#akemi hayashi

[fiarfliart]

I just really liked this illustration by Akemi Hayashi from this post, so I made some edits!

My usual style of coloring is in the first one, I tried to emulate Revolutionary Girl Utena's style in the second, and the third/forth are just flat coloring/re coloring that helped me make the middle happen~

The rest are just other variants of the above:

[hakonohanayome]

Illustration by Revolutionary Girl Utena animation director Akemi Hayashi in Utena (Oh My!) UTENA

[empty-movement]

It's December. It's 1997. You are watching the final handful of episodes of Revolutionary Girl Utena, and you are excited. You pick up Animage Magazine, and immediately become a victim of this set of two page spreads by Akemi Hayashi. You flip from one to the next, and begin to worry that this show might just choose violence for an ending.

But you persevere! Cool! Because there are plenty more magazine scans where these came from!

[setteidreams]

✿ Fruits Basket ┊ 52 sheets ✿

... a 2001 TV series with character designs by Akemi Hayashi has been added to Patreon.

[demifiendrsa]

Lazarus | First Look

Lazarus will premiere on Adult Swim in 2025.

Key visual

Cast

Mamoru Miyano as Axel

Makoto Furukawa as Doug

Maaya Uchida as Christine

Yūma Uchida as Leland

Manaka Iwami as Eleina

Megumi Hayashibara as Hersch

Akio Ōtsuka as Abel

Kōichi Yamadera as Skinner

Staff

Director: Shinichiro Watanabe

Music: Bonobo, Floating Points, Kamasi Washington

Character Design: Akemi Hayashi

Producer: Joseph Chou

Action Director: Chad Stahelski

Concept Designer: Stanislas Brunet

Art Director: Miho Sugiura

Color Designer: Kana Tanabe

Cinematographer: Takuma Sakamoto

Compositing Director: Mitsuhiro Sato

Sound Effects Supervisor: Lauren Stephens (Formosa Group)

Animation Producer: Masato Matsunaga

Animation Production: MAPPA

Production: Sola Entertainment

Synopsis

The year is 2052 - an era of unprecedented peace and prosperity prevails across the globe. The reason for this: mankind has been freed from sickness and pain. Nobel Prize winning neuroscientist Dr. Skinner has developed a miracle cure-all drug with no apparent drawbacks called Hapuna. Hapuna soon becomes ubiquitous… and essential. However, soon after Hapuna is officially introduced, Dr. Skinner vanishes. Three years later, the world has moved on. But Dr. Skinner has returned - this time, as a harbinger of doom. Skinner announces that Hapuna has a short half-life. Everyone who has taken it will die approximately three years later. Death is coming for this sinful world - and coming soon. As a response to this threat, a special task force of 5 agents is gathered from across the world to save humanity from Skinner’s plan. This group is called “Lazarus.” Can they find Skinner and develop a vaccine before time runs out?

[hauntingofhouses]

Blue Eye Samurai Characters' Names in Kanji

These are the official kanji used in the Netflix Japanese subtitles.

Disclaimer: I am not Japanese and am still a beginner learner. If there are any errors in pronunciation or meaning of the kanji listed below, please let me know!

1. Mizu: 水 [mizu]

water, fluid, liquid

2. Ringo: 林檎 [ringo] apple

林 [hayashi] forest, woods, grove 檎 [jin] apple, fruit

3. Taigen: 泰源 [tai-gen]

泰 [yasu] peaceful, calm 源 [gen] fountainhead, wellspring; source, origin

4. Akemi: 明美 [ake-mi]

��� [mei] bright, light, clarifying 美 [bi] beauty, beautiful

5. Master Eiji: 鋭司 [ei-ji]

鋭 [ei] sharp, pointed, acute, keen 司 [tsukasa] an official, a manager, a boss

6. Seki: 関 [seki]

barrier, gateway, close, seal, relation

7. Madame Kaji: 梶 [kaji]

oar, paper mulberry tree

8. Mikio: 幹男 [miki-o]

幹 [miki] tree trunk, plant stem 男 [otoko] man, adult male

9. Heiji Shindo: 新堂 [shin-do] 平次 [hei-ji]

新 [shin] new, novelty 堂 [do] hall, temple, shrine 平 [hira] something flat; something ordinary, mediocre 次 [tsugi] next, order, sequence, below

[rainofpainaaaaa]

Ocgram reveal! ^^

Here are all the characters for my ocgram :D

Rough drafts:

Sketches:

Info:

Prisoner 001: Mary Bell, 27, scientist, #FFF7A3

Prisoner 002: Hayashi Ai, 19, mistress of rich family, #8556A5

Prisoner 003: Matsumoto Aki, 30, ex soldier, #FF5B2E

Prisoner 004: Ito Aiko, 17, high school student, #A2E6FF

Prisoner 005: Tanaka Chiyo, 18, high school student, #285EC8

Prisoner 006: Suzuki Ema, 24, influencer, #D653FF

Prisoner 007: Kato Himari, 16, high school student, #C8E7FF

Prisoner 008: Yamamoto Akemi, 17, high school student, #FF54DF

Prisoner 009: Yoshida Haru, 23, makeup artist, #FCB8FF

Prisoner 010: Sasaki Akihiko, 34, business man, #76A76D

000: Iroha, 15, warden, #BDB16E

[mirai-e-jump]

Uchusen Vol. 76 (Spring 1996) Choukou Senshi Changerion Segment ft. Toshiki Inoue Interview (translations below)

Publication: June 1, 1996

BIRTH OF THE CHANGERION

Choukou Senshi Changerion, which began airing on April 3 as Toei Hero's third slot, is an extremely ambitious work that aims to create an epoch of 90s styled heroes.

First, there's the visual shock of the hero, with the heavy use of transparent materials. Shinohara Tamotsu was in charge of the design, and Rainbow Zoukei, which was in charge of the modeling, even installed new equipment for Changerion.

The result, as you can see, is a super battleship like suit, with two layers of crystals and mechanical parts throughout its body.

Another ambition of Changerion, is its spirit. As those who have seen the show already know, Akira Suzumura, the main character, is a person who has no sense of being a hero or having a mission.

With this character image at its core, the story is light hearted, with a comedic touch. At the moment, Screenwriter Toshiki Inoue's unique world is unfolding, as he handles all of it by himself. We'll leave the details to Producer Shirakura Shinichiro's comments, but, it's a completely new tokusatsu hero work that aims to be an anti existing hero. A new program with 100% expectations, keep an eye out for future developments! _

Staff Comments

Design: Shinohara Tamotsu

"Based on the premise that the suit is made of a transparent material, the key idea is to give off the image of a, "Demon in Angel's clothes." Both order and chaos are coexisting. For the transparent parts, I tried to create a godly feel with wings and muscles, which are associated with Greek mythology, while inside, I tried to create a rough feel with the complicated mechanics. It's true that the mechanics inside are so complicated, that it alone is like a demon…."

Modeling: Maezawa Nori (Rainbow Zoukei)

"Changerion is an idea that I've always wanted to try someday. That's why we tested it carefully, and finally completed the project after many retakes, until the very end of the permitted production time. I'm confident in saying that I've reached a level where I'm not embarrassed to consider this a modern tokusatsu hero. I'll continue to challenge myself to create new concepts whenever I have the opportunity, so please continue to support us."

Producer: Shirakura Shinichiro

"Our first priority when planning Changerion, was to create a true to life hero. For humans, I don't think they'd suddenly feel a sense of justice or mission when suddenly told that they're heroes from this day forward. Everyone wants to have fun and enjoy life. From that perspective, what kind of drama can we create? That was the theme. To achieve this, I wanted to establish the appeal of Akira's character as a human being, and make him the driving force for pulling the story along. For that reason, Inoue-san was the best choice for screenwriter. Another thing is that I want people to think is, "This is kinda stylish." I want it to give off the feel that this is a story that's happening right now, in the year 1996, and no other time. I want to properly capture the feeling of "Now" in my work. In that case, we, the staff of Changerion, are thinking of creating a completely new work without being bound by the existing image of a hero, so please look forward to it." _

Main Cast

"Why is this guy like this? And of all people…he's Changerion."

Suzumura Detective Agency Main Character: Akira Suzumura, is the head of the detective agency. Although he pretends to be a first rate detective, the work he receives is always something like searching for lost dogs and cats, and, he's constantly running into debt.

Akira Suzumura (Takashi Hagino): A naturally happy go lucky person. By chance, he's exposed to the Crystal Power and gains the power of Changerion, but he's not aware of being a warrior. He loves banana parfaits.

Akemi Tachibana (Mie Hayashi): A college student and a part time employee of the Suzumura Detective Agency. She's a reliable person and is practically in charge of the office. Her family runs a guest house in Iwate.

SAIDOC Members: Katsuhiko Hayami (Kazunari Aizawa), Takeshi Munakata (Noboru Ichiyama), Eri Minami (Chika Kochihira) A special agency established by scientist Takeshi Munakata in preparation for the DarkZide invasion. As a trump card, he carries out the Changerion Project using recovered DarkZide technology, but, all of it was accidentally taken by Akira, and the agency is in trouble financially.

Super Light Knight: 3 droids developed by SAIDOC to support Changerion. Each of them has the ability to transform from robot mode to vehicle mode.

DarkZide: Higher life forms that emerged in the Dark Dimension and evolve differently from humans. They disguise themselves as humans and hide in society. They're monsters whose purpose is to absorb "Larmu," the biological energy of humans. _

Interview with Toshiki Inoue

-Akira is quite honestly an incredible superhero-

"Inoue-san, have you been involved with Changerion since the planning stage?

Inoue: I have. We've been planning since the days of "Android Hakaider." So, since this would be the start of a brand new show, I thought it'd be better to break away from the existing hero genre. That being the case, I was certain that comedy was the way to go, and that comedy is the way to go from now on. I don't have anything to back up this claim (laughs).

"How did you create the main character?"

Inoue: In the beginning, he wasn't going to be a detective. He'd be a "fugitive". Like that old American TV series. I was trying to do a comedy with "The Fugitive" in mind, but it just didn't work out. It ended up becoming too dark (laughs). It's funnier when fugitives run away laughing like crazy. And since they're never in a single spot, it's hard to determine their location. That's why I made him a detective.

"In reality, being a detective is pretty plain, and isn't a very cheerful profession."

Inoue: That's right. Akira used to do pretty boring work before he became Changerion, didn't he? But, he's got a playful spirit even in his mundane work, so he has fun carrying a gun and acting pretentious. Characters like that are so important to me in that, it doesn't matter what their occupation is. It doesn't matter if he's a fugitive or a detective. He happened to become a detective by chance because it'd be easier to tell the story as a detective.

"The fact that the main character becomes a hero by chance is similar to Jetman."

Inoue: That's right. That's why there's only two ways to create a hero. Either it's someone who's selected and chosen, or it's someone that shouldn't have been selected but becomes a hero anyway. For me, I like the latter.

"The enemy's setup isn't really depicted within the show."

Inoue: Executives are becoming alot more unnecessary. When I start a show, even if I want to do something new, I don't change my mind so quickly, so I thought that things like an evil organization and other detailed settings were all necessary. But, as we started and the drama progressed, my expectations became different in a positive way. I began to think that we could do without all that. I can say that because the story is moving along. So, you know, it's easier to understand Changerion if you think of it as just a detective drama. It doesn't have to be a so called hero story, where it's split up by allies and enemies who then fight each other. It also doesn't have to be like a final episode, where the enemy is finally defeated and the story ends. But, the scenario is difficult. If this were a normal hero story, I could do the whole show with just one idea, but it's a comedy, so I have to come up with alot of material, so it's…..it's abit tiring, isn't it? (laughs).

"What would Inoue-san consider to be his image of a hero?"

Inoue: It would be a guy who's complacent. When faced with a crisis, everyone goes into a state of panic, so I think that having composure in such a situation is a strong point. That's why Akira is quite honestly an incredible superhero, now that I just thought about it (laughs).

[rosejigglypuff76]

Cookie Run Kimura AU - Major Arcana Cards

This is something I've written down slightly over a month ago, with the intention of drawing some Cookie Run Tarot Card Fanart! 🃏

Since there was a lot of things in my mind (ranging from other art ideas popping to currently ongoing writers block) I wasn't exactly able to find the time to draw. 😅

Herb Kimura is the only one I drew a Cookie Run Tarot Card for, with him representing the Sun Arcana. But I still have the idea to draw the other cards soon! 🪴

Out of all the tarot cards, I only plan to draw some for each of the Major Arcana Cards. Since they're the most well-known, and I also didn't want to think so much for the other cards in the deck. 🎀

There's also multiple cookies listed on most of them. However I plan to narrow it down to drawing 1-2 cookies (separate art when it comes to the latter) 🌱

With that in mind, here's the list of Major Arcana Cards: 🎀

Arcana Card 0 - Fool *Sparkling Isui *Rockstar Maizono *Devil Koizumi  *Angel Saionji (True Arcana, Reverse) 

Arcana Card I - Magician *Cherry Blossom Futaba *Pomegranate Sunako *Cream Unicorn Akemi *Chiffon

Arcana Card II - Priestess *Cream Puff Amai *Cherry Ball Futaba *Faded Pearl Mitarai

Arcana Card III - Empress *Baguette Amai *Latte Hagimoto *Sugar Swan Estrada

Arcana Card IV - Emperor *Purple Yam Yaku *Ananas Dragon Manila *Millennial Tree Varian

Arcana Card V - Hierophant *Earl Grey Isui *Almond Goro *Cappuccino Hagimoto

Arcana Card VI - Lovers *Sea Fairy Kimura *Moonlight Nightlight

Arcana Card VII - Chariot *Red Velvet Mochi *Lime Saionji *Mint Choco Viola

Arcana Card VIII - Strength *Knight Majora *Milk Kido *Bumbleberry Niijima *Hollyberry Mistletoe

Arcana Card IX - Hermit *Pure Vanilla Uchiha *White Lily Hayashi *Clover Hayashi

Arcana Card X - Fortune *Walnut Goro

Arcana Card XI - Justice *Cream Soda Mitarai *Crimson Coral Mitarai *Stardust Nightlight

Arcana Card XII - Hanged Man *Dark Cacao Watanabe *Clotted Cream Alexandra Mary *Roguefort Isui *Vampire Endomoto *Cherry Bomb Futaba

Arcana Card XIII - Death *Black Iris Hayashi *Licorice Chandler (Reverse) *Custard Fujisaki III

Arcana Card XIV - Temperance *Oyster Midnight *Captain Caviar Columbus *Pancake Ikue

Arcana Card XV - Devil *Alchemist Endomoto (Forced) *Pastry Purge (False) *Angel Saionji (Cover-Up) *Reverend Mother

Arcana Card XVI - Tower *Strawberry Crepe Alfonso *Pitaya Dragon Suzaku *Golden Cheese Owari

Arcana Card XVII - The Star *Mochi Bunny McNamara (OC)

Arcana Card XVIII - The Moon *Dark Choco Watanabe (Initial Arcana)

Arcana Card XIX - The Sun *Herb Kimura (Initial Arcana)

Arcana Card XX - Judgement *Mango Estrada

Arcana Card XXI - World *Herb Kimura (Evolved Arcana) *Dark Choco Watanabe (Evolved Arcana)

[dottiedoesthings83]

Fandoms and OCs(and what I will and won't do)

There are also crossovered ocs.

-----------------------------------------------------------

Fandoms:

Kakegurui

My Hero Academia(MHA)

Demon Slayer(KNY)

Ouran High School Host Club(OHSHC)

Danganronpa(depends on which game)

Creepypasta(occasionally)

FNaF(very rarely)

OCs

Kakegurui:

Hadley Hanabusa

Ran Hanabusa

Ren Hanabusa

Ayame Hanabusa

Ume Hanabusa

Akahana Hanabusa

Sumire Hanabusa

Oka Hanabusa

My Hero Academia(fair warning there are a LOT)

Sakura Tadeshi

Aniki Tadeshi

Tsuki Tasheria

Emica Tasheria

Kurai Tasheria(Shadow Walker)

Hanya Shimura(Dollface)

Lyra Itazuki

Riku Itazuki

Jillian Evans(and Aruuna)

Phoebe Hayashi

Michi Ito

Miyo Ito

Anna Asagi

Masami Asagi

Chika Aaagi

Aniri Asagi

Chizu Asagi

Hadley Hanabusa

Ume Hanabusa

Manami Hanabusa

Lillian Aizawa(and Ayumi)

Haya Sasaki(and Hiroto)

Millie Sasaki

Shun Sasaki

Freija Sakamata(and Kaito)

Sayuri Yagi

Emiyo Yagi

Nana Yagi

Akeru Chisaki

Kioshi Midoriya

Kazuya Bakugo

Seshu Todoroki

Keina Takami

Ouran High School Host Club

Hanako Nemuri

Tanaka Nemuri

Yasu Janji

Yuto Janji

Miyu Aoki

Miyo Aoki

Tomiko Ship

Takami Suoh

Chiaki Ootori

Demon Slayer(another fandom that has quite a few ocs)

Aneko Yurei

Hana Yurei(and Ichigo)

Kuro Yurei

Ayaka Abito

Amaya Abito

Niko Abito

Akimitsu Abito

Okami Abito

Yui Takao

Chikako Takao

Hotaru Takao

Sora Takao

Tamiko Takao

Toshiko Takao

Kaida Ikari

Ryoto Ikari

Chieko Ikari

Akane Ikari

Kaori Hayashi

Osako Iguro

Airi Rengoku

Aika Uzui

Ichika Agatsuma

Chiyo Ubuyashiki Janji

Mei Kibutsuji

Mizu

Hayumi

Akemi

Danganronpa(with games listed after)

Naomi Owada(related to THH but is from my own story Dawn of Despair(DoD)

Celia "Cc" Mae Rogers(SDR2)

Izana Date(UDG and DoD)

Talia Bowen(DoD)

Olivia Bowen(DoD)

Ashlynn Myoga(DoD)

Nia Ichibanganese(DoD)

Noah Raymond(DoD)

Jonluke Duncan(DoD)

Violet Florencia Duncan(DRV3)

Kyra Onasis(DRV3)

Zachary Onasis(DRV3)

Alyssa Auclair(DRV3)

Amy Toshiro(and Ember)(DRV3)

Mizumi Tadeshi(DRV3)

MonoBerry(DRV3)

MonoWolf(DoD)

MonoParrot(DoD)

MonoGator(DoD)

MonoMouse(DoD)

MonoKitty(DoD)

-----------------------------------------------------------

I do realize I didn't name any Creepypasta or FnaF ocs, but I already wrote a bunch(hints as to why I also am missing some Danganronpa ocs because I have WAY too many)

If it is requested I will post an OC list for Creepypasta and FnaF, along with the rest of my Danganronpa Ocs.

Anyways. If you guys want to request anything involving ocs(ex. Info, hcs, short stories, etc.), just drop a request in my ask tab! I may not get to them right away but I'll try my best!

Once again. Enjoy guys!

[estercity]

i love episode 5's dandy, i think akemi hayashi draws his face shape and expressions really nicely

[marshmallowgoop]

To the anon who sent the Kill la Kill asks: I'm sorry, but I was so hurt by the reception that my posts on that topic received that I'm really not interested in discussing it any further.

But I think this post might be relevant:

If my “Kill la Kill Resources” page is any indication, I clearly value understanding what artists were trying to do with a work. That said, I do also value “Author is Dead” (to an extent). An example that comes to my mind is the Gurren Lagann parallel work “The Sense of Wonder,” which I’ve written about here (and also here, but I think the first link is more relevant). I dislike the message that director Akemi Hayashi was going for with the ending, and this does impact how I feel about the work to a degree, but I wouldn’t say that this knowledge changes how I’d rate the short. It’s still absolutely beautiful and fantastically done. But then, some intended messages are so vile that they would impact my rating, regardless of how I felt about the work prior to knowing. tl;dr, personally, I do think author intentions matter and do try to consider them, but whether or not they affect my feelings about the work’s quality really depends.

[hakonohanayome]

Illustration by Revolutionary Girl Utena animation director Akemi Hayashi in Utena (Oh My!) UTENA

[empty-movement]

Someday, Shine With Me...

It's Christmas Eve. It's 1997. You actually went to see the AWESOME Utena Musical over the weekend, and you have rewatched your VHS tape recordings of the last episode a dozen times.

You've been jamming out to Internal Clock, Municipal Orrery. You obtained a time machine to pour over episode commentaries by Ikuhara and Saito that cover the last three episodes. You've already stolen the script from be-Papas' office. You've even got a screencap gallery of it!

You've been watching along with some other internetizens, because forums are cool.

You've been staring at the insane art drop by Akemi Hayashi for this month's Animage Magazine:

You've been poring over the to-be-released creator commentary, transcribed by Vrai Kaiser, whose articles about Utena have been living rent free in your future head all year:

There are two meanings to the Japanese word utena. One is “the calyx of a flower.” That’s also the meaning of the title, of course. The thing that supports the beautiful petals; the one with the noble heart. And the other meaning of utena is “tall tower or pedestal.” We translated this into a visual: the tower at the center of Ohtori Academy, the one with the Chairman’s room on the top floor. And the dueling arena located deep in the woods is the same. In the early stages of production, when the story wasn’t firmly established yet, this was one of the aspects I most wanted to visualize and produce for the screen. A world where demons roam. In its center, a tower called the “Tower of Revolution.” Whosoever can remain victorious in his battles against the demons can reach the pinnacle of the Tower of Revolution, and at the same time receive the power to revolutionize the world; the power that changes the rules of the world. However, when he reaches the pinnacle, he learns the world’s governing laws. He faces the ultimate choice: will he stay nobly, beautifully powerless? Or will he accept ugliness into himself and gain absolute power? He desired both. Or rather, perhaps he couldn’t choose either. His mind in anguish, he divided himself in two. His “noble heart,” and the “adult with absolute power.” And so. With one last wish that the day would come when someone would awaken him, the “noble heart” that had lost its body, in other words the prince, fell into a deep sleep. Early on in the series’s conception, I kicked around the idea of placing something like the above at the heart of the story. Later, after several changes, it became the tale as you know it, but without a doubt, he did reach the pinnacle of the Tower of Revolution. It was a place where “eternity” dwelled. And “eternity” turned out to mean perpetual sleep. The prince (Akio) who became an adult while in perpetual sleep lost something. What he lost was “the power to create an enjoyable future.” Revolution means gaining “the power to imagine the future.” The prince chose to sleep on, and the princess chose to wake up. At the top of that tall tower, the princess bid farewell to the prince. No – she wasn’t the princess any longer. She quit being “a person (thing) ruled by someone.” The victory bells rang, but there was no “tower (rule)” beyond them now. She’d learned where freedom lay. She crossed the threshold of that “Door of Revolution” which had always been closed to her before, and began walking. The “girl’s revolution” lay in the girl’s future. ���Wait for me…Utena.” The world (the stage) is free and wide.

You're not ready for Utena to end. Which is good, because it isn't going to. Not for you. Decades from now, Utena will still be here, speaking to you. Challenging you. Changing you.

[hatanoatsuko]

2024.10.26 Terry Riley In C 60th Anniversary Concert in Yokohama

開場：19:30　開演：20:00

会場 : BankART Station 横浜市西区みなとみらい5-1 みなとみらい線「新高島駅」 B1F

前売￥3000 / 当日￥3500

出演者��� Marcos Fernandes - marimba 波多野敦子 / Atsuko Hatano - viola 林あけみ / Akemi Hayashi - piano 本田ヨシ子 / Yoshiko Honda - voice 今西紅雪 / Kohsetsu Imanishi - koto 石川寧 / Yasushi Ishikawa - trumpet 岩崎佐和 / Sawa Iwasaki - trombone 小林豊美 / Toyomi Kobayashi - flute 小森慶子 / Keiko Komori - clarinet 金剛督 / Susumu Congo - sax 小滝みつる / Mitsuru Kotaki - synth コヤマナオコ / Naoko Koyama - harmonium Chu Makino - voice 松下尚暉 / Naoki Matsushita - shakuhaci 中西文彦 / Fumihiko Nakanishi - guitar 大澤イツト / Itsuto Osawa - Mongolian bass 塩野えりさ / Erisa Shiono - violin Keikin Shu - mandola 鈴木美紀子 / Mikiko Suzuki - guitar 田中悠美子 / Yumiko Tanaka - shamisen tomoca - oboe 山田あずさ / Azusa Yamada - marimba ほか

前売りはこちらから https://bankart1929-in-c.square.site/

主催：Accretions 協力：BankART1929

問い合わせ info@bankart1929.com 045-663-2812

#schedule

[koikeraha]

2024. Oct. 26th sat.

“Terry Riley In C 60th Anniversary Concert”

2024年10月26日（土）

開場：19:30　開演：20:00

at BankART Station

（横浜市西区みなとみらい5-1 みなとみらい線「新高島駅」 B1F）

前売￥3000 / 当日￥3500

出演者：

Marcos Fernandes -marimba

波多野敦子 / Atsuko Hatano -viola

林あけみ / Akemi Hayashi -piano

本田ヨシ子 / Yoshiko Honda -voice

今西紅雪 / Kohsetsu Imanishi -koto

石川寧 / Yasushi Ishikawa -trumpet

岩崎佐和 / Sawa Iwasaki -trombone

小林豊美 / Toyomi Kobayashi -flute

小森慶子 / Keiko Komori -clarinet

金剛督 / Susumu Congo -sax

小瀧みつる / Mitsuru Kotaki -synth

コヤマナオコ / Naoko Koyama -harmonium

松下尚暉 / Naito Matsushita -shakuhaci

中西文彦 / Fumihiko Nakanishi -guitar

大澤イツト / Itsuto Osawa -bass

塩野えりさ / Erisa Shiono -violin

Keikin Shu -mandola

鈴木美紀子 / Mikiko Suzuki -guitar

田中悠美子 / Yumiko Tanaka -shamisen

tomca -oboe

山田あずさ / Azusa Yamada -marimba

ほか

前売りはこちらから

https://bankart1929-in-c.square.site/

問い合わせ info@bankart1929.com <mailto:info@bankart1929.com> 045-663-2812

主催：Accretions

協力：BankART1929