#all your painting needs
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triforcepaintingsolution · 2 years ago
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All your painting needs in Dallas
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lazycranberrydoodles · 1 year ago
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you’d think after 800 years he’d learn his lesson about taking afternoon naps. / prev comic / follow for more sleepy xie lian
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disaster-vampires · 5 months ago
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can he stop looking like a painting for TWO SECONDS?!?!
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4dr3n4lin3 · 7 days ago
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vulpes
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randomalistic · 2 months ago
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Cool awesome reminder that you don’t need amazing technical skill to be a good artist/storyteller
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surreal-duck · 7 months ago
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Tuesday is chuu day! (x)
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puppyeared · 4 months ago
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boys night
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badassindistress · 5 months ago
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Mum took my sister and I to a workshop tradional Delft blue painting at the Royal Delft Museum for her birthday. So of course we painted a nice traditional design. No really, we did! She drew a hippocampus and I drew a dragon that were both directly from a 17th century tile.
It was challenging, but really fun!
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lord-squiggletits · 9 months ago
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I think the key component to my personal reading of post-Delphi Pharma is that he's trying to be a horrible person on purpose. Not "on purpose" in the way that people have free will to exercise their own choices, but in that Pharma's "mad doctor" persona is a performance he puts on to deliberately embrace how much everyone else hates him. Basically, if people already think you're a "bad Autobot" and a horrible doctor who just kills his patients for fun, why try to prove otherwise to people who have already made up their minds about you? Just fully embrace the fact that people see you as an asshole. Don't try to change their minds. Don't plead for their forgiveness or understanding. Just stop caring. If you're going to be remembered as a monster, you might as well be a memorable monster, and eke as much pleasure and hedonism as you can out of it before karma catches up to you and you inevitably crash and burn.
I mean, I guess you could just go the route of "Oh, Pharma was always a fucked up creepy guy and Delphi was just him taking the mask off," but I really don't like that interpretation because, for one, it feels really wrong to take a character like Pharma becoming evil under duress and going, "Oh well clearly he did the things he did because he was evil all along," as if somehow Pharma breaking under blackmail/torture/threat of horrible death was a sign of him having poor moral character. As opposed to, you know, suffering under the very real threat of horrible death for himself and everyone he cares about while being manipulated by a guy who specializes in psychological torture.
The second reason is that it just doesn't make sense to write Pharma as having been evil all along. I mean...
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Occam's Razor says that the best argument is the one with the simplest explanation. Doesn't it make way more sense to take Pharma's appearances in flashbacks, his friendship with Ratchet, his stunning medical accomplishments, and the few we see of him speaking kindly/sympathetically (or in the least charitable interpretation, at least professionally) towards his patients and conclude "This guy was just a normal person, if exceptionally talented." Taking all of these flashback appearances at face value and assuming Pharma was being genuine/honest is a way simpler and more logical explanation than trying to argue that Pharma for the past 4 million years was just faking being a good doctor/person. I mean, it's possible within the realm of headcanon, but the fact is Pharma's appearances in the story are so brief that there simply wasn't room in the story for there to be some sort of secret conspiracy/hidden manipulation behind why Pharma acted the way he did in the past.
I just can't help but look at things like Pharma's friendship with Ratchet (himself a good person and usually a fine judge of character) and the fact that even post-Delphi, pretty much every single mention of Pharma comes with some mention of "He was a good doctor for most of his life" or "He was making major headways in research [before he started killing patients]" which implies that even the Autobots themselves see Pharma's villainy as a recent turn in his life compared to how for "most of his life" he "used to be" a good doctor.
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And although Pharma doesn't know this, we as the readers (and even other characters like Rung) know about Aequitas technology and the fact that it actually works, so... if Pharma really was an unrepentant murderer, why couldn't he get through the forcefield too? The Aequitas forcefield doesn't require that a person be completely morally pure and free of wrongdoing or else how could Tyrest get through, just that they feel a sense of inner peace and lack feelings of guilt. Pharma has murdered and tortured people by this point, and put on quite a campy and theatrical show of how much he sees it as a fun game, so why then can he not get through?
It circles back to my headcanon at the start of this post that the "mad doctor" persona is just that-- a persona. Delphi/post-Delphi Pharma's laughing madman personality is just so far removed from every flashback we saw of him and everything we can infer based on how other people see/saw him before that, to me, the mad doctor act is (at least in large part, if not fully) a persona that Pharma puts on to put his villainy in the forefront.
To avoid an overly simplistic/ableist take, I don't think Tarn tortured Pharma into turning crazy. To me, it's more like the constant pressure of death by horrific torture, the feeling of martyrdom as Pharma kept secret that he was the only one standing between Delphi and annihilation, the physical isolation of Messatine as well as the emotional separation from Ratchet, being forced to violate his medical oaths (pretty much the only thing Pharma's entire life has been about), etc. All of that combined traumatized Pharma to the point that the only way he could avoid cracking was to just stop caring about all of it. Because at least then, even if he's still murdering patients to save Delphi from a group of sadistic freaks, Pharma doesn't have to feel guilty and sick about doing it. As opposed to the alternatives, which were probably either going off the deep end and killing himself to escape, or confessing to what he did and getting jailed for it.
In that light, Pharma becoming a mad doctor makes sense. It avoids the bad writing tropes of "oh this character who was good his entire life was actually just evil and really good at hiding it" as well as "oh he got tortured and went crazy that's why he's so random and silly and killing people, he's crazy" and instead frames Pharma's evil as something he was forced into, to the point where in order to avoid a full psychological breakdown and keep defending Delphi, he just had to stop caring about the sanctity of life or about what other people might think of him.
Then, of course, the actual Delphi episode happens, and Pharma's own lifelong best friend Ratchet basically spits in his face and sees him as nothing more than a crazy murderer who went rogue from being a good Autobot. Then Pharma gets his hands cut off and left to die on Messatine. At that point, Pharma has not only been mentally/emotionally broken into losing his feelings of compassion, he's received the message loud and clear: He is alone. Everyone hates him. Not even his own best friend likes him any more. No one even cared enough about him to check if he actually died or not. He will only ever be remembered as a doctor who went insane and killed his patients.
So in the light of 1. Having all of your redeeming qualities be squeezed out of you one by one for the sake of survival and 2. Having your reputation and all of your positive relationships be destroyed and 3. People only know/care about you as "that doctor who became evil and killed his patients" rather than the millions of years of good service that came before.
What else is there to do but internalize the fact that you'll forever be seen as a monster and a freak, and embrace it? People already see you as a murderer for that blackmail deal you did, so why not become an actual murderer and just start killing people on a whim? People already see you as an irredeemable monster who puts a stain on the Autobot name, so why beg for their forgiveness when you could just shun them back? You've already become a murderer, a traitor, and a horrible doctor, so what's a few more evil acts added to the pile? It's not like anyone will ever forgive you or love you ever again.
Why care? Why try to hold on to your principles of compassion, kindness, medical ethics, when an entire lifetime of being a good person did nothing to save you from blackmail and then abandonment? Why put yourself through the emotional agony of feeling lonely, guilty, miserable, when you could just... stop caring, and not hurt any more?
#squiggposting#pharma apologism#i'm sure the doylist reason for the writing is just that pharma was a designated villain#so since he's a villain and 'crazy' it's fine for everyone even the good guys to treat him like complete trash#i just think from a watsonian perspective taking a sympathetic approach is way more interesting and logically consistent#what i mean is like. from a meta perspective one of the best ways to show that a character is super evil and not worth saving#is when even the good guy heroes. the ones who are supposed to be kind and compassionate and wise. see him as dirt#and this is also kind of a necessity in most plots bc TF is the kind of series that just needs action villains and long-term antagonists#so not every villain is written or has a plot to be made redeemable. and pharma is one of these bc he's not important or a legacy character#so from a doylist (meta) perspective you could read the autobots' disregard of pharma as a sign of#'this guy is not meant to have your sympathy as a reader. pay no attention to him'#but from a watsonian (in universe) perspective it paints a miserable picture of pharma being utterly forsaken by the ppl he served alongsid#and like yeah i'm super autistic about pharma so of course i view him with sympathy but like#the idea of being a loyal and good person for years only to be subjected to a Torment Nexus of#being blackmailed into breaking all of the oaths you held sacred. under threat of you and all your comrades dying horrible torturous deaths#then when your comrades find out about it they focus solely on the 'harvesting organs' and not on the 'blackmail' part#and then you get literally left for dead by your comrades and best friend hating your guts#and then you get rescued by a guy who uses you as a test subject for his evil machine#this is a fucking nightmare scenario like pharma could hardly be suffering more if the author TRIED to make him suffer#and for me it's like. the evil pharma did can't be decontextualized to what drove him to that. as well as the question of like#how easily ppl can write someone off as evil and turn a blind eye to (or even find satisfaction in) their suffering bc theyre evil#and either brought it on themselves or it's just karma paying a visit#like. i feel like if pharma WERE a shitty doctor and a terrible person his whole life then the delphi situation would feel like karma#but the way it's written and the lore retroactively put in makes it feel more pharma getting thrown in a torture carousel#and THEN becoming evil. but then being treated as if he was always evil or was some sort of bad apple#bc like i'm not opposed to LOLing when a villain gets a karmic torture/death related to the wrongs they committed#but in pharma's case it feels less like karma and more like endless torture + being abandoned by ppl who should have been more loyal
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toxicanonymity · 4 months ago
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what if everyone simply wrote blurbs for their favorite manspreading gifs and pics and tagged them #manspreading olympics?
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harps-chord · 2 years ago
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martinaise blues
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skunkes · 2 months ago
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that "i wish that being aware of a mindset being ridiculous would make it easier to snap out of it" post hitting hard every single day
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warrior-kitty · 2 years ago
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this has just been sitting in my photos so I’m deciding to go ahead and post it
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spiderdotexe · 3 months ago
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random game idea drawings with No Explanation
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beloved-child-of-the-house · 5 months ago
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i stand with you in the face of a defensive misunderstanding of what critique is.
i think understanding what a critique actually is is a skill that increasingly is not taught. i remember going through freshman art courses feeling the frustration that all negative, nasty, unhelpful, and missed-the-point-entirely feedback is so commonly conflated with critique, and then critique gets a bad name because everyone remembers the time someone said their painting looked like an asshole (true story, altho now i think i would take it as a compliment) instead of the time a teacher or friend or classmate helped them uncover a hurtful bias or think of new ways to explore the same idea or how to connect it to related ideas or how to look up and understand other people's ideas on the same topic.
anyway i think you're great.
ahhh you're so kind to me!! i appreciate your support, and i think you are great also.
i have experience with giving and receiving critique as a student myself, and i think it was the best part of my degree! i majored in creative writing in college, and critique was just a generally accepted part of learning to become a writer. i don't even remember people being especially worried about receiving critique on their work. we had guidance on what kind of feedback was useful, but we were still at liberty to give it as we saw fit as like messy 19 year olds. the standard was that we gave it both written on printed copies of the work AND aloud in front of the whole class, and the writer receiving it was not permitted to speak during the critique. understanding how people are perceiving your work is important!
i don't have any particularly negative recollections of the critique process, although once in a high school writing class, the boys in the class told me that my male characters touched each other too gently and real boys are more rough with each other. in particular, they took issue with me writing that one boy nudged another. nudging is too soft. nudging is for girls. that was more than 20 years ago, and i still think about it sometimes because it was such an interesting perspective! i did not take their advice, though.
i should dig up that piece and see if it reads queer in any other ways. i think that's what they were getting at. (actually i once had a non-fiction class tell me i was in love with my roommate after reading an essay i wrote about her)(i did not listen to that advice either, but having 12 acquaintances tell you that you're gay in 2006 before you realize it yourself is Truly Something!)
i think people have conflated criticism and critique and think that being more openly analytical is the same thing as being negative. but analysis is so fun to me! analysis is why i joined fandom in the first place, and it's why i write fic! can we trust each other to be respectful and to speak in good faith even when we're not singing each other's praises? for me fandom would be better if we could.
oh i also want to clarify that i don't think it's impossible to demonstrate that you've thought deeply about a piece of fanwork while remaining completely positive. people do it all the time and do it very well!
i know i sometimes have tunnel vision wrt my own perspective. in a lot of situations, i wish it were more acceptable to be more direct, and i know people sometimes find the way i express myself to be kind of shocking. i know a lot of people like to be spoken to more indirectly than comes natural to me, and i don't mean to imply that my perspective is the only correct one or that there's no good reason to err on the side of gentleness/politeness in our responses to amateur art and writing. i just think that at a certain level of circumspection, it feels like we're all holding each other at arm's length.
i think for people who can't bear to feel exposed, making and sharing art is always going to be painful and difficult, and maybe too painful and difficult to enjoy the process unless they're sure of a soft landing. but like. the rewards of being loved only come after the mortifying ordeal of being known, right?
#ten years ago i had a comment section diagnose me with autism and they were RIGHT. and they loved me!!!!#my portfolio advisor told me that my main character was having a mental breakdown and it made all the people around her seem Villainous#for how selfishly they treated her#and i didn't realize that things seemed so dire for her but i needed to know that in order to make the story make sense!#it wasn't a mean thing to say it was just pointing out something i couldn't see! ik it was different because it was a draft tho#'looks like an asshole' makes me desperately want to see that painting#i didn't know that you're also a visual artist and i'm longing to see your work#there's this movie called igby goes down#where someone tells the main character that they're an artist and he says so do you paint?#and the character responds an artist creates art regardless of what form it takes#and i think the audience is meant to consider that character unbearably pretentious but i totally agree#it has also just occurred to me that some people are nervous about commenting on other people's work#to the extent that they're afraid they'll commit some kind of unintentional faux pas or just leave a disappointing comment#and i get that because you're also kind of sharing yourself by leaving feedback#and you don't want to offend or hurt someone who's created something that resonated with you#idk i guess stepping on people's toes is just a normal part of interacting with them#and almost never fatal
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potatoesarecheese · 6 months ago
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man, I love characters that are all like "well I would never do that, because's that irrational and I got rid of irrational behavior years ago. Right? Right."
and then turn around and silently do the thing because someone batted their eyelashes
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