#all jokes aside this was so interesting to play through

[poppurini]

终！于！

[demilypyro]

So I've seen a few too many people on twitter talking about The Kiss Scene from the new Scott Pilgrim anime. People saying it's fetishistic and indulgent, people calling it male gazey, etc. And while the kiss itself is certainly a bit exaggerated, I felt like writing a bit about why I disagree, and why context is important, like it always is. But it basically turned into an extended analysis on the metatextual treatment of Roxie Richter. So bear with me. It's a long post.

What really matters about this scene is not the kiss itself, but what precedes it. Not even just the fight scene just before it, but what precedes the whole anime series, really. And that's the Scott Pilgrim comic book, and the live action movie. Because in both, Roxie is a punchline.

She's a joke. Her character starts and ends with "one of the exes is actually a girl, I bet you didn't expect that." Jokes are made about Ramona's latent bisexuality, the movie especially treating it as funny and absurd, and her validity as a romantic interest is entirely written off by Ramona as being "just a phase." There's a fight scene, she's defeated by a man giving her an orgasm which implicitly calls her sexuality into question (come on), and the movie just moves on. It sucks. It really, really sucks.

The comic fares a little better. It never veers into outright homophobia like the movie does, and while the line about Ramona having gone through a phase remains, Roxie actually gets one over on Scott when Ramona briefly gets back with Roxie. But Roxie is still only barely a character. Like all the other evil exes, she's just a stepping stone towards the male protagonist's development. She barely even gets any screentime before she's defeated by Scott's "power of love." But Roxie stands out, since she's the only villain who is queer, or at least had been confirmed queer at that point (hi Todd). In a series that champions multiple gay men in the supporting cast, the single undeniable lesbian in the story is a villain. She's labeled as evil, made fun of, pushed aside in favor of the men, and then discarded. Her screentime was never about her, or her feelings for Ramona. It was about the straight, male protagonist needing to overcome her. And that was Roxie Richter. An unfortunate victim of the 2010s.

Fast forward to current year, and the new anime series is announced. Everybody sits down to watch the new series expecting another retelling of the same story, and.... hang on, that straight male protagonist I mentioned just died in the first episode. And now it's humanizing the villains from the original story. And there's Roxie, introduced alongside the other evil exes in the second episode, and she's being played entirely straight, without a punchline in sight. No jokes are made about her gender, no questions are made of her validity as one of Ramona's romantic interests. The narrative considers her important. In one episode, she already gets more respect than she did in either of the previous iterations of Scott Pilgrim. And this isn't even her focus episode yet... which happens to be the very next one.

The anime series goes to great lengths to flesh out the original story's villains and to have Ramona reconcile with them. And I don't think it's a coincidence that Roxie gets to go first. While Matthew Patel gets his development in episode 2, Roxie is the first to directly confront Ramona, now our main protagonist. This is notable too because it's the only time the exes are encountered out of order. Roxie is supposed to be number 4, but she's first in line, and later on you realize that she's the only one who's out of sequence. She's the one who sets the precedent for the villains being redeemed. She's the most important character for Ramona to reconcile with.

What follows is probably the most extensive, elaborate 1 on 1 fight scene in the whole show. Roxie fights like a wounded animal, her motions are desperate and pained. Ramona can only barely fight back against her onslaught. Different set-pieces fly by at breakneck speed as Roxie relentlessly lays her feelings at Ramona's feet through her attacks and her distraught shouts. And unlike the comic or the movie, Ramona acknowledges them, and sincerely apologizes. And the two end up just laying there, exhausted, reminiscing about when they were together.

Only after this, after all of this, does the kiss scene happen. Roxie has been vindicated, she has reconciled with the person who hurt her, the narrative has deemed that her anger is justified and has redeemed her character. And she gets her victory lap by making the nearest other hot girl question her heterosexuality, sharing a sloppy kiss with her as the music triumphantly crescendos.

It's... a little self-congratulatory, honestly. But it's good. It's redemption for a character who had been mistreated for over a decade. And she punctuates the moment by being very, very gay where everyone can see it, no men anywhere in sight. Because this is her moment. And then she leaves the plot, on her own accord this time, while humming the hampster dance. What a legend. How could anything be wrong with this.

[cumironi]

spoiled little girlfriend : gojo satoru, geto suguru

gojo was lying on your shared bed, his long legs stretched out as he sifted through some paperwork. the soft glow from the bedside lamp illuminated his sharp features, making his white hair seem even brighter against the dark sheets. he was deeply focused, his brows slightly furrowed in concentration.

you walked into the bedroom, eyes glued to your phone as you scrolled through a message or maybe a funny video that caught your attention. you didn't even notice how the soft tapping of your footsteps caught gojo's attention. he looked up from his papers, a faint smile playing on his lips as he watched you.

“baby,” you called out casually, still focused on your phone. your voice was sweet, but there was a hint of playfulness in it, like you were about to ask him for something or share a joke.

as you spoke, the sound of running water in the bathroom stopped. geto, freshly showered, stepped out with a towel draped casually around his neck. his wet hair clung to his forehead, droplets of water sliding down his neck and bare chest. he looked relaxed, his eyes warm and soft as he caught sight of you and gojo.

“yes, love?” gojo asked, his voice laced with curiosity as he watched you, his paperwork momentarily forgotten. he shifted slightly on the bed, making space for you to join him.

you bent down to the bed with your feet still touching the wooden floor. your elbows prop against the soft material while your eyes are still focusing on your phone, finger softly scroll through the screen.

“cartier just released a new necklace, look,” you said and show gojo your phone screen. gojo's eyes flick from your face to your phone, his gaze lingering on the expensive piece of jewelry displayed on the screen. his lips curl into a slight smirk as he notices your interest in the accessory, a hint of mischief in his eyes.

“looks very pretty, baby,” he replied, his voice carrying a touch of teasing, “you want me to buy it for you?” he casually set his paperwork aside, his full attention now on you and the necklace you were showing him.

you smiled brightly, your eyes lighting up with excitement as you nodded eagerly. “yes, please,” you replied, your voice soft but full of anticipation.

gojo chuckled, enjoying the eager look in your eyes as you nodded. he knew you had a penchant for pretty trinkets, and he'd often indulged you whenever you had your eye on something.

“of course, darling. anything for you,” he said, his own smile broadening at your excitement. geto, who had been silently watching the exchange from the bathroom door, raised an eyebrow in amusement. he couldn't help but chime in from the side, a teasing tone in his voice. “you're so whipped,” he remarked with a smirk.

gojo glanced at geto, his grin turning into a playful smirk. “i'm working my ass off and have all this money for what if not to spoil my girlfriend?” he replied, his tone half-serious, half-teasing.

he leaned back against the pillows, folding his arms behind his head, looking completely satisfied with himself. “besides,” he added, throwing a fond smile your way while you already engrossed by your phone, “seeing her smile like that is worth every penny.”

geto chuckled as he wiped his wet hair with the towel around his broad shoulders. he leaned against the door frame and crossed his arms over his chest, his gaze going from gojo to you before settling back on the white-haired man.

“looks like our little darling has you wrapped around her little finger,” he teased, the corner of his mouth twitching with a hint of laughter. gojo smirked back at him but didn't deny it. instead, he turned his attention back to you, his eyes warm and affectionate as he regarded you.

your focus had already shifted back to your phone as they talked, completely absorbed in the world of sparkling jewels and elegant designs. the soft glow from the screen illuminated your face, and they could see the twinkle in your eyes, like twin stars, as you scrolled through the jewelry catalog.

you were in your own world, mesmerized by the shiny things, barely registering the playful exchange between gojo and geto. a small, contented smile played on your lips as you admired each piece, your excitement palpable even in your silence.

both gojo and geto chuckled at the sight of your absorption in the jewelry catalog, finding your innocent fascination as endearing as it was amusing. gojo's smirk softened into a fond smile as he observed your reaction, watching as you became immersed in the luxurious items that filled the screen.

“look at her,” geto murmured to gojo, his voice betraying his own amusement, “always lost in the world of pretty things.”

their gazes softening as they observed your captivated expression. it was endearing how easily you got distracted by material possessions, yet they couldn't deny the genuine joy it seemed to bring to you.

geto pushed off from the door frame and walked over to the bed, his footsteps soft and silent. he sat down on the edge of the bed next to you, his towel still hanging around his neck. he leaned forward, resting his elbows on his knees.

gojo spoke up, his voice smooth and laced with affection. “honey, you're gonna burn a hole through that screen the way you're staring at it.”

as geto sat down next to you, you barely noticed, still engrossed in the jewelry catalogue. gojo's words finally drew your attention back to the room, and you looked up at him, a small pout forming on your lips.

“i can't help it,” you said defensively. “they're so pretty,” you added, your eyes wandering back to your phone screen. geto chuckled softly and reached over, his hand gently taking the phone from yours. his touch was warm and light, yet firm enough to pull your focus away.

you softly protested, “hey...” your eyes followed as geto held your phone, a pout forming on your lips. “it was getting good,” you mumbled, a hint of frustration in your voice as you watched him take the phone away. your gaze lingered on the screen, clearly longing to go back to admiring the jewelry, but geto's gentle but firm hold kept you from diving back into your shiny distraction.

“i know, sweetheart, but you've been glued to that screen for so long,” geto said, his voice gentle yet authoritative. he set your phone down on the bedside table, making sure it was well-out of your reach.

gojo chuckled, enjoying the little display of rebellion in your pout and the stubbornness in your eyes. “don't worry,” he teased, “we'll make sure you get all the shiny pretty things you want.”

you opened your mouth to protest, but gojo's words took the wind out of your sails. the idea of getting all the jewelry you wanted was too tempting to resist. your pout slowly faded, replaced by a curious expression.

“all of them?” you asked, your voice soft and timid, your gaze shifted to them, a hint of skepticism in your eyes. geto smiled, a knowing smirk playing on the corner of his lips. “of course,” he reassures, “whatever your heart desires.”

you tried to hold back your smile, sucking it in for a brief moment, but the excitement was too much to contain. your eyes lit up as you finally let your smile break free, beaming brightly. “okay,” you agreed, your voice filled with happiness, the idea of getting everything you wanted making you giddy with excitement.

gojo and geto exchanged a glance, their own smiles mirroring your happiness. they loved how easy it was to make you happy. gojo chuckled, a glimmer of mischief in his eyes. “you're practically vibrating with excitement,” he teased, his hand reached out to ruffle your hair.

geto leaned in slightly, his tone serious but filled with fondness, “we'll give you everything you want, my sweetheart.”

your smile grew even wider in their words, warmth flooding your chest as you looked between them. “i’m going to wear the necklace for our anniversary,” you declared, your voice filled with excitement and affection. the thought of showing off something they got for you on such a special day made your heart flutter.

you glanced back at the phone on the bedside table, your mind already imagining how perfect it would look with your outfit. “it’s going to be perfect,” you added, your eyes shining as you thought about the upcoming celebration with them.

gojo and geto exchanged a knowing look, smiles tugging at the corners of their lips as they took in your excitement. gojo leaned back against the pillows, his eyes warm and adoring as he watched you.

“you'll look absolutely beautiful,” he said, his voice soft and affectionate, “we can't wait to see you wear it.” geto added, his own smile growing wider, “it'll be the perfect accessory to match your gorgeous dress that we'll be buying you for the occasion.”

you felt a warm flutter in your chest as gojo gently tugged on your arm, guiding you to climb onto the bed. with a soft smile, you nestled between them, the familiar comfort of being surrounded by their warmth putting you at ease. as you settled in, geto reached for your phone on the bedside table and handed it back to you, his fingers brushing lightly against yours.

“let’s find you another jewels,” geto suggested, his voice low and filled with affection as he encouraged you to continue your search. with both of them beside you, their attention fully on you, the moment felt perfect. your excitement renewed, you eagerly returned to the jewelry catalog, ready to pick out the next piece with their help.

gojo wrapped his arm around your shoulders, pulled you closer against him. his warmth emanated from his body, and you could feel it seeping into yours, while geto leaned over your shoulder, his chin resting lightly on it as he looked at the screen with you.

as you scroll through the jewelry catalog, they both chimed in, suggesting pieces here and there, offering opinions, and throwing in playful comments. every time you paused on something you liked, they made sure to remind you that they would get it for you.

[hwaightme]

23:13 PM

(masterlist)

🌆pairing: bf!yunho x gn!reader 🌆genre: fluff, established relationship, comfort 🌆summary: to be loved is to be heard, and yunho reminds you of this again and again, knowing you beyond the literal and the expected. 🌆wordcount: 1.5k 🌆warnings/tags: unedited, speedwriting, kissing, mildly suggestive in one part (through a light joke), pet names (angel, princess, sweetness), overthinking, rumination, low mood/sadness, implied anxiety (reader) 🌆taglist: at the bottom. would love to add you if interested <3 🌆a/n: genuinely have been loving yunho's styling so much <33 again another small timestamp to try warm up~ any love is so appreciated!

“Your tone.”

“My what?”

“Your tone was off, that’s why I’m here, so… may I come in or…” you gape at Yunho as he shifts his weight from one foot to another, accompanied by the rustling of a plastic bag in his hands.

“Um… sure?” you step aside and let him pass, taking a moment to register that you do, as a matter of fact, still have to play the role of a welcoming guest despite your current state of mind. 

In a rush you take out some slippers for him and throw a new hand towel by the bathroom sink. He is endearingly awkward even in the midst of having made the bold decision to come here in the first place, you note, and timidly smile to yourself. Yunho’s eyes dart around the entrance and corridor as though he is looking for something.

“Is there anywhere I can leave this?” he lifts the bag, and it hits you that he had brought food. Takeout from a restaurant that you had been raving about on your latest date with him. You feel nauseous and guilty at the thought of him speeding through town at ‘probably should be getting ready for bed o’clock’, firstly to the restaurant, and then all the way to yours. Why did he? He most certainly does not have to. It’s not like you said anything or asked.

“Oh! Yes, sorry, let me take that, I’ll put it on the table,” you make a beeline towards him, freeing him from the takeaway, “The bathroom is-”

“Right here to the left. Sweetness, I do recall being here a few times before,” you catch his smile - reassurance that his comment contains nothing malicious, but nonetheless drop your head, choosing to focus on untying the plastic handles. 

Rustling drowns out the constant noise in your head. On and on it rumbles and cries trying to overpower polystyrene and running water. What did Yunho mean by ‘tone’? Surely you were not texting any differently than you normally did? The usual ‘how are you’s and ‘when are we seeing each other next’s - nothing out of the ordinary. You try to retrace your steps as though you are a criminal on the run having found out that you are now being hunted by police. What is it that let Yunho know of what you were trying to not reveal?

“Need any help?” while you are stuck in your mind again you do not notice Yunho approaching you and gasp in surprise. He tilts his head, obviously having noticed your reaction, but does not comment on it, instead choosing to focus on your choice of dress for the late evening. You try to suppress the embarrassment welling up in the corners of your eyes and that stubborn intensifying lump in your throat as he studies you. Maybe you should have changed, or not let him in, or something else entirely, just so you can be alone.

“I think I’ve got it…” you mumble, having finally undone the knots and commenced taking out the different containers.

“The hoodie,” you glance up at him and immediately meet his glistening brown eyes.

“I’m sorry, it’s just that I-”

“I think you look beautiful. And adorable. And my heart will give out,” a soft grin, and you swear you could melt, “besides, we did agree to give each other some space in our homes right? The only difference is I’m not sure I would wear what I have at mine since I wouldn’t want to ruin your linger-”

“Yunho!”

“Just saying!”

“Cheeky! Anyways… Do you want water, tea, or maybe Coke?”

“You know exactly which one I’ll pick.”

“Coke it is-”

“Let me get it though. What do you want?” He steps around the table to intercept your path to the kitchen. 

“It’s no big deal.”

“Can’t I treat my princess a little? You already unpacked all the food,” not wanting to make a big deal out of nothing, you surrender to the temptation of doing nothing. 

“Water will be fine.”

“One water coming right up!” you chuckle as you watch your boyfriend move around the kitchen, knowingly opening the right cupboards as if this is as much his place as it is yours. You hide your hands in the sleeves of the hoodie, languidly pushing two chairs back when Yunho tells you to take a seat. 

“Thank you,” you accept the glass, using it as an excuse to not look at Yunho. 

If there is some way in which he can detect shifts in messages, you most certainly can sense when he settles into a more serious version of himself. It is nothing intimidating, of course, but nonetheless, something you presently need to prepare yourself for. He is worried, and it is a little too clear by how closely he positioned his own chair to yours, how he shifted to be almost facing you. How… How does he know?

“Let’s eat! Tell me what you want, point at things, anything!” again, he chooses to avoid interrogating you, you can sense it. His voice is laden with something unreadable, but you do not want to dive into the matter and decide to simply follow what he suggests. On top of avoiding what you fear, you realise that Yunho’s voice is considerably louder than your inner critic. 

You observe his movements. He carefully ladles some soup for you, picks one side dish after another, breaks apart the pieces of another dish you merely glanced at, just to be sure that you are having what you want. In the dimmed lights his navy hair, which usually gives a mesmerising vivid blue gleam appears to be almost black, the elegant strands swept to the side and falling over his forehead reminding you of ink strokes. You recall that he mentioned having a schedule earlier that day, and that same feeling of guilt spreads over your body. What if he is tired? What if said schedule ended later than expected and he did not have a single break? Dealing with his job, dealing with you-

“Try this, it’s apparently a bestseller,” once more, Yunho is the one to take you out of your own paranoia. 

“I’m sorry-” the words escape your mouth before you can process them. A deer caught in the headlights, you are staring at your boyfriend, feeling your pulse quicken. He puts down his chopsticks, completely turning to you, his and your legs pressed close together under the table, his hands searching for yours. Before you know it, more agitation spills and keeps on spilling, “I really did not mean to worry you, I should’ve insisted you rest… I mean you are probably so tired and stressed because of work and-”

“I am here, angel, am I not?”

“You are… but-”

“I both need and want to be here. So what if I had work. Now is not work time. Now is ‘us’ time. Yeah?”

“How?” a little confused, Yunho raises an eyebrow and gently squeezes your hands, “How’d you know?”

“What do I know?” you know that expression. The ‘fully aware of what you mean but wants you to say it’ look. A little unnerving because it makes you look inside yourself, but still possessing an unparalleled charm. Classic Yunho. You crack under his enamoured scrutiny.

“The tone thing… too on the dot. So… how?”

“Ah, that! Surprised you, did I?” Letting go of one hand, he leans onto the table and while resting his head on his palm, holds your gaze, “Just a hunch really. I don’t know how either, maybe my brain has a special ‘you’ alarm in it.”

“Oh come on-”

“What? Very plausible. I like thinking about you, a lot.”

“You really are too sweet,” you leave your original question hanging in the air, unsure if you even need to hear what he will say, or if it will help in any way. Yunho reads your doubts like an open book.

“I mean if I knew for sure, I would tell you. I would tell you everything. But I cannot pinpoint anything in particular. It was this feeling in my chest that bubbled up while we were texting. The words, the sentence structure… it’s you, but it’s you when you’re upset, and I don’t want you to be alone when small steps appear giant.” At a loss for words, you merely nod, biting your lower lip to keep it from trembling, and let his voice echo in your heart.

“You have superpowers I swear,” you force out a barely audible whisper, and gingerly reach to move one of his strands, blushing when he captures your hand and plants a soft kiss on your knuckles.

“Nope, just think about you always.”

“I’m sorry again-”

“Apologise by having dinner with me, and then we can move,” he gestures at the sofa with your intertwined hands, “right over there, and talk through things, if you want to of course. How does that sound?”

“Good,” you move to give him a feather-light kiss, “it sounds good.”

Silence. Total silence aside from Yunho’s warm, loving presence, soft chatter, and the awareness that sometimes, you don’t need to say anything in particular to be truly heard.

🌆taglist: @charreddonuts @miriamxsworld @innsomniacshinestar @preciouswoozi @wooyoungjpg @wowie-hockey @hongjoongs-patience @jaehunnyy @maddkitt @ren-junwrld @marsstarxhwa @yeonjunnie @asjkdk @northerngalxy @my-loves-my-life @http-gyu

enjoyed? i would love to hear from you, it means the universe to me. thank you.

[talkbycolor]

john doe game headcanons . . . ↷

A/N; i'm actually really sensitive about john doe JHSAJHSAJAS

Pairing; "John Doe" x GN!Reader

CW; Just doe being the weirdo we love / PISSPISSPISS / implied cannibalism? not so much tho / ew stinky gay / sex with a hairball

john doe as a partner.

His love for you is pure, but the lack of understanding in humans makes it complicated, he doesn't know how to express it in a "correct" way.

He has little interest in humans but all his interest in You, do you want to learn to play an instrument? Doe too, he would learn to use a phone to call you although it would be useless since in the end he would follow you to work, he can't stand having you away for even a second!

He tried to eat you (unfortunately not in a sexual way), he wanted to bite, pull your teeth, and tear them out of your cheeks to eat them, you had to use a lot of patience to explain to him that this was painful and you could die

He likes your fluids, your sweat smells so good, it tastes great, your tears, he knows that tears mean something is wrong but he can't help but want to lick them, at least he's like a puppy in that way and that will make you laugh, Doe wants to help! your urine, he will drink it all without a problem, if you are both having a loving session in bed and you want to go to the bathroom, forget it, he will open your legs and help empty your bladder, he loved being your personal toilet, your blood is the sweetest of his paradise, be careful with accidental cuts or his mouth will stick like a leech to your wound

Ideas for romantic activities will probably come from television, be careful what he watches

At this point, Doe lives by and for you, he will adapt to your lifestyle and tastes, although he cannot understand most of them, the idea of "breaking up" does not exist in his head, you can walk away, even stop talking to him and he will continue behind you

But he has feelings, why don't you talk to him anymore? Did he do something wrong? He no longer leaves rats in the kitchen, he no longer tries to make You dinners with raw meat, is that the way he looks? Tell him your standards! Doe will change everything for you, even reality

He can definitely purr, he's more like an old, ugly, stray cat that will rest on your lap, but he's YOUR, old, ugly, stray cat.

He doesn't know how to give compliments, it's more like observations or comments about how you make him feel "You're wearing a big hat!" "A red dress!", "I'm so happy to see you!" but it's adorable that he reminds you that you are his whole life…somehow

It's like having a child at home, in the strangest way possible, he will try to make horrible crafts for you and help with housework without much success.

If you demand sex, Doe would probably do his best to make a nice cock, just for you, or a pussy depending on what you like, he will be submissive but if you ask him to take control he will try

And that will probably be the messiest and hardest sex you've ever had in your life, Doe always adores you like it's your last day on earth so in a sexual sphere it would be ten times worse

If you put on a movie at night, he will fall asleep halfway through, no exceptions, the sound of the television and your smell will be enough

Doe would definitely kill for you, he doesn't understand jokes so please don't say "Ugh I hate that guy, I hope he's dead" because yes, the guy will be dead.

In case You doesn't like the smelly boy, Doe will try to take showers regularly, at least to not smell like something out of the sewer, the pain doesn't matter if it's about you

Loves physical contact and quality time

Surprisingly, Doe has a driver's license, he would be your personal chauffeur, you may think it's an adorable gesture but he just wants to be sure where you are at every hour of the day… and help, of course.

Aside from adoring you, Doe actually has his own tastes and hobbies, he HAS feelings! He has tried knitting since the technology is very confusing, he really is like an old man

He tries to have a good relationship with your friends and family, if you have a big family he will probably feel overwhelmed but that doesn't mean he will stop trying to show that he loves you and wants to be with you.

Your younger nephews love it, they think of Doe as a weird-looking uncle who lets them play with his hair

Doe shirt always has hearts when he looks at You.

♡

[kaiser1ns]

#. CHEATER, CHEATER STOP !

featuring 𝘄𝗶𝗻𝗱𝗯𝗿𝗲𝗮𝗸𝗲𝗿 𝘅 𝗳𝗲𝗺!𝗿𝗲𝗮𝗱𝗲𝗿 ıllı. umemiya hajime, takiishi chika, togame jo, kaji ren

fluff. yes, what you did was indeed cheating to some extent, but sometimes you have to play dirty to win.

UMEMIYA HAJIME

"I knew it, you were cheating on me..." the pain in his voice, the agony and misery colored his face and his eyes began to water slowly, drop by drop as if at any moment the wall holding the dam would collapse. "But i didn't expect to be with my own best friend."

"Hajime it's not what it looks like, I-I swear I can explain," you demanded, stuttering in the process as you were caught in the act, right on the spot.

"It's not what it seems? With everything that we've been through and all that I've given for you ... And this is how you repay me?" he slammed his hands on the table, furious that was one way to describe the situation as he was starring at both of you, trying to dig out an answer.

The uno cards scattered across the table seemed to echo the shattered pieces of trust that was once held in the palms of your hands. Hiragi stepped in, "It was all her idea. I am innocent." Umemiya raised an eyebrow at you like you just broke his heart (you did). "I didn't know my girlfriend was secretly an Uno mastermind and that you Hiragi would be her little follower."

"Baby, don't take it too seriously, it's just a game." You laughed a little because of his dramatic reaction, yes what you did was indeed cheating, at some point, but if you want to win you have to play dirty sometimes.

Umemiya sighed dramatically, he is being such a child right now, "Just a game? And you made me draw 32 cards because it's just a game. Do you even understand the emotional trauma you've put me through?"

"Pretty much yeah." you said nodding of head followed by Hiragi's humming, because everyone goes through it — you either put the plus cards or you draw them, no in between.

Umemiya shot Hiragi a look of betrayal before turning back to you with furrowing his eyes and pouting. You flashed him a grin, your smile so genuine like you just didn't commit the most serious crime against your boyfriend. "I will make it up to you, anything you want. More cuddles? You got it. More kisses? On the way!"

You stood up from your place to sit next to him, as you held your hand for him to take it. And he did as you kissed him on the cheek, leaving a little scent from your strawberry lipgloss you know he adored.

He can't be that mad at you, not for too long. Despite you being a cheater.

"She's pretty good at making pancakes, just saying." The white head couldn't help but laugh at his best friend's comment, knowing how much they loved your pancakes. Food tastes better when you're in good company, not with cheaters of course. "Alright, fine. But no more stacking up the whole deck against me."

You nodded, suppressing a giggle. "I will try, no promises~"

TAKIISHI CHIKA

The two of you sit on the floor, surrounded by scattered UNO cards, your laughter filling the room. Boredom crept into Chika's features after the countless games over the past hour, but then, you laid down a +4 card, well luck was on your side today. He's about to draw twenty cards, practically handing you the win.

“You should stop doing that,” he mutters, his patience worn out after countless games. You can't help but laugh, teasing him with your victory. "Don't be a sore loser now, baby. You did pretty good but I always win."

Just as you're reveling in your win, Chika threw his cards aside angry and annoyed by your so-hidden antics. Before you know it, he grabs your ankles and pulls you towards him. You squeal in surprise as he settles you on his lap, clearly having lost interest in the game.

"You know that flirting with your rival will do you no good, right?" you say, half-joking, as he removes the cards from your hand. Chika’s golden eyes lock onto yours, a serious stare replacing the soft smile that had tried to form on his lips. "You should stop cheating," he says, his voice low and demanding, as he knows you all too well by now and how you proceed to get your wins.

"I did not!" you exclaim, genuinely offended. You’ve always had luck drawing the right cards at the right time, but cheating? Never. You always play fair, and you give your opponent a chance to make their best strategy.

"I will make sure you learn your lesson," he says, cupping your face in his hands, his touch gentle despite the intent behind his words. He moves your head slightly as if inspecting you, making you feel like a doll in his hands. What's gotten into him? It nice though, to see him behave like that.

"It's not okay to threaten girls," you tease, touching his hands that still cup your face.

"It's not okay to cheat," he counters, Touché. You frown, pretending to be ready to get up, despite your best efforts, his grip is firm. He’s not letting you go just yet. Chika always seems to see through your tricks. He’s always claimed he wouldn’t be a perfect boyfriend, but calling you a cheater? That's a new low, even for him.

His eyes study you, as if you're a puzzle he's trying to solve. In many ways, you are. You bring out a side of him that’s unfamiliar even to himself. If Endo had been here, he’d have said this was completely out of character for Takiishi. Yet, here he is, a lovesick fool, the joker in the deck, and the plus card in the UNO game of your relationship—always keeping you with a million questions in mind not knowing what to expect next.

“And what are you going to do now?” you whisper, as he leaned closer. His breath is warm against your skin and the game is long forgotten.

TOGAME JO

Togame loved shogi, especially playing with the elders from whom he had learned so much. You admired this hobby of his and how good he was at the game, but today, you were determined to finally beat him. The record was 4-0 in his favor, but you still won't give up, not when you were so close to taking his king this time.

As the game progressed, your focus sharpened, your moves becoming more strategic. Your boyfriend watched you with an affectionate smile, clearly enjoying the way you were so deep into focus. Then, in a moment that felt almost unreal, you saw it. The opening. Your hands moved almost on their own, and you captured his king.

"I did it?" you whispered to yourself, still unsure if you had truly won. But the realization hit, and a wide grin appeared on your already beautiful face. "I did it!"

Togame's eyes lit up with a warm and proud smile directed at you, "Congratulations," he said warmly, reaching over the headboard to shake your hand. You extended yours as well, but instead of a handshake, he tugged on the sleeve of your blouse. To your shock, a few of his shogi pawns fell out, clattering onto the board.

"W-what… How did they end up here?" you stammered, trying to mask your 'surprised' face. "Pfft, can you imagine?"

Togame stared at you, his expression turning serious, though his eyes still held a hint of playfulness. "Y/N, you didn't need to cheat," he said, his voice gentle despite the scolding. You felt a blush creep up your cheeks. "I didn't mean to," you mumbled, feeling embaressed that he found out, no tricks up your sleeves, yet he didn't belive any of it. "I just wanted to beat you once in something."

He chuckled, shaking his head. "Your determination is one of the things I love most about you. But next time, let's keep it fair and square, okay?"

You nodded, grateful for his understanding. "Okay," you agreed, smiling at him. "But just so you know, I would have won anyway."

He laughed, a sound that always made you feel warm inside. "We'll see about that," he said, leaning in to press a soft kiss on your forehead.

KAJI REN

It was one of those rare times when Kaji finished his patrols around the town early as he found himself resting with you and Kusumi, his fellow vice-captain. You had suggested playing UNO to kill time until the others returned. Kusumi had easily secured first place, and now it was just you and Kaji left in a heated duel.

The game had stretched out, each of you fiercely battling with plus cards, neither willing to back down. Finally, after what felt like an eternity of back-and-forth, you managed to clinch victory with a triumphant smile. Kaji looked at you, then at Kusumi, who extended his hand to you, to give you plus cards. The realization dawned on him.

"Is this how you're going to play now?" Kaji's voice was tinged with anger and annoyance, his usual calm demeanor shattered. You noticed his lollipop, previously a sweet distraction, was now gone.

"What do you mean Ren?" you asked innocently, placing another +4 card on the table, sealing the deal. Your boyfriend threw his remaining cards onto the table, clearly pissed off. His frustration was visible as he was about to open his mouth to express his annoyance, but you acted quickly, placing another lollipop in his mouth, silencing him effectively.

"We'll talk about this later," you said, your tone teasing. "For now, let me enjoy my win, baby."

The word "baby" came out a bit like an insult, making him sulk even more. Despite his irritation, he couldn't stay mad at you forever. As he sucked on the lollipop, his annoyance seemed to melt away, replaced by the warmth of your presence. Kusumi chuckled, shaking his head at the two of you, standing up to leave you alone sensing that Kaji wanted to be with you now.

"You cheated," he mumbled around the lollipop. You leaned in closer, your face inches from his. "Maybe," you whispered, "but you still love me." He couldn't help but roll his eyes at you, his earlier anger slowly disappearing. "Yeah, I do," he admitted, pulling you into a gentle embrace. "But next time, I'm winning."

You laughed, wrapping your arms around him. "You already won if you want to know." It took him a while to find the meaning in your words, but cuddled with him, Kaji knew best what you meant.

taglist :: @meidiary @kazuhaiku @kiurona @maruflix @stunie @nyxypoo @kajibunny

©2024 kaiser1ns do not copy, repost or modify my work

[svt-luna]

ʚིᵋ ⋆ WHEN FLIRTING BECOMES A SPORT: JEONGHAN VS. LUNA MASTERCLASS ࣪ ! ˓ ౨ৎ ࣪˖ ─── now playing…

synopsis: A fourteen-minute compilation of the both competitive Jeonghan and Luna "jokingly" flirting with each other as if it was an Olympic sport and their very lives depended on it.

╰ ౨ৎ LUNA-VERSE MASTERLIST ╰ ౨ৎ youtube compilations

[added captions are in brackets] ღ

bold dialogues are spoken in english ღ

indented italics are additional voice overs ღ

Hello! Welcome back to my youtube channel and if you are new here... welcome!

To my new viewers, you should know that I am the biggest Jeongna shipper in this entire universe and if you don't think so then I'll come find yo–

I am joking... back to the topic. If you have read the title of this video and have clicked on it then you know what is about to go down.

Jeonghan and Luna are notorious flirts... well, mostly to each other. These two are not even at all ashamed to flirt in public, in front of an audience, in front of the members, and even on social media. Those two might look like the sweetest bunny rabbits but they are both menaces who try to one-up each other by flirting, a competitive cycle that has been etched in their dynamic since the Ice Age

Enough talking. Here are fourteen minutes of Jeongna "jokingly" flirting with each other as if it was an Olympic sport and their lives depended on it... Enjoy!

THE ENTIRE JEONGNA 210903 WEVERSE LIVE

The soft glow of the screen illuminated Jeonghan’s face as he casually scrolled through the comments on Weverse. His eyes flitted across the messages, a relaxed smile playing on his lips as fans sent their love and questions flooding in by the second. Beside him, Luna sat comfortably, her attention absorbed by something on her phone, her fingers lightly tapping the screen.

[They are so domestic it's messing with my head]

The room was dimly lit, the only light coming from the screen in front of them, casting a warm, intimate atmosphere. The two sat close together on the couch, their comfortable silence occasionally punctuated by Jeonghan reading out a comment that caught his attention or Luna chuckling at something amusing on her phone.

Jeonghan’s gaze briefly lingered on the screen before his eyes caught a particular question in the chat. His brow quirked in mild interest, and without thinking much, he read it aloud, his tone playful yet thoughtful. “‘What’s your ideal type?’” The question hung in the air, simple yet loaded, as he let it settle for a moment.

Jeonghan leaned back slightly, the cogs in his mind turning as he pondered how to answer.

[He's so hot]

He cast a quick, almost imperceptible glance at Luna, who was still engrossed in her phone, seemingly oblivious to the question he had just read. But Jeonghan wasn’t one to let such an opportunity pass. He turned his attention back to the screen, a small, knowing smile curving his lips as he spoke.

[THERE'S YOUR ANSWER RIGHT THERE FOLKS! NO WORDS NEEDED!]

“Someone who can challenge me, keep me on my toes.” His voice was steady and confident, yet there was an underlying warmth to it, a tone that his fans had come to adore. He let the words hang for a moment, his eyes still fixed on the screen as if giving the answer time to sink in.

[He's not slick, we know exactly who he was talking about]

After a beat, Jeonghan turned to Luna, his smile widening slightly. “I’m not sure whose question that was for, so you might as well answer too, Nana-ya,” he said, his voice light, teasing.

[HIS NICKNAME FOR HER, I'M SOBBING]

Luna’s head lifted from her phone at the sound of her name. She blinked, processing his words, before letting out a soft, amused breath.

[Sidenote: she's so fucking cute]

“Ideal type?” She asked and without hesitation, she turned off her phone, set it aside, and looked directly at the screen in front of them.

“Mm,” Jeonghan nodded, watching her through the screen.

[I AM SIMPLY NO MORE]

There was a quiet confidence in the way she carried herself as if the question posed to her was one she had answered a hundred times before. “Someone who knows how to handle a challenge,” she replied smoothly, her tone clear and firm, yet with a playful edge that hinted at something more.

[AHHHHHHHHHHHHHH I'M NOT OKAYYYYYY IHDUHRFHUBRU]

The camera caught the subtle shift in the air as she turned to look at Jeonghan, who was still staring at the screen.

[Bae Jiyeon is such a flirt]

[She’s so hot for that]

For a moment, the two of them just looked at each other, the energy between them palpable even through the screen. It was as if the rest of the world had faded away, leaving only the two of them at that moment, locked in a silent exchange that spoke volumes.

[SOMEBODY FUCKING SEDATE ME RN]

[LOOK AT THE WAY THEY ARE STARING AT EACH OTHER]

[GOODBYE]

[THEY ARE IN LOVE]

Jeonghan, caught off guard by the directness of her gaze, buffered for a second, his usual quick wit momentarily faltering.

[Jeonghan.exe has stopped working]

[Only Luna can get this man short circuit like that]

He looked down, a small, almost shy smile tugging at the corners of his lips. He licked his lips out of habit, a gesture that fans had come to recognize as a sign that he was flustered, and then he bit down on his lower lip, trying to suppress the grin that threatened to break free.

[I'M UNWELL]

[JUST KISS ALREADY]

The chat exploded with comments from fans, picking up on the tension, with some jokingly asking if they needed a moment alone, while others gushed over the undeniable chemistry that had just played out before them. The moment was subtle, yet it was loaded with meaning, the kind that left fans rewatching the clip over and over, trying to decipher every small detail, every flicker of emotion that crossed their faces.

Luna - 1 | Jeonghan - 0

10 minutes later....

The livestream had returned to its usual rhythm after the earlier exchange, with Jeonghan and Luna answering questions, bantering with each other, and interacting with fans in the chat. The playful tension between them seemed to have settled, replaced by the familiar ease they shared in each other's company.

The room was filled with the soft hum of their voices, mingling with the occasional beep of notifications and the soft tapping of Luna’s fingers on her phone as she scrolled through comments. Ten minutes had passed since their last flirty exchange, and everything seemed to be back to normal— at least on the surface.

[Not them acting like they didn’t just almost make out in front of us]

Luna was reading through more comments on her phone, her eyes scanning the screen for something interesting to share with Jeonghan and their fans. Jeonghan, meanwhile, was leaning back on the couch, his arm casually draped over the backrest, looking relaxed and completely in his element.

[Have I mentioned how hot he is?]

[I have?]

[Well… he’s hot… sue me]

Then, Luna’s eyes lit up as she found a question that caught her interest. She sat up a little straighter, her expression curious as she read aloud, “‘What’s the best thing about working together?’” She glanced at Jeonghan, waiting to see how he would respond.

[Answer: Flirting with each other on a daily basis]

Jeonghan didn’t hesitate for even a second. With a grin that was equal parts mischievous and affectionate, he answered smoothly, “I get to annoy Jiyeonie whenever I want.”

[JIYEONIEEEEE]

His tone was light, but there was a glint in his eyes that showed he knew exactly how to push her buttons— and enjoyed doing it.

Luna rolled her eyes, but there was no hiding the smile tugging at her lips. She was used to his teasing, even fond of it in a way, though she would never admit that out loud.

“You’re lucky I have patience,” she retorted, her voice tinged with playful exasperation. She gave him a sidelong glance, the kind that was half warning, half amusement.

[We know you enjoy it, miss thing]

Jeonghan’s grin only widened at her response, his eyes sparkling with that signature charm that always seemed to catch people off guard. “Or maybe,” he began, his voice dropping slightly as he leaned in just a fraction, “you just like me too much to get mad.”

[GOOD LORD 🥵]

[YOON JEONGHAN LET THE POOR WOMAN BREATHE]

[Of course, he had to bite back for earlier]

The words hung in the air between them, a challenge wrapped in flirtation, and for a moment, neither of them moved.

[Mom and Dad please not in front of everyone]

Luna narrowed her eyes slightly, determined not to let him win. She wasn’t going to let him have the last word so easily, not when she knew exactly how to turn the tables.

She stared at Jeonghan, who was watching her reaction with a smile that was just shy of a smirk. He was clearly amused, enjoying the way their playful banter always seemed to draw them closer.

[He’s a menace]

As Jeonghan chuckled softly, leaning a little closer to her, Luna seized the opportunity. “Ya! You’re awfully close,” she said, her voice steady but with an edge of teasing, her eyes never leaving his. “Trying to see if my heartbeat’s faster because of you?”

[ITS OVER]

[JUST TURN OFF THE LIVE AND MAKE OUT FR]

[I FEEL LIKE I’M NOT SUPPOSED TO BE SEEING THIS]

Jeonghan’s laughter faded into a quieter, more intimate chuckle as he lifted his head, locking eyes with her. There was a moment of silence, just the two of them caught in the tension that crackled between them.

[Damn dadd– what?!]

Then, with a calm, confident smile, he replied, “I don’t even need to be near you to know that it is.”

[HE. IS. SICK. IN. THE. MOTHERFUCKING. HEAD.]

Luna blinked, the words catching her off guard for a split second. She hadn’t expected him to turn the tables so quickly, and for once, she found herself at a loss for a witty comeback.

[Just give up girl, he won]

The air around them seemed to still, the playful banter now giving way to something deeper, something that neither of them could quite put into words.

Realizing she was at a disadvantage, Luna quickly turned her attention back to the screen, her face breaking into a bright, almost exaggerated smile. “Next question!” she exclaimed, her tone suddenly enthusiastic, a clear attempt to divert the attention away from her flustered state.

[SHE CRACKS ME UP 😂]

[Luna really said: 🏃‍♀️💨]

Jeonghan’s laughter filled the room, soft and warm, the sound of it causing the corners of her lips to twitch despite herself. He could see right through her, but instead of pressing further, he simply leaned back, his eyes still twinkling with amusement as he let her off the hook— for now.

Luna - 1 | Jeonghan - 1

IN THE SOOP 1 - EP 2

The camera pans across the tranquil morning landscape, capturing the early light filtering through the trees, casting dappled shadows across the ground. It's the second day of their retreat, and the air is filled with the fresh scent of nature, the kind that makes you want to take a deep breath and savor the peace.

[In the Soop has a special place in my heart]

The scene transitions to the kitchen area, where Luna is already awake and busy. She stands at the counter, sleeves rolled up, hair tied back, moving with practiced ease as she prepares japchae for her breakfast.

[Mommy? Sorry… Momm–]

The soft clinking of utensils and the sizzle of vegetables in the pan create a gentle soundtrack to the morning, the only sounds breaking the silence. Luna’s focus is intense, her brow slightly furrowed as she carefully stirs the noodles, the aroma of the dish wafting through the air.

There’s something almost meditative about the way she moves, each motion deliberate and precise, a quiet testament to her skills in the kitchen.

[Damn. Cooking Mama fr]

[I’ll stop]

From the other side of the house, Jeonghan, now awake and still a bit groggy, wanders into the kitchen.

[Alexa, play ‘Daddy’s Home’ by Usher]

He’s dressed casually, his blonde hair slightly tousled from sleep, and he pauses for a moment when he sees Luna cooking alone. For a few seconds, he simply watches her from the doorway, taking in the scene with a soft smile. There’s a quiet beauty in the simplicity of the moment— Luna, completely absorbed in her task, and Jeonghan, content just to watch her work.

[SON OF A BITCH]

[At this point I don’t need a man LIKE him… I need HIM]

[Alas, I’m no Bae Jiyeon]

Finally, Jeonghan steps into the kitchen, his presence almost unnoticed until he speaks, his voice still carrying the warmth of sleep. “Good morning,” he says, his tone gentle.

[GOD TO WAKE UP TO THAT VOICE]

[He’s morning voice will be my undoing istg]

Luna glances up from her cooking, her expression softening at the sight of him. “Good morning,” she replies, her voice equally soft but with a hint of brightness that suggests she’s fully awake and ready for the day.

[SHE’S SO FLUFFY I’M GONNA DIE]

Jeonghan moves closer, leaning his back against the sink at the side, his arms casually crossed over his chest. “You’re up early,” he observes, his eyes never leaving her as she continues to cook.

[I legit have no words I–]

[HE’S NOT EVEN WATCHING HER COOK. HE’S JUST WATCHING HER!]

[When will it be my turn?!]

Luna shrugs lightly, her attention half on the dish in front of her. “M’hungry,” she admits, her voice a bit whiny as she pouts, her concentration not wavering. “Figured I might as well make breakfast for the members awake.”

Jeonghan hums in response, his gaze following her movements with quiet interest. “Japchae, huh? You’re spoiling us,” he teases lightly, a small smile playing on his lips.

Luna lets out a soft laugh, glancing over at him with a playful glint in her eyes. “Just trying to keep everyone fed,” she quips her tone teasing but with a touch of sincerity.

[I wanna be her friend so bad 🥲]

For a while, they fall into a comfortable silence, the only sounds in the kitchen being the gentle clatter of utensils and the occasional sizzling of food in the pan.

Jeonghan isn’t much of a cook, so he doesn’t try to help; instead, he simply leans back against the sink, his eyes fixed on Luna as she works. There’s something almost mesmerizing about the way she moves, the way her hands expertly handle the ingredients, turning a simple meal into something special.

[I AM ACTUALLY CRYING]

[You can’t tell me that they are JUST friends]

[He is in love]

Jeonghan watches her for a moment longer, and then, with a quiet, almost contemplative tone, he speaks up again. “You make everything look easy…even stealing my attention.”

[When I tell you I lost my mind when I watched this. I meant I LOST my goddamn mind]

Luna pauses for a split second, surprised by the comment, then breathes out a soft laugh.

[She’s a strong mf cause I would have keeled over]

She glances over at him, a small smile tugging at her lips despite the concentration etched on her face. “Careful, I might steal more than that.”

[WHAT THE ACTUAL FUCK]

[STEAL WHAT?!! STEAL WHAT!??]

[YOU ALREADY HAVE HIM WRAPPED AROUND YOUR FINGER, BAE JIYEON! STEAL WHAT!?]

Jeonghan just grins, unfazed by her challenge. There’s a twinkle in his eyes, one that suggests he’s fully prepared to see where this exchange might lead. “I’d like to see you try.”

[THEY ARE SIMPLY PERFECT FOR EACH OTHER]

[And, sir… it’s been stolen]

Luna rolls her eyes, the gesture light and almost playful, before turning her attention back to the pan in front of her. “Keep watching, then.”

“I plan to,” Jeonghan replies, his voice low and steady, carrying a weight that makes the simple words feel like a promise.

[It’s like watching a tennis match]

[Also, I can’t be the only one feeling that simmering tension right?]

[Cause I can feel it through the screen, I feel like intruding]

For a moment, Luna says nothing, her focus entirely on the dish she’s preparing. But then, as if unable to hold back her exasperation any longer, she sighs softly, muttering under her breath, “You’re annoying.”

[He really is]

Jeonghan’s laugh is soft but full of warmth, the sound filling the kitchen and cutting through the quiet tension. “You know you love it,” he retorts, his tone teasing but affectionate.

[SHE DOES]

[AND SO DO WE]

Luna doesn’t respond immediately, but there’s a faint smile on her lips, one that she doesn’t bother to hide.

[I’m pretty sure they are already married ngl]

The moment is small, almost insignificant in the grand scheme of things, but it’s filled with a kind of intimacy that only comes from years of knowing each other, of sharing quiet mornings and playful banter, of understanding each other’s rhythms.

As Luna continues to cook, Jeonghan remains by the sink, content to watch her in silence, the soft sounds of the kitchen and the occasional chirping of birds outside are the only things filling the air between them. It’s a peaceful moment, one that feels both ordinary and special, the kind of memory that lingers long after the day has ended.

Luna: - 2 | Jeonghan - 2

I’ll give them both a point for that one cause I said so and I can do whatever I want.

NANA TOUR EPISODE 4

One night in their accommodation in Italy where the members are participating in a fun and chaotic mission challenge devised by PD Na to earn pocket money for their next itinerary. The atmosphere is fun yet chaotically competitive, with everyone running around the place either screaming, scheming, or soaking wet, as everyone tries to outwit each other without revealing their own missions.

[I loved this entire episode btw]

[Just the absolute chaos of it all]

The camera cuts to Luna, who’s been given a particularly sneaky mission— mark each of the members with a thumbprint using a small ink pad that she keeps hidden in her pocket. To throw them off, she’s devised a clever ruse: pretending that her mission is to give them kisses on the cheek. The real mission, however, is the subtle press of her ink-stained thumb against their skin during these affectionate gestures.

[I love her mission btw]

[I love her fake one as well]

As the day progresses, Luna moves through the group, expertly masking her true intentions. She playfully pecks each member on the cheek, all the while discreetly pressing her thumb to their necks, arms, or any other exposed skin.

[Luna giggling her way to victory is a mood]

Her sights are set on Jeonghan, who, as everyone knows, is the most difficult to play against. But Luna knows that Jeonghan, always perceptive and especially so when it comes to her, will be the hardest to deceive. Ever since Wonwoo took his recorder which was essentially for his mission, he has done nothing but sabotage the members' chances of completing their missions. He has been observing everything with sharp eyes, already noticing the odd marks on the others and suspecting that Luna is behind it.

Jeonghan is standing near the kitchen countertop watching Dokyeom and Vernon eat a huge pan of scrambled eggs when Luna spots her chance. She approaches him with a mischievous glint in her eyes, a wide smile plastered on her face as she sneaks up behind him.

[There she goes]

[All the luck, Queen]

“Hannie oppa!” she calls out sweetly, slipping her hand into her pocket to press her thumb into the hidden ink pad. She steps closer, wrapping her arms around his waist in a back hug, resting her chin on his shoulder.

[HONESTLY… I’D FOLD FOR HER]

[I’d let her paint me with that entire ink]

But Jeonghan knows her too well. He’s been expecting something like this, and before Luna can place a kiss on his cheek and press her ink-stained thumb to his skin, he ducks away with a playful grin.

“Nana-ya, what are you doing?” he laughs, taking a few steps back to keep his distance.

[A menace]

“Ya! Why are you running away?” Luna whines, trying to close the gap between them. Her thumb is still poised, ready to mark him if she can just get close enough.

Jeonghan smirks, shaking his head as he keeps dodging her advances. “You think I don’t know what you’re up to? You’re not fooling me.”

“Come on! Just one little kiss!” Luna pleads, pouting for effect as she chases after him. Jeonghan raises an eyebrow, his grin widening.

[Just give it up, girl. He knows damn well that is not your mission]

“One little kiss, huh? I’m pretty sure that’s not your mission.” Jeonghan sidesteps her again, keeping just out of reach, enjoying the little game they’re playing.

[His recorder gets taken and makes it his mission to be everyone’s problem]

Luna huffs in frustration, but she’s still smiling. She decides to change tactics, stopping in her tracks and letting out a dramatic sigh. “You’re so difficult, you know that?” she says, her tone a mix of exasperation and amusement.

Jeonghan, sensing her pause, slows down and glances back at her. “And you’re not as sneaky as you think,” he teases, folding his arms as he stands a few feet away, still keeping his distance.

[He’s annoying… I want him.]

“Just this once,” Luna pouts. “You can sabotage someone else. I didn’t to anything to you.”

Jeonghan shook his head and smirked, “Mingyu didn’t do anything to me and he’s now soaking wet.”

[AND WE THANK YOU FOR YOUR SERVICE, SIR]

[Sidenote: I feel bad for Mingyu and applaud him for his patience…]

[… I would have WWE slammed Jeonghan if I were him]

Luna narrowed her eyes at him, then suddenly her expression softened, and she laughed at the thought, she smiled in that particular way that always seemed to catch Jeonghan off guard. It’s a warm, genuine smile that lights up her face, and Jeonghan can’t help but feel his defenses start to crumble.

[*Whip sound effect*]

[YOU CAN LITERALLY SEE THE HEARTS IN HIS EYES]

“Every time you smile like that… I forget what we were even arguing about,” Jeonghan muttered, his voice quieter, almost as if he was speaking more to himself than to her.

[GOODBYE WORLD]

[JIYEON MUST HAVE SAVED A LITTER OF PUPPIES IN HER PREVIOUS LIFE… SHE’S TOO LUCKY!!]

Luna blinks at him, momentarily caught off guard by his words. But she quickly recovers, and before he can regain his composure, she moves in again, this time determined to get the kiss— and the mark.

“Maybe that’s the point,” she murmurs, leaning in close, her thumb ready.

But Jeonghan is too quick. Just as her thumb is about to touch his cheek, he grabs her hand, holding it firmly in his grasp while sidestepping her attempt.

[BFFR FOR A SECOND JEONGHAN]

[He wants to be kissed yet he acting coy]

“Is this your way of distracting me, or are you just that into me?” he teases, his tone light but his grip secure.

[JUST ONE AFTER THE OTHER]

[He is the biggest flirt I know istg]

Luna pouts, now genuinely frustrated. “Come on, just let me win this one,” she pleads, her tone turning sweet and persuasive as she pouts up at him.

[She’s desperate for that money]

[They all are… it’s scary]

Jeonghan chuckles, shaking his head. “And let you have all the money? No way.”

“I’ll share! I promise!” Luna bargains, her eyes wide and earnest. “Fifty-fifty, I swear. Please?”

Jeonghan considers this for a moment, his grip on her hand loosening slightly as he pretends to mull it over. “Fifty-fifty, huh?” he repeats, clearly enjoying her desperation.

[Look at him pretending to think knowing damn well he is gonna agree]

He tilts his head, pretending to think it over. “You know... you’re not really in a position to negotiate.”Luna’s frustration mounts as she realizes she’s losing the battle. But Luna can see the teasing glint in his eyes, and she knows he’s just toying with her.

[Sir– she’s bout to smack the living shit out of you]

Thankfully, Luna is never been one to give up easily, especially not with Jeonghan. “Please, Jeonghannie oppa,” she pleads, her voice dropping to a softer, more sincere tone. “You know I’ll keep my promise.”

Jeonghan’s smile softens at her genuine plea, and after a moment, he releases her hand, stepping back. “Fine,” he says, sighing as if he’s making a great sacrifice. “But only because you’re so cute when you’re desperate.”

[HSHWUVEYEVEJEHEGHEHUGEUSYWU]

[I’M UNWELL]

[He’s definitely the type to tease you and make you beg in be–]

Luna beams at him, wasting no time as she reaches out to press her thumb against his neck, leaving the faint ink mark behind. Then, just to keep up the ruse, she leans in and plants a light kiss on his cheek, the ink still wet on her thumb.

[SHE FUCKING KISSED HIM ANYWAYS]

[MOM AND DAD PLEASE ADOPT ME 🥹]

Jeonghan feels the light touch of her lips and then the slight pressure of her thumb, and he knows she’s finally succeeded.

“There,” Luna says triumphantly, pulling back with a satisfied grin. “Fifty-fifty.”

Jeonghan just laughs, shaking his head. “You are something else, Jiyeonie.”

Luna winks at him, her smile full of mischief. “You know you love me.”

“I do,” Jeonghan says with a smile on his face.

[I AM ACTUALLY NOT OKAY RN]

Luna - 3 | Jeonghan - 3

Honestly, they both won that round. Luna’s ability to make Jeonghan fold so easily and Jeonghan’s ability to say something flirty deserve points each.

There are too many moments between these two that if kept going this video would be an hour long. So comment below if you want more videos about Jeongna.

comments…

@/lunababybae • 1 year ago ╰ they are insane the both of them.

@/miminie • 1 year ago ╰ THAT ENTIRE LIVE WAS MY UNDOING ISTG! IT WAS LIKE I WAS THIRD WHEELING THEM THE ENTIRE TIME!

@/jeonghannienie • 1 year ago ╰ The way they stare at each other 🥹 I’m not kidding, they are actually in love, you can’t convince me otherwise.

@/ajuniceeee • 1 year ago ╰ IT IS ACTUALLY INSANE HOW EASY IT IS FOR THEM TO FLIRT WITH EACH OTHER LIKE I AM NOT KIDDING.

@/gyugyumingyu • 9 months ago ╰ YOON JEONGHAN WHAT IS THIS BEHAVIOR?!

@/jeongna4life • 9 months ago ╰ Luna trying to convince Jeonghan to let her do her mission and Jeonghan acting like he didn’t want to knowing damn well he already folded 😂

@/jjujjunice • 7 months ago ╰ “only because you are cute when you’re desperate.” WHO TF DO YOU THINK YOU ARE YOON JEONGHAN?!?

@/babyjiyeoniee • 7 months ago ╰ THIS COULD BE A 10 PART SERIES WITH HOW MUCH THESE TWO MESS AROUND FR.

@/svtfannn • 7 months ago ╰ them in nana tour was my Roman Empire. You cannot convince me that they weren’t lowkey giving off bf and gf vibes cause wtf!?

@/kpopiefanniee • 6 months ago ╰ “Every time you smile like that… I forget what we were even arguing about.” WHO SAYS THAT!?

@/jessiemiiii • 5 months ago ╰ “You make everything look easy…even stealing my attention.” WHAT IS WRONG WITH HIM? HONESTLY?!? WHY TF?! JIYEON IS STRONGER THAN ME CAUSE I WOULD HAVE DIED RIGHT THEN AND THERE.

@/suuperduupersvt • 4 months ago ╰ the way Jiyeon can go from flustered to rizz master needs to be studied fr 👀

@/hanniehanniehae • 3 weeks ago ╰ MAKE A PART 2!!!

@/lovielove • 1 week ago ╰ ISTG THEY GIVE ME DILF AND MILF VIBES

@/jeoniewonwoo • 2 hours ago ╰ KISS KISS KISS KISS KISS!!!

ೃ⁀➷ comment or message me to be added to the tag list :)

˚₊· ͟͟͞͞➳❥ SUBMIT A REQUEST AND ASK ME ANYTHING!

: ̗̀➛ requests are always open ♡ - lunaఌ

Taglist: @yeoberryx @minminghao @angie-x3 @jennwonwoo @k13endall @heeseungthel0ml

[hynzsn]

💭 JEALOUSY ★

☆ sungchan x male reader

-> idol!sungchan x idol!reader

꩜ .ᐟ fluff?, headcanons, scenarios

summary: literally just sungchan being a jealous boyfriend!! plus some bonus cute boyfriend headcanons that i felt like adding 🥰

♡︎♡︎♡︎ likes, comments and reblogs are highly appreciated ♡︎♡︎♡︎

₊˚ ꒰ 𖦹﹕HEADCANONS ꒱ ˚₊

— sungchan tries so hard to play it cool, but he's legit the most possessive bf ever and it's lowkey adorable???

— he gets extra affectionate on stage. little touches, inside jokes, heated glances. briize go wild and honestly? sungchan lives for it. “mine," he'll whisper fiercely before you go on stage, giving your hand a squeeze. and really, you wouldn't have it any other way.

— if he sees you texting someone and smiling, he’ll casually drape himself over your shoulders, trying to peek at your phone. “who’s got you grinning like that, huh?” he’ll ask, his tone light but his eyes sharp.

— he finds nearly every excuse in the book to touch you -> fixing your hair, adjusting your mic, leaning on your shoulder, hugging you from behind, holding your hand, etc… literally anything to assert his position as your boyfriend.

— his jaw clenches every time he sees you laughing at shotaro’s jokes during practice. he can’t help but mutter under his breath, “what’s so fucking funny anyway?”

— during dance practice, sungchan notices the choreographer paying extra attention to your form, constantly adjusting your posture with gentle touches. he fumbles a few steps, distracted by the sight. later, he corners you when you’re alone, pressing you against the wall. "looks like you need some extra practice," he growls, his hands on your hips. "how about a private lesson with me instead?"

— during a livestream, anton casually drapes his arm around your shoulders. sungchan, off-camera, grips his water bottle so tightly it nearly cracks. later, he pulls you aside and hisses, “do you have to be so touchy-feely with everyone?”

— at a fansign event, a fan asks you who your ideal type is. before you can even a answer, sungchan blurts out, “he likes tall guys. tall rapper types.” he gives you a pointed look, daring you to contradict him.

— during a variety show game where members have to pair up, sungchan practically tackles you to ensure you're his partner. "sorry guys," he says with a not-so-sorry grin, "i called dibs on him ages ago."

— you mention wanting to learn guitar, and wonbin offers to teach you. suddenly, sungchan becomes very interested in guitars too. "i’ve always wanted to learn," he lies through his teeth, joining your lessons and monopolizing wonbin’s attention.

— during a group dinner, eunseok keeps feeding you bites from his plate. sungchan retaliates by practically shoving spoonfuls of his own food into your mouth. "here, try mine. it’s way better," he insists, glaring daggers at eunseok.

— sohee keeps stealing food from your plate, something you two have always done playfully. sungchan, however, is not amused. he wordlessly places more food on your plate and shoots daggers at sohee. under the table, his hand finds yours, intertwining your fingers possessively.

— you’re feeling under the weather, and all the members are fussing over you. sungchan elbows his way through, declaring, "i’ve got this, guys. i know exactly what he needs." he spends the entire day hovering over you, bringing you soup and medicine, and glaring at anyone who dares to come near.

— at a radio show, the host asks about close friendships within the group. before anyone can answer, sungchan’s eager to announce that you and him are the closest. “y/n and i are super close. like, really close. right, y/n?” his eyes are practically pleading.

₊˚ ꒰ 𖦹﹕BONUS BF!SUNGCHAN HEADCANONS ꒱ ˚₊

— late one night, you feel your bed dip and a warm body press against your back. "couldn’t sleep," sungchan mumbles, nuzzling into your neck. "you’re better than any damn teddy bear."

— after a grueling practice session, you're both exhausted. without a word, sungchan follows you to your room, kicks off his shoes, and crawls under the covers with you. "just five minutes," he yawns, but you both know he's not going anywhere.

— during a thunderstorm, sungchan shows up at your door looking sheepish. "the thunder, it's... loud," he mutters. you lift your blanket in invitation, and he dives in, wrapping himself around you like a koala.

— in the practice room when you're alone, sungchan will sometimes come up behind you, wrap his arms around your waist, and rest his chin on your shoulder. "show me that move again," he'll say, but his hands on your hips suggest he's more interested in feeling you move than learning the choreography.

— during movie nights with the group, sungchan always manages to snag the spot next to you. as the others get engrossed in the film, he'll slowly intertwine his fingers with yours under the blanket, shooting you a sly smile.

— when you're stressed about a performance, sungchan will pull you aside. "close your eyes," he'll whisper, before giving you a slow, deep massage. his strong hands work out the knots in your shoulders as he murmurs, "you’ve got this. you’re amazing."

— during long car rides, sungchan will pretend to fall asleep on your shoulder. but you can feel his lips curl into a smile against your neck when you start playing with his hair.

₊˚ ꒰ 𖦹﹕SCENARIOS ꒱ ˚₊

it’s comeback season, which means endless photoshoots. today you’re paired with shotaro for a concept that involves a lot of playful touches and laughter. sungchan watches from the sidelines, a subtle frown forming as shotaro adjusts a strand of your hair, laughing at something you whispered. later, during a break, you wander over to sungchan, excited to show him the polaroid the staff gifted you. “look! it came out so cute, right?” he barely glances at it, his hand reaching out to brush against your cheek. “you had something in your hair,” he murmurs, eyes fixed on yours, “must’ve missed it.” the intensity of his gaze makes you blush, and you’re suddenly very aware of his touch, lingering a beat too long.

seunghan loves to tease. he lives to tease. And he knows exactly which buttons to push when it comes to sungchan. so, naturally, when he sees sungchan subtly fuming backstage after witnessing your playful banter with wonbin, he decides to have some fun. “yah, wonbin-ah,” seunghan slings an arm around him, “you and y/n seemed pretty cozy out there. did you know he used to have the biggest crush on–” “seunghan!” you hiss, elbowing seunghan playfully as sungchan chokes on his water. you shoot him an apologetic look, but he’s not even looking at you. his eyes are laser-focused on wonbin, a challenging glint in them.

“hyung, stop hogging y/n!” anton whines playfully, trying to squeeze between you two during a chaotic group weverse live. you’d simply been showing sungchan a funny meme on your phone, your shoulders brushing, but leave it to anton to turn it into something else. sungchan, however, doesn’t budge. he wraps an arm around your shoulders, pulling you closer, and fixes anton with a flat stare. “we’re comfortable, thanks for asking.” the chat explodes, a flurry of heart emojis and excited keyboard smashing. you can practically hear the shippers going wild. meanwhile, eunseok is cackling in the background, thoroughly enjoying the show.

you’re exhausted after a long day of practice. All you want is to collapse onto the dorm couch and scroll through your phone. but when you enter the living room, you find sungchan already there, a deep frown etched on his face. “hey, what’s wrong?” you ask, concern lacing your voice. he avoids your gaze, mumbling something about being tired. you know him better than that. you gently pry until he finally confesses, voice low and hesitant, “i saw you and sohee practicing that dance earlier… you two looked really good together.” it clicks. jealousy. you can’t help but smile, finding his possessiveness endearing. you crawl onto the couch, snuggling into his side. “are you kidding? you’re the only dance partner i want.” he tries to maintain his grumpy facade, but you can see the way his lips twitch into a small smile. the silent treatment is officially over.

[kunikuyu]

Until he gets tired.

Heian Era! Ryomen Sukuna x Male! Reader

Warnings: 🕊️ DEAD DOVE, DO NOT EAT. Dom! sukuna, sub! reader. reader is simply crazy. Size kink, cut play, mention of the term 'sex slave', dub-con, sex even when passed out, bulge in the belly, begging, abusive relationship, words written intentionally wrong, sukuna has two dicks, fainting, monster romance (for obvious reasons). DNI MINORS.

Summary: Being Sukuna's partner is something completely insane. Aside from the fact that Sukuna is incapable of loving anyone, he seems to take a twisted pleasure in hurting his partners. Every night, [Name] knows that the next day, he will wake up completely destroyed.

The climate was pleasant. Not too cold, not too hot, a gentle breeze blew through the walls and windows of Sukuna's temple. But what made everything scary and strange were the screams that came from inside.

Today was a special day. [Name] and Sukuna, the king of curses, had completed a hundred years together, as partners. Normally no one would celebrate this, since... Who would want to stand next to Sukuna? No one would be crazy enough to do that.

But, [Name] is.

"Uhm~ 'Kuna..."

The ancient sorcerer purrs. [Name] was sitting in the lap of the curse, skin completely exposed for anyone to see, but protected so no one can touch. And of course no one would touch, who would even dare to come close to the one who is so 'well taken care of' by Ryomen Sukuna. His chest was already completely red and full of small cuts, which were leaking almost invisible drops of blood. He didn't even know how he managed to stay awake anymore, it seemed simply impossible not to pass out there. Not because of the small and insignificant loss of blood, but rather for the pain in his lower parts.

[Name] couldn't move, couldn't even dare breathe wrong, if he didn't want to get slapped in the face. It seemed like an impossible task, and it really was, since Sukuna's dick wasn't just anything, or just an organ. It was big, ridiculously big, it seemed like a joke to imagine that it could fit on someone. So much so that only the cockhead managed to enter the sorcerer's body.

But Sukuna didn't care at all, of course not. He smiled when he saw his flushed face, expressing pain and clearly distorted pleasure. And instead of helping, he only makes the situation worse, squeezing hard around [Name]'s entire length so that he's unable to cum. This felt more like a punishment than a reward for staying by his side for so long.

"Such a dirty little whore... Are you that used to it? Don't you even scream in desperation for me to get out of you? I don't know if I find this interesting or pathetic." He says, with his typical arrogant and self-centered tone.

Deciding that he would take things more seriously, the King of Curses pulls [Name]'s hands close enough to him, so that the younger man is completely lying on top of Sukuna, being the perfect target for the all-out aggression the older man has in mind. He liked seeing his partner like this, but he much preferred seeing him screaming and crying because he couldn't handle his dick.

[Name] lets out a howl of pain as his severed chest is thrown hard against Sukuna's chest. It was like a thousand needles going into his skin because of the small cuts located in the area, but he still managed to find pleasure in the pain.

"Sukuna...! That hurts...!"

"I know."

Suddenly, agonizing screams of pain can be heard from far away. The screams were definitely from [Name], who was now being fucked mercilessly. He drooled against the other man's shoulder while still going through the trouble of jerking off his other cock. It was always so painful, the older man's balls aggressively slapped his ass, while his dick reached the deepest layer of his body, crushing his prostate with ease.

"Stop, please!~ Sho painf- ah!"

He doesn't even have time to complain before another of Sukuna's tricks is revealed. The two bodies completely glued together served so that the mouth on the monster-man's stomach could willingly take in [Name]'s red and swollen cock. He doesn't even know what to feel. It hurts, but he's about to cum!

And...

...To faint...

This lasts all night, and several times, [Name] even faints. It didn't end until Sukuna got tired, and he could never easily get tired of his beloved sex slave. When [Name] wakes up in the morning, a small pool of blood was formed on his bed, and next to the bed, a calm and silent Sukuna was cleaning his own body, which was dirty with fluids from both of them. When looking at his body, the sorcerer realizes that his chest was no longer the only thing that was bleeding, but his entire body. His belly was even full, certainly from Sukuna's loads of cum, which were clearly not few. He can barely stay awake for long before passing out again from exhaustion and blood loss.

[krispycreamcake]

HALLO!!! could you do sakamakis with a ballerina s/o perchance ? ヾ(≧∇≦*)/

Sakamaki brothers with a ballerina s/o

Shu Sakamaki

🎻- Now because he's been alive for hundreds of years, he's seen the best of the best

🎻- And because of this, nothing you do could really pique his general interest

🎻- Wellllll ok maybe a little. He'll watch the first time around and have that image of you dancing so gracefully stuck in his head and he'll blame you for "keeping him up"

🎻- He wouldn't oppose you if you asked him to play the violin while you dance (he wants you to, so please ask)

🎻- Always shows up to your concerts, he would never miss it for the world

🎻- Slowly becomes your emotional rock since he knows the kind of pressure you're experiencing to please those around you

🎻- Since Shu is a leg man, let's say he likes to see you dance for a couple different reasons

Reiji Sakamaki

☕️- Your biggest fan ever, like I'm not even joking

☕️- LOOOOVES to see you dance and asks you to perform in private for him

☕️- Gives you pointers because he wants you to always succeed

☕️- Speaking of succeeding, he always books your auditions, makes sure you get there on time, have adequate practice sessions, etc.

☕️- Thinks you're so sophisticated and won't say it, but he thinks this makes you 10x more attractive

☕️- "How will you ever get the lead role with such shaky movements? Must I need to demonstrate every little thing for you?"

Ayato Sakamaki

🏀- Like almost everything else, Ayato takes pride in the fact that his s/o is a ballerina

🏀- I feel like his overall reaction would change depending on your gender tbh

🏀- For example, if you're a guy, he'd make fun of you for it until the day he sits in that crowded room and as the music blasts through, engulfing him in a sugary symphony, no matter HOW many people are on stage, all he can see is you

🏀- If you're a girl, he'd be more open to the idea and won't make fun of you as much, but that doesn't mean he won't tease you

🏀- Like Reiji, he also pushes you because he insists that you shouldn't have to settle for second place, or god forbid third

Laito Sakamaki

🃏- Yes yes we all know he makes perverted and out of pocket jokes about it

🃏- Finds ways to somehow include you being a ballerina to benefit him, ie flexibility

🃏- Aside from the obvious, Laito is very impressed with your ability to literally dance on your toes

🃏- He throws roses at your performances

🃏- "Don't get too cocky up there, remember no matter what, you'll always be my little bitch nfu~"

🃏- Aside from all the awe he has for you, he also has a side of him that thinks being able to move your body in such a fashion is a bit creepy

🃏- So if you ever wanna spook him, just weirdly articulate your body, trust

Kanato Sakamaki

🧸- Does your makeup for performances 100%

🧸- He loves seeing you dress in frilly pastel outfits

🧸- Gets violently jealous however, emphasis on violent

🧸- You should only be showing yourself off to him, not other people

🧸- He supposes however, that it just can't be helped, clipping a bird's wings will only make it wander about in life without a purpose

🧸- DO. NOT. piss him off before a performance, he WILL break your legs

🧸- Putting aside his violent outbursts, he thinks you're just the cutest thing ever and might even consider himself lucky that he wounded up with such a person as yourself

Subaru Sakamaki

🥀- Thinks it's cool

🥀- I wouldn't say he has strong opinions until he sees you actually perform

🥀- Like Ayato, his eyes would be glued to you all night

🥀- "I didn't realize you were that good- Of course I'm not saying it was anything special! Fuck off! Just be glad I even showed up to that stupid thing"

🥀- Honestly might doubt himself a bit and reasses his own self to see how compatible you guys are

🥀- After all, you're surrounded by talent all the time, it must be exhausting coming home to a lifeless monster like him right?

🥀- Please tell him that he's enough for you, he'll push you to be your best self if you let him know there's nothing to be worried about

🥀- Similar to Reiji and Ayato in that sense, but he knows when to quit and when to give you space

🥀- Think of those dads at their child's recitals where they always look peeved and they have that one dad pose where they sit and lean back with their arms crossed

🥀- That's him, but he's actually enjoying every moment of it

[secriden]

I thought I was done talking about Style in THK's episode 2, but jokes on me, no I'm not.

I keep thinking about Style and Bison's first interaction and how pure and sweet it was. In the middle of the mess that is this 4-way whirlwind of lies and deception, it felt like a refreshingly honest conversation between two people who are only accidentally lying to each other.

Style seems incredibly earnest when he tells Bison that Kant is "down bad" for him. It doesn't feel like Style is 'wingmanning' Kant here; or if he is, it isn't meant to be malicious or to mislead Bison. It feels like someone being friendly with his bff's crush and hoping that they can get along because he thinks this one's going to stick around.

Similarly, when Bison tells Style to go for Fadel for real, it feels very honest and earnest. Setting aside whatever games Bison is playing with Kant, Bison seems to genuinely want someone for his big brother, and not just so he can date who he wants or as a distraction.

It's also interesting how Style's protest is that he can't see himself actually gaining feelings for Fadel because in a way there's nothing to recommend Fadel to Style at this point. As far as Style is concerned, Fadel is arrogant and condescending, rude and ungrateful (after all, he did replace a bunch of parts in Fadel's car for free), a stick in the mud about his brother dating, and can't seem to take a joke.

We see the polite, pleasant and reasonable Fadel, but Style doesn't.

Which is why I've been obsessing over Style's expressions immediately after the conversation with Bison. Bison's parting insight is "He's rough on the outside, and on the inside," and I think he accidentally piqued Style's curiosity with that line. Because why does Bison still want his brother to have a "real" relationship, then? What makes Fadel worth loving, despite (what Style thinks is) nothing to recommend him?

Ugh I wish I knew how to make gifs because BLESS @airenyah FOR MAKING THESE GIFS!!! Dunk goes through a whole sequence of expressions here that suggests a shift happens in the way he's thinking of Fadel. There's a pensive and thoughtful look and then almost like, "Oh what the hell, might as well see where this goes" kind of amusement at the end. And I think the reason he has this shift is because he's realised that Bison clearly loves his brother and that must mean that there's more to Fadel then his initial impression of the man.

It's interesting that his next attempt at messing with Fadel actually invites Fadel to play along with it. It's so much tamer and more private than the previous attempts because he isn't actively trying to humiliate Fadel this time. And it works?? Fadel engages in the roleplay, indulges Style's ridiculousness, actually chops faster (whilst the most hysterical series of minute expressions play over Fadel's face <3). Perhaps this was Style testing the waters: can Fadel engage with something playful and not take everything way too seriously? Huh, turns out, he can!

The next time Style shows up around Fadel, he's circled back to that playful over-the-top flirting that characterised the garage scene. This is the first time in this episode that Style is actually flirting. Every other time was just to frustrate/humiliate Fadel but notice how he's actively trying to look attractive to Fadel now? He's putting all his best (ahem) assets on display, and poor Fadel has no real protection against this. And, oh, Style is loving this! He's gleefully lapping up every single time Fadel fails to completely hide that he's affected by him.

This, though. THIS precisely is the point I think Style decides that he really does want Fadel for himself. There's so much playing out over Style's face: the determination to push things further, the delighted surprise to see Fadel so rattled, the razor sharp focus, and then desire. Style has finally broken through Fadel's "roughness" and he loves it.

If that uncle hadn't walked in, I'm convinced Fadel would have let Style do anything he wanted, and I think Style knew that.

It's the first time Style immediately chases after Fadel when he walks away from him, and he's absolutely delighted when Fadel all but chokes him against the lockers because that means he still has Fadel within reach.

The whole conversation about "love at first sight" is breathtaking because it feels like Style is discovering what's going to make Fadel crack as he says it and realising just how much he wants this. And no, I don't think he's in love with Fadel yet (not by a LONG shot), but I think he realises that he wants Fadel to fall in love with him. This is such a shift from what he expressed in the diner to Bison. In the diner, there was no hope, no chance for this.

The kisses catch Style by surprise too: you can see that he's just reacting, pushing to see where Fadel will finally draw the line. Because Fadel kisses back in the first kiss and actually fails to push Style away for quite some time in the 2nd kiss (the camera purposely lingers on the way Fadel's hands hover over Style's waist without shoving him back). The third kiss is the point Fadel finally starts fighting, and in the immidate aftermath you can see Style watching so carefully again. And Fadel nearly kisses him again, you see the way Fadel's eyes drop to Style's lips, the way they both freeze and linger in the moment for that one second. The way Style registers that moment and it leaves Style shaken himself.

It's so interesting that this is how we leave Style in this episode (we only see Fadel's fantasy version of Style after this point). I've got two possible interpretations for this line:

Style possibly catches on that Fadel is more dangerous than he seems. Maybe just from vibes, maybe from something in the way Fadel threatened him that kicks off some kind of fearful instinct. This could be what makes Style start questioning if Kant told him the full story and lead to whatever scene it is where Style demands answers in the episode 3 preview.

Alternatively, perhaps Fadel is starting to become real to Style in ways he wasn't before. Fadel was almost a caricature of a man, one which Style didn't like very much before, and that made it easier to fool around with him. But this? This almost tortured man who clearly wants Style but can't seem to give into that desire? Something is going on and Style isn't sure it's worth the game to either of them anymore. Because maybe Style recognises that he's more affected than he should be. And that has implications that Style was not ready for.

[hikakuriyyu]

Scream men as a soft yandere (headcanon)

⁎ warnings: jealousy, implied !murder!, posessiveness, female!reader. not proof read.

⁎ summary: how (modern!au) Billy, Stu, Mickey, Charlie and Ethan would act if they were a yandere.

⁎ author note: thank you guys for all the support ! i got one more headcanon and i'll move on from scream. i am writing a anon request right now ! :)

Billy Loomis

If you're out with friends, Billy will casually ''drop by'' to check in, telling you he just wanted to see you. He'll stay close to you, keeping you by his side at all times. If anyone starts to take up too much of your attention, he'll try to put your attention back to him, reminding you that he's there.

While you are out with your friends, you laugh at one of the jokes they made while Billy was sat next to you. A few moments later, he slips his arm around your waist. He flashes a fake smile to your friend before turning to you, ''I missed you.'' He stays close for the rest of the conversation, his hand lingering as a silent warning to anyone nearby.

When you're upset or going through a rough time, Billy will be right there, pulling you close and whispering that he's the only one who understands you, the only one you can be with. He'll listen to you and basically gaslight you into thinking he is the only one for you.

After you vent about your day, Billy gently takes your hand and looks into your eyes. ''I'm here. You don't need anyone else... right ?'' his voice is warm, and the way he looks at you makes you feel like he is indeed the only one who truly understood you. It's comforting. Exactly what he wanted.

He'd always make sure to give slight warnings to people he saw as a threat to your relationship. Perhaps a guy who was staring at you for too long or when somebody gets too close to you for his liking. He'd be very discreet with the warnings he'd give.

When your friend touched your shoulder in a friendly way, Billy catches up with them afterward, blocking their path with a casual smile. ''I’d keep some distance from her if I were you.'' he says in a low voice, his eyes turning cold. The message is clear. No one gets close to you without his permission.

Stu Macher

Stu would always be around you, seeking your attention and approval. He'd act like your personal hype man, getting over excited about everything you do. If he feels like you're not paying attention to him, he'd playfully sulk or even resort to exaggerated antics to keep all eyes on him and you. Because in his mind, no one else deserves your attention except for him.

Stu shows up unexpectedly at your favorite hangout, waving and grinning as he calls out your name. He right next to you, wanting you catch him up on everything he missed. If anyone else tries to talk, he abruptly interrupts them, making sure he keeps your attention on him. ''C'mon, it's way more fun when it's just us.'' he says, giving you that familiar smile.

Stu would have very bad mood swings. He'd be his usual goofy self, but suddenly turn possessive if he someone is trying to come between you. His cheerful nature would return as soon as you give him reassurance, but anyone watching might feel uneasy at how quickly his mood changes when it comes to you.

You're chatting with someone when Stu suddenly pulls you aside, his expression a little darker than usual. ''What's so interesting about her ?'' he asks, trying to play it off with a laugh, but there's a hint of edge in his tone. Once you reassure him, he relaxes, grinning and wrapping an arm around you, back to his usual self as if nothing happened. But you catch the dirty look he gives the person you were talking to before you leave.

Stu would joke around about ''keeping you all to himself'' or make comments about others ''getting in the way'' but there would be a hint of seriousness in his tone. While he'd brush it off as a joke, his possessiveness would be clear, especially when he laughs just a little too long.

Stu drapes an arm over your shoulder, watching as someone tries to approach you. With a laugh that's just a bit too loud, he mutters, ''They better watch themselves, huh ? Wouldn't want anyone getting in our way.” He grins, leaving you wondering if that was really joke.

Mickey Altieri

Mickey would have a habit of watching every little detail about you. He'd know your class schedule, your favorite spots, and even memorize your favorite foods. If you happen to change your plans or mention something new, he'd be the first to know. He'd never directly admit it though.

You're surprised when you mention a new movie you wanted to see, and Mickey immediately pulls two tickets from his pocket with a casual grin. ''Already got us seats.'' he says smoothly, as if it's a total coincidence. But the way his smile tells you he's has been paying very close attention. Maybe closer than you realized.

Mickey would always be on edge when it comes to your safety. He'd insist on walking you home, sending texts about every 5 minutes, and questioning anyone who gets too close to you. If he senses someone is giving you unwanted attention, he'd intervene. And the person he said he'd ''talk to'', mysteriously disappears the next day.

Walking together after class, you notice Mickey glancing over his shoulder every few minutes, his arm wrapped firmly around your waist. When he noticed someone was looking at you for too long, his grip tightens on your waist. ''Some people just don't know how to mind their business.'' he murmured to himself, already planning to take care of the person.

Mickey would be very intense in his affection, doing anything to prove how much he cares. He'd bring you gifts or show up unexpectedly just to remind you he's there. But beneath the charm, there'd be vulnerability in his gestures. Like he's afraid of losing you. His entire happiness relies on keeping you close.

One evening, Mickey shows up at your door with a small gift bag and that charming smile of his. Inside, it's filled with little things that only someone who really listens to you would know you love. He shrugs casually. ''Just thought you could use a pick up.'' His eyes are so fixed on your reaction that it feels like he's studying every expression, almost as if he needs the reassurance of seeing you happy.

Charlie Walker

Charlie would secretly collect stuff from things you had lying around or things you've touched. A pen you dropped on the grond, your hairtie, even a napkin you used. He'd tuck these away like small treasures, creating a hidden shrine that only he knows about.

You leave a study session at Charlie's place, and after you go, he carefully picks up the pencil you left behind. With a soft smile, he adds it to a small, hidden box in his room, where he keeps little things that remind him of you. He runs his fingers over the items, each one carrying a memory that makes him feel closer to you.

Charlie would stalk on you. Like following your social media or always knowing where you are. He wouldn't comment much, just liking posts But he is always aware of what you're up to, but never enough to be obvious about it.

One night, you post a picture at a new restaurant. Within moments, Charlie texts you, asking casually if you're enjoying the food. ''Didn't know you liked that place. Let me know if you want company next time !'' he writes, acting as though he just happened to see it. You don't know, but he already knew exactly where you were.

He'd frame his actions as concern, subtly making you rely on him by helping you with homework, offering to lend his favorite books or movies, or even inviting you over under the guise of study sessions. Over time, he'd make it seem like he's the one who understands you best, all while gently isolating you from others.

You mention struggling with an assignment, and Charlie offers his help, insisting he has all the right resources. As you work together, he subtly dismisses advice from other classmates, saying things like, ''They just don't get it like we do.'' His calm reassurance makes you start to rely on him more, and bit by bit, you feel like he's the only one who truly understands your needs.

Ethan Landry

He would always be by your side, no matter where you go. Whether you're at school, walking through a crowded hallway, or sitting in a library, his presence is constant, a shadow that never leaves.

You're sitting outside, trying to get some work done, when Ethan slides into the seat next to you, his shoulder brushing yours. He doesn't say anything at first, just sits there, his hand resting inches from yours. When you glance at him, he smiles softly, eyes fixed on you. ''You okay ?'' His voice is calm, but his gaze lingers, as if he’s waiting for you to give him your full attention. It's like he doesn''t want to leave your side, not for a second.

Ethan is the perfect boyfriend in public: soft, gentle, and attentive. He'll bring you your favorite coffee, ask about your day, and always make you feel cared for. But behind closed doors, his thoughts are far more twisted. If he sees anyone he doesn't like you to be around, he would go as far as killing them. Just for you.

Earlier, a guy from your class was annoying you on purpose, trying to get a reaction from you. Ethan glared at him, his fists tightening in anger. A dark thought crosses his mind. “Don't worry, he won't bother you again.'' The sweetness in his tone doesn't reach his eyes. They're colder now, calculating. You don't realize it, but he was planning something much more sinister than you would ever expect.

Behind closed doors, Ethan would have photos of you, recordings of conversations, even small things like your handwriting on scraps of paper, all kept in a hidden journal. It's his personal shrine, a way to relive every interaction with you in obsessive detail. If anyone ever found it, they'd realize just how deep his obsession is.

You enter Ethan's room for the first time, and something feels off. His walls are covered with posters, but there's one section with pictures of you, some taken from far away, others shots from class or during lunch. You freeze, your heart racing. Ethan notices your reaction and walks over, a soft smile on his face. ''I just thought they were pretty.'' he says casually, as if it's nothing. ''Don’t worry. You're safe with me. I'm just making sure I never forget you.”

[shsl-analyzer-guy]

In-Depth Character Analysis On All The DR Characters Because What, Are You Gonna Try And Stop Me? Who Are You, My Mom? Yeah, I Didn't Think So- Part 5: Junko Enoshima

Oh boy, this is gonna be a big one. In fact, I wouldn't be surprised at all if this turns out to be the longest analysis in this entire series of ~100 characters. Why did I not save her for last. Why is this part 5. Why do I do this to myself-

Jokes aside, I am so so so excited to make this; Junko has become the face of this franchise for a reason, and the depth of her character and role in the series as a whole is massive. I won't be surprised if this takes over a month to complete. In fact, just for fun, let's track it. I'm starting the analysis on 7/5/24. When will we finish? Nobody knows!

(Final edit Crane here. It has been more than 5 months. Christ.)

This analysis uses only official material for the sake of analyzing the character, primarily sourcing official English localizations. It'll be um, lengthy, to say the least, so if you aren't that interested, just keep scrolling. Also, if there's even one canon installation of Danganronpa that you haven't played/watched/read yet (THH, DR0, SDR2, UDG, DR3, and/or V3) don't read this; the ripple effect of Junko in every corner of the franchise will be discussed and thus, there will be spoilers aplenty.

Also, a disclaimer that though I try to remain as objective as possible with these analyses, it will be at its core, an interpretation. Not everything will match up with how you interpret it, and that's okay! I don't claim to be perfect, and this isn't an infallible source of canon, only my interpretation of the source. Let's get into it!

Foreword

Real quick, before we get too far in: readers of my previous analyses know that I normally try to move in chronological order of release and events in-game to keep the analyses easier to follow. Due to the nature of Junko's characterization and the fact that she's present throughout the entire series, that isn't really possible here, as to talk about any one aspect of her, I may need to pull from multiple installations. I'll be sure to cite where I'm pulling from and provide evidence where necessary, but it definitely won't be perfectly in order by release or timeline. So hopefully it won't be too messy. Also, characters very closely tied to Junko, like Monokuma, Ryoko, Mukuro, etc. will be analyzed separately at a later date, so those sections may end up feeling incomplete as a result. For the sake of releasing this before 2025, I need to cut corners a little bit and focus primarily on how these relationships affect Junko, and not the other way around.

Part 1- Monokuma

In order to understand Junko, you must first have a basic understanding of Monokuma, mascot of the Danganronpa series and self-declared Headmaster of Hope's Peak Academy. Monokuma introduces himself to the cast as their superior and oversees the killing games, providing motives and passing judgement on the class trials, all while reveling in the Despair of the students. There are multiple iterations of Monokuma, but most of them exist in order to carry out the killing games without issue.

Like Junko, Monokuma remained a staple of the franchise, appearing in every official installment, whether he was being actively piloted by Junko or not. As we see in DR3: Despair Arc, she personally designed him to become the face of her movement of Despair, and thus, he was used to carry out her will at every turn.

1.1- Trigger Happy Havoc

In the first DR game, Monokuma was just a robot piloted by Junko. His mannerisms were a character invented by her to appear as the psychopathic Headmaster, but regardless, her true nature of Despair is directly infused into the character as she acts him out. Through him, she's able to reveal hidden information about each of her classmates and torment them personally, all without them knowing she was once a dear friend to them. As a robot, though, he came with drawbacks- Junko couldn't pilot him and watch the cameras at the same time, and once the charade of his all-seeing Headmaster was seen through by Kyoko, he lost most of his power. Thus, Monokuma's existence was designed to deceive, and could only function through deception. He created the illusion that hope was outside, that escape was solely on his terms, and that the class had no unification- all according to Junko's design.

1.2- Goodbye Despair

When the sequel game arrived, Monokuma was once again a character being played by Junko. Unlike last time, however, the two had blended together, becoming one and the same. This Monokuma was a Despair Virus, created with Chihiro's Alter Ego technology, and implanted into the Neo World Program with the intent of continuing the real Junko's plans for the spread of Despair. This version of Monokuma is extremely similar to the previous in terms of its personality and beliefs, but appears much more powerful within the artificially generated world, now able to apparently power-up, bleed, and transform plushies into duplicates without logical explanation.

Rather than targeting certain themes in an attempt to teach Despair, this Monokuma created directly-targeted motives, attempting to use class 77's personal connections to a whole other level and banking on the fact they were friends, rather than try to cover it up. He also acts as if they're his dear friends and like they're on the same side, directly inverse to his apparent attitude towards class 78. This is intentional, though as to why, we'll get into much later.

1.3- Ultra Despair Girls

Rather than being present as a character, Monokuma exists solely as mascot in this game, as thousands of Monokumas are programmed and piloted to slaughter the majority of adults in Towa City. He exists solely as a tool used by the Warriors of Hope.

In chapter 4 of the game, you get the reveal that all the physical Monokumas that exist were built and sold in Towa Group's factories, and later, that Monaca Towa was directly responsible. This exists to demonstrate how Junko was able to financially and physically afford the amount of power and technology she accrued in her crusade for Despair. More on this later.

1.4- Danganronpa 3- Future Arc

Near the end of the first episode, Monokuma seemingly appears on a monitor in the meeting room of Future Foundation's HQ, announcing his survival and a return of the killing games, starting with the Future Foundation higher-ups. At the beginning of the following episode, an act is put on between this version of the character and "Miaya Gekkogahara", as they fake an argument where Monokuma alters her avatar Usami into Monomi, making it appear as though he's again being piloted by a real person from some remote location.

As the season comes to a close, though, we learn that it was the chairman who set up the killing game, and that Monokuma's appearance, along with the video that would play during every nap, were falsified recordings, aided in part by Monaca Towa pretending to be Miaya. Thus, his likeness was used for a cheap recreation in an attempt to manipulate one person and kill nearly everyone else in charge of the Future Foundation, all set in motion by Junko's own brainwashing videos.

1.5- Killing Harmony

This is the only version of Monokuma that Junko herself doesn't have a hand in recreating, and is the only time he exists solely as a robot personality of his own accord. Created by Team Danganronpa, he's a physical conception of the fictional character Monokuma in-universe, and thus, is a character in his own right. Birthed by a Motherkuma machine for the mastermind's benefit, Monokuma acts once again as Headmaster, but a significant amount of soul is noticably absent from the presentation. This is in part due to the amount of focus on the Monokubs, using their unique characteristics for comic gags with the cast in the way Monokuma used to in the previous games, and his appearance feels like more of a checkbox than an actual return of Monokuma. Simply put, without Junko's influence, Monokuma's character becomes more flat, and starts to fade into the background in a convoluted mess of references and callbacks. All of which is done on purpose- Monokuma is a facet of Junko, and without Junko, Monokuma becomes empty.

Part 2- Character Design

Junko Enoshima is designed as a gyaru, a subgenre of fashion known for its more 'rebellious' style. She's dressed in a modified uniform, with a black jacket with her sleeves rolled up and unbuttoned, allowing her cleavage and bra to show, with a black-and-white tie, a red bow, and a red plaid miniskirt. She also has Monokuma pins holding up her ponytails- one with the white half, and one with the black half. Asymmetricality and the use of exclusively black, white, and red all align her with Monokuma, an asymmetrical black-and-white bear with a red eye. She has styled blonde hair and blue eyes, and has the title of SHSL Gyaru, or Ultimate Fashionista.

2.1- What's A Gyaru?

Gyaru as a fashion style first originated in the 1970s, emerging from Japanese women's nonconformist desire to embrace their own sexuality and rebel against societal standards of the traditional housewife. As time passed and more women latched onto the trend, it became a major point of discussion, initially shaming these women for being too racy or delinquent, before shifting to an increase in streetwear fashion and being recognized as its own genre of fashion, evolving with new subgenres as time continued to pass. It went from a wholly shameful style to an expensive, trendy one as expressly gyaru clothes started to be made and sold in stores. The increase in popularity also led to discussions of placing laws against child prostitution, as younger girls were getting into the expensive fashion and started finding alternative ways to afford this showy clothing.

There are many, many subgenres of gyaru known, but Junko Enoshima is specifically referred to as a kogal or kogyaru, a high-school gyaru. Her school uniform is modified into a showy jacket and miniskirt with big bows, she wears knee-high boots, and her hair is blonde, implied to be dyed based off of the common hair-dying of kogals. In DR 0, we also see her with red hair and eyes as opposed to the blonde and blue, suggesting that red may be her natural hair and eye color. Kogal culture has a lot of stereotypes around it regarding the extracurricular activities of the girls who subscribe to it, but the general idea around it is for the girls that participate in it to break social norms and claim their sexuality for themselves to get what they want, all within a consumerist guise. This type of mentality matches Junko extremely well, as a character bent on breaking the world for her own pleasures by advertising herself as Despair.

Part 3- The Mastermind Reveal (THH)

We don't actually meet Junko Enoshima until the final showdown in THH, though we are well-acquainted with the idea of her before then, as not only do we meet an imposter-Junko in the first chapter, but her magazines are specifically shown to us in the intro of the game, and are scattered throughout the school(laundry room). There are also little hints as to her identity as mastermind sprinkled into the game.

"Whenever I spot a cute girl, I have a tendency to stare. I can't help it- I just gaze with intensity. The other day, I rode my bike to the train station... I was in the bathroom, just looking at myself in the mirror..." -Monokuma Theatre, THH

Despite these hints, the characters don't know who the mastermind is yet, only being able to reason at her motivations for the killing game and why it came to be based off of what clues Monokuma leaves out for them, like how the main track that plays when interacting with Monokuma is called '100 Mile Junk Food Dash'.

"But first, I have a question for you... Who are you? What do you want from us?" "Well, if you really must know... Despair. That's all." -Kyoko Kirigiri & Monokuma, THH

"And for those of us who represent hope to kill each other and sink into Despair... The mastermind wants the world to see that, to try and prove that Despair is better than hope." -Kyoko Kirigiri, THH

We know that whoever this mastermind piloting Monokuma is, they're someone that's engineering this entire killing game expressly to spread Despair. With the knowledge that the killing game is being televised, that Despair isn't just for the students, but is being put on display for the entire world to see. Manufacturing and televising such a sadistic game using public figureheads under governmental protection is a behavior akin to terrorism (Despairism?) and is an act that, by itself, seems nigh impossible for some high-school student to be capable of. Yet, we know it is a high-schooler- Monokuma insists that the only people involved in the killing game are the 16 students of their class.

Through the investigations of chapters 5 and 6, it becomes increasingly more apparent that whoever this SHSL Despair is, Junko has some level of involvement. For example, more observant players will recognize Mukuro's corpse almost immediately as 'Junko's' from chapter 1, as her bright red nails and the same high-heeled, red-laced boots are clearly visible. And while this doesn't immediately incriminate Junko herself, it does at least call into question the identity of the dead SHSL Despair, as the body being Mukuro's isn't ever really contested(save for a 'dumb Hiro' gag insisting it's Kyoko while standing next to Kyoko).

"And don't forget about the Fenrir tattoo. There's absolutely no mistake... Our victim in this case is, without a doubt, Mukuro Ikusaba...!" -Kyoko Kirigiri, THH

Throughout the final investigation, the player's job is to solve 'all the mysteries of the school', AKA their erased memories and the identity of the mastermind. This investigation intentionally doesn't talk about Junko, voiding her involvement to the point that her own face is scrubbed from the evidence. The hints given by Monokuma picture Junko's face covered up in every photo, and the recordings of the students agreeing to live in the school is cut off before it can cycle over to her. It's not her presence that matters, it's the lack of presence, because we haven't actually met her yet, juxtaposed to the repeated mentions of Mukuro, a girl who'd been a part of the group since the very beginning without anyone realizing.

When we do realize this, it comes with the realization that Mukuro's and 'Junko's' body were one and the same, and with Kyoko's old pocketbook revealing that "Despair walks among us, and so we survive... There's a second 'Despair'", we can come to the conclusion that the reason the mastermind was able to pull this off was because there was actually more than one, working in sync, and thus, the reason both bodies were one was because they were the SHSL Despair together.

Part 4- The Despair Sisters: Mutual Abuse (CW: Incest)

Despite the fact Junko was the brains behind the operation, there was never really a time where she was working alone towards Despair. She was actually one of two Ultimate Despair- as she called them, the Despair Sisters. Her twin sister, Mukuro Ikusaba, was Ultimate Despair as well, and assisted her every step of the way.

In her first appearance, we don't actually get to know anything about her, as she spends her time with the class pretending to be Junko. As such, any and all information gathered on Mukuro is given by someone else- official school records state her title and physical attributes, and Junko tells us her role as Ultimate Despair and goes on about her flaws.

"She had what I call the 'three atrocities'- atrociously rank, atrociously filthy, atrociously repulsive. It was atrociously clear just how out of touch she was with the rest of society." -Junko Enoshima, THH

"The older sister, tough and proud, that was Mukuro. The younger sister, smart and cute, that was... Hyaaaahaha! Me! Junko fucking Enoshima! And together, we were the Despair Sisters! AKA, the Ultimate Despair!" -Junko Enoshima, THH

Mukuro reappears as herself in DR 0 and DR3's Despair Arc, as well as the official AU novel DR IF. In these, we get more insight into her feelings, and see her display an overt attraction to her sister at multiple instances.

"Consumed by ecstasy, even Ikusaba-san's breath became ragged. 'Only I am able to understand her. That's why she needs me. She still hasn't realized that but, maybe she's only pretending not to realize. Ufu, that's because she's so shy. Ufufufu.' Seeing this intoxicated Ikusaba-san continue to talk like that repelled me. I knew that she definitely didn't have normal feelings for Junko Enoshima". -"Mukuro Ikusaba" & Ryoko Otonashi, DR 0

This is pretty obviously incestuous in nature. She blushes at her sister's attempts to kill her with an ice pick, has an internal dialogue about how much said attention affects her, and 'goes into ecstasy' talking about her sister's madness. It's intentionally uncomfortable because it's intentionally incestuous*. I've seen arguments for Mukuro's behaviors being out of character and only there for fanservice in the anime, but this behavior being found in DR 0 first pretty clearly contradicts that. I've also seen an argument for Mukuro's behavior being an act meant to make Junko feel Despair and not having any legitimacy. The crux of the argument comes from the assertion in DR IF that Mukuro is able to numb her emotions in battle, so therefore, she could also mimic such an attraction when around her sister. This argument quickly falls apart as well, considering that a) she has both internal and external dialogue directly referencing her attraction where Junko can't actually hear her, and b) going numb in the heat of battle is not at all the same thing as faking sexual desire outright.

*(Mukuro being incestuous is immediately relevant to the way the Despair Sisters interact with each other, and understanding that I'm talking about their relationship under the lens that she is will hopefully prevent questions about why I'm talking about them as I am throughout the analysis, particularly when she pops up in other sections here and there later. Please do not go into the replies or reblogs and explain to me why I'm wrong; you are not going to change my mind. Believe it or not, I don't like Despaircest either, but that doesn't mean Mukuro's behavior in canon is some accident to be shrugged off. These are meant to be OBJECTIVE analyses. I'm going to look at what the games and novels and anime are presenting, whether I actually like all the points or not.)

Junko Enoshima yearns for Despair. Despair is her reason for being, and everything she does, she does with the intent of eventually bringing Despair upon herself. That pain of Despair is the strongest feeling in the world to her. And the way she treats Mukuro directly stems from that desire. Despair stems from grief, and what brings more grief then the people you love most despising you? Mukuro is her twin sister, who stands by her no matter what. Junko even tests this, having her kill an entire class of students to prove her strength and loyalty in manga series Killer Killer(though, admittedly, Killer Killer hasn't been confirmed as canon to my knowledge, it still aligns with what we know for both characters without altering anything about their characterization).

Mukuro is capable- very capable, and definitely has the ability to betray her, or even kill her if she wanted to. So at every turn, she treats Mukuro like garbage, actively trying to kill her with an ice pick when they first reunite and talking down to her at every opportunity. She describes her sister as fat, flat-chested, ugly, stupid, a pervert, any insult she can think of. She critiques her murders, chastising her when she kills the guards in Despair Arc while looking for Izuru for not doing a clean enough kill. But despite all this, Mukuro never strays from Junko's side. She continues to fawn over her, not just taking all the abuse, but displaying an attraction to her Despairing nature, and refuses to leave her side, the exact opposite reaction of what Junko wants to see from her.

"'Yes, she really is ridiculous…to the point of Despair, she's the lowest, worst sister ever but…that's why I can't leave her alone. That's why I have to help her. After all, I'm the only one who can understand her.'" -Mukuro Ikusaba, DR 0

This kind of loyalty isn't Despair-inducing at all; that dedication is exactly what she predicted from her obsession. What Junko actually wanted from her, we get a brief taste of when she speaks in the final trial of THH- "Because naturally, she turned out to be the letdown of the family. Leaving me behind to run off and join some band of mercenaries... Such a disappointment." The Despair of abandonment, of betrayal, was what she wanted. But Mukuro is too loyal for her own good. That's just annoying.

Mukuro is emotionally abusive, or would be if her sister were anyone but Junko, lusting after her own blood sister in a way that's considered taboo and perverse. This lust develops from an obsessive need to stay loyal to her sister, while Junko verbally abuses her right back, talking down to her and keeping her under her heel, mocking her at all available opportunities and treating her in a way that would make anyone else feel like shit. Not so for Mukuro, the person who's been next to her since birth and has stood by her side through all her Despair. They abuse each other, but there's an unspoken bond that allows for their relationship to function regardless, albeit in a twisted way. They're sisters, equally matched, and together, they become two halves of a whole terrorist. Despair is toxic for anybody, and Junko's own affliction leads Mukuro's obsessiveness to chain herself to Junko's side. They're twins who were born together, after all, and who else could even begin to understand Junko's Despair?

4.1- Despaircest & Anime (CW: Still Incest)

We've seen the relationship that Mukuro and Junko have with each other, both as it was alluded to in earlier depictions and how they interact with each other immediately in the anime. And, despite the fact that it wasn't directly shown to us before said anime, there were hints of the intention of a one-sided incest in DR 0, as well as repeated examples of Junko treating her sister poorly on a surface level and how much she actually valued her within THH and DR IF. Going into the anime, this would be the first time we'd actually see Junko and Mukuro interacting directly with each other as themselves. This could have been the time where we get to see just how twisted their relationship actually is, getting to see how, and maybe even why, they began treating each other in this way. We could've gotten more of a glimpse into their backstory, when they separated, and the inherently self-destructive cycle they pull each other into. Here's what we got instead:

Rather than actually explore the real depth of their fucked up relationship, the anime elects to play it up for the sake of fanservice. This is admittedly an ongoing problem in most of DR3, as it throws most of its female characters into very compromising positions and focuses in on their bodies when they're being brutalized in one way or another and not doing the same for the men, but that only makes this lack of tact worse. There's no interest in actually addressing this darker plot point beyond the most basic surface level because to go any deeper would make it more difficult to get your rocks off to it. It's a shame to create such a conceptually fascinating relationship that would've made for a fantastic way to develop Mukuro as a villain more and Junko as a human more, and just use it for cheap servicy gags. I feel like it isn't an unreasonable statement to say that this was lazy. Danganronpa is supposed to be a series that explores dark topics and uses them to create tragedy and develop its characters. In the face of that, this was cheap.

Hell, this very scene says it itself: they're using Despair to create a fucked up pleasure for the viewer! The incest being played up for fanservice instead of acknowledging Mukuro as a character is, from a meta perspective, Despair-inducing. To the writers and to Mukuro, Mukuro doesn't matter outside of Junko. Her suffering is pleasurable to the audience in a way that's outside of social acceptability, in the way she needed to be used for so long just to exist. BUT WE ALREADY KNEW THAT. We didn't need to boil Mukuro down to an extension of Junko; Mukuro already did that to herself. Maybe this is just me complaining because it's not what I wanted to see from this plotline; I'm not ashamed to admit that. I think being able to acknowledge your biases as a consumer is important when critically looking at a piece of media. But I stand by my assertion that the presentation of this point is sloppy and surface-level, and should've been handled with more tact.

Part 5- The Murder of Mukuro Ikusaba

Junko treats her sister like trash, but despite this, we know that she does respect her. In fact, she has to consider Mukuro as an equal, because if she didn't, she wouldn't hold her as equal parts Despair as herself. Yet, when she reveals herself at the end of THH, she affirms that they were equals- both the Despair Sisters, who worked together("We were the Ultimate Despair, ya know?"), and in the same breath, describes her atrocities and mocks her memory as a disappointment. She sees Mukuro as not just a person, but a legitimate danger and a harbringer of Despair that's worth recognizing. Thus, as a sister, it causes her Despair to prevent anyone else from seeing that and paints Mukuro as just another victim of hers("She was nothing more than a bit player, an extra unworthy of lines."). Playing up her betrayal of Mukuro and her supposed disdain for her sister strips her of her agency as Ultimate Despair to their classmates, without letting them see her true self either. She becomes just another faceless victim, and Junko holds the memory of the true Mukuro Ikusaba, merciless killer and all, wholly to herself.

In the au light novel DR IF, Makoto remembers Mukuro, and inadvertently saves her from this fate. This leads the rest of the LN to focus on Mukuro and her relationship with Junko from her perspective as she copes with the reality that her sister betrayed her. It differentiates herself from Despair, and from her POV, we learn how she thought Junko felt vs how she actually did. Junko lives her life hopelessly- she's too smart for her own good, and can predict the moves of society and of the people around her. Mukuro believed she was the only one who fully understood Junko, so she acted perfectly in accordance with her plans, never once rebelling or going against her. She tries to convince herself to crave her sister's Despair so she would feel Despair from that desire, so she can remain close to her. But that wasn't the Despair Junko wanted. All along, what Junko wanted was for Mukuro to betray her because of her love for her. Without Mukuro, her plans would fall apart. She wouldn't be able to break into Hope's Peak as she did, nor would she be able to protect herself when attacked. Mukuro was what allowed her to gather as much power as she did over Hope's Peak, infiltrating and gathering blackmail, kidnapping chairmen, and so on. Mukuro was the brawn to Junko's brain. So the one thing that could destroy her plans, and bring her a Despair greater than any other, would be if her other half abandoned her. In DR IF, she learns this as Junko finally tells her that she loves her to her face. She breaks Mukuro's chains, and sets her free from her Despair to heal without her by rejecting her help, in a roundabout, Junko-esque way. In canon, though, Mukuro doesn't get to have that realization. She doesn't have the emotional intelligence to put those pieces together herself, and tired of waiting, tired of hoping, Junko gives herself an alternate Despair- the Despair of killing her own sister in cold blood.

The identity and death of Mukuro exist to keep the identity of the mastermind shrouded in mystery. Within THH, she's someone who's important from a narrative perspective- not as a person, but as an entity- designed to facilitate the reveal of the real Junko. Her murder is thus a murder of both her literally, and the murder of her personhood, as Mukuro is the one character that never gets to introduce herself. Junko makes it so, and wipes the memories of the class so that Mukuro Ikusaba will no longer exist outside of herself.

We're introduced to Mukuro not as Mukuro, but as Junko, wearing a wig and costume to appear as similar to her well-known sister as possible, and acting out her sister's fashion diva personality as convincingly as possible. It's tropey and typical of a fashionista- she cares about her looks a little too much during a killing game, acts like she's above the killing game and wants out of it, and explains away any imperfections as 'oh you haven't heard of photoshop before?'

There's no reason not to trust her at that point because no one thinks they've met her before. In DR IF, Makoto is able to recognize her through the outfit and charade, but that's only with his memories intact. Those memories have been thoroughly covered up by Junko in reality, and so the Mukuro Ikusaba she knows dies invisibly, betrayed and unrecognized as her classmates and friends mourn her killer instead. Junko gives her sister the worst Despair of all- being truly forgotten. After this, no one would remember who she was ever again, locked away in the mind of the person who'd never show her affection.

Not only that, Junko killing Mukuro and emphasizing how little she cared about that decision served to make the survivors hate her- her old friends now despised even looking at her, and brought her more Despair.

"Which is precisely why I killed her- to meet everyone's expectations." "That... can't be your only reason, can it?" "Well no, of course not. I also did it to avoid becoming bored." -Junko Enoshima & Makoto Naegi, THH

Despite that, being the one to kill Mukuro brings her a Despair like no other, with her describing it as "super super super super super Despair. No, more than that... Super super super super super super super super super super super super super super super Despair... It just feels... so... good..."

Junko did love her sister, and made everyone else she loved believe otherwise so she could feed off the Despair from their hatred.

Part 6- Ultimate Despair and Junko Enoshima

"The Ultimate Despair... A group of people who caused the Tragedy one year ago... Those same people put together this killing game and began broadcasting it around the entire world. The most desperately awful group of people ever... *That* is the mastermind's true identity." -Makoto Naegi, THH

Make no mistake- despite what the surface level of the series would have you believe, Junko Enoshima isn't the Ultimate Despair. There is no the Ultimate Despair because Despair isn't confined to any one person. Rather, Junko Enoshima is afflicted with Ultimate Despair. Despair, by nature, is grief. It's a pain inflicted by the death of hope, whether that be through the loss of a dream, a person, or whatever else. You grieve that loss, and it takes the form of Despair. Ultimate Despair takes that grief and amplifies it, destroying any sense of self and replacing it with the desire for more Despair. This is the type of Despair that Junko Enoshima feels, and thus, uses her own talents to embody it and spread it. It's a bold claim to make, I realize, that she isn't the SHSL Despair she defines herself as, but it's the basis this entire analysis leads to, and as the evidence over the course of the series develops her character more and more, it goes from some theoretical musing to legitimate design, all the way through to the end of V3. Though she immerses herself within Ultimate Despair, she herself is not Despair incarnate like she'd have you believe.

As we see her in THH, Junko is repeatedly hammered in as 'one of two' by the narrative. It's not just Junko that's formed Ultimate Despair; it's also Mukuro, and they're not referred to as 'Ultimate Despair and her sister', they're 'the Despair Sisters'. For all her charisma she displays, she alone isn't responsible for the Tragedy. Everyone is capable of feeling Despair. It's that foothold Despair has within her that creates an 'Ultimate Despair'. And while yes, Junko was definitely the most afflicted with Ultimate Despair, she didn't get as far as she did just by being horny for grief. She has a title, a real one, and it's not SHSL Gyaru. That was her cover, something she could use thanks to her real talent. Her real talent was only ever known by a select few, and to know what that is, you have to dive into the (criminally underrated, may I add) 2-volume novel set, Danganronpa 0.

Part 7- Ryoko Otonashi (DR 0)

(Little disclaimer here: Before I actually talk about the novel, I did want to quickly assert that DR 0 is both a mainline release to the Danganronpa series and 100% canon. Written and released by series creator Kazutaka Kodaka himself in 2011, it was written specifically to fill out Junko's character more. As such, everything contained within them are unquestionably canon to the world and its characters, something critically important to understand when talking about how it pertains to Junko Enoshima. I think just about anyone who's read DR 0 before knows all this already, but for the sake of anyone reading this who hasn't, I wanted to assert that.)

Ryoko Otonashi is the protagonist of DR 0, and is introduced to us as an audience in a 1st-person perspective. While she isn't the only character we follow in this series, she's the only one to speak to the reader straight-up, introducing herself and reacting immediately to the people and events in front of her. This is for good reason, as Ryoko is suffering from some form of amnesia. Not only does she not remember anything about her childhood or her identity, she also forgets things as they're happening. She can't even remember her name, and is only able to recall it by reading the cover of her notebook- 'Ryoko Otonashi's Memory Notebook,' where she's writing down everything in front of her as it happens so she can try to remember later.

Most of the story is told through Ryoko's perspective as she tries to avoid being caught up in some massive conspiracy within the school- all without actually remembering the conspiracy she's avoiding. Junko Enoshima is the one responsible for this, directing her from place to place and slowly forcing her to confront the conspiracy as she starts to figure out who she is and how she fits into it all. She insists over and over again that it has nothing to do with her, that she's innocent and has never met any of these people before and desperately tries to believe it- her memory is gone, therefore she could not be responsible.

But she is responsible, because she's not Ryoko Otonashi. Her real name is Junko Enoshima, and she's the SHSL Analyst, a girl with such a strong logical capacity that given enough information, she can perfectly understand and predict anything. This could be the actions and personality of a person, or it could be upcoming trends in fashion; whatever it may be, Junko is capable of perfectly analyzing and understanding what will happen in any given situation, long before the world does. And that type of intelligence has rotted away her mind.

Simply put, the human brain requires stimulation. Boredom is her opponent, and in a world where she can fully understand and predict anything at any time, Junko has nothing to stimulate her, and almost nothing can bring her any joy, because she fully anticipates it. Everything is normal, predictable, boring- it's left her with a case of intense anhedonia. Therefore, the only way she could find any happiness is in a world where that talent is stripped away from her. As Ryoko Otonashi, a girl with no memory, she can remember nothing and therefore predict nothing. Analysis requires data, and a blank slate offers none. Even her name is in reference to this, as 'Otonashii' translates to English as 'no sound' or 'quiet'. Only without memory can Junko's mind be silent and let her be genuinely happy.

Ryoko Otonashi is essentially a personality created by Junko as a test, not just for the people around her, but also for herself. Throughout the novel, Mukuro and Yasuke interact with her with opposing goals- Mukuro pushes her into the fray of Despair she's created, while Yasuke tries his best to keep her eyes and ears covered. Ryoko is in a unique position between the two- she's starting to remember and understand herself again, but is terrified of what she'll find, and wants to hold onto her peace with Yasuke. The ongoing question of the novel, which only reveals itself on a reread, isn't within Ryoko's identity itself. It asks the question of whether or not Junko could have been saved from Despair. And the answer, sadly, is no. Remembering anything for too long makes her forget her happiness, and she falls back into Despair, killing Ryoko Otonashi, the epitome of her peace, with her own hands.

Mukuro and Yasuke act as opposing forces within the novel, as both feel a loyalty to Junko that makes them act in what they believe to be her benefit, and both fail. Mukuro drags her kicking and screaming back into the depths of Despair to bring back the madness she sees Junko as, while Yasuke wipes her mind of everything that made her Junko to remove what plagued her. For Junko, balance isn't an option, and the people within her orbit fall victim to that same mentality.

7.1- Personality Disorders In Danganronpa

I'm not a psychologist, nor do I have any sort of split personality(DID, OSDD, etc). So my knowledge on the subject isn't that great, and everything said within this section should be taken with a grain of salt. But, to the best that I can tell, Ryoko's existence as an alter is sort of... mixed up. Other characters in the DR series (Toko & Genocider) make it pretty clear that Kodaka doesn't really have a fantastic understanding of people with DID outside of how they're stereotyped in the horror genre. And that background knowledge, combined with the presentation of Ryoko in DR 0, makes me think she was likely intended to be an alter, but as one that Junko had almost absolute control over, as at multiple instances, she was able to knock Ryoko out at will, and fully killed her once she'd outlived her usefulness for the experiment. There are parallels to Jekyll and Hyde in that aspect, though of course Jekyll was aware of also being Hyde- an alternate version of yourself created to rid yourself of everything about yourself that you despise is very reminiscent of Jekyll's motivations, down to the permanent erasure of the "good" side by the very end. It's also worth noting that Jekyll and Hyde weren't intended as an example of DID, but rather, an exploration of how every person is multifaceted with good and bad parts, even if modern day interpretations often read it as another example of the evil DID trope from 1960 and beyond(thanks a lot, Psycho).

There are several interactions between Ryoko and Junko that support them being two personalities within the same body rather than just a case of memory erasure. For example, when Ryoko is nearly killed by one of the SHSL Octuplets, Junko emerges just to make sure she isn’t killed, citing it as a minor nuisance.

“‘Upupu, I wonder if I was a bit too harsh.’ The voice said, it sounded close. ‘... But it can’t be helped. It’d just be embarrassing if you died here. After all, you’re the protagonist in this scene for once!’” -Junko Enoshima, DR 0

When Ryoko wakes up in the underground bunker of the Reserve Course cult forming, she comes across a captured member of the Steering Committee. And because she genuinely doesn't know who he is or where she is, he ends up giving her classified information that Junko needed, and the second he reveals it, she's immediately able to knock Ryoko back out and take over once again, having used the Ryoko personality as a front specifically to gain information.

“'The old school building… Kamukura Izuru’s there.' 'P-Please wait..' I ended the conversation prematurely with an interruption. Quickly, I wrote in ‘Otonashi Ryouko’s Memory Notebook’. .... But then… Huh? I suddenly felt an attack of dizziness, I struggled to stay upright. What’s happening?" -Steering Committee Member & Ryoko Otonashi, DR 0

"'Oy, did you hear me?' I didn’t. The beating in my ears was only growing louder, it completely drowned out all other sound, I couldn’t hear anything anymore. I shouldn’t be able to hear anything anymore, and yet I could hear a single, eerie laugh. '...Upupu.'" -Steering Committee Member & Ryoko Otonashi & Junko Enoshima, DR 0

Ryoko's memory of Yasuke is also contingent on whether or not Junko wants her to recognize him, suggesting that to some degree, her memory issues aren't just forcefully induced, but rather, are a conscious choice on Junko's part for Ryoko, as once Junko's plan is in place, she suddenly can't recognize him and is then forced to kill him in self-defense.

"'Are you…talking to me?' He looked exhausted. A face of someone who lost everything. The face of someone who lost all his thoughts, all his senses, and all his emotions. '…You don’t remember me?'" -Ryoko Otonashi & Yasuke Matsuda, DR 0

It's pretty unclear whether this was an intended conclusion from Ryoko's and Junko's behavior in DR 0, or if these are just remnants of Kodaka not knowing how personality disorders work and simply having Junko be so powerful that she can purposefully create, manipulate, and kill personalities at will, but I think looking at it from a more psychological viewpoint like this certainly puts Junko's actions as a manipulator into more perspective. The intention behind Ryoko suggests that Junko's manipulative abilities extended even into her own psyche, almost to a supernatural degree. Do actual systems in the real world function like this? No, but thanks to Toko/Genocider, we know that the representation of DID isn't gonna be good in this series.

If we wanted to put this into a more realistic lens, we could come to the conclusion that Junko's apparent control over Ryoko and the discrepancies behind her existence is a result of Junko having Munchausen Syndrome. Also called factitious disorder, Munchausen is a subconscious psychological condition in which the patient fakes symptoms of other kinds of conditions, whether mental or physical, without realizing they're mimicking the symptoms. Under this lens, we could say Ryoko was a factitious alter that Junko created after Yasuke wiped her memory, hence why she could have control over her over the course of the novel. This was almost definitely not the intended explanation, but it's the conclusion I came to. So there.

Part 8- Relationships

Due to just how many corners of the franchise Junko's present in, there's no convenient place to dump all the relationship analyses like I normally do. Ergo, I'll be breaking part 8 up, and will talk about the different core relationships Junko forms when they're most relevant.

8.1- Yasuke Matsuda

Yasuke Matsuda is the SHSL Neurologist, and a childhood friend of Junko's introduced in DR 0. Because he's the boy she's in love with, he remains the only tangible thing Ryoko can remember outside of her procedural memory, and is treating her memory loss. He's also the one primarily responsible for wiping her mind and assisting the school in the coverup of the student council massacre that Junko was responsible for, though he takes no pleasure in it.

"The silence continued for a while until Matsuda sighed and muttered, 'You should worry.' His voice was low and depressing. 'What if you’ll always be like this......'" -Yasuke Matsuda, DR 0

Despite his tsundere behaviors towards Ryoko whenever the two are face-to-face, he's very much in love with her, and spends the novel trying to look out for what he believes is in her best interests by methodically attempting to remove the Despair from her mind and covering up the Tragedy she's already set into motion. Throughout the novel, he works in cahoots with the Hope's Peak Academy Steering Committee to find more information about the Incident. He does this specifically to defend Ryoko and keep people from interrogating her further, and to hopefully extricate her from the whole situation permanently.

"'I said shut the fuck up.' Matsuda easily quieted the men by saying that and then he continued in a soft voice. 'People might call her an idiot, but she doesn’t even bother to stick up for herself, thinking she can’t do it. So I don’t think I’d be able to forgive myself if I don’t do it for her.'" -Yasuke Matsuda, DR 0

Though we never see it directly, we realize with the help of Kyoko that he's also the one taking the bodies of the Steering Committee and SHSL Octuplets after Mukuro kills them and disposing of them, in the hopes they won't be discovered and Junko will eventually be absolved of both suspicion and Despair.

“Finally she looked at me. ..... ‘The dead body, the body that was dead. There was a post-death body here before!’ ‘Huh?’ .....  ‘There’s not mistake, I know there was definitely a corpse here before!’” -Ryoko Otonashi & Mukuro Ikusaba, DR 0

“Matsuda-kun’s voice was definitely coming from beneath me. There’s no mistaking he was under the bed. ‘But... what would require so much concentration to be under the bed?’ ‘This situation.’ Somehow, Matsuda-kun’s way of putting it could allure to several different meanings.” -Yasuke Matsuda & Ryoko Otonashi, DR 0

"I stood next to the girl, crouched down and peeked under the bed. At the back I could see a large opening, .... 'It’s not a terribly impressive hidden room… a storage room at best.' '…A storage room?' 'For hiding dead bodies.'” -Ryoko Otonashi & Kyoko Kirigiri, DR 0

But despite his best efforts, Junko's talents of analysis were just too great, and she'd already come up with a plan to send her back into Despair before he ever touched her mind. With the help of Mukuro and the growing underground Reserve Course cult of Despair, Ryoko is forced to face Despair after Despair, and is hunted for her involvement in the student council massacre. Junko confronts him and taunts him for his failure, leaving him to wallow.

"'I get it, you feel sorry for her… even so, you’re troubled. You’re incredibly troubled. That’s what it seems like after what I’ve been hearing…'” -Junko Enoshima, DR 0

“'You know, in this scenario, only you can make the choice, Matsuda-kun. So think carefully, worry about it, and choose the choice you think it best. Hope or despair… the choices are so diverse and yet, surprisingly, intricately connected. Anyway, have a good think about it…'" -Junko Enoshima, DR 0

In one final attempt to see if he can salvage her, he approaches Ryoko outside of his lab, pretending as if he's Izuru Kamukura, and questions her. She doesn't recognize him, and he, too, falls into Despair, finally accepting that despite his feelings, he was a pawn to Junko's game, and tries to kill her, sending Ryoko towards Despair as she realizes who she's speaking to and can't convince him she loves him anymore. Defending herself, she ends up stabbing him, sending herself spiraling as she becomes her lover's killer, and Junko reemerges from her mind, killing her off in front of him and forcing him to die in Despair.

He dies believing Junko never actually loved him. He becomes thoroughly convinced that she was pretending, and that Ryoko was nothing more than a part of the game to send him into Despair. And that perception of Junko combined with her causing his death brings Junko an indescribable Despair. The man she loved died by her hands, hating her existence. Truly, this was Despair!

"'I was right, wasn't I? About you remembering? That's why you can't remember me? You remembered that I wasn’t a particularly important person to you…so that's why you can't remember?' Kamukura then revealed his eyes, their glint was tainted with deadly hatred. '…You're such a bitch.'" -Yasuke Matsuda, DR 0

"'There's no way this would have nothing to do with me…' There was a hint of sadness laid somewhere in that murmuring voice. 'After all…you were the most important person to me of all…' Those were her true feelings. Yasuke Matsuda was an especially important existence for Junko Enoshima." -Junko Enoshima, DR 0

She loved Yasuke intensely. She cared about him moreso than anyone else, save Mukuro. And yet, despite how attached he was to her, Yasuke couldn't realize in his own Despair that there'd be no reason for someone like Junko to bother dragging herself through so much mental torment and manipulation at his expense if she wouldn't get a magnificent Despair out of it. Yes, she causes Despair for others, but she doesn't throw herself directly into the fray unless she gets something out of it. Despite loving her, he never actually understood her. That truth, too, would bring her Despair.

Part 9- How Junko Shaped the Game

Turning back towards THH, Junko's reveal shakes the class. Most of them believed that finding the mastermind and forcing them to show their face would end the game. But that's not the case for Junko Enoshima. She's not through with them yet, and takes the opportunity to rub everything they've lost in their faces.

"Puhuhuhu... Did you really think the story would end once we reached the climax of the case? Wrong! There's still plenty more to go!" -Monokuma, THH

Throughout all of THH, Junko's plan is hinged on Despair, and thus, she takes her class, which had become close friends and confidants over the past two years of their lives, and attacks what would bring them the worst Despairs possible for each. Her talents as SHSL Analyst allowed her to analyze her own classmates and tear at what would've made their 16-to-20 year old selves when they first met snap. And each one of the motives she used was designed specifically for that, something she makes sure to cite when taunting them ("Did you notice that each motive I presented you had a specific theme to it?")

The first motive's theme was 'human connections', and everything surrounding the first chapter reflects this. Sayaka's motive wasn't just about her career. It was about the family she'd found and not letting down the people who loved her. And on a meta perspective, the first chapter was also about relationships, specifically that between Sayaka and Makoto and how that relationship's end motivated Makoto to eventually become SHSL Hope, and to a lesser degree, starting the development of the critical relationship between Hina and Sakura.

The second motive's theme was 'the past', something the 2nd chapter very much reflects. The secrets that Junko uses against the class are extremely personal to each of their histories, and can be used to twist each of them to head towards Despair, whether that be through their own hand or their own poor judgements of the people around them from their lack of memories. Mondo's secret isn't just tragic; Junko purposefully warps it in his letter to affirm his own belief that Daiya's death was murder and not just an accident, and because no one knows its contents, it sends him into a spiral. The same can be said for Chihiro, whose secret implies that their gender presentation is a lie, forcing them into a conformatory decision that leads to tragedy. Her classmates' memories of the past are presented in a warped way to suit Junko's needs. Toko's secret of having DID and a serial killer alter, Genocider Syo, is also revealed and used to develop her more as a character when she's the one most afraid of opening up to the class.

The third motive's theme is 'greed', using the promise of wealth to lure Celeste to murder. Even if you could argue other characters within the class could have fallen victim to the first two motives, this one is undoubtedly meant to target the Yasuhiros on Junko's part, as realistically, no one else in their class has any reason to even consider killing for money by itself, especially not when there's already been two class trials. The Yasuhiros are the only ones who consider themselves to be in any level of financial need. This theme is also meta-reflected by the possessive nature Kiyondo and Hifumi both develop over Alter Ego. Because neither of them can keep themselves away from them, they became easily manipulated, and it became harder for the rest of the class to obtain information and watch out for each other, forming a tunnel vision towards Alter Ego in their minds. This contrasts Celeste and Hiro greatly as well- Celeste is consumed by her own greed, while Hiro doesn't even consider killing for the money, opting instead to try and look out for the class and develop him as a survivor. Hiro's the one that looks out for Taka and calls out Hifumi on his obsession; Hiro's lured into Celeste's trap by promise of a way to save everyone, while Celeste rejects her class in favor of fighting for a selfish dream she didn't even need.

The 4th motive is that of 'betrayal', and this one is where the cracks in Junko's plan finally reveal themselves. Each and every trial before this one ended in tears and Despair, and a sense of hopelessness that wasn't alleviated until they were given new distractions. Sakura's betrayal is meant to mirror Junko's own betrayal of her classmates, and when half the class instantly turns on her, things go exactly as Junko plans. Sakura swears to destroy Junko by any means necessary, and takes her own life in an attempt to take the fun from Junko. With Monokuma's meddling, Hina is instead pushed into attempting a murder-suicide, one she's caught for by Kyoko and Makoto. But once the truth comes out, Sakura and Hina aren't condemned. Those that attacked her end up defending her. Sakura doesn't betray her class; Sakura betrays Junko, and it puts her on the path to failure. Junko even admits to this, though indirectly: "Once I revealed Sakura's betrayal, that led to everything that came afterwards..." Note this is the only time where she doesn't expressly explain to the survivors why her motive was successful, because in this instance, it wasn't. It also fills out Hina as a character and uses her arc of an attempted self-destruction to contrast Junko, as Hina let herself be forgiven by her classmates, something Junko could never let herself do.

Part 10- Self-Destruction (Junko vs Sakura)

Despite the fact that Makoto is the character christened as SHSL Hope at the end of THH, there are a lot more parallels between Junko's self-destructive nature and Sakura's self-sacrifice that often go unnoticed, and these parallels are quintessential to the overarching narrative of THH and why Junko functioned as its villain.

Both Sakura and Junko do the things they do because they love the people around them. Both Sakura and Junko find themselves to fall short of who they'd rather be. Both Sakura and Junko kill themselves. But their goals are fundamentally, diametrically opposed.

Sakura Ogami, as a martial artist, is a woman of honor and principles. She believes in the inherent worth of the people around her because of this, and strives to become the strongest person alive not because it's a desire of her own, but because that's the destination the people who loved her had in mind for her(her father, Kenshiro, etc). And therefore, she's someone who fundamentally wishes to act in the best interests of the people she loves, even when it's at her own detriment.

Junko Enoshima, as a hyperintelligent analyst, is able to predict anything. And because she can predict anything, she can enjoy nothing, because she always knows what will happen before it gets there. Ergo, the only way she can enjoy herself is via the only thing that can make her feel- Despair. Grief and pain still feel like something in a world where she can't be pleasantly surprised by anything. She despises herself for it, and so in order to feel, she decimates anything that brings her joy. Joy is boring; joy is nothing; joy is just part of the default setting because she still sees it coming. And therefore, she's someone who fundamentally acts in the worst interests of those she loves, for the sake of her own detriment.

When Sakura kills herself, and Hina is filled with Despair, Junko wants to revel in the Despair this brings everyone else. Sakura killed herself for people that weren't giving her the time of day, and the one person who gave a crap tried to kill you all! Isn't it so tragic, so Despair-inducing, don't you just want to break down and crumble?! And then they don't. Instead, after hearing the truth of Sakura's actions, the entire rest of the class is uplifted and united by her honor. Even Byakuya is feeling hopeful now! What the actual fuck is happening?! Is this how they'll feel when I die, too? Will my death bring no Despair?

8.2- Class 78-B

We never get to actually see any of her classmates interacting directly with her in their school days, or in any way that was positive. Outside of THH's and SDR2's final trials, we as an audience don't get to see them interact as friends. So we have to draw these conclusions from what little context we were given within her dialogue in these few rare moments in THH and the mentions of her class in DR 0.

"There was a tap inside [Junko's] skull, like someone pressed a switch and slowly her entire brain lit up with a notion. Several faces appeared. Of course, they were faces she knew… they were the faces of her Hope’s Peak Academy classmates." -DR 0

Without any doubt, Junko loved her classmates. They were people she considered in high regard and had unwittingly fallen for their unique charms. While Junko had come to Hope's Peak with the intention of causing Despair, she'd accidentally found people that made her happy. When entering the school, she intended to use the people around her to damage the school of Hope's reputation, but inadvertently became attached: "Once your school life here began, I thought about you constantly. It's only natural that I would... fall in love." This made for a fantastic happy accident for Junko, as finding something beloved made for a much more fantastic Despair for her later.

"Remembering the faces of the people who would bring her such despair, she felt something that was similar to a person in love, and she danced to the rhythm of Despair. 'This is it! This is a fantastic despair!'" -Junko Enoshima, DR 0

We can also reasonably assume Junko was someone her classmates had considered dear to them in turn, as she not only knew how to motivate their past selves into murder, but also their deepest secrets and fears, and was able to attack their relationships when they themselves couldn't even remember them. Could you handwave that level of connection with her SHSL Analyst talent? Actually, no, because as stated previously, analysis requires data. And the only way she could gather enough data to understand them at a depth that let her plan her killing game to perfection was by getting to know them firsthand.

There's also a strange implication within Junko's explanation of how she put the killing game together that I think gets often overlooked. When she prepares to infodump to the remaining survivors, she says this:

"So since I love you guys so much, I'll tell you all about it! All about the idea we came up with as the Ultimate Despair- our plan to bring Despair to all mankind!"

It's an interesting choice of pronoun, to say the least. "We." It implies that the group she's referring to when she speaks is herself and the people she's speaking to at this moment in time. Could she just be switching gears and talking about Mukuro, and later, the RoD, Kamakura, the WoH, etc? Yeah, absolutely. But none of these characters had even been mentioned, whereas she was just speaking on her love for her classmates in the dialogue prior and continues to talk about her classmates after.

In listening to Junko's explanation of how she put the killing game together, it made me come to a pretty disturbing realization. One of the biggest things about Junko is how she's always able to seemingly pull together everything to form this killing game almost entirely by herself. Later installments to the series include some level of explanations- Towa Group becoming a financial and robotic sponsor, a SHSL Mechanic that could've made the executions, etc- but her success within the killing game hinges fully on her knowing how to best bring her classmates to Despair. And she's not just an analyst; Junko is a master manipulator. Throughout her entire explanation of how she created the killing game, she never says she threw them into the killing game against their will. Instead, she very deliberately calls attention to her classmates' choice in the matter, over and over again. They chose to enter the shelter, they chose to lock the doors and cover the windows, they chose to be there with the SHSL Despair, though they didn't know who they were with at the time. Makoto is the one to assert that they did so because they believed in the hope of survivng, and giving the world a fresh start. But it's not just their year's worth of fun school classes missing from their memories. There's also a year of hopelessness within the school erased, too. Combine this with a few well-placed lines from Junko.

"You see, by taking away your memories, I gave you hope."

"You absorbed all that Despair, but then you forgot it all."

"Despair is contagious, you know. It's almost like... a natural phenomenon."

"Once you'd finished building your little shelter, it was time for me and Mukuro to get to work. And thus began the killing game!"

If Junko is making the claim that she was able to give them hope by removing their memories, that meant none of them had any to begin with. She emphasizes how much Despair her classmates absorbed, and even Kyoko herself states that it's impossible for all this to have been put together by just the Despair Sisters. If an additional year of hopelessness waiting around within the school were also erased, and Junko is intentionally avoiding saying she started the killing game herself, is it beyond reason to suggest that at least some of the 78th class had fallen to Despair in that timeframe? Look at the survivors that are left- Byakuya, Toko, Syo, Hina, Hiro. All characters that Do Not Like each other by this point. Most of the meaningful connections between the classmates have been murdered. Their past is scrubbed away. They've basically all betrayed each other at least once by now, and have been pushed to the brink of Despair. If you got a collection of THH characters most likely to fall to Despair, it'd be this group.

Junko even takes a point to emphasize just how Despair-inducing the truth can become, targeting Kyoko directly with this. As Kyoko comes to the realization the Junko purposefully designed the game with the possibility of being caught, she revels in Kyoko's Despair. She taunts her with the fact that their solving the mystery only made things worse. She is purposefully trying to drive the rest of her surviving classmates into SHSL Despair alongside her. She's manipulated the game and her classmates to get what she wants- the people she loves slaughtered, the survivors joining her in Despair, the world reborn by her hands. She quite likely manipulated her classmates into plotting each other's deaths not only inside the game, but in preparation for it as well.

Out of all her classmates, there was only really one you could argue wasn't perfectly analyzed and manipulated. One stood out among the rest as the unknown variable- a concept otherwise foreign to Junko- that was able to act as a wrench in her plans. And this, too, could cause her Despair.

8.3- Makoto Naegi (Hope vs Despair)

Makoto Naegi's SHSL Luck, AKA SHSL Hope, is the one who takes down Junko Enoshima's SHSL Despair. But why and how was this possible, and what does that mean for the relationship that he and Junko had prior to the game? If I wanted to fully delve into their relationship specifically, I'd need to really tear into Makoto's character, and I don't really have the time for that today(again, still hoping to get this out before 2025), so we'll just do the best we can based off the scenes they've had together and what we know about Junko to put the pieces together thematically.

Makoto is an average guy in just about every sense of the word. He likes average things, he looks plain, he's chosen randomly by lottery instead of earning his place in the school, he doesn't have any noticeable traits or beliefs- at least, not at first.

"But you know, if I had any one kind of strong point, so to speak, I'd say I'm a little more gung-ho than other people." -Makoto Naegi, THH prologue

By his own admission, he has a grand total of two character traits- abnormal normalcy, and enthusiasm. He's optimistic, and that's kind of it. By all intents and purposes, he's the SHSL Joe Schmoe, and that should make him another blank canvas on the wall of pawns Junko can knock over whenever she gets a little bored. And yet, SHSL Joe Schmoe is the one directly responsible for Junko's failure, and the one person who, by her own admission, she cannot predict. So why and how exactly is that?

I recall reading a story about a coding competition, where coders were meant to design an AI for a gambling competition. One entry proceeded to make an AI that would go all in every single time it was its turn, and the simplicity of it was so intimidating that it broke every other AI that was in the competition. That mentality is the exact strategy Makoto unintentionally employs. He doesn't have any strong sense of self or moral complexities; he's a dude that exists, and he throws everything he is into everything he does. He's an optimist to the highest possible sense. He leaves his door unlocked even after 4 murder cases and a break-in. He refuses to fathom anything but the best possible outcome, and so he's able to combat Junko's total Despair with pure hope. Makoto's head is so completely simple and empty that it acts as the exact opposite to Junko's highly intelligent, analytical mind. When she tries to force-feed him Despair in the final trial, he hits her with the power of 'nuh-uh,' and it works. It's that emptiness that fascinates Junko, and makes him and his random chance luck unpredictable to her.

Part 11- "Defeating" Despair

When Junko loses, it's not just because she failed to convince the others of Despair, or that Makoto's hope was just naturally the stronger conviction of the two. Rather, Junko's loss can be attributed to her own conscious choice to lose. Even if we're looking solely at THH, this is the case. And the source is found in a single line.

If her conviction to win in this moment was absolute to the point where only one person had to vote for Despair, she just had to include herself in the votes. After all, she is one of the 16 students participating, and by all accounts, she should receive a vote for this trial. But she casually refuses, instead leaving it in the hands of the survivors to make the final call. And that in and of itself is indicative of Junko's desires. When faced with a situation she can easily control, she leaves it to fate to decide, allowing that glimmer of unpredictability to take over and surprise her. She'll always believe in the Despair she's dedicated herself to; it doesn't actually matter who wins here. What matters is that she feels Despair. Either Makoto succeeds in convincing his classmates of hope and kills her, ruining all her plans, or he fails, and she exterminates the one unpredictable person in her life and locks herself out of that rush of adrenaline for the rest of her life. Either ending would fill her with Despair, and in that sense, there is no way for her to lose. She won the killing game, whether the survivors realized it or not, because she succeeded in destroying herself. She built herself a Saw trap, and her loved ones set it off.

Part 12- Execution Analysis

Junko is the only character to walk willingly into her execution, even being the one to hit the red button to start up the punishment rather than having Monokuma do it. You can first attribute this to her no longer being in the control room to pilot Monokuma to do so, which is true, but it's also representative of her desire for self-inflicted Despair. Her eyes are swirling with Despair and she goes on about how good it feels, how everyone should die in such Despair, how this punishment is 'extra special', because it's one she brought on herself. After methodically destroying the most important relationships of her life one by one, she'd now be killed by her friends in a series of recycled contraptions in an 'Ultimate Punishment'.

As she goes through each step of the execution, we see her bearing a wide grin, flying through the machinery that'd killed every one of her executed friends over and over again. She hits every baseball, handles the Cage of Death with ease, calmly survives the firetruck, and bobs her head with the excavator. She doesn't struggle, not once, and this is because in prolonging her Despair, her SHSL Analyst talent is keeping her alive. She's watched every one of these executions, and thus, knows how to survive them all. It's not just a retrospect of every prior execution as a callback for the audience; it means something. With a punishment meant to bring the character's worst ironic death via their most hated parts of themselves, then of course Junko's analytic abilities are keeping her alive through everyone else's Despair.

The execution ends with the return of the After-School Lesson, and this is the one that finally kills her, because it's the only one in which she doesn't know how it ends. Makoto's execution was tampered with by Alter Ego, so there's no way to know if she'll actually die or not. Junko can't know if it still works or not. Junko doesn't know whether she'll live or die, and that's what makes it so exciting. She's driven to the edge of death and left to sit there for a moment too long, long enough for the Despair to be replaced with disappointment- only to kill her right when her Despair abandons her. She stops smiling, looks up at the press, and dies abruptly. In her final moments, she is denied her Despair. Makoto did win, after all.

Part 13- Answering the 'How' (SDR2)

One of the biggest 'what-the-fuck's people tend to have after walking out of their first playthrough or watchthrough of THH is the How of the entire game. The first game is good and all, but it leaves Junko's skills and how she set up and pulled the killing game together pretty vague. This is intentional, as in the first game, she exists as a kind of force of nature, representing Despair as an inherent part of life in the same way Makoto represents hope. But after Spike Chunsoft commissioned a sequel, and Kodaka set to work on DR 0, the question of 'how' had to be answered as the series was expanded upon. This started with the introduction of Yasuke Matsuda's memory erasure technology and the reveal of Junko's SHSL Analyst status in DR 0, but continued to expand well beyond that.

In SDR2, we're introduced to an entirely new cast of characters, all with new and less conventional talents in comparison to the first cast. Whereas THH had plenty of more mentally-oriented talents like programming, writing, and hall monitor to balance out their more eclectic ones, the SDR2 cast is almost entirely physical or social talents like a yakuza, animal breeder, and mechanic. These talents also put them into more social or powerful positions than the 78th class on an overall skill, as you find yourself full of people that could command full armies and people proficient with making weaponry or fighting and potentially killing the people around them. This differentiates the casts, and automatically makes them more threatening in the ways they could attack each other in a killing game. This also makes them Junko's perfect weapons.

8.4- Remnants of Despair

Class 77 is revealed by the end of SDR2 to be the Remnants of Despair, pawns swayed over to SHSL Despair by unknown means. Makoto refers to this conversion as 'brainwashing', though whether this is him literally knowing they were brainwashed or making an inference and later being proven right is unclear. Regardless, the RoD are part of the SHSL Despair movement, and exist to explain a lot of how Junko was able to not only set up the killing game mechanically, but continue to end the world and send it into ongoing war after the initial Incident.

This is something especially apparent with the remaining surviving cast, as they're the most immediately powerful amongst the cast for Junko to use. Sonia and Fuyuhiko are both in direct command of massive amounts of people, with Sonia being the heiress to an entire country and Fuyuhiko being the leader of the largest mafia in Japan. Kazuichi as the SHSL Mechanic explains how and why so many elaborate executions were able to be designed ahead of time for the killing game, and Akane is a wicked fast athlete who's already accustomed to tragedies and will eat anything. On top of all this, there's Hajime, a human experiment worked on by those in league with the values of hope, and that was forcefully imbued with every talent that's ever been documented, including Junko's.

This sums up everything that made the RoD useful, but doesn't explain how any sort of meaningful connection was established between them and Junko. That's because on the overall, there isn't one. With two notable exceptions, the SDR2 class is largely unimportant to Junko emotionally speaking. They're useful, and that's about it. They weren't in the same class; they didn't interact at school or bond in any important way. She just dragged them down with the bare minimum brainwashing video because of their usefulness.

We also know Junko didn't care because of just how differently she speaks to and treats class 77 as opposed to the characters that we know she does love. The series painstakingly makes sure you know that Junko tears up everything she loves- Mukuro, Yasuke, class 78. She gores through them because hurting the ones she loves hurts her right back, and gives her an excellent Despair. But with class 77? Beyond the initial conversion, she doesn't really touch them. She doesn't need to waste her time with people who are virtually strangers. Their pain just is Despair; it's not her Despair. It's good for a laugh, but not much else, so she lets them run rampant on their own.

On an overall scale, Junko didn't give a fuck about these people. They existed solely as tools to her, and she interacted with them as little as possible. Unlike with her classmates, whom she loved, she did the absolute bare minimum required to get them to feel Despair by showing them a video and letting them do their own thing. The RoD were Remnants and not full-fledged SHSL Despair because their Despair was artificial. It was inauthentic, and so they could never ascend to true Despair in the way characters like Mukuro, Junko, or Monaca can.

8.5- Mikan Tsumiki (The Relevance of Junkan)

When we're first introduced to the concept of Junkan, it's portrayed as a one-sided infatuation from Mikan's perspective. She tells her classmates about the one person who forgave her existence and loved her anyway, with the choice of language emphasizing her beloved's need for Despair and asking for forgiveness for hoping suggesting that this beloved is Junko.

"Ahhh, this feeling of freedom where you no longer care about anything! My beloved and I are the only ones within that thin veil, and I'm just looking out through it..." -Mikan Tsumuki, SDR2

Whether intended at the time of SDR2's release or not, this line of dialogue ended up foreshadowing Mikan's heightened importance in comparison with the rest of her class to Junko as an RoD. When everyone else were just tools, remnants formed by brainwashing, Mikan is ultimately differentiated as special, not necessarily craving Despair but happily parroting it for the sake of a twisted love.

"It's like nothing matters! I could just die, that's how little it matters! Who cares about hope or despair! It's love, only love!" -Mikan Tsumiki, SDR2

This 'beloved' being Junko is proved true when AI Junko emerges in the final trial and reveals that class 77 are also the RoD. At this point, though, there's almost no evidence that Junko feels anything back for Mikan besides a vague sense of usefulness shared with the rest of her classmates, as she mimes seeing them as friends because of their actions as Remnants of Despair.

Something that's important to remember, however, is that Junko's need for Despair drives her to destroy everything she loves. We've seen this multiple times, over and over again with Mukuro, Yasuke, and her classmates before now. The reason we know she didn't care about class 77 is because there are no such personal attacks to tear them apart and make them despise her specifically- their pain brings her no Despair. There's no evidence of a personal attachment. Once DR3 comes into focus, though, that changes for one RoD in particular- one Mikan Tsumiki.

DR3 made the decision to bring Chiaki back as a human character, and made her the central figure for class 77's bond. Junko dragging out Chiaki's suffering and forcing her classmates to watch became the titular event that drove the rest of class 77 to Despair. But there was no personal attachment to this act, because she'd only just met Chiaki, and there was no dynamic to speak of between the two of them besides maybe a vague sense of interest based off of their single interaction.

So, if there's no established rivalry or connection to Chiaki, why does Junko single her out and kill her specifically? Easy; Junko doesn't. She sets up the maze, sure, but she is not and never was the one targeting Chiaki specifically. That was Mikan, and the show makes sure the audience sees this more than once.

When Mikan and Junko meet, it's because of a chance interaction. Mikan runs into Mukuro by mistake when going to check on Ryota, and is captured. In this sense, she's literally presented as a gift to Junko. Junko learns she's a nurse, and decides she'll let her hang around while she works on the brainwashing video.

In their next scene together, Junko is having Mikan massage her leg, listening as Mikan presents her classmates and friends to Junko. She's the one who tells Junko of how close her class has become, and how Chiaki is the central figure behind their bond. It's where we get this from Junko:

Though you might not immediately know it, it's swiftly revealed to us that Mikan is now in love with Junko via this and Ryota's mention that something appears 'off' with Mikan. From Ryota's discovery of the prototype video that was used on the Reserve Course students being immediately followed by Mikan's appearance and saying he souldn't have watched the video, it's easy to fall into the assumption that Mikan's fall is purely because of the brainwashing. But that's not necessarily true. Mikan having seen the video prototype is very different from being brainwashed entirely, and considering Junko herself says that the video is insufficient and that she can't brainwash people like Ryota can, there's an inference to be made that while the prototype video may have helped, it didn't rob Mikan of her free will in the way Chiaki's death did for everyone else. Ryota didn't fall into Despair from the video by itself, and neither did Chisa Yukizome. We also know from her FTEs in SDR2 that even before falling to Despair, Mikan was already a little fucked up, as her idea of a good time includes telling you all the ways in which you could die and begging people to treat her like garbage just for a taste of acknowledgement.

We also see what motivated her to nurse not only herself, but others as well- not empathy, but power and control.

"Sick people and injured people... are weaker than me. .... But if I know the proper way to treat them, that means my words are absolute. Which means... They'll need me. They'll depend on me completely." -Mikan Tsumiki, SDR2

Again, all this can be found in her FTEs, in a situation in which she's mentally reverted to the way she was entering the school, before she and Junko were so much as in the same city. By this line of information, it's just as believable that her falling in love with Junko was because Junko and her video actually connected with Mikan, taking Mikan's craving for attention via mistreatment and using it to her advantage. It's also worth noting that the anime makes a point to use 'spiral eyes' to demonstrate when a character has been brainwashed. This is something used with Chisa, with the characters in the Future Arc, and when the RoD are shown Chiaki's murder. But Mikan does not have these spiral eyes in the scene where she nearly assaults Ryota. She's horny, and it's extremely disconcerting, but her eyes are still her own, suggesting that the video didn't take a hold on her the way it did for the Reserve Course students.

Mikan is also one of the most similar characters to Junko in that she craves pain. Not emotional Despair in the way that Junko does, but physical pain, not only from Junko, but from just about anyone. Pain means attention, and that's something she needs more than anything. By this metric, she and Junko are actually quite similar, needing the worst from the people they love, and this makes for a formula that can create an incredibly abusive relationship. Junko can do literally anything to Mikan, and she'll lap it up like a dog. Mikan makes for a perfect punching bag, and suddenly, their relationship is intentionally paralleling the way Junko treats her sister. She kicks her around, calls her a disgusting horny piglet, and Mikan thanks her for it. It becomes a challenge of seeing how far she can push Mikan before she snaps and attacks her back, just like how she tries and fails to do with Mukuro. Simply put, there's no reason for her to treat Mikan in this way if she doesn't care about her as a person, romantic or otherwise.

This connection Junko forms with Mikan also serves to answer that earlier question: why did she bother with a class full of people she's never met? It's because of Mikan. Mikan is the one to present class 77 to her, and with the context that she goes on to set up a murder maze specially for Chiaki, and specifically says that Mikan has 'made a compelling case', that means Mikan was asking her to make them SHSL Despair. And not only does she do so, she does so in a way that forces Mikan to be the one to lead them into the trap. She brings her classmates to the bunker, she separates Chiaki from the group, she's responsible for sending her loved ones to Despair. This isn't a plot that's personal to Junko; it's a plot that's personal to Mikan, and Junko helping drive Mikan's loved ones into Despair saddles Mikan with a Despairing guilt tied to Junko.

Driving class 77 to become RoD is an act of love for Mikan- a twisted, abusive love, but a love nonetheless, and one that's in line with the way she drives her own class to Despair and makes herself the crux. Should her classmates realize what's happened, they'll know that Mikan brought them here. The rest of class 77 are Remnants, but Mikan is a SHSL Despair like Mukuro, valued like Mukuro, and her being the one to regain her memories and turn on all her friends once more, betray them once more, is a remnant of Junko's love.

8.6- Izuru Kamukura

When Junko first approaches Kamukura, she does so with the intention of offing him then and there. He's the artificial SHSL Hope, lab-grown by Hope's Peak Academy, and represents everything their research stands for. To kill him would be to kill their work, and that's what she walks in with the intention of doing.

Naturally, she fails, as Izuru's been imbued with every talent known to man. This wasn't outside to realm of possibility for Junko, though. There were several different ways to kill the SHSL Hope invented by Hope's Peak. Whether or not she killed him literally or metaphorically wasn't the point.

Izuru Kamukura exists as an empty symbol. He's filled with talent and nothing to use it on. Because his existence is an artificial one, he has no passion with which his talents were born, and no drive to use them. If anything, he's not the SHSL Hope, he's the SHSL Talent, but regardless, his creators have labeled him their SHSL Hope so that he can become their puppet-symbol. So to kill the SHSL Hope the trustees have created, all Junko really has to do is get her hands on the puppet first.

The actual convincing of him isn't really what matters to Junko. Similar to the trustees, she also sees Kamukura as a symbol, albeit one to be knocked down instead of bolstering up, so she uses him like a token symbol, too. All she has to do is pique his interest, just enough to get him to follow her, and her job is done. She talks on about her love of Despair, how grief and pain are something that actually makes you feel, and because he's had his emotion removed, that unknown variable is enough to get him to watch, just in case.

Despite his having every known talent, Kamukura is tricked. He's framed by Junko as being responsible for the murders of the student council. And in addition, he sees the power of Despair, as adrenaline from the final survivor pushes him to attack Kamukura even when it should've been physically impossible. When moved by that animalistic need to survive, he manages to cut Kamukura's face even after getting his own sawed in half. Thus the SHSL "Hope" is introduced to the world as creating Despair, and his job is complete.

Junko doesn't really bother with Kamukura after this framing. She lets him hang around, but when he decides to leave, she doesn't make any sort of fuss or try to attack him anymore, because she doesn't really care about him. He was only as important to her as his title was to the school, and once that title was tarnished, any connection between them she pretended to have was dropped. The next time these characters meet, it will no longer be the real Despairing Junko tainting some artificial husk of a person, filled with talent and emptied of heart, but rather, an artificial Despair combatting a survivor's true identity.

Part 14- The Brainwashing

Okay, let's talk about this. Was the brainwashing a good move for the story? Was it actually planned from sdr2? Or was it something half-assed at the last second because Kodaka didn't think that far ahead? Well, imo, it was almost definitely intended from their conception, and is very reflective of Junko's own motivations and goals.

From as early as DR 0, brainwashing tactics are evident within Junko's work. When Ryoko meets the reseve course's underground cult, she finds them watching a single video of mutual killing over and over again, with a fixation on its contents that's unnatural.

"[The cultists] didn‘t even bother to glance at me. Their eyes were still plastered to the monitors in front of them. .... Every monitor was a pitch black, none had a single image projecting on it.

'It‘ll… start again soon… so…' the monobear heads sitting in front of me said in monotone." -DR 0

Brainwashing is again brought up within SDR2, as not only is Hajime expressly a human experiment due to alteration of the brain specifically, but the entire class is referred to by Makoto as 'brainwashed'. At this point in the series, there's no reason for him to actually know this short of Kamukura possibly telling him they were brainwashed, so we can reasonably assume this statement is rooted in Makoto's inability to understand Despair and seeing anyone's craving of it as a mental disease that can be cured(not an unreasonable conclusion to reach, considering the Everything About Junko he was led to witness). Ergo, it's not beyond reason to assume that brainwashing was well within the bounds of possibility for the characters even at that time.

While the idea of brainwashing the class into Despair appears to rob the class of their moral complexities that came from being RoD, the view we as an audience are given by Makoto, Kyoko, and Byakuya within SDR2 is only ever that the RoD were victims of Despair. The survivors are already established as more reliable narrators than AI Junko thanks to the first game, so there's no reason not to trust that what they say is likely true. In addition, Junko never actually directly states that they did it of their own free will, just that they were on the same side and tries to get them not to listen to Makoto, her already-established opposite.

The idea of class 77 being brainwashed went from theory to canon in DR3, and while the method of their brainwashing is controversial(the line 'cutting through their free will like swiss cheese' from the dub is pretty aggravating), it still lines up with Junko's pre-established goals and motivations. She goes to Hope's Peak to tear down Hope and replace it with Despair, and after being shown a class full of Hope united by their love for the same person, she exploits it and is able to use their love against them to create Despair as an outsider. She's introduced to the class, uses them, and then lets them all go do their own Despairing thing because she doesn't actually care what they do. What matters most is her own Despair, and tearing hope to pieces. So her interaction with class 77 remains minimal, a mere experiment for Despair in the same way Hajime was an experiment for hope, and then keeps going about her business, calling on them presumably only if she needs something like the execution contraptions.

14.1- The Despair Videos & Knowing the Difference

There's not just 1 Despair video. Over the course of the anime, we're introduced to three, and each one has different levels of effect on those who watch it. Knowing the difference between these three videos is quintessential when talking about the brainwashing and how each character to watch a video is affected, as well as understanding different characters' roles in the narrative as they pertain to the videos. So let's establish the differences between these 3 videos and their effectiveness before we move forward.

14.1.1- The Student Council Massacre

The first Despair video, aka "the prototype", aka the Mutual Killing Video, is the one created using the footage of the student council's beta mutual killing game. This is the one made solely by Junko's attempted mimicry of Mitarai's animation talents, taking security footage of the mutual killing and sharing it with the Reserve Course and Mikan as a test run. And while it does have some level of effect on them, inspiring 'the parade' and having a hand in Mikan falling for Junko, it doesn't work nearly well enough to actually rewire their brains for Despair or strip them of their hope in the way that Junko would like. Even in the context of a parade, it's still very much a protest in the hopes of change. There's still the demands of a refund, of being let into the main course. Even when shown the Despair of the truth, there is still hope that things can be changed or fixed. And that's not what Junko wants. The only character that we've seen to watch this video to end with the aforementioned 'spiral eye' telltale of true brainwashing is Chisa, who we know was also being actively lobotomized by Mukuro during a repeated viewing to force it to work. This instruction came from some manual Mukuro was left with, presumably written by either Junko or Ryota.

While this video is what starts the parade, what eventually pushes the parade to violence isn't Junko. It's the inaction of Hope's Peak Academy and refusal to acknowledge their mistakes. Instead of coming clean, they bury everything wrong they've done even further and have their security beat the shit out of anyone that tries to find answers for themselves, doing so in the name of 'protecting them' from information. They keep the wrongdoings of their 'real' students under wraps at the expense of their underlings, fully buying into a talent-based hierarchy they created. Those without special talents are sources of finance- nothing more, nothing less. And when that overwhelming majority questions that, and finds evidence that HPA doesn't care, of course they'll retaliate. The video itself isn't a brainwasher, but when combined with the very real negative effects of the classism which the Reserve Course students find themselves hurt by, it makes its influence that much stronger.

14.1.2- Human Chiaki's Death

The second Despair video is Chiaki's execution, and is a live recording shown to her classmates. As far as we've ever seen, this is the only instance in which this is ever shown. This live recording is enough to send class 77 into Despair properly, spiral eyes and all, but there's an underlying implication that the primary reason for this is because of how important Chiaki specifically was to them. Throughout the season, and especially in this episode, Chiaki is established as the glue that holds the class together. Despite not being an extremely sociable person, she connected to her class with her love of games, and her earnest love of it endeared her to them, and their love of her did vice versa. The footage locked them each into place, unable to look away, and once they were at their lowest, at the very end of the video, Junko swoops in to dub them all Remnants and decides for them that they will now cause Despair for her. And because she says this when the live footage has brought them to their lowest, they each fall into this trap, at least to some extent. Whether or not they truly belive in what they're doing, they do it, because that feeling of Despair is their last connection to Chiaki left.

But, similarly to the prototype, it's still ultimately insufficient. Granted, it's much more effective than the prototype, but it isn't a full mindwipe, either. We know this because when we meet Nagito Komaeda in UDG as the Servant, he's still himself. He still has some level of self-control, able to speak and act as an individual even when following the orders of Monaca or the other WoH. He says himself that he despises Junko more than anyone else in the world, and follows through with Despair with the faith that it'll inspire a newer hope to conquer it. He says something similar in that moment of brainwashing as well.

"Nanami is our hope. Look what she did to her. What Despair... What a horrific sight! This is... This is the Despair we must overcome? Ah, Nanami... You understand, right? At this moment, you are becoming a stepping stone to hope!" -Nagito Komaeda, DR3

You could possibly attribute this to Nagito's luck cycle and history with tragedy just making him have a higher resistance to the brainwashing, and honestly, there's no strong way to contradict that, since Nagito and Mikan are the only ones we ever see in Despair outside of a montage, but narratively, I doubt they'd make a point to show one of the RoD hating Junko if it weren't to make the point that they had agency. Nagito was just the fan favorite, so of course it was gonna be him. You saw the fanservice in UDG.

14.1.3- Mitarai's Animation

The third and true Despair video is the inversed Monokuma Theatre, which is used to mentally hack its viewer and drive them into such a strong state of Despair that they kill themselves right then and there. This is objectively the strongest of the Despair videos, and the most effective, with the only character it doesn't immediately convince to kill themselves being the Future Foundation chairman Kazuo Tengan. This is mostly for plot reasons, but I'll address this specific exception to the rule later on and why this was the case.

The Monokuma Theatre video is mass-emailed to the Reserve Course students after they destroy the shiny new building their parents were tricked into paying for. The video hacks their minds when in an already vulnerable state, and each and every one of them jumps out of the building and kills themselves. Just as quickly as they take some control and uproot the system that hurt them so, they fall victim to the games of another who never cared for them in the first place. The purpose of the video was to create a horde of faceless victims to spurn others into action, and it worked like a charm, spiraling the world into a state of Despair. The RoD used their influence to ensure a smooth transition into this state of worldwide chaos as well, having significantly more social power and reach to spur more and more people into the fray.

The Monokuma Theatre video is also what makes the members of the Future Foundation kill themselves in the Future Arc, hacking their minds and then dropping a knife with which to stab themselves with. It works on every character that watches it- Chisa, Gozu, Seiko, Ruruka, and Makoto. Each of these characters are in various mental states when they watch it, yet all of them fall to it, without exception. It doesn't matter who you are or what you believe in. If there's even one thing you regret in your life, the video can and will work on you. It just does. And by that logic, it's the only real 'brainwashing' video, because it can work on anyone who watches it. The one character who seems to withstand it is the one who builds an entire killing game using said video just to force its creator to action, and doesn't even seem so much as affected by it. Really, it calls into question whether or not he was even affected by it.

14.1.4- The Flashback Light (Bonus Brainwashing!)

The Flashback Lights are used solely in V3, and are invented by the mysterious Team DR to reprogram the memories of their victims to play along in their scripted killing game. We see this work on both Kaede and Shuichi, as well as see the aftereffects it has on the rest of the class.

We learn while investigating that Tsumugi is the one responsible for creating the Flashback Lights, and that she's been the mastermind who knew what was happening the entire time. However, this initially opens up a plot hole in that Tsumugi has also been shown the Flashback Lights multiple times. There are 3 viable explanations for this. The first one is that she just closed her eyes, which is extremely boring and kind of a copout. The second is that she didn't know she was the mastermind until near the end, and Kaede's murder plot failing was a ruse by Team DR for the story, but that makes that entire reveal lose a lot of its impact. The third explanation, therefore, makes the most logical and narrative sense, and actually doubles as a reason why Tengan would be the only one to withstand the Monokuma Theatre in DR3: Tsumugi wears glasses.

Yeah, I know, that sounds silly, but let's actually break it down. In NDRV3, two characters are shown to wear glasses, and only two- Tsumugi Shirogane, and Gonta Gokuhara. Gonta, however, has two unique traits that are relevant here. One, he has 20/0.625 vision(strong enough to see the near microscopic Monokuma cameras), and two, he wants nothing more than to appear as a gentleman. I don't think it's a stretch to say he's wearing empty frames to appear more gentlemanly, especially considering they're paired with a full suit.

Tsumugi is the mastermind, and the one who has the most insight into what's happening in the game. She's the one who knew the difference between her actual self and the character Tsumugi that she played(it's implied in the dating sim that Tsumugi isn't her real name), despite having seen the Flashback Lights with the class several times. So isn't it entirely possible that having glasses to reflect the light of those Flashbacks was what let her pass for being affected as well? And, if that's the case, then it would also explain why Tengan, who wears glasses, would be resistant to the effects of the animated video, as everyone else who we know watched the animated version before their death didn't wear glasses. The faceless Reserve Course students don't have glasses, and neither do any of the five characters in Future Arc to watch it. It's completely ridiculous, and simultaneously totally plausible, for the idea of glasses reflecting off light and lessening the effects of such a video to be the explanation for why the videos or lights exclusively didn't work on these masterminds.

8.7- Ryota Mitarai

Junko's connection to Ryota is objectively the weakest part of her story, and admittedly a major part of why the brainwashing of class-77 falls under such scrutiny. Whereas every other part of Junko's plan is pretty well-established within her characterization, the connections she makes having actual sense to their conception and development, and just general consistency within the narrative, her meeting Ryota is not only a stroke of random luck on her part, but emphasized as one, and this just does not make sense for a character within said narrative to have never once been characterized as having any level of luck or fortune prior. This is especially glaring in a world that has established luck mechanics via characters like Makoto, Nagito, and Celeste. Junko just isn't a character meant to have luck like this, and never has any sort of moments or accomplishments stemming from luck before or after this outright.

When Junko and Ryota meet, it's because they walk past each other going in and out of the infirmary, and Junko, for no visible reason, decides to start talking to him right then and there. She starts squealing and hugging him, jumping up and down, and says this upon Mukuro's asking why: "I don't know, but... this is what I'm telling myself: This is yet another... fateful encounter!"

There's no rationale to this. There just isn't. It's not her SHSL Analyst talent having picked up on him over time, or her recognizing him via someone else, or anything of the sort. It's totally unjustified random chance for the convenience of the plot, and that's what makes this introduction so weak.

Really, the issue of Ryota's involvement falls more in their introduction than his actual function in the anime. Considering his characterization and the connections Ryota had prior to this, it would've made infinitely more sense if Junko had met Mikan first while in the infirmary, and buttered her up enough for Mikan to introduce the two of them. Knowing Mikan, it wouldn't have taken much, and would've made more sense for Ryota to be so willing to share a part of his life's work while still incomplete if he was introduced to Junko by someone he already trusted. Regardless, that's not what happened, but I say this mostly because I want to affirm that with Junko and Ryota's connection, it's the introduction that doesn't make sense, not what follows.

That said, once the awkwardness of how they meet is out of the way, what follows is fairly reasonable. She asks about his talent, purposefully mocks his interests to trick him into showing off, and then takes advantage of what she learns about him, which just so happens to be brainwashing techniques that she'd already be somewhat familiar with thanks to Yasuke.

Once they're acquainted, Junko uses her knowledge of the school and what she's stolen from the kidnapped trustees to set up Ryota underground where she can keep him under control, and so he can't mistakenly squeal about what she's setting up. She uses his passion against him to bastardize it into what she needs and manipulates him into walking into his own cell by doing so. It's not her most genius move of all time, and it's not a difficult one to understand either, but it's one that works.

What matters most to understand, though, is that she doesn't seem to develop any sort of affection for him in the way that she did for Mikan. When he finally uncovers what she's doing, Junko gives him a simple sales pitch, and threatens him indirectly with Mikan's friends.

By now, she knows damn well that he's met a grand total of two of his classmates, one of which just tried to sexually assault him mere moments prior, so this doesn't seem like the most effective tactic she could've used. But Ryota is a sensitive person. A victim of bullying growing up, the whole point of his brainwashing animations was to make people more empathetic subliminally. So to force him to help her, Junko is able to target this empathy by targeting Mikan over Ryota himself. Her abuse of Mikan is painful for Ryota to look at, and he wrongfully puts all the blame for the way Mikan acts solely on Junko because he doesn't know any better. And Junko lets him, because it's convenient for her to manipulate.

"As you have inferred, the mutual killing video you watched is the reason Tsumiki ended up this way. However, in order to reach my objective, this is insufficient. My lack of brainwashing ability is the cause." -Junko Enoshima, DR3

As we know, Junko is an unreliable narrator. She can and has lied to people's faces for the sake of manipulating them, telling half-truths and intentionally warping the truth to shift her victims' perspective in a way that she wants. We never see Mikan's fall, only cutting from her first meeting Junko to her already being in love with her, and as we've established, not only was Mikan already pretty fucked up prior to meeting Junko, but she doesn't exhibit the symptoms of a complete brainwashing at this point. She still has her mental faculties about her. So logically, that means she's doing the same here. Yes, Mikan watched the prototype video, and yes, it was insufficient. Hence why we as an audience can understand with our meta-context that Mikan still has her mental faculties intact. Ryota, on the other hand, doesn't have that benefit, so when Junko says this, the implication is that Junko took the meek, shy, kind version of Mikan that Ryota knew and twisted her into an evil, hypnotized slave of Junko's. It's an intentionally warped perception of the truth that Junko uses to her advantage, to the point where she flat-out says she can't brainwash at this point and brainwashing is still commonly attributed as the sole reason for Mikan's behavior in this scene.

Ryota cares about the few friends he does have, taking Mikan's and the SHSL Imposter's requests to take care of himself by resting and going to the infirmary even when he doesn't want to to ease their worries. So of course, when faced with the idea that he could prevent Mikan's loved ones from getting hurt, even though he doesn't know the vast majority of them, he caves regardless. It doesn't have to affect him. The people around him are important enough for this threat to work anyways. They're not his precious classmates, but they are the Imposter's; they are Mikan's. And Ryota is a very weak man. So he complies.

Later, when he escapes, she hunts him down to thank him for his help, and then allows him to run away, letting him believe that he's the reason why class 77 were the ones to be brainwashed.

"The video I had you help me with. The complete version of that. I'll have your whole class watch it now!"

The 'video' that Junko has them watch is a live recording of Chiaki's death maze. Meanwhile, the Despair video that the Reserve Course goes on to watch after the riots, and that Chisa Yukizome is subjected to, are different videos entirely, forcefully reprogramming them and removing their hope outright. Since Ryota's an animator, we can ascertain he's responsible for the one the Reserve Course watches, with an animated Monokuma. In other words, Junko does not, in fact, have his class watch the video he helped her make. She's lying to him to send him further into Despair.

"Imagine it... Because of you, all your classmates will fall into a deep, deep Despair. They'll become people who think of nothing but plunging this world into Despair, the Super High-School Level Despairs!"

It's a bold-faced lie, and one that Ryota has no knowledge with which to contradict it. Because he's a coward, and because Junko's already messed with his head so much, he runs and hides rather than face what he's done. She even leaves him with parting words of responsibility, twisting what happened with sarcasm so he'll always blame himself for her actions.

Ryota is by no means a perfect victim, but that doesn't change the fact that he is one. He was manipulated, and when he found out he was manipulated, he was threatened, albeit indirectly. But Junko was always planning to send Hope's Peak and the world into Despair. His video made it easier for her, but he is not and never was responsible for her actions. And by making him carry the guilt of her choices, she leaves him in a state of pathetic, guilty Despair akin to a genuine 'thank you' from her.

Part 15- AI Junko

AI Junko(or Kaijunko, as I like to refer to her as) appears as the reincarnation of Junko, created by Chihiro's AI technology and forming a Despair virus to infect the Neo World Program. She doesn't allow the Hope Restoration Program to follow through, instead taking Usami's teacher role and manipulating the world to be a Despair Restoration Program. The motives she uses are extremely personal and targeted, hyperfocusing in on specific members of the class each time to ensure a murder happens the way she needs it to.

Something that's important to remember, though, is that Kaijunko IS NOT Junko. She's an artificial recreation of the real Junko intended to continue programming Despair into the world after she'd inevitably passed. And as such, she isn't a 1:1 replica, and there are key differences between the two in the same way Alter Ego is different from Chihiro and Observer Chiaki is different from the human Chiaki.

The reason Junko fell into SHSL Despair was because her intellect combined with human need for stimuli left her with such a deep depression and boredom that pain and suffering were the only ways to make her feel alive. But as an AI program, Kaijunko isn't burdened by that same need. She's programmed to have the same goal of spreading Despair, but she doesn't have a personal, insatiable need for Despair in the way that Junko did. And this leads her to have a different endgoal for the final trial than what the real Junko might have chosen.

Kaijunko observes and learns from Izuru Kamukura and the RoD, as well as the Towa City residents, in the same way Alter Ego learned from class 78. The brainwashing video forcefully reprogrammed them, yes, but ultimately, they still loved each other as friends and classmates, even if Chiaki wasn't there with them, and it's that dedication to each other that Kaijunko learns about. It's why those connections are the ones tested within the SDR2 killing game; Kaijunko, who actually came into contact with the RoD personally and was toted around by Kamukura, would know what to use to create a killing game that would leave the most desperate group of survivors at the end to follow through on Junko's plans to reconstruct them all into her.

However, because Kaijunko isn't constricted to the same need to destroy herself, she can afford to bend the plan around impulsively in the way Junko herself had in the past, but in a way that'd align with the original Junko's goals to harm others around her without needing to harm herself anymore. Thus, in the final trial, she doesn't push those desperate survivors to want to escape. Instead, she uses her knowledge gathered to make them want to stay in the world Makoto provided to them, where none of them have to face the consequences of the RoD's actions, Kaijunko included.

One of the ongoing themes across the board for SDR2 is how artificial everything about it is. The island is artificial. Chiaki is artificial. Hajime is an artificial hope. The RoD are artificial Despairs. Similarly, Kaijunko is an artificial Junko. She goes through those same motions as the original Junko, but she is not, cannot be Junko. She can only mimic, never be, and so she tries to escape altogether by resetting the game to a state where the RoD live an escapist dream, and she's locked in the game with 'her' classmates forever. But despite this, because she's mimicked Despair, she's become part of it, and Hajime and the others do the one thing Junko can't ever succeed in doing: they choose themselves, and she disappears without a chance of hope, just like Ryoko before her. Hajime and class 77 forge a new future, and Kaijunko dies trapped in the shadows of the past.

8.6.1- Hajime Hinata

If the battle between Makoto and Junko in THH is a battle of ideologies- hope and Despair- then the battle between Hajime and Junko is a battle of wills. This is the battle between self-love and self-hatred, and both Hajime and Junko are faced with their opposite, only to reject it in favor of what they want for themselves most.

Hajime's main character arc is one of self-discovery. When we meet him, he's been stripped of everything that's made him himself, having a gap in his memory that has his identity within it. This is a direct parallel to Ryoko Otonashi's lack of memory, having no identity or memories of the past with which to identify herself. She has only the words others tell her. But in the case of Hajime, it's revealed that the supposed gap is virtually nonexistent. He has no special talent or ability that differentiates him from the rest. He's a blank slate- empty, one might say. And this is quite similar to Ryoko. In a similar way, Izuru and Junko are both burdened by the weight of their talents. In the case of Izuru, he was operated on to remove all emotions and thoughts to be a symbol for Hope's Peak, while Junko's Analyst talent left her burdened with the inability to enjoy anything.

There are also similarities to Izuru and Ryoko, having both had their minds operated on to remove all memories of their true identity and become someone new, while Hajime and Junko both feel a heavy burden of who they are and feel as if that makes it impossible for them to enjoy their lives as they are. This parallel is exactly why Hajime's choice to live, and choosing to live in the face of retreating into the NWP, is so impactful, especially when faced with the shadow of Junko Enoshima.

Junko never chose herself. She never could choose herself, and when given the opportunity to, she rejected it entirely, too addicted to the cycle of self-destruction she'd created for herself. She felt as though Despair was the only answer for her, so she could never stop searching for it, even from beyond the grave. That not just she should feel it, but everyone should. Everyone needed to know the way she felt. And she used anything and anyone at her disposal to make sure the world burned, because she wanted to feel, and what was the point of such a world pretending not to feel Despair anyways?

Hajime chose himself. It wasn't for anyone but himself. When looking in the face of what he'd turned himself into for hope, he was able to come to the conclusion inverse to what Junko did- that he didn't need to change for the sake of anyone else. It didn't matter that he wasn't SHSL like the people he admired, so long as he lived for himself. Meanwhile, when Junko reverted back to herself, it was like dragging herself back into a cage, being burdened by the same kind of talent that Hajime never needed. A talent she never asked for was the source of her undoing, while Hajime's lack thereof almost killed him in the pursuit of one.

The dichotomy of the talented vs the talentless is one that can be felt extremely strongly between dr0, sdr2, and dr3, but especially when in regards to the divide between these two characters, as it again circles back to the damage the hierarchy they find themselves in creates. Junko is a heralded SHSL Analyst and Gyaru, dubbed by Japan as superior and handed the influence that makes it so much easier for her to poke holes in the system until it collapses. Even when all the evidence is placed on her, she's the SHSL Analyst, and can convince HPA to keep quiet for her. They cover up her crimes, and when they can't anymore, she's part of the 'chosen' that receive protection from the government while the Reserve Course and their families are never mentioned again. Hajime has nothing, is considered nothing, is even beaten and told to 'take to the leash and collar already' to keep him complacent. His choice to become Kamukura is weighted by the pressures of the system he's trapped within, holding him not only to his desire to be considered important, but to be equal, not to mention the debt he's placed in just for the right to participate in said hierarchy. Those treated like nothing are downtrodden to accept the system and uphold it, and those with power can do whatever they want and the system will protect them.

In a lot of ways, Hajime and Junko are more similar to each other than any other two characters in the franchise, all the way down to the sacrifice of the ones they closest around them sending them on their final path- Junko with Mukuro, and Hajime with Nagito. And in mirroring this, Nagito eventually returns, while Mukuro never can.

Mukuro and Junko are twins, and work to attain the same goal, but they're still very different people. Junko is absolutely fucked up, and Mukuro follows her out of a twisted need to be by her side, even when it leads to her eventual death. Hajime and Nagito are repeatedly called out as similar, both needing the other to get through the trials and survive and being forced to come to an understanding, but still retaining their individuality and separate beliefs. When Mukuro dies, it's directly because of her loyalty to Junko, even at the cost of herself, and Junko's betraying her resulted in both their deaths. Nagito died because of his loyalty to hope, even at the cost of himself, and Hajime's trust in him was what allowed him to survive and eventually bring Nagito back. Where Mukuro was metaphorically absorbed into Junko and forgotten, Nagito's individuality was what became critical to Hajime.

15.1- Shirokuma & Kurokuma

This part will remain brief. Shirokuma and Kurokuma are the AIs found in an all-white and all-black bear in UDG, each positioned on one side of the Towa City genocide and perpetuating the war by manipulating the Towa siblings.

Shirokuma is the 'good' one, and is positioned with the adult survivors. He's the one responsible for creating the underground safe house, and is Haiji's right-hand. Even when making it appear as though he wants peace first and foremost, he goes on to pilot Big Bang Monokuma and stands with Haiji, playing him and Komaru to escalate things.

Kurokuma is the 'bad' one, and is the one who gave Monaca the plan to create a Successor in the first place. He's a chatterbox that's an advisor to the WoH, presumably left behind by Junko or created by Monaca, and pushes the kids into their murder games by standing with Monaca.

Near the end of the game, Kurokuma reveals that Shirokuma is his little brother, and later in the epilogue, we learn that they were actually not distinct AIs, but rather, the same AI Junko as in SDR2 that was working both sides to destroy Towa City. Them taking the form of siblings mirrors that Junko herself was a twin, and isn't truly complete if she doesn't have her sibling still present.

Part 16- Big Sis Junko (UDG)

Following SDR2, UDG returned a master-manipulator Junko to the scene via the Warriors of Hope. Though AI Junko is present and perpetuating the war through her manipulation of the Towas, Junko herself is all but gone, survived only through the kids' memory of her, and what they have to say is extremely telling to the capability Junko really had to push people further towards her Despair.

Her role as 'Big Sis Junko' came when she prevented them from killing themselves, though how she knew to be there at the right time is unknown. We can assume she'd been keeping eyes on Monaca already and, through her Analyst talent, figured out when the right time to be to show up.

From there, they became the Warriors of Hope, not missed by their parents that hated them or worried for by the world, and Junko was free to mold them however she liked. She did this by teaching them to lash out at the people responsible for their suffering- not just their parents and abusers, but any and all adults. She was a teenage girl who'd taken pity on them, as far as most of them saw, and so they trusted her as the first and only person besides each other to show them kindness. They became ideological, lumping all adults within the same box of 'demon' because they were given no other comparison, and they did it for Junko.

"As far as I remember, the first adult we defeated was a random person we didn't even know. .... From there, we leveled ourselves up by killing Demons. Big Sis Junko was so pleased..." -Nagisa Shingetsu, UDG chapter 4

They came to rely on her as their one true savior, and even those of them who knew they were being manipulated didn't care, if only it meant they weren't the ones being beaten anymore.

"At least, at the time I thought it was a miracle. But later I learned it was inevitable. She came into my life just to take advantage of me." -Monaca Towa, UDG chapter 5

"'You guys... were completely deceived by Junko Enoshima.' 'And what's wrong with that? Did I not tell you that we are her possessions? We would rather her take advantage of us than horrible adults.' 'Sounds like it's too late.' 'Say what you like. Big Sis Junko... gave us hope. That's the truth.'" -Toko Fukawa & Nagisa Shingetsu, UDG chapter 4

And when she died, she was martyred, a victim of the cowards who'd believe in the adults and Hope's Peak. By dying, she completed her manipulation of them, ensuring in her absence, they would only remember the kindness she offered them. Anyone who said otherwise must be a demon.

"No matter how much you hate us, no matter how much we're shunned, we're definitely not wrong. That's the real truth, because Big Sis Junko said so. .... Those adults who took her away from us and said that she was the bad one! They're the filthy ones; they're the ugly ones, the disgusting ones!!!" -Jataro Kemuri, UDG chapter 2

This manipulation and creation of the WoH stemmed from a practical source, as we learn in the game. By Monaca's own admission, Junko only ever cared about getting access to Towa City tech for her Monokumas and for spreading Despair wide-scale. Having highly talented and abused kids to carry out her will when she was gone was just a very welcome bonus; having the youth primed to continue spreading Despair when she was gone would create a legacy, and her ghost would continue to haunt those with hope for at least another generation. Enter Monaca Towa.

8.8- Monaca Towa & the WoH (CW: Mentions of Incest & Pedophilia)

Monaca is differentiated from the rest of the Warriors of Hope almost immediately as being more aware of what the fuck is going on than her friends. She's the L'il Ultimate/SESL Homeroom that loves hearing everyone else talk about their thoughts and feelings, she's the one who invented the Captives game, and she has swastikas in her eyes, because Nazi symbolism was the only way we could convey she's a dictator I guess. As the game goes on, we see that her relationship with Junko is different from the rest of the class- a bit more substantial. She has much more knowledge of Junko's desire for Despair and knows the real reason Junko sought them out in the first place. She uses her friends' idolization of her to trick them into helping her make a new generation Junko to carry her memory. She also has a hidden bedroom full of photos of Junko, and one in particular stands out among the rest.

Junko and Monaca, all by themselves, posing for a photo. None of the other WoH are present for this photo. It's also worth noting that Monaca's in her WoH outfit, even though in every other flashback or cutaway to the past before Junko's death, they were all in their Hope's Peak Elementary uniforms. If it weren't already obvious, these two were spending more time together than with the rest of the WoH. This is primarily because of the explanation we've already been given- Junko needed tech, Monaca was the one that had it. Of course extra work was gonna be put into her, and if she felt special in comparison, she'd become more like Junko.

Both Monaca and Junko are a younger sister, and their older siblings are established as pretty creepy in their own ways. Mukuro is incestuous and lusts after Junko whenever they're together, or even just when thinking about her. Haiji, meanwhile, is a pedophile, mentioning he likes girls younger, "as young as I can get 'em." I don't have to explain why the knowledge he has an extremely younger half-sister he expressly doesn't think counts as family is a bloodcurdling realization given this information. While they seem to have very different levels of connection with their siblings, this is a pretty distinct commonality to give both masterminds, especially when one is meant to immediately succeed the other. Both girls are also considered the "genius" of their families, while their older siblings use more brute strength.

Monaca is a character built upon the mimicry of Junko. We know this because we pay attention to the game, but also because if we look at the concept art and beta forms of the Successor, we can see without question that creating a "New Junko" was always going to be a major part of UDG, as not one, but two unused Successor characters were considered before Monaca eventually became who she is today as the mastermind and true Successor.

Monaca throughout UDG undergoes a similar behavior to Junko in the way that she treats the WoH, but it's in a way the fundamentally misunderstands why Junko acts the way she does. Monaca is a child, and idolizes Junko, but that doesn't mean she actually understands her, even if she got much closer than her friends.

Monaca manipulates and discards the other WoH one by one, making herself the center of their movement and letting them believe they have control over what they're doing. She motivates them with a Paradise that'll never exist, similar to how Junko motivated the reserve course to stand up against Hope's Peak, and they take over Towa City. Whenever a WoH disappears, she decides whether or not they're mourned, but it appears as though she doesn't care and never did. She quickly forgets Masaru's name, barely bothers with Jataro, and later in her backstory monologue, proudly claims that when Junko met them, she was planning to let her only friends all kill themselves as a prank and not jump herself. She takes all the steps possible to Not Care about these people, similar to how Junko seemed not to care about the people she loved.

If Monaca spent enough time around Junko to observe and pick up this pattern, it likely means she also saw how little Junko actually cared for herself and her friends. This would explain why she starts acting as though she doesn't care at all for her only friends in the world and discarding them, wanting to emulate Junko, her idol. It also means she knew Junko didn't care about her, but her talents, and just didn't care because it was Junko. Again, this is a mentality not just held by her within the WoH, but because she was given a peek behind the curtain, she filled in the blanks in her head and let herself continue to be manipulated by Kurokuma, all in the hopes that Junko could return and manipulate her again. She needed a Successor, someone to fill that sisterly void again. And in that desperate desire, she inadvertently set herself up to someday become the SESL Despair.

Nagito's intervention is directly stated as the reason why she ends up abandoning this role as SESL Despair and fucking off to space as SESL Apathy instead, shrugging it off as 'not wanting to end up like he did'. This appears to be a deviation from what was originally intended for her, as not only was this wrapped up in a singular episode of an anime not actually about her, but the teaser images for a UDG 2 in UDG's credits ultimately ended up unused, and V3 totes a teaser of a canceled UDG 2.

Part 17- Junko's Apocalyptic Crash Course

"Right now, Hope’s Peak Academy is set up in a pyramid sort of idea that a third world country would use; it’s only really there to concentrate it’s effort on the 'super high school levels', for their benefit, and then below them are the reserve students from the preparatory school. .... The teachers here don’t really think any of the reserve students really belong here." -Yasuke Matsuda, DR 0

As we've seen repeatedly throughout the previous games and DR 0, Junko's strengths don't come from sheer force of will. She didn't take some perfect world of hope and twist it into a world of Despair by flipping some ideological switch. She's charismatic, but still human. Junko's strength comes from her ability to analyze, her high intelligence, and her charisma combining to create a master manipulator. Using the skills and people at her disposal, she was able to amass a cult following, and inspire the downfall of a society that was already flawed by attacking the weak points that were already present. Ergo, Junko's SHSL Analyst talent led her to not only infiltrate the school, but also to find the flaws within it and the lies it covered up by taking advantage of the Kamukura project wearing the school thin.

She may have been the face of the Despair movement, but she wasn't a singularity. She had a small group of people she trusted with a certain amount of information, and who had skills that would become beneficial to her. Mukuro is the obvious right-hand, as previously discussed, and perhaps the only one she legitimately believed to be an equal, but there was also Yasuke, Izuru, Ryota, Mikan, and Monaca, all of whom she attached herself too and all of whom had an extremely useful talent or title that was immediately beneficial to her cause. These people were able to directly carry out her desired acts of Despair and work alongside her, reporting back to her to ensure things were running smoothly. These were people who were needed directly as they were, and who were most useful when they believed she genuinely took interest in them, whether she actually had or not.

In a world already so flawed, with thinly veiled atrocities already taking place by people who believe in a caste system of talent, earning a downtrodden majority's trust is as simple as taking the blindfold off. Manipulating the people she'd attached herself to let her reveal key information at her leisure and drive the school and its inhabitants to Despair without them noticing or knowing to take action until it was too late to stop it. Something manmade, that turned into a disease and spread across the world, infesting it with the Tragedy and burning the oh-so-predictable world to the ground, all while standing as the eye of the storm- that was the power of the SHSL Despair that Junko worshipped, and she became its spokesperson, sending the world into a spiral.

Part 18- Junko's Legacy (Death of the Human, Birth of the God)

Everyone that loves Junko, misunderstands Junko. This is a fact that we see more than once. Mukuro obsesses, not loves. Yasuke romanticizes a childhood he can never return to. Monaca idolizes her. Mikan overtly sexualizes her. Her classmates know nothing of her self-destructive nature. Junko knew this and Despaired every time. But this fundamental misunderstanding of who Junko is didn't just exist in the game. In real life, Junko Enoshima became an iconic villain, the teenage girl that burned the world, the Ultimate Despair. She was insanely popular, and still is. And the more popular a character gets, the more susceptible they become to misinterpretations, fanon, oversimplification, etc.

In becoming such a well-known figure, Junko Enoshima the person got lost in translation. There was now Junko Enoshima, the mascot, the figurehead. This isn't a phenomenon exclusive to Junko, of course, but as the titular villain of the series until this point, how could the series continue without her? To this very day, people can't agree on who Junko was or who she actually cared about or if she ever even cared for anyone at all. And when NDRV3 was made, it took advantage of this to tell its own story, utilizing Junko Enoshima specifically to demonstrate flanderization of characters within its lore.

Junko Enoshima is not a real person. She's a fictional character. All her motivations, her thoughts and feelings, are fabricated stories and vague implications from the writing of real people. And in V3, that 'real person' is Tsumugi Shirogane, one of many cogs in the machine of Team Danganronpa, who dresses up as Junko and uses her face to become 'Junko Enoshima the 53rd'. Junko has been used and reused over and over and over, to the point where the original vision has been muddied beyond belief. What she was at the beginning, way back in THH, no longer exists. She's now a silly mascot, a familiar face that fans can point at and dress as and draw fanart of, and a face that Team DR can profit off of. Tsumugi's portrayal is laughably inaccurate to the original Junko. It's a costume, nothing more, and the dialogue she gives when 'in-character' is simplistic and insignificant. All its weight comes not from the meaning, but from the reference for reference's sake.

Junko's appearance in V3, like many other moving parts of V3, reference real-world fandom culture. It's appealing to both the in-universe fandom and the real one, bringing back character sprites and voice actors and poking fun at its own ridiculousness because none of it is real, none of it ever was. It was because Junko was fiction that she could do everything she ever did. Her Despair has meaning, but that doesn't mean she felt the feelings we're told she did, because she never existed to feel them. And that's the thing that lets her forever remain an enigma; she is Danganronpa's villain, and to become immortalized in Despair, she deconstructed into nothing but the word Despair, a fate that is in and of itself Despairful.

8.9- Tsumugi Shirogane

Tsumugi Shirogane is the mastermind of V3, and believes wholeheartedly in Junko Enoshima as the true villain of Danganronpa. Tsumugi is built as the fandom insert of DR, being immersed in fandom culture in every conceivable way- winking at the camera, making references to other fandoms, the love and joy of making cosplay- but also the less palatable parts of major fandoms, like her purist views of cosplay, her usage of incest as both a serious plot point and as a gag, and even does blackface when cosplaying as the dark-skinned DR characters of dr1 and 2. She's also the in-universe producer of the season. Therefore, Tsumugi also represents content creators, and how even the creator themselves can lose the plot of the character in their attempts to create what they perceive to be a compelling story.

As Tsumugi is explaining her story and why she tied it back into the Hope's Peak era, she pretty openly admits that a) she sees it as a perfect reproduction and b) a necessary writing choice in order to make it interesting. Both are false, as not only is V3's continuity in a separate world from the Hope's Peak era, but her presentation of Junko and the voice lines aren't displayed the same way Junko had acted in previous installations.

"'So... you're just a freak pretending to be Junko Enoshima, huh!?' 'No, a perfect reproduction! Perfect reproductions are exactly the same as the original.'" -Maki Harukawa & Tsumugi Shirogane, V3

She presents Junko as a singularity, the Ultimate Despair, and brazenly parades her face around as the immortal and ever-present true Despair. She's the 53rd Despair simply because her influence wouldn't allow her to fade away. She's become Despair-incarnate, but in making new games, Team DR has forgotten why Junko caused Despair in the first place. She didn't do it just to do it; she threw the world into Despair because it made her feel human to feel Despair. And yet when Tsumugi explains Junko the 53rd's plans, it's nothing but a big show, and that's exactly what a surface-level Junko looks like to the masses- a high-school girl that ended the world for fun.

Junko's games had meaning. Even when she didn't feel particularly connected to a person, like the RoD, she still brought them into Despair for a purpose. She was an analyst, and did the things she did with intention and with care. Attention to detail and careful manipulation with the face of a charismatic gyaru was her forte. But Tsumugi's so-called "perfect reproduction" is a story full of plot holes and contradictions, all caused by some need to deify Junko. In other words, as they refused to let Danganronpa go, they lost the plot, and Junko's humanity went with it in a desire to continue using her image when writing new stories. In becoming a god of Despair, her origins as a human were forgotten.

Part 19- Despair Into Tomorrow (Why We Care)

Junko Enoshima is an enigma. She is Despair incarnate, a pillar of the Danganronpa world created by her own hands, hellbent on burning herself to the ground. She's a character of poetic irony, unknown to all as anything but Despair. She was born with a perfect mind, and in trying to feel human, feel pain, feel Despair, she became permanently deified by all that she loved and all that she met, whether that was as a savior who killed a cruel world or a demon that detested hope.

At every turn, Junko's actiona are filled with malice, and yet so often that malice is directed at herself. Living in a peaceful world pains her because it leaves her bored. Anhedonia is a cruel mistress, and those who claimed to love her could never once comprehend it, because they couldn't feel the way she felt. The only thing she had that connected her in any human way to others or to herself was grief, and her entire story becomes one of self-sabotage. Despite that, though, she's not the only character burdened by anhedonia, and her self-destructive nature outstretching to the people and world around her is designed as a story of caution.

In each and every installation of Danganronpa, Junko and the other masterminds inspired by her fail because of their key difference in connections. When Makoto appeals to his classmates, they're reminded of their own desires to live and their love for each other- Hina's memory of Sakura, Syo's love of Byakuya, Kyoko's and Byakuya's love of Makoto himself. The same can be said of when Hajime chooses himself, to fight for himself, and is inspired to do so by Chiaki. Every other survivor has someone that inspired them to live for themself- Peko, Nakomaru, Gundham, the people around them. When Komaru is saved by Toko, it's because she took the time to connect with her and with Syo, and that love saved her from destruction. When Munakata gave up hunting Makoto, it was because of his love for Chisa. And when Shuichi declared he wouldn't vote, it was so that Maki and Keebo wouldn't be forced into sacrifice of a system that would hurt them over and over again.

Junko had connections. Junko had people she loved. Junko had another half. But she burned them one by one, until there was nothing left but her, and then she burned that too. She's a villain even to herself, and she knows it. She feels Despair upon Despair and even then can't regret it, because she wouldn't let anything else touch her heart besides it. It's an inherently self-fulfilling prophecy to only feel Despair, because in order for that Despair to exist, she must have felt love first. But she doesn't acknowledge her love and her vulnerabilities because she believes those fall under her 'factory settings'. Comfort is boring; safety is boring, and boredom was her enemy, an enemy second only to herself.

Junko's actions stem from a deeply embedded self-hatred. She was too smart and too comfortable, and so her boredom became everything she was. She believed the lie she told herself, that pain and grief and Despair was the only answer. Don't be like Junko. Don't believe the lies you tell yourself. Even in an unjust world, you can try to make things better without making them worse. Feel your Despair and let it go. It is okay to let it go. You are still human, no matter what image the people around you have, and to be seen, you must first be vulnerable.

Afterword

JESUS FUCKING CHRIST IT'S BEEN OVER 5 MONTHS. I made jokes and gags about 'getting this out before 2025' but I didn't think that would actually end up as my deadline. Holy fuck.

Junko's analysis is by far the beefiest I've done so far, and very well could remain the biggest one in this entire series of analyses (I think Kyoko, Makoto, and mayyybe Chiaki or Hajime might get close, but otherwise? Those are def gonna be the big 5 though) But hey, that's what being the mastermind of the franchise gets you. In retrospect, Junko probably should've been the grand finale, not part 5/17 of this series' part 1, but whatever. I'll save that grand finale for Kyoko instead

This will probably be the most controversial analysis I put out, alongside the eventual Mukuro one. I know people are, uh, divided on their relationship, but I did my best to stay objective and look at it from an unbiased viewpoint for what they offer narratively and its effectiveness. And I hope people are able to see that. Just in case, though, I'm gonna have anons off for a bit until whatever circulation this post gets dies down lol

Honestly, my perception of Junko has changed so much over the course of these past several months. It's not like I didn't like her before, but she's morphed into one of my favorite villains in all of media after this. This girl just cannot fucking die, no matter how much she wants to, and I think there's something so deeply compelling about a villain that wants nothing more than to self-destruct and burn the world with them, especially if you've fallen into a depressive state like the one she's in before

Good news, though! The next analysis set is Hifumi's, which means it won't take nearly as long as this whopper of a tumblr post! I'm actually very eager to deconstruct him, so hopefully we can go back to the summer days where I was able to crank out an analysis after 2 weeks. Please, god, can we go back to the summer days where I cranked out an analysis after 2 weeks

Catch ya later! :P

[pshbites]

enhypen as pro athletes

genre ⇢ reactions, imagines, wtv u wanna call it

wc ⇢ 200 ish per member ? idk

warning(s) ⇢ profanity, loll smth else?

taglist ⇢ @wensurr @nshmurarki @blvengene @sirens-dreams @mimismenu

a/n : erm i should be studying for my chem exam but that can wait 🙈

if you liked this please be sure to reblog and like this! feedback is always apreciated <3 and join my perma taglist here

HEESEUNG… basketball player

- major troy bolton vibes

- he’s got tunes AND hoops

- god forbid you’re at a park and he sees a court

- “this one’s for you baby!!” *misses*

- all jokes aside he has that nba player aura to him

- DEFFF a d1 college athlete who then went pro

- always blowing a kiss to you in the crowd

- TROOOOYYYYYYYYYY

- he would try teaching you how to play but then get frustrated because he’s so passionate

- he’s just good at basketball and he can sing that’s what he brings the table that’s all he got!!!!

JAY… f1 driver

- lol did i give my bias my fav sport… MAYBEEE

- lewis hamilton and max verstappens love child

- oh and he’s a red bull driver

- fashion ICON. always pulling up in the paddock best dressed

- serves cunt on the streets

- he would be a menace whenever you two go go karting.. leaving you in the dust i fear

- you’ll never catch him below p5

- those sassy radios

- you’ll always catch him being snarky on the grid and off the grid

- akshully, he would tweet like lewis in 2014

- “he’s sitting in the middle of the road doing nothing”

- always blowing a kiss to you when he’s on the podium

- the alchemy by ts “where’s the trophy and he just comes running over to me”

- oh he’s looking for you the second he’s out of that car

- he would single handedly bring back red bull dominance

- picturing jay in a red bull uniform.. it’s heavenly.

- sigh i need someone to write f1driver!jay

JAKE… soccer player

- this was a given

- HE PLAYS FOR REAL MADRID NO QUESTIONS ASKED.

- him & that team would get along tooooooo well

- constantly posting q&a on instagram

- this un media trained king

- always mentions you no matter what

- “how are you feeling for the next match?” “great.. so my gf-“

- first thing he’s doing after winning is pulling out his phone and filming

- “LIVE REACTION TO THE WINNING GOAL” and it’s a 25 sec clip of him and güler running around the field.

- his insta story is such a struggle to get thru bc it’s either clips of him and the team on the private jet or a ton of random ass q&as

- “what’s your plan for the next season?” “idrk but today i had waffles for breakfast 😍”

- his interviews are always the most entertaining bc he just says anything

SUNGHOON… hockey player

- this is because i can’t just do a freebie and give him ice skater 😞

- BUT HE DID PLAY FOR THE HOCKEY TEAM WHEN HE WAS LITTLE!!

- he’s not like the other hockey men tho, not overly aggressive

- he’s actually calm when he isn’t annoyed about losing

- one thing about him, he will drag it through the mud if he gets in the penalty box

- kicking ice and everything 😭

- lowk i see him as the teammate who isn’t very public with his personal life

- only time people see him smiling with 50 teeth is when he’s with u

- thinks of his job as more of a hobby

- “so what interested you in ice hockey!” “i was bored…”

- deffo plays for the national team

- just the most nonchalant person there

SUNOO… tennis player

- now hear me out

- blonde sunoo = art donaldson

- LIKE WOAHHHH!!!

- once again on the national team FOR SURE

- does not play when it comes to tennis (idk anything abt tennis 🤣)

- WILL huff and puff if it’s out

- SO sassy

- like side eye when they’re sipping water and changing rackets

- cannot play duos for the life of him

- but he’s GOOD

- nicest person ever out of the field tho

- interviewers love him because he knows how to appeal to fans

- cannot be mysterious for the life of him

- his insta posts are either him or pics of you AND him

- he actually hard launched you on his insta

JUNGWON… swimmer

- i mean,,, have u seen that body???

- the way he dances helps out a lot because he’s very flexible

- oh he’s for sure on the national AND olympic team

- i know a body of water hate to see him coming

- you two could be at the beach and suddenly he’s doing all this fancy shit

- likes to brag about how long he can hold his breath underwater

- like a child “look look! 30 seconds” like yes baby you go!!!

- his personality switches when he has a swim meet though

- literally rbf EVERYWHEREEEE

- the second he’s out of the water tho he’s back to normal

- unfortunately he isn’t a pr nightmare

- too media trained for his own good

RIKI… baseball player

- he’s gonna be eating that dodger dawg 25/8

- idk anything abt baseball so bear with me

- bro is locked in for every single game

- and you alr know he’s in the mlb (america RAHHHH)

- i think he’d play for the yankees

- riki belongs in nyc we know this

- a pr NIGHTMARE.

- his managers hate to see him coming bc he’s just doing anything

- “what do you think you could’ve improved in the last game?” “nothing i’m amazing shut up”

- he doesn’t take anyone’s bs

- not even his own teammates r safe from him

- his social media is full of goofy ass posts or posts that you collaborated with him on insta but it’s only aesthetic bc it’s from your page

- lowk i think he would occasionally posts those pics like he does on weverse like just insane amt of aura in one pic

- probably has a streaming account in this universe too

- “can we hurry this session up i have to stream at 7 😑”

- part time mlb player, full time twitch streamer actually

[aciddrattboyy]

hesitation !

friends to lovers ! friends to lovers! friends to lovers ! or bachira has been your friend since childhood, and while he cant deny his romantic feelings for you now that you were older; you certainly try to deny yours

bachira x f! reader ☆ fluff, eventual smut, eventual angst(maybe) ☆ wc: 2.9k cw: sex jokes lol what else do college boys do a/n: ah i had sooo much fun with this, i think when i write i try to do it in a more traditional way so it was lowkey freeing and fun to get out of my comfort zone and get a bit silly also the frequent kunigami appearances are from my love for him as well he's my 2nd fav bllk character also also theres a very small very unimportant reference to a song somwhere in here and im interested to see if anyone will know it

pt: 01 || pt. 02 || ...

☆

the door to your apartment swung open with a bang, there stood meguru in the entrance, standing proudly with a plastic bag.

“oh honey i’m home!” his sing-song voice got a middle finger from you and a groan from isagi, nagi, and kunigami. the four of you were sat on the floor, table moved out of the way to make space for the project the five of you were working on. 

“meguru what did i tell you about playing house in my apartment,” you said sarcastically. you weren’t upset over your friends long running joke. you were annoyed that it took him near an hour to grab supplies from a dollar store. 

“you said we could only play when we were alone in your bed,” megumi gave you an animated frown, shaking his head as he closed the door behind him. your eyes bulged at his comment as kunigami choked on his water. meguru yelped as you threw a pillow at him in retaliation, ignoring your threats as he tossed the bag on the ground next to you before heading to the fridge. 

“guys we’re not fucking,” you said to the three other men sitting across from you. isagi was too busy helping kunigami recover to really be listening and nagi preoccupied with whatever game he was playing on his phone. 

“of course you’re not bachira is the biggest virgin i know,” nagi stated as fact, eyes never leaving his screen.

“hey!” megurus interjection from the kitchen made you laugh, only to be cut short when meguru ran to grab the pillow you previously threw at you to absolutely chuck it towards the back of your head. you shot him a mock glare before turning back to the project at hand.

“okay no more talk about megurus virginity- we need to get this done before i pass out from exhaustion,” meguru hummed in amusement, grabbing your last can of soda before presuming his spot between you and kunigami. 

“well we could’ve started about three hours ago if you werent asleep,” kunigami said, shooting you an annoyed glance before rummaging through the bag meguru had tossed. 

“i was tired,” you defended yourself, squinting your eyes at the orange haired man.

“yea she was tired,” meguru came to your defense, but it sounded more like he was mocking you. ignoring megurus presence all together, you open up your laptop, looking for the criteria for this obscure project.  

“what even is the project anyway,” nagi spoke from behind his phone, earning alarmed stares from everyone else. it took him a minute to even notice eyes were on him, the newfound silence being what gave it away. “im just kidding,” he said in hopes of calming all of you down, even setting his phone aside to pretend he was analyzing the supplies. 

“we’re doomed,” isagi said shortly, running a hand through his hair. 

“why are there trojan condoms in the bag,” kunigami damn near shouted. you all turned to meguru who just sat there with a dumb smile on his face. 

“i told you guys y/n said we could only play house alone in her-” you pushed your hand into his face, knocking him over. “i was joking, the condoms are for the project.” he stated simply, seemingly unbothered by the scrutinizing looks you all gave him. “what its supposed to be about human nature right? whats more human than sex?” he shrugged his shoulders, looking at you guys as if you were the weird ones for not understanding. 

“we’re not using that,” isagi said quickly, shutting the idea down entirely.

“no no he’s on to something,” nagi mused, enjoying the slightly chaotic energy in the room. meguru blew a kiss at nagi, happy someone was backing him up. “i change my mind,” nagi immediately says, staring a meguru with a blank face before picking up his phone and continuing his game. 

“how about we just work on it tomorrow,” you offered lightly, furrowing your brows in concern when isagi gasped as if you just suggested they sacrifice a new born baby and use that as the project. 

“im not getting a zero on a fucking posterboard project by working on it last minute,” isagi murmured, snatching your laptop to look at the assignment himself. 

“well we’re obviously not getting anything done now. maybe tomorrow we’ll all be a bit more… put together,” to be honest, you just didnt feel like working on it right now. your sleep schedule had gotten worse than usual and you had, no offense to them, more important things to work on. this small community project was on the bottom of your to-do list at the moment. isagi and kunigami glanced at each other wearily, seeming to be the only two people who actually cared about getting it done. “or me, nagi, and meguru each pay you 30 bucks for you guys to do it,” you took advantage of nagi’s selective listening to make that offer and was extremely relieved when meguru didnt object. “and i give you my amazon gift card and let you use my prime account to buy actual supplies,”

“okay deal,” isagi nodded, also aware of nagi not really agreeing. but since he was silent, that was complacency by default in his eyes. giving you your laptop back, isagi got up, followed by kunigami as they grabbed their stuff and the flimsy posterboard that sat empty for the last two hours. 

once isagi and kunigami said their goodbyes, you got up from your spot on the floor, making your way to the kitchen with the intent of making lunch. 

“honey could you be a dear and make me a sandwich,” meguru asked in a mocking tone when we saw you grab a loaf of bread.

“go fuck yourself,” you responded, searching through the fridge for anything that looked appetizing. megurus exaggerated noise of despair is what brought nagi out of his game, looking at meguru with pure judgement. 

“you’re so loud,” he deadpanned, before noticing that two of his friends were no longer there. 

“they left,” meguru said, completely ignoring nagis critique. nagi took that as a cue to leave considering isagi was his ride. with a quick goodbye to you and megumi, nagi was rushing out the door, trying to call isagi and praying they hadnt left him.

now it was just you and meguru, with him sitting on the floor of your living room as he watched you try to concoct a meal. you sighed from behind the kitchen island, making a mental note to remind your roomates that you guys desperately needed to go grocery shopping. 

despite the banter, you had no qualms with meguru staying behind. he was your closest friend, having known him since elementary school. it was a happy accident that after being separated for years, you somehow ended up at the same college. 

“stop telling people we fucked,” you said absently as you search your cabinets when you heard meguru make his way over to the kitchen. 

“whats wrong with that,” 

you shot him a confused look before turning back to rummage through your mostly empty cupboards. 

“we havent?” your voice echoed slightly as you peered in, standing on your toes in hope a four course meal would materialize on the shelf.

“well we could change that,”

you pivoted on your heels being met with a similarly shocked face from the guy who just said those exact words. you shook your head, chalking it up to another one of his jokes.

“stop joking like that,” you pressed your hands onto the counter, desperately trying to come up with something to eat. you were starving. 

“it wasnt a joke,” megurus face made it seem like he was more shocked by his response than you were. quickly turning away and trying to act busy looking for his phone, meguru left you wondering if he was telling the truth. your face grew warm as you really thought about your words. he was your childhood friend, you missed a few years of his life but it was apparent now that he’s grown up well. 

fortunately, or well unfortunately for you, your stomach grumbled loud enough to get you out of your thoughts. you took it as a sign from your body to not entertain the idea of fucking your best friend any longer.

“if youre here for food im sorry to disappoint,” you were trying to cut off the last conversation, turning it to something easier to talk about. 

“no i’m here for you,” he looked at you as if that much was obvious, and it was a bit disorienting. you were used to his crude humor and blunt speech but this was different. you guys were pretty comfortable in your friendship up until this point, at least thats what you thought.

“well im about to go get something to eat,” you averted his gaze, grabbing a hoodie and slipping on your shoes. meguru followed suit, a bright smile on his face as you rummaged through your pockets for your keys. 

“yay dinner with the missus,” you rolled your eyes, trying to hold back a laugh as you opened the door, feeling him follow behind you.

⭑.ᐟ

2:12am kunigami !!: absolutely slumped 2:12am kunigami !!: [sent 1 attachment] 2:13am pinky boy: y/n's gonna kill you when she sees that 2:15am kunigami !!: ill survive trust 2:16am ultimate gamer: theyre def kissing on the side

⭑.ᐟ

you were knocked out on kunigamis couch, a small gathering amongst friends turned sleepover once someone(reo) brought alcohol. you were curled into the corner of the couch, a blanket drapped over you. now that alone wasnt anything out of the ordinary, not something kunigami would risk getting his eyes gouched out for a singular photo. it was the fact that your head has resting on megurus lap. his head rested on your hip at what looked like an uncomfortable angle as he slept. 

there were jokes and side comments about you two secretly dating and you were always the one to deny them, meguru stepping aside and pleading the fifth every time. but the current state you were in was just another piece of evidence to confirm your friends suspicions. 

the night was basically over at the point, most of the other people either leaving or grabbing blankets themselves. 

what woke you up hours later was the smell of breakfast cooking. having been living off of instant ramen and takeout for the past couple weeks, the smell of a home cooked meal practically made your soul fly over to the smell like a cartoon. 

your eyebrows twitched as your hangover made itself known. with a groan you shifted on the couch, for the most part remembering where you were until you realized whatever ‘pillow’ you were laying on felt weird. your eyes shot open and you were met with a calm meguru scrolling on his phone. realizing you were laying on his lap, you shot up, swirling your head as you surveyed your surroundings. 

kunigami was in the kitchen, flipping something over the stove while wearing the stupid ‘kiss the chef’ apron meguru had gotten him as a gag secret santa gift. you tossed the blanket off of you, not awake enough to form words let alone coherent thoughts. 

“hey im cold,” meguru said with no real annoyance as he reached over and grabbed the blanket, putting on a show as he tossed it over his legs. 

“my head hurts,” you mumbled, bringing a hand up to shield your eyes from the bright light. meguru wordlessly reached for the bottle of advil on the coffee table, grabbing his water bottle you gifted him and handing you both. you mumbled a thanks, before tossing the pills into your mouth and absolutely chugging the water. your hand patted the couch cushions around you, looking for your phone.

“its charging in the kitchen,” meguru said without looking up from his own screen, earning a snicker from kunigami who watched the whole situation unfold. you wanted to shoot daggers at him via your eyes, but alas the searing pain right behind them rendered your temper useless. plus he was cooking breakfast and whether or not he was cooking just for himself, you planned to try to snag some. 

getting up from the couch you felt meguru lift a hand to your hip, helping you steady yourself. its something you wouldnt normally bat an eye at, even thanking him for the help. but now that kunigami was staring at you it felt different. 

averting kunigamis ever intensive gaze, you grabbed your phone from the kitchen counter. scrolling through your notifications. not much stood out and you were going to put your phone back down and let charge a little longer until meguru spoke up, much to kunigamis dismay. 

he knew youd see the picture eventually but would have preferred if you werent where his knives were when you did. 

“kunigami sent something funny in the group chat,”

“youre getting no pancakes,” kunigami shouted at megurus betrayal, pointing the whisk in his hand towards the giggly boy on his couch. you looked at kunigami and then meguru, and then kunigami again with raised suspicion. keeping your eyes on the orange-haired man, you unlocked your phone, scrolling through unimportant messages until you found what meguru was definitely were talking about. 

there you were, napping with meguru and looking completely at peace. you felt your cheeks warm as you read the following messages, squinting at kunigami. luckily for him, you were tired and in too much pain to do anything drastic.

“i’ll give you meguru’s pancakes if you let me live,”

⭑.ᐟ

3:34pm loser </3: can i come over 3:40pm you: im out rn 3:41pm loser </3: out doing what...... 3:43pm you: eating lunch with my mom 3:43pm loser </3: tell mom i said hi 3:47pm you: she said to stop bothering us while we're eating 3:48pm loser </3: UR LYING 3:48pm loser </3: ill text her and find out myself . 3:48pm loser </3: gmfu 3:49pm you: since when do you have my moms number 3:51pm you: STOP TEXTING MY MOM

⭑.ᐟ

“i swear to god if you drop anymore popcorn i will end your life,” 

meguru paused as he was lifting a handful of popcorn out of the bowl, eyes flicking from yours to the ball of popcorn in his hand that was threatening to spill out between his fingers. he blinked twice before quickly shoving the kernels in his mouth, chewing obnoxious and smiling around his stuffed cheeks. 

you stared at him with a glare that carried no anger before turning your attention back to the screen. you had forgotten what you were even watching, bachira having insisted on playing some obscure movie he watched a youtube essay about. 

“can you make some more,” megurus voice was muffled from the sheer amount of popcorn in his mouth, but you understood when you pushed the bowl your way. you shook your head, shoving the bowl back towards him.

“you ate most of it, you can go make more,” you listened to him loudly swallow the last of the popcorn in his mouth before pouting at you. 

“i dont wanna miss the movie.”

“pause it,” 

“no that messes with the vibe,” 

you rolled your eyes, getting up from your couch and taking the bowl from him. walking into the kitchen you grabbed a bag of popcorn and put it in the microwave, leaning over your kitchen island as you waited for it to finish. 

you looked at meguru, he seemed interested in the movie, watching intently. he was pretty, you couldnt deny that. and the way the light from the tv played on his face only added to it. his hair had grown since the last time you saw him before college, the yellow tips just passing his shoulders. a wave of emotions ran through you as he laughed at whatever was happening on screen. he was so sweet, you liked being around him no matter how chaotic it was. you were comfortable around him and you wouldnt trade the relationship you had with him for anything. 

the beep of your microwave and the slightly burnt smell of popcorn brought you back to the present. pouring the popcorn in the bowl, you made your way back to the couch, handing meguru the bowl and plopping back down onto the couch. 

“its burnt,” meguru pointed out despite getting ready to shove another handful in his mouth. you shrugged your shoulders, grabbing a pillow and laying against the arm of the couch, curling into a ball.

“you shouldve made it then,” meguru looked at you, your eyes already back on the screen. there was a sort of airy smile on face, enjoying your time together. he wished youd lay on him instead of that godforsaken pillow, but he would take what he could get. unlike you, he had words for the feelings he had towards you. he was in love with you. and while you were adamant on denying any dating allegations he didnt let it bother him to much. when it came down to it, meguru could be satisfied with just being a friend. he wasnt selfish he’d like to think. he was grateful you liked him at all, it was no problem for him if those feelings were platonic or romantic. but a boy can dream. 

i hope you enjoyed !! reblogs/comments are very appreciated <3

[pyrodolls]

YANDERE! RE2 LEON KENNEDY X READER

WARNINGS: stalking, sub leon, ooc leon, slightly nsfw but not smut, leon is a creepy masochist, kidnapping, no use of y/n or name, gender neutral reader, not proofread bc it's 2 am for me rn

SUMMARY: you were never very close to leon, but you harbored some feelings for him. but your entire view on him changes when you get invited to his place and you find out how he truly feels about you...

A/N: remember when i used to be a havik account? good times. also it's been a hot minute since i played re2 so if it's ooc i apologize.

leon thought you looked so pretty in your sleep. you looked completely peaceful and unbothered. your bedsheets covered your entire body except for your ethereal face, which he could stare at all day. the moon provided a dim glow through your window, giving leon a clear view of your entire bedroom while you slept. sure it may be creepy or a bit stalker-ish of leon to watch you sleep, but he couldn't help it! you were just so irresistible. if only you knew how much he loved you, and how he was capable of protecting and providing for you. he has the potential to be the best boyfriend to you. but you didn't even know him that well, and he was fully aware of that fact. so that's why he suddenly got an idea while he watched you sleep that night. it was a brilliant idea. he could invite you to his place and gain your trust! leon didn't want to waste any time, so he would immediately ask you first thing in the morning.

when you woke up that morning, you got a call from leon a few minutes after you got out of bed.

"i know it's a bit early in the morning, i hope you weren't sleeping... if so, i'm really sorry. i mean, i didn't know when to call you because i didn't want to bother you but at the same time i just really wanted to ask you something." leon rambled.

"no worries, leon. you could never bother me. besides, i just got out of bed. this was so perfectly timed, it's almost as if you memorized my sleep schedule." you joked.

"oh, yeah, that's crazy. imagine that," leon chuckled nervously. "um, anyway, i was just thinking... would you like to come over to my place later? i just thought that we know each other a little bit, but i'd like to get to know you more, since i think you're pretty cool and stuff, so, uh, yeah..." he trailed off, waiting for an answer.

upon hearing his proposal, you lit up in excitement. you always thought he was cute and wanted to get to know him, but you were too nervous to make the first move. this was a great opportunity.

leon was nervously fiddling with his fingers as he waited for your response. the longer you took to respond, the more his anxiety grew. he could feel the sweat forming on his skin and his chest tighten. what if you weren't interested in him in that way? was he being too forward? were you too busy?

you took a deep breath before you finally responded, mustering up the courage to say something. "i'll visit in a couple hours. i'll see you then, leon." you responded quickly, hanging up the phone and getting ready to see him.

leon's heart almost jumped out of his chest when you finally responded. he dropped his phone and immediately got to work, cleaning his place and hiding the pictures of you sleeping and your old clothes in a box under his couch.

he worked very hard to tidy everything up, wanting it to be perfect for you. only the best for you.

when he finished cleaning, he sat on the floor in front of his door like a puppy waiting for its owner. he patiently waited for you to knock on the door and come in, even though it would be a couple more hours until you arrived.

after a few hours of leon not moving a single inch, you finally arrived. as soon as your knuckles grazed the door to knock, leon swung it open with superhuman speed.

"thanks for coming! i hope the weather wasn't too harsh on you." leon greeted, stepping aside to let you in. he didn't actually know if the weather was harsh or not, he just said the first thing that came to his mind to start a conversation with you.

"thanks... and uh, the weather isn't bad at all. it's just a bit windy." you responded, awkwardly standing by the door.

leon was trying his hardest to act calm, but his heart was racing and he could feel his palms getting sweatier and sweatier. you were standing right next to him! and you were alone together! he could've just died right then and there. instead of watching you through your window, you're right in front of him! instead of breaking into your house and stealing and sniffing your clothes, he can just smell you right by him! he was in heaven.

for a couple hours, you both spent time together by watching movies and chatting, getting to know each other more and more. leon even ordered dinner for you both, and somehow he got your favorite food, and he claimed it was just intuition. it didn't even feel like hours had passed, since you were both enjoying yourselves.

"so, uh, do you like this movie?" leon awkwardly spoke up, as you both sat on the couch in front of his tv. you simply smiled and nodded, too tired to respond. it was a random film that you weren't familiar with, and you watched it in silence next to him. you were both clearly tired after that long day, but leon didn't want you to leave just yet. so he started awkwardly starting new conversations or asking you questions, hoping to keep your attention on him. he loved the amount of attention you already gave him that day, and he was still giddy that you agreed to visit him in the first place. all he needs to stay happy is for you to look at him. but you were literally sitting on his couch and spending time with him, and it just made him so overwhelmed with joy. it gave him hope that you could work as a couple someday, and you would never know about his unorthodox antics to get to this point.

or at least that's what he thought.

at some point, leon excused himself to the restroom and left you boredly swinging your legs back and forth on the couch. but you felt your leg kick something hard underneath the couch. when you decided to investigate, you found a hidden box. curious as to why it was hidden, you decided to open it and look inside.

big mistake.

you found some old clothes and underwear that you thought you lost, pieces of your hair, various pictures of you sleeping, a few grocery lists and paperwork that you thought you threw away, and even pages ripped out of leon's journal describing his dark fantasies of you. some of it had some mysterious white stains on it. it was disgusting, and it made you sick to look through it. you thought leon was just a cute sweetheart, but it turned out he was a stalker and a creep. you were so shocked, that you didn't know what to do. should you run? call someone? but it was unsafe, because he clearly knew your address and a lot of your personal information. you had no idea what to do, so you stayed frozen in shock.

when leon returned, he saw the horrified look on your face and saw the box in your hands. his heart dropped. you knew his secret.

"shit. oh my god, uh, it's not what you think. i swear, i just, uh, fuck..." leon stammered, dropping down to his knees in shame.

"what the fuck is this? how long have you been stalking me, you fucking creep?" you yelled, standing over his shaking form.

"haah.. i... uh.." leon seemed to be breathing weirdly, and you weren't sure if it was out of anxiety or pleasure.

"and this," you picked up one of the pages from his journal and waved it in front of his face. "what the fuck is this? you are so fucked up... are you in love with me or something? or is it just some weird ass sexual obsession?"

"i.. i do love you! of course i do! this isn't how i wanted you to find out, but i really do love you! please don't take it the wrong way. i don't want to hurt you, i just want to be with you. i want to feel you and- and spend every waking moment of my life with you.. please don't hate me." leon begged, grasping onto your leg pathetically.

"you're sick in the head. and you're nothing but a pathetic stalker." you scoffed. all the trust and affection you had for him went out the window after you opened that box. there was no way he can get your trust back. hell, you were willing to cut contact with him and move to another country at that point.

"fuck... okay, maybe i am.. but, uh... shit." leon struggled to get his words out, as he felt aroused by your degradation. he never thought it would feel so good to have you yell at him. he could barely even speak, it just felt euphoric for you to scold him for his actions. you expected him to panic, but he seemed to have mixed feelings about the situation. he was still horrified that you discovered his dirty secret, but he had stars in his eyes the more you screamed at him.

"oh my god... you're a masochistic freak, huh? you like it when i yell at you? god, you're so fucked up." you spat, grabbing his collar and lifting him up to your level.

leon whimpered at the sudden contact, not responding to your degredation and simply squirming at your touch.

you sighed. "are you going to explain yourself? or are you just going to keep babbling nonsense?"

after getting no response, you dropped him and started to grab your things and leave.

"i.. i love you so much!" leon blurted out. "please don't leave! i promise, i can make it up to you! i'll do whatever you want! i can uh... i can provide for you! you won't have to lift a single finger for the rest of your life! and uh... i can cook and clean! sort of. i'll learn how to take care of you. i'll show you that i can be a good boyfriend if you let me! please, just love me! i did all these things for you and i promise i will stop if you want me to! please, don't leave."

leon stood in front of the door and desperately held you in place, not wanting to let you leave.

if you chose to stay, leon would be overjoyed. he would keep his promise and make it up to you, spending the rest of his life protecting you from harm and doing anything to keep you happy. your well-being is his number one priority, he'd make himself look like a fool if it meant getting a smile out of you. just let him love you. you don't need to give him anything in return!

if you chose to leave, leon would be a sobbing, sulking mess for about an hour or two before he decided on what to do. he still had all of your information. he knew pretty much everything about you. he would probably do something to force you into being with him, such as faking your death and kidnapping you. you have nobody else now. you have to be with leon now. he is the only one that still loves you and will keep you happy. even if you're mad at him now, he has hope that someday you will warm up to him and be willing to have a relationship with him. he'll wait patiently for that day to come.