#alma & oskar

[schizografia]

Le ho inviato ieri, tramite il mio amico dott. Pagel, un’immagine a grandezza naturale della mia amata,  che la prego di imitare fedelmente e di trasformare in realtà con l’impiego di tutta la sua pazienza e sensualità. Presti molta attenzione alle dimensioni della testa rispetto a quelle del collo, del petto, del tronco e alle misure degli arti.

E si prenda davvero a cuore il profilo del corpo.

Ad esempio la linea del collo verso la schiena, la curva del ventre. ...

La prego di rendere possibilmente godibili al tatto quelle zone in cui gli strati di grasso e i fasci muscolari lasciano improvvisamente il posto ad uno strato di pelle e tendini da cui poi viene in superficie un qualche osso, ad esempio la tibia, le ossa del bacino e del ginocchio, le estremità della scapola, della clavicola e dell’omero. ...

Vorrei che il ventre e i muscoli più grossi della gamba, della schiena ecc. avessero una certa consistenza e corposità. ...

La pelle sarà fatta della stoffa più sottile che ci sia, seta morbida o lino sottilissimo e dovrà essere modellata a piccole superfici.

Sto cercando di sapere da un chimico (forse il dott. Pagel scriverà al Consigliere Segreto prof. dott. Wilhelm Oswald di Grossbothen vicino a Lipsia) se la seta potrà essere trattata chimicamente in modo che aderisca all’ovatta senza che struttura e aspetto vengano alterati.

Si tratta per me di qualcosa che devo abbracciare!

Lettera di Kokoschka a Hermine Moos

[minimaeclectica]

Oskar Kokoschka - La novia del viento (1913-1914)

[morgansyorkie]

She Said Yes 💍

[miasmes]

[beznazvy]

[intellectures]

Die Geburt der Moderne

In diesem Jahr feiert das Bauhaus sein 90-jähriges Jubiläum. Ohne die deutsche Hochschule für Gestaltung wäre die moderne Kunst und Architektur der Gegenwart nicht denkbar. Continue reading Die Geburt der Moderne

[almaoscarganzerfilmdeiutsch]

[JETZT-HD] Alma + Oskar Ganzer Film Deutsch 2023

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Streaming-Medien sind Multimedia-Inhalte, die kontinuierlich vom Endbenutzer empfangen und präsentiert werden, während sie vom Anbieter bereitgestellt werden. Die Verb to streamen bezieht sich auf den Prozess der Bereitstellung oder des Erwerbs von Medien auf diese Weise. [Klärung erforderlich] Streaming bezieht sich auf die Bereitstellungsmethode eines Mediums, nicht auf Die Medium selbst. Die Unterscheidung zwischen verteilten Medien und Bereitstellungsmethoden ist insbesondere für Kommunikationsnetzwerke relevant, da die meisten Bereitstellungssysteme entweder Streaming-Charakter (z. B. Radio, Fernsehen, Streaming-Apps) oder Nicht-Streaming-Typ (z. B. Bücher, Videokassetten, Audio-CDs) haben. Gilt . Ich habe Probleme beim Streamen von Inhalten aus dem Internet. Beispielsweise kann es bei Benutzern, deren Internetverbindung nicht über genügend Bandbreite verfügt, zu Einfrierungen, Verzögerungen oder einer langsamen Pufferung von Inhalten kommen. Darüber hinaus können Benutzer ohne kompatible Hardware- oder Softwaresysteme bestimmte Inhalte möglicherweise nicht streamen.

Beim Live-Streaming handelt es sich um die Bereitstellung von Internetinhalten in Echtzeit, genau wie beim Live-Fernsehen Inhalte über Radiowellen über ein Fernsehsignal übertragen werden. Live-Internet-Streaming erfordert Quellmedien (z. B. Videokameras, Audioschnittstellen, Bildschirmaufnahmesoftware), Encoder zum Digitalisieren der Inhalte, Medienherausgeber und Content-Delivery-Netzwerke zur Verteilung und Bereitstellung der Inhalte. Live-Streaming findet häufig statt, es ist jedoch nicht erforderlich, vom Ausgangspunkt aus aufzunehmen.

Streaming ist eine Alternative zum Herunterladen einer Datei, bei dem die gesamte Datei abgerufen wird, bevor der Endbenutzer den Inhalt ansehen oder anhören kann. Durch Streaming können Endbenutzer mit der Wiedergabe digitaler Video- oder Audioinhalte über einen Mediaplayer beginnen, bevor die gesamte Datei übertragen wird. Der Begriff „Streaming-Medien“ kann sich auf andere Medien als Video und Audio beziehen, beispielsweise Live-Untertitel, Tickerbänder und Echtzeittext, die alle als „Streaming-Text“ gelten.

[sixty-silver-wishes]

okay okay okay. KOKOSCHKA

so that painting on the bottom left is called the bride of the wind. and ohohoho it has some HISTORY

the man in that picture is kokoschka. the woman there is a real piece of work named alma mahler gropius werfel, of tom lehrer fame. she was. well. the best way I can describe alma is “infuriatingly fascinating.” absolute horrible person, a headache for historians, but goddamn she had an insane life. basically, alma was married to the composer gustav mahler, and was a composer herself before mahler said she had to give up composing bc he didn’t believe two composers could work out as a couple (tell that to the schumanns, but I digress). alma was considerably younger than him, and probably didn’t know what she was getting into, so she agreed.

bad, bad, bad plan.

so. while alma and gustav’s marriage started out relatively okay, it went downhill Fast. for one, alma was a notorious anti-semite, and gustav was ethnically jewish (he converted to catholicism for career reasons, but was religiously agnostic). alma had this weird habit of being very fetishistic and possessive, which put her at odds with gustav’s sister justine, whom he was very close with. on gustav’s end, he was extremely dedicated to his art and career, often to the point of overlooking the needs of others. this whole mess came to a head when their daughter maria died. both were distraught, but because alma had a lot of complicated feelings at the time and didn’t have a creative outlet (remember, she gave up composing), she started an affair with one walter gropius, whom you may know as the founder of the bauhaus school of architecture.

gustav found out eventually, tried to apologize, saw sigmund freud for a therapy session (yeah), even published some of alma’s old songs to make it up to her. and worse yet, he was getting deathly ill from heart issues and pneumonia. and yet alma still kept up her affair with gropius, writing him steamy letters while being really, really weird about her “poor, helpless” husband’s terminal illness and how much of a saint she was for taking care of him (she also viewed herself as racially superior and had some sort of “gentile savior” complex that kinda tied into it. there are letters on record and it’s really really gross), and was basically waiting for him to die so she could marry gropius (she even says this in a letter!).

so, gustav dies (on gropius’ birthday. I can’t make this up), but alma doesn’t marry gropius immediately. she does eventually, but first, she has a string of affairs, including with expressionist painter oskar kokoschka, whose art is depicted here.

they were. Also horrible for each other. yeah, alma’s terrible, manipulative, psychologically abusive (even to her two daughters, but that’s another story), and has a nasty habit of manipulating the historical record by destroying letters and fabricating shit to make herself look good (look up the ��alma problem” on wikipedia. she does this so much there’s a term for it). but kokoschka was also. disgusting. dude is also very possessive of her, obsessed with painting her, did something really gross when she got an abortion that I’m not going to get into, but you can look that up on the alma mahler website if you’re curious. alma eventually decides she’s had enough of kokoschka and dumps his ass.

but kokoschka hasn’t had enough of alma. oh no.

so, kokoschka goes to dollmaker hermine moos and commissions. a life size. poseable. alma mahler. sex doll.

just. just process that for a bit.

we’re good?

good.

SO.

he takes the thing with him everywhere. dresses it, drags it to the opera, normal things you do with an enormous sex doll of your ex. until he decides he’s had enough of it, invites all his friends to a party, breaks a bottle of wine over its head, and beheads it.

which. most normal expressionist artist

here’s the doll btw. you’re welcome

[scherzokinn]

It's so insane and funny to me that film directors of biopics feel the need to add fiction to make the film appear more interesting.

Like. why.

You don't need to come up with anything to make history more compelling.

WHY make anything up, when Friedrich Nietzsche had to buy fucking silk underwears for Richard Wagner once, Abraham Lincoln did wrestling, Victor Hugo lived in a street of his own name when he was alive, Alexandre Dumas fucking shut down a racist with an epic comeback, Edward VII had a sex chair, Tsar Nicholas II has nudes, Igor Stravinsky and Pablo Picasso were arrested for pissing in public together, Oskar Kokoschka commissioned an Alma Mahler fetish doll which he likely had sex with, Roald Dahl wrote some weird and questionable fetish-fanfic books, Salvador Dalí sold a blade of grass to Yoko Ono for $10 000 because he thought she could do witchcraft with a real strand of his hair, etc etc...

Do we REALLY need to make shit up when we have all these batshit stories. DO WE REALLY??????

[justineportraits]

Oskar Kokoschka Two Nudes (Lovers), Self-portrait of Kokoschka with Alma Mahler 1913

[panfluidme]

RULES FOR REQUESTING (DISNEY)

I'll write smut for any of the ships (as long as everyone's over eighteen)

Go as fluffy or as angsty as you want

I will not write about suicide or eating disorders

I will not write about homophobia/transphobia/racism or anything of the sorts unless if the victim of this hate is later comforted by friends and/or family

Feel free to DM me your request if you don't want me to give you credit

If you want me to write a ship that isn't in my list, lemme know. I will not do any incest ships, so don't even try

No x readers

If you request anything and break one of these rules, I won't be writing your request and will delete your comment or DM

Rules for commenting:

No bullying

No slurs

No hateful speech

No sexual advances

Ships:

Tangled (this includes the show):

Rapunzel x Eugene

Varian x Hugo

Eugene x Lance

Frozen:

Honeymaren x Elsa

Anna x Kristoff

Anna x Hans

Anna x Hans x Kristoff

Hans x Kristoff

Encanto:

Julieta x Agustín

Pepa x Félix

Dolores x Mariano 

Alma x Pedro  

Night at the Museum:

Jedtavius

Larry x Ahk

Teddy x Sac

Descendants:

Jay x Carlos

Mal x Ben

Turning Red:

Mei x Miriam 

Coco:

None

Luca:

Luca x Alberto

Big Hero Six (the movie only):

Honey Lemon x Tadashi

Moana:

None

Milo Murphy's Law:

Zilo (Zack x Milo)

Melissa x Amanda

Dakota x Cavendish 

Martin x Bridgette 

Duck-Tales: 

Goldie x Scrooge

Launchpad x Fenton/Gizmo Duck 

Donald x Daisy

Launchpad x Della

Gravity Falls:

Billdip

Mabcifica

Ford x Fiddleford 

Star vs the Forces of Evil:

Tomco

Star x Janna

Star x Oskar

Angie x Rafael

Moon x River

Amphibia:

Anne x Sasha x Marcy

The Owl House:

Lumity

Hunter x Willow

Hunter x Edric 

Eda x Camila

Phineas and Ferb:

Baljeet x Buford 

Candace x Jeremy 

Linda x Lawrence (the parents)

101 Dalmatian Street:

None

Percy Jackson:

Percy x Leo

Percy x Grover

Frank x Hazel

Jason x Leo

Jason x Piper

Piper x Annabeth

Sally x Paul

Sally x Poseidon

Magnus x Alex 

I own none of the characters (minus a handful of OCs for plot convince) or any of the art used in this book! If you see your art in this book and don't want it in here, lemme know!

[broadstflyers]

oskar and alma are engaged! she has been with him through so much. I’m so happy for them and wish them a peaceful and happy engagement and marriage 🤍

ps philly misses you lindy

[coolxatu]

heyo you just reblogged a particular kind of painting (bride of the iwnd by oskar kokoschka). Its always interesting to know a bit more about paintings in general to question art and artists in general. Maybe you want to find out a bit more but kokoschka basically painted himself with his lover alma - both unpleasant people. kokoschka was unbelievably jealous and became violent. If I remember correctly alma got an abortion (there is a painting about that too) that basically ended their relationship and kokoshka might have had blamed alma for his injuries he suffered when he enlisted. while he later on had someone design an actual sexdoll of alma, alma herself went on getting married and having affairs with lots of people who she actually detested as they were jewish. Lots of weird stuff. I like some of kokoschkas work myself but man this guy..

good lord why cant people just paint pretty pictures and do literally nothing else

[bitchinbarzal]

Oskar is going to propose to Alma this off season. Mark my words.

[rimpys-pinkeye]

Shoutout to whoever fits in the Venn diagram of these two interests.

[ulkaralakbarova]

Karl Anton Verloc and his wife own a small cinema in a quiet London suburb where they live seemingly happily. But Mrs. Verloc does not know that her husband has a secret that will affect their relationship and threaten her teenage brother’s life. Credits: TheMovieDb. Film Cast: Mrs. Verloc: Sylvia Sidney Karl Verloc – Her Husband: Oskar Homolka Stevie – Her Young Brother: Desmond Tester Ted: John Loder Renee: Joyce Barbour Superintendent Talbot: Matthew Boulton Hollingshead: S. J. Warmington The Professor: William Dewhurst Mrs. Jones (uncredited): Clare Greet Greengrocer (uncredited): Aubrey Mather Monocle Man (uncredited): Austin Trevor Studious Youngster (uncredited): Charles Hawtrey The Professor’s Daughter (uncredited): Martita Hunt Mr. Verloc’s Visitor (uncredited): Torin Thatcher Mr. Verloc’s Visitor (uncredited): Peter Bull Man Walking Past the Cinema as the Light Is Renewed: Alfred Hitchcock Film Crew: Screenplay: Charles Bennett Director of Photography: Bernard Knowles Editor: Charles Frend Novel: Joseph Conrad Director: Alfred Hitchcock Additional Dialogue: E. V. H. Emmett Art Direction: Oscar Friedrich Werndorff Wardrobe Designer: Marianne Thanks: Walt Disney Continuity: Alma Reville Music: Louis Levy Sound Recordist: Angelina Cameron Costume Designer: Joe Strassner Dialogue: Helen Simpson Dialogue: Ian Hay Associate Producer: Ivor Montagu Scenic Artist: Albert Whitlock Camera Operator: Stephen Dade Art Direction: Albert Jullion Producer: Michael Balcon Music: Jack Beaver Music: Hubert Bath Assistant Director: Pen Tennyson Movie Reviews: CinemaSerf: Perhaps not one of Hitchcock’s most prominent films, but it’s a tense crime thriller telling the tale of a family of recent émigrés to Britain who are struggling to run their small London cinema. Oskar Homolka (“Mr. Verloc”) falls foul of some criminals who offer to pay him for carrying out an act of sabotage. This doesn’t quite cause the mayhem they desire so he is unwittingly, this time, involved a much more deadly action. Unbeknown to him, Scotland Yard are on to them and have planted a detective (John Loder) in the greengrocers who befriends the family. The plot unfolds slowly and tensely. Loder and (“Mrs. Verloc”) a slightly dewy-eyed Sylvia Sidney fall for each other as we go along. That storyline slightly districts from the suspense and the ending comes along a bit too rapidly for me. Great to watch, though…