, Hollywood worthy structure that saw a hefty and clear journey of it’s lead, Maximus (Russell Crowe). I was VERY surprised to see Joaquin Phoenix play alongside Russell Crowe, who gave a great performance as a bratty roman emperor. Gladiator was nominated for 12 Academy Awards in 2001, which is unsurprising seeing as it's a pretty much flawless film, with the character’s fierce journey being the main contributor to this. 

Score: 11/10

American Pie 2 (2001) as seen on Netflix 

Now sequels are known to be the downfall of some films, especially as the first films were okay on their own. However, I definitely enjoyed American Pie 2 as much as I enjoyed the first. The performances of all characters seemed to get better with time and it still remained outlandish and hilarious to watch. 

Score: 9/10

3096 days (2013) as seen on Netflix

When you laugh more at a film than you should have, there’s something clearly wrong. This Netflix film based on the true story of the kidnapped Natascha Kampusch was directed by German-American director Sherry Hormann. This is gonna sound whack, but one of the most annoying things about this film was the lighting. It felt as if it was never truly dark in this film and because of that, it distracted from the fear of the situation young Natascha was in. Lighting plays an important role in thrillers and horror films, as the idea of these films is to keep people constantly on edge and the dark is something that does that perfectly. I felt safe when watching this film and although it’s meant to be a biopic, I don’t think it captured Natascha’s situation as best as it could have. Another thing that really let the film down was the dubbing from German to English. This is a pet peeve I have with films, but is understandable seeing as the majority of people are too lazy to follow foreign language subtitles and miss out on some of the best films ever made. Because of this, it forces foreign language films to cater towards an English speaking market so the film becomes more viable. I would’ve respected this film a lot more if it was completely in German and had English subtitles.

Score: 5/10

Cruel Intentions (1999) as seen on Netflix

About a year ago, I saw the Glenn Close and John Malkovich film version of the french novel Dangerous Liaisons and I fell asleep. Maybe it was the film I had seen before it that had made me nod off or the fact I couldn’t understand what the hell was going on. However, Cruel Intentions follows the same story with younger leads; Sarah Michelle Geller, Ryan Phillipe and Reese Witherspoon and is set in the modern day. As you can probably tell by now, I am a sucker for a 90s teen movie and Cruel Intentions was all that and more, for the performances and story structure in this film were top notch. Ryan Phillipe is a much underrated actor and heartthrob, playing a jealous and callous Sebastian, the step brother of Sarah Michelle Geller’s character, Kathryn. Both of them were spiteful, abrasive and mean and I LOVED IT. Their non-fuckery was enviable as they cheat and turn the lives of others upside down. Reese Witherspoon was an angel in this film, and I thoroughly appreciated the strength of her character throughout. Cruel Intentions sits highly as a film from the 90s and boasts a hoard of young talent from that era.

Score: 10/10

Wildlife (2018) as seen on Netflix

If you are in love with Paul Dano as much as I am, you’re gonna want to marry him after you find out that he’s also a director. His first feature Wildlife, stars Jake Gyllenhaal and Carey Mulligan as a couple battling the demons in their relationship whilst caring for their young son. I really really REALLY can’t wait to see what Paul Dano directs in the future based off this film. It’s everything I love about a good indie film; well shot, a perfect cast and a touching story. It truly is a beautiful film and one I would recommend to my indie lovers out there.

Score: 10/10

The Perks of Being A Wallflower (2012) as seen on Netflix

My excuse for not having seen The Perks of Being A Wallflower is that I thought it would be yet another predictable high school blunder, with flat dialogue and basic character arcs. And I was half right in that. The first half of the film (mostly exposition) was filled with cringey dialogue and basic high school motifs that set up the film. Some moments were overtly far fetched and it took me a while to fall in love with the main character instead of feeling desperately sorry for him ALL THE TIME. Ezra Miller, Emma Watson and Logan Lerman all together as an ensemble was whack casting that just about worked. However, once we made it through the blizzard of exposition and got to the heart of the story, it truly was a touching and tear jerking movie to watch and for that, it scores highly. “We accept the love we think we deserve” was the ringing message of the film and certainly something I carry around with me daily as I reflect on the unfulling crushes I’ve had in the past.

Score: 9/10

The Devil All the Time (2020) as seen on Netflix

Probably my most favourite film on this list, The Devil All the Time is pure ART. I have a full review uploaded onto my tumblr account so please do check it out to see an in depth review of the Netflix film. All I will say is that it is a must watch film with an unreal cast and story.

https://ratingtheframe.tumblr.com/post/629443058079055872/the-south-of-america-meets-gritty-gothic-horror

Score: 11/10

Way of the Gun (2000) as seen on Amazon Prime 

Ryan Phillipe and Benicio del Toro star side by side in this action packed crime thriller about two guys who kidnap the wrong woman. Simple in it’s log line with the potentiality to be limitless in its telling; ie the basis of every good film. Juliette Lewis (the it girl of the 90s) also stars in the film and really compliments the performances of both leads. Any film that Juliette Lewis is in, is a good film and she is an actor with a very impressive portfolio of work under her belt.

Score: 9/10

Judy and Punch (2019) as seen on Netflix

I’ve been waiting since the end of last year to see Judy and Punch and was thrilled to see it had been put onto Netflix. However, after watching it, that thrill deteriorated and what was left was a disheartened feeling towards this film. It’s a shame to say this, seeing as the story of Judy and Punch is so satiable and fulfilled in its possibilities of telling it. However, probably the biggest problem within this film was its pace; it was too quick of a film. The beginning was organic and smooth, but as it went on it started to become continuously rushed. There were characters I didn’t have time to get to know and actually didn’t even end up knowing their names. There’s a point in the film when Judy is welcomed into an isolated society outside of her home, most of which in that society were women. I would’ve liked to get to know them better and see how they influence Judy’s character and revenge on her husband. The film felt very rushed, which is a shame because everything else; acting, production and story were well aligned.

Score: 6/10

22nd July (2018) as seen on Netflix

I remember the 22nd July 2011 as clear as day but for all the wrong reasons. On this day, 77 people in Norway were killed by a terror attack caused by a right wing, anti-immigrant supporter, Andres Brevik, who was a member of a radical organisation and spent nine years preparing his attack on Oslo and Utøya Island. The most shocking part of this massacre was what happened on Utøya Island, which was the main body of Netflix’s film 22nd July. Viljar Hanssen was a teenager attending a political youth camp on Utøya Island in the summer of 2011. Whilst on the island with his younger brother, a bomb went off in the centre of Oslo, outside a government building, killing 8 people. By the time news of the attack got to Utøya Island, its perpetrator had also arrived, and begun gunning down the kids on the island. 69 people were killed, most of which were under 18. Viljar Hanssen was shot five times, in the head, arm, legs and hand. The attack lost him an eye, several fingers and bullet fragments still remain in his brain. He also lost close friends and the ability to perform in many activities he used to do growing up. His ordeal and that of many on the island, is captured in 22nd July, that from beginning to end, approaches this story with sensitivity and facts. Out of the many events I have heard of that include a massacre of some kind, this attack always sticks out in my mind. The perpetrator was truly merciless in his rage against immigrants coming into Norway and he made sure to express that hatred in such a shocking and profound way. The entire story is one that is so hard to believe and is important in preventing future attacks of this kind.

Score: 11/10

Les Misérables (2019) as seen at Curzon Bloomsbury

Les Misérables was nominated for Best Foreign Language film this year at the Oscars and despite it being thrilling and highly well made, I felt quite disappointed by it. The film was accurate in exposing the many communities now prevalent in France today and it was definitely one of those gritty, Cannes worthy films to sink your teeth into. It's not a bad film at all, it's just one I found hard to relate to and therefore I switched off whilst watching it. In fact, I think Portrait of a Lady on Fire was a better contender as Best Foreign Language film at the Oscars and I was left fuming when I found out it hadn’t been nominated in that category. Les Misérables is a film I’d recommend but found it hard to love it overall.

Score: 9/10

A Cure for Wellness (2016) as seen on Netflix

The logline for Shutter Island (2010) is as follows: Teddy Daniels and Chuck Aule, two US marshals, are sent to an asylum on a remote island in order to investigate the disappearance of a patient, where Teddy uncovers a shocking truth about the place. 

And the logline for A Cure for Wellness is as follows: Lockhart, an executive, is sent to a wellness spa in the Swiss Alps to retrieve his company's CEO. At the centre, he encounters strange activities that make him investigate the illness of the people.

Notice anything? They are literally the same film and it's not just the loglines that share an alikeness. On watching A Cure for Wellness, I noticed how similar it was to Shutter Island, from the location, to the colour grading, costumes and even lighting. Both films are almost identical and I pretty much hate both films anyway. I’ll admit, A Cure for Wellness has a better story and tells it better as well, but if it's just a rip off from Shutter Island, is it all that good? I appreciated the production value of this film yet it was hard to tear it away from Shutter Island’s own production. Overall, I found it quiet gimmicky and too close to Shutter Island for it to have much originality.

Score: 6/10

U want me 2 kill him? (2013) as seen on Netflix 

The only thing that let this film down was the acting. There’s something about solely British productions that rub me the wrong way. Admittedly, their structure is always good and the story is well put together, however the artistic side of these films lacks in parts, from acting to set design. U want me 2 kill him? Is based on a true story which really alleviated the film. I thoroughly enjoyed delving into this story and it was an interesting, engaging plot. However, its production value and acting is what let it down.

Score: 7/10

After (2019) as seen on Netflix

So in short, this wasn’t a good film. The twist was satisfying, however the rest of it was just plain annoying. Any film that uses reality tv type music in its montages pisses me off. It's just such a cringey way of showing emotion on screen and I’d much rather they use music with no lyrics or music that actually conveys the emotion of the scene. The relationship between the leads, Hardin and Tessa (Hero Fiennes-Tiffin and Josephine Langford) was very predictable and the conflict between the two only made up like 5% of the film; 2.5% at the beginning and a further 2.5% at the end. For the rest of the 95% of the film, they were pretty much happy throughout, meaning the story had nowhere to go, besides the fact that Tessa’s mom disapproves of Hardin. But besides that and a shocking revelation..that was about it. No one died, no one was really hurt. Hardin was made out to be more troubled than he actually was (his dad is chancellor of a college for fuck’s sake) and I found myself laughing when I shouldn’t be. As for After We Collided, I can’t wait to tear it apart this month.

Score: 4/10

Miss Juneteenth (2020) as seen at BFI Southbank

Miss Juneteenth is the underdog movie of the month for me. You can read a full, in depth review of it right here:

https://ratingtheframe.tumblr.com/post/630357041253400576/she-my-dream-now-miss-juneteenth-review

Score: 11/10

Monsoon (2020) as seen at BFI Southbank 

Why this film was praised by critics is unknown to me. The number one thing that this film did wrong was not showing ANY conflict on screen whatsoever, the characters merily TALKED about conflict. Conflict and actions based on those conflicts is what moves a story forward, and this film was certainly static. The story follows a man (Henry Golding) and his return to Vietnam as he learns about the war and the life he left behind. But the film shows no war, no deprivation or heartache that many vietnamese people had to go through. It's just filled with empty shots of Vietnam and Henry Golding looking out at the city. Why not just make a documentary about The Vietnam War with Henry Golding presenting it, as that is what this film was virtually. You can’t get away with nice looking shots to produce a praise worthy feature. Maybe I’m getting the wrong jist of the film, but in terms of its telling, I didn’t feel anything at all whilst watching it and if I didn’t feel anything, I wasn’t thinking about anything because it was so mundane.

Score: 5/10

The Riot Club (2014) as seen on Amazon Prime 

I’ve had a strong soft spot for Sam Claflin since he played Finnick in The Hunger Games. My crush on him was further confirmed with The Riot Club a British Production based on Laura Wade’s theatre play Posh that shows the ongoings of Oxford’s Riot Club. The group of ten men are all self entitled posh twats who think their education and parent’s money allows them to act in a horrendous way, with their initiation ceremonies and club rules. Sam Claflin plays Ryan, a 1st year student at Oxford and one of the Riot Club’s newest members. Max Irons plays Miles, another new member of the club, who becomes the focal point of Ryan’s jealousy, causing him to do some unspeakable things in one night out of envy for Miles. The ten men in the film work brilliantly as an ensemble, which is unquestionable seeing as five of them went to Guildhall School of Music and Drama, three went to LAMDA, one studied drama at University and the last went to Bristol Old Vic. All the leads in this film are well trained and it's clear to see that in their performances. A really enjoyable, yet eye opening film that exposes the privilege of some living right in the UK, including Boris Johnson and David Cameron, who were former members of this heinous club.

Score: 10/10

Enola Holmes (2020) as seen on Netflix 

Hmmm...there is a great deal of hype going around for this film and with a 92% rating on Rotten Tomatoes, Enola Holmes is well liked. This is understandable, seeing as Fleabag’s director Harry Bradbeer directed this film for Netflix and the cast includes the likes of Millie Bobbie Brown, Henry Cavill and Sam Claflin. I have never seen Millie Bobbie Brown in anything and yet I don’t think she’s doing anything special for me at this moment in time. As a viewer, I am 100% not into actors talking to the camera, a communication technique that I think should stay in theatre. I get this is a big part of Fleabag however I think Enola Holmes could have done without it. Another movie pet peeve is when the opening of a film explains what the film is about directly, something Enola Holmes did in an artistic, yet blatant way. Audiences aren’t dumb and will catch on with given clues, there’s no need to go through a character’s entire history in the opening of a film. For kids aged between 8 and 12, this film is great and Enola Holmes makes a great hero for many young girls. I don’t fall in this age bracket and therefore I enjoyed it a whole lot less.

Score: 6/10

American Murder: Family Next Door (2020) as seen on Netflix

Netflix is known for producing some of the finest, most eye opening documentaries out there. Despite this one being quite simple using found footage, its impact is certainly something that grew organically throughout the documentary. You can read my full review of American Murder: Family Next Door here:

https://ratingtheframe.tumblr.com/post/630780350645354496/netflix-documentary-delves-into-the-murder-of-a

Score: 10/10

Peppermint (2018) as seen on Netflix

I was thoroughly shocked to discover this film was made 2 years ago. You’d think we’re past a time of creating bad films that actually get released, but I guess we’re not. Peppermint was released in the same year as The Favourite, Blackkklansman and A Star is Born, three courageous films, all of which were showered with awards. Peppermint had two major problems; 1) it was boring and 2) the lead wasn’t orchestrated properly. The mexican drug cartel who murder the protagonist’s (Jennifer Garner) husband and child was almost insulting. Because it felt so inauthentic and gimmicky, I didn’t really understand why the drug cartel in the film was even mexican. Peppermint proves that a good story can turn bad in the wrong hands. The script was quite terrible and surrounding that was the nonsensical, half asked directing which saw Jennifer Garner get way too many injuries to still be alive in the end. The whole thing just had my eyes rolling, as nothing about it was original or provoking at all. In fact, the film didn’t even EXPLAIN how Garner’s character became a bloodthirsty vigilante. It merely showed us her training as a cage fighter. Das it. Nothing else in her character made her into this dominant and highly skilled fighter who takes down an ENTIRE DRUG CARTEL ONE HANDED. It, made, no, sense and sits a good example of how NOT to make a film. Also the only reason why it was called Peppermint was because of peppermint ice cream...yeah I don’t get it either.

Score: 2/10

And that is September, which marks an entire year since I’ve been critiquing movies and in that time, I’ve watched well over 350 films. There’s a lot more to come though, for the London Film Festival commences in October and titles such as Dune and the No Time to Die await a winter release. Stay tuned!

[gavillain]

Thoughts on the Loki tv show then?

Short version: I'm liking it! I fully expected to hate the show given that I hated almost everything they did with Loki in the MCU after Dark World. However, they're doing a pretty good job. I think overall, it's a mixed bag for me, but a mixed bag is so much better than I was expecting that I'm very happy with it. Episode 3 really was a big step up after the first two eps and I hope future episodes continue.

Now if you want the long version, I've been writing up my thoughts after each episode to share on a private forum, so I'll copy and paste under the cut. Also spoilers galore past this point:

Ep.1 "Glorious Purpose" Loki himself is the big important thing so I'm gonna talk about him first, and I was both happy and disappointed with his characterization here. Let me explain. Tom Hiddleston obviously plays everything perfectly, and he did a great job on every moment. But the writing on Loki's character is pretty inconsistent. There were a LOT of moments that genuinely felt like they were right out of the golden era of MCU Loki that captured his speech patterns perfectly, his mannerisms, his world view, his humor. Those moments were legitimately there, and they were there more often than I was expecting. Ragnarok had Loki written wrong down to the dialogue and his manner of speaking, and so it was actually very refreshing to see him written generally well, particularly in his conversations with Agent Mobius. However there were multiple moments where he was blatantly written out of character to pander to jokes or to dip into that Ragnarok jokey joke tone. I audibly groaned at the "Am I robot" bit, which was SUCH low brow human and so not in line with the fact that Loki literally knows exactly what he is and had a "species reveal" that was very important to his character. I also would have liked him to be a little more violent. This man came out of a portal, saw SHIELD agents threatening him and immediately went into kill mode in Avengers. Yet this guy stands around and lets himself be taken and forced into situations a lot. But overall, I was happy with his general characterization because I expected the bad stuff to be much worse and it wasn't and the good stuff was more plentiful than I expected. I wasn't fond of the "I don't enjoy hurting people" bit because it's weepy and wrong, but it also was an expected development and I do appreciate that they're at least delving deep into his character on an intellectual level and playing off that "Always so perceptive about everyone but yourself" line of Frigga's. There's potential to do something interesting with him here, so I'm intrigued if not convinced. The Time Keepers concept I hate, but I think I hate it because Loki ALSO hates it and we're a bit too alike in a few regards even here XD I just kind of wish it was less bureaucratic and "we're a joke about corporate offices" and was something more mystical and other worldly. I feel like if it was more science fantasy and ethereal feeling, I would probably be a lot more down for it. But I guess you gotta save money somehow. Agent Mobius is likable, and I like how he can go toe to toe with Loki and how he's kind of morally neutral. I called that Loki was the dangerous time variant disrupting the timeline before it was revealed, but I have to wonder why in the final scene they kept his face hidden. That would have been a great opportunity to show Hiddles hamming up the evil bloodlust, and I am HUNGRY for that. But they kept that Loki hidden in shadows for a reason, and I have two theories regarding why: 1. It actually ISN'T Loki and Agent Mobius is wrong and our villain is someone else. 2. Our villain is LADY Loki and they're saving the reveal that villain Loki is a woman for a later episode. We'll see if I'm right. I HOPE it's number 2 if they kept him in shadow for a reason. So yeah. Not exactly what I wanted but we're on the right track at least for now. I hope this track leads somewhere interesting.

Ep.2 "The Variant" So, first things first, this episode had "I Need a Hero" during a fight scene and TOTALLY botched it. It was way too early to play that card, the action didn't sync with the battle, and it was between a few nameless TVA agents and the evil Loki with the evil Loki still masked in shadow and not really doing much. It just lacked the OOMPH that I felt was necessary for it to be satisfying. This should have been done better. Loki characterization update: less good and less bad than episode one at the same time. There was no "Am I a robot?" cringe, but there was a lot less of the really good Loki dialogue that caught my attention in episode 1. His seemed to have kinda settled back to the mediocrity of Ragnarok Loki with occasional moments of intrigue such as his whole bit about a wolf's ears and teeth. Loki's obviously planning to overthrow the time keepers and to become the new master of time, and he even says as much to his alternate counterpart this episode. I have a sick feeling they're going to have him grow to like the TVA and to save the time stream, but I really want him to follow through with his plans because I think that's much more interesting than the alternative. Will they do it? Time will tell. I also like how much he utterly does not give a shit about Mobius's condolences about Ragnarok happening. That was a good touch. Speaking of Mobius, I still don't care for him or the TVA. They're all just very boring to me, and I don't like Loki being caged to follow their bidding. It's restraining a hurricane of excitement by forcing it to play within this very structured framework instead of burning through freely. With Loki escaping into the timestream to chase after the other Loki, hopefully that will change for the better next episode. Mobius himself gets his character expanded a bit, but his expansion is literally that he is just a cog who doesn't question his purpose and does what he does because it's what he's told to do. And that's just not compelling to me. Sidebar: Ravona, Kang the Conqueror's lover, is the head of the TVA. A fun tidbit but where's Kang? I like the way the episode explored how time variants can't happen during massive catastrophes and apocalypses because everyone dies and everything gets destroyed, so they're safe places for time variants to hide and interact with history. I enjoyed Loki and Mobius going back and messing with Pompeii right before Vesuvius erupts to test that theory. That was fun (though I wish Loki would have, instead of just acting silly and making a scene, would have done his "Kneel before me" bit on the Pompeiians or something more villainous). And I liked the whole aesthetic of them exploring a massive hurricane in Alabama in 2050 and the whole aesthetic going on there. It gave the episode an epic quality. The evil Loki was revealed in this episode, and the twist is that she's Lady Loki. Yeah, I called it. She hasn't done much herself yet and we haven't seen her do much except posses the bodies of various others and then break the timeline with multiple sprawling timeline variants, both of which is very cool. I'm excited for her, though my biggest complaint is that she has blonde hair. No. Lady Loki has BLACK hair. Why didn't they stick her in a black wig or have the actress dye her hair??? AMORA is the blonde Asgardian villainess. Lady Loki has the same hair color as Loki. And... look, I know it's a dumb detail to get hung up on, but the black hair matters to me because Loki has black hair and his beautiful female form does too and I always liked that for personal reasons. Also, she doesn't want to be called "Loki" apparently which is weird but okay, so what DOES she want to be called? I swear if they name her Amora or Sigyn, I'm gonna throw something.

But yeah, the next episode I think promises to be a change of pace, and we can see if Loki can truly spread his wings free of the TVA. I hope he does.

Ep.3 "Lamentis" This was the best episode yet! And for MULTIPLE reasons. This episode sees Loki and Lady Loki Sylvie stranded together in time. It was away from the TVA and it's boring qualities, which was great, and it put two very interesting characters in a situation where they had to rely on each other. This is more of what I was HOPING we'd get from the show. It's a lot more engaging and fun. The TVA always feel like they have their boot on our necks, and having that boot gone, it's amazing how much easier it is to breathe. And I honestly think that was intentional too with regards to how Sylvie outright calls them tyrannical fascist time police. The whole thing with Loki and Sylvie being stranded on the planet Lamentis during its apocalypse is super cool too. First of all, Lamentis is BEAUTIFULLY designed. I can tell they relied on desert locales to save on the budget, but the purple sky, the colorful train, and the neon alien city are all really pleasing to look at. And with the sky literally falling around them, it looks even cooler and the stakes feel cosmic and intense because they ARE. A very good setting that felt refreshing after the very mundane TVA headquarters and Earth scenes. Loki continues to be a sort of mixed bag with weird moments of humor that feel like they were written by someone else for another character, but those moments were a lot more sparse this time around too. Tom is still unmatched in the role, and I love the way he got to be serious, smug, manipulative, and sincere in this episode. I've kinda accepted and settled into anti-hero Loki for this series, and I'm honestly pretty okay with it here. See, I think my issues with Loki being "good" is that it comes with making amends with Thor or working for the TVA. Seeing him pursuing his own agenda on his own terms and collaborating with a kindred spirit who he seems to genuinely like is a lot easier to stomach because it feels a lot more true to the freedom that is so potent about his villainy. I loved him talking about Frigga and how she taught him her magic. That was a genuinely powerful moment. Also even though his dagger metaphor for love got kinda undercut by a joke, I think it was quite good writing and really cut to the point of what makes Loki tic. Also this episode marks a VERY important moment: Loki was canonized on screen as being bisexual in the MCU. He is the FIRST queer main character in the MCU and the first queer main protagonist of a Disney show. And I like the way they did it too! The way Sylvie asked about if he had any dalliances with princesses and then adds "or princes" and Loki says "a bit of both." It was simple and direct and unambiguous, and I love it because Loki has always BEEN queer in the MCU and the writing for him has been very queercoded. Even if that little moment is all it amounts to, it really matters and means a lot to me that they did it and I'm so happy for it. I hope they give him a boyfriend though. Like PLEEEEASE Marvel. Sylvie I'm more okay with this time around. She IS established as Sylvie and not really identifying as Loki anymore, so I can separate her from my preconception of Lady Loki and not mind the BLONDE so much. Sylvie is the name of the second Enchantress in the comics, an Enchantress that Loki himself created. I'm interested to see where they go with her backstory and who she is and what her deal is because they've been implying that she differs from the main Loki quite a lot to the point where she barely even remembers who Frigga was. I also like that Loki's response to the bisexual question implies that Sylvie is bi too. Get that MLM/WLW solidarity. I hope they don't ship them, but I hope they DO stay friends and allies because I'm loving their friendship chemistry. Also, a minor thing in the grand scheme of this episode, but Loki SINGS in this one! And I love it! Tom's always had a very pretty voice that he's gotten to show off in other roles so I'm glad he got to show off his singing in this role too. The Norse folk song he sings was both jovial and somber all at once, and I

loved it. We deserved this Minor nitpick: please give Loki his Asgardian clothes back or something. Because this TVA suit is fucking ugly and I hate it. Sylvie looks so good next to him, and he deserves to be just as stylish. This was a GREAT turning point. PLEEEEEASE keep it up. F&WS failed to. But I genuinely believe that Loki can do it.

[laufire]

Supernatural s1

my dash: decries Supernatural every five posts.

me: time to watch it seriously for the first time in my life.

-First thing first: it’s an amazingly well-crafted season of tv. I’m a character-focused watcher, not a plot-focused one; I never connected emotionally to the Winchesters (still haven’t and likely never will, as interesting I might find them as character constructs), so I feared I’d be bored and would want to skip scenes. Nuh huh. I was many things, but none of them were bored xDD. Each episode was a lesson in good pacing and the entire season another in proper build-up. There are one or two or a few dozen tv-writers I would like to show it to, ngl.

-Another thing it excelled at was in its portrayal in abusive family dynamics. The way Dean went mellow and so unlike himself when John gave an order (and what a SHOCK it is in the later episodes when he finally stands up to him!!). How Sam said HE would apologize to his father when they saw each other again, or how he made apologies for his father because “it could have been worse” (at least John didn’t beat them up, like it happened to that poor kid!). John showing Sam more “““respect””” (as far as he’s able at least) simply because Sam already proved he’s capable of leaving him; the way John controls the information he gives them and when and how and how much and how small they feel when they reunite with him. Dean knowing his father had been possessed by a demon because it wasn’t reprimanding him and belittling him. Dean’s psychic shapeshifter (?) expressing his resentment towards Sam for getting to escape. Dean’s quickness to resort to violence when Sam says something that makes him angry, or how he tries to severe ties between Sam and his college friends, or how he guilt trips him when Sam says he plans on returning to his studies, or how he minimizes Sam’s experiences with John or how Sam criticizes Dean’s compliance... (I don’t think Dean’s being consciously manipulative. I think it’s intuitive. Which is far, far scarier. He’s the Elena Gilbert of Supernatural and a walking red flag for controlling behavior). How it’s paired with ~honeymoon periods. The way they use the families around them to highlight their issues. It’s... chilling and terrifying and I can’t look away. I won’t get into the shit John pulls in 2x01 because that’s for the s2 POV, but oh my god I’m so happy he’s dead.

I wasn’t all that sure of how self-aware the creators were about this trend (especially because of how centralized and validated Dean’s POV is in his conflicts with Sam IMO. OTOH... characters like Dean and actors like Ackles are the type to take over a show by charisma alone tbf. The way he swoops in in the pilot and starts disrupting everything, including Sam’s relationship, reminding me of both Angel in BTVS and Chuck in Gossip Girl, Doylist-wise. This comparison is going to make sense to like three people I talk with regularly xDD). At least on early seasons, since certain spoilers about the later ones make me think it grew over time. I’m still unsure but I think they are a little self-aware because of this quote:

Eric Kripke said of Buffy: “I loved ‘Hush’ and ‘Once More, With Feeling,’ but overall, Buffy really taught me about effectively using metaphor in genre. For Buffy, it was ‘high school is hell (literally),’ and Joss Whedon did such a masterful job of grounding his horror and fantasy concepts in this notion, and ultimately telling allegories about high school, which turned what could’ve been B-Movie material into an all-time classic. I used that same philosophy on my run of Supernatural, with the mantra ‘family is hell (literally),’ and always grounded my horror episodes around the notion of families, to the show’s benefit. So thanks, Joss Whedon. I owe you a beer. (Credit: The WB)

everyone wants to be Buffy lol.

-My absolute favourite thing was how competent the Winchesters are (I’m even reluctantly including John here. That bastard). They’re sneaky with local authorities, crafty about fake IDs, credit scams, research abilities, DIY supernatural detectors xDD... I loved the lack of an audience proxy, the fact that the story throws you into the deep end with people that already know their shit. And that the other side is competent too, like when Meg & YED’s plan to trap John relied on the Winchester being competent; on Sam immediately going into the defensive because, what are the chances of finding that cute weird girl a second time, miles away?; on John suspecting it was a trap and only revealing himself after Meg appears to be dead... Another scene that I loved in that sense, from 2x01 (I watched until 2x03, I wanted to see Sterling K. Brown’s first appearance lol) was how upon discovering Reapers are shapeshifters, Dean immediately knew that cute ghost he’d befriended was the one after him. I get the feeling this aspect will get lost in future season and it’s a pity, tbh.

-Related to that, some of my favourite moments: Sam straight up bribing a guy to get into the morgue when Dean’s arguments are failing (with Dean’s money!); Dean’s plan of “well, if this guy is haunting the house and there’s no other way to kill him, we burn the house. No house no haunting”; Dean telling that kid to fake appendicitis to get his parents out of the house; John blessing the tank of water knowing he’s walking into a trap with demons... I dig this stuff.

-I get whiplash sometimes, with the show making a point of (very briefly) telling you racism, homophobia or pro-life attitudes are Bad(TM) and the brothers are Against them (the Racist Truck episode, the one where a woman used a Reaper to exchange “virtuous” lives for those of sinners...), when the rest of the show is err... what it is lol. Dean is toxic masculinity’s poster boy (I was so disgusted by how he acted with Jess omfg), in s2 we don’t get the monsters’ perspective on hunters until we’ve conveniently met our first black one (I love the episode AND the character but it’s fucking true)...

-I need to make a note of paying attention to the writers credits/Bts stuff because I find this show’s progression fascinating on a metatextual level. The only problem is that audience reaction seems to have played a big role (which is a problem on one or two different levels imo xD), and tracking that down is sliiiiightly more difficult lol. Oh well (I don’t even think I want to see too much of this fandom, even to satisfy my curiosity. Some of the glimpses I’ve caught of it are disturbing to the extreme).

-The detail about dead people’s blood being toxic to vampires is SO COOL OMG. I’m tempted to steal it xD

Some random stuff:

-The monsters of the week were some legit creepy stuff.

-I love that Meg has her own hellhounds. Is that still a thing when she returns?

-Dean: you and dad are reckless and I’m going to have to be the one that buries you. / Me, with the power of foresight: 👀

-Also Dean: sometimes it scares me how good I am at killing. / Me: it scares the shit out of me how good you are at killing, too, fam.

-I get the impression Sam loses his demonic-in-origin powers later on, right? What a waste, I love those.

-I’m pretty sure at one point it’s implied John used Dean to honeytrap monsters (when he sends him as a trap for the lady vampire that stole the Colt) and I really don’t know what to do with this information.

-Cassie was GORGEOUS and even make Dean likeable for me while they lasted xDD. But given this show’s track record I’m considering the lack of more appearances a blessing.

-So many guest stars. Everyone’s been on SPN. Especially if they were on the Buffyverse first (I totally get the impulse of casting Buffy actor after Buffy actor lmfao).

-Funny how Luther Hargreeves is exactly who a lot of fans think Dean was (Dean is far, far colder imo), and yet one is constantly called pathetic and evil and the other woobified. Very Funny Indeed *coughs* (funnier still that the character I often see Dean compared to is Wynonna Earp when the parallels are kids-pool deep at best and offensive at worst. Dean is not a Wynonna. Again, Dean is an Elena Gilbert xDD).

-The two paranormal investigators were dumb as rocks, but their motto was “What Would Buffy Do” so I like them (if they ever change that to What Would the Winchesters Do or something like that I’m going to be furious lmao).

-When I want to ~chill I dress about exactly like Dean (minus the flannel I’ve seen in later seasons, you can’t pay me to wear flannel). Like, I think I have a couple of shirts that look exactly like ones of his. I don’t know how I feel about this xDD

-IDK how I’ll feel about Bobby later on (I get the impression every long-term character on this show has their hateful phases xD), but in his introduction he said the last time he saw John he threatened to shoot him (“he causes that reaction in people”), so he’s so far the most relatable character around lol.