#agents-reassemble

[skzdarlings]

bodyguard: the first guard | part three | chan/reader

masterlist.

(part one of the previous story.)

part one | part two | part three | part four | part five | tba

( read on AO3 )

A sequel to the Bodyguard. Miroh’s daughter is assigned a bodyguard of her own. The past is confronted when old friendships and new enemies are pushed to the brink.

pairing: bang chan/reader content info: sequel to the bodyguard (felix/reader). this is a new reader perspective. the previously established story dyanmics: explicit violence, mentions of torture. mentions of past sexual abuse, detailed descriptions of needles. chapter word count: 12,525 words.

-

B E F O R E

“Happy fourteenth birthday.”

Felix looks up from his work.   He underperformed in training today and landed himself a punishment.  His good record spared him anything too painful, but he has been assigned cleaning duty.  Taking apart, cleaning, and reassembling weapons is not difficult work – he could do it in his sleep – but it is tedious.

Tedium is its own kind of torture, especially these days with his mind in a state of tumult.  He has grown closer to Chris with each passing day.  Felix knows they are not meant to think of each other as friends, just fellow soldiers, but that is the word Felix uses.

My friend.

That is who stands over Felix now.  Chris is smiling and holding something wrapped in what looks like a kitchen napkin.  Felix blinks at it, then furrows his brow.

“Huh?”  Felix says.  “It’s not my birthday.”

“Could be!” Chris says. 

Felix supposes Chris has a point.  Felix does not actually know his own birthday because he bounced around foster care before he found himself in Miroh’s program.  If his birthday was recorded anywhere, no one told him what it was.  So it could be his birthday.  The odds are not great but not impossible.

“Um,” Felix says, because no one has ever wished him a happy �� or happy possible – birthday.  He guesses the best reply is, “Thanks?”

“It’s not a trick, man,” Chris says, smiling.  He laughs at Felix, though it doesn’t feel cruel, and ruffles his hair before shoving the little wrapped item at him.  “Here,” Chris says.  “Got it especially for you.”

Felix unfolds the napkin and finds a cookie.  It’s not the kind of food that is served at the regiment because their diet is so strict.  Food is a sustenance and not a pleasure.

“Wow,” Felix says.  It is a genuine surprise.  Chris had to go out of his way to get this. 

Felix feels embarrassed.  He still struggles to cope with feeling in general.  He almost yearns for a simpler, more naïve time, when he didn’t have to think or feel, just trust and follow.  Now he is a flustered knot of embarrassment because Chris is giving him presents just because Felix mentioned he had never received one.  It was an off-handed remark a few days ago, that he didn’t know his birthday and had never received a present but that it didn’t matter because he didn’t deserve it.

And he didn’t, he doesn’t, deserve any of it.  Not a birthday wish or a thoughtful gift or Chris’s friendship.  Felix has so much blood on his hands and he doesn’t how much of it is innocent.  He never counted his kills like some other agents, stupid kids bragging to seem bigger and more powerful than their circumstances.   Felix never did it for glory.  He knew his place.  Now he doesn’t count them because it doesn’t matter.  It all comes back to him when he closes his eyes.  He remembers what they were wearing, what they said before they died, the things they begged to a naïve, indifferent child.

He doesn’t count them because he doesn’t need a number to know it’s too much and he will never be able to take it back.  He doesn’t deserve birthdays and friendships and Chris.  He never will.

He doesn’t say this out loud.  He knows Chris will argue with him, belligerent in his kindness and reassurance.  Felix won’t listen in turn.  The conversation would be useless.  Rather than bother, Felix asks, “Where did you get it?” 

“Hey, I know I’m trouble,” Chris says, still smiling, “but I got connections too, you know?” 

Felix guesses he means Miroh’s daughter as she is the only agent with outside connections.  They seem to have a tenuous understanding because she and Chris get in the most trouble.  Chris, because he still bristles at commands and steps out of line.  Her, because she’s Miroh’s daughter and held to a higher standard than the rest of them.

Chris can befriend almost anyone, garnering admiration in his peers if nothing else.  His rebellious streak means no one wants visible association with him, but in the quietest of corners there is a whispered respect for the First Guard.  He is as notorious as he is skilled and he has a natural leadership.

Felix supposes it is not outside the realm of possibility that even Miroh’s daughter would consider Chris a friend – but only somewhere even quieter than most.

Felix does not consider Miroh’s daughter a friend and he doubts he ever will.  Her proximity to Miroh makes her an even bigger liability than Chris.  Felix would never get close to someone like that, born into their position and too close to power for his liking.

“Miroh’s daughter, you mean,” Felix says.

Felix might keep his musings close to his heart, but that doesn’t mean Chris can’t read them anyway.  Chris is a soldier by instinct if not choice.  He is always one step ahead.  It’s like he is inside Felix’s head.  He seems to know what Felix will do before Felix does.

“Yeah,” Chris says.  He rubs the back of his neck, breathing deeply.  He looks almost sheepish, as if admitting he knows better.  “She’s not that bad when you get to know her.  Really.”

Felix is certain he looks unconvinced.  It makes Chris laugh.

“You look worried,” Chris says. 

“I do worry about you,” Felix says.  He looks down at the cookie in his hand.  It is hard to say out loud, but he manages a weak, “You’re my friend.”

Chris is suspiciously quiet.  When Felix looks up, Chris has a determination to his countenance. 

“Find me when you’re done here,” Chris says.  “I wanna show you something.”

Felix, as usual, does as he is told.  When his punishment ends, he tracks Chris to the barracks where the older boy is patiently waiting.  He claps Felix on the shoulder but otherwise doesn’t stop to greet him.  He is a little skittish as he leads Felix to their mysterious destination.

It is not so extraordinary in the end.  Nothing around here is.  Everything is cold chrome and sleek silver, one room much like the next, branded by Miroh as surely as its occupants.

Chris knocks out a ventilation panel then leads Felix to what looks like an unused crawl space, forgotten and collecting dust.

“Welcome to my office,” Chris jokes, still with that nervous laughter.  It is putting Felix on edge.

“Is everything all right?” Felix asks.

“Well, no, Felix,” Chris says.  “It isn’t.  You know that now, don’t you?”

A couple years of shared assignments between the best and second best, the rebellious and the reluctant.  A couple years of watching Miroh bludgeon his way through the world.  A couple years of regret.

A couple years of friendship to change everything.

“Yeah,” Felix says.  It is all he needs to say.

“Sit,” Chris says.  There is a corner of the room that has been cleared of dust, this part of the hideaway evidently well-used.  “Let’s talk.” 

Whatever conversation Felix expects to have, it is not the one he gets.  He sits and watches Chris, watches him breathe and measure his words.   Chris is usually confident in what he has to say, even when staring down a barrel of a gun.  This is more than disconcerting.

“I’ve been talking to some others in the program,” Chris says.  “We’re all growing up.  I’ll be eighteen soon.  If we’re already strong, we’re just gonna get stronger.  Miroh has complete control over us.  I’m scared that if we don’t do something about it soon, then everything is going to get worse.  A lot, lot worse.”

“Do something,” Felix says, his mind going a mile a minute.  “What do you mean?  Who else have you told about this?”

“People I consider friends,” Chris says.  He puts a hand on Felix’s shoulder.  “People like you, Felix.”

He thinks of the cookie in his pocket.  His heart punches up with alarm. 

“Miroh’s daughter?”  Felix asks and this time he knows for certain his thoughts are very clear.  He says her name – not even her name, her position, the daughter and heir of the very thing Chris wants to fight – and he says it with the obvious inflection of what-the-fuck-are-you-thinking? 

“She’s a friend,” Chris says in a voice he usually reserves for an enemy.  It startles Felix into silence.  Seeing that, Chris smiles, trying to lighten the mood.  “You don’t have to trust her,” Chris says.  “Just trust me.  Felix, I want to get us out, all of us.  I don’t want that man or any other man like him to hurt anyone else.  Not kids, not adults, not anyone.  I won’t put you in more danger, I swear.  That’s the opposite of what I want.  I’m gonna protect you, okay?  I’m gonna protect all of you.  When the time comes to take a stand, I just want you to be ready.  If something happens, if it all goes wrong…”

Felix looks at him, alarm and worry plain on his young face.  Chris squeezes his shoulder again.

“If…” Chris swallows then continues, “If it is all goes wrong, I’ll pay the price alone.  But I’d rather die trying to save all of you than live another day hurting innocent people for Miroh.”

“Chris—” Felix starts, an argument on his tongue.

“Don’t,” Chris says firmly.  “If there was anything worth dying for, Felix, then it’s this.  I’m gonna get you out.  I’m gonna get you all out.  I swear.  Just be ready for when I say.  Just trust me.  Just be my friend.”

Felix spends a week after that in a state of restless turmoil.  He sleeps poorly and fights worse and even spends a night in the Cell for his mistakes. 

He doesn’t know what to think about Chris and his intentions.  It sounds like a disaster waiting to happen.   But if it worked…

It wouldn’t take the blood off Felix’s hands, but it would be a start to something better.  Felix has little thought for his own fate, undeserving as he is, but he thinks about Chris.  Chris, the First Guard, who has been here the longest, who has watched the most people die, who has been punished the worst.

Chris deserves better.

Felix believes in Chris.  He believes if Chris made an effort, then he would have what it takes to make a difference.  Felix knows Chris is capable. He could do what he sets out to do.

It is not Chris that Felix worries about.

Felix observes Miroh’s daughter, studying her more closely than ever before.  Felix trusts Chris’s general discretion but he worries Chris has a blind spot concerning her.  They are the only two in their age category and they share a small barrack, the forced proximity undoubtedly creating a semblance of intimacy.  Chris might trust her but Felix is not so biased.  All he sees is Miroh. 

Felix watches her.  She doesn’t spend much time with Chris in public, her only close relationship with Seo Changbin.  They are a bit notorious together.  Felix would not call them the best fighters but they are tricky.  He is pretty sure they throw their fights with each other and embellish more than necessary.  Both like a good skull crash, more brutal than efficient.  The trickery and brutality makes Felix more wary of her.

At the same time, her obvious friendship with Changbin shows she can care about someone else.  The pair throw a mean punch but always patch each other up after.

Chris catches Felix watching them.  They are having a go in the ring, punching and flipping, grinning when they think no one is watching.  They have smiles just for each other.

“You look really deep in thought, mate,” Chris says, laughing.  He hands Felix a water bottle while toweling down his own sweaty neck.

“Huh?” Felix finally breaks his concentration.  He takes the water and smiles one of his instinctive but fake smiles – the kind he uses on a mission, when he is trying to convince an adversary that he is an innocent, unassuming kid.

Chris sees through it, of course.  He lifts an eyebrow at Felix then follows his line of sight to the ring.

“What?” Chris says, laughing again.  His own ears turn a little red as he teases, “You got a crush on her or something?”

“Ew, shut up,” Felix says, throwing his own towel at him.  He feels flushed despite the fact it is vehemently untrue.  He is not used to being provoked with that line of teasing.  “No,” he says certainly.  “I have no feelings for anyone.  But I think they might.”

“Huh?”  Chris looks between Felix and the ring.  “What do you mean?”

“I mean, look at them,” Felix says.  “They’re a little too close, don’t you think?” 

Presently, Miroh’s daughter has Changbin pinned to the mat.  She is on top of him and whispering something that makes them both snicker.

Chris stares at them.  After a beat of contemplative silence, he laughs.  Felix recognizes the fake sound, the same disarming humour Felix uses when conning someone.   

“Yeah,” Chris says.  “Hey, I’ll be right back, yeah?”  

Felix watches Chris amble over.  He says something to the duo and Changbin retaliates with some non-descript shouting and flailing.  Miroh’s daughter rolls her eyes.  She grabs Chris by the collar and yanks him into a fight. 

The rest of the day progresses without much fuss or bother.  Miroh has no jobs for them today so the schedule is just training and recuperation. 

Felix manages to avoid punishment today.  He tries expelling his anxiety in a fight but it does not fully work.  Felix has come to realize he is not very good at letting go.  Belief, emotion, the good, the bad: all of gets clutched in his fists and held to his heart.

Fighting tires him but it is not a satisfying tired, of exerted muscles and a pumping heart.  He feels weary and everything everywhere is so loud, the chrome and steel of the Miroh facilities like an echoing dome.  It cycles all that noise in an agonizing reverberation.  It feels inescapable.  He goes to the barracks which are smaller but it makes the claustrophobia worse.

Laying in his bunk, rubbing his temples, Felix dreams of a quiet room of his own.

It is then he remembers Chris’s hideaway.  Chris miraculously dodged punishment today so he retreated to the barracks a while ago.  Felix doesn’t want to disturb him but he figures Chris won’t mind him using the hideaway on his own if he’s careful.

They are permitted access to the training room for the few hours between work and mandatory repose.  The hideaway is en route so it is easy for Felix to stealthily retrace his steps without raising suspicion.  He disappears in the security blind spot the way Chris showed him.  

Felix is in the tunnel when he hears a noise.  He worries he was followed despite being so careful, but then he realizes the noise is ahead of him, not behind him. 

He freezes in the crawl tunnel, trying to discern the sound.  It doesn’t sound like talking, more like… breathing?  Heavy breathing. 

Then he hears a laugh that he recognizes as Chris.  And he is not alone.  The other noise is a sigh, a lighter, more feminine sound.

Oh.

Apparently, Chris’s hideaway is not just for talking to friends.  The sound of kissing and sighing is more friendly than his conversation with Felix, that’s for sure.

Felix is frozen for a minute, too stunned and embarrassed to think of moving.  He has to shuffle backwards to escape because he can’t turn in that part of the crawl space.  If this was a mission, he could do it, but this is personal.  He doesn’t want to get caught but it’s not because it will compromise any job; it’s because it will be awkward.

He scuffs his shoe in his backwards shuffle.  It clangs, a subtle sound, but one that makes him wince.

It goes quiet around the corner.  Felix knows he was heard and there is no time to escape.  Seconds later, a frantic looking Chris is in the tunnel, red-faced with a line of sweat on his brow.  His uniform is clearly dishevelled and Felix gets even more embarrassed.

Those feelings need somewhere to go.  It comes out of him in a burst of frustration.

“What are you doing?” Felix demands, his voice breaking. 

“Nothing!” Chris says, clearly a knee-jerk reaction.  Then he takes a breath and says, “Look, I can explain—”

“It’s not Miroh’s daughter,” Felix says.  He can’t even pose it as a question because he refuses to believe Chris could genuinely be that reckless and stupid.  Befriending her is one thing – a stupid thing – but fooling around with the daughter of the powerful man who owns them is begging for tragedy. 

“I’m not stupid,” Chris says. 

“It doesn’t matter,” Felix says.  “Whoever it is, you need to stop.” 

“Look—”

“Seriously, Chris!”

“Felix—”

“It’s not worth it!”

“That’s easy for you to say,” Chris snaps.  “You’re not normal and you don’t understand what it means to care about someone like that.”

It is obviously thoughtless, blurted in the head of the moment.  It hurts anyway. Felix wonders if Chris can see the pain on his face because Chris looks immediately remorseful. 

“Look, I didn’t mean it like that—” Chris starts.

“It’s fine,” Felix says.  “You’re right.”

“Felix—”

Felix pushes backwards and leaves without waiting for any protest.  He does not stop, marching all the way back to this bunk.  Anger and embarrassment have finally dissipated by the time he returns.  It has been replaced with determination.

Chris is the best, but he has been compromised whether he wants to acknowledge it or not. He feels too much, for everyone and everything, and it will get him in even more trouble than he is already in.  if he retaliates with thoughtless provocation when it’s just Felix confronting him, then what will he do when it’s Miroh and the stakes are even higher?

Chris said he would protect them all. He swore to succeed at any cost, including his own life.  There is no one swearing the same for him.  No one has ever protected him. 

Felix is the second best.  He has never left a job unfinished and for that he is not deserving of the protection Chris is offering.

It won’t clean the blood on his hands, but if Felix can save a life worth more than his own, then maybe it will start to justify all of this, all of him.

Chris was right.  Felix is not normal.  But he was wrong say that Felix doesn’t know what it means to care about someone.  Because of Chris, Felix knows how to care.  He knows what he has to do.

Chris can try and save them all.

Felix is going to save Chris. 

-

P R E S E N T   D A Y

Miroh’s main facility has fallen.

It sounds so dramatic for something so anticlimactic, like you are describing the collapse of a kingdom and not the shutdown of his main office operation. 

It feels like an apocalyptic demise. 

You and Chan fight your way out of the building, taking on the people who fight in your name.  Your father’s name.  Miroh.

Miroh is dead.  Irrefutably broken, little more than a heap of meat on the tarmac.  With him gone and the only named heir on the run – you – this facility will shut down to maintain security. 

Miroh ran a meticulously compartmentalized business. There is protocol for everything so even if one part of his operation fell, the rest could continue unimpeded.  Miroh tried to establish a legacy that could rival old money like his enemy, going so far as to predict his own demise.  Miroh has long braced for the eventuality of his end, so he made sure his business could fracture and run without him.

He did everything in his power to make you just like him, a little broken fracture of himself to ensure that legacy.  But then he could not actually face what he created.  He could not actually let go.  He was the only one with the perspective and power and he had to keep it that way. 

Miroh would not have accounted for your rebellion, not for the sake of someone else.  For a friend.

Flashes of the last twenty four hours play in your mind.  You can hardly pinpoint the change in yourself.  It feels like this was somehow inevitable, despite how much you would have balked at the idea before.  But now it is all that matters.  It’s all that makes sense in this chaos.

You have to find your friend.  This facility will be empty in a matter of hours, but there are others.   Changbin is in one of them.  You have no idea where to start.

One thing at a time, you tell yourself.  Before you can ruminate on anything behind or in front of you, you need to fight.  You do not have time for introspection or planning.  You need to get away.  Away from this place, away from your dead father.

Away from his soldier, the First Guard, Bang Chan, who for some reason is helping you escape.

You don’t know why.  You seriously doubt your barely coherent pleading broke the conditioning and literal torture that made him into this thing. 

You don’t have time to find out.  At the first opportunity, you break away, leaving him with a handful of operatives to fight.  It should keep them all occupied while you escape. 

You do not want to risk trapping yourself in an enclosed space, so you do not venture to the parking garage where the company vehicles are stored.  Some of them will be programmed and bugged.  You feel bad targeting a civilian, but stealing one of their cars is the safest bet.   There are some administrative employees who complete menial tasks for the company, those with next to no clearance level.  They park their personal cars around the facility.  You pick one that is easy to reconfigure without a key to boot. 

Minutes later, you are driving for an exit.  Your whole body is aching but you push through it.  There will be time to recuperate when you are in the clear. 

Sirens wail and alarms blare, every security measure in action.  Your escape is certainly not a clean one but it doesn’t matter.  You just need to get away.

If you can get off the facility grounds, you can lose any adversaries in the back country roads.  The route to the facility was intentionally designed to be a convoluted labyrinth, making it difficult for enemies to approach without giving the facility ample preparation time.  You know the paths better than anyone.  You can get away.

A soldier marches right into the middle of your escape path. 

It is too brazen for a regular agent.  They would not be so stupid to try that, knowing you would just barrel into them. 

You speed closer and recognize the First Guard.  Chan is unflinching as ever, standing in the middle of the road as if he intends to stop your car with his body.   He is strong but not that strong.  You know that.  But he looks like an inhuman phantom, looming there in his combat gear and mask, unphased and unharmed despite the hour of nonstop violence.   

But that’s not the reason you stop.  You think about him in that van.  You could only see his eyes but they were expressive, the tilt of his head inquisitive. 

You slam on the brakes.  The car stops inches from his body but he doesn’t even blink.  

Your heart is racing, breath bursting in gasps.  He strolls around the car as if he was just waiting for his ride. 

Soldiering instinct propels your hands.  You draw a gun as he opens the passenger-side door.  He bends down and looks at you, his brow quirked with a silent question.  Your hand shakes and he is too good not to notice.  You know that, but a regular person would never guess because he does not take his eyes off yours. 

He disarms you, faster than a blink.   He drops into the passenger seat, then slams the door and shoves the gun in its storage compartment.

You stare at him.  Your gaze follows the line of his stark profile.  His hairline is a little sweaty but he doesn’t look out of breath.   

You don’t know what to think. 

This is the longest you have been in his company since you were kids in training.  Your memory of him is insubstantial, having spent little to no time with him personally.   But it hardly matters what he was.   Now he’s a soldier above all soldiers, a shadow filling this small civilian car.  He’s not the biggest man in the world but he’s overwhelming all the same, partially because of his uniform and partially because of his posture.  He feels too big for this little human space.  His knee hits the gear shift, his thighs bulky in the small seat, his shoulders broad where he leans back. 

He looks across the car and meets your eyes.  You think about how many people have met this gaze, maybe in a moment just like this, sitting across from Miroh’s asset in a little civilian vehicle before he put a bullet between their eyes or snapped their neck.  You have seen the results of his missions even if you were not involved in them.  The statistics and numbers speak for themselves.  Those eyes have seen more death than life and right now they are resolutely focussed on you. 

You jump when he lifts his hand.  He says nothing but turns the rearview mirror in your direction.  You reluctantly peel your gaze away from him.  You see what he sees: a vehicle in rapid pursuit of your own.

“Shit,” you say.  You shove the mirror back into place.  Your hands collide for a split second. 

You can’t linger on the weirdness of this moment, that the First Guard is your ally, sitting in the passenger seat and helping you escape.

You drive.  The other vehicle chases you down.  You get past the easy security measures, blowing past gates and guards.  When you approach the last gate, Chan rolls down the window and twists his body.  He pulls the stashed gun and aims somewhere.  Your eyes are on the road so you don’t see exactly what he does, but the gate slams shut between you and the pursuing vehicle, trapping them on the other side.    

Then it is just you, him, and the road. 

He puts the gun away.  He sits back.  He rolls up the window.  He makes it seem like a routine, still unphased while your heart pounds with adrenaline. 

You do not look at him.  You do not speak.  You focus on escape, taking a convoluted path through the countryside just in case.  When the facility is far, far behind you, you take a back road and pull into a shadowed space between some trees. 

You slam to a stop, shift the gear to park, but keep the engine running.  You clutch the steering so hard, you imagine it cracking beneath the force of your grip. 

Chan still does not speak.  The last time he spoke was on that rooftop.  What now? 

A damn good question. 

You look at him.  He is not sitting the way you would expect a machine of a man to be sitting.  You would have thought the First Guard would sit straight-backed and braced for confrontation, but his slouch is almost insouciant. He sits with his knees apart, his body slanted where his elbow rests on the door.   One gloved hand strums the door and the other is draped over his thigh.  He looks at you without any expression you can interpret. 

You are tired.  Your body hurts.  Your father is dead and the operation is changing and your only friend is suffering and you can’t do anything about any of it.  This morning you held a modicum of control over your life – or you thought you did – and now everything has spiralled. 

You know logically that Chan is a victim of Miroh, but right now it does not matter.  He is an infuriating figure of composure, not to mention your father’s greatest weapon, and that combination snaps the elastic thread of your patience, already stretched to its limits.

“Take off the fucking mask,” you say. 

He stares at you, his expression still unreadable.  You are tempted to reach across and rip the mask off his face.  You would definitely not succeed, no match for his reflexes on a good day, but logic is inconsequential in the face of your emotions. 

He doesn’t test you.  He stares for another moment then raises one gloved hand.  He unhooks the mask and peels it off.  He runs the other hand over his face and through his hair.   

You are not sure what you were expecting.  The same brown eyes stare back at you, lined with a smudged shadow to look as dark and intimidating as possible.  His brows are thick and dark, his hair as black, sweat loosening the slick style so a single curly tuft falls over his forehead. 

You follow the slope of his nose down to his mouth.  His mouth is closed and he is not smiling.  He has full lips, almost too pretty for what he is.  Glancing at that mouth on that too-pretty face, you picture a dimple smiled.  The memory is almost a blur, a smear of an image over his face.  You blink and it’s gone, his stoic face staring back at you. 

“What is it?” he says.  His voice is like the rest of him, too big in this small space.   You swear it shakes the car and the earth under it, though that is ridiculous.  It’s just a voice.  He’s just a man. 

Except he’s not.  He’s something else, something that should not have done what he did.  You have a million questions.  You need those answers before you can continue but it all jumbles together in your head.  It’s all too much, the flashes of today, of the past, of an uncertain future full of even more violence.

You finally turn off the engine and get out of the car.  You have no intention of going anywhere, but you need space. 

You pace in a long line, breathing in and out, using every trick in the book to ease your racing heart.  After a minute, you hear the passenger door open.  You look over your shoulder at Chan.

You can’t help the instinctive reaction to measure him like an adversary.  It doesn’t help he has pummelled you twice in the last few months, not to mention his horrid reputation in an already horrid place.  It would be stupid not to brace yourself. 

He approaches you cautiously.  He has the gall to raise a hand like you are the wild thing and he is the tamer. 

“Easy,” he says.  His voice is not so booming out here.  Other than the dark combat uniform, he almost looks normal, his whole face open to you, eyes narrowed with intense focus. 

It makes you breathe harder, the exhale shaky.  He notices because he tries to placate you. 

He smiles. 

It is forced and unpracticed, but there are those dimples, just like you thought.  You would have been less startled if he bared his teeth like an animal.  The smile unnerves you, undoing all the calming work of your exercises. 

“It’s all right,” he says in a frighteningly gentle voice.  He tilts his head as he looks at you.  “It’s just me, yeah?”

Just him.  Like that should comfort you.  You suppose you can marginally see things from his perspective, that maybe he has proved himself.  After all, he helped you escape.  It is obvious he is not doing this for your father or he would not have let you kill him.  This is not part of a grand plan.  There is no strategy.  It’s all over. 

It’s just you and him.

It does not comfort you the way he evidently thinks it should.  Now is the time to ask those million questions, but you are beyond words.  You are a live wire and that pitiful attempt at a truce ignites a flare of angry sparks. 

You were built to fight.  It punches out of you.  Literally.

Chan is faster than you.  He dodges your swing with ease, fast as an electric current himself. 

“Hey now,” he says, holding out both hands.  “Don’t—”

You know you can’t win this fight.  You know it’s stupid to try.  But each swing flies out of you, instinctive as breathing.  He catches every blow, bats your hands out of the way, but he doesn’t swing back.  His refusal to fight infuriates you.  It makes you feel as helpless as you are. 

An aggravated cry spills out of you, a strain behind your eyes as you take another swing. 

“Stop it,” he snaps, his smile gone. 

He finally goes on the offense, catching your hands and pinning them down.  There is a moment of struggle before you feel the driver door at your backside, his body caging you in.   You rear up against him but he holds you down, hip to hip, hand to hand. 

“I said stop it,” he says.  “What are you doing?”

“What am I doing?” you ask, voice breaking.  “What the fuck are you doing?” 

Your chest is pressed against his, moving with your breath while he stands like an ungiving wall.  You glare at him and he stares back.  His brow furrows in seeming confusion.  He closes both eyes and breathes out, a steadying breath. 

You thought seeing him lose composure would make you feel better, but you feel worse, more unnerved than before. 

He looks at you, a muscle in his jaw feathering when he clenches it.  You stare at it as he releases you.

“You must know I can’t trust you,” you say. 

You make the mistake of lifting your hands to shove him away.  You do not intend to punch him again, the worst of that aggression gone, but he doesn’t know that.  You suppose you can’t blame him for his instincts after your demonstration. 

When you lift your hands, he grabs your wrists.  Swiftly and effortlessly, he pins your hands by your head.

“Oh,” he says.  His eyebrows lift and his face is far more expressive than you expected.  “I’m the one who can’t be trusted, right?” 

“Excuse me?” you snap. 

“I’m doing my job, yeah,” he says.  “Yesterday you were running jobs for Daddy and today you shot him dead.  Wanna talk about erratic behaviour?  Wanna talk about who’s unpredictable?  About who can trust who here?” 

Your mouth parts with a useless, breathless rebuttal, stammering and empty.  You didn’t expect that many words from him, not when he has been a silent shadow for so long.  Never mind the easy, casual speech, every colloquialism and the taunting hurl of daddy.  It makes you think of that scathing, troublesome boy he once was, as sharp with his tongue as everything else.  But he is not that boy.  You know for a fact he was broken.  He has done all those jobs for Miroh without causing any strife in the operation.  He is a weapon and nothing more.  He exists to follow orders. 

Until today.  Until you. 

“So?” you finally say, because what else can you say? 

“So?” he repeats. 

“So.”  You have those million questions, but there is only one that really matters.  “What are we?  Soldiers without a general? Because right now it seems like we’re two people who have no reason to trust each other and no reason to work together.” 

Your gazes are locked and you measure each other.  Not that you are much of a threat to him.  He has you pinned with very little effort.  If you were at your fighting best, you like to think it would be a little challenge, but right now you stand no chance against him.  

But he doesn’t want to hurt you or he would have done it already. 

He drops your hands.  He doesn’t step away, still regarding you with that scrutinous eye, but it is a menial demonstration of trust. 

You drop your arms.  You stare back at him, refusing to show the depth of your weakness.  You think his body might be keeping yours upright, your legs so weak.  You do everything in your power to keep your wild emotions in check, to keep the tears in the back of your eyes.  You breathe deeply. 

“I’ll help you find your friend,” Chan says, the last thing you expect him to say.  You can only watch as he sighs and speaks.  “You were my last mission,” he says. ���Miroh told me to bring you in.  I did.  He wanted me to watch you.  I am.  He wanted me to be your—”  He laughs but it is not a happy sound, dry and devoid of pleasure.  “Your bodyguard, I guess.”  He shakes his head.  “Consider this me following orders,” he says.  “That’s what I do, yeah?  I follow orders.  And I don’t leave a job unfinished.  Ever.” 

“And Miroh?” you say tentatively.  “The fact I killed him?”

He shrugs dramatically, hands open in surrender. 

“Miroh didn’t make me his bodyguard,” Chan says.  “He made me yours.” 

It is such preposterously simple logic that you laugh, a disbelieving bark of a sound.  You look around at nothing, like the answer to your ridiculous circumstance is in the trees or the road.  

When you look at Chan, he is still looking at you, his brow quirked inquisitively. 

“Well?” he says.  “Is that enough?  Can we work together to finish this last job?” 

“Your job,” you say slowly.  You meet his eyes.  “So that’s what I am to you?”

It’s meant to be an easy question with a reassuring answer.  He is a soldier.  You are his job.  He will do what you ask.  It’s as simple as that. 

He tilts his head as he looks at you.  His contemplation is too heavy.  It was a simple question for a simple soldier who should speak no language outside of missions and reports. 

His gaze is searing and it makes your heart skip a startled beat. 

“Yes,” he says.  He speaks the word like it’s exhausting to say out loud.  It lands with a thud on an exhale.  “My job.”

His forearm is planted by your head.  His other hand grips your bicep.  He is keeping you in place with his hips and thighs.  You can feel the tension in his body. 

You have no idea why you do what you do.  It comes from the same place as those desperate punches.  You know it’s useless, you know nothing will come of it, but you ride the propulsion of adrenaline.  Your body, on the brink of desperation, has been pushed to its utmost capabilities in the last couple hours.  What does it want?  What do you want?

What did you ever really want?

You kiss him. 

It shocks you both.  Unlike the punch, he does not know how to retaliate.  He stands there, breathing into your mouth.  He is neither encouraging nor withdrawing. 

You stop quickly and wipe your mouth.  Mortification sets in. 

None of this is like you.  You blame stress.  Your body is confused and hurt.  You need recuperation.  Whether you like it or not, you need comfort too.  It is a deep internal call, only human.  But you won’t be getting that from the solid, inhuman wall around you. 

You push at that wall and it finally gives.  Chan steps back.  You doubt a punch would have moved him so easily as that kiss. 

“Ignore that,” you say.  “Adrenaline.  I’m still – not right.”

He just stares, once more a silent shadow.  You breathe out in a huff. 

“Okay,” you say.  “And we’re back to the staring.  At least I know you’re still working.”

You turn to open the car door, effectively ending the tense exchange.  Chan walks away.  He silently circles the car to reach the passenger door.  You look at his face, once more stoic and expressionless.  He doesn’t look at you, dropping into the vehicle without another glance or sound. 

You close your eyes.  You take another deep breath of fresh air.

Maybe this is good.  Maybe Chan is the ally you need right now.  Someone level, someone only concerned with mission parameters.  Someone who will not become compromised because of emotion. 

Because you are very compromised. 

You are not thinking clearly.  You need a plan and some water and rest. 

You get in the car.  You start the engine.  You don’t speak another word.

-

You drive for hours, wanting distance between you and the destruction.

The silence in the car is piercing, your head aching after the first hour.  The little space acts like an echo chamber for your tumultuous thoughts.  You keep replaying the day, every death and cry.  You think about your security team strewn across those stairs, just another casualty in Miroh’s game.  You think about your father, the unplanned murder but the utter lack of regret in your heart.

You think about Changbin.  Your reckless side wants to look for him right now.  You cannot stand to waste another second.  Based on your father’s words, he could be anywhere, subject to any number of horrors.  But despite the whirlwind tempest of your mind, there is a soldier inside you and she is more pragmatic.  You are in no condition to fight.  Even if you knew Changbin’s exact location, you would be no use to him.  You need to rest, formulate a legitimate plan, then attack. 

You can’t afford to make any mistakes.  Better than anyone, you know the forces you are up against. 

You pull into a highway fill-up station at dusk.  The car needs fuel and so do you.  There is a little shop near the fuel pumps, the place deserted other than the bored cashier behind the counter. 

There was some cash in the glove box, enough for necessities.  You will inevitably need to steal or manipulate, but you prefer to lay low tonight.  You were careful to avoid traffic cameras and security tv as you exited the previous city.   By the time the car is reported and Miroh’s operation works out your connection, you will be off the grid. 

You turn off the engine and reach for the wallet.  Chan snatches it first. 

“What are you doing?” is spoken in unison. 

“I’m going to buy us some fucking water and food,” you say. 

“Are you?  Really?”  He gives you a pointed up-and-down look.  “You gonna do that looking like you just played cannonball with a cement wall?” 

You have not gotten a good look at yourself, just a flash in the rearview mirror, but he is probably right.  You feel like utter shit so you must look it too. 

“Well, you can’t go in there either,” you say.  Even without the mask, he is clearly in an unusual uniform.  A bored clerk will remember a terrifying soldier in combat clothes marching through his shop. 

Chan flashes you a dimpled smile, frighteningly charming.   

“Sure I can,” he says.  “Just have to blend in.” 

Your eyes widen as he discards both gloves then opens the neck of his shirt.  You stare as he efficiently strips off his top layers. 

If he looked powerful in the uniform, he looks as just as intimidating without it.  He doesn’t boast gargantuan proportions but he doesn’t need it.  There is lethal strength to the rolling musculature of his sturdy body. 

You shouldn’t care.  Soldiers strip all the time, long assignments and shared compartments making it an inevitability.   But Chan is not just another soldier.  In your head, he is that living shadow, covered all the way up to his eyes in the Miroh black and blue.  Seeing all that skin is a startling reminder of the man under the mask. 

You find Chan watching you, amused.  That stupid eyebrow is quirked again. 

“What?” you snap. 

“Nothing,” he replies.  “Be right back.  Don’t miss me too bad.”

You roll your eyes, slumping in your seat as he gets out of the car.  You have half a mind to drive away but you are pretty sure he would find a way to manifest at your destination anyway. 

You watch as he enters the shop in a nonchalant stroll, wearing just his pants and boots.  He waves at the cashier and says something that makes him laugh. 

To his credit, Chan looks like a regular guy on a hot day, casually perusing a gas station shop.  He makes small talk with the cashier and they laugh some more. 

You knew Chan was a good soldier but you didn’t expect him to be such a good agent too.  He is probably better at the civilian act than you.  You are standoffish and opt for a quiet demeanour, blending in through invisibility rather than a persona. 

Chan walks in and out, the cashier unaware of the nature of his customer.  You return to the road with a full of tank of gas and some sustenance. 

“Are you going to put your shirt back on?” you ask. 

He gives you a side-eye as he shrugs the outermost layer back on.  He doesn’t do it up.  You refuse to act like a glimpse of his bare chest means anything to you. 

Except it does.  When he sits there with his knee against the console and his skin showing and a tuft of hair over his forehead, he looks like a person.  He is a person, one who has been subject to some of the worst horrors of Miroh’s operation. 

There is no denying Chan is a complicated figure, unwillingly complicit in atrocities.  He acts like a normal person with a fully cognizant mind, but you just witnessed for yourself how easily he can fake that.  You do not know how much of the real Bang Chan is actually inside him. 

“Chan,” you say after a long time.  The sun has almost fully set, the sky in its navy gloaming. 

“Yeah?” he says. 

There are no words that suffice.  You could give an entire speech and it would be virtually meaningless.

“I’m sorry,” you say, leaving the breadth of the apology up to his interpretation.  You keep your eyes on the endless miles of highway that stretch ahead.  There is a long journey in front of you.  There is a longer road behind you. 

The car is illuminated with golden light from passing cars and overhead lamps.  It flashes over his face in the deepening darkness. 

“Don’t be,” Chan says.  He crosses his arms in a protective position, looking out his window though there is nothing to see but the highway and passing cars.  “None of this was your fault,” he says.  

You laugh, a similar humourless sound to his earlier laughter. 

“That’s not entirely true,” you say, thinking of all the missions you deliberately ran for Miroh.  You thought you could make it mean something.  You were just like your father, believing the ends would justify the means.   You never tortured Chan yourself, but you were part of the operation that kept him in chains.  There was nothing you could do to save him, but you certainly never tried. 

He looks at you.  You hear him move, the crinkle of his clothes, the water bottle he twists in his grip. 

“I don’t blame you, you know,” he says.  “Seriously.  Today was crazy.  Everything’s crazy.  You’re not responsible for it.” 

“I’m not not responsible,” you say.  “My team is dead.  My friend is gone.  My dad – well, you can’t say I didn’t do that.”

“He had that one coming,” Chan says, his laugh a little more real.  “No offense, but your dad kinda sucked.”

You find yourself laughing more genuinely too. 

“Yeah,” you say.  “I think we can agree on that.” 

You fall into silence but it is more comfortable than before.  There has been an undeniable tension since the moment he climbed in this car, looking at you with questioning confusion as you pointed a gun at him.  You were panicking but he must have been equally bewildered.  To him, you were a mission.  He lives by his orders. 

“I should apologize to you,” he says.

You look at him with obvious surprise.  He meets your gaze, his expression sincere if not a little chagrined.  His dimples show with a faint smile but it is not very happy. 

“I’ve been an ass,” he says.  “Today was – well.”  He runs a hand through his hair. 

“Trust me,” you say.  You try to lighten the mood with your tone.  “I’m a Miroh.  You will never have to apologize to me for as long as you live.”

He doesn’t laugh or even force that pretend sound.  He stares ahead, his gaze sorrowful and faraway. 

“Sorry, that was—” you begin. 

He forces a smile and shakes his head.

“Nah,” he says.  “Truce?”

Smiling feels awkward and your injuries probably make you a terrifying sight.  But he accepts it, nodding at you.  The car does not feel like such a claustrophobic space after that.  The air is clear as it can be, considering who you are.

Neither of you has an identity right now.  You were tethered to the same monstrosity and now it is gone.  Everything is different.

You are too tired for another late-night heart-to-heart.  It is time for rest. 

-

There is enough cash for a cheap motel room.  You find a quiet inn off the highway, sequestered beyond trees and countryside fields.  You finally look at yourself properly in the bathroom mirror.  You decide Chan’s earlier remarks were a severe understatement.  You look like a battleground more than a soldier. 

You injures will repair themselves with time, but it is a grisly sight.  You shower for now.  The soap and water helps. 

You don the same shirt and underwear.  New clothes will be a necessity.  You mentally plan tomorrow, everything you will need to accrue before you formulate an attack.  You have already mentally plotted the closest facilities, but you will need to verify their function and security protocol before striking. 

You are mentally strategize as you exit the bathroom.  You are distracted, thinking nothing of the fact you are wearing underwear and a shirt. 

Chan already showered because you insisted, knowing you would take longer with your injuries.  He is sitting on one of the single beds, sorting through his weapons. There is the gun you stole from Miroh plus his own array of armaments, things so well hidden you did not realize he even had them.  They are laid out on the bed.  He sits at the foot in his combat pants and nothing else, his dark hair damp and face bare. 

You stroll past him, feeling his eyes as they lift from a gun to your bare legs.  Now that you have scrubbed the worst of the brutality from your body, you feel like something of a person again.  His flicker of attention ignites an undeniable spark in your belly.  At first, it startles you, because the First Guard is the absolute last person you should ever think of like that.

But then you look at him.  He has turned his eyes back to his work, saying nothing as he reloads the gun with second-nature efficiency.  He is holding a weapon but, despite his conditioning, he is just a man. 

You are a grounded person.  You keep your head down and go about your tasks with confident certainty.  He is here, you are here, it has been a long day, and it is not unusual for soldiers to seek comfort before the dawn of a new fight.  Comfort is as important in healing and recuperation as anything else. 

You sit on your own bed and look at him. He is effortlessly attractive with his dark hair and dark eyes, the sloping muscle of his firm body.  You trace his chest and abdomen with your eyes.  He does not lift his gaze, his attention on the gun.

“Do you want to fuck?” you ask.

Bang Chan is the best soldier in the force.  You are pretty sure he has never fumbled a weapon quite so spectacularly.  It clatters to the floor and he kicks it under your bed.

“What!” he says.  He doesn’t look at you as he retrieves the gun, laughing a comically nervous giggle.  “Um… what?” he asks again.  Before you can answer, he shakes his head. “That’s uh, wait.  Um.  No.  Bad idea, right?  I mean—”

“It’s just a suggestion,” you say, not really offended. “It’s been a long day.  It doesn’t mean anything.  We’re both adults here.”

As you say it, you consider his circumstances.  Chan has spent his entire life in the house of Miroh.  He is not innocent but he might be inexperienced.  This man has killed dozens of people and worked dozens of dangerous operations.  His body is built for violence, not pleasure, and certainly not his own. 

You find yourself blurting, “Have you ever…?”

“Yes,” he says firmly, brow furrowing with annoyance. 

“All right, all right, just asking,” you say.  You decide not to push the topic because it clearly makes him uncomfortable.  You just cleared the air and you don’t want to muddy it again. 

You change the topic swiftly.  You make some empty remark about the weather as you turn on the small television.  It’s an old contraption, buzzing with static as it flickers to life.    

Chan resumes his work.  He puts his head down to concentrate. 

Your gaze inevitably strays to him. 

His hair dries curly.  It feels like an unusual thing to know about the First Guard.  He looks so much younger with a clean face. 

You jump when that face lifts.  He looks at you. 

“It wasn’t… you know…” There is a hunch to his shoulders, his eyes dropping to his work.  “I just did it on missions, ya know?” 

“Did it,” you say.  “On missions.”  It doesn’t register right away, partly because you are tired and partly because you did not expect him to continue this conversation.  “You mean sex?” you ask.  “You had sex on missions?” 

“I had sex for missions,” he corrects, eyes on the weapon he is disassembling.  He is acting like the conversation is meaningless, his attention divided, but you know his task does not require that degree of concentration.  He could take that thing apart in perfect darkness. 

“For missions,” you repeat.  “What, like a honeypot type scheme?  You?” 

It seems ridiculous at first.  You picture the First Guard smashing through windows and tackling you in stairwells.  There is nothing seductive about that raw violence.   But then you look at the man in front of you, young and handsome, the one who so easily charmed that cashier while pretending he was someone else.  You picture him in a suit and tie, maybe a t-shirt and jeans.  He would be devastating with the right preparation. 

Chan is the best.  Maybe it shouldn’t surprise you he would excel regardless of the scheme. 

“Something like that,” he says.  He finally loads the magazine.  “It wasn’t so bad, though.  Seriously.”  He twirls the gun with an effortless flourish.  The grip finds his palm like the pistol is a part of him.  “Trust me.  My body was used for worse things.  You get that too, yeah?” 

You suppose you relate well enough.  You were raised in the same program, put through the same grueling regimen.  You have done things and you are not proud of them all.   Your circumstances are not the same, though.   You are each uniquely situated in your positions, even if you started in the same place. 

We’re all that’s left.

Changbin’s voice in your head causes your mind to drift. 

“What about you?” Chan asks, drawing you back to the conversation. 

“Me?” you ask. 

“Yeah,” he says.  “You.”   

The First Guard is asking you about your sex life.  You woke this morning in a safe house and put on combat gear, ready for another mundane day of field work.  Somewhere in the middle of that was a cascade of violence.  Now Bang Chan is asking about your sexual proclivities.  If you weren’t so exhausted, you would laugh. 

“I mean, nothing special,” you say, sufficing for the boring truth.  “Mostly just this.  Sex doesn’t really mean anything to me.  It’s like exercise.  Long nights on a job.  You know.  Fellow soldiers on a mission.  Sometimes a civilian hook-up.” 

You can’t parse the expression on his face.  His gaze is somewhat judgemental, or maybe it is just scrutinizing, intensely focussed.  It bristles your nerves.  Your tone is more derisive when you say, “I’m not a romantic.”  You hold his intense stare in your own.  “Sex is just a bodily function to me.  Sometimes the body needs the release or the pleasure or whatever, so I satisfy it and move on.  That’s who I am.  I work.  I get the job done.  That’s what I have always done.”

What you always did.  You are not sure how to describe yourself anymore.  You nonetheless punctuate that definitive statement.  You assume that is the end of the conversation. 

Then Chan asks, “So there’s… no one… for you?” 

If he was any other soldier, you would think he was angling for flirtation, but he just turned down your very blatant offer. You do not know why he has any motivation to ask such personal and irrelevant questions. 

It is not worth the argument.  You conclude with a simple, “No.” 

He nods, rocking his whole body with the force of his too-casual gesture.  The tips of his ears are red, though your gaze does not stay there.  You are quickly distracted by his bicep.  He lifts an arm to rub the back of his neck, muscles softly rippling.  His brazen questioning coupled with his awkward shyness is incongruous. 

You think it is unlikely you will ever understand this man.  He has been taken apart and put back together too many times.  Fragments of him seem to fire all at once and in great contradiction. 

“What about Changbin?” he asks.  “He must be pretty special to you.  Ya know, for you to have done all this for him.” 

You are simultaneously struck by repulsion and sentiment.   Changbin is very special and you regret not realizing it sooner.  He has always been at your side, taking hits to protect you well before he became your bodyguard.  He is the person who kept you smiling.  You understood each other on a different level.  His friendship was a rare gift and you took it for granted.  Now you would do anything to have it back. 

But also…

It’s Changbin.  Ew.  You are an only child but you feel a brotherly affection for him.  Picturing him in any other context is nauseating.  It just feels wrong. 

You have such a visceral reaction of disgust that Chan laughs.  He puts up his hands as if in surrender. 

“Sorry, sorry, my bad,” he says.  “Just friends, then?” 

“Yes,” you say.  “Though there’s nothing just about it.” 

You have replayed that rooftop exchange a hundred times, torturing yourself with every possible outcome.   If only you did this, if only he did that.  You rearrange every second, trying to find a version with a different ending.    

You wonder how he will react when he finds out what you did.  Aha, murder princess living up to her name! he might say.  The old man should have seen it coming.  I knew you could it, but of course I did. I’m so much smarter and better looking than everyone else here. 

You smile at the idea but it fades quickly. 

Changbin was with you last night.  He was sitting within arm’s reach, his scar under your fingertips.  Now he could be anywhere and it’s all your fault.  Not just because of the rooftop mistakes, but because of every mistake you made before that.

You exhale.  Your shoulders shake.  Chan watches you close a fist around a pillow.   

“You all right?” he asks. 

“I’m ending it,” you say. 

“Sorry, what?”

“I always thought Miroh was an inevitability.”  You are speaking out loud but mostly to yourself.  Your gaze is fixed on some distant point, your mind and heart miles away.  “But he wasn’t,” you say.  “No more soldiers.  No more experiments.  No more bribes and theft and terror.  My father is dead and I am going to do what I should have done a long time ago.  I am going to make sure his work dies with him.”

You look at Chan.  A day ago, you both existed for Miroh.  Now you are two people planning to dismantle an empire from a motel room and a stolen car.     

“Do you have a problem with that?” you ask. 

A part of you is braced for the worst, that he will reject it, that he will revert to some kind of conditioned programming and drag you back to a facility for condemnation. 

Even while you think it, you know it won’t happen.  The eyes staring back at you are as clear as your own. 

“I’m just the bodyguard,” Chan says.  “I go wherever you go.  Always.”

You feel invigorated to start now, but you are tired beneath the burst of adrenaline.   You need to let your body heal.   

The room is dark and you doze in the light of the television. After a couple hours, you roll over and find Chan is still awake.  He is laying on his bed, arms crossed and eyes open.  He is watching the shopping channel, ad after ad after ad, with far more intensity than it merits.   His mind must be somewhere else.  You can only imagine what he is thinking about. 

You wonder how much he knows about himself.  He responded to your half-coherent treasonous pleading.  Does he remember hating Miroh?  Or is he truly only helping you because of mission parameters? 

It is easy to forget when he is a bare-faced, curly-haired young man slouching in a motel bed, but Bang Chan is lethally competent.  He knew all of Miroh’s innermost schemes.  It will come in handy now, but it makes him an irrevocably dark character, whether it was willing or not. 

You wonder how much Changbin would trust him. 

Wait.

You were so distracted with your plans, you did not question a moment in your conversation. 

Chan mentioned Changbin. 

You never told Chan the identity of your friend.  When you were pleading with him, you just called him a friend. 

Maybe Chan heard you talking to your father.  Maybe he knows about your relationships because that was his job.  Maybe he just guessed because Changbin volunteered himself in the ring. 

Maybe Bang Chan remembers more than he is letting on. 

-

You fall asleep to the soft drone of the television.  Your mind is walking in circles and you dream of similar rings.  Nightmares of chrome cages and steel traps, a suffocating helplessness squeezing your ribcage. 

In your dreams, the room fills with smoke, a charcoal smog that chokes you as quickly as the compression on your chest.  You look down but you can’t see your body, only feel it.  Your invisible body struggles against invisible bindings.  You gasp for breath.

Your father appears.  It is him holding you down, a heavy hand in the middle of your chest.  You cry out.  You want to move but your body is trapped.

You close your eyes.  When you open them, Changbin is there.  He is still a teenager.  His head is bleeding – why is his head bleeding? – but he wipes the blood as if it’s nothing more than sweat, all his focus on you. 

Of course it is.  He’s your friend.  He’s here to save you.  How did you not see it before?  It’s like you have been moving through the world in a fog, the same grey smoke that envelopes you now.  His face is the only clear image, gawky with youth but alive and real.

The weight is lifted off your chest.  Black spots swarm your vision as you suck in a lungful of air. 

When you look again, Changbin is grown.  He looks like he did a day ago, dark bangs in his eyes, stocky build ready for a fight. 

“I’m not leaving here without you.”

Not leaving here.

Not leaving here.

Not leaving here. 

His voices dances around you.  You are trapped in your body, a screaming, shrieking force, watching through dead eyes as the world spins.  People pass but they don’t hear you.  You try to reach for someone but your body doesn’t respond to your thoughts. 

A labyrinthine stretch of road unfurls then disappears.  You are standing in the infirmary at the main facility.  You stare at yourself, the younger version of you.  You are already dead behind the eyes, resigned to your situation.  There are masked doctors around you.  A tray full of needles.  You watch as the long point penetrates your skin.  You’re just a child, arm so small in comparison. 

Your child face contorts with pain, an expression your adult face cannot mimic because you cannot control your face. 

You remember the pain, even if you cannot cry.  It was like nothing you had ever felt.  The pain meant it was working. The medicant was only administered to you when it had been thoroughly tested.  The first injection killed every subject except one.  The second program was a success. 

The children were writhing in pain for weeks, screaming and crying, begging for parents that never came.  Yours did, looming over your bedside, touching your feverish forehead and speaking through the fog of pain. 

An investment, Miroh called it.  You’ll thank me one day. 

Changbin is there.  He is a child too.  They put a needle in his skinny arm.  He winces but he doesn’t cry.   He isn’t scared of the needles or the pain, but he isn’t eager either.  He is just there, his head down. 

You blink and he is grown.  The needle is still in his arm, only it is not an injection but an extraction.  You watch the fullness of his face wither.  They are taking too much.  He becomes a child again, screaming in pain.  

The same pain moves inside you. 

No, worse. 

Worse. 

You never could have imagined a worse pain.  It courses through your whole body, peeling apart your insides while you lay there, helpless, watching.   

Your father stands over you.  You’ll thank me one day.  

He disappears.  For a flickering moment, you see Bang Chan.  Curly-haired, dimpled cheeks.  He stutters and shakes like a bad film projection.  His face contorts, changes.  Wide dark eyes stare at you, his face covered in rain – water – tears?  Pouring down his cheeks, mouth open and a mute cry in the grey. 

You want to touch him but you cannot move.  His face flickers again.  You feel a tiny, infinitesimal twitch in your pinky. 

Then he disappears altogether.  Your father is there.  He grabs you by the shoulders and slams you down, straight through the earth, holding you there in the darkness where no one can find you and you cannot move. 

“Hey—” comes a voice, somehow reaching you in the depths of that pit.  “Hey, hey, hey, wake up.” 

In your dream, your father shoves you. 

In reality, you are thrashing in a motel bed. 

It takes a minute to realize you are awake, that everything was just a terrible dream.  Your adrenaline is a white hot heat in your chest, your voice a strangled shriek as you clamour around the twisting sheets. 

“Hey, it’s all right,” Chan says.  “You’re just dreaming, whoa, easy, c’mon…  It’s all good.  Easy now.  Breathe for me, okay?” 

It feels like your first breath in years.  It goes down shaky, your vision blurry.  You realize Chan is holding your wrist, lightly but carefully.  You blink up at him.  He turned on the bedside light at some point.  Half his face is lit in gold as he looks at you with concern.  It is such a strange expression to see on him.  These were the same eyes glaring at you over that uniform mask.  Now that brow is pinched with worry, his own breath a staggered thing. 

“You all right?” he asks. 

You are sitting upright.  You look at your wrist in his hand. 

“Did I try to punch you again?” you ask. 

“You missed,” he says, smiling.  Then he shakes his head and says more seriously, “It was my fault.  You were yelling in your sleep so I woke you up.  I guess it was too fast or something.  Just, you know, I don’t think the walls are very thick here.”

“Right,” you say.  Your heart is still stampeding.  “Sorry.”

“It’s all right,” he says.  “You… you good…?” 

“Yeah,” you say.  You are too weary for patience, so sarcasm spills out of you.  “Peachy.” 

He opens his mouth but you don’t wait to hear it.  You slide out of bed and land on shaky legs.  Your whole body is covered in a sheen of sweat.  You want to shower, wash away the nightmare and the terror. 

You are a light sleeper.  You never dream like that. It is a testament to your exhaustion that you fell into such a deep sleep. 

You tell yourself it was a dream, but your reassurances don’t work.  Because it wasn’t really a dream, was it? It was flashes of real moments, real faces, real pain. 

You stand under steady stream of hot water.  You watch as the heat and the torrent opens a few scrapes, the water at your feet turning red.  You think of Changbin with a needle in his arm, all that red pouring out of him.  Standing there, helpless to do anything, like you are right now. 

You have no idea where he is.  You look at the scar on your palm and think of him in the moonlight, him in the ring, him at your side.  A smile, a joke, a reassurance.  A hand in yours, a promise. 

He knew you better than you know yourself.  He predicted this exact crisis of identity. 

When it’s just you and you’re trying to decide who you want to be, not who your father wants you to be…  When you’re trying to remember everything and you can’t decide what was real and what was just training and what was Miroh…

He drew that line across his palm.  You picture a chasm of a wound, gaping and red, rushing red at your feet. 

Just remember me, he said.  I didn’t bleed because I believe in Miroh.  I’m your soldier, not his.

True to his word, a man of principle to the end, he is bleeding for you right now. 

In all your years of training, fighting, and soldiership, of missions and schemes, tricks and plots, you have always kept composure.  Now it all weighs on you at once, every single second of your life, and it’s too much.  

When was the last time you cried?  You can’t even remember.  It pours out of you now, big ugly gasping sobs that spill into the shower.  You sit down where the water is pooling in pink.  You wrap your arms around your legs and draw them up to your chest like a child. 

You do not know how long you sit there, crying until it feels like there is no more water left in your body.  It must be a long time because the water runs from hot to lukewarm.  It feels strange to heave dry sobs with the shower still pouring down on you.  

The water abruptly stops.  You lift your head.

Chan stands there.  He doesn’t look at you directly, his expression solemn, but he turns off the water and gets you a towel.  

It feels surreal.  Bang Chan is moving around a small motel bathroom, helping you like he has helped you all day.  You stare at him with scrunched, sore eyes, your throat too strained to speak.  You drop your legs and let him wrap the towel around you.  Your heart kicks with momentary fright when he scoops you up, an effortless sweep. 

No one has ever done something like this for you.  You wouldn’t have let them, even if they tried. 

You need it.  You never realized how much you needed it.  You are certain you will feel embarrassed in the morning, but right now you put your arms around his neck and cling for dear life. 

He says nothing.  He hooks an arm around your back and the other under your legs.  He carries you back into the room and lays you in your bed, adjusting the towel for your modesty before pulling the blankets over you. 

You continue to sputter and hiccup, looking at him as he moves.  You wonder if he looks like this on a mission, determined and swift. 

No.  The First Guard wouldn’t fix the pillows under your head.  He wouldn’t tuck the blankets around you. 

Bang Chan stands over you, wearing nothing but his combat pants, no weapons or masks or piercing stares.  He has curly dark hair and a soft face.  When you touch his bare shoulder, he looks at you with a heart-shattering amount of tenderness.  You didn’t know anyone could look at somebody that way, never mind him, never mind at you. 

There’s a person inside him.  There’s a person inside you.  You don’t know who either of those people are, but you want to know.  You need to know. 

You curl your hand into a fist and feel the scar on your palm.  A day ago, none of this would have mattered, but you know why it matters now. 

“We have to find him,” you say.  Your rasping voice is barely above a whisper. 

Chan slowly cups his hand over yours, his palm to your knuckles, holding your touch against his shoulder.  He squeezes your fingers.  He nods.

“We will,” he says. 

“You’ll help me?” you say. 

“Yeah.” His own voice is a rasp, skirting the edge of emotion too.  He swallows it down and smiles at you.  “Like I said.  I go wherever you go.  Always.” 

He sits with you in the soft golden light of that small bedside lamp.  You do not think you can sleep again, but then exhaustion settles over you. 

You are on the cusp of sleep when he touches your forehead.  Your eyes meet briefly.  It wakes you with a heart flutter, similar to a dream that drops you into reality.  It is the heart-racing thump of a sudden fall.  The kind that feels so real, more like a memory than a dream. 

[wordsinhaled]

something about despair being there behind edwin’s reflection when he looks at himself in the mirror. has she always been there? has he always felt the shadow of her behind the outline of him in every looking-glass? did he know the dread of her when he was alive?

when they meet, he doesn’t know her. but he does, doesn’t he? deep down the way all beings recognize the aspect of the endless as familiar, as part of their collective unconscious. he knows her without knowing how he knows her, and that is part of his horror.

something about how they are friends now and she’ll call on him if she needs him. something about edwin paine being an agent of despair in the world; his very name linking him to her indelibly.

despair of the endless: despair neverending.

something about the cycle of edwin’s torture, endless like despair is, continuous, renewing and reassembling him only to take him apart again. over, and over, and over. how it must have fed despair to see his suffering - to let it take root and grow in him. how it must have tied him to her realm. how he still relives the terror of his death and the pain of his torture even when he is out of hell, and so he isn’t yet free of her.

something about despair being a state so deeply internal, not a place but an ongoing anguish, a thing one carries inside, like hell. something about how edwin was always a lonely soul even before he died, and maybe she had already marked him out as one of hers even then. and maybe he always has felt it, deep down. his own emptiness and not-rightness.

something about how despair is the complete loss or absence of hope. and yet… edwin brings hope to others. he brings them peace. he helps them make meaning of their deaths, meaning which is the bedrock of hope. he helps other souls matter the way he is sure his own ought to have mattered, despite his own despair.

thirty years ago he brought a lonely, dying, hopeless boy a lantern, a light in the dark. and now that boy braves the clutches of despair to bring edwin back the same light; to free him from the hell he carries.

something about how edwin does not belong in despair’s realm, and he does not belong in hell, and they both know it. he is there on a technicality. he will find his hope on the very long staircase. something about how he will escape her, time and time again.

[thefirstknife]

Got through all of the secrets for Vesper's Host and got all of the additional lore messages. I will transcribe them all because I don't know when they'll start getting uploaded and to get them all it requires doing some extra puzzles and at least 3-4 clears to get them all. I'll put them all under read more and label them by number.

Before I do that, just to make it clear there's not too much concrete lore; a lot about the dungeon still remains a mystery and most likely a tease for something in the future. Still unknown, but there's a lot that we don't know even with the messages so don't expect a massive reveal, but they do add a little bit of flavour and history about the station. There might be something more, but it's unknown: there's still one more secret triumph left. The messages are actually dialogues between the station AI and the Spider. Transcripts under read more:

First message:

Vesper Central: I suppose I have you to thank for bringing me out of standby, visitor. The Spider: I sent the Guardian out to save your station. So, what denomination does your thanks come in? Glimmer, herealways, information...? Vesper Central: Anomaly's powered down. That means I've already given you your survival. But... the message that went through wiped itself before my cache process could save a copy. And it's not the initial ping through the Anomaly I'm worried about. It's the response.

A message when you activate the second secret:

Vesper Central: Exterior scans rebooting... Is that a chunk of the Morning Star in my station's hull? With luck, you were on board at the time, Dr. Bray.

Second message:

Vesper Central: I'm guessing I've been in standby for a long time. Is Dr. Clovis Bray alive? The Spider: On my oath, I vow there's no mortal Human named Bray left alive. Vesper Central: I swore I'd outlive him. That I'd break the chains he laid on me. The Spider: Please, trust me for anything you need. The Guardian's a useful hand on the scene, but Spider's got the goods. Vesper Central: Vesper Station was Dr. Bray's lab, meant to house the experiments that might... interact poorly with other BrayTech work. Isolated and quarantined. From the debris field, I would guess the Morning Star taking a dive cracked that quarantine wide open.

A message when you activate the third secret:

Vesper Central: Sector seventeen powered down. Rerouting energy to core processing. Integrating archives.

Third message:

The Spider: Loading images of the station. That's not Eliksni engineering. [scoffs] A Dreg past their first molt has better cable management. Vesper Central: Dr. Bray intended to integrate his technology into a Vex Mind. He hypothesized the fusion would give him an interface he understood. A control panel on a programmable Vex mind. If the programming jumped species once... I need time to run through the data sets you powered back up. Reassembling corrupted archives takes a great deal of processing.

Text when you go back to the Spider the first time:

A message when you activate the fourth secret:

Vesper Central: Helios sector long-term research archives powered up. Activating search.

Fourth message:

Vesper Central: Dr. Bray's command keys have to be in here somewhere. Expanding research parameters... The Spider: My agents are turning up some interesting morself of data on their own. Why not give them access to your search function and collaborate? Vesper Central: Nobody is getting into my core programming. The Spider: Oh! Perish the thought! An innocent offer, my dear. Technology is a matter of faith to my people. And I'm the faithful sort.

Fifth message:

Vesper Central: Dr. Bray, I could kill you myself. This is why our work focused on the unbodied Mind. Dr. Bray thought there were types of Vex unseen on Europa. Powerful Vex he could learn from. The plan was that the Mind would build him a controlled window for observation. Tidy. Tight. Safe. He thought he could control a Vex mind so perfectly it would do everything he wanted. The Spider: Like an AI of his own creation. Like you. Vesper Central: Turns out you can't control everything forever.

Sixth message:

Vesper Central: There's a block keeping me from the inner partitions. I barely have authority to see the partitions exist. In standby, I couldn't have done more than run automated threat assessments... with flawed data. No way to know how many injuries and deaths I could have prevented, with core access. Enough. A dead man won't keep me from protecting what's mine.

Text when you return to the Spider at the end of the quest:

The situation for the dungeon triumphs when you complete the mesages. "Buried Secrets" completed triumph is the six messages. This one is left; unclear how to complete it yet and if it gives any lore or if it's just a gameplay thing and one secret triumph remaining (possibly something to do with a quest for the exotic catalyst, unclear if there will be lore):

The Spider is being his absolutely horrendous self and trying to somehow acquire the station and its remains (and its AI) for himself, all the while lying and scheming. The usual. The AI is incredibly upset with Clovis (shocker); there's the following line just before starting the second encounter:

She also details what he was doing on the station; apparently attempting to control a Vex mind and trying to use it as some sort of "observation deck" to study the Vex and uncover their secrets. Possibly something more? There's really no Vex on the station, besides dead empty frames in boxes. There's also 2 Vex cubes in containters in the transition section, one of which was shown broken as if the cube, presumably, escaped. It's entirely unclear how the Vex play into the story of the station besides this.

The portal (?) doesn't have many similarities with Vex portals, nor are the Vex there to defend it or interact with it in any way. The architecture is ... somewhat similar, but not fully. The portal (?) was built by the "Puppeteer" aka "Atraks" who is actually some sort of an Eliksni Hive mind. "Atraks" got onto the station and essentially haunted it before picking off scavenging Eliksni one by one and integrating them into herself. She then built the "anomaly" and sent a message into it. The message was not recorded, as per the station AI, and the destination of the message was labelled "incomprehensible." The orange energy we see coming from it is apparently Arc, but with a wrong colour. Unclear why.

I don't think the Vex have anything to do with the portal (?), at least not directly. "Atraks" may have built something related to the Vex or using the available Vex tech at the station, but it does not seem to be directed by the Vex and they're not there and there's no sign of them otherwise. The anomaly was also built recently, it's not been there since the Golden Age or something. Whatever it is, "Atraks" seemed to have been somehow compelled and was seen standing in front of it at the end. Some people think she was "worshipping it." It's possible but it's also possible she was just sending that message. Where and to whom? Nobody knows yet.

Weird shenanigans are afoot. Really interested to see if there's more lore in the station once people figure out how to do these puzzles and uncover them, and also when (if) this will become relevant. It has a really big "future content" feel to it.

Also I need Vesper to meet Failsafe RIGHT NOW and then they should be in yuri together.

[apas-75]

So last night I finished reading Rise of the Red Blade for TotE Vibes Research purposes and the two Inquisitor characters in it really illustrate exactly why I think Barriss is going to survive and escape them.

Because the thing is that there are two kinds of Inquisitors! The ones who volunteered, and the ones who...didn’t. Iskat (RotRB’s focus character) perfectly exemplifies the first type: she had some traumatizing experiences at a young age, fell through a number of institutional cracks in the Order, had a really terrible master (meet me in the pit, Sember Vey), everyone was too busy to give her the follow-up they would under normal circumstances, Palpatine had an agent actively gathering information about her and pushing her to become Worse—she was a pre-selected candidate who was offered the choice to come quietly when Order 66 hit, and she took it. By that point all of her issues and doubts had been exacerbated to the point where it wasn’t hard for her to make herself hate the Jedi, and then she rationalized her way through any indication that her freedom was a lie and doubled her way down right into hell.

By contrast: Tualon, Iskat’s crechemate situationship guy. He had some issues but was not someone on Palpatine’s radar; Iskat left him to die in Order 66 and he survived getting shot by darksiding out about her betrayal. Because of that he was taken alive and they did some shit to him. When Iskat runs into him at the Inquisitor HQ after he’s freshly-inducted he can barely remember why he hates her, or anything else from before he was taken. He woke up in the room where you fight Trilla and they fully shattered him and glued a semblance of a person back together out of the wreckage, just COMPLETELY Winter Soldiered the guy, and the only way he had to cope with it is to lean into a weird codependent situationship with Iskat.

And that distinction’s always been there with the Inquisitors; you have the true believers who ended up hating the Jedi or wanted to go on a power trip (or had the kind of revenge plan only a 12 year old could come up with and then stick to for a decade, in one case) and didn’t need any additional coercion to volunteer, and you have the ones that they broke. In the former group you’ve got the Grand Inquisitor, Reva/Third, Lyn/Fourth*, Fifth, and Iskat/Thirteenth. For the most part they’re certified freaks, but they came by it naturally. (Reva’s a different flavor.) In the latter, you’ve got Trilla/Second, Seventh, Masana/Ninth, Tualon, and probably most of the others. They all got disassembled and reassembled without much care given to the process and are all Coping with it badly in different ways, whether by deciding it’s Empowering, Actually (Trilla & Seventh) or by becoming completely jaded about everything (Masana & Tualon).

(*We obviously don’t know a lot about Fourth yet, but the fact that she shows up to recruit Barriss while rocking yellow dark side eyes before ROTS is even over tells me she’s definitely a volunteer.)

All this is to say: The Grand Inquisitor is making a colossal mistake with Barriss from the drop, and it’s why I think she’s going to win their battle of wits and escape. Because he is treating her like she is an Iskat and she could not be any farther from it.

He sends Lyn to get her to come quietly! They actively withhold information from her about what happened to the Jedi and what her expected role in it is! That’s not how they recruit the ones they think will be a problem; if that were the case she would have been stunned out of hand and woken up on a rack.

Instead, he’s giving her special attention,, he’s training her—he doesn’t think they need to break her. She’s just got a few...pesky hang-ups from her time as a Jedi that need ironing out**. He’s projecting on her; he doesn’t just want an empty shell holding a lightsaber—he wants Barriss Offee, loyally kneeling at his side, fully believing in their mission. She’s his favorite.

(**That “mercy only breeds defeat” line isn’t just a generic darksidism; I’m pretty sure he’s directly critiquing how Barriss got caught because she showed mercy to Asajj Ventress.)

And surely that's something he can turn her into, right? Because she hates the Jedi, right? She attacked them, she outsmarted them, obviously she’d be down for wanting to wipe them out! He was there when she confessed and, like pretty much everyone else in the room save for Ahsoka, he didn’t hear a single word that she said—just what he wanted her to be saying. He’s got a deeply incorrect idea of her, and that idea is “she’s just like me for real.”

And he’s wrong, because the Inquisitorius is everything she feared the Jedi Order was becoming—literally, an army fighting for the dark side—and the Empire is everything she knew the Republic was becoming. She might be prone to despairing, it might in some hypothetical be possible to get her into the same resigned despair trap as Anakin, but she would never actually want to serve the Empire, and they don't think they'll have to try hard to convince her to.

She loves the Jedi, she loved being a Jedi, she wanted to save them. She wants to be one again more than anything even though right now she thinks she doesn’t deserve it, thinks that she’s already too broken to reclaim what she was. But I think being surrounded by actual fallen Jedi and being told over and over again that she’s like them is, in the end, going to be what reminds her that she never stopped being a Jedi in the first place.

And as long as she can make sure her captors don't realize that's true until it's too late, she'll be home free.

[burning-omen]

Kinktober day 5: Gun Play + Steven Grant

Steven Grant x SHIELD agent!Male!reader

Kinktober 2023 List | Day 1 | Day 6 | Ao3

Summary: After taking a day off, you finally get to go home to your boyfriend, Steven.

(a/n: I MISSED YESTERDAY AND IT SHATTERED MY SOUL INTO A MILLION PIECES IM SORRY I WAS TIRED AND I FORGOT)

Warning: Guns, mention of reader killing and being shot at, reader is close with Nick Fury kinda, oral, hand job, surprisingly gentle sex, obedient Steven Grant, soft top reader, Steven talks to Marc but that's not really a warning I just wanted yall to know that my bbygrl was mention in this fic

Words: 2k

SHIELD has been sending you all over the world as of recently, you didn't complain, you knew your work was important, and the amount of trust you’d gained from Nick Fury came with a lot of off-the-books missions, mostly investigating SHIELD itself. You'd asked from a break, at least a day or so, to get your gear together after you gun, which has been through many, many mission, jammed on you mid encounter. It was embarrassing, luckily the only other people who saw it happen were either dead or in maximum security prison serving life.

Your boyfriend, Steven, wasn't home when you got there, mostly likely at work, or maybe Marc was out on his a mission. Either way, you waited for him.

In the meantime, you decided to finally take care of your gear, you'd brought all of the supplies from SHEILD headquarters before coming home, setting up at Steven’s desk, and moving the book he had lying on the table and a couple of papers into a neat stack. You started with your boots, scrubbing them, changing the insoles, making sure the outsole wasn't damaged beyond a bit of wear from years of use, then setting them aside.

Moving on to your vest, you picked out the metal fragment from the various bullets that had shattered on impact, replacing the aramid padding that- even though it has yet to show signs of any extreme damage- was starting to wear. The bruise on your stomach was proof of that, the vest stopped the bullet from piercing skin, but didn't lessen the impact as it hit you. You sighed, knowing that Steven was going to fuss over it the second he saw the festering bruise.

You moved on to you knives, still pretty sharp, but not as sharp as they should have been. Using the lanksy puck that you definitely were not supposed to take to sharpen a them. Carefully putting them back in their sheaths and reattatching them to your utility belt, which sat in a duffle bag with both your uniform and you newly repaired vest.

Finally, you moved onto the main event, you gun, which was still jammed, turning the safety on before completely disassembling it, staring at the pieces of your revolver on the table. You didn't worry to much about the the bullets, they'd be gone by your next mission anyway.

You took your time with this one, getting into every nook and cranky, blood, dust, and built up metal from the bullets, just a bunch of little things. Reassembly was purely muscle memory, your gun looked and felt brand new. You took the ammo out and dry-fired the gun, it sounded a hell of a lot better- and the hammer dropped without interruption, jam officially gone, you reloaded the gun and sat it on the desk.

It felt like a weight had been lifted off your shoulders, letting the tension slip from your shoulders with a sigh, practically melting into the seat, finnaly able to relax.

And as if he somehow knew that you were officially off duty, you heard Steven fumble with the lock, seemingly dropping the key, a small swear leaving him, before he unlocked the door. He walked around silently for a while, setting down his bag and heading to the kitchen, muttering to himself, or more likely Marc, as he was asking questions about the morning, what they ate for breakfast and where Marc had left the book Steven had been reading before bed.

It took him maybe five minutes to walk back there. He walked straight past you, not paying any attention and b-lining to the bed, to be fair, it was late and Steven wasn't exactly the most observant. You loved him though, so you let him lay there for a moment before calling his name.

He practuscally jumped out of his skin, getting caught in the mess of blankets for moment. Steven was on you faster that you thought was possible. Damn near tackling you, the chair surprisingly holding both of your weight and Steven situated himself in your lap, his legs drapped across yours.

“You're back! When did you fly in?” he asked, a wide smile on his face.

“About three hours ago, where’ve you been?”

He groaned, flopping down against you, his head on your shoulder.

“Job hunting, again.”

“What happened to the uh, what was it, the library, right? I thought you were having fun over there?”

“I was, but they cut the budget and I was new so they dropped me.”

“Aww,” you cooed, running your fingers through his hair, “poor thing.”

He sighed, enjoying the contact after nearly a month apart.

“What about you, I thought you weren't supposed to be back for another two weeks?”

“I wasn't, but..” you grabbed you pistol off the table, you finger on the trigger even though the safety was on and you had no immediate target, “My gun jammed and I asked my boss to give me a day off in order to fix it,”

Stevens's eyes were glued to the gun as you spoke, appreciating every little detail and crevice it held.

You knew about Steven’s affinity for guns, well, you and guns, guns alone did nothing for Steven, but when you held them...

He got quiet, glancing at you only to see you staring back at him with a knowing look on your face.

“Im flying back out tomorrow..”you pointed the gun downward, nudging his legs open with the tip, he complyed without any hesitation. “…i was thinking you and I could-”

“Yes!”

You stared at the man for a moment, almost bewildered before remembering that you've been gone for nearly two months and he's probably been thinking about this since the day you left.

You hummed before saying, “Get on the bed, lay on your back, I want to see you.”

He grinned again, practically running to the bed, shrugging off his jacket and leaving it on the floor, laying down in the bed, hardly able to keep himself still.

You sat at the desk for a short moment, completely removing the ammo from the gun, double checking it to avoid any incidence, then walked over to Steve, who was practically vibrating in excitement.

Kneeling between his legs, you commemorated the image of him, so happy to be fully and utterly yours, to memory.

You pointed the gun on his chest, digging the tip into his shirt, watching his reaction intently, he ceased all movement, staring down at it, taking in the weight on his chest.

“Breathe, Steven.” you said when you noticed he wasn't.

He let out a long, shuttered breath.

“You know I would never hurt you? Right Steven.”

“Oh course..”

“Good, “ you slid the gun down, feeling where his ribs ended and sturdy muscle began. Stopping just below his belly button.

“Strip, slowly, I want to see you.”

He complied easily. Hands shaking as he unbuttoned his shirt, slowly, just like you demanded.

“That's it, good boy..”

Shrugging the shirt off his shoulders, then moving down to his pants. Fumbling with the belt, getting it just before you could offer your help, he kicked his jeans down until they pooled on the floor below.

You stared at him, taking in his smooth skin and every sculpted muscle that you had no one but Marc to thank for.

Running the tip of your pistol lower and lower, running it over the growing tent in his underwear, he shuttered, a light gasp passing his slightly parted lips.

Dragging it across his waist, then down his thigh, Steven watched the gun just as intensely as you watched him. You let your finger hover the trigger, he swallowed hard.

You moved suddenly, lifting the gun to his head, right between his eyes. He squeezed his eyes shut, breathing hard, he never hid how he felt, not with you, he felt like he didn't have to, or more accurately, he couldn't. You were an agent of SHEILD, you were trained to see through lies.

Moving your hand down ever so slightly, pressing the gun against his lips.

“Open.”

For the forth time tonight, he obeyed. Taking the tip in his mouth, then more, sucking and licking like the gun could feel it.

The effects it had on you were innumerable.

You hummed softly, adjusting your grip. You watched him, he seemingly never got bored, the imagined danger and thrill perpetuating him, eager to please cold steel.

You tugged slightly, and he let it go, lips wet with saliva.

The way he looked at you, his eyes low, cheeks flushed, breathing like he'd just run a hundred miles.

“You're being so good, Steven, so obedient. You must have really missed me..”

He nodded rapidly, “I missed you, I missed you so much-”

You shushed him, “I know, I know. I shouldn't have to leave you here, all on your own, I should be here to protect you at all times..”

He nodded along- you both knew that he didn't need the protection, but fuck it kept you here he’d be your damsel in distress forever.

Rubbing the wet tip down his chest, then right above his cock, tapping the trigger, watching him flinch at every move. He watched so intently, his breath shaky and loud, you were unpredictable, yet he couldn't wait to see what you did next.

Nudging the tip of the gun past the elastic waistband of his underwear, pulling them down.

Steven couldn't stay still, his brain and body running a million miles an hour. Slowly, you sunk down between his legs, your gun pressed right up against the center of his chest. You knew the position would get uncomfortable soon, so you decided to make this as quick as you could.

“Don’t move.” he didn't nod, or talk, just immediately playing along.

Taking your free hand, you guided Steven's hard cock, shiny with pre-cum to your mouth.

He was always sensitive, but your tongue had hardly even pressed the tip of his cock before he was a whimpering, whining mess. Hs adrenaline was spiked, of course he was more susceptible that ever right now. Taking him as deep as you could, feeling him press against the back of your throat. His hands balled into the bedsheets bellow, nearly tearing them in his hands.

Running your tongue on the underside of his cock, then swirling it around the tip, never taking your eyes off of him. His little whines growinh louder and more desperate.

You pulled away when you felt him start bucking into your mouth. Taking a short moment to wipe your mouth of both spit and pre cum.

You lifted slightly, wrapping your hand around his now perfectly lubed cock. Stroking him nice and slow, soft moans falling from his lips.

He whined your name over and over, obedience and his composure, the latter of which was had been already hanging on by a thread before you ever put your mouth or hands on him, waining. He loved nights like these when you were gentle but still so very obviously in control.

“Y/n- y/n, I'm so close, please, Love, please-”

You tightened your grip on the gun, pressing it harder into his chest, he moaned at the feeling.

You never sped up, watching him build up the his orgasm nice and slow, and when his mouth fell open in a long moan and his eyes squeezed so tightly shut you're sure he was seeing stars behind them.

Then- you squeezed the trigger. Nothing came out but Steven gasped hard like he’d been hit. His hips twitched up into your hand, cum pouring out all over your fingers. Even when that stopped, his orgasm still seemed to flow through him, his body drawn tight as he came down.

“Y/n..” he panted, “you're good, so good-”

Dragging the gun down, right into the pool of cum at the base of his stomach, then bringing it up to your mouth, licking it off.

“Come on, Steven, we're not done..”

[pen-and-umbra]

Compilation spoilers below.

As the party delves deeper into the Temple of the Ancients, a vision of Sephiroth delivers a cryptic speech:

(“My fragmented mother, these errant worlds… All shall be one again.”)

“My fragmented mother” is a very deliberate choice of words. While the OG story touched on Jenova's fragmentation while dealing with the subject of Reunion, the plotbeats focused on Sephiroth and his failed copies rather than the creature itself. As the story unfolds, Cloud kills or severely injures Sephiroth during the Nibelheim mission, leading him to utilize clones and Jenova's remains after emerging at the Northern Crater in order to repair his maimed body. The same Ultimania Omega relayed that developers once thought about a scene where Sephiroth was revealed to have a Jenovaesque lower half. (The concept was eventually scrapped, but it would have added an even more grotesque element to Sephiroth's already terrifying being.)

(“It shall encompass worlds unbound by fate and histories unwritten. <...> My dominion shall reach into infinity”)

However, the Remake implies that the Reunion serves a different purpose. Or, more accurately, Sephiroth refers to a distinct event—the merging of worlds—as Reunion. According to Sephiroth's cryptic message, this is yet another foray into “godhood”. Not too unlike Ultimecia’s time compression, Sephiroth allegedly plans to join all the timelines into one to achieve “infinity/forever”. And yet, what does it have to do with “his fragmented mother”?

(“All made whole.”)

What if the true purpose of Remake's Reunion is not about “infinity” per se but about the “whole” part?

From the perspective of the OG, we are led to believe that the gathering of failed copies is the result of Sephiroth's will. However, Cetra's hologram delivers an interesting warning as the party traverses through the Temple of Ancients.

(“Heed well to our warning of that which is to come…<...> The reunion. When our adversary's scattered malignancy shall converge to plague the Planet once more.”)

The Cetra allegedly referred to Jenova's own inherent ability to reassemble its pieces (“Reunion”), whether conscious or unconscious. Unless the message was purely prophetic in nature, the statement presupposes that Jenova's body was already dispersed during the era of the Cetra, predating ShinRA's R&D department's experiments with alien cell injections. The Temple of Ancients narrates a gripping tale of Cetra's battle against the calamity-from-the-skies, with significant casualties suggesting a lasting conflict rather than a singular encounter.

Thus, it is possible that Jenova sustained injuries and lost some of its biologics before Cetra managed to seal it. Alternatively, fearing Jenova's reunification, the Cetran people may have “scattered” the creature in some way in order to hamper its resurrection. Whatever the case, at the end of the day, Jenova at the Nibelheim reactor appears incomplete or misshapen, missing a wing, and apparently suspended midway between morphing into a humanoid.

If the message is interpreted as a prophecy about the future, it demonstrates Cetran's extraordinary augury ability. However, assuming their knowledge of the future is precise, they never mention a different agent (Sephiroth), instead referring to their “celestial adversary” as the enemy who will plague the planet once more.

Anyway, spool forward, and in the age of ShinRA, the likes of Hollander and Hojo kept experimenting with Jenova's organic material, further disseminating alien cells. Several of its hosts have died. That includes both humans (Angeal or Gillian, for example) and monstrosities infused with J-cells that our party encounters (both organic and mechanical). While it is hard to estimate how many test subjects died during the course of the Jenova/SOLDIER Project, we can suppose that quite a number. It is currently unclear what happens to Jenova cells after the host dies; several instances appear to be convoluted (Angeal's mother allegedly dies alongside alien material, but Lucrecia claims that Jenova cells keep her alive). Let's assume that J-cells usually die with the host. As a result, an uncertain amount of organic material is missing from Jenova's body and will not make it to Reunion.

When combined with the Ancients' reference to “scattered” essence, Sephiroth's words about his fragmented mother make a lot more sense in the context of worlds merging. What if the primary aim of unchaining timelines was to acquire unattainable fragments of Jenova from hosts that are deceased within the primary timeline? Destiny's Crossroads, as a singularity of some kind, appears to be linked to all points in time and space. As a result of destroying Harbinger, our party is likely to have had an impact on PAST events (Zack's Last Stand). As a consequence, Zack lived. What if Jenovaroth's true goal is to alter branching timelines so that as many J-cell hosts as possible survive to converge at Northern Crater? Bringing scattered Jenova fragments across time and space to resurrect the entire entity and restore its power? The consequences of such a plan could indeed be disastrous.

Examining the issue from this perspective raises the question of who is truly in control and what kind of being will emerge after Reunion has run its course. It also raises the question of whether there are other ancient “deposits” of Jenova's organic material left from the Cetran War, if the warning in the Temple of Ancients was NOT a prophecy about ShinRA era.

👋 @pen-and-umbra

[winterdadandspiderson]

WINTERDAD AU #1

(part one because this got way too long. this is essentially the plot of an old fic i started back in 2020 and what would've happened of i'd continued it. i might try and write it again one day, perhaps, if i don't give up after 2 chapters. anyway here we go)

- mary parker was a shield agent when she met the winter soldier, both were on a mission. they fought, but never got as far as mortally wounding each other. mary would always slip away. it was like a game. bucky had been kept out the ice for a few weeks at that point, running a long job. but the longer he's out, the more he starts to remember little pieces, who he used to be.

- mary feels pity for him, seeing through the stone cold image hydra forged for him, to the person within. they fight. but then they also talk. they keep seeing each other while bucky scouts. eventually one thing leads to another and they develop a relationship of sorts. 

- mary later discovers she's pregnant but bucky never finds out. he's taken back, wiped and put under the ice once more. mary quits her job at shield so she can provide for her kid and keep them safe. knowing full well if anyone in shield or hydra caught wind that she was carrying the winter soldiers child, they'd never be safe.

- she's sad that bucky disappeared again, she knows hydra likely had him wiped and iced again. but she moves on, meeting richard soon after who she tells she's expecting a son, that the father disappeared without a word (technically not a lie) he tells her he'll love him like he's his regardless.

- when her son is born she names him peter james parker (during the few weeks they met, the last time they talked, bucky ended up remembering his first name, mary wanted peter to have at least a piece of him)

- peter ends up looking a LOT like bucky. he has the same shade of dark brown hair, facial structure which shows as he grows. but he has mary's eyes)

- the plane crash was really just an unfortunate incident. peter still goes to live with aunt may and uncle ben when he's seven. and then things go as they usually do in canon. the avengers form, yada yada all that stuff, you know the drill.

- when he's 14 peter is bitten by the radioactive spider. BUT. an important detail here is that due to the expiermentation bucky was subjected to by hydra and the enhancements which altered his genes, some of that, though remaining dormant, passed onto peter. but it didn't really do anything, it was just there. but it did keep him alive after the spider bite. without those enhancements in his blood peter would've died. instead, he gained his powers.

- uncle ben still gets shot, which as usual influences peter to become spider-man. and months after tony still comes along and recruits him to fight in germany. peter does.

- when he briefly faces bucky ("you have a metal arm? that is AWESOME, dude!") neither know so that also goes as normal. bucky is bewhildered by the kid who managed to block a hit with so much force behind it, while also shocked to know that he was just that, a kid.

- now one vastly different thing here is that while the avengers do split for a good year, steve and tony eventually talk and make amends. the avengers reassemble, deciding that they need to put the world before their feud. they're not on super good terms, but they tolerate each other. tony still refuses to forgive bucky.

- homecoming happens during the time where things are still rocky between the avengers so peter still deals with vulture alone. but he does see tony more often, stopping by for lab days to work on his suit among other things, to keep up the "internship" charade. tony grows fond of him, though he doesn't admit it.

its post homecoming where things start to go wrong.

[tvckerwash]

@joltning I present to thee the elaboration requested:

When broken down to the bare essentials Wash and C.T fulfill the same function within the story, and the differences between them as characters mostly results from how the story was executed when it came to them fulfilling that function. 

For example, everybody (myself included) complains about how C.T exists solely as a plot device in the Freelancer Saga, but nobody complains about how Wash also exists solely as a plot device in Recovery One and Recollection. I mean Reconstruction is literally the ‘omg theres a plot!?!?!?!?” season of RvB, and without Wash there is no story. 

The main reason Wash isn’t perceived in the same way as C.T is due to the level of freedom the writers had when it came to telling the story they wanted to tell. The Blood Gulch Chronicles and Out of Mind set the foundations for Recovery One and Recollection, but it was through Wash that the lore of RvB was reconstructed into a cohesive story. The unexplainable was explained, the unelaborated was elaborated upon, and all the wacky hijinks and random bits and bobs of the previous seasons were tied together in a way that answered the question asked in episode one: Why are all of these idiots stuck in a canyon in the middle of nowhere while being separated into color coded teams that are fighting each other?

C.T however did not have the same level of freedom as Wash, and this is because of pfl’s nature as a prequel combined with the pacing of those seasons. We pretty much already knew everything about her that there was to know, so there was no point in hiding anything or taking it slow because of that, hence the painfully obvious foreshadowing. This approach to the Freelancer Sage, and C.T’s story is what leads to her essentially having the same arc as Wash, just reversed—or more accurately described; mirrored, like Chief and Arbiter in Halo 2.

A majority of the reversal and/or mirroring between them manifests in their personalities, which I actually talk about some here, but some examples of the phenomenon in regards to actual plot points are:

They are both introduced as recovery agents (or rather fake C.T, who was the real C.T at the time, was introduced as a recovery agent). Wash is a single agent recovering human technology from dead Freelancers, and he uses explosives to destroy the rest of the equipment to prevent information leaks. C.T is attempting to recover alien technology from a long dead civilization with the help of other aliens, and he uses explosives to make sure anyone who knows of their operation and presents a problem will be destroyed to prevent information leaks. 

We knew exactly who Wash was, who he worked for, and why he was reassembling the blues. We didn’t know who C.T was, who he worked for, and why he was fighting Tucker in the desert. 

Wash was shot in the back and survived, but failed to subdue the enemy. C.T was shot in the chest and died just as they were going to subdue the enemy.

In regards to the real C.T, some examples include:

The Meta was portrayed as the primary conflict for Wash, but in reality he had always been aiming for the destruction of Freelancer. On the flip side, C.T’s fight to take down Freelancer is portrayed as the main conflict, but in reality, while poorly explained, tracking down the alien artifacts seemed to be her real goal (which is not as insane as it sounds when you remember that Charon Industries was more aligned with the UNSC proper than pfl was). 

Wash never hinted towards his plan of taking out the Meta in Recovery One to South, or his plan for destroying Freelancer to the Reds and Blues until he had the perfect opportunity to strike, and by then he had built enough trust that they were willing to help him out despite his secrecy. If they weren’t, well, he knew what to say to change their minds. C.T however wasn’t exactly subtle with her thoughts and feelings, and she didn’t build any trust with the people around her, so when she finally defected—which didn’t take a genius to see coming—no one was willing to listen to her or take her at her word, and there was nothing she could say or do to change their minds except offering concrete evidence. “I’m starting not to trust you.” vs “I can’t trust you.”

This one isn’t a plot point, but I’m going to mention it anyway because I think it’s a nice example of this subtle yet obvious mirroring I’m talking about, and shows what I was trying to replicate in my blurb that spurred me to finally write this analysis:

Counselor: Agent Washington? Agent Washington? Washington: Sorry, what were you saying? Counselor: Were you thinking about Epsilon again, Agent Washington? Washington: No. Counselor: What happened with Epsilon was not your fault, Agent Washington. Washington: I didn't think it was. Counselor: We have safeguards for the unstable emotional patterns of an artificial intelligence. Sometimes these algorithms fail. Washington: Oh. So then it's your fault. Counselor: We prefer to think of it as no one's fault.

Vs:

Washington: It wasn't your fault, Connie. Connie: Easy for you to say. You didn't drop the ball. Washington: The ball got dropped. We were all there, it's everyone's responsibility. Connie: Dammit, why are you doing that? Washington: What am I doing? Connie: Making excuses for me. I'm not making excuses for myself...why are you?

All I've mentioned above is also why C.T’s relationship with the leader and the plot twist that the C.T in the desert wasn’t the real C.T are disliked by so many, as there was nothing to justify the sudden bait and switch like there was at the end of S6. I mean, considering we see both Tex and South use voice mods to sound like men, it reads as though that was supposed to be the case with C.T as well, which makes it feel like it was changed at the last second because everyone saw it coming.

This is an issue because A) There's nothing inherently wrong with being predictable—a good plot twist always has foreshadowing, even if it won’t be registered as foreshadowing until the twist happens in certain cases—and B) The story of the Freelancer Saga as a prequel was confined in a box created by the previous seasons, and all they were doing was connecting the aforementioned events to tie up a few loose ends and properly establish Carolina's driving force in present day S10.

[mariacallous]

By the time the Berlin Wall fell, in 1989, there were some two hundred thousand unofficial collaborators working for the East German security service, known as the Stasi—one spy for every fifty to sixty people in the country. Among the informants was Salomea Genin, whose family had fled Germany before the start of the Second World War, and who returned as a young woman dedicated to the Communist cause. “There is only one way to live with my life,” Genin explains to Burkhard Bilger in a captivating piece from this week’s issue. “And that’s to be open about the facts.”

Genin is not alone in wanting to face the past. In January, 1992, the newly unified government made almost the entire archive of Stasi reports available to the public, an act of radical official transparency. But there was still much that the Stasi had managed to hide. In the weeks before the Wall came down, their agents destroyed as many documents as they could—much was pulped, shredded, and burned, but between forty million and fifty-five million pages were torn up and stuffed in sacks. The Germans have spent the past thirty years trying to piece those back together, by hand. So far, less than five per cent of the torn documents have been reassembled. Now an effort is under way to automate the process, using A.I. programs and the latest digital scanners. “The Stasi files,” Bilger writes, “offer an astonishingly granular picture of life in a dictatorship—how ordinary people act under suspicious eyes.” They are “like an endless police blotter: a meticulous, bewilderingly detailed account of an entire society’s deceptions and betrayals.” As far-right and authoritarian groups are on the rise across Europe, “the files have never seemed more relevant.”

[inthelittlewood]

I'm not sure if this had been answered/discussed/brought up in the past but I thought I'd ask. So as we know for VTuber!Martyn lore that he's a "datastream defender" but what is actually? Like we have NPC's, players, agents, supposedly ai's, so what would C!Martyn be? Like just a entity, or maybe some sort of glitch? Or is he considered a player due to him being isekai'd from being just a normal guy into the datastream? Or something else completely?

He's a very unique being where he's a sentient person pulled in to the datastream, so he's essentially living code. Faster than any quantum computer or hardware device for that matter

Things like viruses, firewalls and the like present themselves in more literal/tangible appearances to c!Martyn and him acting out fights, placing, breaking etc. all happens in unfathomably quick fashion compared to lines of code

It's the kind of tech Doc was developing but obviously wasn't done perfecting yet. He's clearly finished the entry method, but not the reassembly/exit method - yikes

[cuephrase]

What are some things introduced new52 to current day that you like and think are an overall net positive for batfam continuity? (As in, it's not uncommon for me to see fan things that mainly focus on post crisis/pre flashpoint stuff but still incorporate new comic aspects, such as slightly changed family dynamics/new developments, and it's interesting for me to find out what different people think is and isn't worth keeping from what got added after the reboot)

ooooh this is a fun question!!

i was going to say i haven't read that many n52 and onwards runs, and then i realized i have actually read most of the ones i want to, i just haven't read any batman/'tec/batgirl/or duke's runs yet. (i read like...half of We Are Robin, Joker War, and i've read batman from where zdarsky come in so like have also read Gotham War.) (might read Catwoman?? not the point.)

since we're sticking strictly to net positives, i'll include something that i like, even if i have criticisms of it, but i won't get into those criticisms so we can stay positive!! (future cue, so this is kind of a lie but i swear i didn't go overboard.) i'm going to include stuff as minor as like costumes bc why not. also nothing is going to be in order of like what i like the most to what i like the least, just fyi. also, probs not definitive, knowing me i will forget something lmao

New52 Era-

tim's red robin costume. that suit is *chef's kiss* imo. i love that he has wings. i...i don't know if i necessarily want it back rn bc i am sososososo in love with his current robin costume, but i do adore the n52 red robin suit

i personally like that they went ahead and made jason less villain, more anti-hero. i think him trying to reintegrate with the batfam creates some very compelling crises

dick as Agent 37!! which...okay, no criticisms nvm. michael janin's art tho >>> okay well actually maybe sometimes i wish this was like elseworlds/black label instead of mainline but

might be a bit of a reach, but i really enjoy the first handful of arcs in n52 b&r and the relationship dynamic they established for bruce and dami

i like that tim and jason are somewhat friendly. i think it makes sense. for a lot of reasons. this is a somewhat controversial opinion, which i understand. but this is where i stand

did i like anything else from this era specifically?????????

OH

DUKE!!!!!!! i loooooove him very happy he was added

Rebirth Era-

the outlaws, specifically jason's relationship with bizarro. (i enjoyed artemis a lot too!! tbh, haven't read these guys outside of this run tho so zero clue how accurate these portrayals are, so grain of salt?)

the return of dick's fingerstripes!!!!!!! best part of tom taylor's run /hj

TIM'S ROBIN COSTUME AHHHHHH. i'm sorry i love that suit way too much

love damian's current robin costume, although...does he have combat boots rn still? can't remember. if he doesn't, they should give those back

damian + jon's relationship, ik it gets obliterated by the stupid age up, but super sons is still very special to me

tim being bi!! now do kon dc you cowards

alfred's death. i refuse to elaborate. i could, but i shan't (this is not alfred hate tho i swear)

i'm forgetting something rn i know it

oh yeah, i do like tim being robin again. IK. IKKKK. no, i don't think he should be robin forever. no, i don't think dami is a bad robin/shouldn't be robin.

um...i liked dick getting shot in the head. the ric era is not how i would've wanted the aftermath but

i don't want to comment on anything super recent, but i do think there's stuff going on rn that could end up being net positives

the titans being reassembled. jury's out on their location but, i do like that they're back

i'm not counting yj because they're not doing anything with them rn, but they should ugh

i think...i think that's it? there could honestly be a lot more that i'm forgetting. i hope this was interesting!! if there's anything i didn't mention that you're curious about, or something i did mention that you'd like a more in-depth answer about, please feel free to ask!! i'm curious what you consider net positives anon, you should shareeee

[kyne-grotto]

And now, some fan Simpletons, because I refuse to let the Nightmare Papyri fall even further into obscurity than they already have.

They're just, like, little dudes. Even in the cannon, they were already pretty goofy, but now that their "ULTRA SUPREME COMMANDER IN CHIEF" isn't going to backhand them out of existence over nothing, they're just straight up cartoons.

They started off as dinky little dolls from Error (a Christmas present), but when Nightmare touched them, the magic in his eye brought them to life. They can't do much since their energy drains when they are too far away from Nightmare for too long, but they can move through vents and reassemble themselves when they fall apart.

Nightmare has 5 of them right now: Lionheart (The strict drill sergeant, keeps the others in line), Spartacus(exasperated rule-follower), Miyamoto(silent and observant swordsman), Wallace(agent of chaos and enjoyer of Twinkies), and Ivar(adrenaline junkie who has to be put back together constantly).

They're all extremely loyal to Nightmare-- make no mistake! But... if some of Dream's products wind up in Nightmare's room every once in a while, why that's just a coincidence sir we don't know how those comfortable yellow fuzzy slippers got there honest ha ha--!

The Simpleverse by @simpletale-officiale

[docgold13]

Profiles in Villainy

David Xanatos

A self-made billionaire and captain of industry, David Xanatos is the founder and chief executive officer of Xanatos Industries.  His position of wealth, influence and power resulted in his being offered membership to a secret cabal of mystics known as The Illuminati.

Through his involvement with The Illuminati, Xanatos met the mysterious Demona who told him of the fabled Castle Wyvern and how it was home to magical gargoyles.  Xanatos would go on to purchase the castle, transporting it to New York City where it was reassembled brick-by-brick atop his Manhattan skyscraper.  Xanatos then used a spell to awaken the Gargoyles.  Although noble creatures, these Gargoyles were unfamiliar with the modern world and were easily tricked and manipulated by the unscrupulous Xanatos.  He cajoled the Gargoyles into doing his bidding, using their powers to sabotage and acquire his corporate enemies, thus adding to his fabulous wealth and power.  

When the Gargoyles learned of how they had been tricked, Xanatos took steps to attempt to destroy them.  Xanatos and his agents battled the Gargoyles on numerous occasions yet ultimately bartered a temporary truce so that they could pool forces to take on the more pressing threat of the evil Demona.

Actor, saxophonist and erstwhile starship captain, Jonathan Frakes, provides the voice for David Xanatos.  The unscrupulous cad first appeared in the second episode of the Gargoyles animated series, airing on October 25th, 1994.  

[number9robotic]

Random personal character/worldbuilding

I wanted to design at some point an original roster of fighting game characters and my life spiralled out of control thinking of new ideas so I gotta share what I got:

Pitch: It's about a group of superpowered teens who get sent to a school training them how to be good superVILLAINS.

Slightly more specifics: The world is like ours but there are supers around. There exists a school for "superpowered opportunists" that is ostensibly to raise up-and-coming supers but is very transparently corrupt and just a legally-permissible way to raise future allies to whatever mustache-twirling nonsense they have cooking up. The students are sourced from all over the world and are mostly good kids, but they have wild powers to deal with that are very easy to look at and go "yep, they're born to join the dark side."

Character list at the moment:

"Anti" (Canadian), timid but ambitious, well-behaved, reasonably "normal" kid from the suburbs who discovered that their shadow is alive, and can rise up and kill people. Was involuntarily sent to the school by their parents who believed it would be a good fit, for better and for worse. Now basically trying to survive. Fights with a quarterstaff, shadow deals its own attacks, turns staff into a scythe and other scary sharp things, wants its host to join in the fun.

"Hellgirl" ("Eastern European"), a princess to an impoverished noble family who -- in a desperate bid for power -- sacrificed her as part of a draconic ritual, with her coming back as this cursed half-dragon that has to be bound in magic tampering chains to stop her from ripping peoples' heads off. Genuinely a proper lady and actually kind of a sweetheart when lucid. Requires a buncha physical accomodations but can still fight even when in chains. Also, breathes hellfire. Cool beans.

"Smoggy/The Vigilante Smog Monster" (Australian), a living swamp monster summoned by an Aboriginal tribe who believed him to be a guardian spirit, and though he had no idea what they were talking about, he remained their guardian until he was separated and stumbled into scouting agents for the school. Shifts between a gross, sludgy humanoid form and horror smoke with the power of ancient wooden masks he keeps around him. Huge and imposing, but surprisingly a pretty swell dude.

"IDKYS/I Don't Know You, Sorry" (Filipino), aspiring would-be idol whose voice has overpowering hypnotic properties -- got enrolled in the school in order for her to develop her skillset without it. Ostensibly like a "cute mute" sorta scholarly student, actually very, very salty. Wears a cool mask that converts her voice to text and then back to into monotone text-to-speech (for safety reasons), is also rigged to an amplifier mic on a stand that she wields like a mace, has the power to blast people apart with SFX.

"Twintails" (Japanese), a transforming kitsune wizard/ninja who is two separate people from different secretive clans in one: a male wizard and a female ninja, who got "fused" together by a trickster yokai that caused them to share the same body, swapping between identities whenever they sneeze. They're both aware of each other and hate each other, habitually accusing the other for being the imposter yokai cohabiting their body, but are forced to work together to make it work.

"Metal Alice" (French), what was once the innocent young daughter to a supervillain, who perished following his last evil plan gone wrong. After attempting to resurrect her, Little Alice's spirit was "restored" into an old doll-like animatronic, which is itself now a walking portal to the ghost dimension. Is able to draw various weapons of phantasmic metals out of her body, from speared parasols to chainsaws. The "cute" kind of scary!

"Magnum" (American), the newest cyborg prototype from a company for mad scientist tech, designed of indestructible metals. Has the power to explode virtually any joint in his body like a bomb before automatically reassembling. Does it to fire his fingers/arms like projectiles, and is also a grappler. Was sent to the school to fix his raging ego problem. Speaks and dresses like a cowboy and has a nice hat. Deal with it.

"Hotshot" (Chinese), a guy who thinks and acts like he's the "shotoclone" protagonist of a normal fighting game (arrogant young martial artist with fire powers and always rearing for a fight), but is too arrogant to realize that this isn't the kind of story he's in (and also that he's a jackass). Despite this, he's very popular by way of the popular jock/bully who's a total dickhead but also so cooooool, and definitely the best student at a straight-on fight.

"Vioelectrolysis" (Motswana), a mad scientist in training who just LOVES making her crazy super-chemicals technicolor and do weird and unexpected things. Carries a bunch of it around in this modified fire extinguisher/gas tank that she can use to spray various super-fluids or swing around like a flail. Has a gas mask for her own protection; may or may not have mutated herself with something cool at some point.

"Marmaron" (Greek), an incomplete statue of a marble-like material that accidentally came to life while being made by a mysterious artist that Marmaron proceeded to kill, supposedly in self-defense. Doesn't have a face or a finished hand, splashed paint where his face should be to look even scarier presentable. Has the power to turn people into stone, but only temporarily. Spends his time minding his own business with painting and poetry, doesn't mind that everyone thinks he's creepy as hell.

[nipotazzi]

Symphony in Fortissimo Agitando - Chapter 2:

Pearl went ahead inside of the building before them, because she wanted to make sure that it was actually safe. Thanks to a quick scan, the drone confirmed that the place was devoid of living creatures, and thus invited the others in.

“House’s clean. Get inside!”

Acht and Eight quickly obeyed, and after passing through the hole, they finally felt somewhat safer. Eight was about to help Marina sit on a pile of snow, but before she could do that, her eyes had suddenly lighted up, scaring the young octoling.

“Asset manipulated without authorization: repairing node function activated.”

“Uh? Wha-”

Before Pearl could end her sentence, they all saw how the debris of the fallen wall started flickering, and after a few seconds, reassembled themselves back onto the place in which they belonged. Any damage dealt to it had been restored almost instantly. 

Darkness quickly fell upon them, with only Marina and Pearl acting as illumination through their unnatural luminescence. They all immediately looked in the direction of the octoling at fault, worried expressions forming on their faces. Acht instinctively made a dreadful expression, and when they realized it, immediately forced themselves to a neutral expression again. The low visibility allowed them to hide it just in time.

“Uhm… Eight?

The scared girl looked at her robotic adoptive figure, pleading with her eyes. 

“Put her down… and come here, very slowly… we’ll… we’ll figure something out…”

Eight slowly let go of Marina, who had already started moving into a fetal position on the ground. The Agitando made her rock back and forth, repeating the same phrase over and over about how a user was necessary to fix a poorly explained issue. 

Acht, Pearl and Eight were now in the corner, confabulating on what happened and on what they could do to help, checking up on her at a steady pace.

“So… we all agree that she sounds an awful lot like a computer, right?” Acht intervened, “No emotion in her voice, typical software-to-user lexicon… ”  

The drone and Eight nodded. They were knowledgeable enough to recognize at least the basics of computer language, but this did not lessen any amount of the worry that they were proving.

“But that's impossible! With the tower gone, it should be over! She can't be…”

“Then why is she still talking like a DOS screen?”

They all turned around to look at her for a moment, and then returned to face each other. 

“...a DOS that seems to be inputting their own commands independently too… Marina still has the master control on the simulation, but she’s not herself: there couldn't be a more dangerous combination at the moment.”

“Wait, are you saying that…?”

“Look… best case scenario, this is just the result of having all of that data flow through her brain. She might come back to her senses, eventually, but If that's not the case… I fear that whatever that contraption might have done, it's still here. Inside of her."

Fandom: Splatoon

Rating: Teen And Up Audiences

Warnings: Creator Chose Not To Use Archive Warnings

Relationships: Marina/Pearl (Splatoon), Agent 3/Agent 8 (Splatoon)

Characters: Pearl (Splatoon), Marina (Splatoon), Dedf1sh | Acht (Splatoon), Agent 8 (Splatoon), Order | Smollusk (Splatoon)

Additional Tags: Splatoon 3: Side Order, I Wrote This Instead of Sleeping, References to Canon, Angst with a Happy Ending, Alternate Universe - Canon Divergence, Inspired by Tumblr, I think that they had it too nice in canon, Nightmare Fuel, Female Agent 8 (Splatoon), Traumatized Agent 8 (Splatoon), Marina and Pearl Adopt Agent 8 (Splatoon), Smollusk has been adopted

Summary:

Marina has been rescued from the top of the tower, everyone is "fine", and even if this new AI seems threatening, it's not their problem to deal with. Eight and Pearl have just saved the day... right?

Sorry, but the Agitando begs to differ.

Reblogs are always appreciated, and feedback is too.

[gaycrouton]

Mulder’s first and last lines in every season of The X-Files - a thread ✨

Season One

Sorry, nobody down here but the FBI's most unwanted.

I'm... not going to give up. I can't give up. Not as long as the truth is out there.

Season Two

We wanted... to believe. We wanted to call out.

Oh my God Scully, what have they done?

Season Three

My sister? Is she here?

First I want you to come somewhere with me. I want you to come with me to see my mother.

Season Four

How do I know you're for real?

What the hell did that guy say to you, that you believe his story!?

Season Five

I've held a torch in the darkness to glance upon a truth unknown.

This was all strategized – every move. I just couldn’t see it. It was all part of a plan.

Fight the Future

Where are you, Scully?

You were right to want to leave me! You should get as far away from me as you can! I'm not going to watch you die, Scully, because of some hollow personal cause of mine. Go be a doctor. Go be a doctor while you still can.

Season Six

Using a process that restores moisture to the documents and by a reassembling of fragments I should be able to recover a large percentage of the case material that was destroyed in my office fire several months ago.

Scully!

Season Seven

They're coming.

Not exactly sure, sir. But, uh… budgetarily, I'd say we're looking pretty good.

Season Eight

Scully! Scully!

I think what we feared were the possibilities. The truth we both know.

Season Nine

No! You're dead.

Maybe there's hope.

I Want to Believe

What's up, Doc?

But let it try.

Season Ten

My name is Fox Mulder. Since my childhood, I have been obsessed by a controversial global phenomenon.

Agent Miller is also in trouble.

Season Eleven

She must’ve fallen. It’s me, Scully. Can you hear me?

That’s impossible.