Beyond Manifesting: Trusting the Creator of the Universe
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Living in Alignment with God’s Will and The Mind of Christ
Introduction:In the journey of Christian faith, believers often find themselves wrestling with the dichotomy between the “carnal mind” and the “renewed mind.” The carnal mind, also referred to as the “worldly mind,” is inclined toward sin, temptation, and the distractions of the flesh. On the other hand, the renewed mind is aligned with the will of God, filled with peace, love, and the presence…
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pjo tv show episode 5 alignment:
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quick doodle coz i've been obsessed with icarus since day one
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Tales of Dungeons and Starvation
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You have got to all stop calling Jews zionists just because they are Jews.
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[ part 6 : end ]
[link to previous part]
and we're done!! I made yall some lil epilogue type of doodles for sticking by me through this tiny little comic! they're under the cut ^^
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No, but the thing is, when I was reading Harrow the Ninth, I thought it was gonna be an Orpheus situation. I thought Harrow had fucked herself up as a means to an end, that she had a plan to bring Gideon back, that the lobotomizing and everything else was her way of getting into hell to get Gideon out.
It really made me feel some type of way when it finally dawned me that she never thought that far. I mean, you'd think it makes sense that, if GOD tells you something can't be done, you accept it can't be done, BUT IT'S HARROW WE ARE TALKING ABOUT. It is INSANE to me that she just accepted she couldn't undo Gideon's death.
The trauma of living in a death cult really got to this girl. She was so awash in it she couldn't even conceive of living a life with Gideon; a more acceptable death is as far as she could go. Absolutely insane. Harrow is not Orpheus because Harrow never tried climbing back up, she couldn't look back because she never got that far, she went into hell to sit there with Gideon forever, and it just didn't occur to climb back up the stairs.
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knockout re-evaluates his life choices after being told to stfu
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Savior.
a scene from our last Curse of Strahd session featuring my cleric PC
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i’m literally soo addicted to the idea that armand continues to visit daniel and make him forget for decades after they first get together. armand needs to read everything daniel’s ever written and needs to own signed copies of all of his books and needs to be there in the background from all his major life events. he’s there as a shoulder to cry on at the end of his first marriage, and again at the second. he’s the stranger at the bar who daniel tells about his daughters even though his relationship with them is crumbling. i need armand to be obsessed with daniel in every way he can manage and daniel to reciprocate every time. i need daniel to start aging and armand to be more excited every time he sees signs of it, and daniel — before he remembers — is confused and flattered and fond of the beautiful young man who curiously combs through his gray hairs and prods at his new wrinkles. and every time daniel remembers he's more angry, more hurt, more willing to beg (or demand) for armand not to do it again. and it gets more difficult for armand to do it every time, but that doesn't stop him. why should daniel remember how much he loves him?
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the web - fear of manipulation and lost control made manifest
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The feminine way to success is to align yourself to your goals and work patiently towards them.
There's no need to hustle constantly and tirelessly or work extra hard.
Everything happens in Divine Timing.
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Something I love to think about is every iteration of Leo’s relationship with Splinter and how Splinter’s interests always define how a Leo presents himself.
I used to abide by the idea that a Leo will simply emulate his Splinter directly, and to an extent I still believe that to be the case, but moreso I think Leos have a tendency to mold themselves into what they believe is their Splinter’s ideal son - someone who embodies all the traits Splinter has explicitly shown to admire or value in a person.
Most of the time, they try to be a dutiful and honorable boy abiding by the full extent of ninjitsu teachings. Then you have Rise Splinter, who very much still has undeniable prowess in the art of fighting and being a ninja, but when it comes to how he shows his interests to his boys…one thing reigns supreme.
Acting. Shows. One liners. Flamboyance in the name of gaining an audience’s attention.
He showcases Lou Jitsu movies on repeat for the boys, passing down the morals and words from those movies to them with no small amount of pride. All while fully expecting them to respect these teachings.
So, of course, Rise Leo picks up on this. He’s a Leo, after all, as much a daddy’s boy as any other variation of him, only he clocked his father’s interests to be different than most others. He picks up on the art of showmanship, of keeping things to himself so as to be a more exciting twist later, of treating the world as a set to act in.
He’s an actor, not just because Splinter himself was one, but because Splinter likes acting and showed one particular actor (unknowingly to the boys, it was himself) as the pinnacle of all his teachings. As someone to value and admire. And even more than that - Splinter focuses on the character the actor is portraying rather than just the man himself.
And I think this is all even more interesting when taking the turtle tot short into consideration, because very, very briefly, just as with many times else throughout the series, we see how easily Rise Leo aligns with his other selves, seeming to pick up the sword easier than his brothers do their own weapons - after quoting Lou Jitsu of course. After emulating his idol - the person who his father seems to admire so much.
Point being, it’s so interesting to see how Leos tend to mold themselves in one particular way throughout every variation - that being, what their father is shown to value most in people.
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That final scene with the gods discussing the future of the Divine Gate was incredible - everyone was at the top of their game!
A huge reason for why I found it especially good, was watching Tal as Melora bare her teeth and refuse to indulge the others' idea of leaving Exandria. She helped lead the pantheon to this rock of elemental chaos, she bound herself to the natural world, she is as much a part of Exandria as the titans had been
But now she's being confronted with a future where she must leave it behind for the sake of the little creatures that inhabit her world. And sure, she made the world liveable for them, but she also made it liveable for her family - of course she wants to stay!
The thing, though, is that we know they leave. In the present day, the Wildmother is tucked behind the Divine Gate where she and her kin cannot physically interfere with their creations. But after learning what we have during these three weeks of Downfall? That feels so much more tragic
Melora has chosen to sever a large part of her connection to Exandria, her home, for everyone's sake but her own
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