#ahhhh fuck

[hotsaltymilk]

[rheasbrvtality]

MY HEART I CANTTTT

[pest-icide]

hey pest what do you think about the current state of the........ holy SHIT IS THAT A FUCKING METEOR!!!!!!

I don’t think about the current state of the……

What.

[ Pest blinks a bit, before sticking to the walls of the elevator. Not much places to take cover. ]

[sunnyy66788]

Edit lol octo expansion

[vivitur-moritur]

so ao3 is down right now. that’s cool. not like everything is in the midst of going to shit in the fic i’m reading. not like the main character is pinned to the stairs by a sword through his fourth and fifth cervical vertebrae. not like his doppelgänger appeared out of nowhere and when asked for information said “pretend you love me. like you love him” (to which the other character said “i don’t love him”). not like that’s as far as i got before i had to stop reading and then when i tried to keep reading it said error 503.

[llegato]

DOES SHE THINK I DONT LIKE WOMEN

[llulabeee]

I love when I hit a dilemma like this and it seems like none of the answers are correct but I still have to PICK ONE

[chicorybones]

Ooooohhh in my feels tonight about my writing this sucks

[1800bugaboo]

“May I remind you that we are not together?"

10 out of fucking 10

3+1 Prowler! Miles Morales x Spider-woman! reader

SPOILERS FOR ATSV

3 times Miles tried to confess, + 1 time he did.

Word count: Around 3,000

Summary: Instead of the radioactive spider biting Miles, it bit you. You turned into Brooklyn's one and only Spider-woman, while Miles turned into the prowler. Miles also helps you with Spanish.

Warnings: friends to lovers, lots of cursing, most definitely not canon, kind of slow-burn?, jealousy, morally gray reader, he's lowkey toxic, no smut, heated make-out session, im feasting on crumbs (his 2 minutes of screen time), this is not ATSV plot heavy, the whole prowler x spidey thing isn't really until the end (enemies to lovers)

A/N: for the sake of the plot, the reader doesn't fluently speak spanish, but can speak some. this has been rotting in my drafts ever since ATSV came out

1.

Miles glares at you two from across the room, predominantly at the guy you're laughing with. Surely he's not that fucking funny. Miles thinks as jealousy spreads within the pit of his stomach like a forest fire. However, you don't seem to notice his stare burning holes through the guy you're speaking to. The same cannot be said for him, however. Miles makes eye contact with him and sends him one glare that immediately makes the poor guy cower with fear away from you.

"I uh...gotta go." The guy squeaks out to you, his voice cracking with terror as he runs away. You raise an eyebrow as you watch him run away. What the hell was that? You think.

Miles appears next to you within the next moment and says, "Hey, ma." he gives you a slight smirk and wraps his arm around your shoulders. That smirk made you weak in your knees, you almost kissed him right then and there. You should be given an award for your amount of self-restraint.

"Hey Miles, qué pasa?" You greet him with a smile that reaches your eyes. Miles' smirk drops and he furrows his eyebrows at you as he inquires. "Who was that guy?" "He's just a friend, why?" You raise an eyebrow and question back. "Don't worry about it, you like him?" His words catch you off guard. You pause for a moment and turn your head to him with a judgmental stare as you shake his arm off you and say, "Miles. What is this? 20 questions?" You deadpan and continue, "He's not important, alright?" Seemingly satisfied with your response, he drops the subject.

After school, Miles and you head to his house. You've been struggling in Spanish class. Spanish grammar might actually be the death of me, you think. Since Miles excels in Spanish due to primarily being raised by his mother, you asked him to tutor you, which he surprisingly agreed to.

It doesn't hurt that you get to spend more time with Miles, either. Something about him never fails to send butterflies straight to your stomach, maybe it's his intense stare that makes you weak in your knees, his accent that somehow makes him ten times more attractive, or- You cut your thoughts off. You felt guilty for feeling this way about Miles. You know you shouldn't. These feelings you harbor would only cause more harm than good. After all, the people you love always seem to be in danger.

After a couple of hours of pure torture, (Spanish grammar) Miles started to speak, "Escúchame, mami. I-"

Loud, blaring police sirens cut off his sentence. Thanks, Brooklyn. Pretending to get a message from your mother, you glance at your phone's screen and look at Miles with an apologetic expression, "Shit, sorry Miles but I gotta go. My mother wants me home. She said it was urgent. But we're still on for tomorrow right?" Miles raises a skeptical eyebrow but ultimately says, "Yea. It's 'Ight, princesa. See you tomorrow" his accent lacing his words. You get up to kiss his cheek and wave him goodbye. As normal friends do, you tell yourself. Shit. You shake the thoughts away before your overthinking completely undoes your brain.

You wait until you're at least a couple blocks away from his house before you reveal the spider suit underneath your clothing and pull your mask down your face. You thwip your webs and swing away to investigate what crime was scheming tonight in Brooklyn. Leaving Miles alone in his room to regret not telling you.

2.

Honestly, you weren't paying attention to whatever Miles was saying. Instead, you were just focusing on how attractive you found his accent. You'd suffer through two more years of Spanish just to hear his voice. In fact, during most of these tutoring lessons with Miles, you weren't paying attention to the actual lesson. It doesn't help that he keeps staring at you with those eyes of his. But behind that cold exterior, you knew he had a soft spot for you. Even if he didn't outright admit it.

Miles' voice brought your attention back to the actual lesson, "Lo entiendes, princesa?" Miles asked you with a knowing smirk. You nodded your head immediately, trying to play it off. "Uhh, si." You said with a thumbs up, immediately regretting it. That was so nerdy. You shame yourself in your mind. You pretended to take notes, shamefully lowering your head down to your notebook.

While you were pretending to take notes, Miles broke the silence.

"So what's up with you and that guy from earlier?" "I told you, he's just a friend. Nothing is going on between us." Miles puts his hands up in his defense, "Alright, mami. It just didn't look like that with the way you were laughing at whatever he said. He's not Kevin Hart."

Way to completely ruin the mood. You dropped the pencil you were holding and stopped taking notes. Looking directly into his eyes, you said "Miles, I really don't know what your deal is." "You really wanna know what 'my deal is'? 'Ight. It's 'cause-"

Miles' phone beeps, interrupting him. He cursed in his mind, not being able to tell you how he felt yet again. He glances down at his screen. "Ay princesa," Miles spoke up, his words never failing to make your face go warm. His nicknames for you weren't new by any means, but they still made your heart flutter. He continued, "Uncle Aaron needs me, I gotta roll. He said it's an emergency. Don't think I'm trying to cut this short. You're still my girl, alright?" He started to leave when he turned around suddenly. He walked over to you and turned your head to him with his hand, kissing your forehead. "Hasta luego, mami." He left the room, leaving you alone in his room with only your thoughts swirling around your mind. You were sure you were about to have a heart attack. His girl? The kiss? Miles was acting oddly affectionate. And what's with him practically using the same excuse I used? It's not like he's the crime-fighting vigilante here. You rolled your eyes.

You didn't know what Miles and his uncle were so busy doing, but you had a feeling that it wasn't very morally right. That would explain how ambiguous he's been lately. More often than not, he's had to leave in the middle of tutoring to tend to whatever his Uncle needed him for. But you can't entirely blame him, you have secrets you've been hiding from him too.

You packed up your things and left his room. "Chao, Mrs. Morales. Thank you for letting me into your home!" You said to Miles' mother while leaving. "Of course, you're always welcome here." She replied to you with a warm smile. That woman was a true saint.

3.

If you had to spend any more time confined in a room alone with Miles and just your emotions, you were sure you'd fucking lose it. By losing it, I mean grabbing him by the collar of his hoodie and kissing him senseless. But you were afraid. Afraid that he would take your heart right out of your chest to shatter it and then leave you alone to pick up the pieces. So, you came up with a little white lie to get out of tutoring today.

"Is it alright with you if I skip tutoring today? My mother is sick and I have to take care of her." The lie slipped off your tongue like butter.

"Nah that's cool." He shrugs. Huh. He let me off that easy? You were two seconds away from having the dreaded 'What are we?' conversation with him after last night, until someone's arms wrap around you from behind.

"Hey, beautiful." Your friend from the other day was back. And he clearly didn't see Miles right next to you. You cringe and awkwardly take his arms off of you and turn around, "Hey, Josh." "Are you free tonight?" Miles was watching this interaction with jealousy coursing through his veins. Did this douche seriously not see him right next to you? Right before you could even open your mouth to respond, Miles responds for you. "Hell no she isn't. Get the fuck out of here, man." Miles snaps at him. Your friend's head whipped to Miles so fast you were sure he'd get whiplash. "Oh shit." He stuttered, "Sorry, man. I didn't see you...I'll leave now." He ran away as fast as his feet could take him. Poor Josh.

You glared at Miles. "What the actual fuck was that, Miles? He was just asking me a question." "He was asking you out, idiot." Miles said right back to you. "So what if he was? Honestly. What's it to you? You've been acting so possessive. May I remind you that we are not together?" You snapped at him. "Maybe I want-" He started, but this time, he was the one cutting his sentence off. He couldn't find the words to tell you just yet.

The bell rings. You look at Miles, awaiting his response. When a few silent moments pass by, you finally say, "What? What is it you want?" For once in your friendship with Miles, he didn't have a response. You, he thought. "Y'know what Miles? Until you've come to your senses, just leave me be for now." He had no right to start acting like you were bound to him. You walked to your class without him. He cursed himself in his head.

You'd been ignoring him the whole day. Yet ever the petty, he hadn't messaged you at all.

Your phone pings. "You busy with Jake?" You read. It was from Miles. That petty fucker. Your face immediately drops. That's not even his name. You left him on read and turn off your phone. For someone who thinks he's heartless and nonchalant, he sure was acting possessive.

+1

Dusk approaches Brooklyn and you're out patrolling instead of thinking about Miles. That's all you've been doing lately, and you needed a distraction.

Unfortunately, Miles had the same idea. He was out taking missions Kingpin gave him.

As you were searching the streets of Brooklyn for crime, you sensed a presence. Ahead of you was a silhouette in a dimly lit alley, their back facing you. You hid behind the wall. Finally something interesting tonight! As you climb on the walls and get closer, you recognize the figure.

Oh, great. It's the Prowler.

This wasn't your first time meeting the Prowler. No, you've fought with him in the past. He's ruthless and a cold-blooded killer. He's efficient and excruciatingly fast. That's what makes him an imminent risk to be allowed to roam the streets freely.

As Spider-woman, it's your responsibility to keep the streets of Brooklyn crime-free. So, you follow him. As you're trailing behind him, crawling on the walls, you notice the people he's meeting with. It's an arms deal, you realize. As you crawl closer, you notice that they weren't regular arms. They were abnormally high-tech for these seemingly harmless criminals.

I'll just web up the couple of amateurs and then deal with the big guy Prowler, easy. Oh how wrong you were.

"Hey, boys! Nice toy you've got there." You said as you dropped your voice down an octave, disguising your voice. You jump down from your place on the wall and thwip your webs at the unsuspecting arms dealers, binding them to the wall. They were knocked unconscious.

You thwip'd your webs at the weapon and effectively took it away from them. You'd have to drop it by the police station later with a friendly note.

The Prowler lunged at you, his steel claws missing your face by an inch.

"Hey, man! That felt a little personal." You shouted, thankful to still have your face attached to your head. You used your webs to grab onto the Prowler and strike him directly on his mask. You started to run, with the Prowler tailing right behind you.

He had you cornered, but you weren't surrendering that easily. You positioned into a defensive stance, ready to defend yourself.

His mask was cracked a bit, causing his voice modulator to reveal his unfiltered voice. "Nowhere to run, spider."

Your heart dropped as your eyes widened through your mask. Not in fear, but in recognition. You could recognize that voice anywhere. That was the voice that sent shivers down your whole body, yet made you want to strangle him the next.

"...Miles?" The words came out more of a whisper. Your voice sputtered as you dropped your fake voice. You webbed the weapon to the wall, disregarding it. Turns out, he didn't need to reject you to shatter your heart into a million pieces.

His stance immediately faltered. He could recognize your voice out of a thousand others.

Prowler, or rather Miles, stood silent.

“Miles, take off that damn mask. I know it's you.” You took off your mask, and he opened his. His eyes were unreadable. “What the hell have you gotten yourself into Miles?" You sighed. You didn't recognize him anymore. You didn't know who he was. There was no way the Miles you knew had become this.

"Fuck, princesa. I didn't want you to get involved in this shit. You're the fucking spider?" You feel as if he was seeing you for the first time again. "I'm fucking Spider-woman, you dick. And I've been involved with this 'shit' ever since I got bit by a spider. Now explain this, whatever you've turned into!" You spurted out, pointing at his suit. "I got roped into business with Kingpin after my father died. Shit, I never meant for this to happen." He exclaimed.

"What, you think you're protecting me by not telling me? Bullshit." You say, throwing your hands up in the air. "I was protecting you. I was protecting you from Kingpin. Because I fucking love you. I meant it when I said you were my girl." He proclaimed.

When you thought this night couldn't get any wilder, it just did.

Alarms blared in the back of your mind, telling you to leave. Your brain is screaming at you to think about your moral obligation and stop the Prowler, no matter who he is. But your heart is telling you otherwise. You choose the latter.

"Fuck, Miles. Shut the hell up." You threw a web at his abdomen and pulled him towards you, efficiently shutting him up by connecting your lips to his. Sliding your hands onto his braids, you pulled him in closer. He immediately reciprocated and grinned into the kiss, setting his arms on your hips.

Turning into a heated make-out session, he backed you against the wall of the alley. You felt your legs giving out on you. Miles put his knee in between your legs, supporting you. He kissed you with passion. He's pinned for you for the longest time, and he finally has you. He wasn't going to give it up for anything. Unfortunately, you needed oxygen to live, so you pulled back. A string of saliva connected your lips as you parted.

He took away all the oxygen in your body, and apparently your moral compass as well, with only one kiss. Unable to open your eyes until a few moments after, you fluttered your eyes open. "I fucking love you too, Miles" You whispered against his lips. "Oh, really? Couldn't tell." He teased with a smirk, his lips seconds away from yours as he looked down at you. He held your gaze with longing in his eyes.

Muffled screams ruined the moment. Miles and you react immediately, putting your masks back on. You got your webs ready while Miles had his steel daggers out. Lowering your guards, you realize it was the couple of guys you webbed up and forgot. "Sorry, I'll go take care of them." You said as you rubbed the back of your head awkwardly. Miles stifled a laugh as he said, "That's alright, ma. You can make it up to me later." You heard the smugness in his voice as you swung away to the police station. You made sure to fulfill his request later that night.

[caguaydreams]

Hmm... checking on many years old sketchbooks and realising my art was way more playful and I dared to do or try out more things as a teen. I was way more comfortable with human anatomy in every way and it blows my mind... how — like, I didn't use reference but I was doing all sorts of crazy shit and it looked good!!!! I have such a hard time with mouths today and these old ass drawings are intimidating me. Young me also took so much joy in drawing hands, they look sick, what!!! WHAT HAPPENED!!!

[joycrispy]

One thing I love about Crowley --never stated, but consistently shown-- is that he is, at heart, an engineer.

I have a few different things to say about that. Let's unpack them.

As the Unnamed Angel, we see his designs for the Pillars of Creation are millions of pages long, comprised of cramped text, footnotes, diagrams, schematics, etc. It's very...Renaissance polymath, in the way it implies a particular intersection of artist and inventor.

Also: in the naked romanticism with which he views his stars.

We already knew he made stars, but in s2 we learn that he did NOT sculpt each of them by hand. He designed a nebula ("a star factory," he says) that will form several thousand young stars and proto-planets, and all --aside from getting the 'factory' running-- without him lifting a finger. We also learn that these young stars and proto-planets stand in contrast to those made by other angels, which are going to come 'pre-aged.'

...I'm reminded of Hastur and Ligur's approach to temptations. Damning one human soul at a time, devoting singular attention to it over the course of years or decades, and how that stands in contrast to Crowley's reliance on, quote, 'knock-on effects.'

Ligur: It's not exactly...craftsmanship. Crowley: Head office don't seem to mind. They love me down there.

Hm.

I'm also reminded of the M25.

The M25 may not be as grand as a nebula (sentences you only say in GOmens fandom...), but LIKE his nebula it's an intricate, self-sustaining engine that does Crowley's work for him, many times over. Again.

That's some pretty neat characterization --and so is the indication towards Crowley's disinterest in victimizing anyone tempting individual people. It takes a considerable amount of planning and effort (and creeping about in wellies), but in accordance with his design the M25 generates a constant stream of low-grade evil on a gigantic scale.

Cumulatively gigantic, that is. Individually? Negligible.

But no other demon understands human nature well enough to parse that one million ticked-off motorists are not, in any meaningful way, actually equivalent to one dictator, or one mass-murderer, or even one little influential regressive. That's the trick of it. Crowley gets Hell's approval (which he NEEDS to survive, and to maintain the degree of freedom he's eked out for himself), and at the same time ensures that any actual ~Evil Influence~ is spread nice and thin.

It's some clever machinery. And he knows it, too:

The Unnamed Angel and Crowley are both proud of their ideas.

(musings on professional pride, Leonardo da Vinci, the crank handle, and 'the point to which Crowley loves Aziraphale' under the cut)

In the 1970's Crowley gives a presentation on the M25, projector and all, to a room full of increasingly impatient demons. Maybe the presentation was work-ordered; the 'can I hear a WAHOO?' definitely wasn't.

Before the Beginning, the Unnamed Angel can barely contain his excitement about his nebula. Aziraphale manages a baffled-but-polite, "....That's nice... :)"

11 years ago, Hastur and Ligur want to 'tell the deeds of the day,' and Crowley smiles to himself because (according to the script-book) he knows he has 'the best one.'

(Naturally, his 'deed' has nothing to do with tempting anybody, and everything to do with setting up a human-powered Rube-Goldberg machine of petty annoyance. Oodles of 'Evil' generated; very little harm done.)

Hastur and Ligur don't get it, of course. That's also consistent.

Nobody ever knows what the hell he's talking about.

It didn't make it on-screen, but, in both the novel AND the script-book, Crowley was friends with Leonardo da Vinci. The quintessential Renaissance polymath. That's where he got his drawing of the Mona Lisa --they're getting very drunk together, and Crowley picks up the 'most beautiful' of the preliminary sketches. He wants to buy it. Leonardo agrees almost off-the-cuff, very casual, because they're friends, and because he has bigger fish to fry than haggling over a doodle:

He goes, "Now, explain this helicopter thingie again, will you?" Because he's an engineer, too.

(It is 1519 at the latest, in this scene. Why the FUCK would Crowley know about helicopters, and be able to explain them, comprehensively, to Leonardo da Vinci?

...Well. I choose to believe he got bored one day and worked it out. Look, if you know how to build a nebula, you can probably handle aerodynamics. And anyway, I think it's telling that this is his idea of shooting the shit. 'A drunken mind speaks a sober heart,' and all. He probably babbled about Aziraphale long enough to make poor Leo sick)

Apart from Aziraphale, Leonardo da Vinci is the only person Crowley has any keepsakes or mementos of.

Think about that, though. Aziraphale's bookshop is bursting with letters, paintings, busts, and personalized signatures memorializing all the humans he's known and befriended over 6000 years (indeed: Aziraphale has living human friends up and down Whickber Street. He's part of a community).

Crowley doesn't have any of that. It's just the stone albatross from the Church (for pining), the infamous gay sex statue (for spicy pining), the houseplants (for roleplaying his deepest trauma over and over, as one does), and this one piece of artwork, inscribed, "To my friend Anthony from your friend Leo da V."

To me, at least, that suggests a level of attachment that seems to be rare for Crowley.

...Maybe he liked having someone to talk shop with? Someone who was interested? Someone engaged enough to ask questions when they didn't immediately understand?

...Anyway.

There's also the matter of the crank handle.

This thing:

This is one of the subtler changes from the book. In the book, Crowley knows Satan is coming and, desperate, arms himself with a tire iron. It's the best he can do. He's not Aziraphale; he wasn't made to wield a flaming sword.

The show, IMO, improves on this considerably. Now he, like Aziraphale, gets to face annihilation with what he was made for in his hand. And it's not a weapon, not even an improvised one like the tire iron.

He made stars with it.

[both gifs by @fuckyeahgoodomens]

If you Google 'crank handle,' you'll get variations on this:

Crank handles have been around for centuries. Consisting of a mechanical arm that's connected to a perpendicular rotating shaft, they are designed to convert circular motion into rotary or reciprocating motion.

Which is to say they're one of the 'simple machines,' like a lever or a pulley; the bread and butter of engineering. You'll also get a list of uses for a crank handle, archaic and modern. Among them: cranking up the engine of an old-fashioned car... say, a 1933 Bentley. That's what Crowley has been using his for, lately. But he's had it since he was an angel and he's still, it seems, very capable of it's angelic applications.

Stopping time. For instance.

(This is conjecture on my part, but, I like to imagine that Crowley has the ability to stop time for the same reason I can --and should-- unplug my computer before I perform maintenance on it. Time and Space are a matched set, after all, and in his designs in particular, one feeds into the other.)

I know everyone has already said this, but: I REALLY LIKE that when he needs to channel the heights of his power, he does so not with a weapon but with a tool. Practically with a little handheld metaphor for ingenuity. One from long-lost days when he made beautiful things.

(And he loved it. Still loves it --he incorporated that metaphor into the Bentley, didn't he?)

Let Aziraphale rock up to the apocalypse with a weapon: he has his own compelling thematic reasons to do exactly that. Crowley's story is different, and fighting isn't the only way to express defiance. And if you've been condemned as a demon and assumed to be destructive by your very nature, what better way than this?

He made stars. They didn't manage to take that from him.

Neither Crowley nor Aziraphale are fighters, really --they have no intention of fighting in any war. They'll annoy everyone until there's no war to fight in, for a start. But between the two, if one must be, then that one is Aziraphale. Principality of the Earth, Guardian of the Eastern Gate, Wielder of the Flaming Sword... all that stuff. Even if he'd prefer not to, it's very clear that Aziraphale can rise to the occasion, if he must.

Crowley was never that kind of angel. He wasn't a Principality. He doesn't have a sword.

...And yet.

It's Crowley who protects. He's the one who paces, who stands guard, who circles Aziraphale and glares out at the world, just daring anyone else to come near.

In light of everything else I've said here, I think that's interesting.

Obviously part of it is that Aziraphale enjoys it and, you know, good for him. He's living his best life, no doubt no doubt no doubt. But what about Crowley? What's driving that behavior, really?

Have you heard the phrase, 'loved to the point of invention'? Well, what if 'the point of invention' was where you started? What if where you end up involves glaring out at the world, just daring anyone else to come near? What is that, in relation to the bright-eyed thing you used to be?

What do we name the point to which Crowley loves Aziraphale?

...Thinking about how an excitable angel with three million pages of star design he wants to tell you all about...becomes a guard dog. Is all.

[blackmetalbats]

silly little supernatural people love these thingies so i made a few last one is a little treat mostly for me because i love them lol

[pauls-mescal]

Joseph Quinn for British GQ photographed by Grace Difford

[madeofbees]

i think i’m dying

slowly

night by night

it’s fine tho :)

—

this post is disgusting i’m sorry

[lilislegacy]

to anyone who still isn’t on board with percy jackson as marine veterinarian, i ask you to consider something

percy wearing scrubs

[hellishgayliath]

Awww frick Moon

Gesundheit

ah.. Ah.. AH- SNEEZE

sorry don't know what happened there, @hellishgayliath-

um- so- yeah I have no reason for this. I saw Clem's future design, my brain made this. so um.. if I have to envision it, so do y'all

I know you joked that Clem claimed Luci as her honorary sister, but they are also 'technically' cousins and would address her as such more than calling her a sister. If not for that reason, then because Luci wouldn't know how to deal with it (as her brain would trail to her then being Pico's sister & both of them would despise that lol) so it's probably done for Luci's sake (with exceptions ofc)

2nd thing; Sugar or Salt If this is an actually thing i don't know where its from because I made it up. But it's their version of saying 'good news or bad news'. I thought it was cute :] Sugar being to sugarcoat the situation & Salt being brutally honest/realistic. I think it'd be a thing Luci made up when Clem was really young & I think Clem would mainly ask for sugar instead of salt.