#again character dynamics are my favorite things and that's the most important bit; not all the rest :3

[grimalkinmessor]

Hi! This is your dn secret santa. Reading through your list, I'm looking to make Terraito or Birthdaymassacre for your gift~ Do you have anything specific you wanna see for either one of those pairs?

!!!! Hello!! :D

And I have a few ideas, but I'm not sure what you'd be comfortable making 🤔

With Birthdaymassacre I like it because they fit really well together, but in a way that canon tells you to shoot dead in your backyard, you know? Beyond being obsessed with Naomi because she's so headstrong, so committed, such a good detective (wonder where that complex came from)—someone he can clash against on equal ground. He spent so long chasing L's shadow and trying to pull A up out of the ground, both too obsessed and too far ahead of everyone else at Wammy's to relate to them and too far behind L to ever catch up, and spending his "rivalry" with A falling in love with her and trying to keep her from spiraling out completely; he's never had a true, honest rival to go against and I think it's something that Wammy's has always made him crave. He also wants to kiss her really bad but as his experience with A taught him that doesn't have to be a bad thing ;3

I prefer a BB that doesn't look exactly like L—tons of makeup instead of plastic surgery or spontaneous twins I suppose—because despite Beyond's complex I like it to be really clear that he's his own person. Him and Naomi both actually; her separation from Raye is very important to me! Through violent means (B) if necessary ^w^ Naomi discovering her penchant for darkness and domination through Beyond when before she kept trying to fit into the mold of Perfect Submissive Housewife is something that can be so so special 🙏

For Terraito I'm partial to human(ish) Ryuk, but that's not a requirement. I like it when he and Light are so tangled up with each other that it's difficult to separate them even if neither of them are particularly sappy or romantic about it. Ryuk being Light's malotype is my favorite thing in the world 🥰 Everything wrong with Light that he hides away comes out shamelessly in Ryuk, and Light both resents and clings to him for it, while Ryuk is so so obsessed with Light, so fascinated and intrigued by him, and he very much wants to make him worse. Don't You Just Wanna Go Apeshit?™ Anything where Ryuk is egging Light on, turning him into a deviant but only through Light's own unearthed desires—THAT'S the shit. And Ryuk becoming like a second limb, a symbiotic parasite, clinging to Light because he's such a good source of entertainment, because Ryuk is shameless in how much he wants Light but is also so laissez-faire about it that it's not romantic at all, that's also really really nice ❤️‍🔥

I have some more concrete ideas, but if this is enough for you to come up with some of your own, go for it! I'll put these under the cut bc they're a bit long and have some troublesome subject matters ✨

I really like the idea of an L-wins AU with L not wanting to kill Light if he wins because they've become friends, so he tries to go the route of just erasing Light's memories of the Death Note again, but there's a few problems with that. Light's seen the Death Note now when he wasn't the owner of it or using it, and he also was very involved in the Kira case and knows or suspects that he was Kira at some point, both of which are dangerous points of information to leave him with. So he asks Ryuk if there's a way to erase everything, as in everything of the past year or so, and Ryuk says that only the King can do something like that.

When Ryuk refuses to go talk to the King for him, even when L tries to convince and bribe him, L goes above his head and does it anyway. Light loses a huge chunk of his memories, and Ryuk is sent back to the Shinigami realm. L goes on about his life without looking back—but he's left one very mind-fucked college kid and a pissed off Shinigami behind.

Ryuk breaks a fuckton of rules, gets himself a human body, gets a bounty put on his head by the other Shinigami, and immediately goes to find Light—who at this point is now just drifting aimlessly through life, wildly bemused as to why he feels like he's lost all hope in both himself and humanity, why his father won't look him in the eye anymore, why he's being forced to change majors and shoved away from police work, why he has so many nightmares of things he's never seen and people he's never met, why it feels like he achieved his dreams and found fulfillment only to have them ripped away from him, why he feels so different now—the boy is going through it fr. His character hasn't changed, he's just got a big gaping hole in his mind now that's eating away at him slowly, driving him to purposelessness and apathy (not helped by the people around him acting weird as fuck). He's on the verge of almost Committing™ when Ryuk finds him and swoops in like a fucked-up, corruptive punk savior.

Cue Ryuk showing Light all the things he used to love doing, i.e. drawing blood and being a terrible terrible egoistic human being >:3 Ryuk's both pleased and irritated to have to be drawing Light back out of his shell again, especially when he's so damaged now (Siri play Damaged by In This Moment—), but now that he's in a human body he can feel much, much stronger affection so he doesn't truly mind 💕 He has to be cryptic with it, but he tells Light what happened to him and now they're BOTH pissed at L. Light finds himself again through murder, and essentially runs off to be evil with Ryuk because his life is "ruined" now anyway. It isn't, but that's the tragedy of it, isn't it? You don't really come back from being a killer, even if you don't remember doing it :') It'd include a lot of L-bashing just because he'd be the antagonist here, with the nature of it being him lobotomizing Light and then leaving him to rot (even if he did it with somewhat good intentions), so if that's not your thing you don't have to go for this 🫶

My Bdaymass idea is a little more controversial, so again to reiterate these are NOT my MUST HAVE requests and you can pretend you never saw these if you'd like. But I enjoy the headcanon that BB is younger than Naomi, if not by a significant margin, but I like the idea of exacerbating it a little so I can have a freshly married Naomi and Raye foster him out of Wammy's :D Chaos ensues.

Naomi's on the fence about kids—she hasn't quit her job yet but now she's tied down to Raye and he really, really is pushing her to be a stay at home mom, so they compromise and agree to foster a kid first to see if Naomi will change her mind about having kids. (Spoiler, she will not).

Wammy's fosters every kid out at least once, so they can get a feel for the real world, and some of the ones not involved in the L program end up enjoying it and don't come back. Beyond's never been fostered out because he's so high in the rankings, but with A freshly dead they think he might need a "break" so they ship him off with the first couple that comes in, which happens to be Naomi and Raye! A little fifteen/sixteen year old angsty, angry Beyond is now trapped in a house with Naomi and Raye, Raye of which whom irritates him because he keeps trying to use his Authority™ with Beyond and Naomi of which he begins to adore because while she's awkward with him and avoids him at first, she's also very gentle with him and can relate him a lot more than either of them expected. You see where this is going.

Raye has an "accident" and is violently shunted out of the picture. Whoops. Bee's not sorry. Also he kissed your wife and she likes him better than you.

Beyond, when his time is up, decides he doesn't wanna go back in the orphan mill and fights tooth and nail kicking and screaming to be left with Naomi, but of course, it doesn't work. Naomi also tries to fight for custody of him, but again. It's Wammy's. She gets crushed, and Beyond gets yoinked back into the orphan mill—but not for very long ;3 A few months later, when she's moved back to the states, she finds Beyond knocking on her window. Covered in blood 😘

These are more fic prompts than anything, but then again I don't remember what I clicked on the form so that may be all I asked for 😅 Either way, go nuts. Whatever you make will be lovely, even if you don't use either of these! I'm very excited to see what you come up with!!!

[proxythe]

i haven’t played p5/r in a while so forgive me that this entire thing is mostly off dome.

what i mean when i say “ryuji is the heart of the phantom thieves” is that i do genuinely believe that he is the glue that holds them together. without him, the group inarguably loses its charm, and would simply not function without him there. he’s outspoken, protective, and might be the only one who i feel has a genuine love toward every member of the group.

i need to replay to do a whole thinkpiece, but for now i do want to share the ryuji moments i remember the most, and why they are part of the concrete evidence that shows ryuji is the most important piece of the phantom thieves.

first of all:

such a casual dialogue that is amplified by a thousand simply because of ryuji’s unadulterated love for his friend… i am moved to tears by this interaction. i love him very much, and he is near and dear to the deepest parts of my heart.

secondly:

i admit im not in the know about a lot of persona fandom stuff, but i personally don’t see a lot of people talk about this? ignore joker on the right this ain’t about him. this is, i think, the first of many instances in which u notice how quickly ryuji jumps to defend his friends, namely his female friends, and it’s a huge part of him that draws me to his character.

since it’s atlus, it’s not hard to miss that ryuji is definitely victim to their “perverted male character” trope, but for me, the moments where ryuji is having genuine thought put behind his character, are the moments when he so intensely - and is usually the first to - defend the other phantom thieves.

another example:

the phantom thieves are each others biggest support system, as they’re a team, but ryuji is definitely the one we see show that off the most. i will not be going into details as this is all off the top of my head, but trust me i am thinking about his confidant and backstory as i write all of this out.

more:

this has always been on my mind as well, because not a day goes by where i don’t think about how quickly ryuji reassures his friends, since they r the most important people to him in his life.

more and more:

a less serious one, but i do genuinely enjoy the thought of ryuji just bragging about his friends because of how cool he thinks they are. when i say ryuji is the most obvious about how much he loves them, i am deathly serious. that is his family.

was excited to include this as well, as it goes to show even people ryuji has only known for a month are still worth going to war for. ryuji holds such an affection for his friends that it’s like i don’t even have to say more. he is literally speaking for himself here. i will never understand how anyone could dislike someone so passionate for the happiness of their own friends?

lastly:

i am personally not a huge fan of the negative dynamic atlus likes to portray between ryuji and morgana a lot of the time, so this is why this frenzy(?) is one of my favorites in p5d. morgana is the character ryuji fights with the most, and yet when morgana is feeling dejected, ryuji is there to pick him back up. obviously i know this is how the dance works and whatnot, but u cannot lie and tell me ryuji making him happy again didn’t make u almost cry a bit… it’s okay, i did too���

conclusion:

this ryuji shit gets serious, be prepared to die behind it.

[randomfoggytiger]

So, ehat was your take of the podcast of these two old friends? I thought it was lovely and different than his other podcasts. She gets him to relax.

Now, what about the recreation of the picture they said they would do?:) I think they might have talked about the picture but not when the photoshoot would happen. Xmas is around the corner. Come on guys, give the Fandom a merry David-Gillian gift of all time! It's been a dry spell without your loving craziness. Hike up those stockings on your little legs, G, and hop onto those DD shoulders.

It'd be funny if they did, wouldn't it? It'd also be funny if they recreated it in a way that wouldn't hurt either of their backs, shoulders, or knees, too. XDDD

I had an excellent time with the podcast! It confirmed every single one of my suspicions, theories, and guestimations of their friendship: their personalities, their focuses, their dynamic then, their dynamic now, etc. It was refreshing. It was, for lack of a better word, simple: the facts were the facts were the facts, and there wasn't anything big or grand to be made of their interactions, past or present.

I liked hearing them talk over each other. I liked that both admitted to already butting heads in Season 1. I liked that both admitted they'd never thought to trade childhood stories, or cross their personal lives over.

Most of all, I loved their candor: David admitting he felt dumped in the Revival, and that Gillian didn't know and felt sorry in retrospect. That Gillian didn't feel dumped during the first run. That Gillian thought the Revival's story line reduced her character, especially the ending. That David felt trapped and villainized over the pay gap issue; and only later learned his pay wasn't due to his merit so much as internal favoritism. That Gillian now understands and feels for his pain. That David still feels the sting of Vancouver hating him and being forced out of rehab anonymity, and all the pain he gathered from both incidences. That Gillian admitted she doesn't process shame, just stays too busy to have to face it. That David felt comfortable to say that was unhealthy, and that she felt comfortable enough to hum in agreement. That both know their children have to fail, because they would fail their own children if they stopped those failures. That David tried to drill into his son that he's a miserable person and nothing is as it seems; but that that perspective hadn't worked. That Gillian feels motherhood is the most fulfilling thing for her, yet chooses her work over and over (again, staying too busy to feel shame.) That DD knew as early as Season 1 that Chris intended for Mulder and Scully to be an end goal-- asking CC if he wanted to send GA and himself to couples' counseling as their characters. That GA forgot and laughed over the memory. That Gillian arrived late after he offered her a ride on his private aircraft; then wrote him a beautiful letter, on the plane, instead of saying those words in person. That he marveled she hadn't gone insane from the pressure. That she no longer feels the need to run from Scully's legacy. That both admitted that communication, though important, was non-existent during that time in their lives.

There are so many good bits. But I have two takeaways:

They have the same frenetic drive, the same "crazy" as David calls it; but I can see why it drove a wedge between them (and could, now): they wouldn't be able to tolerate that same freneticism in each other in large doses. (Hence, why they didn't speak for weeks while on set, and were already exchanging "blows" in Season 1.)

Most importantly, they were two old friends who purposefully dug in and rediscovered new things about each other. The camaraderie was different: settled, more "in-character" to how I think they talk when David doesn't feel like he has to perform (though there was a bit of that) and Gillian doesn't feel uneasy, or anxious, or "watched."

In short: they felt wholly the same, but in a new way. :DDDDD

[astridhoff03]

My thoughts on Season 2 of the greatest Chaos in the World of DreamWorks TV…

Oh my gosh, did this season yet again not disappoint, even if it has a bit of a slow start, it is still a great story. I definitely can see past the little flaws, because it’s still a good show with emotional moments and thrilling adventures. Also at the end of the season it will get really dark, darker than the Jurassic World Trilogy ever could’ve gone. I got goosebumps just like watching the Jurassic Park movies. And more emotional than every movie in the Jurassic Park/World franchise. Such compelling, complex characters with well developed backstory’s. I honestly was speechless when I finished season two and thought again, wow they scored again with this show,

My favorite episode is definitely two because how they showed us, how Brooklynn reacts to the loss of her arm and the fact that everyone thinks she’s dead. Kiersten Kelly does a great job in executing Brooklynns emotional journey in this, I think she has took a bit inspiration of herself loosing an important part of the body.

And Soyona Santos is an incredible villain, her backstory is also really interesting and how she interacts in the whole show with Brooklynn is just amazing. My favorite scene of her is when she draws Brooklynn, she never was so intimidating and seems extremely intelligent and dangerous. Together with the Raptor Lady she’s now one of the best villains in the Jurassic Park franchise. Also I just noticed that the thing with the lazer makes actually a lot of sense, even if I think it’s not as scary as the whistle of the Raptor Lady. Also Soyonas animated version is prettier than her live action counterpart. It’s just funny how much more intimidating and dangerous the JW: Dominion villains are in the series.

What Brooklynn does is not good for her but I can also understand her, she wants to protect her friends and family. But it was sad to see that Ben was near at a panic attack when Brooklynn called him. Also Yaz and Sammy are still the cutest and heathliest relationship in the entire camp fam but I like that Darius and Kenji finally get along again, I missed their friendship and dynamic so much. Kenji has gone through so much, he’s the most tragic figure in the entire cast of how much he experienced loss in his life. And Yaz and Sammy have grown stronger together. I love how Sammy tries to decorate the container and Yaz watches her with so much love and admiration.

And don’t let me start on the dinosaurs this season. They were incredible. The Suchomimus or as Billy would said it Suchimimus has a beautiful design and many incredible action scenes, my favorite is when he fights the hippo. I also like the the communication between the Albino Baryonyx and the Atrociraptor Red, was very scary and also how he walked behind Brooklynn was bizarre. Leucotistic Baryonyx is also the perfect combination of the idea of the hybrids and the normal dinosaur from Jurassic Park. It’s like they’ve found a perfect compromise where every fan gets something out of it. The chase in the dark with the eyeless Baryonyx was scary as hell, I can’t find words for it and also with what calmness Soyona Santos guides Brooklynn through the darkness, while her friends get chased. Geba was also pretty cute and funny, I feared for her life in the last episodes. It was actually a really good Idea to show how humans, animals and the dinosaurs get along on other continents. Was very interesting to witness and also helped to understand the world better our heroes are now in. The Majungasaurus was also very cool to see finally in the Jurassic Franchise and I am happy that my favorite dinosaur of all time, the Allosaurus has a final hurrah in episode two. This magnificent beast was going through a lot, blindness, serval fights who could’ve easily ended deadly, she was blamed for killing Brooklynn, was hunted and serval times imprisoned. I feel very sorry for my favorite predator of the Jurassic Park franchise, hopefully she can find finally peace in her future as our Camp Family. But I guess we have to wait until season three. I am happy when I see DODGSON again and the biosyn valley.

[meanbossart]

omg i loved that insight into some of drow's most important relationships it was so juicy...now...i gotta know what orin thought of this guy. we get some idea based off the game and other asks but what did orin really think of drow? especially when he first arrived at the temple it must have been something to be told this feral bastard is another of Bhaal's chosen. when do you think she decided to betray him?

GLAD YOU ENJOYED THE READING I love love Love getting into the nitty gritty of personal relationships so thank god some of you guys also like hearing about it LOL

But boy! That's a difficult one. Orin is a very mysterious character to me, we get a fair bit about her life and a vague idea of her relationship with you, but it's always from a second-hand source - the woman herself seems so stripped of humanity that it's difficult to imagine her doing trivial things like going to sleep at night or eating lunch - let alone how she felt about the people around her.

And there's an allure to that that I'm hesitant to try and demystify; not to mention how it itself was a source of frustration to DU drow. While its not like he ever desired to have a sit down and talk about their feelings together as a bhaalspawn, he did want to be let in, whatever that meant - and Orin never ever allowed that, though she did let him get close enough to keep trying.

I do like to believe they were both much less brazen when they met as young adults, DU drow being the shellshocked looking freak who barely knew how to carry out human interaction that he was, and Orin being a lot more explicitly reliant on Sarevok's approval and guidance to exist in the temple. With this, I think there would have been room to some insecurity - if there's another bhaalspawn, her need and effectiveness would come into far more scrutiny than it already did, after all. She would have probably disliked and avoided DU drow not on the basis of his appearance or past, but just because of this threat that he represented to her alone.

And while they inevitably grew close in a very weird way, that very first impression would have planted this seed of resentment in her which would eventually result in the betrayal; but it definitely wasn't the only thing that led to it.

Orin would have been all too aware that DU drow wanted her as more than a sister or a cohort; he was INCREDIBLY unsubtle and would have made attempts to escalate their relationship at least a few times. Because of my theory that Sarevok wanted them to breed together, this behavior was never discouraged, and while I highly doubt it was ever explicitly and openly discussed, I do think Sarevok would have found ways to imply to her that he would like to see the line continue through them.

Obviously Orin never reciprocated DU drow's feelings or desires, but she did enjoy toying with him - while she probably did love him as family, I don't have to spell out to you how weird a situation this is and how it might lead to a lot of bitterness on her end. I don't know if she "led him on" out of malice, out of a desire to feel in control of the situation, or just because she enjoyed the mind games, but these instances of teasing and holding things over DU drow's head only came after many blunt attempts at shooting him down, and looked very different from any sincere displays of affection they may have had as "siblings". Whenever DU drow wanted to push her boundaries, it would be as if a switch flipped and their dynamic ever so slightly changed - and she met in kind. This would usually reach a peak where it broke out in violence, and always ended with them beaten, bleeding, but laughing. And then it would never be spoken about again.

So, with this growing resentment, plus Sarevok's growing favoritism towards DU drow and his seeming desire to see them mate, PLUS Orin's very real ambition to pursue Bhaal's plan and gain some recognition of her own, she would have eventually decided that she didn't want want DU drow around anymore. What feelings precisely led to this decision I do not know, but whatever they were they had been festering for a very long time.

[amemenojaku]

Akyuu/Reimu for the ship ask, please

hi I um. turned this into akyuurei manifesto. sorry

How differently do they think of each other now compared to when they first met?

I just reread Memorizable Gensokyo and some of the FS chapters where they interact (+the bit at the end of SoPM) back-to-back and it feels like they’ve come to really respect each other. When they first met properly in MG Akyuu tried so hard to impress Reimu, who looked amused by Akyuu’s work but didn’t seem to take her very seriously… I suppose that’s partly because they were younger then. I like that small panel in MG where Reimu introduces herself and Akyuu’s like “:O!!!”… By the time we see them together again in FS, they talk as equals. Reimu acknowledges Akyuu’s authority (she’s still super blunt about the chronicles but that’s Reimu for you lol), and Akyuu trusts Reimu to get the work done when it’s needed. They know they can rely on each other. I’d even go as far as to say Reimu treats Akyuu with a bit more softness than she does a lot of characters… She worries about Akyuu walking all the way up to the shrine in a latter FS chapter, she doesn’t chastise Akyuu for organizing the symposium in SoPM despite how pissed she is at the other participants (although I do think she was still hurt… more on that below), etc. As they are now they see each other as individuals more than roles I think, which is an important part of their dynamic (and also of Reimu pairings in general imo).

What do their friends/family think of their relationship?

They’d be the type to go in circles for a while before committing to something. Take their time with it. Past a certain point Marisa and Kosuzu start scheming to get them together (much to the concerned parties’ annoyance). When it finally happens they’d be teasing but supportive. I think the relationship would be kept secret for a time… Some people still manage to sniff it out though, Yukari for example; she’d be satisfied with it. Two people she has a weird close situationship with, together? That works. There might be some gossip about them… But if/when they make it official to everyone, I honestly think they’d be blessed by most of the village – it’s the Hakurei shrine maiden and the head of the Hieda clan after all! Might break a few nameless village women’s hearts though…

How do their personalities/skills complement or contrast with each other?

They have a ton of parallels (human but not quite; role directly tied to the survival of the world they live in; bridge between humans and youkai, etc) but also a few differences both symbolically (Akyuu doesn’t fly (she’s grounded to (a relative) reality), Reimu is literally the power to fly (transcends reality); Reimu is the “eternal shrine maiden”, Akyuu doesn’t live past 30 (but even that can be turned into a parallel with Akyuu’s reincarnations*), etc) and in terms of personality (Akyuu being calmer in general and displaying better social skills). Imo it’s one of the relationships with the most interesting balance between contrast and similarities… They’re the same girl but they’re also on two different sides of the same coin and the pining that comes out of it is SO good.

*if you look too hard into this like I do you’ll see the child of Miare’s reincarnation gimmick as a parallel to how it’s implied that the past Hakurei shrine maidens were replaced often (died quickly?)

What is their favorite aspect of each other?

In canon, I’d say it’s how reliable they find each other. They’ve worked together/consulted one another a few times in FS for matters related to the human village, and despite some differences in opinion they’re on the same wavelength on a lot of issues. Now, with my yuri goggles on…. I think it’d be really sweet if they could make each other feel normal. If their similarities brought them together on a level different from their other friendships, where they can understand the weight of each other’s role and that whole “human but not quite” thing they share, and be able to completely treat each other as ordinary. I really really like it when a character with a lot of obligations gets to just be themselves, and I also love it when two characters who’re both special or generally “apart” from everyone else grow close thanks to that, so I’m just mashing things I enjoy lol

Do either of them have pet peeves about each other?

I like to think Akyuu has a healthy lifestyle and her days go like clockwork (except when she’s close to a writing deadline), so she’d probably find some of the situations Reimu ends up in very frustrating. I think that fits well with the fact that Akyuu doesn’t always realize how high her quality of life is and can sometimes act a bit inconsiderate towards people who aren’t as rich as her. Meanwhile Reimu’s a very honest, very blunt person who struggles with keeping secrets for long (see Forbidden Scrollery’s ending), so she probably wouldn’t like some of the secrets Akyuu keeps at times. But Akyuu’s an important figure to the human villagers and she does take her role as a chronicler seriously, so there must be moments she has to prioritize her obligations over honesty. I think that kind of contrast is very interesting.

How would each reconcile with each other after a fight?

They’re both stubborn… But I see Reimu as the first to try to reconcile most of the time. Her soft spot for Akyuu would take over her natural pride imo. So she makes the first move. Akyuu takes longer, but her apologies are sincere.

Buuut there’s one time I can imagine Reimu completely withdrawing into her shell and refusing to even acknowledge that she’s really upset at Akyuu until confronted about it: SoPM. I won’t ever be able to explain it better than que-de-metal did right here so I recommend reading it!!

What would be their ideal vacation getaway together?

Hot spring resort. Quiet, relaxing and good for Akyuu’s health! And plenty of time for Reimu to laze around and read mystery novels. (I’m projecting… I miss onsens…….)

Think of a new way (AU, different situation, etc.) they could have met for the first time.

I’m honestly a bit upset that Memorizable Gensokyo is when they first met proper, even though there’s no way the Hieda family isn’t regularly in contact with the Hakurei shrine maiden. I think it’d be cute if they met when they were both kids and Reimu was in training with her predecessor and they were both called at the Hieda mansion for something. Extra points if Akyuu was intrigued by Reimu’s natural powers and that’s where her desire to impress her in MG comes from, and if Reimu barely remembers that meeting (like with Alice in PCB).

[presidenthades]

⚠️Spoilers for S.2 ep.2, kinda❓

DAERON EXISTS, LIFE MAKES SENSE AGAIN!

Anyhow, your thoughts on the new episode🎤???

Oh, and in celebration of show!Daeron's confirmed existence: mini tiny Joffron doodle ig? Made with love, not with skill☝️💚🖤❤️

Wait omigod I love this. Why does it perfectly encapsulate the two of them. 😭😍🥰 They really do have a reverse Hades/Persephone dynamic! Honestly I love this art style, it’s giving a chibi vibe that I adore. I’m going to link this to my HOTD artwork list.

Anyway yes, Daeron truthers rise up. ✊

(Obviously, S2E2 spoilers below the cut.)

First I’ll start with new thoughts on B&C. After my rewatch, most of my feelings about E1 remained the same, but I want to update my reaction to B&C. Helaena’s muted reaction made more sense to me the second time around. It is consistent with her character, and the BTS info about her visions makes it understandable why she seemed to treat Jaehaerys’s death as inevitable.

HOWEVER. Viewers should not be required to watch BTS commentaries etc. to have full context for the scene. The background info about Helaena’s visions should’ve been in the actual episode. If knowing about Helaena’s visions about her children’s potential demise is that important, they could and should have incorporated it I nto an actual scene. For example, instead of her opening scene being her embroidering, she could’ve been scribbling about that vision in her notebook.

If for some reason this was too difficult to film, there’s one small change they could’ve made to B&C which would’ve made a huge difference, visions or no visions. When Blood says both children “look the same,” Cheese could have responded with “just kill them both.” This instantly heightens the stakes and makes Helaena’s actions more understandable to even the most casual viewer: if she doesn’t point out Jaehaerys, then both her children die.

End of E1 rant. Onto E2 rant!

I’ve seen a lot of different reactions to this episode. Some say it was great, some say it was awful. IMO, your takeaway of how good the episode was probably depends on who your favorite characters are.

I think Rhaenyra and Aegon had the best scenes this episode. Otto also had some banger lines, and Helaena made me feel a lot of emotions. Daemon did not come away particularly well, Aemond was a little weird, Alicent continues to be frustrating, and I’m convinced that Criston is the writing room’s whipping boy.

TGC really got to show off his acting chops this episode. Personally I wish they could’ve spent more time on Aegon smashing the LEGOs and bludgeoning Blood, but that is a me preference. I think Aegon really did love Jaehaerys, AND he is angry about the blow that has been struck again him as king. Both these things can be true at the same time. The end scene where he’s crying alone in his room proves that his grief isn’t just a show.

And I don’t mind that Aegon’s decision to hang all the rat-catchers makes him seem violent and impetuous, because he is violent and impetuous. The scene is also framed so that you understand why Aegon did it; we see Cheese hanging with the others. And let’s be honest, if Rhaenyra did something similar to avenge Luke (eg burn down Storm’s End because Borros contributed to his demise, which would kill a lot of other people too), a lot of viewers would cheer her on.

(I was definitely thinking during the “Aegon fires Otto” scene that Aegon could really use a Jacaera to kindly knock some sense into him. 🥲)

Speaking of the end scene…omigod Alicent why. 💀 Conceptually, I understand there’s generational trauma going on. Otto was cold with Alicent, who is in turn cold with Aegon especially. But like. Holy shit. Give your son a 5-second hug. It would’ve been nice if they could at least show Alicent feeling conflicted, like she wants to comfort her son but feels incapable, so she walks away.

Backtracking a bit: I feel like Alicent is consistently made the focus of the story in places where she arguably should not be the focus, and I wonder if this is because the showrunners want to take advantage of the fact they’ve paid good money for Olivia Cooke. But I truly do not understand why it was Helaena and Alicent at the funeral rather than Helaena and Aegon. Otto said something about “our gentlest souls” but this could’ve been a great opportunity to showcase more of Aegon and Helaena’s complicated relationship and shared grief.

Whatever my other feelings on the scene, I do think Phia and Olivia’s acting was phenomenal. Helaena’s panic attack during the funeral 😱. I really just wanted to emergency evacuate her from that mess.

I’m going out of chronological order, but I’m going to backtrack again to Otto making the decision to have the funeral as a PR campaign. It’s very Machiavellian, and TBH I understand why he chose to do it. It is a huge blow against Rhaenyra’s reputation. But I feel like the show wants Otto and Daemon to be the only actual schemers on their respective sides. Everyone else kinda just whoopsies or white-knights their way through the narrative. I just want to shake the writers and tell them it’s okay for other characters to be villainous. There’s a reason Daemon is way more popular than Criston. At least Daemon fully commits to his bad decisions.

I kinda feel bad for Fabien Frankel because the writers seem to really have it out for Criston. They really want to make him the most hatable character. 💀 Imagine if instead we got a more Machiavellian Criston who intentionally decides to claw his way up from nothing to become one of the most powerful people in Westeros. Even if he does reprehensible things along the way, at least he does them purposefully, not because he’s incompetent.

I almost forgot to talk about Aemond, because he really has not been getting a lot of screen time these two episodes. The brothel scene was odd but not as odd as it could have been. I wish the writers would stop having his personality revolve around Daemon, but it’s probably their way of building up to God’s Eye. Honestly, I would’ve preferred a scene of Aemond with his family dealing with B&C aftermath rather than fucking off to the brothel.

Now, changing topics to the Rhaenyra and Daemon divorce scene. I think viewers’ reactions to this scene depend a lot on whether or not you’re a Daemon fan. He really comes off not great in the entire sequence from when Rhaenyra learns about B&C to when Daemon leaves. Also, it’s very obvious Sara Hess wrote the scene; she’s been vocal about how she dislikes Daemon, and a lot of what Rhaenyra says seems to be opinions that Sara has shared. I think Rhaenyra was right to call out Daemon for B&C and for lying to her face about it.

It may have been better if they had more buildup showing cracks between Daemon and Rhaenyra, because she’s also calling him out for a lot of stuff besides B&C. There was the S1E10 argument and choking scene, but some more interaction in S2E1 or E2 where they’re at odds would have made it fresher in viewers’ memories. But it’s not necessary, and I think the scene works as is.

Despite viewers’ feelings on this scenes, it was VERY well acted by both Emma and Matt. And it leads to Rhaenyra’s interesting interaction with Baela. Rhaenyra refuses to risk Jace and send him out on patrol near KL, but she tells Baela to do the exact same thing. It’s very subtle, and the scene is framed as a positive thing between the two characters, but this is probably the most morally gray decision Rhaenyra makes in this episode. She won’t risk her child, but she will risk Daemon’s child immediately after they fought.

The Mysaria scenes were interesting. I really don’t mind the show’s efforts to whitewash her. She’s horrible in the book, but show!Mysaria is actually sympathetic for the most part. She worked her way up from nothing but the people in charge of the system keep stomping her back down. I think her dialogue about Daemon/Otto/powerful men was heavy-handed foreshadowing that she’s going to end up serving Rhaenyra, who is notably not a man.

I don’t have a lot of groundbreaking comments about Erryk & Arryk. It was very emotionally impactful…and I wish the episode had ended either with them dying, or with the scene where Aegon is crying by himself, rather than ANOTHER Alicole sex scene. 💀

Overall, this episode had its highlights, and acting is phenomenal as always. But the writers really need to figure out what to do with Alicent and Criston, other than have the fuck all the time.

[fallowtail]

So curious what you thought of last night's Ghost episode! I LOVED Trevor's tenderness with Escarghost (lol) but wasn't a big fan of the Isaac storyline. Plus, it was a reminder that the writers really aren't revisiting H-money---even when he thought he was being sucked off he didn't seem to have any sort of special goodbye for her or register her as anything more to him than the other ghosts are, and Hetty was kind of rude to him most of the episode.

Long reply incoming because I have a lot to say about the current status of H-Money and you gave me an excuse to think about it >:) Loved it, but I love all the episodes- there really hasn't been one I've walked away from disliking outside of a some "aw, I wish they had done that differently or gone into it more" disappointments here and there haha. Shelly the Escarghost was a stand out snactor who portrayed this ethically dubious snail very artistically and he is a very good boy who deserves to slowly rotate his way up the shaft over the next few days. The Isaac plotline did fall a little flat for me but I don't hate it at all and I am genuinely really interested to see where they're going to go with it. Hetty and her desire for appliance erotica may be one of my favorite moments of the season, lol, and the Jay & Pete shotgun argument is delightful.

(read more because this got a little long and i don't want to clog the tag)

Re: H-Money, I don't see it that way personally, but I also view them as a ship a bit differently than it seems the current main consensus/desires for them has turned into this past year- I do not personally think they are currently secretly in romantic love with each other, and are still at the stage where they're still working through realizing and understanding that they're actually friends and that they genuinely care about each other and do have things in common. Him not having a monologue for her specifically doesn't ring as anything that "dooms" the ship or whatever to me personally- if anything I think him pronouncing a deep affection for her or having anything meaningfully specific would be pretty out of character at this moment- their canon relationship isn't the same as what their fanon one is, the canon one is going muuuch slower and is not really as standardly romantic as people seem to want it to be, which, don't get me wrong, I love the fluffy fanon stuff, I really do, I've written some of it and encouraged a lot of the others!- but their canon-dynamic of ["enemies" to friends with benefits to exes to girlfriend/boyfriend to "exes" to friends with benefits again to exes again and now back to friends who are maybe sleeping together again (no idea! could be, could not be, i love the mystery!)] is endlessly more fascinating to me and I do think it's something important to keep in mind that what the show is doing with them is not the same as what the fandom is doing with them haha. Hetty was rude to him, but, well, that's just...Hetty, her social skills despite being a socialite are...not the best, and I do think she actually was genuinely trying to express interest and empathy for him, just in a very...Hetty-like way, lol. Hetty is rude, Hetty is blunt, she makes inappropriate comments, that's just inherently part of her character and mutually part their relationship, even- like yes, she makes the comment about his dog being wormfood by now ("sorry, your dog is 35 years old, my bad" absolutely killed me) but it followed a scene where she is gazing at him very empathetically and tenderly and giving him space to be vulnerable with them about his guilt and grief, and gives Alberta a scolding look for commenting about his friends body dumping him, lol. (For a toss of hope for you that is not just me going "I don't see their relationship the way other people do" LOL a lot of their current interactions are very interesting to read into if you want to read it through the lens that they're sneaking around again, because this sort of behavior is exactly what they were doing last time!) Keep in mind this is only episode 6 of 22, we have a long way to go just yet, we're not even at the half way point! Thank you for the ask & I hope any of this makes sense <3

[nyaagolor]

Now that you’ve played through all the episodes, how would you rank them?

Oooo this is tough, in part bc I like all of them a LOT. The designations between a few of them, especially in the middle category, are gonna be kinda arbitrary, but I'll do my best :)

Also this got stupid long so I put it under a readmore! Spoilers abound, as one might expect

8. Dawn of the Golden Witch (Episode 6)

I have some... mixed feelings on this one. I understand what Ryukishi was going for in using chick-Beato and Battler's interactions to parallel Battler with Kinzo and show Kinzo's dynamic with Kuwadorian Beatrice via analogy, but I also think it kinda fumbles a bit. There are points (cookie scene being a big one) where I feel like the characters take a backseat to the themes and the whole narrative feels off. Chapters 5 and 6 are supposed to be a perversion of the original story that Beatrice has lost control over, but there are points during 6 especially where I think it kinda loses itself. The rest of it is great (Erika's VA is a goddamn champion) but the very beginning of this chapter is easily my least favorite part of the series

7. Requiem of the Golden Witch (Episode 7)

I don't really have strong feelings on this episode. It would have been the high point in just about any other VN, but Umineko is so consistently fantastic that Episode 7 didn't really hit me as hard as the others. It did make me wish we got more Kyrie though, even if I know exactly why she wasn't as prominent as many of the others. Kind of insane that my second least-favorite arc is something I would rank like an 8 or 9 out of 10, Umineko is just that goated (get it???)

6. Turn of the Golden Witch (Episode 2)

While I do love watching the worst woman ever conceived have a 48 hour progressive mental breakdown, Alliance hits every point I like about the Rosa / Maria dynamic but does it better. It's still an arc I absolutely adore, so it feels weird to rank it so low, but I think about it a lot less than the other arcs so down here it goes. Shoutout to this arc for making me laugh to the point I could no longer speak not once, but twice. Kanon chuuni jacket and leashed Battler you will always be famous

5. Twilight of the Golden Witch (Episode 8)

I know that ranking episode 8 in the bottom half sounds like sacrilege but this arc had so much Kinzo and while I understand his narrative importance I Do Not Like Him. The fact that Kinzo is in the Golden Land but Kuwadorian Beatrice isn't makes me want to throw bricks at things. Other than that though, absolutely stellar. I bawled at the ending. The next day I thought about it more, misinterpreted it, and cried more, then I thought about it more deeply and talked with friends, really started to understand the core messages, and sobbed even harder. As these things tend to go. This episode ruined my life. Would recommend.

4. Legend of the Golden Witch (Episode 1)

note: 4 and 3 are interchangeable I like them both a lot for different reasons

The first time I read this episode, I thought it was great. The further I got into Umineko, the better it got. Now, with a full understanding of the plot and knowing how this chapter serves as self-reflection through the other (Sayo via Natsuhi) it serves as probably the most raw glimpse into Sayo's mindset we get. This episode ruins me and I'm pretty sure when I inevitably reread it I am going to dissolve into a puddle of goo. Also Natsuhi is there and she's my favorite of the matriarchs so I'm a little bit biased :)

3. Banquet of the Golden Witch (Episode 3)

This is one of the funniest pieces of literature I have ever read in my life. EVA-Beatrice, the entire sob story (that I, like Battler, fell for completely), the two towers fight scene... 10/10 no notes. I don't even have the words for how much I adored this one. I wish I could read it again for the first time.

2. Alliance of the Golden Witch (Episode 4)

Ok so fun fact I thought this arc was kinda boring at first, and was a little miffed I had to constantly go through Ange's little side quests when I just wanted to see Beatrice and Battler again. Fortunately, Ryukishi has a beautiful way of changing my mind very very quickly and the more I think about this Episode the more I love it. It has some of the most powerful emotional moments, a really good rehashing of the themes, and is a lot tighter and more condensed than I gave it credit for. There's a LOT that happens in this chapter, and it's been growing on me a lot-- while it doesn't take the number one spot in terms of my favorites, I do think it's the best written of the 8 episodes. As a bonus it focuses a lot on Maria who is one of the best characters ever and my darling baby angel.

End of the Golden Witch (Episode 5)

This is the platonic ideal of Umineko to me. The layers of metanarrative, the perversion of a formula to reiterate its structure, the use of genre conventions as a dual-use in-universe and metanarrative element, Erika. End of the Golden Witch is when I changed from someone who loved Umineko to someone who was obsessed with Umineko. The ending is one of the most visceral parts of the VN and I will fully admit I cried. There is so much happening in this episode I could talk about it all day. Also Natsuhi is there. Hey girlie <3

[verdemoun]

Don't know if you've already talked about bill but how is he coping with modern times? I always imagined a modern bill becoming a car mechanic, or something adjacent, maybe even becoming a small influencer where he posts abt trucks and such (and also his dog. I just know that man gets a dog in any type of modern au)

i have not spoken about bill because bill as a character just makes me so sad fam like was he doomed to be the power hungry bastard of toxic masculinity we see in rdr1 or did the events of rdr2 actively make him that way why was everyone so mean to him like you can see the way people treats him chipping away at him it makes me want to scream but back to timewarp au

therapy. my otp is bill and therapy. man needs anger management and to unpack that emotional baggage. it would take a while but once bill made the connection sometimes when he feels angry and acts out he's actually feeling sad/upset he'd start to develop as a person really quickly.

he would be so conflicted about seeing the gang again. why does no one talk about what happened to bill in the gap between rdr1 and 2?? dutch fucking left him behind bill would've followed dutch to the ends of the earth and been the perfect obedient loyal son he always wanted and dutch just threw him away because hunting down arthur and john for betraying him was more important!!

the new main gang would've picked him up because they knew he was going to be timewarped but it would be so uncomfortable.

poor kieran would've been so terrified he had to stay with annabelle and grimshaw until bill left. he usually regresses a little whenever someone timewarps because he has obvious reason to be nervous about the gang but it would've been a full breakdown just knowing bill was coming back. bill would've felt bad about it too because he never made the connection between how the gang's teasing made him feel vs what his bullying was doing to kieran.

the rest of the gang would've gone straight back to teasing bill because that was the dynamic last time they were all together. he would've hated it and lashed out a lot. he became something after they died they better respect it but of course they just don't. bill would've barely understood modern era before he bounced.

happy stuff now i promise. he ended up hitchhiking for a bit and learning about the modern world from truckers. he would love going to bars and truck stops and dodgy mom and pop diners along the highway.

he ends up getting a job on a ranch (ironically the modern day MacFarlane which became a massive multimillion dollar operation) and still gets to ride horses almost every day. he picks up herding super quickly and gets all the validation and care he deserves. the owners love him and are really supportive and patient when it comes to dealing with his temper.

he gets a little power trip out of learning to drive the semi-truck and unlike most of the hands is always super excited and happy to go on cross-country road trips delivering things to processing facilities. his favorite thing though would be the combine harvester he will work 14 hour shifts without complaint harvesting grain.

bill loves dogs almost more than he loves his horses he cannot drive past a sign that says puppies for sale without at least stopping to look. this habit has resulted in him having five dogs and they are his new gang. his first dog was a stray he picked up on the side of the road it's a wire-haired gundog mutt just called Mutt. he also has two cattle dogs (Clem and Roanoke), a long hair shepherd called Mercer and finally a catahoula called Abel. they are all working dogs and he does not go anywhere without all of them. they all sleep on his bed and are just as happy to go on cross country road trips in the semi as he is.

he can control all of them with a whistle or non verbal commands and they are insanely well trained. Micah fucking hates him sure Baymax can bark and growl and look scary on command but the second one of Bill's dogs curls up its lips Baymax is hiding behind Micah terrified and Bill is so fucking smug about it.

through therapy and having his ideals challenged bill starts making an effort to be less racist and sexist and actually confronting some of the gang about the way they treated him in 1899 and mending those relationships because look yeah he went off the deep end after the VDLs but he does still care about them and wants to have good relationships with them he's just got to work through a lot of issues go bill i believe in you

and most importantly he finally got over the internalized homophobia and admitted to himself he's a bit/lot gay. he's not wearing beads at pride levels of comfortable with it yet but he is a classic bear who will protect the gaybies from violence with violence.

it's like a many, many years slow burn but him and alden get together because charlybird's art is one of the only reasons i gave bill a chance as a character and i am a better person for it

[blog-sekai]

Unit Introduction: m4jor*REVERSAL

A group of four friends who take on a persona while they preform. Their music is often dark, tells a story or both...

*real quick: I can't draw for shit, so this is all going to be text and a bit long. Sorry :(

•─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────•

About m4jor*REVERSAL:

The asterisk in their unit name represents a pentacle!

Each member is aligned with a tarot card (including the vocaloids) and as characters they tend to play off that card in interesting ways. Their card is also their stage name/alias and sometimes an alternate persona they put on for their music; that alternate persona is often called their "reversed", hence the unit name.

They all preform in costume and while wearing masks - originally as a safety/anonymity thing, now it helps them get into the headspace to preform.

Although they do street performances or take gigs for local venues, most of their work is online. Their MVs take a long time to make, because of all the recording and editing involved.

I don't have a clear genre/style for their music yet🤧in my head its very atmospheric/psychedelic? But I can't think of a clear example atm.

They're my oldest fan unit! I dusted 'em off a few weeks ago when I got back into pjsk and they're much more fleshed out now ^^

•─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────•

"Even if it's only this once...please, let me be seen!"

Solomon Lucius - The Magician

Birthday: Nov 2

Height: 5'7" / 170cm

Hobbies: Tarot, People-Watching

Specialty: Rhythm Games

Favorite Food: Rose Shortbread Cookies

Least Favorite Food: Omurice

Dislikes: Hide & Seek

Despite his best efforts, Sol struggles with having presence most of the time. When preforming under his stage name, though, drawing attention to himself is effortless. He got into (western) esoterica/mythos/witchcraft in middle school, although it's more a casual hobby than a sincere belief. Secretly likes to be called nicknames, because he sees it as a sign people care.

•─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────•

"One day, I swear, we'll make a happy ending!"

Arthur Charon - The Hanged Man

Birthday: August 1

Height: 5'9" / 175cm

Hobbies: Parkour, Conlangs

Specialty: Brewing Tea

Favorite Food: Soba Noodles

Least Favorite Food: Citrus

Dislikes: Roller Coasters

Arthur likes to tell stories, but all of them seem to accidentally end in tragedy or horror. He and Solomon became friends in elementary school and are quite close, but since he has a one-track mind, Art often focuses more on his other friends without meaning to. His parents are a bit traditional, but they do encourage him in his hobbies & interests. He's arguably the best dancer of the group, likely because of how much he enjoys parkour.

•─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────•

"It's important to stay connected to those around you, you know?"

Rowan Delphi - The Hermit

Birthday: March 20

Height: 6' / 183cm

Hobbies: Hockey, Crafts

Specialty: Identifying Plants

Favorite Food: Flan

Least Favorite Food: Coconut

Dislikes: Thunderstorms

Rowan's involved in a lot of school activities and has a very active social life, however, he's hopeless at doing things on the fly and has to keep a planner on him most of the time. He'd never say it aloud, but Rowan tends to find a lot of people overbearing. He hates being alone because that's when the gay thoughts Horrors catch up to him, but that's also when he makes some of his best work. He's a single child, and finds sibling dynamics really interesting.

•─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────•

"Eh? ...What was that, again? Sorry, I wasn't paying attention..."

Merlin Polaris - The Moon

Birthday: February 4

Height: 5'8" / 173cm

Hobbies: Reading, Stargazing

Specialty: Cold-Reading People

Favorite Food: Dumplings

Least Favorite Food: Tiramisu

Dislikes: Being Put On The Spot

Merlin has had the most prior musical experience, as he was in band for a few years in middle school & junior high. He's very popular with the girls at his school, since if you don't know him very well his aloof, spaced-out nature can be mistaken for mystique. Merlin is incredibly sharp, but he prefers to act otherwise as it takes less energy and effort, and it frees him from others' expectations. No matter the weather, he always wears long sleeves.

•─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────••─────⋅☾ ☽⋅─────•

Unit SEKAI: Maze

Unit Virtual Singers:

Miku - The World

In Maze Sekai, Miku is dressed like a princess. She carries herself with a noble mien that is replaced with bubbly enthusiasm when it comes to telling stories or solving riddles. She's surprisingly very grounded.

Luka - The High Priestess

Luka carries her self as a high-ranking advisor. She likes to playfully tease Miku with nonsensical riddles, and plays soft melodies to help her friends sleep. Luka seems to instinctively know where any possible book can be found in Sekai.

[hatingfromacrackedscreen]

One of my favorite things about the Animorphs rotating pov is how you get to see character development happening so subtly but from so many different angles. One of my favorite examples is with Cassie & Marco’s relationship, from when she left the team to the David Arc (books 19-22), and how it explains so much of their dynamic for the rest of the series.

Marco and Cassie have one of the most interesting dynamics out of the Animorphs because of how often they disagree over conflicts/strategy, but also because of the fact that they usually end up being the de facto strategists of the team (They also both are like, in love with Jake, which also leads to really interesting moments but this isn’t about that). Naturally this puts them at odds with each other often, especially during Book #19. Cassie quits the team and voluntarily infests herself so she doesn’t have to kill Karen, something that Marco doesn’t understand and also is upset about, because now he may have to kill Cassie. After book’s end Cassie makes it back to the team and Aftran begins the peace movement. There’s a lot of threads that contribute to spiral from the book, and Cassie and Marco’s relationship is one of the subtler ones. What’s important to note is that the next book, book #20, is a Marco pov. We get to see his thoughts, and all is not forgiven. He reminisces about the recent Cassie-related events, and says something along the lines of “yeah I’m not really chill with her after the shit she pulled with Aftran.” Which I support Cassie fully, but fair enough! Not only did Cassie voluntarily cause their biggest security breach at the moment, but also he thought he, a 14 year old, was now going to have to kill his friend, another 14 year old. I would be pissed too. (Also this is another great subtle narrative thread leading into the David Arc, which derives its most central tension from this same dilemma)

However the culmination of the Cassie Marco tension comes not from either of their own pov, but from the next book, book 21 which is a Jake pov. The Animorphs all morph bugs to break into a hotel that has a Yeerk conspiracy involved, and they come close to the 2 hour limit. They all morph back successfully except Marco (the weakest morpher) who is stuck as a several foot tall giant grotesque flea. Everyone’s freaking out, but it’s Cassie who’s comes forward, places a hand on Marco, and soothingly guides him through his sheer panic, and into demorphing back to his human self. After Marco breaks down and sobs on Cassie, and Jake even notes he’s never seen Marco cry like that. Which is significant since Jake has known Marco grieving through his mother “dying”. Jake doesn’t note it, because it’s a situation he doesn’t even know about, but in this moment Marco forgives Cassie. Marco never gives her shit for the Aftran situation again, either in his narration or in others. And I love that it’s something that’s not explicitly said by Jake in this book, or Marco or Cassie in later ones, but all of the resolution of that tension between them beautify resolves in a book that’s not either of their povs and doesn’t even explicitly mention it.

Not only is that a knack to Animorphs’ character writing, but it sets the foundation for their relationship going forward. It’s why Cassie still goes to talk to Marco in Book #35 through his issues with his dad remarrying, and he ridicules her a bit but hears her out. And then by series end, when Cassie gives the morphing cube away to the Yeerks, and Jake tells everyone. Is Mr. Marco “ruthless bright line from A to B” pissed at her? No he’s over it and back to being chums with her. Because that’s Cassie his bestie now❤️ And I love that no matter how often they’re at conflict later in the series, after the flea incident it never gets as serious in Marcos narration as it was to him before, in book #20. Animorphs’ character writing amongst multiple povs is just so so soo good.

[pillow-boi]

I finished Veilguard!

Here is my review with no plot spoiler:

First of all, just so you know where I stand, I do not think that Origins is the best Dragon Age. I think it's an amazing first Dragon Age, and it's my second favorite after DA2 for its plot and companions but I hate Origins' gameplay with passion. I also think that it didn't age well. But it's my personal opinion. One of the most interesting points of Dragon Age series is that every game is different in it's gameplay, plot and focus, so obviously everyone will have their preference for which they prefer, and it's better this way.

Now, the actual review: I had a great time playing DATV, and I think it's the most important thing in a game. The rest of this review is only details.

I tend to prefer dynamic and action-oriented gameplay so I really enjoyed the fighting system. The music was also really nice. I also tend to prefer more linear plots and don't like open worlds, so I largely prefer DATV to DAI (hinterlands trauma).

Actually, DATV changed all the things I didn't like in DAI so I'm quite pleased, but it's a question of preference here again: the maps are smaller but give way to some nice plateformer gameplay, there are less side quests and they're more important/useful to the plot, it's more focused on companions than exploration.

I enjoyed the huge amount of banter and the way the companions got closer to each other. This time they went for the found family trope so if you like it it's perfect. Your Rook is also closer to Hawke in the sense that he already has a set personality that only changes slightly depending on your answers. And omg the character creation tools are AMAZING I loooved creating my rook!

The plot choices you make actually change stuff, and the ending was really badass.

Now the bad parts: there is basically no terrible point. The "bad" parts are just a few things that were a bit meh at most. Some companions have better dialogues that others, and it feels very "marvel-ish" (I like marvel but if you don't, you might not enjoy most of the dialogues).

It concentrates a lot less on romance than the previous games. There are a loooot of companion cutscenes, but very few romance-only scenes.

Some of the lore that I liked was non-existant, but it's believable since the story takes place on the other side of the continent, 10 years after the previous game.

FINALLY about the terribly criticised Taash (please don't hit me haha), I think that they have a great potential and that their character development is, in its idea, good. But its realisation was a bit frustrating as it was anachronistic. It literally broke the immersion. Qunari lore explored the question of non-binary and transgender since the first game, and they had all the tools + DA specific vocabulary to anchor the subject in the game, but the anachronism made the whole thing feel like a joke or a parody, even though it's an important topic. It was sadly a bit counterproductive.

So my final conclusion: I really liked datv! I could easily replay it.

[frankingsteinery]

(for the ask game from a few days ago) could you do Victor for 2, 12, 15 and 24

2. Favorite canon thing about this character?

i had to sit and think because this one was so hard to narrow down. on a surface level i find all sorts of things about him endearing from his mannerisms to his speech patterns, but i think the thing that got me hooked on victor as a character was how emotionally demonstrative he is, particularly for a male protagonist. this also extends generally to his love for nature, for his friends, and his siblings (disregarding the incestuous implications of his relationship with elizabeth...)

i think this was only intensified for me when i started delving into frankenstein academic essays and analysis and then, by extension, the frankenstein fandom, and found that en masse it was people criticizing victor for just what interested me to him in the first place: being emotional, and therefore somehow melodramatic, overreacting, self-centered, egotistical, etc. it was this kind of climate of victor-hate that pushed me to make a tumblr account in the first place. someone had to be the sole victor defender in this barren wasteland

12. What's a headcanon you have for this character?

this is silly and probably not the serious answer you were looking for but like 2 years ago a dear friend of mine and i were joking about how you could catch victor frankenstein in a mouse trap and ever since then his assigned fursona in my head has been a mouse:

15. What's your favorite ship for this character?

by far its waltonstein (robert x victor). im aware clervalstein is vastly more popular, and while im charmed by it in-canon i dont find most depictions of it to my taste. i don't see their relationship as wholly reciprocated–one-sided on walton's end–which is part of the reason why i like their dynamic so much: its established that walton romanticizes the unobtainable, chases the unknown, and that's why he hangs all his hopes on things he cannot feasibly reach. first becoming a famous poet and going down with the greats, then sailing to find the northern passage despite being an inexperienced captain, all the while hoping for this impossibly idealistic image of a companion who would be perfectly tailored to his interests and manners, and then, against all reason, he finds this in victor, wherein victor becomes an extension of this habit, who is dying and too hung up in the past and on martyring himself, because everyone who has grown close to him has been hurt for it, so he cannot love again, or at least in the way walton wants. yet victor still has a reciprocated interest and finds a friend in him, even shares the same sentiment of the importance of friendship, but like he says no man can "be to him as clerval was." its very much wrong place/time but the right person.

ive said this before but i think, too, that if victor had recovered and lived than walton may fall a little less in love with victor. their relationship was founded on their dynamic of sick/caretaker, and beyond that, victor would have already exhausted his story, so there's no air of mystery around him anymore–nothing for walton to glorify or romanticize. ultimately i think even if they had the best of intentions and loved each other, they could not have a healthy or fully mutual relationship, and part of the appeal to me is this tragedy!

24. What other character from another fandom of yours that reminds you of them?

im drawing a bit of a blank on this one because no other character encompasses just what victor Is to me, but theres a whole host of victor-esque characters i could name because he is the literal foundation for the mad scientist archetype. if i was pressed i think id say geoffrey tempest from sorrows of satan by marie corelli (beyond his blatant misogny), and i remember some parts of emil sinclairs early narration in demian by herman hesse reminded me of victor. lucifer/satan from paradise lost also, particuarly the bit where he says he cannot enjoy the beauty of earth for the suffering of his fall, but that almost feels like a cop-out answer.

lastly–and this one is completely unfounded–itd have to be double dee from EEnE.

[zhansww]

The first ~28 episodes of War of Faith are so good. So fucking good. And definitely recommendable. But the drop in the quality of the writing after that is... jarring. The pacing runs wild, the plot gets ridiculously contrived and a good character turns evil for no reason. Basically, the best way I’d recommend this show is to watch until about episode 28 and after that, just skip to the finale. Spare yourself all the nonsense in between. Although I will say that the character of Wei Ruolai, at least, stayed pretty consistent and mostly well-written until the very end. He’s easily become my favorite of all the characters I’ve watched Yibo play. Oh and there is definitely potential for a second season. As long as it has the same quality as the first two acts of season one, I would totally welcome it.

spoilers under the cut

As much as I appreciated what they did to redeem Tunan at the end, my biggest issue is that Tunan should not have turned evil in the first place. He shouldn’t have fucking needed redemption. It (still) makes no sense. And it’s the worst mistake of the third act. I could literally condone anything else. The fact that Tunan turns into a warlord, even though he is banker. The fact that everyone suddenly knows how to wield guns and fight. The ridiculous plot armor for certain characters and how conveniently important things constantly happen at the same time. Like, I’m fine with all that. But changing characters to move the plot in a certain direction instead of having characters move the plot naturally... that’s where I draw the line. And I know what they did it for. To make it more angsty. To make us, viewers, feel some type of way. But nope, the only thing bad writing makes me feel is annoyance.

Even if I take my shipping glasses off for a moment, I think it’s safe to say that Tunan and Ruolai are the heart and soul of this story. Heck, this show literally starts off with Ruolai, trying to get a place at Central Bank, where his beloved Tunan works. That’s what kicks off the entire story. Honestly, their relationship is gayer than the only canonically gay c drama I watched. And even though the third act is a mess, their relationship is still probably what I liked the most on this show. And I’m glad that they, somehow, got a sort of happy ending. I assume the implication in the end is that Tunan is the comrade Ruolai was supposed to meet... And since they’re finally (belatedly) on the same side again, they get to work together again, too. It’s a bit bittersweet but oh well. Better than if Tunan had died, at least. Ruolai has this really endearing and whole-hearted devotion to Tunan. They very much have a master/servant dynamic at the beginning. But the more Ruolai grows into his own, the more he steps out of Tunan’s shadow and at the very end, they meet each other as equals. I really liked what Yibo himself said about their relationship, that they started as master and disciple but gradually came to consider each other family.

I’m really fucking glad that Yibo chose this role and that he played it the way that he did. I don’t even know how long it’s been since the last time I was this invested in a show (not counting the OP live action cuz I’ve been invested in the og for a decade lol) so I’m ultimately quite happy that I watched this which I wouldn’t have done if it weren’t for dd, tho. My man really chooses the best roles and his performances keep getting better. I’m super proud of him and to be his fan~

[moltensmusings]

Okay heavy spoilers as I talk about final thoughts in regards to veilguard now that I've completed my initial run.

Under the cut because it's long:

I think it is the best dragon age game and while that may be controversial let me explain.

It takes the best parts of each game for me and compiles. Similarly it felt like it took inspiration from Mass effect 2 and 3 in tone and outcome, however the endings we get for Veilguard leave me a lot more satisfied than they did with 3.

I think it's devastating that you can't come out of the game with all 7 companions. That Harding or Davrin has to die. But I also can acknowledge that this outcome is one that made the ending and messaging work. It made the threat of facing gods feel much more realistic and added importance to the decision to work through the game to get the best outcome.

I love all the companions and their interpersonal relationships. How so often in the game you get to resolve differences and mediate and we get to see how rooks words effect things. I loved each companion getting their own room that changed over the story and the devs choosing to have them move around the lighthouse for interactions which isn't something done in previous dragon age games but was something they did in Andromeda that I liked.

The decision to have companion quests be a constant appearing thing over the game is also great. It really helped me get a feel for the characters and enjoy them more.

Surprisingly I don't actually mind the change from 3 to 2 companions on a quest. Banter felt like it happened so much more and not having to focus on healing them made it so that I could still enjoy their conversations while running around.

The outfits and visuals were great and Rook felt like the most full of life main character we'd gotten because of how smooth the animations and lighting was for them.

The environments in inquisition were my favorite in any DA game until this one. I loved how lived in the cities felt. The maps were large and great for exploring which meant one of the things I liked about inquisition carried over without it feeling overwhelming for other players.

This was the first time I actually cried playing a bioware game. Varric's death, coupled with the loss of a companion, actually got to me. And they let you sit with it. You get to say goodbye to Varric. You get to see him off.

Elgar'nan and Ghilan'nan felt like terrifying and compelling villains. Incredibly memorable especially after Corypheus. All the while pairing it with the tense dynamic between Rook and Solas it fully left me wanting to rush through the story to see more of them. It's so clear care and thought was put into designing the main antagonists of the game and I'm appreciative of it.

I'm eager for the next game. Wanting to see how things will connect with the new big antagonist and who our protagonist will be. They have big shoes to follow once again but I have faith.

With that said, I want to add some notes on things I wish had been included. I say these with the understanding of why so much of it wasn't/asking everyone to be aware I still enjoyed and intend to replay the game.

While I fully think the choice they went with made the story more compelling, the "well drinking" not mattering at all is a bit disappointing. I get why they removed it but if inquisition ever got remade/remastered I hope they just remove the option if it didn't matter.

I wish more inquisition choices got carried over because I would've loved to see inquisitor show up with everyone left in the innercircle to assist rook. They wouldn't be in the main battle but more just them getting a side appearance before the final fight starts. Maybe if we got a party scene they'd show up then.

Same note: the person left in the fade never being brought up/us never getting Isabela talking about Varric or any of the da2 companions showing up before we say goodbye to him makes me a bit sad. We'll never see the kirkwall gang together ever again and it hurts.

The romance scenes felt very few and far between. We had a few flirt options and a small handful of proper romance scenes so (at least for Taash) I just didn't get as invested in it as I do for other da games. I wish there were a few more.

All in all: I would recommend this game to people. I'm an andromeda and Inquisition enjoyed which I know is controversial in the fandom, but I feel like this one is actually a game I could see a lot of people liking.

I wish we had a celebration party scene for the characters. Lucanis mentions it to Bellara while fighting to get to Elgar'nan and I was so excited only for it to not happen.