#again pride and prejudice trope

[bellaroles]

Finished reading the Regency Buck for the second time. Hmm...this couple dynamic really reminds me of the one in Crown duel.

[akelafang]

Honestly this is why I have an issue with Kate and Anthony in Bridgerton. I do not believe there was a moment where the two of them grew to respect each other, understand each other. Was there an attraction? Yes. Was there lust? Hell yes. Was there love? I doubt it.

We know they're perfect for each other because we the audience see how they are with their families, we see how similar they are and how they can make each other better but do they the characters ever have this moment of realisation? Cause if they did I missed it in both my watch-throughs. To me it feels like all their interactions were fueled by lust instead of love and they lucked into the love part, mostly off-screen.

Now season 3 Kate and Anthony are an entirely different case. I fully believe they are in love and Anthony is wrapped around his wife's finger but that's because they act like entirely different characters towards each other. They act like people who want nothing more than to be in the other's presence instead of people who just want to fuck the other's brains out.

Lust is not love and I wish media, and people in general, would stop treating it as the same thing

I'm actually a huge fan of enemies to lovers because I do think it's hot but to be clear "enemies to I think you're attractive and that's overcoming my hatred of you" sucks ASS the trope is about growing RESPECT and GENUINE AFFECTION the POINT is that they always found each other attractive but it doesn't MATTER until they also have a solid relationship built on trust respect and friendship!!!!! Do you understand my vision!!!!

[gloomwitchwrites]

What if prompt for the 141: In the Rain

"It's pouring rain, why are you here?" Or something to this nature. I love a confession in the rain, stuck in the rain, kissing in the rain, all of it! Lol

I too love a good confession in the rain. That final scene in Pride & Prejudice is still peak confession in the rain trope for me. I think about it all the time. I think about it on repeat. I want it tattooed on my eyelids. When I think "in the rain," I think of that scene.

So, these aren't smutty by any means but one (maybe two) have some spice to them. They are full of love and longing. There are emotions, angst, and lots of kissing. It's our soaked to the bone 141 boys confessing their hearts in the pouring rain.

For the masterlist and how to submit your own request, click HERE

Task Force 141 x Reader

Content & Warnings (per the warnings MDNI): swearing, brief mention of alcohol, suggestive themes, grief/mourning, love confessions, kissing, emotional hurt/comfort, feelings, intimacy, non-descriptive sex

Word Count: 3k

ao3 // taglist // main masterlist // imagines & what if masterlist

John Price

There are few things that John Price indulges in.

Cigars. Whiskey. The thought of you as his woman.

That last one plagues him. It burrows in. Makes a home every night to flood his dreams with images of you. John awakens each morning with you on his mind—and then you linger the rest of the day, crawling forward to say hello when he least expects it.

John sits on a barstool in a dive bar, contemplating life in the bottom of his whiskey glass. It’s the middle of fucking nowhere, but that’s the point. This isn’t a celebration or a job well done. This is a “thank fuck it’s over” drink.

The dive bar is dark and smoky. A jukebox in the corner endlessly rotates between eighties rock and country music. Next to the jukebox is a pool table where a group of three play. Otherwise, the place is entirely empty.

John knocks back the rest of his whiskey, signaling the bartender for a refill. He’s only half-listening to the conversations around him.

Laswell, MacTavish, Garrick, and Riley are all here. Simon is silent, staring off into space as the other three have an animated conversation. You’re here too, sandwiched between MacTavish and Riley. You’re not speaking, but you are listening, nodding your head at all the right moments.

But you look tired. Like you’re about ready to pack it up and call it a night. It’s deserved. This mission sucked. It was brutal. Tough. A complete shit-eating stink of a job. You aren’t part of the team. Not really. Laswell dragged you in last second, and John is happy that she did. Otherwise, he’d never have met you.

And that would be a tragedy.

John only has eyes for you. It is a sweet tooth that cannot be satiated. He’s been a bit reserved in how he’s approached you, but you always have a soft smile for him or a cheeky remark. It’s devolved into flirting at times, and at points so blatant that everyone else chimes in.

“I think I’m gonna head out,” you yawn, pushing your empty glass to the edge of the bar. The bartender walks by and snags it, whisking it away to be deposited into the sink.

This is it. You’re about to walk away. John will likely never see you again unless Laswell decides to call on you. This might very well be his only chance.

You slip off your barstool, and John abruptly stands, his leg smacking into Laswell’s stool. Everyone—including Simon—turns in John’s direction.

He coughs. Clears his throat. “I’ll walk you to your car,” he says quickly.

MacTavish smirks and elbows Gas in the arm. The two men exchange a knowing glance before they both raise their eyebrows at John. MacTavish even shakes his shoulders a bit. John shoots them a cold look over your shoulder. They stifle their laughter behind their glasses.

You don’t notice at all. Your focus is on John, and that’s exactly how he wants it.

The entrance of the dive consists of one interior door, a small entryway, and an exterior door. As the two of you enter the small entryway, a crack of thunder erupts overhead. You pause, staring out the small window on the exterior door. It’s not pouring, but the rain is steady. Getting caught it in for any period of time will likely result in soaked clothes.

You turn slightly in his direction, and John is suddenly aware of how cramped the space is.

“You don’t need to walk me to my car,” you say softly, gesturing toward the downpour. “Not with the rain.”

John shrugs. “I want to.”

It’s true. He does. But there is an ulterior motive here. This is his one chance to have a final goodbye or a new start.

You smile softly, gaze flicking down to the floor before returning to his face. John’s cheeks heat—and it’s ridiculous. He’s a grown fucking man. He doesn’t get flustered. But this space is small. It is far too cramped. John is nearly on top of you.

Beneath those long eyelashes are your gentle eyes. It’s a look you only give him. Your lips part slightly. They’re gorgeous. You’re gorgeous. He wants nothing more than to lean down and close the distance.

“Okay,” you reply with a teasing laugh, opening the door.

The earthy scent of rain hits him first and then the pattering of the falling rain comes next. You slip out the door and stand close to the building under the small awning, attempting to stay out of the rain. John follows behind, coming up next to you.

Your smile is sweet as you gaze up into the dark sky. But then you turn to him, and that smile morphs into something devious.

“Should we race to the car?” you ask, as if conspiring.

John grins. “Think you can beat me?”

You laugh. “An old man like you? Absolutely.”

John can’t help but smile back, nudging you with his elbow. “Not that old.”

“What do I get if I win?” you ask, turning to look at him.

“A kiss,” says John automatically. It rolls right off his tongue. There is no way for him to take it back. And he doesn’t want to. “What do I get if I win?”

You wait a beat. And then answer.

“A kiss,” you reply slowly.

A kiss.

John blinks, his mind momentarily stuttering out. Your grin widens, and then you’re off, sprinting into the rain and to the car.

John nearly trips as he jogs after you. The gravel is slick and the rain splatters against his jacket. He isn’t all that interested in racing. John is only watching you, and the way your ass bounces as you make for the car. Your curves are lovely. He imagines opening the rear door and pushing you into the back seat, only to drag you into his lap to take whatever he wants.

You make it before he does, but John is right behind, nearly sliding to a stop in the wet gravel. You turn toward him, grinning. Pieces of hair stick to the sides of your face. John cannot help himself. He grabs the back of your neck and draws you in.

You don’t resist. You surrender.

John’s mouth crashes against yours and you open beautifully for him. There is no one kiss. There are many. Multitudes. It is endless. It is rain-laced. Whiskey-drenched. John might have the buzz of alcohol in his veins but you are quickly replacing it.

Your lips part and John slides his tongue inside. Your hands grab at him, fingers digging in. The two of you are pressed together, rain falling to drench clothing and skin.

With a low groan, John pushes you up against the car, intensifying his kisses. You eagerly greet him, accepting them all, returning them in equal measure. You are just as desperate. Just as hungry. Time is an illusion—and it isn’t until you shiver beneath him that John pulls away, aware that the two of you are now soaked through.

“Why are you still here?” you ask.

“You don’t know?” he replies, his hand cupping your face, thumb brushing against your bottom lip.

“It’s pouring, John.”

“I know.” You smile, and John goes in for one more kiss. “Do you not feel this? Am I the only one?”

You shake your head. “I feel it. Everywhere, John. I feel you everywhere.”

“Let’s go. Get out of here.”

“Right now?”

John’s grip tightens and you gasp, hips pressing against his.

“Right now.”

Simon "Ghost" Riley

The rain is light but steady. It falls from the cloudy sky to patter against your umbrella.

The graveyard is empty, and yet you knew Simon would be here. He always is on the anniversary of Johnny’s death. Like clockwork. It’s routine for him. A ritual.

Simon’s back is to you, his head bent as he stands in front of Johnny’s grave. There is no body there. It’s ornamental. Something for family and friends. There are fresh flowers next to the headstone.

You have no idea how long Simon has been out here. Simon has no umbrella with him, and the hood of his jacket is off. He’ll catch a chill like this, which is why you came. Seeing him like this is always difficult, and since Johnny’s passing, Simon has grown more attached.

He is always checking in on you—always near. You’d call it protectiveness but it feels more like obligation. A duty. Most days, Simon appears to be on the cusp of telling you something, revealing a secret that he’s itching to confess. You don’t know what it might be. Couldn’t take a guess. But you have thought about it. You have imagined all sorts of possibilities.

The two of you are always finding the other. Always reconnecting. Always reaching out. If it’s not him, it’s you. Perhaps it’s Johnny’s death that has brought this on. Whatever it might be, Simon is closer to you than he’s ever been, and sometimes it frightens you.

It feels like more.

“I brought you an umbrella,” you say to Simon’s back.

He turns slightly, glancing over his shoulder. Simon’s gaze sweeps from the ground and then lands on you. His hair is wet and droplets of water speckle his face like freckles.

Simon fully turns toward you.

The rain picks up a bit, soaking Simon further. You rush to him, holding your umbrella over his head, cutting off the rain. The two of you stand under it in silence, simply staring at each other. Time stretches, and then Simon’s hand rises, wrapping around your own where you hold to the handle.

“Why are you here?” he asks.

You swallow, and gather your courage. “You shouldn’t grieve alone.”

Simon’s brow softens. “I’m supposed to be the one looking after you.”

“I never asked you to,” you reply.

“But Johnny did.”

You start, eyes widening slightly. “What do you mean?”

Simon licks his lips. A droplet of water drips from the tip of his nose. “I made a promise. To Johnny. I made a promise to him.”

“What promise?” you whisper as the rain picks up more. The rain strikes the top of the umbrella in loud patters that nearly drown out your voice.

Another droplet falls from Simon’s nose. He leans in slightly, and the movement is confusing. It’s too intimate, like he wants to close the distance.

“I promised that I would—” he abruptly cuts off, swallowing. Simon’s gaze darts from your eyes to your lips and then back again.

“What is it, Simon?”

He sighs. “Fuck it,” he growls, shredding any distance there might have been between your bodies.

Simon claims your lips, kissing you so completely that you’re momentarily stunned. You taste the rain. Mint. A slight hint of smoke. You return the kiss, not pushing him away or pulling back. You open for him, accepting it all, and Simon continues to take, his free arm wrapping around your waist to draw you closer.

Even though he’s drenched, Simon is incredibly warm. It’s unfair how he can be an inferno in this downpour.

The graveyard is forgotten. The rain is a distant. There is only Simon’s lips, and the groan he makes when you return each kiss in equal enthusiasm.

Simon goes in for a quick nip before drawing away. It leaves you breathless and wanton.

“Was that part of the promise?” you ask, only half-joking.

Simon shrugs. “In a way.” You arch an eyebrow and Simon smiles softly. “I told Johnny I’d make a move. And now I have.”

“Yes,” you agree, heat blooming in your cheeks and your core. “You have.”

Kyle "Gaz" Garrick

There is no turning back.

You made a choice. Kyle made a choice.

This is how it is.

You don’t want to be at the airport. You don’t want to leave. This entire situation is shit. But Kyle seemed willing to let you go. He’s not here. He didn’t beg you to stay. He didn’t try to convince you that all he wants in life is you.

That’s all you need. To be wanted. To be loved.

After all of this—after everything, and Kyle isn’t here.

You’re not mad. Not really. You are both adults. You both have made a choice. Just because you don’t like something doesn’t mean you don’t understand. Because at the end of the day, you do. Truly.

Sighing, you haul your suitcase over the curb and on the sidewalk. The Uber that brought you here is already pulling away to go pick up someone else. The airport is packed on the inside, and the rain that falls from the sky in sheets. You have a coat, and the hood is up, but what you really need is an umbrella.

Already, you feel the water seeping into the unprotected places. Rain does that sometimes. Trickles in where it isn’t wanted.

You start to pull your suitcase behind you. A wheel catches in a small crack, and it nearly takes you down with it. Stumbling forward, you put a hand out to catch your fall. You expect your bare palm to land on concrete. To burn with pain.

But you don’t make it to the ground. You don’t touch it at all.

There are arms around you. They are strong. And somehow so damn familiar it’s frightening.

Then, you’re being lifted, guided back to your feet. Those strong arms ease you onto solid ground, and then you’re turning to thank the stranger that’s saved you from falling face first into the concrete.

But it is no stranger.

“Kyle,” you breathe, staring into the face of the man you’ve loved for years now.

Something breaks. Shatters.

“What are you doing here?” you ask.

Kyle hasn’t let you go. His arms are still around you. Your hands grasp his biceps, and his jacket is slick with rain. His hood is not up. And yours has fallen at some point. Already, the rain is soaking your hair. Strands of it stick to your face.

“Coming to right a wrong,” he says. Your lips part but Kyle shakes his head. “I’m sorry. I didn’t fight hard enough. I let you slip through the cracks.”

Kyle draws you in a bit closer. The people passing by and the cars are distant.

“I should have told you ‘I love you’ every day. I should have been present.”

“Kyle—”

Your next words are stolen. Kyle closes the distance, and then you’re wrapping your arms around the back of his neck, sinking into the kiss.

You can’t leave now.

You can’t.

John "Soap" MacTavish

The rain falls gently from the sky.

Johnny grins, staring up into it, opening his mouth. His tongue is out to capture the droplets. You laugh, and wrap your arms around his shoulders, going in for a quick kiss on his cheek.

As you draw back, one of Johnny’s hands shoots out, snagging your arm. You playfully yelp, and swat at him, thinking that Johnny will let you go. He’s flirty, and sweet, but there is nothing more to it.

At least, you didn’t think so.

But Johnny’s gaze is heated, and the way he holds you against him is far too intimate to be anything other than what it is.

“Johnny,” you laugh, trying to play it off, but he remains firm.

His smile faulters slightly but it’s not a frown. It’s a heated stare. His gaze is on your lips, and you can see the desire there. What would happen if you went for it? If you kissed him?

“What are we doing?” he asks. “Can’t I have you?”

Startled, everything leaves your head. “What?”

Johnny’s gaze flicks up, and those gorgeous eyes drown you—submerging you in his depths. “Why are we stepping around this? We want each other.”

You do want him, but you thought it was mostly one-sided.

“Is that what you want?” you ask, softly.

Johnny smirks, and then he’s lifting you up into the air, placing you on top of the low stone wall. “Should I use my words?” he asks, fingers sliding underneath your rain-drenched shirt. He is warm, and his touch heats your skin. “Or should I show you with my body?”

Johnny nips at your bottom lip as his hands ascend. One slides between your breasts just as his lips meet yours. Your core clenches, and then you’re grabbing for him, touching him as much as he’s touching you.

The two of you are in the Scottish countryside. There are no people around. Just the two of you, and rolling green hills.

Johnny slots himself between your legs, and you reach beneath his kilt, finding him hard and wanting. He hisses, and then groans when you stroke him.

Everything is warm. Everything is rough.

It doesn’t matter that it’s raining, or that it’s a bit cold. You allow Johnny to shove articles of clothing aside, to find the places where you’re needing him to be. His touch is a brand, and you love how it feels, pulsing through your loins like an overheated engine.

“Johnny,” you gasp into the rain, fingers threading through his hair as he goes to his knees to taste between your thighs.

There is only heavy breath. A twisting of pleasure.

When he finally brings your bodies together, there is nothing but him. Nothing but you. Just two people finding each other.

The rain is nothing.

It isn’t even cold anymore.

Johnny is all heat. And you are burning for him.

taglist:

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@enarien @saoirse06 @ferns-fics @unhinged-reader-36 @miss-mistinguett

@ravenpoe67 @tulipsun-flower @sageyxbabey @mudisgranapat @ninman82

@lulurubberduckie @leed-bbg @yawning-grave81 @azkza @nishim

@haven-1307 @voids-universe @itsberrydreemurstuff @spicyspicyliving @keiva1000

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@arrozyfrijoles23 @gingergirl06 @eternallyvenus @smileykiddie08 @vrb8im

[ashfae]

The thing about romance is, it makes a good story.

As soon as Neil described season 2 as "quiet, gentle, romantic" I figured we'd be in for it, because as he's the first to point out, writers are liars. And the best way to deceive is with truth.

Season 2 is romantic. The trappings of romance are everywhere. Crowley tries to set up Nina and Maggie by trapping them under an awning during a rainstorm, a classic cinematic bonding technique. Aziraphale's chosen method comes from his beloved books: the ball, the dancing, appearing as a pair in public, hands held as you twirl gracefully with your heart thrilled and racing. If they can set up a sensational kiss that will unlock the happy ever after. They've lived on earth, they've studied the tropes, they know how romance works.

The problem is a story is only a story.

Nina and Maggie had the classic romantic setup completely by accident before Aziraphale and Crowley ever began trying to interfere with them. They get locked in Nina's coffeeshop. They can't escape or communicate with anyone else, they end up talking by candlelight because there's no electricity, Nina offers wine. Maggie mentions how she'd hoped for a chance to talk to Nina, and now here they are. It's every bit as much a standard as what Aziraphale and Crowley attempt to arrange. Blanket scenarios galore exist because of that starting point. We love that story. And there's nothing wrong with that.

But it's still only a story, it's not enough. Because once that moment of connection is over, however lovely it was, all the rest of the world comes flooding back in in the form of dozens of angry text messages. Nina's messy entrapping relationship hasn't magically gone away just because she and Maggie shared a romantic encounter.

And it's so tempting think oh well, that's easy. We'll just give them more romantic encounters and eventually those will overwhelm the rest of the baggage. Must do, because it'll make them fall in love, and once they realize they're in love that trumps all other considerations, right? So it'll be fine. Love Conquers All.

Neil also mentioned Pride and Prejudice.

Darcy knows he's in love early on and makes a disasterous proposal that shows that he has no understanding of Elizabeth's perspective, possibly hasn't even thought about it. They've been meeting in forest lanes for walks, conversing, had tete-a-tetes in the sitting room, danced at a ball. And while his turn of phrase isn't as flattering as he thinks, he's still offering her everything he thinks she wants and needs: affection, security, his good name, wealth, an escape from the embarrassments of her situation, the world. How can there be anything to object to? Why would anyone ever refuse so much of value?

Elizabeth quite rightly cuts him to pieces. He lashes back with a few hard truths of his own and they separate. During that separation, he thinks and he learns. He takes to heart the criticisms she offered, re-examines his assumptions, opens his eyes. Thinks about her perspective and how sometimes the only difference between pride and arrogance is where you're standing. He does the work. When they meet again he tries to demonstrate that he's learned--not in order to court her again (yet), but because the only real apology he can offer, the only one that would have weight, is to show that he's grown, he listened to her. He changed.

Elizabeth of course has her own journey, accepting that many of her own conclusions about Darcy were erroneous because they were formed without her having the full picture to hand, and once she's done that she has to apply it to her own situation as well. She loves her family, but they do place her at a disadvantage on a number of levels, leading eventually to full-out disaster as her younger sister carelessly ruins all of their reputations. It's hard to admit, it's mortifying, but Darcy was offering her a great deal she needs. His offer did have worth for all that she dismissed it as an insult. And as she learns to value his own character more highly, and then as she sees that he did listen to her even though she insulted him so thoroughly...well, she grows too. And when they do eventually come together it's not because of courting and balls. There's a big romantic gesture in his rescue of her sister but even that isn't why they'll get their happy ever after. It was just the catalyst for the conversation. They win because they've learned how to understand each other and how to communicate for the future. How they can strengthen and support each other, how to balance their strengths and weaknesses. The films leave them at the wedding, but the book shows a bit of their marriage too, and during it they keep learning from each other. Their relationship is held up as a superior love story for good reasons.

The end of season one was romantic too. Crowley stopped time rather than face a world where Aziraphale would never speak to him again, Aziraphale walked into hell to protect Crowley, they dined at the Ritz and toasted the world. But then they stopped. Sure they spent time together, talked, enjoyed each other's company. But if they were talking about important things would Crowley still be living in his car? They had a bit of respite but all that real world baggage that exists outside of the romantic moment hasn't been faced, none of it. Four or five years sounds like a long while but for beings who are quite literally older than the earth? That's just an intermission.

Nina's relationship ends, leaving her with a tangled mess; Maggie realises the sweet dream of love she's been longing for isn't as important as the real Nina. They talk. They plan. Nina will sort through her life, get closure, figure out what went wrong with Lindsay and what she wants from a relationship, learn how to ask for respect instead of just bending under her partner's demands. Maggie will support Nina the way Nina needs, which sometimes means helping her get oat milk for the shop and sometimes means giving her processing space. They're on the same page; they're going to do the work. That's why most likely they'll succeed. To quote one of my favourite fanfics: it's not happily ever after, but it's a chance. It's all going to be okay. (The Profane Comedy by Mussimm, who absolutely nailed this theme)

The romance is nice, it's lovely. We need it to keep ourselves going. To give ourselves the dreams that help us get through the days and nights. But it's not the relationship. It's not enough on its own. The wedding can be the grandest most beautiful ceremony ever with doves flying and sweeping music and bells ringing, but that doesn't guarantee the marriage will last.

Crowley and Aziraphale have had their romantic gestures, oodles of them. One wing raised to protect the other from falling stars, another from rain. Shared ground, shared interests, hands offered in friendship and held on a bus. They've tried to get to the same page, they really have. They just aren't there yet. The biggest most important things still haven't been talked about, and season 2 showed there are even more of those big important things than we'd realised.

The show paints Maggie as Aziraphale's foil and Nina as Crowley's, even to the point of Nina casually calling Maggie 'angel'. But Aziraphale's baggage is Nina's. The toxic relationship has to be processed and understood and closed, and it hasn't been, despite season one. Lindsay never really liked Nina very much, for all that they tried to keep her trapped; Heaven never really liked Aziraphale very much for all that he believed in it. They both let themselves be used. But Lindsay left Nina and went to their sister's, whereas now the head of Heaven has reached out to Aziraphale and said here, we can fix this, you can fix this, don't you want to fix this? Others are already writing about that and maybe I'll add to it later, not sure. And Crowley, like Maggie, has had a sweet dream that he has to set aside. Maybe he'll be able to pick it up again eventually, maybe not. But sometimes you offer support by buying oat milk or rescuing your beloved from the legions of hell, and sometimes you do it by standing back while they sort through their shit.

Quiet, gentle, romantic. It was.

But that's only part of the story. Now they have to do the work. They thought they had, but they were wrong, because there's so much they just hadn't touched yet and tried to cover over with relief and sleight of hand and alcohol and forgiveness. The apology dance doesn't mean much without showing that you listened and learned. They've faced so much trauma already and that should have been enough, we wanted it to be enough and so did they and it's such a blow for it to turn out that there's still more to do, that the baggage hasn't just gone away and can't be hidden under blankets or soothed with cocoa. The texts are still coming in and demanding answers.

But it'll be okay. It will. It's still a chance. And one that in the long run makes them better, builds something real that lasts.

The best stories, the ones that last longest and become classics, are the ones that don't end with the kiss under the awning or the blanket scenario or the wedding. They're the ones that heal us while the characters heal themselves. It's hard to accept that there's still more to do. Harder to imagine how it can possibly work out. And yes, bloody frustrating to wait and see.

And we'll get through that interim by telling even more stories. Because the story is never just a story. It's how we get through the work, it's what we tell ourselves so we can do the damn work. Stories are what we cling to and how we remind ourselves we're human and connect. A book is a person you can carry with you. We're not alone, none of us, stories connect us because we love them and see ourselves in them, which means we see each other.

Aziraphale's back up in Heaven to deal with his unfinished baggage; Crowley left his behind long ago and it's clearly going to come back and bite him in the arse however much he tries to go his own way. And they can't help each other with that. Not yet.

But they'll get there. So will we.

[midnightorchids]

I feel like Jason and reader are the epitome of the “Person A thinking they are unlovable and Person B loving them like breathing.” trope. Honestly both ways.

You’re so right omg!! I thought about this idea all day yesterday and couldn’t help but write something! Thank you for the inspiration! It’s a little rushed, but I hope you enjoy.

For the longest time, it felt like Jason was drowning.

His mouth was below sea level and he was gasping for air, with every breath, there was a bead of water making its way to his lungs, suffocating him. His grief was suffocating him. Jason spent years trying to find himself again after the pit, but every attempt proved fruitless. He tried to love himself, his new body, his new life, but nothing worked.

He turned to his books and he'd let them lie to him. Tell him that after every storm there would be a rainbow, that things would get better. But it didn't feel that way for Jason. His life was a snow storm and there were no rainbows. Just big grey clouds and a sinking feeling.

His chest felt heavy on most days and every breath was a sigh. The sadness was gnawing on his insides and it hurt. He wasn't supposed to be here, he wasn't supposed to come back.

No one could love him, Bruce couldn't love him. His father, the man he looked up to, the man who was supposed to be his guardian.

Nothing could save him. There was no saving for Jason.

All this love in the world and yet, none of it was for him.

That was until the unthinkable happened.

It started out like another normal day in Gotham. The city's cold breeze bit Jason's nose and finger tips. He flicked his lighter with a small 'click' and brought it close to where his cigarette sat between his lips. He took a long drag of the stick and exhaled softly. He stared at the grey sky and then opened his copy of Little Women. He sat on a bench near his favourite bookstore and that's when he heard it. A voice so soft, he almost missed it.

"I love that book," the voice spoke again and this time he turned his full attention towards it.

There, on the opposite side of the bench sat a person, clutching a copy of Pride and Prejudice. His favourite.

He studied their face for a minute before letting out a sigh of relief. The person looked much like him, eye bags, bitten lips and messy hair. But unlike Jason, their eyes were warm and inviting. 

Intoxicating, he thought. He needed to know more.

“Yeah,” he said, “is it any good?” 

The stranger smiled gently and nodded, Jason couldn’t help but smile back. 

The brief conversation blossomed into something Jason would’ve never imagined.

You made loving Jason feel like it was easy. You made him feel safe. 

He grew up on the streets of Gotham, never really having a place to call home. But with you, he never felt that way. You were his home. When Jason was with you, it didn’t feel like his books were lying to him anymore, you brought him peace, a sense of solace.

If Jason was drowning, then you brought him back to shore.

You didn’t necessarily save Jason, but you made him believe in himself again. You never wanted to fix him, he didn’t need fixing in your eyes, you just showed him a different perspective. His dull, colourless life felt full and vibrant when you were around. 

But it wasn’t just you, who made Jason see himself and the world in a different, much softer way. He changed you too. 

All those nights where the ghosts of your past haunted your sleep were now replaced by much gentler thoughts. Your room no longer echoed with your harsh sobs. Jason made you believe in rainbows again and you started seeing the light at the end of tunnel.

He restored your faith in love. He didn’t fix you either, but he made you see yourself in another light. Loving you didn’t feel like a chore to him, he loved you with every fibre of his being and every cell in his body. Loving you was like a breath of fresh air that he didn’t know he needed so desperately.

It was simple really, he loved you and you loved him.

[howdidthisevenhappenanyway]

YES elizabeth and fitzwilliam have a very specific dynamic. also they often make the wrong person the darcy character

i feel like, while pride and prejudice is actually a pretty common au, people sometimes make pairings elizabeth/darcy when they should CLEARLY be jane/bingley

tbh i think at this point a jane/bingley au would actually be more interesting for a lot of fandoms

[rosemariiaa]

besides begging for a part 3.. even though you should give it to us :)

what are your all time favorite fics, i need some recs!! could be old and new

the way i was about to make a fic rec post lol!!

Fic Recs

@pb524830

Right where you left me- This was the first fic i’ve read of hers and i fell in love, the writing is something else i tell you

Pride and Prejudice- 10/10 would read it again it’s sooo good

Moth to Flame- I am loving this series so far , literally obsessed hello?

@imaginespazzi

You weren’t mine to lose- the amount of angst in that is so necessary and i just love it sm

UCLA fic- all time top 5 favorite series

GH- Begging for chapter 11 because i am too obsessed !!

@azzibuckets

For the love of the game- this was something else and i have sooo much love for it, cessa is a queen

Good luck Babe- hurt my heart but i still love it smmm

@thaatdigitaldiary

Open your eyes- ke knows what she is doing and i love it , that had me in awe i tell you

from ms to mrs- YES YES YESS

What Am I to You- YES.

@ohbueckers

two can play that game- i love tropes like these and ju is eating up the chapters left and right

What’s my name?- impatiently waiting on another chapter because that series did something to me..literally

HOAW- new fav fic hello?

@patscorner

Ace of Hearts- i will be harassing pat for chapter 3 don’t worry guys

@sierrale8ne

40 days and 40 nights- i just think this is spectacular and that’s all there is to say

Power trip- this was something else..everything about i adored literally

@mrsarnold

white ferrari- i love me some fics from leila, this fic was teww good i enjoyed it smm!

@cosmopretty

read her new fic on wattpad “her girl” i love it so far!!

i don’t have a specific fic i love because all of them are really good, i would say take your pick bc i’m indecisive!!

@money4martin

the nanny- i’m mostly reading this on wattpad and i loveee it, she’s such a good writer

@lupinqs

firsts- me being a pazzi girl, i loved this fic sm it’s one of my top 5 for sure

take me to church- i love everything about this series, like it’s really just a chefs kiss and it’s relatable too??

@makethemhoesmad

skip this part?- y’all know i love me some angst.. and karly delivered it perfectly with this fic! thank god!

liability- she likes to play with my heart but i forgive her eveytime bc the writing is impeccable, this series was a rollercoaster for me

@sellasstories @heyitssells

Close- i loved this with all my heart ,she’s amazing bye

@d3arapril

Invisible strings- yes.yes.yes.

@azzifuddworlddomination

Casual- my inspiration for my fic because hers i just can’t get over like i love you down 🤗

@bbydoll18xx

don’t even have a favorite, all her fics are chefs kiss and that’s the truth

@kmoneymartini

fics are sooo easy to obsess over hello?? i’m glad she’s my moot too

@wcbblife

all there is to say is yes and go read NEOWWWW

@iminlovewithpaigebueckers

i should slap myself because why haven’t i read any of her fics earlier hello? I FREAKING LOVE THEM?

@bueckersstrap

my sweet baby celeste and her writing 😫 i yearn for it thank you queen

@lovegalor333

chefs kiss EVERY.SINGLE.TIME

@pboogerswbb

my lila baby is on a roll and i need MORE.

@leilanihours

it’s saurrrr good 10/10 i love!!

@luvergirl-866

writing is so teaaa i’m obsessed with the pazzi series <33

@onlyhereforpazzi

love the pazzi fics down!!!

——-

Ao3

Grow as we go- all time favorite pazzi series, i will be reading it again thank you!

Slow falling- i fear the author has given up on us but i will still like to have hope we get another chapter 😞

I’m pretty sure i have more but i can’t remember atm, i will add on as i find and read more fics!! 💌

[sombredancer]

Asian dramas and Love tropes

There are my favorite characters and their love stories as a list. Enemies to lovers

Drama: Her Royal Highness/长公主在上 Characters: Gu Xuanqing x Li Yunzhen Screentime: Main A boy is sent to be a servant in the unruly princess`s palace in order to find some dirt about her and to help his master to overthrown her, but something goes wrong... The HE is attached.

Drama: The Legends/招摇 Characters: Li Chenlan x Lu Zhaoyao Screentime: Main A leader of a demonic sect died trying to get demonic sword. Her soul returns to the world full of wish to get revenge on the current leader of her sect, who, as she thinks, killed her in the past. Found the way to be close to him, she learns that he wasn't the reason of her death and, moreover, desperately in love with her for many-many years. This is an adaptation of the novel "Ostentatious Zhaoyao", which I love more than a drama, but it's a good story in both variants. The HE is attached (although it`s a little bit obscure in the drama).

Drama: Till the End of the Moon/ 长月烬明 Characters: Tantai Jin x Li Susu Screentime: Main A boy who is destined to become a Demon God and to destroy the World tries to fight his doom. In a process, he falls in love with a transmigrator, who was sent 500 years back in the past to prevent his transformation into a Demon God. The irony is,making him falling in love is the only way to kill him for good... It`s an adaptation of the novel "Black Moonlight Holds the BE Script", which I like way-way-way more than the drama, not the least because the drama has BE and the novel has HE. I just watched it as a visually beautiful fanfic to the novel.

Drama: Love Between Fairy and Devil /苍兰诀 Characters: Dongfang Qingcang x Xiao Lanhua Screentime: Main My favorite drama of all times! Trying to save her love, a girl accidently falls into a secret prison for immortal criminals, revives the most fearsome demon of all times and heals his ability to feel. Later, forced to spend his time together with the girl from the enemy camp, the demon finds out that he actually likes her... The HE is attached. I wrote A LOT about them and made recap of the whole drama from the point of their relationship development in these posts: one, two, three, four, five and six.

Drama: My Journey to You /云之羽 Characters: Gong Shangjue x Shangguan Qian Screentime: Secondary In order to destroy the martial artist's clan, a female assassin was sent in there. While she is trying to seduce one of clan's young masters, he tries to expose her lies, but, eventually, falls in love with her. Unrequited. Maybe. This story has an open ending. My analysis of their relationship is here.

Drama: Butterflied lover /风月变 Characters: Ling Changjin x Bao Zhu Screentime: Secondary A wicked nobleman marries a princess because of her miraculous blood: it`s able to bring his zombie sister back to life. The princess allows him to treat her bad because she has been in love with him for a long time and believes he is a good person. Bit by bit he starts believe in it himself and begins to cherish his wife more... The ending is obscure (in a traditional Chinese way).

Drama: The Blue Whisper /与君初相识 Characters: Li Shu x Xue Sanyue Screentime: Minor A cat demon prince infiltrates the valley of demon hunters in order to set free the great demoness, but falls in love with one of demon hunters. Mutually. The ending is traditionally Chinese - they met again in another life. Т_Т

Drama: Immortal Samsara / 沉香如屑 Characters: Xuan Ye x Ran Qing Screentime: Minor An Asura king infiltrates the Heavenly Realm in order to steal the artifact that can help him conquering the world. The keeper of this artefact is a brave and honest goddess and he can't help but fall in love with her. After, he needs to choose: to be with his lover or to rule the world. He wants all at once, but there is no way to get it all. No HE for this pair. Pride and Prejudice

Drama: Lighter and Princess / 点燃我 Characters: Li Xun x Zhu Yun Screentime: Main A girl from a rich family with an anxious type of attachment falls in love with her classmate from a poor family with an avoidant type of attachment and tries to win his heart. It`s a problematic ship in a full meaning of these words and I like it this way. Yummy! The HE is attached.

Drama: Derailment /脱轨 Characters: Qi Lian x Jiang Xiaoyuan Screentime: Main A boy accidently meets his school sweetheart after many years of radio silence and understands that something is wrong with her. It turns out that her body is occupied by a transmigrator from a parallel world. At first he hates transmigrator for replacing his lover, but bit by bit he learns, that a transmigrator has not only the same appearance but the same habits and way of thinking, and falls in love with this new personality again... The story ends with HE but not in a way that you may think it would.

Drama: The Love by Hypnotic /明月照我心 Characters: Li Qian x Li Mingyue Screentime: Main In order to build relationship between two countries an emperor arranges marriage for his son. His fiancée is from a barbaric tribe: she is good at horse riding and archery, but knows nothing about palace etiquette and ladies stuff. It`s a light and sweet story about finding a path to each other's heart. The HE is attached.

Drama: The Long Ballad /长歌行 Characters: Hao Du x Li Leyan Screentime: Secondary A tsundere of a low background with a poker face does his ruthless job in a court, that's why a young princess thinks he is an awful man and is scared of him. But in reality he is a loyal servant and son and, moreover, secretly in love with the princess, who can't stand him... The HE is attached.

Drama: Miss the Dragon /遇龙 Characters: Xue Qianxun x Qingqing Screentime: Secondary A very naïve bird demon girl accidently meets a tsundere god of netherworld and turns his well ordered life into havoc. He starts liking it, though. The HE is attached. Forbidden love

Drama: A Frozen Flower /쌍화점 Characters: Hong Rim x No Guk Screentime: Main A gay king needs a heir, so he forces his lover to conceive a child with a queen. In a process, a boy, who was groomed as a king's lover from his childhood, finds out that he likes women much more than men. A traditional Korean tragedy. Very beautiful and full of feelings, though. (No GIFs because they all would be erotic ones).

Drama: 100 Days My Prince /백일의 낭군님 Characters: Moo-yeon x Kim So-hye Screentime: Secondary An assassin who is working for a wicked court official is secretly in love with a wife of a crown prince, who happens to be a daughter of the killer of his parents. Forbidden love doubles! But it's mutual, unfortunately for him. It's a very beautiful and full of desperation and feelings story. No HE, we die like Koreans. More detailed story of their relationship is available here, here and here.

Drama: The Yin-Yang Master: Dream of Eternity/晴雅集 Characters: He Shouye x Zhang Ping Screentime: Secondary A woman, who is destined to restrain the undying evil within her body for eternity in solitude, falls in love with Yin-Yang master. Her love is mutual, but her lover can't be with her forever, so he leaves with her his guardian demon to brighten her loneliness. Protecting her for ever starts being the only goal of demon's life... A tragedy, but a beautiful one.

Drama: The Legends/招摇 Characters: Gu Hanguang x Shen Qianjin Screentime: Minor "The Legends" once more! The main doctor of a demonic sect is in love with a leader of a righteous sect. A girl is not allowed to love anyone, otherwise she will suffer from the poison, so he anonymously sends her packages of medicinal herbs. She is curious about anonymous sender, too. But nothing can be kept in secret forever... Unfortunately, no HE for these two. In the novel he is safe and sound, but he has no love plotline at all. So is a price of love Т_Т.

I will talk about my other favorite characters and tropes in the next post.

[shmaptainwrites]

Hiiiiii againnn its meee coming back to annoy you again :D

I saw you extended your accepting date until the 9th, and I know I literally just requested something, but would you be down to write a blurb for an angry love confession in the pouring rain? I'm a sucker for that cliché trope, and I love your writing so so much <3

Once again a female reader if you don't mind 😭

bestie you've freaking GOT IT and sometimes cliché tropes are the best, really who are we to judge btw i also put carl davis' pride and prejudice suite iii on repeat while writing this for ~vibes~

Pairing: Fitzwilliam Darcy x fem!Reader

Warnings: scandalous behaviour for the 1800s i guess, minor height description (shorter than Colin Firth and Matthew MacFayden, they're both like 6'2)

The Truth

Normally when the rain was pouring down from above you'd make it a point to look for cover, but what was the point in that anymore. You let the cold water from the sky envelope you, absorb into your skin, soak your clothes. If you just focused on the rain you wouldn't have to focus on anything else.

If it were just you, alone in the world perhaps that would be the case, and although it felt like it sometimes, that didn't mean you'd get peace when you wanted it.

His voice was muffled at first, but you supposed that was your own fault, too focused on other things to bring your mind to hear what he was saying, but as he approached closer you could hear him clearer.

"What are you doing?! It's pouring outside!"

You could hear the urgency in his tone, but couldn't bring yourself to feel it.

"I'm well aware of that," you called back.

"Then why in God's name are you out here?"

He was behind you now, you could tell, his voice so close you could just about feel his warm breath cut past the cold air surrounding you.

You turned around and shook your head with a slight shrug of your shoulders.

"I don't know," you admitted.

"Well come inside then," he insisted, offering an arm to you. "We'll both get sick if we stay out here any longer."

"I don't care."

"You don't care?" he frowned. "What is going on? You don't seem like yourself."

"Lying can do that to a person," you said simply and turned away.

"Lying?" you could almost hear the exasperation in his voice. "Please, I don't understand."

"Of course you don't, why would you? You don't feel the same," you mumbled to yourself.

"I really must insist you explain what is going on," he said quite firmly.

"I can't!" you shook your head and wrapped an arm around your waist, the other covering your mouth. "Please, Mr. Darcy, just...just leave me."

There was silence for a moment and you thought maybe he head left, the downpour masking the sound of his footsteps, but then a voice spoke up.

"No. I will not leave you."

"What is it you want from me?" you turned back to him again and asked angirly.

"I want the truth."

"The truth is that I love you!" you looked down at your feet, knowing you wouldn't be able to meet his gaze. "I love you and I don't think you feel the slightest ounce of that towards me."

"And what would give you that impression?" you heard the squish of wet grass and mud beneath his feet as he came closer to you. "Because if I, in any way, have made you feel like that, it must be rectified."

You finally looked up at him, tears mixed with raindrops runnig down your face.

"Fitzwilliam, please, I-I can't bear to have my heart broken," you whispered. "If this is just kindness I-I-"

You weren't given a chance to finish your sentence as he lifted your face to look up at him, his hands were warm against your cold skin and out of instinct your eyes fluttered shut, just as he pressed his lips on yours.

You gripped tightly onto his forearms, bringing him as close as you could, wishing nothing more in the world than for that moment to last forever.

When you pulled apart, his forehead still resting on your own, you let out a small breathy chuckle, letting one of your hands come up and hold his cheek.

"You never said anything," you whispered, "and with all this-this talk of suitresses...I-I thought I was being foolish."

"I must be the fool for not saying anything earlier," he lifted his head only to kiss your forehead, and bring you in for a proper embrace. It felt as if you were meant to be joined and knit together as one and it reminded you that in the end, it was always important to tell the truth.

[tame-the-lion-writes]

anything but worthy [pt.2]

This is reposted from my ao3!

[SFW Arthur Morgan] tags: omegaverse

Ever since you were a teenager, you've loved romance books. First you pretended to hate them, and still occasionally do, but for all the tropes that you’ve scorned, there’s something inherently addicting about them, too.

You shared this little obsession with Mary-Beth, and as such, occasionally shared each other’s novels. She was an aspiring writer, you knew, and as an avid consumer, she’d appreciate your tips and critiques. But if there was one thing you couldn’t share, it was how much more you fantasized compared to her.

Pride and Prejudice was lovely, really – a testament to the change people will go through because they love someone. Romeo and Juliet was more of a tragedy, and while you understood the political metaphor, as a story, it felt a little too juvenile. There were the non-romances, too – Robinson Crusoe, Tom Sawyer or Huckleberry Finn. Hell, you’d even read Charles C. Chestnutt, since you were so invested in the politics of the time. Equality for everyone, past the bare minimums of the Civil War! 

But, on some level, you didn’t want the sensical. You didn’t want things that made sense – you craved suspension of disbelief. You craved something more primal, something that could be set aside from the sociopolitics of everyday life – something private, and personal, and perhaps a little… perverted.

Ugh. Putting it like that made you sound like you needed church.

(And perhaps you did.)

– but that wasn’t the point!

The point was – that for the past year, you’d been miraculously saved by a big strong mountain man, and now, in a time when women only had the options of marriage, elementary schooling, or prostitution, you had been swept into the wild drama of a gang of outlaws. This in itself was perfect romance material!-- if not perfect – ugh – Victorian erotica material.

(Because yes, those existed – though you certainly wanted something better than a couple dozen pages written from the perspective of a fucking flea.)

Now Arthur Morgan, in particular, was perfect romance material. You and Mary-Beth – and even Tilly – yes, Tilly! – had agreed as such. John was taken, Sean and Bill both idiots – though Karen would probably settle for the former. Javier was a romantic with a lovely voice, but you didn’t know him all too well, and Charles was almost too quiet. (Again, almost – he was handsome and kind and patient.) Dutch was taken, Hosea was more of a father, but Arthur – Arthur – he was a perfect mix of rough and sentimental. A perfect mix of rugged and gentle.

Though you might have underestimated just exactly how rough he could be.

Not to mention that he was an alpha – the greatest one in the pack, even above Dutch, you’d decided.

Admittedly, you didn’t notice at first – notice how often he looked at you, at least. You noticed his strength right away of course, and how much of a leader he could be when necessary, but it took Mary-Beth and Tilly and Karen – all of them – to make you realize he had taken a liking to you.

“God, you’re oblivious as hell, ain’tcha?” Karen had said one evening, throwing her hands up in the air. “The man’s been eyeing you like a piece of meat!”

“Now, I wouldn’t say a piece of meat–” Mary-Beth countered with a nervous chuckle, shaking her head. “More like a… a male lead!”

“A male– a fuckin’ what now?”

Tilly giggled in the background, covering her smile with her hand. “You know, Karen, like the main love interests in Mary-Beth’s books.”

The blonde made a face, scrunching up her nose. “You know I don’t read that shit. Too sappy for me.”

“It’s not… ‘shit,’” you defended with a smile, albeit an understanding one, but seeing Mary-Beth pout, you had to say something. “They’re pretty good in my opinion.”

“Oh, don’t you dare change topics with me, girly,” Karen scolded, rolling her eyes. “Either way, you know what we mean!”

 Actually, you didn’t – not until then. It was hard to believe a man like that could like you. But ever since that conversation, you found yourself looking over your shoulder more, darting your eyes in Arthur’s direction to try and catch him in the act. For the longest time, however, he seemed normal – busy with something else, not even close to facing you. You had nearly given up when, one night, when the gang was celebrating a successful job with drinks, that you looked up to see blue eyes staring you down, laced with a certain expression halfway between affection and lust.

That day, you looked away, red face hidden in the darkness. But from then on, with his whatever toward you confirmed, a returned interest had started to grow. And boy, did you try to hook him.

It started with simpler gestures, really – an odd form of courtship since you were shy and he just felt so big compared to life. You’d do all his laundry, hand him coffee or stew, or leave him a newly repaired shirt on the table by his bedside. One time, you even managed to scourge together enough money to buy him a new ink pen. Your excuse?-- that if he kept writing in his journal with pencil, the graphite would rub the letters clean off one day. And you knew how much his writing and drawing meant to him, even if he denied any form of intelligence.

But it took another few months before you’d finally gathered the courage. The courage to ask him to stay with you, through the heat – during your heat. But–

“I am anythin’ but worthy of that honor, little girl.”

The response made your heart sink, and for a moment, you thought that was that.

“I’m sorry, Arthur.” Your voice is shaky. “I just thought it would be nice – me and you.”

You felt like a little girl, trembling quietly in the night.  All that staring and time wasted – but it was just staring, not him actually planning to act on you. Well, now you just felt a little silly, too. Silly little omega. What kind of omega chases an alpha – not the other way around?

“I guess I’ll just ask Sadie or Miss Grimshaw to go with me again. Or maybe Karen, ‘cause she can handle a gun, too.”

But before you can disappear into the darkness, escape the vicinity and curl up – cry yourself to sleep – he speaks up again, explaining himself.

“I don’t wanna hurt you, omega. I don’t wanna hurt you. That’s all.”

“Oh, Arthur. I’d be okay if it were you.”

Something shifted that evening. And you parted ways with a better understanding.

The following day, the girls helped you pack – Miss Grimshaw being helpful in particular. She’d made sure some herbs for soothing tea was going with you, and had the others wrap up enough blankets for comfort. There was a tower, the older woman explained, back up north in the Grizzlies – nice and cool to keep your fever from being unbearable, yet not quite buried in layers of snow. Compared to the humid mists of Lemoyne, it sounded like sheer paradise. Arthur himself had scouted it out while on one of his trips, and after tidying up the place a bit, deemed it a safehouse for omegas like you, Mary-Beth, and Tilly. (And Kieren, too, but the boy didn’t like to admit it.) 

But when you expected Miss Grimshaw herself to hop onto the wagon with you, instead of a woman with makeup too gaudy for her features, you heard a rough groan as a man clad in brown leather pulled himself up to sit at your side.

“Er, Arthur, this is my wagon,” you said, dumbfounded, brain not quite working.

“Yup, I know.”

He cracked the reins, getting the horses to start their little trotting.

“It’s– it’s my wagon. I’m not going to town, you– you know that, right?”

“Yup. I know.”

You stare a few more seconds, stare hard, then sink into your seat, facing forward.

Oh my god.

Oh my god.

You hear faint laughter from behind you and raise your head to look over your shoulder, where you see the girls waving – grinning – and Karen hooting and hollering, knowing how things were likely to go. 

“Why– why did you change your mind?” you ask, breathless, gripping your hands tight in your lap. “You really didn’t have to.”

“Just thought about it last night. Thought– hell– once thought no one would have me. Then some pretty girl shows up an’-- well– guess your words hit a chord last time we talked.”

“Arthur, nobody in their right mind wouldn’t have you.”

The rest of the trip is spent in relative quiet, your mind busy processing the fact that Arthur would be staying. The stop at Rhodes for food was brief, the pass through Emerald Ranch even briefer. Then it was up to O’Creagh’s Run, where Arthur stopped by an old man’s cabin. The man had spared you a knowing smile, clapped Arthur on the back, offered to take you both fishing later, then sent you your way.

After that, it was just a little roundabout trip to avoid the steep parts of the mountain range, and soon, you two were passing into a clearing where a log tower came into view. It was a sturdy, impossibly pristine place, likely recently abandoned. A nearby campfire was still smoldering, but Arthur noted that people rarely passed through. Ambarino was a scarce place after all, with few homesteads and little reason to visit. And – on the off chance some other alpha was too nosy for their own good – the top of the tower provided ample range for Arthur to threaten them off with a gun.

Settling in, you were starting to feel the haze of your heat, but luckily, Arthur had given you some privacy to prepare. He waited outside, by the campfire, scavenging through the leftovers of the former occupants to see if they’d abandoned any cans of food. In the meantime, you’d bundled up your extra blankets and pillows, 

Once overcome by the sweltering heat of Lemoyne, now the cold of the Grizzlies has drifted through the opening at the top of the tower, allowing the cool air to sink and settle around you, and paired with the blankets still lightly scented with the smell of fellow omegas, it begins to slowly you into a sense of security. The stove can be turned on later if needed, to warm both some food and you – but for now, the temperature is satisfactory, and in your chemise, the urge to sleep is instant. You don’t even fight it. Within minutes, you’re drifting off into peaceful nothingness.

And that’s when the sound of a gunshot awakens you.

“Arthur?”

You call out his name in the dead quiet, clutching the blankets close. Your heat is on the edge of full force, and you’re just barely lucid enough to stand. Which you do.

“Arthur?” you repeat, bare feet falling in succession on the wooden floor.

Then it hits you – the swarm of what felt like dozens of other scents. The disgusting mixture of chalk and rotten food, pungent chemicals, and more. But somewhere in the middle, there’s the familiar smell of leather – the warmth of whiskey, and the freshness of rain.

And you notice – it’s raining.

There’s no more gunshots, not that you can hear, but now there’s the sound of a struggle outside. Gasps and coughs and grunts, among the sound of fists landing hard on flesh and bone. You flinch repeatedly at each blow and finally decide to peek through the window, where in the dark of night, you can barely make out the silhouettes of several people.

Two bodies lie still in the grass, water gathering in the wrinkles of their shirts. Three more are standing – one, you make out to be Arthur, while the other two are clearly trying to beat him to a pulp.

Emphasis on trying.

With a well placed kick to the gut, Arthur sends another one flying, and now it’s just him and the seemingly equally large man left.

You can’t make out what they’re saying, but you can make a good guess. Why else would a group of alphas swarm to one spot when an omega’s in heat? The thought makes you sick, and you cover your mouth, slumping against the wall by the window and forcing the bile down. 

It takes seemingly forever, but after a while, the sound dies down. One more glance out the window confirms that Arthur is the only one left standing – because of course he is – and the sight of his outline, standing against the bright of far-off lightning strikes, shoulders rising and falling with every labored breath – it makes you want to crawl right into his arms.

But as you open the door and the full strength of your scent floods down the path towards him, his body goes rigid. There’s something wrong.

“Arthur?” you call out a third time. Then a pause.

“... Arthur?”

He turns, and you see the spots of red splattered across his face. There’s this wild look in his eye – not the mix of affection and lust that you’d seen so long ago, but the pure animalistic drive of alpha pheromones. In the rain, the scent hits you. Yes – leather. Whiskey. The smell of dust after rain.

The heat pools in your blood, but so, too, does your body call you to run.

And you do.

_

Oh, you want the third part? The lovely, lovely smut? Check out my ao3

[folkloresthings]

northanger abbey + sebastian vettel + enemies to lovers or at least one sided enemies to lovers because rbr!seb was a little shit and he was so cocky and this trope made for him 😭😭

rbr!seb was so hot. im also a sucker for a teammates trope. also female!driver <3

SCARED TO LOVE. ❨ sebastian vettel x reader ❩

when you joined formula one, snatched up by red bull, it made headlines. a female formula one driver — the third to race in a grand prix in history. it was a heavy weight on your shoulders, a weight met with backlash and criticism.

too delicate, too emotional. not brave enough, not built the right way. you had dominated your formula four, three and two seasons. you were just as qualified as the men you raced against, but you were not a man.

red bull were a little more forgiving. but you knew there were still whispers about your position, if you really deserved it. your new teammate, sebastian vettel, was at the heart of them. he had a reputation for being a womaniser, a line of girls waiting for him after every race.

“what do you think of your new teammate?” he was asked one day, after your first race together. you’d come P5, a shock to everyone. sebastian didn’t mind having a female teammate, but a teammate who could be better than him? that was a threatening prospect.

“oh, y/n?” sebastian smirked. “i’m just glad i have someone pretty to look at every day at work.”

it was a low blow, joining the swarms of people who diminished you to only your looks. but you were used to it, unfortunately, and knew how to handle such prejudice. you kept your distance from sebastian, no matter how much he teased you. he was irritating, and he found you prideful. two teammates couldn’t have clashed more. frankly, you hated him.

it didn’t help that you were beating him significantly in all of your races. on the podium, right beside him, taking P1 too many times for his liking. it made him look bad, like he was falling behind. behind a girl, of all people. while sebastian swore he didn’t agree to the misogynistic narrative that painted formula one, he couldn’t deny how he despised you.

but you carried on. you did your duty, won points for the team, smiled for the photos. but everyone could tell — you and sebastian couldn’t hate each other any more.

it hadn’t stopped raining in budapest since you’d arrived. the track was wet, wheels spinning through every practice and qualifying race. but the FIA insisted it go on. sunday was just a wet, if not more, and the track was barely visible as you raced around it.

but you were in pole position, and held it strongly. it would be another good race for you, and for red bull. not so much for sebastian, who was stuck in P4. you had to keep pushing, ignoring the warnings in your ear.

then, it happened before you knew it. the wheels spinning out of control, your grip on the wheel helpless. the car was spinning too, upside down and back again. it was loud, your radio crackling in your ear, bangs of the metal scraping against the ground deafening you.

when it fell quiet again, you could barely move. your seatbelt was jammed, the smell of gasoline and smoke rising. your heart was hammering in your chest, the real world sounding distant and blurry in your mind.

the sight was terrible. your car sent hurdling along the track after skidding against a puddle. the crowd was silent, quiet gasps and mutters rising after a minute or two. the engineers got to work quickly, deploying the safety car and as many medics as possible. your radio wasn’t working, so no one knew if you were alright.

“fuck!” came sebastian’s mic, watching the scene ahead with wide eyes. instructions came through his radio, but he paid them no heed. the other red bull car, pulling up behind the tragic sight of yours, screeching to a halt. clambering out, sebastian practically sprints to your car, ignoring the smoke to reach into the drivers seat, pulling you out of the crushed car without a second thought.

“y/n!” he called, cradling your weak body in his arms once he’d safely removed your helmet. he didn’t care who was watching, or telling him that he needed to get back in his own car. you weren’t responding, but he couldn’t bare letting the medics take you from him. “please, talk to me.”

your eyes fluttered open, coughing up some smoke that had gotten trapped in your throat. a silhouette cleared above you, one that looked awfully like your teammate.

“oh, thank god,” sebastian nearly cried, cradling your head, a paramedic kneeling now at your other side. you didn’t look at them, eyes fixed on sebastian. strangely, he was the only face you wanted to see.

“i crashed,” you said, voice hoarse. “you could’ve won if you kept going.”

sebastian shook his head, laughing a little at your comment. “i don’t care about that. i just — i needed to make sure you were okay. you’re okay, right?”

you nod, straining a little as you sit up. “i’m fine, i think. thank you.”

he has to let you be taken away now, into the ambulance to be checked. as much as he wanted to hold on, keep you close to him and away from any danger. he looked around, all eyes on him, and sighed. what had come over him? he hated you, had since the moment you stepped into the red bull garage.

but the second you were in danger, he was afraid. afraid of losing you, afraid of never really knowing what he felt. he knew now, everyone did. he loved you, too much to have ever known.

[peppermintquartz]

My top ten movie night suggestions for Buck and Tommy that aren't Love, Actually:

1. Pacific Rim: Drift compatibility, big action sequences, awesome father figures, brotherly vibes, romantic undertones, detailed worldbuilding for people who may like deep diving into interesting topics... They debate who is drift compatible with whom in their circle of friends.

2. Mad Max: Fury Road: (this is primarily for Tommy but Buck will also enjoy it) the big rigs, the wild vehicles, the stunts, the cinematography, the kickass women, Tom Hardy, Charlize Theron. Tommy SO WANTS a big rig. Buck gets him the game instead

3. Everything Everywhere All At Once: it's a movie representation of ADHD. It's also a movie about family ties, generational trauma, feeling like a loser, romantic love, familial love, queerness, and it is also a cinematic masterpiece, and Ke Huy Quan is adorable. Buck is a crying mess and Tommy isn't any better, but they both cuddle it out.

4. Pride & Prejudice: for the hand holding scene alone Tommy will watch it ten times. And Mr Darcy in the rain. And the part where Mr Darcy and Elizabeth are laughing and kissing and talking about names, what names to use when they're happy. Buck tries out his English accent and all of a sudden Tommy wants him to roleplay Mr Darcy in bed. (He calls Tommy Thomas and it turns Tommy on SO MUCH but only if it's said in an English accent)

5. The Mummy: Brendan Fraser. Rachel Weisz. Oded Fehr. John Hannah. Arnold Vosloo. It's a bisexual wet dream wrapped in a swashbuckling action fantasy. Both of them want O'Connell carnally.

6. The Princess Diaries 2: far off places, daring (sword?)fights, magic spells(?), a prince in disguise! Ok, 2.5 out of 5 isn't too bad. Buck thinks it's because Tommy had a crush on Chris Pine. Tommy later bashfully says it's actually for Joe, played by Hector Elizondo. Buck teases Tommy "no Daddy Issues" Kinard about this all night.

7. Up: they have to pause after the first few minutes just to cry it out. Buck even punches Tommy's chest a few times for making him watch the sweetest and most painful love story ever unfold and rip him apart. But the rest of the movie is adorable and Buck now wants a dog. Tommy isn't budging yet on his position: no pets unless they're sure they can come home daily.

8. Baz Luhrmann's Romeo & Juliet: Tommy learnt his Shakespeare watching this. Buck is enchanted by the aesthetic OTT-ness of it. They both get really quiet in the final scene, and hold each other closely when Juliet weeps over Romeo before she takes the gun.

9. Kung Fu Hustle: Buck can't predict where the movie is going but it goes at a wild pace, zigzagging different tropes and cliches, and at the core of it is a guy who had a boyhood dream of being somebody who can save the world, but was led astray and found his way back to being a hero. Tommy likes the wire-fu, and the tributes to other movies. There's a lot of references made and Buck goes digging into the allusions and references with glee.

10. The Lord of the Rings: around Christmas, Tommy makes time to run the extended edition. First of all: Aragorn. Second of all: Legolas. (Tommy is the Legolas fan, Buck turns out to be the Aragorn fan.) Lots of lore again. And it's so sincere and sweet and there is so much love that Tommy can't help loving it too. Buck gets into the hours and hours of BTS details of the best trilogy ever made.

[jaidens]

Hey, I Knew l'd Run Into You Somewhere It's Been A While, Didn't Mean To Stare

pairing [s] : spencer reid x reader

warning [s] : | hugging | im crying | im in love with him | childhood friends to lovers (aka my fav trope and I overuse itt) |

a/n [s] : requests are open.

Your field in Los Angeles, California was needed in Quantico, Virginia. It wasn't extremely typical, but whenever different parts of the FBI calls, you go. The plane ride was relaxing as you covered all sides of the case with your team and stayed on call with the Technical Analyst, Penelope Garcia. You were reading through Pride & Prejudice for the fourth time, as your team counted. Your team member Angela sits down, crossing one of her legs over the other.

“You seem occupied. Something happened?” Angela asks quietly, raising her eyebrow and clasping her fingers together. You look at her and nod, picking at the skin around your fingernails. “Yeah, this case just gets to me. No matter how long I've been in the field, it'll always scratch me the wrong way.” The case made everyone feel weird. The case included children and a series of kidnapping only taking Mother's and their young sons.

“Are you sure it's just that? I've known you for ten years. I know how you get when a case hurts and when something else is happening.” Angela calls you out and, painfully, she is one-hundred percent correct. “Yeah, you caught me. Just, I used to know someone who used to be my absolute best friend, and he moved to Quantico the last time I checked.” Angela opens her mouth to show her understanding and surprise about the situation.

“Well, let's remember, we have to keep our heads on the case. It's important that we find the leads instead of pulling other ropes to lead other situations.” Angela taps your hand and walks away, you smile at her softly before you go back to Jane Austen’s writing. Eventually, you fall asleep with your book laid against your chest.

You wake up at the sound of your ears popping and the plane landing against the Virginia airport grounds. You stand up and gather your things, picking up the bag you were gifted for your twelfth birthday, a leather satchel with clasps. It was from Spencer after you mentioned how you thought his satchel was cute.

Spencer is sitting across from you on the playground, reading through the science book you were given today by Mrs. Handerburry for seventh-grade science. Spencer was in eighth-grade but was only a month older than you. “This is what you have to read for Genetics. Did you know that humans are more than 99% identical in our genetic makeup? The one percent is still being researched, but it's said that it holds cures for diseases.”

You smile at Spencer, the lanky, finally hitting puberty with his hair behind his ears and thick glasses on his nose as he excitedly explains genetics to you. He's been your best friend since forever, with his awkwardness and long bones. People picked on you surely for being friends with him, or even relating yourself to him, but you didn't care. “Oh wow. Maybe someone in this world has the cure for everything, like something magical.”

Spencer laughs at you but continues explaining the theory of Genetics and giving you fun facts during it. However, as much as you try and understand him, you're staring at him and he makes your belly feel like there's butterflies. Like how it feels before the first day of school and staring at the double doors to walk in. He stops for a second, taking a moment to breathe, and you lean in and kiss his lips before pulling away.

Spencer is a blushing flustered mess as you scramble out some words to explain why you did that. “I don't even know why I—” Spencer kisses you again, a little longer than last time but he quickly pulls away. “It’s okay.” Spencer tells you and that's all you need before you lay your head on his shoulder and let him read out the boring science book, in which, you were definitely not listening to.

You're pulled out of the memory whenever one of the security guards is taking your stuff and letting you walk into the Quantico headquarters. It's much nicer than yours, with things actually furnaced off. Angela takes your arm and shows you the way around to the meeting room. You take a breath in and walk into the room, recognizing the Technical Analyst and SSA Aaron Hotchner from an old case you ran by with him.

He's introducing your team to his team and you're staring at the screen at the pictures from the incidents. “— And finally, this is Agent L/N, an expert in the children's abduction cases.” Penelope shakes your hand and gives you a huge smile and you smile back at her before she goes to the screen to explain more of the case. You stand behind the table and listen intently to Miss. Garcia. “Are the children getting abducted before or after the Mother's? Maybe our unsub wants to torture the mothers before. Losing children can be extremely heartbreaking for the mothers, giving the unsub to tell her to ‘come to save her child’.

“It wouldn't explain the covering of the bodies with baby blankets. It shows remorse.” Angela says to everyone, ending with nods and other people agreeing. “Well, we'll figure it out. Wheels up in 30.” Agent Hotchner says and walks out of the room. You're talking with Angela gently about a different topic, while you sip on a coffee. “I think we should go ahead and get ready. We have 25 minutes until we have to leave.. do you have your stuff? Your suitcase and bag?” You nod at her and follow her out of the room.

The plane is getting ready, and it is much larger than any jet the FBI had provided for you. You step onto the steps, walking up and Angela follows behind. You stare back at the seats and see an empty one and you walk towards and sit down, setting your stuff to the side of you and pulling out Pride & Prejudice and immediately stuck your nose in it.

You see a mop of brown hair above your book, staring at you. You pull the book down, and you recognize his face immediately. “Spencer..?” His name falls from your lips like a prayer and you smile widely. He sits down as he grips onto his leather satchel, the same one that matches yours. You can see the patch still sewed into one of the straps that you did in tenth grade.

“Y/N, you know I'm leaving tomorrow.” Spencer sighs as he lays in bed next to you. You're in tenth grade and you've grown up since that day in seventh, the day you kissed him. Your face is different and your eyes have grown up as well as Spencer stares into them. “Give me your bag.” You command quietly as you wipe the tears from your eyes, and you pull out your sewing kit from your drawer. You had bought a patch off the Internet, it was a picture of you and Spencer on it.

You pull out the needle and thread and begin weaving it through the fabric and sewing it on. “Oh.. it's our picture.” The ‘our’ makes you smile and you look up at him. “Yeah, I think it'll remind you of me when you get big one day. When you're up on the board with Einstein and Tesla.” Spencer laughs and sits his head on your shoulder. He's watching you sew and telling you to be careful to not poke yourself.

Spencer eventually falls asleep and is gently snoring against you, his head stuck between your head and your shoulder. “Spence— hey Spence, c'mon wake up.” You giggle when he wakes up with a small shout and a sleepy smile. “I’m awake, I'm awake.” You hand him his bag, the patch sewed on and a smile on your face. Spencer is in love— and the person he's in love with is leaving until he's done with his PHD and his Doctorate, so years.

He takes his bag with a big smile on his face, but the tears welling in his eyes tell you a different story. “We’ll find each other. We always do, Smart boy.”

“I knew I'd find you. I tried to call, but nothing was working.” Spencer tells you shaking his head. You smile at him and scoot over to be right next to him. “I got a new phone, which also means a new number. Welcome to the new age.” You laughed with Spencer as you stared into his eyes again. Those butterflies you felt in seventh-grade suddenly came out of their cocoon and were flying around once more.

“I missed you, a lot. You're working in the child abduction unit now? That's pretty cool.” Spencer stares into your eyes, and the nostalgia sits inside of them. “I missed you too, and the unit had been missing someone I had a degree in and studied, so I took it.” Spencer lets out that smile that can make anyone smile, where his top teeth are showing proudly.

“You grew up, huh? You definitely still got that boyish look I love.” You teased and his cheeks turned a shade of crimson. “And your crazy hair.” You add and he laughs. You can't help but hug him in your arms, and that spark you felt so many years ago lights once more. “God, I missed you.” Is all you can let out as he practically lies against you with his head in your shoulder.

Spencer is in a blue, 80s styled suit and you have your prom dress styled in the 80s fashion as well. He was allowed to go to prom, even if he was 15 years old in Senior Year. “Bet we look like fools.” You say during the slow dance, only swaying gently to the Frank Sinatra that fills the gymnasium. He's smiling at you with his eyes staring into yours. “Definitely, totally. Look at your hair, you look like Farrah Fawcett.” Spencer teases back at you and you lay your head against his chest. Spencer had grown to 6'1, towering over most other people.

You're laying against his chest as you listen to Spencer's heartbeat. “I always loved Frank Sinatra. My mom bought me a walkman when I was five and I listened to Watertown until the tape broke.” You laugh gently at the thought, and you're singing along to the jazz until it ends. The DJ starts yelling about ‘getting the party started!’.

“Do you wanna sneak out with me?” Spencer asked with a mischievous smirk on his face and you nodded at him and he pulled you through the crowd. “Always!”

You see the stares from you and Spencer’s team as you laugh with him. He tells his dumb science and math jokes and you laugh at him as you tell him old stories from your younger years. A tall, built man walks up to you and Spencer and flashes a smile at you. “Hey Pretty Boy, find yourself a girlfriend?” He sits down and shakes Spencer's shoulders and shakes out his moppy hair.

“Y/N, this is Agent Derek Morgan. Derek this is Y/N, my best friend since childhood.” Spencer introduces and you shake Derek's hand and flash your own smile. “How long have you known Spencer?” Morgans asks, sitting down in the seat next to yours and Spencer's. “Twenty years now? We met whenever we were ten years old.” Derek opens his mouth in surprise, and slaps his hand on Spencer's shoulders again.

“We’ll talk later L/N.” Derek tells you, pointing his finger at you before walking away. Spencer circles next to his ear and points at Derek, showing that he thinks he's crazy for acting like it. You laugh once more and hold his hand in yours. “I can't believe you're so, up on the board with Einstein now and Tesla.” Spencer nods. “Its the 180 iQ and my three PhDs probably.”

Now, you're the one surprised. “Three?” He nods and you sit up. “That’s amazing, Spencer. I knew you'd get far, ever since middle school when you read through my science book; four times.” He smiles and you laugh at his weird look in his eyes. “I’m tired and I'm gonna sleep until we get there.” You tell him and lean back on the plush, beige seats.

Spencer's hand goes to your calf, running his fingers up and down or pretending to run down your bent leg. It's peaceful and calm, and it's everything he's missed. Derek wiggles his eyebrows at him and Spencer sticks out his tongue childishly. He would ask you about what he was thinking eventually in the hotel room, and he was praying for the answer he wanted. For you to take him back, like you did in his younger years.

[harryforvogue]

book recommendations that are similar to my fics

i tried <333

harry and mia

dreamland billionaires by lauren asher (ceo trope)

the dead romantics by ashley poston (quiet reserved MC x overwhelmed FMC in literary setting)

the spanish love deception by elena armas (grumpy x sunshine),

beautiful bastard by christina lauren (serious MC, workplace setting)

the hating game by sally thorne (grumpy MC, workplace rivals)

love on the brain by ali hazelwood (grumpy MC x sunshine FMC, workplace, male pining)

neon gods by katee roberts (grumpy MC, hades x persephone)

harry and faye

practice makes perfect by sarah adams (nervous FMC x tattooed hottie MC)

all the lovers in the dark by mieko kawakami (depressed FMC wanting to change her life around)

georgie, all along by kate clayborn (FMC has anxiety)

harry and fleur

the wisteria society of lady scoundrels by india holton (grumpy/serious FMC x flirty MC, rivals-to-lovers, forced to work together)

these violent delights by chloe gong (friends to lovers to exes to enemies to lovers to enemies to lovers), 

harry and lucia

the heart principle by helen hoang (FMC has OCD)

forget me not by julie soto (grumpy x sunshine, second chance romance)

happy place by emily henry (second chance romance, break up for a good reason)

alone with you in the ether by olivie blake (characters messed up all around)

harry and miriam

yours truly by abby jimenez (MC has really bad anxiety)

people we meet on vacation by emily henry (sunshine FMC x nervous MC, second chance romance-ish)

below zero by ali hazelwood (MC doesn’t know he’s hot, nervous MC x happy FMC)

harry and yasmine

a rogue of one's own by evie dunmore (enemies to lovers, male pining, historical romance)

emily wilde’s encylopaedia of fairies by heather fawcett (academic setting, serious FMC x playful MC)

love theoretically by ali hazelwood (academic rivals)

divine rivals by rebecca ross (enemies to lovers, rivals to lovers)

harry and aaliyah

portrait of a scotsman by evie dunmore (grumpy MC x artsy FMC)

pride and prejudice by jane austen (duh!)

the belle of belgrave square by mimi matthews (marriage of convenience, grumpy MC)

harry and annaliese

the poppy wife by caroline scott (post ww1 romance)

the princess diaries by meg cabot (best friend’s brother LOLLL)

when i come home again by caroline scott (post war romance)

divine rivals by rebecca ross (again but it’s also ww1 inspired)

[unhealthy-reading-habits]

Like many people, I binged watched Season 2 of Good Omens on Friday. I had a couple of days to deal with all the emotions, and I’ve now reached an epiphany. What follows here is the mad rambling of a GO apologist.

Warning: Good Omens Season 2 spoilers ahead, do not read if you don’t want spoilers. I will be spoiling the ending of Season 2 in this post. Please go watch it first. I’m also going to mention the ending of two of Jane Austen’s works (P&P and S&S)

The epiphany: Good Omens is a romantic story. Both Crowley and Aziraphale asked for this heartbreak but both are so woefully naïve about what love is, they didn’t even realise what they were asking for.

What do I mean by this?

In episode 2 (S2), they both describe what they think a romantic scenario is, but both are only focusing on the romantic finale. They are not thinking about the build-up to that moment, which includes a heartbreaking separation which only then leads to those romantic conclusions.

They are actually describing the same romantic scenario of having a separation and then reuniting in love again, they just present the scene differently.

Crowley describes his idea of romance as two people looking longingly into each other's eyes in the rain. He does say “beneath a canopy” but follows the above line by saying that if you “get humans wet and staring into each other’s eyes”, this is what makes them fall in love, so Crowley is talking about confirming your love in the rain.

Examples in Richard Curtis films

Four Weddings and a Funeral - No cover, just rain kissing

Bridget Jones's Diary - No cover, just snow kissing

At face value, we think Crowley is saying the rain thing because of what happened at Eden, and I think that is part of it. But keep in mind that during the "before the beginning" scene and at the Eden scene, neither of them stared into each other’s eyes. They both kept facing forward.

What Crowley is actually describing is the romantic trope of the protagonist couple having a love-confirming kiss in the rain. The issue is the “confirmation” love kiss occurs after there is a period of separation or break-up in the relationship itself.

It’s sometimes called the “Second-Act Breakup” or "Third-Act Breakup" and the ending of Season 2 is a classic set-up for a Break-Up/Make-Up Scenario.

The trope often happens after the couple get into a big fight/misunderstanding/some event that breaks the two people up. The “under a canopy” bit isn’t the important detail here, the actual romantic scene Crowley is eluding to is the reunion kiss in the rain. To get a reunion kiss though, you need to break up properly first.

The romantic film story for the reunion kiss in the rain is only fully satisfying because it’s the moment after the horrible low of the two breaking apart, trying to forget the other person and thinking that they might not be together. So when the two characters do reunite at the end, it is a great romantic conclusion to the story.

Aziraphale described his idea of romance as going to a ball in a Jane Austen novel, where the characters realise they misunderstood each other, but the misunderstanding has to come first in this case.

It’s very obvious that the Good Omens 2 story is only halfway through and is written like a Jane Austen novel, which is blatantly said throughout the show.

[Side note: it’s been years since I read these novels so I’m hoping I’m not misremembering.]

Pride & Prejudice – Elizabeth angrily and rather viciously rejects Mr Darcy’s proposal mid-way through the novel and the remainder of the story is the “being separated” phase of the romance until they are reconciled at the end.

Sense & Sensibility – Elinor’s affection for Edward is disrupted by Lucy Steele’s presence as Edward’s fiancé half way through the novel. This “break up” of the courting between Elinor and Edward is only resolved at the end of the story when Lucy leaves Edward and he is now free to propose to Elinor.

The two most well-known stories by Jane Austen have a break up/separation scene about half way through, which the characters have to work through to then have the reunited happy ending.

For the Break-Up/Make-Up story, the two romantic interested need to finally realise/decide to disregard everything else, settle the misunderstanding and reunite, that’s the finality of the romance. To get this scene, you have to go through the break-up where the two separate first to get those raw emotions, which makes the reunited ending so incredible.

Yes, Aziraphale and Crowley have had fights and temporary lapses in their relationship, like the bandstand scene. But it’s not really them that are causing the break-up. It’s outside forces pressuring them, the environment around them making them act this way. They are also only fighting about something external (raising the antichrist, finding the antichrist etc).

This break-up is more personal, it is them individually instigating the break-up over their own intimate relationship. It’s not the usual song-and-dance, this is Aziraphale choosing a plan and Crowley choosing a different plan and both are too stubborn to relent.

It is Crowley and Aziraphale choosing to split because they cannot reconcile their opposing views about their own relationship and both choose to walk away from the situation.

There is a hypothesis about the “coffee” and Metatron’s maybe brainwashing here, but in my opinion, Aziraphale still chose his plan for their relationship over Crowley’s plan for their relationship. This was a conscious choice on Aziraphale's part.

This time, they were arguing about themselves, which led to a true break-up. An irreconcilable argument between them that they must work through so their relationship can mature:

Crowley still cannot understand that Aziraphale will never run away with him to be just the two of them. Aziraphale cares too much about Earth and humanity and wants to help people, so Aziraphale will never just leave.  

Aziraphale still cannot accept that Crowley is not and does not want to be an angel. Aziraphale is not listening to Crowley when he says he does not want to go back to how things were before because he is genuinely happy with just being with Aziraphale.

Aziraphale consistently reminds himself that Crowley is a demon because (maybe knowingly, maybe subconsciously) he still sees him as an angel.

Crowley’s good actions further emphasise what Aziraphale already knows, that Crowley is a good person, but it’s very difficult for Aziraphale to separate the concepts of “good” and “angel”.

Both of them are not accepting the other as they truly are. Their relationship needs a real break-up, caused by themselves so that they can learn to accept each other as their full authentic selves.

We have to endure the low points to fully enjoy the high points.

Neil Gaiman has been very clear he intends there to be a season 3 so this love story is only halfway through, and frustratingly the break-up scene is the end of season 2. It’s like ending P&P when Elizabeth rejects Mr Darcy’s first proposal, or ending The Notebook as Allie sees the newspaper article about Noah but not showing them getting back together.

We know Crowley and Aziraphale will end up at the South Downs cottage. It’s just an emotional heart-wrenching journey between the two points. But when we get that reunion between them, it’s going to be delicious.

P.S. Neil Gaiman, you goddamn tease, if you are going for a full P&P/kiss in the rain experience, I really hope we get an Aziraphale wet shirt scene

[cdyssey]

Agatha All Along (1.01 Reactions):

Love that Agnes is in a “gritty detective series” a la Mare of Easttown. And that the show is trope conscious of that too—Agnes’ more weathered appearance, the tense score, the muted coloration of basically everything. One of the reasons I fell in love with WandaVision so quickly was because it clearly was a love letter to television, and it looks like AAA is going to be just the same. 🥹

ALSO, adore that Herb is here!!!!!

Kathryn Hahn is sooooo goddamn good. The way she plays Agnes being affected by the victim’s death. Hhfhhghhh!!!!!

THESE OPENINT CREDITS YEAH!! AGNES OF WESTVIEW!

So “Dottie” is back, as was “Herb,” but we know from WandaVision, that those aren’t their real names. 👀 Agnes is def. under Wanda’s spell still, but is everyone else

Also, Dottie was totally flirting with Agnes.

Which is totally understandable bc I would worship the ground that Butch!Detective Kathryn Hahn walks on actually

My god, she’s fucking hot

Oough, the burnt library shelves thing was trippy as hell. Maybe this is all happening inside Agnes’s head?????

All the WandaVision/Westview Easter eggs are so nice. 😭

Rio: “Is this really how you see yourself?” OOOOOH. Fuck, that’s psychologically interesting. If Agatha’s subconscious is generating the “show,” it says a lot that the persona she’s articulating for herself is a beaten down loner who doesn’t know how to interact with anyone without putting up five different walls.

OOOOH, whose hair is in the locket?!?!?!

I can already tell that I’m going to be obsessed with this show goddamn lmao

FUCK ME. AGNES STEELING HERSELF TO ENTER HER DEAD CHILD’S ROOM

THIS SHOW PRESSES ALL MY BUTTONS AUUGHHJJJJJKKKKK!!

LIKE, THIS IS REGINA MILLS ALL OVER AGAIN

PRIDE AND PREJUDICE REFERENCE!!!!!! YEAH BABY

Aubrey plaza with those suspenders my GOD

DRINKING BEERS TOGETHER

GAYYYYYYY

HOW AGATHA IS SPREAD ON HER COUCH!! ALSO GAY

I would unironically watch agnes of westview. like yeah baby, give me mare of easttown but gay

Agnes hesitating and even looking panicked when she can’t answer the travel question, and if Rio isn’t actually so… delicate with her and quick to redirect? Bc she knows WHY Agnes can’t answer that question. AUHHGHH!!

MRS. HART!!!!

GJDKSKFOEEKD, DEAR GOD. KICKING A TEENAGER. there’s Agatha coming out

HOLY FUCK AGNES’S REALITY IS FALLING APART.

WANDA?!?!!?!!/!:&&293;$$:&/

A TEAR FALLING DOWN HER FACE FOR WANDA. WANDA/AGATHA REAL

OMG PEELING BACK ALL HER LAYERS FROM WANDAVISION. I’M LIVING

I’M SO GLAD I WATCHED WANDAVISION. THIS IS SO REWARDING GODDAMN

UNBUTTONING THE TOP OF HER DRESS IN FRONT OF RIO TO FINALLY GET TO AGATHAAAAAAA?!?!!!!! GAY GAY HOMOSEXUAL GAY

NAKED KATHRYN HAHN?!!!! ON MY DISNEY+ SHOW BELP ME DMSKOSKDJSJDKSSJ

HOLY FUCK IT WAS ALL INSIDE HER HEAD AND HER NEIGHBORS WERE BEING THERE FOR HER. THAT’S ACTUALLY.

REALLY NICE?!!??/!!/!:&3@:&

Buying her groceries 😭

The fact that she hasn’t been lucid for three years. The people of Westview have been caring for her through all of her delusions. Oh, I fucking love that.

Equally, I love that the moment she’s back to being Agatha, she’s horrible as all hell KAKDNFND. Queen shit.

SCRATCHYYYYY!!!

RIO WITH A KNIFE AT AGATHA’S THROAT!!!!!!! “I’ve missed you.” / “I hate you.”

FUCK YEAH TOXIC YURI

“You’re vulnerable.” / “Only physically.” WLDNROWKIEOWJRJFIEIDIDJE

🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈🏳️‍🌈!!!!!!!

“DO YOU REMEMBER PAIN? IT KIND OF TICKLES, DOESN’T IT? / COOCHIE COOCHIE COO.”

I’M LIVING

I’M THRIVING. DEAR GOD

ooooughhhh, Rio isn’t allowed to kill Agatha for some reason 👀

“Admit it. You prefer me—“ / “Horizontal? In a grave?” AUDJWINELWLQKWOEIEKDICIDIIEIEKWJSKSJDHDJOSOSJS

the fact that they’re both clearly getting off on this is just exceptional. 10/10, no notes.

THE ANTICIPATION.

“IT’S BLACK. AND IT BEATS FOR YOU.”

LICKING HER BLOODIED HAND HELP ME GOD

The teenager watching all this: ☠️🏳️‍🌈???

GODDAMN IM LOCKED IN