#admittedly there’s a lot going on so like fair

[a-dragons-explanations]

I'm sorry you're going through this, genuinely. It sounds like you've had a really hard time with all of this, and I can see where the temptation to lash out comes from. I'm sorry you've been struggling with these feelings so much - it can be a lot to deal with, I'm well familiar with that.

I'd like to try to help, so I'm going to go ahead and try - please, if you don't want the help and feel like I'm overstepping, feel free to ignore the rest of the post. I don't want you to feel like I'm forcing you into anything, I just want to offer some guiding questions and a little analysis in case it would help you, because sometimes an outside perspective can really help unravel these things.

So:

I'm not going to tell you that you are otherkin - that's something only you can decide - but I can say that what you're describing very, very much aligns with what many, many nonhumans experience, so I've seen a lot of people work through these feelings. I'm not surprised that the otherkin community has become a bit of a mirror for you, even if it's one that feels threatening. As they say, after all, wanting to be nonhuman is one of the most telltale signs of being nonhuman.

I guess the core question, if you want to finally hash out your feelings on this one way or another, is: why are you so afraid of calling yourself a fox? Or at least, why are you so determined that that can't be the case? And whatever the answer to that question is: is that really, when you dig into it, a solid reason, or are you just flinching from something that feels scary but isn't a real threat?

The best guess I have, to facilitate that outside-perspective analysis, is pulling from this quote -

"being told to accept myself hurts, because it implies that there is something to accept; or a prospect of getting closer to the concept of being something else. yet i can’t FIND it. i would jump at the first glimpse of that opportunity, as i have been trying to, but i can’t understand it."

I may be wrong here - I have a very limited view of what's going on inside your head, after all, and if I'm misunderstanding you please correct me - but it sounds to me like what's stalling you out is either a) the internalized feeling that this can't be real, that these feelings aren't "enough" to make you really nonhuman, and/or b) that you're afraid that since you'll never be able to be physically nonhuman, identifying yourself that way is just going to hurt you more.

Both of those are completely reasonable fears, and ones many, many people have faced before you. Again - it's a weird thing, and for years I was dealing with the "this is crazy, this can't be real" doubt periodically.

One answer to this would be to try to walk away and ignore it. Admittedly that's an answer that doesn't work well for a lot of people, but it is an option. But it seems like you've tried that, and you keep finding yourself coming back. It sounds like you have some very strong conflicting feelings about this - and maybe like you've determined (for whatever reason) that you can't be nonhuman, even though you want to be, so your brain is (consciously or unconsciously) doing the "if I can't have it, no one can" move and lashing out at people who are embodying a thing you want but feel like you can't have.

That's a very normal instinct. It's - maybe a little ironically - the Fox & Grapes fable, right? If you want something and can't have it, it's often easiest to decide it was never really desirable (or possible) in the first place, so that the loss doesn't hurt as much. But then there are people right there who are having it, proving that it is possible and desirable and preventing you from cutting yourself off from the loss - so your brain perceives them as a threat, a source of pain, and wants to lash out.

But the pain isn't coming from the people who are living their lives, and it's not fair to lash out at them. You know that already, I can tell from the way you're talking about this at this point. Whatever the right answer is for you, whether you're nonhuman or not - if it is wrong for you, then just because it's wrong for you doesn't make it wrong for everyone.

This verges into questioning advice at this point, but if I may go that far, because I really do think that this lashing-out seems to be stemming from your own confusion and pain regarding your own wanting-to-be-an-animal feelings: I won't tell you to "accept yourself," because you've already determined that's not helpful advice for you, and that's completely fair. Instead, I'll offer a question that might be a more useful framework to look at this through: regardless of whether you are currently a fox or not, would you be happier calling yourself a fox, viewing yourself as a fox, living life influenced by and embracing foxness?

Don't knee-jerk react - pause and imagine it. Say the words out loud to yourself. Think about how you feel when people call you a fox, how it feels to look at a picture of a fox and go "that's me".

And, if the answer is that yes, it's an overall happy imagining - is that not a good enough reason to do it? It's a good enough reason for plenty of us. It's a good enough reason for me. If it's a happy imagining, I'd personally encourage you to let yourself chase that happiness. If it ends up not fitting right, you can always discard it later.

And to address that second potential fear - yes, sometimes it does hurt that we can't physically become what we long to be. It does. But, as gently as I can say this, it sounds like that's already hurting you, despite your efforts to push those feelings down. It doesn't seem to me like you're succeeding in getting away from it. It's a very natural instinct, but that doesn't mean it works, especially long-term. And, much like gender dysphoria, the answer to soothing species dysphoria is often doing things to make you feel closer to what you want to be, rather than trying to push it away and insist to yourself that you can never have it.

All of this, of course, is just my thoughts as an outside perspective - an obviously somewhat biased perspective, for that matter, given that I happen to be nonhuman myself. Ultimately, to come full circle here, I don't know your experiences as well as you do - you're the only one who can ultimately decide what to do with those experiences and what framework to parse them through. I'm not trying to push you to start identifying as otherkin here, I promise; I'm just trying to offer a way of looking at it that you might not have considered, and some compassion in the face of the agonies.

And... be gentle with yourself. You've lashed out and likely hurt people, and that was wrong of you, yes. You clearly understand that. I hope you'll think twice before doing it again in the future. But you're also hurting yourself, and as you say, you've been trying to get people to snap back at you - I don't know if you realize this, but this is a form of self-harm you've been doing. You don't need to punish yourself for the feelings you're having. Be gentle with yourself. You deserve that much.

i don’t think my words hold much value to people like you, and i don’t think you would be willing to listen or take it to heart, but it’s still worth trying. i would like you to realise that you are human in every way. you are not an animal, you are not a dragon. (you probably already know this. maybe you’re in denial. i don’t know) either way, none of you would actually be willing to give it even a second of thought because you’re insecure about yourself, and you’re insecure because you know you’re human. i assure you that you will not reach full personal contentment until you live out your life without pretending to be a mythical creature. wtv have a good day

Ooh, I haven’t gotten one of these asks in a few years.

So I ask this, and every other question I will follow up with, completely genuinely, and if you’re willing to really get into the weeds discussing it I’d love to do so (though I’ll probably reblog any follow-ups to my other blog): why do you think you know me and my experiences better than I do?

Why do you think you can armchair diagnose me with insecurity? What evidence do you actually have for that, besides the fact that I’m nonhuman? What evidence do you have that I’m not already content and fulfilled in my life?

Is it possible that identifying as nonhuman is unrelated to those things entirely, and you’re making a false assumption?

I get it. It looks crazy, when you’re completely new to the concept. It’s weird - it is! But pause and listen to us when we talk about our experiences for a moment.

For many of us, myself included, finding nonhumanity is a moment of suddenly understanding - of pieces falling into place, of my life experiences suddenly making sense. Awakening is something that made me more content and fulfilled, not less - there’s a sadness in it sometimes, yes, but so too is there the comfort of understanding yourself in a new way, of realizing, oh. I’m not just weird. There’s not something wrong with me. There are other people like me.

(If this sounds a lot like the experience of figuring out you’re queer, there’s a reason for that.)

To use myself as an example of the flaws in your hypothesis: there’s… honestly not much dissatisfaction with my life right now. I’ve got a stable job with decent income. I’d like to be able to cut back my hours a bit, but that will come in time. I’ve got enough free time as it is to do my art and play my tabletop games with friends in my off time. I’ve got family and friends around me. Sure, I miss my wings, but I’m hoping to pick up powered paragliding in the near future and hoping that’ll scratch that itch at least somewhat. I’m doing pretty well, honestly. This isn’t the case for all otherkin, but it’s not the case for all orthohumans (people who aren’t alterhuman in any way) either. What it does indicate, however, is that your hypothesis that being otherkin inherently means you’re insecure and unhappy with your life is false, or at minimum flawed - if it were true, I wouldn’t exist.

So, I ask again: why do you think you understand my own experiences better than I do? And moreover, why does it bother you so much that I am the way I am?

The name for the thing you’re doing here, intentionally or not, is concern trolling - trying to push me out of an identity by professing concern for problems that don’t exist. Why? Why are you going out of your way to tell other people they’re wrong about their own identity? Why is your reaction, when you see an identity you don’t understand, to decide it’s unhealthy, or just make-believe, or whatever, and then to make that the problem of the people who identify that way? What exactly makes you think this is inherently unhealthy?

Would it not be better to devote that energy to trying to understand us, instead of trying to change us?

You don’t have to answer these questions to me, obviously, but I do encourage you to answer them to yourself at least. Pick apart your worldview for a minute and see if it actually holds up under scrutiny - it’s good for you, and mental enrichment to boot! If you are willing to really get into the weeds of this discussion with me, again, I’d love to do that - I love having discussions like this, and it’s good for me to have my worldview challenged every so often too! Please, genuinely, pick at the flaws in my logic if you see them - if it can be pulled apart under scrutiny, it needs to be pulled apart and rebuilt. No one on the internet is obligated to let a stranger do that, obviously, but personally I enjoy it - it’s a meat pumpkin for me - so let’s talk, if you’re up for it. It’s been a hot minute since I’ve gotten a good interesting antikin to debate with.

[kikeols]

Miura… so small. why are you so small

[dayurno]

general hcs for aftg zombie apocalypse? me i think kevin would try to be leader but unfortunately no one would listen to him/take him seriously :(

now i think if we’re talking like a few years into the apocalypse then it gets interesting like how the characters would change physically like….and what weapons would they use!! they’d def run into people who use exy rackets as weapons and kevin would be disgusted with them i think.

i LOVE apocalypse aus but none center kevin or write him right i wanna know what you’d think he’d be like in one

SUCH A FUN ASK THANK YOUUUUUUU! first of all your idea for kevin is so funny i have to concede. its true no one would care for him at all even if he tries.... honestly though (thinking hard) i think what kevin lacks in leader charisma he makes up for in the department of giving the rest of the group a Reason To Live and creating schedule and purpose where there is neither, so maybe he ummm...... well he's not gonna be the leader of the pack but he can be like the mascot. the shiny thing to cling to. you know what i mean. kevin's indomitable human spirit!

not to be guy who is kandreil pilled but i do think kevin would be very important for andrew and neil to live beyond the survival! i will put a dollar in the kevin day bird motif jar for this but in a way hed be like their little canary in a coal mine... while the crew travels i think kevin would be the one to point out the scenery or the bits of history along or to go over peoples houses and find pieces of life that are useful and maybe even endearing. and yeah hed hate the racquets as weapons! the complaining and the grumbling about it is not as annoying as andreil thought it would be (they are pleasantly surprised kevin still has it in him to care about anything)

AHHH sorry u asked for fun hcs and i gave you a long poem about kevin day being everyones special little boy lets see hmmm... of course andrew has the knives but i think he would eventually pick up something more violent as the world falls deeper in despair. a mallet perhaps? a hammer? something heavy! neil would i think do well with a gun and not actual hand to hand combat, sniping behind them....... i think kevin would also have a weapon of sorts something like a switchblade or a baseball bat. non-lethal but definitely harmful

[whimsyprinx]

I am also aware that for my crafts I tend to be overly ambitious but with the power of me and my two irls who are also planning to attend ren fair after I very suddenly announced that I think we should go I think I can at least put together a 6/10 outfit okay

[celtrist]

Something important to add is that if you AREN'T comfortable with this portrayal of Alastor or anything like that, or think it's "erasure" or the like, you're feelings are VALID for that, especially if you're in the aroace community and get bummed seeing ship art of your favorite aroace character. BUT, you do NOT need to harass anyone for how they might depict and aroace character in a romantic light (QPR or not).

Can fandoms have issues dealing with an aroace character? Yes, and that can be chalked up to how heavy shipping/romance is within fandom culture. But does what a fandom does with an already established aroace character dictate their canon authenticity? No! Canon will not change because someone made fanart of an aroace character in a romantic relationship, same how canon wouldn't change depicting a gay character in a straight relationship.

YES, there is arguably a "problem" so to speak with people completely disregarding some orientations but holding others as something unchangeable (hetero is a bit of an exception since most media in the past and still now are dominated by a less than diverse cast/weren't allowed to be diverse in gender or sex). YES, it can get a bit annoying to see the double standards of people say placing Alastor in a blatantly romantic/sexual relationship when they're also of the "shouldn't ship Angel or Vaggie in a straight relationship because they're gay". YES, it CAN be tiring to constantly see a character canonically averse to sex (and hinted romance) in those type of relationships and not feel great about it for one reason or another.

This is all true but fandom is, for many, an escape and people often portray their own experiences to these "dolls" for funsies or self-exploration. How you feel about how people handle this isn't invalid and you should not be demonized for thinking Alastor shouldn't be shipped in anyway. However, just as people shouldn't cram down their ship with Alastor down your throat, YOU should not cram down that "he can't" be in a relationship down others. I think it's fair to bring it up in a civil way or if the topic is brought up, but if someone is minding their own business doing ship art of an aroace character that you strongly oppose of, just move on. Block the tags, that's what they're there for (personally think it would be helpful to have separate tags for QPR like using "+" instead of "/" or a whole new ship name so it doesn't get mixed with the flat out romantic stuff, but I digress).

And kind of like the response to the question essentially says, QPR is a very unboxed sort of relationship that will have different boundaries between different groups (some are all good with smooching in a QPR relationship, others aren't. Both are valid for this type of relationship.) So while yes, some aspects might get more romantic than comfortable with (for me personally), it doesn't always mean the relationship itself is romantic and shouldn't be disregarded as such. (if you're gonna disregard it, at least just do it in private rather than to the person).

TLDR; Don't like it? AVOID IT! It can be hard with how suffocating romance/ship stuff is in fandoms, but it's not anyone's duty to cater to YOUR dashboard. It can be a bummer to feel like people ignore the aroace identity to get some form of shipping in, and it's fair to feel that way. But it's not fair for you to dictate how they interact with their favorite media as much as it isn't fair for them to dictate how you interact with it.

Do you think there's a right and/or wrong way to handle QPR? I know it's a tricky relationship, but it feels like most/some people kind of just slap the label onto a ship while depicting the ship as just romantic/having no difference with a romantic relationship. (this is why I was a little surprised when you said you do radioapple qpr when it reads a lot more like normal romance). Not meant as an attack or anything on anyone, just genuinely curious more than anything. Again, tricky relationship

So Imma put this link to info at the top of this post: https://taaap.org/2022/07/16/qprs-part-one/

Alright, so please take what I say with a grain of salt, because that's exactly what it is. One small bit of perspective in a mass of many people who experience QPRs in their life and/or are on an aro/ace spectrum. I also have NO QUALIFICATIONS on gender/sexuality theory, so my opinions are shaped by what I've learned and experienced personally. While people may identify with the same term, we are all still individuals with our own experiences. Words can help describe a phenomenon, but it doesn't make everyone who identifies with the word into a monolith.

So I've stated a few times that I navigate shipping Alastor similar to my own experiences as an aroace person. (I guess I'm sharing about myself with this post, but I think that can be helpful to just spreading awareness of an "alternative lifestyle"). So I'm romance-repulsed and sex-repulsed LOL but I'm also "positive" about those things. Like I view romance and sex as lovely, fun experiences people can have, but I've never been into it personally. It's fun for me to consume media about romance/sex, but yknow, it's also fun for me to consume media about violence or isolation. Doesn't mean I want to experience or engage in any of those things lol.

Anyway, I'm a huge people person and I love to party and yknow it seems most people are really wanting to fall in love or fuck or whatever pretty much all the time, but especially at parties hahaha. Normally, I'm pretty touch-averse, but I love dancing so much and it's a blast to dance with a partner (salsa especially!! i don't care for grinding for probably obvious reasons). And to connect the two previous sentences, people (whatever gender they are) would be very kissy-touchy on the dancefloor. Which i honestly dont really give a fuck about hahaha. I don't really get anything out of kissing but I also don't mind it. I just like to dance. It's all a pretty superficial--but still genuinely fun--experience for me.

When it comes to my deeper or more intimate connections, I have had friendships that have felt SO on the line of what was viewed as a romantic relationship. They were exceptional friends and we connected on a level that was deep and true, but it wasn't romantic. Sometimes we'd slow dance, sometimes we kissed, and it rocked. But it wasn't more than that, it was all that it needed to be. I didn't want more and neither did they (except one situation and so we had to stop being friends lol whoops). From the outside, people would even refer to us as partners in a half joking way, but we really were just friends. And I love those friends!! And a huge part of what made those relationships (which at the time were described as 'situationships' because we didn't know any of these terms haha) was their convenience. We either lived in the same building, worked together, or were neighbors LOL. I'm still friends with those absolutely lovely folks, but we don't live around each other, so our QPR just appears a lot more like any ole regular friendship. But it's not like there was a feeling that we transitioned into something different than before. It twas what it twas! (Had to take a pause while I was typing to reminisce fondly for a second, okay back to hazbin hahaha)

SO, whenever someone asks or it comes up, MOST OF THE TIME I do ship alastor through an aroace lens and experience with QPRs (specifically, MINEE because they were fun and I've never felt like doing this before I met a character like Al). And my XP is: "this isn't gonna be a partnership and we ain't fucking" LMFAO. so yeah!

When it comes to using a queer term like QPR, I just hope folks are considerate in their writing, but I also am inclined to just believe them if they say that's their intention because QPRs can look very different. Again, aroace and ace folks are not a monolith. The terms help to describe a human's experience. I'm inclined to think people are writing in good faith.

And all this being said, I want to just emphasize that I really don't think it's necessary to consider any of this shit if you want to ship a fictional character. I understand wanting to be protective of a character who shares an identifier with you (I personally don't wanna see romance/sex with Al in canon). But shipping is a fun thing a fandom does that often does ignore canon. Tale as old as time. I don't think anyone needs to be beholden to canon when they're writing fanfiction or having fun. If we did, I would have like--5 artworks on this blog hahaha. These characters are like dollies, do whatever you want. It's cool if people don't like it and I think it's cool if people do. It's just not that serious. There are ships I'm not particularly into or dynamics that I am not enchanted by, but whatever. I can just scroll or close my eyes.

TLDR; shipping in fandom doesn't need to be taken seriously at ALL. It can just be fun way for someone to play with fictional characters they like. That being said, I think it's good practice to use queer terms thoughtfully.

[saintkaylaa]

𝐍𝐚𝐬𝐭𝐲 𝐍𝐞𝐢𝐠𝐡𝐛𝐨𝐫 🚬

𝐏𝐚𝐢𝐫𝐢𝐧𝐠: 𝐀𝐤𝐢 𝐇𝐚𝐲𝐚𝐤𝐚𝐰𝐚 𝐗 𝐍𝐞𝐢𝐠𝐡𝐛𝐨𝐫 𝐑𝐞𝐚𝐝𝐞𝐫

𝐋𝐞𝐧𝐠𝐭𝐡: 2.9𝐤

𝐖𝐚𝐫𝐧𝐢𝐧𝐠𝐬: 𝐍𝐒𝐅𝐖, 𝐦𝐚𝐬𝐭𝐮𝐫𝐛𝐚𝐭𝐢𝐨𝐧, 𝐏𝐞𝐫𝐯!𝐀𝐤𝐢, 𝐩𝐨𝐫𝐧 𝐰𝐢𝐭𝐡 𝐯𝐞𝐫𝐲 𝐥𝐢𝐭𝐭𝐥𝐞 𝐩𝐥𝐨𝐭, 𝐜𝐮𝐫𝐬𝐢𝐧𝐠, 𝐢𝐦𝐚𝐠𝐢𝐧𝐢𝐧𝐠 𝐯𝐚𝐠𝐢𝐧𝐚𝐥 𝐬𝐞𝐱 & 𝐨𝐫𝐚𝐥 𝐬𝐞𝐱, 𝐟!𝐫𝐞𝐚𝐝𝐞𝐫, 𝐫𝐞𝐚𝐝𝐞𝐫 𝐢𝐬 𝐤𝐢𝐧𝐝𝐚 𝐟𝐞𝐦𝐦𝐞 𝐟𝐚𝐭𝐚𝐥𝐞

𝐀𝐮𝐭𝐡𝐨𝐫’𝐬 𝐍𝐨𝐭𝐞: Kinktober 2024 || I love Aki so much, but something about pervy Aki but against his will really does something to me. Happy Kinktober you disgusting pervs ᥫ᭡ Also big big thanks to my beta readers, I love you! ART by yuonnoaii on X

𝐈 𝐁𝐥𝐨𝐜𝐤 𝐌𝐢𝐧𝐨𝐫𝐬 𝐚𝐧𝐝 𝐀𝐠𝐞𝐥𝐞𝐬𝐬 𝐁𝐥𝐨𝐠𝐬

Aki was a devil hunter, but when it came to you, he fought both devils and demons just to not touch himself to the image of you.

You, his new neighbor, from across his balcony in the building over. Aki, who had not been with a woman in God knows how long. Overworked, burnt out, anti-social, with extreme suppressed sexual desires.

That was until he saw you.

If he was honest, he had completely forgotten that sex was even a thing—in all forms. Sex with another person, self-gratification, porn, lust, urges, desires—all of it. In his line of work there wasn’t any time for that, and in Aki’s case the only desire he really had was revenge, but that was a desire that he knew was going to take time to satiate.

The encounters that he’s had with you got increasingly more difficult for him with every passing instance.

At first it was just fleeting glances—no stares—at you in the beginning. You weren’t like anything he had ever seen before. Beautiful, captivating, and intriguing, so just looking at you, trying to catch a glimpse at you while you lingered and occupied your balcony across from his eventually should have been his first signal to have built a stronger disposition against you.

Then you talked to him, albeit a little insulting, mean, and even, well, intimidating, because the first instance was when you had straight up called him a pervert. Confronting him for his blatant staring and or borderline offensive, not so sneaky glances at you while he dragged through cigarettes, distracted by you. Blowing through cartons faster than he would have liked, because of you.

And he felt disgusted.

Grossed out that although yes, he found you mean, intimidating, and believed you had every right to call him a pervert, and irritated by his actions, he also found you incredibly sexy for it. Curious over what really lied under that confident mean exterior.

Every instance after that was the same. You two would find each other on your respective balconies, playing with the tension that was undoubtedly there. Bad tension. Negative tension, but tension nonetheless. Aki would get caught admiring you (ogling you from your perspective), you’d call him out, and he’d have to retreat into his apartment fighting all that hell had to offer just to not to stroke his cock to you.

Admittedly, it did get better when you would tease him for looking and make fun of him for even peeking at you from behind his bangs and a pink tint on his cheeks. You were ruthless, and it only made his desire for you grow.

Fuck. Then he talked back, and in your response, he knew that he was fucked for sure.

He had been in the shared mailing room of both your buildings. Sifting slowly through his mail in a poor attempt to avoid going back up to his apartment and finding you lounging around in skimpy pajamas in your living room—as he noted that you tended to do a lot in the mornings. But then you were there. As if manifesting from his mind and rounding the corner to enter the mailroom with him.

At that point he had half a mind to ask you if you were a devil, because no way were you now crushing an attempt he made to not be so perverted against you. It wasn’t fair, and he feared you for it.

It was avoidance at first. He didn’t know what to say to you, but then you spoke to him again, and it was like he lost total control of himself.

“See you later, pervert.” You had told him. It was teasing, but not at all lighthearted.

It was then that Aki decided to do something.

 

Nearly missing you by an inch, he took hold of your elbow and spun you back to face him. You gasped, arms tensing slightly as you look up at him with surprise. But he wanted to make sure he had you at full attention.

“Hold on,” he says lowly, his chest rumbling.

"Look, I don’t want you to think I’m a pervert, okay? I apologize if I’ve made you feel that way. You’re very pretty, is all.” He struggles to compliment, but his gaze doesn’t break away.

“I don’t mean harm.” He finishes, and he truly means that. His hand lingers on your elbow as he locks his dark blue eyes with yours.

You seem to hold your breath as you register his words, then you glance down at his hand still grasping you and slowly trail your eyes back up to his. Realizing his touch, he slowly unfurls his fingers and releases you.

Both of their skins are cold from the loss of heat.

“You must not know a lot of pretty girls.” You finally say, voice tight.

“None that look like you.” Aki replies right over your comment. What compelled him to say that he was unsure. He was never that forward, bold, or even confident, and especially not with women, but something about you made him act out.

“What’s your name?” You ask, your eyes transfixed on him.

Aki held your gaze, his expression unreadable as he sensed the intensity between you. Your question broke the thick silence that had settled, and he felt himself hesitating for only a brief moment before responding.

"Aki Hayakawa," he replied, his voice firm and steady, a hint of curiosity coloring his words, "And you?"

“Aki.” You repeat his name slowly, sounding out each syllable.

He knows you did that on fucking purpose. Now wondering what it would sound like if you moaned his name.

After another frustrating pause, Aki speaks, “So is your name something I have to earn or what?” He says flatly. Meeting your eyes with just a bit of intimidating irritation.

Your mouth parts slightly like you have something to say, but then your tongue glides over your perfect white teeth in one slow swipe. Amused, you were fucking with him again.

Aki cursed you in his head. The sudden disgusting thought of how your mouth would look wrapped around his cock. Your tongue gliding over his needy tip instead of your teeth.

“I’ll see you later, Aki.” You tease, but your voice is soft. Different than the other times you have teased him.

 

That night Aki was chilling in his living room when he heard the faintest sound of a sliding door open and close. He knew it must’ve been coming from outside... His neighbor, most likely out on her own balcony.

The sound was like a command to him now.

He stood up from his seat on the couch and walked towards his own sliding door. When he got close enough, he opened the door to look out, his eyebrow rising at the sight of you once more across the other building. His heart racing just a bit, his skin running warm, and he could feel the telltale sign of an impending erection as you turned to look at him. Like a dog responding to stimuli; Pavlovian.

Now he was moving without control, crossing out into his balcony, hands buried in his pajama pants. His eyes fixated on your form. Watching your every move. Your eyes met his, and suddenly Aki’s mouth opened to speak.

"Hey," He greeted you simply, his voice low as his eyes looked you up and down with this newfound (misplaced) confidence. You looked over at him, not at all surprised by his presence. You nodded towards him.

You’ve got to be kidding me, Aki thought to himself as he looked over at what you were wearing. A fucking short fitted satin slip, that left no room for imagination. Aki's eyes widened as he took in the sight of you, his breath hitching in his throat.

The slip clung to your every curve, showcasing your body in a way that rendered him mute. He was captivated, unable to tear his gaze away from the provocative sight before him.

He had expected to have a casual conversation. Especially after the conversation from earlier, but the combination of your clothes—or lack thereof—and the charged atmosphere between sparked something primal within him that he struggled to suppress. His hands tightened around the fabric of his pajama pants pockets, his body responding instinctively.

He was fucking perverted.

Aki cleared his throat, trying to regain his composure and speak in a controlled tone, despite his body now pulsing.

"What are you doing out so late?” He asked, taking a step closer to the railing so that you could better hear him from your own balcony. You tilted your head a little confused. Crossing your arms over your chest, your tits being pushed up a little as you did it.

Aki cursed you in his head.

“What am I doing on my own balcony?” You quizzed from across the building.

Aki's gaze flickered down to your crossed arms, his eyes involuntarily drawn to the way your breasts were lifted and accentuated by the position. He suppressed a groan, feeling his desire flaring up. Your innocent question only served to increase the tension between you and him, heightening the forbidden allure of the situation. He clenched his fists, forcing his mind to focus on your words rather than the erotic image in front of him.

"Yes, what brings you out here this late?" he replied, his voice strained as he fought to maintain control. He couldn't allow himself to be consumed by lust, not when he had done so well by not giving in to his desires before. But with your tempting presence, it felt like a constant battle against his own morality.

“Aki, you’re asking a lot of stupid questions. I live here. I can do whatever I want in my own apartment on my own balcony. I could stand naked out here if I wanted.” You laughed, the faintest tone of annoyance. However, you knew what your words would do to him. Now that you were acutely aware of how you made him feel after earlier’s display.

The mental image of your naked body forced Aki to shut his eyes for a moment and let out the smallest groan. He knew you couldn’t hear, but he also knew that you knew what you were saying. What you were doing. Vexing him the way that you did. The lust was beginning to consume him.

It was a losing battle. He was fucking losing.

Aki's eyes snapped open, the intensity in his gaze now almost feral as he stared at you across the distance. He hated you for playing with his desires so effortlessly, for knowing exactly how to push his buttons.

He took a deep breath, trying to steady himself, but the ache in his crotch only grew more insistent. The walls he had erected to protect his focus, his sanity, and his character were crumbling under the weight of his lust.

“Every word you speak is deliberate.” He declared, like he was accusing you. His eyes trailed up your body in a moment of weakness.

“Yeah, it is.” You assured quickly.

Then there was palpable silence.

Aki's mind was a whirlwind of desires and frustrations, his body seemingly betraying him at every turn. He watched you move to your door then, each subtle action a temptation that he couldn't ignore. His gaze lingered on you as you turned your back to him, exposing your ass to him. The throbbing in his pants intensified, his body craving release. He can only imagine the wet spot of pre in his underwear.

“You make it too easy.” You laughed; your voice, filled with taunting amusement, cut through his haze of desire, reminding him of his vulnerability and the hold you actually had over him.

If Aki was smart, he’d listen to his rational side, urging him to regain control and to retreat to the safety of his own apartment. But the magnetic pull he felt towards you rooted him to his spot.

“Don’t burst a blood vessel touching yourself tonight.” You mocked so boldly and bluntly it sent Aki reeling. But before Aki could even think of responding, you had already retreated back into your apartment. Aki stood there, stunned, face flushed with both embarrassment and frustration. How could you see right through him, exposing him so easily and without mercy.

Fuck.

He didn't have time to process your leave, as he felt himself unraveling. His body pulsed with need, his erection straining against the confines of his pants. God damn, it hurt.

With a frustrated growl, Aki turned abruptly and retreated into his own apartment, shutting the sliding door with a resounding thud. He paced back and forth in his living room, grappling with the overwhelming surge of desire that threatened to consume him. He knew he had to find release, to quiet the burning ache that clawed at him. But his thoughts were clouded, his focus scattered under the weight of it all. He needed to regain control and find his center once again. But in that moment, desire won out.

He had suppressed his urges too many times in the last few weeks for anything to work this time. He just kept getting harder the more he thought of you, so he stopped pacing and just stood in the middle of his living room looking down at his crotch. Groaning for it to go away. Flashes of his neighbor’s body, your tits, your ass, your mouth, your pretty face, the way you rolled your tongue, the way you said his fucking name. It was all too much, and Aki had half a mind to start touching himself.

It was over.

Aki hurriedly moved to the bathroom in his room, turning on the cold water with the intent of splashing his face. Instead, he braced himself on the sink, letting the water run, the cold ceramic helping alleviate his rising temperature but it wasn’t enough. He closed his eyes to breathe, only to prove a mistake. Because all that played in his head, over and over again, was your interaction this morning, and without even realizing it, Aki started to unbuckle his pants.

Your words played in Aki's mind over and over, along with your face and body in his head repeatedly. The way you looked at him—the way you had been teasing him—fucking with him—it was just too much.

He let out a little groan as his pants began to loosen, his brain barely registering the movement as his eyes closed and he fell into this trance. Aki’s hand slid into his pants to grab hold of his angry, needy cock. The touch instantly gave him relief. He breathed out shakily, his hand moving against himself a couple times to the thought of you in that satin slip. The way it hugged all your curves, the way it pressed up against your tits...

How would they look getting fucked by him?

“Fuuuuck…” He breathed out.

He couldn't help but moan softly, pleasure pinpricking across his skin as his hand moved faster and firmer. His mind filled with vivid images of you, and every stroke of his hand brought him closer to release. He could almost feel your presence, as if you were there with him, encouraging him to let go of his inhibitions and give in to his carnal desires.

God, what would you say if you knew what he was doing to the thought of you.

He imagined what it would be like to plunge his cock into your mouth, letting your tongue run along the underside of his cock and down his balls; hot and wet saliva coating his length.

What it would sound like if he fucked that mean, intimidating act out of you. Imagining how pretty your pussy must be—as pretty as you were? And how pretty that pussy would look clenching around him.

And then he replayed the way you had said his name. Trying to envision all the ways he would try to get you to scream, moan, and cry his name.

“F-Fuck Aki! Give it to me! Please more! Aki!”

Aki’s breathing grew heavier, his movements becoming more urgent as he neared the edge. His body responded with an intensity he had never experienced before.

 

And then he imagined your face.

 

With a final moan and a few more sloppy strokes, he came. His body shuddering, knees nearly buckling, as one of the hardest orgasms he’s had in so long consumed him. Ropes of hot, thick, white cum splurged out into the sink and swirled down the drain with the running water.

As he stood there, panting and spent, Aki couldn't help but feel a mixture of relief and shame. He had succumbed to his desires; let them consume him in the most perverted way possible. This wasn’t him. It was nasty and disrespectful... But deep down, he knew that the battle wasn't over. The allure of his neighbor still lingered, as did the pent-up lust that threatened to consume him later—again.

After cleaning up and taking a cold shower, Aki lay in bed annoyed and angry, to say the least. Still disgusted with himself, but also disappointed. Not only for giving in to his lustful temptation, but ultimately for letting you have this power over him. Worse was the fact that he touched himself to the thought of you, and he didn’t even know your fucking name.

 

 

If only he knew that just across his balcony, in the building over... you were still knuckles deep to the thought of him.

ꫂ ၴႅၴ𝐑𝐞𝐛𝐥𝐨𝐠𝐬 𝐚𝐧𝐝 𝐂𝐨𝐦𝐦𝐞𝐧𝐭𝐬 𝐚𝐫𝐞 𝐚𝐩𝐩𝐫𝐞𝐜𝐢𝐚𝐭𝐞𝐝

© saintkaylaa 2023-2024 do not copy, repost, or translate any of my work. reserved rights to any original ideas. I do not own any established characters. All rights reserved.

[deadsetobsessions]

Alley Drunk! Danny AU- Pt. 4

[Pt.1] [Pt.2] [Pt.3]

Danny blinked down at the cart, where a red hoodie and pants with red stripes along the side laid over the lip of the cart. Considering they’re in this universe’s brand of Marget- seriously, who names a store Target? If anything in Amity Park was named that, Skulker would have wrecked it in five seconds flat- it’s hilariously on brand. Though, to be fair, this was Gotham’s version too, which meant a lot of security guards (who definitely doubled as goons for the Rogues, Danny was sure) and the vibes were spooky.

“I’m guessing red’s your favorite color.”

Instead of the humorous way he meant the sentence, Jason looked up anxiously and Danny immediately hated himself a little bit more.

“Sh- I can put it back..?” Jason hunched in on himself.

Danny tracked the movement with clearer eyes than he’s had in a long while and ancients, does it remind him of how Dani was in front of Vlad all those years ago. And Danny has spent his entire half life being not like Vlad, so he’s not going to start now.

“Nah, you should definitely add some more stuff. This is no where near enough clothes.”

It really wasn’t. Danny had taken Jason to the store to pick out clothes- “Ther’s a second hand store down the stree’, ya know,” Jason had mumbled when they went through the doors- but the kid had only tentatively put in a small red hoodie and some pants in the cart. Now he had to put this in a way that’ll wipe the stubbornly hesitant look on Jason’s face off.

“Think about it this way, then. You’re repping me now, and while I might be the alley drunk, I’m not the poorly dressed alley drunk, yeah?”

“Oh. Tha’ makes sense.” Jason nodded to himself determinedly, and the kid strode over to the t-shirt section. For all of his confidence, he still glanced back to see if it was okay with Danny.

Well, Dani was the same way before she found her confidence (when she knew Danny wouldn’t abandon her or hurt her) so Danny just gave him a thumbs up before reaching into the rack and sweeping an armful of clothing straight into the cart. Then, he strode over to the jackets and grabbed the ones in Jason’s size and slightly bigger. Oh, he has to grab shoes. He’ll leave that for later, but Danny was going to get those ratty trainers off of Jason’s feet and into the nearest trash can if it was the last thing he does.

The halfa hummed, pausing at the first decidedly not miserable sound he’s made in a while. Dammit, if that wasn’t a sign of Danny’s attachment to Jason, he doesn’t know what would be. To be fair… Danny already committed murder for the kid, which was pretty much something he thought he’d never do, so in for a penny out for a pound or whatever.

He put a significant amount of the budget aside for the section labeled “JASON” so Danny shopped without a worry. Charlie’s ill-gotten assets were a good monetary compensation for his crime of existing near Jason or existing, period.

He picked up toiletries, toothbrushes and the like, when Jason came back sans t-shirt. Instead of a shirt- Danny had actually hoped that Jason would try to get multiple shirts- Jason was clutching a book.

Before he could even voice anything, Danny plucked the book out of his grip and put it into the cart with a disarming smile.

“Oh, good idea. We should get you books too. Wanna go pick out some more?”

“Uh- y’re just gonna get a book, just like that?”

“More than one book, I should hope. You are going to school, right?”

“…Yeah!” Danny couldn’t fathom ever being excited at the thought of school, but as Jason bounced away to peruse the admittedly poor selection of books, Danny couldn’t help but think that maybe he should give this education thing another try. Who knows? Maybe it’ll be less stressful now that he’s not Phantom.

Danny walked to the aisle next to the books and promptly proceeded to shove every single piece of stationary he thought was nice- pens, gel pens, cooling pens and pencils, a thick stack of notebooks, flash cards, etcetera- into the rapidly getting full cart.

Jason came back with three more books- nice, the classics- and froze at the sight of the cart.

“Oh, hey. Getting all of those?”

“Wha’- wha’s wit’ the stuff?”

“School supplies! Quality education starts with quality supplies, you know!” Danny said, a sliver of the grin that used to come so easily to him making an appearance on his face. "Don't worry, I budgeted. See?"

Danny handed Jason a piece of paper, confident that the kid would know if it was good or not.

"Where'd... ya get all of this?"

"Hmm... here and there."

Jason looked up at him, squinting suspiciously. "I hear' Charlie's gone poofed up."

Danny shrugged and put a calculator in the cart. "Oh, I'm sure he's busy."

Yeah, Danny thought vindictively. Busy being dead.

"Ya sound like a walking con," Jason said as he visibly decided to give up fighting against Danny's spending. "We nee' food."

"Gotcha. Well, if you need anything else, just bring it into the cart."

"I want veggies. Frozen, 's cheaper."

Danny nodded, resisting the urge to ruffle Jason's hair.

----

"Hey, you's the Alley Drunk, right? 'Bout that boy you've been toting ar-"

Danny punched the guy in the face, dropping him like a stone. He looked up slowly and swayed.

"Any of you ask about my kid brother again, and I won't bother with being drunk when I hit you."

Rapid nods. Danny shuffled away, satisfied.

----

Two weeks later, after a school day, Danny finds Jason heading to the bathroom with a box of...

"Hair-dye?"

Jason, who was marginally more relaxed and assured that Danny wasn't going to kick him out, nodded.

"Dye's fadin' n' I dun wanna get nabbed on the streets for having red hair."

Danny blinked. "You have red hair?"

"Sure do. See? Roots are showin' again." Jason pointed at his scalp where Danny could see the hair was getting lighter.

"Right. Well- I'll leave you to it. Let me know if you need help, kiddo." Danny said, desperately hoping he hid how off kilter he was feeling well.

"I don't need help, ah've been doing this for ages." The kid went into the bathroom and closed the door harshly. When the lock clicked and the faucet began running, Danny let himself slide down the wall into a crouch, hands cradling his head.

Red hair. Blue eyes. Tan skin. The facial features. The intelligence and empathy.

Danny chuckled hysterically under his breath.

Was Jason this universe's version of Jazz?

"Fuck."

[manicpixiedreamedwins]

Okay look— gently, I’m going to need people to stop dunking on Edwin for not “getting” how bad Charles’ home life was for a few reasons.

We see in episode two that Charles tells Edwin he doesn’t want to talk about dads. While this may seem small, I have to wonder how many little throw away conversations over the years they have had like this. In this moment we know what Charles’ dad was like because he told Crystal— but this conversation is all the insight we ever get into Edwin’s dad. They don’t talk about family because Charles shuts the conversation down. And Edwin stops, because he is trying to make Charles feel comfortable.

In the Devlin House Edwin starts to notice something is wrong, but Charles brushes Edwin’s observation aside. Once Charles is stuck in the loop though, Crystal is pretty firm with Edwin that he should have known this was because of Charles’ Dad- to be fair, she is probably stunned that they’ve never talked about any of it in thirty years. But the interactions tell us a lot.

So Edwin changes tactics. Clearly this is important somehow. He tries again when Charles is talking to him while he’s reading Monty’s astrology book…

Only he gets shut down again.

And then again. Edwin is trying to connect but he’s made a few unsuccessful attempts. (He does manage to talk to Charles after they solve The Case of the Two Dead Dragons, but that’s mostly because Charles decides he is ready to talk when Edwin reaches out).

It is not that Edwin doesn’t care or isn’t trying. It’s that Charles was not letting him in, which is completely understandable, and we all make choices about when we feel ready to talk about what happened to us and how much to share of it. I don’t actually think letting Charles lead the conversation was as bad as a lot of people are making it out to be, because pushing him to talk before he was ready also could have been a lot. But then they talk on Charles’ terms and Edwin manages to offer comfort a way he needs (although that is, admittedly, probably just scratching the surface).

Anyway, that’s my thought of the day and it was full of typos because sleepy

[the-s1lly-corner]

Can you write some scar fluff/comfort? As in kissing slashers scars (And trying to not get stabbed /hj) or vise versa? Maybe with Jason, Micheal, Brahms, and Thomas? (Feel free to change them up)

Kissing their scars (Jason, Brahms, Thomas and Michael)

and the days writing begins! hoping to get a lot done, even if a lot of it wont be posted today to avoid spam- wooo!! notes: reader is gn, you kiss their scars, michaels part is admittedly short mostly due to the admin still not totally used to writing for him yet- havent quite felt ive got his personality down cws: healed injuries, nothing intense but i like to be safe than sorry

JASON

he has more than his fair share of scars, and honestly? hes not all that worried about them, hes not ashamed of them- he takes them as a sign that hes been doing well with protecting his space as well as you

still open to you kissing them, theres lots to choose from.... hes got them on his hands, his back, shoulders, youre sure if you look there would be a scar somewhere

the moment is so tender that he may shutter a little with some emotion, being slightly more emotive than he normally is

take his hand and press his scarred knuckles to your mouth for a gentle kiss and hes going to be melting in your grasp

its not much different than the kisses you press onto his mask but the intention feels different- if that makes sense.. hes bad at describing things...

BRAHMS

does not like his scars at all- he thinks they look unsightly and they feel uncomfortable against his skin thats not scarred over

covers most of them with his mask and clothing, but you can see some splotches here and there

he... doesnt quite know how to feel about it when you kiss them, but hes not going to deny himself the extra attention and affection that youve giving him

with time he may grow to accept them; whether or not he stops covering them up is a totally different thing, though...

one thing is still the same, the second you give him some extra loving hes going to expect that to be the new normal- surely you wont mind cuddling into him while trailing kisses up and down his body where his scars reside!

MICHAEL

similar to jason, he doesnt mind his scars all that much... in fact he doesnt care about them at all, and you probably wouldnt have known he had them if you didnt see him without his usual coveralls on

shows no visible reaction to you lightly pressing kisses to the scars he lets you get close enough- usually reserved to the ones on his hands hes gotten from minor burns or nicks

does not seek affection, but its a good sign that hes not pulling away or otherwise getting you to stop... because if he truly wasnt interested in it he wouldnt indulge you

doesnt quite understand the sentiment behind kissing his (now healed) wounds but you do you

THOMAS

you make him feel better about his looks, youre always uplifting him so you kissing along his face- especially concentrating it around where his nose once was- makes him feel.. nice

it does come as a little surprise at first, though, not that he thinks youre revolted or not fully willing to show your devotion and love for him... its more so the act never crossed his mind until you did it

youre cupping his head in your hands, fingers lightly tangled in his hair... perhaps even massaging his scalp as you lean in for another kiss

truly he is in heaven as you give him all of your love, youve never seen someone look at you with so much love in their eyes... much less look at you like that

it does make him more willing to take his masks off around you, now fully reassured that you dont mind his appearance at all and that you like the face he was given

[chironshorseass]

ok i really really really enjoyed watching the first two episodes and i think the show is already so faithful to the books in ways the movies wished they were BUT i’m gonna be a bitch just because i can and rant about a few insignificant but at the same time very important Things the writers didn’t Understand:

percy is angry.

and i know this is seen with his anger towards poseidon in the show, but i’m talking angry. as in, generally speaking. when he’s with grover and they’re talking about nancy, percy says something along the lines of “we should fight back,” and grover’s like “noooo we can’t stand up to bullies.” and then percy stands up to her and blah blah blah…but in the books percy’s first line is “i’m going to kill her” after she throws a sandwich at grover. grover talks him out of it because he’s already on probation.

with just this scene we know percy stands up to bullies, and that’s partly why he has so much trouble at school! in the show, he stands up to nancy, apparently for the first time, and gets kicked out because of it! sorry but as someone who worked in a school, i know for a fact that kids can get away with so much more before they’re actually kicked out lol. it would’ve made sense, like in tlt, that he’s already at risk of suspension so him “pushing” nancy is the final straw. it’s just very weird, considering it could be only a line of dialogue that makes percy’s anger and the connection between his outburst and him getting kicked out more clear.

consequently, percy arrives at his appartment and gabe is just a general (still admittedly abusive) jerk instead of a drunk, violent (also abusive) man. when we meet gabe, it makes a lot of sense why percy has so much trouble with his anger. it’s easy to see that connection. literal child + alcoholic abusive father figure = there’s bound to be some trouble….that’s not really the case in the show, especially in the way that sally easily stands up to him. people have said a fair bit about this topic already, so i’m not gonna expand on that, but i really wish the writers had focused more on percy’s internal anger, as it’s such an important part of his character and affects the way he reacts to things throughout the books; it just worries me that in the first episode it wasn’t as established. i. e. he hates dionysus on sight because he reminds him of smelly gabe, he hates the gods—is angry at poseidon—because, where was he when my mom and i were suffering at the hands of smelly gabe? ok i’m not gonna talk about more of this or of sally because other people have said it and i could write a four page essay of what the show got wrong plus i want to talk abt other things before this gets too long:

the monster scenes.

the mrs. dodds being a fury reveal felt sooo…weird? even the movie version did it better lol. it felt super rushed and strange how percy’s just standing there and the next he’s on the ground, but he had riptide with him so he just impaled her and then she turned to dust??? in the books, not only does she get percy alone, but grover tries to stand up to her—which is a big deal since he knows what she truly is and shows how much he cares for percy in that moment. percy has time to be genuinely terrified bc he’s alone with a literal monster and he’s about to die…and chiron throws him riptide just in time, but then he too vanishes so percy’s left wondering if he imagined everything. but no, in the show mrs. dodds comes out of nowhere and attacks him, and it’s so fast that percy doesn’t have time to dwell on wtf happened. the situation doesn’t seem as serious as it does in the book; in the book she tries to interrogate percy bc she thinks he’s the lightning thief, and when she doesn’t get her answer, she attacks him. this is another thing: the stakes. they don’t feel as high in the show because there’s no annabeth trying to ask percy what was stolen, no hellhound, no fates cutting a string, and no alecto/mrs. dodds interrogation. there’s not much of a lead up to the quest, really.

theeen the minotaur scene, which also feels super weirdly paced and there’s just not that same sense of urgency. again, other people have talked about this, so i’ll just stick to another main concern of mine: grover’s role in the scene. it was so strange how in the book he’s semi unconscious and in the show he’s fine (so fine that sally does something completely out of character and makes grover swear to keep percy safe? she would never put that much pressure in a child???) ok so he seems fine in the show, but then when they’re running percy’s holding him as if he can’t walk???? they’re not even fully sprinting, given that a monster is chasing them lol. (the problem with the stakes; i mean with the way they run and have an entire talk with sally makes it feel like they’re not in any real danger).

back to grover: he was perfectly fine, and he got percy back safe. not at all like in tlt, where percy has to practically carry him back, after loosing his mom and killing the minotaur. THEN percy passes out and later wakes up at the big house. this is important, bc grover’s entire THING is being percy’s protector, and he couldn’t do that properly bc he was indisposed. he felt awful. of course he did. his character arc is overcoming the guilt and insecurities—that he’s not a proper protector and therefore can’t search for pan; his main character motivation—by successfully completing the quest and helping percy retrieve the master bolt.

these are just little seeds that needed to be planted in the first two episodes of the show…so that the rest of the show feels cohesive and makes sense with what happens in tlt. if these character traits and scenes are looked over and not given proper importance/not replaced with something similar, then the show will have a different tone than it does to the books. i don’t think it’s necessarily bad, but it is disappointing that the details sprinkled in the source material are lost in translation. they may have seemed insignificant to the writers, but not to meeee!!!!!!

[1moreff-creator]

DRDT CH2 PT2: Full Analysis

While CH2 Part 2 was releasing, I chose to make liveblog-reaction posts to the episodes to record my immediate thoughts for posterity, but that meant that actual, coherent analysis was pushed to the side in favor of me freaking out over… everything going on. But goddamn; even accounting for recency bias, this might just be my favorite trial of any DR style killing game I’ve ever seen (though admittedly I'm working with a small sample size). So I felt it merited a bit more… cohesive analysis. That’s what this post is!

WARNING: This post is around 28k words long. Do not click "read more" unless you're ready for lag, and make sure to take breaks while reading if needed.

Spoilers for DRDT CH2. CW: Murder, suicide, hanging, execution, gun violence, self-harm, blood, stabbing (fork).

(Btw you can find my immediate reactions in my post masterlist. Not linking each individually here because I hit Tumblr's 100 link limit. I know, I know)

How do I even structure this? I guess I’ll start with the actual case itself, then go character by character because WOW.

Also, I hope you forgive that I can't put images for every referenced piece of dialogue (Tumblr 30 image limit when I catch you...), so I'll save them for when they're necessary and instead add links to the referenced quote in the episode.

The Case

Although I’ve made many posts talking about this damn thing, I don’t think I’ve ever expressed just how cool the actual mystery is. The evidence is all there from the beginning bar the note and alibis, introduced in a way that doesn’t make the method obvious, but that still allowed the audience to figure out the main aspects without much issue. Everything follows logically, and while there’s a few things that ended up being less important than some expected (that glove will haunt the fandom forever I fear), everything got explained in what I consider to be a pretty satisfactory way. It wasn’t obscenely complex or crazy, but I consider the method to be just right for a chapter 2 case.

Oh and the Nico case was cool too, even if half the shit in that crime scene will haunt me forever. Why were there two weights off to the side-? not important.

If there’s one critique I can give the actual discussion of the case (and this is legitimately the only real critique I have of this entire set of episodes), I’d argue that the way the method is presented is… weird. Like, I get why, DRDT is clearly more focused on character conflict than the murder mystery aspect, but there were still a lot of moments where it felt like Teruko’s thought process wasn’t explored properly, to the point where it sometimes felt like Teruko just… magically got the answers whispered to her by the ghost of Kirigiri.

As an example, take the ball of clothes over the rafters. Ace mentions the issue of getting the rope up there, and Teruko immediately jumps to the right conclusion of the seemingly completely unrelated ball of clothes.

To illustrate why this feels weird, let me tell you what my thought process was when I came up with the theory (because again, the evidence was laid out well enough that I did manage to call this, even if I got a fair bit of other stuff wrong). Obviously it's not the only admissible thought process, but it's a good example to see how I feel the presentation of evidence should have been handled.

We know Arei was hung from high up (Veronika’s account) -> We can confirm something happened on the rafters because the lights are broken -> Brainstorming how that could have happened (screening room connection? Secret ladder?) -> Perhaps something was thrown up there with the rope attached -> Ball of clothes.

In the series, however, we get:

Arei was probably hung from high (Veronika’s account) -> Discussion continues, literally the entirety of Nico's situation gets explained -> Ace brings up the issue for the first time like three years later-> Teruko immediately points to the ball of clothes -> The lights are only mentioned after.

You get what I'm saying? The progression doesn't feel as natural, because we immediately jump to the conclusion without discussing the evidence that leads to it. This also happens with things like the pulley method, where Teruko explains everything before bringing up the tape on the spinny thing, which is the only thing implicating said spinny thing in the method. And I feel like the reason quite a few people felt there should be more to the case is because the evidence wasn't presented properly.

That said, this is an extremely minor point. Again, DRDT is more focused on character drama than murder mystery, so I don’t particularly mind if I can nitpick a few things in the writing surrounding the mystery solving.

And oh boy, was there character drama this trial! Thank the gods I’m only covering Part 2, I think I’d die if I tried to talk about the entire trial as a whole.

Character Analysis

I’ll go in order, starting with the characters I feel had the least prominence, and making my way to the ones who really stole the spotlight this part.

Mai Akasaki

No content lol. Though this is probably a good time to mention that, in this post, I'll mostly ignore theorizing related stuff and focus more on straight up character analysis, even if the two sometimes intersect. Game Theory-like speculation will mostly be saved for dedicated posts :p

Xander Matthews

He got mentioned, but he’ll come up in David’s section so. Skipping him. 

Min Jeung

Well, there were a few references. Such as:

Min: I'll fix your mistake! - Teruko: But I'll fix my mistake.

Something something, David-Xander vs Teruko-Min parallels, etc. And also:

I like the visual symbolism that the images are effectively flipped (Teruko on the left-Teruko on the right and hugger on the right-hugger on the left, Teruko facing the camera-Teruko facing away), because the situations are inverted. In Min’s, the culprit hugs Teruko after she dooms them to their fate, and in Eden’s, a non-culprit hugs Teruko as she starts defending them. I did notice on first watch, but didn’t say anything because at the time it was still possible Eden was the culprit. Alas, the symbolism is consistent!

There's only one last thing to mention about Min. One tiny, itsy bitsy detail that probably has no lore relevance whatsoever.

MonoTV [2-16]: Now loading the default XF-Ture Tech personality drivers.

Min [BE1]: But one day, we were visited by the founder of that big company, XF-Ture Tech. He told my parents that he would sponsor me and pay for all of our expenses.

Oh yeah, MonoTV was created by the same company that sponsored Min as the Ultimate Student! Hey, what the fuck?

We'll get into it more later in the (I cannot believe I'm about to say this) MonoTV section (or rather the post linked to in said section), but MonoTV seems to have been created specifically for the killing game. This means there's a very real chance XF-Ture Tech is behind all this. That paints the sponsorship of Min as a strikingly shady thing (well, more than it already was), to the point there's a very real chance Min is straight up connected to the origins of the killing game, if not outright the mastermind. We'll have to see how this plays out later, since right now, we're still lacking a lot of critical context.

But hey! We might get more Min content in the future! I, for one, am very, very excited.

Charles Cuevas

Not too much character insight on this one, but he got a couple of cool moments. As always, funny, bounces well off Whit, very helpful in the trial, weirdly knowledgeable about jockeying (or maybe he just, like, thought about it, it’s not like most of what he says aren’t conclusions anyone could arrive at by simply knowing what horse racing is), and-

Charles [2-15]: I'm the only person reasonable enough to make that sort of judgement call. Everyone else who does so is being biased to the point of idiocy.

-it’s nice to see his pridefulness didn’t just go away after CH1! He’s neat :)

J Rosales/Moreno

Half of her dialogue this part is just her talking about how murder is bad. It’s fine, it’s just odd.

I guess if you want someone to point out murder’s bad, J’s one of the only real options, isn’t she? You need a confrontational character (so no Eden or Rose or Whit), who wouldn’t be a hypocrite (this eliminates Nico, Ace and Levi, arguably Hu since she defends Nico), who is mentally stable enough for their opinion to be held in high regard (this eliminates Arturo, David and Veronika, alongside half the cast), who is willing to derail the trial to talk morality (eliminating Charles and arguably Teruko), and who isn’t dead or missing (like Xander, Arei, Mai or Min).

Wait that’s the whole cast. Holy shit she actually is the only one that makes sense to be murder bashing how is this even possible. 

…Regardless, you could still argue that you don’t need someone constantly pointing out murder’s bad, meaning there could very much be a deeper reason J is being so vocal about it. Apart from possibly being setup for her to be primary support moving forward, I personally think all this points to her just having a very strong set of beliefs regarding most things, which we could already kinda infer anyways. 

Or maybe Mariabella killed a guy. Yeah, sure. Why not?

Veronika Grebenshchikoba

There were certainly a couple interesting Vero moments here, which is always fun. It was finally confirmed her secret was, as most theorized, the “took on your talent to distract yourself from the need to hurt yourself for fun” one. I mean, I feel like everyone called that one from the moment the curtain fell away from the screen with the motive secrets, but you get the idea. 

We also learnt she had a pact with Hu regarding their secrets, which I would love to learn the details of, and definitely makes me interested in where these Recap Foils are going, as well as-

Veronika [2-13]: After all, my own so-called secret isn't even the worst thing I've done. Isn't that so utterly disappointing of this motive?

… whatever the hell that means. Why’s she gotta be so ominous? (I love this about her).

The last notable scenes to point out are all the scenes where she's... Veronika, and I wouldn't have it any other way. Her psychoanalysis of Levi will probably wait for when I talk about him, and her help during the time Teruko was figuring out the murder method is appreciated, but specifically about her:

Veronika [2-15]: Swallow your pride and say that you're too weak, too stupid, and too incompetent to perform this murder. Accept the fact that no one thinks highly of you. Or defend your dignity at the risk of admitting that you're perfectly capable of committing this murder and continue to be our number one suspect.

I just think the voice acting in this line in particular is very auditorily pleasant so I wanted to point it out :D

But Episode 15 actually has a much more insidious Vero moment, which I felt was way more noteworthy. After Ace admits to the crime, he goes on his whole speech, which includes directly calling out Veronika's words as part of the reasoning why he killed, there comes a point when Ace calls himself a "piece of shit", and no one denies it. When that happens, Veronika smiles.

Veronika: Oh my. How tragic.

She is such an awful person, just such a piece of garbage. I adore her.

Anyways, my appreciation of actually horrible women aside, we need to discuss the biggest question she leaves us. And that is "hey, why is her reaction to Ace's execution and Levi's almost death so different from her reaction to Min's death?"

Veronika [about Min, 1-12]: Min died in such a cruel manner...

Veronika [about Levi, 2-16]: If Levi dies because of this... Kehehe... I'm sure I'll miss him, but... This is quite a way to go. I can't say I wasn't entertained.

Veronika [about Ace, 2-16]: Aha... Ahaha... How incredible...

So, after considering it for a little bit, I think we're lacking a little bit too much critical information on Veronika to confidently state why the hell her reaction is so different, but I can come up with a few different possible answers. I'll list them in ascending order of likeliness in my opinion, and we'll see just how wrong I am once we get more insight on her!

+Veronika cares more about Levi than Ace, and more about Min than Levi. This is because she just said Ace's execution was "incredible," while she mentions she'll miss Levi, and obviously looks genuinely distressed over Min. I see no actual reason to believe this, though, because I... don't think Vero and Min ever even interacted beyond the trial? So unless we're pulling some very strange Veromin agenda out of nowhere (or Veronika is Mai Akasaki), this doesn't work imo.

+Veronika was acting in T1, but doesn't care by the start of T2. Possible, and it's true that Vero was more self-conscious about freaking people out in CH1, but I'm not sure if there's enough evidence to truly say she was only pretending to be distressed by Min's death.

+Veronika's reactions are based on the executions (and execution attempt) themselves, not anything else. This is consistent with her specifically reacting to the way Min died ("Min died in such a cruel manner") rather than the death itself. She specifically says she'd be entertained by Levi's death, and is clearly entertained by Ace's. So, I guess she just finds Min's execution particularly cruel/boring? Does she... have wolf related trauma? Test related trauma? I don't know, but I think this fits decently well, so.

+Veronika's slowly getting worse. A logical conclusion from the fact that she reacted one way in T1, and another literally four days later. Certainly possible given her analysis of people shattering in the killing game, so for now this is the interpretation I'm going with.

Whit Young

.... Sigh. You're not even that important to this part, how are you still gonna require so many words of analysis?

Alright, let's start with the pretty infamous scene where he talks about drop hanging. I do want to make one thing clear; just because Whit talks for a pretty long time about drop hanging, it doesn’t mean he actually says anything particularly groundbreaking. Like, everything he says is very logically sound, which means they’re conclusions anyone could have drawn.

Like me. Because even though I don’t think I wrote them down explicitly, I did more or less arrive at the same conclusions as he did, and I don’t have any experience with drop hanging. I’m clarifying this because I’m on enough lists as it is just by firefoxing shit like “can turpentine knock you out” and “how long do people pass out after being strangled” I do not need any more allegations on my person! 

That said, I am also not a fictional character who exists within a story which follows narrative conventions (as far as you know, anyways). Whit is. And it’d be silly to instantly dismiss that the dev specifically chose Whit, a character who is otherwise not the most helpful in trials, to be the one to deliver this explanation, and without any interruptions no less. Even Teruko and Charles usually have one character or another finishing their explanations, like Levi when Teruko explained the slingshot or… Levi when Charles talked about jockeying. Huh, Levi kinda goated?

Thus, because the dev specifically chose Whit to give this explanation with no interruptions, we can infer that he may have a special connection to drop hanging. Given what we know, I find it likeliest that his mother committed suicide by hanging. At present, I don’t find much evidence that he would have attempted himself, though…

You know how Whit dyes his hair to look like his mom’s? And how Color Theory in LGI gives him (among other stuff) “degraded copy”, likely in reference to this? If his mother killed herself via hanging, do you think he would try to replicate that, too?

Food for thought. Again, not much reason to believe it yet. 

Other than that, there are... the allegations. The part started strong with MonoTV stating it let slide a rule violation because it was funny (especially weird given what we learn in 2-16, but Whit's not the only rulebreaker in the cast so we're chilling). And then, 2-16 happened.

Whit [seven seconds before Teruko's execution, 2-16]: Charles, stop talking and cover your eyes! [...] Whit [post Levi shooting]: Ah, crap. The smell of blood is really strong. Even though I told [Charles] not to look, he still...

And, of course.

Whit: ...

Of course.

Alright, so let me start by the elephant in the room. The hand behind the back. The moment the cast learns the elevator doors won't open, we see Whit with his left hand behind his back. Many have assumed this means, understandably in my opinion, that he may be holding a remote control of some kind to close the elevator. In other words, Whit's the mastermind. But, while I consider him one of if not the best mastermind guess in the market, I don't think this is good evidence of it.

You see, there's no reason to believe such a remote would be required. By all accounts, it should be MonoTV's AI who is keeping the elevator closed with no need for outside interference, regardless of who the MM is. There is simply no reason to believe that any MM would have an "elevator manual stop" or even an universal remote (apart from J!MM for obvious reasons), because it should be MonoTV who is running this stuff.

As an aside, I will point out that, per the CH1 QnA, every character is right-handed apart from Teruko (lefty) and Arei (ambidextrous). You could use this to argue Whit shouldn't be doing anything with his left (the hand behind his back), but that's not good reasoning, as the sprite might just be drawn that way for aesthetic reasons and you're supposed to ignore handedness. Eden also used her left to rip out Xander's eye, apparently. I haven't seen anyone bring it up, but I have made this mistake before with a certain bat swinging Milgram prisoner, so I'm saying this to avoid others making the same mistake.

That clarified, however, the first point is still valid. Although I consider it perfectly possible, at present I do not believe Whit is holding anything behind his back.

Why does he pose like that, then? To answer that, perhaps it'd be better to answer what the deal with his other behavior is.

Because it's weird, right? Whit focuses on Charles even when everyone else, Charles included, are fretting over Teruko and Levi. And then, despite being able to brush off things like Levi's secret confession and Min's execution with nothing but a "that's wack," joking about rewatching said execution, etc., somehow the elevator being closed is what finally gets him to bring out the breakdown sprite?

Well, yes. And this shouldn't be all that surprising, imo. Because everything about Whit's reaction is perfectly in line with his previous behavior. Not to say it isn't weird (it is), just that it's weird in the way Whit's always been weird, and not in any new special way.

This is because every part of this reaction comes from the already established way Whit deals with tragedy; he avoids it, and moves on. You'll immediately think of Whit's mom when I say that, the way he omits her death whenever he speaks of her to the point he genuinely forgets that's a thing until a few seconds after the secret Rose received was brought into the conversation, but there's more examples that are actually closer to this situation. In particular, I want to direct your attention to the investigations in both chapters so far.

For the first trial, Whit spends literal hours hanging out with Charles while the Chemist has a breakdown, to the point he almost didn't investigate at all. This is excusable, of course; he was helping someone in need, and the culprit was thought to be obvious enough that investigation wouldn't be necessary.

The second, though, is perhaps a bit stranger. First, Whit doesn't look closely at Arei's body because he was busy comforting Eden, apparently. Alright, fine. But, hey, how did he try to comfort Eden after everyone started to filter in?

Whit [2-8]: There, there. Pat pat. Do you want to sit down somewhere else?

He immediately wants to leave the room. But, he's still trying to help Eden; maybe he's projecting? Because he'd want to leave the room if a loved one died, so he's asking Eden if she wants to do it?

Except, he does leave the room. He doesn't have any other lines in the playground past this point, and then he starts investigating with Charles, the one dude he knows won't enter the scene of the crime.

And you know when he splits off from Charles?

Whit [2-8]: If you're worried about Rose tampering with evidence, then all you need is another witness to watch over her, right? I can do that, since I'm here. I mean, unless Charles needs me for something.

My guy will genuinely do anything except investigate the playground.

And that's where the pattern starts to be noticeable. Whenever something bad happens, Whit finds any excuse he can to distance himself from the situation. And to be clear, they're usually good excuses; it makes sense for Whit to do all this in a vacuum, it's just odd that he constantly finds them. Other examples include him bringing up alibis when the note first comes up, and then, when he's pressed about it:

Whit [2-9]: Eden has [the note]. Ask her.

He doesn't even... want to have the responsibility of the note? Admittedly that could be for other reasons, but still.

With this pattern of avoidance in mind, the things he says in 2-16 are perfectly explainable. Instead of focusing on Teruko's incoming execution or Levi's injuries, he chooses to focus on Charles, because that's easier for him. He's once again finding an excuse to look away from tragedy.

By the way, I don't want to make it sound like Whit doesn't care about Charles as anything but an excuse to get out of thinking of bad stuff. It's pretty clear a big part of why Whit does the shit he does is that he genuinely cares about Charles as a friend (crush?). Whit probably does want to help Charles just for the sake of helping him, but it does come with the benefit of helping Whit avoid stuff he doesn't want to think about.

This whole avoidance thing is also why Whit is so perturbed by the elevator. When Levi gets shot, Whit probably hopes that they get to leave the trial room quickly to take care of him, at which point Whit can just avoid the situation entirely by just sticking to Charles like usual. But they can't. The elevator is shut. Not only does Whit probably realize that means they have to watch the execution, but it also means Whit is not able to get out of the room where a guy is actively dying, and sticking to Charles only lets him ignore the situation so much.

Why does he have his hand behind his back? Well, this is gonna sound like I'm on anti-Whit!MM copium (I swear I like the theory well enough), but I think he's simply balling up his fist out of stress. It's just that Whit "I don't want to talk about any problems ever and don't want anyone to ever know when I'm suffering" Young is instinctively hiding it so no one sees any sign that he might not be okay.

Does that make sense? Barely? Well, it's not like "emergency elevator shutdown button" is particularly more believable in my eyes, so that's the answer I'm going with for now.

Anyways. Jesus Christ Whit you're barely even relevant to this part how the fuck did you still force me to write so much about you.

Arturo Giles

I have less to write about Arturo than Vero and Whit because he's a bit more straightforward, but I'm still putting him here because he was more directly important this part. Speaking of, what notable things did Arturo do these episodes? Ah, right.

Arturo [2-12]: You shut your whore mouth!

"I thought you were only doing necessary imag-" This one's necessary shut

I'm using this to talk about the big speech about his talent, that he started studying plastic surgery when he was 12 and that it's impressive he's a plastic surgeon this early in his life. Props to dev for addressing this, I know some people are irked when characters are in the medical field from way too early in life without good justification like this. The fact he started so young also adds to the theory that Arturo's home life sucked, because it'd be really odd for a 12 year old to already be planning to leave otherwise.

The way the cast keeps insulting his skill, even though as he's said several times over the course of the series, the shit they expect him to do is way beyond his area of expertise, is a good way to build up to the way the cast also dismisses Ace's intelligence and skills later.

Other than that, there was one more moment when Arturo took part of the spotlight. When Levi gets shot, despite everything that happened earlier, everyone still turns to Arturo to save the Stylist. This leads to one of the most human moments Arturo's given us since 2-10:

Arturo [post Levi shooting, 2-16]: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it--

Apart from the stellar voice acting that cannot be pointed out enough times, Arturo's doubt over Levi's condition is certainly a good setup for CH3, I'm really interested in how he'll handle this. Especially because...

Do you think he'd think of Felicity, looking at Levi like that? Because just like Arturo ignored Felicity's feelings (to an extent) in pursuit of his dream, he also neglected to study the more standard medical knowledge in favor of becoming a plastic surgeon faster, and now he needs that standard medical knowledge to save Levi's life. Food for thought.

Arturo is definitely an interesting character to watch out for moving forward, he's certainly in for a very curious CH3. Final note:

Arturo [to Levi, 2-13]: How could you simply *forget* that you murdered your own family member?

Get it because the death of Felicity haunts him even though he didn't kill her himself- Man I love recap foils.

MonoTV

I cannot fucking believe that this hunk of metal is getting its own section, but it is. 2-16 what an episode you are.

Thankfully, I've already expressed most of my thoughts about this damn thing in this linked post, so I'll just refer you to that one instead of writing it all again. As a summary, there's quite a few lore implications to the fact that we now have a clearly stated purpose for MonoTV, a goal for the killing game, a connection to XF-Ture Tech (because MonoTV seems to have been specifically created for the game), and I'm really wondering why the hell the default XF personality seems to care so much about Teruko and where that could lead to in the future. Also, very curious where the theme of fate will be taken with it, as well as where dev is planning to take the fact that it seems to have feelings of grief and pain and maybe even cares about Teruko??? Or has compassion in general??? What is wrong with this dog-

Rose Lacroix

Btw I greatly appreciate everyone who colors her name rainbow, I see you and you're valid for it. I need to color code my highlighting though, and if I have to do rainbow for every word I highlight I will actually die. Also I would need to put in an epilepsy warning in my posts lol

Rose got a few nice lines, but when it comes to her, there's one big moment that's really on everyone's mind.

Rose [2-14]: Has it really gotten this bad? I think my brain is falling apart. I can't even recall what day it was when that happened. Levi: You can't remember? I was under the impression that your memory was the best out of everyone here. Rose: It's true that I remember everything I see. But that means that most of my memories are meaningless junk. The kind of thing a normal person would forget without a second thought. But I can't forget. My brain won't work the way I want it to. I can't draw associations so easily. Everything reminds me of something meaningless, and I get distracted. And the worst thing is that I remember it all in perfect detail. Xander's body. Min's execution. I can't even look at Teruko without seeing blood. I know I'm supposed to remember everything. I know I'm supposed to be smart. I know I'm supposed to be helpful. Yet I'm not. I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself--

Do I... need to talk about this, beyond pointing out how good the VAing is? Everything about it is heartbreaking, but pretty straightforward. It's an extension of the conversation she and Teruko had in 2-5, where we also throw in Rose's growing self-doubt and self-blame over everything that's going on around her. It adds into the theme of this cast pushing expectations on each other (like wanting Arturo to be a better doctor or Ace being too stupid to do a murder), throws in some parallels to Teruko and Hu and Eden (the self-blame sisters!!! *fire emoji* *fire emoji* *fire emoji*) and Xander (the survivor's guilt boy!!! *fire emoji* *fire emoji* fire emoji*), foils with J (J who rejects what others like Mariabella want from her VS Rose who internalizes the expectations and accepts the whole Spurling situation), there's the "a normal person would forget" wording that kinda connects her to Nico and Levi and David (the "feeling separated from other humans' experience" siblings!!! *fire emoji* *fire emoji* *fire-), obviously memory is connected with Charles and Teruko, etc.

You see why I don't always talk about parallels? I have to bring up every single character up every time because that's the shit that happens when your writing is this *fire emoji* *fire emoji* *fire emoji*.

The other thing is Nico, but maybe it's better to keep that for their section. Overall, just a fantastic feast for enjoyers of Rose angst.

Arei Nageishi

You know this trial went crazy when Arei got a whole ass character arc during it, and she's the dead one.

For this part in particular, the big Arei moment was obviously during 2-13, when we finally got to hear the end of the conversation between her and David. I'm not transcribing it, because I'm sure we all got the gist. Arei figured out one of the main themes of the chapter, that everyone is a flawed person, and that means that no one's ever too far gone. There's always a possibility of becoming a less shitty person, and that's sweet.

But beyond Themes, learning what Arei's mindset about good and bad people was really helps to understand her actions before this point, though I do find it interesting that the whole "sorting people into good and bad" mentality she had is actually pretty similar to the way she talks about people in her FTE, which is some fun consistency!

Arei [CH1 FTE]: Yup, that's right! I organize everyone I meet into categories of how I should bully them.

... Well the context's different but you get the idea.

Arei used this principle of "sorting" people into "good" and "bad" to deny herself the possibility of getting better, because trying to change is scary. Man I wonder why that rings a bell.

Teruko [to Whit, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Ah right because Teruko's a well written protagonist. And actually wait, isn't there someone else?

David [2-11]: "People can always change?" What complete bullshit. No one ever changes. People who are born lazy, useless and stupid will stay that way until they die. If you were able to "improve" yourself into a better person, then it only means you were a better person to begin with.

Ah right because David is a well written character. Carry on then.

I do wonder why she waited until night three after the motive handout to talk to David about it, though, instead of doing directly after the playground breakdown. Was it, like, she didn't want to confront it directly after and only got the motivation/courage/whatever after talking to Eden? And then couldn't find David until then? It's odd, but I imagine there's no, like, big reason behind it necessarily.

Eden Tobisa

Hey Eden sorry I suspected you as the killer for a year can we still be friends? :,)

There's two big Eden moments to take into consideration, one in 2-14, one in 2-16.

Eden [2-14]: Why... No one... believes in me... Why? I'm... Arei's killer? No... No way....... Hu: Eden? Please don't cry. Eden: This whole time I've been trying to hold myself together... because Arei died...... I wanted so badly for this all to be a dream, and for Arei to be alive and by my side.... But now, you all think I killer her? Why? I cared about her! Arei is... She could have been my friend! Why would I kill her?? Levi: Eden, please calm down... Eden: Why am I being accused of murdering Arei? I wanted to help her! I just wanted to be friends with her! Why would you say that I killed her? Is it because you think I hated her? That's not true! I didn't hate her! Teruko: Eden.

I'm gonna cut it off there and resume in a bit, partly so I can organize this better and partly to make absolutely sure I don't hit the Tumblr limit on characters in a single text block (because my entire blog is evidently dedicated to testing this hellsite's limits lmao).

There's honestly a surprising amount of nuance in this small breakdown. We start with re-establishing that Eden is someone who constantly tries her hardest to remain strong in the face of adversity, holding herself together as best she can when her newest friend just died and she's more or less blaming herself for it.

Then, while I always praise the voice acting (because it deserves it), I need to bring special attention to the sheer amount of emotion in that "Why? I cared about her!" Hearing Eden genuinely frustrated at the accusations on top of her sadness is heartbreaking, and just a wonderful display of humanity from a character who is at times almost inhumanly patient. Makes me feel bad for suspecting her, and she's fictional in our world!

On top of that, "she could have been my friend" is an interesting choice of words regarding Arei. This is where having hyper-analyzed all Eden lines comes in handy lol. Because taken at face value, it means that Eden recognizes that her relationship with Arei wasn't at a stage where she could genuinely called her a friend, given that as far as we know the last conversation they had was after the Arturo thing. Nice depth!

The rest is pretty standard, though again the phenomenal VAing still makes my heart ache. Continuing:

Eden: Teruko... I didn't kill Arei..... Do you believe me?! Teruko: Listen-- Eden: *sniff* I, I didn't do it! Please.... Believe me... This whole trial has been cruel to me.... Help me, Teruko... I can't stand it... I just wanted to help Arei.... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... I promise I didn't... I didn't kill her.... I'm innocent... Please trust me..... Please.....

AAAAAAAAAAA-

Okay with that basic reaction out of the way, because evidently the reactions didn't have enough "text screaming" for me to fully get it out of my system, this is just a really heart-wrenching scene. Just the combination of VAing, music and visuals, man... ouch. It's especially tragic when taking the following line into account:

Eden [2-3]: Teruko, relationships aren't transactional. It's not that I did something good for you that you should do something good for me.

The Eden hyperfocus comes in clutch again- Is it weird that being an Eden!Culprit believer for so long is making me appreciate her character more now that she's confirmed innocent? :v

Teruko has, up to this point, never outright claimed herself to be Eden's friend, at least not as far as I can recall. Hell, her lines following Eden's plea for help seem to completely disregard the idea.

Teruko [2-14]: So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once.

How much she means that is for the Teruko section. What's important is that this means that when Eden says "you're my friend, aren't you?", she is actively going against her claim that relationships aren't transactional. She expects Teruko to consider herself Eden's friend because Eden has done a lot of stuff to try to make that friendship work.

This. Is. Wonderful. Don't you love it when characters fail to uphold their beliefs when faced with a horribly stressful situation? Well, I love suffering, so I sure do! :D

To be clear, I'm not trying to paint Eden as a hypocrite or anything. She's right in saying that relationships aren't transactional, and is justified in asking Teruko to help her because she considers Teruko her friend, even if it's a slight contradiction. After all, what are humans if not a swirling well of contradictions, desperately arranging themselves like the magnetic moments of a metal to try to make the slightest bit of sense of a reality they hopelessly seek to understand-

Ehem. The point is I like Eden a lot :D

Speaking of wonderfully human moments, time to switch to the other big Eden character moment!

Eden [2-16]: This... This all could have been prevented, couldn't it? [...] Of course I know [we can't blame ourselves for Ace's murder]. Ace planned to kill Arei, and even before that, he was planning to kill me. Rose: Then how can you forgive him? Eden: I never said I forgave him. It's just that... The Ace that I met for the first time wasn't a murderer. I... I can't forgive him. He killed Arei, after all. She was innocent, and he killed her for unfair reasons. But... Those unfair reasons were unfair to him as well.

You know, we joke about how awesome it is that the entirety of the DRDT cast is mentally unstable (because it is), but it's also cool to see the one actually more or less functional member of society in the group being the voice of reason like this. Not to spoil anything, but I find her stance regarding Ace's murder as the most reasonable stance one could have, and it's always cool to see a character who has reasonable opinions every now and then. But having such an opinion is easy when you're outside the show and the characters are all pixels on a screen; the fact that Eden can still find it in herself to be charitable towards Ace's situation while not outright forgiving him for his actions is a really powerful statement about her strength and sense of morality. Eden could not stop catching Ws this part.

Anyways, here's a few more fun Eden moments this part gave us.

Eden [2-15]: Wait, but... Is Ace even capable of doing a feat of strength like that? He's injured, after all.

I just think it's sweet Eden tries to defend Ace even when she's the other prime suspect :)

Levi [2-13]: And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met. Eden: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does?

For all the Eden Ws, she had to take an Eden L. Come on, Eden, Levi doesn't need to actually care to be a good person, he just needs to do good things, you know this :(

It makes sense character-wise, though. Eden has a surprisingly strong belief system, which is heavily shaped by her emotional nature, so it makes sense that Levi's Deal of doing good things with no emotional attachment to them would throw her off.

Still cool of her to accept Levi as a good person even though she just learnt he killed four people, however. It's good characterization; despite her misunderstanding with the lack of empathy thing, she still chooses to judge Levi based on the things she's personally observed, as opposed to making assumptions over things she only has half the story for.

Man, she's just so mature and cool and awesome and not fucked up in any way! Now that the tape thing's been resolved, I can't think of a single thing that would make anyone think that she might be a little-

Ah. Right.

Well, as a first reaction, this is definitely an Eden W in the oh so prevalent... DRDT powerscaling scene? She apparently managed to slash at Xander's eye, twice, with a fork. And with her non-dominant hand no less!

So... what the hell am I even supposed to do with this? Unfortunately, we're currently missing gigantic amounts of critical information regarding this situation, meaning I can't for the life of me come to any conclusions, at least not confidently. I tried to look at the pre-prologue dialogue to see if I could find anything, but...

Ouch... I really wasn't expecting her to attack me like that. I made a massive mistake to trust them. I can't rely on anyone. All by myself... I have to end the killing game. And even if I can't do that... I have to kill Teruko Tawaki. No matter what.

Fuck am I supposed to gather from this.

Uh... someone told Xander that Eden would be down with whatever plan Xander had to end the killing game if he just showed her whatever documents we're seeing in the Bloody Hands scene??? And she got too scared and just stabbed him with a fork??? Who is the "them" who told Xander this, a group of people, or a single person and Xander's playing the pronoun game? Or was it Nico???

Nico [1-9]: Are you really using unclear pronouns for dramatic effect? That's such a cliche.

Fuck it, locking in Nico as the one who told Xander to talk to Eden, just because that's the funniest possible reason Xander could have used "they" there. I doubt it's true, but it's gonna feed my God complex if I get it right, so-

Yeah, in case it isn't obvious, I have very little idea what this scene could even be about. Very excited to see where this could go :D

Nico Hakobyan

Nico stole the show for practically half of 2-14, so it's natural we should start at the main event.

First, the soft confirmation that Nico really did attack Ace with a plan to get away with the murder and escape as the blackened, particularly framing Hu by using her wire. This... vaguely contradicts something they claimed earlier, so we gotta discuss the implications.

Veronika [to Nico, 2-9]: Is this what you were envisioning when you tried to kill Ace? That the trial would happen like this, but with Ace instead of Arei dead? Nico: I didn't... I never thought about it... I... I never should have... done that...

Were they just... lying here? Did they mean something else?

My best guess to explain this apparent contradiction is that Nico thought about the trial in a more... impersonal sense? Like, when planning to kill Ace, they figured they should try to hide that so they didn't go down with him, but sort of... ignored that winning the trial would kill everyone else? It's hard to describe, but that's what I get from that line as well as:

Nico [2-14]: I tried to kill [Ace] because I don't like [him].

When they say they "never thought about the trial," they probably mean that they never thought about the full implications of it, even though they did plan for it. They knew in some level they were supposed to hide the murder if they did it, but things like escaping the killing game and actually getting everyone else killed didn't fully register. This thought process makes sense in my mind, I hope it makes sense in yours because I don't know how to describe it any better :v

Second.

Eden [2-14]: That's- That's so cruel! Nico, why? Aren't we all friends? If something was bothering you, you could have talked it out with someone else you trusted? Nico: ... Someone I trust? What are you talking about? I don't trust anyone here.

Fantastic bit of characterization here. Nico, despite being relatively civil to anyone they're not actively planning to kill, apparently trusts no one. However, I want to explore what exactly that means. Because it's not like Nico is paranoid they're gonna get killed per say:

Hu [2-12]: Nico does have an alibi. I was having breakfast and tea with them in their room early in the morning as well. Drop it, Ace.

I can think of few better opportunities to kill someone than being alone with them, in their room, at around 7:30 AM when it's still officially nighttime. Nico, at least, trusts that Hu won't kill them, though whether that's because they're confident they could survive anything she tries or because they genuinely trust she wouldn't try at all is up in the air.

Point is, Nico is distrustful, but not as paranoid as, say, Ace. Because of that, currently, I believe Nico's claim that they don't trust anyone is an extension of things they've said before; that they prefer animals because people are unpredictable. Really, Nico's lack of trust being interpreted as "not trusting people to react to their concerns properly" is very consistent with the way they've acted in the past, particularly their reaction to getting forced into revealing their secret, so we probably shouldn't be surprised.

Nico [2-6]: I thought you would laugh at me. I was worried you would pick up rocks and start throwing them at me or pick up clumps of mud and start throwing them at me.

Next point:

Nico [2-14]: You all are right. I tried to kill Ace and pin the murder on Hu. What else should I say? Ace: W-- "What else should I say"?? You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?! Nico: ... I tried to kill you because I don't like you. Even now, there's still no use to try and pretend that I like you. If I say "sorry," you're still going to hate me.

... Yeah.

Nico [2-2]: If you're having dinner and want someone to pass the salt, you can say, "Please pass the salt," or you can say, "Give me the salt." One of those things is supposed to be more polite than the other, right? But why? They both mean the same thing. They're just slightly different mixes of words. It's like that. I don't understand why some mixes of words come off as "rude," and some don't, even if they mean the same thing.

I don't even think I need to explain this further. I think it's pretty clear why Nico wouldn't apologize to Ace. Nico's just not to into social conventions.

Except:

Veronika [2-15]: What's wrong, Ace? You seem stressed. [Your neck injuries] are only wounds. What's the issue? Could it be that almost being murdered has traumatized you a little bit~? Ace: You think?! You think that almost being killed could have maybe given me a little trauma!? Nico: ... [Whispered voice clip: "I'm sorry"]

This one's... odd. Nico doesn't say it loud enough for Ace to hear, evidently, so it's just a genuine reaction to the harm they've caused. What could have triggered this change? Uh... maybe a little extra trauma dump will help? Let's pick up after where we left off in 2-14.

Rose [continued]: D-Do you even regret what you did to [Ace]? Do you regret what you were planning to do to everyone else? Nico: O-Of course I regret doing it! I'm not Levi, of course I feel bad about something like that. I'm not heartless! Levi: Heartless? Nico: That was the worst choice I've made in my life. I wish I had never done that. But looking back, I still understand why I did. I... I just can't stand being treated like that. My teachers, my classmates, my father... I don't ever want to relive what they did to me. It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Okay cut off there. First, interesting to see Nico calling Levi heartless. I've seen it brought up that it makes sense for Nico, who struggles to relate to other people on a good day, to latch onto any defense of their "normalcy" they can, including "I'm not the weirdest person here" despite how hurtful that can be to say. That's some neurodivergent on neurodivergent hostility right there! Fun to see characters being flawed in new and unique ways /gen.

Apart from that, there's some nice reveals to Nico's backstory, which are always welcome. We already knew Nico was harassed because of their identity, but now we have names (as in, identity of aggressors); teachers, classmates, and Nico's father. That obviously comes with a question; was Nico raised by a single father, or did they have other relatives who were more accepting? For now, we got no clue.

But that final line is important, because I believe it's what explains Nico's whispered apology in 2-15.

Nico [already written]: It's because of those kinds of people that I can't be happy with who I am. That's why I hate Ace.

Nico's apology comes after Ace explicitly mentions being traumatized over the murder attempt, in particular in regards to his neck wounds. This can be taken as Ace revealing he's not happy with a part of himself (scars) as a result of Nico's actions. When abstracted this way, the comparison to Nico's situation (unhappy with a part of themselves (gender identity) as a result of others' actions) is much clearer. Nico apologizes for accidentally causing Ace a comparable trauma to their own. Which... I think makes sense from their point of view? People apologize when they do something hurtful they didn't mean to; Nico meant to murder Ace, so no apology for that, but they didn't mean the trauma, so they say sorry for it. Not that Ace heard it, but you know.

... That's a weird ass thought process, but I think it makes just enough sense to explain the apology. Let's finish the 2-14 scene.

Nico [continued]: Even so... I'm not a child. I know that murder is wrong. I'm not the victim here. I know that it was dumb to resort to murder. I don't even know what I thought I would have accomplished back then. I mean, I started regretting it as soon as Eden and Teruko saw me. I don't expect you to forgive me. Very few people ever do. So I don't see the point in acting sorry. ... That's the entire truth of my murder attempt. I don't have anything else to say.

So... "I don't even know what I thought I would have accomplished back then" seems to corroborate what I said earlier about Nico not truly grasping the full implications of a trial while they planned the murder, which is nice.

Nico's attitude over this ("I'm not the victim here") is nice to see, and makes me very interested in where their arc is going to go from here. Especially since Nico maturely accepting the blame is already causing friction between them and Hu (even if Hu doesn't seem to notice), and will likely continue to do so in the future.

Hu [2-14]: You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

... We're gonna have to talk about this in the Hu section.

Finally, "I don't expect you to forgive me. Very few people ever do."

Nico, what the hell does this mean? What have you done in the past that requires so much forgiving? What in the [DR2 CH3 killer]-?

Unfortunately, this is one of those "we're missing critical information" situations when we can't even begin to speculate what, if anything, this is supposed to mean. We'll move on and patiently yet eagerly await elaboration.

There's one more big thing to bring up in respects to Nico, and that's... Rose. For who knows what reason, Nico never gives an explicit answer to whether they actually were interested in learning to paint or not.

Rose [2-14]: Did [Nico] even want to learn to paint? Or to be my friend at all? Or were they only using me as a tool for murder? Nico: ...

Regardless of what the answer is, that's kinda weird. I'm leaning "no, they didn't want to learn to paint," because it sure would be a hell of a coincidence that they just happened to gain an interest in painting just when they're planning a murder that happens to require a painting supply.

That said, Nico does still seem to somewhat care about Rose, and probably would like to be her friend. At least enough to eventually apologize to her out loud.

Rose [2-16]: [Ace]'s right. Only Nico took [the turpentine] from me, and I really doubt they gave it to Ace afterwards. Hu: You're always attacking Nico like this! Nico: It's the truth, though. And Rose is right. I kept it. I still have the turpentine in my room. I'm sorry.

And it's not like anything this chapter erased the FTE:

Nico [FTE]: I was going to thank [Rose] for hanging out with me. I really enjoyed her presence.

So, while I can't know for sure, I hope Nicorose can make a comeback, at least in time for Nico to die so dev can inflict extra psychological pain on Rose! :D

Final highlight:

Nico [to Levi, 2-13]: If you said you killed [your father] because you just didn't like him, I could understand that. But you're saying you forgot about taking a life...

Apart from Nico obviously projecting their own murder motives on other people, do we think Nico ever considered killing their own father? I doubt they actually did, else that would probably be their motive secret (provided it's not a Veronika situation where their secret isn't the worst thing they've done), but I could see them considering it given how they talked about him and Ace in the same breath, and... yeah Nico sure did want to kill Ace alright.

Hu Jing

Hu was quite fascinating this part, wasn't she? For someone that actually ended up having zero relation to the murder, she sure had a lot of important character scenes. Let's start with the confirmation of a particular theory that really helps understand her character better.

Hu [2-13]: I've been quite selfish this whole time, keeping my secret because I didn't want you all to think less of me. Most of all, I wanted to lie to myself and pretend that I had no ties to the person that I used to be. I wanted to believe that the past never happened. But that's just self-centered. I've always been a selfish person, haven't I? I should put those feelings aside and do what is right. No, I should have done this from the start. I will share my secret as long as you all promise to immediately move on. I have Veronika's secret, and she has mine.

Well that's just sad.

I don't think I particularly need to analyze this, it's all pretty explicit. Hu wants to be relied on because she feels useless if she doesn't provide guidance:

Hu [2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore.

And if it comes out that she's attempted suicide, then in her eyes, that makes her less reliable.

(Obvious disclaimer is obvious, the character's views don't reflect my own, there's no shame in having attempted suicide or needing help to keep fighting it, etc.)

As a result, she dislikes the memory of that "hopeless child" who attempted three times, and wishes to avoid talking about it if possible. Metamorphosis (butterfly) and rebirth (water by her name being "still lake") symbolism pulling through.

Also, while there's many reasons someone could attempt suicide, that little "I've always been a selfish person, haven't I?", especially combined with other statements she's made in the past, heavily implies her attempts were a result of self-loathing :( . Thus why she so desperately seeks value in herself by helping others, which is sorta crumbling as everyone she put her faith on (David, Nico especially) starts to reveal themselves as not-that-great-people.

Hence why I'm worried we might see a fourth attempt in the killing game. Her secret quote seems to go against the idea, which combined with some of her statements in the series proper make me doubt it, but y'know... The precedent's there.

Anyways, I'm bringing this up first because, again, it helps understand her other actions this chapter.

Hu [to David, 2-12]: Unacceptable! What on earth [sic] is your problem? I have had it up to here with you! Because this killing game requires us to live, you think you should just reject that notion and kill us all? You lied to me, manipulated everyone, and tried to make us all commit mass suicide! You really are the lowest of human beings. You have no right to decide whether I, whether any of us, live or die, all because *you* feel like you have no chance! If you're so bent on dying here, then die! But don't you dare try and make everyone else die with you. If we decide to continue living, then we will. It is not and never will be your decision as to what happens with our lives. David: ... Rose: Wow. Hu can be scary. Hu: ... I'm sorry to everyone else. But I've lost my patience. I won't apologize to David.

(Obligatory props to VAing ofc)

I mean, yeah, it makes sense for someone who used to be suicidal to be mad at David's bullshit. Especially considering that, in regards to "you lied to me, manipulated everyone here," the line I mentioned before about providing guidance continues like this:

Hu [to David, continued from before, 2-11]: I have to be the one to give everyone guidance. That's the only thing I can do. If no one relies on me, then I won't be useful anymore. You knew how I felt, and yet you... You... You toyed with my heart! All that time you acted like you were encouraging us to reveal our secrets to "prevent conflict." That was all a lie!

Assuming the whole "You toyed with my heart!" thing isn't referring to a conversation we don't have information on (which, to be clear, is 100% possible), it's possible that at this point in the trial Hu felt bad for going along with David's plan, especially since she might have believed it directly led to Arei's death. I think it's worth noting that she's one of the two first person to speak after Ace confesses, and she asks if he did it because of the motive.

Ace [2-15]: I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. Eden: Why? Why did you kill her? Why would you do such a horrible thing? Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your "secret" hidden--

Which could be read as her trying to confirm whether or not going along with David's plan was a good or bad idea, maybe?

Admittedly, "going along with David's plan" in her case literally just means "she told David, Nico and Teruko that people used to call her Julia," which you could argue is too small for her to genuinely feel like she contributed, but keep in mind the "you toyed with my heart" line is directly before a line referencing the "reveal the secrets" plan. At the very least, she didn't go against it, not in a significant way anyways.

If I'm right to be reading these lines the way I'm reading them (which, again to be clear, might be wrong), then David purposefully used Hu's desire to help and be relied on to get her to agree with his plan, or at least not go against it, or at least Hu feels he did. Whether he intentionally targeted her, or if his methods to convince the others to convince the cast of revealing their secrets just happened to strike a cord (zither pun not intended) with Hu, is still unclear, but both are possible.

So she's already incredibly pissed at him for that, then he says he wants everyone dead, yeah my girl's got the right to go off.

Though, speaking of Hu blaming herself for what happened to an extent:

Hu [2-16]: Arei wasn't killed because of an accident. Bad luck or not, Ace had made up his mind to go through with this murder! So we can't possibly blame ourselves for failing to prevent something like that.

This is after Ace confirms that the motive and David's BS had nothing to do with the murder, so Hu can fully deny blame for what happened. Which is relatively fair, it's not like being mean to someone makes you guilty if they then choose to kill someone, but it's also presumably really important for her mental stability.

Did any of that make absolutely any sense? Maybe. Hopefully.

And that's just all the Hu-only stuff. Because a big part of her character this chapter was defending Nico far beyond what anyone could possibly see as reasonable. I'll bring back the example I gave before, because I think it's by far the most extreme.

Nico [2-14]: Someone I trust? What are you talking about? I don't trust anyone here. Hu: Stop! Just stop it! You all are too cruel! None of you understand how much stress Nico was under! And yet you continue to insist on bringing this up. Can't you see that you're traumatizing them? Nico: Hu, I-- Hu: Don't worry, Nico, I'm on your side. I'll always defend you. I can be reliable for you. You trust me, right? Nico: ... I never asked you to defend me--

Like, this goes beyond unreasonable. Nico literally says they don't trust anyone in the killing game, but Hu still thinks they trust her for... some reason. And even though Nico says they never asked her to defend them, Hu continues doing it past this point.

The thing is, though... why? Like, I get the basics here, it's what we talked about earlier. Hu only finds worth in herself by being reliable, and she sees Nico as someone who needs her reliability, so she tries to defend them no matter what. Hell, she even specifically says "I can be reliable for you" in the quote.

But... is there a reason she's so adamant towards them in particular? She doesn't get like this when Eden starts being accused, even though they have a good relationship with each other. Apart from reciting Rule 10 when it first comes up, once that gets thrown into question, the only thing Hu says when Levi and Arturo talk about Eden possibly being the killer is:

Hu [2-14]: Eden? Please don't cry.

She never pushes back against David's claim that he saw the corpse, even though that would practically exonerate Eden via BDA; that's Nico who does that. And Hu never claims Eden is being traumatized by being accused even though she clearly takes the accusations a lot worse than Nico was taking them in 2-14.

So, like, what the hell? Is there a deeper reason she's so defensive towards Nico and not Eden, or am I just going insane?

Well, at this point, if such a deeper reason exists, I have no clue what it could be. I could speculate about Nico reminding her of someone in the past, be it herself or someone else, or maybe Hu just sees Eden as less "in need" because she's generally more stable and happier than Nico, but really, I have no way of knowing.

The thing I can talk about in regards to the Hu-Nico thing is its parallels to Veronika-Arturo and Levi-Ace.

Veronika-Arturo is funny because, well.

Veronika [2-10]: Arturo, you're... You're so... Fascinating. You're really entertaining. So I'll take your side. I don't care about morals. I don't care about whether people get hurt or whether they die. I just need to be entertained. If you become more and more irredeemable, then I'll only love you more~ I want to hear all about those terrible things you did with no justification. Arturo: For someone who's taking my side, you sure are making me look a lot worse!

I really love how a big part of the Vero-Hu recap foil so far can be reduced to the "I can fix them" vs "I can make him worse" meme :p There are their secrets as well, but that analysis will have to wait for further elaboration on them, presumably in CH3.

Meanwhile, Levi-Ace... will have to wait for the Levi section, because this is already getting quite long for Hu, and it requires a bit more context on his character.

Miscellaneous highlights!

Hu [2-14]: Hang on! Eden isn't the killer! Don't accuse her! Charles: Not this again. You can't keep blindly defending the people you hope to be innocent if you don't have evidence, Hu.

Hu: I do have evidence! Why are you writing me off? All because I-- ... *sigh* Rule 10...

Damn she really gets defensive when you question her reliability huh?

Well, moving on. That was a pretty long section, hopefully the next one will be easier to write.

...

Oh. Oh no.

David Chiem

YOU

WHAT THE FUCK IS WRONG WITH YOU?!

Genuinely what is this motherfucker's problem? Everything he does seems to contradict something he did before, for reasons unknown. The only way I can even begin to try to analyze this son of a bitch is to go through everything he does in the series in chronological order, because trying to figure out his thought process in any other way would drive me in circles harder than anything in LGI ever did.

The first thing David truly does that informs us on his later actions is forming a genuine and positive relationship with Xander. In case the LGI MV didn't make it clear that David genuinely cared about the Rebel, we finally got near 100% confirmation of why exactly David liked him so much.

David [2-12]: You, and everyone else listening. I do so kindly request that pretty please stop talking about Xander at all if you don't know what the fuck you're talking about. It pisses me off to no end. After all, it's still unbelievable to me... ...That I'm the only person here who remembered him. Even if you all lost a year of memories for this killing game, there's no reason you shouldn't have recognized who he was.

While we unfortunately don't get much more clarification, it seems David knew what Xander did to earn the title of Ultimate Rebel, and likely admired him as a result. As per Xander's numeral I in LGI, "I have always looked up to you."

This admiration is presumably why David was so adamant in the first trial that there was no way Xander really tried to murder Teruko.

David [Debate Scrum, 1-8]: Are you saying that Xander is a killer? I find that difficult to believe.

You might argue that maybe he was just trying to throw the first trial, the same way he tried to throw the second. But that's not possible.

This is where we get to Weird Point #1. David didn't want to lose the first trial.

Nico [1-11]: Ah, right. Min was going from the laundry room to the kitchen. That path crosses the computer lab. She would have seen Teruko's body if the door was open. Min: ... Ace: And why exactly would the fucking door be open? Nico: U-Um... David: I suppose Min may have arrived near the computer lab's entrance just as Charles left. If she was curious, she would have even gone out of her way to see what was happening in there.

If David was trying to throw, he wouldn't be the first to explain how it would be possible for Min to be involved in the murder. And this is only one example, there's other lines where he specifically suspects Min. Apparently, he simply cannot handle a bad bitch winning (committing murder and trying to sacrifice 14 lives for her own benefit).

However, something in David shifts upon seeing Min's execution.

David [1-12]: I... I've seen enough. There's no point in keeping my hopes up anymore. We are all certainly going to die here.

This line is said pretty somberly.

Which is weird. Because not four days later, David will be trying to throw a class trial, which will kill everyone and him. Interesting detail about that, David doesn't seem to believe that the blackened will escape if they actually voted wrong, based on this line.

David [2-12]: 15 lives. Some of them are very dear to you. And your own life as well. Is there anything at all that could be more important to you than those 16 human lives?

Where he seems to imply a wrongful vote will cause 16 deaths.

But the thing is, it's not just the trial, is it? David also tried to instigate a murder through his "reveal all motive secrets" idea. That's what he does during the majority of CH2, starting in 2-4, just two days after Min's execution. Now, it's fully possible that at this point, he wasn't yet planning to throw the next trial, but rather, he was just doing this to hide his own secret. He certainly considers losing his "speaker persona" a genuine sacrifice, so it isn't unbelievable that he'd hope for a murder even if he was planning to win the trial if it happened.

David [2-12]: Even so... Lying about all that wasn't easy. Even I like to have good relations with others, however fake they might be. And I had to throw that all away. I know that no one will ever trust me, believe in me, or look up to me again after this. But doing "good" things requires sacrifice. Sometimes that sacrifice is being seen as "a good person." That's what I learned from Xander. Even if doing something will make you hated, if that action is for a greater good, then it's an action that you have to take.

(By the way, his views of goodness as martyrdom are quite interesting and I'm curious to see where it will go, but currently we don't have much more than this line for insight on it)

However, I don't quite think that he just wanted to keep the others' goodwill; I think he was already hoping to throw from the moment he started instigating the murder. And this is where we need to ask; what was it that made David switch up? What happened between the first trial and the second that made his goals change from surviving to... whatever he's cooking now? Because in case it wasn't clear from how I'm talking about it, I don't believe David gave the real reason for his throwing to the class. Let's look at the "confession."

David [2-12]: Ugh, fucking fine. You want an answer so badly? Any answer? ... I...

Ah... We're... in a television show, after all. That's... what MonoTV said, right? "Entertainment" is an ongoing show. If Min successfully got away with the very first murder and escaped while we all died, then isn't that way less interesting for a TV show? What's the point of roping 14 other people into one murder, only to kill them all off immediately? The killer is supposed to fail and be executed. We're all supposed to catch the killer, again and again, and participate in trial after trial. You're *supposed* to try to survive. All of you who are trying to solve these class trials to continue living on are playing straight into MonoTV's hands. [Confident] As if I'll accept that. I don't care how low I'll sink, or how despicable I'll have to become. I'll do anything to carry on Xander's ideals by ending this killing game, even if it means that I have to dirty my hands.

Although I wrote it all out, I want you to focus on the start: ".... - I... - Ah... We're... in a television show, after all." Even beyond the meta argument that it's unlikely we'd actually get the answer to why Xander wanted to win the class trial this early in the series (which is a valid argument, but I prefer to theorize without meta reasoning), that hesitation should tell you everything. The way it's written, it makes it seem like David is hesitating because he's making everything up on the spot, up to the "Ah..." potentially being the exact moment David figured out what angle he wanted to take. Given he's already admitted to both being manipulative and wanting to get everyone killed, this is the only reason I can see for why he'd hesitate to give such a relatively simple and "reasonable" (as in, it logically follows even if it's still insane) answer.

So, now we have two questions. What does he actually want to achieve by throwing, and why did he only start pursuing it after the first trial ended?

Well, let me say first that I don't think we're supposed to be able to answer these questions yet. Obviously; we're dealing with shit very closely connected to some pretty large, overarching mysteries of the series, which we probably won't get full answers for until much later than CH2. But we can try to speculate the general direction of what the answer will be. Let's look at another one of his lines to try to do just that.

David [2-13]: Achoo! Ah--Bless me! Also, excuse me! Wow, thank you for your support, everyone!

(I only included that line because it's fucking hilarious and I didn't want that to go unappreciated :p)

I have another interruption~ Hu: ... David: Teruko. Own up your [sic] goddamn secret already. You are the last person to do so. [...] Teruko: ... My family. David: ...

So, just like everyone who is somewhat deep in the DRDT theorizing community, I don't think this is true. I am pretty sure David has Teruko's secret, that secret being "How could I even select what secret to be your motive? Just about everything you've done in your life is worth killing for. The killing game is all your fault." There's many reasons beyond the weird ass David sprite pictured above, which many have already covered, but as a quick overview: the family secret ("you're constantly blaming yourself for the death of your parents and siblings. It doesn't matter that it's not your fault, just that you didn't go with them") fits Xander better (see: Bonus Episode 2, Xander's secret quote being the definition of survivor's guilt), the family secret mentions "siblings" plural when Teruko's only claimed to have one brother, we don't know what happened to Teruko's parents and brother when we know Xander's family is dead, Teruko didn't believe David when he said he got Xander's secret so she probably suspects the killing game one is hers, "this killing game is all your fault" is consistent with the second anniversary art code ("It's all your fault" in a picture which only features Teruko reaching out to presumably-Mai's hands, which disappear), etc.

So now we have four questions, because evidently I'm quite bad at this. Apart from the two mentioned before, we need to ask why David lied about the secret he received, and why he was happy when Teruko answered with the family thing.

But sometimes, one question can answer others. The reason I'm bringing this up is because I believe David's heel turn was likely motivated in some way by receiving Teruko's secret. Take a look at his immediate reaction when the secrets are first handed out.

Pretty frowny, huh? Yeah understandable given the secret he received is "hey the killing game is all the girl that Xander tried to kill's fault." Unfortunately this is the only reaction David has to any of the secrets, as the rest of his dialogue after this is just explaining J's secret. Well, and this:

Eden [2-1]: Then let's end the killing game before [the motive secret reveal]! Nico: Eh?! David: Optimistic as ever, Eden. I'll do my best.

Which is kinda funny in retrospect. Yeah, he sure did do his best to end the killing game before the secret reveals.

Tangent aside, the important thing is that David wasn't necessarily surprised by Teruko's secret, but rather, uh... Well it's hard to read him on expression alone. Frustrated, maybe? Possibly mad that Xander didn't succeed in killing her? It's also worth noting that this is shortly before Teruko goes into her whole "I don't plan on leaving" shtick, which includes the following tidbit (and yes David is in the room to hear this).

Teruko [2-1]: And I'd recommend that you drop that foolish optimism for making it out of here alive. With 100% confidence, I can say that... You will all die down here without ever seeing the outside world again. Ace: This bitch is totally out of her mind. Teruko: I'm not saying this out of ill-will. It's simply how this story works. You all have the misfortune of being "characters" in a story where I'm the "protagonist." Because of that, you're all doomed.

What's so important about this? Because I believe that, in David's mind, this proves Xander right. It proves that there is something off about Teruko, that he probably did have a good reason to attack her, that the note he received wasn't complete bullshit. If there is any single thing that would get David to follow Xander's footsteps, regardless of whether he has the full story or he's just doing what Xander was trying to do even without knowing the reasons the Rebel made the moves he made, it would be getting confirmation that the person he tried to kill specifically has something suspicious going on.

Especially because David does, in fact, seem to have a very weird fixation on Teruko.

David [2-14]: As long as there's a possibility that the evidence is false, as long as there's even the slightest reason to distrust others, then Teruko cannot trust Eden. Isn't that right, Teruko? Teruko: ... David: It's in your nature to distrust people. Everyone you know has already betrayed you. There's no one in this world who won't hurt you. Even the people you love will turn their backs on you in the end. You know that well enough, don't you? So distrust in others. Because that's the only way you know how to live. Teruko: ...

(Obligatory props to VAing ofc)

... Alright so it's five questions. Because how does he know all that?

Let me knock that one out quickly, though. Right now, I don't think this is solid enough reason to suspect that David knows more about Teruko than he's letting on. I could be wrong about that and David could just be aware of her entire backstory, but I currently don't believe that.

Instead, I think this might actually be an extension of his talent, in a way. The joke that he gave Teruko a "demotivational speech" is funny, but I also think it's actually on the right track. David knows the right things to say to someone to inspire them, to push back against their insecurities, as he did with Arei in the playground breakdown. Thus, it logically follows that if he's able to identify emotional weakness to push against it, he would also be able to exploit it.

Or, try, at least. He actually fails pretty spectacularly, since Teruko ends up trusting Eden anyways, and I don't think there were any reverse psychology 5D chess moves on David's part given his immediate reaction to Teruko's 2-14 speech to Eden.

Like, that's the face of a man who tried to be slick and failed miserably.

(And in case it isn't clear, I don't think his lie of seeing the body had anything to do with the trial, he did it just to fuck with Teruko)

In any case, what happened here is that he figured out the (relatively obvious, it doesn't take an Ultimate to see this) trust issues that plague Teruko, and is trying to make them worse in order to... uh... fill in the blank I guess. One option I've considered is that he knows something about how her luck works, that it hurts people she likes, so if she doesn't trust anyone then her luck's effects will be concentrated entirely on Teruko. However, that requires a pretty deep understanding of something he shouldn't have that much info on, so I don't find it that likely. Also I'm not 100% sure if this is how her luck actually works so there's that.

Yeah, unfortunately, at this point I struggle to see exactly what David's angle is here, which is probably intentional given, again, CH2. However, it does somewhat tie back into what we were talking about. Along with everything else I've mentioned, this fixation on Teruko's trust makes me believe that David's heel turn is at least partially motivated by receiving her secret.

And if we once again combine questions 3, 4 and 5, we can actually arrive at a new conclusion. We know David's hiding Teruko's secret, we know he's happy that she's not calling him out on it, and we know that he has a vested interest in getting her to distrust others. With all these combined, I believe that David is trying to look for a way to manipulate Teruko specifically as a backup plan if the cast managed to win the trial, which they did.

By getting her to distrust others, she'd isolate, making her an easier target for manipulation as she wouldn't have anyone to fall back on if David starts getting to her. And the secret is good blackmail, pretty straightforward why he he hasn't revealed it yet. That's also why he's happy she helped him keep it hidden; he can pull it as a card to make her seem less trustworthy and isolate her further. "She lied about her secret, she was trying to hide it." If she had been honest and said that neither the family nor the poison secret fit her and that someone lied about their secret, it would make her look comparatively better once the secret came out. In other words, it makes the blackmail even better, especially because now David knows for a fact that she wants to keep it hidden.

That brings up to question 6: why does David want to manipulate Teruko in the first place? And this is where we finally reach a dead end, because again, CH2, we're not gonna get all the answers yet. I have less than zero idea what David will try to manipulate Teruko into doing, when he will make his move, what his end goal is, or any other question you can imagine. I have my doubts that he'll succeed, obviously, but of course that depends a lot on what his final angle ends up being.

So, let's recap.

David knew of Xander before the killing game, admiring him because of his work as the Ultimate Rebel. As a result, David tried to establish a good relationship with Xander once the killing game started.

David originally rejected the idea of Xander attacking Teruko out of denial and nothing else. He had genuine faith his friend wouldn't do that. David wanted to catch the correct blackened in the first trial.

Upon receiving Teruko's secret and hearing her speech about everyone dying as a result of misfortune, David begins to believe Xander was in the right, and chooses to pursue what he thinks Xander was trying to accomplish. This includes trying to instigate a murder and admitting to killing Arei.

David lied about his motivation to throw the trial. I don't know if he's specifically trying to kill Teruko, or if he thinks everyone in the cast needs to die for some reason, or if he genuinely has no idea what Xander was trying to do and he's just following his actions blindly, or if it's something else entirely; whatever motivation he actually has, it's not what he said.

As a backup plan if the cast manages to win the trial, he hides Teruko's secret and plans to manipulate her via blackmail, for reasons yet unknown. This is why he's happy that she also keeps it hidden, and why he tries to build her distrust in others.

And that's the basics of what I believe regarding his actions... related to throwing the trial and Teruko. We still have one more David Moment TM to deal with.

David [about the Arei conversation, 2-13]: ... Nothing. Absolutely nothing. I didn't say anything to her, and she didn't have much to say to me either. Arei simply got annoyed with me and left without saying anything else. Nothing else happened between us, I promise. Eden: You promise? You absolutely promise, you didn't say anything to her? David: One hundred and one percent, I promise. Ace overheard everything, and what he told you all was the entire truth. Does that satisfy you? Eden: ... That's... a relief. That you didn't make her feel bad, I guess.

So, question 7, why does he hide the truth from Eden? I doubt he suddenly gained an interest in progressing the trial without further interruption. He's also not doing this for Eden's sake; what Eden wanted to hear was that Arei walked out of that conversation still hoping to change for the better, which she did. Hearing that Arei still wanted to "be less shitty together" even after knowing David's a manipulative asshole would have made Eden very happy.

But David doesn't want to hurt Eden, either. If he did, he'd lie and tell Eden that he said something that made Arei run out crying and having lost all hope, or something. I also can't really think of anyone else who would have much of a reaction either way, since as bad as it sounds to say it, Eden's more or less the only person who was genuinely invested in Arei's progress. Maybe "the blackened," but if David doesn't know who the blackened is, there's no way he'd know how they'd react, so it's likely not because of that.

So, if David doesn't hide the truth for the sake of the trial, and he doesn't lie because of Eden, and he doesn't lie because of anyone else, then he's lying for his own sake. I believe that David is trying to hide how much he genuinely cared about Arei, and probably doesn't trust himself to be able to tell the story without giving the game away.

And to be clear, he did genuinely care about Arei. If his immediate reaction to her death doesn't convince you, his breakdown after hearing the Arturo-Eden-Arei story should.

David [2-8]: Of course. Of course this would happen.

David [2-10]: If Eden and Arei really had that conversation, then it explains a lot. I had my doubts. A clearly suspicious note, asking her to meet alone and with no explanation as to why. During a *killing game* of all times. What kind of person would fall for such an obvious trap? You'd have to be shortsighted, naive, foolish, senseless, downright idiotic. ... Unless, of course, you were Arei. That girl wanted desperately to prove herself as a "friend" to Eden. And yet she completely lacked any experience with what "friends" were actually like. Of course it never occurred to her that handing out suspicious notes was not something that normal people did. What could she know about "friendship," after all? Someone like her, who had not once experienced kindness in her entire life up until now? Even if she had her misgivings about something so suspicious, she must have pushed it aside due to her unwavering faith in her blossoming friendship. A friendship that she didn't understand in the slightest. It's... It's so... Ahaha. It's just so foolish. For someone to take advantage of Arei like that. It's absolutely unforgivable. All she wanted was to change. What a reprehensible person this killer is. I look forward to seeing their painful execution.

(Do you think all this talk about "suspicious notes" is making him think of Xander with the suspicious note he received? Don't know, maybe :p)

Between David hiding the end of the conversation and the whole "Arei was a temporary weather spell" line, it seems he's really committing to the role of someone who doesn't care about Arei.

There are many reasons he could be doing this, but I believe he's just pulling a Teruko: Showing no vulnerability, because if he did, then maybe people would actually try to reach out to him. And then they'd get hurt like Xander and Arei; quote one of the Hamlet quotes in LGI (one of the eight lol): "I did love you once. You shouldn't have believed me." And/or David would need to confront how awful he is to try to change and better these new relationships.

Because it's a lot easier to be an irredeemable asshole who will never get better, than to confront the reality that he can, just that it's hard. Cue parallels with Arei and Teruko and Ace and you get the idea.

Final note, completely unrelated.

Whit [2-12]: Hey, hey, you could say those fish were a... red herring? David: Ugh! Goddamn it, Whit, does everything you say have to be made into some shitty dumb joke?! You're actually really fucking annoying! Shut the fuck up!!

Question 8: Why is David so pressed about Whit's jokes? At the moment, my only guess is that Whit's attitude of always remaining positive enough to crack jokes reminds David a bit too much of his "cheery" persona, which also is supposed to always remain optimistic in the face of adversity, and David either hates that because he hates himself, or because he's envious that Whit can hold that optimism without trouble (as far as David can see). I lean on it being a combination, where he does hate his "cheery" persona, but also wishes he could genuinely be like that, but it's very hard to tell atm.

Alright that took way too long. Can't wait for this all to be proven horribly wrong the next time we get any solid info on David!!!

Levi Fontana

Hey Levi sorry for calling you an accomplice for like a year are we still cool? :,D

Although Levi had a lower amount of Big Moments than David, I consider them more impactful to the chapter. And when you're talking Levi, you're talking 2-13 and 2-16. Let's start with the former.

Levi [2-13]: The secret that Arei received, "You're a murderer, and you hold no remorse...." That's my secret. [Cast reactions] If you were wondering, it's not in my legal records. The court struck it from the records. Ace: No shit! There's no way Hope's Peak would have scouted a murderer! Levi: Don't make the mistake of switching cause and effect.

Let's take our time with this one, it's a long speech. First, nice to see we called this secret, it's nice. Also, I'm not the first to point this out, but it's a neat bit of characterization for Levi to first talk about the legal side of his secret instead of anything more related to emotions; he only really cares about the effects things have in the present (that'll become explicit in a bit), so the first concern he thinks of are the legal repercussions.

Then, Hope's Peak... Hope's Peak why are you this shady. Between Rose's situation, the Ultimate Contest for Eminent Students, and now this, it's now three times they've specifically targeted people in vulnerable positions. Four if you count Teruko, but that would imply they rigged the lottery for the Lucky Student, which I would believe but we currently don't have evidence for. No wonder Xander has issues with them, they're cooking something weird.

Rose [1-4]: I'm sure Hope's Peak wants me to become some sort of appraiser or forgery detective with the skills that I have. Taking some offending youth and turning them into a productive member of society would be a pretty good look for them.

Unnamed Classmate [BE1]: Why would Hope's Peak announce [the UCES] 12 years before it would actually take place, when all the would-be contestants are just children? Min: Because they wanted the contest to hang over the heads of kids like me for 12 years, from childhood all the way into high school. They wanted to single out those who were obsessive enough to spend their entire lives preparing for this one test from childhood.

Unnamed Classmate [BE2]: If you set out to do something, then never give up on that, no matter what obstacles may stand in your way. Even if it's risky or against the rules, as long as it's for a good cause... I'll trust that you know to do the right thing. Xander: Yeah. Of course. That's why I've come to Hope's Peak, isn't it?

We currently have no clue where this is going, but I'm noting it for further reference. Let's pick off from where we left.

Charles [continued]: Care to explain yourself? Levi: At the time, I was confronted by three guys who tried to start a fight with me. I believe they were some old enemies. I killed their leader first, which may have been justifiable as self-defense, but then I tracked down his two remaining friends several days later and beat them to death. J: "Old enemies?" "Leader"?? Were you in the freakin' mafia or something? Levi: No. J: ... Levi: ... J: Are you not going to elaborate?? Levi: I don't particularly think I need to elaborate. After all, that happened in the past and has nothing to do with Arei.

One question this speech leaves us with is "why did Levi track down the other two after killing the leader?" We don't have enough info to tell for sure, but I assume it's a matter of safety? Like, Levi thought those two would try to attack him again if he left them alone, so he needed to make sure that didn't happen. I think that makes enough sense for me not to lose sleep at night over it, but of course I'm open to being wrong.

Also, this is the point where Levi's pure pragmatism becomes apparent. "It's not important right now, so why would I elaborate?" A philosophy which is born from his lack of empathy which will be discussed later. This pragmatism is probably why he's the one to argue that Eden was in an advantageous position to kill Arei; the logistics of murder come before emotional aspects in his mind, which is understandable.

Eden [continued]: Who... Who did you even kill? Levi: They were three guys... a few years older than me... Uh... I don't remember their names or who they were.

Do we think Levi knew their names at one point and forgot, or did he somehow track down two people without learning their names? I find the former more likely, just wanted to point that out.

Levi [continued]: I was a bit of a delinquent when I was younger, so they could have held a grudge against me for any reason. Maybe I smashed their windows and robbed them? Or, wait, maybe something to do with that car I blew up once? Rose: That's... kind of a lot to admit all of a sudden.

One thing I always enjoy is when the character who reacts to cut off a monologue has some kind of connection to the thing being discussed. Like, of course Rose is surprised at everything Levi is saying. She's out here being haunted by the crimes she committed, to the point where the debt she put her family in is her motive secret, and then this other guy has broken All the Laws and is just admitting it openly lol.

Levi [continued]: I've forgotten most of the details, as I haven't though much about it since I was cleared of my charges. Sorry, I can't really remember why that happened. Arturo: How could you forget something so important? You can't even be bothered to remember their names? Did you not care that you killed three people?

Speaking of matching reactions to character, Arturo "I feel unending guilt over the death of my sister who I did not even directly kill" Giles cannot conceive how someone else isn't haunted by the lives he took, more recap foiling at eleven.

Veronika [continued]: You say that your backstory and secret aren't relevant to this trial, but they are. That second part of your secret, that you "felt no remorse" for killing people... If you don't care about murder, then you'd have a much easier time killing than anyone else here. You may even be unbothered by the fact that passing the trial would mean everyone else's execution. After all, you seem completely detached while admitting not only to murdering 3 people, but to several other crimes as well. Almost as if you didn't care about any of this. At least not from a moral standpoint, that is. Levi: I won't deny it. That is indeed how I feel. Ace: You are one sick bastard. What could you possibly say in your defense.

This is the first big hint of Levi's low to non-existent empathy, but I'll wait until it's fully elaborated on to discuss it in depth. Also this hints to Ace business that will be discussed in his section. Why am I even writing here.

Levi [continued]: That incident happened when I was in my junior year of high school. My junior year was also the year that Hope's Peak scouted me as the Ultimate Personal Stylist. To my understanding, it would have reflected poorly on Hope's Peak to recruit a murderer, so they pressured the court into not pressing charges.

I do wonder now why Levi even started styling in the first place. By his own admission he's pretty new to it, though he's got at least a year or two of experience if he was scouted in junior year (I think? USA why can't you fucking number your grades like sensible people I don't know what "junior" means without firefoxing that shit). Maybe a job he picked up after disownment? Though that heavily depends on when and why he got disowned in the first place; was it because of his father's murder, the murder of the three dudes and the court case just took a while, or was it something else? Questions to mull over, but can't answer without further info.

Levi [continued]: Err... Hang on. Now that I've thought about it a little more, my motive secret may not be referring to those guys. It could also be referring to the time I murdered my father. J: Wait, you-- YOU WHAT?! Levi: It's quite difficult yo tell what these motive secrets truly mean because they're all phrased so vaguely... It's a bit of a bother. J: No, fuck that noise! Go back! The hell you mean, you fucking killed your dad? Levi: Correct. I simply forgot about it up until now. That would make four people in total that I've killed, not three, I think...? Arturo: How could you simply *forget* that you murdered your own family member? Nico: If you said you killed him because you just didn't like him, I could understand that. But you're saying you forgot about taking a life... Levi: It wasn't that important. Not even the police cared about a man like him, so nothing came out of it. I truly just forgot.

(why is everyone blue you're fucking up my color schemes-)

Back to the whole "appropriate reactors" thing, while I've already mentioned the Nico thing, I think it's cool J (the anti-murder spokesperson with a bad relationship with her mother) specifically says 'dad,' while Arturo generalizes to 'family member.' Someone's being reminded of his past~

I find this admission pretty funny for a few reasons, and very interesting for many others. Funny because my guy is complaining about the vagueness of the motives while admitting he killed his dad and not elaborating in the slightest. Interesting because... why did that happen? Levi doesn't respond to Nico's comment, so it seems like he didn't particularly dislike his father or anything? Especially in the context of the way he's talked about his family in the past.

Levi [responding to Eden, 2-1]: No, not at all. It's for the best that neither I nor my family see each other ever again. Eden: Eh? If you don't mind me asking, why? Levi: Why? My father, my mother, my brothers... We were all bad influences on each other. That's all that needs to be said.

I mean, Levi's father probably wasn't a shining beacon of hope or anything, given the police didn't even investigate his death, but like... lumping him in with the mother and the brothers, and just saying they were "bad influences" instead of, like, genuinely shitty people, it all makes it sound like there's no specific grudge against the father. Which makes sense, right? Even his father would feel like a stranger, as Levi will describe later. I really wish we get some elaboration on this, because I'm pretty curious about what kind of situation would lead Levi to this. I did try to check what's caused Levi to snap before, see if I could figure out what could have prompted it:

Ace [1-9]: What's the damn point of this whole trial if we're going to make choices based on dumb crap like that?? You useless shit-for-brains! Are you even taking any of this seriously?! Whit: Huh? Am I taking this seriously? Nah, not really. Ace: YOU--! Levi: Ace, calm down. You are not helping at all with this argument-- Ace: You shut your damn trap too, Levi!! I'm done with you trying to play the moral high ground by pretending to be some peacemaker! "Oh dear, oh my, calm down, everyone. Let's not fight, alright? Aren't I such a level-minded pacifist?" Stay the hell out of this if you know what's good for you. Levi: ... Ace: That's right. Shut your damn mouth, you coward-- Levi: Fuck. Off. Ace. How far do you want to push it? Do you think that I don't have a limit to my patience? I would gladly strangle you right here and now to shut you up if I were allowed. But if you're the coward I know you to be, then you should back up before you dig your own grave. So shut. Your mouth. Before I shut it for you.

Uh... Personal attacks against Levi? Yeah I have no idea what the hell his father could have done to prompt the murder. As usual, we're missing too much critical information to make a call on it. I'm gonna wager a guess that Levi didn't plan the murder, but rather it was an in the moment decision, but again I have no actual way to be sure.

Levi [continued]: Frankly speaking, I see no reason to remain hung up over some incident that is long past, especially as it ultimately had no impact on my life. Eden: You forgot about all of the things you did simply because you didn't face any consequences? That's incredibly selfish! Shouldn't you feel even a little bit bad? Those were human lives you took! I don't know what happened within your own family, so I can't pretend to understand why you killed. But even then, I'm sure those other people had families and friends who cried over their deaths!

Again the responders; remember how Eden feels guilty over both Min and Arei's death even though she never "faced any consequences" for them (mainly because she didn't actually do anything wrong but you get the idea)? Yeah that.

Levi [continued]: *sigh* I wonder if I should really tell you the truth, or if it's best to keep it to myself. I don't know how you all will see me after this. Teruko: You've already admitted to murdering 4 people. If you insist on not being completely honest with a secret this bad, then you're going to be the next one on the chopping block. Out with it.

Considering the stuff he says later, it's interesting to me that Levi seems to be more worried about revealing his lack of empathy than admitting to murder, especially with the knowledge that he's only doing this because he thinks being honest will make him "a good person."

However, I think it makes sense. Amongst the cast, there's already several people who either killed or tried to: Xander, Min, and Nico. But a lot of the others still speak of them in good terms; David talked about how good of a person Xander was for several minutes, Eden has made it clear she still misses Min, and Hu still defends Nico. Not to mention that Levi himself already threatened to kill Ace, and got called "a good person" by Eden just a few hours later. That means that, although admitting to murder will probably make the others more wary of him, there's precedent that Levi will still have people who stick by him after all's said and done.

Meanwhile, as far as Levi can tell, he's the only one who doesn't understand empathy in the slightest. And that means he has no way of telling how the others will feel about him if he reveals it, which is why he's more nervous about it than the murders. It plays on the themes of feeling disconnected from the rest of humanity that characters like Nico (via gender identity) and David-

Tally 5 Page: "... I wasn't capable of ever becoming human in the first place."

-have going on, which is definitely something that's cool to mull over. I hope these three get some kind of interaction about this in the future.

By the way, as always I'm just kinda guessing why Levi does the things he does and says the things he says, I could always be wrong.

Levi [continued]: It's not really that I don't care about killing people. Rather, it's more accurate to say that I don't care about people at all. No matter how much I hear about such things like empathy or compassion or love, none of those concepts resonate with me. Are those emotions really universal? The idea that people naturally "care" about others is a completely foreign concept to me. Nico: Eh? What are you saying? Levi: Judging by your reaction, I suppose that's a bad thing. But I wouldn't understand why. On the other side of this planet, there's a person who's suffering. Maybe they're even drawing their last breath. But none of you care, do you? Why would you? They're a stranger, after all. You don't know them. Their life holds no consequence for you. For me, everyone I've ever known is that distant stranger. It doesn't matter how long I've known you, how much we've done for each other, or even if you were my own father... You're still a stranger to me. And if tomorrow it turned out you all had passed away, I'd care as much as if we had never met.

So here's the big reveal, bolded text and all. Levi has extremely low empathy. I'm not gonna try to assign any specific disorder because I'd have no idea what I'd be talking about, but the empathy thing is pretty clear. I'm also no authority on whether this would be good representation for that or not, but for what it's worth, I think it's done pretty well. Levi's perspective is presented neutrally, in a way that shows his lack of empathy doesn't inherently make him a bad person, but not shying away from some of the real effects that can come from it (combined with other factors of course), such as the whole 4 murders situation.

I also like the way Levi describes it. It does a good job of getting the audience to understand his feelings, while still holding quite a bit of characterization in there. For example, the reason he gives for why the cast wouldn't care about the stranger on the other side of the world is because "their life holds no consequence to you." Even when trying to speak from the others' perspective, his understanding of why someone would care about someone else is still shaped entirely by what tangible effect that person has in the other's life, in a way sorting people by "holds consequence/holds no consequence."

Eden [continued]: But you're a good person. Why are you saying these things when it's clearly not true? You're so kind to everyone. You're always helping others out, even when it'd be easier not to. Like that time Ace almost died. You kept trying to help him, even if he always pushed you away. Isn't that what "a good person" does? Levi: In all honesty... I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense?

So I'm gonna do a funny here and skip Ace's reaction to this, because that's more for the Ace section than this one. I also already talked about Eden's reaction to this.

Instead, I'll focus on Levi, particularly the question of "does Levi actually care about Ace?" To answer that, it'll be helpful to get the full Veronika Breakdown TM.

Veronika [continued]: Hm hm... I understand now. You're quite the interesting person, Levi. From what I've seen of you so far, your personality has been awfully inconsistent. It's like you don't know how to act. Trying to act like "a good person" without any intuitive sense of what's good or bad is hard, right? For someone like you, who lacks compassion, it must be quite difficult to pretend to be nice. You're always guessing as to what a normal human would do in your situation. You're so awkward in social settings because you can't tell what other people want. You act like a big pushover because if you go the other direction and stand up for yourself, you won't know where to stop. You offer to do things for others because you've observed that "good people" help others, and you parrot noble assurances without understanding why. Such things like that. Not only are you trying to act without a script, but you don't even understand the story. And you slip up constantly. Levi: You explained it better than I could. You really have an intuitive understanding of other people, Veronika. That's a trait I envy. The way I see it, it would be beneficial if I was "a good person." Then other people would trust me and not pick fights with me anymore, and they'd do things for me because they "liked" me. If I was a good person, then I wouldn't have to live a life full of violence anymore. I did everything so that I could have a better life.

Okay hold on there's a bunch to talk about here. Let me do that before circling back to the Ace Question.

Veronika is thankfully good enough at describing the stuff she said that I don't feel the need to elaborate on that. It's basically just a perfect read of Levi's actions so far under this new frame of someone who lacks empathy yet still is a good person. His awkwardness, his outbursts towards Ace, him being sort of a pushover, everything. I also like the little comment of Levi envying Vero's understanding of people, it's neat characterization.

Aside from that, there's also cool contrast between the way Levi sees being a good person as a sort of purely pragmatic social contract (being good leads to a peaceful life and ensures others help you) and Eden, which as referenced earlier sees friendship in a purely emotional and non-transactional way. Not exactly fully comparable, but close enough, and still worth mentioning given the chapter starts with a conversation between the two of them about how they're good people. Both of these have their merit, the point is that, in the end, no matter the reason you have for doing good things, regardless if it's out of sentimentality or just duty, doing good is enough to be a good person. While still of course keeping in mind Arei's message that no one is effortlessly good 100% of the time, and simply trying to be as good as you can be and improve on your flaws is enough.

Also, "I did everything so I could have a better life," huh?

Arturo [referring to Felicity's suicide, 2-10]: How is it possibly my fault that I wanted to live my own life!?

Get paralleled, idiot >:D

Wanting better things for yourself can end up having good effects on others (Levi being good to the cast), or negative (Felicity dying), fun contrast.

But I'm beating around the bush. The question I asked earlier, does Levi actually care about Ace?

Well, there's definitely room for interpretation, but my read is... well, not in the usual way. I mean, Levi explicitly says he doesn't particularly care if Ace lives or dies, so that's kind of a giveaway that he still very much does not feel empathy towards him. To better understand Levi's perspective, it might be helpful to analyze the previously mentioned Hu-Nico and Levi-Ace parallels.

Fandom has long since grouped together Hu and Levi as the "parental figures" of the group, and while I don't particularly enjoy applying familial relations to friendships, there's some basis for the interpretation. They both (to varying effect) commonly act as peacemakers and moderators in the context of the group, but have had this position compromised by emotional outbursts (Hu's defense of Nico and Levi's threats to Ace). Hell, there's even parallels in the way people react to some of these outbursts.

Levi [after the previously linked outburst, 1-9]: I'm terribly sorry for that, everyone. Please continue discussing as you were earlier. Ace: So scary!!

Rose [reacting to Hu's "fuck David" outburst, 2-12]: Wow. Hu can be scary.

To be fair the 2-12 outburst is far more justified than a lot of Hu's others, but you get the point.

They both act this way for similar reasons; to control the cast's perception of them. Hu wishes to be seen as reliable in order to feel useful as a way to counteract her suicidal tendencies and self-loathing, while Levi wishes to be seen as a good person for the reasons he states (to live a peaceful life where others do things for him). And in order to do this, they've both chosen to focus on one person in particular to "protect" or help in some way; Nico for Hu, Ace for Levi. The reasons for this are different mind you, but the effect is similar enough.

However, while it's still unclear why exactly Hu is so adamant about Nico in particular, we kind of know why Levi is focused on Ace. Simply put, before the second trial, Ace was sort of the only person who had legitimate reasons to dislike Levi, at least in Levi's mind. Because of the death threat in trial one of course. Most people haven't really expressed an opinion on Levi either way, but they're civil and at least neutral towards him. Hell, Eden even specifically says Levi's a good person after the death threat, and since she's a pretty rational person, it follows most of the cast would see him that way as well, given how quickly they all moved on from the death threat.

Ace was the exception, however. Ace was very explicitly (and understandably) pissed at Levi for the death threat, so he stood as somewhat of a threat to Levi's goal of being seen as a "good person." Levi trying to fix things with Ace is an extension of this goal, and I don't think there's much else to it. Even to the very end, Levi's frustration at Ace doesn't come from a sense of betrayal or sadness or remorse for not being able to stop the murder, or anything like that. Levi only gets frustrated at his inability to understand Ace, which we already knew from his envy of Veronika's psychoanalysis abilities is a point of insecurity for him.

Ace [2-16]: I just needed a reason to stay mad at you, any reason at all, goddamnit! [sic] Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try.

Levi, under this reading, still doesn't "care" that Ace is about to die, not in the way Eden felt bad about Min's death for example. He's frustrated that he's trying to be a good person towards Ace, and it isn't working for reasons he can't grasp. More on those reasons in the Ace section.

I am very curious as to how he'll react to Ace wanting to speed up his execution to try and save his life, and I predict Levi will probably try his best to honor Ace's memory and his sacrifice, but as always, out of duty and not sentimentality. Sorry Acevi fans, hope you still find a way to make it work :/

Since we're on the topic (and Ace's section is gonna be long enough as is), I'll talk about the other side of the Hu-Nico and Levi-Ace parallels, the way the "protected" act in respects to the "protectors." The main point of contrast is that, originally, Ace specifically sought out Levi for protection, while Nico never asked Hu for it.

Teruko [1-2]: Since when were you two so friendly? I distinctly recall yesterday a certain someone being terrified whenever Levi came near him. Ace: Whaaaat? Me, scared? Are you just making things up? Teruko: ... Ace: Okay, fine. Yeah, Levi's scary as hell! But I realized that MonoTV is even scarier than Levi! At least Levi is sorta safe to be around. And I like to be safe, you know?

Nico [to Hu, 2-14]: I never asked you to defend me--

Then comes the aspect of "betrayal" in both these relationships, where the roles are flipped. It's Levi who originally "betrays" Ace by threatening him, while it's Nico who "betrays" Hu by trying to frame her with the wire. However, Ace takes this betrayal much more personally than Hu, getting mad at Levi while Hu continues to defend Nico. As a result, Ace gets a bit of a victim complex, while Nico fully acknowledges blame for the murder attempt. Etc.

Okay time to continue with 2-13 because no we're not done with it.

Levi [continued]: After listening to David, I concluded that a good person would also be honest, even if the truth makes them look bad. Ace: You're taking advice from David of all people? Look at this asshole! David: Try looking in a mirror before you talk, Ace. Levi: I thought David was a prime example of a good person. Is he not? David: Wow, you really don't understand people at all, do you. Levi: I don't want to distract you all from this case any further. So, I apologize for this tangent.

Another really cool bit of characterization here. Levi struggles so much with understanding most people's sense of morality that he still thinks David "I actively tried to kill everyone here by pretending to be the blackened" Chiem is a good person. There's also the quick implication that David doesn't see himself as a good person, but I feel we're well past the point where that's news.

We also get the reason why Levi even said all this; he thinks being honest will help him be a good person, and presumably only brought it up after the whole David thing got resolved because "good person" David was (eventually) honest with both his motive secret and the reason he tried to get voted out. Or, rather, Levi thinks David was honest on the latter. Fair ig.

Levi has a few other lines in this part, but the next most striking thing to talk about is, fittingly, not a set of words, but an image.

Levi's protective streak has always been a big part of his character, and now he's literally taken a bullet (or 5) for Teruko. Just for the record, I imagine he'll survive, because there'd be no real point to most of the end of 2-16 if he didn't.

The big question around this is, naturally, why did Levi jump in? Obviously, it's not that he particularly cares if Teruko lives or dies, not from an emotional standpoint anyways. It could also just be Teruko's luck somehow manipulating him the way it seems to have influenced Min somewhat, but I can't see that as the only reason this happened. So, like most people, I believe he feels he owes Teruko.

Teruko [1-2]: No... I should be the one apologizing. It's my fault you got hurt. Levi: What do you mean? Without your warning, I could have gotten fatally injured. I should thank you that my wound is not more severe.

Teruko warning him in the prologue is the most obvious case where Teruko saved Levi, especially since it parallels this scene. Teruko saves Levi from execution, so he returns the favor. However, we also need to keep in mind that, without Teruko carrying, these people would not have made it through the trials, so Levi might feel he owes her for that too. And "good people" repay their debts, don't they?

Very interested in seeing where Levi's character goes from here!

Teruko Tawaki

You know a series is doing something right when the protag has so much shit going on in a trial where she didn't even have strong relationships with either the victim or the killer. Now, a big chunk of her screen time was devoted to crime solving, so her section might end up smaller than Levi's even though I consider her more important, but the order of this analysis is kinda all over the place anyways :v

I'll go in the order of Teruko moments as they appeared, though I'll skip the whole "fix my mistake" thing since I already mentioned it in the Min section.

David [2-12]: Xander is a good person. He's the only good person I've ever known. I swear, I'll follow in his footsteps and-- Teruko: And get everyone killed in the class trial? Xander is a good person? Are you hearing yourself right now? What virtuous reason could he possibly have for trying to kill me and everyone else here? David: I'm sure he had a good reason. I believe that he did. Xander is not the kind of person to do anything for frivolous purposes. Teruko: You *believe* that he had a good reason!? Hah! Based on what? The 3 days you spent with a fan who was too infatuated with the ideal of you to treat you like an actual human-- David: SHUT UP!

She says all this like she wasn't play-acting her Xanruko fix-it AU with cacti, like, two days ago lol.

Teruko Cactus [2-3]: That's right. Give up now, and surrender. Then I'll consider letting you live. Xander Plant: Teruko... I've changed my mind. I promise, I will turn my back on whoever made me do this and stay by your side from now on. Do you forgive me?

I don't actually have much to say about this. Teruko's complicated feelings about Xander aren't exactly news; genuinely angry at him for attempting to murder her, also genuinely upset that things didn't go better. No wonder David's uncritical view of the guy ticked her off.

2-13 had a lot of murder solving from Teruko, which is cool but not crucial for character analysis. Meanwhile, 2-14 had quite a bit more going on.

Rose [2-14]: I... I'm sorry for being useless. Maybe if I tried harder, if I just got over myself-- Teruko: Rose. Don't blame yourself anymore. You are helpful. It's because of you that I can solve this murder. Besides... I'm as much to blame as you. Maybe more, even. If only I listened to you when you said the tape was missing, then maybe I would have realized the truth of this case much earlier. Once again, I've made a stupid mistake. I simply wanted to believe that I could make it through this killing game without relying on anyone else. That I could be dismissive of everyone around me without consequences. So I refused to listen to anyone other than myself. I thought that if I did that, then I could avoid a repeat of the last trial, where I had made the mistake of trusting people too much. But now I'm making different mistakes instead. Again and again, I keep messing up this class trial with hasty assumptions and overlooked evidence. So... Rose: ... Teruko: ... Thank you, Rose.

Yuri stays winning.

Again, it's hard for me to add any commentary when Teruko's just... explaining all the themes out loud. We go back to the idea of Teruko fixing mistakes that she seems to have taken to heart from Min's CH1 breakdown (YURI STAYS WINNING), which ties into the idea of self-betterment that Arei's scene conveyed; and we basically have Teruko stating a reworded version of her secret quote, "It is an equal failing to trust everybody, and to trust no one at all." It makes me wonder how Teruko will behave moving forward. Will she trust a few select people? Will she continue to keep other's at arm's length, but being slightly more open? Well, based on what she does with Eden, it seems Teruko is willing to trust select people until the situation merits distrust, which is a pretty solid way of looking at things.

Speaking of that.

Eden [2-14]: I just wanted to help Arei... I didn't kill her... Teruko: You know I can't just take your words at face value, Eden. Eden: Please, Teruko... You're my friend, aren't you? Friends help each other... So please, help me... [...] Teruko: Eden. Eden: *sniffing* Teruko: Eden. Pick up your head. Look at me. At this point in the trial, since I've narrowed Arei's killer down to just two suspects, I'm going to pursue each suspect individually under the assumption that they're the killer. That way, I can see if any evidence matches up to them only. [...] So for now, I'm going to assume you're innocent. Eden: W-What? Really? Thank you so much, Teruko... Teruko: Don't... get me wrong. This isn't out of kindness or pity or anything else. This is only because you helped me in the last trial. I'm repaying your favor, and nothing else. That's why I'll trust you, just this once. Eden: Teruko... T... Thank you, Teruko... Teruko: ... Let go of me.

YURI STAYS WINNING!!!

That's what I was talking about. Choosing to trust Eden over Ace, but being willing to turn suspicion on the Clockmaker if Ace turns out innocent. A very reasonable approach! We love character development in this house.

That said, Teruko is still being a bit of a tsundere, with the whole "repaying a favor" thing. Levi parallels anyone? Well, not exactly, since Teruko does feel empathy towards Eden, but close enough. What's more interesting is that Teruko is using the exact transactional logic that Eden warned her against, which is intriguing setup for the future when it becomes more undeniable that Teruko is definitely not doing this just to repay a favor.

Also, the Trauma remains. Teruko telling Eden to let go fully completes the parallel to the Min scene, where she says the same thing (among others). I imagine our girl won't be too receptive of hugs for a while.

Before we get to the next big moment, real quick, we gotta fulfill our "Teruko's life is miserable" quota.

Teruko [to Ace, 2-15]: And three. You took the tape for first aid. Arturo: That's ridiculous. Who uses non-medical tape for first aid? That's sickening. Teruko: It's not that weird. I do it all the time.

Alright quota fulfilled. Let's move on. In this case, I'll skip to when Teruko gives up on the "show me your injuries Ace" line of reasoning.

Teruko [2-15]: No. It's fine. That's not a very fair line of logic, so forget it. You were almost murdered, after all. I should have understood that.

I don't know why Teruko really thought this line of logic was even worth following in the first place, but it makes sense for her character to ignore Ace's possible emotions in favor of the trial. But it's also cool to see her backing down when she realizes the harm she may be causing, especially as someone who has very notably hid how much her own murder attempt affected her, and in particular the wound that came from it.

Teruko [2-15]: The point of this trial is to determine who the killer is, not to determine every single little detail of what happened. It doesn't matter that you're not convinced. It's not going to help you, nor change your fate. No matter how you feel or what you think, nothing will change. [...] I've been fighting this entire trial to find the truth using real evidence. And when I make mistakes, I own up to them. What have you contributed? Show me some concrete proof of your innocence. Otherwise, shut up and stop wasting everyone's time. Ace: ... Teruko: Are you silent now? What happened to all those things you were shouting earlier? Don't you have anything to say for yourself? Ace: ... Teruko: Any evidence, any deductions to show that you're innocent? Come on, Ace! Don't you want to live?! Defend yourself!

So, a few things. First, regarding that second paragraph. "It's not going to change your fate"? "Nothing will change"? We'll circle back to it, but it seems Teruko is projecting how she feels about her own fate (before the Levi incident at least) on Ace. You could even say-

Literature Girl Insane: Even if we cry make noise shout go mad - this world won't change!

The foils ever.

Anyways, I assume that's why Teruko gets so worked up over Ace remaining silent. She sees a bit of her situation in trial 1 (almost murdered, suspected as the killer) in Ace, so her emotions run high with both the frustration of a long trial and the bad memories this is probably bringing up. At least, that's how I interpret it.

Also another mention of correcting mistakes, which shows up one more time before the episode ends, which I already mentioned as being tied back to Min and Arei; alongside with another "fate" drop. "Fate" is becoming the new "good person" isn't it :p

Teruko [2-15]: Confront the mistakes you've made. Then accept death. That's the fate of everyone who choose [sic] to participate in this killing game.

Also I find it endlessly funny that Teruko's reasoning for the Closing Argument being necessary reads a lot like "this is a DR trial we gotta do this, it's in the contract." Consider me amused.

But I've beaten around the fate bush enough. Let's get all of that over with in one fell swoop.

Teruko [2-16]: It's just... misfortune. That's why Ace killed. That's all.

Teruko [regarding her execution, 2-16]: What's the point [of running]? I should have known this would happen. [...] Even if I shield myself behind others, even if I search for an escape, it always comes down to this. I have to face the consequences of my actions. There's no escaping that. [...] Arturo: What are you talking about?? You're going to be killed!! Teruko: Killed? I doubt it. As if something so kind could happen to me. [...] I won't die, even if MonoTV puts a hundred bullets in my body. I'll only be badly injured. Possibly lose a body part. Maybe I'll even end up in a coma for months. [...] But I won't die. I never will. There's nothing I can do but accept my fate. It's what I deserve, after all. [...] I was perfectly willing to get shot. I thought I didn't have to care about what happened to other people, and especially not about what happened to me. I thought that if I lived alone and died alone, nothing would stain my conscience. Even if that was a selfish way to live. But even so...

Teruko [to MonoTV, 2-16]: Can you really say it's fate's fault for everything you've done, and pretend that you hold no blame in the matter? I have always said that my misfortune, my personality, the choices I make, everything was all a product of a bad luck that I can't control. That I grew up in such terrible circumstances, so I was destined to grow up to be a terrible person. That everyone else abandoned me, so it's not my fault that I'm alone. I want to say it's fate's fault, and that I had no choice in the matter. But, even so... Even so... Everyone. Xander, Min, Arei, Ace. Maybe even Levi. Is it my fault that they died? [...] MonoTV: You have to decide the answer for yourself. Teruko: Whether it was the fault of fate, or my fault... I already knew the answer. I had known what the answer was since a long, long time ago.

Alright I made myself sad, so something's been achieved, I guess. Poor Teruko :(

Just to start somewhere, we get confirmation of Teruko's suicidal tendencies in the present, which was already implied strongly enough, but now she straight up says she considers death something "kind to her." Just sad in general, but I wonder if there will be some discussions of it with the fellow suicidal characters like Hu. In fact, I wonder if that's the reason that Hu was the one to see the scar on Teruko's back during 2-2; so she'd have a vague idea of Teruko's backstory for some interaction in the future.

But the main point of these scenes is Teruko's relationship with the concept of fate. She basically goes through an entire character arc from the moment she says Ace's murder was just misfortune to right after Levi jumps in to save her. Basically, she used to blame fate (or "bad luck") for everything she did and what happened to her, thinking that just accepting this fate would allow her to live more easily. Especially noticeable because part of her "bad luck" is being betrayed, which gives way to her trust issues.

Teruko [2-2]: If I get in a car, it'll crash. If I stand in a construction site, it'll crumble to dust. If I trust others, they'll turn their back on me.

Hence her internal monologue about "living so nothing stains my conscience." If everything that happens to her is fate's fault, then she doesn't have to change, she doesn't have to confront her faults. Even when she talked about accepting the consequences for her actions, it was always in the context of accepting her fate. If she just accepts whatever consequences her actions bring, then she can excuse herself from fighting back against that, which is an easier way to live, but as she says, could be considered selfish. What's easier for Teruko is not always best for others, exemplified perfectly by Levi protecting her; Teruko chose not to fight her fate, and it got Levi hurt. Funnily enough, this somewhat parallels Hu feeling selfish for not sharing her secret, which is fun contrast. Hu is more justified in not sharing her secret, so it shows that feeling selfish for doing things that are good for you can be pretty bad. Meanwhile, Teruko shows that not taking others into account can also end up hurting people.

Of course, the whole "not fighting fate" thing also obviously parallels Mr Literature Boy Insane's feelings on the whole thing, to the point where they have practically the same character flaw. Believing themselves and others unable to change as a result of fate is the way they try living with themselves, because of the whole self-loathing thing, but that means they're resistant to changing their flaws. MonoTV says similar things, but it's a machine so it's not so much a flaw as just the nature of its character. It was a flaw Arei had, though, but she grew out of it through Character Development, similarly to the way it's implied Teruko is growing out of the "all fate's fault" mindset in the last inner monologue. You might also notice that tying fate into self-betterment allows you to draw a connection to the theme of admitting mistakes and fixing them, tying to Min who is also connected to the concept of fate through her entire backstory of being "destined" to be the Ultimate Student from the moment her family accepted XF-Ture's Tech contract, and obviously Min contrasts Xander who is all about fighting fate as the Ultimate Rebel, and that's without mentioning all the other "fate" bullshit going on and-

Yeah you get the idea. Too much peak for me to write it all out.

Very excited to see where Teruko's character goes now that she's not going to blame her bad luck for everything now. I worry she'll swing too hard the other way and end up blaming herself for things she shouldn't, but oh well, that's just more character development to be had.

That was the biggest Teruko thing, but there's still more to cover.

Teruko [to Ace, 2-16]: If you can't [attack MonoTV]... If you can't do that, then tell me, why did Arei have to die?! Ace: ... Teruko: It's because unlike Arei, *you* couldn't make amends with the people you made enemies out of. *You* were too scared to confront the people you hurt, say you're sorry, and promise to be a better person. So instead you took out your own personal problems on other people by murdering someone who had nothing to do with you! Arei died because you're a coward, Ace!

Uh... someone's projecting~

Teruko [already linked, 2-2]: But if you start talking about me and saying that I could be a good person if only I make an attempt to change, then I'm going to stop you right there. Don't say that I could be a good person, because all it'll do is make me feel bad that I'm not.

Damn it's almost like she hates herself because she already knows deep down that her mindset is flawed and so when she sees someone else behaving like she does/did she gets upset at them that's crazy :O

(I mean it's not 1:1 because Teruko never did anything as bad as Ace, but the point stands :v)

Final note, as always, voice acting was peak, just that there's too many good examples to point them all out one by one. Same with Levi btw, I think I forgot to mention it in his section.

Teruko continues to be probably my favorite protag of any DR or DR inspired story, though as always I'm working on a small sample size. Really excited to see her development in the future!

Ace Markey

Well if it isn't the man of the hour! It's only natural the blackened gets to close things out. Let's do the same thing as we did with Teruko and go by (mostly) chronological order.

That includes the quick, retrospective observation that a lot of Ace's behavior in the trial and investigation now needs to be re-analyzed with the understanding he's the blackened. It mostly just adds an extra layer to Ace's constant accusations towards Nico, though, since Ace didn't really do much most of the trial. The only other notable thing he did was revealing David's secret, and even then, nothing too big. I know it's a bit silly to go so hard on Nico when David is almost easier to frame, but this is Ace we're talking about. He's emotional and not quite the most strategic, so nothing weird there.

Although, speaking of Ace knowing about David's secret, why did he not hear the end of the Arei-David conversation? I doubt he's hiding it, because he doesn't really have a reason to, so apparently he just, like, left. I guess he just didn't care enough :p

Finally getting to PT 2 itself, we have a 2-13 speech we skipped earlier, don't we?

Levi [2-13]: I don't personally care what happens to Ace. Whether he lives or dies is none of my concern in the end. Ace: ...?! Levi: But it is a "good" thing to make sure someone else doesn't die, even if I personally do not care about the outcome. I truly believe that. But I adhere to that principle out of duty, not sentimentality. Does that make any sense? Ace: You... Hah. Hahaha. You-- You fucking piece of shit. Levi: ... Ace: I was right all along. That you felt bad for me... That you actually wanted to help me... That even if everyone here treated me like shit, there was at least one person who still cared about me... That shit's too good to be true, isn't it? Yeah, good thing I didn't fall for that in the slightest. Not one bit. I was totally right all along to burn our friendship-- No, I can't even call it "friendship." There's only one person in my whole life who I've ever been able to call my friend. That I ever thought, even for just a short time, that you and I were "friends" is an insult to his memory. I probably sound real pathetic admitting that. But I'm not nearly as pathetic as you. After all, you're a piece of trash who probably has never had a single friend in your life. Levi: ... Ace: Got nothing to say to me now? That's fine. Hey, Levi. I really hope you fucking die.

Okay there is... so much to unpack there. Let's... start by the smaller thing, which is the Taylor Riley drop in "there's only one person in my whole life who I've ever been able to call my friend." This guy's name was revealed in a now deleted CH2 PT1 QnA answer, alongside with the name of a friend of Veronika's who gave her her green triangle earring, Alyssa Belyaeva. We got main series confirmation of the name in one of the graves of Thanatophobia, alongside the names of Elliot Cuevas and Felicity Giles.

We know... zero about Taylor, apart from the fact that he was Ace's friend and is now very evidently dead. Thankfully, we get a bit more context on his death by one of Ace's comments:

Ace [2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands!

Third, huh? Arei, the hypothetical Levi death, and presumably Taylor. Sure, the third could be Ace himself, but I feel the line makes a bit more sense with Taylor.

So, Ace blames himself for the death of Taylor. Given he liked the guy, probably not intentional murder, but who knows what the hell he did. At this point, we really have no way to deduce the way Taylor died or how Ace could have caused it somehow, though. Maybe we'll get some answers in the Bonus Episode? Hopefully :p

But that's the easy part. The hard part is Ace's feelings towards Levi. Immediately, we can tell the whole "I never thought you cared about me, not one bit" thing is a complete lie, not just because the line itself is extremely unconvincing, but because of something Ace says later in this episode.

Ace [to Levi, 2-13]: You piece of shit. I can't believe there used to be a time I actually liked you.

So, yeah. Similarly, based on the fact that Ace wanted MonoTV to speed up the execution to try and save Levi's life despite his fear of death, we can infer that Ace is also lying when he tells Levi "I really hope you fucking die."

No, Ace really does care about Levi. For the reason stated at... some point in this analysis; Ace feels safer around Levi. And that creates a bit of a problem for him, because if he wants to escape the killing game, he's gonna have to kill Levi to do it. It's unclear if that's the reason he originally pushed Levi away, "burning their friendship to the ground" in his words, or if he just didn't want to trust him after the death threat in trial 1. However, guilt over trying to get Levi killed is definitely part of why he says this:

Ace [2-16]: I knew... I knew that I wasn't allowed to call [Levi] a murderer. I had no right to act betrayed, because I was the one who betrayed everyone. But still, I...! Levi: Why-- Ace: But still, I--! I don't care what it was! I don't care if it made me a hypocrite! Even if I was completely in the wrong, and even if it made my life worse! I just needed a reason to stay mad at you, any reason at all, goddamnit! Levi: Why? Why do you have to force yourself to be angry at me? You just said you know that you're in the wrong, so why do you still do it?! I don't understand. I can't understand you, no matter how hard I try. Ace: Good! Stay that way! I hope you never understand me, even after I'm buried a billion miles deep in the ground and you're weeping at my grave, you piece of shit!

Ace tries very hard to find reasons to hate Levi because he's afraid of growing close to anyone in the killing game, mostly because he thinks he'll be betrayed, but by the point he starts plotting murder, also because he's trying to kill them all. Being close to them is a good way to feel more horrible about himself than he already does.

To be clear, the reason I say the first reason is more important is because I think I can more or less pinpoint the moment Ace starts thinking about murder, and by that point he's already trying to cut Levi off.

Ace [2-2]: In this killing game, everyone is out to get me. Especially people who love picking fights with me, people like you [Teruko] and Levi. I can't believe I wasted my time with all that dumb shit like arm wrestling and running around screaming at meaningless stuff. I was fucking stupid to not take this killing game seriously from the start. I'm done with being everyone's kickable scaredy cat. The only thing I should do is look out for myself and myself alone.

Well he sure did take the killing game seriously after this point now didn't he?

Obviously, this is a pretty direct parallel to the way Teruko tried pushing everyone away in this chapter, and the way David pretends not to care about Arei after the magical girl transformation. More on this whole thing in a bit.

The relationship between Levi and Ace is one of contrast. Levi, who doesn't actually care about Ace the "usual way", chooses to try to get closer to him. Meanwhile, Ace cares about Levi maybe too much, and his fear of this attachment drives him to push Levi away. The yaoi truly is doomed with this one. Moving on.

Ace [to Nico and Hu, 2-14]: You two are a real fucking joke. It would have been one thing if Nico gets away scot-free with trying to kill me, but now they apparently also have a fucking defense brigade to shield them from even having to think about the fact that they're a murderer. Who's gonna stick up for me, huh? No one. Because I have a spine and I don't need other people to lie to me constantly to keep me happy.

Ace [to Nico, 2-14]: You tried to murder me. You fucking tried to murder me! And after all's said and done, you can't even say something as simple as "sorry"?!

Ace [to Teruko, 2-15]: Were you convinced by Eden because she had a little sob story ready? Should I start crying and wailing too to change your mind? Teruko-- No, everyone here. You're always attacking me for stupid reasons. Everyone always has it out for me. That pisses me off. All of you piss me off.

Ace [2-15]: You all actually think I'm too goddamn stupid to accomplish anything? Do you really think I'm 2 seconds away from choking on my own spit and passing out?

This is where we start to see Ace's persecution complex on this part, which was already alluded to in the previously linked 2-2 Ace quote. He thinks everyone is out to get him, and to an extent, he's not horribly wrong. Very few people in the cast have favorable opinions on Ace, and he knows that if he gets revealed as a murderer, that "few people" will likely turn to "no one." I mean, not even Levi wants to defend him.

Ace [2-15]: Hah... I expected everyone else to get on my ass, but for you of all people to think I'm the murderer... What happened to ever wanting to make things up, huh? Besides, between you and me, we both know who's really a murderer.

And hell, Nico's already tried to kill him! Ace is the victim in that situation, even if he did "start it."

Which gets us to one of the most interesting moral quandaries this trial presents us with, Milgram style. Because the thing is, Ace has given the cast reasons to dislike him. Ever since the start, he's been confrontational, insulting, and just generally not the most delightful person to be around. Especially to Nico, who he specifically targeted to bully. Obviously it doesn't justify being horrible to him back, including things like Hu's slap and Levi's death threat, and especially Nico's murder attempt, but... well, if people don't feel about Ace the same way they feel about some of the calmer cast members, there's a reason for it.

How justified is the cast in the things they say about Ace? How much of it is Ace's responsibility, and how much is it the cast's? How much responsibility do they hold for creating the hostile environment that pushed Ace into murder? How does the mastermind and the killing game itself factor into this valuation? These are all interesting questions the series asks us to ponder on, and by their nature don't have any one right answer. Especially because "blame for a thing that happened" isn't a number that can be evenly divided by percentage, it's a very complicated and subjective thing. J puts it pretty well in her speech to Ace in 2-15, giving her perspective as well.

J [2-15]: Maybe I was too harsh on you. Me and everyone else here, I don't think a single one of us stopped to think where the breaking point is. ...But. Murder is unacceptable, no matter what. Your problems might be awful, and they might be the worst in the world, but they're still not so bad that killing 13 people is acceptable. You can't be forgiven as a murderer just because your life sucks.

My personal opinions on this are probably best saved for when we get the full picture in just a moment.

And speaking of the full picture, since Ace's persecution complex feeds into his fear of death, why don't we skip right into the big speech?

Ace [already linked in the Hu section, 2-15]: ...... God damn it. I'm such a piece of shit. [...] You're right. I'm screwed. There's no way I'm making it out of this trial alive. I just... wanted to stall for time. I'm scared of dying, I really am. [...] I killed Arei. That's exactly right. Shit, it sounds really bad when I say it out loud. [...] Hu: Did you kill Arei because of MonoTV's motive? Because you wanted to keep your 'secret' hidden-- Ace: Hell no! I don't give a damn about that motive, or my dumb little secret, you idiot fuckwad! Who do you think I am, you?! *sigh* That wasn't why I killed her. I was scared of dying, that's all. [...]

Quick thing, but I think it's cool that the motive really had jack shit to do with the murder. Hate to bring the guy up so much, but it helps make David's "plan" of revealing all the secrets unequivocally wrong, which I feel is important for some of the themes of the chapter. In particular, the idea that gets pushed that everyone should be allowed to reveal their secrets at their own time, aka privacy is important. Nico's public secret reveal happened before they were ready to share, and that was a bad thing, after all. And a lot of the conflict in this chapter came from MonoTV giving the motives in general.

Ace [continued]: I'm definitely going to die in this killing game if I don't escape. Everyone hates me, right? Because I'm a volatile asshole who can't help but pick fights and make people mad at me. Veronika was right. If pushed to kill, everyone would feel the least guilt if they killed me. They might even have some sort of grudge. I wouldn't be surprised. When Nico tried to kill me, that just confirmed it. There's a part of me that's a little pissed that Nico didn't succeed back then, because that would have saved me the trouble of having to go through this stupid-ass farce. Although I'd be real fuckin' pissed if they *did* successfully kill me. I'm kind of pissed at Nico for trying to kill me, either way. Nico: ...

Interesting to hear part of Ace wanted Nico to succeed. It certainly speaks to a great level of defeatism, where everything is horrible and death would be preferable, which parallels Teruko nicely. That defeatism for Ace comes partly from the persecution complex discussed earlier, and some other stuff we'll talk about in a moment.

Ace [continued]: But still! If I didn't kill someone and escape... then I was going to die. I'm fucking terrified of dying! I can't sleep at night because I keep thinking about how I'm going to die young in this goddamn killing game! I didn't want to die! I want to live. Just like everyone else. Live, and escape this killing game, and go back to my shitty life where I can't do anything on my own because I can't control myself. Back to that life where I can't do anything but a sport that I hate because I suck shit at everything else. I was forced into that fate, to kill someone because I'm scared. It was either that, or I would be killed first. There were no other options for me, because I'm a coward who can't fight my own fate. [...]

I think an underrated part of Ace's character is just how much damn symbolism is hidden in his talent.

The first connection is the more or less obvious "if I didn't kill someone, I would be killed first" mentality, where Ace literally views the killing game as a race to be the first blackened to get away with it. But that's almost an extension of the other connection.

You hear it from him here; he feels he completely lacks control of his life, that it's all decided by a fate he can't control, the same way that a jockey doesn't walk on their own, but rather is carried by a horse to their destination. And it's no wonder that this feeling of lacking control is referenced in his secret quote, "I don’t know what to do with myself anymore." After all, it's this feeling of lacking control of himself and his situation that causes him to seek control of anything he can, be it bullying Nico because he sees them as an easy target, distancing himself from others because it's easier to control his feelings that way, killing someone because it's the only way he can control his place in the killing game, or anything else I might be forgetting.

And this fear of lacking control is probably part of his fear of death, isn't it? Because no one can control what happens after death. Maybe yes, maybe not, but regardless, Ace's thanatophobia is pretty evident. I mean, it's the name of his execution, and it's a fitting one. Ultimately, Ace's fear of death is what gets him killed, both metaphorically because it's the reason he became a blackened, and literally because he dies of a fear-induced cardiac arrest. That, alongside with the incredible art and banger music, is why I consider Thanatophobia one of, if not the single best DR style execution I've ever seen. Simply peak.

Ace [continued]: Do you think I give a crap about you all? Why would that matter to me? No one gives a crap about me either! None of you even respect me enough to think I was capable of killing Arei! In fact, that made me feel way less guilty about killing-- [J makes her anti-murder speech] Ace: ... I know that [I can't be forgiven]. I'm the one who murdered Arei, so of course I know that. Arei... She was a piece of shit too. Just like me. Even if she said all that nice bullshit to Eden, there was no guarantee that she really was going to change and become a good person. Maybe if she lived, then by tomorrow she'd be right back to her annoying bitchy self. ... But at least she was trying. And I can't even change one thing about myself. Not my shitty job, not my shitty personality, nor my shitty life. I really am a piece of shit, huh?

At the end of the day, Ace is his own worst enemy. What really gets Ace killed (apart from the already mentioned fear of death) is the inability to change, to see the flaws in the way he behaves himself and try to better himself. Or, rather, he does see the flaws, he knows he's a target of the killing game because of his aggressiveness and that he drove himself into a corner out of fear, but he considers himself incapable of changing that. Changing is difficult, and Ace is scared to even try. Like he says, maybe Arei couldn't have managed it either, but she was trying. And that's what ultimately separates the two.

In case it isn't obvious, my take on who's to blame for everything that happened is pretty much squarely on Ace. Sure, there were things the others did to Ace which aren't justified, but you can't blame people for disliking someone that knows he's unlikable and cannot find it in himself to try to change that. Arei tried to change; she died a good person. Levi tried to make amends for trial 1; he's a good person too. The tragedy of the situation is that Ace himself could have been a good person too, because everyone can be, but it's a decision that must be made, as Eden put it earlier in the chapter. And it's a difficult one, too difficult for Ace.

Teruko, David, all these people... they can also be "good people," in the sense of always trying to be "less shitty together" in Arei's words. Ace is a cautionary tale of how not doing so can end up really, really badly.

Which is the setup for Teruko and David's continued foiling, isn't it? Teruko will presumably look at all of Ace's flaws (lack of trust, unwillingness to change, accepting fate without fighting it) as pitfalls to avoid, because of how similar the two of them acted in CH2. Meanwhile, David, since he heard Arei's speech and knows just how hard she tried to change, will see those same flaws as strengths. In his eyes, Arei died because she trusted the note, because she tried to change, because she tried to defy her nature. At least, that's my prediction. Where all of that will go is anyone's guess.

But, how do we know that Ace could have been a good person? How do we know that it isn't David who is right, that neither Ace nor Arei could have ever gotten better, had they simply tried? Well, simply put, because in the end, Ace does start changing. As a final, tragic note, Ace's ability to confront fate and try to correct his flaws only surfaces when it's far too late. And not only when he punches MonoTV, though that also is a good example of it, but also when he chooses to face execution quicker in an attempt to save Levi.

Ace [already linked, 2-16]: Execute me right now, you hear me, MonoTV? MonoTV: ... Ace: Because... Because Levi is gonna fucking die, and I'm going to have a third goddamn death on my hands! Arturo: E-Even then, there's no guarantee that he'll live--- Ace: Shut up! What the hell are you talking about? Aren't you a surgeon? Can't you fix him? Arturo: I--! I'm not that kind of surgeon! I've told you, over and over, I have no experience with saving lives! Something like this! There's no way I can do it-- Ah! Ace: SHUT UP! Shut up, Arturo! You *can* save his life! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and save someone's goddamn life, asshole! Because you can!

There's layers to Ace's shouting barrage at Arturo. Obviously part of it is just Ace trying to convince himself that Arturo can save Levi so he can die with a relatively clearer conscience, but there's also a sort of self-awareness of Ace's faults in the things he says. Try swapping "save Levi's life" for "be a better person," and pretend it's being said to Ace by someone else who is about to die.

You *can* [be a good person]! Shut the fuck up! Stop saying you can't do it, because you can! Don't you understand? I'm going to die right now, and you're going to live! So decide whether you want to at least *try* and put in some fucking effort for once, or keep making excuses for yourself like a sniveling coward for the rest of your life. I don't even get to make that decision anymore! Stop complaining, you whiny little shit! Grow some fucking balls and [be a better person], asshole! Because you can!

Because moments ago, it was Ace who was making excuses like a coward for why he felt he would never be a good person, and why he had no control over his shitty personality that made everyone hate him and made him a target of the killing game, etc. He never put in the effort to change because he thought it was pointless, that he was unable to, and didn't realize the falseness of that preconception until he was faced with death. Seems I was on the right track when I connected his thanatophobia to his issues with control; death robs him of the decision to try and be a good person ("I don't even get to make that decision anymore!"), which he hadn't even realized he had until that moment.

It's no wonder Ace was a popular survivor guess; he could have changed, could have been a good person. And despite the harm he's caused, the way he robbed Arei of the opportunity to do what he couldn't and attempt to change, the intention he had of killing everyone in the trial, his death remains a tragedy for the hypothetical of what could have been. Maybe if Levi had managed to properly reach him the way Eden reached Arei, this could have all been avoided. But alas, Ace didn't accept the hand strectched out to him, and now it's too late to fix things.

I said during my reactions that I felt just as emotional during Ace's execution as I did with Min's, which was certainly true and very impressive given my massive bias towards the Ultimate Student. And while I can't say that I'll miss Ace as much as I miss Min (because come on), I'll certainly hold him close to my heart for as long as I live regardless.

As a final note, holy shit the voice acting. If I pointed out every line where the acting for Ace was spectacular, I would be here all day. I doubt I need to elaborate on this; the sheer perfection of the performance should be obvious to anyone who can hear it. Godspeed Seth Raffield, you truly were incredible. Can't wait to hear what you do in the Bonus Episode, provided there is one.

---

I am free! Holy shit that took way too fucking long. I need to figure out a better way to do this shit for later chapters, because geez. You have no idea how much Tumblr's drafts lagged because of this shit, I had to write the final sections in different drafts and copy paste them over because it was unbearable. Not to mention hitting the goddamn link limit which is just clinically insane from me. Anyways, if you somehow managed to read all of that, I feel genuinely sorry for you. You know you can be a good person if you try, right? There's no need to punish yourself like this.

I'm being silly, of course. Thanks for reading, hope you enjoyed!

[evieelyzabethh]

Sugar and Spike

pairing(s): Spike x fem!reader

summary: after a night of patrol goes wrong, Spike starts noticing some changes in himself, mainly that Buffy's sweetest friend won't leave his mind and that she would never look at him the same if she knew what he wanted to do to her.

warnings: smut!!! a smidge of yandereness, kinda a sex or die fic, possessive spike, handjob, unprotected piv sex (wrap it before you tap it), oral (fem receiving), praise kink, biting/marking (mentions of blood), a little bit of spanking, overstimulation, riding, fingering, veryyy little plot, and I think thats about it.

In hindsight, they should've kept a better eye on him. It was an odd night of patrolling, the usual gaggle of vampires being a demon or two this time around. Big tall thing that appeared out of nowhere and left as soon as it came. Spike, always with little regard for the consequences of his actions, ran right in. Ran so hard he went right through the demon as it went into smoke. He breathed it in before going into a coughing fit, as if he could feel it in his nose and lungs, spreading in his chest like a vine that pulled everything impossible tight before releasing him like he was never in its grasp . Red flag one.

It fell on him like rain, some clumping into what looked like pink sparkles in his hair, on his jacket, his worn boots. He shook his head and ran his fingers through his hair, pulling away expecting to see it gunked together, but there was nothing there. It felt like his hair had been hit by my mist, slightly damp and cool. It seeped into his exposed skin, adhering itself into a pink sheen which also disappeared after only a few minutes. He remembered trying to brush it off, expecting it to feel wet but it was just slick. It was admittedly infuriating, especially since the feeling wouldn't go away. Red flag two.

“Buffy!” He shouted, rubbing his hands on his jeans as if it was going to wipe away the phantom feeling, but his complaints were met with apathy. 

“There’s nothing there, Spike.” A groan bubbled in his chest. 

“Astute observation, Slayer, but it feels like something’s there.” You were there beside him, something that would’ve gone unnoticed had he not been hit with your scent as your fingers brushed against his hand. He pulled away quickly out of instinct, not as subtle as he would’ve liked to because you noticed and scampered off in between Buffy and Giles. The distance between you and him got larger and the two of you talked about a mall trip you had planned and Willow was the only one to stick with him. She humored him, allowing him to shower at her place and taking a sample of skin only to find nothing. No residue, nothing abnormal, nothing had changed at all. Red flag three.

But he was sure it was fine. Nothing had really changed. You had been a bit cautious though.

You were prone to worrying, and he couldn't blame you. There was a lot to worry about when your best friends hunted demons and one of them was a literal creature of the night. You worried about Buffy so much he genuinely feared you would collapse from all the stress you put yourself under. Pursuing a nursing degree so they could avoid hospital visits unless absolutely necessary because none of you had the money. Having him train you in basic self-defense because you hated feeling like dead weight. You took up Latin and all of the other dead languages in those old dusty books just so you could be useful. You tied yourself in knots just to be sweet. God, you were so sweet. Even to your own detriment, like pure sugar that was going to rot his teeth eventually.

The more time you spent together, the more the rot seemed to take his brain than his teeth. His mouth never got anywhere near you; Buffy made sure of that. He wished he could say it was because she was babying you too much, that you were also tired of Buffy making Spike seem like the biggest mistake you could ever make. To be fair, he hardly knew you. He knew of you; he knew of the pink wardrobe and the fluffy socks and the pretty shoes. He knew of you as Buffy's cute neighbor who stopped by so often that you might as well live with them. You weren't being a baby, you were being cautious, even more now. He almost wished you didn't believe him as much as you did, maybe you'd keep visiting him. He hadn't seen you in days and it was really starting to take a toll on him. His leg bounced and he got in the bad habit of biting his nails, which was starting to get annoying with how often he had to repaint them.

If you were here, you would repaint them. You would sit your pretty self on his busted couch, and you'd have a little bag with you with all your pins and charms that jingled like the earrings that dangle from your ears. In your bag would be at least three shades of pink, a range of blacks and greys, and a wild card or two, maybe a blue or a green. You'd let him pick his color, despite knowing he always went for black. You asked anyway, just in case he decided to go with pink just to humor you. Had you walked through right now, he would've obliged. He would've done anything you asked him too. It wasn't even that he was lonely, but it was getting to suffocate in here. It was getting hot, like a fire was spreading. Each breath felt smoke filled, his skin was on fire, his skin was getting damp, like the dust had fallen again. His hand was shaky as he put a cigarette between his lips and lit it, surely the smell would break him out of what had to be a daze.

If you were here, you'd make a joke about him needing to air the place out. He'd probably open the door and call that enough air, but he liked his privacy, and he didn't like the idea of anyone just being able to waltz right in. You would want to make a joke about no one wanting to visit him, but you’d bite your tongue at the fear of being too harsh. You always got that look in your eye when you thought something that could be misconstrued as mean. You took your lip into your teeth and your pretty eyelashes flitted and you looked away. He thought about what it would be like to bite your lips, wanting to see what they looked like, all red and even prettier than they were before. Just a taste, that's all he wanted, a taste.

He got up to open up the door only for that phantom feeling to return. All over his body, it felt like he had stepped out into the sun, like every molecule that made up his body was vibrating and mere seconds from combusting. His breathing got ragged, his chest rising and falling rapidly and his brain going into overdrive. He squeezed his eyes shut as if it would make it go away, but even from behind his eyelids, you were there. The idea of you, your smile, your laughter, fuck the very way you said his name. It sounded so nice coming from you. 

The way you said it when he got injured in a fight when you would patch up his wounds and have a bag of blood for him to replace what he lost. “Spike.” you would say. Like he should’ve known better than to just throw himself into danger. Not even bothering to consider the possibility that he did it to look heroic, or maybe in your care with your hands over his chest. There’s no reason for him to be this beaten and bruised from some baby vamp; William the Bloody. Spike? He had pride, but not as much as Angelus. It was easily quenched by the fact that he was in no way losing with your delicate hands tracing over faded scars on his chest and feeding him blood while they were just dust. 

“Spike.” Buffy would say, her tone laced with less concern and more disapproval. She knew something was up. After all they had gone through together, vampires should’ve been nothing for him. He had to space out his “fuck ups” just to get her off his back, just to get her voice out of his head. She didn’t say his name like you did. 

There wasn’t much better than how you said his name when it was just the two of you. Being together in his crypt, sometimes in your own bedroom which you had invited him into much to Buffy’s chagrin. “It’s Spike,” you had said, “how many times have we saved the world with him? I think he’s earned it.” It sent shivers down his spine. He would’ve saved the world so much sooner if it meant being able to be in your space. If it meant getting to hear you say his name through fits of laughter, trying to regain your breath while still finding enough to utter his name. “Spike.” you said, your hand over his while you giggled. He felt that heat now, felt the heat of all your touches culminating right now. All over his skin, tensing his muscles, holding his chest as he fought for breath himself. 

While he had the chance, he should’ve raided your underwear drawer. Now he was left to fist his dick with just the memory of you. You wouldn’t notice a pair or two gone, surely you wouldn’t. It was the type of small thing you would overlook because really what is a pair or two. You wouldn’t want him to be in pain, hearing his situation now, you’d feel like it was all your fault. The least you could spare was a pair of your prettiest panties for him to wrap around his cock while he fisted himself to the thought of you and how you would say his name now. 

The closest he’d gotten would be after a big battle. You had taken a beating, by the time you had gotten to a safe space you had lost a dangerous amount of blood, but the sounds that came out of your mouth were so delicious. And you trusted him to carry you to safety, your bloody hand wrapping itself around his bicep to maintain some tether to consciousness. “Spike.” your voice dripping with pain, but even that wasn’t enough to mask how pretty you sounded. He felt bad then for how hard it got him, but there is such a thin line between   pain and pleasure. The only difference now would be circumstance, and he would never hurt you. This would be good for you, the both of you, you just had to let him. You just had to say his name. 

“Spike?” In that moment, he knew there had to be some high power looking out for him when he heard your voice. Dream-like, and soft, like the wind could have blown it out and away from your lips. “Spike?!” you said again. He couldn’t tell if it was his shred of restraint or his body’s unwillingness to listen to his brain that kept him glued to his couch. 

“Now really isn’t a good time, love.” He tried to keep his voice level, he really did, but it was too much. And you weren’t stupid, he heard the heels of your shoes against the hard floor and smelt you before he even saw you. And fuck you smelt heavenly. 

“Are you okay? What happened-” You looked like you had a halo above your head, or maybe he was much further gone than he had thought. You cut yourself off in shock. When you had walked in, you hadn’t expected to catch Spike with his hands down his pants. 

“You know what, I’m just gonna go a-and come back later.” You tried to smile in an attempt to make the situation less awkward than it needed to be, but he grabbed you by your wrist. 

“Wait-I just need-fuck. I just need you to stay for a bit. I don’t feel good.” Your eyes met and you saw the sheen of what you assumed to be sweat covering his chest and face. His pupils blown out, his hair out of place, his labored breathing, like he couldn’t catch his breath. Oddly enough, the sheen had a pink tinge, and despite the fact that his fangs were protruding, his vampire face hadn’t appeared. You reached out to touch his forehead to surprisingly find a temperature. He groaned at the contact, both wanting to melt into your skin and like it physically pained him. 

“What happened?” He declined the answer, instead pushing his head more into the palm of your hand, tipping his head to sniff the inside of your wrist. “What are you doing?” You tried to pull away and put some distance in between the two of you, but he pulled you back, even closer than before. 

“You smell so good.” He nosed his way past your wrist and up your arm till he made it to your collarbone, trying to find where he could hear your blood pump the loudest. “Stop it!” you pushed against him as soon as you felt the tip of his fangs attempting to break skin. To both of your surprise, he let you. It looked like it pained him to do so, his eyes screwed shut and his hand gripping the arm of his couch until the wood snapped. 

“If this is about the demon thing, I’m gonna go get Willow, okay? You just need to stay right here.” The authority you had laced in your voice was cute. 

“Just stay here with me, yeah? There’s no need to get Willow. We don’t need Willow.” His voice had dropped an octave, his pupils blown and his brain damn near empty. Anything went in one ear then out the other as he held your hands in his, staring through you as if daring you to defy him. 

“Spike, you aren’t well.” You had tried to reason, but all he heard was that you weren’t saying no because you didn’t want this. You were concerned for his well being, even when he had you pinned down and his teeth at your neck, each breath moving you closer to him drawing blood, you were saying no because you were concerned he didn’t want this. You somehow thought he didn’t want you. 

“I’ve never felt better, baby.”, he said-practically fucking growled. Hell if he wanted you, he needed you. He pressed himself into you, his hands grabbing at anything he could to ground himself, his left at the base of your scalp and his right bunching the fabric of your skirt in his hands. He breathed into your neck, nipping and nicking at bare skin then soothing it with his tongue and kisses. He worked himself up over you, taking and taking until he was drunk, his tongue lolled out as he put his head on your chest.“Can I fuck you.” 

You had been caught in a daze yourself, his words had barely registered. You had more sense than he did at this point, finding enough resolve to shake your head. “Please.” he begged, groaning it out through clenched teeth. “I need you to make it feel better, please God just make it feel better.” He had pushed his hips into your hand, his weeping cock leaking onto you, pleading with you to touch it. “I’ll make it good for you, I swear, just be my sweet girl, yeah? Just make it better.”

You experimentally rubbed the tip, and he whimpered. His hand grabbing your wrist so fast a look of shock flashed across his face. You took that as a sign to pull away but he put your hand back around him, pushing your hand up and down his base. “Too much too quick, love.” 

Any hesitancy you had was swallowed as he smashed his lips into yours. It was urgent and quick, almost bruising how hard he kissed and held you as if you were going to disappear at any point. He tugged at a handful of hair, catching you in a moan that he used to force tongue into your mouth, sucking it as you pumped his dick at a painfully slow pace. 

His kisses made you breathless, and it was then you realized that he likely forgot in his haze that you actually needed air. He moaned into your lips, the sound spreading throughout your body and shaking you to your core. It wasn’t lost on him how damp your underwear had gotten, had he had the strength to pull away to touch you he would, but the mere seconds his skin would be off yours was enough of a deterrent to keep him in place. 

You tried to move away, but his hand kept you in place. “Don’t move.”, he rushed it out, a tone that otherwise would’ve been more commanding had he not been weak himself. “Keep going.” His hips bucked and stuttered, his movements becoming erratic the more faint your touches became. Like it was a warning; let me up for air and I’ll keep touching you. He whined at the thought of you pulling away. That wasn’t fair. 

His lips parted from yours, settling for the corner of your mouth before moving to your jawline to your neck, then just under your ear. You gasped for breath, you numb with the ecstasy of air and the feeling of his rushed kisses. He was getting close. Your hand was covered in his sticky pre-cum, his cock even more so as your hand moved alone over him, his own hand now grabbing at your shirt at the feeling. You squeezed at the bass, a motion he clearly enjoyed with how his body tensed up. A series of obscenities flowed from his pretty lips as he came, spurts of his cum getting over your pretty pink skirt, an image Spike would get himself off to later. 

You didn’t get long to sit in what just happened when he was on you again, laying you on your back and ripping your skirt clean off. You moaned something that sounded like “My skirt!”, but neither one of you were really worried about it. 

His lithe fingers were quick, rubbing you through the fabric of your panties, while he kissed up to where you wanted him excruciatingly slow. His hands rubbed and teased at the soft skin of your thighs, marking bruises everywhere he went. 

He moaned into you, sniffing you once again, before finding a place he wanted to dig his fangs into. Maybe it was how delicately he stuck in his teeth, maybe it was the lust blown fervor, but it didn’t hurt as much as you anticipated. In fact, you moaned at the intrusion, unable to know what to do with yourself as he sucked and lapped up the blood he had drawn. Your fingers wove into his hair, as if he could be pulled any closer to you than he already was. “You taste so good. So good.” And he let you know as such. The obscene noises that flew from the both of you, the slurping and whines, the pop of his lips as he traveled from one spot to another. But that’s not how he intended to eat you whole.

You were unbelievably wet, soaking through your panties and even Spikes fingers before he took pity on you and decided to pull them aside and plant his fingers into you. Now, you weren’t a virgin, but you had never had sex that felt as good as this. Never had someone in you that had hundreds of years of practice beforehand. 

“You’re doing so good, Sweet Girl. So good, can’t get enough of you.” What was an attempt to calm your nerves, had you keening and over the moon, the praise bringing tears to your eyes as you ground yourself in his hand. That didn’t move him along any quicker, his tongue still collecting anything you would give him like he hadn’t been fed in years. 

“Spike!” You called out, which finally seemed to get his attention. He saw the glass-like look your eyes had taken and the pout on your face. You looked like you were about to cry. Poor thing, so desperate. He said he’d take care of you, make you feel good. No point in denying the inevitable. 

You whined when he pulled out of you just to choke when he began to devour you. His nose at your clit and his tongue plunging into. “Thank you.” he muttered into you, like this was some divine gift to him. “Thank you. Thank you. Thank you.” The combination of his praise and how good he was giving it to you made that coil in your belly tighten and tighten until it threatened to snap. And he just kept going. Completely in his own world, the only thoughts in his mind being about you, how you smelled, how you tasted, god you were so good to him. Letting him eat you out like this, helping him like this. He shouldn’t have expected any less from his girl. His sweet girl. No one else's, you couldn’t be anyone else's after this. His grip tightened around your thighs at the very thought. “Mine.” he said, the vibrations hitting your core deliciously. “Mine.”

“Yours Spike, all yours.” He hummed in approval, inserting two fingers back into you while he kept up his electric pace. He held your hand as it began to be too much, your back arching off the couch and your thighs closing around his head as he just kept going. You called his name as you came, high and higher until it became too heavy on your mouth and you couldn’t say anything at all. The grip you had on his hand had loosened, but he hadn’t let up. He still rambled into you, “Again. Again. Again. Please.”

You didn’t know if your hips were bucking into him or try to wiggle away from him. Either way, both attempts were unsuccessful. With how hard he pulled on your panties they had snapped and had been thrown to the side for the simple crime of being in his way. His forearm lay on your hip keeping you in place. Your hand still laid in his, him squeezing it as if it was any comfort from the inescapable feeling of his tongue licking your thoroughly soaked pussy. 

Your toes curled in your frilly socks as you came again on his tongue, and you foolishly expected that to be enough. You would’ve asked him to stop if you could pant out anything more than whines. You would’ve pushed him away if you could manage anything more than weak taps on his forearm. “No more.” you whispered out. “Can’t.” His fingers rubbed your hand as some form of encouragement. 

“Yes you can, love.” You shook your head weakly, scooting your hips back only for him to swiftly smack your pussy. You preened on the contact, and he drank in the arousal that gushed out just from that. “My sweet girl isn’t gonna disappoint me, is she? She’s gonna make me all better, isn’t that right?” Your brain was so fogged out you couldn’t even produce a response. You just groaned and squirmed, unable to brace for impact when he smacked you again. 

“Spike!” You cried out, but he didn’t care. Heknew you were feeling good from how much you gushed while he tongue fucked your cunt. It was just a bit too much for you right now. You would feel better, you just needed to let go some more. He tried to relax you, tried rubbing mindless shapes on your skin to calm you down as he worked you through your third orgasm, but you just heaved. Your tits bounced with how heavily you breathed, and yet after all of that, he still didn’t feel better. Why didn’t he feel better?

Despite the relief that came from him pausing his abuse, you still whined as he sat up from behind your legs. With your taste still on his tongue, he kissed you. You sighed into him, the feeling of his large hands moving from your hip to under your shirt to touch your tummy and rip your bra in half. You didn’t even notice him moving you into his lap and setting your thighs on either side of him so you straddled him. He thumbed your nipples, pinching and rubbing over them while he relished in the feeling of you cunt so close to his dick. 

You didn’t seem to catch on either as he slid in between your folds, too lost of him finally kissing you again. You moaned into this kiss as his fingers dipped to toy with your clit before he whispered in your ear. “Just one more.”

In one fluid motion, he slipped his dick into his cunt, catching you as your limbs went weak. He was so big you felt your eyes water with the pressure of him being in you. You could tell he was struggling to stay still, but the haze had worn off enough for him to regain some sense. He still waited eagerly for you to adjust, brushing the fallen tears from your eyes and kissing your checks to make it all better.

“Too big. It’s too big.” You stuttered. It was all you could manage to mutter out. He cooed at you, his dick growing harder than he thought possible at the feeling of it all and the praise. 

“I was made for you, Pretty Girl, you can take it.” You yelped as he jerked his hips into yours, but he just couldn’t help it. You were so pretty like this, all fucked out and dumb. Not a thought behind those eyes of yours and the only thoughts he was capable of was you. How warm you were, how wet you were, how tight you were. You were squeezing him and  milking him dry and as much as he tried he just couldn’t stop him self from fucking into you. 

“I’m sorry.” and he meant it. You weren’t ready and he couldn’t even tell if he was ready, his body had a mind of his own and he felt himself just slipping into the feeling of being enveloped by you. “Just too good. You’re too good. My good girl. You’re gonna take all I give you, aren’t you, love? You gonna be my sweet girl and take it?” His voice was breathy and low and impossibly hot. 

All you could manage was a soft ‘mhm’ as you took him in. It wasn’t like you had any other choice as you bounced on his cock, gripping at his chest and taking in each moan you earned as you drew blood from your scratches. 

You felt every inch of him, felt the tip of his dick hit your cervix and kept pounding at it like it was his job;  like he would die if he didn’t. You can’t do anything but take it as you screw your eyes shut and just try to breathe as everything in your body fights to hold on to some feeling. It was impossible to think, not when Spike’s hands were all over you and his touch was so incredibly hot. Even stranger, a pink glow began to emanate from him, that or you were closer to passing out than you originally thought. . 

He kept you close to his chest as you both chased your impending highs together, your lips meeting in the middle as you moaned and sighed into each other's mouths and he was a goner, rambling like a mad man in your ear, thanking you endlessly for something he couldn’t put his hands on. Maybe it was your release, that you felt coming like a truck. He squeezed at the fat of your hips, pulling you even closer until neither one of you could tell where the other started and ended and you came like that, so close that you were almost suffocating, but a different kind from before. 

He came not long after you, his dick still inside spurting his cum inside you and keeping it in there with little intention of coming out any time soon. That pink glow had faded from before, fading away until there was nothing there and the slight pink tinge from before was gone too. His eyes drooped a bit, his blue irises that you hadn’t realized you had missed finally reappeared, his pupils returning to normal and his fangs retracting. 

He hung his head in your neck and you felt his temperature drop a bit, no longer boiling hot. He refused to move his head from his spot though. If you didn’t know any better, you’d think he was ashamed of what just happened. 

After the both of you had a moment to catch your breaths, he removed himself from inside you, stalking off to find something to wear now that your outfit was completely ruined. He even had the decency to turn around while you changed, granted he had a hard time looking at you anyway. 

“You’re gonna wanna deep clean that couch.” You said to break the silence. You were surprised you got a chuckle out of him. 

“Yeah. I don’t normally do this sort of thing on there.” Another moment of silence passed between the two of you.

“You know, we can go back to my place and I can fix your nails. I can tell you’ve been biting at them.” He didn’t need to be told twice either. The place still stunk of sex and his head was feeling clearer than it had in days, he couldn’t stand to be there right now.

“About all of this…you won’t tell Buffy, right?” You giggled. 

“Not if you don’t.” And that was more than enough for him.

[pitchsidestories]

love me like you hate me II Millie Bright x Reader

masterlist I word count: 2215

a/n: thanks to the anon who requested this, we hope you all enjoy it. 😌

It almost felt like your first day of school.

Nervousness mixed with excitement in the pit of your stomach.

Joining Chelsea was a brand-new start for you. You had spend the majority of your life in Lyon, going through all of Olympiques youth teams. So transferring to a new club in a different country felt like a huge step but Sonia Bompastor, your former coach at Lyon, had wanted you in her new team and you knew that you could trust her judgement.

That’s why you were now taking your first steps on Chelseas training ground, ready to join your coach and your new teammates.

Sonia gave you an encouraging smile before she turned to her players. “Bonjour, girls. Before we begin, I want to introduce someone to you. This is our new player, y/n.“, she said in her heavily accented English.

You waved nervously at the others: “Salut.“

At least there were some familiar faces smiling back at you.

Sonia continued: “We worked together in Lyon. She is already very experienced for her age and she will play Centre back. We brought her in to ‘ave more competition at this position, especially with Millie.“

“Excuse me, what?!”, a tall, blonde woman said incredulously. Millie, you assumed.

Sonia shrugged: “That is football, Millie. It will ‘elp you improve.“

“Oh, wow. But I’m the captain. I…“, she started, seemingly unsure how to express her anger.

“Someone’s scared.“, Lucy teased. She was one of the few people you already knew from her time at Lyon, back when you had just joined the senior team.

Millie rolled her eyes at her teammate: “I’m not scared of a child.“

“I’m not a child. I’m 22.“, you protested, studying the older woman that you would have to compete with. Your heart sank a bit. She was a European champion, a regular starting player for her club and country and while you had your fair share of trophies, contending for the same position with her would be no easy task.

Millie gave you an unimpressed look: “You’re barely out of girlhood, you still got a lot to learn. Welcome to Chelsea, this will be very different to Lyon.“ There was an icy edge to her voice as she said the last part.

Hushed whispers passed between the other players.

“I’m sure you two will get along well.“, Sonia said but you weren’t sure if she was being naively positive or if it was just irony. It didn’t matter. Millies behaviour towards you had already made your blood boil and you refused to let her have the last word in this.

As the team slowly started to disperse for their warm-up, you caught up with the blonde defender: “Good luck, Millie. I won’t make this easy for you.“

She barely even looked at you when she replied cooly: “Don’t worry. I won’t either.“

Before you were able to answer Catarina Macário wrapped her arms around you for a tight hug. “Y/n, good to have you back in the team.”, the American beamed at you. Back in Lyon you two were good friends likely because of the small age difference between you both. Also, it was her who helped you with improving your English skills. Admittedly, it felt good to see her again especially after the frosty exchange you had with your new captain.

“I can’t wait to play with you again.”, you told her excitedly.

“Very good decision from Sonia to get you.”, she grinned.

“She was very convincing during her phone calls. And to honest I needed a change of scenery.”, you confessed with a crooked smile on your lips.

“Did you get tired of getting tackled by Wendie during training?”, Catarina teased you amused.

“Yes.”, you nodded chuckling while you received another pad on the shoulder from a familiar face.

“Missed us kid?”, Lucy asked winking.

“Of course I did.”, you responded in an honest tone.

The older defender looked at you more closely before she confirmed. “Me too.”

A few days had passed since your introduction, the team has flown to the US for a preseason tour and the first stop was New York. On the way to the hotel Millie sat down next to Lucy. From the bus windows they could see the famous skyline of the city, but the Chelsea captain didn’t had eyes for that, she felt the urge to talk to her England teammate about you.

“Why are you so nice to y/n, she’s so arrogant, Lucy.”, the blonde huffed.

“No, she’s sweet.”, Lucy disagreed smiling.

“Not with me, have you seen how she attacks me in training?”, the younger defender countered frustrated.

“It’s not that bad, Millie.”, the dark-haired player assured her smirking.

” When we were young, we wouldn’t have dared to play like that with older players in our team.”, Millie shook her head.

“Well times are changing. And I like that aggressiveness.”, the older woman reminded her.

“Of course you do. God, I just hate her so much.”, she groaned. Much too late Millie realized that you had heard her last words. Immediately when the bus stopped in front of your hotel you were the first to leave it.

“Looks like you have something to fix, skipper.”, Lucy observed.

“Shit, I obviously didn’t mean hate just that she frustrates me so much.”, the Chelsea captain mumbled biting her lip guiltily.

“Tell her that not me.”, her England teammate replied sounding serious.

“Cat our captain hates me.”, you whispered in your friend’s ear, sitting on your suitcases in the huge lobby while waiting for your room keys.

“Millie doesn’t hate anyone.”, Catarina objected gently.

“But you heard her.”

“She clearly didn’t mean it.”, she gave a smile of encouragement.

“How do you know? She seems to like everyone except me.”, you helplessly ran the hand through your hair.

“I know her.”, the American said firmly.

You left it at that, even though you didn’t fully believe your former Lyon teammate. Especially when the days in the US were exactly like the ones back at London, with Millie mostly ignoring you and you trying to prove her wrong in every training.

You were surprised when she finally acknowledged your existence just a day later. It was only the two of you in the hotel room you had to share when Millie suddenly decided: “Y/n, we have to talk.“

“About what?”, you asked, unsure about the direction in which this conversation would be going.

The older defender crossed her arms in front of her chest, her face with an unreadable expression. “About what you’ve heard.“

“Cat says you didn’t mean it but I think it sounded like you did.“, you said, keeping a watchful eye on her from your bed.

She huffed out a breath: “Let’s just say I phrased it wrong, okay? I don’t hate you, I hate the way you act in training.“

“But I’m just challenging you.“, you frowned at her.

“You’re risking injuries.“, Millie said plainly, the clear accusation hidden in the neutrality of her voice. You could tell she was straining to keep a normal conversation.

You shook your head: “No, I don’t want to hurt anyone. I know what I’m doing…“

Millie scoffed: “You’re still a child. You don’t have a clue about what you are doing.“

You rolled your eyes. Of course she would play the age card again. You just wanted this talk to end.

“I’m 22. That’s ‘ardly a child.“

“Listen, all I’m saying is that one day you’re going to injure someone like that.“

“Millie, I won more Champions League titles than you so I’m not as inexperienced as you think.“, you explained, voice tinged with slight annoyance.

“Oh, you mean the titles you won from the bench?”, she retorted.

“No, I actually played.“

“Not in the finals.“

“So you did watch our games?”, you asked before you could decide to throw some French swear words at her.

“No.“

“Not even after Sonia was announced as the new coach?”

“No.“

“I see.“, you nodded slowly, not sure what you actually saw apart from Millies indifference.

“So can we agree that you take it down a notch in training?”

“Yes.“, you agreed begrudgingly. “If you stop thinking I’m still a child.“

From your point of view, that was all that had to be said. The conversation was over. You got up from the bed and pulled your Chelsea shirt over your head, ready to switch into your pyjamas. It was only when you stripped of your sweatpants as well that you noticed Millies gaze on you.

“Stop staring, Captain Bright.“, you laughed through the awkwardness.

She didn’t look away, she also didn’t smile. “Why don’t you get dressed somewhere else?”

“Why don’t you turn around to look at the wall? At least you got proof that I’m not a kid anymore.”, you suggested with a cheeky grin on your face.

“Guess I do. But why do I’ve to turn around? There’s a bathroom right here.”, Millie commented.

“Boring plus it ruins the fantasy.”, you added still smiling.

“What are you even talking about?”, the blonde asked confused.

“Oh, please.”, you kept teasing her for her prude Englishness.

“You French girls are so weird.”, she claimed mildly amused by your behaviour.

“Yeah, but your eyes seemed to like it.”, you smirked.

“Are you done now? I’d like to sleep?”, the older defender changed quickly to a safer topic.

“Good night, Millie.”, you muttered while switching off the light.

“Night, y/n.”, Millie sounded almost half asleep. She hasn’t stopped thinking about your abs, but she would never admit that to you somehow, they followed her into her sweet dreams.

In training you couldn’t stop yourself from mocking your captain, still there was a more loving undertone in the way you talked to her now that wasn’t there before.

“Yeah, yeah, whatever.”, Millie tried to shrug it off.

“Whatever? The young won over the old and you don’t care?”, you pretended to be scandalized by her seemingly unbothered reaction.

Soon, you’d regret your cheekiness as the captain swept you off your feet to carry you to the ice bathtub and let you fall right into the cold.

“Ah, no!”, you yelled.

“That’s what you get for making fun of team old.”, the English woman explained, biting back a smile.

At dinner Lucy elbowed her teammate playfully. “You’re starting to like her too, Millie.”

“Oh, shut up.”, she pushed her friends arm away from her, her cheeks had turned slightly pink.

“No, it’s true you use every opportunity to touch her like.”, Guro intervened giggling.

“Like what?”, Millie interrupted the Norwegian forward impatiently.

“Like you’re into her.”, Lucy remarked, rolling her eyes at the cluelessness of her England teammate.

“I’m not.”, she protested.

“If you say so..”, Guro responded humoured.

“You don’t believe me.”, Millie sighed dramatically.

“Not a word.”, Erin affirmed.

“It’s pretty obvious.”, Lucy added.

“You know what they say about hatred and love.”, the Norwegian started laughing.

“Stop being annoying.”, the blonde begged her friend.

“I’m just saying.”, Guro threw an innocent smile at her.

“Maybe I don’t hate her anymore.”, Millie acknowledged quietly, hoping that they didn’t hear that confession.

“We know.”, Lucy declared annoyed.

You shook your head to yourself. You had watched from the table across from Millies friend group and couldn’t believe that they really thought you wouldn’t notice that they talked about you.

Patiently, you waited until the end of dinner and when everyone got up, you walked over to Millie.

With a smirk on your lips, you whispered into her ear: “Love me like you hate me then.“

The older defender paused and stared at you, dumbfounded.

“What? What’s that supposed to mean? I…“

You bit back a smile and prompted her to continue: “You?”

Millie caught herself quickly and rolled her eyes: “I wouldn’t go that far to say that I love you.“

“Oh, there’s no need to rush this but would you go on a date with me, captain?”, you continued flirting with her.

She blinked at you, apparently unsure if you meant it or not.

“A date?“, she echoed. “Like a real, honest-to-god date?”

You nodded confidently: “Oui.“

“Why?” She still studied you with narrowed eyes as if she could see right through you this way.

“Why not?”, you shrugged nonchalantly.

It was clearly not the answer Millie was waiting for. Still, she only said: “Okay.“

Now it was on you to look surprised: “So it’s a yes?”

Millies face softened into a smile: “Yes.“

Excitedly, you got onto your tiptoes and pressed a kiss to her cheek: “After our next test game?”

“Saturday then.“,, Millie agreed with a single nod.

“I can’t wait.“, you smiled at her.

Millie watched you with a fondness that she hadn’t allowed herself to show up until now. And you had to admit, it looked good on her.

Going on a date with you on that Sunday the older woman realized that it was easy to hate you for your arrogance, the way you played without compromises, your stubbornness but it turned out to be even easier to love you for your passion of the game, the way you took a real interest in her stories and your smile which lit up the whole dim lit restaurant you were eating at.

[heavysighing-dreamyeyes]

☆Rae's October Fics☆

October is just around the corner! Ah, I'm so excited, I'm serious when I say it's my favorite time of the year. I'll be posting a few kinktober fics, some spooky fics, and a couple that are a mix of both. I can't promise what dates they'll drop, but I will tease the concepts/tropes below! (Fair warning, this may bleed into November, and fics may be removed or added)

Spookfest

☆Blood Bag (DC vs. Vampires AU)

The Vampire King won, he turned his family into vampires, took over the world. So where does that leave you? In a castle, as Red Hoods personal supply of blood.

☆The Blood Stench | Zombie Apocalypse AU Part Two

Jason's ability to blend in as a zombie comes as a surprise, but a useful one. He's settling into his new life, the fact that you want to be around him, when a group hostile survivors takes you. He's going to show them exactly what someone who reeks like death can do.

☆Werewolf!Jason x Vampire!Reader

Gotham is cursed. No, really, some magic user put a curse on Gotham. Civilians, rouges, and heroes alike are running around as monsters, and a familiar looking werewolf saves you from what could have been a dangerous encounter.

Kinktober

☆Monster-Fucking feat. Witch!Reader x Demon!Jason

Your coven warned you about using the ancient ritual to summon a familiar, but the spell said it would deliver your perfect match, a part of your soul. Unfortunately, or maybe not, the cat or raven you were expecting doesn’t appear at all. (He has a tail, it's relevant)

☆Ribbons + Being Recorded

There's something about being able to save how pretty you look on his phone that Jason loves. Especially if it includes the sound of your voice. And the ribbons in his color tied around your wrists.

☆Hate Sex + Sex Pollen ft. AK!Red Hood

There's a limited number of vigilantes in Gotham. So no matter your, admittedly complicated, feelings on Jason, if Ivy's plants are being trafficked throughout the city, you owe it to her to work together and stop it. The problem is, it's not just plants she left behind.

☆Predator/Prey Slasher/Masked Killer AU

Based on all the classic horror movies. There's a serial killer in Gotham, granted there's a lot of them, but this one is different. He wears a mask, only is known as Red Hood and leaves the police stumped. Your boyfriend tells you not to worry, and you don't, until you come home early to see him wearing the mask that's been all over the news.

☆Threesome + Marking ft. Roy Harper

You and your roommates have an agreement. It's great, at first, but you're starting to have a hard time denying the feelings growing in your heart for both of them. They only make it harder every time they leave your skin covered in signs of your time together. You clearly haven't caught on to the way their eyes always seem to track the marks.

☆Bonus fic: Dacryphilia

There's something special about seeing you cry

[jarofstyles]

Stay Right Here - Just a Touch

It’s been ages since we updated this one I’m so sorry! But I had a part already on Patreon I don’t think I put up here and since I’ve been dealing with something I figured I’d hand it over along with the one shot hopefully in a few hours lol.

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Warnings- a/o/b dynamics, alpha Harry, royalty etc

——

Harry had taken that permission and ran with it.

Y/N had been slowly adjusting to calling him Harry in the safety of his chambers, and Harry had taken to clasping their hands together in the privacy of the rides to and from events. Y/N had nearly choked the first time, but she had warmed up to it nicely now.

“Harry..” she warned as they pulled from the curb, keeping her hand hidden in her skirts. “You must wait until we are properly on the road. If people see-“

“I know, I know. You worry too much, darling.” He grabbed her cool, smaller hand, greedy for the touches as they got into the busier part. “I like the color today.” His eyes examined the mint green varnish on her nails. She had told him that the maids do them sometimes after hours in the courtyards, sharing bottles since it was easier that way. He had liked the lavender last week, but the mint green was winning his favor.

“Thank you.” She smiled lightly, looking at their joined hands. It was odd to see. His decked in jewels and scars and hers lithe and small compared to his own. The compliments the prince so freely gave tended catch her off guard a lot of the time. Never had a man been so open and blunt with her about the things he liked. To be fair, she didn’t have a lot of male friends or… whatever this sort of relationship was with the man… but he was by far the most open with her that she had ever experienced.

“It’s only the truth.” His hand brought hers up to his lips to kiss the back of her knuckles, smirking to himself at the tiny shiver she gave him. Y/N had a hard shell to crack, she was terrified in some ways about people seeing their affections and her getting into trouble, but he had helped ease her nerves the more he did it. The privacy was something he cherished, looking forward to retiring to his chambers at night because it meant Y/N would sit with him as they discussed or read books. He hated when he got tired quickly and she would leave once he was settled in bed, wishing he could convince her to crawl under the warm blankets with him and curl into his side as he always wanted. He had many dreams for their connection and, admittedly, never imagined it would be this hard. He usually had people falling at his feet, flaunting their necks and propositioning him to fall into bed. Y/N was the exact opposite. Surprisingly, it was one of the things he liked the most about her.

It wasn’t easy to gain her trust, but it would make the reward so much sweeter. Just like how his heart beat hard in his chest each time she would squeeze their hands together, or he felt her shiver when he brushed his thumb over the back of her own.

Baby steps.

Their connection was undeniable, even for her. She shivered and blushed and found herself gravitating closer towards him every single day, something that baffled her. Her body had a mind of its own, leaning into his touches and having a very hard time letting go when he initiated the touching. Like right now. He had just spent time shopping and Y/N had stayed dutifully by his side, quiet but alert. Taking in their surroundings and making sure she wasn’t too close to his side despite the lack of perception the Prince had for personal space when it came to her. It was up to her to keep it in line.

He had only talked to her, asking her opinion on jewels and colors and fabrics, ignoring a lot of the people there meant to be the experts. She gave her honest one now, knowing now that Harry would much rather get the truth from her than a lie. A sickly green had been something she had vetoed along with a tacky embossed goose pattern that she didn’t think suited him- a rarity considering Prince Harry was the type to make quite literally anything work in his favor. His beauty was something even Y/N found to be intimidating.

“Thank you for coming with me today.” His voice snapped her out of her trance, eyes lifting from their joined hands back up to his eyes. Harry preferred eye contact with her when they were alone. “Shopping can be rather boring when people are just telling you to get everything, that everything looks good just because you’re royalty, you have the money, all of that. A truthful person is hard to come by.”

Even with all the money in the world, the most valuable thing to have is an honest person. Y/N had been nothing but truthful to him and he valued her opinion more than most already. The sweet little thing had her way under his skin without even trying. He’d been going slow and learning with her, doing his best to not spook her. He could scent her arousal at times though he pretended he didn’t. She was someone he wanted to keep around. As much as he wanted to be inside of her, he wanted her to have a clear head and no regrets when he did it.

“Of course.” She replied quietly, squeezing his hand back. “I don’t think it serves a purpose for me to lie. You won’t punish me for inserting my opinion so I don’t mind giving it.” Other staff had been in the past, but Harry didn’t seem like the other royals. That’s not to say she disliked or even resented the king and queen- they didn’t know her. They knew her mother and had been generous enough to keep her healthcare open while she wasn’t working, even if it didn’t cover everything it needed. But the prince? He was kind to her. Caring. On a personal level, he felt connected to her.

“Never. I told you, I chose you to keep around. I’d like for us to be close. No use in trying that if you aren’t comfortable telling me a fabric color is atrocious.” He joked, a tingle lighting up his chest when he saw her lips curl into a small smile.

“It was quite bad, wasn’t it?” She wrinkled her nose, shaking her head at the image of the color back in her head. “Don’t know who could pull off that sort of color. You have the ability to make anything look lovely but… even you, I don’t think couldn’t make it happen.”

The compliments from Y/N weren’t very plentiful and he understood why. She still had a bit of a mental blockage with boundaries that didn’t exist, but Harry didn’t mind. This compliment from her had him worked up, ego stroked and chest puffed. She thought he could make anything look lovely?

“Truly?” He asked. “You think I make things look lovely?” The preening was visible, making Y/N wonder why she hadn’t complimented him much before. The actual happiness on his face was like watching sunbeams melt snow. Of course he got thousands of compliments during his week, but none of them seemed to make his heart sing as much as hers did. Maybe it was the genuine nature, how she almost looked like she hadn’t meant to say it out loud- or maybe it was just her. The rarity of it all.

“Of course.” She replied, cheeks burning. It shouldn’t feel so humiliating to tell the truth, but his gaze was always going to slightly intimidate her. “You’re incredibly handsome. I’m sure you know this, Harry.”

Hearing her say his name and another compliment made him feel like he could burst. “I’m told all the time, sure. But you’re saying it because you mean it and think it. Not just because you think it's the proper thing to do or because you want something.” He replied. “It’s… nice to hear you think highly of me, is all. Sometimes I think all I do is annoy you.”

Y/N realized now that perhaps she had been a bit unknowingly cruel. She hadn’t meant to make him think she didn’t think highly of him at all, surely never meaning to make him think he was annoying. She was blown away by how beautiful he was at times, but it never felt appropriate to share that. He intimidated her even still. Coming to get to know him a bit, it was obvious he really wanted to be her friend, though, and she was curious why with all of the reassurance he had given her why she hadn’t been able to act more accordingly.

“I apologize. Of course I think highly of you. I’m still getting used to the idea of us being friends and more than just your servant but… I never think it appropriate to share those thoughts.” She swallowed nervously, meeting his eyes again. “You are incredibly handsome and kind. You’ve never once annoyed me or made me upset. I like your singing voice when you think I can’t hear, and I like that you treat me as an equal. I apologize again, for making you even think I don’t think the absolute highest of you.”

While she’s had her nerves about breaching those boundaries, it wasn’t ever truly about him as an individual. It had to do with the establishment and the things that could happen if she was caught treating him as an equal. He could do whatever he wanted, but Y/N was supposed to follow a group of strict guidelines. Things Harry said were thrown away but she hadn’t trusted him enough until now. She hasn’t been given a reason to think after all these weeks.

She wasn’t an idiot. She knew Harry was attracted to her.

Why?

That remained to be a mystery as he had been given the entire kingdom and surrounding to choose from, but chose to spend his time with her. There was no time to even sneak out to see other omegas because there were no more hours in the day. It would take her a bit more time to allow that sort of thing to even be broached, though. This pace was good.

[navybrat817]

The man spread. 🤤

(Also the face he's making....)

(Also, hi! ❤️)

Hi, lovely! You know I couldn't resist doing something for Titan and Starshine for you!

Photogenic

Pairing: College!Bucky Barnes x Female Reader

Summary: You love one of the photos Roxy took of Bucky, but he isn't having it.

Word Count: Over 1.5k

Warnings: Fluff, insecurities, kissing, established relationship, college love, slight feels (it's me), Bucky Barnes (he’s a warning, okay?)

A/N: Another small ficlet for Titan and Starshine.❤️ Not beta read and written on my phone, so any and all mistakes are my own. Divider by the lovely @saradika . Please follow @navybrat817-sideblog for new fics and notifications. Comments, reblogs, feedback are loved and appreciated!

If there was one thing your roommate took seriously, it was her photography. It wasn’t just Roxy’s major, but her way of expressing herself. So when she asked for your opinion on the photos she took of Bucky and Steve, you answered as honestly and diplomatically as possible. You selected the ones you thought captured the project’s essence in the best possible way. You also reminded her that you weren’t a photographer, so your word shouldn’t hold a lot of weight.

She disagreed.

“I still don’t get why you asked for help. I don’t have a keen eye the way you do and I can barely take a photo on my phone,” you said, having to look away from one of the images of Bucky that seemed to stare right at you.

Though it was just a picture, it was like he knew you downplayed yourself and was trying to figure out why. He loved reminding you on your off days that you were one of the brightest students on campus. The compliments usually sent a wave of heat through your body, especially because he stated them unprompted and meant every word.

Roxy playfully rolled her eyes. “You know you don’t have to be a photographer to have a good eye. I not only value your opinion as my roommate, but also as Bucky’s girlfriend. You even managed to stay impartial, so give yourself a pat on the back.”

A laugh bubbled up as you nodded in agreement. While you did stare more at Bucky’s photos than Steve’s, your heart racing with each one that Roxy laid out, you choose an even amount between the two. It was only fair.

“Thank you for asking. I’m glad I could help,” you said. It meant a lot that she wanted your opinion on the finalized product,

“Me, too. And I can’t believe you didn’t tell me to throw Steve’s photos in the garbage,” she joked, carefully looking over one of the images of him hitting a punching bag. “I’m impressed.”

“I wouldn’t do that to you. Besides, Steve’s just as photogenic as Bucky,” you pointed out as her eyebrows shot up. “Okay, almost as photogenic.”

Steve was admittedly one of the most gorgeous men on campus. The blonde haired, blue eyed Adonis with the kind yet almost reserved smile turned many heads. So did Bucky. Two men who looked like a couple of heartbreakers from a glance, but were far from it.

“The camera really does love them,” Roxy stated, chewing her bottom lip as she scanned the images again with a careful eye. After a moment, she smiled from ear-to-ear. “I am so getting an A.”

“Yeah, you are,” you agreed. And the fact that she had such a tough time choosing which images to share when she normally had no problem doing so showed just how many good ones she had at her disposal.

There was one shot of Bucky, however, that she had no problem removing from the film hanger and handing to you to keep for yourself.

He had his powerful thighs spread and wasn’t quite biting his lip, but there was something irresistibly sexy about the pose.

What were you thinking about, Titan?

“Not that I don’t love me some manspreading, because I do, that wasn’t exactly the look that I was going for,” she joked, snapping you out of your thoughts and making you smile so wide your cheeks ached. “What exactly did you say to get him to pose like that?”

“Me? I didn’t say anything,” you smiled, ignoring Roxy’s knowing look as you glanced through the rest of the photos once more. At least, you didn’t think you said anything.

She didn’t believe that for a second. “You act so innocent, yet weren’t you warming his cock when he-”

“Hey, weren’t there supposed to be some photos of Bucky and I together?” You casually cut her off as you pressed your thighs together, wishing your boyfriend was there at that moment.

When Bucky pulled you into his lap during the shoot, you tried to keep your hands to yourself. It didn’t stop the two of you from kissing when Roxy instructed you to. Not that you needed any additional prompting. Bucky had the most kissable lips you ever had the pleasure of feeling against your own.

Your roommate smirked a little. “Oh, I have those tucked away so I can give them to you together,” she said, nudging you toward the door when your phone went off. She must’ve spotted that “Titan” popped up on the screen. “Go. Thanks again. Make good choices. Don’t let him impregnate you, but let him give you all the orgasms you deserve. We’ll allow those.”

“You’re ridiculous in the best way,” you giggled, making sure you had your keys and the photo. While neither you nor Bucky were ready for a family, it didn’t embarrass you in the least that Roxy encouraged the physical side of your relationship with him.

“Don’t forget to show him that photo!”

“I won’t forget!” you promised, smiling as you left and read Bucky’s message.

“Waiting downstairs, Starshine.”

“Be right there,” you messaged back, a skip in your step as you went to greet him outside of your building.

You found yourself staring into the depth of Bucky’s steel eyes as he stood a few feet in front of the door. Tall, athletic, and somehow yours, he managed to stand out in his jeans and t-shirt. Or maybe he stood out to you because he was your guy.

“There she is,” he warmly smiled as you walked toward him.

Suddenly, you felt self-conscious about your casual outfit before you remembered there was no need. Bucky had seen you in the mornings without makeup and still called you beautiful. “Here I am,” you smiled.

He nodded toward your right hand. “What’s that?”

“One of the photos Roxy took. She has others to share with us later,” you answered, holding it up to show him. His eyes narrowed as he stared at it, but gave nothing else away to show if he liked it or not. “But she said I can keep this.”

He pushed a hand back through his hair before he tried to take it from your hand. “Burn it,” he ordered.

That wasn’t the reaction you expected and it made you giggle. “Burn it? I will do no such thing,” you said, moving backward as he advanced on you. “Why should I get rid of this?”

“Because it’s a terrible picture of me,” he huffed.

He’s adorable.

“Not to stroke your ego since you’re acting a little vain, but you’re extremely photogenic. I don’t think you can take a bad photo,” you told him, taking another step back. “I’m keeping this forever because it’s very alluring.”

“There are plenty of other photos you can keep,” he argued as you held the picture out of reach again. His nostrils flared and it took everything in you not to giggle again before he frowned. “Did you say I look alluring?”

Wait, does he really think he looks bad? He’s James Buchanan Barnes. A god among men.

“Bucky Barnes, my Titan, yes. You’re sexy and enticing and I never thought I’d see you worked up over a picture that isn't bad to begin with,” you teased, almost jumping when your back hit the building door. It gave him the perfect opportunity to box you in with his hands, a rush of heat going through your body as he brought his face close to yours. “Do you honestly think you look bad? Because you don’t. Not to me.”

He brought his hand over to cradle your cheek and leaned in until his forehead touched yours. “I just wanna look good for you,” he admitted in a small voice.

It was almost embarrassing how wide your eyes got, so used to his confidence that you forgot that he sometimes had off days, too. Your heart ached to see his self-assurance shake for even a moment and you wondered if it was how he felt when you spoke negatively about yourself. It put things in perspective when you thought of it like that.

“You do. You always look good. I’m more attracted to you every day. To your looks, your brain, and your heart. You’re incredible,” you assured him, in no hurry to move away from the door. “And just like you remind me of how incredible you think I am, I’ll do the same for you.”

“You think my brain is attractive?” He asked, his usual smile back on his face as you nodded. You knew that was how happy you looked when he chased any of your insecurities away. “I sounded crazy, didn’t I?”

“No, you didn't," you said, putting a hand over his. "You sounded human."

“Thank you for making me feel better,” he whispered, brushing his lips against yours as your heart pounded. “But I still think you should burn it.”

“Not a chance,” you smiled before his mouth covered yours.

Swept up in Bucky’s kiss, you both missed the fact that your TA was mere feet away, watching and wishing that it was him that you were kissing instead.

And if he has his way, you will.

Hmm. I wonder who the TA is. Love and thanks for reading! ❤️

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