#album: how i'm feeling now

[glittergroovy]

[disruptivevoib]

Feels like its been AGES...

[fuckinart]

(they'll never understand) How could I ever understand? No, I don't have to understand. I don't wanna understand. So I will never understand. (we could have everything)

[seaofreverie]

A (very random) observation

[onesnoopyaday]

Snoopy #33

3/11/2024

[groovygrub]

[hooked-on-elvis]

"Tender Feeling" (1963-1964)

Recorded on September 29, 1963 at RCA's Studio B, Nashville. Elvis' vocals recorded October 10, 1963 at MGM's soundstage, Culver City, Hollywood - CA · Released in April 1964. Soundtrack album: Kissin' Cousins.

MUSICIANS Guitar: Grady Martin, Jerry Kennedy, Scotty Moore, Harold Bradley. Bass: Bob Moore. Drums: Buddy Harman, D.J. Fontana. Piano: Floyd Cramer. Saxophone: Boots Randolph, Bill Justis. Fiddle: Cecil Brower. Vocals: Winnifred Brest, Millie Kirkham, Dolores Edgin, The Jordanaires.

Elvis Presley as Josh Morgan and Jodie Tatum in Kissin' Cousins (1964)

RECORDING SESSION Soundtrack Recordings for MGM’s Kissin’ Cousins. September 29–30, 1963: RCA’s Studio B, Nashville | Elvis' overdubs vocals: October 10, 1963: MGM, Studios, Culver City. In his business diary the Colonel wrote, “It was decided for the sake of economy and efficiency that the recording sessions for Kissin’ Cousins should be held at the RCA Victor studios in Nashville.” From MGM’s point of view Nashville might have sounded like an apt choice to cut some “hillbilly” songs, but the real reasons for the switch from Hollywood back to Nashville were obvious to all. Both the filming and the recording sessions for Viva Las Vegas had gone way over budget; more musicians than ever before had been hired for the dates, and many sat idle while others played. Since Elvis and the Colonel shared in the actual profits from the movie, these extra expenses cut into their share, and the Colonel made it clear that they wouldn’t make the same mistake with Kissin’ Cousins. In fact, his concern for “economy and efficiency” probably contributed to Kissin’ Cousins’s status as the first true “low-budget” Elvis movie, with filming lasting only four weeks. The demand for songs was now so great that Freddy Bienstock was able to collect no more than a bare minimum of material for the Kissin’ Cousins session, and half of the ten songs had a Giant/Baum/Kaye credit. To make matters worse Elvis came down with another cold come session time, so the musicians ended up recording backing tracks for Elvis to overdub later in Los Angeles. The film had Elvis playing two roles — a soldier and a hillbilly — and the title song was conceived as a duet between the two, obliging Elvis to record two sets of vocals, one in his normal voice, the other with a mock-Tennessee twang. (It was left to an engineer to splice the two versions into the required duet.) The sound was arguably better than on the previous MGM recordings, yet still nothing really sparkled.

Excerpt: "Elvis Presley, A Life in Music: The Complete Recording Sessions" by Ernst Jorgensen. Foreword by Peter Guralnick (1998)

LYRICS — "Tender Feeling" Bill Giant/Bernie Baum/Florence Kaye

I can't conceal the tender feeling Now that you are close to me I look at you with tender feeling And can't help kiss you tenderly I offer you a true devotion All life through my love I vow For this is real, this sweet emotion This tender feeling I have now Somehow I knew from the moment our lips first met You'd be the girl I could never forget No other love could be appealing I loved you right from the start And with each kiss I'll keep revealing The tender feeling in my heart

MOVIE SCENE — Kissin' Cousins (1964) Jodie Tatum (Elvis Presley) and Midge (Cynthia Pepper)

"Tender Feeling" LONG VERSION · Master Vocal Overdub Take 1 The official release runs 2:34, this version runs to 4:09.

TIP: READ THE COMMENTS FOR A LOVELY SURPRISE ABOUT THE (MOST LIKELY) ORIGIN OF THE MELODY FROM "TENDER FEELING". THANKS, @deke-rivers-1957! You're the best for sharing this! ♥

Jodie Tatum (Elvis Presley) and Midge (Cynthia Pepper) from Kissin' Cousins (1964)

[httpiastri]

dear everyone,

a while ago, i hit 1.5k followers on this blog.... i didn't want to get too sappy but i really wanted to write something, so:

the fact that over one and a half thousand individuals follow me is truly insane and too much for my little brain to grasp. i want you to know that i'm so extremely thankful for each and every single one of you and this makes me so so so happy. this is way more than i ever had expected when creating this blog.

i made this account back in june purely for my own enjoyment; i created it mainly because i was disappointed in myself for having stopped writing, since writing has been such a big part of my life since forever. ever since i stopped writing about kpop, i had barely written anything at all... i made this account just for fun with no pressure and no expectations, and before i knew it, this blog turned into something so special for me. the blog, all of the people i've met through it and all of the moments we've shared, all mean the world to me.

honestly, i'm not sure what i would do right now if i didn't have this blog and this community. these last few months have been pretty rough for me, but i've always been able to come back on here and gain a smile or some laughter. you've all helped me so much, even if unintentionally – every single interaction helps me push forward. i'm eternally grateful for every single like, comment, reblog and ask i've received on here, and your kind words really do mean the world to me. i don't know where i would be without you.

i hit 1k a while ago but didn't celebrate it properly, so i decided to make an 1k/1.5k-celly that i will be releasing soon (when i have more time to actually write)(hopefully at the start of december). please stay tuned!

and once again, from the bottom of my heart, thank you all so so so much. you truly are the best. 🧡🧡

[didnt-hear-idsb-live-again]

.

[invinciblerodent]

I love being a casual fan of musicians, because I'll look them up on spotify maybe like once every two years, and either they've released an album and four EPs and singles in that time, or they still have all my favorite music and if that's not a win-win then i don't know what is

[glittergroovy]

forever • charli xcx

[daddy-long-legssss]

The Story Behind The Song: Arctic Monkeys’ early ambitions on ‘A Certain Romance’

Lucy Harbron – Far Out Magazine | January 17, 2024

It was 2006. Mortgages were crashing, and businesses were going bust. Tony Blair was on his last legs in office as the longest-serving prime minister since Margaret Thatcher, and the hangover of ‘Cool Brittania’ was beginning to set in with an unexpected ferocity. Things were bleak when a young Alex Turner sang, “There ain’t no romance around there” through the public’s speakers. Arctic Monkeys were about to write themselves into musical history as the voice of a new generation.

The final song on their debut album, there has always been something special about ‘A Certain Romance’. In 2022, after the release of their seventh album, The Car, Turner seemed to find himself reflecting back on that 2006 track. To the musician, that early cut holds a clue to everything that was to come as he said the piece “showed that we did actually have these ambitions beyond what we once thought we were capable of”.

Coming in at over the five-minute mark, ‘A Certain Romance’ almost feels like the Arctic Monkeys’ version of a rock opera, summarising all the themes, feelings and energy that came before it on their seminal album Whatever People Say I Am, That’s What I’m Not. It has the cheekiness of ‘Fake Tales Of San Francisco’ and the catchy instrumentals of hits like ‘Dancing Shoes’ or ‘I Bet That You Look Good On The Dancefloor’. Utilising the northern charm of ‘Mardy Bum’, it stands as a final, neatly summarising point on the social commentary found in their early tracks like ‘From The Ritz To The Rubble’ or ‘Riot Van’. Really, it could be argued that ‘A Certain Romance’ is the ultimate example of Arctic Monkeys’ original sound, perfectly encapsulating all the things that made the world listen up and pay attention.

It’s like they seemed to know that, too, always allowing the song a special place. In fact, it was really the band’s opening remark. Years before the offer of a debut album came around, the group were a well-oiled machine with their own local hits. They had the northern live music scene in their hands as their homemade demo CD was passed around like everyone’s worst-kept secret. Beneath the Boardwalk features eight out of the 13 songs that would be on Whatever People Say I Am, That’s What I’m Not, albeit in a slightly different, lower-quality version. But the opening number, ‘A Certain Romance’, sounds just the same.

It’s all there, from the rolling opening drums to that final guitar solo. Recorded and produced in a rented studio at only age 17, the existence of ‘A Certain Romance’, one of the band’s most explorative and energetic numbers, in this form this early in their career feels like a diamond sitting in a mine. It proves that they were always onto something special.

They never needed any help. In fact, their producer, Jim Abbiss, noted that they even seemed nervous about the help. “I think they were probably a bit weary, like ‘who’s this guy? And is he gonna make our sound this or that.’”

They didn’t want anything to change too much, as the group already had the songs figured out. Turner certainly did, as the track’s meandering narrative about hometown lads, fights, and local boredom is already there. Talking on a podcast, original member Andy Nicholson revealed the story behind the song. “We had a practice room with a pool table in, and we had a party in there, and we invited another band who were friends of ours, and we all had some drinks,” he said. “Then something happened, someone throws a pool cue, someone throws a pool ball, and everyone ends up fighting,” he added, explaining the lyrics, “there’s boys in bands / And kids who like to scrap with pool cues in their hands.”

But the magic of Arctic Monkeys lies in their nuance. What begins as a snooty analysis of his local landscape is a genuinely affectionate take. “Well, over there, there’s friends of mine / What can I say? I’ve known ’em for a long long time / And, yeah, they might overstep the line / But you just cannot get angry in the same way,” Turner sings, looking around at his bandmates and lifelong friends. ‘A Certain Romance’ is not only a time capsule for the group’s beginnings but is an ode to all the people who were there with them. It’s an ode to the hometown that made them and all its various characters.

But as the last guitar solo roars to life, there is an unspoken statement that they’re going to be bigger than what they came from. “I remember when we were recording ‘A Certain Romance’ and having a conversation with the producer about the final guitar solo,” Turner told NME, recalling the moment these songs were reworked for their debut. But they wouldn’t let anyone mess with ‘A Certain Romance’, knowing exactly what they were doing and trying to say with that one. In the 2003 demo version, all the feeling is already there, and Turner wouldn’t risk it.

“There’s something that happens at the end of that track where we break some rules in a single moment,” he continued. What happens at the end of the piece feels even more special, considering how the album was recorded. “These are the songs we wanna do, and I think this is the order we wanna do them in,” Alex Turner told their producer, recounting the conversation in 2007 to RadioX, “And he goes, ‘alright, we’ll try to record them in that order as well.’” As the final song, that last guitar solo is the last thing recorded for the album, standing as a cathartic outlet and a chance for the band to prove themselves.

“We focused on the [emotional] effect of the instrumentals over the words,” Turner reflected on the track, concluding, “and I feel like we’ve been trying to do that again and again since then.”

+

[iristial]

rider system album keiwa sakurai (geats) | episode 1

bonus:

[seaofreverie]

Sparkstember Day 19: Lil' Beethoven (Ride 'Em Cowboy)

First of all, let this very important fact be known: the love I have for all three albums in the Lil' Beethoven trilogy cannot be overstated. I think I can safely call them my favourite pieces of art ever made. You know, when you look forward to something and it not only lives up to all your expectations but it's also just SO SO much more? Something about this neoclassical / dada / deconstruction of pop music / whatever-you-should-even-call-it approach is absolutely PERFECTLY suited for my tastes, and I didn't even know I was looking for something EXACTLY like this until I found it.

I think the circumstances of my first hearing of this album are pretty funny and something I got pretty lucky with actually (I often think about this with Sparks in general, as much as I wish I've known about them sooner I also do feel like they appeared in my life when I needed that the most. But anyway.) I was very eagerly looking forward to hearing it and finally seeing for myself what the genius of this album is all about. But I insisted that I can only do it through a physical format because yesss, let's make it even more *special*! The moment I've been waiting for! So yeah let's gooo, I need to wait until my CD arrives in the mail (that was one of the longest weeks of my life). And then I started to wonder, well, maybe I actually won't like it that much. To hype myself up to this extent and then be severly dissapointed - would have sucked!

Well, I was NOT dissapointed. Instead I was perplexed, confused, but also very intrigued and quite, ok not just quite, *completely* amazed already. That was the initial reaction and I think it's a rare but very beautiful moment when this happens - no need to *fully* grasp it right away, but enough to be all like "oh that was SOMETHING. I need more." As I said after that first listen (and I actually have my whole LIVE reaction to hearing LB written down lmao, that's how much of a big deal this was for me), I felt like it actually has to grow on me a bit still, gradually but surely with each next listen, rather than the 1st listen being THE prime listening experience. And that was very true! But it wasn't even gradual, it was very fast, seriously. And something very important that stood out to me right away too were the melodies - something about them, and that continues into HYL and ECOTD too. It's this classic feeling of: this always existed, or at least it feels like I've known it for years already. And as I listen more and become more familiar with them the magic still grows.

It's of course no coincidence to me that an album that relies so much on extreme levels of repetition is so addicting, even hypnotising. And once upon a time I thought that I couldn't like something that's too repetitive and therefore could be considered monotonous or "predictable". But nothing is predictable about LB actually. (Besides... ok, I'll get to that one bit later). But yeah, it's good for the brain. And it's been said before by others but this music definitely has this certain neurodivergent appeal thanks to all this, and, well, I love that aspect of it so much and I definitely relate to it on some level that goes even deeper than just song topics and instrumentation choices. It's in the structure and the fundaments of it all too.

I legally can't finish this without a dedicated paragraph to the 2004 Live In Stockholm performance because HOLY SHIT. Feeling so lucky again that all three of these albums got this treatment and we have recordings of these half-concert-half-performance-art pieces that we can now marvel at. I will say that like, a pretty big part of the sum of the appeal that LB has as an album is stored in this show and its visual and narrative elaboration on its themes. And also it's just so fun to watch! Sometimes I thought about how this might be an even better introduction to LB / this era of Sparks / Sparks in general than the actual album but well, never had a chance to test that and you know. Maybe shouldn't recommend Sparks with one of the most leftfield things there is to be found from them. Either way, very good, very important, felt like experiencing the power of LB for the first time all over again.

So now, please hear my exact reasonings for why I so deeply love (almost) every single one of these songs......

The Rhythm Thief

NO song made such a big impression on me the first time I heard it as this. I might have gotten more used to it after all this time but man, The Rhythm Thief, you will always be the realest one to me. This is what made me look forward to the whole album so much and convinced me that it would be like nothing else I've heard before. And that turned out to be so very beautifully true!

How Do I Get To Carnegie Hall?

I could listen to this one a hundred times in a row over and over and not get sick of it one bit. That's it, idk what else to add, beautiful and ethereal in every way

What Are All These Bands So Angry About?

Mostly I just want to direct everyone's attention to the bridge section, at the 2:26-2:52 time mark, which as far as I can say is the most heavenly piece of music ever made. Feeling like that Winnie The Pooh soul leaving his body gif each time I hear this

I Married Myself

Aromantic anthem, to me. Not that much to say actually but it's just, a very sweet and pretty song even when it might be taken as just this sort of ironic piece, I think it's this situation where a song can be taken more or less literally and it doesn't lose anything, rather the sincerity takes on a new sort of meaning? Because yes, maybe this hyperbolic situation (marrying yourself) COULD be the solution to the heartbreak of failed relationships. Ever thought about that??? Ok, stopping right here and leaving my I Married Myself analysis for another day

Ride 'Em Cowboy

My mind is blank on this one suddenly. But it's so good believe me. I love it a lot. It just has this LB spirit that makes it very addicting to listen to

My Baby's Taking Me Home

This was sort of the first Sparks song I've ever heard, or maybe that I quote-unquote purposefully listened to, and I think that's pretty important considering that it was the moment that ultimately lead to... all this. This song has always been incredibly beautiful and powerful to me, but lately it just makes me emotional to an extent that makes it hard to listen to most of the time. I WOULD sell all my material possessions for even one chance to experience this song live by the way

Your Call Is Very Important To Us. Please Hold

Earns soooo much as a live version, but even without that I think it's genius in the same way as The Rhythm Thief, and maybe the most disquieting piece here overall... If we ignore the next one maybe

Ugly Guys With Beautiful Girls

Sitting there hearing the intro of this song all like "huh, this is so chill and calm... too calm..." and then being hit with, well, everything that's going on in this song afterwards was truly THE MOMENT back in the day (and re: the predictability thing. idk though, it's not like, really an issue). Later on I decided that this sort of narrative nature of the song makes it have less replayability value than the rest (???) but I abandoned that opinion soon enough, thank god. I love it how long it took me to realize that this song and the ending of MBTMH are the only times when drums appear on this entire album (I mean no, I'm not very proud of that fact actually, as the self-proclaimed biggest LB fan in my area. And The Rhythm Thief literally saying "say goodbye to the beat"... come on man). So yes, sometimes less is more! I adore this song now it's such a treat I would gladly terrorize my neighbours with it

Suburban Homeboy

Ok, I'm sorry Suburban Homeboy fans but this is the only song here that I'm not a HUGE fan of. I still think it's brilliant and an incredibly fitting ending for the whole thing - the mood whiplash is amazing as this is the only "vaguely happy sounding" song on here, per my words from months back. And what's better than yelling WE ARE THE SUBURBAN HOMEBOYS! (I'm actually awaiting today's Sparks karaoke rating reveal very impatiently lol the reveal happened before I posted this and I'm very happy about it)

One more actually, a quick word on Wunderbar because it gave us two things that we might have not been able to do without: 1) this whole album actually (the fact that LB exists because of Wunderbar giving the Maels the idea to continue meddling with this style. Up there as one of my fav pieces of Sparks trivia) 2) anddddd the 21×21 performance of it of course

[lock-my-feelings-in-a-jar]

How did you come across Argent and Russ?

I LOVE THIS ASK, i get to thank the lovely @burn-on-the-flame again!!! and i can let my need to talk endlessly about russ flow!!! it might go off topic a little bit a lot!!! you're diving into the depths of my mind by sending this!!!

expect a lot of words, it's probably going to be WAY more than necessary because i can't and won't shut up about them and what they've done to me and my brain(especially russ).

okay here we go

so i've already known the song hold your head up just from hearing it on the radio or things like that sometimes, but never looked into them before, so for a long time it was just a familiar song and that's all. i THINK i also knew the song liar, maybe the three dog night version since their cover of it was the hit.

but anyway, sometime last year, i think like november or something maybe, my wonderful and nice and amazing friend(who i love very much) showed me their set of six concert(THANK YOU AGAIN AND AGAIN AND AGAIN AND AGAIN(<accidental song reference) @burn-on-the-flame) and, although i was still in deep(<-argent album reference) obsession with badfinger, in my head i already could tell right away that argent was absolutely going to take over my life at some point.

i was thinking while watching it "is this gonna be the next obsession? yeaaah this is definitely gonna be the next obsession"

especially russ because, just on a first impression alone, besides the beautiful voice and guitar and everything catching my attention first, he just had something else about him that's like.. i don't know how to describe it. interesting i guess(the way he performs for example is very interesting and funny to me), but also a certain vibe to him or something, or things like how you can visibly SEE his love for music.

i felt like i could see it at least, and still do. but somehow he just drew me in and i couldn't stop thinking about him for months just from watching that one video.

it just felt like my life needed him in it for some reason. and it wasn't like having a crush at the start, it was something else. honestly started to feel like he was just knowingly dragging me into his whole world.

so anyway, i was letting my badfinger obsession ride out a little first because i felt like i couldn't REALLY listen to anything else yet with proper appreciation as long as badfinger were clung to my brain the way that they were(i still love them very much and always will, by the way)

so that went on untillll i think january? which was when i first started posting gifs from that argent video. somewhere around the same time was when i started listening to their albums.

since i was already feeling the way i was about them, i wanted my first time listening to each album all the way through to be with my full attention and no distractions.

so one day, i decided that i'd stay awake later than usual in bed and just lay there and listen in the darkness of my room with headphones on. i did that with the firsttttt three or four albums.

BUT i listened to each one for a few days first before moving on to the next one, just to let it all sink in a little at a time.

so like, i'd listen to the first one that night, then keep listening to it over the next few days, then do the same with the second one, add it to the playlist, listen to them both for the next few days, do the same with the third one, etc.

i haven't listened to the last two argent albums yet, i only know up to nexus because russ left the band after that one.

so i listened to nothing but those first five argent albums for quite a while first before moving along to russ's solo albums, although i was going into SOME of his songs a little bit because i couldn't stop watching videos of him, learning about him and looking for more things to gif.

i think i remember watching some videos muted at first though, just because i haven't listened to the albums yet at the time and i was like "i want to see what the video is like, but i'm not ready to hear it yet" but i ended up listening to a few of them anyway because i couldn't fight the curiosity and, of course, i loved it. i knew i would.

but i was getting more involved in listening to his interviews first, actually. the things he has talked about had me suddenly crying on my floor like a baby on and off for a couple of weeks, i think it was.

this is when he started getting into parts of my mind that felt like they haven't been touched before. he just went in there and started rearranging everything in my brain(in the best way possible).

I MEAN bands have made me cry before over things like, with iron maiden, i'd be like "omg that's so cute, look at how they are with the fans" and lots of things like that. with badfinger, i'd cry over similar things or the fact that their story is literally one of the saddest things ever and should have never happened.

(bands are one of the few things in life that do make me cry. bands/music and animals.)

but no band or musician has ever made me think like this or cry like this for myself, until russ.

and then after those couple of weeks of just listening to him talk, thinking about it, relating to it and crying almost constantly, i woke up one morning feeling good??? for once????? i used to have this pit of dread in my stomach just about every morning, never wanted to get out of bed because it felt like there was nothing to get up for, etc. so then when i somehow suddenly felt GOOD, i was like what is HAPPENING

and then when i DID start listening to his albums, you combine all of that stuff along with his motivational songs, his lyrics, things from his own experiences, and it was like .oh my god where have you BEEN ALL OF MY LIFE???????

and then everything about the way he is is just perfect, he's so adorable and wholesome and loving and passionate and intelligent and (multi)talented and cute, i love him.

anyway, everything's just been getting better and better for me from then on. i keep getting something new out of his words and songs the more i listen.

real life changes have started happening that i never thought would ever happen to me, things i never thought i could do, fears i've had that feel like they've just vanished, etc., and it's only adding to the momentum of getting better every day.

and that's the story of how i got into argent and russ as much as i am right now, why i love them so much, and why i have no plans of letting go of them anytime soon, or ever.

[nightguide]

a'khair, even Ruby Rose (OITNB) cannot escape her own personal dialogues now that she cannot look at his gayz that he cannot even try and make her do it anyway