#alle talks

[iam93percentstardust]

i'm so used to living in my carefully curated bubble of people with the Liking Tony Stark gene that it always genuinely surprises me when people I follow from different fandoms come out of nowhere with a random post about how much tony stark sucks

[cunning-and-cool]

idk man but something about Stanley "taught himself extremely advance physics/math/probably many other things while running a relatively successful business" Pines and Stanford "is wanted in almost every dimension with a judicial system of some kind" Pines is sooo fucking funny to me

[icedhotcocoa]

okay guys but in all seriousness the trump attempted assassination is going to rally the right like crazy. voter turnout will be going up. it is more crucial than ever that you SHOW UP AND VOTE IN THIS YEARS PRESIDENTIAL ELECTION.

[mayhemchicken-artblog]

in the hour or so it took me to draw this op turned reblogs off

EDIT: reblogs are STAYING OFF. op was right and correct and i have never regretted making a post as much as this one. if you want to reblog my art you can reblog something else from my blog. or commission me, lord knows i deserve financial compensation for the nightmare this post has put me through

[stemmmm]

bad youtube clickbait thumbnail that reads "I think I just had a therapy session with a DEMON???"

[stimmingandstruggling]

more good news from tiktok: they’ve started blocking celebrities.

they’re calling it block party 2024. just blocking and ignoring countless celebrities who havent said shit about palestine. influencers, actors, anyone who went to the met gala, whatever, they’re getting blocked. and people keep talking about how cathartic it is, how good it feels, how they never realized they could DO that. there was some kind of subconscious law against blocking famous people, but it’s broken, and people are LOVING it. and it’s WORKING. a social media/digital advertising coordinator was talking about how ad companies are PANICKING, because they can’t accurately target anymore. so many big influencers, including fucking LIZZO started talking about palestine the MOMENT their follower counts started going down. and the best part? no one is forgiving them. lizzo posted a tiktok asking people to donate to palestinian families, and all the comments just said you’re a multimillionaire. put your money where your mouth is. blocked.

i feel like i’m witnessing the downfall of celebrity culture, right here right now. people are waking up.

[parasocialpixlriffs]

ROSANNA PANSINO???

??????

[ered]

Here’s my take on the whole audio books vs. reading:

Oral tradition of storytelling predates written ones by millennias, and honestly, which one you like is just a personal preference.

The actual difference is

when listening, you have no idea how to write characters’ names

when reading, you have no idea how to pronounce characters’ names

hope this helps!

[hellkitepriest]

[lazylittledragon]

can't believe we're all adults being forced into the club penguin level of censorship in 2024

[iam93percentstardust]

one of the things that really bothers me about modern franchises, and in particular over the last 5 years or so, is their refusal to commit. what i mean here when i say this is that it's not uncommon for a major franchise to make a decision, whether about the plot or the characters, that should have had huge, world-changing consequences... and then just never address that again or worse, immediately go back and undo it. and i'm gonna pick on star wars and the mcu here because those are the two big franchises i'm into at the moment (and i think they're kind of the worst at this), but i don't want you to walk away from this thinking that this is solely a disney thing. i've seen this happen with game of thrones and supernatural and plenty of other non-disney franchises. spoilers ahead, you've been warned:

in ant-man & the wasp quantumania, scott and hope make the life-altering decision to stay behind in the quantum realm and defeat kang instead of going through the portal to return to their world. this should have been a huge meta decision for the mcu, and when i first saw it in theaters, my immediate thought was wow, what is this going to mean for the mcu going forward? are we going to get a movie/miniseries about scott and hope helping to rebuild the quantum realm? how are cassie, janet, and hank going to react to the losses of their loved ones (in some cases, for the second time)? is cassie going to become the "first" young avenger because she has to take her father's place among the team lineup (and i only say first because as of this moment, none of the other young avengers introduced to the franchise are official avengers yet)? except nope, because less than 2 minutes later, cassie had fixed the portal that had broken way back at the beginning of the movie and brought scott and hope back.

and it felt like such a cheat. i was so disappointed in that theater, not as someone who was invested in these characters on a personal level (because yay, cassie gets her dad back!), but as someone who has spent years investing themselves in the story of the mcu. what was the point of wasting screentime on scott and hope accepting their new lives in the quantum realm if it was just going to immediately be undone? the entire scene could have been cut to scott and hope making it back bare seconds before the portal closed and it would have had the same emotional impact. there was nothing added by making scott and hope (and us) think that there was no way back only to rip the rug out from under us and go "gotcha! you really thought we were gonna give this movie a sad ending? haha! you're so dumb!"

and this isn't the first time the mcu has done this. one of the biggest complaints about endgame was the decision to set it five years in the future with no consideration for how that would actually change the setting of the mcu. characters were brought back to the exact place they disappeared from with no consideration for how things might have changed in the interim five years (like planes that weren't in the air anymore, buildings no longer standing, even just something as simple as a chair being unoccupied). and then the mcu didn't even really have the courage to address how this would have shaped the world other than a few jokes and making the bad guys in the falcon and the winter soldier people who cared about how the world had screwed them over during the blip.

and things like this happen over and over and over again. the accords are put into place in civil war, but by the time we get to she-hulk, they're gone with no explanation because, as best as i can tell, the writers didn't want to have to deal with the worldbuilding that went into the accords. gamora is killed in infinity war, but heaven forbid quill not have an emotional investment in a film he appears for maybe 10 minutes in so now she's back in endgame. steve got to go live in the past with his ex-girlfriend (which is in itself a refusal to commit after the mcu both gave her a different husband and had the woman herself tell him to move on) but we need to establish that messing with timelines is bad because that's what the entire next phase hinges on so actually his ending was predestined and it's only everyone else who can't change time. whoever took this entire town and also wanda hostage and forced them to live out a sitcom fantasy is bad and needs to be stopped but wait, it's actually wanda and she can't be the bad guy yet, we need her for doctor strange 2, so actually everyone's going to defend her now and say that no one else could ever possibly understand her grief. thor has decided to accept responsibility as king of asgard, but we can't use him for any more movies if he's stuck in asgard, so actually he's decided to pass it on to someone whose entire leadership capability is developed offscreen. i could list more examples but this is making me angry, so let's move on to star wars instead.

with star wars, i look at first the oft-quoted meme, "somehow palpatine has returned." yeah, i shouldn't really need to go into detail on how that counts as a refusal to commit but. the last jedi was a study in how johnson refused to commit to anything that abrams had laid down in the force awakens, but rise of skywalker was almost like abrams had looked at the franchise and said "screw you for taking it away from me, i'm going to come up with the most bullshit stuff just to spite you for doing that in the first place. and i'm going to start by undoing the most important plot point of the first trilogy: the emperor dies." and yeah, disney's kind of tried to salvage this by dropping hints into the bad batch and the mandalorian about cloning, but that only really works if you're watching the franchise chronologically and not considering that both of those series came out after rise of skywalker.

and then there's the mandalorian, my sweet summer child, who is, in my opinion, the worst at backtracking their plot points. i'm not entirely convinced that any of the higher ups for this show really knew what they were doing when they started working on it and i'm not convinced that they know what they're doing now. yeah, there's the tie-in to the last season of clone wars, but the mandalorian has managed to walk back pretty much every single major plot point it's had. din is this legendary warrior who can't be beat, but no one will watch this show if he defeats everyone too early, so he's constantly getting beat up (tbf, sometimes some of the fights he loses makes sense like the krayt dragon and the mudhorn, but a lot of them don't. at all). moff gideon is dead, no wait no he's not, now he's imprisoned, no wait no he's not, now he's definitely dead, you can totally believe us this time guys. grogu can use the force and must be placed with the jedi, but wait, the only person still actively teaching the way of the jedi is luke and all of his students will be brutally murdered ten years from now, and we can't have that, everyone will be mad at us for killing off such a cute character and no one will buy baby yoda dolls (and also we have to set up luke's character degradation from hopeful, believes-in-love cinnamon roll to "i'm going to kill my nephew") so in between seasons let's have grogu decide to go back to din (and don't even get me started on how frustrating it is that a casual mandalorian watcher also had to watch book of boba fett to understand why grogu is back). din has the darksaber now which makes him king of mandalore, that's totally going to be important and what the entire series has been building up to, right? wrong! he might have spent the first two seasons making connections, learning about the world outside his sheltered upbringing, and demonstrating the various qualities that would make for a good leader, but the entire third season will be about din realizing that actually he's super unworthy and the darksaber should actually go to someone who... saw an animal in the water.

and it's really, really frustrating as a viewer! because how am i supposed to get invested in any of these plot decisions when they almost always get reversed? why should i care that mj and ned have forgotten peter when ant-man 3 has shown me that they'll remember him the next time they're all on screen together? why should i care that tech is dead when half of the last season of clone wars was about how echo was actually alive? if none of these decisions have any permanence, then where are the emotional stakes? why should i watch your movie if all you're going to tell me is that nothing matters?

[eosofspades]

i didn't have "i'm broken" teenage asexual angst i had "i'm literally being the only reasonable one about this concept and the rest of you are behaving like fucking freaks" perception issues

[great-and-small]

Play stupid games, win stupid prizes

[wasabi-gumdrop]

local ladies man’s signature move totally useless against autistic monster enthusiast. more on Kabru’s fumble era at 6

[celeste-tyrrell]

is it really true that the average person's pain level is a 0?