#ai comic factory

[eampro-blog]

Neo Future (AI Art)

[maxhorrorhouse]

Dino Cazares from Fear Factory

[originalharmonysalad]

Jimi in Space

Generated by AI Comic Factory - a Hugging Face Space by jbilcke-hf

[dana-chan-the-control-brain]

I'm still saying Afton is not the Mimic

Spoilers for the Ruin DLC under the Cut. I wanted to include this in my mega post... but I know that the fandom is flooded with "the Mimic was Afton all along" theories right now actually.

There will be a lot under the cut, explaining some personal theories and the ending of the RUIN DLC so... be warned.

The Mimic, if you read the books, (but you probably haven't so I'll explain it in a few short sentences) is a character from the Tales of the Pizzaplex Books that was built by a Faz Engineer who made a robot to mimic his son to keep him company while he worked long hours while he lived in a factory. The child died in a car accident, and the Mimic kept miming his son's behavior. So in his grief, the engineer beat him to death in rage and grief. This infused rage in the machine.

So now the Mimic mimes behavior of a four year old, but it's corrupted and twisted. It will mime the action of 'scooping icecream' but will be scooping out your brains. It also has an adaptive learning AI so the violent pain it experienced, along with a four year old teaching it, it's a very dangerous thing.

It's also buried into the foundation of the Pizzaplex. And was reprogramed by some dumb lazy tech to clear the debris down there. By disassembling the robots and putting them in a pile. Which it did to all the human construction workers by disassembling them and putting them in a pile.

"This pile" I think is the Blob. Or as the game files refer to it.... "THE TANGLE."

(hard to see but take my word for it. that's him)

(cheating camera angle)

I think "The Tangle" is a infused pile of machinery, robots, and bodies that have all wound up down there.

So, we know that the blob is real. But I really think it's "The pile" that the Mimic has been stacking in the Book Epilogues. And it got out. Gregory/Mimic or Grimmick, says that something tunneled out of the building... And I believe this is 100% true. Because in Base Security Breach, we see this thing in the underground where Afton's room is.

But in RUIN.... This thing is on the top level??? HOw Did he get up here???

Easy..

He tunneled up.

So... the reason why RUIN looks like it does, and HOW it looks how it does...

Is because The Tangle got loose. And has been using the Pizzaplex as it's own series and network of tunnels like a burrowing snake or ant. Causing the entire building to fall in on itself. The Pizzaplex is it's ecosystem now. So that's why everything is falling apart how it is. He's breaking the very foundation and walls of everything.

So we do know the Blob IS real.

And let's assume that he's "the pile" that the Mimic has been building in the Tales of the Pizzaplex Epilouges. Just... sorting all the garbage, bodies, and endos into piles that he can find and stack.

So we know the Blob is real... but is Afton Burntrap real?

Forgive me I don't have the proper collectable screenshots so I'm pulling from the Wiki:

Throughout the game, you collect these real collectable comics that include all of the endings of Security Breach. And Cassie can recognize this as Gregory's art style, and has no idea when he had the time to make these or when he made them. EXCEPT Princess Quest. Which is pretty important I think. Which I think cements that Princess Quest is the definitive three star ending.

It's also worth noting that in Vanny's Room in the RUIN DLC... there is a book of "Fazbear History" by Vanny's Bed. So if Vanessa was freed and got out... we can assume she was talking to Gregory about the Fnaf lore as she knows it.

Also, it makes sense why some of these endings are a little insane now. cause it was just Gregory trying to process everything that happened to him at the Pizzaplex.

Gregory: So, I thought you had a twin sister for the longest time and-

Vanessa: Try again...

But anyway... if None of the previous endings were real.... Is Burntrap even real?

We collect this before we face the Mimic.... of Afton and the Blob. So we know The Blob/Tangle is real.... but was Afton ever real? Was Burntrap ever real? That's what we need to answer...

But if he isn't.... Why is his charging station down here in the furnace room all clouded up? ....As if it never was opened. As if he rotted inside with no more remnant to collect???

Cause here's the thing... I can accept the soft retconning of Afton. And if he was never real to begin with, and this is just Gregory's personal interpretation based on what Vanessa told them about what she was suffering through, I will take that. Or maybe Gregory saw the Mimic and interpreted it as this... I will take that as well.

However....

From what I said earlier... The Mimic... All his motivations in the game don't line up with Afton's.

He is doing exactly what he wants to do.

The Mimic is sealed in the back with Concrete... he's using Helpi and the VANNI Network to get Cassie to let him out. He just wants to get out of the basement and get Free.

Now... if Mimic is Afton the whole time...

and there is a case for it... they have almost the same idle animations as an endo, the Mimic does have Burntrap's claws on one hand. And he does have a similar pawed foot to Burntrap's design and they're practically identical height and pose.

And the Mimic is almost one-for-one linked with Hepi and the VANNI network. And I don't doubt that Vanny the person was using the VANNI network to get around the pizzaplex and become invisible to certain animatronics.

.....But...

here's a big But...

If the Mimic's goal is to kill people with his bare hands... and to get out of the concrete sealed basement, and break all the Security Nodes so he can get free???

WHY DOES THE PIZZAPLEX HAVE SO MANY MISSING PEOPLE/CHILDREN?

Why was the Human Staff all killed in the Pizzaplex?

Why are their children missing?

Why is Vanny hunting children and adults alike to kill in the first place?

This is not the Mimic's MO.

Because Vanny WAS working under influence of Glitchtrap and not the Mimic.

Because if the Mimic just wanted to get out... He would have told Vanny/Vanessa... head of Security.... To break all the Security Nodes A WHOLE LOT SOONER. Cause she literally has a VANNI Mask/suit and access to all of that.

The Mimic has no need for remnant or child killing or human killing if they aren't doing it themselves. The Mimic has always been very hands on with their kills.

But If Burntrap Afton is REAL... HE DOES have a reason for gathering this much Remenant.

He is growing in the charging station and trying to regrow his body.

And while the Mimic moves in a similar fashion to Burntrap, I think that's because he witnessed his behavior at one point and is copying it. But he never saw Afton in his prime. So he literally can't mimic the serial killer behaviors Afton is known for. Just likely his walk and how he breathes.

Because He literally can not copy Afton as a copy-cat killer, if there is NO Afton to Copy. There is no way that he could have learned who Afton was from all the way down below into the foundation. Especially with MXES keeping it hidden down there. And by "hidden" I'm sure it's hidden from Glitchtrap to even possess or check out that low.

People have to remember. The Mimic doesn't have access to illusion disc technology from the books. he can't replicate a corpse face. He's just a learning killer AI who has access to crappy mascot costumes. He can't look one-for-one like a person, even if he can sound like one.

So, there is a possibility that Burntrap Afton DID exist... He just rotted into dust once Vanny stopped collecting remnant for him.

Or there's also the possibility he was never real to begin with.

But.... Glitchtrap certainly was at one point. And Vanny was working with Glitchtrap to kill employees and children.

Not the Mimic.

Just their motivations and modus operandi don't add up if they are one in the same.

It wouldn't make sense for the Mimic to just tell Vanny to parade around in a bunny suit, kidnapping children and killing employees.

He would be telling her to disable the Security Nodes.

There is also the possibility that Vanessa sealed the Mimic in concrete after the events of Security Breach. But even then, I really don't think that she knew about it before hand until she went down to the basement to unplug Burntrap from his charging station.

Anyways... The only way I will see "Mimic is Afton" is that if Afton was using it's body. But then, it's not the Mimic anymore, it's just another Afton-clone.

And from everything from how I've seen the behavior of the Mimic in the DLC, it is operating completely divorced from Afton with it's own motivations and morals of it's own accord.

Oh, just to be clear, I'm not mad at this soft-retcon of burntrap. It's fine. Lol I actually prefer if he didn't exist.

And even if Burntrap was never real in the first place....

Then it means that Vanny was purely an agent of Glitchtrap.

Then when the Glitchtrap Virus got destroyed.... the Mimic hijacked the VANNI network and took it's place.

[hms-no-fun]

What was it like going from writing Homestuck characters throughout Godfeels to your original characters? Was it intimidating after so much time spent with just the Homestuck cast? I believe Lenore was the first to appear in a minor role at first, but then you have the Moon war crew, the Halo's AI and Epigone all take center stage as villains (especially those last two), but I guess you could also argue June's headmates were kind of OCs? How was it writing them in the beginning compared to now?

honestly, i never found it particularly intimidating. when i started Godfeels, i never planned to write beyond John and Jade and Terezi because they were the only characters whose voices i had a handle on. as the series continued and became more of a full-cast affair, that was the most intimidating part. learning how to write a convincing Dirk or Jane or Roxy or even Rose. the key i think is that Homestuck characters are a collection of traits which express personality in a few key ways. this is true of all fiction but it's an explicit narrative mechanism in Homestuck proper. i used to talk a fair bit about narrative building blocks, the ways Homestuck is perfectly designed to train you in the act of remixing characters. like, if i said "Jade Lalonde" to you, you'd probably have a pretty clear idea of what that character looks like despite the fact that this character does not exist in Homestuck. this is the nature of HS's hyperflexible mythology. the hardest part was just learning how these characters speak and why, which required a lot of revisiting the original comic and a multitude of drafts, and i still don't think i really got them down until well into GF3.1. the intimidation mostly vanished once i felt like i could set these characters up in a room and let them play off each other without me having to pause every few minutes to question their authenticity.

honestly, bringing OCs into Godfeels felt pretty natural. i understood the existing cast and the world they existed well enough that it was easy to invent interesting oppositions. of course it helps that, going into 3.1, i knew we were always heading towards The Land of Many Unique New Guys. i wanted to do new things with the existing cast and break from the established patterns of the series, and that meant blowing shit up and changing the status quo. most of the fiction i've written in my life has been original, so really, once i gave myself permission to do so, inventing new guys was practically second nature. frankly, this setting (particularly with the EWL) is a guy factory, because it takes HS's hyperflexible mythology as a foundation and then metaphysically incorporates the existence of MSPFAs and fan sessions to expand the possibilities. Homestuck characters are equations whose variables are remarkably elastic, so it's quite natural to shuffle the old variables around and swap some out with new ones. i think it's fun trying to find a type of guy that we've never seen in Homestuck but that still feels like a Homestuck character. the OCs i've brought into the fold in GF3 aren't independent creations that i shoehorned into this universe-- they were designed for and with this universe.

and then yeah, i mean, going back to GF2 even before Risk and Dare entered the scene, June herself is functionally an OC because she's a fusion of June and Vriska. that's the entire conflict of the story, is that suddenly John's become June and she's a Vriska now. i used to joke that she was my self-insert until a handful of haters decided to canonize it and use that as an excuse to write Godfeels off entirely (which is probably for the best tbh). really, i just wanted to relitigate the Vriscourse through the lens of a human character, explore the appeal of having a Vriska-like grip on your own agency and the ways that might turn out to be destructive. the hard part was finding a realistic middle ground between John and Vriska. by the time we got to 3.1 and the plural arc really kicked off, doing the headmates almost came as a relief. i'm having a lot of fun writing Dare because they're kind of the first time in this story i've actually been able to write a straightforwardly John character. it all feels fairly natural since, like i said, the entire process is supported by Homestuck itself.

when it comes to the Upsilon kids, i was inspired by the Omega kids of HS2/HSBC fame. i originally planned GF3 to be a mirror of the post-canon project, and that meant responding to their OCs with my own. but i didn't want that response to be linear! i didn't want them to feel like Another Group Of Homestuck Kids, nor an obvious direct response to the Omegas. GF3 is about escaping your normal and learning to live among new people, so i was very deliberate in keeping the direct-relations to a minimum. i'm sick of everything being about the characters we already know. it makes sense for HS2/HSBC to have the Omegas be the descendants of the main cast, so i figured i'd let them have that. the closest direct response is Edie, who felt necessary not just for the existence of Yiffy, but also because of Kitty from Kittyquest and the various other alternate interpretations of Jade's daughter that followed. i like the idea of "Jade's daughter" being a uniquely responsive variable, someone who is paracanonically defined by the absence of singularity. then came Dana, modeled after Dirk precisely because of his antagonistic role in GF2. they're both parts of an ongoing conversation with Homestuck-- OCs yes, but not entirely original either. Lenore happened as a result of my involvement with Vast Error, which is actually a huge inspiration for GF3 in general for how it takes Homestuck's template and changes many of the rules without feeling fundamentally unstuck from that context. that their version of Sburb is called The Game and operates on an entire different yet somewhat familiar logic is what gave me the idea to explore the Universe Engine as a system of infinite variables that the EWL must directly respond to. it can be anything. it can have anyone. and because Repiton is existentially cut off from Homestuck, i liked the idea of Lenore being this lone escapee from VE's continuity who's totally unable to go back or learn anything about her home that she didn't already knew before she left. last to the party was Alphi, who needed to be a combo breaker. six-armed muppet dressed like a prep! just an entire alien. she's by far been the most difficult character to figure out, but doing so was part of what gave me confidence in the Upsilons conceptually. these four characters should not get along. they are diametrically opposed in many respects, in stark opposition to the other kid groups who typically enter the story already friendly.

so you can see, then, how the act of writing the Upsilons is also an act of commenting upon the Betas/Alphas/Omegas. i want to see what it takes to make four people who hate each other fall in love with each other. i want to see what rhymes and what opposes. the fundamental challenge hasn't changed-- it's the characterization. once i've found their voices, the rest follows on naturally. everything new in this story is built from the bones of what came before. that's the entire project, top to bottom. yes we're in a completely new setting with a bunch of new characters after obliterating the previous status quo, but it IS still Homestuck. the hardest part of selling all these new guys was simply developing the circumstances which allowed them to emerge. in my own head i've always seen the gargantuan wordcount of Chapter 8 as the necessary cost of fulfilling that ambition. hopefully now, with 3.2 A1 and B1 finally in the can, you can see for yourself how despite all that's changed, Godfeels is still having the same fundamental conversation today that it was in 2019. albeit with a few new arguments :)

[superman86to99]

Action Comics Weekly #642 (March 1989)

Superman gets offered a job as a Green Lant-- hey, wait a minute, why are we back in 1989?! Is Zero Hour already messing with the timestream? Nah, it's because, while making a Superman '86 to '99 reading guide at League of Comic Geeks, I noticed we never covered this issue -- we have a post about the Superman serial in Action Comics Weekly #601-641, and one about the classic Action Comics (Non-Weekly) #643, but this one sorta fell through the cracks since it wasn't technically part of the serial but not really a monthly issue either. So, with present-day Action Comics going weekly again this month, it seems like a good time to right another long-time wrong and plug this tiny hole in the '86-'99 continuity.

Anyway, the issue starts with a flashback to the day Green Lantern Abin Sur crashed down on Earth and, in his dying moments, instructed his ring to select and bring over a successor, who ends up being... Clark Kent?

Yep, this issue reveals that Clark was Abin's first choice for Earth's Green Lantern -- and no, this doesn't take place in some alternate timeline, like that annual where Superman becomes GL and President of the USA. However, the ring soon determines that Clark doesn't qualify for the gig because he's from a species "not native" to this planet, even though Man of Steel #1 established that he was born on Earth. Still, I guess it wouldn't be good for his GL authority to be undermined by any potential birther movements. Before having his memory of the incident wiped by the ring, Clark sees a projection of the other GL candidates, which include Robin, someone who looks like Pope John Paul II, and a test pilot Clark remembers interviewing called Hal Jordan. (Oh, and no women, leading Clark to correctly deduce that Abin's bosses have "an attitude problem.")

Clark recommends Hal for the job because he's "the straightest arrow I ever met" and will surely never go insane and kill a bunch of his buddies. Great call, Clark.

Meanwhile, in the present (well, 1989's present), Hal Jordan returns to that same desert where he first became Green Lantern to investigate a bunch of stolen nuclear materials someone's been piling up here. Some military types start shooting at Hal, which wouldn't normally be a problem for a Green Lantern, except that Hal is feeling so insecure lately that his ring malfunctions and lets the bullets hit him. When an army major shows up and starts barking orders, Hal just lets the guy arrest him and ends up getting shot in the chest by him. Again: great call, Clark.

As Hal lays dying in the desert, his ring is like "whelp, here we go again" and goes looking for potential Green Lantern candidates from all over the planet. They are: a union leader at an Eastern European factory, a priest in South Africa, an old Native American guy who fights mountain lions, a hostage negotiator in Beirut, Nightwing (so Robin again, but all grown up), Deadman (currently possessing some criminal), and Guy Gardner. Doesn't Guy already have a GL ring? Nope, because he just gave it to some very confused arms dealer who looks like G. Gordon Liddy to make a fight more interesting.

Oh, and Clark Kent again. Wasn't Clark already disqualified from the job? You'd think the ring would keep track of stuff like that.

As Hal's ring-projected ghost looks over his potential replacements, who are frozen in time at the desert, Deadman is able to talk to him (being a ghost too) and tries to convince him to just let himself die and go to heaven, where he can chill with Abe Lincoln, Ghandi, MLK, Robin Hood, and some unicorns. Clark unfreezes himself in time and tells Hal he should continue living, his main argument being "What if you miss out on the exciting space exploration that's definitely happening in the next decades?" (which is kind of a weird thing to say to a guy who can fly through space on his own).

Clark and Deadman get so caught up in their argument that they don't even notice an AI version of Abin Sur coming out of the ring and joining their little ghost party. "Abin" tells Hal that all of these other candidates are "lesser wills" compared to him, which surprises Hal (wonder if he heard "lesser willies"). Apparently that's what gives Hal the confidence to go back to his body, instantly heal himself, go kick those military dudes' butts, and convince a judge to prosecute them. While Hal's doing all that, we see that every one of the potential candidates took some GL energy with them as they got transported back to their countries and unknowingly used it to deal with the sticky situations they were in, from "convincing a factory boss to hire an old man back" to "declawing and defanging a mountain lion."

As for Deadman, he possesses the body of a kid from Clark's building just to continue his life/death argument with him. Clark tries to ignore him as he walks through Metropolis, but Deadman keeps jumping from body to body (a doorman, an old lady walking a dog, the dog) to pester him. Clark refuses to take the bait...

...until Deadman goes away, proving that Superman's will may not be as big as Hal's, but at least it's bigger than this guy's.

Creator-Watch:

Unless you count the Kingdom Come novelization, this was the only Post-Crisis Superman story written by prolific Pre-Crisis writer Elliot S! Maggin, who wrote over a hundred Action, Superman, and Superman Family issues in the '70s and early '80s. This is also, not coincidentally, the only Post-Crisis Superman story that ends with this Clark offering his once-customary last panel wink at the reader, though nothing we've seen so far suggested that fourth wall-breaking winks was in his power set. Maybe he just saw Bibbo across the street?

Plotline-Watch:

The "ACTION - CLOSED FOR RENOVATION" sign up there is a reference to the ads DC used to hype up the Action Comics Weekly series in 1988, which showed a theater marquee with messages like "WATCH FOR GRAND OPENING" and "GALA PREMIERE." Ending with "RENOVATION" is appropriate, since the regular Action title wouldn't be back for three more months.

The retcon about Clark helping Abin Sur pick Hal Jordan as Green Lantern means that, in a roundabout way, Superman is responsible for all those deaths in "Emerald Twilight" and certain dramatic events we're about to see all over the DC Universe. So, if you think about it, this issue is connected to the Zero Hour coverage we've been promising for some time now...

When Clark and Deadman are arguing about whether Hal should live or die, Deadman says one shouldn't "screw around with the way things go" (meaning: you can't just go back to life if you already died). Clark says "I resent that." I'm guessing he resents it even more post-Doomsday.

The stuff about Hal feeling fearful and insecure is explained in his ACW serial, but it's interesting that it lines up with the future retcon about a certain space parasite crawling up his butt sometime around this period. His next appearance would be in the rebooted Green Lantern #1 (1990), which is the issue where his hair started going grey (due to the fear caused by the aforementioned space bug, it was later revealed).

Don Sparrow says: "This issue, which was supposed to wrap up a number of the anthology of storylines depicted in Action Comics Weekly (or just feature the players within the book) was actually the second attempt at a final issue. The first attempt was written by Neil Gaiman, but was deemed unsuitable since his story relied on Superman and Hal Jordan knowing each other’s civilian identities, which was an editorial no-no at the time. So the story that Gaiman -- fresh off Black Orchid at the time, but before he'd hit it big with Sandman -- wrote went on a shelf, eventually emerging as a one-shot prestige format book which was released 11 years later. Though it had its moments, that story also felt similarly disjointed, to me at least, and the art styles from each chapter clashed even more jarringly than this issue. But at least that’s the last controversy Neil Gaiman was ever involved with." (Who's gonna tell Don?) I remember kinda liking that one. Since it came out in 2000, it's outside the scope of this blog, but maybe we'll cover it at the newsletter and Patreon at some point anyway.

Shout Outs-Watch:

Speaking of which, massive Hal Jordan's willforce-sized shout outs to our supporters, Aaron, Chris “Ace” Hendrix, britneyspearsatemyshorts, Patrick D. Ryall, Bheki Latha, Mark Syp, Ryan Bush, Raphael Fischer, Kit, Sam, Bol, Dave Shevlin, and Dave Blosser! You can join them at those links above, because we feel self-conscious enough about plugging them once already.

And now, Don's take on this issue, plus more art from the stacked roster of artists (including Steve Ditko and Kevin Nowlan)!

Art-Watch (by @donsparrow):

Starting with the cover, and it’s a strange one.  I absolutely adore Ross Andru generally, so, not knowing if it’s the inks or the pencils, both the drawing and colouring here seems pretty rushed.  The image of Superman weighing the Green Lantern uniform is a good concept, and would have made a decent panel, but it seems a little under-developed for a proper cover.  Add to that the fact that only some of the crowd behind Nightwing, Deadman and Superman are familiar, and there’s a strange weightlessness to Nightwing’s stance, and it just doesn’t feel like what I’m used to seeing from Ross Andru. 

Inside the book though, we open with an absolute treat, with the opening pages drawn by the instantly identifiable Gil Kane.  This is late period Kane, and while it’s not as sharp as his drool-worthy early Green Lantern or Spider-Man runs, his late, ligne claire style is still a joy to read.  It’s especially wonderful that these early pages are right in his wheelhouse with a lot of space technology—Kane did practical-seeming high-tech buttons, panels and wires about as good as anyone.  It’s fascinating seeing the visuals of the other candidates Abin Sur’s ring seeks out—to my eye that looked like Pope John Paul II (I guess the ring, nor the writers of this comic could see that he wasn’t entirely honest, or without fear), Dick Grayson (who I mistook for Jason Todd because of the haircut), John Stewart, and then Hal on the far right.  I wasn’t sure, on my first reading just who the mustachioed fellow is between Stewart and Jordan—Hector Hammond I thought.  So I was glad the stories in later chapters elucidated these images. [Max: Worth noting that it's mentioned John Stewart wasn't invited to the latter part of the story because he was off-planet, not because the ring has something against architects. Also, they say the white priest is dead by then, so that can't be John Paul II unless 1981 went very differently for him in this universe...]

If I dare criticize someone with a legendary career, I was a bit thrown by how frequently Kane draws Clark with a prominent (and very Superman-like) S-curl in his hair, jeopardizing his secret identity.  Then again, he recognizes the alien is dying, so maybe he’s deduced it’s ok to be a little careless with the forelock.

After Kane’s brief story, we’re treated to another rarity for its time—mainstream comic pages from Steve Ditko!  Being fairly familiar with his style in the 80s, I’d say Art Thibert (future super-teamster, lending a very Jim Lee aesthetic to Dan Jurgens lines in the early '90s) has a pretty heavy hand here, as Ditko’s pencils, while always energetic and succinct, had gotten a little looser by the late 80s.  No matter who is more responsible for the images we see, there’s a great sense of movement and imagination to these pages, especially Hal’s use of his ring. Battering rams we’ve seen before (even in Superman comics, wherein Hal may or may not look so totalled it makes Superboy wanna hurl) but making a dragon creature to simultaneously capture armed guards and excavate a roof is pretty darn inventive.  I also appreciate Ditko’s pure cartooning—this is certainly a more visibly expressive Green Lantern than we’re used to seeing, so it’s bold to have the character emote a little more. 

The Curt Swan pages that follow are unsurprisingly excellent, Ty Templeton’s precise inks making them look all the more crisp (if memory serves, Templeton was a sharpie marker guy as well!) but they don’t give Swan a lot to do, drawing lots of real world, civilians in clothing type storytelling.  Don’t get me wrong, Swan can do it all, but this glacial, decidedly non-superhero interval gives a hint to me as to why Action Comics Weekly kinda sputtered out. Though it’s perhaps a dull scene (Clark typing out a story on a computer), the rendering and lighting of the panel of Superman using his visual powers is almost photographic, it looks so good.  The Deadman section has a bonkers depiction of Heaven, complete with Abraham Lincoln, Mahatma Gandhi, Jesus Himself (!), Robert, Earl of Huntingdon (AKA Robin Hood) and Dr. Martin Luther King Jr, with Deadman assuring a ghostly Hal Jordan that Lincoln is the funny one in the group. [Max: Wait, is that Jesus? I thought it was Uncle Sam without the hat, or maybe a time-displace Lex Luthor Jr.]

A few pages later we get a great look at Hal Jordan diving into a spiral caused by helicopter blades, and as often happens with Kevin Nowlan, the penciller underneath, no less than Carmine Infantino, gets a little lost—not that I’m complaining—I love Kevin Nowlan’s sometimes overpowering inks, because they’re so clean and delicate. [Max: Side note: Why do all the guns in this issue look like water pistols squirting green liquid?]

The Nightwing section is Jim Aparo at his reliable best, though the inks by Nyberg look a little dated next to the more modern finishes of Nowlan. 

SPEEDING BULLETS:

Fun, but tragic fact—the consistent line weight of Gil Kane’s self-inked pages (like the ones in this book) were largely created by non-archival alcohol or xylene based markers, so a lot of Kane’s original art from around this period yellowed so significantly over time that some of his pages feature ink “blacks” that are light yellow on white, making those beautiful creations almost invisible.  Fortunately, having looked into it, these very pages still look pretty good today.  

I like that even back in 1988, Clark Kent is evolved enough to question why Sur’s ring didn’t find any female candidates.

While it’s fun to explore the function of Hal’s ring, I don’t know if I subscribe to the notion that his shield would be that weak if he had a confused thought. 

I like oldies enough that I can’t help hearing Neil Sedaka’s high pitched tones as I read Hal thinking “Oh, Carol!”

On the whole, I found this whole yarn, about military corruption, with the brief if colourful interstitials to introduce the other Lantern candidates (which had little bearing on the rest of the story) pretty hard to follow.  Even more so, since we don’t actually see the fruits of Green Lantern’s labour—Major Easterly isn’t shown being arrested, we see only the signing of the warrant for his arrest, which feels like something more consequential than the kid selling door to door in Clark’s apartment building, say.

Action Comics Weekly was an interesting experiment, and there’s a pretty in-depth explanation of DC’s reasoning behind discontinuing it.  They do acknowledge that sales weren’t strong, but also posit that they weren’t at cancellation level.  Their rationale for cancellation was that the weekly schedule was too difficult to keep up with, especially with a double sized book like Action Comics Weekly.  I remember being incredibly excited when it was first announced, then crushed when I realized that Superman got only two pages in each issue.  Yes, the story was by Roger Stern, and yes, illustrated by Curt Swan, so we were in good hands, but there was a dullness and a lack of fantasy or superhero action in the stories that persisted, and made ACW feel less than essential.  The teams were top notch talents (people like Mark waid, Peter David, Dave Gibbons, Christopher Priest, etc).  The characters were ones I wanted to read about, but what happened in the stories often felt like strange choices.  For example, there was an extended Hal Jordan story where it was revealed that Hal Jordan, whose only thing is that he’s honest and fearless was revealed to be neither honest, nor fearless, but had been subconsciously purged of fear and dishonesty by his ring, requiring him to deprogram the ring to remove that influence.  That decision led to reading about Hal Jordan cowering on the ledges of buildings, afraid to fly as he got his bravery back.  Interesting concept, or intellectual exercise, perhaps, but is it what the average Green Lantern fan would want to read?   It felt like there was a lot of that to me (though it did have the unique element of depicting Oprah Winfrey threatening to break…something… of Green Lantern’s). Once Roger Stern was brought on as a regular writer, some elements (like the Superman cult of California) were a little more integrated into continuity, but for the most part as a Superman fan at the time, the ACW story read a lot like pre-Crisis Superman.

Missed an issue? Looking for an old storyline? Check out our new chronological issue index!

[beesmygod]

i think another issue with webcomics having any scene or being taken seriously at all is that its a lot of stale air, everybody got captured by ig/twitter/tumblr and subsequently become trapped in the trappings and style of those websites. all discussion is couched in the boring 'fandom' subculture on websites with pre-built in infinite scroll and shit search, so updates to their comics or body of work are just as ephemeral as posts that are basically 'lol i farted on my dog' and any criticism is 'just being mean' or 'dogpiling on a poor artist'. not to mention any discoverability of anything new is basically going down the twitter/instagram likes of 'known quantities' for your own comic taste because of how atrophied any discussion around the medium has become

I dont see any way to escape this beyond social media dying a brutal and unprofitable death

trying to argue against the webtoons/IG model was entirely pointless the few times i tried, but its a topic that's hard for me to not devolve into frustrated sputtering about. it's so obviously antithetical to the purpose of making art, enjoying things, creation, joy, goodness, etc. and i would, frankly completely irrationally, be framed as someone who had it out for vertical strips. a sentiment which makes no sense unless you assume im the biggest moron and dipshit in the world. im sure arguing against someone is easier when the position you saddle them with is a seriously stupid one.

the inevitable downward spiral of these platforms feels entirely predictable. any model that revolves around quantity over quality is an obviously flawed one in most circumstances but when applied to art its completely absurd. the ideal artist for these websites are people who have no interest in contributing to a vaster landscape of complex works and instead are hyper-focused on being part of a large scale skinner box experiment for adults with compulsive spending issues. the artists themselves have severe numbers poisoning.

these are purely ephemeral and unremarkable comics that are rarely ever seen outside of instagram for their lack of any exceptional or worthwhile unique elements worth passing around. they are created with a factory mindset; crank them out as quickly as possible and flood various websites with the comic equivalent of grey goo in order to amass the maximum number of clicks. their ideal audience is undiscerning and simply looking for stimuli that will not challenge them on any level. logically it follows that is work is explicitly for the largest possible audience one can acquire: the lowest common denominator. they are making work for a computer or an advertiser to enjoy. human enjoyment is secondary.

the unironic and sincere discussion of views and followers as if the numbers have ever been real was surreal. everyone was around for when facebook revealed that it had been grossly inflating its video metrics after strong-arming everyone into moving to video, causing the destruction of several indie companies and websites. you would have to be straight up delusional to think the webtoons numbers are real. like, it is genuinely hard for me to be nice about people who bark bark bark about "its where the audience is!!!!" when the worst comic you've ever read with 2 updates has 12876492375238576 views, 0 patreon followers and 8909 comments. the obviously AI generated comments by accounts with no profiles (as in, you can't click on profiles at all to confirm its even a real person commenting) are beyond the pale lol. its some emperors new clothes shit, if the emperor made his own invisible clothes and cried about how hard they toiled for nothing. and also they were emperor of synecdoche, new york

how does a reasonable adult look at this and conclude its real? isn't it an obvious fiction? its because it's mean to point out otherwise, and being mean is the worst thing you can be.

people used to bitch about how the "had to" made reels and i felt like i was going insane. superstitious nonsense about "the algorithm" spread and has incited people to tortuously warp their work to fit with advertising standards they don't see a penny of, in the hopes of finding an audience that doesn't exist. when the algorithm changes to better suit advertiser needs, they are somehow blindsided and betrayed by this, as if it has not been the M.O. of social media websites for the past 20 years. they will do it again. and again. and again. as advertising becomes less and less financially viable and more and more intrusive, public opinion is going to turn hard on the people who tied themselves to these ships.

call me a rat for fleeing, but i can't bear to entertain this stuff anymore. it's embarrassing, the idea of sacrifice in the name of a greater good (sacrifice being uhhhhh not using fail platforms lol) should not be such a shocking and radical act. it should be reflexive

[lt138]

AI Comic Generator - Create Free Online Comic Books Now!

If you love reading comics, enjoy manga, and often think of new stories, you might have faced problems like drawing not being good enough, characters looking weird, or feeling stressed when designing backgrounds. Don’t worry, these problems will soon be gone.

AI Comic Factory is a new AI tool that is making the dreams of modern comic artists come true. Let’s see how to use it.

1、Input Scene Description and Story

First, go to AI Comic Factory. Then, type the scene description and story you want to create in the "Story" section.

Think about the details of the characters in your story. Imagine the scenes they will be in and describe their actions, like fighting, dancing, or anything else. You can also say where the characters are in the scene.

Scene descriptions and stories can be different based on how many comic pages you want to make. If you are making a one-page comic, make sure to include all important parts in your description. For multi-page comics, go step by step.

Choose Art Style

Next, choose the art style for your comic. Options include Japanese manga style, American comic style, and more. You can select by clicking the "American (modern)" button.

2、Choose Layout Configuration

Layout means how the panels are arranged on the comic page. There are four layout options. To choose your layout, click the "Layout" button next to the style selection in step 2.

3、Add Captions

You can add captions above each panel to describe what is happening. AI Comic Factory might already add some character dialogues, but you can change the captions as you like.

4、Generate

When all settings are ready, click the "Go" button on the right. You might need to wait about 1-2 minutes while AI Comic Factory processes your input. Finally, your comic will be made. You can zoom in and out using the zoom bar on the right.

If the comic is not what you wanted, you can do the process again. Once you are happy with the result, click the "Save" button below to save the comic as a JPG file. If you want to print it, click the "Print" button to preview and adjust settings before printing.

Enjoy :aicomicgenerator.net

[pokeroid-central]

I'm going to take this blog at face value since it's hardly the weirdest thing to happen on this site. In which case I'm hoping you can maybe help me with a problem.

[An image is shown, taken from the doorway of a bedroom. In the middle of the room is an almost comically short Iron Valiant munching on a strawberry pokepuff.]

So somehow this lil guy (girl? I'm not sure how to tell) managed to stow away in my luggage quite some time ago. I've heard it's called Iron Valiant, though I've been referring to this one as Valentine as it seems to prefer pink pokepuffs.

At any rate, it's very territorial, and while it will allow me into my guest room if I offer it a treat, I've kind of lost access to said room. Is there any way to entreat it to... I don't know, get along with the family? Can Iron Valiant be socialized or am I better off calling the Rangers to come collect Valentine? I really don't want to do that. The poor dear is so far from home and I've grown rather fond of them : (

@ IkoniNovelist

<<To answer @ikoninovelist, yes they can be socialized like all pokeroids are (though the PKD-1006_Vallade is a lot more shorter than most oddly enough.) the Big question here however is if they're running on factory settings on their AI, if not then i recommend using this badge here they'll see it and realize your a person worth they're reasoning to listen to and will register the rest of your family as such too with them once does the bioscan of you from there.>>

{IMAGE ID: a decently big badge that resembles the blog icon}

<<if it is the case their AI is running on Factory settings rather than its usual settings then capture it with this ball and use this interface here to unlock and set them to default mode.>> {IMAGE ID: a Sliver and purple pokeball with white techlines running all over it. a 2nd image shows a purple scanner like item that has a few buttons}

Given the way how its acting it most likely the latter! so ill send you this and give you some instructions on how to switch their AI to permanently be on default mode than in factory mode. the reason on why Factory must be switched to default will be explained once we mail you either the interfacer and Techball.

[purplegirltournament]

Round 1 Purpoll Links

links will be added as polls are published

Stephanie Brown/Spoiler (DC Comics) vs Blaze the Cat (Sonic the Hedgehog)!

Amity Blight (Owl House) vs Homura Akemi (Puella Magi Madoka Magica)!

Akane Kurashiki (Zero Escape 999) vs Maya Fey (Ace Attorney)!

Tecna (Winx) vs v flower (Vocaloid)!

Entrapta (She-Ra and the Princesses of Power) vs Sucy Manbavaran (Little Witch Academia)!

Bernadetta von Varley (Fire Emblem: Three Houses) vs Yuri (Doki Doki Literature Club)!

Amethyst (Steven Universe) vs Clawdeen Wolf (Monster High)!

Cure Macaron / Yukari Kotozume (Kira Kira Precure A La Mode) vs Helena Bertinelli / Huntress (DC Comics)!

Bunny (Powerpuff Girls) vs Delancy Devin (Barbie Princess Charm School)!

Cure Coral / Suzumura Sango (Tropical Rouge Precure) vs Iori (Library of Ruina)!

Kipo Oak (Kipo and the Age of Wonderbeasts) vs Lily (Duolingo)!

Mafuyu Asahina (Project Sekai) vs Sailor Saturn/Hotaru Tomoe (Sailor Moon)!

Raven (Teen Titans Go) vs Maleficient (Sleeping Beauty)!

Camilla (Fire Emblem: Fates) vs Spectra Vondergeist (Monster High)!

Violet Beauregarde (Willy Wonka and the Chocolate Factory) vs Yzma (Emperors New Groove)!

Rarity (My Little Pony: Friendship is Magic) vs Violet Sabrewing (Ducktales 2017)!

Gaz (Invader Zim) vs Keqing (Genshin Impact)!

Starfire (Teen Titans) vs Ursula (The Little Mermaid)!

Raven Queen (Ever After High) vs Vidia (Disney Fairies)!

Yuzuki Yukari (Vocaloid) vs Hinata Hyuuga (Naruto)!

Lysithea von Ordelia (Fire Emblem: Three Houses) vs Yukari Yakumo (Touhou Project)!

Melody Piper (Ever After High) vs Kyoko Kirigiri (Danganronpa)!

Onpu Segawa (Ojamajo Doremi) vs Ino Yamanaka (Naruto)!

Tsukasa Hiiragi (Lucky Star) vs Blackberry Cookie (Cookie Run)!

Minori Asagiri (Mob Psycho 100) vs Anthy Himemiya (Revolutionary Girl Utena)!

Kagami Hiiragi (Lucky Star) vs Jhudora (Neopets)!

Sheena Fujibayashi (Tales of Symphonia) vs Violet Alden (Boxcar Children)!

Luz Noceda (Owl House) vs Juleka Couffaine / Purple Tigress (Miraculous Ladybug)!

Cure Fortune / Hikawa Iona (Happiness Charge Precure) vs Imogen Temult (Critical Role)!

Tedd Verres (El Goonish Shive) vs Elissabat (Monster High)!

Lacey (Barbie in the Twelve Dancing Princesses) vs Ender Dragon (Minecraft)!

Zoe (Monster Prom) vs Cure Magical / Izayoi Riko (Mahou Tsukai Precure)!

Viveca (Barbie and the Three Musketeers) vs Bentina Beakley (DuckTales)!

Yue (End Roll) vs Zakuro Fujiwara (Tokyo Mew Mew)!

Shinoa Hiiragi (Seraph of the End) vs Pacifica Northwest (Gravity Falls)!

Nagi Usui (Neo: The World Ends With You) vs Fantine (Pokemon)!

Kyoka Jiro (My Hero Academia) vs Nozomi Tojo (Love Live)!

Aoi Akane (Toilet Bound Hanako Kun) vs Sombra / Olivia Colomar (Overwatch)!

Megara (Hercules) vs Daphne Blake (Scooby Doo)!

Kitty Cheshire (Ever After High) vs Milky Rose (Yes Precure 5 GoGo)!

Kate Bishop (Marvel) vs Eridan Ampora (Homestuck)!

Risky Boots (Shantae) vs Mother of Ants (Cultist Simulator)!

Ilyana (Fire Emblem: Path of Radiance) vs Shinobu Kocho (Demon Slayer)!

Tak (Invader Zim) vs Alinua (Aurora)!

Marcia Overstrand (Septimus Heap) vs Grimora (Inscryption)!

Abigail (Stardew Valley) vs Aoi Sena (Chaos;Head)!

Patchouli Knowledge (Touhou) vs Devi D. (Johnny The Homicidal Maniac)!

Barbabelle (Barbapapa) vs Spider Queen (Lego Monkie Kid)!

Tokiko Shigure (AI: The Somnium Files Nirvana Initiative) vs Yuzu (Nekogami Yaoyorozu)!

Hay Lin (W.I.T.C.H) vs Konno Yuuki (Sword Art Online)!

Damona (Yo-kai Watch) vs Catty (Gall Force)!

Hibiscus (Arknights) vs Sode No Shirayuki (Bleach Zanpakuto)!

Blair (Soul Eater) vs Leela (Futurama)!

Nadia Satrinava (The Arcana Mystic Romance) vs Minene Uryuu (Future Diary)!

Rem (Death Note) vs Uzi Doorman (Murder Drones)!

Virginia Ruhl (In Sound Mind) vs Demon Queen Lilith (Guardian Tales)!

Olympia (Pokemon) vs Onion Cookie (Cookie Run)!

Wheezy (Dragon Tales) vs Jiang Yanli (Mo Dao Zu Shi)!

Unit 01 (Neon Genesis Evangelion) vs Batgirl (Batman 66)!

Krolia (Voltron) vs Plum Pudding (Strawberry Shortcake)!

Hat Kid (A Hat In Time) vs Cynder (The Legend of Spyro: Dawn of the Dragon)!

Vera Nair (identity V) vs Edna (Edna and Harvey: The Breakout)!

River Styxx (Monster High) vs Raiden Shogun (Genshin Impact)!

Clermont (Gloomverse) vs Nikora (Mermaid Melody)!

P.I.X.A.L. (Lego Ninjago) vs Vedika Dhawan (Sleepless Domain)!

Willa (Barbie Mariposa) vs Ava Prentis (Nexo Knights)!

Maid Marian (Robin Hood (Disney)) vs Rize Kamishiro (Tokyo Ghoul)!

Asagami Fujino (Kara no Kyoukai) vs Nautica (Transformers)!

Purple Girl vs Purple Girl: Touka Kirishima (Tokyo Ghoul) vs Susie (Deltarune)!

Twilight Sparkle (My Little Pony: Friendship is Magic) vs Lady Redundant Woman (WordGirl)!

Roxanne Wolf (Five Nights at Freddy's) vs Mari (Omori)!

Cleo (Animal Crossing) vs Eva Beatrice (Umineko: When the Seagulls Cry)!

Nyx (Hades) vs Mal (Disney's Descendants)!

Izuru (Mermaid Melody) vs Violet Baudelaire (A Series Of Unfortunate Events)!

Glimmer (She-Ra and the Princesses of Power) vs Utane Uta (UTAU)!

Mandy (Totally Spies) vs Tiara Song (Rainbow High)!

Shion (Tensura) vs Yumi Yoshimura (Hi Hi Puffy AmiYumi)!

Dot The Disguise Gal (Club Penguin) vs Pastry Cookie (Cookie Run)!

Anabel (Pokemon) vs Hashtag Malto (Transformers: EarthSpark)!

Norma Khan (Dead End: Paranormal Park) vs Bianca (The Rescuers)!

Sirin (Honkai Impact 3rd) vs Penny (Papas Freezeria)!

The Purple One / Goopy (Sleepless Domain) vs Creamy Mami (Magical Angel Creamy Mami)!

Granny (Looney Tunes) vs Granny (Ice Age)!

Backpack (Dora the Explorer) vs Daisy Duck (Disney)!

Mew-chan (Mewkledreamy) vs Yoruichi Shihoin (Bleach)!

Cala Maria (Cuphead) vs Cure Amour (HUGtto Precure)!

Becky (Animal Crossing) vs Shadow Striker (Transformers)!

Lumpy Space Princess (Adventure Time) vs Fanatio Synthesis Two (Sword Art Online)!

Cornelia Li Britannia (Code Geass) vs Courtly Jester (Ever After High)!

Mad Madam Mim (Sword in the Stone) vs Queen Eclipsa (Star vs. the Forces of Evil)!

Petrichor (Saga) vs Lollipop (Battle For Dream Island)!

Vivian (Paper Mario) vs Aira Windwhistler (Lego Elves)!

Lava (Arknights) vs Ruri Kurosaki (Yu-Gi-Oh! Arc V)!

June (Little Einsteins) vs Catrine DeMew (Monster High)!

Dismayed Hunter (Sky: Children of the Light) vs Olivia Vertigo (Children of the Red King)!

Angelica (Rugrats) vs Special Week (Uma Musume Pretty Derby)!

[eampro-blog]

Lovely Teacher (AI Art)

[reality-breaker]

Επιλογές Μαΐου (14/5)

Πώς βάζουμε διαλυτικά με τόνο και το σύμβολο του ευρώ στον υπολογιστή | The Debutante, μια μικρή ταινία βασισμένη σε διήγημα της Leonora Carrington | Σπάνια έργα του Max Ernst | Η φανταστική τέχνη του Tino Rodriguez | AI Comic Factory | Ο λαβύρινθος του Tim Burton | Γιατί τα ζώα τρέχουν πιο γρήγορα από τα ρομπότ | Ο καρκίνος είναι ο «νέος Covid» για τη φαρμακοβιομηχανία | Γεύε��αι LSD με κάθε επαφή σου με τα σημερινά μέσα επικοινωνίας | Οι έξι βαθμοί διαχωρισμού των ανθρώπων | Η βιογραφία του Stanley Kubrick | Τα εξωφρενικά λεκτικά πέρα-δώθε των «ειδικών» του COVID-19 | Ουτοπικός Ρεαλισμός (μια ομιλία του Bruce Sterling) | Γιατί εξαφανίζεται η λογοτεχνία επιστημονικής φαντασίας; | Εικόνες φτιαγμένες με γραφομηχανή | Τα «βρόμικα» και «πονηρά» πεντάστιχα του Isaac Asimov | Ακόμα μία ταινία Lord Of The Rings το 2026

➤ https:// www.fantastikosorizontas.gr/kostasvoulazeris/epiloges/ep.php?ID=05_2024#2

[xxkawaiibatmanxx]

🧿 Climate change was the global scam; A fabricated "climate crisis" used as an excuse to slowly instill a One World Government through The New World Order's Great Reset ideals.

Blaming us for our carbon footprint while they created the most horrendous amounts of emissions through industrial factories, fracking, nuclear dump waste into river systems, etc. Then created inclement weather patterns through HAARP machines, cloud seeding, spraying "sun blocking" chemicals into the atmosphere, using laser satellite technology for wildfires, etc. All in order of creating chaos, so societal infrastructure collapses and in return institutions controlled by these governments (World Economic Forum, United Nations, NATO, etc.) now have access to remove people from their land by changing definitions of law.

Major developmental goals between now and 2030: • Implementing a one world currency and taxation system backed through CBDC (digital currency use). • Taking ownership worldwide of the necessities for survival, i.e. transporting and supplying food, water, electricity, housing, medical, education, etc. • Developing "carbon free emission" cities. • Forced sterilization and depopulation so the new population can fit within the perimeter of these cities. • Then will dissuade masses by the use of censorship on news outlets and social media by implemented Net Neutrality in the near future.

By 2030, C40's developed 15 Minute Cities will take away our privately owned vehicles and limit airline travel use. While implemented AI will track us with digital IDs using facial recognition camera systems, QRCode entries, and digital currency use by a chip inserted into the wrist. (This will be mandated and forced upon.)

This is removing all freedoms of speech, privacy, and ownership; Turning society into an open world social credit system and enslaving people in a digital dystopian totalitarian dictatorship.

Here is a comical satire further explaining and putting into perspective this particular agenda. 🧿

[avaganda]

From Monkees to Archies: A Musical Evolution and the Birth of Manufactured Bands

In the colorful landscape of pop culture, the 1960s witnessed a unique phenomenon – the rise of manufactured bands. Two notable examples of this trend were The Monkees and The Archies, both engineered by the same creative mind, Don Kirshner. Kirshner, a music impresario, found himself at the forefront of a musical revolution, inadvertently laying the groundwork for future acts like Milli Vanilli, C&C Music Factory, and even venturing into the holographic realm with ABBA.

The Monkees burst onto the scene in 1966 as a made-for-TV band, a concept that initially frustrated the members but ultimately shaped their careers. Kirshner, armed with a vision of creating a musical group that could dominate both the airwaves and television screens, handpicked Davy Jones, Micky Dolenz, Peter Tork, and Michael Nesmith to form The Monkees. However, this ambitious project soon ran into a creative clash as the band members yearned for artistic independence, desiring to control their own musical destiny.

Frustrated with The Monkees' rebellion, Kirshner took matters into his own hands and conjured up another groundbreaking concept – The Archies. Born from the pages of Archie Comics, this animated band was not bound by the limitations of reality. Kirshner cleverly used the characters from the comic strip as a blank canvas, allowing any talented singer and musician to step into the roles of Archie, Betty, Veronica, Jughead, and Reggie. This fictional band brought to life through animation paved the way for the concept of music as a versatile commodity.

Fast forward to the late 20th century, and the concept of manufactured bands took a different turn. Acts like Milli Vanilli and C&C Music Factory relied heavily on image and studio-produced music, with performers often lip-syncing to pre-recorded tracks. The emphasis shifted from the musicians' individual talents to a more visual and marketable package – a trend that echoed the early days of The Monkees.

In the 21st century, technology took center stage, and holographic performances became a reality. ABBA, the legendary Swedish pop group, embraced holograms to reunite on stage for their "ABBAtar" project. Fans were treated to a virtual concert experience that transcended time and space, showcasing the potential of artificial intelligence and advanced visual effects in the music industry.

As we reflect on the journey from The Monkees to The Archies and beyond, it becomes evident that the music industry's landscape has continuously evolved, adapting to new technologies and audience expectations. The notion of manufactured bands, once a controversial concept, has paved the way for diverse forms of musical expression, from animated characters to holographic performances, and even AI-generated music. The story of Don Kirshner, The Monkees, and The Archies serves as a testament to the ever-changing nature of the music business, where creativity and innovation walk hand in hand.

[fistofgaivs]

Working on a TTRPG which is a sequel to my free suggestion book "Not F.A.T.A.L. but Serious!" both a tip of the hat to a notorious sh-t lord RPG from earlier (zero connection) and a favorite American but Manga comic. Was hoping I could put up the uncensored version here but it seems Tumblr still has blue noses even though it's almost like reading the best of Penthouse magazine again.

In essence it'll be erotic TTRPG play with no holds or holes barred. We are F-cking adults playing the games now, but the core properties were owned and dominated by dry corporations making "Product" that had to be G-rated. Now the "Woke" rated is far far worse. So not for kids but you can download the original here and working cover for the upcoming full RPG later.

Serious - click the link (+18), go to the image of the top left and right click "Save as..." PDF document! - I'm privately hosted and NO ADS no SCRIPTS no GARBAGE. Not a full RPG just a book of suggestions that got the woke tourists invading to ruin TTRPGs to scream. That's their agenda, this is mine... I'll play my F*cking games any F*cking way I want them and I want to be able to buy and sell +18 interest.

The rainbow unicorn snowflakes can have Thirsty Sword Lesbians and Zwei-Hander. I'm not holding my gladius to their soy throats with no chins to play MY stuff but I expect something they are incapable of; respect -and that means for someone who has different views than them. If they can't understand that are their snowflake fake sh-t politics worth ANY respect? Jeebuz, I'm quite "Liberal" not a right winger.

Ai + 3D art by me. She's WAY over 18 like 200+ even in fiction, slime minds...!

Heads up - like any real Indie TTRPG I'll use AI art but still keep the few artists who'll do commissions for me employed like Max here. He can do hundreds of pretty damsels in distress and ribaldry in the time it'd take him to paint a swamp or dungeon Midjourney can do in seconds so why waste the time and money?

Let WotC ruin D&D for Blackrock EFT social credit - though I advise writing your Congress + Senate reps for the tax $ they'll scream to turn a failure into profit. The best out is to support the REAL indies that do NOT Bend the Knee to woke whine-buckets.

DEMAND from your TTRPG maker and game at least one element the "Woke" will NOT tolerate. I'm not for real sexism or racism and don't care who you voted for. The world has (and always will) 1,000,001 problems... Censoring comic books, video games, movies and pandering to rainbow unicorn snowflakes from some 'safe space' at a debt factory (College) does NOTHING to help anything on that list. Here are some statements free to include for free speakers, free thinkers versus "Woke" whine buckets:

Oh and speaking of lists...

One of the BEST things on the internet for RPGs "The List".

They just want you to know if your RPG maker is a rainbow unicorn snowflake who cares their woke fake politics vs anything to do with a RPG at all. Agenda vs product. Invaders. Tourists. Most of these people are vile on Twitter and (Zwei-Hander) demand you do NOT play their game unless you agree 100% with them. How in the world their books sit in PILES at major bookstore chains for years no sales but can NOT fail is beyond me - save knowing about 'short-selling' and corporate EFT.

So I advise looking for GREEN on the list, companies that care about their games and players NOT warmed over re-hashed master of the obvious "Woke" sentiment that preaches to its own choir.