You! Internalize that you do not always need to "improve your art/craft" now! It's great to learn and develop your skills, but you do not need to come from a place of hating where you are now! You certainly do not need to force yourself to improve if it is coming in between you and enjoying the things you do. Improvement for improvements sake does not have to be the only goal, nor the only one that "should matter"
You are allowed to have motifs, enjoyment, ameturism, and "less skill." Kill and devour the capitalist in your head that dictates that you must always improve for everybody else's sake and your "productivity."
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The brainrot took over and so here's a vat7k hadestown au!! Don't know if I'll develop it fully but I liked designing it at least!
More info under the cut:
- Varian, the Coronan royal alchemist, tasks himself with deciphering an incantation capable of bringing the world back into tune. Times are tough, and the royal family + Quirin are doing their best to cope with the meagre crop yields and desolate weather (Corona not really being the sunshine kingdom - hasn't been for a while). He wants to help and do good and I think he'd be a good Orpheus.
- Hugo, having moved about from place to place, still has his interest in alchemy and does what he can to get by. He plans on temporarily staying in Corona before looting, but he encounters a certain like-minded scientist at the Snuggly Duckling. I think him being selfish works especially well in Eurydice's role, having a more pessimistic view of the world. It also works with how he gets drawn to Donella's offer of working for her later on, leading him to his death.
- Ulla as Persephone! I was initially stuck on whether to have Rapunzel (and either Eugene/Cass) as her (and Hades) but I was drawn to the connection that Hugo has to Donella and the Donella/Ulla relationship in vat7k just works too well. In this case, Ulla won't be Varian's mother. She's still gonna be somewhat of an inspiration to him though, being the previous Coronan royal alchemist and for her intelligence. For half the year, she'll return to Corona with food, drinks, and alchemical compounds/inventions, bringing Spring and Summer to the world, if only for a bit.
- Donella would be such an interesting Hades, losing sight of her love for Ulla, heart filled with fear and hurt, leading to bitterness and cruelty. Ingvarr being Hadestown and how by being the esteemed Ingvarrian engineer, she'd be in charge of major technological advances across the kingdoms and so would wield a significant amount of power (like how Hades is literally the ruler of the underworld). Ingvarr essentially being a near death sentence for its workers while also displaying its technological prowess, all still shrouded in mystery and corruption - a place so otherworldly compared to the rest of the kingdoms.
I didn't want to modify the outfits too much nor the personalities,, if anything I imagine the general plot beats being the same as the original musical/story but with slight differences that'd you get inherently as a result of these characters. I wouldn't want it to be the case where it's just the show but the names are changed. I'd want this to still make reasonable sense in this AU, with the actions being understandable for this particular cast of characters.
For Hermes, I ended up picking Xavier, as he's most knowledgeable of old legends and stories, which would work in reference to the Hades and Persephone myth (and so Donella and Ulla)! He'd act as a mentor figure for V, someone who can guide him in uncovering the forgotten incantation. Quirin would still be the good supportive dad he is (even if he doesn't fully understand his son's project).
Last but not least, the fates!! often lurking in the background, I'm still a bit stuck on who it could be? I'm tempted to have it be Raps, Cass, and Nuru as they've had celestial connections at some point (and ya know how stars can represent fate), but I also love the freckled siblings dynamic so much. Also Team Radical... Maybe Raps and Cass can be their normal selves but their Sundrop/Moonstone counterparts are the manifested physical forms of the fates? They wouldn't be visible to the characters though, just voices in the wind.
Anyways yeah!! Those are my thoughts. Do let me know if you've got any cool ideas or questions. I'm really combining my interests at full force and there's nothing anyone, not even myself, can do about it quite frankly. 😮💨
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Everyone always critiques country for all the songs being misogynistic and about trucks and beer but lemme fucking tell you, that's not nearly as prevalent as you would think. No the real plague in country music is songs about relationship trouble. And I don't mean "I hate my wife" stuff I mean a solid 50% of this genre, no matter the gender, sexuality, or race of the person writing/singing the songs, is about heartbreak or messy relationships or getting back together after shit's gone south and one night stands and yes also abusive relationships ending in fire and explosions and murder and like. Yes, this is good, I am a messy bitch who loves drama, but please can some of y'all write about literally anything else??
Like I keep finding artists I really like because they can sing super well and I like the general vibe of their music but then it turns out 99.9% of their entire discography is about their shitty exes and I'm just sdlkfjlkdsjf PLEASE sing about ANYTHING else ffs.
[DNI Banner: THIS POST WAS MADE BY SOMEONE WHO LOVES COUNTRY MUSIC. COUNTRY HATERS WHO CLOWN ON THIS POST WILL BE SENT TO THE FUCKING SHADOW REALM!!]
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Pick a Song Based on a Bad Description:
.In which it's really just a blatant excuse to build a playlist around the new Dessa double single.
I feel like this was predictable, to be honest.
Pick a song, based on a bad description. Whatever sounds like the best vibes to you. At the end of the week, I will put all of the songs into a playlist based on the poll results, starting with the song with the least votes and then going to the song with the most votes. I'll also reveal what all the songs are at that point, but if you're curious before then, send me an ask and I'll answer.
I feel like two of the songs should be pretty obvious, though. Also, the description for one of them is just straight-up song lyrics. And the Depeche Mode one is...
Yeah, anyway. Look, I'm just really happy I can put Dessa on a playlist with my Daði Freyr and my Citi Zēni without a lot of weird mood whiplash, you know? The orchestra stuff is great, but it can limit playlist creation.
Vote! Reblog! Please reblog, because when you do that the poll gets more answers and the playlist creation gets to take on a life of its own, rather than me having total control, which is kind of boring, truthfully. So, again, please reblog!
And I think that's it. Have fun! I'm going to listen to the new Dessa again.
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Voice actors are NOT the same as actors.
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
Voice Actors ≠ Actors.
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