#alessandroni

[guilt-and-rod]

Matteo.

[trevlad-sounds]

Invisible Club 23

24.07.2024

Intro 00:00 Brainstory-Too Yung 01:28 Lunar Cambridge-Rubicon 04:26 Fallen-Angry Forests 08:05 Alessandro Alessandroni-Cielo verde 10:02 Secret Circuit-Every Day There’s Something New To Say – Michal ‘Snapping’ Turtle Remix 12:34 *gribbles-Two Things 17:54 *Heron & Crane-Themes 20:30 Apifera-The Curious Wild 23:43 The British Stereo Collective-See! Hear! 28:46 Kiasmos, Ólafur Arnalds, Janus Rasmussen-Burst 29:47 TV-99-AD-One and Ten 33:29 Gyazai Gyozo-Eye Egg Electronics 39:13 Sakari-the slide 42:13 Kelpe-Tennis Rush 48:40 Time Rival-Premonition 51:20 Conny Frischauf-Schall und Schwer (Erst aus dem Ufo seh ich dich) 53:26 Outro 56:34

[burlveneer-music]

Alessandro Alessandroni - Alessandroni Proibito (Music from Red Light Films 1977​-​1980) - some real vintage 70s Italian soundtrack grooves, from erotic movies

Alessandro Alessandroni is no longer remembered simply as 'the whistler' in Morricone's spaghetti western soundtracks – and rightly so, since he was the key figure behind much of Italian 'secret music' from the 60s and 70s, always there in the studio during recording sessions, whether as a multi-instrumentalist or as the leader of session vocal group I Cantori Moderni di Alessandroni. Today his pervasive presence and important role has been finally recognized by music professionals and enthusiasts alike, so much so that he is now considered the true father of Italian library music – a genre whose sound he shaped since 1968.

As a film composer, Alessandroni often worked for small productions that had very limited (and often regional-only) distribution, and whose budgets were worlds apart from those in the 'top league' where friends and colleagues like Morricone, Bacalov, Trovajoli or Piccioni thrived. Rarely released as a soundtrack, this music ended up, at best, forgotten inside dusty ¼-inch reels or, at worst, disappearing into thin air. After a string of releases that have brought back to life forgotten or lost works by Alessandroni (Sangue di Sbirro, Afro Discoteca, Lost and Found, etc.), it was pretty natural for us at Four Flies to start delving into a little investigated area of his filmography: his scores for erotic films, the last genre to gain popularity in the flourishing Italian film industry of the 60s and 70s, and perhaps the most extreme too, the one that, by pushing things too far, eventually put an end to that industry and its genres. So, we're now very proud to present Alessandroni Proibito, an exclusive boxed set of five 7-inch records. It contains a total of 14 previously unreleased tracks from the soundtracks of 4 soft-core erotic films that included hard-core sequences and, therefore, fell somewhere in-between normal commercial distribution and the underground scene of adult movie theatres. Taking an artisanal approach to his musical craft, Alessandroni was not afraid of having to deal with spicy subject matter, wobbly productions, implausible plots, improvised actors, or cinematographers who were clearly no disciples of Storaro. And he was so good at making a virtue out of necessity, at turning budget constraints into creative advantages, that he created soundtracks that far surpass the films' quality, with music that at once captures and elevates the spirit of the erotic genre as if into a condensed symbol. More specifically, the maestro recorded many of the pieces in a DIY fashion at home, using a 4-track Teac tape machine to arrange his compositions. The Teac allowed him to play different instruments on each track, which meant he could basically put an entire soundtrack together all by himself, or almost all by himself. These recordings often feature drum machines – which provide that retro, early electronic music vibe – as well as funk guitars and exotic-sounding percussion in the rhythm tracks. In addition, there is an extensive, almost bewildering use of synthesizers to replace solo instruments that would have required a paid session player. On top this minimalist arrangement, Alessandroni layered what he could: some piano chords, a little flute and, most importantly, his signature 12-string guitar phrasing. The result is just stunning: a unique mixture of electronic music and acoustic instruments, in a style that stops short of kitsch and ranges from cinematic ambient pieces like "Tensione erotica" to disco-funk tracks like "Snake Disco" and "One Sunday Morning", both of which feature vocals by Alessandroni himself.

[ozkar-krapo]

KEMA [Giulia ALESSANDRONI]

"Alle Sorgenti della Civiltà"

(10". Finders Keepers / Cacophonic!. 2016 / rec. 1972) [IT]

[phantasmagloria]

Storm Stereo #89: Visionari Radicali

We journey through 50 years of Italian composing and experimenting. No talking, only music. Featuring minimal electronics, hypnotic drones, warm ambient, mystique concrète & more. From Pietro Grossi & Egisto Macchi to Ruscigan & Alessandro Alessandroni.

Italians do it better, clockwise from top left: Pietro Grossi, Egisto Macchi, Alessandro Alessandroni, Piero Umiliani On this show we take a step back from talking and let the music speak for itself, as we take a journey through 50 years of Italian composing and experimenting. We listen to influential artists who helped shape the superior Italian sound and contemporary acts that continue to live…

[theretirementhome]

Alessandro Alessandroni - Escursione

Buy it here.

[omegaremix]

Omega Radio for September 8, 2021; #283.

Crusaders feat. Randy Crawford: “Street Life”

Heavy Joker: “Ace Of Spades”

Nino Ferrer: “I’m Looking For You”

Lafayette Afro Rock Band: “Soul Makossa”

O'Jays: “Darlin’ Darlin’ Baby”

Selda Bagcan: “Yaz Gazeteci Yaz”

Harry Nilsson & Shelley Duvall: “He Needs Me”

Bernard Purdie: “Caravan”

Grover Washington, Jr.: “Knucklehead”

Helio Matheus: “Mais Kriola”

Judy Bailey Quartet: ”Colours Of My Dream”

Earl Klugh & Hubert Laws: “Dream Something”

Eduardo Araujo: “Capoeira”

Joe Thomas: “Mr. Mumbles”

Robert Hall Productions: “Say It Man”

Lonnie Liston Smith: “Love Beams”

Black Savage: “Kothbiro”

Tarika Blue: “My Love Is So Free”

Alessandro Alessandroni: “Southern Melody”

Piero Umiliani:” Chaser”

Isaac Hayes: “Buns O’ Plenty

Chubukos, The: “House Of Rising Funk”

Mahavishnu Orchestra: “Resolution”

David Axelrod: “Holy Thursday”

Steve Gray: “The Double Take”

Orchestra Cometa: “Obstinacy”

Ceyleib People, The: “Changes”

Alan Hawkshaw: “Bluebird”

Rubba: “Push Button”

Sylvano Santorio: “Waves”

Ahmad Jamal: “Don’t Ask My Neighbors”

Bobby Byrd: “Hot Pants (I’m Comin’)”

Studio Group, The: “Underline No. 4″

Fats Gaines Band, The: “Close The Door”

Lee Vanderbilt: “Lonely I”

Mickey & The Soul Generation: “Get Down Brother”

Andy Clark: “Tristar”

Raul Gomez: “6 Son”

Reg Tilsley: “Blue Eyes”

Rufus Thomas: “Do The Funky Penguin”

Tony Esposito: “Leroe Di Plastica”

Jack Purnell: “Iron Cathedral”

Trevor Bastow: “Soft Shades”

Roy Ayers: “The Black Five”

Wee: “Teach Me How”

Bonus Omega; crate-digging and vinyl treasures.

[princelylove]

Here's some of the music I listen to while writing certain characters, inspired by a little project I'm still cooking. Feel free to ask about some others. 

Gyro Zeppeli:

California Dreamin’ The Mamas & The Papas I Don’t Want To Throw Rice Dolly Parton 

Jotaro Kujo:

You Were Mine Toshinobu Kubota Dance If You Want It Toshinobu Kubota

Guido Mista:

Misty Lesley Gore Linger The Cranberries [Oh] Pretty Woman Van Halen

Giorno Giovanna:

Fruit of Dreams Les Baxter  Preludietto Alessandro Alessandroni  The Swan Camille Saint-Saëns  I Put A Spell On You Joss Stone, Jeff Beck

[cinenthusiast]

recent album listens

i can actually listen to music while i work again, it's been over a year of not being able to swing it. anyways, some recent first-time listens the last couple of months

my ancestors - chrissy zebby tempo & ngozi family (1976, psych rock) panoramic feelings - alessandro alessandroni (1971, library music / lounge) small medium large - sml (2024, nu jazz) keesh mountain - wombo (2021, post-punk / slacker rock) we be all africans - idris ackamoor & the pyramids (2021, spiritual jazz / afro-jazz) blue hour - stanley turrentine with the 3 sounds (1960, soul jazz / hard bop) shadowfax - shadowfax (1982, new age / jazz fusion) for the recently found innocent - white fence (2014, garage rock / psych rock) seven waves - ciani (1982, progressive electronic / new age) the president plays with the oscar petersen trio - lester young (1956, recorded 1952, bebop / cool jazz) the very best of bird - charlie parker (1977 released compilation, jazz / bebop) big band - charlie parker (1954 released compilation, cool jazz / big band) i just dropped by to say hello - johnny hartman (1964, vocal jazz / standards) john coltrane and johnny hartman (1963, vocal jazz / standards) everybody split - possible humans (2019, indie rock / jangle pop) walt wolfman - richard swift (2013, garage rock) ballet of apes - brigid dawson & the mothers network (2020, psych folk / singer-songwriter) jaguar sound - adrian quesada (2022, psych rock, jazz-funk) miles ahead - miles davis + 19 (1957, cool jazz) blow out - john carroll kirby (2023, jazz-funk / nu jazz) birks' works - dizzy gillespie (1957, big band / bebop)

[superiwhore]

@timetoeatsofticecream tagged me to list the first 10 songs on my Spotify “on repeat” mix and tag 10 people ⭐️🤍😻

Bbq-sped up - Madge

Black0ut - reysha rami

Alesis - mk.gee

น้ำตาแม่ - suparb daoduangden

Look- all night mix - Doss, Rye Rye

Preludietto - Alessandro Alessandroni

New Bottega - Torren Foot, Azealoa Banks

I Wanna Believe - True Blue

It’s hard to get around the wind - Alex Turner

Maps to the stars - Nev Cottee

I tag all my mutuals who see this 🤍😻 give me some new music plss🙏🙏

[angelloverde]

"Mo Soul" Player Playlist 6 July

Mo' Horizons - Foto Viva (Nicola Conte Mix)

Desansis - Break'n

Naoki Kenji - Rain On

Lazybatusu - Endless Road

Vertical - Whatcha Gonna Do

The Clarence Mack Express - Runaway Train

Brown Smith Grey Feat. Janice - Carabongo (Hacienda Mix)

Soul Quality Quartet - I'm Not

Lagos Sound System - Les Barons

Sandals - Nothing

Eddy Meets Yannah - Baby's Got It's Own Way

Alessandroni, Paul & Honesty - Atrium

Aquanote - Nowhere (Speakeasy Remix)

Frankie Valli & The Four Seasons - Beggin' (Pilooski Re-Edit)

L'Indecis - Soulful

If you really want to enjoy music and help musicians and bands, buy their lp’s or cd’s and don’t download mp3 formats. There is nothing like good quality sound!!!

(Angel Lo Verde / Mo Soul)

[trevlad-sounds]

Sunday 15 October Mixtape 385 “Applied Flurry EXCLUSIVE” Downtempo Electronica Space Synth Wednesdays, Fridays & Sundays. Support the artists and labels. Don't forget to subscribe so future shows can bloom. https://www.mixcloud.com/djsofabed/

Trevlad Sounds-Welcome in you wonderful listener 00:00

kingfaery-Taruk 00:31

Slope-Elfee 04:43

Vic Mars-A Nest in the Warehouse Roof 11:15

Parallel Worlds-Applied Maths 14:57

Home-Nosebleed 21:24

Alessandro Alessandroni-Lulù 77 (From 'Lulù la sposa erotica') 25:01

Arp-Fiji 26:22

Jonathan Fitoussi-Planète Sauvage 32:30

The Twelve Hour Foundation-Quicksilver Records 37:36

The Heartwood Institute-Linnet 41:02

Little Dragon, JID-Stay 43:23

Forever Pavot-LA BELLE AFFAIRE 47:03

Kiln-Templefrog 49:09

Sébastien Tellier-Elle 54:16

Ultra Satan-Usb 58:37

Bernard Grancher-Te Rendre Beau Ne Sera Pas Indispensable 1:02:53

Saturday Index-Clear Vision 1:08:51

Vital Passion-333 1:12:42

Christ-Cordate - Remastered 1:15:25

Dirty Projectors-No Intention 1:21:09

Mulatu Astatke-Tezeta (Nostalgia) 1:25:20

JB Dunckel, Jonathan Fitoussi-Gamma 1:31:21

The Orb-Weekend (The Judas Triangle) (Dom Beken & Kris Needs Remix) 1:35:19

Sick Robot-Journey to Mars 1:44:13

Monochrome Echo-R.E.M. Sleep 1:49:02

[burlveneer-music]

Molly Lewis - On the Lips - don't know if I'm ready for a full-on lounge/exotica (re)revival, but it's the perfect milieu for a whistler

Consider this your invitation to Café Molly, a lounge bar like they don’t make them anymore. The lights are low, the martinis are ice cold, the banquettes are velvet, and the stage is set for the electrifying talent of whistler Molly Lewis. Molly’s soft-focus cocktail music conjures up visions of classic Hollywood jazz clubs, Italian cinema soundtracks and lingering embraces between lovers. After the exotica stylings of The Forgotten Edge EP and the tropicalia-indebted Mirage EP, Molly wanted to encapsulate the sound of Café Molly for her debut album On The Lips, a dreamy tribute to classic mood music. That spellbinding sound, which usually comes to life in Los Angeles, has also popped up in Mexico City dancehalls, graced the runways of Paris and London Fashion Weeks, and made a magical appearance at a children's fairyland. Molly Lewis’s love for this smoky corner of the world doesn’t end with her songwriting. She is a devotee and an archivist, capturing and enlivening the pieces that endure. She was a regular at the legendary shows by Marty and Elayne, the lounge duo who spent almost 40 years playing LA’s Dresden bar. The duo came to global fame after an appearance in 1996’s Swingers and kept going long after that spotlight faded, finally finishing their nightly residency after the death of Marty at the ripe age of 89 last year. “That felt like the end of an era,” says Molly. But there are still flashes of that world to be found, and she finds them. “I’ve been spending a lot of time in New York lately, where there are a lot more of those moody, classic jazz bars,” she explains. Over the past few years Molly has flexed her one-of-a-kind musical skill alongside Mark Ronson on the Barbie soundtrack, as well as with Dr Dre, Karen O, actor John C Reilly, Mac De Marco, fashion houses Chanel, Gucci and Hermes, and folk rock royalty Jackson Browne. After a performance with longtime friend Weyes Blood on Burt Bacharach’s The Look of Love during a Café Molly evening at LA’s Zebulon, Molly supported the singer on a US tour, introducing her sound to a brand new audience. “I forget sometimes that what I do has that factor of surprise and uniqueness – it is something that most people have never seen before,” says Molly. She too might never have entered the idiosyncratic world of whistling had she not as a teenager seen the 2005 documentary Pucker Up, which details the International Whistling Competition. Equally amused and bemused by the eccentric event, in 2012 she competed herself. Spending her early twenties in Berlin she then moved to LA to work in film – and returned to the contest in 2015 to take home first prize. One evening Molly did a turn at an open mic at the Kibitz Room, a tiny late-night bar inside historic LA deli Canter’s. Her display led to appearances at performance art happenings across the city, and she soon caught the ear of independent record label Jagjaguwar. On The Lips was recorded with producer Thomas Brenneck of the Menahan Street Band, Budos Band, Dap-Kings and El Michels Affair, at his newly-built Diamond West Studios in Pasadena. The pair bonded over the work of 1960s soundtrack composers Alessandro Alessandroni and Piero Piccioni, and, with something of an open door policy during the sessions, a stream of acclaimed musicians ended up across the album’s 10 tracks. With her intoxicating compositions, and wry brand of stagecraft (she might not be singing up there, but she can sure tell a joke) Molly Lewis looks set to join her heroes in the storied lore of the Los Angeles lounge scene and beyond. So pull up a chair, order your favorite drink, and prepare to fall for On The Lips.  PERFORMER LINE-UP: On The Lips Molly Lewis - Whistle, guitar, vocals Joe Harrison - Flute, bass Eric Hagstrom - Drums, clave Thomas Brenneck - Organ Written by: Molly Lewis

[imichelle-l-rigby]

Reflections: Cillian Murphy’s Limited Edition

Season 3, episode 9

✨the penultimate episode✨

———————————————————————

*I am a music prof (predominantly classical vocalist), and I LOVE listening to Cillian’s music choices! That being said, sometimes I won’t like a song simply because of a vocalist (it’s a professional hazard - sorry!) 👩‍🏫

** The following are my own observations/opinions. We may not agree, and that’s ok! That’s what makes music fun! 😊

*** I wouldn’t say I’m well-versed in Cillian’s music preferences, but I do enjoy them (for the most part). I always wind up adding to my own playlists after listening to Cillian’s recommendations.

———————————————————————

I apologize in advance for the following “tired teacher” rambling 🙃

🎵Set 1 (Westward Bound - Music for the Sun King)

Westward Bound: nice, calm, and atmospheric. This is what he should put at the *end* to help you fall asleep 😴

Saturday Sun: a little soulful, a little jazzy, and very much perfect for the weekend. 😎

Music for the Sun King: it does have a reminiscent vibe of *the* “Here Comes the Sun King” by the Beatles, and I get that with the lower instruments. I like how this continually evolves.

🎤Talking Break

How did this (penultimate Ep) happen???

“Pepper in some highly uninteresting, obtuse facts”

🎵Set 2 (Southern Man)

Southern Man: oooh - I love her voice!!!

🎤Talking Break

“A tiny, tiny little piece”

🎵Set 3 (Trees Against the Sky -

Trees Against the Sky: what a fun, polyphonic/contrapuntal song!!!!! I love it!!

Aliante giallo.pt. 2: I’m sure it’s instrumentation, but I feel like I’m on vacation on the Mediterranean. 😎

Idag: while there’s nothing too shocking in terms of construction, this is just an enjoyable song!

🎤Talking Break

Cool that there’s Swedish music 👍

Cillian… your Italian needs some work 😬

I wanna explore more of Alessandroni’s work

It kinda bothers me that he doesn’t verify these facts 😅 I’m sorry - academia has ruined me.

I promise I thought that was my phone alarm going off! 😂😂😂😂

��Set 4 (heat on, lips on - Blood)

Heat on, lips on: so it’s interesting how many songs make use of “noise-like sounds” - that was a whole movement back in the ‘50s, and it was certainly an acquired taste. Nice that it’s seen in more than just film music or experimental music.

Zarubezh: is it strange to say this sounds like Lo-if meets urban soundscape meets studio vocals session? 🤔

Blood: such a wide variety of timbre - you’ve got mellow to bright represented!

🎤Talking Break

Interesting how it samples politicians. Not uncommon, but always interesting.

A poem!

Sketch IV_II: definitely get why it’s a “sketch”, as well as why it’s used as atmospheric sound to the poem.

Cillian loves a good pop song - noted!

And I guess his boys do, too!

🎵Set 5 (Someday - How Do I Know)

Someday: I feel like this song is used in so many ads 😅 I can’t disconnect this song from consumerism.

How Do I Know: this is a good pop song! Which is so funny because, once again, it’s a fairly monotone vocal line. The driving rhythms in the instruments is really what sells this.

🎤Talking Break

It’s cool that he knows the producers as well. I always forget about the producers, and I definitely shouldn’t.

🎵Set 6 (Won’t Give You Up - Rocket USA)

Won’t Give You Up: this is groovy in all the best ways. 😎 fun sounds, fun harmonies. And it’s also got a sax! 😂

CORRECT. nerves are important for performance! BE NERVOUS IF YOU’RE NOT NERVOUS!!!

Rocket USA: speaking of nervous, this makes me feel anxious with this background 😳

🎤Talking Break

Cillian’s performance nerves are backwards.

“But it ain’t”

🎵Set 7 (Twist - Dollars and Cents)

Twist: the popping sound kinda hurts my ears, but I also kinda love this. It has a good bit of layering going on, and it’s well-done. All the elements have a similar timbre, so the sonic construction really works here.

Dollars and Cents: why does this have a bossa nova feel to it??? Lots of interesting instances of dissonance/failure to resolve.

🎤Talking Break

Ask a reasonable question!

I’m with Sydney - the idents need an album.

“EP of dismal sounds”

“If ident mind” - omg is this a dad joke or just a dad pun? 😂

🎵Set 8 (Put It On - Holly Holy)

Put It On: I like this!! And I don’t think I realized it before, but Cillian must like sax AND island music.

Ain’t No Love: ooh this feels more early rock, but not! And I love larger vocal groups - they are so fun!

Morning Sun: a strange transition, but this is nice. It reminds me of “House of the Rising Sun” in a way because of the melodic contour. Large leap up, then small intervals back down.

Holly Holy: this sounds like something George Harrison would like.

🎤Talking Break

There’s an album called Clint Eastwood?!

Holly Holy by Neil Diamond. This is starting to make sense.

We’ve got Yorkshire Man!

I’m glad he explained sheep counting.

🎵Set 9 (Old Molly Metcalfe)

Old Molly Metfalfe: the descending ostinatos (mimicking the song proper) are intriguing, mysterious, and annoying. 😅 I do appreciate that he’s singing a cappella, but he goes under the pitch a little bit, particularly on the descending lines. Whoops - my voice teacher is showing. 🙃

🎤Talking Break

Oohhhh Catalonia…

🎵Set 10 (Paradís - Hyperballad)

Paradís: this feels like it has some modal construction rather than straight major/minor. And polyrhythms - y’all know that’s one of my favorite things!

Hyperballad: Björk is back! Idk if I said this before, but her vocal line is almost chant-like interspersed with repeated motifs.

🎤Talking Break

Nice… archive!

I’ve never heard Kate Bush’s speaking voice, and to everyone’s shock and surprise, it’s a lot like her singing voice!

🎵Set 11 (The Big Sky -

The Big Sky: this is a “pump you up” song - definitely gets you ready for the day! This is too energetic for a nighttime playlist, Cillian! 😂😂

🎤Talking Break

“It’s a total coincidence”

Ok, voice nerd here, but I love hearing him drop into vocal fry. That being said, it is a more taxing way to speak, so please use wisely. 😊

🎵Set 12 (The Storm -

The Storm (01-16-52): OK BUT YES TO EVERYTHING I AM IN LOVE 😍😍😍 It’s big band jazz meets city blues meets cool sound effects✨fave song of the episode✨

Bad Luck and Trouble (49-50): ok, did I speak too soon??? This is country blues (different from city blues because it’s a male vocalist and more rural sounding). ✨This might tie for favorite song✨

🎤Talking Break

Interesting final selections!

Just one more 😢

“Mind yourselves”

🎵Set 13 (Journey in Satchidananda -

Journey in Satchidananda: harp and sax should play together more often, that’s all I gotta say! Also, more music needs sitar. Way to go, this is 🔥🔥🔥

Twenty Trees: orchestral, percussive, and electric. The pulsing is a little strange, but I like this.

———————————————————————

Phew! Finally got this written! One more to go - I have mixed feelings about that, but onward we must!

Tag list:

@iammrsrogers @deliciousnutcomputer @mariamoonie @brownskinsugarplum76 @look-at-the-soul @kj-davis @neverroad @teapothollow @thepurplearmyposts @possessedmarshmallow

[giallofever2]

Very RARE ITALIAN CULT MOVIE

1980

EVA MAN (Due sessi in uno)

Eva Man (Due sessi in uno) è un film erotico del 1980

diretto da Antonio D'Agostino

Musiche Alessandro Alessandroni

Il film ha avuto diverse edizioni in vhs, almeno, ma non è mai stato distribuito in dvd.

Nel 1982 il film ha avuto un seguito, intitolato La pitoconejo, conosciuto anche come El regreso de Eva Man rimasto inedito in Italia.