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swan-lite · 1 year ago

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Dang it, okay, I have thoughts

James Somerton made an apology video in which he says "I'm sorry" several times but

Couches it in a pity party

Does not directly address any of the people whose work he stole by name

Never uses the word "plagiarism," instead referring to his theft almost exclusively as "citation errors"

James discusses how many videos he and his team were releasing and the frequency of releases as if someone was pressuring them to release a high volume of videos, as if to say it isn't his fault that there were quality problems

James offers to make his videos public again and add "citations" in a pinned comment or in the descriptions as a means of crediting the people he stole from

He also insists that some of the videos won't need these citations because some of them were his own "original work"

(In other words: that he has nothing more to hide)

James states that he isn't bigoted against ace folks, bisexual folks, trans folks, or women and that the several disparaging remarks he has made against these communities in his videos were not written by him

Because we have receipts for several of these remarks thanks to Harry's (hbomberguy's) video on James, we know that they didn't come from the articles and books he was stealing from, so if James didn't write them then the only other person who could have was his cowriter Nick

James then immediately says that he's not trying to blame Nick

James does not try to explain the ace/arophobic, biphobic, transphobic, or misogynistic remarks he has made on his Twitter or Patreon accounts

James mentions - and seems genuinely bothered by - the "people online" who are spreading lies and misinformation about him

Finally, James discusses future projects he would like to work on

He then deleted the apology video

Harry states near the top of Plagiarism and You(Tube) that "When someone more competent than Filip uses [his] techniques in a subtler way, we can recognize them for what they are."

This is not competent. It's not even subtle. James's career was so thoroughly eviscerated literally overnight that this is the best he can do, and it's not even good.

James says that he's sorry, but doesn't actually explain what he's sorry for. He doesn't admit to, or take responsibility for, the extent of what he actually did. In this way, he can now say when confronted that he apologized. But with the wording, he still manages to avoid actually taking ownership of his actions. In other words, it's using passive language to imply that what he has done just happened. He definitely didn't sit down and choose to commit extensive plagiarism - of course not! What really happened? *shrug* Anyway, sorry for it.

When iiluminaughtii (henceforth referred to as Blaire) tried to explain the many times in her video essays she has misspoken or misused words, she played it off as a byproduct of the amount of "work" she churned out for her fans. James is trying to do the same thing here, only it is deeply ineffective. It's quite upsetting to me to think that some of his fans - young queer folks who are probably used to having to make themselves small - might on some level fall for this trick. The idea is to make you the viewer feel guilty for the demands you have placed on this creator, when in reality this is a grown adult who knew exactly what he was doing.

I'm not going to spend too long on this next point. If you've read this far, you're probably invested enough to be well aware that James has used the trick of burying a citation under a mound of text no-one will read many times. It's the same trick Blaire used, and the one The Internet Historian used as well after he was caught.

James stops short of making a "Colombo villian speech" in this apology video. He does, however, take the time to say that he has nothing more to hide. Again, if you've watched Harry's video, you know this literally always means that the person who insists they have nothing to hide is absolutely hiding something else. Whether this is more plagiarism or some other skullduggery we haven't yet found out about, I'm sure it will come to light eventually. I'm honestly surprised and a little disappointed that James tried this tack. Obviously he's thought better of it, since the video is gone now. But I would think a grown human who has just been the subject of an hours-long piece of, frankly, journalism would know better than to say something like this.

With the comments about his bigotry, James is trying to simultaneously redirect attention and perform allyship by saying "Look, I have an asexual friend! Who may or may not be public about his sexuality at this time!" This is the kind of thing I think a lot of us in the queer community are used to - supposed allies downplaying microaggressions by pointing to folks in the ally's proximity who happen to have an identity that they are being accused of speaking badly about. "This one person can stand to be around me, so clearly I can't be all bad." Personally, as someone whose racist parent tries consistently to downplay their own racism by pointing to me, their mixed race child, I can tell you that this is always misleading. In this case, I feel comfortable saying it's intentional. James tries to excuse the bigotry that "ended up in the videos" by saying that he didn't have time to edit the scripts properly. He doesn't seem to realize that time constraints often make people much more honest. In reality, this is James trying to make excuses for the bigotry he put in his videos because the time constraints he put onto himself made it much more difficult to disguise how he really feels.

James then directs some indignation at the people who are online discussing what he did. I would interpret his discussion of his income as an oblique reference to Dan Olson's thread about his recording equipment if I had a degree in literary analysis. My degree is not in literary analysis, so I'll leave it there. Ahem.

James makes reference to future projects he hopes to work on, as if this endeavor has in any way preserved or helped to bolster his shattered reputation. Jessie Gender makes a great point in saying this feels like a promise of work we could get out of him if we all just collectively decide to ignore all the harm he has caused. And James has caused harm. Whether he meant to or not, given the sheer magnitude of his plagiarism, there is absolutely no doubt that he has caused significant harm to a community he claimed to defend.

I want to spend a moment on something others have already pointed out. Actually, Harry pointed this out too. If James's theft were in any way defensible, he would have defended it. He would not have gone to such great lengths - up to and including deleting videos - to hide it. He wouldn't have used Nick as a shield, he wouldn't have outright lied in his livestreams, and he wouldn't have deactivated his Patreon (before reactivating--y'know what, this post is long enough, we don't need to get into that). James lied and dodged and beat around the bush for years BECAUSE he knew what he was doing was wrong. I had a justice studies professor once tell my class that nobody wakes up in the morning and decides to be A Criminal. People make choices, and choices have consequences, but most people don't choose consequences. People choose the thing that benefits them and consequences follow. James made a long, long series of choices, and I would like to remind everyone that they always had consequences. Even before Harry's video came out, James was facing consequences. Those didn't come from nowhere, they came from the people he was hurting. He knew about them, he just didn't stop because of them. He stopped because he literally couldn't keep going anymore.

Finally, James deleted his misguided response to the multitude of accusations against him. I don't think I need to explain to anyone what that indicates.

I would like to finish by saying that nobody should be harassed. Nobody should be bullied, or dogpiled, or doxxed. Nobody should wake up in the hospital because their dad realized he needed to call an ambulance. James's life is undoubtedly in a really difficult place right now, and while he absolutely deserved to lose his career, that's all he deserved. I hope he regains his health, I really do.

And I hope Harry and his team don't feel any responsibility over this. It seems easy from the outside to believe they wouldn't, but I also know that if I had just released a 4-hour long video detailing someone's fraud and then found out they had been in the hospital because of an incompleted suicide, I would feel pretty conflicted about a project we know Harry already felt conflicted about.

I hope Harry and his team are doing okay, and I hope James starts doing okay soon, and I hope James realizes this was the wrong damn time to try to release an apology. It was a bad apology.

#james somerton #hbomberguy #i am never writing anything this long or detailed for this godforsaken website ever again #plagiarism #plagiarism and you(tube)#and hey! i managed to get through the whole thing without cursing even once

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sunnysidesevenup · 1 month ago

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Alright I’m FINALLY off work now so I can talk about this.

I don’t think I have any opinions on the situation with that one twst creator that hasn’t already been said, so I’ll just go ahead and reiterate to everyone: I am a trans, queer guy who enjoys writing and drawing almost exclusively queer ships, so if you don’t like/support/whatever it is you claim you’re doing/etc, then just please politely block me and move on, thank you ♥️

#twisted wonderland #disney twst

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alexissara · 1 year ago

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An Avoidably Dark Future For TTRPGs

TTRPGs are the coolest medium of art, no other medium does as well as TTRPGs in teaching people to tell stories and facilitating imaginative play than TTRPGs. The reality is most TTRPGs that are designed are played by a small group of the designers friends almost exclusively. That most TTRPGs cost more money to make especially if you factor in the labor put into them than they will ever make back. So there is a temptation for some creators now to simply skip a few steps of work and let a machine plagiarize for you either art or writing in a book.

Luckily this is pretty much something that will die thanks to social ostracization, no one is gonna wanna work with you or be your friend if your putting out AI created work but it still looms and there is a window for the art form to be infected.

Here is a scenario that could happen if we don't actively fight back. Wizards of the coast lays off a bunch of writers. These writers are replaced with an Ai editor. The fans get mad BUT after a week of saying this is bad, they just go back to supporting Wizards like always. Wizards buys AI data from Google who starts using AI on everyone's private google docs sorting out TTRPG work and basically just steals private campaigns and TTRPG work and puts it into their books, it's surprisingly okay to good because it's almost word for word someone else's work they "legally bought".

That normalizes it and Pazio, Magpie and Green Ronin follow their lead doing the same, the outrage exists but not enough to stop people from spending money. This further normalizes it and while it never takes root in the indie space it becomes unavoidable in it as it floods Itch.io and other places and the leftists and artists complain about it are simply ignored as not being with the times or actively mocked by the subset of people who feel insecure otherwise for supporting stuff.

This is all avoidable though, we simply need to be very active on fighting back against these big companies if they do make moves to start normalizing AI and obviously any player we can convert into play indie TTRPGs will be one less player who will feel like they need to support a company after they do something shitty. It'll be work for sure and hopefully work we don't need to do but we should remain vigilant. I know there will be the urge to dunk if it does happen but not actively hit them productively and consistently so we need to be ready to pin point strike any big company trying to shit out adventures, art, settings, games or whatever else.

If you like this kind of writing you can always support me over on Patreon and Ko-fi it helps me make great queer art for a living that doesn't use AI or anything else.

#Ai #TTRPGs #TTRPG Art #TTRPG #D&D #Indie TTRPG #RPG

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redheadlesbianfreak · 2 years ago

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💫what is your favorite kind of comment/feedback? & 🤍what's one fic of yours you think people didn't "get"?

💫What is your favorite kind of comment/feedback?

Comments are pretty rare and hard to come by if I'm being honest. I've noticed that kudos are far more frequent than comments and that I only get comments right after I post (for the most part). So when I get anything at all, it feels great even if it's just a simple "thank you" or "good chapter." I'm over the moon if someone leaves something that's a couple of sentences and for those incredibly rare occasions where I get a paragraph, I'll be thinking about that for weeks. And I can't complain, because I've almost exclusively posted rated E content, so I went into this knowing I would get a lot more hits than kudos/comments. Smut readers tend to be shy, and I understand that.

🤍What's one fic of yours you think people didn't "get"?

This one is going to be a strange one to answer. So far, I've only posted slash (for Futurama of all things). I really wanted to explore what it meant to be queer in that type of world. Unsurprisingly, an adult cartoon fandom isn't the friendliest place for queer people, and it's pretty hard to engage with most of the fandom because of that (though I have a bigger readerbase than I thought I would). I get paranoid that a lot of people see queer stories and think it's all "fetish content." And nobody has said this about my work to my knowledge, but I do see a lot of people saying that about others and it makes me pretty nervous.

As someone who's been writing queer stories for 3-4 years now, I get scared seeing the way people treat queer creators. There's constant fighting over the "right way" to tell queer stories, which makes me nervous. Of course, it's something I need to overcome, especially with the fact that not everyone is going to like your writing. But the way I see really popular queer creators get treated (thinking about Rebecca Sugar and ND Stevenson here) can get discouraging. I'm not saying they should never be criticized, but maybe don't hold queer creators to a much higher standard than cishet creators...

#writing #asks #as for the future?#i would like to move onto the tales of fandom #mainly bogged down with my master's program and work #so hopefully i can finally write more once i get done with my final assignments

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blog-of-horribleness · 9 months ago

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hello tumblr, which i would use and interact with almost exclusively for unserious things. i come with something i want so desperately to put my entire goddamn pussy into. please bear with me while i work out the general presentation, it's essentially still a solo dev project at the moment and being a creator with adhd sucks ass. anyway:

i'm looking for voice actors for my fighting game!

right now there are only 4 roles (all female) posted but this will expand to 25 over time via page updates. across the cast, i need a good amount of queer+poc voices to accurately portray the cast. pay is modest (in the realm of 60 USD) but will exist after slight delay.

my intermediate goal is to implement voice acting in time for the submission period for MAGFest 2025, which should be Q3 this year.

please see the project page for more information if you're interested and please share this with anyone you think might be.

thank you!!!

#voice acting #casting call #gamedev #indiedev #godot engine #fgc #fighting games

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homo-sex-shoe-whale · 4 years ago

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Online shipping, the fetishisation of gay men, and the romanticisation of queer trauma

An essay by me!

Word count: 2.8k

A link to the Google Doc version of this essay.

A big thank you to my friends Nathan @themeerkatnate, Mav @not-mavv , and Duke @dukedark-ness for reading this essay and giving me their thoughts as mlms on the topic. Make sure to check out their blogs and give them a follow!

So I was on a lovely website by the name of Twitter.com yesterday, just scrolling through while having my afternoon cup of coffee, when I saw that viral post of a girl reading a Larry fanfic through a classroom projector. I'm sure most of you have seen it. It's gone viral on Instagram, TikTok, and likely Tumblr too, and if you haven't come across it I'm positive you will soon.

Now, after getting through my initial reaction to that post which was, holy fuck, that's so embarrassing, I had a second reaction of... wait, this ship is still around?

And after I had some thoughts on the incredible permanence of some online ships and the weird obsolescence of others, I did get to thinking of how lots of these popular ships seem to stem from the same types of perceived relationship dynamics and homophobic stereotypes.

These online fandoms often seem to have an obsession with objects of queer trauma, such as having to hide a relationship, lying about sexuality for self-preservation, and even social rejection. So, after some opinions from my followers and the great archive that is the internet, I've decided to discuss some of the most popular examples of online shipping and the particular nuances they came with.

NOTE: Out of respect for all these people, I won't be sharing viral images or videos of them in perceived romantic proximity (or even kissing, as is applicable for some examples), but I will be describing certain moments I deem to be relevant. So even if you're unfamiliar with them, you won't be confused as to what I'm talking about.

NOTE 2: Although not all people within these fandoms were/are toxic, this essay is focused on the overall toxicity of the fandoms, and how they are toxic more so as a "hive" than as a group of individuals. When I refer to a fandom I don't mean every person involved in the fandom, but rather the collective impact of the group.

1. Harry Styles and Louis Tomlinson

This is arguably the most popular example of online shipping. The absolute permanence of this ship, and how its fandom never seems to fully die off even beyond the lifespan of One Direction as it once stood, is downright impressive.

I'm going to be the first to admit I was never in the loop with this fandom. My childhood best friend was actually a massive Larry shipper and asked me to beta read one of her fics, but that was before I even knew who tf Harry and Louis were! Not because I avoided the fandom or even because I rejected the online shipping, but just by coincidence, I delved into the world of pop punk music right when One Direction began gaining its popularity. I bought my first ever album, Riot by Paramore, in 2011- only a year after One Direction made their X-Factor debut. So, this fandom just bypassed me by a sort of weird coincidence.

But I don't need to be in the loop with this fandom to know the astronomical obsession with these two men, no, these two BOYS, was extremely toxic. In 2010, when One Direction made their debut, Harry Styles was only 16 years old. And Louis Tomlinson wasn't much older at 19! This made the two of them incredibly young when this unprecedented wave of shipping hit the internet, and although that must be traumatising for anyone, I cannot even fathom how overwhelming it must've been for two boys that young.

I'm 18, almost 19 now, and I cannot begin to imagine how scary it was for the two of them to have their every interaction nitpicked within an inch of its life by thousands upon thousands of people online. I do not know this myself, but from numerous recounts by some of my followers, this massively impacted Harry's and Louis' nondescript relationship in real life, seemingly driving the two previously close friends apart.

Now, before we move on, there's something we need to talk about. And that is the obsession with the dominance/submission dynamic within the world of gay shipping.

With almost every popular mlm (an acronym meaning man-loving-man) ship based on real people, it seems that fandoms have a particular fascination with power imbalances in these relationships. You don't even need to look at the insane amount of fanfictions based on BDSM to figure this out. In almost all of the examples I'll be citing today, there is an age gap within the perceived relationship and a person the fandom has seemingly decided to be the top/dominant figure.

Harry Styles and Louis Tomlinson are 3 years apart in age. Although it isn't all that relevant now, an age gap of 3 years when you're in your late teens is a lot more significant. In 2012, for example, when this shipping really started gaining traction, Harry Styles was 18 and Louis Tomlinson was 21. That power imbalance, albeit not that significant, is enough for a fandom to latch on to. We'll see this a lot more in the coming example with Dan and Phil.

2. Dan Howell and Phil Lester

It's impossible to have a discussion about internet shipping without talking about Dan and Phil.

Dan Howell and Phil Lester, although being popular YouTubers individually, are arguably one of the internet's most iconic duos. The two creators published their first videos together in 2009, and while their relationship was already a motive of speculation back then, the peak of the "Phan" shipping definitely came in the 2013-2016 era of Tumblr.

Now, I'm going to admit… I was actually on Tumblr when that happened.

The 2013-2016 period perfectly aligns with my middle school days (I started middle school in 2013 and high school in 2016), and I was not only on Tumblr back then, but I was on Wattpad too! Again, this wasn't a fandom I had much contact with as I had a huge anime phase in middle school and I was on Tumblr posting mainly photography and Soul Eater content more than anything.

But I did watch some of Dan and Phil's videos! And the occasional "Phan" content did not completely evade me as one of my closest friends in middle school had a fanchat for them. I wasn't involved in the fandom myself but they were actually one of the few English-speaking YouTubers I watched once in a blue moon (back then I watched mainly Brazilian YouTubers). One thing I did in fact notice over the years, around 2014ish perhaps, was that the two of them seemed to grow increasingly "awkward" around each other, in a way that many folks on the internet thought was reminiscent to Markiplier/Jacksepticeye, two YouTubers who also dealt with extraordinary amounts of shipping.

I'm not the only one who thinks this. The change in Dan and Phil's relationship, at least to the outside world, was clear to almost anyone who watched their videos for a while. I cannot blame them at all. The shipping was nuts. Between the countless fan videos, speculative comments, and insurmountable number of fanfics, there's no way the two of them didn't feel the weight of the shipping. The term "demon phannie" made its way into internet vernacular and there it stayed for years. Even Shane Dawson, who was one of the largest creators on the platform at the time, made several videos speculating on the nature of Dan and Phil's relationship and their sexual orientations.

There was even porn made in which actors with similar appearances to the creators were made to have sex on camera.

Now, this is actually a rare example where the two people involved in the ship actually came out as gay once the shipping seemed to die down. I'm incredibly happy Dan and Phil both reached a point where they were comfortable being publicly out, but I hate to say I'm shocked this day ever came. If I'd gone through what the two of them did, I don't know if I'd ever trust the internet.

And again, this ship's fandom definitely had an obsession with the power dynamics they thought existed between the people within the ship. Dan Howell is 4 years younger than Phil Lester, and was only 18 in 2009, when they started making videos together. From my personal understanding, the shipping was often quite focused on this dominant/submissive dynamic especially in discussions from their early relationship. And this is in no way exclusive to Dan and Phil.

This general fascination with the older man/younger man dynamic, in my opinion, plays into the homophobic stereotype that gay men are predators. The idea that gay men usually seek younger men, and somehow "convince" them to engage in homosexual relationships, is popular homophobic rhetoric. The popularisation, exaggeration, and fetishisation of these power imbalances, in age and/or in relationship dynamics, is directly harmful to the mlm community.

Not only that, but the romanticisation of a "hidden/forbidden relationship" is also detrimental not only to gay men and the mlm community, but to queer people as a whole. Queer people face huge trauma having to hide their relationships; queer attraction is already a societal taboo. And acting like this is good, or even desirable, is harmful to queer people as a whole, regardless of whether or not it's actually applicable to the people being shipped. It normalises this trauma not only to cisgender, heterosexual people, but to impressionable queer youth who grow to believe this type of trauma is to be expected.

3. Frank Iero and Gerard Way

This is another example where the perceived power imbalances between the two subjects of the shipping were directly exploited online. Now, this ship did precede the others mentioned above. If we're looking at this topic chronologically, this particular ship did come first in the shipping timeline. It's closer to the origin of the shipping extended universe, if you will.

In case you aren't familiar with them, Frank Iero and Gerard Way are both members of the American emo band My Chemical Romance. This ship is the first one here of which I don't recall the full popularity. It really peaked in popularity around the late 2000s, circa 2008. And I don't remember this moment online as in 2008, I was only 6 years old and believe it or not, I wasn't really all that concerned with rumoured homoeroticism as a first grader.

However, the popularity of this ship did carry over into the 2013-2015 Tumblr shipping boom. The emo fandom (or "bandom" as it was called) involving not only My Chemical Romance but other similar bands such as Fall Out Boy, Panic! At The Disco, and Pierce the Veil, found its hub on Tumblr.

During this time, I did in fact listen to this style of music, but was focused a lot more on the anime side of Tumblr as mentioned earlier. Of course, I wasn't 13 years old like, "hey, this type of content might be harmful and can inadvertently perpetuate homophobic stereotypes," I just happened to care more about my silly little anime and ended up not getting involved.

This ship does involve a discussion that the others don't, however. With Frank Iero and Gerard Way, there is quite often a certain sentiment of, "Oh, they brought this upon themselves!" as the two band members very famously kissed during a show in 2007. In my opinion, though, this doesn't really justify all the obsessive shipping. If you look at Green Day, a band often grouped in with MCR as another famous pop punk group, the members don't follow too different of a trajectory. Billie Joe Armstrong has, on numerous occasions, kissed both of his fellow band members onstage- particularly Tré Cool, the drummer. And Billie Joe Armstrong is openly bisexual, which none of the members of MCR seem to be but some, or even all of Billie's bandmates, are too.

You'd think Green Day would face a lot more shipping as the more persistent onstage homoeroticism and Billie Joe's openness about his sexuality would warrant more "substantiated" speculation. However, Green Day faces nowhere near as much shipping as My Chemical Romance. Why is this? I actually don't know. It might've been because Green Day has been around for over a decade longer and generally has an older fandom, but I really am not that sure.

It could also be because of the lower lack of potential for forced relationship dynamics. The members of Green Day are all less than a year apart in age and are even similar in height. However, Frank Iero is 4 years younger than Gerard Way, who is not only the frontman of My Chemical Romance, but also considered to be the group's intellectual and creative "leader". Even beyond that, Gerard Way is quite visibly taller, and the perceived power difference between the two of them definitely did not elude their fans.

This difference could even be partly due to the lack of a "mystery" with Green Day. There's not as much to speculate as, well… the members of Green Day are already open about their sexual orientations. It might be that shipping in the Green Day fandom has less of a forbidden appeal for most people.

Of course, I won't just keep repeating myself, but my previous points about forced relationship dynamics still stand.

4. Martin Freeman and Benedict Cumberbatch

Better known for their roles in BBC Sherlock as Sherlock and Watson, Martin Freeman and Benedict Cumberbatch unfortunately had their roles follow them well into real life. This is the example I know least about, so have these thoughts from a follower by the name of @indubitably-a-goblin, who had the following to say:

"the main issues i had with it were:

a) they were both married at the time, freeman to amanda abbington and cumberbatch to sophie hunter (in which both had children)

b) the main reasoning for it was their chemistry in the many projects they've done together. which is, shockingly, their Whole Job. They're actors! That's what they're supposed to do! if they weren't good at interacting then they wouldn't be good actors! i don't know how people can't understand this.

c) they're real people. we don't know them. we aren't friends with them. we aren't their family members. we have zero right to be pushing this onto them and ruining their friendship by doing so. (this one relates to most of the ships you've mentioned though)

d) healthy friendships between two men are ignored so plainly in most medias and in fandom. its obvious that these two men have a relationship, but that doesn't mean it's a romantic one.

e) its fine to ship their characters, but actors shouldn't be treated as less-than-human or some sort of prop. they're doing a job, and once they are off-screen, they aren't here for your entertainment."

I believe she did a great job of summing it up on her own, and for the sake of avoiding redundancy, I'll leave it at that!

5. Corpse Husband and Sykkuno- an emerging yet subtle example

I am absolutely positive you remember how popular the game Among Us was a couple of months ago. And with the popularity of this game, some of its most prominent content creators became the targets of online shipping- as is the case with YouTubers and streamers Corpse Husband and Sykkuno.

Although the shipping involving these two creators is nowhere near as strong as it was/is with the examples above, I do think there is once again a reemergence of a common theme here. Whilst Sykkuno is known for his happy-go-lucky, almost "innocent" persona, Corpse Husband is the antithesis of this, known for his much darker and moodier personality.

Do I even have to mention what the common theme seems to be?

Again, although the popularity of shipping - at least with real people - seems to have died down a bit since the Tumblr shipping boom of the early to mid 2010s, I do believe this example is worth mentioning. Even though the creators are still close, they have in fact expressed discomfort regarding the shipping, and I can only hope the internet as a whole lets their friendship blossom and exist naturally without obsessive speculation.

My final thoughts

As explored in the essay:

The romanticisation of objects of queer trauma as a part of online shipping normalises queer trauma to both cishet and queer youth.

Online shipping, especially at a high intensity, can end up negatively impacting the very relationships they pine over.

The relationship dynamics often forced on mlm ships perpetuate homophobic stereotypes about non-heterosexual men.

If anyone else has thoughts on this matter, do share! This essay is moreso an opinionated observational piece and isn't meant to be taken as fact but rather just as my thoughts on the matter. I hope it was useful as a reflective piece regardless!

Date of posting: June 16th 2021

#lgbt #lgbtq #gay #mlm #I cannot believe I said the phrase 'shipping extended universe'

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angrybittersad · 3 years ago

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ive come such a long way to where i am now. i started out as a liberal tumblr buzzfeed feminist and these views that i used to hold & defend for such a long time are slowly starting to crumble as i become more and more disillusioned with neoliberal feminism as well as so called queer feminism. it does hurt to write this "out loud", to actually share these thoughts and speak openly about them, mostly because i know for a fact i could never have an open discussion about them in the (leftist) spaces i am active in and where i would usually discuss political topics. even though i have never tried, i know i would be silenced and insulted. being part of modern leftist online spaces, i experienced second hand radicalization. specifically this year a lot of popular creators have been "cancelled" within the leftist online sphere of my country due to asking gender critical questions. of course, holding classic libfem antiterf views i jumped on to the cancellation bandwagon. the fact that masses of people were sending death threats and hate messages to women who were raising concerns of men trying to access women only spaces did bother me, but i never allowed myself to actually question this dichotomy of the "good ones" (aka people who call out transphobia, however they may understand that term) and the "bad ones" (aka people who ask gender critical questions, call out progressive homophobia etc). funnily enough, all these people i followed actually drew my attention to openly radical feminists who were unapologetically calling out the queer ideology. they were trying to cancel them, but instead they gave them more exposure which im very thankful for. i binged their posts and what especially struck me was how much sexist and misogynist backlash they got. suddenly i found it very weird that "terf" almost always exclusively refers to women or lesbians. and the more i read, i finally became aware of all the illogical fallacies that had been bothering me for years. i still think its crazy that i feel like i need to delete my search history because someone could maybe tell ive visited the account of a "terf". that i feel like i need to wear headphones when i watch gc youtubers because my roommate might hear it and it could cost me our friendship. ever since i became aware of the fact that i as a woman am objectified and oppressed by men i have wished for womens liberation, for the constant pain that it is to be a woman under patriarchy to stop. i just want to share my thoughts here and be in touch with other women who feel the same way. safely.

#gender critical #radical feminism #radfem #terfs interact #radfems do interact #peak trans #gender ideology

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secretlywritingstories · 3 years ago

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I’ve been coming on here for 6 years now. I never quite imagined that I’d have a social media like tumblr. I’d started to take peeks on specific tumblrs without having a profile back in 2015 but it took a while before I got up the courage to make my own account. I cannot thank my previous self enough for committing to this hellsite (affectionate).

I’ve always been slow to getting social medias compared to my peers around me. I was the last person in my class to make a Facebook. I only got a Twitter and an Instagram because I had YouTubers I wanted to keep up with. I only made a LinkedIn when it was required for a course at my university. I don’t consistently use any of those compared to my space here. Facebook I exclusively use for messaging and a couple of groups. Instagram and Twitter I almost only look at the notifications for the accounts I specifically want to keep up with. LinkedIn haunts me and I purposely ignore it, now I don’t have to use it for job hunting.

I never scroll on their dashes. I did more back when they were in chronological order but since that was abolished, I lost any tiny interest that had remained in them. But more than that, all of those social media are connected to my “real life” person. They’ve got my name on them, my face on the profiles, people from my life knows about them. It’s not like this here. I’ve got my first name listed and I do share photos at times, of me or my animals, but it had always felt like a little secretive space all the same.

It’s also a place perfectly tailored to me. I love the organisation of the tags, how I can curate my dash and my blog, and how much fandom reigns supreme here. It’s also very queer and so am I on here. I didn’t really know that back when I made my account on here six years ago. The thought had entered my brain but it was partly through the community here and talking to so many queer people that I finally settled into it. All the gay posts, people casually talking about this same-sex partners, celebrating lgbtq+ people in fiction and real life, and just the overwhelming reassurance whenever I spoke to someone tentatively about myself in anon asks.

I carved out a little space for myself in one fandom in particular, and I started to create, fics and text posts. I sent asks and I reblogged incredible content and praised the creators. After a couple of years, I started to get mutuals, which I remember made me so excited and almost feeling unworthy. It took a while to remember that it’s just a person on the other side of the screen, even if they’re an incredible writer or editor and make awesome stuff I adore.

The friends I found on here are dear to my heart in a way I cannot even describe. I’ve had the chance to meet one online friend and if chance permits it again, I’ve got so many cool people from all over the world that I’d love to meet as well. We’re just all nerds who like some of the same stuff but the friendships that become formed feel strong and sturdy.

In my time on here, my main tumblr has been filled with every fandom that grabs my attention and a lot hold on tightly. It’s a big mix and match in the best of way. I’m tapped into several fandoms now and it’s so cool. My dash is perfectly made for my tastes and I get to have cool people all over it. My other social media are overrun with distant friends talking about themselves. My dash here is full with funny posts, great content for fandoms I’m in and a sprinkle of personal information about wonderful mutuals and bloggers.

Some days it feels like tumblr is living on its last leg and it could buckle and disappear any moment. I sincerely hope that it doesn’t. It’s my little corner of the internet and I hope I’ll get to be here for years to come. These six years have certainly been happy ones and this place has enriched my life more than I could imagine even if it’s just a silly website.

#tumblr #tumblr anniversary #my tumblr dabbles #spilled thoughts #fandoms #lgbtq+#friendship

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permets-2 · 5 years ago

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Your tag that says why do we have to say this, I get it's a hypothetical question but JFC this is the most racist fandom I've ever been in. I can't conceptualize why, but it is. It's the epitome of white queerness and feminism, and is just tiring.

Okay I’m so sorry this is probably a longer response than you wanted but I’ve been thinking about this for a while now and yeah. Let’s talk.

Why is the Les Mis fandom so racist?

(Disclaimer that this is based on my own experiences in this fandom, I don’t speak for all Les Mis fans of color, obviously. Also that this is not a post to “prove” the Les Mis fandom is racist. If you need that before you wanna know why, you’re part of the problem.) (There’s a tl;dr at the end)

It’s because at the end of the day, anon, no matter how many Black Grantaires are drawn and no matter how many Asian Cosettes we get, Les Mis is media primarily by, for, and about white people. I mean, on a factual level, Hugo was white, and let’s not forget he had some wild thoughts on race - saying that white people were “the highest type which the human race has so far reached” and talking about the “inferior races,” saying that Europeans would “civilize and cultivate” Africa in the letter he wrote to The London News regarding slavery in America and John Brown. Also, obviously, all the characters are canonically white. That’s part of why content of the Amis as involved in BLM protests is so harmful imo - no matter the surface story you’re depicting, no matter how you draw them or write them, these are characters who are rooted in and steeped in whiteness, and The Black Lives Matter movement is not for or about them as white people. And, however you rewrite this story, it doesn't change the fact that you'd be imposing a narrative created by a white supremacist on a movement against white supremacy. This is not to say headcanoning/drawing/writing characters as whatever race you want is wrong, or that there isn’t power in artists of color reclaiming stories that have excluded or erased us for so many years! Lord knows I live and breathe for Amis of color, especially when they’re culturally well-represented. But it would not only be naive but also factually inaccurate to pretend that Les Mis is a story for People of Color, or a story that contains acute discussions of racial dynamics, let alone actively dismantles white supremacy.

Also, anon, the culture surrounding Les Mis source material is steeped in whiteness and exclusion. Musical Theatre is one of the most financially exclusive forms of art - tickets are often upwards of $100 each especially for a big name show like Les Mis. I could talk forever about the ways theatre is used as a tool of classism and racism, but in this instance, it boils down to People of Color are directly and indirectly denied access to the world of musical theatre, as audience, writers, directors, performers, etc. We basically see only white people playing the characters of Les Mis in professional (and non-professional) theatre, which is another less tangible barrier to communities of color. You’d think the brick would be more accessible, and on a factual level, sure, most people can find a copy for $9 at Barnes and Noble or get it from the library. But by God, the amount of academic elitism in high school essays to tumblr posts about the brick is off the charts - classic lit has a long history of pushing out People of Color. Why is Hugo one of the most well-known names in all of literature and not Hurston? Baldwin? Du Bois? (This is rhetorical. We know why.) There’s a lot of reasons why the brick and musical alike have been kept away from people of color (that i could get into, starting in 1619, but honestly we’d be here a while)- making this, once again, a piece of media by, for, and about white people.

Which is not to say there aren’t people of color in this fandom, or that we don’t belong here. I know so many Les Mis fans of color in our online community (myself included) who love it here and are so grateful for this space. It’s just harder - we have to write things off all the time. Why is almost 100% of cosplay white people? Why are most all the most popular creators white? Why, when characters are drawn/headcanoned/written as POC, does it play into stereotypes- why are Joly and Combeferre (the doctors) and Cosette (the woman who does not get much agency) the ones depicted as Asian, why are Eponine and Grantaire (the characters who Hugo explicitly calls ugly) the ones depicted as Black? (My broski @everydayatleast as a great post about that here) Why are we so set on blond Enjolras, no matter what ethnicity he’s depicted as?

And here’s the kicker: because of the plotline of Les Mis, we tend to ignore any issues of injustice in our own fandom. We think that because Les Mis is about equality and revolution, we’re automatically culturally and politically progressive. We think that because “Enjolras says Eat The Rich” and “books like these will never be useless”, we have achieved Wokeness. We think that when we stan these activist characters, we’re checking our activism box. We think that because we’ve got a diversity of genders and sexualities we’ve checked the box of representation but that’s another can of worms I will not get into. And this is almost always unconscious, I don’t think any of us are actively and maliciously trying to be racist! There is nothing wrong with having a background of whiteness! There is nothing wrong with being factually or culturally white as a piece of media (or, like, a person)! It is when we fail to be critical of the ways this whiteness affects others that we create racist spaces. (Which, as you said, anon, is how we get White/Non-intersectional Feminism.)

This is not directed at anyone in particular in the slightest, and this is in no way intended as a callout - I have so much love for this online community. And no, I don’t mean every single one of you is actively and aggressively being racist on Tumblr every single day. But yes I do mean the collective us as a fandom contributes towards a culture of racism every day, myself included. We as a fandom can do so much better. As Moose said when we yelled about LM racism for a hawt couple hours today, “In a fandom that purports to be about equality and social justice, we have to live up to our own ideals”.

(tl;dr - the Les Mis fandom is racist because it is a piece of white culture and writen by/for/about white people, Broadway and classic lit is rooted in exclusionism and there’s a lot of forces keeping people of color out of our original source materials, and because of the narrative of Les Mis being about revolution and social progress, we feel like we’ve achieved that and aren’t critical of our own shortcomings)

(phat thanks to my bro moose @everydayatleast for editing and contributing and Yelling with me!!)

#Les miserables #les mis #les amis #fandom racism #sollie speaks #if you feel hurt offended ashamed bitter guilty targeted while reading this post #maybe its time to do some thinkin #Things i did not include in this bc i have self control: the complexities of Black Javert and White Valjean #White Enjolras with a raised fist (aka BLACK POWER FIST?)#how i see almost no art of latinx/hispanic amis and even less indigenous amis #i think once i saw a middle eastern feuilly #how i looked through the faculty of prestigious univerisity classics departments and found 2 people of color out of hundreds of total facult #white people dont clown on this post challenge #other people of color would Love to hear your thoughts on this #seriously lets chat #would also love if yall (poc) have thoughts for you to message me instead of publically vibe checking me #plz im doing my best here #A series of disclaimers #first op is a person of color if that wasnt clear #listen to black creators and black voices especially for issues around BLM #second i have not read all of hugos letters #but i read this one on slavery a while back for apush and it stuck with me #hugo was racist #and im not saying like hes cancelled or some shit #because fuck cancel culture #just please can we be CRITICAL here #third PLEASE dont come for me about saying cosette has no agency #this is not what this is about #you are missing the point #fourth seriously this is not a callout

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nightwingsbf · 3 years ago

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I have some things to say if you're interested as an nblm. The Asian ship tag works like this, character who penetrates is the first name and recipient character is second name. If it's sfw, if the creator has only sfw works and they use one tag almost exclusively, assume that it's the dynamic they prefer. Usually one tag is more popular than the other so that becomes general tag. It's not just for ships between penis havers, and some creators prefer switch too. Most creators and fans all over the world do have a preference for their personal reasons. This includes gender identity related reasons so I'd like to see more thoughtful handling of the discussion.

Regarding fem! tag, many people still don't know or understand the difference between trans tag and fem/ male! tags. Here in the west genderbend is a frowned upon trope, it of course is harmful. But in many other countries and cultures and languages you'll find different tags, or it's way worse to be out as trans than being seen as just fans of queer media so it's easier to tag like that or with a gender symbol. There are different words too, gender labels and concept is culturally linguistically different in other cultures. If it's a fic written in English by English speaking creator it's justified to condemn that, but for a fic in another language or an art where being trans is not the focus like showing surgery scar to prove this is a trans character, it's a bit too much expectation.

If the conversation was just about fics on ao3, ignore me. Do look into how the characters are feminized by different subsets of the fandom, it's quite obvious in my eyes and I won't be surprised if many trans and enby fans dislike either styles. The anon who was all about... boobs, was very frank. I feel that some of the cis portrayals are as fetishistic as genderbend and it bothers me quite a lot. It's more difficult to filter as well, and it sounds bad to tag top or bottom but it helps me not accidentally experience dysphoria over feminized portrayal of the pov character. This is a tiresome discourse but I will support tagging top/ bottom characters no matter the gender.

Sorry for the wall of text, I tried being as clear as I could. Have a good day!

Thanks for your insight and for your explanations and reflections. They definitely helped me have a broader perspective on the origin of these tags and their functionality depending on the person and their identity. Truthfully, the conversation went into different directions at some point and then was lost, at least in my part. But at least in terms of what you stated here, you were very clear.

#ask

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hotcoffeecoldmornings · 5 years ago

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(This shit is long so bear with me.)

Can’t Eat, Can’t Sleep, Reach for the Stars

I haven’t felt this way in awhile. This ‘can't eat, can't sleep, reach for the stars, over the fence, world series kind of love.’

It’s hard to describe. The last time I was all-consumed like this by a TV show and a ship, that TV show was The 100, that ship was Clexa, and my world was, quite honestly, turned upside down by it.

I used the first two seasons of The 100 as background noise as I wrote my Master’s Thesis in 2015. To be honest, I didn’t really know exactly what was happening until Bodyguard of Lies (an episode anyone reading this post probably remembers well) came on. And a passionate kiss between two world leaders left me speechless and shocked. I was blindsided by it, unaware that that kiss would be the beginning of not only finding myself, but also accepting myself, and then finding a chosen family I never knew that I needed because of it.

There’s been alot of (okay, not a lot, but more) f/f ships on TV since then. Maggie and Alex. Nicole and Waverly. Elena and Syd. Kat and Adena. Anissa and Grace. Stef and Lena. Karolina and Nico. And the list goes on… While each of these ships is equally important, and each one represents another push towards more inclusive storytelling, there was never a ship that hit me as hard as Clarke and Lexa did.

Until now.

Harold, They’re Lesbians

Gay. Witches.

Motherland: Fort Salem said the words. And I fucking came running.

Okay, so it took me a few weeks… Thank you, twitter timeline, for finally getting my ass on board. It’s not that I didn’t want to start the show. It’s that my anxiety-ridden brain had other plans for me in mid-March. Like spending the majority of my time researching a global pandemic and then crawling into a depression hole because of it… Or something like that.

But nonetheless, I’m here now. And I’m fucking staying.

I knew I’d love this show. The concept of witches peppered with the idea that sexuality is irrelevant is honestly my one and only weakness. So I went into episode one with high hopes. And I sure as hell was not disappointed.

Episode 1 gave me even more than I could’ve asked for. We meet three uniquely powerful individuals, who all come from three uniquely interesting backgrounds. Abigail Bellweather, born into a lineage of the most powerful and elite witches Fort Salem has ever seen. Tally Craven, the last one standing in her family’s long-line of service, selflessly choosing to say the oath when she didn’t technically have to. And Raelle Collar, who has an unparalleled set of powers, combining her mother’s Christo-Pagan ways with those of the seeds learned at Fort Salem.

Rounding out that already brilliant cast is Scylla Ramshorm, the ‘sexy weird’ Necro who may or may not be evil (but we love her all the same). General Sarah Alder, the original witch who signed the Salem Accord, selling out every future witch to the United States Army, and whose ego quite often gets the best of her. And Anacostia Quartermaine, the Bellweather Unit’s Drill Sergeant who has a peculiar fondness (and leniency) for Raelle Collar.

The fact that this television show is entirely female centered (like, we’re talking 60 seconds of male screen time in the pilot), is what separates this show from most. Men exist in the world of Fort Salem as characters to exclusively propel the female leads forward, which is a stark contrast to the majority of shows right now. And not only is the entire main cast female, the main lead is gay. And honestly, the sexuality of every character on the show is questionably debatable as well. Except for Abigail, who quite clearly is into any and all men, and Tally, who grew up on a Matrifocal Compound and ended up in Fort Salem as a virgin. Which, of course, no shade to her, but it did strike me as odd when Abigail immediately assumed Tally’s virgin-ness when growing up in an all-female world was brought up.

So let’s start there, shall we?

The Heteronormative Narrative (or not…)

Something I did find puzzling about Motherland: Fort Salem (and the only thing, really) is how they portray sexuality, relationships, and love. In regards to sexuality, Eliot Laurence, the creator and executive producer, has been incredibly forward in interviews with the narrative that ‘your sexual preference doesn’t matter in this world.’ Which I appreciate to the fullest, trust me. But pardon my slight hesitation when I hear that line, because I think we’ve all been burned by it once before.

Motherland: Fort Salem has done a tremendous job of this. They’ve allowed characters to own their sexuality without question. It was never a thing when Raelle started dating Scylla. At Beltane, everyone went off with whomever the dance paired them with - even if that meant the same gender, and even if that meant three or four or five of them. Sexuality, in regards to same-sex partners, is never a character arc in this show, and it’s never there to create a plot point.

HowEVER, there were a few things I noticed that confused that fact.

Like I said about Abigail in the very first episode, when the Bellweather Unit is meeting for the first time, why was Abigail so quick to question Tally’s virginity after learning she comes from a Matrifocal Compound? If there are no heteronorms in the world of Motherland: Fort Salem, then why is it assumed that losing your virginity is related to relations with a man? Even though Tally is (well… was) a virgin, why would that question be brought up? If roles were reversed and it was Raelle living on the Matrifocal Compound, the conversation would’ve gone strikingly different, and it would’ve supported this heteronormative narrative that I thought we were trying to avoid. I’m just going to blame this one line on how badly Abigail wants the D, so sleeping with a woman wouldn’t even cross her mind.

But then what about the idea of this ‘five-year marriage contract’? It’s simply about producing a child, so I assume a woman could never have that sort of thing with another woman, and that those women could never add to their lineage (unless they entered into a five-year marriage contract simply to reproduce). Doesn’t this, alone, signify a heteronormative world without even meaning to do so? While they accept LGBTQ+ relationships, how do they actually fit into the society and culture that this show has created? Wouldn’t the gay witches be seen as almost inadequate in carrying on the gene if they don’t have a child? (AmI just thinking too much into this...?)

But then again, the whole concept of ‘love’ in Fort Salem is rather insignificant itself. As Gerit mentions, no one is supposed to spend their life with just one person. Witches are committed to one another in five-year partnerships to reproduce, and then that’s it. So in a way, I understand that nobody, no matter what their sexuality is, really gets to experience this fairytale ending that we’re used to seeing in a (*cough* heterosexual) ship on TV. And in a way, I also think that’s what makes this show all the more fascinating. Eliot Laurence gave everyone a level playing field by just removing the idea of a happily ever after altogether. In Laurence’s world, witches are meant to train and fight and die for their country. Love is their weakness. But what’s so compelling about that is even though love is their weakness, he made sure that love also manifests into their greatest strength.

From what I’ve seen in interviews for Laurence, every single thing has a purpose. So I’m quick to let this go, and see where he takes us. He’s been building this world inside his head for nine years, so I know that there’s so much more to this story than what can be told in a 10-episode season.

But Back to the Lesbians

Anyway, back to love. Specifically gay love. I wish I could put into simple words my obsession with Raelle and Scylla.

From the incredible chemistry that Taylor Hickson and Amalia Holm share on-screen together to the directors and writers who’ve portrayed their love story so magically, Raelle and Scylla are truly something special. They’ve taken the place of a ship this queer fandom lost when Lexa was killed. It’s a ship that you want to hate, because every part of this story tells me to hate Scylla. She’s Spree. She’s vindictive. She’s dangerous. Yet every part of my brain tells me to love her. And to love them together.

I don’t like easy stories. I want stories that make the ending worth it. I want hardships and pain and hurt and work when it comes to love. Which is why I like the story of Raelle and Scylla. There was a spark between them in their very first scene together- a spark you could feel through the TV. It was believable and real. They come from similar backgrounds of loss and solitude, and that’s what originally bound them together. And over the next seven episodes, we watched their relationship grow. We saw their vulnerabilities, their growth, their passion. But now we’re going to see the hardship. The pain, the anger, the betrayal.

I appreciate that they’re not skimping on telling any part of their story. The two are special together, and so far, this show has proved that.

She’s Special

I want to break down Raelle Collar before bringing up anything else, because, well, obviously she’s the main character, but she’s also got a lot going on. The fact that Raelle channels her power through something other than the typical ‘seed’ is something that will be of importance to why she’s so powerful. Petra Bellweather, herself, claims that Raelle’s mom, Willa, used unconventional methods that delivered incredible results. “She was the fixer every unit wanted to deploy with.”

While all witches in Basic Training are learning about utilizing their extra set of vocal cords to create magic songs, Raelle can do it in a way that’s reminiscent of where she grew up- Chippewa Cession. In the very first episode, she makes note that her family was there before it became a Cession. Aka, before the land was given to the Chippewa tribe in exchange for their magic.

Raelle comes from a line of witches that all have more unique abilities than what’s taught at Basic Training. She uses a combination of Native American spirituality/Christo-Paganism skills during her days at Fort Salem, which brings up questions (and judgment) from other witches. It seems as though that kind of magic was the way witches used to do things before Sarah Alder released her song into the world and created a vocalizing army with it. Raelle’s peers look disgusted when they see her still using the same ways witches once did. It’s particularly noticeable when she heals people, and recites Matthew 7:7, “Ask, and it shall be given to you; seek and ye shall find; knock, and it shall be opened unto you.” The entire theme of the Book of Matthew, in regards to Christianity, is about prayer. Asking and receiving. That God will provide you with what’s needed, and nothing more. But when it comes to Paganism, it’s about the law of attraction and return in our universe. It outlines that there is no life without balance - that all prayers can be answered, but they’ll be answered with things that are taken from elsewhere. All prayers almost have a consequence. Just like all magic has a consequence.

Raelle’s power, at least what she knows of it up until now, is based on a consensual balance, bringing the theme of Paganism’s Matthew 7:7 into the type of witchcraft she practices. She can heal someone, but what she heals them from will be transferred onto her. Balance. Consequence.

Bringing General Sarah Alder back into this, this is the same type of magic that she traded for back in the 1700’s when she granted the Chippewa Tribe the entire length of the Mississippi River. In exchange, she gained the magic that could keep her eternally young. But just like the magic that Raelle does, this age defying practice has consequences too, and requires balance. Every 50-60 additional years that General Alder adds on to her endless life, a young witch must be sacrificed to take on those years, and must stand by General Alder the rest of her short-lived life.

But where does the balance go?

Adil is such a great addition to the cast because he sheds a light on something so crucially ignored on campus. All magic has balance. This is teased throughout the season, like when General Alder hits turbulence on her way to The Hague and jokes (but not really jokes), “I assume I have one of you to blame for that.” Or how Raelle soaks up her ‘patients’ illness. But it’s not truly smacked in our faces until Adil says it.

As Abigail is flaunting her ability to *one day* “grind iron into ore and mountains into dust,” Adil drops a truth bomb on her. “All that weather you fight with has a cost. Floods. Failing crops. Famine. Every war, people starve.” She’s quick to reply that the good they do far outweighs the bad. But to who? Certainly not to Adil and his people. Meeting him is going to give our recruits a serious insight into just how consequential their ‘work’ can be. He’s going to play a crucial role in realizing how manipulative and egotistical General Alder has been.

Not only is weather an issue, but plagues. “Like the one attacking my sister.” Adil and Khalida come into the storyline because Khalida is sick with a deathly black webbing wrapped around her body. When they first make it to the Military Outpost (somewhere in the dessert between Russia and China?), the Soldier who meets them at the gate yells, “they’re here.” So were they expecting them?

Raelle eventually is the one who heals Khalida, (by using her Christo-pagan means) but instead of taking up the illness like it usually does, instead, it infects the giant mushroom that Raelle touched earlier.

The balance of Mother Mushroom.

I go back and forth between theories for the giant mushroom growing under Fort Salem. But today, I’m convinced the mushroom is attached to General Alder’s vitality. And consequently, the entire vitality of Fort Salem as well. In one episode, Berryessa reminds us that all life on campus is directly connected to Alder. And if what Scylla says in My Witches, that “life becomes death, which becomes life again,” is relative to the life on campus and how General Alder parallels that, then this theme of balance throughout the series is more prominent than we realize.

The giant mushroom living under campus is clearly important. It has hands and replicates faces and takes on diseases and Izadora is not a fan of anyone touching it. So yes, you could say this fungi is a main character now.

But. Why?

“In the kingdom of plants, mushrooms occupy the underworld. Nothing ever really dies.” Mushrooms have an entire underground network of language to one another. And they are responsible for the breakdown and decomposition of death so that organic matter can become something else. Necros have an obvious connection to this ecological process too, so they must have a connection to the continuous process that General Alder goes through to support and sustain life on her campus.

I think that the “Mother Mycelium” signifies each and every consequence that Fort Salem has accumulated. It holds the hurt and death and pain and regret of everything General Alder has created. And now that the Mushroom is infected with whatever plague Khalida had, I think it’s going to wreak havoc on Fort Salem. Magic is based on balance, and I think massive consequences are coming to make up for years of disparity.

One last thing on my mushroom-thoughts, is when Helen Graves said “the dead make excellent eyes and ears.” An underground network of mushrooms all connected to recently dead organisms would certainly be a great way to gain insight too. Scylla mentions that she needs something recently dead to grow her deathcap, so does this Mushroom need to be constantly “fed” with death to continue the creation of life?

Does Alder know about that? Are the mass-murders that the Spree are doing related to this? Killing hundreds of people at a time would definitely be a good way to keep the mushroom o’ death fed. Is Alder behind the Spree!?

Sexy Weird

Speaking of Spree... Can we talk Scylla now? First of all, what the hell is this girl’s timeline? When we first meet her, she’s a cadet (second year) in War College already, meaning she would’ve had to enlist on Conscription Day the year before Raelle. Yes? In Mother Mycelium, we see that she *might* (still don’t believe it) have been the person behind that first Spree attack on Conscription Day of this year (so when Raelle, Tally, and Abigail enlisted), so was she at Basic Training for an entire year before deciding to become Spree? Did she enlist knowing that she would eventually be Spree? Does this ever get addressed in the show?

Since we’re here, I might as well say there’s no way Scylla did that. I’ll never believe it. And I’m using my one semester of Greek Mythology in college to tell you why (who knew that class would eventually come in handy)

In My Witches, when Tally, Abigail, and Glory first meet Scylla, Tally makes it clear that ‘Scylla’ is a Greek name. Okay. Greek. Cool. Mythology. Let’s go. I already knew that Eliot Laurence doesn’t waste any minute of screen time when it comes to plot development and storytelling, so my meta brain did a little digging.

In Greek Mythology, Scylla was a sea-monster who haunted the rocks of a very narrow strait, opposite of the whirlpool of Charybdis. The monster’s purpose was to lead ships and boats towards the whirlpool, which was lethal to all who attempted to pass. Scylla was used to lure boats towards Charybdis, but was never meant for actually destroying them. Scylla was a fear tactic, not a murderous monster. In poetry, it’s often said that Scylla isn’t a monster at all, just born into a monstrous family. In conclusion (from my 4 months of Freshman-level Greek Mythology and a little refreshment on Google) I think Scylla is simply being used to lure people to the Spree, but not actually doing the mass-murdering that is being shown in the episode.

What I do know is that Scylla Ramshorn is absolutely Amalia Holm. Mainly because I refuse to accept that Raelle is falling for the red head (sorry, red head). But also because at the end of the Pilot, when Scylla (in red head disguise) looked into the mirror, the balloon was her reflection, and it followed everything that she did. But in other scenes, when Scylla’s face is the normal Scylla face, she can see her own reflection. So the redhead girl is unimportant. Plus, IMDB says she never appears again this season...

We Are The Spree

As much as I hate to believe that Raelle’s mom (or Aunt!) is alive and leading the Spree, the connections between the two entities do add up. Both (Spree and Collar’s) are against the authority and power that the Witch Army has over populations of witches. They’re both against General Sarah Alder. I believe they both use spoken word magic rather than just vocalized magic. When the Spree carry out their attacks, they’re whispering words under their breath, not singing any song. Which is reminiscent of how the Collar’s do magic. Additionally, it would make sense as to why the Spree would want Scylla to bring them Raelle. And I still can’t get over the conversation between Raelle and Tally when Raelle explains her family’s combat charm. “A bowerbird’s foot. They love anything blue.”

Blue? Why. WHY.

Maybe Willa Collar was captured by the Spree? Or the Aunt was? Or the Spree needs Raelle to heal someone?

One last weird very unthought out theory goes with the other Biblical verse Raelle recites - Isaiah 43:2. “When you pass through the waters, I will be with you; and when you pass through the rivers, they will not sweep over you. When you walk through the fire, you will not be burned; the flames will not set you ablaze.” The fact that all Spree attacks have happened with something to do water- in the snow, at the pool, on a cruiseship. And the fact that the last line of that verse is literally, “you will not be burned; the flames will not set you ablaze.” This type of witchcraft has to relate to how the Spree does magic. Right??

Now I’m re-talking myself into the fact that the Collar’s might be somehow leading Spree...

But who’s ‘we’?

If the Collar’s are in charge of Spree then this next theory would actually check out.

Anacostia has been a little more over-bearing with Raelle than any of the other girls. On multiple occasions, she’s said how Raelle is gifted. In fact, they all have. Even Abigail in Hail Beltane mentions that “Raelle didn’t go outside of canon, she’s naturally gifted.” They all know she’s gifted. It would make sense if the Collar’s were the ones running Spree, and that Anacostia, aka. General Alder’s head bitch, was sent to protect Raelle from ever joining them. Alder wants to capitalize on the powers that Raelle has, and keep them in the Witch Army.

But I also think Anacostia could be playing General Alder. There have been too many times where she stares at Alder just a little bit too intently, and I can’t stop thinking that she might be in some sort of rebellious group too. Maybe a certain cell of Spree?

Because you can’t deny that Anacostia has also taken in interest in Scylla, particular to keep her away from Raelle. When Anacostia first caught them flying high on Salva, she told Scylla to stay away from Raelle, and it seemed as though she (tried) to use some sort of coercion magic while doing so. When Anacostia then saw them together at the Bellweather wedding, she almost sounded shocked, “I expressly told you to stay away from her.” Did Anacostia attempt coercion magic on Scylla and it didn’t work? And if she did, why didn’t it work?

That entire exchange felt odd yet familiar. Like the two have history. “Your name wouldn’t have been on the list. You’re not supposed to be here.” Particularly the “you’re not supposed to be here.” Did Anacostia know about the attack on the Bellweather’s? And did she think it would be threatened with Scylla there? Or did she know that Scylla was supposed to bring Raelle to the Spree at 6pm. And was sent to make sure Scylla never completed that task.

I found it interesting that Anacostia was never seen fighting off the balloons like every other Witch was when they appeared. And her being at the actual wedding felt odd too. Especially if she’s General Alder’s right-hand (wo)man, because last time I checked, Alder and Petra Bellweather weren’t on the greatest terms. In fact, none of the General’s are on great terms with Alder.

Since we’re now on Bellweather season...

Camarilla. No, not Carmilla.

There’s certainly a second threat in this show. And they were the ones behind the attack at the Bellweather’s. Not only has this already been proven by Jessica Sutton on Twitter (lols) but the clues were literally all there. They didn’t use any magic to fight. They had to use a mechanized sound machine to stop Abigail and Petra from using their powers. Then they covered themselves with gasoline and lit themselves on fire before the mother-daughter duo blew them away. It wasn’t Spree. But it was meant to look like Spree. And I think the balloons were simply a distraction, so all efforts and power would be outside fighting off the balloons while the civilian waiter’s could attack.

But who is doing this?

It’s been brought up that there are alot of humans who don’t agree with the Witch Army that Alder leads. Even the President of the United States is hesitant about them. “You, too, are bound by rule of law to the will of the American people, who have elected me to represent their interests and protect them. Don’t you forget it. Or you may find yourself reminded.” Then Tally gets confronted later in that episode by a civilian who says, “It’s witches who are committing these attacks. It’s your kind of people .” And then even later in the series, there’s talk of a “growing debate in congress to revoke the Accord and disband the army.” So you could say there are definite opinions about this Army by civilians.

In A Biddy’s Life, there’s a shot when Raelle and Scylla are in the room with weapons once used to kill witches. There’s an undeniably important shot of the Camarilla Scythe. Camarilla, itself, is defined as a small group of people acting as private advisers to a ruler or politician with a shared and nefarious purpose to carry out secret plots.

Since civilians are the ones that are most opposed to the Witch Army, it makes sense that maybe the President, herself, is the one behind these attacks. She’s trying to take down the most Elite of the Witches (the Bellweather’s), hence inhibiting the Army from being as successful as it’s been in the past. And what better way than to kill the most elite witches of child-bearing age.

While this theory checks out, I can’t help but to also think that Petra Bellweather could be behind the attacks. I know, it’s a stretch, (specifically because it’s her own family that’s being targeted) but I do love that ‘good powers, bad people’ trope. And what better way to make sure nobody questions your efforts if you’re the last one they’d suspect? Petra Bellweather has been itching to boot Alder from head witch honcho for awhile. Since killing Bellweather’s is the ultimate attack against witches, this would be a great strategy to showcase that Alder is inept in dealing with these enemies, creating a fall in power. And eventually, a rise in another. A Bellweather.

Okay, I know what you’re all probably thinking. “So you’re saying that she wanted her own daughter killed!?” Not necessarily. When you watch Bellweather Season, and specifically the wedding scenes, they put an insane emphasis on timing. And I don’t believe that that’s just because of Scylla trying to get Raelle out of there by 6pm. When you watch the sequence back, the Bellweather Unit was supposed to be having their interview with the Dean of War College, starting at 5:30ish. If the interview took a good bit, say 30-45 minutes, this would strategically put Abigail not in the line of fire (aka Charvel’s room) at 6pm when they struck.

But on the complete other hand, Abigail was supposed to be up with Charvel at that time helping her get ready. Meaning if it wasn’t Petra Bellweather, someone perfectly timed both Bellweather’s of childbearing age to conveniently be in the same place at the same time.

Then the fact that Scylla was meant to leave with Raelle at 6pm (the exact moment the waiter’s and balloons struck), can’t go unnoticed. Did they want her to leave with Raelle at 6pm because the Spree knew about the attack? Did someone warn them? Does this explain why Anacostia was shocked to see Scyalla. “You’re not supposed to be here.” Why wasn’t she supposed to be there????

I’m just going to tap out of this theory now.

But One More Thing

This might be a totally aggressive theory, and I have to credit the initial spark of this idea to my girlfriend, because during my 67th rewatch of this show, she brought up something I’d never thought of before. She asked me what Scylla’s purpose of attending the wedding was, and if the person she was supposed to bring to Penelope Road at 6pm really was Raelle?

This got thinkING. What if it was someone else???

When you look back at all the times Scylla spends talking to her balloon mirror, they never actually say Raelle’s name. Sure, we’re meant to believe that Raelle is the obvious target. But what if that’s a cover?? What if she’s using Raelle to infiltrate something else and get to someone else??

It would make sense to use Raelle to target Abigail instead- an elite Bellweather. Like I said, this is a very unlikely theory but it would definitely be a shock to literally everyone (except my girlfriend apparently)...

Has the entirety of the show been leading us down a path to distract us from something else going on!? With every other ounce of brilliance here, I wouldn’t even doubt it.

In Conclusion

I went into this show expecting to be seen and represented as a queer woman, but what I actually got was so much more. What I got from this show is the realization that me being queer doesn’t have to have anything to do with me being a woman at all. My strength, and will, and mistakes, and growth, and grace, and support, and passion, are what make me a woman. Each of our stories are deserving enough to be told just because we are women.

I’ve struggled with that fact my entire life - my womanhood.

Femininity, feminism, and female empowerment are all things I’ve only recently connected with. I was raised in the culture of traditional gender roles. My dad went to work and my mom stayed home. It’s not that I was necessarily taught that men and women must occupy those roles; it’s just that’s all I knew. To even further confuse my adolescent existentialism, not only was my mother a stay-at-home mom, she was also in the Marine Corps. And she never really understood the fact that not all women are as strong as she is.

My mom’s a badass, don’t get me wrong. She’s one of my hero’s. She came from a family who didn’t have much, and after realizing that she couldn’t afford to go to college, she enlisted instead. Six years later, she went to Penn State on a full-ride. She’s worked for every ounce of success that she’s seen, and she’s worked her ass off for it. But because of that, she struggles with the idea of feminism.

I can’t blame her too much. I understand the mindset she’s coming from. Growing up with that being instilled in my mind was hard though. Because it was expected that I, too, grow up to be a strong independent woman.

I graduated in the predominantly male industry of agriculture (I want to be a farmer, okay!?). All through college, grad school, and post-grad school, I worked on farm after farm after farm. And it was there that I was introduced to the idea of toxic masculinity. I tolerated comments that I won’t even say out loud. I’ve “accidentally” been touched in more ways than I care to count. And what I hate the most about it all, is that I fucking tolerated it. I’d laugh it off, and then I’d walk away, mortified at what I’d actually just put up with. And while by no means do I blame my upbringing and home life on this, I do blame the upbringing and home life on the female characters I saw on television. If Brooke Davis was constantly and overly sexualized in high school then I guess I was supposed to, too. Right??

Sure, I still hear comments that I wish I didn’t. But I’m also surrounded by people and characters who taught me to never put up with the shit I once did. Female characters are portraying a storyline that people take more seriously now. They’re persevering. And that jumps off the screen in Motherland: Fort Salem.

It’s taken me a while to realize how Raelle and Scylla have affected me as much as Clakre and Lexa did (two characters who literally awakened my sexuality). But I think I get it now.

I love both Raelle and Scylla. Each one. Individually. As witches. As warriors. As females. As humans. As strong female characters. So, in a way, watching this show has awakened something else in me that I’ve also been suppressing all along. My femininity. My strength. My perseverance.

Sure, Raelle and Scylla are my favorite ship right now, but it wasn’t them being together that made me fall in love with this show. Oddly enough, it was them being apart. It’s the fact that each one stands on her own as a unique and beautifully complicated story. And it’s the fact that I, too, am deserving of a beautifully complicated story.

Last Section, I Swear

Motherland: Fort Salem is a magical mix of intense story building, relatable character development, and fascinating cinematography, all while being told through a gender and sexuality normative opposite of what we’re used to seeing. It’s a show that encompasses female strength unlike anything I’ve experienced before, where men are the background noise who aid in pushing the plot forward. It’s a show that deserves another season. And another and another and another and another.

It’s a show I needed ten+ years ago, at 18 years old, freshly out of high school and wondering why the fuck I never had crushes on guys like everyone else my age did. It’s the show I needed so I didn’t always wonder why I was so obsessed with Peyton Sawyer and Summer Roberts and why I was the only one I knew who thought Torrance and Missy should’ve ended up together. It’s the show I needed to learn that my femininity doesn’t make me any less tough than my male counterparts. It’s the show I needed so I never put up with anyone’s shit. It’s the show I needed to teach me that I am storm and I am fury.

It’s the show I needed then. But it’s also the show I’m so happy that I have now.

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