#advice on self-publishing

[rozmorris]

Not a fast writer? You can still build a successful publishing strategy - guest spot at @IndieAuthorAlli

The classic advice for authors, particularly indie authors, is to pump out a lot of books fast to build a big backlist and keep your readers interested. But that pace of writing and production doesn’t suit everybody. Exhibit A, the introduction to my newsletter. For a long time, slow-burn authors in the indie world weren’t getting seen or acknowledged. Most of the guidance was geared to fast…

[autumn2may]

GUYS DO NOT GIVE YOUR MANUSCRIPT TO AN AI THIS IS A BAD IDEA ON EVERY LEVEL DON'T DO IT

original tweet from @jamesjyu reads: "We launch Shrink Ray today on Sudowrite! Upload your manuscript and get loglines, blurbs, synopsis, and full outlines automatically. Takes a ton of legwork out of book marketing. Below the tweet are two images of the program."

original quote tweet from @sudowrite reads: "New in Sudowrite: Upload your whole novel/script, get instant longlines (sic), blurbs, synopsis, and outline!"

tweet from @FantasyFaction reads: "Oh jeez! Bad bad, very bad! Writers DO NOT willingly give your manuscript to an AI so it can "learn" by stealing your work! I know blurbs and synopses are hard, but PLEASE do not do this! - JI 🐉

(stolen from ML Brennan & Sravani Hotha so I can include alt text)"

[dduane]

Buenas tardes:

I’m writing you this ask with fear that it might seem weird but, do you have any advice about starting to publish books nowadays? I have seen some Amazon auto publishing in kindle, but I’m not sure how trustworthy that is, with all that AI going around. Nor what other options might be.

Thank you so much for your time, I loved your Star Trek novels

A

P.S.I apologise for the broken English, it is not my first language

First of all: your English is fine—don't worry about it. :) (And thanks for the nice words about the Trek books! I very much appreciate them.)

About getting into self-publishing in general: There are a lot of pathways into it, and some that (for various reasons of ethics) may rightly be seen as superior. But Amazon does seem to some folks as the most accessible "way in" for people who don't have a lot of money to invest in their startup. For the moment, therefore, let's stick with that.

There's no question that starting selfpub at the Zon is a lot more dodgy than it used to be. But I think your odds of success—and don't forget, there are a lot of metrics for "success"—are as good as any other real person's.

It's also worth noting in passing that Amazon now requires you to specify whether or not your submission contains any AI. (And naturally, AI-using scammers and other people eager to game the system are going to lie about this.)

For the moment, never mind the AI. Your job as a new Amazon-based writer is mainly to write some books, publish them, and then market the hell out of them, any way you can, while you write some more. It may seem daunting, but there are well-traveled pathways to start doing this.

Adding a break here, because this is likely to run a bit long. Warning: contains work, work and more work, without any ironclad guarantee of success; also incredible oversimplification of a long and complex process. (But I'm already working on three books at the moment, so forgive me for not escalating this into a fourth.) :)

Very briefly, here's a nod toward general strategy. (And forgive me for glossing over, here, the admittedly huge effort and commitment required for conceiving and writing just one book, let alone a series of them. Or numerous series of them. Self-publishing involves gigantic amounts of hard work... but I think you've already suspected that.)

Having talked to people who've worked exclusively in Amazon and have (or had) no previous publishing credential, they've emphasized to me the importance, when you're getting started, of having at least a few books ready to go when you're ready to start publishing. Meaning that you can't write just one and fling it out there into the cold cruel world on its own. Readers who immediately look for more of your work and don't find it are likely to dismiss you, and it, as not worth a second look... mostly because the Algorithm has trained them to.

So let's pretend you've got a series of books to publish—and this can be open-ended or not: at this point it doesn't matter. Let's say that, to launch yourself and your work, you've written three books (ideally no shorter than 50,000 words, and between 60-80K is thought to be better). The idea is that those will be plenty to start with, and enough to let your readers decide whether they like what you're doing. (Writing them will also serve as useful proof of concept that you can actually write novels, if you don't already have any proof already.)

The strategy that's been described to me is for you, at this point, to release those three books into Amazon a week (or two or three) apart. Then, when they're all out there, you publish to Kindle Unlimited, as a "free sample", a shorter work in that series—ideally some kind of prequel—containing links to the three main novels.

Then you keep repeating this kind of pattern as often as is comfortable for you, while carefully studying the analysis of results Amazon will provide for you so that you can see what seems to be working best and/or what's not working at all.

Now comes the question of how best to support those novels (and the ones that will follow them). Leaving aside the complex question of how and when and where to advertise (and how to afford it!), you need a way to make it easy for readers and other interested parties to reassure themselves, if they need it, that you're a real person: and that you are in fact a writer who's serious about their business and in it for the long haul. For this you need at least two things:

A website

A social media presence

The website can be handled a number of different ways... though I'd suggest you avoid build-your-own-site-easy platforms like Wix if you can: they don't seem to be terribly good at the customer support end, and I'm not convinced that they're any cheaper in the long run than buying your own domain name, buying hosting for it, and posting a WordPress site in that online space. But at the very least, you need a site where you can talk a little about yourself, and mostly about your books, and publish links to their locations on Amazon.

The social media presence can be in one or two places, or lots, depending on how much energy you have to spend on this part of the effort. The main advice I can offer you here, both from my own experience and others', is to absolutely NOT have your entire social media presence—especially in the shortest-form types of social media like Twitter and Bluesky—be about pushing your own work. There seem to be few things that will turn people off you faster. And also, these days maybe such an approach would make people likelier to mistake you for AI. Let people see who you are, and at intervals let them know that you write, too.

(sitting back and looking at all this) If all this sounds like a ton of work? Make no mistake, it really is. It can get exhausting. But this is just one of the areas where your passion and determination as a writer will be tested over the long haul.

It might have been simpler, back in The Day, to just write and let your publisher get on with all the stuff that surrounded bringing a book out. But there was also a whole lot less control for the writer, in that older paradigm. The newer one offers you a lot more control... and a lot more work, which may or may not yield a lot more profit. All you can do is give it a shot and see how it works out for you.

In any case, however you decide to proceed: I wish you good luck on the journey!

[rinwritingcorner]

May I ask the software you use to write?

Congratulations on getting so much done!

Thank you so much. And, of course.

I use the Reedsy Book Editor for all of my writing projects, and I've been using it for about three years now. I also have experience with other amazing softwares, and I would love to create more tutorials on them if you need me to.

Here's a quick tutorial on how to use the Reedsy Book Editor.

When you visit the website, the first thing you'll come across is this page. It's a completely free writing tool with a fantastic interface. All you need to do is sign up with your Google or Facebook account.

After you've completed the sign-up process and provided some information about yourself, you will be directed to this page. Please locate the "Books" option in the website's header.

Feel free to give your book/WIP (Work in progress) a title. Remember, it's okay if it's not your final title, as you can always change it in the settings of your book later.

Once you've created it, you can take your time and when you're ready, you can click "Write.”

Once you click "Write," you'll be directed to the next page. There, you'll find your chapters, the space to write your manuscript, and a sidebar with various helpful features provided by Reedsy.

Then, you can choose any name for your chapter that feels meaningful to you.

You can also track your writing goals for your specific manuscript or book. This feature provides insights into your writing habits, such as the days you've written and the number of words you've written. You can also set a target word count goal for the manuscript, and you also have the option to set manual writing goals. Additionally, you can check the word count in your current chapter from the bottom of the widget.

You have the option to set a deadline and choose the days that work best for you to write. This will help Reedsy estimate a realistic word count goal for you.

Remember that on Reedsy, there's a new beta feature that allows you to plan and outline your novel without having to leave the website. It offers note cards for you to jot down the plot and scenes from your novel, which can serve as a helpful guide and provide a simple outline to support your writing process.

Also, don’t forget the various features available to you when creating your book in Reedsy. For instance, you have the option to include preset formatted pages such as a dedication page and an epigraph that resonates with your story. These features can add a lot of value to your book, and I encourage you to explore them further.

Hopefully this can help you understand the basics of Reedsy Book Editor. One of my favorite writing softwares that is completely FREE!

Hey fellow writers! I'm super excited to share that I've launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!

[writingquestionsanswered]

Just a quick reminder that I will not tolerate bad-mouthing of traditional, indie, hybrid, online, fan-fiction, or any other type of writing and publishing on my blog, in asks, in the replies, or in the reblogs.

Furthermore, anyone who feels the need to disparage any type of writing or publication should take some time to educate themselves and do some self-reflection. What insecurities are these feelings masking? Why are they not confident enough in their own writing or path to publishing to be supportive of all types of writing and publishing? Why do they feel the experiences of some are enough to invalidate the experiences of many?

There is room for everyone in the world of writing and publishing. There's no reason not to be inclusive of everyone, all types of writing, all paths of publishing, and advice from every background and level of experience.

~ with love, WQA

[novlr]

I'm self-publishing but have no idea how to format my book. Any tips?

Absolutely!

If you'd like a deep dive into book formatting and what you need to know, we've got a whole post dedicated to it in the Reading Room at the link below.

[bonefall]

post/734733274896809984/do-you-ever-worry-your-own-writing-might-come-off that makes sense. i was asking because i'm afraid of accidentally writing misogyny myself and i kind of admire what you do

Hmm... I wish I had better advice to give you on this front, but honestly, the only thing I can tell you is to consider the perspective of your female characters.

Women are people. They have thoughts and feelings of their own, so like... just let them have their own arcs. A lot of the worst misogyny in WC comes from the way that the writers just don't care about their girls (or, in the case of tall shadow, actually get undermined and forced to rewrite entire chapters), so they're not curious about their lives, or WHY they feel the way they do or what they want, or any direction for their character arcs.

Turtle Tail as an example. She'll often just end up feeling whatever Gray Wing's plot demands. She's gotta leave when Storm dumps him to make him feel lonely. She shows up again to love him in the next book. Lets her best friend Bumble get dragged back to Tom the Wifebeater, but is sad enough about her death to be "unreasonably angry" with Clear Sky, and then calms down and accept Gray Wing is right all along.

And then she dies, so he can have his very own fridge wife.

In this way, Turtle Tail's just being used to tell Gray Wing's story. They're not interested in why she would turn on Bumble, or god forbid any lingering negative feelings for how she didn't help her, or even resentment towards Clear Sky for killing her or Gray Wing for jumping to his defense. She isn't really going through her own character arc.

She does have personality traits of her own, don't misunderstand my criticism, but as a character she revolves around Gray Wing.

So, zoom out every now and then, and just ask yourself; "Whose story is being told by what I wrote? Do my female characters have goals, wants, and agency, or are they just supporting men? How do their choices impact the narrative?"

But that's already kinda assuming that you already have characters like Turtle Tail who DO have personalities and potential of their own. Here's some super simple and practical advice that helped me;

Tally the genders in your cast. How many are boys, how many are girls, how many are others?

And take stock of how many of those characters are just in the supporting cast, and compare that to the amount you have in the main cast.

If you have a significant imbalance, ESPECIALLY in the main cast, fire the Woman Beam.

It's a really simple trick to just write a male character, and then change its gender while keeping it the same. I promise women are really not fundamentally different from men lmao. You can consider how your in-universe gender roles affect them later, if you'd like, but when you're just starting to wean yourself off a "boy bias" this trick works like a charm.

Also you're not allowed to change the body type of any girl you Woman Beam because I said so. PLEASE allow your girls to have muscles, or be fat, or be old, or have lots of scars. Do NOT do what a cowardly Triple A studio does, where the women all have the same cute or sexy face and curvy body while they're standing next to dwarves, robots, and a gorilla.

Or this shit,

If you do this I will GET you. If you're ever possessed by the dark urge, you will see my face appear in the clouds like Mufasa himself to guide you away from the path of evil.

Anyway, you get better at just making characters girls to begin with as time goes on and you practice it. It's really not as big of a deal as your brain might think it is.

Take a legitimate interest in female characters and try not to disproportionately hit them with parental/romance plots as opposed to the male cast, and you'll be fine. Don't think of them as "SPECIAL WOMEN CHARACTERS" just make a character and then let her be a girl, occasionally checking your tally and doing some critical thinking about their use in the story.

(Also remember I'm not a professional or anything, I'm just trying to give advice)

[stygianpen]

World Building 101

World building! How many other hobbies or careers involve creating an entire world all your own? Not many.

There’s nothing quite like setting out to create your fictional world. Drawing maps, deciding which civilizations live where, throwing in crazy kinds of solar systems and vegetation if you’re really going all out… it can be a ton of fun.

However, one of the writer’s most exciting tasks is also one of their most intimidating.

On one hand: you get to build your own world. On the other hand… you have to build your own whole entire WORLD?! Where do you even start??

Well, you can start right here. Today I’m going to walk you through some basic pointers to get your world up and running.

World Building and World Building

Right off the bat, you should be aware that there are two kinds of world building. There’s the large-scale fantasy world building which I will be talking about today, and there is also world building that goes into other story genres.

Every writer is going to do some level of world-building, whether you’re painting a verbal picture of the lake your character goes to to get some peace of mind, pulling a reader into an important event and making them feel like they’re actually attending, or creating a whole new planet for your space pirate to fly to.

The Top 6

When you have a massive task ahead of you it’s always best to start by breaking it down. So, let’s take a look at the top 6 features you’re going to be focusing on when building your world.

WHO

Ask yourself: who lives in your world?Most likely there is a variety of species and races. Or, you could decide on a world where every creature is exactly alike — it is of course, your world.

Do the creatures of your planet have different cultures or are these homogeneous?

It will be easiest to start off with your main characters and work out from there. What is their species and race, and what does their culture look like?

For each species in your world, jot down the following:

Species name

Race names

Physical description

Language

Cultural notes

Special abilities

WHAT

Ask yourself: what social structures exist in your society? Again, start with your main characters and work out from there. For each species within your world, you’re going to need to determine how they manage their society.

What beliefs do they have? Are they religious, or more philosophical? Is there a divide between the two? What do their political structures look like? How strict are their laws?

You’ll want to consider trade and economy as well. Do they have a money system? A barter system?

You may not need to go too in depth with every single species in your world, but you’ll want a basic note or two about each in case it comes up in your writing.

For each species in your world, decide at least one point about each of the following:

Religion

Philosophies

Politics and laws

Economy

WHERE

Ask yourself: where does your species exist?Finally, we get to the physical world of your world building. What is the geography like? The biomes? Is your world bountiful with resources or is it a dying planet with species’ in desperate search of new sustenance?

For some writers, they will take years fleshing out the ‘where’ of their world, including the cosmos surrounding it. For others, a map with the basic locations of the story will suffice. It is up to you how in-depth you would like to go.

At the very least, you should outline one or two notes about each of the following:

Solar system (does your world exist near ours or is it completely fabricated?)

Geography (this one can be split per species — forest elves live in the woods, nymphs live near the sea, etc.)

Biomes (split by species region)

Resources (split by species region)

WHEN

Ask yourself: when do the events of your story occur?The story you are telling may be the main focus of your book, but what happened to lead up to it? What has your main character’s species and world been through that is causing the story to occur? Even if the events of the world do not impact your story much, they will have had at least some level of ripple effect that reflects on your characters’ day-to-day. Was this civilization a warring one and the story takes place in a broken society? Or, has their society reached its peak of enterprise?

For each region in your world, establish the following:

Founding events

Defining events

Recent events

(if relevant) Future events

WHY

Ask yourself: why do the species in your world behave as they do?The why of your story will tie in with many of the previous points you’ve outlined, but it gets more to the point in a way that can directly apply to your story and characters. Why are things happening as they are today? What evolution did this society go through? Do they share common goals now or are your characters going against the grain of their people? What conflicts exist in this world, and is your main character involved in those conflicts or attempting to avoid involvement?

A few pertinent notes to take per species would be:

Social evolution

Societal goals

Societal conflicts

HOW

Ask yourself: how do the species in your world solve problems? In the category of ‘who’, you will have outlined your main characters’ abilities. These could be magical or technological or maybe they are super strong, or super smart. Now, you can get deeper into the magical or technological systems of your world. Start with your main characters and work outwards. Is everyone magical here? Do different species and races have different abilities? Is there a human or human-related race, and at what point are they at with their technology?

Figure out the following (for each species and race if applicable):

Magic abilities

Technological advancements

Scientific knowledge

Militaristic power

The World is yours: Command it

An author with a strong command of the world they are writing within will have at their fingertips an endless landscape of possibility. Look to authors such as J.R.R. Tokien or George R.R. Martin — it’s no wonder their works are so successful. They perfectly encapsulate what fantasy readers are looking for in a novel: escapism. The worlds don’t need to be pretty, they need to be fully formed; realistic in their mysticism.

World-building can seem like a lot of work, and it is. But do it bit by bit, and try to keep it fun. Don’t sit down in one day expecting to create your whole world. It’ll take time. But that time spent will be well worth it in the end!

[physalian]

On self-publishing, and why I did it

Based on the research that I have done, following other indie authors across multiple platforms, I think I've made an approach to this that is a lot less... shall we say, *intense* than people make it out to be? I've seen some YouTube videos acting like picking one route or the other might be the worst mistake of your author career.

I mean, I guess?

Back a few years ago I had a manuscript I was querying around and couldn't find any takers. Couldn't find any publishing houses that were accepting open submissions to pick up my manuscript either. So many of them had clauses in the application verifying that you were submitting to them and only to them and to expect a reply within 8-10 months. Coooool.

I did not have time for that.

—

The manuscript I had was 120k words. Baby’s first novel sitting at 120k words is not attractive to publishing houses. It’s a risk. I was younger and didn’t know much about finding an agent and all that jazz, so I had looked into self-publishing and was staring down an editor bill of about $3k minimum because of my word count. I did not have the money for that.

So that manuscript got shelved, meanwhile I wrote the sequel and got halfway through book 3 before writer’s block took hold.

Enter February 2024. I have an idea for a new book. 31 days later, I have that book’s first draft done—Eternal Night of the Northern Sky, on sale from draft to publication in seven months.

This time, I didn’t consider for one second trying the traditionally published route. ENNS is 111k words, it’s a doorstopper of a book, but the bulk wasn’t the only reason I decided to bootstrap myself to the finish line.

I wanted complete, absolute creative control every step of the way

If I have to market myself anyway, why am I splitting profit with a publishing house?

I *really* don’t have time to wait around hoping the right person sees my manuscript. I have a new job coming that’s going to eat up all my free time and could either delay ENNS a year or more, or get it out while I still had time to do so

I didn’t do this for money

I think that’s what makes so many of those rather intense arguments for one or the other so harrowing—the pressure is a lot higher if you invested all this time, money, and effort expecting returns to break even, if not actually turn a profit. Publishing with a publisher doesn’t guarantee people will buy your book, mind you, but it’s a helping hand nonetheless. If I even want to break even, let's say just on royalties from the ebook, I'd have to sell over a thousand copies.

Breaking down my above points:

I’m a firm believer in “if you want something done right, you do it yourself,” which does bite me in the ass from time to time, this I know. I didn’t want to get caught up in contracts or editors telling me what I could and couldn’t do or what I had to change. If ENNS fails, I will have no one to blame but myself, and I am at peace with this. If ENNS fails, and I’d gone through the trouble of signing my book’s soul away to a publisher, then I’d probably be a little resentful. 100% of ENNS is mine, even the cover. I had an image in my head of what I wanted the cover to look like, and I sat down and I drew it and it matches perfectly. Aside from the feedback implemented from betas and editors, my story is told the way I wanted to tell it. If it fails, I am at peace with this.

On marketing, I am not a person who does well with social media. Maybe it’s autism, idk, but trying to keep up with an Instagram is exhausting. I just don’t get anything from tiny text posts and blurbs and doomscrolling through influencers and advertisements. Social Media is, for me, exhausting. Tumblr is different, because writing is my strong point and this blog exists to share and curate something useful. But either way, I’d have to market this book alone, so why not do so with full creative control? If it fails, I am at peace with this.

I have a new job coming very quickly. My current job allows me about 5 hours of free time during my 8 hour shift on a good day not including the time outside work, and I work from home. ENNS was written in 31 days thanks to this job. The new one? Not so much. Seeing “please allow 8-10 months” and “please ensure this is an exclusive submission” on so many little publishing houses, and I did search far and wide, was incredibly disheartening. For me, personally, it wasn’t worth the gamble of waiting all that time, following the rules, and being told no or just being flat-out ghosted. Nor did I want to sit around querying agents into the void. This time, I didn’t have time to sift through agents. ENNS had to get out on the shelves as quickly as I could get it, and all that time (five goddamn months of editing, 500% of the time it took to write it) was spent perfecting the manuscript that it is, *not* waiting around trying to find an agent. If it fails, I am at peace with this.

And lastly, I don’t care if I make absolutely nothing from this book. I didn’t do it for the money, I did it to say I could. I have a day job, and I’m about to have a much higher paying day job. Maybe I’m lucky enough to have that, but I am under no illusions that putting in the hard work guarantees success. Success as an author is a crapshoot and being an amazing book is not the metric sales are measured in, if no one wants to read it. I’d like to make money, I didn’t do it for charity. It’s going to be priced exactly the same as another fantasy book of its caliber. But if only one person buys it, and finds something good from it, something in it that changes their life, then I will have succeeded, profit be damned. If all else fails, I am at peace with this.

—

This is not a post meant to sway people one way or the other. I know I didn’t do enough research or scour the internet hard enough to find a good agent. All of this is irrelevant when time was the most important factor in my debut novel. I was in a position where I could drop that $3k on an editor, so I did. I’m a capable enough artist to draw my own cover, so I did. I might be abysmal at managing social accounts, but less than a year ago this blog didn’t exist and it has over 5k reblogs and 950 followers and I think that’s pretty swell.

I’m 25 years old. I was not about to let it keep sitting around waiting for the golden opportunity with the perfect publishing house that might not have been coming. I had the means and motive to get it done, and by god, I did it.

If it fails, at least I can say that I failed trying. I am at peace with this.

—

Eternal Night of the Northern Sky is available now on Amazon in ebook and paperback! It is also available through your local bookstore.

Check it out on Goodreads!

[tychodorian]

Hey writers! 📚✨ Welcome back to Manuscript Monday, where I answer your burning questions about writing and self-publishing. Today’s question is one we’ve all faced: ‘Do you have any advice on writer’s block?’

Absolutely! Here are my personal tips to break through that block:

Set a Writing Schedule: Consistency is key. Even if it’s just 10 minutes a day, setting aside dedicated time can help you push through those tough spots.

Write with Friends (Body Double): Writing with someone else can boost your motivation. It’s like having a workout buddy—except you’re flexing your creative muscles!

Listen to Your Characters: If you’re stuck, focus on your characters. Ask yourself, ‘What would my characters do in this situation?’ Character-driven stories often work best, so let your characters guide the plot.

Character Generata/Questionnaires: These tools can help flesh out your characters and give you new insights, which might just be the key to pushing through writer’s block.

So, if you’re feeling stuck, give these tips a try and see if they help you find your flow again!

Happy writing, and remember—your story is worth telling! ✨📝

[daisyvramien]

Okay so, I've been waving the Google Drive and Docs flag like it's my own personal banner for ages. I mean, it's been my ride or die, my trusty sidekick through countless projects and late-night writing sessions for over +6 years now. But in November last year, during Nanowrimo, I decided to get the trial for Scrivener after I saw the add when I completed the challenge. I installed it and chose to let it live in my computer but never "really" dipped toes in it cause Google Docs and Drive ARE my jam (and I hate changes but that's another topic for another day). So I decide to open it, you know, this april (I know it's ate but hey) ? But not gonna lie, I was skeptical.

I mean, the interface alone looked like it could swallow me whole, and my poor scattered attention span was already shaking in its boots. I would rather face a haunted house than an application full of features because me and technology ? When it works, I like it but when it doesn't, good God and pancakes above- But I did try. And went from skeptical to pleasantly surprised. Sure the interface looks scary af, too much stuff you gotta check out BUT-.... It's like the fairy godmother of organization swooped in and blessed my writing life. I'm talking files for days, characters and places neatly tucked away, notes that actually make sense, and research that feels like a breeze to manage. And the formatting? Don't even get me started. It's like having a magic wand that just waves away all my worries about how my writing should look. As someone who has spent way too much time fiddling with font sizes and margins, discovering that Scrivener takes care of that for me? It's like a weight lifted off my shoulders. Now, instead of obsessing over the perfect font, I can focus on what really matters – telling my story.

You can add files, images, pages links, anything really (not sure about videos yet though or music, gotta check this out). I hate organization because it means clearing up my ideas, maybe throwing some away but this is necessary and just because one doesn't make it in this one, doesn't mean she won't be there in another.

Like, seriously. I know, I know, it looks like a lot (and let's be real, it is), but I promise it's worth-it. So, if you're anything like me, drowning in a sea of half-baked ideas and forgotten plotlines with an attention span shorter than a butterfly's lifespan, do yourself a favor and give Scrivener a shot. Trust me, your future self will thank you for it.

[rozmorris]

Your first pages - 4 more book openings critiqued at @Litopia by literary agent @agentpete author @anniesummerlee and me!

I’ve just guested again at Litopia, the online writers’ colony and community. Each week they have a YouTube show, Pop-Up Submissions, where four manuscripts are read and critiqued live on air by literary agent Peter Cox @agentpete and a guest, or sometimes two. This time the other guest was longtime Litopian Annie Summerlee @anniesummerlee , who has published short stories in a range of online…

[cmoroneybooks]

When seeking commercial success with writing you need to be realistic. Just because something shouldn’t be the way it is doesn’t mean you can ignore that reality.

What I mean: 

People do judge a book by it’s cover, unless you’re talented and have done your research it will negatively impact you not to pay a professional.

Marketing a book isn’t about how good your book is. It’s an entirely different skillset you’ll need to pick up whether you get indie published or traditionally published. 

If you’re writing something niche you can’t expect the marketing advice of people writing and selling something with wide scale appeal to work for you. You’ll need to find a way to advertise directly to the communities that surround your niche. 

Bigots read and buy books.

Publishing a book is fucking expensive but cutting corners is quickly noticeable. 

Publishers don’t take as many risks as they should, they’re increasingly letting indie authors take risks and prove that certain types of story can make it. You might have to wait for someone else to prove your kind of story works in the indie space to get any traction in the trad space.

I doubt any of these really surprise anyone. But anytime something is unfair or wrong in publishing whether indie or trad I see a lot of writers say something like ‘well people shouldn’t judge a book by it’s cover so I’m making my own anyway’ as if saying that somehow changes reality. Let’s be realistic but hopeful and defiant as we head into 2023. Like the pragmatic side character who’s with the hero till the bitter end.

(Also how else are we meant to judge your book in a sea of others, when there’s so many that picking one off the shelf or clicking on to see the blurb is a decision of itself??) 

[dduane]

Ma’am Im in the final third of writing my first draft for my novel (just passed 70k words!) do you have any advice about book marketing or self publishing? Ive been looking at something called Royal Road also in regards to those two things but no on I know has even heard of it…

First of all: congrats on your 70K!

"Do I have advice about marketing or self-publishing?" Wow, probably way too much, at this point. But for the moment let's limit ourselves to specifics. :)

I hadn't heard of Royal Road either, so I went and did some poking around. Below is an article that deals with some basic questions about them.

(Adding a cut here, because this gets long...)

Having read this article, I went and had a look at Royal Road's ToS, and their fee structures.

The fees were the first thing that gave me pause. Specifically, this; while RR has free options for readers, they don't appear to have any free options for writers. (If I'm wrong about this, I invite anyone with a pertinent link to point me at it.)

Now, the rule in writing as regards money is this: "The money flows toward the writer." This rule was codified years back by writer Jim McDonald and called Yog's Law (and over here at John Scalzi's blog there's a discussion of the Law and what it involves in these self-publishing days). It means that any kind of professional writing or writing-for-pay that involves the writer paying someone else to get their work where people can read it must routinely be carefully examined. You, after all, as the writer, are the source of the product and of the value in the product. If you're paying anybody to help get your writing seen, you need to look carefully at who controls whatever you're paying for along the road to being published.

So: if you use RR, you're paying them to show your work to people. (It seems a bit like AO3, except RR charges you for publishing with them.) Their ToS emphasizes that you own your work, but if you use them to publish, "...you grant Royal Road a non-exclusive, worldwide, sub-licensable, revocable license to use, display, promote, edit, reformat, reproduce, publish, distribute, store, and sub-license Your Content on the Services. This allows us to provide the Services, and to promote Your Content or Royal Road in general, in any formats and through any channels, including any third-party website or advertising medium."

Okay. So how, though, do you get paid for publishing on this site?

RR simply says that you're allowed to link your work to your Patreon or your PayPal account, and can accept donations that way.

Well, that's nice. But it doesn't strike me as much in the way of a payday. (Especially after what Patreon takes off its subscribers' earnings these days.)

What people are seeing this work?

Just Royal Road members, as far as I can tell.

And how many of those are there?

...I'm finding it surprisingly difficult to quickly determine that with any certainty. There are numerous sites that talk about millions of pageviews (assuming that's what "M" means these days): but views are not users.

And what is feedback worth, from that readership? ...Also hard to say.

This equation has way too many imponderables in it for my liking.

There are a number of articles scattered around that discuss numerous webpublishing options and which seem preferable. (This one seems to rank RR highest.)

...If I'm starting to sound unenthusiastic about this whole prospect, I think that perception would be correct. From where I'm sitting, RR looks to me kinda like paying for feedback... and from what might be a fairly small, and at the very least, limited, pool of contributors. I'm not at all sure how this experience would be likely to do anything much but help you feel better about yourself as a writer. Which, well, sure, that's nice. But is it value for your money?

More: how does what you get from RR actually help you transit into the wholly different experience of getting your work edited, getting a cover for your first novel(s), and learning about marketing out in the broader marketplace? That's unclear to me.

(I have to add one thing here as a general caveat. I'm in the Really Annoying Congestion stage of a head cold at the moment, and as a result my view of everything today is significantly jaundiced. But I also have to say that I doubt this particular assessment is going to change much after my nose stops running.)

So. If I was in your position, I'd be tempted to give the RR concept a miss and start inquiring into how best to use actual online publication resources that feed into a system where to get your work at all, people give you money.... because Writers Gotta Eat. (And yes, there's a whole self-publishing strategy that runs on the Nickel Bag paradigm: make sample work free online—sometimes through a retailer like the 'Zon—and then have all the samples "point at" work that people have to pay for. But that's another discussion.)

Anyway: hope this has been of some general help!

[moonyinpisces]

why is it to begin freelance editing i have to be good at social media first. is being good at editing but bad at instagram the thing prohibiting me from brandishing microsoft word revision mode