#all things medieval
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i love the idea of a god of tyranny so i designed my girl as the chosen of bane. inspired by the bane worshippers of bg3, roman emperors, and greek tragedy actors
#and also by medieval knights and Napoléon's stupid coronation outfit#tyranny is an interesting concept and an interesting word so i drew on all the things it made me think about#bane : it's not too late to pick a better chosen. call me#art tag#my art#bg3#em
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All Things Medieval: An Encyclopedia of the Medieval World
812 Pages - 2011 14.53 MB By Ruth A Johnson.
All Things Medieval: An Encyclopedia of the Medieval World covers the widest definition of “medieval Europe” possible, not by covering history in the traditional, textbook manner of listing wars, leaders, and significant historic events, but by presenting detailed alphabetical entries that describe the artifacts of medieval Europe. By examining the hidden material culture and by presenting information about topics that few books cover—pottery, locks and keys, shoes, weaving looms, barrels, toys, pets, ink, kitchen utensils, and much more—readers get invaluable insights into the nature of life during that time period and area.
The heartland European regions such as England, France, Italy, and Germany are covered extensively, and information regarding the objects of regions such as Byzantium, Muslim Spain, and Scandinavia are also included. For each topic of material culture, the entry considers the full scope of the medieval period—roughly 500–1450—to give the reader a historical perspective of related traditions or inventions and describes the craftsmen and tools that produced it.
Provides information on a comprehensive range of topics from agriculture to zoos, and also includes books, castles, minstrels, clothing and universities
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saturn return | eddie munson
hello! I'm back :) will leave a little author note at the end of the fic for u. but in the meantime: enjoy this medieval slow burn fluffy smutty monster of a fic (which has not been proofread because I am so tired) <3
in short: you're from royalty, and the illicit crush you're harbouring on your sworn protector is threatened when your father, the king, reaches the end of his tether and finally begins the search for your husband.
medieval/fastasy au with knight!Eddie and fem!princess!reader, smut (18+ only, minors dni!), implied virgin!reader, (one attempted) assault, general fluff and angst and fun fantasy frolicking, mention/threat of arranged marriage (brief), enemies to lovers if you squint but mostly a bodyguard au but he wears armour and you live in a castle.
14k words (!!!)
-
You had only seen your knight without his cuffs and cloak once before in your life.
When you were nineteen, you had a fling with one of the boys who tends the horses in the stables. It had been a wet summer and against your father’s wishes you’d spent many evenings returning to the castle sodden and smiling. Your afternoons were adventurous - too much so for your age, your mother would say over dinner - and your escapades to the woodland beside the keep resulted in muddy fingerprints up the curve of your thighs and difficult-to-hide bruises blooming below your collarbone.
You may have been reckless, but you knew better than to show up to court with purpling bite marks where the collars of your dresses did not reach.
On one of the rare sunny evenings, you had stolen away after supper to the balcony that extended across the western wing of the castle. It stretched from your quarters around the side of the building, ending at the room that had belonged to your sister before she had been married to a man who lived across the sea. The sun was low and the air was thick and so in your nightgown you prowled the terrace, fingers dancing along the worn stone and up the wilting vines. As you rounded the corner there he was - your sworn protector, a man who could be barely a year your senior, hunched in an old chair over his armour. You stopped behind the wall with enough haste that he didn’t spot you - or if he had, he never let on - and while he was engrossed in the work of polishing the silver, you watched.
He’d done away with his undershirt, most likely because of the stubborn, close heat, and though he was side-on to you, his chair facing out towards the mountains in the distance, he was hunched to his left, leaving you with a view you much preferred to the vast one beyond the wall.
The muscles across his back rippled as his arm moved back and forth over the metal. In the quiet of the evening you could hear small grunts and sighs, and as your eyes adjusted to the light you spotted silvery marks of healed flesh across his side. His back was speckled with freckles and as he moved, you took notice of his mop of hair.
Though your father’s knights were never required to wear their helmets in the castle, the hair that now flowed freely was usually tightly bound at the nape of your knight’s neck. You had never realised how long it truly was - nor how unruly. Brown curls stood in what seemed like every direction, swaying back and forth in tandem with his shoulder, glowing a slight auburn in the setting sun.
You had watched him for a while, listening to the sounds of his efforts and drinking in the way the light made his skin gleam golden. It wasn’t until the sun had set that you had made your escape, bare feet padding silently across cool stone.
Ser Munson - Edmund, or Eddie as he preferred - was assigned as protector of the King’s first daughter when she came of age, at sixteen. You had been a moody teenager, belligerent and stubborn, determined you did not need protecting, even if the protector in question was broodingly handsome and a challenge to crack.
Thus, you lingered around the castle while your sisters sought husbands and new lives. Your father, though a cunning ruler, was soft when it came to his girls, and so no man was worthy of a single one of them unless he made her happy.
And no man ever had made you happy. The ones who put themselves forward as candidates for your hand were, in most cases, perfectly nice men. Mostly wealthy, often handsome, but always boring.
It was always the same: they believed you to be the most beautiful princess in the history of the realm, and they would be honoured to wed you. But as your father’s eldest daughter you knew one thing to be true: every one of them wanted the throne, and would marry you to get there.
So you sought fun in lowly servant boys, stealing kisses from cupbearers and kitchen porters, running wild in the vast gardens of the castle, just out of grasp of your grumbling mother. One day, you’d tell her when she chastised you over monstrously glutinous dinners. One day a man will come here and sweep me off my feet. Until then, I am content with my lot.
After that evening when you were nineteen, you had not looked at Eddie the same way. His job was to follow you everywhere - well, mostly everywhere, unless you were behind a tree with the stableboy again - so it was difficult to not look at him. But those aimless adventures became tiresome, and your daydreams became occupied instead by the man who tailed your every move. Stableboys were getting married, all your sisters were getting married, every eligible nobleman for a hundred miles was getting married - but you remained, as did Eddie.
“So it doesn’t hurt?”
“No, your highness.”
Eddie stares straight ahead, off into the distance, answering your childish questions through gritted teeth. You grin at him, elbow on the arm of your chaise and chin cupped by your hand, enjoying this latest instalment of your petty little game: you ask him silly questions, Eddie’s cheeks go pink, and you get a good giggle and a kick out of teasing him. It began as something lighthearted, a test of the waters after that late night wander changed your perspective, but that was two years ago and understandably, Ser Munson is getting increasingly tired of your games.
“Your highness, can I suggest that you get dressed? You’ll be late for-”
“No,” you yelp as he stands to move, sword clanking. “I’m sorry, I’ll bite my tongue. Don’t go.”
“But Miss-”
“Okay, okay, I’ll dress, just wait outside the door, will you?”
“I always do, your highness,” he says. “It is my duty.” You cannot see the smirk he sports as he turns his back to you; it is one he reserves only for himself, lest your ego get too big.
You deflate into your chair as he leaves, the heavy door swinging open. Three young maids are by your side as it slams shut, lifting you from your doze and tying you into a corset and skirt. Today you’re offered a deep navy gown, the colour of your family’s flag and perhaps the colour you look second best in.
At least it matches Eddie’s cloak.
You knock softly twice on your bedroom door, your handmaids tugging at the final details, and the guards who stand watch pull it open for you. You breathe in quick and deep, hands smoothing the satin across the top of your skirt, and step forward into the hall.
Eddie stands to one side, awaiting your direction. You follow your usual morning route, down the wide corridor to the stairs, which roll out into an even wider hall like dropped silk. Eddie’s cloak slinks across the stone floor behind you, and you yearn to make a joke, prod at him, get under his skin but you cannot, for many eyes are upon you now.
The Great Hall sits at the opposite end of the atrium to the staircase. The walls between yourself and the huge, towering doors are decorated for the brief return of your youngest sister, the most recent to wed - she is pregnant, and so there must be celebrations.
Floral garlands follow you as you make your way across the room, where, at the far end, your father stands in the doorway, watching, your mother by his side.
Peering glances follow you until other guests arrive and attentions are diverted. So you slow your step just slightly, enough that Eddie does not notice immediately and falls in line with you. Before he can correct himself, you lean in.
“Ed- er, Ser Munson,” you say, tone playful but slightly sinister, an indicator that you are brewing one of your schemes.
“Yes, your highness?” he responds neutrally.
“Ser Munson, would you please do me a favour?”
Long ago, Eddie learned to never respond to this query the way he is supposed to as your protector: Anything, your highness.
Instead, he asks: “What can I do for you?”
“You know that sword?” You twist slightly, tapping the hilt of his blade where one of his fists seems to permanently rest. “You’ve killed people with it, right?”
“Only when I have to, your highness.”
“How many, would you say?”
You hear him take a sharp breath in. You smile softly.
“Eighteen.”
“Eighteen,” you repeat. “Care to make it nineteen? Do me a favour and slice through my guts so I don’t have to bear another one of these idiotic ceremonies?”
If you’d paid closer attention, rather than sharing your gaze between Eddie and your father, who was ever-nearing, you’d have seen that your dear knight almost broke. This would have been the closest you’ve come to getting a laugh out of him, your stoic, stone-faced hero.
“That’d be highly inappropriate, your grace,” he says, composed. “And I’d surely lose my head.”
“Oh, but that’s your job,” you whisper. “To die for me! And anyway, I can’t go to hell alone, you’ll need to keep me company. And protect me from the ghouls. So maybe make it twenty instead.”
This time, you do catch it. The corner of his mouth twitches and something in his eye, the way it dodges you, gives him away. In your peripheral vision you see him open his mouth - it’s close to your ear, you almost hear the beginning of a word - but you’ve reached the end of the hall, and your father awaits. Eddie falls back again, a step or two behind, as you drop your shoulders and brace yourself.
-
Being one of many sisters is a difficult life. Impossible to prevent yourself from comparing their hair to yours, their eyes, the slant of their shoulders, their waists, their hands, and worse is the bickering, the competition.
Being the only one of them not to be married is the worst.
Twenty minutes ago, you stole yourself away to a corner of the Hall with a too-full cup of wine and three slices of the best bread. Here you camp, munching on the final crust, eyeing up the table across the room. How do I get a refill without someone asking me to dance?
With your eyes squinted and shoulders hunched in, you scarcely notice your knight down the wall. He’s on guard, back straight with his hand on the hilt of his sword - watching, as he is supposed to. Only his attention is distracted, because in his peripheral vision is you, alone, as always.
It’s only when you hear the familiar clinking of sword sheath on armour that you turn to see that he’s beside you, and in a rare moment of peace, he’s leaning back, letting the wall take his weight.
“What’re you looking at?” You eye him suspiciously, swallowing the final sip of wine. “Come to ask for a dance for one of those snivelling Harrington boys?”
You hear him scoff, though he’s smiling just slightly. “No,” he says quietly. “Why, do you want to dance with Steven?”
You scoff. “Do I fuck.”
“Language, your highness.”
“Please stop calling me that when dad isn't around.”
He glances at you, smiling still, and rolls his eyes. “Why aren’t you with the other ladies?”
It’s your turn to roll your eyes. “The Buckleys aren’t here. It’s no fun without Robin.”
“And your sisters?”
“Oh yeah,” you drone. “I just love being reminded by all four of them how lucky a man would be to have me and how I must get married because, oh, weddings are so lovely!”
He turns to look at you properly, silver collar creaking, and reaches over to take your goblet. “How many of these have you had?”
You drop your hands behind your back, looking down at your slippers like a naughty child. “Three.”
To your surprise, you feel the damp rim of the cup meet your chin, pushing your face up. Eddie looks back at you and keeps the pressure under your head so you can’t divert your gaze. Your cheeks warm, heat blooming under his watch.
“Fine,” you sigh, eyes dropping closed in defeat. “Seven.”
You brace for a scolding, expecting a telling off from your faithful knight, but when you look at him in the silence, you find him grinning down at you.
“You’re going to feel awful in the morning,” he tells you.
You look back at him a little dumbfounded, because he’s very close to your face and you’re not sure you’ve ever seen him in such detail before. There are creases by his eyes from smiling, and there’s an old, white scar across his nose, which is crooked, presumably from old punches.
“Will you take me to bed, then, please?” you ask softly, and he lowers the cup slowly, placing it on a nearby table without looking away from you. You look back at him, trying your hardest through the fog to give him your best pleading eyes, bottom lip jutting out in a pout. He’s close, still; time suspends as he nears even more and runs his thumb along the underside of your chin. It is the first time in your life that your knight has ever touched you.
You watch as he brings it to his mouth - it’s a deep, bruised pink, dyed by the wine from the rim of the cup where it had held your face up - and, taking his eyes off you, slides it between his lips.
It’s certainly not the first time you’ve been breathless around him, but it is the first time you’re face to face with him as the air leaves your lungs in a slow, desperate whine. It feels criminal, illicit, standing in the shadows at the back of the room, within reach of anyone who cares to look for you, watching Eddie lick wine off the pad of his thumb.
The festive music on the other side of the room ends and people around you cheer. Eddie’s smile drops and he straightens up as though kicked in the back, looking around like he just woke from a dream.
“Uh, yes- Your highness. I’ll escort you to your quarters.”
He steps back but holds his arm out for you to take. For a moment you just stare at him, incredulous, before wrapping your fingers around the cool leather covering his forearm and lifting yourself off the wall, your heart wilting as his guard rises again and your fun, playful protector is lost to duty once more.
-
The ceiling of your bed chamber hasn’t changed in fifteen years. You know because you’ve had many nights like this, staring at it forlornly, yearning for something you cannot and will not have.
When you were six, your father had the sleeping quarters across the whole castle redecorated, and you requested a fresco above your bed. Under the guise of education, telling your father that it would help you practise your knowledge of Arthurian legends, you asked for a depiction of the knights of the round table. Truthfully, you wanted to be able to look at Arthur every night before you slept.
Now, it makes you feel sick. It’s an ugly, truthless fairytale, spun to make little girls giggle and you despise every inch of it, regardless of how beautiful it may have appeared to you once.
In the dark, you can still make out Arthur’s faded features. He is plain, with cropped blonde hair and a silly chestplate, looking over the expanse of your ceiling to Guinevere, whose clasped hands by her cheek make the picture of a woman in love.
You turn over, frustrated, and cover your head with a spare cushion.
-
The stone of the balcony wall is cool beneath the palms of your clammy hands. In the courtyard, your sister’s carriage is leaving, followed by many horsemen from her husband’s house. They’ll return only when the baby is born, to christen him in the family chapel.
You sigh as she leaves the gates and lean your weight on your hands. It’s still hot out, too hot for so many layers under your dress and a corset so tight, and you’re too exhausted to carry the weight around. Your maids are nowhere to be seen because it’s the middle of the afternoon and you should be socialising, but you’re an adult. You can dress - and undress - yourself.
As you return indoors, you reach behind your back and tug at the knot at the base of your corset. After a couple of frustrated tries it finally gives, loosening so that you can hook your fingers under each stretch and pull it undone. You gasp for air, filling your lungs properly as your ribs expand, and use your shoulders to pull it loose enough for you to remove. You take care to place each layer gently over your chaise - corset, overdress, skirt. You’re left in your undergarments - a long, loose slip made of cotton - when you hear an unexpected knock and the door begins to open.
You jump, feeling suddenly exposed in so few layers. It’s unlike anyone to disturb you at this hour.
You tense even more when your knight, with his hair loose and his cheeks pink, pushes the doors wider. He stops in his tracks for a moment as he spots you across the room, flushed your own shade of mortified.
“Eddie,” you hiss. “Shut the fucking door.”
His eyes widen and he straightens up, knocked out of his daze. You expect him to retreat, but he moves inside and pushes the doors closed behind himself.
“I meant with you outside them, ideally,” you bite.
“I- Uh, sorry- My apologies, your highness, I-”
“Stop calling me that!”
“Sorry! Sorry, shit, I- It’s important, sorry.”
“So important that it requires you to see me indisposed?”
He looks at you blankly for a second. “I mean, technically I see you like this every morning when you interrogate m-”
“Oh, shut up,” you spit, eyes narrowing. Your arms are still crossed over your chest, even though you’re covered from neck to ankle. “You know that’s different. There’s no robe or slippers between us now, Ser Munson.”
His cheeks bloom at that, pink slipping into fiery red. He breathes impatiently through his nose, clearly irritated by your prodding, and steps closer.
“Your highness,” he says pointedly. You roll your eyes. “Your father- His Highness requests your presence. In the throne room.”
-
“I refuse.”
“Darling, I-”
“No!”
Your father stands at the other end of the table, his head hung and his hands on the wood in front of him. You are in the room in which he has his important meetings with his council. Over the years you’ve tried a hundred times to get in here during such meetings, to no avail, but now all you want is to get out.
“You are twenty-one,” he says after a breath. “I’ve given you time, five years of it. You can’t remain unmarried any longer.” This conversation has only been happening for maybe two and a half minutes, but it seems more like an age; you’re exhausted from yelling already, especially at him. But it feels like the walls are closing in, your entrapment in a loveless marriage with a stranger now a certainty rather than a possibility. It’s beyond your power to stop the tears falling.
“You can’t make me,” you say through the thickness of your throat. Your arms wrap around your waist, squeezing, breath hiccupping on its way out.
“I can,” he sighs. “But I really don’t want to. It doesn’t have to be horrible. Your sisters, they’re all happy, why-”
“I don’t care about them. I want to be-” You stop yourself, because this isn’t something to talk about here, with your father of all people; you’d barely even talk to your mother about this stuff. But he’s looking at you again over the expanse of mahogany and his eyes are sad, because he’s fighting with his first daughter, and you break. “I want to be in love, father. I don’t want to be sold off to the highest bidder because I’m the eldest. That can’t be my life.”
He sighs again. “I’m sorry, sweetheart. It is. There are fifteen houses coming here tomorrow, each with an eligible son. I’m letting you choose; it’s the most I can do.”
Your nose burns with betrayal and terror. Your cheeks are wet, tears falling into soft, wet spots on the front of your dress. Your arms squeeze your middle one last time before you turn, pushing past the Kingsguard who stand at the door, past the cupbearers and the maids, and past Eddie, who has been waiting for you outside. For the first time ever you don’t hear the familiar sound of armour following you, and for a moment you almost stop to turn and look for him, but you’re still crying and although it’s the middle of the afternoon, all you want to do is hide.
-
“It’s true,” Robin sighs. “I’ve been looking in our library, and I’ve counted at least three instances.”
You roll onto your back. Robin sits beside you on the plush of your bed, which has been remade by your maids so that there are no remnants of your painful, sleepless night. She strokes your hairline softly, looking down at you with sorry eyes.
“The most recent was eighty-three years ago,” she continues. “Lady Flora. She ran off with her knight, to be fair… But still!”
“I’m the eldest, Robin,” you tell her, trying your hardest to stop your words coming out in a hiccup; you only stopped crying this morning, and you’re in no mood to begin again now. “There’s too much expected of me. I can’t run off. I have to pick the right person.”
She takes in a breath. “Who says he isn’t the right one? Or that you’d have to run off?”
“Centuries of historical precedent,” you tell her flatly. When you meet her eye, though, you watch as she tries and fails to hold in a laugh.
“Since when have you ever cared about historical precedent?”
“Never, but that’s the problem.” You sit up quickly, knocking her affectionate hand back into her lap. “I can’t… This isn’t right. None of it is, but especially… Him.”
“But in the centuries of historical precedent,” Robin says, a poor imitation of you, “There were people like you.”
“And what happened to them?” you ask with a huff, standing to pace beside your bed. “Exiled, abandoned, cut off, ridiculed… I can’t live like that, Robin. But- But I can’t exist here while he’s always around, right behind my back. He’s like my fucking shadow. I can’t-” You hiccup, a wet sound that heralds the return of tears. “I can’t move on.”
Robin watches you with eyes laced with a pity that makes you furious. You want her to fix this; it’s entirely irrational, but you’re lost, and surely someone somewhere has to take responsibility for this, fix it so you don’t have to feel anything anymore. Remove Eddie, replace him with someone lifeless and unfunny and ugly, hand you a beautiful, attentive husband on a platter and, most of all, take the pain away.
But it doesn’t work like that. You know it doesn’t.
“Your Highness,” Eddie says in a raised voice from beyond your door. “It’s time.”
You look at Robin, who looks back at you, her eyes wide.
“I’ll be a minute,” you shout back hesitantly as she rises and rushes over. You let her help you adjust your dress and she dips a cloth left behind by a maid into the basin of cool water by your bedside, wiping it gently over your cheeks in an attempt to reduce the blotches there.
Neither of you say another word. She takes your hand firmly and squeezes.
-
You hate this.
Although you’re desperate for anything but a pre-arranged marriage pact, part of you had quite genuinely hoped for some kind of miracle, that one of your suitors would be The Guy. In your restlessness the evening prior, you’d even let yourself fantasise that one of them, strikingly handsome in your daydreams, would appear at the foot of the throne and you’d feel it in that instant: love.
But in every version of this delusion, The Guy was faceless, nameless, a blur of a person until he wasn’t. Until he was Eddie.
In reality, your knight is out of sight for once, and you’re nearing hour three in the gardens, where the court musicians entertain the countless guests and wine is flowing freely for everyone except you. (With your father at your elbow all afternoon, it’s impossible to get a second cup. Your mouth is dry and your boredom inflating.)
You know better than to assume Eddie’s left the gardens completely, but there are too many people for you to see him.
Suddenly, you feel a sharp elbow nudge your rib.
You turn to your father and find him wide-eyed and pink in the nose - a tell-tale sign of frustration - nodding to the man standing opposite the two of you.
“Hm?” you hum, painfully aware of how obvious it is to the both of them that you weren’t paying a lick of attention.
“Lord Carver was telling us about his hunts,” your father says through gritted teeth.
“Oh,” you sigh, turning to the stranger. “How… Interesting. What do you hunt?”
“Deer, mostly,” he responds, puffing out his chest. His cheeks are blotched with pink and the caramel blonde of his hair is unpleasant. The pleasure of your attention is clearly feeding his ego. “Started on pheasants when I was ten. They’re far too easy now; I’m heading out tomorrow to try for a stag. Say, care to join me?”
“Oh, I’m flattered,” you say with a saccharine giggle and hand to your chest that your father can certainly see straight through. “But I don’t hunt. Thank you, though, Lord Carver.”
Lord Carver seems to take this somewhat personally, despite your almost sincere attempt at a polite curtsy. He comes over stoney, steel-eyed as though you’ve wounded him.
“No matter. Your highness,” he says flatly, bowing quickly to your father before turning on his heels and marching away.
You barely listen as you are accosted by the king for being so blatantly rude. Lord Carver is far from your mind because across the heaving mass of strange bodies, you can see your knight, looking straight back at you.
Your father hisses your name but you do not listen.
“I’m taking a walk,” you tell him. “Sorry, father, I just need a break. And… A glass of water.”
It must have rained this morning. The grass is damp beneath your feet, soaking slowly through the velvet of your lilac slippers as you push your way between bodies as politely as you can manage.
With your focus on the ground you do not see Eddie’s eyes following your figure through the crowd; you also do not see Lord Carver six steps behind.
The latter reaches you first, by quite a margin, a moment after you’ve broken free of curious strangers and can finally breathe again. Everything happens very quickly. In the shadow of a high wall, the man reaches for your arm like a viper. His fingers coil and the fresh garden air is replaced by his coddling breath on your cheek. He spun you so quickly you feel momentarily winded, enough to catch you off guard as your face scrapes the old brickwork. Spit hits your cheek and mixes with fresh blooms of blood as his pink face looms, dominating your field of vision - like a bear in a trap you feel helpless, his fingers around your wrist so tight you fear he may break your bones. In a moment you’re frozen stiff and he takes his chance, his lips pushing angrily into the stretch of bare skin above the collar of your dress.
“You’re a bitch,” he says, muffled by the skin under your jaw. You writhe and whimper but you cannot scream. “You humiliated me. See what happens to cunts like- Ungh-”
The force of your knee between his legs is enough force to knock him back. Stumbling, he lurches forward again, only to meet your elbow, sharp and swift at his throat. The pathetic choking sound he makes mixes with the familiar sound of heavy boots; you turn to find Eddie, pink in the face, fist on the handle of his sword.
“Christ,” he pants, “Are you okay?”
Lord Carver coughs as he struggles to regain his balance.
“You-” Cough. “You bitch,” he spits, hand at his collar.
“Watch yourself,” Eddie growls, towering over the spluttering lord, his sword pulled only a few inches from its sheath - a warning: I will not hesitate. “I suggest you take your family home, Sir.”
Lord Carver looks up at him, red eyes watering and breath still catching. For a moment he seems to contemplate fighting back, but even you almost find yourself laughing at the possibility, until you look to Eddie and find a version of the man you’ve never seen before.
Your life, which Eddie tails endlessly from a few paces behind, always, is quiet. Mundane, boring, unadventurous; you rarely leave the castle grounds and when you do, it’s inside a carriage. Your bravest adventure since you were sixteen was taken barefoot, that evening after dinner, up on the balcony where you’d stumbled across your knight, bare-chested and panting.
You’ve teased Eddie before about how the lack of danger in your life must mean his own is boring. Though he never once gave into you, deep down you worry that it’s true.
Now, though, your knight is coloured a shade unknown to you. He’s come over like a shadow, eyes hard and brow set, and there’s a vein visible above the collar of his cape. Lord Carver seems to halve in size beneath his frame, and though he has never shown himself like this in front of you before, you’re sure of one thing.
Your pleading cry is too late, too weak - before you can intervene, Eddie’s fist makes contact with Lord Carver’s cheekbone. There’s a crack that, to you, is as loud as thunder, though the skies are as blue as they’ve ever been. As his back hits the floor, Lord Carver yelps like a wounded dog, and Eddie moves in on him.
“Eddie,” you plead, voice weaker still, your hands grasping his arm, “Leave him alone, I’m okay, please.”
In the commotion, you’d failed to notice your growing audience. You’re sure that if you let him, Eddie would give another punch, and another, but the man on the floor is bleeding from his nose and from a wide gash under his eye and your slippers are drenched through and so is the collar of your dress where your tears, unbeknownst to you, have been soaking the cotton.
“Please,” you hiccup, your hands squeezing, pulling Eddie backwards with as much strength as you can manage.
“Asshole!” Carver spits, his voice broken. Two men who resemble him are helping him up off the ground, the small crowd murmuring between themselves as they watch him stumble away. “You’ll regret this!”
It’s an empty threat. You barely hear it, in fact, because Eddie is finally turning to you, his shoulders dropping. His face softens the moment he looks at you.
“Are you okay? Did he- Where did he hurt you?” He asks again. People are dispersing but you pay them no mind because Eddie’s hands hold your face and it stings when he runs his gloved thumb over the gash on your cheek. You wince and his grip on you tightens, as though you might slip away if he lets you.
As his arms wind around your shoulders, you push your face into the embroidered crest that sits by his heart.
“You’re okay,” he tells you firmly, sweet words murmured into your hair. “I’ve got you. You’re okay.”
Your father’s booming voice cuts through whispering strangers like a whip. Eddie moves away from you so quickly that you almost choke.
Tears mix with old blood and you want to scream. You want these strangers to leave your garden, you want Eddie to clean your wounds, you want to run away.
You cannot have what you want.
-
Two and a half weeks ago, your father replaced your knight via a letter.
Ser Munson has been reassigned.
After two nights of bed-rest in your chamber, wherein you were seen only by your mother and two alchemists, your new knight - an older man, as old as your father and then some - made himself known at your door. He informed you of his new appointment as your sworn protector. When you asked after Eddie, he closed the door.
Two lonely weeks entailed many downward spirals. One evening after countless days spent rotting, refusing the attendance of your mother or father, you find yourself staring blankly at your reflection in the glass beside the chest that houses your dresses. The girl looking back is gaunt and her eyes are bloodshot. There’s an old cut on her bottom lip, close to healing but you’re sure you’ll bite it open again soon enough, splitting the skin so that deep red plumes can burst through and begin the process again.
You think about Eddie. What would he say if he could see you now? Over the weeks you’ve spent more hours than you can count thinking about how he’d held you, the words spoken into your hair, low enough to avoid unwelcome ears. His hands had gripped you so firmly that you’d almost felt whole again after Lord Carver’s grubby paws had violated you so horribly. Now you’re hollow.
His reassignment was surely your punishment: how dare you let yourself be so distracted that you humiliate a noble Lord to the point of such anger? How dare you humiliate him such that he wants to hit you, bite you, kiss you, hurt you?
Meals delivered by your maids go uneaten. You do not speak to your new knight, only catching a glimpse when he opens the door for attendants.
At the dawn of a Thursday, your mother delivers the news that you are to stay behind while your parents visit your sister. You’re not sure which one of the four it is, but you do not care. With them gone, maybe you can go out; it’s early summer, after all, the weather is glorious, and you’re gasping for some sunlight and some respite from this stupidity.
-
When the sandbag splits, old hay spills onto the muddy ground.
Eddie’s sword is freshly sharpened and slices through the woven material like a hot knife through butter. He imagines Lord Carver’s face where the bag is tied together with string and watches it fall limply to the floor.
Outside in the courtyard, the sun is hot and shade is rare, and sweat beads on his forehead and drips to his chin. Other knights spar around Eddie, practising for nothing. His new position in the Kingsguard is, quite obviously, a downgrade, but only a few of his fellow knights have tried to get the why out of him: why have you stopped tailing the eldest daughter around? Why are you now forced to watch the southern walls in the dead of night? How did it happen? What did you do?
He chances a glance upwards, to the higher balcony along the wall, squinting under the sun. He doesn’t know if what he sees is you, standing in the shadow, or a trick of the light.
-
Your parents have been gone for two days, and the castle is like a ghost town. It’s never like this; even on late night escapades through the hallways, there are always maids at work, cleaning ladies and cupbearers. Guards on constant rotation, your father’s advisers wandering the halls having hushed conversations.
Tonight, though, there’s nothing. Your family’s absence is a moment of respite for the staff, who get a rare few evenings off to venture into town for some fun. You’re completely alone.
The long corridors look almost blue. The full moon is rising over the horizon and you’re enjoying an evening of freedom.
With most of the court staff out of the castle walls, you can’t be sure if you’ll find what you’re looking for tonight. He may have gone off with them, with his friends in the guard, down to a pub, getting drunk because he can, stumbling half-blind into a brothel like the rest of them do.
You shake the thought off because it turns your stomach, despite having no claim over the boy. It’s true that he may have gone but you’re searching anyway, because you’re driving yourself mad with guilt, and secretly you’ve missed him horribly.
You miss knowing he’s right outside your door, only ever a few paces away if you need him. You miss the blooming pink across his cheeks whenever you tease him, his stumbling answers and poor attempt at staying stony-faced and stoic. And you miss the smirk, though you’re sure he thinks he hides it well, that creeps across his face whenever you finish your teasing.
It’s your first time in this corner of the castle. Almost twenty-two years of living here, you’ve never had a reason to venture to where the knights stay. It’s a long way from your own wing - you’ve been walking for ten minutes and you’ve only just spotted a door. You’re treading softly in your favourite ruby slippers which, though you’d never admit it even to yourself, were surely chosen on purpose. You dressed yourself this evening, so there’s no use blaming your maids for the decision to drape you in scarlet.
As you come to a stop outside the room, you hold your breath and listen. You haven’t seen a single knight - not even your own new one - this whole time, but there’s somebody in there, and it sounds like they’re pacing.
Your hand reaches for the handle but just as you touch the iron, it twists on its own and the door flies open. You stumble forwards, losing your balance, but a familiar hand steadies you.
“Your highness?” He breathes, helping you back up. “What the- What are you doing here?”
You look at him. The man staring back at you is wide-eyed, those browns as pretty as ever but framed by new, dark circles. It’s difficult to see in the low light but he’s more tired than you’ve ever seen him. And though he seems sleepy, he’s dressed up in most of his on-duty getup, without the cape and sword.
“Eddie?”
“I thought the- Aren’t you supposed to be seeing your sister?”
“No, I… I stayed behind,” you tell him. A half-lie.
He looks back at you blankly. “Well,” he sighs. “We should… I should escort you back to your chamber.”
“No,” you say firmly. He does not invite you inside but you step over the threshold anyway, pushing past him into what you assume must be his bedroom.
It’s a plain room. The bed is low with old sheets, and there’s one candle burning on a table by the window. On the wall above his bed, he has hammered what looks like a letter into the plaster. And to the left of that-
“Is that mine?” You point plainly to the embroidery hoop. Even in the near-darkness you cannot miss the rosy flush you ignite across his face.
He scratches the back of his neck nervously. “Yes.”
It’s a small hoop, one you must have done years ago. A deep red rose, your favourite.
You look at it for a moment, and then to him. “Where have you been?”
He drops his hand. “I was reassigned,” he tells you.
“Why?”
“I don’t-”
“Why?” you press. He sighs and leans in the doorframe, arms crossing over his chest.
“After the… Incident with Lord Carver, your father thought it best that I be moved.”
“And now?”
“Now,” he sighs, “I’m on the nightwatch.”
“The nightwatch?!” you parrot. Even you, with only superficial understanding of the mechanics of your father’s guard, know that that’s one of the worst jobs. “But you… Why would he punish you?”
“Ask him,” he says bitterly, and so quickly that you know he regrets it instantly. “Sorry,” he corrects, “That was out of order.”
“Don’t apologise,” you say back, stepping past him into the wide hallway. It’s a brighter blueish-grey now, the moon nearing its highest spot in the night sky. You stop, turning to look at Eddie, and there’s a beat of silence.
He’s watching you quietly, and it takes him a moment to realise that you wish him to follow you. Under the moonlight you’re effervescent, your skin almost sparkling. The soft glow of the moon reflects a million times in your eyes like tiny diamonds. You’re so pretty it’s difficult to look away.
Eventually he closes the door behind him and falls into a familiar step, just behind your left foot. You walk and talk as you meander through random hallways, clearly unsure where you’re going but he says nothing, silently grateful to see you again and willing to walk every hall of the castle if it means stretching out the time before he has to leave you again.
“Why do you say that?” he asks. You turn your head to look at him, lost. “You told me not to apologise.”
You huff, striding forward. “You don’t have to respect my father around me, Eddie. It’s not like he respects me, or anything.”
“I don’t understand,” he says quietly. You bristle, frustrated that you’ve allowed the conversation to move to you. You’d intended to find out where he’d gone, not tell him about this.
“He can quite easily forget about me,” you tell him over your shoulder bitterly. “I’m happy to forget about him for a few days.”
“I… I don’t understand,” he repeats, and it irritates you double.
“For God’s sake,” you spit, stopping so abruptly that he almost crashes into your back. You spin and stare him down. “I’m a disappointment, okay? They left for their trip, and they left me behind. I’m useless. No man likes me, not enough to marry me, only stupid stableboys have ever come close to me. Something went wrong somewhere and now I’m here, heir to the throne and without a husband. And it’s. Your. Fault.” You jab your index finger to his chest for emphasis, but it’s meagre because you can feel the tears returning and you want nothing less than to be seen crying by Ser Munson.
You cross the remainder of the hallways alone, Eddie left behind. Whether by choice or because of shock you don’t know, and frankly you don’t care. When you finally return to familiar halls, you push your way into your chambers and slam the heavy door as hard as you can behind you.
After a few minutes of pacing, having make-believe arguments with yourself in hushed tones, there’s a soft knock. So soft you almost miss it, but the eerie quiet of the castle has you jumpier than usual.
“Sweetheart,” you hear through the thick wood. “Let me in? Please?”
Maybe it’s your fear in the silence, or maybe it’s the way the rare sweetheart makes your stomach drop; either way you cave, rushing over and heaving the door open.
On the other side of the threshold, Eddie stands, hair unruly like he’s run his hands through it a few times. The curls stick out at odd angles and stand out dark against his alabaster skin.
Something in his eyes makes you break. The tears come thick and fast and before you can hide or apologise or close the door, arms wrap you up and his hand is on your back, smoothing patiently up and down.
It’s not the most comfortable hug; his armour is mostly leather and cloth but the toughness of it all makes it difficult to completely lean into him. As though he senses that, he pulls back, though his hand lingers on your arm where he gives you a squeeze.
“I’m sorry,” you hiccup, palms smudging wet tears across your face in an attempt to dry your eyes. “That was so mean of me, I’m sorry.”
“I just want to know what you mean,” he says, his eyes sadder than you’ve ever seen them. You dreaded this inevitability the moment you let the blame fall from your lips, but you owe him that much.
You sigh, look down at your feet, and resign yourself to truth.
“Father… He loves me, but he loves the throne just as much. And I’m the eldest, and I’m almost twenty-two, so…”
In your peripheral vision you see him sag, his shoulder dropping in premature realisation.
“He brought all those men here, and not one of them was even slightly as interesting to me as you.”
Eddie looks at you, at the tears that periodically drop from your cheeks to the floor, listens to you sniff and hiccup, and wonders how on Earth you exist, let alone how you’ve landed here, with feelings so profound for him of all people.
“That’s one of the nicest things anyone has ever said about me,” he tells you honestly. You look up at him and the sight winds him: you’re crying, and it’s sad and stressful and difficult but you’re so beautiful.
You giggle and to him, it’s the ringing of a thousand bells by a thousand angels. It’s golden and brilliant. “I’m surprised,” you say, your smile lingering. “You’re really very lovely.”
He steps forward and reaches up, taking your chin in his gloved hand. You look back at him and sigh without meaning to as he moves his hand to cup your cheek and wipes stray tears away with his thumb. It takes your mind back to loud music, seven goblets, and a wine-stained thumb between his teeth.
“You’re beautiful,” he tells you quietly. There’s no one around but this still feels painfully scandalous, like glass that could - and will - shatter at any moment. No sudden movements.
You smile into his palm. “Stop it.”
“It’s true,” he says as his thumb moves across your skin, over the remnants of the cut across your cheekbone, over expanse of skin to your lips.
You watch him as he takes a deep breath in.
“I wasn’t reassigned,” he admits to you. You match him, breathing deep through your nose, preparing for the truth. “Well, I asked to be reassigned. I had to plead, really, because your father… He’s a good man.”
You roll your eyes without thinking and feel your bottom lip quivering again, the tears reemerging.
“He told me I’d never be able to see you again,” you tell him in a whisper.
“That’s my fault.”
“What?” You lift your head upright and he drops his hand, bringing it to his hair instead to run it through the curls again.
“I asked that I be kept away from you.”
“Why?! Why on earth would you… What could possibly possess you?”
“I couldn’t go through that again,” he says. “I couldn’t be near you. It was too… Too painful, and I let it get the better of me when I punched Lord Carver.”
“You were protecting me,” you say flatly. “That’s- That was your job.”
The emphasis hurts. “I know,” he sighs, “But… I wanted to kill him.”
“I don’t understand,” you tell him. You despise the whimper your words come out with, the way your jaw clenches to hold back more tears. What you can see of his neck above the collar of his thick tunic and under the cover of ringlets of tired hair is blotchy, coming up rosy in uneven patches. Is he stressed? Nervous? Both?
Your vision blurs with tears and your nose burns. He looks back at you softly, just like always, his eyes dark and inviting. Your lip wobbles again and you hear his breath hitch in the quiet.
“Let me show you,” he offers as he holds your cheek again. You cannot help but lean in, head tipping to the left to feel the expanse of leather over your cheek, his thumb dancing softly across your skin.
“No, I- You have to explain yourself, I don’t-”
“Please?” He looks at you with those fucking eyes of his and you want to kick him and kiss him all at once. “Do you trust me?”
The urge to kick him persists but you nod anyway. Perhaps the kicking is not a frustration aimed at him but at yourself instead: why can you not tell him how you feel? Why does the possibility of what he’s about to do scare you so much?
“I don’t know what to do,” you admit to him in a whisper. You feel naked before him, though there’s layers of thick velvet and scuffed leather between the two of you, a hundred barriers of material, an aching yawn of distance that you find yourself disliking immensely.
Can Eddie read your mind? It feels that way right now - you only uttered six words but he seems to understand you entirely at this moment. He drops his hand from your face, takes a step back, and as you watch him wordlessly unbuckle his armour, your stomach contracts and your soul becomes hollow in anticipation. He removes the belt that the sword usually sits on, and then his leather gauntlets, pulling each finger from the gloves and placing them, too, on the table. As he peels off each piece of his uniform, creating a growing pile on the wood and on your floor, you see, for the first time since that night when you were nineteen, the bloom of his flesh under his billowing undershirt. He’s paler now than he was then, though the moonlight seeping in through the cracks between heavy curtains over your windows is no match for the golden wash of colour he had once basked in. If you had any sense you’d laugh at the display before you: endless metal defences and leather covers come away from his body and pile noisily beside him. But you’re transfixed, fingers fidgeting, bottom lip absentmindedly between your teeth.
You do not notice him glance at you every so often. Between removing each greave, he looks up at you again, and there’s nothing he can do to stop the flurry of blood to his cheeks. He’s baring himself, and you’re looking at him like he’s edible; perhaps, to you, he is.
After many minutes filled only by the sounds of deconstructed armour, metal and leather, he’s free of it, and he stands before you in a loose shirt and cotton slacks. His pale chest is visible behind the deep, un-tied collar and your fingers itch, fidgeting still, yearning to know what it feels like.
“Talk to me,” he whispers. “Don’t go quiet on me now.”
“I saw you like this, once,” you say quickly, voice so low it’s almost a whisper. You’re looking at everything - his arms, his legs, neck, chest, hands - except his eyes.
He’s taken aback. “What?”
“Years ago. I was nineteen. You were outside-” You turn to look through the open balcony door behind you, at the bright white gleaming down on the stone beyond. “-polishing. It was so beautiful out there, but I remember watching you for ages.”
You turn back, eyes on his finally. As ever, they’re wide and deep brown and beautiful. “Sorry. I know that’s strange. And forbidden, I guess.”
“No,” he breathes, taking a step towards you. “No, it’s fine- It’s okay.”
The air is thick and between that and your corset, you can barely breathe. He’s inching closer and it’s difficult to know where to look.
Nobody has ever been this close to you before. Not truly; you kiss your father and mother on the cheek before heading to bed each evening, you give your sisters fleeting embraces, you've fooled around with stableboys and, of course, you once loved to lean into his space whenever you teased Eddie, but this is different. Someone electing to be so near, choosing to breathe your air and not flinching or pulling back, instead lingering just to let his eyes dance over yours once more - it’s new, and it’s addictive.
He’s breathing your air but you’re also breathing his. The hills of his cheeks are mere whispers from your own, and his nose, crooked at the bridge where it once broke, nudges yours so lightly that you ought not feel it. It takes your breath away anyway.
At the sound of your gasp he smiles, only slightly, but you’re so close you see it in his eyes. Crows' feet emerge, wrinkling happiness beside his temples, and you can’t help but return it. As you fight the urge to close your eyes you watch him as he watches you, bated breaths and whimpers. All of a sudden he meets your gaze and you stumble where your foot had been resting on your other ankle. The heel of your slipper slides across bare skin and your balance goes, but before you can panic or cry out, you are pulled in breathless by his strong arm around your back. There may be layers upon layers of fabric but you feel it anyway, the electric jolts up your spine where his palm presses firm into your waist. Whether he means to or not is unclear, but you’re chest-to-chest with him now, the firm bones of your corset pushed against his shirt.
Your fingers spread across the fabric of his shirt. Without meaning to, you venture upwards, fingertips meeting the small smattering of coarse hair there, under the cotton. You watch your hands like they’re moving on their own, until his finger, hooked beneath your chin, tilts you up to meet his eye again.
It’s happening, you think to yourself. But then his arm, still around your middle, tightens briefly and he’s gone.
You watch him cross your room, the few steps he takes to your bed suddenly a criminal distance, too far, far too far. He sits upright on the edge of it, legs parted.
“Come here,” he says, his voice a melodic tug at your core. You move to him, sliding each of your slippers off on the way, and stand hesitantly between his knees, holding your breath without thinking to.
You can’t look at him. You caught a glimpse of his eyes and the way they’re looking up at you and you can’t. It’ll surely kill you.
He thinks you’re perfect, standing here, towering over him, relenting. His tough palms smooth over the layers of deep red velvet that lie over your hips, and for a moment he allows himself to relish in the small noises of shock you’re making before he urges you to turn around.
“You know,” he begins as his deft fingers untie and release the intricate ribbons at your back. “It wasn’t your fault.”
You turn your head towards him, as far round as you can. “What?”
“The… What happened, that afternoon. The way he spoke to you…” Eddie’s fingers still for a moment and you hear him take a deep breath. “The way he touched you. I don’t know what your father- what His Majesty said about it, but it wasn’t your fault.”
His left hand begins pulling at the ribbons again, but his right rests safely on your waist, as though he’s demonstrating something: how you should be touched, the way you deserve, soft and kind and gentle and wanted.
You hum in agreement.
“And I truly am sorry I punched him,” he says. “It- If I’d just told him to back away, it never would have become such… Such a thing, a big deal.”
“Eddie,” you breathe, grateful that you can get a lung-full again. You turn back to him in his grasp and take his face in both hands. Your palms are warm but they’re nothing compared to the flames of his cheeks, which almost burn under your touch. “I’m not mad that you punched him. I wish I’d done it, truly. But I’m never mad that you want to protect me.”
Your hands on his face startle him. You both sense it in the moment, how unlike you this is, to touch him so willingly and so carefully.
“I don’t think you needed me to protect you,” he says quietly, a smile emerging though he tries his best to hold it back. “Your elbow seemed to do a good enough job of that.”
Ah! The sound of your feather-light laugh fills a yawning gap in his chest that appeared two and a half weeks ago. It sounds even more beautiful than before, a twinkling spark of a sound, just for him.
“You’re funny,” you tell him. “I’ll always need you, Ser Munson. Don’t worry about that.”
He looks up at you from his seat on the edge of your bed with eyes that sparkle like the sky outside. Perhaps it’s the reflection of the faded stars painted onto your ceiling, or perhaps it’s just the sight of you.
Both of his hands are on your waist, now, as you stand between his legs. There’s a lot of material in your skirt, though, and it feels too distant still, so you reach behind your back to pull the remainder of the ribbons keeping your corset on, and pull it over your head. Eddie helps where he can from such a low vantage point, and as soon as it’s off and disregarded on the floor, his eager fingers are pulling the velvet dress down and away from your body.
“Fucking hell,” he heaves, “How many things do you have on right now?”
“You’re one to talk,” you giggle. “It took you five whole minutes just to free your arms.”
“Okay, but that’s important. I don’t want to lose my arms. This must weigh a tonne, and… For what?”
You hold his cheek in your left hand again while he unties various laces and undoes buttons. Your skirt has fallen away, as has the underskirt and the other, thicker layers. You’re left in your underdress, a simple white cotton embroidered at the collar. It’s nicer than the one he caught you in all those weeks ago, moments before your life seemed to tilt and slip away beneath you.
Under the fabric, your nipples harden in the cold, jutting out and catching Eddie’s eye.
“Is this okay?” He asks, pulling you in anyways, standing you safely between his knees, his wide hands tentative on your hips. “We don’t have to-”
“Yes,” you say firmly. “Please, yes.”
His hands slide over the hills of your behind to the backs of your thighs. He’s still looking up at you, eyes drooping when your fingers dance through his hair.
“I meant it, though,” you say. “I don’t know what I’m doing.”
“That’s okay,” he sighs, standing slowly. “I have all the time for you.”
The moonlight bleeds a sharp bluish hue but it doesn’t matter. Right now, as he says those lovely words, the boy is a golden ball of light, humming pinks and warm ochre. Your yearning arms wind over his shoulders as his breath mixes with yours once more, his nose nudges the swell of your cheek, his hands press firm into your waist. He’s slow with it, tantalising, keeping you whimpering and desperate, until he finally dips into you, lips on yours with a surprising urgency.
It’s magic, you are so sure of it. His mouth moves over yours with certainty: he wants to be here, he wants to kiss you. He’s wanted to kiss you.
All those fairytales that your wiry old school teacher told you were real, about spells and conjurings and spirits: it’s all real, surely, and it’s in this feeling. There’s no other way you can understand it, though in truth your brain isn’t entirely clear because his fingers are smoothing lower, bunching your dress in his fists to pull the fabric up over the stretch of your legs. All the while his kisses never cease; in fact, once you feel the cool air over the material of your underwear, you gasp and welcome his tongue with your own. Air is worthless to you now; all you want is Eddie.
Much to your dismay, he seems to disagree, pulling back from you to take a breath and lift your dress over your head. He whispers up and you raise your arms, letting him undress you quietly, and once he has, you daren’t open your eyes, instead winding your arms across your chest. You feel the nighttime breeze across the backs of your thighs and you tense knowing that you’re bare in front of him.
There’s a slow beat before you feel his hands again. You hear the dress discarded on the stone floor and then his rough fingers are gently, oh so gently, holding your waist. It’s like he thinks you could break.
“Can I touch you?” he whispers.
“Yes,” you breathe. “Of course you can.”
You expect more solid grabs of flesh, hands smoothing over the expanse of your stomach, maybe even venturing upwards, but you take in a surprised breath when you feel his mouth on your sternum.
His rough hands hold your lower back and he kisses, framing each of your breasts with rows of feather-light pecks, dancing blossoms of affection. You drop your hands to his hair as you let out a breath of satisfaction, tangling your fingers in the curls as his mouth rises.
The whine of your name that leaves your lips is met with his hands tightening, fingers almost curling into the flesh of your back. His kisses turn eager, frantic, crossing the mounds of each of your breasts. His hands leave you to pull his shirt over his head and it’s too much all at once: too much to see, feel, know. You can’t take it in before he’s kissing you again, less than kind as his arms pull your bare chests flush.
Your fingers explore new terrain, which is littered with freckles and white, years-old scars that stretch over his alabaster skin, each one a story that you hope he will tell you one day.
“Eddie,” you pant. He returns the sentiment, breathing your name over and over into your mouth as he sits back down and pulls you into his lap.
The rough of his slacks sends an unfamiliar jolt up your spine when your hips meet his. In the heat of the moment he’s pulling at you a little rough but your gasp draws him out.
“You good?”
“Just… Slow down,” you tell him, resting back on your heels with your hands on his broad, bare shoulders.
“Sorry,” he says. His face is flushed pink and his dark eyes are drooping. “Want to stop?”
“No,” you respond, too quickly to keep your cool. You shake your head. “No, I just- I’m scared I’ll go too fast. I like you too much.”
“I told you,” he says, moving in with his eyes on you. You nod, almost imperceptibly. He kisses your collarbone and then your shoulder. “I have all the time in the world for you.”
“What if someone catches us?”
He pulls back again and reaches up, moving hair from your face and putting it behind your ears. Tidying you up. Fussing over you. It’s nice.
“I promise that everybody who would even think to come anywhere near this room tonight is gone until at least tomorrow afternoon.” He kisses under your jaw, and it returns the shivers back down your spine. “They’re too busy getting drunk. Nobody’s thinking about us.”
“You promise?”
He kisses your chin. “I promise.”
A few years ago, your father entertained a visitor from one of the bigger cities. They had been on a ship for some years and they brought goods the likes of which you’d never seen before: round, vibrant, sharp fruits, powders that made food taste wildly different, and, your favourite, a small collection of fireworks.
In the light of a small bonfire, your father helped the visitor set the wooden tubes alight. They flew off into the air and sparkled, fizzed, popped. It was a display that you couldn’t help but gawk at, enjoying the sizzles and the colours in the deep January sky.
That’s what this feels like. His lips plotting a map across your bare neck, up over your jaw, until they reach your mouth, it feels like seeing fireworks. You keen into his mouth as he licks across your bottom lip, pulling it between his teeth gently before letting go, meeting your tongue with his own. His hands at your back pull you in and that flush returns between your legs. He keeps you moving slowly, a lethargic push and pull across his crotch. The dips and folds of the tough fabric there, paired with the growing hardness beneath, give you a friction that you chase instinctively. It’s coupled with a litany of praises whispered into your skin between kisses, and the combination is clearing your head and sending you dizzy.
“That’s it, you’ve got it,” he coos, “Nice and slow for me, yeah? Just-”
Through drooping lids you watch him, his face scrunching in pleasure as you rock against him. It is not lost on you that this feels just as good for him, but you can tell he’s holding something back.
His face relaxes, and he meets your eye. “Hey.” He nudges your nose with his own and takes a deep breath. “You have to breathe, deep breaths. Doesn’t feel half as good if you stop breathing, promise.”
You let out a sigh and a twinkling giggle and he smiles, wide enough that you can see his dimples. He continues showering you with sweet praises, urging you towards oblivion. Look at you. I don’t even need to tell you what to do. You’re so beautiful.
“Fuck- My god.”
The pace quickens as you chase the abyss. His hands don’t move, keeping you anchored to him, moving you back and forth. It’s bliss like you’ve never felt; your own hand could never get you this far. The friction of his pants between your thighs is perfect and your need is ferocious as your stomach winds like a coil.
“C’mon,” he encourages, “You can do it. You’re doing such a good job, c’mon-”
You fall forwards and rest your forehead on his shoulder, whimpering something desperate into his neck as your stomach tenses and bends. Please, Eddie, please, please, please.
A white-hot light sears the darkness behind your eyelids as you come apart for him. He’s calling you all sorts of filthy things but you can barely hear him, brain too occupied by the burning in your belly and his hands, which are seemingly everywhere all at once.
“Good girl,” he whispers into your hairline. He scatters kisses there as you catch your breath.
“Thank you,” you sigh. “Thank you.”
He laughs and you feel it reverberate through his chest.
As you slouch into him, feeling returning to each limb, you feel a foreign yearning in your gut, a relentless feeling that prompts you to squirm. Wriggling, your restless hands paw at his arms and his back and they move lower, until you meet the waistband of his slacks.
You whine into his neck when he won’t move to accommodate your impatience. His hands lure you back from your resting place so he can look at you, with your kiss-swollen lips and happy eyes.
“I need to know that you want this,” he whispers. He rests your foreheads together, the tip of his nose nudging yours.
All you can do is whine. You’re too elated to care to form words, but Eddie’s not having it.
“I need to hear you say it,” he tells you sternly. His eyes do not betray him: they’re steely and suddenly darker than ever.
You dip your head to kiss his jaw, nosing at his cheek, lips and teeth dragging along his skin.
“I want you, Eddie,” you tell him. His fingers tighten at the nape of your neck and pull you back, gentle but firm, as he watches you speak through obsidian eyes. “Please.”
He says nothing as he gives you one more kiss, soft as anything to the pillows of your lips, before helping you off his lap and laying you between the pillows at the head of your bed. You curl up there, the breeze colder still against the wetness between your thighs, which you squeeze together as you watch him stand.
He’s all lean muscle and long limbs. You let yourself gawk for the first time since that night on the balcony; you usually have to ration your glances at him, and he’s always covered by so many layers, so you allow yourself this luxury.
He knows you’re watching, so he makes a little show of it, bending down to get rid of the slacks. Before he does, you notice that the brown has deepened around his crotch with the stains of your pleasure. Acknowledging this makes you shiver, and though you feel you should be disgusted, it’s oddly comforting instead.
When he looks over at you, finally bared and unflinching, he takes a moment to take you in.
You’re still glowing, perhaps more so than before. Some of your hair is stuck to your face, plastered there in the heat of your first orgasm, but the rest of it is laid out around your head like a halo. It’s unfair that you can be so casually magnificent. You’re also not looking at him - well, not meeting his eye, anyway. The tip of your index finger is between your teeth as you take in the sight before you, Eddie as hard as he’s ever been, just for you.
“You sure about this?” he asks.
You look up at his face and break out in a grin. “Absolutely.”
He’s slower than you want, leaning over you, his knees on the comforter beside you, mouth lazy as he gives you kisses. You take and take, happy under his touch.
His hands are everywhere again. Your skin is on fire, aflame from the praise and the affection and the attention. The sensation of being so close to another person while naked like this is achingly unfamiliar but learning it is nice, new, natural. Though it’s nothing like anything you’ve ever experienced before, you’re finding that you like it. You like smoothing your hands over his back, feeling the dips and peaks of his muscles there, or around to the slight pudge of his stomach, just above a thatch of hair similar to your own. You like the feeling of his palms on your shoulders, down your arms, across your waist. You like that when he kisses you, you feel the nudge of his nose beside yours. You like that he appears breathless to you, like your kisses are preferable to air, especially when he becomes restless and impatient.
Above you, his hand moves south, fingers burying their way between your legs. Without realising it, you’ve been squeezing them together, desperate for any relief you can find, but his fingers are certainly better. They push your knees apart so that he can climb into your space, his waist framed by your thighs, the weight of him crashing into you as he dips again to kiss you silly. You wind your arms around his neck and pull him in, enjoying the proximity rather than fleeing from it, and feeling desperate without shame.
One hand hooks under your thigh while the other plants firmly on the mattress beside your head.
“You ready?”
You nod. “Yes.”
“I’m going to go slow,” he tells you, his lips moving against yours lest he get too far away. “Just tell me if you want to stop, please?”
“Yes,” you pant, “Yes, of course, please-”
The hand beneath your thigh escapes and he holds himself as you wind your arms under his, around his chest, pulling him in tight.
It’s definitely slow. A slow, tantalising push between your thighs, filling that gaping yearning within your gut. He’s big, though it barely takes you by surprise because of course he is.
He’s panting, biting his lip above you. “Fuck-” he gasps, “Shit- You okay?”
You nod as fervently as you can because words are escaping you and all you can think about is him, hovering over you, pushing into you, breathing your air and nudging your cheek.
“You feel- You feel so good,” he breathes, pushing further. You nod in agreement and tug him closer still, until he’s in as far as he can go, filling you to the hilt.
The proximity dazzles you as you open your eyes and examine his face. The scrunch between his brows, the freckles across his crooked nose, his teeth biting firm into his lip. It feels only natural to lean up and plot a path of kisses across the hills of his face, bright, happy kisses that relax him until he can kiss you back. He lets the weight of his body fall into yours, keeping some pressure on his arm so as not to crush you entirely, but the feeling of closeness is too comfortable for him to forego.
He speaks into the flesh of your cheek when he says, “I’m going to start moving, okay?”
“Yes,” you pant, and he does, pulling slowly away before pushing back. The friction of the movement over your clit adds to the swelling feeling of fullness each time he returns to you, and the pleasure is almost overwhelming. You take heavy breaths until they become moans, matched by his own noises. Your head is empty and all you want to do is become him; being here, underneath him, is never quite enough. Instead you wish you could, in this moment, under the stars and the moon and wrapped in the night breeze, merge with your knight and stay here forever.
Your lazy daydreams are interrupted when he groans and mutters some kind of praise into your hairline: You’re doing so well. Fuck, so good. And then, to your surprise, you feel his free hand traverse the expanse of your body, between the two of you, over the hill of your stomach until the pads of his fingers find your clit.
Holy shit. Holy shit. Perhaps you haven’t melted together, but this somehow got even better. His cock moves just as quick as he draws lucid circles with his middle and ring fingers over you. He kindles the flame like an expert as his mouth drops kisses messily across your own lips. That’s it: everything is messy, lazy, desperate. He moves and kisses and whispers please, come on, come for me, are you okay? I know you can do it, you feel so good, you’re beautiful.
The hot wire returns. It burns as it coils, tighter and tighter around an abyss in your gut, tugging on each limb like you might implode and become a black hole right here in your bed.
“Eddie, oh my god-”
“Come on.”
“Unngh- It feels s- So good-”
“Come on, sweetheart.”
His movements never relent as you come, the wire burning out in a white-hot bang. You yelp, moaning his name, and he keeps going through it all, kissing you silly all over your face. It’s only when you start to squirm that he slows, brings his busy hand out from between the two of you and smiles. He allows himself a moment to watch you, face lax and mouth agape, sweaty brow and hair a mess, before he taps your hollow cheek with his knuckles.
You open heavy eyes to look back at him and watch as he smirks down at you and brings two messy fingers to his mouth. He’s still inside you and he feels it, the way you squeeze him just slightly as he tastes you on his tongue, making a little show of it for you. He hears you gasp, panting like a dog, and even the moan that leaves you when he pulls his fingers free and they glisten in the low light. “Holy shit,” you breathe, and he breaks out in a grin before he can stop himself. “Holy shit, Eddie.”
“Happy?” he asks.
“Happy? Fuck yeah, I’m happy.”
His laughter is deep and loud, a rumble from his chest that makes you grin back at him.
“What about you?” you ask, eyes drooping again, bringing the back of your hand to your forehead. It burns there, like you have a fever. You must look a state.
“I’m more than happy,” he says, smiling. “You up for a little more?
You look at him. “Hm?”
“I, uh… I’m hard as a fuckin’ rock,” he admits, flushing, “And you… You feel so good, and I’d like to… Y’know.”
He feels bad for a second when your eyes widen and you look down quickly. “Oh, Eddie, shit, did you not- Oh my god, I’m so selfish, are you okay?”
Your hands are everywhere all of a sudden, pawing at his arms and his chest, your fawning interrupted by another bellowing laugh. When you giggle back, he winces, feeling it in the way your body pulls him tighter.
“I’m fine,” he assures you, “But I want to try something.”
“Of course,” you say.
“You sure you’re okay to keep going?”
“Yes,” you sigh, “I want to help you, I want you to feel good too.”
“Hold on, then,” he says, threading an arm between your back and the sweat-damp mattress. You wind your arms back around his neck and yelp when he swings you around, all the while keeping his cock firmly inside your walls.
“Fuck,” you splutter, planting your hands either side of his head.
He likes this view. Your face hovering over his, your knees either side of his waist. He holds you by the hips, feeling the curves and dips, pushing impatient fingers into the flesh at the base of your back.
“God, you are gorgeous,” he says. He likes this view, too, watching you flush and bat your eyelashes, made nervous under his gaze and by his lovely, genuine words.
“Not too bad yourself,” you respond, smiling, lifting one hand to push curls from his warm face.
This feeling is new but it’s lovely. Gravity pulls you onto him and it feels as though he’s somehow even deeper than before. His hands at your ass fist at the flesh there and he tells you he’s going to help you, that you may be worn out and that’s okay, and as he helps you lift yourself upwards, you get the hang of it.
You plant your hands firmly on the expanse of his chest and drop yourself down before pushing yourself back up again. It helps to sit upright so you do, letting him hold you and watch you and god, his face is a picture.
He’s scrunching his nose again, eyes tight as he huffs each time you drop onto him. He’s droopy and blissful as you move up and down, circling your hips just a bit, letting him guide you. It burns after so long but it’s nothing compared to the warmth in your chest watching him near the edge. His stomach tenses, the muscles flexing between your thighs, as his breathing becomes more ragged. And suddenly his arms come up your back and pull you down flush and inside your walls, his cock sits as far in as he can push it. You feel him stiffen and shudder and the warmth as he comes inside, hugging you close, his forehead on your shoulder.
He warns you as he pulls out, and then you lie still, spent, limbs going soft together. The sky is a pale blue-green now, the sun soon to cross the horizon. You can hear birds, and the soft morning light coats your skin in a kind of effervescent glow.
Eddie’s breathing lulls you into a doze, but after a short while he stirs. The space between your core and his is sticky and damp and it’s uncomfortable for a short moment, until he tells you quietly that he’s going to get up and get a rag. He moves you softly onto your back and you sigh, a happy, contented sound, watching him move around your space so comfortably.
He returns from the water basin with a damp cloth, cleaning the remnants of your night from between your legs. You wince when he does, only because you’re tired and sore and the cloth is cold, but he apologises and kisses the inside of your knee.
“Eddie?”
He’s at the basin again, rinsing the rag. “Mhm?”
“Do you really think everyone will be gone until the afternoon?”
You catch him smiling at your question, like he knows what’s coming.
“If you want to play it safe, lets say noon.”
“And what time is it now?”
He looks over to the clock, which sits above your mantlepiece, ticking softly.
“Early,” is all he says. “Early enough.”
“Stay with me?”
He drops the rag over the side of the basin and pads over to you. The mattress dips as he rejoins you, this time lifting your sheets to bury the two of you beneath them.
“I told you,” he says quietly, kissing the peak of your shoulder and pulling you in, his arm around your waist, “I have all the time in the world for you.”
-
The castle is bustling. People rush here and there, carrying armfuls of floral arrangements, buckets of wine, heaving plates of food. Your home is lively and noisy and your mother is pacing, directing the placement of each bouquet and chair.
In your chamber, the noise seems far away. Your maids finish tying your corset and your shoe ribbons before filtering off to complete other tasks. You catch a glimpse of yourself in the mirror above your fireplace. Red really is your colour.
There’s a resolute knock at your door. The maids stand to attention and move out of your way as your knight pushes the doors open and you step through to the hall.
“Thank you, Dustin,” you say to him.
Your new knight, a replacement both for Eddie and for the man who took his place all those months ago, bows kindly at your regards. He’s young, younger than yourself and Eddie, but keen and worthy and you’re more than happy.
And then he appears, your beacon, a gorgeous vision of handsome beauty.
Eddie, Ser Munson, your knight. Or, rather, your former knight. He’s been promoted to fiancé.
He stands at the top of the stairs, looking back at you like you hung the stars. To him, you may as well have. You are all he has eyes for now, especially now, after giving up his duties and telling your father: Your daughter is my true and only duty.
“My god,” he breathes. You step over to him, too giddy to maintain any air of grace or class. Your step is more like skipping, your love for him giving you far too much energy to merely walk to him.
He holds his arm for you and you take it, leaning up on tip-toes to give him a chaste kiss to the cheek.
“How do you do it?” he says in a low voice, dipping his head so you can hear him as the two of you descend the stairs, Dustin in step behind you.
You’re smiling while you cling to his arm. “Hm?”
“How do you keep getting more beautiful?”
“Just think, Munson,” you say in a whisper, “By the time we’re one hundred, think of how beautiful I’ll be by then.”
“I dread to think,” he says sarcastically, squeezing your arm with his. You look up at him and the noise and fervour of the castle falls away. He looks back down at you and smiles, and it’s truly the only thing that matters.
The engagement party, your sisters, your parents, your birthright - what is any of it for, what does any of it mean, when you have the one thing you ever wanted?
-
author’s note Hey! Thanks for reading (or scrolling all this way). It's been so long since I uploaded my last fic and I’ve been lurking ever since - I miss u all but there isn’t really any room in my life for writing anymore. I have loved doing this and thank you all so so much for reading everything! I’ll be about, so the blog will stay and you can read whatever you want whenever you want. I love ya, I’ll miss ya, see ya l8r!
#hi I love you all I miss u all please enjoy this#eddie munson#eddie munson fluff#stranger things#eddie x reader#eddie munson x you#eddie munson x reader#eddie munson smut#eddie x you#eddie munson fic#eddie munson x reader fluff#eddie munson stranger things#eddie munson imagine#eddie imagine#eddie fanfic#eddie fic#eddie#medieval au#knight!eddie#princess!reader#fem!reader#eddie smut
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girl help they're sending me to the stocks until tomorrow morn for saying unto the king that i think sir lancelot of the lake and sir gawain of orkney should just kiss already
#need to go back in time so i can tell all the medieval teenage girls about knight yaoi#sort of a connecticut yankee moment but instead of the whole eclipse thing i get publicly executed for fetishisng gawaincelot's relationshi#arthuriana#arthurian legend#lancelot#gawain#gawaincelot#lancelot x gawain
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#lines that live rent free in my head tbh. although i'm not sure i communicated it as well/clearly as i'd like#he should def look a little more scary but i'm not the best at dogs aksdjfhjdsk#thoughts#my art#les mis#jean valjean#javert#<- i mean. sort of. lol#also Two footnotes here:#firstly i'm pretty sure in the original french it just stops short at 'to lick' & what is being licked is just implied by the context#so the 'intruder's hand' is all hapgood afaik. that said it's fun so i'm keeping it. fan art of hapgood translation specifically now ig#second footnote is just that i don't think he'd actually have any scars around his wrist bc the manacles are only for actually being#arrested afaik. when he was actually in toulon he'd only have the chain on his leg. but it's good symbolism so.#also the chain thing i had a whole thought process abt symbolism we being willingly/unwillingly chained willingly/unwillingly set loose#parallels & contrasts etc etc but i don't think it really ended up being very clear. but oh well. we're clearing out wips here#also was contemplating something about that thing about medieval art of saints having an open palm to represent#openness/sincerity/righteousness to the person they're facing but again not very evident
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”—ah. seems like mother goose has been playing around in your egg salad. if you won’t dance to that tune, I got others.”
honestly, the would you kindly scene is whatever to me*, code yellow is the more interesting violation/betrayal of the body because of how beautifully it escalates the Fontaine reveal/betrayal and shows how ugly some of those ‘locks and keys’ that Tenenbaum mentions are. not only have you been a tool in another man’s hand this entire time, it goes deeper. your body is not your own.
*there used to be a meandering thought here about the would you kindly scene, but it was really just talking around the fact that I spent way too many years seeing people discuss it in the most insufferable and reductive ways possible when it’s a combination of three or four other things that make that moment compelling lmao
collage credits: heart one/heart two
⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!
#honestly if Fontaine was upfront about wanting Ryan dead I’d have done it after ten minutes of walking around Rapture#I have (squints) somehow two ideas about suchong I want to get out. one more abt atlas and manipulation#there’s a specific kind of family adjacent horror occurring in the text and it’s WILD that suchong is the one we hear Jack refer to#in familial terms while two other men force themselves onto you by appropriating the father role over your body :)#to be clear tho I don’t actually think Fontaine had any familial sentiments towards Jack he’s just occupying Ryan’s space now#bioshock#WHEEZING can you tell that I think every ‘wow a man chooses/a slave obeys is so deep!’ think piece is stupid as hell#thankfully it’s not as prevalent as it was a decade ago but my god people thought it was the height of philosophy for too long#ANYWAY ALL OF THIS TO SAY. there’s a certain kind of trans anxiety/horror in having your body betray you. or generally body#anxiety. but I read a lot about it in a medieval gender context so it’s trans to me. amongst other things.
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I think loveless aros deserve a thousand dollars for every time someone claims that love is the meaning of everything or love makes us human etc etc
"by love we mean all forms of love, including nonromantic!!1!" You clearly Do Not understand. Return to start, do not pass go, do not collect 200 dollars.
There is no center of the universe, there is no unified meaning of everything, and there is no social or biological trait that "makes us human" besides the literal being humans thing, and any attempt to assert otherwise will other and alienate more people. There is no one emotion that you need to feel in order to be a good person or even a person at all
#i also think they deserve giant medieval spiked maces but y'all aren't ready for that conversation yet#i ain't even a loveless aro but man will I go to bat for them#such a big part of dismantling amatonormativity is decentering ALL love#to end this eternal pressure for people to feel and identify their feelings in the same ways as others#we don't all need the same outlook.... we don't all need to feel the same things in order to be good people#aromantic#i dunno man. i just Keep Seeing these stupid posts..... and I know people just don't even understand#but they should make the effort to understand!!!#i listened and I learned and I stopped talking like that! because I saw what that does to people and how much it hurts!
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hotd's commentary on patriarchy is so much more interesting when you allow yourself to acknowledge the differences in privilege and power between the various women we see. aemma, alicent, laena, rhaenys, rhaenyra- they all have varying levels of privilege that come to them either indirectly or directly. rhaenyra is, ofc, undisputedly at the top. and this doesn't sideline or villainize rhaenyra in any way, because no amount of privilege will change the fact that she is not a man. like otto said: she could be jaehaerys reborn, could be as wise and powerful and mighty as any human being could be, and at the end of the day society would still see her as a woman. as the most powerful woman, sure, but as a woman. and i think that's just a much more salient point- that no amount of power within a system will allow you to breach the confines of that system. no matter how much influence these woman gain within the system of patriarchy, they're never able to be free of it.
#this post is motivated by the people who are trying to claim alicent and rhaenyra had the same amount of privilege#like no they're two different people#same goes for every other woman we see#things like race and class and political station and reputation and access to medieval nukes all shift the scales differently#rhaenyra targaryen#alicent hightower#rhaenyra#alicent#rhaenys targaryen#laena velaryon#aemma arryn#hotd#house of the dragon
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"Since you've named yourself after Julius fucking Caesar, perhaps I'll follow in your lead and choose one of the conspirators." "Interesting," says Giuliano. "Should I worry about finding you at the center of some kind of conspiracy that ends with my death?" "Not from me," replies Ascanio. He sounds tired. "Not anymore."
informally, some kind of. conversational follow up to the last comic. I'm trying to get the atmospheric conversational whimsy out of my system because I have a vision of the vatican as a body in active decay, a point of infection spreading out and poisoning the well, a jaw unhinged that people walk into over and over, and I am so close to figure out how to convey this visually. maybe.
#not that there's anything wrong with atmospheric whimsy but i kind of want to get into the gross body horror of it all#literally. allegorically. for the vibes. its just hard to pin down the abstract thought of 'oh we should High Rise the Vatican' you know#(High Rise by JG Ballard is what i'm referring to here) like how do I achieve this. well. first. is i must lay out the vatican and become#intimate with the visual set pieces. then i can talk about how this building could literally be hazardous to your health#however. drawing the vatican. is very. uhhhh. man I do not know enough about medieval-renaissance architecture to be inventing#anything and that one book that collected interiors of rooms and houses in renaissance art is NEVER ANYWHERE EVER#and if it is then it's always around when i cannot afford it. i feel like i am in a specific kind of torment torture box#i will not be defeated tho. i can design a vatican through other means.#ANYWAY. i think antidepressants would've made ascanio an unstoppable menace in the vatican#there's a bunch of stuff being referenced here but my pdf reader does not want to cooperate with me so basically we're playing around with#ascanio's household staff (alessandro) that whole thing wrt to ascanio & acts of piety/charity (such as covering dowries etc)#uh. that's it! this time i didn't accidentally call giuliano by his brother's name. which is . sherhhg. so there's a fic i was writing.#italian renaissance tag#komiks tag
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Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.
#lol I don't remember writing this - I found it when I was searching for something else in my drafts. But it's 100% true so I had to post it.#elizabeth woodville#my post#Imo this is mainly because Elizabeth's negative historiography has always involved both vilification and diminishment in equal measure.#and because her brand of vilification (femme fatale; intriguer) suggests more indirect/“feminine” than legitimate/forceful types of power#It's still bizarre though-you'd think these would be some of the most famous & defining aspects of Elizabeth's life. But apparently not#I guess she only matters when it comes to marrying Edward and Promoting Her Family and scheming against Richard#There is very lacking interest in her beyond those things even in her traditionally negative depictions#And most of her “reassessments” tend to do diminish her so badly she's rendered utterly irrelevant and almost pathetic by the end of it#Even when some of these things *are* mentioned they're never truly emphasized as they should be.#See: her formal appointment in royal councils. It was highly unconventional + entirely unprecedented for queens in the 14th & 15th century#You'd think this would be incredibly important and highlighted when analyzing late medieval queenship in England but apparently not#Historians are more willing to straight-up INVENT positions & roles for so many other late medieval queens/king's mothers that didn't exist#(not getting into this right now it's too long...)#But somehow acknowledging and discussing Elizabeth's ACTUAL formally appointed role is too much for them I guess#She's either subsumed into the general vilification of her family (never mind that they were known as 'the queen's kin' to actual#contemporaries; they were defined by HER not the other way around) or she's rendered utterly insignificant by historians. Often both.#But at the end of the day her individual role and identity often overlooked or downplayed in both scenarios#and ofc I've said this before but - there has literally never been a proper reassessment of Elizabeth's role in 1483-85 TILL DATE#despite the fact that it's such a sensational and well-known time period in medieval England#This isn't even a Wars of the Roses thing. Both Margaret of Anjou and Margaret Beaufort have had multiple different reassessments#of their roles and positions during their respective crises/upheavals by now;#There is simply a distinct lack of interest in reassessing Elizabeth in a similar way and I think this needs to be acknowledged.#Speaking of which - there's also a persistent habit of analyzing her through the context of Margaret of Anjou or Elizabeth of York#(either as a parallel or a foil) rather than as a historical figure in HER OWN RIGHT#that's also too long to get into I just wanted to point it out because I hate it and I think it's utterly senseless#I've so much to say about how all of this affects her portrayal in historical fiction as well but that's going into a whole other tangent#ofc there are other things but these in particular *really* frustrate me#just felt like ranting a bit in the tags because these are all things that I want to individually discuss someday with proper posts...
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I'm arguing with some catholic girl on tiktok (yes i know, first mistake) and she just told me that "going to church on sundays" is literally in the 10 commandments. Baffled actually.
#own post#catholicism#my credentials are life long trauma from catholic school and basic reading comprehension so don't try to tell me that moses and his crew ha#a) churches and b) sundays as their holy/'important to religious activities' day#she also claimed that the thing about not being supposed to take the eucharist when not “”pure enough“” (approximately paraphrasing) is#about going to church on sundays#when i have it on good authority (my catholic grandma) that it's about having gone to confession semi recently#like i feel this person is just obsessed with going to church on sundays#but girly this isn't the medieval times anymore the official doctrine is that being a good person is more important to getting into heaven#than Churchill attendance#obviously church attendance helps but they won't kick you out for being holier than jesus and never going#essentially#she's like really nice and all but she is factually wrong
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Till's piece from the event is a very honest depiction, but I want to examine it in more detail since it looks so interesting.
For one, I find the headpiece confusing, I was hesitant on this point in the last post I made covering this I assumed the headpiece Till is wearing (separate from the headphones) was this device.
There isn't even a name for that device, but it's been theorized that it serves a similar function have the collars pet humans have, but affects the pet humans in some way.
I believe it's a behavioral management device since there is an emphasis on the brain when it's shown. And just based on the design itself. I think the purpose of it is similar to a shock collar.
Till in this environment looks familiar, he has that focused expression that he always has when he's writing music, like he's in a daze. Since this is a practice in a controlled environment I think he might actually be handling an instrument this time around (hence the headphones). Till has a natural passion for music, the environment of Anakt Garden also appears more calm than what he goes through with Urak so he looks very much in his element.
But despite how calm, and focused he looks outwardly, his collar shows orange.
Till is giving with his expressions even around the aliens, so if he was feeling bad (I would suspect as much seeing the fresh experiment patches..) I believe it would look more obvious, but the difference threw me off a bit. I could be reaching (definitely) But given how unruly his behavior can be, and how much effort the aliens are putting into finding ways to subdue him I think they used that device to mellow him out so that they could properly monitor him.
The collar being orange gives me the impression that he's not as calm as he looks but the headpiece is keeping him in a 'sedated' state(?)
Red - Condition in the negatives, energy depleted, feeling bad. overall horrible state.
Orange, yellow - to a lesser extent, more like if you're feeling skittish, nervous, (think of this mode as feeling under the weather)
Green - Good, calm, happy, normal and a healthy mode.
(Translation by kh47uo on Twitter)
This behavior could also show desensitization, as he had likely been conditioned to not be phased nor show weakness in front of the aliens even if he feels bad, a way of tolerating. But this is just me trying to make sense of whatever that head gear was... he could've also been sedated beforehand (banging my head against the concrete)
Also interesting to me that we weren't shown Till doing other things, like dancing, or singing. I think it's a testament to Anakt's (And Urak's) priorities as they have Till build on his music skills, his strongest skill. It's probably because that's all he has to offer is his music (His grades in every other subject are a mess.). So building that to its greatest potential before anything is important. But it's a reminder of the situation, he's not so intense about his craft because of his inclination to it. He doesn't make music simply because he likes it, he does it because it's what he has to do to survive. Despite doing what he is naturally driven to do, he looks like he has had his life drained out of him.
Urak (the bastard) knows that for sure. Appearances, and 'decent' skills can get you far but overwhelming passion and skill can put you farther above all the rest, it's exactly why Luka is the best in his league, and why Urak pushes Till to his limits to surpass that even with such destructive means.
#overanalyzing this under a microscope for science#yes this is a smelly brainvomit i really just want to yap because i love this piece#probably one of my favorites#im gonna kill urak im gonna kill urak im gonna kill#explodes#i think i went a little off track here but i found a lot to say about this piece#this whole event looked like what the aliens find flaws in their pet humans/ need to perfect#like Ivan. above all things he needed to get his appearance corrected for the stage#things like that#it's probably very mundane to the aliens#to me it looks like medieval torture#average day of kindergarten in alien stage:#im getting tears on my keyboard#alien stage#alnst#alien stage till#alnst till#i think they probably zooted him out like usual if the head piece is there for nothing in specific#i know its something to do with experiments though the wires are tell tale#whyre the aliens taking so much fucking blood#ill become a doctor to solve this mystery#something something heperu and urak are going to drive their pets ballistic the more they treat them like soldiers that can take anything#in the name of 'improvement' more like 'win my silly ego game my little barbie doll'#THEY WERE ALL JUST KIDS DAMN#FUCK#slams my head on the pavement agai
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ngl I was a little surprised when I first saw people describing Falin as a "masculine" woman. like this is just what the average Northern European woman looks like on a regular day:
and this is literally what me and my roomates look like when we "dress up" to go out and eat:
(image source) Maybe add like a neck cerchief and some bright nail polish. if you go any more "girly" than that and the waiter might ask whose birthday it is.
#currently living with Girls(TM) who consults the group chat before putting on a dress. 'is it a dress occasion?' it usually isn't.#vitpost#dungeon meshi#falin touden#fun thing abt summer is that tourists come here and you can often tell who's not from a northern european country by clothing#shoutout to all the southern european girlies in their pretty dresses ily#also to the korean lady I saw at medieval fortress last week wearing a hanbok. cheering on her 8yo son#who was beating a grown ass knight in a fight with a plastic sword#great stuff we love to see it
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some people are sooooo annoying. thinking that fantasy characters in a pre-industrial society can only dress in one certain way and getting mad when a show actually attempts something a little more unique & visually distinctive is a you problem, not a WOT costuming problem.
as for lanfear specifically, her costumes are SUPPOSED to feel strangely modern, that's literally the point seeing as she is from an entirely different and super high-tech society. but the aes sedai too, like...........it's a FANTASY world, why on earth should they adhere to our ideas of what people dressed like in medieval europe? who the hell are you to say if something is "too modern" for a COMPLETELY MADE UP world? shut up
(also, if we are being technical, wotworld is post-apocalyptic, not medieval, which the first person should know even if the second person has no idea what wot is and is just passing judgments based on their own assumptions of what All Fantasy Shows should look like)
#wot#GOT did some good things for the fantasy genre but convincing everyone that all fantasy=medieval europe with dragons#was NOT one of them
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i have been thinking about malevolent 46 all day theres something about it that just. fucking. works so well. it’s so perfectly eerie and frightening with such great moments of arthur and john reacting so wrong to whats happening. that specific moment in the fairy ring really just latched into my brain it was so wonderfully and whimsically terrifying. the loss of control and arthur’s reaction is so fascinating to me
#arthur malevolent#malevolent#malevolent podcast#malevolent 46#jarthur#arthur lester#john doe#the MUSIC too goddamn…the way it got faster and faster with arthur’s story building was mwah chefs kiss#season 5 has been WONDERFULLY creepy so far#i love me some medieval eldritch horrors#and i KNOW john will be kicking himself for how he unwittingly reacted to the story in the ring#and arthur is clearly freaked the fuck out ohhh boy#how did it feel to have such a closely guarded well kept secret pulled from his lips in such an excruciating fashion#unable to fully comprehend what’s happening until it’s too late#coming back to yourself realizing that this horrible thing has been yanked from between your teeth#all the while you leapt and danced and wept#guilt is such a palpable force in the podcast it is FASCINATING to see how it interweaves through arthur and john’s actions
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L'APPEL DU VIDE
okay so. jack! jack. what a collection of guys. the overlap between jack and the beanstalk and jack the giant killer, though. that sure is something! sometimes king arthur is there, which always takes me by surprise.
this. specifically. is an idea I've been kicking around. jack and the beanstalk is not a story I've ever enjoyed, as a kid it was probably my least favorite to read. as an adult, I was INTENSELY fascinated by reading j.g. ballard's the drowned giant. I think about it frequently, and somewhere during a re read of it, I ended up revisiting jack.
combining different versions of jack into one character is not a new concept, but it IS a fun one! the version I've been assembling together plays less with the fun elements of a jack story (and adjacent folklore stories), and focuses more on the potential for tragic elements with the addition of the usual grim and jagged narrative edges that I personally enjoy.
jack with the backstory of the devil and the three golden hairs, only jack doesn't find love, he's TIRED, all he wants to do is go home, but there isn't a home to go back to. what is the point of being born lucky if this is what it gets you? jack the giant killer, only he doesn't want to kill giants, jack who saw a body of a giant when he was a small child and cannot bring himself to do as a king commands. jack, who climbs up the beanstalk and stops halfway to look down. etc.
to go back to the drowned giant real quick, both to set the tone about jack seeing the body of a giant as a youth, and also because I've been haunted and obsessed with this excerpt of it ever since I read it:
J. G. Ballard, The Drowned Giant
anyway! this was originally like, a two illustration concept to get out of my system. however. I'm halfway through outlining a narrative. so. maybe it will also be several illustrations and also comic.
#original tag#generic medieval tag#WAHOO. alright.#i dont have any additional commentary in the tags. reading the drowned giant years ago Did Something To Me#and it connected with whatever it was that made me dislike the jack and the beanstalk narrative (i know what it is. its just not really#all that relevant to this post. also im tired. its time for bed)#through the power of Why Not. i will now. turn it into a story????#i think. its definitely been taking up a lot of space in my mind lately#the only thing stopping me from turning it into my Side Project to do when i need a break from doing Bad Governance edits#is that. ive run out of notebooks???? to start a new story in. and i am Old and i only outline stuff by hand#eventually i'll get to daiso and pick up some new ones and work on this for real. until then. im going to continue to write about it#in my personal journal where i dump all my thoughts and ideas into
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