#aj get out of here

[ophernelia]

@imogencrnza: it was hard getting them all to behave for a picture.

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[aj-lenoire]

on the one hand, i'm glad percy and vex are talking it out like adults, and she’s apologising for brushing off his attempt to understand where and what they are (also i can only presume this is percy’s first anything and he needs clarification)

on the other hand, it's a similar thing to their conversation earlier in percy’s lab/room where two characters are plainly saying how they feel in a way that doesn't really feel consistent with how they've been established to behave

vex especially really struggles to be emotionally honest (i mean, she grabbed percy and started kissing him instead of them talking about their feelings) so it's a little strange to have her coming out with this stuff about ten minutes in-universe after she brushed percy off with a laugh and told him to think of it as a tryst and a mistake

she obviously cares about percy and since she’s still struggling with her abandonment issues and the idea that she can just be loved and it isn’t a burden to love her, it makes sense why vex would be reluctant to be in a proper relationship, but i was kind of hoping and expecting there would be an episode or two before percy finally forced the issue and insisted they actually talk about what happened

[theonekierce]

Two new pages up in my Raffles comic 👁👁

[spacedlexi]

the way the ericson group were at the outbreak just a bunch of troubled kids who made various mistakes or committed crimes and were judged by a system that punished and abandoned them instead of giving them the support and love they needed, are then nearly a decade later put into a situation where now they must judge a troubled child for the mistakes and crimes hes committed against them. and 5 to 3 vote them out 😭

[ratatatastic]

local man haunts (me) open practise yet again more news at 11

[kittyloops]

christmas at ericsons.... gaahhhhh.....

[genderfluidneurodivergent]

Phases of the Moon Pt. 1

Remus steadily eased the door to their dorm shut, returning from another one of his late-night searches through the library’s restricted area.

“Find anything interesting?” Lily asked from her seat on the couch.

“No, on either side, no way to make me feel like a girl, no way to make me look like a boy,” 

“Remus, I agreed to cover for you so you could look for ways to be you, not change who you are,” Lily said sternly.

“But if there’s a way to fix me, I should be looking for that option too, no?” There was a genuine question in his voice, but the sorrow, the years it took for him to even acknowledge himself for who he was, hid deep in the same statement. 

“Moon, you don’t need to be fixed, at all. You’re perfect just as you are, and the only goal of this search should be to make you more comfortable.”

Moony sat with that statement, letting his thoughts envelop him. 

As Lily heard someone stumbling into the corridor, she called, “Not it!” snapping Remus out of his thoughts.

She briskly retreated to her room, passing the duty of answering the door to Remus.

“C’mon Lils, I answered last time!” he called to her, eliciting only a chuckle in response. 

In the meantime, Sirius tripped his way up the stairs, disoriented and drunk.

“Prongs! Let me in, you idiot!” he hollered, banging on their door.

“Wrong room, love!” a call came through the door.

“Awww, Moony, you can let me in, can’t you? I’ll explain to McGonagall if we get caught!”

“Sirius, just go back to your own room!” Remus said sharply.

“Moons,” he drawled, “just let me in, I promise, it’ll be fine.”

Slowly, the door between them eased open, but neither of them had touched it. Remus turned around to find Lily, with her wand pointed at the door. 

“I was sick of you two yelling for everyone to hear,” Remus glared at her as she moved towards him.

“It’s time to tell him,” she whispered in his ear, heading to the kitchen.

“You trying to steal my lover, Evans?” Sirius growled, stepping into the dorm.

“Of course not, Pads, they’re all yours!” She pours herself a mug of tea and retreats to her room.

“Moons!” Sirius grinned at his lover, going in for a kiss.

Remus dodged him, resisting Sirius’ smile, no matter how impossible it was. He had different things to worry about right now, like how to tell his lover, his star, something that could change everything. 

“You should really be in your own room,” Remus groaned at Sirius, attempting to distract from the matter at hand.

“Oh, it's quite nice to see you too, Moony,” Sirius said sarcastically.

“You know that’s not what I meant, but this is the girls' dorm, and, well, how did you even get up here?”

“You know me, I have my ways, now are we gonna keep bickering, or are you going to kiss me?” 

“Did you really come here just to kiss me? At 2 am?” Sirius ignored the question, instead taking in Moony’s outfit, trailing his eyes up and down Remus, in an oversized shirt and what Sirius could only assume were boxers.

His heart skipped a beat and then sank. Who’s boxers would Moony be wearing? Why would they be wearing anyone’s boxers? Why wasn’t Moony in Sirius’ boxers? 

Sirius tried to say anything else, to answer the question, tell Moony why he was actually here, anything but ask about the boxers, but he just couldn’t. Moony was in someone else's boxers, he had to know who’s. 

“Where’d you get the boxers?” Sirius asked, the anger seeping into his gravelly pitch.

“Don’t remember, I’ve had them for a while,”  this is not how Remus had pictured this conversation.

“Has this really been going on for a while?” Sirius practically screamed, air quoting the last part.

“What?” Remus asked, his brows furrowed. 

“You know exactly what!” Sirius shouted, pacing the room.

“I really don’t!” Moony warned, anxiety building in his chest.

“Just tell me who you’re shagging!” Sirius cracked, lunging towards Remus, towering over him.

“I’m not shagging anyone- I’m really not-” Remus staggered backwards, tears streaming down his face, breath coming in shallow sobs.

“Okay, if you’re not fucking anyone, then who’s boxers are those?” 

“It’s not what you think!” Remus shouted back, his voice shaking.

“So who is it? One of the Slytherins?” he uttered the last word in disgust. 

Remus’ thoughts spun, wondering what could make his lover think such a thing.

“No, Sirius, they’re mine!” Moony yelled, seeing Sirius cock his head in confusion, he continued “They’re my boxers! Okay?”

Remus broke down in tears, blubbering. He sank to the floor, his back pressed against the counter.

Lily emerged from her room, sternly eyeing Sirius as she poured a glass of water for Moony.

“You really couldn’t have handled that any better?” she says to Sirius, handing the glass to Remus.

“Well, they’re wearing boxers! What was I supposed to think?”

“You’re supposed to trust the person you’re with and be able to discuss things in a calm manner. And, while sober, preferably.”

“I was calm and slightly sober,” he seemed to take in what he said, “that’s a lie.” 

“You should go,” Lily said quickly, before glancing at Moony, “that alright with you, love?”

Remus stayed still for a few moments before nodding.

Sirius stalks over to the door before looking back at Remus, sorrow flashes across his eyes, rapidly replaced by unease. He quickly turned around, slamming the door behind him. 

As soon as Sirius was out the door, Remus sank further into the floor, banging the back of his head on the counter.

“I just thought he’d get it, Lils! I didn’t think he’d accuse me of cheating!” he bawled, pushing his fists into his eyes. “Do I really seem like a cheater? Someone who would shag a Slytherin?” 

“Of course not, Moon. Now stop hurting yourself and come sit with me.”

Remus makes his way to the couch, tears still clouding his vision, fury shaking his palms. 

“He doesn’t deserve you,” Lily said quietly, laying a blanket on the two of them.

[chatterbox-juice]

Juno is important. according to AJHQ on their insta, Juno is NOT an alpha but an ancient hero, which is interesting, because if Juno isn't an alpha, then canonically the arctic wolves has no alpha. for my AU, i've been considering reviving Juno, not because of author's bias, but because narratively, Juno is THE protector of Balloosh, the newest land added to the game. and I don't want to create an Arctic wolf alpha bc

A: shamans can't create anymore shamans after the phantoms (which i'm changing a bit)

B: that's boring

C: the implications of bringing someone from the past back to the present is somewhat horrifying

but yeah, Juno is OLDER than the shamans, and in my au I said "nuh-uh" because I couldn't think of a way of Juno being older that fits the timeline. correction, I just didn't like it.

in the game, they have two major connections to presumably (100%) dead alphas; Star and Fang, the direwolf and sabertooth alphas respectively. Fang is unimportant, and Star is mildly more important than Fang.

Now, while Balloosh really shines in the Juno Era to the Hexagram Era, it existed as far back as the Culture Era, if we're talking about it being established. the land Balloosh was established on most likely existed in the early history eras.

but anyway, to make sense of Peck, Greely, Gilbert, Liza, Graham, and Cosmo being the original six shamans, Star and Fang will no longer be shamans. they'll be important figures, like pack leaders (did sabertooths and direwolves form packs??), but not shamans. Juno doesn't exist here.

Star and Fang are older than the six in terms of age, just to establish that. Juno is younger in age. So how does Juno come to exist?

they're a gift from Mira. prior to this, Star and Fang joined their packs together and wandered just like that, a massive culmination of canine and feline. this most likely takes place in the Dominion Era, so collaboration between different species was unheard of. Star, Fang, and their pack was shunned, pushed to the far marshlands, but Mira had a sort of respect for it. so she gifted them Juno in the form of a feather.

this is also why Juno is nonbinary. they weren't created with a gender. (also they didn't feel entirely comfortable with gendered pronouns later in life)

these marshlands would also later become Balloosh, founded by Star, Fang, and Juno.

but anyway, Star carries around the feather with a piece of twine, treating it as the second coming of God, whilst Fang leads the pack with one of the leaders fixated on a feather. Fang found it redundant, and he always scolded Star for it, but Star herself did not care about what he had to say. Mira respected them. Respected them! if it wasn't obvious, this is from Star's point of view. to Fang, he acknowledged the feather as a gift, but felt that Mira's attention was fleeting. ultimately, in some way, shape, or form, he wasn't entirely wrong.

one day, during the Settlement Era, the feather glowed as bright as the sun, and soon it grew legs, and fur, and ears, and oh god it's a pup now. this pup was baby Juno, the arctic wolf born from a feather. Star and Fang became parents, almost. they were both a bit feral for Juno more tame demeanor, but they loved Star and Fang nonetheless.

[ladyaj-13]

Everyone at work is getting ill or having family issues or whatever and obviously I don’t want any of that to happen to me but also I’m sat here and I can’t help thinking ‘they get to not work, I’m always bloody working’.

[ja3yun]

back to work after two weeks off and i have anxiety like a bitch idk why this happens to me every time 😮‍💨

[stop-breaking-my-heart-telltale]

I've had some ANF thoughts today. Y'all know how much I hate the "love triangle" aspect of the story with Javi, Kate, and David, right? If you can even call it a love triangle; it's more of a "David and Kate never felt like a married couple to begin with and now Javi has the chance to bone his sister-in-law as if that's not a weird thing to do at all👍" thing, so... not great.

I'm also just not fond of Kate as a character in general. She's pretty good in ep1, but after that it's a slippery slope as she's relegated to the injured love interest for Javi. There are interesting aspects to her, like how she's resourceful and on top of things, she keeps track of herds and overall is shown to be incredibly smart. But, she also has moments where she has to let herself be emotional and a little panicked because she knows she needs to get it out of her system in order to focus. She gets frustrated with Gabe and says things she shouldn't, and she just.... I dunno, does dumb shit sometimes? And that would be fine if it made sense... but it doesn't.

I was always more interested in the Garcia brothers aspect of ANF, and felt the story would've been improved if it focused more on Javi and David, their relationship as brothers in the past and how different it is after they've found each other again in the apocalypse. One of the best scenes in the entire game is the rooftop scene where David ask Javi to stand with him.

And so I was thinking about ANF this morning and what could be done to make Kate fit better in the story and like...it hit me: Kate should've been their sister.

No, seriously, hear me out: Kate should've been written to be the middle child of the Garcia siblings instead.

Do you know how much that would fix? Throw that stupid love triangle in the trash. It was never good, it did nothing for Kate's character, and now David and Javi don't have to bicker about who she's married to and who gets to bone her, okay? No bullshit fight at the end!

David was already married once, just let him be divorced or a widower, and a single father. Javi can have a new love interest; hell, give him two if you want, let him be a bi king over Eleanor and Tripp- wait, no that just creates another love triangle, damn it-

Anyway... if Kate was their sister, then her entire character overflows with potential that wasn't there before.

I say make her the middle child who was stuck with two rivaling brothers, one a military man who became a single father and the other a professional baseball player who lost it all in a gambling scandal.

What about Kate? Perhaps she's a single woman who doesn't know what she wants in life. She doesn't want to settle down and have kids like David did, but she also doesn't want to sink so low like Javi did. She wants to travel, but needs money to do that so she does what she can save up, but there's always something that makes her dip into her savings.

Y'know... like her father getting sick and needing to pay for treatments, which Kate is happy to give up those savings so for a chance for him to beat cancer, but there's always that little bit of bitterness lingering inside her that keeps saying, "it's never about what I want, it's always about David or Javi, I'm going no where, I'm no one, even I don't know who I am or what I want, what am I doing? Papa got sick, so Javi ran away again, and so did David when he reenlisted, and who got left behind to take care of everything? Me, it's always me left to take care of Mama and Papa, and the kids, and everything else!"

Maybe she acted as a mediator between the brothers, too. They always relied on her when they were pissed with each other, they vented all their problems to her, and she always tried to get them to connect on something, but never found that right thing.

Hell, this way she could get along with the kids better, too. She's just Aunt Kate. She always volunteered to babysit them for David. She and Gabe still have their tiffs due to clashing attitudes, but there's no "you're not my mother!" vibe.

Suddenly Kate's her own person and not just an object the game throws at you for the brothers to grunt "she's muh wife!" "but I love her, too!" at.

ANF becomes the story of these three siblings who experienced the worst night of their lives together: their father died after a long battle with cancer, their mother is distraught, Javi didn't show up in time, David's drinking on the porch and Kate's trying to look out for everyone. Then the outbreak happens, their father comes back as a walker and bites their mother, David rushes off with her to the hospital while Kate and Javi take the kids...

Years later, Kate and Javi have accepted that they've lost their parents and big brother, and they're doing what they can to keep their niece and nephew alive... until Kate gets shot and they reunite with David, because then everything gets extra complicated with the three siblings trying to repair broken bridges and survive together until they hit a breaking point where Kate gets sick of David's shit. She's done trying to be nice and play mediator, she's ready to do what she thinks is right and an argument breaks out... and Javi's forced to choose between his brother or sister, and the tragedy becomes about being unable to save one of them... not matter what, in the end, Javi will lose a sibling because no matter how hard he tried, they still fell apart.

And that's just the tip of the iceberg.

I just really hate every plot they give Kate, y'all. She was done dirty.

And I loathe love triangles that involve two siblings [usually it's brothers] falling in love with the same person, okay? I don't have the patience for it, I just want all of those love triangles to go far, far away from me forever and never bother me again.

Anyway, do you love this thing I do where I show up after months of inactivity to slap something like this down before scurrying away? Because I'm scurrying now.

[cementcornfield]

Well!!! I certainly missed a lot this afternoon!!

[jinouchibhue]

When the first divorce, happened and he was in TNA, he survived by pussy whipping the entire roster. with varying effects.

[spacedlexi]

people dont talk enough about how heartbreaking the marlon betrayal mustve been for clem too,,

this dude saves the life of her and her kid. takes them in has them patched up gives them their first hot meal in who knows how long. gives them a safe place to stay. possibly permanently. confides in her that hes trying to be a good leader but feels like and fears that hes failing. asks her to help him take care of the rest of the group. helps her get over her fear of dogs by asking her to trust him. and things go well. she feels safe. like this place could really finally be the home shes been looking for

but as soon as she finds out what happened to the twins. that marlon planned on giving up her and aj too. she immediately becomes a liability to him and he attempts to kill her for it. locks her in the basement to die by walker. then tries to turn the group against her so he can shoot her instead when the first method fails. and he nearly succeeds

then a majority of the group turn against clem the minute aj kills marlon. ignoring marlons mistakes but condemning aj for his. like clem wasnt betrayed by marlon in the exact same way he betrayed the twins. like she literally wasnt almost killed twice? and how long had he been considering giving her up? was it always some contingency he planned? did he truly want to keep them around and things only changed when he feared the raiders had returned? she'll never know

[ratatatastic]

happy we love defending our teammates around here from mr aj "thats one of the biggest things is im very loyal to my teammates and no ones going to take liberties and take any cheap shots towards my teammates" greer

if youd like to know what caused aj to go after kastelic its because of two hits on adam and jesper that happen within 7 seconds of each other and while casters were quick to note the jesper hit they never mentioned kastelic basically riding adam near the benches hard not even a few seconds before that and those within tandem is what makes aj go enoughs enough! and shed his gloves

there has to be something so funny about jesper and uvis hovering nearby as aj just (insert the dog eating cabbage angrily video)

despite wrastling the shit out of a guy aj wants more and honestly a perfect addition to our kitty lineup!! oh delightful little cat!!

boston bruins @ florida panthers | 10.8.24