#all for the game levels of plot shenanigans

[darcyolsson]

the whole jace/sebastian-valentine/michael deal is literally still the most confusing thing i've ever read. so, okay, valentine took michael wayland's identity. the only explanation we get on how he managed to get away with this is "he was really good at it". he's an internationally known terrorist in a tiny country where quite literally everyone knows who he is but alright. moving on. there's also the fact that he only got to take michael's place bc he killed michael in secret. however, michael notoriously was magically connected to some other guy in a very specific way which means the other guy would immediately know if he died. this, too, is literally never explained in any way. and then there's the whole jace/sebastian thing???? they were raised separately in separate houses for years. yet valentine was a full-time parent to both jace and sebastian. jace even explicitly mentions he saw valentine 7 days a week, and he didnt know of sebastian's existence. how on earth is that possible. i thought none of this made sense in my head bc i'd forgotten some details but now i've reread these books it's only MORE genuinely confusing. anyway absolutely having the time of my life w this series 10/10

[xlatrina]

Friends to Lovers HCs w/Homicipher x GN!Reader

$$$   $$$   $$$

Tags: Platonic + Romantic HCs, Friends to Lovers trope for basically every LI, Likely OOC for some LIs*, Mini Scenarios (so HCs are kinda plot-driven), *Multi-Part Series, entirely SFW

Also, changing tenses in some cases + not proofread again... sorry!

*Some of the LIs are likely written OOC (Out Of Character) mainly due to a lack of substantial in-game appearances (at least in my opinion!). 

*Split into multiple parts because I’ve come to realize that these HCs are muuucccchhh too long 😅 BUT!! I’m too lazy to shorten them sooo… YEAH lol

Part I (Big 🙆‍♂️)

Part II (Mr. Chopped 🪓)

Part III (Mr. Crawling 👣)

Mr. Big (AKA Mr. Huge Face)

Big mf tease.

Loves to mess with you. Finds it funny to watch you run around in circles as he keeps rotating the room.

The exit’s this way! …Oop! Nope. The exit’s that way! No, no, over there!

Soon, you find yourself whipping your head back and forth, totally lost.

“Wait, which way did I come from again? I came from that way, right?” You’ll ask yourself.

Mr. Big will just chuckle at you and reach for your little frame (well, relative to his own frame).

Truth be told, Mr. Big gets a kick out of seeing you jump in surprise and scream every time you see him. You’d think you’d get used to his shenanigans, but… well, evidently not!

If this big bully playful giant becomes more interested in you, you may find yourself in a super uncomfortable position, to be honest.

Like, he may very well take “playing God” here to a whole ‘nother level. So, like, he’ll probably just straight up get rid of the exits and entrances altogether.

At least for a little while… so he can observe you.

His favorite little plaything❣️

This sensation might be rather odd and unfamiliar to Mr. Big.

After all, he’s something that’s existed in this other world for… well, forever, really.

He’s never felt this way before… or has he?

If he has, it’s been entirely too long.

It’s just cute, you know? Watching this adorable little thing dart back and forth across the room.

There are times you give up on running, though, and you simply accept your fate.

Mr. Big takes that opportunity to scoop you into his palm.

He’ll try to talk to you.

“Why you no run?” He may ask. Or, maybe he’ll ask something like, “You no move. Not ok? Not alive?”

… Is he teasing you or is he seriously asking if you’re still alive?

You’ll squirm a little in his grasp, and he’ll grin and cackle like a witch.

Ah, so his favorite specimen is still kicking it after all!

At some point, you become his Barbie.

He frequently changes the room you’re in with a flair of style that you’ve never seen him do before.

From a chic studio apartment to a modern family home with a stunning living room to a burgundy brick loft and more…

Where the hell did he get all this inspiration from??

Probably those discarded magazines that fall in after the earthquakes...

Wherever he gets these ideas from, it appears obvious to you that this served as a means of softening you up for your lowkey forced newfound home in Mr. Big’s dollhouse.

He provides you with the basics for life, at least.

Shelter, clothing, soap, water, food…

What do you mean you won’t eat undeterminable meat??

“You no like?”

“...”

“How interesting,” Mr. Big’ll say.

He’s smiling… but his smile doesn’t touch his eyes.

He’s pissed.

As a means of surviving a little longer, you decide to humor Mr. Big by pretending to eat the meat. It’s difficult to pull off, but you’ve managed to fake eating for a while.

He’s trying to figure out why you’re body constantly growls, though…

“Body make sound? Why? You ok? Need more food?” He’ll ask.

As much as you wanna deny it, it’s becoming painfully obvious that you’re fucking starving.

But you really don’t wanna eat whatever mystery meat Mr. Big keeps trying to serve…

Well, you always have the option to give a limb of some kind to Mr. Gap in exchange for recognizable food. Or maybe information or other odd things you could request.

As much as the price hurts, one thing you could never say is Mr. Gap doesn’t deliver every time!!

As for Mr. Big, well…

It’s kinda nice realizing how doting he can be, actually.

Since he’s always watching you from a bird’s eye view, there really isn’t anything Mr. Big doesn’t know about you.

He’s gotten really good at guessing your needs —often well before even you realize you’re desiring something!

He can tell when the room gets too hot or cold for you, and he’ll usually rearrange the room for better air circulation.

He’ll build the room into a puzzle of some kind so you don’t get bored!

In those times, he can tell when a room’s puzzle is becoming too difficult for you to solve, and so sometimes, when he wants to be nice, he’ll slowly tuck a large finger into the area. From there, he’ll push things around accordingly until you figure out how to solve it on your own.

As a partner of some kind, Mr. Big is super attentive. Again, nothing really gets past him.

You might think Mr. Big doesn’t recognize the way you crawl over to an old bookcase and peer beneath it for minutes at a time...

You might think he doesn’t hear the faint whispering after a moment of quiet...

Hell —you might even think he doesn’t recognize the way you “eat” the food he’s provided you in a specific corner near a hole in the wall. Like he can’t recognize how much thinner you’ve gotten over the last few weeks…

But he does. 

He sees you, he perceives you.

And he doesn’t plan to stop 👩‍❤️‍👨.

You’re his little toy!! 🧸

He’s Mattel, and you’re Barbie.

That’s how things are between you two now.

Forever.

… But hey, it’s not all bad!

Soon, you’ll open up to him.

Especially when he begins finding ways to limit the amount of holes or dark pits around the area.

I mean… he’s not necessarily that bad, right?

He’s attentive, doting (in his own way), providing, and —so long as you remain in his territory —you’ll never have to worry about facing the potential dangers of the Apartments!

Because the only real danger that could really harm you here is him…

You’ll soon find yourself talking to Mr. Big on your own accord.

“Why you big? Where is place? Who you?”

“My body not small. Is normal. Where is place? Me not know,” And he’ll chuckle —loud, deep, and rumbly. Then, he’ll finally answer with, “Who me? …Me not say!”

Ugh, fucking asshole!

[Part I (Mr. Big 🙆‍♂️) | Part II (Mr. Chopped 🪓, First Half/Second Half), Part III (Mr. Crawling 👣)]

[theladysunami]

I was thinking about Bingqiu messing with common horror video game plot-lines by doing their whole Bingqiu thing.

Imagine Shen Yuan transmigrating into a vaguely Christian mythology based crapsack video game world, where he is the cruel monk, Shen Qingqiu, who teaches at some terrible underfunded orphanage where one of the orphans, Luo Binghe, is *gasp* the antichrist.

Rather then doing what his character is supposed to do (mostly harass the child with abusive exorcism attempts, get defrocked for it, then do the whole Cassandra thing where he tries to warn everybody Binghe is evil but they don’t believe him) Shen Yuan does his Shen Yuan thing instead and dotes on Luo Binghe constantly.

Luo Binghe was supposed to keep finding himself abused by various corrupt organizations, only to rise to the top and get the better of each one through karmic and often creepy demon shenanigans, leaving them as ruined husks in his wake, and gradually losing more and more of his fragile ‘humanity’… but apparently that won’t be happening.

All the totally deep and meaningful allegories indie developer Airplane put in there about the antichrist merely being a reflection of humanity’s own evils… Gone!

Shen Qingqiu taught Binghe loads about ethics, and while Binghe isn’t quite sure he gets it (and does still harass and kill a good number of particularly nasty people with his demon powers) he’s a lot less scorched earth about things.

It is very important he doesn’t make his beloved teacher (*cough* the future Queen of Hell *cough*) sad! Shen Qingqiu happens to like the earth being in one piece, so in one piece it will stay.

Airplane transmigrates into his own game later as the Player Character.

The Player Character is meant to be an amateur investigative reporter who gradually reveals Binghe’s life story by investigating all the ruined, haunted, and demon infested locations left in his wake, and then ultimately attempts to save the world from the apocalypse. Instead Airplane discovers that besides a few powerless asshole ghosts and some well contained eldritch horrors, everything is fine actually.

He tracks down Binghe while trying to figure out what the hell happened to the plot, only to find the man playing housewife to his former asshole teacher???

Don’t worry, Airplane! The apocalypse is canceled, and the only soul Binghe wants is Shen Yuan’s… by which I mean he wants it bound to his own in eternal matrimony.

Go hang out with that cool ice demon you designed for that one level.

[ghostytoad]

* Fun n' Games *

ROTTMNT Boys x GN! Leo-esque reader who enjoys drama, making jokes, and being overall awesome

Summary: The Hamato brothers unexpectedly fall for the smug, but genuine, fun-loving reader despite their egocentric habits

Headcanons for: Leo

GN! Reader; Romantic; Fluff, Mild Angst || Words: 2.3k

Raph | Donnie | Mikey | Bonus!!

Leo:

oho, hello good lookin'~ it's nonstop flirting and banter from the minute they met and it's not going to stop anytime soon

finally! someone who has a sense of humor and can appreciate a good one-liner or two! and they can dish it out as well as they can take it? be still, my beating heart!

leo genuinely finds it to be a gift from the gods that y/n shares his brand of comedy and will not let up on it when he's around them

the romantic tension between y/n and leo is so thick that he could probably slice through it with his odachi - it makes his brothers sick to have to listen to all the schmoozing but leo ADORES the flirting praise

the boy would bend over backwards for y/n; he'd sell his prized jupiter jim collectibles for them if they asked him to (maybe… he'd probably still keep one or two tho)

there's an unspoken and ongoing (very friendly) rivalry between them; leo and y/n are constantly looking to one up each other and it's getting to ridiculous levels of competitive; they won't stop until things hit "deadly" levels and one of them almost ends up getting hurt

even little everyday tasks become a competition for the two of them, there's just no end to their games

grocery shopping? betcha i can save more money than you! pizza night? i can stuff twice as many pizza slices in my mouth than you can. hanging out in donnie's lab? hoo boy, i guarantee i can make him snap first.

it's the bane of donnie's existence, considering he's the target of most of their shenanigans; if he has to endure another one of their "who can ruin donnie's day" games, he swears it'll be the start of his villain arc

mikey's the unofficial score-keeper and peacemaker when things get too heated between the two of them; although he's more likely to stoke the flames than intervene… he just happens to enjoy watching them get carried away (not that he'd say it to their face). definitely enables the chaos to a terrible degree

"no way, you know i totally had that game last night before you went on to blow up my spot with your little tackle! next time we portal our way onto the superbowl field mid-game, i'm leaving YOU on the sidelines and scoring that touchdown solo!" (concerned raph sounds in the background)

they've absolutely plotted to portal their way into "hard to access" places like the white house or splinter's secret lounge room, but raph and donnie made them promise not to do it for very different reasons (donnie doesn't want to have to bail them out if they get stuck and raph is just being raph)

leo and y/n's carefree attitudes combined has landed them into trouble with the law a few times, both in new york and the hidden city

together, they're banned from like 10 different places and they're legally not allowed within 100 feet of any magicians; leo's only explanation for that is "we couldn't tell if it was part of the costume or if the guy actually had a barber-stache and how were we supposed to know he was blind?!". to this day, no one knows what he's talking about.

leo would absolutely hide the evidence of a crime for y/n; he ain't no snitch either and he's not going to let his bestie take the fall for something that TOTALLY wasn't their fault! more than likely, he'd blame their antics on hypno or if it's something not so bad, splinter.

senor hueso has an entire wall dedicated to leo and y/n: The Wall of Failures and Stupid Mistakes That You Will Surely Learn Nothing From

it has photos of all the times leo and y/n went on a fun little adventure and ended up being taken hostage by a villain, thrown in jail, or overall just beat up (they're mostly selfies and yes, leo is smiling and posing in all of them)

he would never let y/n get into any major trouble and he has the common sense to remember that y/n is only human, so at the very least he knows not to do anything too dangerous when they're around; he's reckless but he doesn't have a death wish

"i'm all for a good espionage mission and all, but this is big mama we're talking about! i say we sit this one out and wait for another chance to come along so we can try on these rad bellhop uniforms."

the two of them have made it a point to announce their arrival anywhere by doing the team rocket motto; occasionally mikey or april will join in as meowth. they have the costumes to match and will inexplicably be wearing them every time they do it.

they truly enable the worst in each other; raph insists on tagging along as the unofficial babysitter to every little hangout because of their chaotic nature, meanwhile donnie has protocols for every possible "doomsday" scenario they could initiate with their little stunts. zombies or accidentally reviving the shredder is at the top of that list.

matching outfits are a big must for leo; someone as UH-MAZING as y/n is absolutely worthy of leo's impeccable fashion sense and there's no way he's gonna pass up a chance to twin with y/n. if they refuse to match with him for whatever reason, he will pout about it for days.

whenever leo is sad or feeling a little down, y/n is the first person he goes to for a little cheering up. they somehow know just what to say to make the boy feel like a champion. and no, he didn't give them a script to read off of! (he totally did)

even with all the flirting and pick-up lines, leo still dreads the thought of ever admitting his feelings to y/n; he's a confident turtle, sure, but that's just the face part of being the face man. he's secretly an insecure mess when it comes to them

will become a flustered mess if y/n genuinely compliments or praises him; he'll stutter for a good minute or two before finally snapping back to his suave cool guy persona (which doesn't fool anyone, he's OBVIOUSLY crushing hard)

after an unfortunate night of misadventure, leo's forced to confess to his feelings AND his crimes

Well, some adventure this was turning out to be.

"Get in there! Y'all got the right to keep yer traps shut!"

Yep. What a real swell time.

Being hauled away in a prison ball, headed to the Hidden City Police Headquaters, all the while Big Mama's men chasing close behind.

"So much for the adventure of a lifetime." Y/N hissed bitterly as they tugged and pulled from the tangle of limbs they found themselves in, trapped inside the small bubble with Leo tightly packed alongside them.

"Well, maybe if SOMEONE weren't such a slowpoke, we'd have made it back! And I'd like to say for the record, you are the WORST lookout. Maybe next time try to keep up, will ya?" the turtle spat back with a scathing glare.

Y/N could only muster a hearty scoff as they balled their fists, unable to throw a punch from how they were positioned. Their heel found a suitable landing in the direct center of Leonardo's plastron and dug in with a stomp, eliciting a pained groan from him and a satisfied smirk from Y/N.

"If you weren't so cocky, we might've ACTUALLY pulled off your little stunt! But nooo, Leo just HAS to get in the last word!"

"OHO, pot calling the kettle black now, eh?" Leo wore his signature smug expression and attempted to jab a digit into Y/N's forehead. Given the way his arm was caught between his bent thighs, he only managed a slight graze before opting for a flick instead.

The two bickered and took shots at each other throughout the trip, much to the chagrin of the arresting officials steering nearby. It was gonna be a long night for everyone.

At the station, Leonardo and Y/N were placed into holding together, both of them choosing to sulk in silence on opposite sides of the confined room. It wasn't until Y/N was being processed that the question of what to do with the human came up for the arresting officers. With Leo's odachi confiscated, it wasn't like they could just send Y/N home on their own, but they couldn't leave Y/N in the same cell as powerful, human-loathing yokai. Leaving the pair to stew in their anger, the officers left to deliberate on Y/N's fate.

Silence followed. Neither one wanting to give in to this bitter game of chicken, Leo instead let out a loud, exaggerated sigh.

Silence.

Irked by the lack of response, he threw his head back and gave a loud, guttural groan of frustration.

"Right. So you aren't talking to me." he rolled his eyes and forced his gaze back onto Y/N, who sat indignantly across from him on a cold cement bench, their knees held close to their chest.

Not even a glance back.

"Oh, come on! You can't actually believe this is my fault! If anything, you should be mad at the guard that threw us out and called the cops! He's the one who got us in this little mess!"

Nothing.

The silence tore at Leo's chest, his heart thumping heavily against his plastron as he dejectedly sat back against the cold wall. It was unlike Y/N to ignore him like this. With every second, the stillness became unbearable. This little adventure was truly a disaster, not just for the predicament the two found themselves in but also for the lengths Leonardo had gone to ensure Y/N would have a good time. So that HE would have a good time with them. It didn't matter to him that they could be facing time in prison. That whole deal was practically child's play to the mischeivious mutant. It didn't even matter that they faced a total ban from the mystic city itself. It was the fact that he might've dashed any chance he had of winning over Y/N's affections.

'You just HAD to fuck it up, didn't you? You had to go out and be an asshole!' a booming inner voice fed into his insecurity and the crushing weight was enough to curl the red-eared slider into a fetal position, his lower lip quivering as he fought back tears.

"I…" a sniffle broke Leo from the spiraling despair he'd been wallowing in, unsure if the sound came from him.

"Am I… holding you back, Leo?"

Another sniffle and this time, he was sure the sound came from across the room. Peering over at the source of the sound, he found Y/N curled in on themselves, little hiccups causing their small form to quake and shudder. They were crying.

"Y/N?" Shifting from the bench, Leo took a few hesitant steps towards them as his hand ghosted across their shoulder before pulling away. His face wrought with guilt and worry, he debated scooping them up in his arms and holding them tightly to him right then and there. But he couldn't bring himself to do it. The thought of rejection stopped him in his tracks.

"I don't know why I do it. Why I try so hard to prove that I deserve to be around you." Y/N continued, their voice muffled as they buried their face in their knees. "I'm- I'm just a human. I'm not as strong. I'm not as quick. I can't compete with you and your mystic skills. I can't even keep lookout for you!"

"What? Y/N, no, you got it all wrong! Yeah, you're a human but I-"

"Just stop it! Stop!" Forcing back a loud hiccup, their head shot up to meet Leo's concerned gaze with a fierce, stubborn glare.

"You DON'T have to feel sorry for me and you DON'T have to keep me around! So why? Why keep me around when all I do is drag you behind?"

Their narrow eyes locked themselves with his, desperately searching his expression for any hint of pity. All Leo could do was chuckle, his concern melting into fondness.

"I don't feel sorry for you. Sure, you've looked better but I was so afraid I was the one holding YOU back."

"H-Huh? Me?"

"Y/N." The turtle sighed as he plopped himself down beside them, allowing their back to rest against his side as they unfurled from their little ball of sadness. "You ARE a human, yeah. But do you get how cool that makes you? You can do so much more than I ever could! Look, I might have my good looks, my mad skills, and my amazing charm, but you have that and more in… whew, in spades and for you, it's practically effortless."

As Leo moved to wipe a tear from Y/N's eye, he cupped his other hand on their damp cheek and with a tender tap of his thumb, he parted their lips slightly and moved in to plant his lips softly against theirs. The ghosting of his lips left enough room for Y/N to pull away if they felt uncomfortable. Instead he was nearly knocked back with the full force of Y/N's lips crashing against his, their body leaning over him and practically trapping him underneath their warmth. Leo's hands held firmly onto Y/N's sides and he eased himself back against the cold of the bench, breaking the kiss to let out a soft chuckle.

"I love y-"

"Well, well, well~ Looks like someone owes me 3 months of chores." a familiar, taunting voice hummed not too far from the two.

A jingling of keys had them both whipping their heads towards the now-open cell door, spotting the unmistakable, cocky face of Donatello leaning against the bars with crossed arms.

"D-Donnie?!"

"Yeah, yeah, you two can get back to your little makeout session. But I thought you'd like to know I paid your bail, you're welcome." He waved them off as he began down the hall. Some adventure this turned out to be.

Bonus comic: Leo definitely used his one phone call to call Señor Hueso

[batsplat]

This line made me sooooo insaneeeeee

BUT ITS TRUE

they did not expect it from each other

You mention that after sepang 2015 that marc refused to take it lying down and retaliated, would you say that one some level vale expected him to just take it?

And also could you please recount events in which marc also waged mind warfare on other people after the divorce™ I think that the psychological aspects of his style are so incredibly interesting like how in le mans, bezzechi kind of crashed out and how viñales mentioned in post race interview how " when he heard marc's bike he knew it was over"

Thank you for your very valuable contributions to motogpblr, you enrich the experiences of all

right. right! following on from this post... fair warning: 'what was valentino's plan in sepang 2015' and 'what mind games has marc cooked up over the years' are two questions that don't exactly lend themselves to concise responses, though I've done my best to edit this down to a somewhat more palpable length. so *cracks knuckles*. let's do this

first off, sepang 2015. yes, marc did very much refuse to lie down and, yes, he did instead very much retaliate. I'm not sure if I'd say valentino expected marc to 'take it' exactly, though the hope would have been that it would a) make him more cautious around valentino, b) throw him off-balance, and c) make him more error prone. I mean, certainly you'd have to assume he didn't expect marc to react like that because.... well. otherwise, why would valentino have done it? yes, he has repeatedly alluded to having wanted race direction or dorna or whoever to step in, but those guys infamously aren't particularly proactive. and, let's just pretend for a second here that marc really had been plotting to ruin valentino's title - what are you going to do about it if you're the ones responsible for enforcing the rules? even after sepang, when it was reasonable to suggest marc had been messing with valentino in that race specifically, there was only so much they could do. sure, the main reason they didn't penalise marc was because he'd crashed and had in essence already been penalised. but if you want a more drastic penalty, then you're going to have to show that marc is doing something emphatically illegal. I mean, it's not like race direction penalised valentino when he was racing jorge in what can only be described as a cheerfully malicious manner in motegi 2010, at a time when jorge was close to sealing that year's title and the two of them were racing for *squints at notes* p3. they can't actually stop you from being a little shit, you know

this line of argument might be ascribing too much rationality to valentino's actions - maybe he was hoping race direction would do something. it's worth pointing out that one of valentino's later comments (from march 2016) to my reading suggests that valentino had already spoken to race direction several races before sepang about marc's behaviour, but they didn't listen to him. the sepang presser then constitutes an attempt to publicly force their hand... except it still wasn't enough. and a part of valentino surely must have already known it was going to go wrong after saturday's qualifying. the incidents during the practise sessions that weekend weren't particularly egregious, but they involved two riders who were both clearly willing to play games with each other (including in some towing-related shenanigans). crucially it's not really the type of thing that would happen if one rider had been spooked so badly they're making sure to ride on eggshells around the other bloke. at the end of the day, valentino thought he could unnerve and disorientate and unsettle marc - and if you're being generous you could say he at least picked the right target. marc had broadly demonstrated he could be unsettled that year, which jorge had very much not

if you're being less generous you could say 'but it's crazy he's doing this to the bloke who isn't even his title rival'. which is the whole problem from valentino's perspective - he simply couldn't engage jorge in direct combat (and again, this does make it more remarkable he even got it to valencia given one of his big big strengths in title fights was being completely neutralised). jorge has been involved in plenty of great battles over the years, but his 2015 title was won purely on raw pace and having just enough tracks where he was fast and it wasn't raining for things to work out in his favour. it was marc who valentino was continually getting into fights with, whether at argentina or assen or silverstone or... well, even phillip island, valentino fights marc a hell of a lot more than he does jorge. which makes for a weird championship in a lot of ways, but also makes it a bit inevitable that valentino ends up disproportionately focused on a bloke who isn't actually his title rival

if you want to be even less generous, you can say it was a rather radical misread of marc's character from a man who (any conspiracy theories aside) has always seemed to understand marc pretty well. like, this is the thing right, obviously hindsight is 20/20 and all that but can you really imagine any universe in which marc hadn't done something roughly along the lines of what he did that weekend? in a way, this is probably the bit that bothers me the most about the whole thing, just feels like it couldn't have ever achieved what valentino intended it to. I can excuse breaking the heart of the kid who hero worships you, but I draw the line at being kind of dumb

the way I'd break it down is by looking at why he was in a headspace in which he wasn't making good choices, and then consider what his actual thought process (however irrational) might have been. so on the one hand, you've got all the contributing factors that explain the poor decision-making process, that explain why he wasn't thinking clearly. on the macro level, you have the arc of his career and what this title meant to him and how it fits into his desire to win on his own terms and prove everyone wrong and all of that. you have the pressures of that specific season and how it had gradually gotten more and more intense post-assen, the influence of the people around him and how they had allowed/contributed to him getting increasingly distracted from the actual riding as the season went on. this factor obviously includes the man who actually presented valentino with the phillip island telemetry and had seemingly been badmouthing marc for more than two years. you have the arc of valentino's relationship with marc, his belief that marc was a sore loser who only played nice with valentino while he was winning and who valentino thought he had been more than generous to in response to marc's lack of composure earlier that season. this eventually coalesced into a mental list of all the times that year valentino felt marc had fought him differently than he would anyone else, from argentina to assen to silverstone to misano to, of course, phillip island. you have the compressed time scale - four days from the race at phillip island to the presser in sepang, at a time at which valentino will have been at his most exhausted and spent after the travails of first motegi and then phillip island at the closing stages of the toughest season of his career. it's this that creates the sense of urgency, the need to do something now to stop the opportunity from slipping away. and then, of course, on the micro level you have the actual details of the supposed conspiracy that relied on the specifics of how the race at phillip island ended up unfolding... of tyre management and seagull murder and fluctuating lap times and suspicious late race pace and a perfect last lap

which, okay, I think it's fairly obvious that valentino wasn't thinking clearly. but he still must have been intending the presser to do something, something that was different from what it actually ended up doing. now, the way this works in my head is that valentino basically did the equivalent of pressing a big red button labelled 'chaos'. if you do what he does in the presser, that's the inevitable outcome, right: you're ensuring this entire weekend is going to be a complete mess. in theory, you're the one person who's had the chance to mentally prepare yourself for that mess, because you're the person who's pressing the button. you're hoping everyone else will be off-balance, distracted... to some extent it's less about wanting to intimidate marc per se (bad idea!) and more about making sure he has other stuff to worry about. maybe you're hoping marc's going to make some mistakes, crash in ways that aren't caused by a movement on your part that looks suspiciously like a kick, be a little out of it all weekend. I mean, marc did have a tendency to hit the deck when under pressure that year. the hope is at the very least he's going to be a little more cautious, so worried about ruining his reputation that he's not going to attack you too hard. basically, hope he does anything other than what he actually ended up doing, aka throwing himself at you again and again in the race in a sort of agonised fury that paid no consideration whatsoever to his reputation, ruined or otherwise

this is where the sepang 2004 parallel is at its most instructive to me. you're giving everyone something to talk about and you know it's going to be the centre of attention that weekend and you just kind of have to hope that the chaos ends up creating an opportunity. and, for a hot second there, it did look like valentino might have been onto something. he qualified on the front row for only the fifth time that season (y'know his qualifying actually got a fair bit better in 2016, presumably because he just wanted to maximise the number of awful vibes pressers) and he outqualified jorge for only the second time that season (again I don't mean to be rude but, jorge, how the fuck did you almost lose that title what were you DOING). it's pretty unfortunate that the very start of the sepang race played out in the exact perfect way to allow dani and jorge to escape while marc and valentino started divebombing each other. this is the thing right, there are lots of ways that race could have unfolded and it basically could not have gone any worse - and it's helped make valentino's initial decision to blow shit up age particularly horrendously

the other underlying explanation is a somewhat more opaque one. people want to feel good about themselves, they want to have a positive sense of identity along several different metrics like self-worth and moral virtue and so on. it doesn't feel good to lose, and it especially doesn't feel good to lose if you've tried really, really, really hard. a lot of sports psychology is about the challenge of managing vulnerability. there is something inherently vulnerable about competing in the public eye: you are trying hard to win but there is always the possibility that you will lose. if you lose with other people watching, you are making your inadequacy public knowledge. this is why athletes search for explanatory mechanisms - maybe they make a public show of how they weren't actually trying hard, about how they don't actually care that much, or maybe there's something they can blame like the machinery or injury or the team not being on their side or whatever. maybe there's someone to blame. a narrative of sabotage allows you to preserve belief in both your own ability and your own self-worth; it is the perfect explanatory mechanism. and to some extent, this type of thing is necessary - you're not going to be able to compete well unless you have high self-belief to the point of delusion, which means you do have to tell yourself all kinds of things to keep the faith. but paradoxically, these explanatory mechanisms are also incredibly dangerous, because you cannot compete to the fullest extent of your ability if you are not throwing yourself into what you are doing in your entirety, without any restraint or self-defence. you have to be open to experiencing the pain of defeat in its rawest form to be at your best. you have to be willing to go to those infamous 'dark places' within yourself to win. the moment you are thinking about how you will explain your defeat, chances are you've already lost

but hey, I've never competed in a motorbike race before, what would I know of the psychology of it all? let's get the words of someone who should know a little more than me:

Looking back, what I said about wanting a bike that could win at Welkom, well, that was a way of boosting morale, an attempt at wishful thinking. You can't demand something like that. And even if you get it, there's no certainty you'll win. But then again, we riders always say all sorts of things. Sometimes we believe what we say, even when it sounds crazy, other times we're just being hopeful and, still at other times, it's all an exercise in self-delusion. We try to convince ourselves of something, because ultimately, every time you step on the track, words don't matter, and it's just you, the bike and your opponents. In fact, that's the only time you really have a clear picture of things. When you're actually on the track, racing against your opponents. That's when you know where you are and where the others stand. You know how your bike is doing and how those of your opponents are faring. That's the moment of clarity. Then, you can say whatever you like to everyone else: your chief mechanic, your mum, your girlfriend, the press... but, deep down, you know the truth and you know it with crystal-clear clarity. You can tell people you fell because the bike didn't follow the trajectory it was supposed to follow, or tell them that you're actually really fast, but the bike simply isn't. Inside you, however, you know the truth. You know you fell off because you made a mistake, or because your opponent is simply faster than you. And the opposite is also true. Deep down, you know whether your victories were deserved. You know if you won races on the turns, when it's down to your ability as a rider, or on the straightaways, when it's all about the power of the engine. You know the others are looking to make excuses when they say you beat them just because the bike was better. I always knew the truth behind each of my victories, and behind each of my defeats, too. I knew exactly why and how I won or lost. And so, at the end of 2003, after winning everything in sight with the Honda, I was certain I could win with another bike. But, of course, until I actually did it, I couldn't be truly certain. Thus, I set off on my journey, in search of that place where certainty meets truth.

(sidebar: I find it funny how the bit about straight line speed reads like just an extremely obvious dig at casey in his ducati days but, published in 2005, your honour he's innocent)

what valentino describes in that passage is the awful, inescapable secret at the heart of all competition: at the end of the day, you do know. you can only do so much to protect yourself from the truth. you have to tell yourself a story, even if it's crazy, engage in all manner of self-delusion to throw yourself into the field of battle again and again and again - where inevitably you are going to lose, again and again and again. any great athlete has to start out at least a little delusional, for there is something inherently insane about thinking you will be one of the very best in the world in your field. eventually, much of that delusion may turn to reality for the chosen few, but the delusion never completely goes away because there is always more to win and always more losing to do along the way. when the delusion stops, so does your career. valentino's endless capacity for storytelling and self-delusion is inherent to his success - he would not have been as good as he was if he had not found all these stories to tell himself, all these reasons to believe, to keep motivating him, to wring special performances out of himself when he needed them most. he told stories that were ridiculous until he turned them into reality. if valentino were anyone other than the person who killed his tenth title in sepang, he would not have won the other nine in the first place

and yet, chances are, valentino already had lost headed into sepang. chances are, he knew as much. chances are, he chose the kindest possible story to make sense of it all. at the very least, what he wanted to do was expose the truth as he saw it - make sure that everyone in the world knew what marc had done to him even if it didn't end up saving his title campaign. but in exposing one truth, at the same time he managed to obscure a different one. because in the end, certainty never did meet truth in 2015, because we'll always have a question mark about what would have happened if valentino hadn't said what he had said in that press conference, what would have happened if marc had reacted differently, what would have happened if race direction hadn't handed out penalty points or if marc hadn't been so hurt and angry he was unwilling to take risks against jorge in valencia. yes, of course it's likely that jorge would have won anyway, but we don't know that. it's 2006 all over again, isn't it? there's a likely winner, there's maybe somebody who should be winning, but there's never any certainty. that's why we line up on sunday, or so the cliche goes. the main lasting success of that press conference is that it has cast a shadow over the whole championship - not just in the sense of making the whole thing unpleasant to think about, but in the more literal sense of concealing the realities of that title fight, of generating ambiguity as to how it all might otherwise have played out under more 'normal' circumstances

except, of course, valentino has told us himself that he does know the truth about all of his victories and defeats. of course he knows jorge was faster than him that year, which is why he wasn't trying to win that title on pace. by any reasonable standard, there's no shame to that, not at that stage of his career and not against that level of opposition. there's plenty of ways in which valentino was the stronger rider that year, still, somehow, and enough sliding doors moments that would have given valentino just enough points and granted him a completely deserved title. but of course it was still frustrating, and it was frustrating to be reminded constantly in the paddock - including by marc - of how jorge was the faster of the two of them. valentino knew he couldn't beat jorge on pace, which is why he never tried to, but it still wasn't easy. it still required him to just... put away his ego, ignore all the snide remarks about his speed, ignore marc's digs and jorge's cockiness, and just devote himself to winning the title in the only way he could. that's the heart of 2015: it's all about valentino suppressing his worse instincts right until the moment he doesn't. it's the pressure, it's all the blows his ego has taken that year...

and of course, it's also marc. at the end of the day, it'll always come back to that - the fact that marc had made himself into someone who had the power to genuinely hurt valentino and how he then managed to make himself a target of valentino's suspicions (topic for another post). going into sepang, valentino already knew that more likely than not he was going to lose the title, and he decided he blamed marc. at the very latest during the race, he knew he was almost certainly going to lose the title, and now he definitely blamed marc. that's how it goes, isn't it... valentino's reasons for saying what he said in the press conference were complicated, but marc's actions then proceeded to simplify everything. any uncertainty, for valentino, was removed by that race. it was stripped away even further, if possible, by how marc approached the valencia race and his decision that he wasn't going to risk anything - not when it could help valentino. their whole tragedy, of course, is that if you had placed valentino in marc's shoes that weekend at sepang, he would have done the exact same thing

which is unfortunately as smooth a transition as I can come up with to stop discussing valentino's psyche and starting discussing marc's. let's talk mind games

the first point that's worth stressing is this: most of the mental pressure that riders exert on each other happens on the track. I think this is where 'mind games' becomes a bit of a tricky term, because inherently the connotation there is that you're doing something a little sneaky, a little underhanded to get under the skin of your opponent. but valentino has said it himself: you need to be performing on-track for any of this to work. and it goes beyond that - the on-track performances are key in determining what kind of psychological pressures you are exerting on your opponent. ideally, this is a symbiotic relationship where, as valentino puts it, the off-track 'work' that makes the opponents 'suffer' is used to... well, just back up what you're doing on the track, to make sure they're getting the message. to just play with them a little in a way that is conducive to bringing about further on-track success

so, in the interest of not getting bogged down in semantic debates about what exactly counts as playing 'mind games', I'm going to throw out the term for now. I think it's interesting in itself that this phrase is how people refer to that kind of behaviour, something about how it comes across as just a little derogatory, a little suspect... but we're going to ignore that. it's completely useless to discuss 'mind games' as this kind of ethereal higher-plane tactic that only happens in press conference rooms and on three hour long podcasts, as if it's somehow disconnected from the reality of what's actually happening on-track. (on-track behaviour is also at times referred to as mind games - but less frequently, and it tends to be used more for behaviour in non-race sessions.) it's also a bit of a sleight of hand: there's not anything inherently more 'honest' or 'straightforward', anything less 'psychological', about deliberately bullying someone on the track versus saying something snide about them to the media. what we are interested in here is the question of mental pressure, how riders exert it on other riders, and how riders go about working on the suppression of their rivals. basically, for a more fun term, think of anything you'd consider to be psychological warfare and go from there (the ask does actually specify mind warfare, which feels like a happy middle ground)

and just to reiterate this, the vast majority of the psychological work valentino himself did on his opponents - including in ways that marc has gone on to emulate - was done on the track. a race like laguna seca 2008, which relies so heavily on tactics and valentino's assessment of casey as a person and what message valentino decided to send casey that day... well, it may have had its effects reinforced off-track, but fundamentally that's still a heavily 'psychological' victory that enraged and unnerved casey through what valentino was doing during the race. and if you're assessing valentino's 'mental game' while leaving out laguna 2008, you really might as well not bother

so what we're looking at here isn't going to be exhaustive, but it's still going to hopefully cover most of the major aspects in a way that gives a sense of that integration between the off- and on-track. now, coming up with a list of examples isn't all that easy, because first of all... man, marc's been around for a long time by now... if we recounted every minor incident with another rider, we'd still be here by the time twenty to thirty years have passed and valentino finally gives marc a call. second of all, marc does undeniably leave less of a paper trail than valentino. partly he has objectively gotten himself involved in fewer feuds (though I'd argue there are also circumstance-related factors there), partly he's also been warier of how he approaches this kind of thing as a direct result of sepang 2015, and partly it's just a question of personal style

valentino tries to suffocate you with the paper trail, leveraging his skills at manipulating the media to make your life unpleasant, to throw distractions in your direction, at times to make sure you are overwhelmed by the frenzy and the noise and the chaos. all this, obviously, he does in addition to making your life on-track as miserable as possible. marc prefers a slightly quieter approach, maybe an indirect dig here or there, a habit of letting you know on the track if he's decided he has a problem with you. which means that a lot of what people consider marc's 'mind games' basically go something like this: a) rider does something to piss marc off (this can just be 'beating him'), b) marc does something dubious to them on-track, c) rider complains about marc, and finally d) marc goes ?? idk why they're saying all that but not really my problem :) and goes along his way

but that does make it a little tougher to actually provide a good overview of what he's doing - because, at the end of the day, I too can only be so certain that he's attempting to fuck with rivals. that's the nice effect of it, right, you get these statements from other riders where they're complaining about marc and broadly speaking I do believe them when they say he's being a little shit again... but it's a little harder to prove that this is his intention. which means they also end up engaging in a form of shadowboxing, where they think he's messing with them and they say he's messing with them but it feels kind of one-sided and silly and like maybe they're simply imagining things. which must be just... incredibly annoying. god

in a way, the best proof we have that marc regularly fucks with his opponents is that everyone in the paddock is more or less agreed in their belief that he is constantly engaging in psychological warfare. you've got other riders saying that marc is continually dabbling in 'mind games', you've got journalists on their podcasts saying that marc is always messing with people and is an awful teammate to everyone who isn't his brother etc etc, and you kind of assume they'd be the ones to know. though, if anything, this can mean they sometimes have a tendency to overshoot, which is how we got endless speculation at the start of this year on whether marc was lying to people or sandbagging or whatever when he was busy adapting to a new bike. sepang isn't irrelevant here - marc became more closed off and private and secretive and circumspect about his real feelings as a direct result of how bad that whole experience was for him. sometimes it feels calculated to unnerve his competitors, and sometimes it does seem more about just protecting himself. but that's the thing, right - if you acquire a reputation for "mind games", then people will think you're fucking with them even when you're not. which can be useful! but, as should be obvious, it demonstrates that just because somebody is accusing marc of engaging in gamesmanship, doesn't mean it's actually true (which is also of course the case for valentino)

^'who's most likely to play mind games in a press conference?' winning here! alex rins hands on hips we will get to you in a bit

all that being said, we do have plenty of fairly clear examples of the ways marc tries to fuck with his opponents, so let's get to those. here are the elements I'll focus on: 1) an explanation of how the on-track exertion of psychological pressure works, in races as well as outside of them, 2) intra-team dynamics, and 3) some specific examples of how the on-track and off-track tactics are integrated. again, far from exhaustive - the examples are supposed to be more akin to illustrating marc's approach rather than definitively listing every instance in which marc has exhibited a particular behaviour. the streamlined approach, if you will

so, let's start with the actual racing. the aspect you bring up in the ask: the intimidation. bez doing his sad little crash out of p2 in the le mans sprint, maverick thinking it's so extremely over the moment marc came too close in the main race. I've edited this section down a lot to avoid getting too into the weeds here, but let's just give the brief sparknotes version of how this intimidation works:

speed: if you are not capable of performances that unnerve your opponents, obviously you will not unnerve your opponents. no shit. marc's sheer pace is terrifying in its own right... it makes you wonder if that cushy gap you have to him is quite as cushy as it looked a lap ago. how often he seems to be able to access something special, how it piles on pressure in the context of a title battle to know that he is fast pretty much everywhere. the speed does a lot of his work for him in the intimidation department, nothing fancy required

circumstance: so, say you've got an alien behind you. not to name any names... but there are some aliens where, if they are having a good weekend, they wouldn't be behind you in the first place. that doesn't mean the alien can't still be plenty scary... but when they're at their best, they're dominating out front and so are less 'threatening' when they're sitting on your rear tyre. when things aren't going their way in a given weekend, you maybe don't have quite so much reason to be worried. marc (similarly to valentino) is a lot more flexible in how he wins his races - which might mean he's looking very ominous from say p5 at the end of the first lap. there's less possibility of respite, less chance that if he qualified badly, he has the decency to still be slow come sunday. if you find yourself on the same bit of track as marc... that's probably not great news for you in any weekend

aggression: the obvious one. marc isn't as afraid to crash as everyone else is, he's willing to go for it if he's given half a chance - which he never fails to remind people of. he said it about half a dozen times at le mans this year, including with his competitors in the same room. convenient when you have such an immutable character trait you couldn't do anything about even if you wanted to, which also just happens to make you terrifying to fight with. sometimes he mixes up this rhetoric a bit - e.g. in 2016 after his messy 2015 he did talk plenty about his newfound maturity. still, not bad if his opponents are constantly reminded of how unyielding he is... which is of course part of the reason why he bangs on about it so much

(on the flip side, while it is obviously in his best interest to barely say a word against hard racing because it would make him come across as a massive hypocrite, marc has this nice little habit of reframing his opponent's moves as just not being particularly sensible in that situation. look at how he talked about the pecco portimao crash this year - sure, it's a racing incident, but it also wasn't "necessary" to fight like this for fifth/sixth place given pecco had a championship to consider. pecco's move was "too optimistic" - and, my favourite bit, he would "learn" from what had happened. which is nicely condescending, and a good way for marc to criticise aggression in a more circumspect manner: don't call your opponent dangerous, call them an idiot instead)

tactics: linked to the second point - part of the reason why valentino instantly recognised himself in marc and has always acknowledged what a clever and tactically astute rider he is. the other aliens to varying degrees tended to prefer the 'start fast and fuck off' approach to winning races. by contrast, it's hard to really pinpoint what an 'average' race win would look like for either valentino or marc. they are capable of the 'dominate out front' victory (marc historically more so than valentino), but they also have a bunch of other ways of winning races that all produce their own psychological effects on their opponents. to give a few brief examples, you've got the 'stalking and studying' approach, closely tailing opponents and gradually ramping up the pressure while you analyse where they're strong and where they're weak before eventually making your move. you've got the 'comeback ride', which is frustrating in how it means the field is basically never guaranteed a break from these assholes - this is all about relentlessness and generating a sense of inevitability. you've also got the 'fucking around before fucking off' approach, where you get involved in a scrap for much of the race and it looks like you and your opponent(s) are on equal footing... before suddenly pulling the pin and disappearing off into the sunset. there might be good reasons for marc and valentino to stick around that don't just amount to 'playing with their food' (though there is that too) like tyre preservation or figuring out grip levels in the wet or whatever. nevertheless, it's intensely demoralising for the competition, because it almost feels like the whole thing was a lie, an illusion of a fair fight... they've been tricked into thinking they had a hope of emerging victorious. obviously, all these different ways of winning are also investments for the future, so that next time your opponents are in xyz situation you generate uncertainty and doubt and preemptive frustration in their minds, as they wonder whether they can really get the better of you this time

now, obviously a lot of this is just about marc's natural strengths as a rider - but the point is that these operate on the psychological level as well... and you can gently encourage this with a little bit of extra off-track 'work'. what you say about your own aggressive riding, what you say about your opponents' aggressive riding, any impression you want to reinforce in the minds of your competitors. there's a lot of long-term reputation management involved here. (a little more about these reputations in the context of argentina 2015 in this post.) most of the 'intimidation' happens on-track, and it's also a result of deliberate riding choices that aren't just about winning any given race. of course, it's helpful if you are particularly adaptable to different race situations, if your flexibility allows you to reinforce the impression that you are always a threat. if successful, you can make sure your opponent is already mentally beaten by the time they know you're coming for them. (I'm not personally massively a fan of the term, but this kind of thing is what generally counts as the 'aura' an athlete has.) ideal, really - to be so intimidating your opponents can't even put up a proper fight

then, of course, there's the stuff that happens outside of races but in practise and qualifying instead. a perfect opportunity to be a dick to others on-track without the stresses of a race. which means... well, look, we can't ignore marc's habit of sitting on other riders' rear tyres when they're attempting to hook together a fast lap. the towing thing radically escalated when the honda was at its least competitive post-2020, but marc was definitely very much already at it before that. (incidentally, one of the cuntiest things he has ever said was when he pointed out in 2019 that he was leading so many laps in the actual races that he wasn't getting much chance to study the other riders there.) nobody really needs me to list every single towing-related controversy marc has involved himself in over the course of his career, but it might be a good idea to get the thoughts of somebody who knows a thing or two about fucking with his rivals. valentino himself has gotten the towing treatment a few times over the years courtesy of marc, and both pre- and post-sepang his stance has generally been 'listen it's a dick move but smart play, gotta hand it to him'. take this from catalunya 2019:

and y'know, he gets to the heart of the whole matter rather nicely -thanks to the local marc marquez understander for logging in years before the discourse about it became such a big thing. marc follows other riders around because it's a great way to study them and he also does it because he knows it's extremely annoying. it's annoying both because you know you're helping out another rider who you don't want to be helping out, and because it is just quite distracting to have someone that close to you, being able to hear their engine, etc etc. one thing that changed after 2019 was how necessary it was for marc to do this... marc went crazy with it at a time when it was often the only way he could put together a decent lap (and also because it played into the strengths of the honda, for a given value of the word 'strengths' - he's spoken a fair few times this year about how he finds it harder to follow other bikes on the ducati) (not for lack of trying). but valentino is also spot on in that marc is excellent at choosing his victims, how marc understands you have to pick someone who needs to put a good lap together and has no choice but to drag you along with them

I mean, think about why he just couldn't seem to leave poor pecco alone for a while there. first of all, pecco is fast, and marc clearly feels quite comfortable following him around. secondly, pecco tended to put himself in positions where he really needed a good lap because he'd gotten himself stranded in q1 or only had one more shot at a lap or whatever. plus he was fighting for championships, so he couldn't afford to fuck marc over out of sheer spite. thirdly, pecco has been fighting for titles for the past few seasons, making him one of the riders to beat. which means that marc was motivated to a) study him, and b) fuck with him - both of which were investments for a future in which he could fight pecco properly. makes complete sense! insanely irritating if you're the victim, which is half the point. also helps that pecco very obviously found the whole thing frustrating and tiring and really hated being asked about it, but also was equally obviously adverse to kicking up too much of a fuss about it for various reasons. the perfect victim

on the flip side, marc has been known in the past to be quite careful about who he is giving a tow, like for instance this from brno 2014 (ironically the first race that year marc did not win):

The two front row slots for the Ducatis were a problem for Rossi, dropping the Movistar Yamaha rider down to seventh, and the start of the third row. Rossi joked darkly about Marquez’s strategy, claiming that he was giving the Ducatis a tow to put them in between him and his main rivals. “For sure he is clever,” Rossi said. “He doesn’t pull Jorge, me or Dani, always a Ducati.” Marquez laughed at the suggestion, admitting only half of Rossi’s accusations. He certainly didn’t look for Ducatis to give a tow, but he would not give one to his rivals, he said. “It’s your decision to close the gas,” Marquez told the press conference. “If it’s Dani, Jorge, or Valentino behind me, for sure I will close the gas, but if it is another rider, it doesn’t matter.” That is in itself an admission of just how little competition Marquez sees. He is prepared to give anyone a tow, except for the other factory Honda and the two factory Yamahas. In effect, he is dismissing the threat from any other riders. Harsh, but fair.

and, y'know, if it were so easy then everyone would do it. you need a certain level of skill to actually pull off the towing bit, which marc is clearly very good at. you also need to have a good feel for picking your moments, who to bully, when to slot in behind them, all that kind of thing. and, lastly, you also need the sheer power of shamelessness on your side. which, that should more or less cover it... there are some real gems like mugello 2019 where marc accused ducati of ordering pirro to shadow him and then played a complicated game of chicken to catch a tow from dovi and snag pole, or mugello 2021 where marc was so determined to follow vinales through q1 that he was even alert enough to dive back into the pits with him as vinales tried to get rid of the small train of guys following him... but overall, I think valentino did a pretty good job at summing up the main points for me, so let's leave the towing discourse at that. returning to catalunya 2019, obviously it is also extremely valentino that he then had a sneaky little look at the honda's dashboard 'just out of curiosity'. truly a meeting of the greats, those two, we'll never find their like again

let's move on to intra-team fuckery - which is all about suppression of rivals. your first job is to beat your teammate, and the first arena of trying to fuck with your opponents is what happens within the team. my general assumption here is that marc's particular approach is less inspired by valentino and more just the result of his natural competitive instincts (which, to be clear I do think is true for much of the tactics described in this post). it's also not something... I know the ask specifies post-2015, but I don't think it's something that changed after sepang, except insofar as marc had won the most important teammate war of his career and didn't need to be quite as aggressive towards dani any more. given the continuity between the intra-team situation pre- and post-2015, I'm not going to make much of a distinction here and just rattle through some details about the intra-team dynamic from the start of marc's time in the premier class

so, the first bit of context that has to be acknowledged: a lot of the dani/marc war wasn't really fought between the two of them directly. both of them had... well, rather drama-happy managers, who a) were willing to do a lot of the mudslinging on the behalf of their charges, and b) were pursuing agendas of their own to establish themselves within the honda hierarchy. I think it's fair to say that not all of what they were getting up to was necessarily just about acting in the best interest of their riders - and it is an internal power struggle that could've had pretty disastrous consequences for marc in particular. here's a longer write up I quite like about the situation within honda in 2013, which came to a bit of a head with the phillip island fiasco (when marc was disqualified as a result of failing to change bikes early enough). just a few excerpts (though again I'd recommend reading the whole thing):

(gabbarini is pecco's crew chief these days by the way, small world.) so obviously a lot of this is kind of dumb, not least because marc came very close to losing that year's title to a yamaha rider as a result of all this behind the scenes bullshit. it also is just the kind of thing that happens when you lock a bunch of big egos into a small space within a competitive environment - and is a nice little insight into the early year machinations that were going on as marc and his team attempted to establish themselves within honda. which they did in part by pushing through key personnel changes that replaced anyone too closely associated with the old regime... and there's also the less pressing but interesting question of whether (as casey believes) marc's team pushed casey out the door because they felt 'threatened'. this sort of backroom manoeuvring is part of the game, albeit an unsavoury one, and great athletes do have a tendency to be ruthless in asserting themselves within team environments

of course, by 2014 marc was asserting himself ever more on the track. dani might not have yet fully accepted the number two status, but he was increasingly pushed into a position where he knew he had to play along, to not kick up too much of a fuss in his own best interest. did that perhaps play a role in how all those 2013 complaints about marc's aggressive riding - not least when it caused dani to crash in aragon and effectively ended his title bid - died down a little in the following years? who's to say! of course, marc has been pretty open in admitting his abrasive approach to the teammate dynamic, which he was kind enough to shed some light on more recently in marc marquez all in. I assume pretty much everyone reading this will have watched marc marquez all in, but for reference I've still included a transcript of the relevant bits of marc marquez all in. here's marc talking about the teammate relationship:

Dani and I, now we get along great, and he's an amazing person. But in 2013, 2014, there was a lot of tension. He was the king, the number one. People listened to what he said in the box. Everyone expected something from him... The team was focused on him. And out of nowhere comes this kid. A kid in his first year after Moto2. And well, first race and... boom. Second race, boom. And it's a hard pill to swallow. [...] I've never been a nice teammate. I've always liked to... You've got to make your teammate's life impossible, if you can.

and dani's take:

Those years there was a lot of tension because we were fighting for the same thing. He knew about my potential. That's why he always tried to stick to me, so I had no space to really take off. [...] He's very competitive. That's his strong suit, how competitive he's always been with everything.

and then at the end of that segment, marc says the following:

It is true that after 2015, 2016, everything calmed down, and we had a good, normal teammates relationship. After a while, I think you learn to accept the situation, right? It happens, and I'm sure it'll eventually happen to me too.

which I suppose is a fairly diplomatic way of saying the relationship got better when marc had won the war and dani had to 'accept' his lot in life. the king is dead long live the king, etc etc. intra-team competition is perfectly natural, but of course that doesn't mean all riders approach that dynamic in the same way. dani's "I had no space to really take off" is a nice way of putting it I feel, how he talks about marc 'sticking' to dani, marc's determination to just continually work away at his teammate... to suppress him, to smother him, to ensure that not only was marc winning the war but he would keep winning the war. marc made that team his own and he ensured that dani's continued presence in that team was happening on marc's terms. a job very well done

marc is also remarkably open in describing one of the specific tactics he utilised to achieve the desired effect in suppressing his teammate. in marc marquez all in, he admits to intentionally giving misleading bike feedback when it could give himself an advantage over dani:

But back then we had a great bike, everyone worked well. So if a replacement piece worked for him, I didn't like it, "This doesn't work. I want this one. I want this replacement piece, since I'm leading it. I want it. Don't give him this." "You want to try it?" "Yeah, sure." But I didn't want to.

now, listen, I'm sure this kind of thing does happen. that being said. marc, come on, not everyone is engaging in this degree of underhanded behaviour wherein you're intentionally hampering your teammate's efforts to improve the bike just to ensure you continue to have an edge over them. let's make a casey stoner comparison, given that I am legally obligated to mention him in most of my posts. he is actually relevant here though, as dani's pre-marc teammate and the bloke who would have more likely than not been marc's teammate if he hadn't retired. casey talks a bit in his autobiography about working with pedrosa at honda, mentioning how it was nice to have a teammate with a similar pace so they could actually develop the bike together. he also says this:

I never felt threatened by a teammate because I have never had one that I felt was consistently quicker than me and throughout my career our biggest competition always came from outside the garage. Still, I have great respect for Dani, our partnership was a fruitful one and I think we worked really well together to help Honda build their best ever bike in the RC213V.

while I do quite like the implication that casey would have felt 'threatened' by any teammate who could match him, I think it's fair to say that this is a pretty different approach from what marc's describing above. of course, casey could be misleading us... but, call me naive or gullible or whatever, I really just don't think casey was pulling that kind of shit on his teammates. I'd go so far as to say that this kind of thing is maybe not quite as widespread as marc portrays it as being. it might also be worth quickly bringing in casey's thoughts on such a combative style of teammate relationship (from 2009):

probably for the best we never got to see how that particular teammate dynamic would have played out! also, luckily enough, we do actually have somebody who can corroborate that casey and marc behaved differently as teammates. let's get the thoughts of dani himself (april 2023, so after marc marquez all in had been released):

“At least in the team we were in, HRC, it was like this: the one who goes the fastest is the number 1, the one who chooses the parts and the one who determines the direction a bit. “When [Marc] arrived, I was in that position and with the races and the championships he took that position and decided in his own way. When I was directing more the evolution of the bike I had the parts first and I never thought in [my] own way.  “My way has always been to do the best for the team, and if I have the best parts to make the bike the best, I'm not thinking about my rival right next door, but about Yamaha, Ducati... whoever the rival was, because I consider myself part of the brand. Later he had that other way of doing it.  “I don't think I was missing [the same way as Marquez], because my way of being was that one. For example, before Marc came in, with Casey Stoner, he never played that game either."

so, yeah, maybe not completely universal behaviour. I don't know, I do find it kind of charming that marc has this very 'ah well everyone does it' attitude. now quite honestly I personally would not admit to this sort of behaviour even in confessional amazon prime documentaries - and it's fascinating what kinds of things he has a filter about and at what times he just decides to be, uh, very candid. I mean, I suppose this is a nice way of publicly forewarning any teammate who isn't your brother that you're going to try and make their life miserable. so that's something. anyway, marc did obviously win the internal war - which is the kind of thing that does matter if you're trying to impose your will on bike development... even if you're just doing so to fuck with your teammate. so by 2016 you reportedly had a situation where marc's direction was being followed to the extent that it harmed all the other honda riders:

But Pedrosa claims he had no input in the decision, and is now paying the price of having to compete on a bike built around Marquez’s preferences. The 30-year-old also said that he knew he would be in for a difficult time in 2016 as early as the Valencia test last November. "In the end we didn't have many specs [of engines], but out of the ones we had I wouldn't have chosen the current one,” Pedrosa admitted. "When we picked the bike I already knew things would be very hard. I already knew how the bike handled in November. But it is what it is. The choice of bike that we have was [Marquez's], I had nothing to do with it. For the moment, he's ahead and he deserves to be. He likes the bike, he adapts better to it, while I struggle more. That's obvious, you can see it in the results and in the way we ride." Pedrosa said the poor performance of Honda’s satellite bikes this season in comparison to previous years was yet further evidence of how the RC213V has been designed around Marquez’s needs. Cal Crutchlow’s sixth place at Catalunya has been the best result for a Honda rider besides Marquez and Pedrosa of the campaign so far. “You have to think of the team, not only about yourself,” Pedrosa added. “If you look at the rest of the Hondas, they are a lot further behind than two or three years ago, when you had [Stefan] Bradl or [Alvaro] Bautista finishing fourth or fifth. Now they are 10th and further [back]. So we have to try to get the other teams to work too."

obviously, to some extent teams following the lead rider and prioritising their feedback is completely natural and even wise - they're the one who is winning for you. it does also end up being a bit of a self-perpetuating cycle that makes the rider already winning more likely to continue winning, which helps explain why these riders are even so invested in their internal bickering. all that being said, of course it's worth noting that different riders conceptualise that teammate relationship differently, and the extent of intra-team cooperation can vary drastically. marc has a very particular understanding of that relationship when he is paired with anyone who is not his brother - one that is generally speaking pretty far along the combative end of the scale

unfortunately, we never really got to see how bad the whole marc and jorge (also not the easiest of teammates) situation could have gotten. in 2018, their relationship was definitely better than say 2013, but also jorge was still perfectly happy to criticise marc - whether after argentina, or that whole aragon incident they had

(marc did call jorge afterwards to check in on him, which jorge did appreciate.) but jorge never had the pace in his honda days to threaten marc, so nothing really got going between the two of them. if memory serves, the closest we ever got was catalunya 2019, where they had a bit of a coming together in practise - incidentally the first (and in retrospect only) weekend that season where jorge had potentially dangerous pace

But Lorenzo’s apology seemed to clear the air. Marquez explained that once he “was calmer” and the fear of dropping outside the all-important top ten had subsided, he could see the #99’s point of view. Marquez also noted how he was twice penalised in 2018 for similar actions to Lorenzo’s in FP3. He then pointed out how neither his team-mate, nor Joan Mir, who blocked the reigning world champion at one point during the Mugello weekend, were punished. Speaking to Spanish journalists after Saturday’s press conference, Marquez, said, “He [Lorenzo] apologised to me, because he was in the middle of turn three. While people can say it's only free practice, it was the third one, in which the last laps are like qualifying. “I was so angry because I knew that my lap was the one to enter Q2 directly. In the end I finished ninth, the worst classification of the year. It’s clear that last year I was twice in the middle of the track and on both occasions I was penalised. At Mugello I came across [Joan] Mir, we touched and everything and then at the end of FP3 it happened again with Lorenzo. But this happens... When it does everyone has to be judged equally. There is no difference. He simply apologised. Logically [after the session finished] I was calmer and I understood, because no rider waits in the middle of the track – or at least I hope they don’t."

obviously, this isn't like, a big deal, but in the moment it was one of those 'oooh maybe this'll go somewhere' incidents and the eternal drama enthusiasts in the commentary box were talking about it at the start of the race. like I said, that was jorge's first honda weekend where he was showing actual pace, so it felt like this might be building to something. except then, uh, jorge decided to skittle all of marc's rivals in one go in the race itself and somewhat hilariously managed to just miss marc. and then jorge got injured again the next race and it all just kinda fizzled out after that, so we never really got to find out what dramatics could have been possible there

and that's it as far as teammates prime!marc had in the premier class go. childhood rival pol espargaro took on the mantle for two years in 2021-22, at a time in which there was much kerfuffle about honda's development direction and whether they'd followed marc's path for too long. espargaro did attempt to assert himself in that team and they did try to develop the bike in a way that suited all the riders better rather than just marc, which *gestures at honda post-2020* worked insofar as marc also ended up in the trenches. that being said, pol was never a particularly serious threat to marc - aside from that one race to start off 2022, which maybe prompted a little bit of needle from marc (based on what the podcasts™ were saying at the time in any case) but nothing dramatic - so, y'know, that was kind of that. in those two years plus the year where marc had joan mir as his teammate, of course you can go into the weeds and dig out minor disagreements... but apart from the conversations around development direction and how marquez-centric honda should be going forward, it's just a bit of a different vibe when you're beefing for pee one million or who gets to be the leader of that year's crash rankings. of course, if you really want to stop marc from tormenting you, maybe you should just try being his literal brother. pecco, if you want any more useful advice like that: I offer very reasonable rates, just give me a call and we can hash something out

so, we've covered how the on-track stuff works and looked at the intra-team dynamic - what's next? time to explore a little more how marc goes about unsettling his rivals, how he attempts to give himself the decisive edge over his opponents... and also, what purpose this all serves when it comes to his own psychology. intimidating rivals typically has another underlying goal: it's about motivating yourself. it's about proving to your rivals just how far you'll go to beat them while proving as much to yourself in the same breath

again, at times we're a little light in terms of an actual paper trail of this intimidation... given that marc does like to take on the role of the aggressor in on-track disputes, often he doesn't even have to be the one to comment - and instead the onus is on his rivals to voice their dissent. there's also the issue that marc did have a paucity post-2015 in terms of 'serious title threats over the course of multiple seasons' - which, I don't know, this does feel like a thing somehow, you just don't really build feuds in a single season. even valentino, known feud enjoyer, always needed a little longer to really get something going. looking at marc's career, obviously you do have dovi, with whom he had a very cordial rivalry between 2017 to 2019... but the only year in which dovi was a serious title threat was in the first year of that rivalry, in 2017. after dovi's poor results in the first half of 2018, that title bid was essentially dead on arrival, and the 2019 title fight generously lasts until catalunya when jorge skittled the field minus marc. there's a couple marc rivalries with young challengers that looked like they were just about to kick off after 2019... but, well, we'll never find out how those would have played out. and it might be worth pointing out that in his prime, valentino's disagreements with riders who weren't serious threats to him winning titles didn't really go beyond what marc had going on with assorted other riders from 2016 to 2019. it's a bit of an open question if you want to attribute marc's lower number of feuds primarily to his actual personality and how it differs from valentino's, or whether you think it just reflects their respective competitive situations. the boring answer is that it's probably a combination of both of those things

that being said, obviously you can engage in a wee spot of psychological warfare without it escalating to feud level. now, let's get the obvious out of the way: marc and valentino were still very much at it post-2015. of course they continued to be deeply invested in their attempts to undermine and mess with each other. but, let's be honest, they're their own special little thing and it's just going to derail this post if I pay too much attention to them. there's a certain level of feuding where it becomes increasingly detached from any sort of actual competitive calculus and is more about a fraught relationship between two people who have managed to severely hurt each other. that being said, it's worth pointing out that marc was perfectly capable of using that feud to spur himself on. for the easiest evidence of that, just look at some of his misano performances... in 2017, valentino had just nerfed himself out of the title fight, whereas in 2019 he was no longer a serious threat to marc on-track. and yet despite how valentino wasn't the on-track rival marc should be concerning himself with, in both cases marc ended up using his valentino-related rage to find that little bit extra within himself in order to steal the victory

^from the marc (+ dovi) race rec post

there's plenty to be said about the misano 2019 qualifying incident, but let's set aside the specifics for now (though, speaking of towing-related drama, marc had again during fp3 shadowed valentino around the track, which... why are you hounding this man in misano of all places, marc). the whole kerfuffle certainly didn't hurt marc's race performance, and it's fair to say he seemed particularly thrilled with that victory. obviously, these were pretty pointed celebrations, very in your face, big fuck you to the nation of italy and valentino rossi specifically. celebrations like this are important in both what they're signalling to the enemy and what they're signalling to yourself. if there's one thing you can learn from valentino, it's that a celebration is a public message, and can function as a statement of sorts about what the victory 'meant'. what's the story you're telling with your victory? what do you want to take away from this race? what do you want your opponents to take away from it?

misano that year had come after marc's struggles in last lap duels, with the two races directly preceding it featuring last lap losses to dovi and alex rins respectively. now, on the one hand it's not always catastrophic on a psychological level to be constantly losing last lap duels... because in marc's case they did help reinforce just how dangerous he was, where even at his weaker tracks he would hound his rivals until the very end. on the other hand, obviously it's preferable to have a reputation for winning last lap duels as opposed to losing them - not least because it adds to how intimidating you are when you are locked in another last lap duel. valentino of course had a reputation for being lethally effective in that sort of situation, and it's nicely helpful if your enemies assume they're fucked when you're in their postcode with around three laps to go. I discussed this dynamic a little bit in how it relates to the sete rivalry here and here, which links back to the discussion of how you exert psychological pressure on the track. some relevant excerpts, plus some of my race notes:

marc is obviously more than capable of adopting similar tactics in his racing, but the sete rivalry still holds up as a really good demonstration of the kind of rewards you can reap through a steady diet of psychological intimidation. this is why it's so important to keep an edge over your rivals: you want them to be haunted by the ghosts of all your past on-track encounters whenever you're fighting to the point where it's detrimental to their actual riding. anyway, let's quickly check who marc was actually fighting with during the last lap of misano 2019, and whether that might have had anything to do with why marc was so thrilled to get the victory. oh, the rookie revelation of 2019 and the guy marc quickly identified as the big big threat of the future, you say? poor little fabio quartararo who still hadn't won a race yet, but who marc managed to dramatically deny on two separate occasions that year on the final lap? getting in early on the mission of building up some crucial psychological baggage, are we now?

obviously, and pretty tragically, this future investment on marc's part has ended up being completely irrelevant (unless yamaha wants to do something so so crazy for me and build a functioning bike before marc's hair goes grey), but equally obviously none of us knew that at the time. and fabio was able to take away some positives from the misano experience:

“I knew he would try something, but you never know with Marc,” said the Frenchman. “He can overtake and pull away because I really don’t know if he really saved his tyre. “The good thing was I could overtake him back, and this going home gives me a lot of confidence, to say ‘he’s a seven-time world champion, but we can overtake him’. So, he’s a human like us.”

because that's what it's all about, isn't it. giving the opposition the impression that you're not even human - and, even if fabio is saying the experience gave him 'a lot of confidence', imagine how much more confidence he would've gotten if he'd won. also, check out fabio's comment about not knowing whether marc had been saving his tyre. that's why the 'fucking about before fucking off' approach to races is so effective: because of how it generates uncertainty, it generates doubt, it makes your rivals wonder even during races whether there's a chance you're just toying with them

we do have a bit of a sample size issue here when it comes to assessing marc's celebrations, in that his two last lap duels with fabio came a) in valentino's backyard, and b) when marc sealed that year's title. it means that if the celebrations seem excessive, there's still other plausible explanations for why marc was so happy to get one over the rookie that aren't related to trying to bully fabio into submission for as long as he still could. did marc really use them as a way of reminding everyone, including fabio, including himself, of who's really in charge? again, you'll have to draw your own conclusions

I'm doing my best not to cover anything that's happening this year too much, since this is the stuff I'm assuming people reading are basically familiar with. but of course, if we're talking 'pointed celebrations' then there's also a few from this year that stand out. this isn't to say that marc's joy at his ducati successes have been anything other than genuine, that he isn't happy or relieved or revitalised by his current season... but, well, part of being revitalised is also being back in the game where fighting for titles is concerned. take the jerez celebrations, ecstatic in spite of losing a tight battle, openly loved and adored by his home crowd. look at how he's done his thing repeatedly this year of engaging with all these crowds, getting them to celebrate with him specifically. a cynic might say it's a way of reminding his opponents that they might be winning right now... but they should never forget who the crowds have really come to see. which would be charmingly valentino of him. while marc (probably wisely) never went too far in mimicking valentino's unique style of celebrations, he is an avid enough student to understand the importance of the theatre of victory. like in his third ever premier class race (from the jerez post):

racing is one thing, but it's always important to consider how you're reacting in both defeat and victory. like valentino before him, marc prefers not to openly show his rage. like valentino, more often than not he will be publicly magnanimous in defeat. like valentino, he's not adverse to twisting in the blade a little further in victory. like valentino, he's very much aware of when a camera is watching him. with marc, you can also observe how determined he is to appear unaffected and unbothered by the effects of sepang 2015 on his public image (except in displays of very carefully managed vulnerability like marc marquez all in). there's plenty of examples of this, but most relevant here is how marc concerns himself with not being openly affected by fans booing him. take blowing kisses to the misano 2017 crowd after his warm up crash... which, looking at his post-race presser comments, whatever he may say clearly (and understandably) did bother him. likewise, see the glee of the misano 2019 celebrations. with those celebrations, he's trying to tell you that not only does it not bother him that they're booing, but instead he relishes it. the more they do this, the more he will win

one more case study before we wrap this post up, this time using a specific rival to illustrate some of his more common tactics and how the spats he gets himself involved in generally play out. said rival is alex rins, who especially in 2019 had emerged as one of marc's prime challengers. now, before we talk about any disagreements between those two, I do have to mention that rinsy has a bit of history with the marquez family (this from 2016):

in the end, dani stayed on for another year and was replaced by another ageing spaniard marc felt confident he'd have the measure of while rinsy signed for suzuki - so it's very unlikely marc had to play any active role in blocking him from taking the seat. that being said, obviously the main takeaway is the bad blood stemming from alex marquez's moto3 title campaign and how alzamora organised that team around the younger marquez. god knows how rins felt about this by 2019, but I doubt he'd just forgotten about it. there's also this from 2020, which to me reads as a little dismissive about someone who was your teammate in moto3? I don't know, judge for yourself:

anyway, back to marc. the 'biggest' incident between the pair of them was a coming together in qualifying at brno 2019 (one of the all time great qualifying performances from marc by the way, well worth a watch):

During qualifying at Brno, cameras picked up the end of a tense tussle between MotoGP champion Marc Marquez and Suzuki's Alex Rins. The pair were caught putting some close passes on each other before pulling into pit lane, where they continued to 'duel' - until Marquez reached out with his arm to put some space between their machines. Marquez then over swapped to slick tyres and romped to pole position on the drying track, with Rins claiming sixth on the grid. "It's a tricky thing because for sure [Marc] is now one step in front of everybody. He put the slick tyres and he was super-fast. But I think he has no respect for the other riders. He is riding on his way," said Rins. "I will explain to you what happened: On Corner 5, he went a little bit wide and behind him was Miller and me. When he went wide, he looked back and saw Jack and me. Jack passed him, but then he went back onto the line and sincerely he disturbed me. I was pushing. I was not super-fast, but I was pushing. "So on the next left corner I tried to do my line. He opened a little a bit the door and I go in. I touched him, but I think it's his fault; if he is riding slow he needs to open the door and that's it. But anyway, then on the last corner he braked super-hard to overtake me [back]. Then when we were coming into the box I was in front of him and I go straight and he has no space to go by my side. If I was him, I would cut the gas…" "I ran wide at Turn 5 and Jack overtook me because I checked behind and I only saw him, so I tried to follow Jack because I know he had good pace. Then I went a bit too wide and there was a small space, but enough and [Rins] ran into me…" said the Repsol Honda star. “The funny thing was when we entered the box and the tyre wall was there [in front of me] and I didn’t have the space [to get through] because he was going that way. I don’t know if that was intentional or not, but for me it wasn’t important. I lose zero time on these sort of things.” Told Rins had said he had no respect for other riders, Marquez responded: “Of course I don’t agree with this, it is his opinion." "It's not the first time," Rins had explained earlier. "Everybody knows Marquez and everybody knows that he has an incredible talent, but also what happened in FP1 with Vinales was more-or-less the same. Marc loves to play this game and try to get in the head of other riders. But in my case I'm really calm. I just tell the truth and that's it." Asked if he thought he needed to try and get into Marquez's head, Rins responded: "No, I don't think so…. For sure if I'm fighting for the world championship with him I will try to do something, but he's 80 points in front of me - maybe he's scared, I don't know!" Austin winner Rins, who has fallen in the last two races, is fourth in the world championship.

their most significant race clash was in silverstone 2019, where alex got the better of marc in a very dramatic last lap duel. I've heard journalists make vague reference to marc not taking that loss particularly well, though... again. hard to actually pin him down on a lot of this! but we do have more extensive comments rinsy provided in early 2020 to work with, and he at least seems to agree with that assessment:

"Marc is so good at these mental things, he plays a lot with all the riders," Rins told the official MotoGP website. "For example in Brno last year, I was on a fast lap, he looked behind at me and opened the line a little bit, but not too much. I was on the dry line and I touched him. I lost my lap, but I continued pushing. Then in the last chicane he overtook me so closely, we were so close to a crash, and then he went into pit lane. From that moment, I said to myself, Marc is considering me as a rival." Rins - who declared "Marquez has no respect for other riders" immediately after the incident - got his revenge in the form of a thrilling last-corner victory pass on Marquez a few weeks later at Silverstone. "Marc is the man to beat and the rivalry is so high," Rins said. "More in 2019, because I shared more moments on track with him. For sure whenever he finishes just in front of me, I'm a bit angry, I want to beat him. But also for him. I remember when I beat him in Silverstone he was so, so angry." Rins added: "I like this because it means that I'm doing a good job. Marc is an incredible rider, winning a lot of races and championships, and if he thinks of me as a rival, it means I'm there fighting him." Rins took two wins on his way to a best-yet fourth in the 2019 MotoGP standings.

now, yeah... the problem is that this is all very much hearsay (but no more so than plenty of similar comments valentino's rivals made about him!) and rinsy could just be lying about this or misinterpreting it or whatever. we are very low on actual evidence for the stuff he says here. if you watch silverstone 2019 and the aftermath, you will not see a marc who visibly looks angry - of course you won't, because he almost never looks visibly angry. unfortunately, we don't have the chance to grill alex on why exactly he was left with this impression. at the end of the day, like with valentino, when it comes to evaluating the honesty of a lot of these character references you will just have to make up your own mind. like with valentino, some of these men will either be exaggerating the extent of the harm or just straight up making shit up. then again, like with valentino, the number of people who do seem to have the impression marc was fucking with them maybe suggests that there is something to these allegations

just a few things to note here... to highlight some of the common features that tend to crop up in these marc incidents:

there's the accusation of lack of respect towards other riders - valentino is the one who most infamously made that accusation in the aftermath of argentina 2018, but of course he's far, far from alone in making comments along those lines. marc certainly has a tendency towards being... uncompromising in his approach, shall we say, which can at times lean towards treating his competitors mainly as obstacles and inconveniences

the anger that's being attributed to marc. which he doesn't tend to directly express towards his competitors off the track! but if he is angry, it may instead... seep into how he approaches instances where they share space on-track, as well as affect his general demeanour towards them

there's rinsy suggesting marc is known for playing these games, that he does it a lot, and he's also known for being very good at them... which again is often something we only hear about indirectly, but of course it's interesting if that's the general paddock consensus

there's also rinsy's insistence that marc's games don't bother him at all - he's just calmly noting that marc's engaging in them! again, it's quite hard when you're familiar enough with valentino's oeuvre to not be slapped in the face with the similarity in some of the rhetoric their rivals use. doesn't mean all of these different dynamics are directly analogous, but it does speak to how determined the rivals in question tend to be in... y'know. telling themselves that they're above the whole thing. unfortunately, sometimes it is just very, very hard to be unaffected... and sometimes you're already losing by talking about it, because it shows you've been thinking about it

which, check out marc's response. 'oh, obviously I don't agree I lack respect' 'ah, I lose zero time on these things' (for another example of him using similar language, you could of course look to his comments about bez last year in valencia). this is marc's go-to - he generally quite likes to deny the existence of a problem, makes it sound like the whole thing is very one-sided... he keeps his distance and can maintain his poise and this veneer of neutrality, where he is not causing any drama. maybe the other guy's just imagining things! that's really not marc's problem, is it now

lastly, you've got this notion of marc messing with other riders selectively, and specifically doing it when he's identified you as a potential threat. again, maybe you think alex is reading too much into it! but equally, it's worth noting that we have as much evidence for marc messing with rinsy as we do for, say, valentino messing with casey in practise sessions in 2006 (as casey's autobiography claims). it would have been completely competitively reasonable for marc to identify alex rins as one of his primary threats in the future... and it would also not be hugely surprising if marc wanted to maintain a psychological edge over him

incidentally, at 2020 jerez rins and marc had another little run in during a practise session - where alex was left 'visibly frustrated' after marc was slowing down on the racing line while rinsy was completing a flying lap, which he ended up having to back out of. this denied rinsy direct entry into q2 (though marc didn't end up being penalised for it). of course, marc's jerez race reached an unhappy conclusion and rins was too injured to even start it, and after that they've never been even remotely close to fighting for a championship. though there's still a little bit of needle between the pair of them, mainly resulting from how rinsy ended up joining lcr honda in 2023 after suzuki departed the scene. there's marc's reasonably innocent comments in 2022, on a day in which rinsy won another last lap duel for the victory in phillip island:

"I will not give any advice," said Marquez. "For me it is another opponent. It’s good that joining Honda is one world champion [Joan Mir] and one rider that is winning races with another manufacturer.  "Like this we will see exactly the level. I’m working really hard for the 2023 project with Honda and they are working really, really hard too. I don’t say I wish [him] the best. Let’s just go and see. He is another opponent, if not it would be fake’."

or here, take this from before mugello 2023, again mostly innocuous:

By contrast, Marquez believes Mugello is one of Rins’ best tracks and he wasn’t surprised to see the COTA winner at the sharp end. “No [I’m not surprised], because Rins, even with Suzuki, had 5-6 circuits where he is very fast and then others where he struggles more. Normally here with Suzuki, he was very fast and very consistent,” said Marquez, whose only premier-class win at Mugello was back in 2014. “He is really good in fast corners so, for example, in Le Mans he was struggling more than me and here he is very fast. It is good for Honda and Honda riders that someone is faster because like this you have more chance to look and compare the things.”

love being told I have "5-6 circuits" where I'm very fast. or take rinsy's innocent surprise that marc didn't end up winning at the sachsenring, and how he suggests it was maybe because of all the pressure marc had been feeling:

"It's hard, it tastes very bad to me because Marc has a fucking talent and it's not being easy at all,” Rins was quoted by DAZN. “But hey, in the end you have to turn the tables, you have to win, you have to build a winning bike. "Damn, I thought that Marc would also win in Germany. What happened? I don't know, I have no idea. Pressure, extra pressure, I have no idea.”

and then, of course, there was always that little hint of tension that came as a result of rinsy being honda's only race winner that year, at marc's beloved cota of all places... which became a bit of a discourse point (not always propagated by rinsy) to say that, hey, maybe the honda wasn't so bad after all... anyway, here's what marc said when rinsy signed for yamaha:

Repsol Honda rider Marquez was asked about Rins’ departure and answered: “I had an interview, they asked me about this rumour. I said ‘I don’t think so’ because Rins won a race and he said ‘it’s a good bike’.  “So I didn’t expect this move. But then the day after! I’m happy for him, it’s a good move, he’s moving from a satellite team to a factory team. Yamaha has power and energy from the past.”

marc had said 'surely not' but then the very next day he was left shocked and taken aback! he'd thought rinsy loved the bike so much! he'd thought rinsy felt it was actually a good bike! he'd thought rinsy would never want to leave! how unexpected this whole thing was to him!

(there was also talk about rinsy's unhappiness at how honda treated him and his development feedback - but as there is less than zero evidence marc had anything to do with that, let's leave it there)

did marc really behave differently towards alex rins because he saw him as a threat? probably! possibly? probably! but he hasn't really felt the need to say as much. sometimes, you can fuck with people by staying silent, and sometimes you can fuck with them just because you have a reputation for mind games - which marc, like valentino, has acquired over the years. ideally, your on-track plus off-track presence gets to the point where you don't really need to do anything and can let your opponents engage in shadowboxing while you can spend your time in more useful ways. think of that excellent clip from motogp unlimited where poor joan mir complains about marc's towing, freaks out when he realises the press has said he's complained about marc's towing, and then goes to explain to marc how he hadn't actually complained about marc's towing. and marc, with the air of a man who has been high on painkillers for the past week and hasn't given joan much thought beyond contemplating how well he'd pair with potatoes, graciously accepts this explanation - which joan is painfully, obviously relieved by. marc wasn't playing any 'mind games' in this clip, he was just standing there. but sometimes that's all you've got to do! call it a good return on prior investment. (partly this is also just a result of the status the sheer extent of marc and valentino's successes provides them and, relatedly, their power and influence within the sport.) here, from one of oxley's books:

Once you've established a reputation for trickery, you can confuse people without doing anything. At this year's [2009] German GP Casey Stoner accused Rossi of attempting to confuse his rivals by scrubbing the white sidewall paint from his front slick; the paint denoting Bridgestone's softer compound tyres. In fact Bridgestone had run out of white paint (no, really), but the reality didn't matter because Stoner was sat on the grid, convinced Rossi was playing tricks when he should've been getting himself in the zone, focusing on his race.

that's the ideal, right: you don't even have to do the dirty work yourself because it's the reputation doing the work for you. marc inspires a similar effect on riders, where he just gets them to the point where they're spending way too much time hyper-analysing whatever he's doing at any given moment. which means that he doesn't actually need to be trying to fuck with anyone for the effect to still be the same. free and easy, what's not to love

so, that's it, more or less. all the on-track stuff, from 'how to build up an intimidating presence 101', to just being extremely annoying in non-race sessions, to trying to mess with your teammate, to more generally how you go about handling disputes with other riders. managing your motivation, their motivation, everyone's motivation. of course marc's not quite scaled the heights (yet) of cursing another rider to never win another race again - which, hey, nobody's perfect, but I think he's built together a fairly decent resume for himself! there's plenty more stuff you could get into here, c.f. 'everything that's been going on with ducati internal politics this year'... but this post is more than long enough, and you can follow all that stuff while it's actually happening. a few more related topics I've deigned outside of the scope of this post include how he generally manages perceptions of himself and his performance potential in ways that aren't targeted at any specific rival, for instance how he talks about his injury and has a tendency to change his tune depending on what's convenient at any given time, or how in the past he managed perceptions of the competitiveness of his honda package. likewise, I also haven't discussed the actual success rate of these tactics: let's not forget that trying to fuck with your rivals doesn't... always produce the effects you want it to. (sometimes just in kind of dumb ways, like I get messing with the rookie sensation but please try not to crash when catching a tow, marc. "marc clearly tried to get into fabio's head and I think he hit his head himself quite big." "so, I think it's karma. fabio's on pole and I hope marc is uninjured of course. but he tried to get in his head because he knows fabio is fast." not ideal!) but, hey, the most important thing is he's trying hard and having fun. or something

because that's the thing, right. when you are attempting to exert psychological pressure on your opponents, when you're trying to weaken your rivals, inevitably this also has an effect on you. there are athletes who prefer to completely ignore their opponents and act as if they are essentially competing on their lonesome. neither valentino nor marc fall into this category. as a result, how you behave towards your rivals inevitably also becomes at least in part about motivating yourself. you are attempting to focus your mind in some way - whether it is to see your rival as an enemy or to simply distance yourself from them or otherwise. you may even be minded to treat your rival particularly warmly, knowing they are less likely to give you grief if you have ensured the interpersonal relationship has remained amicable... maybe even looking for a slight psychological edge if they are not sufficiently motivated to beat you. maybe that too is about managing your reputation and drawing a line under past unfriendlier rivalries, to distinguish your most beloathed rival from all the others. you may need to find a way to keep the fire within going, to reinvigorate yourself even in periods of relative competitive tranquillity by giving yourself something to be angry at, a reason to fight and to win out of spite... finding reasons to care, again and again and again. celebrating with exuberance not just because you are genuinely filled with joy but also because you need to be filled with joy - so that you can find it within yourself to keep fighting. there's never just one brain involved in the arena of psychological warfare. to succeed in sports the first person you have to play mind games on, after all, is yourse- *gets taken out by sniper rifle*

[edwardashley]

Most Chaotic Modern AU Found Family/Friend Group Award Goes To: The Terror Mutineers

guy with working class trauma, misguided megalomaniac philosophizer, gay slut (writer or theater dude), smokes like a chimney and owns several knives, tatted up, almost deranged level of wifeguy

his bitchy, chronically ill, genderqueer wife, domestic king and actual breadwinner, constantly playing psychosexual mind games with her husband, does 50% of the chores

big bruiser jock, heart of gold, achingly in love with the first guy (they are f*cking, first guys wife knows, hates it, but cant stop them)

hard of hearing pretty boy, achingly in love with bruiser jock

angry small jock, size complex, achingly in love with bruiser jock

first guy’s best friend, cognitively disabled, but everyone treats him nicely. does other 50% of all the chores because the others are slobs and/or inept, may or may not be able to see ghosts

rich guy #1, won’t stop talking abt piss, sexfreak, has at least a graduate degree but feeling rebellious after being passed over for promotions by “the establishment”, funds most of the group’s shenanigans

rich guy #2, related to the queen, autistic, musical savant, catholic guilt, here against will, but somehow best friends with The Wife

barely legal delinquent who lives off cheetos and mountain dew

Completely Nice and Normal Boy-Next-Door Type Guy who keeps trying to leave but gets somehow f*cked over by the group’s plots and schemes

[alovesongtheywrote]

Nightmare Academia P.5 | Spencer Reid x Reader

♥ Summary:  the prank war continues- you steal spencer's mugs, he uses one of your worst fears against you, and you're both dicks to each other [Prof!Spencer Reid x GN-Prof!Reader]

♥ Warnings: reader makes a mean comment about spencer being fatherless, spencer picks at the reader's insecurities- y'know, normal fare. also, spiders. ALSO, MENTIONS OF THAT RABIES EPISODE FROM SEASON 9.

♥ A/N: i know this has been mindless shenanigans so far, but the next few chapters will contain hints of plot, i promise

♥ Word Count: 1525

Series Masterlist

You didn’t have to send the typewriter in again.  For the most part, this was a good thing- it meant that Reid was no longer torturing his students by making them write their notes and assignments by hand.  It meant that your students were no longer lingering on the edge of collapse.  It meant that the student body was dealing with healthy levels of stress.

It also meant you’d lost your main method for bothering Reid.

While you wouldn’t complain about Reid going pro-tech (or at least tech-neutral) it did mean that you couldn’t send the typewriter to Reid’s classes without being a massive bitch.  Before, when he had been tormenting his students, the annoying click of the typewriter had been a punishment.  It was all fair game.  

Now, you would have to find something more creative.  You would have to get crafty- punishing Reid for his various slights against you whilst being annoying, but not disruptive.  

So.  You decided to steal his mugs.

The idea crept over you like a bug, wiggling into you until you just had to do it.  So, you did.  You waited until he was teaching, and you snuck into his office.  The lock on the door was university regulation- and therefore, it was easy enough to bypass with a lockpick and the tiniest bit of skill.

Like that, you were in- and you were overcome with the realization that this was the first time you had ever really been in Reid’s office.  He’d been to yours plenty of times, he was the one who dropped off the typewriter after every class, but you never had a reason to come to his office.

At least, you hadn’t had a reason until now.

You were surprised by how familiar the space was.  It was warmly lit, filled with books and various trinkets.  The walls were covered with his doctorates and degrees.  Mathematics, Chemistry, Engineering, Psychology, Sociology- fuck that guy for being smarter than you.

You didn’t have time to dwell on that, though.  You were on a mission.  A mug-related mission.  

You searched the office, looking through drawers and swinging open cabinets until you found what you were looking for.  Behind Spencer’s desk inside a small cabinet, they sat- mugs.  Honestly, the sheer number of mugs tucked into such a small space was kind of impressive.  You certainly had options.

Eventually, you selected a dark blue mug designed to look like the TARDIS.  That was cute.  You did your best not to find it too endearing.  You promised yourself that you wouldn’t find anything in that office endearing.

And then, upon standing, you immediately broke that promise.

On top of the cabinet that stored all his mugs was a copy of Pride and Prejudice.  Your fingers brushed across the cover.  That alone was enough to charm you, but then you noticed, beneath the book- an article.  An analysis of Pride and Prejudice.  You would know the words on those pages anywhere.  You wrote that article.  

You felt heat building beneath your skin as a blush crawled up to your face.  You pulled away from the book as if it had burned you.  Kicking the cabinet door closed, you collected the mug in your hands, and you raced from the room as fast as you possibly could.

-

Reid enacted his vengeance swiftly.

Clearly, he was still in contact with that FBI tech girl of his- and CLEARLY, she was less of a tech girl and more of a mind reader, because she somehow found out about your phobia of spiders, and then she told Reid about it.

You knew all of this because one morning, you walked into your office to find a mug sitting innocently on your desk.  Inside of it, a rubber spider.  You, however, didn’t know it was rubber.  

You had spent the night before grading assignments, helping your GED students edit their papers, and crying over a really cute baby goat.  Needless to say, you were sleep-deprived- and it was in this sleep-deprived state that you flung the mug at the wall on instinct because you thought there was a spider inside of it.

Luckily, Reid, in his infinite wisdom, had predicted that this would be a possibility- or you assumed he had.  The mug was a tough thing, and flinging it at the wall hadn’t even put a chip in it.  The fake spider was also fine (which was good, because if it had been alive, and you had killed it, you probably would’ve cried again).

Once your racing heartbeat had returned to normal, you tried to calm down by grabbing one of your actual mugs from its actual place in a large drawer beneath your desk.

A fake spider sprung out at you the second you opened the thing.

You screamed, slapping the fake creature right off of its mechanism and across the room.  Once you were done having a teeny tiny panic attack over that, you took a closer look at your mug drawer.  Reid had put his engineering degree to good use, rigging up a mechanism that would let the fake arachnid jump at you once you’d triggered it by opening the door.  You were pissed- and a little bit impressed- but mostly pissed.

The last straw was the actual spider on your ceiling.  It wasn’t put there by Reid, but you still blamed him for it.  Once the little critter was gently placed outside, you stormed off to Reid’s office.  You didn’t care that it was the first thing in the morning, nor did you care that you had a class starting in a few minutes.  The only thing on your mind was Spencer Reid, and the many ways you could insult him.

You practically kicked open his office door, hitting maximum rage as you stormed inside “You DEEPLy UNFABULOUS POOL NOODLE.”

“Good morning, Dr. (L/N).  Sleep well?”

“No.  Fuck you for asking.  Fuck you even more for the SPIDER in the MUG.”

Spencer didn’t even look up from the paperwork on his desk, “At least it was fake.  The bacteria colonies that are currently gathering in my mug are very real.”

“Oh, come on, Reid.  I’m not using it.  I have some decorum.”

He flipped a page, “I find that hard to believe.  So, what kept you up, (L/N)?  Crippling self-doubt?  The crushing weight of reality and your inability to find a place in it?”

You brushed off the self-doubt comment.  He couldn’t know that was half of what kept you up grading papers so late.  

“Oh, baby, I know my place in it- it’s twofold.  I’m here to be dumb and annoy your terrible self,” you walked over and pushed all his papers to the side just enough for you to take a seat, “And I’m all out of dumb to be.”

Finally, Spencer looked up at you, “So here you are.  Y’know, insecurity doesn’t look good on you.”

“And fatherless behaviour doesn’t look good on you, yet here we are.  ANYWAY, my special little science boy, I am here to inform you that you’re gonna need to get more mugs.  Why?  Because I’m going to take everything you have, and I will leave you with nothing.  It won’t be today, nor will it be tomorrow, but one day you’ll come into work to face the most terrifying of all the Earth’s horrors- a lack of mugs.”

He paused, lips parted slightly as his eyes danced up and down your face.  Honestly, he probably would’ve been more upset about the fatherless comment if you hadn’t followed it up with such a monologue.  Now he just felt the need to one-up you.

He’d heard somewhere that less is more.

“Actually, the most terrifying of all Earth’s horrors is probably rabies.  Y’know, the BAU once had a case where a serial killer forcibly infected his victims with the disease in order to kill them.”

“Excuse me?”

The pure horror in your voice was delightful.  Spencer looked down to his wrist where his watch lay over his cardigan.  Of course, he already knew the time- he just didn’t want you to see the massive grin on his face, “Oh, shoot.  I have a class to teach.  Help yourself to the mugs, Doctor.  I hope you like arachnids in yours.”  

You sat in shock as Spencer grabbed his bag and threw it over his shoulder.

“Wait, Reid, I’m still on the rabies thing-”

“Bye, (Y/N).”

“‘Bye?’  The fuck do you mean ‘bye?’  Get back here and explain the rabies thing!”

He did not get back there and explain the rabies thing.  He just left you in his office with the terror of rabies hanging over your head.  Moving quickly, you stole your mug of the day and left.  That evening, while Reid was revelling in his temporary victory, you made a call that you never thought you would make.

“Hi, is this Derek Morgan?  Yeah, I’m a criminal justice student,” you lied, “I just had some questions about a case of yours involving rabies?”

Reid would rue the day he brought up the rabies thing- on that, you and SSA Morgan agreed.

♥ Tags: @icarusignite

[knightmareaceblue]

I had an idea for an animation vs. DnD type thing. Don't know if I'm going to do anything with it, but I liked the concept and characters I came up with for it, so I decided to draw them.

Some notes:

-TSC is the DM, and thus doesn't have a character. Green's character Limerick, however, has a twin sister in his backstory, so with Green's permission Second designed her to look like them. It looks like the two have matching headbands, but actually Limerick is just wearing Melody's. :(

-As a DM, Second is very good at weaving together a world and story, and successfully ties everyone's backstories in with the main plot. They are also, however, a bit controlling and easily annoyed. Red and Purple often get things thrown at them by Second for going too off track or just being plain stupid.

-Blue's character Azure (neutral good) is technically the party leader, having been the one to gather the party and issue the main quest. They are not, however, very good at keeping the party on track. Especially Spark and Amethyst.

-Limerick is a true neutral bard that got double classed as a fighter when the sticks realized they didn't have a lot of physical fighters in their party. He's also the most stand-offish member of the group.

-Yellow's character Spark was originally going to be a chaotic evil character, but some pouting and pleading from Red and Blue caused them to relent and change to chaotic neutral. They were a little annoyed about this, but whatever.

-All of the characters' backstories take a little influence from their actual lives. Red's druid/ranger Carmine (chaotic good), however, is the one where it's most obvious, having spent much of their childhood being possessed by a forest god before breaking free, fighting them, and then the two coming to a truce and the forest god training Carmine in the art of the druid. It may look like he's wearing fur pants, but they're actually made of leaves.

-When being handed a character sheet for a rouge, Purple demanded to know why everyone assumed they'd pick that class. Red, who had been sent to get them, responded, "Well, what else would you be?" Purple couldn't respond and just huffily filled out the character sheet. Their character Amethyst is a chaotic neutral.

-MT was a last minute edition to the game, having been guilt-tripped/emotionally manipulated by Purple into joining. His barbarian Bronze seems like a chaotic neutral, but they're actually lawful neutral: They just follow barbarian law instead of the law of the country. TSC is the only one aware of this, and silently finds it hilarious.

Some Shenanigans:

-Each party member has their own motive to join Azure's quest to save the world: Bronze because of honour and also this kid's stupid and will get themselves killed if they let them go alone, Carmine because the world-ending quest has put the forest and the forest god in danger and he wants to save them, Amethyst for the promise of safety and security afterwords, Spark because research for her magical weapons, and Limerick because Azure agreed to help him with a personal matter in exchange.

-Limerick originally didn't start out with a cape. Upon realizing every other character had a cape however (Yellow tried to argue that Spark's poncho thing didn't count, but Green said it counted in spirit), they decided Limerick had to have one too. TSC said that since character creation is over, they'd have to buy a cape at the nearby town. This caused Green to get annoyed and reject every cape they 'found' in the shops. It went on like this for a while until TSC got bored and turned it into an insane side quest, complete with a vampire mafia. Limerick staked the boss vampire and stole their cape.

-Bronze is a hunter; Carmine is a vegan. They get into quite a few arguments because of this and more than once Carmine would sabotage Bronze's hunts and get them into trouble with whatever the highest level monster in the area was. Consequentially, Bronze is a little better at stealth than your average barbarian.

-Purple has a bad habit of taking inter-party conflict too personally, and at some points gets legitimately upset. They repeated have to be reminded that it's just a game, and occasionally Second will call timeout for them to cool off.

-Every weapon except Limerick's lute has a magical gem on it to enhance it's abilities. Spark has stolen the gem off every weapon except Amethyst's Golden Moon Dagger (which they can never pass the check to steal) at least once for their magical experiments.

-The most loyal, trustworthy, and responsible member of the party is Bronze. Everyone but Purple finds this surprising. The second most is Azure, but they're incredibly naive and keep getting the party into trouble by trying to help people.

-Yellow wants their character to betray the party at some point, and then have a redemption arc. Second is the only one who knows about this, and they're all for it.

-Green is convinced the campaign will have a happy ending, because 'Sec is a sucker.' He isn't wrong.

[dailyadventureprompts]

What’s fasinating about the d&d movie is that it is all the fun of d&d removed from the rigid restraints of the the clunky game system: Thrills and laughs and hairbrained schemes minus the minutia of needless rolls or waiting for your turn in initiative to circle around. Part of this is idealization, but as someone who’s obsessed with making my favorite game system the most fun possible I can’t help but draw some comparisons.

Combat: Holga’s fight scenes were a highlight of the film for me, displaying a huge amount of kinetic creativity as she pinballed between different combatants swapping out weapons, bouncing off the surrounding terrain . This is a far, far cry from how being a fighter plays out at the table, as most martial characters are focused into doing just one type of attack as good as they can because it’s their only reliable contribution to combat. Try to model Holga’s fights in game and you’d be caught in a boring slog of dealing 1d4+STR damage to a bunch of guards whittling away at their hitpoint pools, a far cry from the lighting quick flury of smashing, bashing, and flips that make her the film’s action setpiece.  

What d&d needs is a system for combat that exists alongside the traditional damage/HP paradigm: an additional layer of complexity for martial characters that encourages tactical thinking and lets those who do their damage up close feel just as cool and as clutch as casters. My mind’s already whirling thinking up something that revolves around stuns, suckerpunches, and positioning, so expect it later this week. 

Powercreep: This might be subjective but I find it fascinating that the official stats put out for the party has them hovering around level 16, a point in character progression  a)that  most characters never get to b) by which the game’s difficulty systems have begun to break down. I suspect this was done in order to keep their on-screen abilities in line with how they are in the base rules, but I can’t help but feel like its odd for the “idedalized” dnd experiance to be playing around with toys that most groups will never get their hands on. 

In my experience d&d is on a sliding scale of stakes V Shenanigans, with the exact ballance evolving over the course of a campaign:  Your group starts out as a bunch of dumbfucks and at some point while you’re making  making absolute fools out of yourselves you become a found family just in time for the consequences of your actions to circle back around and threaten the realm. First the characters start caring about eachother, then they care about the world, then they have to save that world. Level 16 is, for me, distinctly in “save the world” territory, despite the fact that the HaT crew are clearly still figuring out who they are and what they care about.  It makes me wish D&D was more free with its shenanigan enabling magic/items/class features at lower levels to help fuel these kinds of antics.  

Attunement: Perhaps the best “ oh I’m totally going to steal this” moment came from Simon’s attempt to attune to the helm of disjunction. Turning what was otherwise a rote game mechanic into an oppertunity for character growth was genius on behalf of the writers, though one I’d only really employ with items that were as necessary for my plots as the helm was for the heist. Just like Simon’s major flaw was self doubt, I could easily see delicious storytelling potential in throwing up other emotional hurdles depending on the situation: A hero’s sword refusing to attune to the haunted survivor until they’ve come to terms with what they’ve done, an otherwise altruistic character being forced to admit their sin and self interest by an evil-aligned artifact. 

Over all, I really enjoyed the movie, though paradoxically It didn’t hook me as much because for me one of the biggest charms of fantasy is the feeling of discoverying a new world, and I’ve been living the d&d world for the past 20 years so it didn’t come of as wild and magical as it could have been, having hewn so close to established d&d material. 

[dirtbagcore]

HELLO im thinking about your saiki k / spyxfamily au...... im so fascinated by this family dynamic. does kuriko still have all her powers, or just telepathy? in your comic it looks like she still does the telepathic communication which i LOVE. pairs well with anyas constant yapping...... also, if kuriko does have all her powers, how powerful is she? id imagine she'd be about at the level of 16-year-old saiki with limiters, since in the time travel episode he was a bit older and a bit stronger (but he also didnt have glasses so i guess he didnt have the power to turn people to stone yet? i wonder if there are other powers he unlocks later. its probably in the manga but im only halfway through 😭). man, just imagine the shenanigans those kids would get up to..... even just putting kuriko in anyas place would be hilarious, but then also throwing anya AND kuusuke into the mix???? these kids are gonna accidentally destroy the world lmfao

but im also fascinated by the dynamic of. anya and kuriko being siblings and knowing about each others powers, but no one else knows about them (except probably kuusuke?). cause like. kusuo originally can use his powers at home, so now he can use them less freely, but anya originally had NO ONE who knew about them and now she has 2 siblings who do, so she can use them more freely. which would probably result in an even more reserved kuriko and an even more outgoing anya. plus kuusukes inferiority complex would be doubled..... loid has no idea what he just got himself into lmao. just absolutely insane family dynamics all around im obsessed

ANYWAY sorry for yapping in your inbox but i would love to hear any other thoughts you have about this au..... if you wanna share.....

^((TLDR; [in my S×F / Saiki K crossover AU where kuriko & anya are twins] what are kurikos powers? what's the new family dynamic?))

HIII! ( ≧∀≦)ノ THANKS 4 THE ASK!!! v happy to answer, i was thinking kuriko would:

1. still have all her powers, and

2. they would be weaker than in canon since she got her limiters early⬇️

this obv includes the fact that she can remember all her time as an infant, so thinking of that (considering the vague experiments anya went thru in canon) i deffo think ur right about her being even more reserved ( ´,_ゝ`) </3 tho tbf anya being kuriko's voice and seeming (from an outside perspective) to always just KNOW what she wants, no matter how specific, sounds really freaking cute ( T∀T)

i imagine her other powers coming up in little scenes (+ prob main plot stuff but im not writing allat for a thought experiment lol)⬇️⬇️

overall, i think the family dynamic would be like this⬇️⬇️⬇️

kusuke wouldnt be threatened by anya cause all she can do is read minds, shes no genius on top of that. his relationship with kuriko tho, i feel like would be similar to how it was in canon, except that since kuriko is more fragile here, id imagine that she'd be less willing to indulge kusuke's games- leading him to harbour more genuine resentment, in turn leading her to kinda fear him. it'd make their dynamic more angsty than the og, but tbh i feel that that lends well to the new setting/kusukes new role.

i dont think kuriko would mind loid or yor, but since she can remember their bio parents (kuniharu & kurumi) better than anya, i dont think she'd be able to accept them as her parents right away, especially yor.

the only other thing i wanted to mention was:

how did kusuke get into eden without parents, you ask? (you didnt but--) YOU ASK?? well obvi its cause he's a super genius and probably achieved something so crazy that the schoolboard REALLY wanted him as an alum, so he completely skipped over the regular admission process. he would live in the dorms and probably avoided talking abt his parents entirely (cause who would share their personal trauma with ants??), leaving a very convenient spot for loid to slip into lol

anyway! thats basically it!! thanks again for the ask, hope at least some ppl appreciate our wall of text!! (me n you are like this 🤞 btw. YAPPING 🔛🔝🔥) ☆(゜∇^d)!!

[the-whole-shebang]

BOTW Champion Headcannons: Dungeons and Dragons Edition

Prepare for the chaos.

Characters:

Link was the Dungeon Master and the one who introduced the Champions to the game. He's been waiting for this moment.

Zelda played a half-elf druid. The second Link mentioned turning into animals she was all in.

Mipha played a fairy cleric. Link was worried she wouldn't have fun because she's always a healer, but she was just really excited about the cleric abilities.

Urbosa chose a fire genasi barbarian with a massive double-blades battle axe. She's never been more hype for anything in her life.

Daruk played an orc paladin. He didn't really understand what was going on but he knew Link was really excited about the game so he did his best.

Revali played an aarakocra ranger. When Zelda pointed out that he was basically playing himself he responded with, "Exactly."

Riju picked a kobold rouge and made a point to point out that her character was chaotic neutral.

Teba was a harengon monk and dumped all his stat points into dexterity.

Yunobo played a minotaur artificer with the most heartbreaking soul crushing backstory ever.

And finally, Sidon chose to play a satyr bard for no other reason than it sounded fun.

The Shenanigans:

Link spent weeks planning, plotting, worldbuilding, and hyperfocusing on this fiction world and campaign. He definitely lost sleep over it.

Zelda was the only one who actually tried to stay with plot. However, she still took every opportunity avaliable to abuse her wild shape ability.

Mipha got incredibly attached to every single NPC they met and begged the others to let them come with them.

Urbosa's play style consisted of two things: A. Antagonizing as many creatures, enemies, and NPC's as possible and B. Bullying Revali.

Because Daruk knew how hard Link had worked, he stopped to investigate anything and everything, much to Link's delight. He was also definitely the player who spent 30 minutes trying to get through a door when all he had to do was open it.

Revali insisted that his character was super angsty and hated the rest of the party, but they all completely disregarded it. He also spent most of his time trying to avoid Urbosa's antics.

Riju was the most chaotic and unhinged of the party, and she totally tried to fight the BBEG at like level 4.

Teba really tried to strategize and find a way to defeat every enemy in the most efficient way possible, but his efforts were sadly in vain. Most sessions ended with him pinching the bridge of his beak in disappointment.

Yunobo obsessed over the story and lore and took detailed notes for the whole campaign.

Sidon abused his charisma stats to befriend everybody and everything. He probably ended up defeating the BBEG with a therapy session.

[tobiasdrake]

How strong is Mr. Mark "Hercule" Satan in the manga? From what I know, in the anime we see him either vanish or use the afterimage technique (forget which) and I think dodge bullets - is that in the manga too, or he is just meant to be at the peak of real-life human ability (like the guys Kid Goku and Krillin fight in the preliminaries of the World Tournament)?

Peak of human ability. Within human limits, Mr. Satan is the world's greatest martial artist.

Right off the bat, he's identified by martial arts lore guy Yamcha as the martial arts champion of the world. The Cell Games reporter, known in the dub as Jimmy Firecracker, corroborates this statement at the tournament.

The anime hypes him up by pulling multiple buses and ripping phone books in half. However, in the manga, the Cell Games start like right after Mr. Satan steps out on-panel for the first time and gives his speech. Goku and the others have one chapter to wrap up the revival of Shenron and then it's off to the tournament.

The first we see of what he can really do is when he steps into the ring, bringing with him a tremendous demonstration of his power.

Jimmy's right. This is very impressive.

Uh. Within human limits.

It's just that we're a bit beyond that baseline by this point.

Incidentally, a common misconception for Mr. Satan is that he won the 24th Tenkaichi Budokai leading up to the Cell Games. He did not. The Tenkaichi Budokai was cancelled after Piccolo nuked the island it was held on, and wouldn't be revived until after the Cell Games.

That said, he did compete in it after the Cell Games, and he did win the gold.

This is a very easily confused plot point, so much so that even the Daizenshuu gets it wrong and pegs the 24th as having just happened five days before the Androids activated.

But although Mr. Satan was the world champion, he was not the champion of that tournament. Not yet.

All indications seem to be that Mr. Satan won the 24th legitimately. No tricks, no shenanigans, no fooling around. The punch machine records Satan at 137 points of... whatever measurement they're using.

It's just a couple points under the all-time record set at the 24th, also by Mr. Satan.

This slightly lower reading is probably due to the, uh, changes in his workout regimen since the 24th.

We never get to see this tournament, but we get a glimpse of it and its structure through its contestants. A few of the contestants at the 25th are veterans from the 24th, coming back to try and take another crack at the champ.

Satan is the leader of this pack, having won his championship belt in a stunning final bout against Jewel that left the announcer underwhelmed and disappointed.

Goku and his rivals have absolutely ruined this man for standard human-level martial arts. They've raised the bar so high, Mr. Satan couldn't possibly compare.

Though, by Gohan's estimation, Videl's outgrown him too.

Had the 25th not had all these aliens and gods and warlocks cluttering it up, there's a real chance this tournament would have ended in Videl dethroning her father in the finals. Something I would dearly pay to see.

As far as dodging bullets, I think the closest he comes to that is when these two idiots attack Buu.

When he scurries out of the way of this RPG they fire at Majin Buu. Though we don't see how far he got, as he momentarily vanishes from the manga following this blast. Perspective remains on the attackers reloading and firing on Buu some more while Satan makes his way to their position under cover of tunnel vision.

The actual gun that's shot at him in this fight hits its mark. But also it was a shot from behind so he couldn't have dodged it even if he could dodge bullets.

So I'm gonna call that "inconclusive" on whether he can dodge bullets. By battleboard logic, I'm sure escaping the RPG is an incredible feat. Mr. Satan is only peak human but, like, so is Batman. He's within human limits, but "human limits" can be extremely flexible in animation.

This is the same kind of thing as when cartoon characters dodge lasers.

And that's Mr. Satan's career in a nutshell. He's the biggest fish of a small pond (except for his daughter who's outgrown him). Talented and formidable in his own right, supremely impressive within his weight class, but woefully out of his league.

[randompony03]

The Amazing Digital Theme Park

I'm FINALLY ready to share this au with you all!

It took a very long time bc I kept taking breaks from it, but the second episode has me thinking about it again and I finally got around to designing all of the main cast which is what I wanted to do before showing it off!

With that out of the way, let's jump in, shall we?

AU Information

The Amazing Digital Circus is now a theme park! And a massive one at that. This takes a little inspiration from West World (really just premise wise, not so much plot as I only saw bits and pieces since my parents were binging it while they had covid).

Every character interacted with in this theme park is an android. There are several sections in the park itself. Each one has one particular android that is “in charge” of their section and everyone else in it, that's our main cast.

It also important to note that the sections are exactly that. Sections. They are divided from each other. Per park rules, no characters from different sections should interact. This, however, does not mean that park guests are not allowed to discuss a different section with the androids. They are programmed with a certain level of knowledge of the other park sections and are learning ai.

Characters

Pomni

Pomni is in charge of The Kingdom Jokesalot. This section resembles a fairy tale kingdom with characters who are wacky and jokesters, most resembling various clowns. This section also serves as a gift/souvenir shop. There is a “marketplace” with it that has products for guests to peruse and purchase.

Pomni, as a jester character, will poke fun at other characters and sometimes even guests. However, to give a balance, she is a “clutz” so guests are less likely to be disheartened by her jests. While Pomni is in charge of this section, there is a “king” of Jokesalot.

Ragatha

Ragatha is in charge of The Playroom. This section has characters resembling various types of dolls and toys. There are activities park guests can partake in, most of which are some form of children's game. This section also serves as a candy store, as there is a sweets shop within it. Ragatha herself is equipped with candy hearts to pass out to park guests.

Ragatha is a pleasant conversationalist. She's very gentle with guests and well coordinated. The other characters are programmed to come to her with “problems” to allow for a narrative guests can participate in.

Jax

Jax is in charge of Toon Town. This section, as the name implies, is based around cartoons, more so specifically the rubber hose era of animation. The characters mostly resemble animals, but there are human characters in the mix. This section also acts as an eatery, as there are multiple “stores” or “restaurants” within the town where guests may have their pick of meal type.

Jax himself serves as the supposed “main character” of the “show”. He's a prankster and will get into various shenanigans with other characters, often having park guests tag along and be his accomplices. This can vary from spooking “travelers” on a dirt path or helping him steal a pie from the local baker. Jax is programmed to act differently with guests of different ages. Adults he is more prone to tease and pull harmless pranks on. Children he is more gentle with, playing with them and doing things in their presence to keep them entertained.

Zooble

Zooble is in charge of The Museum. This section is focused around arts and crafts types of entertainment. There are different stations set up to engage park guests in different forms of art. There are other characters who embody these different forms. The Museum also has a caricature stand.

Zooble themselves seems very dismissive in behavior. They will roam around the museum, criticizing the works of other characters. When commenting on the craftsmanship of park guests, they speak only high praises. Guests are also given a choice to leave an artwork in The Museum for display, or take it all home with them.

Gangle

Gangle is in charge of Make Believe Theater. This section is all about the performing arts. The characters there are of various types of performer. There are curtains, lights, costumes, makeup and props of all kinds. This section also serves as a costume shop or rental.

Gangle herself is a “director” of sorts. She oversee the performances. Park guests may find her with a “predicament” of missing one or more cast members, which will then lead to her throwing them into the mix. Guests are encouraged to fully embody their roles to the extent they are comfortable with. Gangle will treat guests as her “star actors” and use them as shining examples for the other characters to follow.

Kinger

Kinger is in charge of Board Land. This section is themed around various board games, which all the characters reflect. Kinger is in fact considered as one of four “rulers” in this section of the park. If questioned about the king of Jokesalot, he will acknowledge him with mild curiosity.

Kinger is a gentle “king” by nature and tends to the other characters, though is programmed to be “jumpy” for added comedic entertainment. He is the only Manager Android to have a “spouse” or “partner” of any kind, his being Queenie, the black queen on the chess board.

Caine

He's the first face you see! Even before you enter the park, given he's sort of the mascot. Caine can be found at the park plaza where he gives directions, helpful hints or even just general banter with park guests. It is made out that Caine is the one operating the entire park given he's the one most aware of everything and everyone else.

Caine is very amiable and pleasant to talk to. He's programmed with knowledge of the entirety of the park to be as helpful to guests as possible. He's equipped with maps of the park to hand out if wanted.

Bubble

Bubble can also be found in the plaza. He has a bubble blowing station with tubs of soap and various bubble wands. There is also a bubble blower to have the constant stream. It's simple and peaceful, fun for all ages!

Bubble himself is a little cheeky, but first and foremost is focused on making it fun for guests. Bubble and Caine are “buddies” of sorts and will have banter of their own.

[n1ghteeea]

hi im back :•) I see ur in need of asks so here’s a question that’s been in my own mind for a while if ya feel like it !!

So. The gang is great when it comes to catching ghosts. But how well do you think they’d handle a situation with no access to/where they aren’t allowed to use their equipment? (Ie scary games, etc. I think that would open some funny shenanigans)

Took me forever but I finally got time to properly answer this!! I think when it comes to horror content they’d all be very different.

Egon wouldn’t really like it since he addresses parapsychology veeery seriously, and in his opinion all the movies, games and books are “inaccurate and spreading misinformation across the masses.”

That is to say, he doesn’t mind watching horror movies with the rest of the team, thought he keeps his opinions on the plot to himself. I do think he would really hate gore, though. Slashers are definitely not for him.

Ray would loooove everything horror-related, whenever they watch or play something scary he’d spend the majority of time classifying all the monsters and comparing them to the ghosts they have caught, or pointing out where the inspiration could have come from. Man’s in love with his job!!

Peter would be neutral on these things, he’d say “I see enough horrors on the job” but still sit down to watch or play something scary bc at the end of the day, it’s about the company. Also he yelps at jumpscares, he’s always the one screaming the most on the busts and that translates to games, too.

Winston would lock tf in when playing horror games, set on winning every time, he’s a ghostbuster after all!! He gets extremely competitive and doesn’t even care about the horror part that much. He’s also neutral on scary movies, but I think he really likes creepy detectives books!!

Janine is not scared of ghosts, she’s kinda on Winston’s level: books over TV, and very competitive. If these two ever sit down to play something together, you bet the others will have to drag them away bc they would NOT be able to stop and admit defeat. I do think she’d jump at jumpscares, but if someone (mostly Peter) would even suggest something like “aw, you scared? don’t worry, we’ll protect you” she’d smack him lol

[howdomaddie]

on sora’s time in the sleeping worlds and coming to terms with other’s pain

so, i was recently rewatching a playthrough of the kingdom hearts series from a YT channel i particularly enjoy and had some thoughts when it came to dream drop distance. the player had quite a bit to say about the overall plot of that game, and that seems to fall in line with how i’ve seen a lot more people than i thought view DDD as well--that it’s not that great? i totally get being frustrated with the real organization shenanigans because the planned time travel was a bit much but…idk, i’ve never really been into KH for the villains and their schemes. DDD has always kind of been one of my favorites, so as i was rewatching this playthrough of it, i was thinking over why it gets the flack it does story-wise, and why i still think it’s good beyond that.

i’ve always loved riku’s arc, and i loved sora in DDD, but i was honestly “meh” on it until this current rewatch when i was thinking over it all again, and keeping in mind other things in the series better. and now i think i’ve cracked it--i figured out a nice little piece for why sora’s arc works, even if it’s subtle and possibly not fully intended.

and…bear with me here…but it’s partially because of re:coded

STAY WITH ME, I PROMISE I HAVE A POINT!!! it’s below the cut since this will be long, but hear me out: sora in DDD is going through the same things that data sora did in re:coded, and proving that he will always come to the same conclusion about how to handle the pain the others in his heart have gone through (maybe someone’s discussed all of this before, so sorry if i’m just rehashing a well-known point, but…wanted to share my thoughts, haha)

okay. so, in order to really talk about this, let’s revisit what are probably the most important sections of re:coded, and what they do well on a story-telling level.

in the last quarter or so of re:coded, data sora is brought back to help mickey and friends find the meaning of the second message that’s appeared in jiminy’s journal: “Their hurting will be mended when you return to end it.” data sora ends up arriving at an illusion of castle oblivion, and is goaded along by a data version of roxas to go deeper into the castle. this data roxas taunts him about how he’ll never remember the people he encounters in each part of the castle, poking and prodding data sora along through all the revisited worlds.

in one of the earliest rooms (destiny islands i think), data sora has a conversation with the data version of riku that has turned up. data riku shows him a vision of riku and kairi from the events of KH1. afterwards, data riku asks what data sora would have done if he’d known this. and data sora answers immediately:

[ ID: an image of data sora from kingdom hearts re:coded. he has a determined expression on his face, and his clenching his fist as a show of conviction. the subtitles read: "I would’ve helped you, of course. Both of you! I’d’ve figured out how to undo the hurt." End ID. ]

data riku seems pleased with this outcome, and he eventually goes on to say: “Just follow your heart, and you can change the lives of not one, but many.”

as data sora goes deeper into this version of castle oblivion, he only comes across more pain in his heart as he forgets the people he meets. he may forget the people themselves, but the doesn’t forget that he met someone as he goes through the castle.

[ ID: four images from kingdom hearts re:coded. data sora looks sad and pensive as he says this to data roxas, placing a hand over his heart: “But still, I’m frustrated that I’ve forgotten them. I feel moments of loneliness. You said there would be no hurt feelings, but I AM hurting. When the memories are gone, they just leave a hole. And having that longing inside me hurts.” End ID. ]

data roxas eventually confronts data sora about what he’s come to terms with in the castle: that some of that pain he’s feeling is what helps him connect with others, to truly empathize with them. data roxas sees this as a sign that data sora passed his test, to see if he could come to terms with the pain in the hearts he’s most closely connected to.

data namine soon confirms that the real sora carries around a lot of pain that isn’t his own inside his heart--and that he’s found a way to face the suffering all of these disparate parts of himself had to endure. he’s already equipped to face it and help those he’s met that have been lost.

something that i think i’ve come to appreciate more is that as he’s gotten older, sora has ended up becoming really emotionally intelligent. he’s an extremely empathetic character, and always has been. after all, he gave a piece of himself to someone to fix their broken heart when he was still an infant.

[ ID: an image from kingdom hearts birth by sleep. a four year old sora looks upset as he holds ventus’s heart in his hands and asks, “Are you sad?” ]

we all know that his empathy and ability to connect emotionally to others is kind of sora’s whole thing--his friends are his power! but it makes sense that sora’s able to face the pain and suffering characters like xion and ven went through because he is such an open and caring person.

what struck me as critical in all this as i was thinking over what sora goes through in DDD are the instructions namine gives for how to handle the pain of others that sora is holding onto.

[ ID: three screenshots of data namine and data sora from kingdom hearts re:coded. data namine explains to data sora: “There’s only one way to deal with that [pain]; you face it head-on and then you accept it. And if it happens that the hurt is too great for you to bear it alone, well, then you turn to a friend close to your heart.” End ID. ]

this is less a “do this thing for the first time” to me--it’s data namine reinforcing something that data sora (and the real sora by extension, obviously) already knows very well. there is strength to be found in the bonds you share, and that if you need it, you can always rely on the friends you’ve made. this was made apparent through the entire series but this serves as a reminder that yes, sora has been doing the best thing he can. he has remained true to his heart, and is willing to rely on those he cares about.

we know that being alone and only relying on yourself is not the best thing to do in the series--it’s part of what drives riku to darkness in KH1--so that’s why this is a reassurance that sora already knows how to face this sort of pain.

so. WHAT on earth does this have to do with dream drop distance, you might be asking. well, it all stems from the YT channel i was watching this series playthrough from. the channel is PlayFrame (highly recommend looking at their stuff!) and dan, the one playing through the series, had a good take on re:coded's story: he liked the general themes being played with at the end of re:coded, but was upset it was not happening to actual sora. and that sentiment stuck with me as i got to DDD in the series playthrough, and that’s the lens that i viewed sora’s side of the story through.

anyway. let’s dive (ha) in, shall we?

at the end of re:coded, king mickey writes that letter in a bottle that gets to sora in the post credits of KH2 to explain the revelations from the end of re:coded. sora knows now that he’s the thread that will save people like roxas and xion and aqua and ventus, and he knows what data namine was wanting him to eventually face.

at the start of DDD, sora is aware that he needs to face the pain of others that is currently residing in his heart and find a way to save those that have been lost. he is primed with that knowledge, and likely wants to face it the way data sora did.

why do i think this? well…it's in the true secret ending of BBS, first off. sora acknowledges the contents of the letter (likely mickey explaining re:coded and asking him and riku to meet with yen sid), and knows that he was shaped partially because of the BBS trio and the pain he has in his heart from others.

[ ID: screenshots from kingdom hearts birth by sleep of sora speaking to kairi on the destiny islands. he says, "I have to go. I am who I am...because of them." End ID. ]

i think that the mark of mastery exam in DDD was really a chance for sora and riku to do some self-reflection and consider what may or may not be holding them back from becoming classical keyblade masters. in BBS, master eraqus says this of the mark of mastery exam:

Today you will be examined for the Mark of Mastery. Not one but two of the Keyblade's chosen stand here as candidates...but this is neither a competition nor a battle for supremacy--not a test of wills, but a test of heart. [...] Remember, [ for Aqua and Terra's duel ] there are no winners, only truths, for when equal powers clash, their nature is revealed.

eraqus's words are admittedly more specific to the exam aqua and terra had, but the idea that what's being tested is the person's heart seems very relevant to sora and riku in dream drop distance. they both have a chance to reflect on themselves, and who they truly are.

we know how riku’s arc goes: he finally realizes that he does have the power to protect what matters to him, and that darkness in his heart is not something to fear. it does not make him any less worthy to wield a keyblade, nor does it keep him from being a keyblade master.

[ ID: a screenshot from kingdom hearts dream drop distance of riku and sora. sora’s arm is slung over riku’s shoulder and he is beaming. riku doesn’t seem to believe what he’s saying: “Really? I’m a Keyblade Master?” ]

but what about sora? first off, i do agree that first and foremost sora never really cared about the results of this mark of mastery--he's never needed the "master" label, nor does he think riku needs it. but he goes through with it especially to help riku finally overcome what doubt he still has.

anyway, outside of Overall Series Plot happening to him in this game and the contrived reason he isn’t also named a master, what does sora come to realize? well, it’s what data namine wanted for him: to face the pain inside him head on, and to rely on those close to his heart when he couldn’t do it alone.

what do i mean by this? let’s go world by world to see.

starting with hunchback, since we visit traverse town twice:

[ ID: a screenshot from kingdom hearts dream drop distance of sora, who is looking at the camera. he appears thoughtful as he says of quasimodo: “He can’t let his heart be a prison.” ]

sora realizes that quasimodo is putting up walls in his heart that keep him from being hurt--walls that, in turn, are becoming something of a “prison”. they’re what keep quasimodo safe, but also keep him disconnected from others and is an excuse for why he doesn’t leave notre dame cathedral. 

at the end of sora’s time in this world, quasimodo has opened himself to others, and decides to not keep his fears from holding him back. as sora processes this information, of course, we have the villains telling him that his own heart is now a prison for someone else--ventus.

i don’t think this is true for sora and ven’s situation, and that the organization is just trying to make sora question himself. sora welcomed ven into his heart willingly to keep ven safe--it’s been a very long time, yes, and sora will eventually need to help ven return to his body, but sora’s heart isn’t a prison.

sora opened his heart when he was very young to ventus--and he has continued to be open and compassionate to basically everyone else. he sees the good in people, and believes in them far longer than others. it can make him too trusting at times, but it undeniably saved ven.

after hunchback, we have the grid and prankster’s paradise, and these should be easy enough to figure out.

[ ID: a screenshot from kingdom hearts dream drop distance of sora and quorra. sora is holding quorra back from attacking, and quorra says to sora of rinzler (originally sora’s friend tron), “He’s a program, Sora. Programs don’t have hearts.” End ID. ]

the grid for sora is all about his relationship to tron and making rinzler remember who he truly is. quorra is pretty quick to throw in the towel on sora’s attempts to reach his friend’s heart, but sora keeps trying--and eventually, he does manage to have a breakthrough. he helps tron fight off his reprogramming, and remember their friendship. he’s able to touch tron’s heart and remind him of what’s important--he just has to give tron the time he needs, and eventually help him regain his sense of self.

my, that sounds familiar, doesn’t it?

[ ID: a screenshot from kingdom hearts three of sora, xion, and axel. sora has his hand on xion’s keyblade, and is persuading her not to hurt her friend axel--trying to remind her of who she really is. ]

there’s one quote from the jeff bridges character that i feel is important to note here:

That’s the thing about programs. Mess with the code just a little, and their whole nature and memory can change.

sora’s time in the grid helps him understand a bit more of what “copies” of him can be going through, and honestly is an important part of why he is able to help xion and roxas in 3 (at least to me). xion’s suffering is tied to how the organization used and abused her, and them tampering with her memories is why she starts off on their side in 3. but sora, good boy that he is, manages to break through to her with a little help from roxas--just like he needed the right thing to reprogram rinzler and help him remember that he was tron all along.

as for prankster’s paradise…

[ ID: a screenshot from kingdom hearts dream drop distance of sora and xemnas confronting each other. sora looks determined as he exclaims, “But if Pinocchio could be given one (a heart)--shouldn’t you be able to have a heart inside you, too?” End ID. ]

the fact that nobodies do actually have hearts is confirmed towards the end of the game, but it’s clear sora has already mostly figured it out on his own. i’ll touch on it a little more later on, but sora knows that roxas has his own heart, living on inside his own--it’s a reminder of how roxas still exists, and how much of his own person he is outside of sora. he respects roxas's sense of identity as of the end of KH2, which leads him to act the way he does when faced with xemnas here.

xemnas is still putting on the show here that nobodies are beings without hearts, and sora knows that is blatantly untrue--why else would roxas feel the things he did if that was the case?

the other three worlds--traverse town, the country of musketeers, and the symphony of sorcery--do the same thing that data namine did in re:coded. they reinforce the things sora already knows about connecting with others, and relying on their strength when he can’t do things alone.

[ ID: a screenshot from kingdom hearts dream drop distance of sora talking to neku in traverse town. when talking about neku denying that he said he needed shiki, sora says, “What? Why? You said you need her. That’s a good thing.” End ID. ]

sora says it directly to neku in the revisit to traverse town: it’s good that neku admitted to needing shiki around. sora has always trusted in people to rely on him and to return the favor, so he sees none of the shame that neku feels in admitting that he needs other people.

[ ID: a screenshot from kingdom hearts dream drop distance of mickey and donald. mickey looks to the camera as he says, “Goofy’s right. As a team, we can do anything!” End ID. ]

the recurring musketeer motto of “All for one, and one for all!” when sora joins mickey, donald, and goofy in protecting princess minnie is another reminder of all this: sora knows the true value of teamwork with his party members, and how important donald and goofy are to him. they are his friends for life, and they’ll be at his side the way he’s at theirs. he reassures them the way they reassure him and always have.

[ ID: a screenshot from kingdom hearts dream drop distance of sora, looking wistful as he talks about riku: “I’ve got a friend out there who will help. He’s always picking up the slack for me.” End ID. ]

sora’s belief in riku is something that’s shown throughout the entire game, and the symphony of sorcery is just one example of many in truth--but sora has never doubted riku or even kairi and the others. even if he can’t see riku, even if his friends are a million miles away, sora knows that they have his back.

[ ID: a screenshot from kingdom hearts dream drop distance of sora in traverse town, looking happy and patting his chest as he says of riku, “Don’t worry. He’s with me--even when it might seem like he’s not.” End ID. ]

for the Overall Series Plot happening in DDD, this is very good for sora to remember--riku becomes a dream eater to protect sora in this game, so a friend helping from afar is quite literal. (i think it’s also important to remember this when thinking about the ending of kh3, and where sora has found himself. he still has people who love and care for him, even if they’re a million worlds apart from each other.)

anyway, now we come to the heart of the matter. has sora ended up in the same place as data sora? can he accept the pain the different pieces of him went through, and help them? as of kh3’s ending we know he’s helped them, but what about DDD? had he done it by the end of that game?

[ ID: three screenshots from kingdom hearts dream drop distance of sora and xion. sora asks who xion is, but trails off before he finishes asking. in the final shot, sora sheds a tear over xion. End ID. ]

sora comes face to face with namine and xion, and while he doesn’t connect with them, really, he does seem to feel their pain.

the most apparent interaction that leaves its mark is, of course, when he encounters roxas.

[ ID: screenshots from kingdom hearts dream drop distance of sora speaking to roxas, saying, “Roxas, you’re you. We’re not the same. I wanted to tell you that.” End ID. ]

at the end of KH2, sora has accepted that roxas had a clear sense of self, and was his own individual in spite of being sora's nobody. because sora is fully aware that roxas has his own heart and strong sense of, sora can firmly insist that roxas is his own person. roxas respects this, and opens his heart to sora, to share the truly terrible things that happened to him. and sora faces it, the way he needs to.

[ ID: a screenshot from kingdom hearts dream drop distance of sora, where sora looks angry and upset about what happened to roxas. He clenches his fist, and asks, “Did they cause all this pain?” End ID. ]

sora has faced roxas’s pain and suffering, at least. sora knows how the organization used and abused him, and how diz did the same. and sora is ready to face the pain the others in his heart are carrying--or, at least, that’s what i believe.

when riku encounters ansem the wise in sora’s heart at the end of the game, what ansem says is something i think kind of ties everything together:

Sora was the only one able to return to his human form without destroying his Nobody. That is a statement to the love in his heart for other people, and the bonds that tie them together. Perhaps…he has the power to bring back the hearts and existences of those connected to him--to recreate people we thought were lost to us forever. [ … ] Sora has a heart like [ a child's ]--uncorrupted, willing to see the good before the bad. When he sees the heart in something, it then becomes real. When a connection seems broken, he may have the power to mend it. [ … ] He has touched countless hearts, he has accepted them, and he has saved them. [ … ] All Sora needs to do is be himself and follow wherever it is that his heart takes him. It is the best and only way.

after the opening section of kh3 in olympus colosseum, what’s the thing that sets sora off on his journey?

[ ID: a screenshot from kingdom hearts three of sora, donald, goofy, and jiminy cricket in the gummi ship cockpit. sora looks determined as he says, “The others are following Aqua’s heart, so I’ll follow Roxas’s heart!”  End ID. ]

his desire for roxas to truly be his own person. during DDD, sora came to truly understand just how hard roxas fought to be his own person, even moreso than knew at the end of KH2, and wants to follow through on what he said to roxas directly. roxas, to sora, deserves to be his own person as much as sora does. and so, following that desire, sora sets out on this final leg of the Dark Seeker story arc.

so many people move mountains to make roxas beign his own person a reality. not even just roxas, actually, but xion and namine too--all because sora understood that roxas had his own heart, memories, and history. he saw roxas’s suffering and still pushed through to make sure his nobody got the life he deserved.

sora faced what pain he could, and did everything in his power to undo the suffering the people connected to him were feeling--and when he couldn’t do it himself, he let others help him. just the way namine (and her creation, data namine) wanted.

im sorry this is so long and kind of rambly--but i feel like i finally get sora in DDD outside of the organization’s plans for him, and that the off hand comment from this lets play i’m rewatching actually ended up being true. if you made it this far down in this silly post thanks for reading, hope you're having a good day ;u;

[thedragonagebigbang]

Bang Creator Interview: Tumblr: @fatale-distraction  |  AO3: Fatale_distraction |  Wordpress: History Will Say This Was Just a Book Blog

The Collaboration period has begun! In these quiet months before works are due, we want to foster a sense of excitement, camaraderie, and celebration among our participants. To that end, all participants were given the option of a formal interview by our mod, Dema, or an informal “ask-game” survey. We hope you enjoy getting to know our phenomenal creators as much as we have! 

Woman single-handedly ruins decades of work using one simple technique you won’t believe!

Fataleity and Dema talk rarepairs, Swayze-coded Cullen, punk rock Solas, and Shenanigans

Dema: Starting very, very basic: how long have you been in the DA fandom? What about it inspires you to write?

Fataleity: ​​Gosh, it’s probably been around fifteen years or more? I played DAO not too long after it originally came out and while I haven’t always been active in the fandom, I’ve been a fan since then. I’m super inspired by the characters and the lore, in particular anything relating to the elves. I love that the DA universe took typical elven lore and kinda flipped them upside down.

Dema: Do you have a favorite bit of Elven lore? Or if “favorite” isn't the right word, a piece of lore that particularly struck you?

Fataleity: Along with everyone else atm, I am really fascinated by the Evanuris and the idea of Ancient elves like Abelas and Felassan. I also love that each Dalish clan has different customs, different levels of knowledge, etc, but are still connected by a common history and language, lost as they might be, and try to lean into that in my writing.

Dema: So, you played all three games more or less as they came out, but when did you start writing fic for DA? What prompted you to start?

Fataleity: It’s been a while, but I believe it was around the release of Inquisition that I started actually posting. As far as writing, it would have been from the start in private notebooks or sharing with a friend of mine. Inquisition’s release was when I started getting into the tumblr fandom and seeing others posting their work, and figured if others were going to, why shouldn’t I?

Dema: Oh wow, right from the beginning! You’re an OG! What was your first published DA fic about?

Fataleity: It was a short one-shot of Leliana and Zevran during Inquisition. They crack me up as a couple. It was mostly banter and porn tbh, very little if any plot, lmao.

Dema: Oh my god, this was a pairing I did not know I needed until this moment. Fabulous, thank you.

Fataleity: You’re welcome. It’s a good one.

Dema: So do you tend to be more inspired by the canon characters or by your OC's? Or if not "inspired" per se, do you write more of one than the other?

Fataleity: I wanna say it's about even? I’ve noticed that recently I’ve been writing more from the perspective of canon characters than I did when I first started writing, even when writing about OCs. I think it's fun to try to emulate their voices, and also their reactions to some of my OCs ridiculous behavior.

Dema: Who is your most ridiculous OC?

Fataleity: My Inquisitor for sure. She’s the youngest of a very large Dalish family so she’s a little childish for her age, very affectionate and kind, but she has a powerful sense of justice. She’s best friends with Sera and the Chargers, so she gets herself involved in all kinds of shenanigans.

Dema: Gotta love the shenanigans. Did she romance anyone?

Fataleity: She romanced Solas primarily, but I have also shipped her with Krem and Fenris. I did a few OT3 fics of her, Krem, and Solas that I think came out pretty sexy. 

Dema: Krem is under-shipped, I fear.

Fataleity: I do my best to fix that. I’ll put him with anyone who will treat him softly. Or not. Depending on his mood I guess. He deserves the world and more.

Dema: Thank you for your service. This is like asking for your favorite child, but do you have a particular canon character you really love to write?

Fataleity: Krem for sure. Great narrative voice, great jokes, and since he’s not as canonically developed as other characters, there’s a lot to play with.

Dema: Do you do anything in particular to get into the heads of the canon characters? I find that's such a challenge (a fun one!) to adopt the voice of a character I didn't create, and am always curious how other people do it.

Fataleity: Getting super familiar with the source material is obviously very important. For some characters that’s easier than others, so I will also rely on similar characters from other media that I feel resonate strongly to the character I’m trying to portray. Also simply putting myself in the character’s shoes. “If I was this particular character with this particular background, how would I react to this particular circumstance based on my prior experiences?” I feel like I’m also pretty influenced by whatever media I’m consuming at the time. For instance, writing 90s Cullen around the same time I rewatched Dirty Dancing, he ended up VERY Swayze-coded.

Dema: Omg, incredible. Is there any non-DA media inspiring your fic for the Bang?

Fataleity: I’ve been listening to AURORA’s newest album a lot. My partner and I are also watching a lot of comedic detective shows recently, so I feel like that sense of humor is going to be a big influence by the time this is done.

Dema: Man, I feel like any follow-up I ask to that question will have to be redacted, ha! What's the most out-there piece of media that has inspired a fic for you?

Fataleity: I don’t recall if there was a particular piece of media that inspired this, but I created a Y2K dragon age AU specifically so I could cram the characters into specific period-appropriate outfits, specifically young Solas as an early 80s late 70s punk kid. I think It might have stemmed from rewatching That 70s Show. This is also where Swayze-Cullen came from.

Dema: Was there a musical number. Please say yes. 

Fataleity: I tried to shoehorn my Lavellan into having a band on top of everything else, so there were definitely musical numbers. Krem was playing the solo from Freebird. ABBA was involved.

Dema: Amazing. God, I am dying to see some Solas 80's punk fanart now.

Fataleity: I would die. I would pay blood, sweat, tears, money, and my first, second and third born children.

Dema: Anarchy patch on his leather jacket…

Fataleity: Piercings. The piercings alone, man. I made him a college professor so he got rid of most of the piercings, but he kept a few. “The ones that would hurt most if I wanted to get them done again.”

[Dema and Fataleity have an increasingly suggestive emoji exchange.]

Dema: Sorry, I'm incorrigible.

Fataleity: As am I.

Dema: Do you find you write a lot of AUs?

Fataleity: I think I imagine more than I actually put down in words. My favorites are definitely different time periods. I’m a sucker for costuming.

Dema: Same. Costumes tell you so much about the culture and the characters! Do you tend to have visual references when you are writing, beyond what is provided by the games?

Fataleity: If I have a particular outfit or setting in mind, especially for AUs. For those I’ll have Pinterest boards or the like. If I’m doing something more based around existing settings, I’ll look up a reference as needed, but I don’t tend to have, like, a vision board or anything for those.

Dema: If you have any visuals for your Bang fic, will you give us a teaser? 

Fataleity: https://unsplash.com/photos/purple-flowers-near-mountain-during-daytime-S73YlRU8hy0 

Dema: Oohhh the vibes! I’m looking forward to it. On a very different note, if your bang fic had a clickbait title, what would it be?

Fataleity: “Woman single-handedly ruins decades of work using one simple technique you won’t believe!”

Dema: Perfect. Thank you for your time, Fataleity! 

Fataleity: Of course, this was fun!