#alan palomo

[amethystsoda]

2023-2024 featured poster designs via the 100%electronica emails

[skorpiomag]

SHE’S A KILLER, SHE TOLD ME SO BOYS FALL LIKE DOMINOES

[redhotbloodrush]

"theres no such thing as a perfect song transition!!!"

the slumlord/slumlord's re-lease/techno clique transition:

[ososperezosos]

October 22, 2023.

[xltl]

[reckonslepoisson]

World of Hassle, Alan Palomo (2023)

Alan Palomo has perfected that unspecific American City Vice sound, his music shimmeringly superficial, dazzlingly nocturnal, snappily camp. His first work under his birth name is much more consistent than his old Neon Indian stuff – though potentially to a fault. World of Hassle has no pauses, no breaths, no blinks: its blare of pastiche and rollicking pace, when enjoyed all at once, can get a little tiring. Though make no mistake, take each of these cuts in isolation and they bounce like nothing else I’ve heard this year.

Pick: ‘Meutrière (feat. Flore Benguigui)’

[foryourearholes]

New thing from Alan Palomo (Neon Indian). Pretty solid italo-disco throwback with a bit of 80s sax mixed in just for fun.

[exxcitement1995]

Neon Indian - Polish Girl - Late Night w/ Jimmy Fallon

is it too soon to say this should belong up there in history with strokes $2 bill

[gastricotv]

[honeyvenommusic]

literally losing it playing Hozier’s tracklist vid on a loop because it literally sounds like something Alan Palomo would have produced

[amethystsoda]

Alan Palomo // Meutrière (feat. Flore Benguigui)

[chrisryanspeaks]

Neon Indian’s Alan Palomo + Mac DeMarco share “Nudista Mundial”

Alan Palomo, the auteur musician/producer behind the long-running avant pop project Neon Indian, has shared “Nudista Mundial ’89,” his first release under his own name. Palomo brought the song to fruition at Mac Demarco’s studio (who also features on the recording) upon learning that he had some key pieces of gear that would help manifest the sun-bleached, funky electro-pop earworm. “While…

[mymelodic-chapel]

Neon Indian- Era Extra​ñ​a (Chillwave, Synthpop, Indietronica) Released: September 7, 2011 [Static Tongues/ Mom + Pop Music] Producer(s): Alan Palomo, Dave Fridmann

[amenomenory]

WHAT NEON INDIAN DROPPED A NEW ALBUM

WHERE WAS I

[adultalternative]

Rodeo Star by Cowgirl Clue- One of the weirdest albums of the year. Electropop with country samples and lyrics that are a bunch of mantras together. Don’t take my lack of description as a lack of praise. My favorite songs are Rodeo Star, Picket Fence, and Gold Switchblade.

Ooh I Rap Ya by George Clanton- George Clanton was a name I sometimes saw but never gave a chance until last year. This album is a perfect homage to 90’s alternative dance. My favorite songs are the epic Justify Your Life, the Savage Garden-esque I Been Young, the nihilistic but anthemic FUML, and the dreamy For You I Will.

10,000 gecs by 100 gecs- Very loud, irreverent, and most importantly fun. People keep wondering how long hyperpop can last, but 100 gecs was able to shift seamlessly into an alternative rock sound. My favorite songs include Doritos and Fritos (which I was surprised to see on the Warner Bros rock channel on my Roku), The Most Wanted Person in the United States, Billy Knows Jamie, Frog on the Floor, and Dumbest Girl Alive.

Moments of Clarity by Narrowhead- I don’t know what it takes for me to give two looks to ‘regular’ alternative rock bands now that I have a more diverse taste, but Narrowhead stuck out to me immediately. Loud and cathartic, I’ve seen them compared a lot to Deftones. My favorite songs are Breakup Song and Sunday, as well as the alternative dance inspired Soft to Touch.

BB/Ang3l- After the very broad 333, Tinashe went for mega concise. I liked Talk to Me Nice, Treason, and Gravity. I am looking forward to the sequel project this year, which should be sooner rather than later given the delayed release this list has.

World Hassle by Alan Palomo- Alan Palomo’s music was no stranger to inspiring daydreams for me. After an 8 year hiatus, this still holds. Palomo’s solo album sounds more like sophistipop and jazz-funk than synthpop, but is still perfect for soundtracking dead mall videos, Sims Youtube speedbuilds, and city planning videos. My favorite songs are "Is There Nightlife After Death?”, Nobody’s Woman, as well as Stay at Home DJ.

guts by Olivia Rodrigo- I never know how to rate the pop girls of the next generation. Usually there are dozens of discussions about them for who is the most planty, who is the most naturally talented, who is the most wise beyond their years, and who is the most annoying (AKA a normal under 23 year old with a public social media platform), but I just opt out of them instead of having dozens of opinions (unfortunately, I can't always restrain my thoughts on pop stars this easily). This either means an album like Melodrama will have the highs affect me less than they do other people, or an album like Happier Than Ever I wrongly write off too early because I'm not that interested in the meta discussions of Billie’s sophomore slump. But guts had no problem reeling me in. Olivia shows how eclectic Pop rock can be with a rap rock song like Get Him Back, a One of the Boys esque song like Love is Embarrassing, as well as the bubblegrunge inspired Ballad of a Homeschooled Girl.

Gag Order by Kesha- Usually, when people want a dark and personal album by a pop star, we imagine it to be a little confessional and a little experimental, but this album took me by surprise, from the album art to the songs themselves. Maybe it was just watching the visualizers for the videos, but you definitely get the alienation and stress Kesha was facing over the last decade with Something to Believe In and Eat the Acid. For a little more balance, listen to The Drama and Only Love Can Save Us.

Bully by Bully- Bully’s most immediate album since their debut, in my opinion. I like the anthemic Days Move Slow, the surprisingly moody A Love Profound, and the political All This Noise.

Leaving The Light by Genesis Owusu- Genesis Owusu came with an album with a little bit of everything. Post punk, drum and bass, and funk. I like Leaving The Light, The Roach, The Old Man, and That’s Life (A Swamp).

heaven knows by PinkPantheress- More of PinkPantheress’s trademark easily digestible and recognizable UK Garage and helium vocals. My favorite songs are Capable of Love and Internet Baby, as well as The Boy’s a Liar.

Good Luck by Debby Friday- Debby Friday came out of nowhere with this brash homage to industrial music. If you want to get adjusted to the soundscape with a moody bop, start with So Hard to Tell. If you are ready for the loudness, go to Pluto Baby.

Gizmo by Tanukichan- Going on the shoegaze subreddit is good for finding out how to classify ‘The Greats’ of shoegaze music for people whose names I always see but never actually commit to (Or in the case of Curve, are not on streaming), but not my favorite for finding new people. Seeing everything described as ‘Bad impressions of Loveless or just reverbed guitar music’ makes me turned off from giving people more chances. Tanukichan, however, has the right amount of vocals and right amount of guitars. My favorite songs are Don’t Give Up, Take Care, Thin Air, and Mr. Rain.

Chaos for the Fly by Grian Chatten- I’ve kept up with alternative rock enough to know that solo acoustic projects are usually optional for me. But calling Chaos for the Fly an acoustic folk solo album is not doing it any justice. This album has enough atmosphere to keep people who normally don’t like folk music interested, without taking away focus from the lyrics. This is a perfect album for rainy Sunday mornings. My favorite songs are Last Time Every Time Forever, Bob’s Casino, and Fairlilies. 

Rabbit Rabbit by Speedy Ortiz- Speedy Ortiz returned with a better focus than their 2018 project, in my opinion. The production gives a lot of different textures time to shine. I like the songs Kim Catrall and Who’s Afraid of the Bath?

wallsocket by underscores - An album that might cast itself out based on how weird it is until the hooks sneak up on you. Other people have talked about how it’s a concept album better than I have, so I won’t talk about that, but Locals (Girls Like Us) is very ahead of the times party-rap revival, Shoot to Kill, Kill Your Darlings, is probably one of the cleverest political songs of the year, and Cops and Robbers is a pure adrenaline rush. Special mention goes to You Don’t Even Know Who I Am, which is haunting with a very unique sample.

☆ Cosas de brujas ☆ by Maria Escarmiento- An exciting and fun hyperpop album where the language barrier doesn't matter. It reminds me of Number 1 Angel era Charli. Mejores que ayer and Demasiado Callado are euphoric, Creo que hoy no me apetece quererme morir is a crunchy futuristic song

Past/present/future by Meet Me @ the Altar- over the past few years, I've had revisionism for the 2000s pop rock girlies. Not just ‘Breakaway is good’ or ‘One of the Boys has Really solid album tracks that get overlooked for obvious reasons’, but more deep-cut esoteric ones that can definitely merit their own post. Meet Me @ the Altar captures the era with their power pop influenced pop punk. Say It (to My Face) is purposely well, immature and energetic like most pop punk, and is the most famous song, per the Roku rock video channel I use, but they have other sounds, too. A Few Tomorrows is a catchy singalong midtempo which could have been the last stray American Idol alumni breakout single (I mean it in the best way possible) and Need Me reminds me of the power pop on One of the Boys.

The Land is Inhospitable and So Are We by Mitski- After too much meta narrative about Mitski’s career clouded her last two albums, Mitski came with a folk album that might be more sparse, but not at all too simple. There is the dreamy My Love All Mine All Mine, the wanderlust of Buffalo Replaced, and I Don't Like my Mind.

Flower of Life Taleen Kali- An interesting shoegaze album that reminds me of the Dum Dum Girls. My favorite songs are Only Lovers Left Alive and Flower of Life. I am curious for where her sound will develop from here.

[ososperezosos]

October 22, 2023.