#all i do is theorize

[luckyratty]

"Well, he did say he wanted me to be the villain. Maybe he should be more careful with his wishes."

Damien knows that once he does this he will never go back to being himself. I think Dark remembers being Damien, just as he remembers being Celine, and just like he remembers whose body hes currently in. But he is no longer any of those- hes not Damien, hes not Celine, and hes certainly not his body.

Darkiplier was probably a name originally given by Mark, but Dark has took it an made it his own just as he has every other part of his existence.

Something that i think really emphasized my point in AHWM and ISWM and colors.

What colors are Celine and Damien?

Celine is always associated with the color red and Damien with blue respectively. Taking this into consideration it allows us to see whose emotions are more in control of Darkiplier.

Think of it as: while one thinks their in control and is the face of Darkiplier- the others emotions are the one running how darkiplier behaves.

In AHWM when we see Dark he's in his Damien form and hes glowing red.

He still has a small blue hue but most of his color and glitches are red. Obviously it is Damien in control but Celines anger is front and center, if you recall, Dark is easily agitated and extremely aggressive in AHWM.

Now this is when i get into to theory territory so from here take what i say lightly, i also dont know whats been confirmed cannon or not i just theorize and ignore mark .

In ISWM I believe wholeheartedly that Ms Whitacare is Darkiplier. Now i KNOW that sounds crazy i KNOW. But listen. What do we know about Darkiplier and the "timeline"!

Darkiplier can change his shape

that there is a point in time in which Damien is not awake or even aware of the fact that he is trapped by Celine in the Darkiplier entity

Damien being trapped is happening simultaneously to Wilford motherlovin warfstache

What do we know for certain about ISWM?

It takes place simultaneously as Wilford motherlovin warfstache

That is why darkiplier as DAMIEN is not in ISWM, however, Celine as Darkiplier IS.

Take a look at ms Whitacure, what do you notice about her?

She is basking in a blue light, and whose color is blues? DAMIENS!!!'

And her outfit? Whose does it look likes?

CELINES.

Now if theres one thing for certain about Celine is that she is easy to anger, throughout the series she is constantly snapping and people. So why would she be so kind in ISWM? Because Damien, the kind and soft hearted Damiens, emotions have taken the wheel. She may be in control but her actions are lead by Damien.

She is constantly trying to get us on the right path, when we fuck up our ending whose there to comfort us? Ms Whitacare. Celine is in complete control of Darkiplier and so she CHOOSES to look like herself, she chooses to interfere, she chooses to help us because its what her brother would do.

"Like an old friend use to say.. life is for the living."

Why doesn't Mark react to her? Because he has no idea about the Darkiplier entity yet, he doesnt know he COULD have a villain, why do you think he snaps at us at the end of ISWM? Because at this point in time we're the only thing he can think of for a villain. But once he sees Ms Whitacare, once he knows. Then he tries to get Damien, because he cant- WONT- fight Celine, but he'll relish in fighting her brother.

That is why i call darkiplier and "entity" and not a person, because Darkiplier is not Damien or Celine, he is a mix of the two and can separate himself from what they once were. He is an entity with his own volition, he is Darkiplier.

All the gaps in the Markiplier Cinematic Universe™ do make me wonder

Does Darkiplier still view himself as Damien? Or did he want to move on and leave that identity in the past?

Did he name himself Darkiplier, or was it Actor so he could have a named villain? Or is it the case that "Darkiplier" as a concept is an opposition to actual Mark himself (being selfish, conceited, etc.) and that in reality, it's Actor? What does that make what Damien ended up being?

What do you think?

[akanemnon]

We didn't even get an answer, and we never will (at least it's not determination)

FIRST - PREVIOUS - NEXT

MASTERPOST (for the full series / FAQ / reference sheets)

[rassicas]

i have one video i've been wanting to make about a certain splatoon lore topic so badly for some years now and i wanna do it soon. but every time i think about it i can feel myself going insane. there's so much i need to say. how do i structure this in a way that makes sense. does it even make sense at all. to me? god help me

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[itslilacokay]

a what if

paralleling this

[xxplastic-cubexx]

if i said i picked up this issue for anything but drunk erik i fear i'd be lying

(Wolverine (2020) #3)

[aparticularbandit]

[throwawayasoiafaccount]

‘the black bastard of the wall’ moniker is the exact opposite of the ‘white wolf’ moniker and this perfectly highlights the irreconcilable differences between book Jon and show Jon

[kai-nyktos]

what if bill is jealous of the pine family because they remind him that he doesn’t get to have a happy family because he burned them all. and ford having almost gone down the same path as him (unappreciatedly smart, weird, outcasted, and then gaining access to greater knowledge and almost destroying the world) but stops and saves his family even after all the shit that’s happened (this is the one timeline where both dipper and mabel survive, after all). he gets to be happy. they all get to be happy, together.

he must hate them as much as he hates himself, doesn’t he?

[trappedinafantasy37]

"Weeeh! I wanna recruit Minthara on a good playthrough! Weeeh! I don't like the ultimatum and want to keep both Minthara and Halsin! Weeeh! I wanna make Minthara good! Weeeh! I don't want Minthara to break up with me!" Minthara deserves more content but none of these things are at all what she needs or deserves. No, these are all things that you want for yourself, but do absolutely nothing for her. This is one of the biggest L's in the game and it will forever enrage me because I just know it will never happen.

Minthara deserves to confront Orin like all the other companions do with their abusers. She deserves to scream and yell at Orin. She deserves to cut at her the same way Orin did, make her bleed and scream in pain. Minthara deserves to torture Orin, just as she did her in the mind flayer colony. Minthara deserves the right to roll up to the Temple of Bhaal and beat the shit out of Orin with her bare hands. Leave Orin begging for mercy in which Minthara will not even give her a drop. To slam Orin down on that altar and slice her throat, offer her up as a sacrifice to the father she is so blindly devoted to.

And yes, Minthara would be afraid. She would be TERRIFIED. Despite how strong and powerful Minthara is, she is also the only one afraid of Orin. Unlike Ketheric, or Gortash, or Sarevok, she is the only one who fully acknowledges just how dangerous Orin actually is and does not underestimate her. She will walk down into that temple, intending to duel Orin with a massive disadvantage because she is terrified.

Minthara choked when seeing Orin again in the mind flayer colony. She choked when seeing Orin as an imposter, throwing her deep into the ocean of paranoia and fear. And she is so entrenched in paranoia that it actually becomes palpable to everyone around her, even you. She describes herself as paranoid, but this is the first that you actually see how paranoid she is. And she choked again when Orin kidnapped someone in camp, making her feel inadequate, making a mockery of her for being unable to protect one of her own. And every day that passes, the more and more likely that the victim is going to die and she has doubts on their survival.

At every possible avenue in which Minthara could have done something or said something about Orin, she froze in place with fear. But she's had enough. She cannot be afraid of Orin forever and she doesn't want to be. One way or another, Orin has to die and she wants to get over that fear. She needs to know that Orin is dead, for herself.

This would also make the alurlssrin confession all the more impactful. She wants to tell you that she loves you in the best way that she can because of the very high likelihood that she will never have another chance to do so. She would beg you to come with her as you give her the courage. She has the courage to face her fears and confront her tormentor, because she knows she has you in her corner. If you have the courage to stand up to the very gods themselves, then she can stand up to Orin. Romanced or not, your presence alone is enough to give her the strength to do something she would otherwise be too terrified to do.

Minthara deserves the honor to solo duel Orin in a fight to the death. Minthara deserves the right to achieve vengeance for herself. No, I do not care that this confrontation would conflict with a Durge playthrough. In fact, it would provide a phenomenal source of some interesting, and toxic, drama between Durge and Minthara. Especially if they're in a relationship. This also does not mean that Minthara killing Orin instead of Durge would not have its consequences (because it most certainly will). Even if Minthara does not fight Orin, it would be so much better if Minthara was just given the fucking chance to yell at Orin like all the other companions in their personal quests.

[alwayshere195]

I wish we got Diego and Five in the timeline subway instead of Lila and Five. The deep desire for us getting the same premise but with a different execution.

Imagine Diego going and asking why Five can't blink only to end up in the subway with him. Five reluctantly, explaining everything he knows. Something Diego isn't fully comprehending but understands.

The silly idea of Diego coming up with the timeline travel and getting stuck in the subway with Five. The possibilities of their interactions.

The idea of Apocalypse Five shooting at them, causing Diego to ask who's that. "Me, of course, who else was in the apocalypses?!" Five responds, heading back down into the subway. Diego follows, "Well, sorrrry! I thought you had better aim than that!" Five shoots him a look.

The idea of when they realized they're trapped, we hear dialog. Diego shouting that this is EXACTLY what Five wanted. Klaus was right! He is a chaos junkie!

Five, throwing his hands up: I don't know why everyone says that! I'm not. This isn't what I wanted.

Diego: You appear in your element!

Five: Of course I do! This is all I know, Diego! I got stuck in an apocalypse at 13! 13! I was trapped for 45 years in it! Besides living in it, need I remind that I witnessed it again and again and again?! But that doesn't mean I want it!

Diego: Then what do you want? Because (mocking) Need I remind, you went off to join the CIA. You barely kept in contact for the past 6 years. You-

Five: I want peace! I want silence! I want to not worry about you idiots! I want... Forget it. Let's keep looking to get out of here.

How it finally pushes these two to talk. Their relationship has been rocky but there's always trust between them. Plus, Five doesn't really open up. So for the day to come where Diego once again pushes Fives buttons but the correct ones this time to get a

Five: I'm tired, ok? I have seen you all die again and again and again. I'm tired. I tried time traveling, I tried talking, I tried murder, I've tried, and it all keeps going to hell. There's only so much before it feels impossible or that I'm the problem. Sure, Viktor caused the first three apocalypse but not those after that. Not all this (refering to the subway). Only I could come here...

Diego, sighing after hearing all this for the first time: Yeah, you are a problem. A problematic piece of shit like the rest of us. And for holding all this in like a secret to take to the grave. But you're not to blame for everything. If anyone's to blame, it's Dad.

How they grow closer and Diego realizes just how tired Five is. He's exhausted and barely holding on. It doesn't help that no one in the family ever truly thanked him. So he does. Gives Five a genuine "Thanks by the way. For spending 45 years and some figuring out how to save us. I appreciate it. I like being alive." And how Five gets quiet as thats all he ever truly wanted. A thank you.

How Diego opens up about his relationship issues and how his rants turn into frustration about it all. Him voicing how he'd LOVE "bookclub" because FUCK MAN he needs a "bookclub" too! He'd be in full support! And he wished she was more vocal about things like he is instead of playing the guessing game. And how it turns into all the things he wants to do when he sees her again. Tell her everything. Open up. Hold her. Kiss her. Be in the same love he always really had for her. Fives there supporting him.

Five finds the journal and ponders it. Keeps the information hidden from Diego for a day or two before he's caught reading it. Diego's rightfully upset but Five brings up points.

Five: I was reading it. Making sure I understood what to do before we had a talk.

Diego: A talk? What is there to talk about?

Five: What if it went to shit out there and everyone's died? What if-

Diego: No, Five. There is no ifs here. We're going back and we're going to see how things are. Worst case scenario, we go back in time and save their lousy asses. Together. Best case scenario, we see our family again. I get to see Lila and my kids again.

Five: Right...

They go back and they find out that Luther and Lila ended up going to the CIA because "My husband always talks about this place, and my brother-in-law works here. So maybe there's information." And it makes Diego's hesrt flutter.

Just... what we could have had.

[harpieisthecarpie]

Okay not to be analysis georg over Alien Stage but I adore the ROUND 7 (Till vs Luka) art that dropped recently so much. And thus I will be analysis georg

(cw: I lightly and nonexplicitly reference the abuse Till suffered under captivity, including the heavily implied sa.

This is mostly contemplating Till's psyche, how Ivan's impact on Till contrasts the aliens, and art as rebellion against dehumanization. With that comes the possible triggers of Till's story.)

Till's closeup is what compelled me to post at all, because it's a very deliberate choice that speaks to his emotional state going in, and contrasts him strongly against Luka

This is long btw

The closeup focuses on the lower half of Till's face. It draws attention to his mouth and headset mic by mimicking a camera's depth of field to emphasize the yawning space between them, while using the metallic mic as a lure. The lighting sharpens the mic while softening Till.

The emphasis on Till's mouth (and mic) is indicative of a stark emotional shift from Round 6, where crushing hopelessness left him passive and barely singing.

Metatextually, the story being told by completely diagetic music videos ties strongly to the contrast between the aliens who've made the voices of the enslaved humans a commodity and the humans who are only given a voice through song.

There's a reason why music has been used for both propaganda and rebellion throughout our societal conflicts. You can only scream so loud before bystanders tune you out; music compels them to listen.

And I think that dichotomy between authority and autonomy, between the artist as product and as person, within the universe of Alien Stage is going to be delved a lot deeper into with 7.

Till having a hands-free mic and green strap over his shoulder leads me to believe he's going to be playing guitar again. Which we've seen him use for acts of rebellion before.

I saw someone saying the headset was a sign of his isolation, but I see it as him reviving the angry hope he'd extinguished using Ivan's memory. From what I've seen, Till never seemed happy when he had a standing or handheld mic. He's a creative, hands-on guy whose art and rebellions come from when he is able to use those hands.

Drawing, guitar, fighting... there's a reason he was singularly stripped of autonomy in ways we haven't seen happen much elsewhere (that physicality reminds me of Hyuna, I wonder if Luka will notice that). The caging, bodily restrictions, and physical degradation and assault from the aliens singularly target his personhood.

Even in the closeup art there's that possessive ownership, that clear replacement of Person with Commodity. His tears (or sweat) have been pointed out and remarked upon by the aliens. Yet the shot leaves out his eyes, which are often tied to personhood in literature because of how humanizing they are. Dilation, movement, eyelid position, blinking. It's hard to look into a creature's eyes and not understand there's a mind behind them.

The aliens commodify the emotion through his tears but deny the humanity behind them. They dissociate music as art with an artist behind it, even while intuitively knowing how an artist's lived experiences can create compelling music. The aliens want their product, they don't care that art isn't just entertainment to consume. They don't recognize the power music can have. They don't value it enough to truly understand it.

I wonder if this could be analagous to anything in the real world. Hm. Nahhhhhh. ANYWAYS

Till is creating what the aliens want, but the closeup has the same color palette as when he and Ivan were running away during the meteor shower. That shine on the mouthpiece even looks like a falling star.

The meteor shower was a moment of tension. A held breath before a breaking point: you can escape or you can stay trapped, but whatever decision you make you can't ever take it back.

It doesn't matter whether Till believes his last decision to stay was a mistake, he was a different person when Ivan took his hand. And he was changed again when Ivan kissed him before making that stage his death bed. Their death bed, perhaps, since something in Till had to die in order to be revived.

And Till is the only one in that arena who has the memory of running with Ivan under a cascade of falling stars. He is the only one those colors mean anything to. The aliens may be commodifying his tears, but they have no grasp on the emotions behind them. There is something within Till they cannot take, breathed into him by Ivan.

Ivan may have believed his love for Till was shallow, but he gave it freely. One of the reasons I even ship them is because Till has spent all his life in captivity getting pieces of himself carved out by aliens trying to consume his soul, and while Ivan can certainly be fucked up... he has always lain his insides out on a silver platter for Till. Given even the ugly bits over, despite knowing they'd be disregarded.

Till was strangled more visibly for how his humanity spilled out, but Ivan had been slowly suffocating because he refused to let them free. He accepted the role as pet (entertainment product dress-up doll) to keep his humanity safe. He played into the aliens' desires because he refused to give them any parts of himself that mattered.

But he still wanted to be seen, still needed to be known, so he gave them to Till.

And now Till is on that stage again (that had eaten Sua and Mizi and Ivan), carrying fragments of his loved ones that they had slipped into his palms. Quiet moments of joy and despair and fear and love. Bits of themselves they never allowed the aliens to have, that made a home in Till.

And what is love, surrounded by an entire society that refuses to acknowledge your humanity, other than an act of rebellion?

Which I think will be very interesting to see juxtaposed against how Luka seems to be portrayed. With an earpiece seemingly feeding him information, in the cool tones evoking a memory of Hyuna, whose closeup doesn't even deign to glance at his face.

(Though- not to overanalysis georg- it's interesting we get a glimpse at his seemingly gloved fingers. And that their color palettes are both interrupted by a small bit of green. Till's by what I think is a guitar strap, and Luka's by the center of his earpiece- and its sound.)

[oceanwithouthermoon]

people who insist that things like shipping or headcanoning are bad because its "disrespectful to the writers" and you can ONLY appreciate canon things are fucking hilarious to me, like if im not allowed to headcanon anything and have to live by all canon things then i would have to accept that saiki is transphobic and kaido and kuboyasu are homophobic

[transldpdl]

LDPDL | What can the damned really say to the damned

[gojuo]

"i assure you players, it is vitally necessary to the plot that miquella is an eternally underage femboy caught in an incestuous love triangle with two of his older brothers that he is secretly planning to merge into a flesh golem he will marry"

[skaterboysavior]

arcane fandom it's been two whole minutes can we be normal about the maddie rebound.... like it's ok guys. caitvi will be ok. this is clearly not meant to be taken as a serious rival to their relationship, sometimes people just have sex. it's gonna be alright .