#alright you know the drill

[facelessurgeons]

here they are, guys sentenced to the art fight

[rxsurgcnt]

@en4cer

"You wish to know more about Lionheart?" Sectoral heterochormiac eyes looks over at the woman. She's seen her before. Hadn't really had the chance to talk to her, but she's seen her around.

"Well," She begins. Her full attention now on Caitlyn. "What would you like to know? I'll safely assume that you already know what it is that we do?"

[artzee534]

(translation: How I love when they make these comparisons between the two pairs.... So similar and always with that possibility of things repeating themselves....I do see Tails doing the Maria thing to protect Sonic. Could this be why Shadow doesn't like spending time with the brothers so much? That he sees himself and the person he loved so much? Who will he see her in the most? Sonic? And that's why he can't tolerate him, or in Tails? Those eyes full of hope that remind him of many things.)

A while ago, I had an idea where Sonic turns into Dark Sonic for a bit when he thought Eggman killed Tails.

His dark form would be activated with fake emeralds that Eggman made and experimented with. By the end of the story, Tails turns Super and proves that he can protect himself and Sonic. Sonic understands Shadow more now, with what he did out of grief for Maria.

Hace un año, tuve una idea en la que Sonic se convierte en Dark Sonic durante un rato cuando pensaba que Eggman había matado a Tails.

Su forma oscura se activaría con esmeraldas falsas que Eggman hizo y con las que experimentó.

Al final de la historia, Tails se convierte en Super y demuestra que puede protegerse a sí mismo y a Sonic. Sonic entiende más a Shadow ahora, con lo que hizo por pena por María.

[posletsvet]

Satoru Gojo and the Infinity That Sets Him Apart

Throught the flashback arc that opens JJK'S second season, the story goes to great lengths to make us sympathize with Geto. We are privy to the inner workings of his mind when he faces personal catastrophes of his youth, and it grants us a profound insight into how his mental/emotional state deteriorates in response to a painful realization that later comes to define his entire life. Gege found a way to turn Geto's tendency to internalize his experiences into a narrative tool, the mechanics of his Cursed Technique becoming an apt metaphor for it, and that's one truly astonishing writing.

But what about Gojo? After all, it's his memories that play out before our eye as he daydreams, and Geto is no longer an active force in the narrative, so the arc should be introduced in the first place to shed some light on Satoru's character and highlight certain aspects of it. However, while the narrative goes out of its way to humanize Geto by exposing his interiority to the audience, it seems to bit by bit deny readers access to Gojo's mind until Satoru is entirely closed off emotionally at the end of Hidden Inventory Arc. From that point on, any reading of his words and actions can be as good as the other since personal interpretation is all that is left to us to try and understand what lies behind the appearances (I guess that's precisely why there are so many widely different, conflicting interpretations of Gojo out there). What process Gojo's character undergoes throughout his past arc is, essentially, dehumanization.

Let's take a look at Gojo as he is in the main, present timeline. Pretty much as any other person in Gojo's vicinity, the audience can only observe him from the outside, always held at an arm's length away from his interior thoughts and emotions. Whenever we do get an insight into his mind, it's mostly for a solely practical purpose of keeping the readers informed about the direction which the fight is about to take, with Satoru's internal monologues consisting almost completely of him dryly strategizing against his opponents.

Even Gojo's design is set to dehumanize him, teasing the audience with how much it conceals and how little it allows us to derive from what we see. Plain black clothes, long sleeves, long trousers, high collar. Barely any skin exposed, scarce detail, completely colourless expression. To crown it all, his blindfold -- we do not get to see his eyes. Eyes mirror the soul, they communicate emotion which our words fail to. Eye contact is a primal tool of non-verbal communication because of how much our eyes alone can give away about our feelings. With Gojo's eyes perpetually hidden under his ever-present blindfold, there's an additional layer of protection, another hindrance to our understanding of his state of mind. A simple piece of cloth adds to the distance preventing access to Gojo's direct perspective, as impenetrable as trying to look through a blindfold would be for anyone but Gojo himself. The same could be applied even to his height: people around him are required to reach up with their gaze in order to look him in the face. Once again, this choice in his design strives to communicate one thing: you cannot meet him at his level, there is a palpable distance between where he stands and where you are. Everything about Gojo feels almost impersonal, evasive, further increasing the extent of his alienation.

There's an interesting connection found between Gojo's technique, his need to cover his eyes and the narrative distance that does not allow us to get any closer to his character. It's precisely when Gojo puts his mind to perfecting his usage of the Limitless that an unbreachable impediment settles between him and the people around, resulting in him and Geto from that point on being forever unable to get through to each other. With his technique taking a toll on his body by becoming more overwhelming to use after such a rapid increase in power, it's also when Gojo starts to wear his shades all the time. And whereas before we were allowed to look past the tanned spectacles and see his eyes, read the emotion in them, now we're denied even that much. It's probably a short after Geto's defection when Satoru switches to a blindfold, indicating how he completely shuts off emotionally. Just as Geto's Curse Manipulation stands as a metaphor for him repressing his feelings till the breaking point, Gojo's mental state is reflected through the physical appearance, too. Him physically distancing himself from everything within the world around him with his Limitless technique sustaining an uncrossable invisible barrier around him and his blindfold hiding his eyes from the viewer is also how his emotional detachment is established on the meta level of the narrative.

Since Geto's defection, Gojo's defenses are breached in the main timeline just once, and that is during Shibuya Incident Arc. It's barely a coincidence that, as the Limitless falls short and the ever-present physical distance is crossed sharply with the Prison Realm reaching Gojo, the emotional distance is immeadiately eliminated, too.

All defenses down and the memories of his youth flooding through the cracks, Gojo suddenly isn't numb to all the hurt of his past mistakes and what it cost him and the people around him; all the ache of losing his best friend not once but twice and being utterly unable to do anything about it still weighs on him. Neither is numb to all of it the reader, not anymore. The narrative 'catches up' to Gojo at this moment. It was an alienating, almost inhumane experience to never get a sight of Gojo's emotions when it mattered the most, at the pivotal events of his life which come to shape him as a character and as a person. We were simply denied that intimacy. But with Satoru's physical body made within reach and his mind suddenly transparent, laid bare, the delayed heartbreak is alive and present as ever. The weakness of his human heart is exposed, but it required crossing the Infinity to get to his heart.

The physical distance is only breached because the emotional one is eliminated beforehand. However, we finally get to catch a glimpse of Gojo's true feelings because something within the world was able to reach him physically, penetrating through his Limitless technique. The two are the sides of the one coin, they go hand in hand within the narrative, ultimately rendered inseperable by it. At the end of the day, the body is the soul and the soul is the body.

I've started writing all this well before the spoilers for the last chapter came out, but what we see in it, at least how I personally take it, speaks in favour of pretty much everything I've been talking about above. It's somewhat notorious how little emotional impact Gojo's fight against Sukuna lands. Until now. Until Gojo's Infinity utterly fails to prevent his body from taking the damage. Once again we gain insight into his interiority the instance he's physically exposed to the world. With Gojo's invulnerability ultimately overcome, the narrative grants us access to his inner feelings and thoughts one last time. Satoru's heart is an aching wound split open one last time.

[moopermoment]

2024 Attacks Wave 1!

@sakurastarlightdreemurr (af)

@penguincove (af)

@quickdudesart (af)

@tofudemaru (af)

VantaViolet (af)

@custardthedoggy (af)

[kaizzaphela]

WORLDS WORST FACIST. (Worst being most pathetic)

[top-shelf-tender]

[helloliriels]

Alright Tumblr moots, you know the drill:

(Psst ... you can make 'em here ) hehe

[skrunksthatwunk]

frostbitten

(alt versions under the cut)

different color scheme:

full pages of both:

anyway haha. who's feeling normal about this scene. me probably

[thenamedoesnotmattertome]

Something Hollow Knight related at last!

[yohankang]

my tattoo artist: get a good night's sleep before tomorrow!!

me: yeah i'll do that :)

me: *starts packing and ironing clothes at 11pm when she needs to get up at 5am*

[c-nan]

a lot of people don’t like to hear this, but like..if you need help, if you need anything you have got to ask for it. no matter how much you think your struggling is visible and how much you think people should just be able to see and reach out..they won’t, they don’t see, they don’t know what’s going on and you can’t expect them to be able to read your mind and know exactly what’s going on/what to do to help. it’s up to you. it’s YOUR responsibility to both want to get help and actively try and get it. no one is going to help you if they don’t know you need the help in the first place and it’s not fair to get angry at them for not knowing

[vullcanica]

You know exactly what brings me here. Jesus – my boyfriend – has been taken from me, and I believe you had a hand in it.

And what about it?

[chikinan]

(jigsaw voice) i have starting now six hours to begin and finish a single illustration. ive decided to go with trigun. should i make a cool vash fisheye perspective space cowboy action poster, or a full on gayass catholic vashwood print

[bingobongobonko]

mfffffffff. man i feel gross but im abt to shower so its fine, i really cannot recall the last time i have. just kind of been in bed and or running around and completely forgot hygiene. i just cant remember.. i dont know how long its been, maybe 2 days. 3. vague shrug. 1 am shower i guess. ill sleep at 3

[brookriver-mudlark]

around and around and around and arounda nd orund and around and aroundnd around aodunf aroudnfaouna darurnd ardurfndd aourdna droudnfadorunda odurnad