#all hopeless

[soryualeksi]

The West has finally descended into complete and final depravity when Doctors Without Borders can post about their medical staff being killed and people, without any shred of irony, react with "Well maybe you should release the hostages!!!!!"

[xinganhao]

🍻 svt reacts to your drunk texts.

@hopeless-foolery → "how would the members react to you cutely drunk texting them?"

⌗ ┆i too would be drunk texting svt about how much i adore them... ⁽⁽ଘ( ˊωˋ )ଓ⁾⁾

‧₊˚✩彡 includes: drunk!reader (mentions of alcohol), intentional typos, established relationship, pet names, fluff!!! yipee, slight crack, cussing, [short] headcanons under the cut.

🍻 headcanons .ᐟ

— would make fun of you ✩ jeonghan, junhui, soonyoung, mingyu, seungkwan.

svt have had their fair share of seeing each other drunk, so it should come as little/no surprise that they've got a little bit of a teasing streak when it comes to a drunk you. soonyoung beats them all out by a mile in the sense that he will demand to be drinking with you. he can't have you being the only one having all the fun! if he can, he'll roll up and drink with you until you're both drunkenly blabbering to each other. mingyu uses the opportunity to ask drunk you a bunch of the silliest questions. he'll be very serious as he tries to get you to answer the perilla leaf debate, for instance, because he thinks you're most likely to be a little more honest (and very cute) when you've got a little bit of alcohol in you. as for jeonghan, his exploitation is a lot more light hearted; he's quick to seize the chance to fish for compliments. he thinks it's amusing, how you'll get all flustered in the morning. "no take backs!" he'll claim as he basks in all your sweet words. junhui is similar in the sense that he's already taken dozens of screenshots of your drunk texts. as leverage, of course, but also for him to look back on a rainy day. one of his favorite things is finding ways to surprise you when you're drunk, because he knows you'll get emotional over a random call— or, if he can manage, a surprise visit. seungkwan teeters the line of making fun/taking care, though he often does start with an exasperated kind of joking. ultimately, he'll never be able to resist the urge to make sure you're okay. (think: the famous instance of seungkwan taking care of a drunk wonwoo.) he'll dish out all his jokes before going to find you and make sure you're all good.

— would take care of you ✩ seungcheol, joshua, seokmin, minghao, vernon.

seungcheol would be the caretaker. the moment he gets those drunk texts, he's already gearing up to take you home. he's the gentle hand at the small of your back, keeping you steady. best believe that he already has everything you need in his car's glove compartment. he loves your drunk texts, sure, but he loves looking after you so much more. vernon's more of a the-day-after type of care. he'll show up at your doorstep with a small smirk, teasing something along the lines of "you went hard again, huh?" but he also has aspirin, gatorade, takeout soup. you name it. he won't mention your sappy drunk texts, though he's also secretly taken screenshots just in case you take it back. joshua, seokmin, and minghao all have that similar instinct to make sure you're okay, no matter how happy they might be to see your cute messages. joshua will indulge your drunken babbles while 'subtly' trying you to care for yourself. if necessary, he'll coax you over video call to drink less, using the most honeyed voice ever to get you to cave. conversely, seokmin will stay up until you get home. he prefers being able to pick you up, sure, but when he can't? he'll battle off his drowsiness and will only crash when he gets that 'i'm home' text. minghao, no matter what time you catch him, will be on his feet at any sign of you having drunk one too many. it's the way he loves, after all— to love is to be burdened, but to not think of it that way.

— would be endeared by you ✩ wonwoo, jihoon, chan.

wonwoo may be a little confused, but he's got the spirit! he'll probably sigh to himself when he sees your drunken rambles. (although, if you squint, there's a hint of a fond smile on his face. a warm gleam in his eyes.) he'll let you have your fun and will occasionally shoot you well-meaning reminders, all the while keeping your words in the back of his mind. jihoon would take your words seriously. he's the kind who believe that alcohol can lower inhibitions, can incite sincerity, so he'll be more than a little overwhelmed with your sheer affection. the mere thought of you wanting to take it back would make his heart lurch. like seokmin, he's the text-me-when-you're-home type, except he stays awake for much longer just contemplating your texts and how they make him feel. and chan will try to tease, will attempt to be like his hyungs— prompting compliments, fishing for praise— but when the words sink in? when he realizes that you actually might mean what you're saying? he's so far gone, it's not even funny. he'd do anything to hear more of it. (preferably in person, which is why he's rushing to where you are asap.)

[nancywheeeler]

hopeless time loop. the way out isn’t to save everyone. the way out isn’t to save even one person. the way out isn’t to change anything. the way out is accepting how it happened the first time is how it always will be. that’s how you acted, that’s how they acted, that’s how you would have acted every time if you weren’t given the curse of hindsight. the way out is accepting you can’t fix the past; you can only forgive yourself for it.

[suratan-zir]

For the past month, russia has been bombing Ukraine with shahed drones every single night, probably detecting the location of our air defense in preparation for a large missile attack on our power grid. Or just because. And it usually lasts all night too. Air defense shoots most of them down, but, obviously, it's still scary if it's close to you. I sleep with earplugs, so I rarely hear the drones flying by or getting shot down, only when they're super close to our house. But I know whether the night was loud or not by the way my dog crawls on half-bent legs in the morning or tries to fit under the couch at night.

idk where I'm going with this. fuck russia.

[fumifooms]

People should talk about Yaad and Thistle more. Weird granduncle that killed your dad in a petty impulsive punitive act, leaving you very scared of him as you live under his control for centuries. Imagine growing up hearing stories of the King’s brother, the kind, clever, collected and calm advisor and right hand man. But only knowing him by how warped he’s become, violent and erratic. He punishes you, too, robbing you of any agency by putting you inside of a doll. And then despite, he becomes catatonic and you’re left to take care of him in his brother’s body while he thinks you’re him. And then you see those slivers of that nice caring person you heard so much about in your childhood a millenium ago, and as he babbles about Delgal thinking he’s you, recalling memories and old habits, you wonder about how things must have used to be, before, and how they’ve changed irreparably. Today is melancholic again.

Yaad being like, Thistle’s sort of great-nephew who’s lived most of his life seeing him as being out of his mind and only a mirage of the noble attentive person he once was, now having to take care of him, someone who was an older familial figure to him… Seeing him gentle, soft and unhurried after all this time spent in an emotional anxious paranoid frenzy... Yaad and Thistle post-canon is so special

[riddlerosehearts]

i feel like a lot of people seem to forget that during idia's overblot flashback scene he says his life has been set in stone since he was born, and that it hurt how other kids would get asked what they want to be when they grow up but nobody would ever ask him that. and he says he always just wanted to be a normal kid, he just wanted to be a hero and go on adventures, he essentially just wanted to be free to be like everyone else. his trauma doesn't only come from ortho's death, it also comes from feeling completely and utterly trapped by STYX and the expectations his family's curse has placed on him for all of his life. from feeling like the things that he enjoys, the things he dreams of for his future, do not matter and never have. like he's all but completely alone in the world and the fictional media he loves is his only escape from it all. he literally wanted to go with the original ortho, to die, and his response upon being told that he loves the world too much to give up on it was along the lines of "who would ever love this rotten world?". ortho had to tell him that he still had a future ahead of him, because a very significant part of his issue is that he feels like he doesn't, or at least like he doesn't have the freedom to choose a future that he'll enjoy. with or without ortho, he's spent his whole life just feeling hopeless.

[mochinomnoms]

EXPAND ON SOMNO WITH MAL.

*slides in and poses* kay

Malleus just thinks you look so wonderful and peaceful, asleep in his bed. Most of the world fears him, even the ones that say they don't still dislike him, hate at worst. But you? You have no bias to influence your perception of him. You feel warm, safe, and content in his arms. How lucky is he to have such a sweet human as his beloved?

So...he can't help but watch you as you sleep. The rise of your chest, the furrow of your brows, even the snores you let out have him enthralled with you. He's just so in love with you and your entire being, so he can't help but let wandering hands, well, wander. After all, you told him he could if he ever wanted to.

His hands are ghosting over your skin, fingertips tracing down as he watches the goosebumps grown from his touch. Malleus, dressed in loose clothing and previously prepared to fall asleep next to you, takes his place by your side to lean down and press a chaste kiss to your forehead.

Then another to the tip of your nose, then two on each of your cheeks. Then under your chin. Then he's kissing down your neck, nuzzling in as he gingerly scrapes his teeth against the pulse point, reveling in your shudder. His hands are once again wandering, slipping under your clothes to massage and grope. As he pushes your shirt up so he can continue fluttering kisses down your chest, abdomen, on your stomach, bellybutton.

Malleus watches as you whimper and murmur unintelligible whispers, though he thinks he can make out his name among those, as he leaves gentle hickies along your hips. He thinks your sleepy gasps as his hands and mouth work you for his dicks are the cutest things. And, the moan that leaves your mouth, eyelids fluttering open and closed, as if you can really bring yourself to fully wake up, as he moves his length in you, gentle still as to not disturb you too badly.

Unfortunately (or fortunately perhaps) for you, you do wake up to the image of a flushed, open-mouthed Malleus looking at you reverently as he fucks you with so much love and tenderness, that you can't help but reach your arms for him so that he clutch you against him. It's like he wants your skin to meld with his, to become one with him, to never leave him without the feeling of you.

When you're both finished, you're even more exhausted than before, but a smile on your lips as you two fall asleep in each other's arms. Though, he's still in you as you do, so take that as you will.

[jeeaark]

Let the latest patches add whatever new dialogue they write in, but Patch 0 gave me free range to ✨interpret✨ and this will forever be Greygold's canon, HA

For all intents, I did the hell heist as the last-last quest before the finale (So as to be fully prepared and supportive "finishing" babe's personal quest) AND BECAUSE OF THIS, I was tired. Greygold was tired. I was ready to beat the game. I was rushing. STEALING FROM RAPHAEL WAS STRESSING ME OUT. and I dared not go back. So even though Greygold did not want to go through with Haarlep's "game", I couldn't have picked a worse time to forget about their "always another way" philosophy Poor Half-orc was so determined not to fail Lae'zel's personal quest that, for once, ignored companion disapproval. And apparently, with Lae'zel not disapproving nakey Greygy, it looked like Babe was willing to retrieve that hammer no matter the cost either! Until Haarlep said they wanted nakey Greygy to play a "game" with them.

Babe disapproved that time. Babe, who's been cranky all this time, thought not even this way was worth getting the hammer for. Babe still cared about what happened to Greygold.

So by the gods, I happily reloaded and thankfully found a different way, HUAH. Thank you, Babe. Found out later that apparently going the Haarlep way would've suuuuucked. Saved by the babe. Thus I concluded why Babe was so cranky and can't kiss to save her life (I'm looking at you patch 6). And why Greygold's never had another hrm- pleasant conversation with Emps since the last time.

Poor sleep-deprived Lae'zel was bugged as hell killer coconut not because she was mad at Greyg, but because she'd been burning through all of her energy and affection by trying to protect Greygold from any further illithidry influence.

[lezzian]

something i really liked about TV Glow that i don't see expressed as much: it is not a cautionary tale. this film is not saying "you better watch out, you don't want to end up like isabel". this film is saying: "isabel can still be happy". which means that there is still time for you, too. isabel rejects transition because she still wants to believe that if she just ignores it, it will go away. she lives her life feeling empty inside, because she is afraid of who she is. but the story doesn't end there. she opens herself up and accepts what's inside. when you've lived your life in static there is not an amount of time that can pass at which point it's no longer "worth it" to confront who you are and start living the way you need to, to feel like a person. it is literally the final message of the film: there is still time. i don't think that's cautionary at all, i think that's hopeful

[megafart1]

Fiddauthor doodles

*leaves this politely on the floor and scurries away*

yeah. enjoy ^_^

[bigfatbreak]

more ff7/first soldier ranting. laughing my ass off that sephiroth's little dream sequence of his perfect reality involves his mommy loving him and making him his favorite food, because my poor son. wants family more than anything else. and thats it

and then Angeal has a fantasy of being in Genesis' shoes and everypony loving hiiiim and complimenting hiiiim and he's the one that invents banora white juice and he's the one that's well-read and ambitious and everyone's sooo proud of him

and im laughing my ass off bc he's had such a complex about Genesis since CHILDHOOD and has just been taking constant potshots at him struggling to find a way to knock him down a peg because of his blinding envy. yeah here's your unconditional hero everyone. mhm. yup he's the most honorable guy here. the stupid fuck who fantasizes about doing everything genesis has ever done while constantly putting him beneath himself because his pride is incandescent in spite of not earning any of the accolades Genesis worked for. yup. total team mom there

[ossidae-passeridae]

Why Acolyte doesn't feel like a Star Wars story

Here it is: Star Wars is, at its core, a story about hope. And Acolyte doesn't have hope.

An explainer:

Star Wars has been around long enough now, and spawned enough media, that it can be classed as its own genre of work. Like any genre, this means it has conventions that authors/creators need to follow and be aware of in order for their works to fit within the genre. And the core conventions of the Star Wars genre are pretty simple!

a) There is a mystical power known as the Force, which some people can use, and

b) There are two factions - light and dark, good and evil - which are constantly fighting each other, and

c) Even in incredible darkness and overwhelming odds there's always hope for a better future.

(Obviously, like any genre, there's more specific tropes as well - there's a cute droid sidekick who's probably mostly Warcrimes by volume, somehow you're on Tatooine again, if you're in a cantina you're about to get into a fight, etcetcetc)

Within those conventions, there's an enormity of stories one can tell. Bildungsromans, war stories (both gritty and otherwise), romances, there's no shortage of options.

But you've got to keep to those conventions above. If you don't use these genre conventions when you're making your Star Wars story then... you're making something else. And that fine! But at that point it's not a Star Wars story anymore and people will be disappointed because they expected a meiloorun and you gave them an orange.

Andor is the obvious comparison to Acolyte, being a "gritty" series or whatever, but if you watch it it's clear from the outset that it's unambiguously a story about hope. It's drenched in it. The entire story is working towards a victory, and the sacrifices needed to get there are rendered worthwhile by the force of that light. We understand why it's important that the characters keep trying despite their suffering, because of the hope for a better future.

Acolyte doesn't have that.

As @intermundia put it here:

it was such an angry show, resentful and accusatory, full of liars and hypocrites, showing hope to be false and trust to be foolish

It doesn't even subvert the genre; that sort of narrative would build up hope only to crush it at the last minute. It simply doesn't seem to understand the world it's in. And for an Officially Produced Show, that's... certainly a choice.

[giantchasm]

Replayed Gates to Infinity recently. I really enjoy the fact that half of the characters in it are like malevolent nihilists.

[kalashnikovlobotomy]

it's the right way, in the wrong direction!

[warrioreowynofrohan]

One of the oddest Silmarillion takes that I’ve seen recently is the idea that Beren and Lúthien had it easy.

I mean, let’s take a look at Beren’s life. The Battle of Sudden Flame hits when he’s in his early twenties. He spends five years carrying on a guerilla war against the invasion of his homeland by orcs and other evil creatures; his mother and all his female relatives have to flee, and he has no knowledge of whether they are desd or alive, or captured. There’s a strange darkness speading over the forest and turning it into something out of a horror movie, a place most people won’t even dare to go into. The band of guerillas is slowly whittled down to about a dozen people, who are hunted constantly by Sauron and his wolves. Then, while he is away, his father, his uncles, and everyone else remaining are brutally killed, and he returns to find crows eating their corpses and orcs joking about looting the dead.

He carries on an guerilla alone, against Sauron, for another several years, in the haunted woods od Taur-nu-Fuin. When he absolutely can’t last any longer, he crosses the most horrifying wasteland in all of Beleriand, where the only water present is poisoned and turns you mad, filled with evil spiders and who knows what other creatures. He’s in his early thirties but he’s been through so mich that he looks like an old man. He has lost literally everyone he has ever known; he does not know if any friend or relative of his, anywhere, is still free or living.

Then he meets Lúthien.

When he leaves Doriath on the quest of the Silmaril, which every sane person in Beleriand knows is laughably impossible, he goes to Finrod, the one person he can hope for any assustance from. Finrod has an entire realm; I don’t think Beren is any expectation that Finrod will go with him personally. And what happens? The king of the largest remaining kingdom in Beleriand besides Doriath is overthrown by his own people at the instigation of Celegorm and Curufin and left with only a few loyal people around him. All of whom then die torturously in the dungeons of Sauron, followed by Finrod’s own death saving Beren.

On top of everything else he’s been through, on top of spending several months in despair being tortured in Sauron’s dungeons, the survivor’s guilt that Beren must be feeling is extreme. Even after Lúthien rescues him, it takes him a while to recover. And he still hasn’t made any progress on the quest itself!

Then they’re attacked by Celegorm and Curufin – the people who bear a substantial amount of respinsibility for the death of Finrod and the Ten, the people who very deliberately abandoned them all to due and coerced all Nargothrond to do the same, and the people who kidnapped Lúthien and attempted to force her into marriage – and they try to kidnap Lúthien again, and to murder Beren.

The fact that Beren does not kill Curufin in that moment is a deed of extreme moral fortitude. The difference between Beren and Lúthien compared with many of the Finwëans isn’t that they don’t face temptations, or that their choices are easy, it’s that they overcome those temptations.

So. Beren spares Curufin’s life at Lúthien’s urging and Curufin immediately tries to murder Lúthien; Beren jumps in front of the arrow, is severely wounded again, and for the third time since they met Lúthien gets to work healing him. Virtually all of their time together has been spent with Beren recuperating from physical injury, psychological injury, or both.

And as soon as Beren recovers, he walks away from the one person who loves him who’s still alive, and prepares to rob the gates of Hell, alone. Because Beleriand is dangerous, and as long as Lúthien is with him and therefore unable to go anywhere safe, she will be in danger from both the servants of Morgoth and the sons of Fëanor. And even if there’s a virtual 100% chance that him walking into Angband will lead to him being slowly tortured to death, that’s a better option than the one person he has left getting killed or, worse, captured, because of him.

And then she goes with him anyway. And beyond all hope they actually succeed in getting a Silmaril - and then he immediately loses it, and his hand, to Carcharoth, and it was all for nothing.

And for the fourth time since Lúthien met him, he’s near death and she’s desperately fighting to heal him and kerp him alive, while she’s exhausted to the point of collapse. And this is the moment when she gives up and goes back to Doriath, because that is what has the best chance of keeping Beren alive.

And then, at last, a ray of hope – Thingol looks at all they’ve been through and says, fine, you crazy kids can get married. And they’ve scarcely been married yet when they learn that oh, it’s not over, Carcharoth is rampaging through the land killing people and this needs to be dealt with. And Beren, even after everything, insists on going. (Because, hello, survivor’s guilt! he probably feels that this is his fault for, uh, getting his hand bitten off.)

(The fact that the Silmaril was, for a time, inside a wolf and outside Doriath, and Celegorm, noted hunter, never got near it, is, okay, rather amusing to me.)

And then Beren dies, saving Thingol, because he knows deeply what it feels like to lose his family and he’s not going to let that happen to Lúthien. And she loses him instead.

Now let’s shift to Lúthien’s point of view. Since her first meeting with Beren she has been betrayed by literally everyone she knows and everyone she meets except for Beren and Huan. She has been treated like a child, and a madwoman, and a trophy, and a pawn, and a sex object, and literally everything except an adult person whose choices have worth and meaning. She is not a superhero; she does not know what she is doing; she is terrified for practically every moment of it, for Beren’s sake even more than for her own, and for much of it she is hopeless. She does not know how or if she can achieve anything; she only knows that she has to try, because it is better than sitting in Doriath waiting to find out if Beren is dead. She puts substantial work and thought and effort into figuring out how to get out of Doriath (given in more detail in the poetic version) – and then, just when she thinks she’s found help (note: Celegorm and Curufin do not give her their names when they first meet her; she doesn’t know they’re the sons of Fëanor), she is again taken captive, this time with the goal of forced marriage and the threat of rape hanging over her. And she still knows Beren is in desperate danger, and she still can do nothing about it.

When Huan aids her and she goes to Tol-in-Gaurhoth, it isn’t because she feels she has the power to fight Sauron one-on-one! It’s because she’s desperate and can’t think of any other options. And in fact, it is not she who defeats Sauron, it is Huan; once he is defeated by Huan, she has the intelligence and strength of will to force his surrender by threatening him with something he fears more than defeat, and to demand – not the freeing of Beren alone – but the destruction of Tol-in-Gaurhoth, freeing all its prisoners. The reason she defeats Sauron is not that she’s a half-Maia badass who can wave her hands and do everything easily! The reason she defeats him is that she shows up there completely vulnerable and in effect uses herself as bait. That is an extraordinary degree of courage, not some kind of deus ex machina. And she’s putting all the strength that she has on the line – she’s pretty much passing out by the time she finds Beren. Similarly, all her healing of him is hard, exhausting work that she’s doing despite being, the whole time, terrified that he’s about to die. None of this is easy.

Likewise in Angband – Huan’s advice and Lúthien’s magic of disguise and sleep is invaluble in getting them through the door and past Carcharoth, but the reason she is able to enchant Morgoth and cast all Angband into sleep is not primarily because of extreme power, but because, like every other non-Beren person she meets, he doesn’t take her seriously. Morgoth finds the idea of using Melian’s daughter as a brief entertainment amusing (and, if you read the poetic version, makes some truly creepy sexual threats against her), and that’s how she is able to get him unguarded enough that she’s well into her song and he’s already getting sleepy before it starts to occur to him that maybe this isn’t going quite as he planned. Lúthien’s victories are not because she’s just on a different power level from the rest of Beleriand, they’re because she’s amazingly brave and willing to walk into the most dangerous places virtually defenceless. And she and Beren rely on each other utterly – after her sleep song she’s practically passing out and can only get out of Angband because Beren is holding her up.

So this is who they are, at Beren’s death. A man who has lost everyone he loves and everyone who loves him, every friend or family, often helplessly witnessing their gruesome death – everyone except for Lúthien. And an elf-woman who has been betrayed by everyone she loved or trusted, except for Beren.

When Beren dies, I wonder if he’s even relieved that it’s finally him dying instead of everyone around him. When he sees Lúthien in the Halls of Mandos, I believe his first feeling would be not joy or love, but horror. That the last living person he loved, and the one he wanted above all to save, had now died because of him.

But Lúthien isn’t done. She goes to Mandos, and she sings, and her song says: look at what we have been through, look at what all Beleriand has been through, Eldar and Edain. We don’t want realms or glory or power; we only want a few moments of peace with each other, and we fought so hard for it, and we didn’t even get that. And when she’s offered bliss and immortality for herself, she says No, I don’t want it, not without Beren. She isn’t promised happiness or long life – she only know that for the short time she will get, she will have the chance to be with Beren. And that is enough for her; for that, she gives up everything else.

This is a faerie-story; but it does not sound to me like a trite tale of easy victories handed to the heroes by Fate or by the author! They fought and struggled and sacrificed for those victories, amd they did it without ever letting go of courage, and mercy, and humility. There is a reason why this is the story that Frodo and Sam hearken back to for inspiration.

[claitea]

i've had these scenarios written down since volo's debut in pokemon masters and i just really wanted to scribble them down and finally release them