#ai trailer

[ussthunderquack]

Looks like Jimmy Dean is Peter Quill!

[memoryaqua]

"Little Mermaid" reel

Gorgeous mini-reel made with AI. Sadly it doesn't seem possible to view it without all the writing and crap over the images.

[geniepuppet]

Made some edits because of the SUPER EXCITING week we're having!

[bigolialragu]

jaw smasher

(print)

[yyh4ever]

Yu Yu Hakusho Live Action Official Trailer

Netflix finally released the Official Trailer and announced the rest of the cast. On the Netflix Official Site, there are many subs and dubs available as well as other teasers, so don't forget to check it!

It seems they changed the plot a little bit. The guys are facing Bui and Karasu outside the Tournament (?), and attacking Toguro all at once! I wonder if the "Rescue Yukina" Arc will involve all of them or if it's a new and original script.

Cast:

Takumi Kitamura: Yusuke Urameshi

Jun Shison: Kurama

Kanata Hongo: Hiei

Shuhei Uesugi: Kazuma Kuwabara

Sei Shiraishi: Keiko Yukimura

Kotone Furukawa: Botan

Ai Mikami: Yukina

Hiroya Shimizu: Karasu

Keita Machida: Koenma

Meiko Kaji: Genkai

Goro Inagaki: Sakyo

Kenichi Takito: Elder Toguro

Go Ayano: Younger Toguro

Guest Appearances at the Yu Yu Hakusho Event

This December 13, Netflix is celebrating the world premiere of Yu Yu Hakusho's live-action series with the live screening of the first episode. If you're in Tokyo, try to apply! Registrations close on December 5.

Some of the actors and director will also be appearing as exclusive guests:

Takumi Kitamura, Jun Shison, Kanata Hongo, Shuhei Uesugi, Sei Shiraishi, Ai Mikami, Hiroya Shimizu, Keita Machida, Meiko Kaji,Kenichi Takito, Go Ayano, and Director Sho Tsukikawa

[ladylunora]

imagine when gordon wakes up with short hair

[westbifire]

When you think about it Veres situation is really sad.

Like the Senobium has been using him for who knows how long, and the only reason he's still around is because they need him. Ais cares for him but Vere might feel like he's also using him. Depending on how they met there relationship may have started with both of them using each other. Then in the Wick we saw how everyone was watching him which im sure he sensed and probably knew that they wanted to use him. Then Vere has to even convince and manipulate Mc into believing they have something that Mc can (again) use. If that's how their relationship starts it might cause some tension.

Its a heavy topic and I wonder if the full game will acknowledged how isolating and degrading being in this situation is.

[sfde8871]

][

[dolybun]

[hyperioncorps]

HALF LIFE 2 VR BUT THE AI IS SELF AWARE ⟡ trailer : link back for edits & stimboards : part 1 / 2 / 3

[reality-detective]

The new neural link movie.. Atlas with Jennifer Lopez… They always tell you in movies… And they’re telling you the AI is coming for you 🤔

[anewdaywilldawn]

GIVEN UMI E TRAILER’S OUT LET’S FRICKING GO

And uhm… yeah, I’ve translated it 👉👈

Here’s Part 1 (Hiiragi Mix)

Rb if you can, I want this one too to reach as many Given fan as possible 🙏

[deepdreamnights]

I remade the trailer to Robot Monster, to serve as a trailer for a hypothetical remake of... you guessed it, Robot Monster.

Destruction has come, hu-mans, and its silliness will not protect you.

My thoughts and how-to process blog post under the fold.

I made Robot Monster's Trailer Remake primarily with Vidu and with Midjourney.

For most shots I started with a photoshopped midjourney gen (or stack of them), which was used either as a prompt image or starting frame.

Some shots, like the earthquake, were done with start-and-end frames.

Vidu has some quirks for my Roland Emmerich Christ-the-Redeemer shot. I attempted the image several times as a direct image as start frame, but it would reset to a new camera angle each time, rebelling against my inaccurate version:

As the AI could recognize the statue, but not it being in inaccurate surroundings. I eventually used it as a prompt and not a start frame got a good enough shot.

I tended to go for 8-second shots on quality mode, to give me more to cut around and edit. Almost no shots play without some cropping, speed adjustments or other edits in this, and anyone using AI for a larger project is going to find much the same.

While 90% of the shots are from Vidu a few I used Hailuo's Minmax to accomplish. Mainly things like a few low-motion Ro-man talking shots, the computer-communication device, and the motion title card for "electrifying", etc.

Vidu likes to move, a lot, and for stuff that needs subtle movement I sometimes find it helps to mix things up.

I've found that when image prompting for a character, like Ro-Alice, it sometimes helps to do a fullbody and portrait two-for-one. This helps keep the character design consistent, and you can kinda tell which Ro-Man shots I made before I figured this trick out.

I also reused shots of the dinosaurs from my other AI video projects for meta reasons.

Right now it doesn't make videos so much as it makes shots you can weave into videos.

I'm actually impressed at how well it understood the concept of Ro-Man, only giving him a full ape face or a weird tail or the like a couple of times.

My general approach to the concept was "What if you kept the premise the same but had a budget." Whereas in reality you'd never actually get that combo, since if they had money, they wouldn't have made Robot Monster.

It also let me play with a fanon idea I've had for awhile that the Ro-Men were the helmets, and the ape-creature was some biological organism used as a conveyance.

For the audio, I took the audio to the trailer and used Suno's cover-features to both clean up the sound and change the musical style. The back half of the original track was completely warped by the cover process, but I used another bit of trailer-style music to cover that bit, and to extend for the longer ending shot, since my version of the trailer is about 20 seconds longer than the original.

Some prompts utilized:

in a sci-fi lab in a cave, a furry alien monster wearing a spherical helmet with reflective faceplate walks around aubrey plaza in a white sleeveless slip-dress and dark pantyhose in a glass tube, the tube pulses with green light. She is in a glass cylinder, he is walking around it, with curiosity. The scene is menacing, slow movement, pensive. horror movie scene, the tone is tense and frightening. professional lighting and cinematography. Oscar winning, 2003, practical lighting, effects, and costuming.

the robot spider-robots with spherical heads walk around as though searching for something. horror movie scene, the tone is tense and frightening. professional lighting and cinematography. Oscar winning, 2003, practical lighting, effects, and costuming.

the alien ape-creature wearing a space helmet (the robot monster), in a modern city. He throws green lightning from his hand, disintegrating a policeman into ash. Monster-movie sci-fi scene, dramatic camera angles and lighting. Practical costuming and special effects. High budget and high concept.

slow motion fly-through footage, the air is full of slow-moving glowing bubbles. green electric sparks arc from one bubble to the next producing an ominous mood. The scene conveys spreading menace and fear. One long, unbroken shot. filmed on location, effects by weta digital, ILM, stan winston studios, believable and hyper-realistic. Shot on location. trailer shot. high-speed film

All-in-all, a fun project, and one that came along when I really, really, really needed something to concentrate on for long stretches of time.

Make something fun, folks.

[listen-to-my-eyes]

plot twist: the minecraft movie is really just a stunt by hollywood and at the end of it all they will reveal that they were able to make a completely AI generated movie without anyone noticing

[sabotourist]

things i would like for s19 that i know is not going to happen:

nuanced sigma characterization doc and omega scene sargrey donut written like he was post-chorus face reveals (we can ignore the ones we don't like i just like how rvb does character animation) everyone lives in the end