#all qawwali

[maester-of-spreadsheets]

Aka; an Armand playlist that only has songs from Shah Rukh Khan movies

Season 1 Episode 1: Aaya Tere Dar Par // Veer-Zaara I have broken all bonds with the world For you have come, leaving the world behind On your doorstep, your lover has come He has come, your lover has come

[Sorry for qawwali rocking. It will happen again.]

Season 1 Episode 2: Aa Tayar Hoja // Asoka Once on board the evening ship, get yourself settled in Come on, let's go! The evening shall be ecstasy The lips shall be mine but the thoughts shall be yours

[Needed at least one item number because Rashid!Armand basically served the same function as "I'm not sure what's happening here but I think I like it!"]

Season 1 Episode 3: Jaadu Teri Nazar // Darr Whether you say yes or no Whether you say yes or no Kiran, you're mine Kiran, you're mine

[Might as well throw this banger at the episode where Armand doesn't do anything but get accused of lingering.]

Season 1 Episode 4: Chaiyya Chaiyya // Dil Se Those who’ve been blessed with The shadow of love over their head, Will have heaven under their feet one day

[This claim is a little less impressive when you can float and you're immune to mediocre stars.]

Season 1 Episode 5: Chalak Chalak // Devdas This wine, this wine, yes, this wine, this wine This wine brings with itself The rain of memories It splashes and overflows This wine all around the heart

[Just here because of how often wine and blood are used as metaphors for one another and this episode has really comedically sezualized blood drinking DON'T THINK TOO HARD ABOUT HOW THE END OF THE SONG SIGNALS DOOM...]

Season 1 Episode 6: Baazigar O Baazigar // Baazigar My heart was alone You played such a game I stay up all night in your memories

[And that's a threat by the way.]

Season 1 Episode 7: Aaj Ki Raat // Don

The crazy ones are still unaware of What's going to happen tonight, What will be gained, what will be lost

[Not only is it difficult to know what Armand is doing, it's-]

Season 2 Episode 1: Tumse Milke Dil Ka // Main Hoon Na Check that! Wiiiiicked

[Or, if you prefer: "You don't know what is inside of my heart/You will remember my story."]

Season 2 Episode 2: Where's the Party Tonight // Kabhi Alvida Naa Kehna The pleasant songs are playing All lovers are misled So dance all night Where's the party tonight?

[Somewhere down the road!!!... at the combination mansion and vampire all you can eat place.]

Season 2 Episode 3: Phir Milenge Chalte Chalte // Rab Ne Bana Di Jodi I wish someone would love me, even if it’s a lie Even if it’s a lie, yes even if it’s a lie In every lifetime, the colors will change We blossom behind the curtains of dreamland We are travelers on the path of love, We’ll meet again as time goes by

[There are so many bollywood songs that make me feel like I've lived through several lifetimes, especially this one.]

Season 2 Episode 4: Ishq Kameena // Shakti Love is rotten, it has broken every heart Every lover has lost out to love, love has struck me down I find no peace, love is horrible, it makes life miserable

[Good song for an episode with everyone trying and failing to be romantic.]

Season 2 Episode 5: Dard-E-Disco // Om Shanti Om Then the fountain of grief started flowing As the balloon of my dreams burst That's why I now wander London, Paris, New York, L.A. or San Fransisco In my heart is the pain of disco

[... /Mic drop]

Season 2 Episode 6: Marjaani // Billu In the presence of God, I've also made promises I've acted according to the customs of the world Still if the world doesn't understand, then punish it If it agrees with you, then reward it If this crazy world doesn't agree to it then Let the world go to hell and die

[When you are about to be unable to prevent it :(]

Season 2 Episode 7: Dastaan-E-Om Shanti Om // Om Shanti The story goes that the one who recognizes the murderer, That lad has come back. It’s life’s way of telling the murderer That the shadow of death has surrounded him

[Just play this one in reverse because instead of using the trappings of theater to reveal the truth about an ingenue who was burned to death, we are using theater to conceal the truth about an ingenue who was burned to death.]

Season 2 Episode 8: Let's Break Up // Dear Zindagi Let’s break up, oh my love Agree to this We’ll never be able to make it work so let it go Let's break up!

[Yes, let's.]

[seekmemystar]

Balam, Pichkari that you hit me with बलम, पिचकारी जो तूने मुझे मारी

So the simple girl became a drunkard तो सीधी-सादी छोरी शराबी हो गई

Yes, you danced wearing jeans. हाँ, jeans पहन के जो तूने मारा ठुमका

So Lattu became the neighbor's sister-in-law तो लट्टू पड़ोसन की भाभी हो गई

It's your wrist, it's in your hands तेरी कलाई है, हाथों में आई है

I twisted it and it felt like cream मैंने मरोड़ा तो लगती मलाई है

This taste of cream will be expensive महँगा पड़ेगा ये चस्का मलाई का

it is good for you to fast उपवास करने में तेरी भलाई है

Yes, Bindiya, you have become pregnant. हो, बिंदिया तेरी माहताबी हो गई

If the desires of the heart become uncountable, then... दिल के अरमानों में बेहिसाबी हो गई, तो...

Balam, Pichkari that you hit me with बलम, पिचकारी जो तूने मुझे मारी

So the simple girl became a drunkard तो सीधी-सादी छोरी शराबी हो गई

Yes, you danced wearing jeans. हाँ, jeans पहन के जो तूने मारा ठुमका

So Lattu became the neighbor's sister-in-law तो लट्टू पड़ोसन की भाभी हो गई

Balam, Pichkari that you hit me with बलम, पिचकारी जो तूने मुझे मारी

So the simple girl became a drunkard तो सीधी-सादी छोरी शराबी हो गई

Yes, you danced wearing jeans. हाँ, jeans पहन के जो तूने मारा ठुमका

So Lattu became the neighbor's sister-in-law तो लट्टू पड़ोसन की भाभी हो गई

O, why is there an abuse on the lips of no vacancy? ओ, क्यूँ no vacancy की होंठों पे गाली है?

While the room in your heart is empty जबकि तेरे दिल का कमरा तो खाली है

(The room is empty, The room is empty) (कमरा तो खाली है, कमरा तो खाली है)

I know what you want मुझको पता है रे, क्या चाहता है तू

The song is yours, the intention is Qawwali. बोली भजन तेरी, नीयत कव्वाली है

This oppressor has become a ready answerer. ज़ुल्मी ये हाज़िर जवाबी हो गई

Today you have become the key to every lock, so... तू तो हर ताले की आज चाबी हो गई, तो...

here u go broski😔

i did not read all that I believe you okay I'm not reading this

[orgasming-caterpillar]

DOYH: Music Taste

Ranveer Kashyap

classical music is life (both Hindustani and Carnatic)

Lata Mangeshkar, Muhammad Rafi and Kishore Kumar fanboy to the core

will occasionally turn on a qawwali (doesnt want to admit that he's obsessed)

is very picky in english songs, but likes Hozier, Sleeping At Last, and Frank Sinatra

Raghav Patil

knows how to play acoustic and electric guitar

had a rock/punk phase in high school (only with music tho) and still likes them

boy's got Arctic Monkeys and Mother Mother in his blood

fell in love with retro bollywood music after he plugged into one of ranveer's playlists

he is… SO DRAMATIC. Like,, Rahat Fateh Ali Khan level of dramatic. Played Zaroori Tha in his head while crying in chapter 17

Madhuri Gaikwad

oh she's THAT girl

has a beautiful voice, wants to be like her favorite (Asha Bhosle)

can recite every hindi item song by heart, especially old bollywood ones. Chikni chameli? Ek do teen? Badi mushkil? Chane ke khet mein? She knows them all.

surprisingly, she also knows a lot of aartiyaan and mantras, catch her singing Madhurashtakam at any time of the day.

Manorama Shankar

MARWADI SONGS

is lowkey embarrassed by them usually, but push her onto the dance floor in a rajasthani wedding, and she's killing it on every single beat.

has a gym playlist

has a whole playlist of bollywood loverboy songs for madhuri, sings them at random times to make her blush

Shrishti Kaur

HOZIER LESBIAN

mitski too

hates mainstream bollywood songs

likes hard vocals, more for practicing than for listening because she likes pushing her limits

[zradfordhq]

Mind of Mine is the debut studio album by English singer and songwriter Zayn. It was released on March 25, 2016 through RCA Records, and was released one year after his departure from One Direction. Primarily an R&B and alternative R&B record, the album blends elements from various genres, including pop, folk, dub, soul, funk, electronic, Qawwali, hip hop, reggae, classical and soft rock. Upon release, it was met with generally positive reviews, with praise for Malik's new musical direction and his vocal performance.

The album was influenced by the music that Malik grew up with, primarily his father's urban music records, including R&B artists R. Kelly, Usher, Donell Jones, and Prince, rappers Tupac and Biggie, and reggae artists Gregory Isaacs and Yellowman, as well as Bollywood music.

He cited rapper Tupac's All Eyez on Me as the album that had the biggest impact on him, stating that it is "so real, and from a perspective of a place where somebody is not afraid to be completely 100 percent honest." He said, "as I grew up, it really helped me to understand that it’s OK to be honest with your art, because people appreciate that."

In an interview with NME, Malik explained the album's title: "It's really reflective of the whole experience that I want to give the listener. I wanted it to be almost like a brainstorm. It’s just music and it’s just whatever you’re feeling at that moment in time."

Talking about the recording sessions with Billboard, Malik's main collaborator for the album James "Malay" Ho said they have gone to unusual lengths in pursuit of inspiration, for one "we went camping for a week in the Angeles Forest – set up a generator and a tent so we could track in the woods." James Ho is a Grammy Award winning producer, whose past work includes Frank Ocean's Channel Orange and Big Boi's Sir Lucious Left Foot: The Son of Chico Dusty. "I'll come down here [the recording room] and record maybe seven songs a night," Malik told the magazine. "I’m enjoying what I’m doing. I’m not censoring myself anymore."

Ho described Malik as "pure genius" and noted that most of the vocals were recorded in just a few takes.

[urdubooks24]

Sufinama: A Journey Through the World of Sufism

Sufinama: A Journey Through the World of Sufism

Sufism, an ancient mystical tradition, transcends boundaries of time and space, encompassing poets, saints, and seekers of divine love. In this comprehensive guide, we embark on a journey through the rich tapestry of Sufinama, exploring its diverse facets, from poetry and music to spiritual teachings and stories. Let us delve deep into the essence of Sufism and unravel its timeless wisdom.

Poetic Gems of Sufism: Sufi poetry, with its sublime beauty and profound symbolism, serves as a beacon of light for seekers on the path of love and devotion. From the ecstatic verses of Rumi and Hafiz to the soul-stirring couplets of Kabir and Bulleh Shah, explore the transcendent power of words that echo the longing of the human soul for union with the Divine.

1. Sufis/Sants:  The luminous souls known as Sufis or Sants exemplify the highest ideals of love, compassion, and humility. Through their exemplary lives and teachings, they illuminate the path of spiritual awakening and inspire countless seekers to tread the path of inner transformation.

2. Sant Vani: Sant Vani, the divine utterances of saints, resonates with the eternal truths of existence. Immerse yourself in the timeless wisdom of Sant Kabir, Sant Tukaram, and other revered saints as they impart profound insights into the nature of reality and the essence of divine love.

3. Sufi Qawwali: Sufi Qawwali, the soul-stirring devotional music, transports listeners to realms beyond the mundane, awakening the heart to the ecstasy of divine love. Experience the mesmerizing melodies and ecstatic rhythms that characterize this rich musical tradition, celebrating the union of lover and Beloved.

4. Sufi Kalam: Sufi Kalam, the mystical poetry set to music, serves as a vehicle for spiritual transformation and transcendence. Delve into the depths of Sufi Kalam as it weaves together themes of love, longing, and surrender, inviting listeners to embark on a journey of inner awakening and self-discovery.

5. Sufi Prose: Sufi Prose, imbued with wisdom and insight, offers invaluable guidance on the path of self-realization and spiritual enlightenment. Explore the profound teachings of Sufi masters through their timeless writings, which illuminate the mysteries of existence and the journey of the soul.

6. Persian Dictionary: A comprehensive Persian dictionary serves as a valuable resource for students and enthusiasts seeking to deepen their understanding of Sufi literature and language. Discover the richness of Persian vocabulary and delve into the nuances of mystical terminology used by Sufi poets and scholars.

7. Sufi Stories: Sufi Stories, with their allegorical wisdom and timeless moral lessons, inspire and enlighten readers of all ages. Journey through enchanting tales of love, compassion, and spiritual awakening, as recounted by Sufi masters such as Jalaluddin Rumi, Attar, and Fariduddin Attar.

8. Sufi Music: Sufi Music, with its enchanting melodies and devotional lyrics, transcends cultural boundaries and touches the depths of the human soul. Experience the transformative power of Sufi music as it evokes states of ecstasy, reverence, and divine communion, inviting listeners to immerse themselves in the ocean of divine love.

9. Conclusion: Sufinama, a tapestry woven with threads of poetry, music, and spiritual wisdom, offers a glimpse into the mystical realm of Sufism. As we conclude our journey through the world of Sufism, may we carry with us the timeless teachings and blessings of the Sufi masters, guiding us on the path of love, light, and inner peace.

[wishesofeternity]

Zeb-un-Nisa, Aurangzeb’s eldest daughter, is born in Daulatabad in 1638 when Aurangzeb is governor of the Deccan. While Daulatabad fort dominates the horizon from a hilltop, Aurangzeb is building a new capital at Khadki town, stronghold of Jahangir’s old nemesis, Malik Ambar the ‘rebel of black fortune’. Malik Ambar is now long dead, having never allowed the Mughals to claim the Deccan while he lived. Zeb-un-Nisa, daughter of the Persian noblewoman Dilras Banu Begum, grows up in this provincial capital, far from the intrigues of the Mughal court. In the Deccan, the supremacy of her father is unchallenged and Zeb-un-Nisa is given a rigorous education under the supervision of Hafiza Mariam, a scholar from a Khurasani family. Zeb-un-Nisa is an excellent student and excels in the Arabic and Persian languages. Her father is so delighted when she recites the entire Quran from memory as a child that he gifts her 30,000 gold mohurs. In her erudition and her quick wit she is very like her aunt, Shahzaadi Jahanara, whom her father respects above all the other women of the court. When she is fifteen years old, she visits Shahjahanabad with Aurangzeb’s zenana as they return from the doomed Kandahar campaign. She is enchanted with the sparkling new city, the elegant women with their refined tehzeeb, their every gesture studied and full of grace. In the travelling court of her father, in these wildering years, it is a more pragmatic and pared down zenana but in 1658, when Zeb-un-Nisa is twenty years old, Aurangzeb deposes Shah Jahan and his household moves to Shahjahanabad.

Dilras Banu Begum, the somewhat haughty senior wife of Aurangzeb, is now dead. Even Aurangzeb, when giving marital advice to a grandson, will later admit that ‘in the season of youth’, he ‘too had this relation with a wife who had extreme imperiousness’. Since the other wives of Aurangzeb have less illustrious backgrounds, the senior women of the royal zenana are Roshanara and her eldest niece, Zeb-un-Nisa.

For twenty years Zeb-un-Nisa will be one of the most influential women of the zenana at Shahjahanabad. Her particular area of interest is poetry and literature. She collects valuable manuscripts and books and her library is one of the most extensive in the country. When Aurangzeb begins to retrench imperial patronage towards music and poetry, it is the royal women, the shahzaadas, the noblemen and then, later still, the wealthy middle class of Shahjahanabad who will continue the patronage of the arts. The governor of Shahjahanabad, Aqil Khan, is himself a poet and writes under the pen name Razi. Indeed, despite Aurangzeb’s later disfavour, Shahjahanabad fairly pulses with music. It tumbles from the kothis of the courtesans, the women thoroughly trained singers themselves, who bring Delhi Qawwali singing to mainstream attention. It vaults out of the large mansions of the newly wealthy, who prefer the lighter Khayaal and Thumri styles. In the gloaming of a tropical evening, it throbs out of the immense havelis of the princes and the noblemen, in the tenuous hold that Dhrupad still has amongst the elite of the Mughal court. And the poets keep gathering at Shahjahanabad, despite Aurangzeb’s dismissal of them as ‘idle flatterers’. They come from very far, like Abd-al-Qader Bidel, whose family is Chagatai Turkic but whose poetry so defines a phase of Shahjahanabadi poetry that he becomes Abd-al-Qader Dehlvi. Some will come from the Deccan, like Wali Dakhni, and some are born in the narrow, winding galis (lanes) of Shahjahanabad itself. They will write in Persian, in Urdu, in Braj and later in Rekhti. They will write in obscure philosophical quatrains, in flamboyant ghazals or in erotic riti styles but many will glow with the high-voltage mysticism of Sufi thought, for the ghosts of Shahjahanabad’s Sufi saints will enchant all the poets of the city.

Zeb-un-Nisa, like Jahanara who returns to court as padshah begum in 1666, is instrumental in supporting the work of writers and poets through her patronage. She supports the scholar Mulla Safiuddin Adbeli when he translates the Arabic Tafsir-i-Kabir (Great Commentary) into Persian and he dedicates the book to the shahzaadi—Zeb-ut-Tafasir. She also sponsors the Hajj pilgrimage of Muhammad Safi Qazwini. Qazwini will write an extraordinary account of his voyage, the Pilgrims’ Confidant, unique in its genre and magnificently illustrated and will dedicate it to Zeb-un-Nisa. For a few years, the courts of Jahanara and Zeb-un-Nisa will nurture this eclectic maelstrom of a culture, which has much more in common with Babur and Humayun’s camaraderie of artists than it has with Aurangzeb’s increasingly austere one. When Aurangzeb bans opium and alcohol, the easy complicity that the noblemen and padshahs shared in the ghusal khaana or the Deewan-e-khaas while drinking wine, is now forbidden. The imperial women, however, continue to drink wine, often made from grapes in their own gardens, flavoured with spices.

In 1669, Zeb-un-Nisa attends the lavish marriage ceremony of her cousin, Jaani Begum, to her brother, Muhammad Azam, at the haveli of Jahanara. There will be other weddings too: her sister Zubdat-un-Nisa will marry Dara Shikoh’s youngest son Siphir Shikoh and Mehr-un-Nisa will marry Murad Baksh’s son Izad Baksh. But for Aurangzeb’s oldest daughters, there are no more cousins to marry. There is an understanding, also, that these oldest daughters, like their aunts, possess a powerful charisma as Timurid shahzaadis and must be kept within the controlling orbit of the imperial zenana. The decades pass and still Aurangzeb rules, as resolute and restless as a young man. His sons, meanwhile, are growing old and impatient. Muhammad Akbar is Zeb-un-Nisa’s youngest brother and she is particularly close to him, as their mother Dilras Banu died soon after giving birth to him, when Zeb-un-Nisa was nineteen. The other sons are middle-aged men, and there have been skirmishes, the shahzaadas jostling for power, always subdued immediately by their unforgiving father. In 1681, when Muhammad Akbar decides to challenge his father, with the support of a Rajput alliance including the Rathors of Jodhpur, Zeb-un-Nisa is in a particularly vulnerable position.

In 1681, Jahanara dies. The imperial zenana has glowed with her ambition and talent for more than half a century. If the shahzaadas are uncertain about the future leadership of the Mughal empire, then the stakes are almost as high in the imperial zenana. Zeb-un-Nisa believes she may become the next padshah begum. She is a woman of letters, like Jahanara, with the same Sufi inclinations too. She is the eldest of the Timurid shahzaadis and presides over an astonishingly talented salon. It is time, surely, for a shahzaada to ascend the Peacock Throne as Aurangzeb is already an old man, sixty-three years old. So Zeb-un-Nisa sides with the young prince Muhammad Akbar, hoping to ensure her legacy in the next court.

But Aurangzeb is able to defeat Muhammad Akbar, using a mixture of duplicity and treachery. In the process, he discovers letters which incriminate Zeb-un-Nisa, demonstrating her ardent support for her brother. ‘What belongs to you is as good as mine,’ Muhammad Akbar writes in a letter to Zeb-un-Nisa, ‘and whatever I own is at your disposal.’ And in another letter he writes: ‘The dismissal or appointment of the sons-in-law of Daulat and Sagar Mal is at your discretion. I have dismissed them at your bidding. I consider your orders in all affairs as sacred like the Quran and Traditions of the Prophet, and obedience to them is proper.’ Muhammad Akbar is exiled to Persia, and Zeb-un-Nisa is imprisoned at the Salimgarh fort in Delhi. Her pension of four lakhs rupees a year is discontinued and her property is seized.

Very soon after this rebellion, Aurangzeb leaves Shahjahanabad for the Deccan with an entourage of tens of thousands, all of his sons and his zenana. He will never return to Shahjahanabad, which will slowly be leached of all of its nobility, craftsmen, soldiers and traders. Zeb-un-Nisa will live more than twenty years imprisoned in Salimgarh fort. She will grow old here as Shahjahanabad empties of its people and becomes a shadow of its former self. But the poets and the singers do not desert Shahjahanabad, their fortunes and their hearts are too inextricably linked to the great city, to this paradise on earth. Other patrons take over the role of the nobility, humbler people, so that a critical poet will later write:

Those who once rode elephants now go barefooted; (while) those who longed for parched grains once are today owners of property mansions, elephants and banners, (and now) the rank of the lions has gone to the jackals.

Not only do the poets remain but their poetry becomes saturated with the haunted longing and nostalgia which becomes the calling card of all the great poets of Delhi. This city of beauty and splendour, abandoned and then desecrated, and then bloodied, will inspire reams of poetry on the twin themes of grief and remembrance. In the future, one of these poets will court eternity when he writes:

Dil ki basti bhi Sheher Dilli hai;

Jo bhi guzra usi ne loota

As for Zeb-un-Nisa, she waits for Muhammad Akbar to claim the Peacock Throne but he dies, in 1703, outlived by his father. From her lonely prison on the Yamuna, the shahzaadi can see Shah Jahan’s magnificent fort. The Qila-e-Mubaarak remains locked up for decades and the dust and ghosts move in. The bats make their home in the crenelated awnings and sleep as the relentless sun arcs through the lattice windows. Bees cluster drunkenly around the fruit trees in the Hayat Baksh, the overripe fruit crushed on the marble walkways like blood. Moss skims over the canals and the pools, though the waterfall still whispers its secrets to itself in the teh khana (underground chamber) as Zeb-un-Nisa waits. Zeb-un-Nisa writes poetry while she waits for a deliverance that will never come. She is a poet of some repute, and writes under the pseudonym Makhvi, the Concealed One. This is a popular pseudonym, however, and it is difficult to establish which lines are truly written by the shahzaadi but it is likely that the following wistful and delicate lines are hers, written in the grim solitude of Salimgarh fort:

Were an artist to choose me for his model—

How could he draw the form of a sigh?

She dies in 1702, unforgiven by Aurangzeb, and is buried in the Tees Hazari Garden, gifted to her by Jahanara.

— Ira Mukhoty, Daughters of the Sun: Empresses, Queens and Begums of the Mughal Empire

[aashufta-sar]

Why isn't listening to ghazals and qawwalies all day every day a sport. I'd bag all the golds istg 😩

[dhwani-sangeet-mahavidyalaya]

Are you looking for the best tabla classes in Gurgaon? Look no further than Dhwani Sangeet! Whether you prefer offline or online learning, we offer top-notch tabla lessons. Our skilled and trained tabla gurus ensure an exceptional learning experience. The tabla, a vital instrument in Hindustani classical music, requires intricate finger and palm techniques to create mesmerizing rhythms. It is widely used in Bollywood, Qawwali, Bhajan, and Gazal music. Our classes cater to students of all ages, from kids to senior citizens. Learning tabla brings numerous benefits, including improved mathematical skills, self-discipline, confidence, and stress reduction. Subscribe to our YouTube channel for more musical content. Contact us now to begin your tabla journey at Dhwani Sangeet.

[thesufidotcom]

Nusrat Fateh Ali Khan's Legacy: Nusrat Fateh Ali Khan is widely regarded as one of the greatest qawwali singers of all time. He not only preserved the rich traditions of qawwali but also pushed the boundaries of the genre, experimenting with new styles and collaborating with artists from various musical backgrounds. His work continues to inspire and influence musicians even after his passing. Nusrat Fateh Ali Khan's music has had a profound impact on both Pakistani and international music scenes. His powerful vocals, improvisational skills, and ability to connect with listeners on a deep emotional level have left an indelible mark on the world of music. For Golden Voice of Nusrat Fateh Ali Khan (NFAK): Download Qawwali, Sufiana Kalaam, Hamd, Naat and Ghazal MP3 Songs click link: https://ift.tt/H0Y6RKE https://ift.tt/vR4Y7BM

[sweetdreamsjeff]

Fans, friends mourn passing of Jeff Buckley

Bradley Bambarger

From: Billboard (Vol. 109, Issue 24)

 June 14, 1997

NEW YORK - Memorial services are being planned for singer/songwriter Jeff Buckley, who drowned the evening of May 29 while swimming off Mud Island in Memphis.

Buckley went down in a dangerous section of water near the Mississippi River as an undertow was caused by passing boats, according to a friend present at the scene. His body was found June 4.

An uncommonly gifted, charismatic artist, the 30-year-old Buckley inspired a rare degree of affection from associates and fans around the world. News of his tragic end has elicited waves of laments and tributes, ranging from hundreds of Internet missives to U2 dedicating a song to him at its Giants Stadium concert May 31. A public memorial is being planned for July in New York. A private service for family and close friends will be held sooner.

Buckley had been in Memphis playing a weekly residency at the club Barristers and making preparations to record his second studio album for Columbia Records. He was set to go into Easley Studios with producer/engineer Andy Wallace at the end of June. Buckley made his recording debut in 1993 on Columbia with "Live At Sin-e," a four-song EP taped live at the club Sin-e in New York's East Village, and followed that up the next year with the striking full-length "Grace."

Buckley was born in Southern California to Mary Guibert and the late folk-singing legend Tim Buckley. He barely knew his father but was raised in a musical fashion by his mother and stepfather before leaving home at 17. After living a peripatetic existence, Buckley moved to New York's Lower East Side in the early '90s and coursed his way through the downtown music circles. He eventually hooked up with former Captain Beefheart guitarist Gary Lucas in his avant-rock band Gods & Monsters.

Buckley made demos and toured with Gods & Monsters through 199192, leaving soon after to develop his art in solo club shows. His summerlong residency in '93 at the intimate Sin-e was a sensation, displaying his affinity for troubadour and torch styles as well as a tenor voice that was strong, supple, and unusually affecting.

"When I first saw Jeffat Sin-e, I felt how Jon Landau must have felt [seeing Bruce Springsteen]," says Don Ienner, president of Columbia Records (U.S.). "And it wasn't just the future of rock'n'roll I saw in Jeff but an inspired reverence for the past. He was into so much music - from gospel to qawwali, from Nina Simone to Led Zeppelin - and he was such a remarkable guitar player and amazing singer.

"We're all so devastated that he's gone," Ienner continues. "He touched his fans so deeply, and I know that of all the artists I've signed, none has moved me from the start like Jeff. The title of his record was so appropriate: He had this amazing grace. The only consolation for us is that his music will live on."

A bold, deeply felt album, "Grace" features original music that weds such disparate influences as the Smiths and the Doors, and its insightful covers range from Leonard Cohen's "Hallelujah" to composer Benjamin Britten's "Corpus Christi Carol." Buckley's own songs, particularly "So Real" and "Lover, You Should've Come Over," reveal a searching, sensitive talent. And the two signature tunes reprised from Buckley's time with Lucas, "Mojo Pin" and the title track, are examples of rock at its most transcendent.

"I consider the songs I wrote with Jeff some of the best work I've done," Lucas says. "He was a brilliant collaborator, one of the most talented people I've ever known. Playing again with him at the Knitting Factory's 10th anniversary party in February gave me shivers."

Over the years, Buckley had guested in a variety of musical settings, further demonstrating his catholic enthusiasms and abilities. He sang cafe bohemia with the Jazz Passengers, improv vocalise with John Zorn's Cobra, and 17th-century ballads at Elvis Costello's Meltdown Festival in London. He also played bass on downtown songstress Rebecca Moore's debut album, as well as on tour with the prog-rock outfit Mind Science Of The Mind. And he appeared on the latest albums by Patti Smith and Brenda Kahn and on a Jack Kerouac spoken-word disc. While in Memphis, Buckley was writing songs with members of the grunge-soul band the Grifters.

According to Ienner, Buckley had recorded more than 100 songs over the past three years at home, in rehearsals, and in the studio. That unreleased material includes a batch of demos he had worked on with former Television leader Tom Verlaine as templates for a new record. Ienner says the compilation of any future releases would include the participation of Guibert and Buckley's managers, George Stein and Dave Lory.

Lucas says he has demos and tapes of live radio broadcasts with Buckley that are of a quality typical of their efforts together. "We wrote about a dozen songs, a lot of them just as good as 'Mojo Pin' or 'Grace'," he says. "Jeff had this tremendous spirit that made the work such a thrill. And he touched everyone he came into contact with. It's a tragedy he's gone. There aren't many like him that come along. It's like a light going out."

[travelwithvikram]

Top 10 religious places in delhi

1. Akshardham Temple

Religion: Hinduism (Swaminarayan Sect)

Highlights: Grand architecture, exhibitions, musical fountain, and cultural garden.

2. Jama Masjid

Religion: Islam

Highlights: One of India’s largest mosques, built by Shah Jahan in 1656.

3. Lotus Temple

Religion: Baháʼí Faith

Highlights: Iconic lotus-shaped structure open to all faiths; promotes unity and peace.

4. Gurudwara Bangla Sahib

Religion: Sikhism

Highlights: Sacred shrine known for its healing sarovar (pond) and community kitchen (langar).

5. ISKCON Temple, East of Kailash

Religion: Hinduism (Vaishnavism)

Highlights: Devotional songs, spiritual teachings, and beautiful Radha-Krishna deities.

6. Cathedral Church of the Redemption

Religion: Christianity

Highlights: Colonial-era church with serene ambience and beautiful architecture near Rashtrapati Bhavan.

7. Kalkaji Mandir

Religion: Hinduism (Dedicated to Goddess Kali)

Highlights: One of the oldest and most visited temples in Delhi, especially during Navratri.

8. Chhatarpur Temple

Religion: Hinduism (Dedicated to Goddess Katyayani)

Highlights: Massive temple complex blending South and North Indian architecture.

9. Hazrat Nizamuddin Dargah

Religion: Islam (Sufism)

Highlights: Tomb of Sufi saint Hazrat Nizamuddin Auliya; known for qawwalis and spiritual aura.

10. Birla Mandir (Laxminarayan Temple)

Religion: Hinduism

Highlights: Built by the Birla family; dedicated to Lord Vishnu and Goddess Lakshmi.

[goharshahi]

New Video: Bhar Do Jholi Meri Ya Muhammad | Qawwali | ALRA TV https://www.youtube.com/watch?v=GIvR8B_ZQbo

Hafiz Nadeem Siddiqui recites the beloved qawwali 'Bhar Do Jholi Meri Ya Muhammad (saw)' in the spiritual court of the Beloved Prophet Muhammad (s).

This passionate recitation is filled with devotion, love, and longing, capturing the true essence of a humble supplication before the mercy of the Prophet (s). Let this qawwali touch your heart and elevate your spirit as Hafiz Nadeem Siddiqui's powerful voice delivers every word with sincerity and reverence. A must-watch for all lovers of the Prophet (s).

✅ Get the latest updates from ALRA TV on Telegram Messenger. Download Telegram Messenger from the AppStore or Google PlayStore and subscribe to: https://t.me/official_alratv

❓ Question Sufi Master Younus AlGohar directly! Text your questions to us on WhatsApp: +447472540642 or Facebook messenger: http://m.me/alratv

Watch the live recordings of these lectures every day at 22:00 GMT at: http://www.younusalgohar.com

For Izn e Zikr-e-Qalb (Permission for Awakening of the Spiritual Heart) call Shaykh Amjad Gohar on this number +44 (0) 740 1855 568 via WhatsApp.

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Websites: http://www.goharshahi.us/ http://www.theawaitedone.com/ http://thereligionofgod.com http://www.younusalgohar.org/

NEW URDU LANGUAGE WEBSITE http://www.mehdifoundation.com/

[blissentertainment0]

Wedding DJ Packages in Birmingham and Expert Asian Wedding DJ Services in London

When planning a wedding, choosing the right entertainment is just as important as selecting the perfect venue or attire. In the UK, Bliss Entertainment stands out as a top-tier provider of unforgettable wedding experiences, offering tailored Wedding DJ Packages Birmingham and expert Asian Wedding dj in London. Known for professionalism, creativity, and a deep understanding of diverse cultures and music preferences, Bliss Entertainment ensures that every wedding is filled with joy, rhythm, and lasting memories.

Bliss Entertainment’s Wedding DJ Packages Birmingham are designed to suit a wide range of wedding styles and budgets. Whether you're planning an intimate ceremony or a large-scale celebration, the company offers flexible packages that include high-quality sound systems, vibrant lighting setups, LED dance floors, and even special effects like dry ice or confetti cannons. Every package can be customized to reflect the unique taste of the couple. The experienced DJs bring energy and charisma to the event, ensuring guests of all ages remain engaged and entertained throughout the celebration.

In London, Bliss Entertainment has built a strong reputation as a leading provider of Asian Wedding DJ services, catering to Indian, Pakistani, Bangladeshi, and other South Asian communities. These weddings often involve multiple events like the Mehndi, Sangeet, and Reception, each with its own cultural importance and musical vibe. Bliss Entertainment’s DJs are well-versed in a wide range of genres, from Bollywood hits and Bhangra beats to Sufi, Qawwali, and modern fusion. The team works closely with clients to create a personalized playlist and schedule, ensuring that traditions are respected while keeping the atmosphere lively and festive.

What truly sets Bliss Entertainment apart is their attention to detail and commitment to customer satisfaction. Every couple receives dedicated support from the planning stage to the final dance. Their DJs not only bring the right music but also create a seamless flow of events by coordinating with the MC, videographer, and other wedding vendors. This ensures the event runs smoothly, without stress for the couple or their families.

In summary, for couples seeking comprehensive Wedding DJ Packages in Birmingham or culturally rich Asian Wedding DJ services in London, Bliss Entertainment offers the perfect blend of quality, reliability, and entertainment. With years of experience and a passion for creating joyful moments, they continue to be one of the most trusted names in UK wedding entertainment.

[southasianchronicle]

Narratives from the Subcontinent

South Asia is not a monolith. It is a region stitched together by ancient civilizations, colonial legacies, spiritual traditions, linguistic richness, and the vibrant chaos of modernity. From the snow-capped Himalayas to the coastal plains of Tamil Nadu, the bustling bazaars of Lahore to the temples of Kathmandu, the region pulses with layered histories and contested identities.

To understand South Asia is not to master a single story, but to navigate a chorus of narratives—some harmonious, others clashing, all deeply rooted in place and memory. This blog explores the multiplicity of these voices, looking at how history, culture, politics, and people continue to shape the subcontinent.

A Region of Civilizational Continuity

Long before the idea of “South Asia” existed, the region was home to some of the world's oldest civilizations. The Indus Valley Civilization, with its planned cities and mysterious script, flourished over 4,000 years ago in what is now Pakistan and northwest India. Vedic traditions took root soon after, forming the basis for Hinduism and shaping early Indian society.

Buddhism, Jainism, and later Islam expanded across the region, each leaving a mark not only in terms of religion but also in art, architecture, and governance. Empires rose and fell: Mauryas, Guptas, Cholas, Mughals, and many more. Each dynasty brought new cultural syntheses, languages, and power centers.

But these historical layers are not just found in textbooks—they live on in how people name their children, pray in their homes, cook their food, and speak their dialects.

Partition: The Wound That Still Bleeds

Few events have impacted South Asia more profoundly than the Partition of British India in 1947. In a rushed handover of power, the subcontinent was divided into two (eventually three) nations: India, Pakistan, and later Bangladesh. This geopolitical rupture led to one of the largest human migrations in history, with an estimated 10–15 million people displaced and up to a million killed in communal violence.

The legacy of Partition still reverberates across borders and generations. Families were split across lines hastily drawn. Memory and trauma continue to haunt the descendants of those who walked across borders with nothing but hope and horror in their hearts.

Partition is more than a historical event—it’s an ongoing reality reflected in visa regimes, diplomatic stand-offs, and cultural taboos. Yet, it also prompts acts of reconciliation through literature, oral history projects, and storytelling that defy official narratives.

Language as Identity���and Politics

South Asia is a linguistic universe. India alone has 22 official languages and over 1,600 dialects. Bangladesh speaks Bangla with pride, while Pakistan's identity is deeply tied to Urdu, a language born in India but now a symbol of Pakistani nationalism. Nepal, Sri Lanka, Bhutan—all boast unique linguistic heritages.

Language in South Asia is not just a mode of communication—it’s a political tool and a marker of identity. The Tamil-Sinhalese conflict in Sri Lanka, the imposition of Hindi in Indian states, the status of Urdu in Pakistan, or the marginalization of indigenous languages in Nepal—all show how language is inextricably linked with power.

Yet in markets and street corners, code-switching is common. A single sentence might contain Hindi, English, Punjabi, and a smattering of Persian or Arabic. This multilingualism is both a challenge and a gift, allowing South Asians to slip in and out of cultural spaces with fluency.

Religion, Ritual, and Resistance

South Asia is arguably one of the most religiously diverse regions in the world. Hinduism, Islam, Christianity, Buddhism, Sikhism, Jainism, and countless tribal and folk traditions coexist—sometimes peacefully, sometimes in conflict.

This religiosity expresses itself in myriad ways: Diwali lights flickering in Mumbai slums, Sufi qawwalis echoing through Lahore shrines, Buddhist chants in Ladakh, or midnight mass in Colombo.

However, religion has also been mobilized as a political force. The rise of Hindu nationalism in India, anti-Muslim sentiment in parts of Sri Lanka and Myanmar, or the persecution of minorities like Ahmadis in Pakistan show how sacred identities are being weaponized.

Yet, resistance to religious majoritarianism has also been powerful. Interfaith dialogues, secular movements, and grassroots activism continue to protect the region's pluralistic fabric.

Diasporas and Digital Narratives

South Asia is not confined to its geography. Its people have journeyed far and wide, forming vibrant diasporas in the Gulf, North America, the UK, and beyond. These diasporic communities play a significant role in shaping how South Asia is perceived globally.

Bollywood films, TikTok comedians, British-Indian politicians, and diaspora literature (think Jhumpa Lahiri, Mohsin Hamid, or Arundhati Roy) offer windows into hybrid identities. They capture what it means to be both “from” and “of” the subcontinent—even from afar.

At the same time, digital platforms have allowed regional voices to bypass traditional gatekeepers. From Dalit YouTubers in India to feminist bloggers in Pakistan and climate activists in Bangladesh, the internet is reshaping how narratives are told and consumed.

Youth, Climate, and the Future

South Asia is young—more than half its population is under 25. This demographic is both a challenge and an opportunity. Young South Asians are demanding change, whether through protest, art, or entrepreneurship.

Movements against gender-based violence, anti-caste discrimination, climate change, and authoritarianism are gaining momentum. Greta Thunberg has her counterparts in Delhi, Dhaka, and Kathmandu—young people organizing to protect their future from rising seas, heatwaves, and environmental injustice.

As monsoons grow erratic and glaciers retreat, climate justice has become one of the region’s most urgent concerns. How South Asia navigates this crisis may define its next century.

ABOUT MORE: https://www.tumblr.com/

Conclusion: Listening to the Subcontinent

To engage with South Asia is to be open to contradiction, complexity, and beauty. It is to understand that there is no one truth, no single story. The region is a mosaic of languages, faiths, memories, and dreams.

“Narratives from the Subcontinent” is a call to listen more deeply—to oral histories passed down by grandmothers, to street theatre in Dhaka, to poetry scribbled in Urdu on Delhi’s walls. These are the stories that often escape headlines but hold the keys to understanding the region’s soul.

Whether you are from the region or simply curious about it, may you find in these narratives not just facts or opinions, but reflections of lives lived in full color.

FAQs

1. Why is storytelling important in understanding South Asia? Storytelling offers an intimate, humanized way of understanding the region's complexities. History books may give dates and events, but stories capture emotions, contradictions, and lived realities. Oral histories, literature, films, and digital media allow us to see beyond political borders and into the hearts of communities.

2. What makes South Asia different from Southeast Asia? While both regions are in Asia and share some cultural influences, South Asia typically includes countries like India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan, and the Maldives. Southeast Asia includes countries like Thailand, Vietnam, Indonesia, and the Philippines. The two regions differ in language families, colonial histories (British vs. Dutch/French), dominant religions, and geopolitical frameworks.

[urdubooks24]

Host Free Urdu Cultural Events and Celebrate the Legacy of Language

In a time when modernity is rapidly changing cultural landscapes, the need to preserve and promote traditional languages has become more urgent than ever. Urdu, with its rich literary heritage, soulful poetry, and melodic charm, holds a special place in the hearts of millions across the globe. Rekhta Foundation, the world’s largest platform dedicated to Urdu, has now launched a revolutionary initiative — RekhtaX — that empowers local communities to host Urdu cultural events in their own cities with a free license.

If you’re passionate about Urdu and wish to make a difference, this blog will guide you on how to be a part of a global movement that is reviving the charm of Urdu literature, music, and arts.

🌐 What is RekhtaX? RekhtaX is a global cultural initiative by the Rekhta Foundation, which aims to bring the essence of Urdu to every city, town, or village. With over 100+ curated events held in 25+ cities, and over 5 billion video impressions, RekhtaX has grown into a worldwide celebration of the Urdu language.

Through this platform, any passionate individual or organization can apply for a free RekhtaX license, valid for one year, and organize a cultural event of their choice, with full guidance and support from the Rekhta team.

🎯 What Kind of Events Can You Host with RekhtaX? RekhtaX offers a variety of cultural formats, each tailored to different audiences and local communities. Here are some events you can host:

📝 Mushaira Organize traditional or modern Urdu poetry recitations with renowned and emerging poets. RekhtaX helps you connect with talented artists and curate a memorable literary evening.

🎶 Ghazal & Sufi Music Nights Bring the magic of Ghazals and Sufi Qawwali to your local stage. These soulful events are among the most loved formats and attract a wide audience.

📖 Dastangoi (Urdu Storytelling) Introduce people to the classical art of oral storytelling — an enchanting performance that blends history, folklore, and fables in a captivating narrative style.

🎨 Workshops Interactive sessions on Urdu calligraphy, scriptwriting, ghazal writing, or classical music allow audiences of all ages to engage with the language practically.

🎭 Theatre & Book Launches Stage performances of classic Urdu plays or launch new and upcoming books in the Urdu literary space.

💬 Panel Discussions Invite scholars, authors, and artists to debate and discuss Urdu’s role in modern society and the future of the language.

🧾 How to Apply for a Free RekhtaX License? Applying for a RekhtaX license is simple:

Visit 👉 https://rekhtax.org

Click on “Get License”

Fill in your basic details and event ideas

Submit and wait for approval from Rekhta Foundation

Once approved, the Rekhta team provides guidelines, support, and branding assistance. The license is free and valid for one year — enabling you to plan one or more events under the RekhtaX brand.

🌍 Who Can Apply? Anyone passionate about Urdu can apply — whether you’re a:

Cultural group or NGO

Student-led college society

Individual poet or performer

School or educational institution

Literature festival organizer

Whether you're based in India, Pakistan, USA, UK, Canada, or UAE, you can bring RekhtaX to your city and become a cultural ambassador of Urdu.

🏆 Why RekhtaX is a Game-Changer for Urdu Lovers ✅ Global Cultural Impact With over 50 million Urdu fans and 7.3 million followers online, Rekhta has a massive digital footprint. Your local event could reach audiences across the world.

✅ Promotion of Language & Literature RekhtaX events focus on reviving literary traditions, supporting local artists, and promoting language learning through fun and engaging formats.

✅ Community Building Every event fosters a sense of unity, pride, and participation, making the community more aware and active about cultural preservation.

✅ Zero Cost, High Impact Most importantly, you don’t need big budgets. The license is free, and Rekhta helps you with brand assets, format ideas, and event guidelines.

🔍 SEO Keywords Targeted in This Blog (Useful for content creators and marketers)

Urdu cultural events

Host Mushaira

RekhtaX license

Organize Urdu event

Promote Urdu literature

Urdu poetry platform

Sufi music night

Free cultural event license

Urdu storytelling

Urdu language preservation

✨ Conclusion: Be a Part of the Urdu Revival If you've ever felt connected to the beauty of Urdu — be it through Faiz’s poetry, Ghalib’s verses, ghazals, qawwalis, or calligraphy — now is your time to give back. With RekhtaX.org, the power to revive, preserve, and spread the glory of Urdu language and art is in your hands.

Apply for your free RekhtaX license today and let your city be the next destination where Urdu breathes freely, sings passionately, and echoes with its timeless charm.

👉 Visit now: www.rekhtax.org

[lkpcabs]

Discover the Best Spiritual Tours for a Soulful Experience

India is a land of spirituality, filled with sacred places and divine experiences. Whether you seek peace, enlightenment, or a deeper connection with history and culture, Spiritual Tours offer the perfect way to explore these mystical destinations. From ancient temples to holy rivers, every journey is a chance to experience something truly magical.

3 Days Jaipur Ajmer and Pushkar Tour: A Blend of Culture and Spirituality

For those looking to explore Rajasthan’s spiritual charm, the 3 Days Jaipur Ajmer and Pushkar Tour is an excellent choice. This journey takes you through the royal city of Jaipur, the sacred town of Ajmer, and the holy city of Pushkar.

Start your tour in Jaipur, the Pink City, where you can explore magnificent forts, palaces, and temples. Visit the Govind Dev Ji Temple, one of the most revered Krishna temples in Rajasthan.

Next, head to Ajmer, home to the famous Ajmer Sharif Dargah. This Sufi shrine attracts people from all religions who come to seek blessings and experience divine peace. The atmosphere of devotion and the soulful qawwalis make this a must-visit.

Pushkar, your final destination, is known for its sacred Pushkar Lake and the rare Brahma Temple. Pilgrims from around the world visit to take a holy dip in the lake, believed to cleanse sins and bring blessings.

Etawah Same Day Lion Safari Tour: A Spiritual Encounter with Nature

If you are a nature lover seeking a different kind of spiritual connection, the Etawah Same Day Lion Safari Tour is a great option. Nestled in the heart of Uttar Pradesh, the Lion Safari offers a unique opportunity to witness the majestic Asiatic lions in their natural habitat.

Walking through nature, observing wild animals, and experiencing the serenity of the jungle can be a deeply spiritual experience. The safari is not just about adventure but also about connecting with nature in a way that rejuvenates your soul.

After your safari, you can visit local temples and explore the spiritual heritage of Etawah. The peaceful surroundings and wildlife make this trip a refreshing escape from the busy city life.

Chambal Safari Same Day Tour: A Journey Through Nature and History

Another fantastic experience is the Chambal Safari Same Day Tour, perfect for those who enjoy nature and history combined. The Chambal River is not only home to exotic wildlife but also has a rich mythological significance.

As you cruise along the Chambal River, you’ll spot gharials, turtles, and rare birds, all in their natural surroundings. The calm waters and breathtaking landscapes make it a perfect retreat for those seeking peace and serenity.

Nearby, you can explore ancient temples and ruins that tell stories of a glorious past. The mix of history, nature, and spirituality makes this tour a must for anyone looking to connect with the divine while enjoying a scenic adventure.

Why Choose a Spiritual Tour?

Inner Peace: These tours take you to places that offer tranquility and positive energy.

Cultural Insights: Experience the traditions, rituals, and spirituality of India firsthand.

Unique Experiences: From temples to safaris, each tour offers something different.

Memorable Journeys: Whether traveling alone or with loved ones, these trips leave lasting impressions.

Tips for a Fulfilling Spiritual Tour

Dress modestly when visiting temples and religious sites.

Maintain silence and respect local customs and traditions.

Carry some cash for donations and offerings.

Be open to experiencing new cultures and beliefs.

Take time to meditate or reflect at each spiritual site.

Frequently Asked Questions (FAQs)

1. What is the best time to take a Spiritual Tour? The best time is between October and March when the weather is pleasant for travel and outdoor activities.

2. Can I combine multiple spiritual destinations in one tour? Yes! Many tour packages allow customization so you can visit multiple spiritual sites in one trip.

3. Is the Etawah Same Day Lion Safari Tour suitable for families? Absolutely! This safari is a great experience for people of all ages, including children and seniors.

4. What should I pack for a Spiritual Tour? Comfortable clothing, a shawl or scarf for temple visits, walking shoes, and a camera to capture beautiful moments.

5. Are these tours guided? Yes, most Spiritual Tours include expert guides who share insights and stories about each place.

Final Thoughts

India offers a wealth of spiritual experiences that can uplift the mind and soul. Whether you choose the 3 Days Jaipur Ajmer and Pushkar Tour, the Etawah Same Day Lion Safari Tour, or the Chambal Safari Same Day Tour, each journey promises a unique blend of history, culture, and spirituality.

Ready to embark on a spiritual journey? Book your tour today and experience the divine like never before!