#agravaine (arthuriana)

[biblically-accurate-dumbass]

[mortiscausa]

the death of sir agravaine

march to camelot #2: fool

[gwalch-mei]

agravaine rolling up to the orkney family reunion in this

[queer-ragnelle]

Mordred: A Tragedy by Henry Newbolt | More quotes at Arthuriana Daily

[kulttuurinkurittama]

Judgement

Felt like drawing these two in public to show off how differently they carry themselves when observed, interest to the dynamics yknow yknow.

Also tried shading with coloured pencils instead of markers like I would usually do. Need to play around a bit more with it.

[knightsofsomethingorother]

redraw!

[herbert-best]

What Agravaine and Dinadan have going on in Book 10 Chapter 25 of Malory is unparalleled— (the world's longest post oh my GOD it didn't look so long while I was writing it)

First off, consider that they are both: known for their witty rudeness, their poeticism and cutting jokes and quick tongues ¹, their perceived unknightly values ², their knowledge of the private business of their fellows (to the point of spying on them in secret) ³, and their conscious use of rumor and reputation to influence how others are seen⁴— only, Agravaine is censured for it, and Dinadan is universally beloved at court, except by Agravaine himself ⁵. The heel-turn that happens in Malory with Agravaine & Mordred being suddenly villains happens in one chapter while they’re interacting with Dinadan specifically. It highlights the extent to which your reputation— how the court perceives you— shapes reality for a knight. A knight is only as good as his reputation. The way people speak of a knight is the only reality about that knight… whether or not it’s true. The series of events here is wild imho. Subtler readings of Malory seem few and far between but listen.

The frame of context here needs to start a couple of chapters before, in Chapter 11— Dinadan is traveling with King Mark (reluctantly).

“Right as they stood thus talking together they saw come riding to them over a plain six knights of the court of King Arthur, well armed at all points. And there by their shields Sir Dinadan knew them well. The first was the good knight Sir Uwaine, the son of King Uriens, the second was the noble knight Sir Brandiles, the third was Ozana le Cure Hardy, the fourth was Uwaine les Aventurous, the fifth was Sir Agravaine, the sixth Sir Mordred, brother to Sir Gawaine. When Sir Dinadan had seen these six knights he thought in himself he would bring King Mark by some wile to joust with one of them.”

He pretends they’re enemies and charges toward them, lance out, so Mark will panic and flee, and then—

“So when Sir Dinadan saw King Mark was gone, he set the spear out of the rest, and threw his shield upon his back, and came, riding to the fellowship of the Table Round. And anon Sir Uwaine knew Sir Dinadan, and welcomed him, and so did all his fellowship.”

Absolutely no beef with Agravaine and Mordred here. In fact, as we roll into Chapter 12:

“Will ye do well? said Sir Dinadan: I have told the Cornish knight that here is Sir Launcelot, and the Cornish knight asked me what shield he bare. Truly, I told him that he bare the same shield that Sir Mordred beareth. Will ye do well? said Sir Mordred; I am hurt and may not well bear my shield nor harness, and therefore put my shield and my harness upon Sir Dagonet, and let him set upon the Cornish knight. That shall be done, said Sir Dagonet, by my faith. Then anon was Dagonet armed him in Mordred’s harness and his shield, and he was set on a great horse, and a spear in his hand. Now, said Dagonet, shew me the knight, and I trow I shall bear him down.”

(Mordred is half-dead for like 70% of Arthuriana, poor kid) So they’re friends! More or less, anyway. At the least, they have overlapping friend groups, and, knowing who his options are, Mordred is specifically the one Dinadan chooses to bring into the prank— he didn’t know Dagonet was around, and though he might have known Mordred was too injured to do it himself, the prank still relied on Mordred’s willingness to give up his arms to someone else for the express purpose of scaring King Mark shitless.

But by Chapter 25, though— their next appearance on the page— Dinadan wants nothing to do with them. This is, again, the wrestling heel turn wherein Agravaine and Mordred get the minor-key leitmotif etc, etc. They’re theoretically portrayed negatively here and hereafter, where before they were mostly… doing things like pranking King Mark. There’s a reason in the intervening chapters, but we’ll get to that. Here’s how the chapter opens:

“Now leave we of Sir Lamorak, and speak of Sir Gawaine's brethren, and specially of Sir Agravaine and Sir Mordred. As they rode on their adventures they met with a knight fleeing, sore wounded; and they asked him what tidings. Fair knights, said he, here cometh a knight after me that will slay me. With that came Sir Dinadan riding to them by adventure, but he would promise them no help. But Sir Agravaine and Sir Mordred promised him to rescue him.”

Now there’s an inauspicious start, if you want to say Agravaine and Mordred suck— a stranger, badly wounded, fleeing from someone who wants him dead, and Dinadan says it’s none of his business. The honorable, knightly task of protecting a wounded man asking for aid from a murderous pursuer is taken up by Agravaine and Mordred. Unfortunately for them, this is one of those Breuse Saunce Pité stories where he rides across the scene for no reason except to beat the ever-loving hell out of whatever knight of midrange skill happens to be center stage at the time, for no reason beyond devoted and passionate rat bastardry (Thomas Malory, a knight during the War of the Roses: “don’t you just hate it when that one guy shows up to just make everything suck in your entire province as much as possible with no higher motivation other than YORKISTS GO TO HELL? I know I do! Except when I am that guy, of course!” Thanks Tom.). So he yells his own name whilst obliterating Agravaine and Mordred with utterly unnecessary cruelty, to make sure they know who did it (gee, thanks).

Now, we don’t yet have any cause to think Dinadan and Agravaine & Mordred have had a major falling out— Dinadan has been previously established to not fight when the moon isn’t in the right lunar mansion to make him feel like it today, etc, and he’s abandoned people to handle things for him before without it stemming from ill will, but it does seem to take quite a bit to get him to concede to help— it seems like more than would usually be the case—

“And yet he rode over Agravaine five or six times. When Dinadan saw this, he must needs joust with him for shame.”

Agravaine is on the ground, being trampled over five or six times by a loudly gloating Breuse Saunce Pité, before Dinadan determines it will, in fact, reflect badly on him if he doesn’t do SOMETHING. He unseats Breuse successfully (“with pure strength” okay go off Dinadan. You could’ve lead with that tho.), who then grabs his horse again and skips town without pursuit. Breuse, as he leaves, is described as “a great destroyer of all good knights.” Paragraph end.

Now we get into the meat of this episode, starting with the immediate following sentence.

“Then rode Sir Dinadan unto Sir Mordred and unto Sir Agravaine. Sir knight, said they all, well have ye done, and well have ye revenged us, wherefore we pray you tell us your name. Fair sirs, ye ought to know my name, the which is called Sir Dinadan. When they understood that it was Dinadan they were more wroth than they were before, for they hated him out of measure because of Sir Lamorak. For Dinadan had such a custom that he loved all good knights that were valiant, and he hated all those that were destroyers of good knights. And there were none that hated Dinadan but those that ever were called murderers.”

At a glance, it scans as good sense. But then— why is it that Dinadan’s feelings about them aren’t mentioned, just theirs about him? It seems surprising that they hate him more than he hates them— and Breuse was JUST identified as meeting the precise description of what Dinadan hates, but Dinadan didn’t seem overenthused to act against him. And what’s up with the specific framing of “none that hated Dinadan but those that ever were called murderers”? Not ‘only murderers’? And, more importantly, didn’t this chapter start with “Now we leave of Sir Lamorak”??

Because, of course, Lamorak isn’t dead. He’s fine. The intervening chapters involved Gaheris’s killing of their mother in bed with Lamorak, Gaheris admitting that he and Gawain (specifically and exclusively— where was Agravaine, while we’re at it?) killed Pellinore to avenge their father, and telling Lamorak that it wouldn’t be right to kill him like this so just watch out but he’s not going to touch him right then but like watch out!! Gaheris has issues but that’s okay. Lamorak also threatened him right back with blood feuding, for his part, saying his own father’s death was as yet unavenged on the Orkney clan. (Never 4get that Malory’s Lamorak is offered a blood price by Arthur to mediate the feud and refuses it, saying he’s not done feuding yet. Play stupid games, my guy—)

But this leaves a big ol’ gap in the logic here. Agravaine and Mordred have never murdered anyone. Agravaine and Mordred have never destroyed any good knights. Why do they hate Dinadan so intensely on Lamorak’s account? They hated Lamorak the whole time, and Dinadan was clearly never on their side about it. Why does—

I would say again, “And there were none that hated Dinadan but those that ever were called murderers.” He’s known to be close only with good knights, and he’s befriended Lamorak. He’s known to hate people that act against good knights. And if you dislike him, it reflects badly on your reputation— maybe inherently (if you came into my house and said “hey I hate your cat” I would not like you ever, which is probably how Tristan at least feels) but this is also the guy who wrote that mean song about King Mark to ruin his reputation and humiliate him and had it taught to a bunch of people who were then sent out to perform it across Mark’s lands. With Arthur’s explicit approval, too— which makes it a political act of lowkey espionage, which is wild and very sexy of him (also one of the foundational elements of my ‘Geralt of Rivia is a purposeful adaptation Tristan’ rant but we don’t have time for that right now). He doesn’t have a reputation for gossip, but he’s very clearly not unaware of how influencing people’s reputations works. Everyone loves him, and anyone who hates him is publicly maligned in image as a murderer. Or do people only hate him if he’s maligned them that way? Is that something he does? It would explain why it doesn’t seem to apply to Agravaine and Mordred on a practical level, in spite of their explicit hatred of him.

But he was friends with them! Recently! And they haven’t killed anyone or been implicated in any deaths (Gaheris, as I mentioned, confessed that he and Gawain killed Pellinore to Lamorak, but Agravaine isn’t part of that, and Mordred was like 12 and per Malory in a fishing village in BFE presumably at the time). However— Gaheris certainly has. Lamorak has been telling everyone about Gaheris killing Morgause. Everyone is explicitly talking about it at court.

If Dinadan is prone to that sort of thing— leveraging his influence and significant skill with public opinion against those he thinks have done serious wrong— he’s likely been smearing Gaheris publicly in solidarity with Lamorak.

And, quite frankly, going after Agravaine and Mordred’s brother is the only thing that would make them madder than going after them.

But we left off mid-paragraph there, in fact:

“Then spake the hurt knight that Breuse Saunce Pité had chased, his name was Dalan, and said: If thou be Dinadan thou slewest my father. It may well be so, said Dinadan, but then it was in my defence and at his request. By my head, said Dalan, thou shalt die therefore, and therewith he dressed his spear and his shield. And to make the shorter tale, Sir Dinadan smote him down off his horse, that his neck was nigh broken. And in the same wise he smote Sir Mordred and Sir Agravaine. And after, in the quest of the Sangreal, cowardly and feloniously they slew Dinadan, the which was great damage, for he was a great bourder and a passing good knight.”

Holy shit. What the hell. For one thing that escalated extremely quickly. For another thing all three of these people are half-dead already Jesus Christ everyone chill. But also— The entire idea of Agravaine and Mordred being murderers ties into their blood feud to avenge their father. Malory doesn’t touch on Dinadan’s adjacency to it, but we know his brother Brunor (that Knight of the Hideously Cut Jacket, who I briefly imagine as David Byrne in a great helm whenever I think of him) for his sartorially-signified revenge quest— Dinadan’s father was murdered, which probably has something to do with his hatred of destroyers of good knights/murderers. So it’s wrongfully-slain fathers all the way down, and then this wounded knight— that Dinadan initially refused to aid in escaping being murdered by Breuse— suddenly interjects to accuse Dinadan himself of wrongfully slaying HIS father! We’ve never seen Dalan before and we never see him again, but I think this specific interjection can be read as doing some absolutely insane heavy-lifting for this scene.

It’s not uncommon in medieval writing for a sort of moral predestination to hang over everyone— saying that Agravaine and Mordred hate Dinadan, only murderers hate Dinadan, and then that they go on to murder Dinadan could all be viewed as a fulfillment of the middle statement— they ARE murderers, even if they hadn’t killed anyone yet, so the statement is true! Except for Dalan’s outburst. This guy was badly injured and fleeing from Breuse, knowing he wasn’t strong enough to face him. Dinadan unseated Breuse in front of Dalan, and the guy isn’t getting any less injured— and yet Dalan hates Dinadan so much and holds him so accountable for the same wrongdoing Dinadan himself hates that he challenges him anyway, in spite of being injured, in spite of Dinadan having defeated in a joust someone who had been strong enough to defeat Dalan in the first place. And avenging a wrongful death, as an act, isn’t inherently censured in Malory— Dinadan’s brother does so offscreen, but it’s acknowledged as a noble thing that he succeeds in his quest to avenge his father’s murder. If you challenge someone honestly, even being incorrect about your accusations towards them doesn’t make it dishonorable of you (that’s how half of these idiots make friends, after all). So whether or not he’s wrong in blaming Dinadan for it, he is HARDLY implied to be a murderer— which means that right in between ‘Only people who get called murderers hate Dinadan’ and ‘Agravaine and Mordred DO murder Dinadan later btw’— there’s a brief exchange that establishes that what the narration has presented as a fact— only people who are called murderers hate Dinadan— is NOT TRUE. Dalan hates Dinadan, and isn’t a murderer— in fact, he may think Dinadan is one. What’s been said about Agravaine and Mordred isn’t true— even if it becomes so, it didn’t have to. What does that mean for the rest of— well, the entire narrative? For one thing, we can to some degree tie this disproving back to the lead-in of Dinadan having this particular ‘custom’— it’s not an actual fact, it’s just something presented as fact, believed to be fact— something that affects the realities of a knight’s life and knighthood as if it were fact, even though it isn’t.

Whether or not you take it as authorial intention doesn’t really matter— Malory is SO interesting if you take your cue from this series of escalating sentence-by-sentence underminings (Dinadan won’t help a stranger but Agravaine & Mordred will— but they’re morally corrupt and he isn’t; Breuse is a renowned destroyer of good knights and was announcing his presence like a Pokémon— that’s the exact thing that Dinadan hates most which is the cause of his beef with Agravaine & Mordred, but he didn’t want to get involved in fighting the guy; everyone who hates Dinadan is a morally bad person— except this other guy who’s right here currently too). The narration is NOT objectively giving you the truth— the narration is giving you what is ACCEPTED AS TRUTH by the court, by society at large, what will be remembered, because a knight is only as good, only as strong, only as virtuous, only as accomplished, as the stories told of him— only guilty of the crimes people gossip on, but guilty of the ones believed, whether or not they’re true. The narrative is influenced by what is and isn’t known, by what’s hidden and revealed to the world. It makes for an incredibly fun and good reading of Malory throughout!

And there’s a lot of room to say, too, that it makes Agravaine and Dinadan insane narrative foils, because any which way you think to develop and expand on Agravaine’s motivations and desires in Malory, Dinadan is doing something similar to great affection, approval, and acclaim— where Agravaine receives disapproval, approbation, and… nothing else. Agravaine is “ever open-mouthed”, waiting “every night and day” to root out Lancelot’s secrets— when he succeeds, Arthur blames him after his death for what comes to pass, even though he was right and what he uncovered was true. It’s Dinadan’s “manner to be privy with all good knights”, so he reads Lancelot’s mail while he’s sleeping, and Lancelot is glad of it, and lets him help. Agravaine is manipulative, Dinadan has influence with his friends. Agravaine, who values his honor greatly, is dishonored for it as vengeful and jealous. Dinadan, who is careless of his own honor, never bruises it with anything he does. Agravaine is considered resentful and ungracious to others, Dinadan is a beloved jokester who harangues his friends with affectionate invective to cheer them up.ᵃ Dinadan is what Agravaine isn’t allowed to be— and yet he’s a version of it that Agravaine has no desire to be, someone who doesn’t fit in the knightly mold, who isn’t respected the way he wants to be respected, someone reliant on the aid and influence of friends, someone who laughs first at himself, at his own lack of honor. To be envied and yet also to be disdained, to Agravaine’s sensibilities, and to Dinadan’s there’s nothing that Agravaine would criticize he cares about.

And yet— they were friends, too. And what ruined that friendship may well have been the same desire that killed Agravaine in the end— the desire to see that a position of privilege at court didn’t protect a knight who’d done wrong from the truth being known, or from facing the repercussions of his guilt and shame— only it was Dinadan who was repeating the gossip, Dinadan exposing the wrong, and Dinadan died for it, too, just as much as Agravaine would later. And in both their cases, their claims were never fully proven, except in the acts of their own deaths.

But can you IMAGINE the incredible amount of dirt they must’ve dug up between the two of them, before they both got killed by their shared streak of weird, stubborn justice, one by the other’s hand? Can you imagine how utterly fatally they’d be capable of roasting you into a charcoal brick by their powers combined? Can you imagine how terminally nasty they’d be if they were fighting, and how annoying they’d be if they weren’t and they got in your business? What an insane combination, what a silhouette of deeper characterization in the negative space that isn’t addressed!!ᵇ It has so many potential implications for the narrative overall and their significance in it as arbiters of social thought and public opinion.

¹ ² ³ ⁴ ⁵

1.“no good qualities except his beauty, his chivalry, and his quick tongue”, as the Vulgate describes Agravaine (quotes that made my wife say out loud, “what else is there?!”), plus that one translator’s note about the idiomatic and metaphorical way he speaks— Dinadan is constantly described that way— “Right so came Dinadan, and mocked and japed with King Bagdemagus that all knights laughed at him, for he was a fine japer, and well loving all good knights.” etc etc. he’s a fucking bard who wrote the hardest diss track of all time (see footnote 4). Also sends his gay friend group™️ (Lancelot, Galehault, Dinadan, and Guinevere) into hysterics with his potshots at Lancelot and Galehault at a tournament dinner. More on that later.

2. Agravaine is known for being extremely jealous, petty, a bad sport and a gossip, dishonorable and vengeable— Dinadan ONLY fights when he feels like it… '

“And at the first recounter, said Sir Kay, he smote me down from my horse and hurt me passing sore; and when my fellow, Sir Dinadan, saw me smitten down and hurt he would not revenge me, but fled from me; and thus he departed.” (He’s literally present while Kay is saying this like 🤷‍♂️ ya)

“So on the morn Sir Dinadan rode unto the court of King Arthur; and by the way as he rode he saw where stood an errant knight, and made him ready for to joust. Not so, said Dinadan, for I have no will to joust. With me shall ye joust, said the knight, or that ye pass this way. Whether ask ye jousts, by love or by hate? The knight answered: Wit ye well I ask it for love, and not for hate. It may well be so, said Sir Dinadan, but ye proffer me hard love when ye will joust with me with a sharp spear. But, fair knight, said Sir Dinadan, sith ye will joust with me, meet with me in the court of King Arthur, and there shall I joust with you. Well, said the knight, sith ye will not joust with me, I pray you tell me your name. Sir knight, said he, my name is Sir Dinadan. Ah, said the knight, full well know I you for a good knight and a gentle, and wit you well I love you heartily. Then shall there be no jousts, said Dinadan, betwixt us.” (I just fucking love this exchange. He really said ‘is your challenge from love or from hate? Oh from LOVE? Wow okay well that’s some kinda love coming at me with a LANCE :(‘ like babygirl why are you a knight.)

Also openly refuses to fight or runs away from combat when traveling with Tristan, when traveling with Mark, when traveling alone (the chapter in question, at first) when traveling with Tristan again, etc, and never denies this

Hates when knights fight for women and thinks it’s stupid. “For such a foolish knight as ye are, said Sir Dinadan, I saw but late this day lying by a well, and he fared as he slept; and there he lay like a fool grinning, and would not speak, and his shield lay by him, and his horse stood by him; and well I wot he was a lover. Ah, fair sir, said Sir Tristram are ye not a lover? Mary, fie on that craft! said Sir Dinadan. That is evil said, said Sir Tristram, for a knight may never be of prowess but if he be a lover. It is well said, said Sir Dinadan; now tell me your name, sith ye be a lover, or else I shall do battle with you.” Tristan promptly tells Isolde about this later and she gives him endless shit for it.

His exchange with Isolde abt it is very funny. He’s a fruitcake. “Now I pray you, said La Beale Isoud, tell me will you fight for my love with three knights that do me great wrong? and insomuch as ye be a knight of King Arthur's I require you to do battle for me. Then Sir Dinadan said: I shall say you ye be as fair a lady as ever I saw any, and much fairer than is my lady Queen Guenever, but wit ye well at one word, I will not fight for you with three knights, Jesu defend me. Then Isoud laughed, and had good game at him.” Y’know that song in the Oliver Twist musical where they’re trying to teach Oliver the concept of chivalry? That never happened for Dinadan and now he’s like this.

Lies all the time for no reason? Presumably it’s for The Bit™️ most times bc he LOVES jokes and pranks. Tristan ropes him into lying to Palamedes uhh hang on let me count in my head. Four? At least four times.

Basically Dinadan took a knightly oath the way other people agree to Terms & Conditions. He knows this abt himself. (See footnote 5)

3. Okay we know about Agravaine but UH “And so privily she sent the letter unto Sir Launcelot. And when he wist the intent of the letter he was so wroth that he laid him down on his bed to sleep, whereof Sir Dinadan was ware, for it was his manner to be privy with all good knights. And as Sir Launcelot slept he stole the letter out of his hand, and read it word by word.” DINADAN WHAT THE HELL? Agravaine and Dinadan were out here bumping into each other surveilling Lancelot’s fuckjgn bedroom I GUESS no wonder Agravaine killed Dinadan later awkwarddd

4. Agravaine is “ever open-mouthed” repeating gossip and spreading rumors to put pressure on Lancelot and Guinevere at court before he resorts to telling his uncle; Dinadan is imho implied by this chapter to be part of the reason Agravaine’s reputation fully tanks (also a gossip) but there’s also the lay he writes to humiliate King Mark and teaches to people to perform throughout Cornwall to ruin him: “And when Dinadan understood all, he said: This is my counsel: set you right nought by these threats, for King Mark is so villainous, that by fair speech shall never man get of him. But ye shall see what I shall do; I will make a lay for him, and when it is made I shall make an harper to sing it afore him. So anon he went and made it, and taught it an harper that hight Eliot. And when he could it, he taught it to many harpers. And so by the will of Sir Launcelot, and of Arthur, the harpers went straight into Wales, and into Cornwall, to sing the lay that Sir Dinadan made by King Mark, the which was the worst lay that ever harper sang with harp or with any other instruments.” (“And when Sir Tristram heard it, he said: O Lord Jesu, that Dinadan can make wonderly well and ill, thereas it shall be.”So true man. What a track.)

Also Dinadan once manipulatively provokes, mocks, belittles, and sneers at Tristan to get him really angry, because he’s letting someone else win a tournament and running support, basically— so Dinadan takes it upon himself to talk incredibly mad shit at him until he gets angry enough to stop being helpful and start fighting properly.

5. This is the chapter where we start to hear about the extent of Agravaine’s censure for his perceived dishonorable traits. As for Dinadan:

“and all the court was glad of Sir Dinadan, for he was gentle, wise, and courteous, and a good knight.”

“Sir, said Dinadan, wherefore be ye angry? discover your heart to me: forsooth ye wot well I owe you good will, howbeit I am a poor knight and a servitor unto you and to all good knights. For though I be not of worship myself I love all those that be of worship. It is truth, said Sir Launcelot, ye are a trusty knight, and for great trust I will shew you my counsel.” <— also this is when Lancelot just woke up from his angry nap and Dinadan is just. There. Having read his private secret letter from the Queen. But it’s fine for some reason I fucking guess!! Idk!! Starfucker extraordinaire Sir “Personal Key to Lancelot’s Bedroom” “Doesn’t Fight His Own Battles But His Friends Will For Him <3” Dinadan like. Agravaine experiencing heretofore unknown levels of gay homophobia. And he’s right.

a. Even adaptations love to make Agravaine Experience Homophobia™️ but rarely Dinadan, who habitually “lies with”, and “makes great joy of” in their beds overnight, his personal ranking of the top three strongest knights of the Round Table at any given time (“at any given time” meaning that he promptly does that to Palamedes as he takes spot #3 when Lamorak kicks it— presumably the secret reason he dies on the Grail Quest is bc he needs to get dick on the reg from the strongest knights in the world to survive and Galahad categorically does not fuck. RIP to a legend), loudly disdains romantic relationships with women, and is pranked on the page by Galehault and Lancelot for being unmanly or effete and afraid of women— by being knocked off his horse on the tourney field by Lancelot in a dress, carried off into the woods, stripped to his underoos, tussled into a dress himself, and paraded through the tourney field and then the hall at dinner in it (Always Sunny title card Lancelot Commits a Hate Crime. Wildass anecdote. Bet a night out on the town with Tom Malory was a HOOT. Guinevere canonically laughs so hard at this she falls over.)

b. Anyway this is why they’re an insane and compelling ship also. I rest my case. This is actually also the introductory post to a piece of fanfiction I’ll put somewhere later in which I used a shortened ballade form taking inspiration and structure from The Flyting of Dunbar and Kennedie to write Agravaine and Dinadan having a flyting competition. Y’know, real normal shit.

[noughticalcrossings]

Knights of the Round Table

A selection of my random faves, ft. Kay and Bedivere gossiping about the new recruits, Dinadan and Palomides debating the point of courtly love, the Orkney brothers (Gareth, Gaheris, Agravaine mid-curse, and Gawain) and Lancelot and Galehaut putting the ro in bromance

[gringolet]

what if you lived in a society with strict and sometimes absurd rules regulating what behavior was honorable . and your perfect older brother was so good at it the best at it even but you just didnt get it because the rules dont make sense and theyre stupid and its not fair that he can play the game so well and you cant. and everyone hates you and calls you a piece of shit because you arent good at following the Rules like your brother and his stupid piece of shit boyfriend. and then you find out that the boyfriend is Breaking The Rules really seriously and you tell your brother and hes like shut up about it, just let him break the rules and get away with it. but your younger brother agrees that its fucked up and you should expose him so you do and everyone forever is like youre evil for this and everyone that died as a result is because of you. and you deserved to be killed by this guy for showing that he broke the rules. this happened to my buddy agravaine

[grail-lifesupport]

Can we please have a drawn of this part in one of the books where Bors pins Agravain and tells him to apologize to Lancelot for saying that Gawain is better than him, without knowing that Agravain is Agravain. And in the next comic strip it's Lancelot and Gawain kissing - but like in that 'funny chibi' stile - on the sly?

Like this:

It’s never a good day to be agravaine

Thank you so much for this really funny ask beginning writing!

From the Vulgate, Lancelot part IV

[agravaine]

the dishonourable sir agravaine I have this thing where I keep drawing him looking out of windows and through doorways. always on the outside looking in; disgusted, fascinated, hateful yet longing

[gawrkin]

Following up on what I said about how Post-Vulgate Gawain should utterly despise Arthur - having absolutely no reason to like him - there is an additional context from the Post-Vulgate itself that I forgot to mention in the last post and should be considered:

Gawain will kill you even if you're his kin

(Also, Agravain, as his usual self, will gleefully join in the crimes if he can)

So yes, Blood Relation will not matter to a murderous Gawain, especially if the slight was done when he was a young impressionable kid (King Lot's death was when Gawain was eleven, if you recall). By Post-Vulgate's own logic, Gawain should itching for an opportunity to kill Arthur himself.

Coincidently, this cements another reason why T. H. White's The Once and Future King's Villainization of Morgause (and Morgause being evil in general) is a very BAD idea: it removes the last vestiges of any reasonable justification as to why Gawain is even a Knight of the Round Table - or even a hero! - in the first place.

In the Medieval Narratives, the reason why Gawain and his brothers are part of Arthur's Court in the first place is because of Morgause' insistence, in defiance of her husband. Morgause is a supporter of her brother, not another one of his enemies.

Without Morgause putting in a good word for her brother and actually scheming to destroy him, Gawain and his brothers will be right there working with their mother all the way.

Ironic, as one reason why many modern writers love to villainize Morgause is so that they can reframe Mordred's incestuous birth as some sort of evil scheme to usurp the throne. In reality, that's a really, really impractical, nonsensical and completely redundant rationale - Gawain, Agravaine, Gaheris and Gareth ARE Arthur's closest male relatives and therefore, legally in the best position to take the crown. And all without the taint of incest, an abominable act that would disqualify Mordred from inheritence if made known.

[gingersnaptaff]

Quick shitpost for you all but ut'd what I think a few of the Arthurian characters would drink at Christmas. With thanks to @gwalch-mei for being my partner in crime and listening to me ramble again.

Arthur: u would think it'd be like whisky or something cuz u know refined, elegant, a very sophisticated drink befitting a king. WRONG. Twenty-four white Russians and then advocaat and lemonade.

Guinevere drinks red wine, cuz ots classy looks like the blood of her enemies and she enjoys holding the goblet and looking like a bad bitch. Just don't tell her her teeth are black pls.

Morgan actually has the whisky because she's tired of her brother's tomfoolery waiting for fuckin miracles and delaying her eating pigs in blankets.

Cai and Bedwyr have Guinness and IPA's respectively because they are doing beer 52 and have become inundated with beers. Bedwyr likes trying new beers and Cai thinks of it as a couple thing. (He does not tell Bedwyr he hates Guinness)

Lance has like a sea breeze. Only one. Spends the rest of the night on water.

Owain and Morfudd get into a drinking competition with the Orkneys (other than Gawain. He's snogging Bertilak in the corner and going on about minty fresh breath)

Gaheris has on sambuca shot and fuckin goes catatonic. Mordred finds him passed out the next day on a bean bag. Lynette has to carry him home. Luned has to carry Owain home but like the crow army helps.

Morgause has baileys. Classic, easy to drink, everybody gets into fights over the last of it.

Agravaine has a dark and stormy cuz he liked the name but it does make him 'look like a knobber' in Mordred's words

Isolde has mead cuz it's sweet and gets u drunk QUICKLY she will need it because Tristan WILL do karaoke later.

Gareth has jagermeister I think. Or like a tequila sunrise.

Dagonet's drink of choice is like a fuckin cocktail with loads of whipped cream on it. Fruity, but also feels like it shouldn't work.

Galahad's is just water but he does the whole blood of Christ thing.

Percival's is either a dark welsh beer, OR a bloody mary but without the vodka.

Tor's is a whisky slammer.

Palomides has an Irish coffee.

Same with Clarissant but she's having like something with irn bru in it to freak her brothers out.

Also, Myrddin and Gwendydd have a bottle of apple schnapps between themselves. Do NOT mention Gwenddoleu at any point in Myrddin's earshot or he WILL cry.

Geraint's is a fireball but mixed with red hot chilli that Guinevere gave him as a prank. He goes so red that she thinks he's actually on fire. Enid is caught between 'holy ahit, my husband's dying!' And 'omg, I gotta kiss the Queen.' (She doesn't drink if ur wondering.)

Culhwch: really strong braggod (honey mead.) He too passes out only to be found on top of the ramparts the next day with a pig hat on his head. Do not ask.

Olwen has a v floral drink that other people are like, 'This is straight-up perfume.' She doesn't dispute it. Like would u? Her dad would kill up.

Edern has something v dark and bitter. He's the Knight of the Sparrowhawk like he has to. (When people aren't looking he swaps it for a cocktail and drinks it while furtively eyeing Geraint.)

Lionel and Bors have three whisky mac's each and then proceed to switch to water to ape Lance. He has to take them home.

[mordredpendragon]

Hands you an Agravaine (for the ask meme) :3

hi ram !!!! thank you for the ask! here's an agravaine for you <3

with a bonus laurel!

ask game under the cut

favorite thing about them

tbh i was pretty neutral on him until i started reading vulgate, he's so much more fleshed out and layered there (i started reading arthuriana with le morte d'arthur and he does fuck all there lol)

i think he's an incredibly compelling character, especially with his interpersonal relationships. there's just something about gawain having a younger brother named essentially not gawain and being a huge contrast to him, and i also really like his relationship with mordred in vulgate as an older brother who raised him. he's the kind of character who's wedged in between characters that are larger than him (i'm sorry agravaine but you're related to gawain, mordred, and arthur and being someone who's related to them is kinda your whole thing) and that in itself is interesting. especially considering that he dies during the fall of camelot, arthur mourns his death

vulgate, death of arthur

rereading this for this post put a tears in my eyes IT KILLS MEEEEEE. AGRAVAINE...... but yes tl;dr my favorite thing about him is being related to gawain/arthur/mordred and him dying. its sooo so so fun (not for them but its fun for ME)

least favorite thing about them

tbh, i find him to be severely underutilized (and if not, completely done dirty) i hate the characterization in which he's just mordred's lackey and there to pretty much die to lancelot and nothing else.

i think it would be way more impactful if he was fleshed out as a legit character. adds to the tragedy that he was somebody the audience actually cares for and not just some NPC lancelot murders lol.

also, really dislike how prose tristan stuff writes him (and the orkney brothers in general) where he's an irredeemable villain but i digress. it doesn't help that i don't care for the orkney/wales blood feud. it's never done in a way that resonates with me.

also the character assassination TH White has done to agravaine PISSES ME OFFFFFFFF ALL THE SHITTY AGRAVAINES IN MODERN ARTHURIANA IS HIS FAULT I SWEAR. aka making him morgause's killer throwing in some added incest in which he lusts for her. GROSS !!!! agravaine get behind me!!!!!

favorite line

tbh i could put anything that he says in mordred, a tragedy by henry newbolt but i really love this one in particular. talking about their brothers and that they're on mordred's side.... it brings a tear to my eye i love the orkneys so much. they're BROTHERS !!!!!!!!

brOTP

obviously him and his brothers! gawain and agravaine is great. so is mordred and agravaine. among his brothers those two i think he has the most interesting dynamic with. this post is already stupidly long and i could make an entire post in general about agravaine's relationship with his brothers, so i think i'll focus on agravaine and mordred.

for one, i love agravaine and mordred in BBC Legend of King Arthur 1979. the orkney brothers in general are great in it (minus gaheris bc he isn't there RIP) but i adore how it expounds on his dynamic with mordred AND his aunt morgan. mordred and morgan are both schemers with plots against arthur and guinevere, morgan wanting revenge on her father gorlois' death and mordred having (in later episodes) vying for the throne, agravaine on the other hand is a lot more sincere and earnest. he had no ulterior motives and his undoing was his honesty. he loved his uncle arthur, and he meant well when he wanted to report guinevere and lancelot's affair to him, because he saw it as a betrayal on arthur, not an opportunity (like morgan and mordred). those two had to "corrupt" him in some way, which what happens during the guinevere apple murder trial because mordred and morgan essentially make agravaine an unwilling accomplice. its soooo so fascinating i highly recommend that show.

second, i'd love to talk about agravaine and mordred in henry newbolt's play: mordred, a tragedy 1895. genuinely has got to be one of my if not THE favorite retelling i've ever read. if anyone reading this hasn't, i'd just urge you to read it bc it's just that good. mordred is the main character as the title says, and agravaine is one of the main secondary characters, he takes on an almost paternal/guiding figure to a young yet incredibly idealistic, passionate mordred and acts as his voice of reason.

JAW DROP..... LIKE THIS SCENE WAS CRAZY. the earlier conversation where it was just them is top notch, and this kind of dynamic between agravaine and mordred is something i'd love to see more often.

BIG fan of agravaine essentially being the logical/reasonable one between his brothers. i've compared him to dinadan because i think they're similar characters (except obviously agravaine isn't a jester/bard like he is) but they function similarly, in my opinion.

OTP

AGRAVAINE AND LAUREL 💖💖💖💖💖💖💖 i love them so so soso much it drives me insane. they're so perfect. i don't care that laurel is basically just a name in malory, i also love the HC that she's his lady love who (alongside a young mordred) takes care of him when he was suffering from a curse in vulgate.

admittedly i am biased to how i write them and how my peers write them (shoutout to @queer-ragnelle AGAIN lmao this is literally your fault)

nOTP

anything incestuous. looking at you TH White.

random headcanon

my favorite headcanon is that he's got some sort of facial scarring and he's blind in one eye. for me personally it's no reason just vibes, in my project he's got some kinda magic sigil under his eye (he can't see through it though obviously)

and like, obviously as a disability it affects how he fights. one of my favorite things about him in vulgate is comparing how he navigates battle and combat in comparison to his brother gawain, he's a lot more careful and discerning in his encounters rather than just going berserker mode. you can see this in agravaine vs druas the cruel, i think

vulgate lancelot part v

he knows his limits, lol

since i made him blind in one eye, he knows his blind spot and his weaknesses. (in my lore he's referred to as sir agravaine the one eyed swordsman for this reason) and he's a lot more calculating and cunning in his fighting style, more relying on wits + terrain (funny the guy with one eye is more observant than most people)

unpopular opinion

nothing i haven't said earlier. for whatever reason he has this reputation for being a crazy misogynist (likely thanks to Fate/grand order because of his infamous over meme'd to the oblivion line about hating women) and also again because of T.H White's depiction of him. and whatever the hell BBC Merlin did to him.

i just really hate that kind of depiction of him and honestly? there's worse characters. breuse sans pite's whole thing is being a rapist, and geraint/erec spends the entire time in his respective romances brutalizing his wife enid.

free my man agravaine he doesn't deserve this slander 😭or at the very least, i would like to have more nuanced portrayals of him for variety.

favorite picture of them

really love this image of him from the short story by P.G Wodehouse. really cute short story about agravaine!!

[queer-ragnelle]

Seeking a book to read this winter break?

Brand "New" List of Additions to the Arthurian Preservation Project Archive

In time, all books will be added to my Retellings List or Medieval Literature List respectively, and possibly a third page for handbooks/informational resources. Retellings may be under construction for a bit as I reformat to accommodate the influx in links. There are some duplicates—Alan Lupack's and Mike Ashley's anthologies occasionally contain a one-off story I've otherwise included in an individual volume of collected works by the author.

Links connect to corresponding PDFs on my Google drive where they can be read and downloaded for free. But if you like what I do, consider supporting me on Ko-Fi. I haven't yet read these listings in full; I cannot attest to their content or quality. A big thank you to @wandrenowle for the help collecting!

Modern Retellings

Merlin in Love by Aaron Hill (1790) — Opera about Merlin & his love interest Columbine.

The Fortunate Island by Max Adeler (1882) — A family shipwrecks on an island only to discover its populated with Arthurian knights, including Dinadan, Bleoberis, & Agravaine.

Sir Marrok by Allen French (1902) — Werewolf knight.

The Story of Sir Galahad by Mary Blackwell Stirling (1908) — Illustrated retelling of Malory's Grail Quest.

The Story of Parzival by Mary Blackwell Stirling (1911) — Illustrated retelling of Eschenbach's Parzival.

Stories From King Arthur and His Round Table by Beatrice Clay (1913) — Illustrated retelling of Malory.

Cloud Castle and Other Papers by Edward Thomas (1922) — Contains two Arthurian entries: the story Bronwen The Welsh Idyll about Agravaine & his lady Bronwen, & the essay Isoud about the Prose Tristan.

Collected Poems by Rolfe Humphries (1924-1966) — Contains Dream of Rhonabwy about Owain & Arthur's chess game, A Brecon Version about Essylt/Trystan, Under Craig y Ddynas about Arthur's "sleeping" warriors, & The Return of Peredwr about the Grail Hero's arrival to court.

Peronnik the Fool by George Moore (1926) — The quest for the Holy Grail based on Breton folklore.

The Merriest Knight by Theodore Goodridge Roberts (1946-2001) — Anthology of short stories all about Dinadan.

The Eagles Have Flown by Henry Treece (1954) — A third Arthurian novel from Treece detailing the rivalry between Artos & Medrawt, with illustrations this time.

Launcelot, my Brother by Dorothy James Roberts (1954) — The fall of Camelot from Bors perspective, as a brother of Launcelot.

To the Chapel Perilous by Naomi Mitchison (1955) — Two rival journalists report about the goings on in Camelot.

The Pagan King by Edison Marshall (1959) — Historical fiction from the perspective of Pagan King Arthur.

Kinsmen of the Grail by Dorothy James Roberts (1963) — The Grail Quest but Gawain is Perceval's step dad.

Stories of King Arthur by Blanche Winder (1968) — Illustrated retelling of Malory.

Drustan the Wanderer by Anna Taylor (1971) — Retelling of Essylt/Drustan.

Merlin's Ring by H. Warner Munn (1974) Gwalchmai is a godson of Merlin's that uses his ring to travel through the magical & real worlds.

Lionors, Arthur's Uncrowned Queen by Barbara Ferry Johnson (1975) — Story of Arthur's sweetheart & mother of his son, Loholt.

Gawain and The Green Knight by Y. R. Ponsor (1979) — Illustrated prose retelling of SGATGK poem.

Firelord (#1), Beloved Exile (#2), The Lovers: Trystan and Yseult (#3) by Parke Godwin (pseudonym Kate Hawks) (1980-1999) — Book 1 Arthur, book 2 Guinevere, book 3 Trystan/Yseult.

Bride of the Spear by Kathleen Herbert (1982) — "Historical" romance retelling of Teneu/Owain.

Invitation to Camelot edited by Parke Godwin (1988) — Anthology of assorted Arthurian stories from authors like Phyllis Ann Karr & Sharan Newman.

Arthur, The Greatest King - An Anthology of Modern Arthurian Poems by Alan Lupack (1988) — Anthology of modern Arthurian poetry by various authors including E. A. Robinson, William Morris, C. S. Lewis, & Ralph Waldo Emerson.

The White Raven by Diana L Paxson (1988) — "Historical" romance retelling of Drustan/Esseilte.

Merlin Dreams by Peter Dickinson (1988) — Illustrated by Alan Lee.

The Pendragon Chronicles edited by Mike Ashley (1990) — An anthology of Arthurian stories, including some translations such as the Lady of the Fountain, and retellings by John Steinbeck & Phyllis Ann Karr.

Grails: Quest of the Dawn edited by Richard Gilliam (1992-1994) — Anthology of Grail Quest stories.

The Merlin Chronicles edited by Mike Ashley (1995) — Anthology about Merlin from authors like Theodore Goodridge Roberts & Phyllis Ann Karr.

The Chronicles of the Holy Grail edited by Mike Ashley (1996) — Anthology about the Holy Grail from authors like Cherith Baldry & Phyllis Ann Karr.

The Chronicles of the Round Table edited by Mike Ashley (1997) — Anthology of assorted Arthurian stories from authors like Cherith Baldry & Phyllis Ann Karr.

Sleepless Knights by Mark H Williams (2013) — 1,500 years have passed but Lucan the Butler’s still on the clock.

Medieval Literature

Three Arthurian Romances (Caradoc, The Knight with The Sword, The Perilous Graveyard) [This is on the Internet Archive & cannot be downloaded. If someone could help with that, lmk!] translated by Ross G. Arthur

Le Bel Inconnu (The Fair Unknown) translated by Colleen P. Donagher

Segurant The Knight of the Dragon (Portuguese) edited by Emanuele Arioli

An Anglo-Norman Reader by Jane Bliss

Stanzaic Morte Arthur / Alliterative Morte Arthure edited by Larry D. Benson

Sir Perceval de Galles / Ywain and Gawain edited by Mary Flowers Braswell

Sir Gawain: Eleven Romances and Tales edited by Thomas Hahn

Prose Merlin edited by John Conlee

The Middle English Breton Lays edited by Eve Sailsbury & Anne Laskaya

Il Ciclo Di Guiron Le Courtois Volumes 1-7 (Italian)

Wace's Roman de Brut / Layamon's Brut by Robert Wace & Eugene Mason

Arthurian Literature by Women edited by Alan Lupack & Barbara Tepa Lupack

Handbooks

Studies in the Fairy Mythology of Arthurian Romance by Lucy Allen Paton (1960)

A Companion to the Gawain-Poet edited by Derek Brewer (1990)

The Mammoth Book of King Arthur edited by Mike Ashley (2005)

A Bibliography of Modern Arthuriana 1500-2000 by Ann F. Howey & Stephen R. Reimer (2006)

[kulttuurinkurittama]

The Orkney clan

Otherwise known as headache of all of Camelot. After drawing gawain and lady Bertilak I promised myself that I'll do more simple stuff but that lasted ONE day before I decided to draw 4 people. I would have drawn more too but I'm drawing on a5 paper size and I ain't gonna draw that small lol.