#ag meta

[samantha-and-nellie]

i know turn-of-the-century ideas about adulthood are vastly different than ours, but do you ever think about how young cornelia is?

like, it's her first christmas with her boyfriend's family. the girl that is going to be her niece is the age as her younger sisters. she's grown up with sisters who are sam's age, and yet she's somehow crossed into womanhood and they're still getting to enjoy their girlhood.

and you can see that it the christmas book! you can see this confusion (longing? nostalgia?) in cornelia as she experiences this last christmas as an unmarried young woman. she can't spend it with her sisters, but she can gosh darn spend it with another girl their age, and so these moments of cornelia's girlhood peek through as she's trying to bond with samantha.

she gets sam to make gingerbread with her like cornelia would usually be doing with her sisters. she goes sledding with her and gard, and cornelia has this moment where she gets so caught up in the joy of it all that even sam can see how young she is.

and then they're downtown, and cornelia spots a beautiful doll in a shop window and, just for one moment, she forgets that's she's too old to want a doll. except that “just a moment” lasts for days, so she ends up going back to buy the doll for samantha because that’s the next best thing to buying it for herself.

sam gets her doll, and cornelia gets a ring.

and i know that cornelia growing up and getting married is not a tragedy, but for some moments it feels like it is because it means that sam is next. and the womanhood that cornelia experiences seems joyful and privileged and purposeful, but it's still not girlhood. cornelia's not putting can telephones through the lilac hedge, or threatening the annoying neighborhood boy. cornelia's not starting schools in the tower room, befriending the servant girl next door, bedgrudingly practicing piano for an hour a day and then going to get gingerbread from the cook.

and, if all goes well, eventually neither will sam

[saints-who-never-existed]

“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets. 

Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”

–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.

[samantha-and-nellie]

i've reblogged this before, but i wanted to add some comments this time because, while this post isn't untrue, it doesn't quite explain accurately the changes that were made in the movie.

jessie as a dressmaker actually does still *kinda* exist in the movie (and op did identify this in an earlier post that they made!). but that character--while still a black women who is clearly skilled in dressmaking--isn't jessie. the character who is named jessie in the movie is indeed just housemaid for grandmary's household, while this other character who takes on book!jessie's job is simply identified as "dressmaker" in the telescript. it's also worth noting that the telescript identifies the dressmaker as being from nyc, and that she is there specifically to make the outfits for gard and cornelia's wedding.

in this way, samantha: an american girl holiday does create a more realistic scenario, since grandmary keeping a full-time dressmaker for herself and samantha was a bizarre choice for the books. was it still weird for the movie to turn the named-character of jessie into a housemaid? absolutely, but i wanted to explain some of the nuance lost in the original post.

tldr: jessie's role as a dressmaker isn't fully erased, her character from the books was just split into two different characters in the movie.

One of the greatest adaptation mistakes American Girl made was reducing Jessie from a stylish, well-respected, independent dressmaker to a housemaid for the Samantha movie.

[enigmalea]

Before Veilguard's release I was theorizing the Veilguard companion characters might have been designed to be parallels to the known Evanuris, but I couldn't place all of them.

Now that I've played the game (almost twice) I think I've figured them all out.

Rook - Elgar'nan, the leader. Controller of light and dark. The one who influences the others.

Neve - Mythal, who can be a fierce protector or a source of inspiration and hope.

Harding - Andruil, the hunter, who went mad from the Void and had to fight her way back

Bellara - June, the inventor. Master of magical artifact.

Lucanis - Dirthamen, keeper of secrets, who mastered the twin ravens of Fear and Deceit, and returned from death.

Davrin - Ghilan'nain, Master of Monsters, Keeper of Halla.

Emmrich - Falon'Din, the necromancer. Friend of the dead.

Taash - Sylaise, who's fire cannot be quenched.

Which leaves Solas to play the role he always has - Fen'Harel, the trickster and betrayer, who could ally with them, if only they will listen to his advice and try to protect their world as best as they can.

[dalishious]

The Sanitized Lore of Dragon Age: The Veilguard

Tevinter is the heart of slavery in Thedas. This lore has been established in every game, novel, comic, and other extended material in the Dragon Age franchise to date that so much as mentions the nation. But in Dragon Age: The Veilguard, when we are finally able to actually visit this location for the first time… this rampant slavery we’ve heard so much about is nowhere to be found. It’s talked about here and there; Neve mentions The Viper has a history of freeing slaves, as does Rook themselves if they choose the Shadow Dragon faction as their origin, for example. But walking down the streets of Minrathous, you’d never know. Because Dragon Age: The Veilguard, for all its enjoyment otherwise, has one glaring issue: It’s too clean.

The world of Thedas is full of injustices. Humans persecute elves, fear qunari, and belittle dwarves. Mages of any race are treated like caged animals in most places. The nobility is corrupt. Although, Dragon Age has not always handled these injustices well, mind you. Many, many times I’ve found myself frustrated with moments that just feel like a Racism Simulator. But what makes it worth it, is when you can actually do something about it. These injustices are things that a good-aligned character strives to fight back against, maybe even for very personal reasons. Part of the power-fantasy for many minorities is that this fight feels tangible. I cannot arrange the assassination of a corrupt politician in real life, but I sure can get Celene Valmont stabbed to death in Dragon Age: Inquisition, for example. Additionally, these fictional injustices can be used to make statements on real life parallels, like any source of media. For example, no, the Chant of Light is not real, but acting as a stand-in for Catholicism, through a media analysis lens we can explore what the Chant of Light communicates on a figurative level.

When starting Dragon Age: The Veilguard and selecting to play as an elf – this should be unsurprising to anyone who is familiar with my bias towards them – I was fully prepared to enter the streets of Minrathous and immediately get called “knife-ear” or “rabbit”. But this did not happen. I thought perhaps it was just a prologue thing, but returning to Minrathous once again, there was not a single shred of disapproval from any NPC I encountered that wasn’t a generic enemy to fight. And even the generic enemies, the Tevinter Nationalist cult of the Venatori, didn’t seem to care at all that I was a lineage they deemed inferior before now. This is a stark difference from entering the Winter Palace in Dragon Age: Inquisition and immediately getting hit with court disapproval and insults. Are we now to believe that Tevinter has somehow solved its astronomical racism and classism problems in the ten years since the past game? Or perhaps are we to believe all the characters who have demonstrated Tevinter’s systemic discriminatory views were just lying or outliers? Because it makes absolutely no sense at all for this horribly corrupt nation to not have a shred of reactivity to an elven or qunari Rook prancing around. But here were are, and not a single NPC even recognizes my character’s lineage. And because this is so different from every single past game, it feels weird.

As an elf, you have the option to make a comment about how “too many humans look down on us” in one scene early in the game. You can also talk to Bellara and Davrin, the elven companions, about concerns that people won’t trust elves after finding out about the big bad Ancient Evanuris… but this is presented as if elves don’t already face persecution. It’s all so limited in scope that it could be all too easily missed if you are not paying very close attention, and coming into the game with pre-existing lore knowledge.

All this made it easy to first assume that the developers simply over-corrected an attempt to address the Racism Simulator moments. And if that was the case, than I would at least give credit to effort; they did not find the right balance, but they at least tried. However, the sudden lack of discrimination against different lineages in Dragon Age: The Veilguard is not the only sanitized example of lore present.

In Dragon Age: Origins, Zevran Arainai is a companion who is from the Antivan Crows; a group of assassins. He discusses in detail how the Crows buy children and raise them into murder machines through all kinds of torture. The World of Thedas books also describe how the Antivan Crows work, echoing what Zevran says and expanding that of the recruitment, only a select handful of those taken by the Crows even survive. When you start Dragon Age: The Veilguard as an Antivan Crow, you immediately unlock a re-used codex entry from the past, “The Crows and Queen Madrigal”, that says the following:

“His guild has a reputation to uphold. They are ruthless, efficient, and discreet. How would they maintain such notoriety if agents routinely revealed the names of employers with something as "banal" as torture.”

Ruthless, efficient, and discreet. Torture is banal. This is what the Crows were before Dragon Age: The Veilguard decided to take them in a very different direction. The Antivan Crows in this latest game are painted as freedom fighters against the Antaam occupation of Treviso. Teia calls the Crows “patriots”. And while I can certainly believe that the Crows would have enough motivation to fight back against the Antaam, given that it is in direct opposition to their own goals, I cannot understand why they are suddenly suggested to be morally good. They are assassins. They treat their people like tools and murder for money. Even as recent as the Tevinter Nights story Eight Little Talons, it is addressed that the Antivan Crows are in it for the coin and power, with characters like Teia being outliers for wanting to change that. It makes the use of the older codex all the more confusing, as it sets the Antivan Crows up as something they are no longer portrayed as.

I personally think it would have been really interesting to explore a morally corrupt faction in comparison to say, the Shadow Dragons. Perhaps even as a protagonist, address things like the enslavement of “recruits” to make the faction at least somewhat better. (They are still assassins, after all.) Instead, we’re just supposed to ignore everything unsavory about them, I suppose…

We could discuss even further examples. Like how the Lords of Fortune pillage ruins but it’s okay, because they never sell artifacts of cultural importance, supposedly. Or how the only problem with the Templar Order in Tevinter is just the “bad apples” that work with Venatori. I could go on, but I don’t think I have to.

It is because of all this sanitization, that I cannot believe this was simply over-correction on a developmental part. Especially when there is still racism in the game, in other forms. The impression I’m left with feels far deeper than that; it feels corporate. As if a computer ran through the game’s script and got rid of anything with “too much” political substance. The strongest statements are hidden in codex entries, and I almost suspect they had to be snuck in.

Between a Racism Simulator and just ignoring anything bad whatsoever, I believe a balance is achievable; that sweet spot that actually has something to say about what it is presenting. I know it is achievable, because there are a few bright spots of this that I’ve encountered in Dragon Age: The Veilguard too. For example, some of the codex entries like I mentioned, and almost all the content with the Grey Wardens thus far. It is a shame there is not more content on this level.

Dragon Age: The Veilguard is overall still a fun game, in my opinion. But it’s hard to argue that it isn’t missing the grit of its predecessors. The sharp edges have been smoothed. The claws have been removed. The house has been baby-proofed. And for what purpose?

-----

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[dclovesdanny]

DcxDp prompt

Teen dad Danny Fenton moving into Crime Alley and getting a reputation for helping. Street kids willing to babysit Ellie and Dan while he’s job hunting can spend the night, have a meal, get cash, whichever they choose. Sec workers who do Ellie’s hair/nails/babysit some nights also get the same benefits. He will treat anyone with injuries for the low price of showing Ellie and Dan their guns/taking them to the observatory/getting him job opportunities.

All of the people in Crime Alley know the single meta dad with two kids, who has helped half the alley at least. Everyone is also aware of how Ellie calls her other parent ‘The Bastard’, and how bad their nightmares are, the ones they have to call Danny for(A few of his repeat guests have seen the scars and burns on his arms. Some of the older street kids recognize that hunted look he gets when people touch him when he doesn’t know they are there. Some of the sec workers notice how protective he is of his kids, and the younger workers. No matter who they are, they all notice how Dan gets quiet and angry when asked about his ‘other dad’. They all have sworn never to let those kids go back to the other dad, Danny included. They are a part of Crime Alley now, and they protect their own)

Danny doesn’t realize how far his reputation goes/how much everyone trusts him until two of his regulars bring in an injured Red Hood, promising him whatever he wants in exchange for him helping their boss.

[flowersforthemachines]

Some facts about Emmrich (and also the Necropolis, Nevarra and other related things) gathered from the banters

I went through all companion banters on DanaDuchy's channel after playing the game to write down all facts about companions/the world that I haven't seen brought up anywhere in the game as a writing reference (and for funsies).

Note: This list may not be exhaustive. I might have missed some something or didn't write it down because I considered it common knowledge. If you have anything to add, please DM me or send an ask! (do specify what banter the information is coming from, though)

Note 2: Posts from this series (mostly) don't include information from banters specific to quests or between companions and faction members. I plan to do another playthrough to capture more of those and will add any relevant info to the character posts.

Other characters' posts: Bellara, Davrin, Harding, Lucanis, Neve, Taash. I'm also planning a post about just the Lighthouse some time later

About Emmrich:

Family and early life:

“Volkarin” is a commoner’s name. Emmrich’s father was a butcher, and his mother was a cook 

When Emmrich was around 5 years old, his neighbours had a pig named Lucy. He was very fond of her, and she’d always let him hug her around his neck

Emmrich grew up poor (clocked by Neve based on the way he always saves his candle stubs, shows up first for meals and never leaves food on his plate) 

Emmrich grew up hearing that all dragons were so hostile they had to be slain and is surprised that Taash has found ways to deal with them peacefully 

General:

The gold Emmrich’ wears is called “grave-dowry” (or “grave gold”). It’s a Nevarran custom to wear precious objects one would like to take to their grave

Emmrich’s bracelet (not specified which one) was gifted to him on the day he became a full Watcher. The ring with a large stone was the last gift from his father. The skull pin doesn’t have a story, he just likes it

Emmrich isn’t fond of the Nevarran nobility

Emmrich’s shaving cream smells like potash (at least to Taash)

Emmrich uses moss perfume with flowers

Decades ago, Emmrich used to see an Orlesian woman who was an art appraiser

If Emmrich wasn’t a watcher, he would like to be a botanist

Emmrich displays some interest in Ferelden, mentioning that many of its heroes greatly shaped the history. Harding says that’s the nicest thing anyone has ever said about her homeland

Emmrich doesn't like beer because it's bitter

Emmrich prefers tea (he mentions purchasing a Brynnlaw curled-leaf blend in Nevarra), but he can also drink coffee 

Emmrich doesn’t eat meat (seafood and insects included), but he indulges in cheese. It seems to be a Watcher thing - he says that each Watcher must decide what they will and won't take a life for, and meat crosses that line for him

Emmrich likes melons, mushrooms and pineapples. He also enjoyed a plate of fried leeks and potatoes at Halos’s stand in Minrathous

Emmrich always thought he’d get married one day

After a Minrathous merchant sells Emmrich fake charms, he causes him to see skeletal faces on the windows and hear spirits whispering that false goods endanger lives as punishment. Emmrich agrees to stop once Neve tells him that she can convince the merchant to get back to selling linen if the visions cease

On magic and studies:

Some deaths may leave emotional imprints so intense Emmrich may feel them decades later 

Emmrich thinks the magic of old Elven artefacts is “rigid” 

Emmrich isn’t very good at figuring out Elven artefacts (by his own admission)

Emmrich’s first published work was A Monograph on the Vagaries of Determining a Body's Time of Death

Emmrich is roughly familiar with the dragon anatomy

Emmrich knows a lot about how bodies work (muscle-wise etc.) from the time he performed autopsies 

Watchers study the death practices of other cultures. Emmrich knew about Eb-ketarra and the Rivaini traditions even before Taash performs them at the end of their questline

On life in the Necropolis: 

When Emmrich fell for another boy during his youth, he showed him a corpse he was allowed to practice dissection on. The date was ruined by a passing wisp possessing the body and causing it to sit up and ruin the mood 

Emmrich tutored Dorian during his term in the Necropolis (“Tremendous potential, but appallingly flippant towards the dead”)

Emmrich and other watchers live in the Necropolis (Emmrich has a flat there)

On life at the Lighthouse:

It took 8 skeletons half a day to bring that slab of marble into Emmrich’s room

He didn’t bring his entire collection of books to the Lighthouse (there are more)

Emmrich talks to skulls in his room 

Lighthouse kitchen reminds Emmrich of the mortuary

Relationships with companions:

Emmrich offers to introduce Bellara to Audric, the Necropolis librarian (who appeared in Tevinter Nights’ Down Among the Dead Men)

Emmrich calls the Archive spirit a work of art  

Emmrich and Davrin disagree on parenting methods. Emmrich thinks Davrin should better discipline Assan and teach him boundaries, while Davrin suggest Emmrich should let Manfred learn more on his own (e.g. let him fall so he learns how to get up) 

Emmrich turns to Neve when he needs help acquiring some reagents he can't get his hands through normal ones, and she agrees to help him out (smuggling is involved)

Emmrich isn’t too thrilled about Neve taking over the Threads, questioning of what’s going to become with the organisation and the future and thinking it may become corrupt (sort of mirroring the way Neve is apprehensive about his lichdom) 

Taash likes Emmrich’s lich helmet. They are not usually fond of skulls, but that helmet is fine because it’s on fire

Taash thinks that gemstones like amethyst or green opal would look good with the lich helmet

Emmrich doesn’t seem to like unrealistic books as he criticised Harding’s “Gore-Knight” novels for their incorrect interpretation of magic. He is worried about people misunderstanding magic and spirits

Emmrich calls himself Harding's 'de facto physician'

On Manfred: 

(If Rook chooses to save Treviso) Manfred brings Neve tea by his own volition. Emmrich thinks it's because Manfred sensed she might need a friend

Manfred is as aware of his surroundings as most people (to a certain degree)

(If revived at the Necropolis) Manfred learns to say Emmrich’s name 

(If revived at the Necropolis) Manfred becomes much more talkative 

Manfred likes boiling tea because he is fascinated by steam

Emmrich suggests Manfred tries tending to plants in Harding's garden 

Manfred is curious about Spite and wanders into Lucanis’s room at night

Spite and Assan miss Manfred if he’s gone

On Lichdom:

Emmrich smells fine to Taash even after he becomes a lich 

Emmrich’s lich helmet burns with veilfire. He once tried using it in combat, but the flame ended up blinding him

Emmrich thinks Strife would no longer be interested in a relationship after he becomes a Lich. That doesn't prove to be true

Lich!Emmrich doesn't need to eat but still comes by the kitchen for company

The energy of Emmrich’s magic changed after he became a lich

Other liches call lich!Emmrich “Young Volkarin” 

Lich!Emmrich no longer has muscles, but when he tries out Taash’s pull-up routine, he can still feel something like ��a spectral memory of flesh”, as if he had pulled a tendon

Emmrich starts seeing more books in the Lighthouse library after becoming a linch

About spirit, demons, and the Necropolis: 

There are spirits of Temperance and Diligence 

The Watchers avoid using the word “demon” because it creates bad expectations and can negatively influence spirits 

Some in the Mourn Watch suspected that elves originated from spirits, though it was just one of many theories, and not a particularly popular one

Chambers in the Necropolis can go missing (according to MW!Rook, they turn up, eventually)  

Even after the despair demon is banished from the Necropolis, the halls remain cold. However, the effects will abate with time

There are horses on display in the Necropolis

Watchers rarely get possessed thanks to the special wards of the Necropolis. Possessions also don’t happen as often because the necromancers already provide spirits with bodies, so they don't need to possess anyone by force

Bellara calls the background magic of Necropolis tidy and quiet

There something called “The Deep Necropolis” featuring sections like “The Unspoken Valley” and “The Charnel Bridge” (which has something called “nightmare fog”) that hosts all kinds of entities. Bellara is very excited to visit once the nightmare fog clears

Vorgoth ensures that the transgressions of those who use magical to cruel and abusive means will not be tolerated (whatever that means)

About Nevarra:

Many great Nevarran artefacts have been lost to time, including the Skull of Sabinar, the Key of Dead Dreamers, and the Crown of the Moon

There are strict rules about selling enchantments in Nevarra. You can’t sell anything without a licence and an inspection from the mage Circles

A Tevinter poem “Faustina's Song”, a romantic epic from the Steel Age, is very popular in Nevarra, and its quotes are used on ‘more than one’ epitaph in the Necropolis. Neve is surprised people even read it outside Tevinter 

Pineapples don’t grow in Nevarra

[skyholdscribe]

skyhold once belonging to solas is fascinating because he watches the inquisitor act as a Better dread wolf

the inquisitor is basically solas, a rebellion leader that is revered as a god, where their title swallows their name. they even have his power, part of his orb seared into their palm.

they fight against corypheus, a powerful mage who calls himself a god, and primarily uses the bLIGHT and slave armies, like the evanuris.

spirits and elves may have once flocked to skyhold in refuge and then organized as an army, like inquisition volunteers. the rotunda he stays in may have been a lighthouse!! rotunda + library + rookery look very lighthouse shaped.

solas holds the memories of how skyhold was used thousands of years ago and then he watches the inquisitor walk exactly in his footsteps. the only difference is this time, the inquisitor wins and saves the world. and they primarily do this by sealing up the breach and tears in the veil, the opposite of tearing it down.

and solas is nothing but the guy who caused all of this in the first place. where he failed over and over again, the inquisitor succeeds. they save the world that is a remnant of his failure but one that he must destroy again. it must’ve haunted him the entire way, knowing he will be seen as another villain, trying to destroy heroes and what they worked so hard to save, in order to fix his failure at being a hero himself.

the inquisitor may be a reminder to solas of what he could/should have been. its no wonder that in a friendship, he respects them greatly. and in a romance, it reads as soulmates that are almost twin flames

[samantha-and-nellie]

one thing that i wish the books had addressed is how haunting it must’ve been for samantha to visit coldrock house. i think the fandom really easily forgets that samantha is an orphan (and has been since she was around jenny’s age) because she has an otherwise functional and loving family in her life. but there’s no way that she never thought about the fact that she could’ve ended up in a place like coldrock house had she come from a different background… i cannot imagine how haunting that must’ve felt, especially at her age, and i think it makes it even clearer why she was so determined to get nellie and her sisters out of the orphanage

[bluerosefox]

Stellar Collisions

Back at it again with a DPxDC prompt.

It does have deaged Dani (Ellie)

Only this time its KonxDanny idea!~

Supernova, Kon's new hero name since Jon took over the Superboy name now, wasn't expecting to be called out to... especially in the sky... by another floating/flying person and-

WOW

They were cute as heck.

Glowing green eyes, and white hair, a bit shorter than him. He was floating in the air with a soft glow around himself as well.

And he was holding a white haired, very similar looking toddler in his arms, only the toddler had longer hair that was tied in pigtails. And the toddler was staring at Kon with large, almost sparkling eyes.

The young man, around Kon's age if he guessed, smiled and floated a bit closer, his face friendly and warm. When the young man stopped he kindly asked "Hey, would it be any trouble for you to autograph something for my daughter? She's a huge fan!"

[chanafehs]

Vivienne’s line about “a leash can be pulled both ways” is actually so fascinating because it can not only be applied to its original context (Mages & Templars) but to the Inquisitor themselves - as many have discussed the Inquisitor loses their standing, their heritage, their identity to this weird Andrastian cult up in the mountains regardless of what they personally believe. They are the Herald of Andraste, the leader of this massive powerful religious military organization that has its hands in every holding in Thedas and yet the Inquisitor is controlled by everyone else. You are locked into centrist diplomacy, the game is playing you as much as you are playing it. You can make choices but all of the choices you make are guided and picked apart by everyone else, you lose your entire personhood to become someone that everyone around you has molded you into and you cannot escape. The dichotomy between Vivienne and Sera becomes even more interesting because on one hand, Sera keeps trying to humanize you and tear down the barrier between you and the average person (or followers of you), while Vivienne wants you to harness your position since it is all you can do because escape is not an option - harkening back to her experience as a circle mage. Dragon Age Inquisition fundamentally gives you a protagonist sitting in the most powerful position in Thedas and the only thing you cannot control is yourself.

[elvenforestwitch]

Dragon age 2 is really like "the mage-templar conflict is highly nuanced and there is no telling who is truly correct. Anyway this is where we store our mages. It's an island with a fortress called The Gallows and it's an old slave prison."

[simpforsolas]

You ever think about how Cole, a literal spirit of compassion, seems to care so much for Solas? Yes, he tries to connect with others and help them as well, but what they have is not the trust and affection he holds for Solas. Cole stands up for Solas on various occasions:

Vivienne: You should not encourage that thing. Cole: Solas is not a thing.

or

Cole: Solas doesn’t want to hurt people! He’s not that kind of wolf!

or

Cole: You didn’t do it to be right. You did it to save them. Inquisitor: Solas, what is he talking about? Solas: A mistake. One of many made by a much younger elf who was certain he knew everything. Cole: You weren’t wrong.

Or how about the fact that after Solas left, Cole went looking for him in the fade out of compassion, and Solas had to tell him to forget?

Cole's entire being is based around a single attribute: compassion. Because of this, he's drawn to a) people with pain for him to heal and b) people who are kind. He can sense that Solas has much hurt to heal, though Solas is able to conceal it from Cole in ways others cannot, but I think he also cares for Solas because he understands who he is at his core. He understands that despite what Solas has done or plans to do, he doesn't want to hurt people. He doesn't care about being right, he cares about helping. In truth, analyzing Cole and Solas's relationship is extremely revealing of who Solas really is. If the spirit of compassion who can read minds and emotions has so much affection for Solas and sees his motivations as coming from a place of goodness, that seems much more honest and true to me than someone making a judgment of him based outward factors.

The more I play inquisition, the more I use Cole as a moral compass. He may not understand the world, but one thing he understands is compassion, and every decision he makes is rooted in love for others. So if Cole cares for Solas and doesn't see him as a monster, then I believe that no matter what he ends up doing, this is proof that Solas is someone worth caring for. Someone with good within him.

[flowersforthemachines]

Some facts about Lucanis (and also Spite and the Crows) gathered from the banters

I went through all companion banters on DanaDuchy's channel after playing the game to write down all facts about companions/the world that I haven't seen brought up anywhere in the game as a writing reference (and for funsies).

Note: This list may not be exhaustive. I might have missed some something or didn't write it down because I considered it common knowledge. If you have anything to add, please DM me or send an ask! (do specify what banter the information is coming from, though)

Note 2: Posts from this series (mostly) don't include information from banters specific to quests or between companions and faction members. I plan to do another playthrough to capture more of those and will add any relevant info to the character posts.

Other characters' posts: Bellara, Davrin, Harding, Emmrich, Neve, Taash. I'm also planning a post about just the Lighthouse some time later

About Lucanis: 

Family and the past:

Lucanis learnt to cook while helping the kitchen staff at the villa when he was a little boy. One of his motivations was learning how to make churros

Side note: Lucanis mentions that cioccolata calda was his favourite drink when he was a baby, and he serves churros to a romanced Rook who picks cioccolata calda as their favourite drink. It’s all coming together! 

Lucanis wanted to be a Crow when he was a child (at least most of the time)  

All of Lucanis's relatives were Crows as well, and all of them were killed by a rival Crow house

Lucanis says Caterina would be proud of Illario hiding his plans well, as well as killing her 

Lucanis says that the hard part about setting Illario free would be convincing Caterina 

Lucanis says that nightlife was more of Illario's thing, and he never got out as much

On Crows and Antiva:

Viago still stares daggers at Lucanis for throwing his (Viago's) pet snake out of the window in a dream

Lucanis doesn't like it when people confuse murder and assassination ("Murderers are hobbyists, we are professionals")

Lucanis has taken contracts in Orlais

Lucanis doesn’t know Treviso as well as he once used to 

Heir didn’t train Lucanis

Lucanis says he has never killed an innocent “by his count” (other people may disagree) 

Lucanis doesn’t think of the Crows as a “big organisation” (unlike the Inquisition) because they stab each other too much

Lucanis became a mage-killer at Caterina’s behest (she wanted to tap into new markets)

The nickname “The Demon of Vyrantium” came from Tevinter news-sheets, though Lucanis thinks Viago started it

Lucanis says that there aren't any special tricks to killing mages. Though, if nothing else works, you can try pissing them off, as that could attract a demon that would eat the mage

Lucanis once killed half a dozen venatori while stuck inside an elevator 

Lucanis doesn’t consider himself a gentleman assassin, manners are less important than getting the job done

Lucanis sometimes spares his targets. He mentioned letting go of a servant who killed her master, as well as a 14-year-old boy. He thinks it’s wrong to kill people so young because they still have time to change

Lucanis doesn’t accept contracts without merit, and the merit is decided by the talon of the house

General:

Lucanis can make bread

Lucanis has never been to Ferelden

Lucanis isn’t interested in killing wyverns, just looking at them :)  

Lucanis has a pet snake 

Lucanis stays awake at night by cleaning his gear, exercising, studying Orlesian and knitting ("it’s just another kind of blade work") 

Lucanis doesn’t understand a lot of things people find attractive

(In a conversation with Harding) Thinking about cooking was one of the things that helped Lucanis stay sane in the Ossuary (the other was thinking about killing his enemies) 

(In a conversation with Davrin) Lucanis survived the Ossuary by shutting down and not thinking about anything except escaping

These two points sort of contradict each other. Either an inconsistency or Lucanis describing his experience differently to different people. 

The Wetlands ruined at least one pair of Lucanis’s boots

(If Rook chooses to save Treviso) Lucanis offers to pay for any supplies the Shadow Dragons may need 

Lucanis doesn't get a better bed because he's afraid of accidentally falling asleep 

Lucanis can identify the killer’s weapon and the height difference between them and the target just through the blood splatter left at the scene

Lucanis considers Grey Wardens dangerous 

Lucanis doesn’t like necromancy, because bringing people back to life is a waste of hard work

Lucanis finds the ice coffee from Minrathous offensive (Harding describes it as “snow, but made of coffee, sweet, and with cream and toffee sauce on top”)

Lucanis had never been in a romantic relationship before Rook/Neve

Relationships with other companions: 

Lucanis gets into reading Bellara’s serials (very passionately - they chat about it a bunch)

Lucanis is outraged that the Veil Jumpers don’t get paid for their work and offers Bellara his contract negotiator

Lucanis made biscuits for Assan

Lucanis is sceptical that the griffons will be safe with the Wardens

Lucanis think that Assan shouldn’t go soft (referring to the time he took care of a halla) because he is a predator at heart

(If Emmrich becomes a lich) Lucanis offers to hold a funeral for Manfred

Lucanis and Harding talk a lot about dreams (mostly silly things like showing up naked for the job, getting chased by someone/something etc.)

Lucanis thinks Harding is deadly with her bow

Lucanis offers to pay Harding for being his lookout/aide at the rate of 6000 gold per contract

Lucanis offers the help of his contract negotiator to Neve after he finds out she doesn't have one

Lucanis made deep-fried peppers for Taash

About Spite: 

Emmrich can hear Spite even when he doesn’t take over Lucanis’s body (at least from a close distance)

Spite is impartial to Emmrich, believing him more than Lucanis

Emmrich says it’s impossible to separate Spite and Lucanis without killing them

Emmrich encourages Lucanis to read to Spite to bring them closer. Lucanis agrees to let Spite pick a book

(If Emmrich becomes a lich) Spite asks if he and Lucanis can get rid of their skin too 

(If Manfred is revived at the Necropolis) Spite asks Emmrich to teach him how to use fire magic. Lucanis isn’t thrilled by the idea

Emmrich sets up wards to prevent Spite from leaving the room when Lucanis is asleep

Spite no longer sleepwalks after “Inner Demons” because he apparently understood the concept of space

By the end of the game, Spite has agreed to stop sleepwalking completely

Spite controls the wings (confirmed in banter with Harding) 

Spite wants to try swinging off the astrolabe at the Lighthouse

Spite is very excited about Manfred having hands and feet (Curiosity. Has. Feet!)

Spite finds the wisps in Neve’s room unnerving (as do Lucanis and Neve)

Spite likes to play with whetstones Bellara got for Lucanis (Bellara got them from the Irelin who supposedly got them from somewhere in Arlathan) 

Spite wants to try eating self-lightning candles at Blackthorne Manor

About the Crows: 

Crows frequently visit Nevarra and have received 20 contacts to assassinate the king. The King has been poisoned 7 times

Crows get a lot of contracts for Divine Victoria

Some seers in Rivain are powerful enough that there are contracts on them as well

Caterina once killed a man with a thimble

When Crows kill someone, most of the time they want others to know it was them (rather than presenting the death as an accident) 

The crows buried six different Eight Talons and rarely take contracts in Ferelden after the Zevran fiasco

[corvus-frugilegus]

The real tragedy of the Dellamortes is how inevitable Illario's betrayal was.

Caterina's refusal to really see either of her grandsons for who they are sets all three of them on this path. Lucanis's mother was Caterina's favourite, she was probably the person Caterina had in mind to succeed her. That loss, the loss of so much of Caterina's legacy had to have been devastating. She'd built so much and it was all torn away in a single conflict. All she has left in the wake of it is two young boys and this tenacity that will not allow her to give up on what she's built.

So she puts it all on Lucanis. The son of her favourite (bonus angst if he looks like his mother). She's unable to see this sweet boy who loves wyverns and just had his life ripped apart for who he is. She just see's her legacy. The daughter she lost. She puts it all into him, he's pushed into the role of favourite.

Lucanis responds to this by shoving down the parts of himself she doesn't want to see- his gentle heart, his love of wyverns, the little boy who needs to be loved. If he's good enough, strong enough, the perfect crow, the perfect granson- then and only then will she love him, will he be safe.

And then you have Illario! There isn't as much to go on in the text about his family or what he was like as a boy but there's a few things we can pretty confidently infer. Like Lucanis, Illario violently loses everything he has at a very young age. All he has left are the other two Dellamorte's.

But he isn't the child of Caterina's favourite. She isn't automatically putting all of her legacy on his shoulders the way she does Lucanis. He still gets the training, and what we do see in the wigmaker job and the wake and even in the codex entires in the game is that Illario does become a comptent and capable crow. He has a level of skill that I suspect is broadly expected of house Dellamorte, he was trained by the first talon herself. But the Illario we meet as an adult has this laissez-faire affect and presents himself as a seducer and a bit of a peakcock. He also very overtly refers to himself as Dellamorte-the-lesser and at the end of the wigmaker job when they're discussing the title of first talon you can feel the resentment below the surface.

For Illario it's not about the power and the prestige that comes from the title of first talon. It's not even about having the title itself. It's about FINALLY earning Caterina's love and respect. Things he undoubtly never felt as a boy.

How could he? When he's a child the only two people he has left in the world have this special bond that he never gets to be a part of. His only caretaker has a clear favourite and she shows it. He's lived his whole life in Lucanis's shadow, and a shadow that Lucanis never wanted to cast! Which if anything just adds insult to injury for Illario.

Lucanis has everything Illario wants and he doesn't even want it.

I imagine as a boy Illario tries SO HARD to win her love, her favour, he'll do anything to feel like he's loved and wanted and valued. And when after YEARS it doesn't work even though Lucanis clearly doesn't want the role he's been forced into? Illario gets resentful, he gets angry, he starts acting up. He becomes the suave peacock, the grandson who fucks up sometimes- probably not because he's bad at being a crow but because at least Caterina's ire is attention. It's a scrap of love.

Illario and Lucanis love each other. They're brothers. Illario resents Lucanis for being loved and favoured. Lucanis wants nothing more than to give it all to Illario. Illario doesn't want that he wants Caterina to love him on his own merit. At the same time (pre-inner demons) Lucanis will never actually give the title up because it means he's loved, he's valued, he matters.

The title of first talon has been synonymous with emotional safety and love for these two for their entire lives, and it's twisted them up so badly.

The real irony of it all is that this whole time Illario is so much more like the person Caterina wants Lucanis to be. Her heir, the Dellamorte best suited to be the next first talon has been right there infront of her all along, but she's so caught up in grief and legacy she misses it. She never really see's either of her grandsons for who they are.

I actually suspect that when it all comes to light, even though she's furious with him, Caterina finally starts to see what she's been overlooking in Illario all along. And Lucanis who's started to heal... well I think she's starting to see him too, and the truth of who he is is something she'll struggle to face.

When the day finally comes that Lucanis tells her he doesn't want the job, when him and Illario both accept that their lives have meaning outside of Caterina's opinion of them, is the day that the Dellamorte's can maybe start to really see each other.

[vaguely-concerned]

I understand and agree with a lot of the frustrations about the shortcomings of Inquisition as a story. but sometimes when I hear people complain about the chosen one narrative in it I do want to just be like... you know it's a deconstruction of the concept more than anything, right. the inquisitor isn't actually chosen by anything except stumbling into the wrong (right?) room at the right (wrong?) time because they like, heard a noise or whatever. or if you think they are chosen, as many do in-universe, that's something you have to take on faith, the maker-or-whoever moves in mysterious ways indeed-style. the Inquisitor isn't actually a Destined Chosen One, they're a Just Some Guy in a fancy hat, self-delusions of grandeur to taste as you'd prefer.

a running thread that goes through all of the personal quests of the companions is the concept of a comforting lie vs. an uncomfortable truth, upholding old corrupt structures vs. disrupting them, and the role of faith in navigating that. (blackwall the warden vs. thom rainier the liar and murderer. hissrad vs. the iron bull, or is that the other way around? cassandra and the seekers -- do we tell the truth about what we find, even if it means dismantling the old order of the world? and so on.) and your inquisitor IS at the same time a comforting lie (a necessary one, in dark times? the game seems to ask) and an uncomfortable truth (we are the result of random fickle chance, no protective hand is held over the universe, it's on us to make a better world because the maker sure as hell won't lift a divine finger to help anyone, should he against all odds exist). faith wielded for political power... where's the point that it crosses the line into ugliness? is it before it even begins? what's the alternative? will anyone listen to the truth, if you tell it?

interesting how you also get a mix of companion agency in this -- you have characters like dorian who ALWAYS choose one side of the comforting lie vs. uncomfortable truth dichotomy. he will always make up his own mind to go back to tevinter and try to dismantle the corruption of the old system no matter what you say, or how you try to influence him. meanwhile iron bull is on the complete opposite side of the spectrum -- so psychologically trapped and mangled, caught in an impossible spiritual catch-22, that his sense of identity is left entirely to you and your mercy. you cannot change dorian in any way that matters; you can be his friend or not, support him or not, but he is whole no matter what. you are given incredible and potentially destructive-to-him power over bull's soul. it's really cool (and heartbreaking) to think about.

this is a game about how history will eat you even while you're still alive, and shape you into whatever image it pleases to serve it, and for all your incredible power right now you are powerless in the face of the gravitational force of time -- of more than time, of History. you won't recognize yourself in what History will make of you, because you belong to it now. you don't belong to yourself anymore and you never will again. the further you were from what it needs from you to begin with, the more you will find yourself distorted in its funhouse mirror. (why hello there inquisitor ameridan, same hat!)

and to me this is so much the core of what Dragon Age is about right from the Origins days -- how and by whom history gets written, the inherent unreliable narration of it all. I hope you like stories, Inquisitor. You are one now.

I do think it's probably still the weakest of the games narratively, and it's hampered by its structure and bloated systems. but I also find it disingenous to say that there's nothing deeper or actually interesting going on with it, thematically. if you're willing to engage with it there is Some Real Shit going on under the high fantasy-tinted surface.