#adding characters often has this effect

[spatorarupture]

Honestly the worst thing about the shift to an Olu/Yisao and Jim/Archie setup in s2 is that we got robbed of so much Jim? They both had more meaningful arcs in s1 but especially Jim, with coming out and romance and family and revenge, and then a few great moments but mostly just time in the ensemble in s2.

[daisydrabbles]

Maybe it's the Moonlight

- Theo Nott x Female Reader

Pairing: Tutor!Theo Nott x Good girl!female reader

ⓘ When I write within an academic setting it’s a university au and therefore all characters are over 18!

Warnings: slight dubcon, dirty talk, fingering, corruption, praise, mild degradation, power imbalance, unprotected sex, creampie, public sex (there’s literally nobody around but still it’s a public place)

Summary: Theo has been assigned to tutor you in astronomy, but his methods are a little… unorthodox (they involve fucking)

Word count: 3.1k

‘I didn’t take you for the type to sneak out past curfew, doll.’

You looked up from your seat on the edge of the Astronomy Tower to see your devastatingly handsome tutor staring down at you.

As one of the brightest in your year, it was incredibly frustrating to you that you were almost failing astronomy. What was even more frustrating was that Theodore Nott, the infamous man-whore who’d probably never stepped foot in the library (for reasons other than making out behind the bookshelves), was top of the class.

When you requested additional help, you expected to be partnered with someone like Hermione Granger - someone as studious and academically motivated as you. Yet here you were, meeting with one of the most attractive yet most troublesome boys in school.

You two were the definition of an oxymoron: you; good, innocent and studious, juxtaposed with him; bad, corrupt and carefree.

‘I’m normally not,’ you said defensively, ‘but I really need to pass this class.’

‘And you want my help.’ he smugly added as he sat down next to you.

Immediately, you felt some weird tension between the two of you. Why did he look so happy to be here? And why was he wearing such a predatory smile on his face?

Maybe it’s the moonlight you told yourself, as you made a mental note to reschedule your next session for a more civilised location, despite the fact that this one was undeniably practical - what better time and place to study the stars?

You cleared your throat and flicked through the pages of your textbook, feeling rather shy, and desperate to get this study session over with as soon as possible. ‘So, what first?’

Theo tutted and plucked the dusty old book from your hands, before he carelessly chucked it over his shoulder. ‘What’s first is I wanna hear you say it: Theo I need your help.’

‘Hey I needed tha- what?’

He was already having fun with your new dynamic. Whilst you were disappointed with your assigned tutor, he was pleased. In astronomy, the only class you shared, he would watch you intently - in a way not dissimilar to how lions stalk their prey. You were too perfect… he thought often of inviting you over and corrupting you; fucking you senseless and leaving enough marks on your body to prove it. However he knew you would never agree to hang out with him outside in a social setting - his academic arrangement was a perfect way to get you alone.

‘You heard me, miss high-and-mighty, I want you to say the words.’

‘Why?’ you crossed your arms in protest. You didn’t want to admit to needing anyone, especially not Theo Nott.

‘Cos you think you’re better than me,’ he said simply, ‘yet here you are about to fail astronomy, expecting me to help you pass it. You almost sound entitled really, maybe I should just go-‘

‘Fine.’ you cut him off, which only made him grin and look at you expectantly. ‘Theo I… I need your help.’

‘Good girl.’ his grin widened hearing you say those words, whilst simultaneously your eyes widened hearing his response. What did he just call you?

‘Why did you want me to say it so badly?’

He shrugs. ‘What man doesn’t want a pretty girl to say she needs him?’

Cheeky bastard. Nevertheless, you felt your cheeks heat up against your will. He thought you were pretty. Not that that should’ve meant anything, coming from someone like Theo Nott. He was notorious for being a womanizer. A playboy. A man-whore. You so badly wished his reused words had no effect on you, but they did. Looking down at your lap you prayed that your flush wasn’t noticeable in the darkness, for you were almost embarrassed at how he could fluster you with so few words.

It was very noticeable.

At least, it was for Theo, who had been seeking such a reaction and had therefore picked up on it immediately. He wasn’t entirely sure if you even wanted to study at all when you suggested meeting in the Astronomy Tower, with it being a primarily regarded by students as a hookup spot. It surprised him that you actually brought textbooks and came with the intention of learning.

He had other ideas.

He was sick of girls throwing themselves at him, this time he wanted a challenge - but he didn’t just didn’t want any challenge, he wanted you.

He wanted to shut your smart little mouth up with his own; he wanted the satisfaction of taking someone so smart and fucking them dumb. The dirty-minded boy found it cute that you’d so innocently suggested the meeting in the middle of the night - that the impure thoughts he was thinking hadn’t even crossed your mind.

Clearly you hadn’t considered your choice of clothing either. He didn’t miss the way the wind was causing your little pleated skirt to fly up, nor the way your tight blouse clung to your curves and accentuated all the right places. Places he’d love to touch; to kiss.

Alas, he would have to settle for letting his mind wander for now. As badly as he wanted to fuck you, he did also commit to helping you. His hands would have to wander later. Wander up to your perky tits, down to your sensitive cunt…

‘Anyway,’ he shook his head to rid himself of his horny thoughts, ‘is there an area of study you’re particularly struggling with?’

‘Star charts.’ you admitted, your shoulders slumping.

Theo looked as though he was trying his hardest not to laugh at you. ‘Star charts?’

‘You’re supposed to help me, not mock me.’ you deadpanned.

‘I’m sorry,’ he chuckled, ‘I just find it amusing that someone as intelligent as you can’t read a fucking star chart.’

‘I can read a star chart just fine. I just can’t…’

‘Use it to navigate the sky?’ he offered.

‘Exactly!’

Unable to help himself, he dropped his voice to a low and seductive tone and leaned into your ear. ‘Well I’d be more than happy to make you see stars.’

Theo’s hot breath on the side of your neck combined with his dominant tone caused a gush of wetness between your legs. Discreetly, you squeezed your thighs together, silently willing yourself to break free from whatever trance he’d put you under.

This didn’t go unnoticed by Theo, who was thoroughly enjoying watching you squirm.

‘I- if you don’t wanna help me that’s okay but I think maybe I should-‘

‘Believe it or not,’ he cut you off, his tone surprisingly gentle, ‘I’m actually trying to help you.’

A puzzled look appeared on your face. ‘You threw my textbook away when I tried to open it.’

‘Well, let’s not live in the past.’ he waved off your statement, holding out his hand for you to take. ‘Do you trust me?’

‘With what?’ you eyed him skeptically.

‘Jesus are you always this tense? It’s a yes or no question, doll.’

After a moments hesitation, you answered; ‘Yes… yes,I trust you.’ and took his hand.

That was all the confirmation he needed to yank you onto his lap, causing you to let out a little gasp. Sitting on Theo Nott’s lap was not how you envisioned spending your study session, but you were hardly complaining. The faint aroma of cigarettes and the sound of his racing heart should be distressing - a sign of danger, even - but you felt oddly calm. Your back was towards him so you were both facing the night sky as he asked, ‘Can you point out Andromeda for me?’

The feel of his hardening bulge underneath your ass had momentarily stunned you, and you stuttered trying to answer his question.

‘Just relax…’ his fingers caressed your exposed thighs comfortingly, slowly working their way upwards, meeting the hem of your mini skirt.

‘What are- shouldn’t we study first?’ You grabbed his wrist to stop his fingers going any higher.

When you said first, implying that you would be interested in having sex with him later, he felt his cock twitch. Finally, you were granting the opportunity for him to make you his. Luckily for the both of you, Theo was great at multitasking.

‘Tut tut, do you want to get better at astronomy or not?’

Well yes, but you couldn’t see how him touching you was going to help with that. ‘I-‘ you were cut off by your own whimper as you felt Theo’s fingers graze over your clit through your underwear.

‘Then let’s try again. Where’s Andromeda?’

At first, his fingers lightly circling your clit were too much of a distraction. It was obvious he had experience, because he knew exactly how hard to press to satisfy you but still keep you coherent. After a moment of getting used to the sensation, your brain was clear enough to answer his question so, using your finger, you traced the outline of the constellation in the sky.

‘That was correct, clever girl.’

‘Wait, really?’ you bounced up and down in excitement, making the boy underneath you groan at the feeling of you pressing on his hard cock. ‘How did you teach me to do that without teaching me anything?’

‘Your problem is you think too much. I thought if I helped you… relax, you’d be able to focus on astronomy a little better. Clearly, I was correct.’ Theo moved his hand inside your underwear and slipped a finger inside your wet hole. ‘Well done.’

Your mouth falls open at the feeling of his long finger deep inside your tight cunt, stroking your inner walls. As determined as you were to not be another one of his silly hookups, you couldn’t bring yourself to deny the pleasure he was giving you.

‘Fuck, doll, who knew a good girl like you would be this wet for someone like me.’

Theo’s finger teased you for the next twenty minutes as he asked you various Astronomy-related questions, which you answered correctly. He was right, you were clearly thinking too hard at something so simple, and his fingers pleasuring you rid you of all the unnecessary thoughts, allowing you to focus solely on the stars. Every now and then, Theo would increase the pressure on your clit or thrust his finger deeper, just to see you cut yourself off mid-sentence with a moan or a whimper induced by his touch.

‘Theo…’ you whined after answering a dozen questions about constellations, looking up at him. You were asking for something, but you weren’t quite sure what. Just something more.

He pushed a second finger inside you, curling them upwards into you slowly as his palm pressed against your clit. Watching you writhe on top of him and hearing you moan made his dick throb in his trousers, as he internally tried to decide between bringing you to your climax on his fingers first or just freeing his cock and fucking you raw right away.

‘Yeah, amore? You like being finger-fucked out in the open?’ he whispered, even though there was no chance of you being seen or heard by anyone at this time. His words went straight to your core and his previously slow pace started to quicken as he felt you clench around his digits. ‘Fuck- yes right there.’ you cried, feeling his long fingers hit that sweet spot deep inside you.

Not long after, he retracted his fingers, smearing your wetness on your clit teasingly before removing his hand from your underwear altogether. The new, empty feeling made you whimper.

‘Why’d you stop?’ you pouted breathlessly whilst you turned around in his lap, now straddling him.

Locking his eyes on yours, he brought the two fingers that were previously buried inside you to his lips and licked off all your juices. ‘So sweet.’ he muttered to himself, probably not intending for you to hear. ‘Because,’ he said louder, ‘I want to make you cum on my cock, if you’ll let me.’

Your eyes flick down to his now rock-hard erection, still trapped inside his trousers. ‘Yes, please…’

‘Atta girl… but first, let’s get these clothes out the way, shall we?’

You nodded frantically, tugging at the hem of his t shirt as he unbuttoned your blouse to reveal your tits sitting perfectly in a lacy white bra. ‘These are fucking gorgeous.’ he palmed them before reaching round to unclip your bra. ‘I can’t want to watch them bounce as I fuck you.’

He pulled away briefly to discard his own shirt before flipping you both over. How he revelled in the sight of you underneath him, all exposed and desperate. Theo knew that you weren’t like him; you weren’t the type to sleep around. He was honoured to be making you feel this good, and he wanted to make sure you had as much fun as he knew he would have.

After pulling off his trousers he guided your hand to his bulge, making you feel him through his boxers. ‘Can you feel how hard I am for you, amore? How desperate my cock is to sink itself into your pretty little cunt?’

He leaned down to give you a passionate kiss, his thumb finding its way to your clit. Your fingers found his waistband and tugged on it, indicating that you wanted him to discard them. He obliged.

Pulling away from the kiss, your jaw dropped as you saw his erection finally spring free, hitting his stomach. It was bigger than you could’ve imagined, and you suddenly found yourself conscious of how large he was in comparison to you.

‘Theo that is not gonna fit inside of me.’

‘Let’s find out, shall we?’ he yanked your skirt and your underwear down with one harsh tug, leaving you entirely on display for him. With one movement of his hips the tip of his cock found your dripping wet entrance, and he pushed it in it in ever so slightly. The stretch makes you moan; his cock was way thicker than his fingers. ‘See that, doll, your warm little cunt is practically pulling me in. I told you I know what’s best for you.’

Tugging at his brown curls at the back of his neck, you hum in agreement. ‘Please… I need you.’

‘I didn’t even have to ask you to say it that time.’ he grinned before he bottomed out inside of you making you cry out. A bulge was visible in your stomach where is cock was deep inside you, still whilst you adjusted to his size. ‘You okay, pretty girl?’ All you could do was nod, not trusting your mouth to form coherent words with the boy who was meant to tutor you buried to the hilt in your dripping wet cunt. ‘Words, please.’ he commanded as he grabbed your jaw to bring your face closer to his.

‘Yes I’m- I’m more than okay just please…’

‘Please what?’

‘Please fuck me.’ you said in a small voice, surprised at yourself for saying it outright. At your request he started to move, making you bite your lip to keep yourself from moaning at the sensation.

‘Don’t hold back, amore. Your sounds are as cute as your face, I wanna hear them all.’

And with that he began to pound in and out of you, immediately picking up a harsh pace. His large hands pinned your wrists on either side of your head so you could make no attempt to cover your flushed face or muffle your breathy moans. He was no hypocrite either, groaning into your ear letting you hear just how much he was enjoying fucking you raw.

It was even more erotic than he’d imagined. He’d managed to turn a tutoring session with the schools resident good girl and turn it into a scene straight out of a porno. The sight of your tits bouncing as your tight, warm cunt took his thick cock was one he wanted engrained in his memory. Fuck, if you weren’t on a hard wooden floor he’d be tossing your little body around in all sorts of positions. And god, how he wanted to taste you; to suck on your sensitive little clit and lick up your sweet juices. The opportunity hadn’t arose in this particular occasion, but it only motivated him to get you in bed again.

‘You feel fucking incredible.’ he groaned, earning only a whimper in response. ‘Bet you couldn’t answer any astronomy questions now, hm?’

You shook your head, your eyes fluttering shut as he hit that sweet spot deep inside of you. ‘N-no, I-‘ his pace didn’t falter as you felt yourself clenching around him, orgasm building up - if anything, it quickened.

‘Cos I’ve fucked you senseless, haven’t I?’ Although you could hear him, you couldn’t respond. His voice was muffled and your vision was clouded, your pleasure was so overwhelming, you couldn’t think straight. ‘You like going dumb on my dick?’

Theo could tell you were close, so he brought a thumb to your clit, adding pressure in circular motions. That’s all it took for your orgasm to come crashing over you. ‘Theo, I’m-‘

‘Do it. Let go. Cum for me.’

And you do. Just as he promised, you swore you saw stars whilst he fucked you through your high and chased his own. He didn’t slow down to accommodate your now increased sensitivity - his need almost became primal as his thrusts got sloppier the closer he got. ‘Gonna fill you up with my cum, doll. Real deep.’ he grunted in your ear, feeling his own orgasm building. The pressure from your tight cunt felt like heaven to him, but mostly it was the way you were looking at him that pushed him over the edge, like he’d just taken you places you didn’t know you could go.

You both moaned as you felt his hot cum spill into you, marking you as his. And you were his, now. He’d ruined you for anybody else; he’d moulded you to fit him perfectly.

After pulling out, he laid down on his side next to you, tracing mindless circles around your navel.

‘That,’ you inhaled shakily, ‘was amazing. Are you okay?’

His eyes, which had previously been fixed on the sight of his cum leaking out of your hole, snapped up to you. By the looks of it, people don’t normally ask him that after sex, and you immediately felt as though you’d said something wrong. That was, until you felt his hand cup your cheek. ‘Careful, doll, you’re really making me want to keep you.’

‘What?’ you roll onto your side to face him.

‘Nothing.’ he sighed in content. ‘I’m great, are you okay?’

‘Amazing. Same time next week?’ you attempted to joke.

‘Same time tomorrow.’

[tialinffxiv]

"Your name has long been lost to the passage of time- and yet, your light shine ever bright upon the path of those following in your footsteps."

EDIT: Since I've been asked on discord, in DMs and tags- no post-processing was done here (aside from Reshade if you count it as one) and yes, this is gpose 😊 If you are interested in more details I will share them below:

No post-processing nor any extra textures, no drawing over screenshot. There's few "tricks" tho~ First thing- all those light effects and lines are a part of AST skill- it's "Celestial River" skill and it's a PvP LB of AST (I used magic tool to use it outside of PvP areas) and to get it to look NICE took the most of time: pausing at right moment then finding a right angle of camera for both the effects and composition of the shot etc~ Most of that was not planned at all and I just found out some cool effects with that while working on this shot. I actually do that often- I go into gpose with one idea but figure out something much different in the process. Now, to match character inside of all that and frame him nicer I made him like 4 times bigger with tool. Pose is victory of AST with a slight adjustment (and i hid the weapon outside of the shot frame). As base I went for one of sepia filters of gpose and turned the main light of gpose and reduced it to 0, then sprinkled it with few reshade filters (adjusted colors, warmth, added some blur and bloom) and finally added a screen effect of gpose called "frosted glass"- this filter sorta added more of that "cosmic dust" thingy effect on the shot. Total time spend in gpose working on this single shot- about 1 hour.

[prokopetz]

why do you think indie metroidvanias specifically take so long to make, and is there a solution that you'd like to see them go for? (i know that would likely mean a compromise of some kind, but like, you know)

The reason why is fairly obvious: the classic metroidvania formula makes it very easy to fall prey to unintentional scope creep and is a positive nightmare to QA.

Non-linear progression gating based on precision platforming challenges where the player's basic moveset is constantly changing means every little thing needs to be rigorously tested in every part of the gameworld, carefully checking every room with every combination of abilities the player could conceivably possess for a wide range of failure states.

Is there some combination of abilities that allows the player to get into this room, but not out of it afterwards? Is there some combination of abilities that allows the player to do things in an order you didn't expect? Does that variation in sequencing in turn create situations where the player can end up somewhere without an ability you had assumed was required to get there? And so forth.

Even once you've got everything tested, it's not over. Every tiny change during development, even as small as adding or subtracting a couple of percentage points from the player character's jumping height or walking speed, can potentially have a domino effect that introduces a whole new set of failure states. It's not a pretty picture!

As for solutions, the one most solo or small-team metroidvanias end up adopting is to put a damper on the exponential QA explosion by linearising progression. If you haven't flipped the right switch or visited the right room, the door simply doesn't open, the progression-critical cutscene simply doesn't trigger, and so forth. Even big-name metroidvanias often make judicious use of this one: for example, Super Metroid has certain doors in the early game that just arbitrarily will not open until you've collected a couple of specific items from the game's combat-free introductory area.

The trouble with this approach is that if you use it to the extent that's necessary to keep your QA responsibilities at a manageable level for a small team or solo developer, you functionally end up with a linear, level-based platformer that makes you walk from one level to the next. Whether this disqualifies a given title from the "metroidvania" label is a demarcation problem I'm not interested in litigating, but folks who expected a more open world experience are quite understandably going to be disappointed.

The approach I'd prefer more indie metroidvanias take is to keep things under control by limiting their scope. Not ever damn thing needs to be the next Hollow Knight; many classics of the genre can be completed in well under an hour with good routing even without employing modern speedrun tech. Similarly, some of the best indie metroidvanias are those with the smallest maps; Alruna and the Necro-Industrialists, probably the best example of open-world map design of any metroidvania published in 2024, has a map that's scarcely twenty by twenty screens, and its routing is downright fiendish.

(One of my perennial probably-never-gonna-happen projects is to design a full-featured metroidvania targeting a two to three hour casual playthrough whose entire map can fit on a single screen while remaining at a vaguely playable zoom level, in the style of titles like 1 Screen Platformer.)

[dollyyun]

REMINDER ✧ L.HS (FT. 02Z) [ TEASER ]

SYNOPSIS ✧ wherein your boyfriend, who has displayed possessive tendencies ever since some of his teammates had shown perverse interest in you, surprisingly allows them to have a taste of you and some fun with you, but not forgetting to remind them that at the end of the day, he’s the only one who can truly satisfy your needs and that you’re his.

PAIRINGS ✧ idol bf!heeseung x fem reader x idol!02z GENRE ✧ idol au, dynamic between characters, reverse harem element, fluffs, soft love, jealous-possessive heeseung, loverboy heeseung, (possibly)loverboys!02z, little plot WARNINGS ✧ needy and whiney reader, fivesome, unprotected sex (no!), dom!enha, mild bondage (light restraint), brief voyeurism, name calling, hair pulling, making out, degradation, manhandling, fingering, spitting, clit stimulations, cum eating, choking, spanking, creampies, overstimulations, multiple orgasms, gangbang, more to be added... TEASER WORDCOUNT ✧ 2.9K CURRENT WORDCOUNT ✧ 11K (est 30k)

PREV PART | SERIES MASTERLIST

The first time they met you when Heeseung officially introduced you to the whole team as his girlfriend, they were enthralled by your pristine-like beauty, even more so when they observed how you carried yourself in a refined manner. Initially, you were evidently shy to be in their presence during the first few hangouts, a natural reaction that was expected, considering that they’re superstars. It didn’t take too long for you to warm up to the maknae line, bonding with them as though they had been your long-lost best friends, but you’re reserved and formal around 02z despite being the same age as them.

The 02z did not take your indifference too personally, especially since they were more than aware of how unapproachable they looked, which made sense why you preferred the maknaes’ company than theirs, but they couldn’t ignore the disappointment that twinged in their chest whenever they watched you in a carefree element around the maknae line.

Was the disappointment derived from their platonic yearning in being your friend? Or was it derived from the attraction that took root within them when they first saw you?

They genuinely have no idea, but after the video call incident, when they unintentionally heard such sensual yet explicit sounds emitted from you, their attraction towards you became protrusive, and somehow, without confiding in each other, they shared the same goal that involved making you notice them.

But it didn’t seem to be working effectively when you remained awkward around them even after they made efforts to take the initiative to get close to you the way the maknae line did; well, at least two of them have been.

Sunghoon still has trouble opening up to you despite his attraction towards you, his aloof demeanour intimidating you every so often. It is more than evident in the way you tend to avoid meeting his icy gaze and how you would not-so-discreetly recoil whenever he is in your vicinity. He admits that he intentionally appears unwelcoming to you as he intended to steer clear of you since you have become Heeseung’s beloved, but he didn’t intend to get to a point where you completely avoid him like the plague. 

Jay is more than aware of how he intimidates you in the way he’s overbearing whenever he grasps the opportunity to interact with you, especially how he teases you in a way that borders on mean, which makes sense why you tend to ignore him or the way you look flustered, but in full honesty, he enjoys every little detail in your reaction — how your nose scrunches up adorably, your lips jutting into a small pout, your coloured irises burning with a familiar fiery — just how your sulky temperament easily entertains him.

Unlike the two Parks, who still master some form of restraint, Jake goes all out, unconcealing his flirtatious nature whenever he’s around you, even when Heeseung is next to you. Just like Jay, Jake enjoys the reaction he elicits out of you, how his charms often affect you even if you appear collected, but other times, he’s friendly with you, engaging you in small conversations that you keenly reciprocate, because no matter how attractive you are, he genuinely enjoys talking to you. Maybe it sounds stupid, but he feels as though he has met his twin flame. He can’t deny that despite the attraction, he has a genuine interest in being your friend.

Right, friend. How could they ever cross the boundary when you are clearly taken by Heeseung? The oldest member and their dependable Hyung, whom they grew up with for years. How could they ever show any form of disrespect towards your relationship with him? Especially when your relationship with him is far more stable than their love lives.

In spite of the persisting yet unspoken tension between them and the oldest, they genuinely respect him and his relationship with you, and how truly admirable his devotion and loyalty to you are, essentially and unknowingly setting a good example for them. Even a blind person could see how much Heeseung is irrevocably in love with you. 

Maybe it’s the void of loneliness within them that spurred them to be attracted to you, the idea of you, the idea of love despite their notion of love differing from each other’s, but the attraction towards you is unabating, and even till now, all they desire is you despite how unattainable you are.

Which is probably the reason why Heeseung may or may not be at his last straw after they had blatantly displayed their lust and attraction whenever they were in your vicinity or the interactions they had with you, as they are presently in the oldest’s room, standing in front of him like a bunch of delinquents getting reprimanded by the school’s principal.

They have long since prepared to get a hell of a beating from the oldest member that is long overdue, not that they would willingly submit to him since they still have pride in them. The door is locked shut since Heeseung doesn’t want the youngest in their team to eavesdrop on them.

The tension in the air is almost palpable, as is the deadly silence, but their eyes never stray from Heeseung’s calculated ones, and yet, his face remains unreadable despite the austerity he exudes. They have no idea what to expect, but will they be able to get out of this unscathed?

Heeseung, who has been observing them critically while he remains seated on his computer chair, finally emits a noise as he releases a sigh before loosening his taut composure. “No matter how much I want to beat the shit out of you guys, I’m not going to do that.” A humourless smirk unfurls on his lips while a spark of amusement dances in his eye. “So you can relax now.”

But neither of them dares to move a single muscle or even crack a smile, feeling dubious over his remark and his composure, as though they expect the oldest to pull a stunt.

“Are you sure?” Jay speaks up after a couple beats of silence, his eyes narrowing at the oldest, who seems wholly laid-back. “I mean, it’d be understandable and fair if you want to beat us after what happened.”

For a fleeting moment, there is a spark of temptation within Heeseung, but he shakes his head. “It isn’t worth ruining our friendship.” He states firmly before unravelling a layer of this unspoken animosity that encompassed their dynamic for two weeks. “This tension does nothing good to us if it continues because it will affect the dynamic of the team if it’s not resolved.”

“Agreed.” Sunghoon concurs, drawing their attention to him while his face remains stoic. “Sunoo informed me how different we’ve been around you lately. So I guess we should forget what happened and move past that.”

“On the contrary, I differ.” Heeseung says calmly, his expression remaining indecipherable. He heaves a deep sigh as he rubs his temple. “I’ve been thinking and reflecting ever since that day, and a part of me still refuses to accept the truth that you guys may or may not have some sort of attraction towards my girl.” He returns his stern gaze to them, his eyes hardening while his tone sounds austere. “So I’m here to ask you for the last time, and I want to hear the truth: do you or do you not lust for my girlfriend?”

The question that leaves his lips sends them flinching, most especially by how easily he enunciates those words. For a moment, neither of them dares to answer, and they silently yet collectively decide to refute, but Heeseung shoots them a warning glare.

“Don’t bother lying because I saw the way you guys looked at her the other day.” 

“Yes, we do.” Sunghoon finally admits, albeit guilt is evident in the colour of his tone as he looks away from his gaze. “Truth be told, we have always found her attractive ever since you introduced her to us. At least I know I did.” 

“But we kept our boundaries because we respected your relationship with her, we really did.” Jake adds in defensively, having a strong sense that the oldest is battling the chaotic emotions within him. “You know that we would never do anything to ruin your relationship.”

“I don’t know about you guys, but I can’t lie when I say that I found her more attractive after that incident in the hotel room.” Jay confesses, and it astounds the other two how he doesn’t look the slightest bit guilty as he continues to hold Heeseung’s gaze.

“You should be rest assured that we’re not going to do anything that might jeopardise your relationship with her.” Sunghoon informs him in an attempt to ease any doubts or worries from his mind.

Jake nods his head in agreement. “Yeah, we know how much you love her — we’ve seen how much you love her.”

They await his remark, but Heeseung continues to stare at them with indecipherable emotions, leaving them to wonder what actually goes on in his enigmatic mind. But little do they know that the oldest has made a final decision after having to battle the possessive beast within himself, as his decision involved you.

Heeseung rubs his tired face, lines of exhaustion from the lack of sleep paint his features. “To tell you the truth, I’ve been considering making our relationship open to you guys.” He divulges, his tone being carefully measured as he studies the expression on their faces, but his eyes harden briefly. “Not in the sense that it relates to poly, no, I'm too selfish to share her with you guys on that level of relationship.”

“What are you talking about, Heeseung?” Jay asks slowly, his heart palpitating at the implication while his mind is filled with pure confusion.

“I’m talking about you guys being able to have your way with her.” Heeseung elaborates nonchalantly, expecting to see some form of excitement from them, but the objection in their expression takes him by surprise.

“You’re kidding.” Sunghoon chuckles in disbelief, his eyes burning with an inexplicable fury despite his cold demeanour. “What the fuck, hyung? How could you even consider that? I thought you loved her.”

“Don’t become all principled now, Park Sunghoon.” Heeseung drawls as he leans his back against the soft cushion of his computer chair. His lips stretch into a lazy smirk. “I know that deep down, you’ve been wanting a taste of her.” 

“Woah, slow down, my guy.” Jake speaks up, getting slightly flustered by the oddity of his behaviour after noticing his possessive tendencies when it comes to you. “So let me get this straight. To put it bluntly, you’re allowing us to have sex with your girlfriend?”

“Exactly as I said.” Heeseung says calmly with his hands clasped together while resting his elbows on the armrests.

“But why?” Jay voices out his confusion. “I mean, your generosity is much appreciated, but we don’t understand. You’ve become possessive as fuck around her ever since we returned home.”

Jay has a point, but Heeseung has thought about this consideration deeply, using every rationality within him before coming into a conclusion that led to him developing a sense of pity towards his teammates. He recognised and understood that it must have been a long time since either of them had gotten laid, and with the management being strict on them, they were deprived of the privilege to, bluntly put, fuck their own fans despite the NDA serving a purpose to avoid scandals or any potential damage, but the company didn’t want any risk.

Besides, Heeseung knows that he can’t really blame them for being attracted to his gorgeous girlfriend, adding to the fact that your personality and mannerism are what often gravitate people towards. Hence, he has come to a decision to permit his own teammates to have their way with you, albeit there will be rules and restrictions.

“Tell me, when was the last time you guys got laid?” Heeseung asks rhetorically, raising his eyebrow at the swift avoidance in the way their eyes dart elsewhere. “A long time? Never? So why not take my offer when I’m being oh-so-generous before I change my mind?”

Collectively, suspicions brew within them as they warily stare at the oldest, who bears a smirk on his lips while he awaits their answers, feeling entirely dubious whether or not he’s testing them deliberately in an attempt to set them up. No matter how enticing the idea of them having their way with you, they wouldn’t want to risk breaking their friendship and bond with the oldest.

“What’s in it for you?” Sunghoon asks tersely, refusing to lower his guard, his icy gaze piercing, a direct challenge to Heeseung’s steely eyes. “I mean, how would this benefit you?” 

“It wouldn’t.” The genuine honesty in Heeseung’s tone seems to mollify their collective scepticism, but their demeanour remains rigid, eliciting a sigh from the oldest as he decides to deliver his sincerity in the way his eyes soften. “I’m doing this because I want to help you guys. I don’t care how much this might hurt your pride, but as your best friend, I pity you because you haven’t had the chance to get laid, and since the management is stricter on us this time, why not have your way with my girlfriend?”

“I don’t know, Hyung.” Jake mutters unsurely, frowning as he feels indecisive, torn between accepting and rejecting Heeseung’s offer.

“It’s a win-win for you guys, and possibly my girlfriend too since she gets more pleasure.” Heeseung adds, feeling more than generous to convince them.

Jay meets Jake and Sunghoon’s gaze, exchanging a silent understanding with them before directing his attention back to Heeseung. “Does she know about this? Has she even agreed to this arrangement?” 

Heeseung shakes his head. “She doesn’t know the slightest bit, but we’ll reveal it to her on the day we decide to do it with her.”

“I’m sorry, we? As in yourself too?” Jake asks in disbelief, his eyes widening slightly at the idea of Heeseung joining and watching as they might potentially obliterate you with how insatiable their needs are.

“Of course. I’m the boyfriend, aren’t I?” Heeseung smirks cockily, looking completely laid-back, but there is a predatory gleam in his gaze. “I have to make sure that you don’t break any rules, or the deal is off.”

“Afraid that your girl might catch feelings for us?” Sunghoon cracks into a grin, enjoying the scowl that contorts faintly in Heeseung’s face. “Relax, I’m kidding. She’s not even my type.” 

“So what are the rules? And what are we allowed to do with her?” Jay prods, drawing Heeseung’s attention.

“It’s simple, really. You can take her however you like, do whatever you’ve always desired to do, and you can even dirty talk to her — which, by the way, my girl’s into that — and you can kiss her on any part of her body except her lips.” Heeseung lists down with a tone of finality, leaving no room for objection or addition. His eyes are firm as he looks at them. “I can’t have you kissing my girl on the lips.”

Jake shrugs his shoulders in agreement. “Fine by me.” 

“We still need her consent.” Sunghoon reminds the bunch, his tone firm. “Because as much as I want to fuck your girl, no offence, her consent matters.”

“I know that.” Heeseung says, his features softening at the thought of you, before a familiar smugness returns, his eyes gleaming playfully. “If she agrees, it’s your luck. But if she disagrees, then I guess I should tell you good luck in advance to find other ways to get laid.”

“Man, that’s the hardest part.” Jay groans loudly, scowling in frustration. “And we can’t even fuck fans!”

“I mean, we have alternatives, if you’re up for it. We talked about it before.” Jake suggests slyly as he grins at Jay, who immediately gets a whiplash from their conversation in the past, well, more like Jake’s explicit suggestion.

“No fucking way. I’m not about to let any part of my dick make contact with yours!” Jay snarls in disagreement, disgust written over his face that Jake finds great delight in. “I wouldn’t even wanna fuck you if I swung for the same team.”

“Way to win over a man’s heart, bro.” Jake pouts his lips, only to earn a shove from Jay before they proceed to engage in their usual squabble.

“Yeah, this is the shit I have to deal with every day.” Sunghoon tells Heeseung with an eye roll while the latter simply smiles in amusement. “By the way, thanks. I’m sure it was hard for you to consider this.”

“Don’t mention it. I’m only helping you guys out.” Heeseung waves him off dismissively. “Just don’t place your hopes too high until she agrees to it."

“I have an idea to persuade her into agreeing.” Sunghoon’s bold suggestion earns an eyebrow raise from Heeseung. “But we need your permission, of course. Are we allowed to test waters and cross some boundaries with her?”

Heeseung immediately understands, and his lips twitch into a smirk, already imagining how flustered and bothered you’d be. “Yeah, sure. Just do whatever you guys wanna do as long as it gets her riled up in some way. Besides, she’s into foreplay.” He adds wittingly, earning collective groans and curses from the three as their imaginations run rampant.

“Fuck, Heeseung, you lucky bastard.” Jay scoffs out. “You really hit the jackpot with her, huh?”

“She’s amazing.” This time, a rare yet genuine smile touches Heeseung’s lips while they recognise the familiar adoration he has for you. “You guys would know once you get to know her better.”

Despite their attraction towards you, they can’t help but feel disheartened, hoping that someday they’d have their own lovers that they adore the way Heeseung does you.

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[urdreamydoodles]

Can you please make an X-Men with a goth reader?? With Logan, Scott, Remy, Rogue, Pietro, etc.

We need more x men that can handle a goth baddie 😭🙏

X-Men x Goth!Reader

How the X-Men react to their gothic s/o

Wrapped in dark elegance, your presence is a mystery, a shadow that moves beside them.

Characters: Logan Howlett, Remy LeBeau, Kurt Wagner, Scott Summers, Jean Grey, Rogue, Erik Lehnsherr, Bobby Drake, Wanda Maximoff, Pietro Maximoff, Laura Kinney & Wade Wilson

Oh my god, thank you for this prompt. I hadn't thought of that yet, and now I'm in love. (And yes, the X-Men need a goth baddie) Hope you like it <3

Logan Howlett aka. Wolverine

- Logan was immediately intrigued by your dark, edgy look. He’s always appreciated individuality, and your gothic style is no exception. There’s a look of quiet admiration in his eyes whenever you’re dressed up in dark attire, heavy eyeliner, and your signature accessories. He finds it a refreshing contrast to his own rugged appearance, and there’s a glint in his eye every time he sees you dressed to the nines in your gothic style.

- Despite his rough-and-tumble nature, Logan has a soft spot for taking care of you when you’re adjusting your outfit or fixing your makeup. He’s rough with his own appearance but becomes surprisingly delicate if you need him to hold a pin, help fasten a corset, or even steady your eyeliner in a moving vehicle. Logan finds a sort of pride in your style and will gruffly mutter about how you don’t need any of it to look “kickass” — though he never actually tells you to change.

- Logan has always been a bit protective, but seeing you in such unique attire intensifies that instinct. Whether you’re out in public or at a party with other mutants, he’s hyper-aware of anyone staring too long or making a comment. Anyone who tries to criticize or judge your appearance will face Logan’s steely glare, and if anyone dares to say something unkind, Logan will growl out a curt, “Watch your mouth.”

- Logan takes you on adventures in the forest, where your aesthetic is at home against dark trees, shadows, and the moonlight casting a pale glow. He notices the way your love of all things dark blends so well with nature, and he’ll sometimes surprise you with gifts like black roses or unique stones that he finds during his travels. There’s an unspoken connection between his wild spirit and your gothic beauty, and he feels that keenly.

- In private, Logan can’t help but be a little captivated by you. When you’re together, he takes a moment to admire you in the shadows, noticing the details in your clothing, jewelry, and makeup. He’ll run his fingers over your darkened nails or twirl a piece of your hair, finding the gothic aesthetic mysterious and alluring. He may be a man of few words, but the way he looks at you says it all.

Remy LeBeau aka. Gambit

- Remy was charmed from the moment he saw your gothic look. He’s always been drawn to unique personalities, and your dark, striking style caught his attention immediately. He’s often complimenting your bold choices and teasingly asks if you’re trying to cast a spell on him with your bewitching look. Every time you add something new to your ensemble, he’s the first to notice and give an enthusiastic approval.

- Remy loves accessorizing and will often gift you trinkets and jewelry that he thinks match your aesthetic. He has an eye for detail and will go out of his way to find vintage rings, unique chokers, or bracelets that fit right into your gothic wardrobe. Sometimes he’ll even joke that he “borrowed” it from a wealthy socialite, adding a bit of thrill to each item he gives you.

- Whenever you’re out together, Remy makes it clear to everyone around that he’s proud to be by your side. He doesn’t mind being the center of attention, and he revels in the way people stare at the two of you together. Your gothic style, paired with his smooth Cajun charm, makes you both an irresistible sight, and he absolutely loves the dramatic effect you create as a couple.

- Remy isn’t shy about getting involved in your look either. He’ll sometimes join you in wearing darker colors, occasionally adding a dark coat or some subtle accessories to match your aesthetic. And whenever you put on darker lipstick or smudged eyeliner, he’s quick to lean in, smirking and saying, “Chere, you tryin’ to make a bad boy outta me?” before sneaking a kiss and smudging your lipstick.

- At the end of the day, Remy loves the way your dark, bold look contrasts with his playful nature. In private moments, he’ll trace his fingers over your jewelry or adjust your lace gloves, smiling in admiration. There’s something about your mysterious beauty that makes him feel even more protective and infatuated, and he’ll often pull you close, murmuring about how he’s got a taste for danger — and you’re exactly his type.

Kurt Wagner aka. Nightcrawler

- Kurt is utterly enchanted by your gothic style. To him, it’s a beautiful form of self-expression, and he admires your ability to embrace it so wholeheartedly. His own appearance has always set him apart, and your willingness to stand out with your unique look makes him feel seen and appreciated. He’ll often tell you how striking you look, calling you his “dark angel.”

- While Kurt’s aesthetic might be different, he secretly loves trying out some gothic-inspired touches when he’s with you. Whether it’s a spiked bracelet, a dark cloak, or even dabbling with black nail polish (after much convincing), he’s open to stepping out of his usual look to match your vibe, finding it fun and endearing to share in your aesthetic.

- Kurt is deeply respectful of your style, and he’s fascinated by the meaning behind the gothic elements you choose. He’ll eagerly ask about your jewelry, your makeup, or why you love dark colors. He listens intently to your answers, often seeing your look as a form of art and self-expression. He sees beauty in everything you do, and that extends deeply to your appearance.

- When you’re both out together, Kurt keeps an arm protectively around you, teleporting you out of crowds if he senses anyone staring too much. He knows how judgmental people can be, and he wants you to feel as comfortable and safe as possible. He’ll often take you on night-time adventures, leaping across rooftops with you in his arms, knowing you’ll love the thrill of the city under moonlight.

- Kurt loves your aesthetic so much that he’s inspired to draw you. When he has free time, you’ll catch him sketching in his notebook, creating little drawings of you in various gothic outfits. He never tells you about it until you find his sketches by accident, blushing furiously when you compliment his work. He’d say shyly, “Vhy wouldn’t I vish to capture such beauty?”

Scott Summers aka. Cyclops

- Scott’s first reaction to your gothic style is one of quiet fascination. As someone who’s usually by the book, he’s intrigued by how unapologetically yourself you are. He’s not exactly one for bold fashion statements, but he admires your confidence and individuality, often finding himself silently captivated by your unique look. He might not say it often, but his lingering glances are unmistakable.

- Scott quickly becomes a bit protective when you’re out in public, especially if people stare or make comments. He’s the type to subtly position himself between you and any potential gawkers, his arm hovering near yours in a quiet but firm show of solidarity. He respects your aesthetic completely, and he doesn’t tolerate any negativity directed your way.

- While Scott may not share your love for gothic fashion, he’ll still make an effort to understand it. He’s the type to do his research and might even surprise you with knowledge about gothic subculture, books, or art. He takes your interests seriously and often engages in thoughtful conversations, eager to understand the things you’re passionate about.

- Although Scott isn’t one for grand gestures, he’s deeply supportive in his own quiet way. He’ll surprise you with thoughtful little gifts—perhaps a book by a gothic author you admire or a vintage item he thinks would suit your style. His love language might be subtle, but he’s always thinking of ways to show his appreciation for the things that make you unique.

- Behind closed doors, Scott’s admiration for your gothic look becomes a little more apparent. He’s endlessly fascinated by the contrast between his own controlled, structured personality and your bold, mysterious beauty. He’ll sometimes run his fingers through your hair, admiring the way it frames your face, and he’ll tell you in his own reserved way just how much he’s in awe of you.

Jean Grey aka. Marvel Girl / Phoenix

- Jean is fascinated by your gothic style and sees it as a beautiful, creative way to express yourself. She finds herself admiring the little details in your attire, the dark layers, intricate jewelry, and the way it all complements your personality. Her curiosity often leads her to ask about your fashion choices, eager to understand what each piece means to you.

- Being empathetic and open-minded, Jean appreciates how you embrace a style that isn’t necessarily “mainstream.” She’ll often compliment you, giving you a gentle smile and reminding you that she loves your unique style. She finds it refreshingly bold and admires how it reflects your inner strength and individuality. Jean occasionally likes to join you in trying out darker makeup or accessories to match your aesthetic, finding the experience fun and bonding.

- Jean’s powers make her sensitive to people’s thoughts, and she’s hyper-aware of the judgmental looks or whispers when you’re both out in public. She’s quick to reassure you telepathically, sending you warm, encouraging thoughts if she senses any discomfort from you. Her presence always feels like a supportive, silent reminder that she’s by your side, and she has a way of making you feel completely understood.

- Sometimes, she’ll surprise you with little gifts that fit your gothic style—a delicate black pendant she found, a book of poetry she thinks you’ll love, or a flower carefully chosen to match your look. Jean’s attentiveness shows in every thoughtful gesture, and she genuinely enjoys finding ways to make you feel cherished and accepted.

- Jean often finds herself captivated by the way your gothic aesthetic contrasts with her own. In private moments, she’ll softly tell you how beautiful and mysterious you look, her gaze filled with admiration. She’ll gently brush a strand of hair from your face, whispering about how she feels lucky to be with someone as unique and bold as you.

Anna Marie aka. Rogue

- Rogue adores your gothic style and finds it incredibly cool. She’s all about breaking the mold, so seeing you embrace a bold, dark aesthetic instantly impresses her. She’s the type to playfully nudge you and say, “You look killer, sugah,” whenever you put together a particularly striking look, and she often asks for style tips to incorporate some gothic elements into her own outfits.

- She loves joining you in shopping trips for gothic clothes and accessories. Rogue has a thing for statement pieces herself, so she’s always on the lookout for something edgy that could match both of your styles. She’s especially drawn to things like dark leather jackets, silver rings, and anything that screams “rebellious”—finding it exciting to shop with someone who has a taste for the unconventional.

- Rogue has a protective streak and won’t stand for anyone disrespecting you or making you feel out of place. If someone stares too long or makes a comment, Rogue has no problem giving them a sharp, intimidating glare. She’s fiercely defensive of your right to express yourself, and she’ll always make sure you feel comfortable and safe being yourself around her.

- Your gothic look and overall vibe sometimes make her feel a bit soft around you, and she loves that. Rogue admires your confidence and how you carry yourself, and she’s grateful for the quiet strength she feels from being with you. Sometimes, when it’s just the two of you, she’ll sit close and tell you how she feels like she’s found a kindred spirit in you—someone who isn’t afraid to stand out.

- In private, Rogue is endlessly affectionate and attentive. She loves taking in all the little details, like how you accessorize or the particular makeup you wear. She’ll sometimes brush her gloved hand across your cheek, marveling at how stunning you look and making you feel like you’re the only person in the world. With you, she can be her true, unfiltered self, and she’s grateful for that.

Erik Lehnsherr aka. Magneto

- Erik is immediately intrigued by your gothic aesthetic. He’s a person of elegance and sophistication, but he appreciates when someone dares to be different. He’ll often give you a thoughtful once-over, his piercing gaze lingering on you in silent admiration. Though he doesn’t say much at first, he finds himself fascinated by your unique look and style.

- Erik’s keen intellect often leads him to inquire about the historical roots of the gothic subculture, and he listens intently as you explain its influences. He sees a lot of strength in your choice to embrace a bold, non-conformist style and has a profound respect for your commitment to your aesthetic. He’ll occasionally surprise you with antique jewelry or rare finds that match your taste, finding a sort of thrill in choosing gifts you’ll treasure.

- When you’re out together, Erik is a silent but powerful presence, always by your side and subtly protective. Anyone who dares look down on you or make a judgmental comment will quickly find themselves on the receiving end of his steely glare. He values self-expression and has no patience for those who would try to undermine yours, making it very clear that he respects you fully and will tolerate no less from others.

- He has a refined appreciation for your style, often drawing parallels between it and his own preference for timeless, dignified looks. In private, he’ll run a hand over a piece of your jewelry or trace his fingers along the intricate details of your clothes, remarking in a low voice about how well it all suits you. He finds your appearance mesmerizing and genuinely enjoys the aura of mystery you bring with you.

- Erik doesn’t often show vulnerability, but with you, he finds himself at ease. He admires how your gothic style reflects resilience, a quality he holds dear, and he sees in you a kindred spirit—a reminder of strength in individuality. When it’s just the two of you, he’ll quietly express how he feels lucky to have found someone who embraces the world with such fierce independence.

Bobby Drake aka. Iceman

- Bobby is absolutely fascinated by your gothic style. As someone who’s always been a bit playful and lighthearted, he finds your dark, brooding aesthetic to be thrillingly different from anything he’s used to. He’ll often tease you affectionately, calling you his “goth queen” or “dark angel” in that playful way only he can pull off, genuinely admiring your commitment to the look.

- He’s endlessly curious about your fashion choices and will often ask questions about the different elements of your style, from the jewelry to the makeup. Bobby isn’t afraid to experiment either—sometimes you’ll catch him jokingly trying on your rings or attempting your dark eyeliner just for laughs. He loves getting you to crack a smile, even if it means looking a little ridiculous himself.

- Bobby is all about hyping you up in public. He finds your look incredibly cool and will proudly show you off whenever you’re together. If people give you weird looks, he’ll throw an arm around your shoulder and declare, “Yeah, that’s my goth babe—jealous?” His lighthearted energy brings a fun dynamic to your relationship, making you feel completely accepted for who you are.

- Despite his own upbeat personality, Bobby finds your gothic aesthetic deeply captivating. He’s fascinated by how well it reflects your personality, and he often jokes about being “entranced” by your dark, mysterious look. Sometimes, he’ll even ask if you could show him a bit more about the gothic subculture, genuinely interested in learning about something that means so much to you.

- In quiet moments, Bobby is surprisingly thoughtful, admiring your makeup or your choice of accessories in a way that’s tender and sincere. He’ll tell you that you look amazing and that he’s lucky to have someone so unique and bold by his side. Beneath all his jokes, there’s a deep respect for your individuality, and he genuinely loves how your gothic aesthetic adds a layer of mystery and allure to your relationship.

Wanda Maximoff aka. The Scarlet Witch

- Wanda is deeply drawn to your gothic aesthetic and feels an immediate kinship with you. She’s familiar with the feeling of being different, of standing apart, so she instantly understands your choice to embrace a darker look. She loves how your style is unapologetically you and finds comfort in how it resonates with the magic and mystery she herself embodies.

- Wanda is genuinely captivated by the intricacies of your look. She’ll admire the subtle details—maybe a delicate, ornate ring or a shadowed makeup look that speaks to your artistry. Sometimes she’ll playfully use her magic to make a small dark aura shimmer around you, a soft, enchanted touch to match your aesthetic. It’s her way of embracing your uniqueness and showing that she appreciates every part of you.

- When you’re both out together, she’s proud to be seen by your side. If people stare or pass judgment, Wanda doesn’t let it affect her. She’ll take your hand and give you a knowing smile, her quiet confidence making you feel fully accepted. Her serene presence has a calming effect, and you know you’re safe with her, free to be yourself without any need to explain or justify.

- Wanda loves sharing her own story with you, talking about the darker aspects of her past and the magic that’s sometimes misunderstood by others. She feels like you understand her struggles and admires how your gothic style speaks to resilience and defiance. Sometimes, she’ll create small magical gifts for you—a necklace that glows faintly with enchantment or a rose that never wilts, gestures to show her affection and appreciation for who you are.

- In private, she’s incredibly gentle and open, drawn to how your darker style balances her sometimes chaotic world. Wanda will often express how much she cherishes you, how your individuality and strength help her feel more grounded. She finds comfort in your presence, and there’s a deep, almost otherworldly bond that connects you both, as if she’s found a piece of herself in you.

Pietro Maximoff aka. Quicksilver

- Pietro is absolutely fascinated by your gothic look and finds it incredibly cool. He’s the type to whistle and tease you, calling you his “gothic queen” or “dark angel” with a big, proud grin. Your style is so different from his fast-paced, casual vibe, and he loves how it sets you apart from everyone else he knows.

- He loves showing you off and finds joy in watching other people’s reactions when they see you two together. Pietro has a protective streak, so if anyone gives you a weird look or mutters a snide comment, he’s quick to shut them down with a snappy comeback. He’s proud of your unique style and makes it known that he wouldn’t want you any other way.

- Pietro’s energy is a fun contrast to your aesthetic, and he often makes it his mission to get you to crack a smile. Whether it’s by jokingly trying on your dark lipstick or attempting your makeup style (usually ending up with eyeliner everywhere), he’s always trying to bring some lightheartedness into your day. He loves that your seriousness balances him out, and he always feels like his life is a bit more exciting with you in it.

- He’s incredibly curious about all things gothic and will often ask questions about your music, style, or favorite bands. Sometimes, he’ll surprise you by blasting one of your favorite gothic rock songs while you’re together, just to show he’s been paying attention. He’s always eager to learn more about what makes you tick and is genuinely interested in understanding the darker elements of your personality.

- In quieter moments, Pietro will tell you how lucky he feels to be with someone who’s so unapologetically themselves. He’s a bit of a show-off, but around you, he’s sincere, openly admiring the depth you bring to his life. He loves the contrast between your mysterious vibe and his vibrant personality, and he feels like you’re his perfect opposite, bringing balance to his world.

Laura Kinney aka. X-23 / Wolverine

- Laura’s first reaction to your gothic style is quiet fascination. She’s not one to comment much on appearances, but she admires how self-assured you seem with your unique look. She respects individuality, and your dark aesthetic quickly becomes something she associates with strength and resilience—a reminder that you’re someone who can stand out and face the world on your own terms.

- She’s very protective of you, especially if you’re out together and encounter anyone who looks down on your style. Laura doesn’t tolerate any disrespect, and if she senses anyone judging you, they’ll get a deadly glare. Your relationship with Laura is based on mutual respect, and she’ll go out of her way to make sure you’re never made to feel lesser because of how you look.

- Laura isn’t one for big gestures, but she shows her affection in small, meaningful ways. If she notices a new accessory or makeup look, she’ll give you a subtle nod of approval or say, “You look nice.” It’s her way of showing that she notices the little things and that she values the care you put into your style. Occasionally, she’ll even ask for your input if she wants to try something different with her look, trusting your judgment.

- Sometimes, Laura’s curiosity gets the better of her, and she’ll sit with you to ask questions about the gothic subculture. She respects that there’s a deeper meaning behind your aesthetic, and learning about your interests helps her feel closer to you. She listens intently, taking in every word with her characteristic seriousness, and it’s clear she appreciates the passion you have for your style.

- When it’s just the two of you, Laura lets her guard down and shows a softer side, often complimenting you in her own way. She’ll tell you that you’re “different from anyone else,” and coming from her, it’s the highest praise. With Laura, you know you’re accepted fully, and she values the unique presence you bring to her life, finding comfort and strength in the dark beauty that defines you.

Wade Wilson aka. Deadpool

- Wade is absolutely thrilled by your gothic style and finds it ridiculously cool. He’s the type to immediately start calling you his “dark and mysterious love,” and he’s not shy about showing you off. He’ll take you anywhere and everywhere, proudly bragging to anyone who’ll listen about how awesome you look. He loves that your aesthetic stands out and often tries to “match” you in his own chaotic way.

- Being Wade, he’s constantly trying to make you laugh, especially since your serious demeanor intrigues him. He’ll crack jokes, do silly impressions, and make exaggerated compliments about how you’re his “queen of darkness.” He’s always trying to get a smile out of you, relishing the challenge of breaking through your stoic exterior, and finds it endlessly amusing when he actually succeeds.

- Wade also loves dressing up to match your gothic look on occasion, though his interpretations are… creative. He’ll try on dark makeup or leather jackets and end up looking like a rock star from the 80s. Despite how outlandish he looks, his attempts are always genuine, and he adores the way your aesthetic complements his unpredictable personality.

- Wade is surprisingly sensitive to how the world judges appearances and takes it personally if anyone so much as looks at you the wrong way. He’s fiercely defensive of your right to express yourself and will launch into a full-fledged speech about how amazing you are, shutting down any naysayers with his trademark over-the-top theatrics. With Wade, you know you’ll always be celebrated for exactly who you are.

- In private, Wade will tell you how he admires the confidence and mystery you carry with your style. Beneath his antics, there’s a genuine admiration for your strength and individuality. He’ll hold your hand, make eye contact, and tell you that you’re the best thing that’s ever happened to him, adding with a smirk, “Even if you look like you might summon a demon any second.” It’s his way of saying he’s completely smitten, and he loves you just as you are.

[fangsandfeels]

Quite often, I'm sad that Larian canned the original idea of letting origin characters narrate their story and choices. It gave such a nice flavor to their personal stories and their emotions during every encounter.

For instance, upon encountering a wounded illithid who tried to mind control them:

Astarion already fucking hates this thing - he growls as he describes it, he seethes. And then he almost sobs, when the mindflayer tries to force him to think he deserved to be whipped and flayed for resisting it. And it makes perfect sense for him to react like that -- not only does he hate any intrusion into his mind, but also, the mindflayer found his trigger and made him feel miserable.

Meanwhile, Shadowheart, in the same scene, sounds a lot more collected, and observant, detached even when the mindflayer pushes into her mind. Sharite training pays off - she has probably been prepared for such attacks and is ready to endure what it takes to fulfill her mission. She needs to keep her focus and press on.

Will is straight-up poetic. He doesn't narrate; he tells a story he is immersed in (and wants to get you immersed too). He doesn't hate the dying mindflayer -- he has no reason to, it's dying all the same. He is taken aback by the compulsion attempt, clearly processing the emotions the creature tries to drag him through, but he is still in control, clearly understanding what it's trying to do. And of course, he would be in control - he is an experienced monster hunter, he dealt with all kinds of creatures. He knows a mental attack when he sees one.

Oh, and Gale, Gale just brings that classy "stranded in another world log" vibe. He is one of those sci-fi protagonists who go through the horrors and wonders, but always narrate them in the calmest of voices because they can't afford losing focus and losing their cool. Of course, Gale is also sympathetic, and curious, and melancholic at times, but it's all contained. I don't know if it was intentional, but his lines conveyed the feeling of isolation despite being surrounded by people.

Yes, Amelia Tyler is perfect, but I feel like BG3 origin character playthroughs suffer from the same effect that Divinity: Original Sin 2 origin stories did -- aside from a couple of details, more personalized interactions, and a bit more insights related to personal quests, they blend together with custom character behavior a lot.

Narration by VAs would have added such a nice personal touch to every choice and decision - not to mention compensated for the lack of voiced dialogues.

[slugtranslation-hypmic]

Reflection on Fanservice and the Hypmic Movie A.K.A. I Can't Stop Thinking About That IchiKuu Bait (But, Like, In An Intellectual Way)

Watching the Hypmic movie pushed a concept I'd been thinking about to the forefront of my brain: how to write cohesive fanservice.

Fanservice occupies an interesting place within a work by being both a departure from the main plot or setting while simultaneously furthering the works' overarching goals. Fanservice has to be Part of the whole but also recognizably Not--to acknowledge that something is fanservice is to set it apart from the rest of the work with a knowing wink, to say that this aspect of the work is in someway closer to the fourth wall than the rest. If we imagine elements of a fictional work to be two-dimensional panels, inserting fanservice is suddenly turning this two-dimensional stage on its side and revealing that the fanservice panel is closer to the audience than all the rest. It's adding a literal new dimension to the work.

Because fanservice is meant to provide some desirable Thing that cannot be satisfied within the constraints of the main work, fanservice often exists in a quasi-universe of its own. It's like we've jumped onto a new plane--one closer to the audience--when we shifted from the previous two-dimensional panel to the fanservice panel. This plane plays by different rules. Fictional characters can seduce the audience. Men can kiss men; women, women in otherwise heterosexual universes. Then the fanservice ends, the perspective snaps back to the previous plane, and the rules of the universe resume. Fictional characters can't flaunt sexual behavior to an audience whose existence they have no awareness of; homoeroticism can't be anything more than a joke when male/female is the only flavor romance comes in. Whatever happened in the previous panel breaks the rules of the universe--so what happens to it? In most cases, the events of the fanservice panel simply never happened in the main storytelling plane. They're never acknowledged again or contribute to plot, characterization, or themes. Fanservice simply floats on its own plane, disconnected, and can only ever be evaluated in respect to other events in that same plane.

And while that makes the fanservice no less compelling (this isn't a rant against fanservice), doesn't that feel like a waste? Why include a story element if it doesn't work toward some common goal?

Well, it does! Fanservice explicitly performs a feature the rest of the work handles implicitly: defining a target audience. Other story elements (plot, genre, characterization, etc.) create a synergistic effect that suggests certain things about the author's intended reader. People who enjoy misogynistic, medieval fantasy powertrips might also enjoy big titty anime men; handsome, spindly men who solve murders and get covered in blood might also appeal to those who want to see blood-covered men making out. Fanservice rewards those audience members for finding the work and, perhaps unintentionally, can drive away audience members outside of the intended audience. Apart from sheer joy on the author's part to include it, fanservice creates messaging about in-groups and out-groups. Don't like elf titties breasting boobily at the slightest provocation? Stop watching isekai. Don't want to see bloody dudes sucking face? Get out of the ikemen aisle. And so on.

This can cause difficulties, then, when a translator falls outside the target audience. While most established translators have an (often broad) focus, there is generally an aspect of "I sure do like having money for goods and services" that informs a translator accepting a particular assignment. One of the most common complaints I see about otherwise sound translations is a translator failing to recognize fanservice cues or play up fanservice to the degree expected by the target audience. On one hand, this can be really frustrating for the audience! It's understandable to feel slighted or robbed of part of the fun. On the other hand, it can require a lot of extra, unpaid work for a translator to familiarize themself with niche tropes/kinks/etc. It can also be profoundly uncomfortable to write--and attempt to write well!--something you find morally repugnant.

I think matching the author's energies is one of the few things I'm genuinely very good at, so I put a lot of thought into fan service. What does the target audience for this particular type of fan service like, and why do they like it? How should the why factor shape the English text? (This can be fun! Weird kinks? Well, I'm not in the having sex fandom, so off to Ao3 I go. Huh! Here's a byline running through most of these fics--this must be one of the central draws of the kink. I see that same byline in the work, and now I understand the author's intent better. Let's make sure to include that in the translation. This can also be...less fun. My job is to make sexual assault and incest look hot! I'm...not a fan of either of these! I don't really like looking at them, even in fiction! But hey, let's go figure out what the appeal is and see if it can't be reproduced here! Do I feel gross writing it? Yeah, I do. Does that make it any less of my responsibility to do a good job? Personally, I don't think so.) At the same time, it's important that the fanservice doesn't become so off the walls that it fails to integrate into the rest of the translation

This ties back into the question I asked earlier: Isn't it a waste for a story element to be so divorced from the rest of the text? Wouldn't it be nice if fanservice offered something more?

Enter what I call "cohesive fanservice." (I flirted with the term "effective fanservice" but I think that's disingenuous, because fanservice usually serves a different purpose than the rest of the text.) Cohesive fanservice is fanservice that contributes to the rest of the story--be it plot, characterization, themes, whatever.

But wait! Fanservice operates on a different set of rules from the main universe. How are those different rules reconciled? This is usually handled in one of three ways:

The rules aren't reconciled, and the audience is asked to consider the implications of this discrepancy. Here's a fourteen-year-old shaking her butt for the camera in a universe where fourteen-year-olds are sexy. Now we return to the regular universe where that's not true. What does your reaction say about yourself? What does this say about how we as a society sexualize young teens? And so on. It should go without saying that this is not the same thing as pushing the idea that fourteen-year-olds are sexy throughout the entire work. There must be a deliberate attempt to challenge the audience and/or discuss the topic.

The rules aren't reconciled, and this discrepancy has consequences in the plot or characterization. In one of the jobs I alluded to above, a fanservice scene sells a "hot" portrayal of sexual assault. In the rules of the fan service plane, sexual assault is acceptable. But upon returning to the rules of the normal plane, sexual assault is no longer acceptable. Sexual assault is scary and very serious! The assaulter and her victim have a falling out, and we're forced to examine what made the assaulter ever think it was acceptable to force herself upon the victim to begin with. How the assault changes the victim and assaulter and how, if ever, the assaulter can regain the victim's trust are then discussed through the remainder of the series. The discrepancy and its consequences furthers the plot and the characterization thus contributing to the story. While I didn't like translating this scene (it was emotionally draining for maaaaany reasons), I liked what it did for the story and respected the author's choice to include it. I think it's well-written even if not personally enjoyable.

The rules are reconciled because the fan service, outside of its main premise, obeys all the rules of the main plane. Not the same thing as "there's a heterosexual explanation for this." If a character bares their boobies to the camera, then we should expect them to be interested in showing off their body outside of fanservice. If one handsome man waxes poetic about another, he should be the type to deliver heartfelt monologues in general. In a work I have truly egregious creative freedom on (and thus the equally daunting obligation to produce good fiction no matter what), I frequently run up against fanservice walls of this nature. If the author wants character X to do Y--something they never, ever do--it's my job to figure out what would compel X to do Y, how this unknown third thing interacts with the world of the story, and how doing Y affects X. This is Really Damn Hard.

And here I turn to Hypmic for inspiration, because Hypmic is often superb at this third type of cohesive fanservice.

Hypmic is so fanservice heavy it affects the series' ability to cohere--just look at any time the worldbuilding is examined with any degree of seriousness. Between the contradictory and constant needs for the characters to look Hot, act Gay, and be Goofy Goobers (humor can 100% be fanservice), it's kind of a miracle there's any consistency anywhere. Except it's not a miracle--it's really, really good character writing.

Things like ARB that are almost pure fanservice don't need to cohere; there, it's fine if the story jumps back and forth between fifteen hundred different planes because the primary purpose is to entertain. Why not have pterodactyls and also body swapping? You want hot boys too? Sure! Have little a Gentarou bare arms. As a treat. Doppo and Hifumi are confessing their undying love in the corner? Sounds good! Why the hell not! Whee!

But because none of the stakes matter (if ARB!Dice got mauled by a bear, Gentarou and Ramuda would laugh, and then he would show up in the next card alive, shirtless, and pitifully covered in glue), it's hard for audience members to feel emotions outside of levity. Now it's more important for fanservice to follow the rules of the main story plane--because if those rules break in fanservice, why should the audience ever expect them to hold at other times?

Hypmic doesn't always succeed at this, but when it does, it does it very, very well.

The Hypmic movie has lots of good examples of this, but I want to narrow in on the three First Stage leader kiss tease scenes, especially now that the official account gives us references I can legally screenshot and share. There's one that I think is very, very cohesive (IchiKuu), one that I think is not at all (SasaSama), and one that is cohesive on a technicality so bizarre it deserves to be looked at too (JakuRamu).

As a side note, this has nothing to do with my personal enjoyment of the ships--I like SasaSama and IchiKuu pretty much equally. I'm coming at this with my translator hat on, which isn't necessarily objective but is informed on "what do the authors want to convey" and not "what do I, personally, want to focus on."

Let's start with IchiKuu!

Kuukou marches right into Ichirou's personal space and forces Ichirou to lean very far back for the duration of his verse. Then, in Ichirou's verse, Ichirou reverses the position.

Kuukou is shown grinning, and his eyes flare in interest.

(Please ignore the...I can only hope accidental...innuendo in Ichirou telling Kuukou to "take his overwhelming vibes" lol)

I don't think the overall premise of any of these scenes is especially coherent (can you imagine being Juushi in this moment and sweating in nervous horror as Kuukou holds world's most wicked lean, hips fully under Ichirou's, for a solid ten seconds? The way this would blow up on the internet... The questions you, as Juushi, would not be prepared to answer... The pointed silence from Hitoya in the car on the way home... Like come on lol), but each individual action feels true to the character. Both Ichirou and Kuukou would do those things unprompted.

Kuukou is physically comfortable with Ichirou, breaks social conventions, and otherwise gets in people's personal space all the time. Here are two quick examples from DoD chapter 3, which occurs before Ichirou knows Kuukou well.

We've seen Kuukou be aggressive (often and always) and invade Ichirou's personal space in somewhat odd ways, so it makes sense that he'd do so here.

We also know that Ichirou matches Kuukou tit for tat, even when he probably really shouldn't (see Ichirou watch Kuukou break his own arm, call him an idiot, and start fighting him in DH/BAT chapter 9), so it's reasonable to assume Ichirou will ignore common sense and do the exact same thing to Kuukou.

Then, and this is the part that THRILLED me because it showed such deep understanding of the character, Kuukou grins and eats up every bit of Ichirou flexing on him.

A recurring theme in Ichirou and Kuukou's relationship is the idea of Kuukou admiring Ichirou for being "strong." From that same chapter, here's Kuukou admiring Ichirou for beating him up (and being stupid enough to try and beat him up) while expressing anger that someone so cool (again, I must stress, "cool" to Kuukou means physically ripped and dumb as a stump) would be engaged in a morally rotten pursuit like shaking people down for money.

Kuukou doesn't just want to beat Ichirou. Kuukou wants just as badly to see Ichirou beat him and delights in evidence of Ichirou's strength. That's why we see his eyes light up, and that's what cements this scene to me as an amazing piece of fanservice. It reinforces everything we know about these characters and their dynamic and would be feasible, if not a bit exaggerated in this intensity, in a non-fanservice scenario.

Unfortunately, the SasaSama scene falls flat to me for these same reasons, which is an issue a lot of Samatoki and MTC fanservice shares.

Sasara leans in close to Samatoki's mic. Samatoki backs away slightly, surprised, then leans back in with an aggressive look. The camera lingers here for a while as the same "indirect mic kiss" is repeated with the second and third liners. It's reminiscent of MTC's and SasaSama's cigarette kisses.

While I agree with the framing--Sasara doing something to surprise/annoy Samatoki is in character--I think this scene is limited by its position in the song (a chorus where everyone does the same thing; if I recall correctly there's another moment like this further in which isn't much different and similarly failed to impress me) and the need to sell the image of sexy MTC.

It's not that I think MTC is unsexy. It's that I have no reason to believe Samatoki has any desire to make himself look sexy to us.

Compare this image of suave Hifumi (FP/M+ chapter 3) to one of Samatoki breasting boobily (BB/MTC+ chapter 22).

Hifumi is an entertainer by trade. Even not in front of a in-universe audience, as is in this scene when it's just him and the BBs, it makes sense that he would swivel his hips and push his hair back for the IRL audience because he plays up to audiences.

But Samatoki doesn't work in entertainment. He wants to appear tough, not sexy, so it makes no sense for him to turn to the audience and flaunt his body. For this to look natural, the manga often showcases his physical form as incidentally attractive while intentionally threatening.

It feels believable that Samatoki would lunge at the audience and if his shirt just happens to press itself against his massive pecs... oh no... woe is us who have to see that...

This is what makes the cigarette kisses as a whole feel weak to me on a characterization level.

Take the famous SasaSama cigarette kiss in TDD chapter 5 (a chapter so old I don't have it in Japanese...). What reason does Samatoki have to look attractive for the audience? What would compel him to light his cigarette from Sasara's instead of using a lighter, either his or Sasara's?

In general, I think many Hypmic writers struggle to write in-character MTC fanservice because MTC has far fewer reasons to pander themselves. Not only do Samatoki and Juuto have a vested interest in making themselves appear unapproachable, all three have difficulty (at first) trusting one another and (later) showing affection for one another. It's one of the group's core conflicts. While some groups can fall back on shenaniganry (Ramuda tackles Dice! Kuukou whacks Hitoya on the back! Ichirou bearhugs his little bros! and so on), MTC can only do so sparingly to avoid either a) being out-of-character or b) tarnishing the group's tough guy image, which is a major part of MTC's IRL sell. As a result, MTC (and Samatoki in particular) can often feel stiff or muted in group shots, which I felt hard in this movie and in certain segments of the stage plays.

How can this be mitigated? Apart from incidental fanservice (here's a good one from DH/BAT chapter 11--Samatoki lost his lighter in a fight, so he's forced to ask--and therefore trust--Sasara and just so happens to be a pretty boy in the process) and the odd MTC goofball moment, I'd love to see more authors lean into MTC's desire to have connections.

Here's an example from the BB/MTC+ epilogue that handles a group shot with stupendous ease. In it, Samatoki is watching the Buster Bros and Fling Posse after Fling Posse wins the 2nd DRB, swears, is prompted by his teammates, and leaves with a promise that MTC will win the next DRB. This is nothing exceptional--virtually every MTC loss in every medium ever goes exactly like this--but the presentation changes everything.

The deliberate pacing, the focus on Samatoki's attention, the refusal to show Samatoki's eyes/facial expression after the close-ups on the teams hugging, the stark shot of the palpable distance between the MTC members, the hunch in Samatoki's shoulders, and the close-up on Juuto's left-behind cigarette tell a completely different story than "Grr, I'm so tough I'll swear and say 'we'll get 'em next time.'" Suddenly, MTC isn't reticent because it's cool. It's that they're so stuck being cool it forces them to be reticent, but that's a heavy burden and not one MTC bears lightly. That's completely in-line with their characterization and a fantastic take on them! I want to see more like this!

As for what to do about the SasaSama kiss tease... I'd love for them to have justifiable, in-character actions that in turn support their dynamic. Sasara getting in Samatoki's face is fine; he can easily do so if his purpose is to annoy or as part of a physical gag. Samatoki can then fall for the bait and lean further in or grab Sasara by the collar and tug him forward intimidatingly--here's that happening in canon in DoD chapter 4--whereupon we can have another, less surface-level interaction.

Sasara and Samatoki's theme is partnership, so a good piece of fanservice should lean into that. Either Samatoki could suddenly finish the joke (as part of a verse, perhaps?) Sasara started (causing Sasara to be surprised, then elated) because Samatoki's a dork and a softie at heart--source: literally all of canon--or something happens to Samatoki's mic, necessitating Sasara to offer his and letting Samatoki finish the verse from Sasara's mic. (Sasara can still remain in kissing distance to chaperone it as need be.) Inherent trust, leaning on one another, etc. etc. I get that it's difficult to stress partnership in an adversarial scenario, but there's really so much room for creativity here. It's a shame we didn't get more.

Maybe the writers were saving all their creativity for whatever the fuck Jakurai and Ramuda were up to.

In this scene, Jakurai advances at Ramuda during a verse. Ramuda backs up, loses his balance, and falls on his backside. Jakurai, in a certified Jakurai moment, kneels down until he's straddling Ramuda and delivers the rest of the verse a few centimeters from Ramuda's lips. Ramuda blushes. (His model blushes often and freely in the film, including several other times Jakurai's around.)

In some versions of the film, there's a shot of this from the back where you can't see what's going on. This is a common visual shorthand for kissing or sex in JPN media.

Ramuda eventually has enough, flips Jakurai over, climbs on him, and repeats the same procedure. Jakurai looks vaguely unamused like he wasn't the one who started it.

I can't begin to pretend this is a sensible thing to do, so I won't. I cannot formulate a single good reason for Jakurai to have done this. (Ramuda has a weak case for payback, and I'd even understand it if Ramuda started it, since he gets in Jakurai's face to a) be obnoxious and b) bring Jakurai "down to his level" all the time--but Jakurai???) There's an element of entertainment in the DRB which allows us to suspend our disbelief for choreo and other flashy movements, but this isn't choreo and Jakurai is not a flashy character.

However, I can't knock it as hard as I knocked the SasaSama bait because, in ass-backward fashion, Jakurai has canonically exhibited so much inexplicable behavior toward Ramuda in the name of fan service that it's in-character for him to act bizarrely around Ramuda.

This psuedo-canonization of Jakurai's freakshit rests on three things:

Jakurai's universal character trait of socially atypical behavior and difficulty understanding social dynamics. Because Ramuda also behaves atypically and is inappropriately touchy-feely/affectionate in general, this gives all their TDD shenaniganry credibility. It's not. Hmm. It's not not distracting and obvious fanservice whenever Jakurai stares at Ramuda for five panels and the mangaka busts out the lens flares, but there's a whole canon's worth of characterization that the assertion "Jakurai is oddly hung up on Ramuda" can comfortably rest on. We see Jakurai nursing a similarly long-lived (if less in our faces every second of the day) hang-up on Hitoya.

Good lord, the sheer quantity of it. Like DoHifu or GenDice, there are so many examples of fanservicey behavior to point to that they can't all be written off as flukes. That is, we can accept to some degree that Samatoki and Sasara didn't really rap a chorus in kissing distance according to the rules of Hypmic's main story plane--romantic relations between the characters don't canonically exist and, uh, it'd be awkward to be that close. We can't write off every single instance of Jakurai being weird at Ramuda without it breaking the story. To some extent, lack of romantic relations be damned, Jakurai and Ramuda are getting handsy and being obsessed with each other.

Some JakuRamu fanservice is coherent fanservice type 2--it breaks the rules of the main story plane (no gay time for rappers) and this has consequences. Characters will remark that Jakurai and Ramuda are atypically close or even that they obviously want to be closer, two such conversations of which take place in this movie. Here's a more obvious example in the TDD vol 4 bonus. Samatoki and Ichirou find Jakurai's Ramuda-braided hair weird (there's flag 1, socially atypical behavior) and comment on the two of them being especially close (flag 2).

Here's Samatoki being annoyed at their bullshit as a freebie. (I just love the way the mangaka draws him here haha. "What the hell does that [made-up word Ramuda pulled out of his ass to describe him and Jakurai] mean?" He's so long-suffering.)

These three factors essentially instate a rule in the story plane such that, left to their own devices, Jakurai and Ramuda will engage in largely inexplicable shipbait behavior. Which is outrageously funny.

GenDice and HifuDo fall in the same camp, with the latter having somewhat stauncher reasoning (lifelong best friends) than the former (Gentarou, uh...gets a kick out of fucking with Dice). The thing is, whereas this was undeniably intentional with HifuDo--we see this degree of shipbait laid out for them in the earliest pieces of Hypmic media--and arguably so with GenDice, I genuinely don't know if the Hypmic writers intended for JakuRamu (especially Jakurai) to progress in quite this fashion.

While it's clear from creator comments that there is a central writing team and that creators are expected to follow certain mandates from this team, creators are also given a surprising degree of creative freedom. When one creator--a voice actor in a live, a stage actor in a show, a manga artist in a chapter--does something the central writing team/other creators think is clever, this will be picked up and added to the character. One example of this phenomenon is Kuukou backflipping, something first introduced in the stageplay and now ported to the movie. So while early drama track Jakurai is not unreasonably hung up on his old friend and betrayer Ramuda, the manga artists came out the gate swinging with their own agendas. As other manga original content was added to Jakurai's character (much of his body language in the stage play is from the manga; the hand motif is largely from the manga), I can't help but wonder if this came along for the ride. Sure, JakuRamu was always meant to be a marketable ship, but did the writers intend Jakurai to be the driving force of so much of it?

In conclusion: Did these three kiss teases feel "earned" to me?

IchiKuu? Yes.

SasaSama? No.

JakuRamu? By virtue of a loophole...I guess so?

[supernova2395]

Solas and Inaction

"Those fools and duty. Responsibility is not expertise. Action is not inherently superior to inaction."

I've seen a couple of posts now saying how, should Solas have just waited, his plan would have been done for him and things would have been better for him that way. However, I think that's a misreading of his character, and because everything would have been so much worse had Solas not acted.

The veil was tied to the evanuris, who were tied to the archdemons, who were being killed off one by one each blight. By acting when he did, Solas was trying to stop the inevitable descent into a blighted Thedas that he sacrificed everything to stop when he created the veil in the first place.

Solas painfully knows that the veil will fall after the 7th blight, that's part of why he's so motivated to get his plan done quickly. There is nothing Solas hates more than slavery and suffering, and there is little doubt that a blighted world would cause nothing but suffering.

Not only that, but those things are an issue in Thedas anyway, and the longer he waits, the more harm they cause.

But then, to truly see it through Solas' eyes, you need to take into account the effect the veil has on Thedas anyway:

It's physically (metaphysically??) in an awful state even before Origins. Practically everything thins the veil (death, particularly concentrated amounts of it, like battlefields, blood magic, normal magic in enough quantities, even just at random, like in the Frostback Basin) and that makes it more likely that spirits will be drawn through and, in most cases, corrupted.

There can be no true understanding between spirits and non-spirits because spirits are locked away, and only a select few can talk to them. But even then, spirits are a reflection of expectations, and the world teaches that they are all demons out to possess you. That they should be feared and banished, and because you're afraid of seeing a pride demon, you're more likely to see a pride demon.

Spirits should never have been separated from the world and although some are happy to simply dwell in the fade, others want to go to 'exotic Rivain', which they should have been able to, but the veil prevents them from doing so unless they possess someone. So many spirits do want to possess mages as a way to experience what they should have been able to anyway. Which also has the added effect of making mages a 'danger to society' because possessing someone will often corrupt the spirit (see the previous point) and cause both the spirit and mage to lose control.

To Solas, his options are:

Do nothing and let calamity take Thedas after the 7th Blight

Lock the Evanuris and Blight away in a new prison and leave the veil torn to shreds, spirits being corrupted and demonised (hah), mages ostracised, and hope it doesn't get worse (this assumes that locking them in their new prison wouldn't sever their ties to the veil or the veil wouldn't fall at some point anyway because of *gestures to everything*)

Lock the Evanuris and Blight away and bring down the veil in a somewhat controlled manner

And like I don't blame Solas for his plan, especially with the precarious position the Elves are in in Thedas. What was he supposed to do? Go to the powers that be and say:

"So, you see, elves originated from spirits (yes the ones you are constantly afraid of and demonise at every turn) and thousands of years ago we fought with the Titans because we used lyrium to make our bodies… and didn't realise we were hurting them until it was too late and they retaliated. Which, fair, but we did not want to die so I... inventedtranquilityandseveredthemfromtheirdreams. Which I regret, for obvious reasons, but at the time, saw no other way.

"Then it turns out the people I did that for declared themselves gods and started enslaving my people *and* continued mining the Titans for their lyrium, so I rebelled. Then they decided to draw on the power of the severed dreams to stomp out my rebellion and tortured those dreams until they created the blight, which they then used with abandon to make themselves more powerful, and when Mythal finally confronted them on it, they killed her.

"There was no way we were going to be able to stop them, as the first of my people do not simply die, so instead I tried to create a prison for them but I was not powerful enough to do it and accidentally severed the waking from the dreaming stranding countless in uthenera and killing countless more who got stuck in the passages in between.

"Then I fell asleep for millennia because of the power it took to defeat the Evanuris, but the world *was* saved from the blight… UNTIL YOUR MAGISTERS SCREWED EVERYTHING UP AND RELEASED THE BLIGHT ANYWAY cough sorry, and with each successive blight you have been killing those powering the veil, weakening it and meaning that it will fall and blight the world after the 7th blight. But also with every battle, the veil gets weaker and will probably fall at some point anyway… do you maybe want to help me avoid a complete catastrophe?"

I just don't see any way that would have ever gone over well, even if they could be convinced that what he was saying was true.

And, honestly, I truly don't think that (had BioWare been brave), bringing down the veil would have needed to be catastrophic, especially if they allowed the discussion about the veil and the harms it brings to actually be discussed in the game and not just shoved aside.

Mostly because the Frostback Basin exists: a place where the veil is naturally so thin that spirits can slip through without being corrupted, and a place where the locals live, not only in peace with them, but with them in an understanding not seen anywhere else in modern Thedas.

I'm sorry, but tying Solas to the veil will never not be deus ex machina to me, and I actually hate it narratively, especially with the build-up from the previous three games and extras. RIP Sandal and the fricken Chant of Light.

I just feel like there could have been a really compelling story that could easily have been within the confines of the game, especially if Veilguard had dealt with the "inevitability" of the veil coming down early and had that as the reason why the Inquisitor was not around.

Like, "Oh Elgar'nan and Ghilan'nain are really focussed on Northern Thedas, that means that you in the South can be using your College of Enchanters and remnant circles to deal with the veil issue" and then you can confront Solas with Plan 2: Electric Boogaloo, "you don't need to destroy this world Solas" "I am glad to be proved wrong, my friend" as your redeem ending and "we can't let you do it your way, fuck you" as your hatred ending (fight him and incapacitate or kill him or lock him away with the blight idk 🤷🏻‍♀️). The veil comes down, but Thedas is saved. You’ve got your soft reboot, and don’t completely ignore parts of the lore from your previous games.

I'm going to stop ranting now, TL;DR: Something had to be done. I don't blame Solas for what he was doing, and BioWare should have been braver with their narrative.

[linkspooky]

TOGACHAKO VS. FUFFY: How To Save Your Evil Girlfriend

So, once again My Hero Academia has failed to deliver on its promise of saving / redeeming one of the main villains of its story, and victims of its ficitonal society. This time I'm going to make the added argument that not only does failing to save Toga make the story worse, it also makes Uraraka's character almost completely hollow. While you can dismiss Deku's lack of character development as him being a shonen protagonist, both Uraraka and Shoto had arcs and Ochako's is effectively ruined by her failure to save Toga.

In order to make my point I am going to compare it to a villain redemption arc in another piece of media that does it right, Faith's character, and her strained relationship with Buffy in Buffy the Vampire Slayer. A series which is overall anti-state punishment and pro-redemption and delivers on practically all the themes MHA promised us.

MORE UNDER THE CUT:

THE GOOD GIRL and THE BAD GIRL

There is a reoccurring dynamic between two female characters in media, usually between a heroine and a female villainness that I like to call: The Good Girl vs. Bad Girl complex.

However, if you were a Freudian you'd be calling this a Madonna Whore Complex.

To explain the Madonna Whore Complex, one of the biggest examples in other Media is Aronofsky's Black Swan. The entire movie is themed around the Madonna Whore complex, and the impossible double standards the male perception imposes upon women.

"The white swan and the black swan are not merely characters, and not merely characters that are relevant to Nina. The black swan and the white swan are archetypes of women. They are emblematic of the Madonna and the Whore [...] . The white swan is the Madonna, she is pure, innocent, the ingenue. The black swan is the whore, she is cunning and deviant. The seductress. Nina and her ballet counterpart Odette are characterized as perfect ingénues. Ingénues are young, innocent girls who possess qualities of youth, innocence, kindness, naivete and purity. She is the fawn eyed damsel in distress and in literary films she's often the heroine or protagonist. On the other side of the coin from the ingenue, we have the seductress, embodied by Lily and her ballet counterpart Odelle. The seductress is characterized by her promiscuity, cunning nature and sex appeal. She is the alluring femme fatalle, willing to do whatever it takes to get what she wants. She's most often framed as the village. These draw parallels to Freud's psychoanalytical theory, a theory that suggests in the minds of some men they struggle to fully see women as fully realized and rather view them in archetypal categories." [SOURCE]

Black Swan is also a movie where Natalie Portman attempting to live up to the impossible expectations society has placed on her to be both the White Swan and the Black Swan goes insane, and quite possibly dies at the end of the movie.

Considering that Toga's entire story is that she is a shapeshifter who went mad because she could not fit both her parent's and society's expectations of being a "normal girl" then you can see why the Madonna Whore Complex is relevant, with the oversexualized, vampish, femme fatalle Toga quite obviously playing the part of the whore.

Before you call me a fraud for citing freud though, let me prove my point that the Madonna Whore Complex is quite literally everywhere in media.

I could literally keep going if this post didn't have an image limit: Jean Grey and Emma Frost, Jean Grey and Madelyne Pryor, Starfire and Blackfire, Raven and Terra, The Two Sisters from Ginger Snaps, t's literally everywhere all the way back to Lilith and Eve.

More intelligent takes on this trope play with the concept of the Madonna Whore Complex (MWC) to either present the archetypes as two fully rounded people (Catra and Adora) or demonstrate that it's impossible for women to fit into these two dinstinct categories (Natalie Portman in Black Swan).

Buffy the Vampire Slayer is a work that challenges the MWC, by allowing both its good girl, and bad girl to be fully realized characters. My Hero Academia plays the MWC straight to a sexist extent by not allowing Uraraka and Toga to escape their categorization of Good Girl and Bad Girl, and also going out of its way to punish and kill the seductress for her sexuality like this is a slasher horror movie. Actually, it's worse than a horror movie because at least Jennifer's Body plays with the MWC in a clever way.

It's not just bad writing anymore Hori's writing has crossed over into actively murdering female characters to enforce puritan values, but let's not get into that just yet we'll talk about the writing portion instead.

I'm going to outline what BTVS accomplishes, demonstrate how it does this below, and then go on at length picking apart how MHA fails.

BTVS:

Shows Buffy and Faith as fully realized people

Shows the pressure to conform to the "Good Girl / Bad Girl" label.

Breaks down those two categories

Redeems it's bad girl

With that out of the way let's get the ball rolling.

HOW TO (NOT) SAVE YOUR EVIL GIRLFRIEND

This is the part where everyone in the audience is going to gasp. Even though I'm using Buffy and Faith as a positive example of deconstructing the MWC and redeeming a villain, Buffy does not save Faith. The two of them reconcile in the end, but Faith is not redeemed or saved by Buffy, and in fact Buffy is in part responsible for Faith's fall.

So, why would I say Buffy and Faith are a better example of villain redemption then Uraraka who at least did everything she could to offer a helping hand to Toga?

Because Buffy not saving Faith is THE POINT and Faith receiving redemption even though Buffy gave up on her is also THE POINT. Lemme explain, by starting at the beginning.

BTVS is a story that exists to flip both horror tropes, and the idea of the chosen hero on its head. The concept started out with Joss Whedon noticing that the Cheerleader is always the first victim in any given horror movie, and wondering what it would look like if the Cheerleader could fight back. If the Cheerleader was the thing that monsters ran away from.

Which leads us to Buffy Summers. Buffy is chosen by the universe to slay vampires, she is hero with super strength that can easily take on legions of vampires and often has to fight even tougher villains for each season's conflict. Buffy carries all the classic features of both the ingenue and the chosen one protagonist rolled up into one:. Ingénues are young, innocent girls who possess qualities of youth, innocence, kindness, naivete and purity.

However, after dying in the first season, and having to kill her boyfriend in the second season after he turned evil and inflicted a lot of psychosexual abuse on her Buffy has also got a whole lot of trauma. Which is when Faith appears on the scene. One of the first ways that the show challenges the idea of the "Chosen One" is that there are actually two Chosen Ones, Faith being the other Slayer.

Buffy much like Deku has a case of protagonism brain rot, but in her case she was actually chosen by the mystic powers that be to be the protagonist of reality. Buffy, who views herself as the hero of the story as a coping mechanism (we'll get back to this later) is suddenly challenged when the fates chose yet another chosen hero, challenging her pre-conceived notion that she is the hero of the story. If Buffy is not the only hero then who is she? What is all the suffering she's endured so far if it's not a part of her own personal hero's journey?

Buffy begins to dislike Faith on sight for projection reasons, before Faith does anything wrong. In a way Buffy herself the female lead is enforcing society's standards of the MWC because all the reasons Buffy decides to disturst and dislike Faith on sight are because she exhibits qualities of the seductress.

Faith is openly promiscuous, often comparing the art of killing vampires to sex, she is also someone who is proud of her power as a a slayer and uses it for her own purposes. She is a slayer for selfish reasons (apparently) while Buffy is the selfless hero. In the first episode Faith appears in, Faith, Hope and Trick Buffy is almost immediately hostile to Faith who has so far done nothing wrong for, trying to get along with Buffy's friends, getting a little bit too into vampire slaying and openly relishing her strength, and like occasionally making lood comments.

FAITH: Don't… touch… me…! BUFFY - yanks Faith off the unconscious vamp with one hand, stakes the vamp withher other. Then she turns to Faith who is breathing hard, high on adrenaline, rubbing her fists. BUFFY: What is wrong with you? FAITH: What are you talking about? BUFFY: I'm talking about you living large on the great undead here. FAITH: Gee, if doing violence to vampires upsets you, I'm pretty sure you're in the wrong line a work… BUFFY: Or maybe you like it just a little too much. FAITH: I was getting the job done. BUFFY: The job is to slay demons. Not mash them into sloppy joes while their

Buffy then escalates to like ableist slurs towards Faith within half an episode for getting slightly violent in a fight against vampires that were trying to kill her.

GILES: Well, Buffy, you have to realize you and Faith have very different temperaments… BUFFY: I know, mine would be the sane one. Giles, she's not playing with a full deck. She has almost no deck. She has a three. GILES: You said yourself she killed one of them, she's a plucky fighter who got a little carried away. Which isnatural, she's focussed on Slaying,she doesn't have a whole other lifehere like you --

The twist this episode is that no matter how much Faith tries to present herself as a free-spirit, she's actually a scared homeless girl who just happened to become the Slayer. Unlike Buffy she does not have a watcher, a mother, or friends to support her. She lives in the cheapest motel in sunnydale. The reason she's so violent against vampires is because she is understandably having a trauma flashback because her mentor was murdered right in front of her by a different vamp.

This is repeating pattern throughout the whole season, Faith is shown to be a victim of trauma, and occasionally acts in ways that are understandable for a victim like her to ask, only for Buffy to start mischaracterizing her as someone violent and insane and throwing the slurs.

You can compare both Faith and Toga as characters who are complex victims of trauma who society turns their back on and become bad victims, but Faith is a special case because we actively see her turn to the dark side. Faith starts out trying to be a hero like the rest and she practically does nothing wrong for half a season, and when she does finally make a mistake and become a bad victim it's the hero's desire to punish her and castigate her that turns her into a villain.

We actively see Faith's fall happen onscreen, and it's like totally Buffy's fault. Buffy throws her completely under the bus, because she's so desperate to see Faith as the Bad Slayer and Buffy as the Good Slayer. Faith is almost pushed into evil because of the MWC, the characters around her can't see her as a fully fleshed out human being so they are quick to demonize her when she starts acting like a bad victim.

So the two episodes appropriately named: Bad Girls and Consequences depict Faith's fall. In that episode Faith and Buffy are fighting vampires, and one human is mixed among the vampires. The human grabs Faith by the shoulder, and Faith thinking that the human is a vampire turns him around and stakes him.

It's a complete accident, something that Giles even says later on is an accident that can happen to any Slayer on the job and is completely normal. It's a murder that Buffy herself could have committed.

GILES: This is not the first time something like this has happened. BUFFY: It's not? GILES: A slayer is on the front lines of a nightly war, Buffy. It's tragic - but accidents have happened. BUFFY: What do you do? GILES: The council investigates, meters out punishment if punishment is due… I've no plan to involve them,however. That's the last thing Faith needs right now. She's unstable, Buffy. She seems utterly unable to accept responsibility. Shows no remorse.

However, even in the same breath Giles explains that it's an accident and not Faith's fault, he's also calling Faith unstable and irresponsible. Basically when they're not calling her a psycho (just hitting her with the ableist slurs), the protagonists all lowkey imply that Faith is somehow inherently violent and unstable because she displays symptoms of a bad victim.

I might also remind you Faith has not done anything to earn any of these accusations, until she kills someone in a complete accident. A complete accident that Giles once again said wasn't her fault and wasn't really a big deal.

FAITH: My dead mother hits harder than that.

Faith is stated to be a victim of physical abuse, heavily implied to be a victim of sexual abuse, and is homeless (none of the main characters offer to let her stay in her house she spends half a season in a terrible motel). However, Faith is quickly demonized by the white wealthy main characters for acting in ways that are completely typical for a homeless teenager.

The moment she commits one mistake they all turn on her and use that mistake as proof of these violent tendencies they all want to accuse her of having. Faith can never be the ingenue so she must be the seductress, because she can't just be a person.

Buffy: So, I, uh... (sees Faith scrubbing) How are ya doin'? Faith: (still scrubbing) I'm alright. You know me. Buffy: Faith, we need to talk about what we're gonna do. Faith: (looks at Buffy) There's nothing to talk about. I was doing my job. Buffy: Being a Slayer is not the same as being a k*ller. Faith has nothing to say. She's finished scrubbing. Buffy: Faith, please don't shut me out here. Look, sooner or later, we're both gonna have to deal.

It is essentially two episodes of this, Faith after killing someone on accident in a life or death fight is constantly called a murderer by others. She wasn't even like, drunk, or high, or being especially reckless she was being a normal slayer.

FAITH: So the mayor of Sunnydale is a black hat. Shocker, huh? BUFFY: Actually - yeah. I didn't get the bad guy vibe off him. Faith shakes her head. Scoffs. FAITH: When you gonna learn, B? It doesn't matter what kind of "vibe" a person gives off. Nine times outta ten he face they're showing you? It isn't the real one. BUFFY: I guess you know a lot about that. FAITH: What's that supposed to mean? BUFFY: Look at you, Faith. Less than twenty four hours ago you killed a guy. And now you're laughing and scratching and zipidee doo dah. That's not your real face, and I know it. I know what you're feeling because I feel it too. FAITH: Do you? So, fill me in. I'd like to hear this. BUFFY: Dirty. Like something sick creeped inside you and you can't get it out. And you keep hoping what happened wasjust some nightmare…

Faith is dirty, faith is disgusting, faith is unstable, Faith is sick for... killing a guy on accident in a way that Giles said was a perfectly understandable accident, and not showing clear guilt because the moment she did it everyone around her jumped on her and started accusing her of being a murderer.

Why do the selfless main characters suddenly start demonizing this girl before she even did anything wrong - well it's because she's poor problem solved.

No, but it does play a factor. Why do most american white middle class look down on the homeless? Because, they must have done something to deserve it, right? If Faith killed a man, that clearly is an indication that she was violent all along and the heroes don't have to sympathize with the fact she's homeless or you know lift a finger to help her.

Now, this makes it sound like I hate Buffy, but Buffy is actually my favorite character in the whole show. The thing is Buffy's complete lack of sympathy for Faith makes her a better character. Buffy needs to demonize Faith and throw her under the bus, because Buffy is a victim of sexual abuse too. Her boyfriend turned evil after having sex with her once, and spent an entire season stalking her and terrorizing her the entire season 2 Buffy / Angel plotline is a thinly veiled groomer metaphor.

The thing about Buffy is she's not allowed to show any kind of reaction to her trauma. The episodes preceeding Faith, Hope and Trick are Anne, an episode where Buffy runs away from home after being sexually abused (stalking is sexual abuse) by Angel for a whole season and feeling like no one would understand her, and Dead Man's Party, an episode where every single one of Buffy's loved ones ruthlessly criticize her for having run away. Like, how dare a teenager not react perfectly to being horribly stalked by a serial killer after she had sex with him for like half a year.

JOYCE: Buffy! You didn't give me any time. You just dumped this… this thing on me and expected me to get it. Well -guess what? Mom's not perfect. I handled it badly. But that doesn'tgive you the right to punish me byrunning away. BUFFY: Punish you? I didn't do this to punish you XANDER: Well you did. You should have seen what it did to her. BUFFY: Great. Would anybody else care to weigh in? What about you? By the dip. XANDER: Maybe you don't want to hear it, Buffy. But taking off like that was selfishand stupid. Buffy's breaking down. It's all too much. BUFFY: Okay - I screwed up! I know it - alright!? But you have no idea. You have no idea what happened to me or what I was feeling

The reason Buffy is so hard on Faith is because everyone else is equally hard on her. The label of the ingenue is so difficult for Buffy to maintain, because she has to be pure, and without any flaws, especially when reacting to trauma that she throws Faith under the bus for her bad victim behaviors.

The white middle class demonize the homeless because they don't want to face the reality it can happen to them, Buffy doesn't want to reflect on all the things her and Faith have in common because she could very easily become Faith. Buffy is the victim of extremely similiar trauma to Faith, and being pressured to be the perfect victim of that trauma in a way that's destroying her mentally slowly.

FAITH: It was good, wasn't it? The sex? The danger? Bet a part of you even dug him when he went psycho BUFFY: No FAITH: See - you need me to tow the line because you're afraid you'll go over it, aren't you, B? You can't handle watching me living my own way and having a blast - because it tempts you. You know it could be you... ( Something snaps in Buffy. She rears back and POPS Faith a good one. Faith falls back, but she's smiling as she puts a hand to her bleeding mouth. ) FAITH: There's my girl…

Buffy is suffering under the expectations of the MWC too, but in her desperation to make Faith out to be the seductress instead of... like... a csa victim... Buffy is reinforcing those standards on both herself and another woman.

The entirety of Bad Girls and Conesequences is Faith being called a murderer by several people, having another trauma flashback to a sexual assault because Xander came to her motel room under the guise of "helping her", getting hit over the head and chained to a wall, then getting the swat team called on her and almost dragged to London for trial. Then the heroes do nothing to help her. The first thing Faith does is go to the main villain, who buys her an apartment AND A PLAYSTATION. So... the evil main Villain of the show helped Faith with her homelessness situation while none of the main characters lifted a finger.

it sounds like it sucks but it doesn't because it's all intentional. Buffy cannot process her own sexual trauma so she is just awful to people who are also domestic abuse victims. here's one of my favorite scenes, Buffy yells at a girl being beaten by her boyfriend with a visible black eye.

Buffy: Where can we find him? Debbie: I-I don't know. Buffy: You're lying. Debbie: What if I am? What are you gonna do about it? Willow: Wrong question. Buffy takes her by the arm again and pushes her up against the sink in front of the mirror. Buffy: Look at yourself. Why are you protecting him? Anybody who really loved you couldn't do this to you. She takes a few steps away. Debbie turns around to face them. Debbie: Would they take him someplace? Buffy: Probably. Debbie: (shakes her head, sobbing) I could never do that to him.(Willow sighs) I'm his everything. Buffy: (disgusted) Great. So what, you two live out your Grimm fairy tale? Two people are dead.

That poor girl gets her neck snapped like five minutes later and Buffy just kinda, moves on even though it would have been an easily preventable death.

Buffy getting mad at an abuse victim for showing textbook behaviors of abuse victims in bad relationships. Buffy is a good character because she is a hero, she can be empathic, but she really only understands heroism in term of defeating the bad guys, and when called to relate to people with complex trauma, especially trauma that reflects her own trauma she can't! She just can't process it! The expectations of being the ingenue, the perfect hero are so crushing she can't cope with a messy reality so she needs to have a black and white view of herself and other people.

Buffy needs to be firmly in the good category, and Faith needs to be firmly in the bad category in order for Buffy's brain to keep working.

Not only does Buffy's conflict with Faith characterize how much Faith suffers for being a bad victim, it shows how the pressure to be a good victim destroys Buffy mentally to the point where she starts using Faith as a punching bag.

Literallly.

It's all intentional too, Buffy gets called out on it, Faith always gets the last word and the final episode of the season makes out Buffy to be a hypocrite. After Buffy literally threw Faith under the bus, called her disgusting for murdering a man, Buffy is completely willing to murder Faith to get a cure for her vampire boyfriend who's been poisoned.

All human life is sacred and needs to be protected, but Fuck Faith I guess.

Faith: I could say the same about you. I mean, you're still the same better-than-thou Buffy. I mean, I knew it somehow. I kept having this dream, I'm not sure what it means, but in the dream the self-righteous blond chick stabs me, and you wanna know why? Buffy: You had it coming. Faith: That's one interpretation, but in my dream, she does it for a guy. Faith: I wake up to find the blond chick isn't even dating the guy she was so nuts about before. I mean, she's moved on to the first college beefstick she meets. Not only has she forgotten about the love of her life, but she's forgotten about the chick she nearly k*lled for him. So that's my dream. That and some stuff about cigars and a tunnel. But tell me, college girl, what does it mean? Buffy: To me? Mostly, that you still mouth off about things you don't understand. (Sirens) Uh-oh. I guess somebody knows you're here.

So the show goes to great length to show you that there are two sides to this conflict, Buffy demonizes Faith, because her friends expect her to be the perfect hero. Faith reacts badly to trauma because she has no support system, and the people around her have no empathy for her because they're too privileged to imagine the things in Faith's life ever happening to her.

Buffy and Faith are fully realized people.

Buffy and Faith are presented to the audience as the ingenue and the seductress but they're both fully realized characters. Buffy's not the ingenue because she's just as capable of murder as Faith is. Faith isn't the seductress because she's a homeless teenager. They are both victims of sexual trauma, though one reacts in what people consider an "acceptable way" and the other is a total slut about it.

Shows the pressure to conform to the "Good Girl / Bad Girl" label.

Buffy throws Faith under the bus specifically because the pressure in her life to be the perfect slayer is so immense that it could be her that takes the fall so she needs to believe in black and white concepts like she is inherently good and Faith is inherently bad to justify the bad things that happen to Faith and therefore convince herself said bad things could never happen to her. "You can't handle watching me living my own way and having a blast - because it tempts you. You know it could be you..."

Faith: Angel said there was no way you were gonna give me a chance. Buffy: I gave you every chance! I tried so hard to help you, and you spat on me. My life was just something for you to play with. Angel - Riley - anything that you could take from me - you took. I've lost battles before - but nobody else has -ever- made me a victim. Faith: And you can't stand that. You're all about control. You have no idea what it's like on the other side! Where nothing's in control, nothing makes sense! There is just pain and hate and nothing you do means anything. You can't even.. Buffy: Shut up!"

Buffy needs to fit her and Faith into neat little boxes because she cannot face the inherent senselessness of the world (and also that she is a victim too "you made me a victim")

Breaks down those two categories

Even in Seasons where Faith is not present she haunts the narrative, because the writers were well aware that Buffy and Faith are the same person under different circumstances.

All of Season 6 Buffy is faced with many of the same situations that Faith was, she suddenly becomes poor and in danger of losing her house, she has extreme depression from coming back from the dead (long story) she can't share those feelings with any of her friends because they treated her much like they did Faith - having no sympathy for imperfect victims. Buffy even gets into an unhealthy, sexual relationship, and like Natalie Portman basically changes from the ingenue into the seductress.

A relationship she has to keep a secret because once again, Buffy must fit into the box of the ingenue in order to be loved by her friends. This leads to her committing several bad behaviors, and at times borderline emotional abuse towards her sister (and debatably her boyfriend) and all comes to a head when Buffy is faced with the exact same situation as Faith.

Buffy in Season 6 believes she has killed a person accidentally while being the Slayer. It's a repeat of Bad Girls with several paralels, including someone trying to hide the body only for it to turn up later, and Buffy insisting she has to turn herself into the police and face jailtime.

However, in this version Buffy unlike Faith has friends who try to stop her from turning herself in and explain to her the murder wasn't her fault - and Buffy still reacts the same way Faith does. She basically borderline quotes Faith.

Faith: Shut up! Do you think I'm afraid of you? [Faith grabs Buffy and throws her down, then sits on top of her and starts punching her.] Faith: You're nothing. [Punch. Punch.] Faith: Disgusting. [Punch. Punch.] [Faith grabs Buffy's hair with both hand and bangs her head.] Faith: Murderous bitch. [Bang. Bang...] You're nothing. [Bang. Bang...] Faith: [Switches back to punches] You're [Faith is now crying.] disgusting.

This is an earlier scene which plays out as an exact parallel to this scene:

BUFFY: You can't understand why this is killing me, can you? SPIKE: Why don't you explain it? She hits him a few more times. He takes it, not fighting back. SPIKE: Come on, that's it, put it on me. Put it all on me. (She kicks him) That's my girl. BUFFY: (yelling) I am not your girl! She hits him hard. He falls back onto his butt. Buffy gets on top of him and begins hitting him over and over. BUFFY: You don't ... have a soul! There is nothing good or clean in you. You are dead inside! You can't feel anything real! I could never ... be your girl! She continues hitting him throughout this. Now Spike goes back to human face. He's looking very bruised and bloody, but he doesn't fight back, just takes it. Buffy hits him again and again, looking angry and desperate. Finally she stops and looks at him in horror.

So if Buffy can react the exact same way that Faith does, when faced with the same trauma there is no good girl or bad girl, there's only two people who are complicated human beings.

The story *gasp* lets the hero be a bad girl.

Redeems it's bad girl

Faith's redemption is a shocking contrast to MHA the plot of BTVS does not allow Faith to commit suicide in order to redeem herself. In fact, her entire arc is an argument against the "put her down like a mad dog" trope. Starting with the fact that the heroes who are partly responsible for Faith's fall in the first place, are all too willing to just let the homeless teenager fall by the wayside, and then put her down for her own sake.

As I stated above, the inherent hypocrisy Buffy shows in her calling Faith a murderer and irredeemable for killing someone on accident because all human life is sacred to her, and then going on to try to murder Faith at the end of the season already shows the "put her down like a mad dog" argument doesn't work. Faith isn't too far gone, it's just Buffy who sees her that way. And because Buffy has given up on Faith she's failing at being a hero.

As I said above, Buffy is not the one to rescue Faith. In fact, in the episodes where Faith's redemption arc starts, Buffy is the one trying to hunt her down and enforce punishment on her. The episodes "5x5" and "Sanctuary" are both focused on Buffy going to LA to hunt down and interfere when Angel is trying to help Faith get back on her feet. The two episdodes basically explore the concept of redemption vs. punishment and how punishment saves no one.

5x5 depicts Faith's spiral as she runs away to LA to escape Buffy who is hunting her down, and accepts a job to assassinate Angel, which if she succeeds will get her rich and also get the cops off of her trail. We're led the whole episode to believe Faith has learned nothing until the confrontation with Angel at the very end, which you should really watch because it's great television.

Faith: You hear me? - You don't know what evil is! - I'm bad! - Fight back! Faith keeps whaling on Angel, sometimes he ducks, sometimes the hits connect. Angel grabs a hold of her: Nice try, Faith. He tosses her away from him. Then walks after her. Angel: I know what you want. She hits him and he hits back dropping her. She comes back up hitting and screaming, but not making much of a dent. Wesley leans out of the window and sees Faith beating up on Angel. He goes into the kitchen and grabs a butcher knife, then heads for the door. Angel as he dodges another hit: I'm not gonna make it easy for you. Faith throws herself against Angel screaming: I'm evil! I'm bad! I'm evil! Do you hear me? I'm bad! Angel, I'm bad! (She begins to sob, grabbing a hold of Angel's shirt and shaking him) I'm ba-ad. Do you hear me? I'm bad! I'm bad! I'm bad. Please. Angel, please, just do it. Wesley comes running out of the house. Faith sobbing: Angel please, just do it. Just do it. Just k*ll me. Just k*ll me." Angel wraps his arms around her shoulders and pulls her against him. She over balances them and they sink to their knees, Angel still holding her as she cries. Angel: Shh. It's all right. It's okay. I'm here. I'm right here. Shh.

Faith tries to take the Toga approach to commit suicide in order to atone, but Angel actively understands that is what she's trying to do, and denies her the chance to die to redeem herself and instead holds her until she calms down.

Angel doesn't just save her once though he spends the entire next episode defending Faith from Buffy who has come to LA to take her revenge, and trying to talk Faith into believing she can still keep on living in spite of all the bad things she's done.

Faith: Are you saying I got to apologize? Angel: Think you can? Faith: I don’t' know. - How do you say 'Gee, I'm really sorry tortured you I nearly to death? Angel: Well, first off I think I'd leave off the 'Gee.' And secondly I think you have to ask yourself: are you? Faith: What? Angel: Sorry. Faith: And what if I *can't* say it? There are some things you can't just take back, no matter how sorry you *are*, right? Angel: Yeah, there are. I've got some experience in that area. Faith: Right. And you've been doing this for a hundred years! I'm not gonna make it through the next ten minutes. Angel: So make it through the next five, the next minute." Faith: "I don't think I can. Angel: Yes, you can. Faith walks away: God, it hurts. I hate that it hurts like this. Angel follows her: Oh well, it's supposed to hurt. All that pain, all that suffering you caused is coming back on you. Feel it! Deal with it! Then maybe you've got a shot at being free.

Angel's advice is "Guilt is supposed to hurt but if you face your pain you can try to find a way to be free of it" which is something much more profound then any of the forgiveness crap they peddle in MHA. More importantly though, the conflict the whole episode goes out of its way to show that revenge is bad, and punishment doesn't save a soul.

Angel: I didn't - I didn't think it was your business. Buffy: Not my business? Angel: I needed more time with Faith. I'm not sure... Buffy: You needed - do you have any idea what it was like for me to see you with her? That you went behind my back... Angel: Buffy, this wasn't about you! This was about saving someone's soul. Buffy: I came here because you were in danger. Angel: I'm in Danger every day. You came here because of faith. You were looking for vengeance. Buffy: I have a right to it. Angel: Not in my city.

Faith's suicidal ideation is a recurring theme that carries through her character arc in the following season - she does in fact go to prison for awhile (Elizabeth Dushku had to go make Bring it On) but Buffy remains anti-state punishment because going to Prison doesn't help her whatsoever. In fact, she just breaks out when she has to save Angel and spends the rest of the season free.

There are two episodes that actually are dedicated to showing prison didn't help, and what Faith needs to redeem herself is to spend every day of her life trying to be good, not just accepting punishment.

ANGEL: Faith, wake up! FAITH: (wakes) I've rolled the bones. You for me. ANGEL: I used to think that. That there'd be a point when I'd paid my dues. Angel and Angelus are fighting in the alley again. Angel leaves the fight and goes over to Faith's side, holding her up in his arms. ANGEL: Faith, listen to me. You saw me drink. It doesn't get much lower than that. And I thought I could make up for it by disappearing. FAITH: I did my time. ANGEL: Our time is never up, Faith. We pay for everything. FAITH: It hurts. ANGEL: I know. I know. ANGEL: Get up! You have to get up now. Faith, you have to fight. I need you to fight. Do you understand what I'm saying?

So you have one manga series where the teenage girl who did bad things commits suicide because she believed she was going to be in prison for the rest of her life and had no future, and you have the other where the teenage girl tries to commit suicide - only for Angel to stop her and encourage her every step of the way that there's still a future for her even if she can't be "forgiven".

One work ends Toga's life because she's done "unforgivable things" and the other tells Faith that the things she should feel guilty for the things she's done, and she should feel that guilt so she can keep working to be a better person every single day.

One of these is a good message to send to your teenage homeless trauma victim, the other is incredibly harmful. With that out of the way let's switch to BNHA.

HOW TO BURY YOUR GAYS

Now I'm going to attempt to demonstrate why MHA fails to truly deconstruct the MWC, and this not only ruins any potential character development for Uraraka, it also sends a deeply harmful message with Toga's death.

I think I've gone to great length above explaining how BTVS communicates it's stance of being anti-punishment and pro-redemption and even goes as far to demonstrate how punishment does not save anyone. Yet, here is the manga about heroes saving people that completely fumbles those exact same themes.

MHA:

Doesn't show Toga and Ochako as fully realized people

Doesn't show the pressure to conform to the "Good Girl / Bad Girl" label.

Doesn't break down down those two categories

Doesn't redeem it's bad girl

So let me start by saying outside of the context of the story Ochako and Toga both had the potential to be great characters. Unforunately this isn't Gacha, so the way the characters are written in the story, and the quality of their story arcs affects how well they are characterized.

Toga is much better off as a character as opposed to Ochako who sort is reduced to a satellite that revolves around Deku, but their story arcs and the way they conclude does a disservice to both of them as characters. They fail entirely to be shown as fully realized people by their narratives, because of the narratives desire to force them into the good girl and bad girl box.

More or less, Ochako isn't allowed to have flaws, and Toga isn't allowed to redeem herself in any way that doesn't involve killing herself.

Let's get to the characters though, the basic premise of the comparsion between Toga and Ochako is that Ochako perfectly fits into the mould of what society considers a "good, nice girl" she perfectly embodies the ingenue. Whereas Toga was horribly abused for most of her life until she snapped, because she was unable to simply pretend to be the normal girl that Ochako is naturally.

One thing I will give credit to MHA for, it does Toga being pushed to the margins and eventually falling off the edge of society as a young eventually homeless girl that no one cared enough to help about as effectively as Faith did. Toga and Faith were also both demonized before they did anything wrong, and were further demonized because they didn't act the way good victims were supposed to act.

The manga is almost masterful at portraying how much being forced into the box of the ingenue caused Toga's mental decline, until she eventually snapped and became the seductress instead.

Toga hasn't even done anything yet, she's already being punished and demonized simply for appearing deviant. Because once again the categories of Ingenue and Seductress aren't for viewing women and girls as fully realized people, you are either a perfect, innocent, girl, or you're a whore.

Toga is also hypersexual the same way Faith is. Of course it's not done with any of the same amount of nuance of BTVS because Hori has a habit of using Toga for fanservice, but Toga does have a habit of sexualizing herself, in a way that would be classified as deviant love. We also in the manga first view her as nothing more than a shallow yandere who creeps Uraraka out with her blushing and hot desire for blood, only to be shown she's actually capable of being an emotionally intelligent and caring individual when it comes to how she relates to her friends.

Toga viewing sucking blood as love is a clear metaphor for deviant sexuality, or even hyper sexuality, it's something that makes her a literal vamp. Toga being overly sexually aggressive and suggestive with the way she sucks blood is something the society she's in demonizes her for, Deku even makes a thoughtless comment that pushes her off the edge that he'd never even think of hurting someone he loved.

Faith is a CSA victim who is constantly trying to play off her trauma, so she's totally into sex guys, she loves sex, she loves it rough, she goes to clubs and grinds on guys, she's all into sex and violence and safety words are for chumps.

Toga was told her way of expressing love and attraction was wrong and deviant from a young age, and as a result of that the same way that Faith embraces hypersexuality, Toga embraces her femme fatalle / yandere persona and plays it up. Well everyone was right about her, she's fine with being a monster, so she just wants to live as a monster stabbing people randomly and taking their blood before moving onto the next victim.

They can't ever be the ingenue, so Faith and Toga embrace being the seductress instead. Yes, Hori does use Toga for fanservice, but at the same time you can't deny she's deliberately playing up her sexuality like a femme fatalle in a way that is not healthy (Faith is a hypersexual teenager too, I'm saying it's a trauma response for both of them).

MHA also shows much like with Faith how Toga despite being just a teenager is someone all of society has given up on - the same way that everyone gave up on Faith for being a homeless teenager. Then further demonized her for acting in ways homeless teenagers act, until she at last finally committed one crime and they turned on her.

Toga's first crime was committed after her mental breakdown, but it's revealed much later on that Toga wanted to ask Saito for permission to drink his blood, and if she'd just been granted it or at least the emotional abuse heaped on her had stopped she never would have had her breakdown.

For Toga it was Saito, for Faith it was killing by Mistake, after being abandoned they endured violence that further radicalized them with no help from the heroes.

Toga's character also textually acknowledges that the heroes are not going to help her, and are likely going to kill her, whereas in Buffy it stays subtext. Which isn't a problem, it trusts it's audience to go "Oh, the good guys are being jerks here" however, it's a direct facet of MHA's worldbuilding that Toga has watched the heroes kill her best friend, and now thinks she has to fight to the death because the heroes will kill her too. She can't back down and let herself be saved, because the heroes don't even see her as human.

Buffy can't forgive Faith for accidentally killing some random guy because all human life is sacred, but also she tries to kill Faith multiple times, because Faith's not human I guess. Uraraka and Deku believe themselves to be heroes but they actively support people like Hawks, who murdered Toga's best friend and have done absolutely nothing to show her that they won't kill her.

Toga reflects a lot of Faith's suffering for being a bad victim that society allowed to fall through the cracks, and a Seductress who needs to be punished for expressing her sexuality. In fact if it were just Toga, you could call it at least an effective deconstruction of the "seductress/whore" because Toga is a fully realized character and her entire backstory is about how society's expectations for her to be a perfect ingenue, and then punishing her when she wasn't a perfect ingenue is what led to her complete mental breakdown. She couldn't be the white swan or the black swan, so she became the blood-soaked swan instead.

Where the comparison starts to fall apart is Ochako. Toga is a character, and Ochako is not. Just like Deku Ochako more or less just kind of morphs into a plot device that exists to save the villain counterparts to prove what good heroes the kids are - and then she doesn't even do that part. Failing to save Toga is the final nail in the coffin for Ochako being a character and not a plot device to show how good and virtuous the heroes are.

BTVS goes to painstaking extents to establish how Buffy and Faith are the exact same girl in different circumstances. They are both victims of sexual abuse. They're both the Slayer. They both lose their mom at different points in the story. They both struggle with the fact that slayers are also killers, they're both the "chosen one". They both have issues that makes them conflate sexuality with violence.

Buffy is put through several situations that parallel Faith, she loses her mom, she becomes financially destitute, she starts exploring her sexuality in a very faith-like way. The two of them swap bodies at one point and nobody can tell the difference.

There's no strong parallel between Ochako and Toga to give the audience a reason why we should care about the relationship between the two girls in the first place. Ochako's connection to Toga tells us nothing about her character, because there's no strong parallel as shown to us by the story.

There are some parallels, the story attempts to tackle the emotional repression angle of how much the ingenue suffers because she's forced to repress her emotions and how much she envies Toga's free expression.

Why does Ochako think that way? Why does she focus on Toga in particular? The plot tells us why Buffy feels she has so much in common with Faith, they're both the chosen one but Buffy feels like she's under such intense pressure to be perfect that seeing Faith get to act out and express herself makes her jealous.

The manga tells us that Ochako is emotionally repressed, but it doesn't show us, because there are never any real consequences for Ochako repressing her feelings. Natalie Portman in Black Swan, and Buffy both experience mental spirals because the pressure to be the perfect woman is too much for them - to meet the impossible purity standards of the ingenue while still being a sexual creature.

In Uraraka this is the extremely simplified belief that she can't have feelings for a boy, while also being a hero because those beings are selfish and she should be focused on saving people. However, we never see her suffer because of these feelings. We don't even get the bare minimum of having her angst over unrequited love.

I don't want to give Ochako too little credit, there are several things that could have been a connection to Ochako, but they all turn out to be non-starters. Ochako is poor and often makes remarks like "The best way to save money is to not eat" in omake and she hangs out with mostly rich friends. She had early angst about the fact that her friends were becoming heroes for mostly altruistic reasons and she became a hero for money.

That could have also connected to the scene where Ochako witnessed the scene of a hero quitting amongst all of the destruction after the end of the first war arc, to show her the consequences of all the heroes who were heroes for less than altruistic reasons.

Ochako could have even told Toga something along the lines of "I was poor, I know how it is to struggle" especially since Toga spent a good portion of time homeless after she was throne out by her parents.

Instead that goes unaddressed except in this scene which makes it look like Toga is ignorant for assuming Ochako never suffered.

Toga and Ochako both feel like they need to repress their feelings but Toga was emotionall abused by her parents, then experienced psychiatric abuse, and then was disowned after her mental breakdown led to a violent incident. Uraraka feels like she can't tell the boy she loves how she feels. One of thsee things is not like the others.

There are more possible connections that you could draw between them, Uraraka gives a big speech about how the heroes have it rough too guys and at that point it cuts to a picture of Toga crying and that could have led to a revelation that if Ochako is asking the common people to see heroes as human beings, then they should try to see villains as human beings too.

This could also couple well with the fact that Toga believes Ochako wants to kill her the same way that Hawks killed Twice. Both of these facts, Ochako originally only being a hero for money and watching heroes for money quit, and also Ochako learning about Twice killing Toga's friends could lead to some self-reflection on the hero system and Ochako could listen to Toga and be the one to convince her that heroes will save her.

However, none of these happen so we don't know why Ochako feels compelled to save Toga, other than the fact that Ochako is just that nice.

It is really a repeat of Deku's writing, we are told that Himiko just really, really, really wants to save Toga, but not only are we never given an in character reason why that is, but we're also supposed to ignore all the evidence that contradicts this.

Ochako wants to reach out and touch the sadness inside of Toga, but she never actually does anything to try to understand or talk to Toga until the last possible minute. In fact, it's Toga who reaches out several times and Uraraka who ignores her. It is Ochako who insists several times that Toga's deeds are unforgivable and then the conversation stops there.

There's also the scene where Deku and Ochako are looking over the cliffside and Ochako is actively reminding herself of the damage that Ochako caused as a reason that she doesn't have to think of her as a human being.

Ochako doesn't even go in with a plan to take down Toga non-lethally like Shoto did with Toya, nor does she even think about what she wants to say to her until the last possible moment.

Ochako's actions make her more like Buffy, someone who actively doesn't empathize with the villain and doesn't want to save her because of her own personal hangups. (However, we're given no personal hangups for why Ochako, the most perfect hero ever wouldn't want to save Toga). Her actions are like Buffy's, not reaching out a hand to Toga she only gets worse and worse, but we're told the opposite. That she's someone who wants to reach and touch Toga's sadness.

It would be better if Ochako DIDN'T want to save Toga, because at least there would be an arc to it. The lack of empathy would be a character flaw on Ochako's part, something that she needs to overcome to be a proper hero. It would be better if Ochako DIDN'T want to save Toga, because then she'd need an in character reason why she doesn't empathize with Toga, like Buffy does with Faith.

Ochako is supposed to be deconstructing the ingenue, but she's not allowed to have any flaws, or be anything other than the perfect, empathic hero and because of that she ends up reinforcing the Ingenue instead. The ingenue isn't allowed to be anything other than perfect, and the Seductress must be punished.

Doesn't allow the Bad Girl to be redeemed:

Toga's death ends up reinforcing basically every backwards double standard about the MWC including the need for men to punish and villify women who freely express their sexuality. Toga's entire character arc is asking the question if soemone like her is allowed to live in this society, if the heroes will save the life of someone like her and the answer we receive is: no she can't live.

Toga can't live in this world, she has to die. Not only does Twice die and never receive justice and his murderer get off scott free, Toga who asks the question of if she's going to die too, the answer is yes.

In both of these plotlines you have young woman who have done bad things but are still teenagers, who are struggling with suicidal ideation who believe their only escape is death. Faith is told that the guilt of the things she's done is painful, but she has to live in order to make up for it because that's the only way to free herself. Whereas, Toga comes to the conclusion that there is no future for her other than being in jail for the rest of her life and therefore it's not worth living.

Toga has to be punished by the narrative in a way that's completely unnecessary, because characters like Bakugo and Edgeshot somehow survived doing open heart surgery in the middle of an active battlefield, but Toga dies from a blood transfusion.

One of these narratives is telling a troubled young abuse victim who's still a teenager to live, and the other is telling her to die. Now which one of these plotlines would you want a young girl to read?

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[reallyromealone]

Title: fae love

Fandom: none

Characters: original character (orc), reader

Fic type: nsfw, story

Pairings: orc x male reader

Warnings: male reader, reader insert, nsfw, smut, reader has some description, boy pussy term used, reader is a fae, chaotic reader

Notes: I thought I posted this but I didn't, this is super indulgent, and yeah. Normally this would go through Patreon first but I'm feeling kind

🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️

(name) smiled as he was carried by the giant orc that was his mate, a towering ten feet tall to (name) 's five feet four inches, the pretty fae kissing the orc's olive cheek sweetly as they went back to their farm, a sweet little farm in the woods outside of town "I told you no more fires in non agreed fireplaces" he said gruffly to (name) who just smiled "you're the one who chose to become fated mates with me~"

The Orc sighed, looking at the gold ring on (name) 's finger and the wedding necklace, indeed he chose (name) for marriage, he did love his chaotic husband.

(Name) often treated his husband like a jungle gym, the tiny fae usually resting on his shoulder as he went about things and used his magic for various tasks "My love, please... You're awful at cooking" he swatted (name)s hand away when (name) tried to help by adding flower petals to the stew "but they make the stew look magical ~!" Was (name) 's reasoning as he watched the other stir the rabbit and vegetable soup "I added extra (vegetable), magical enough?" The orc gently kissed the other calf, tusks grazing (name) 's flesh, and (name) giggled "You romantic~"

(Name) always sat in his husband's lap when they ate and spoke about their days, (name) in the woods building little homes for the mouse village as they wanted to expand--- thankfully their building supplies were primarily popsicle sticks, the Orc gladly letting his love do that, especially since the mouse folk traded for mushrooms and herbs they find, it also kept (name) from causing mischief amongst the fae wilds, the two living outside the fae wild portal ring and often seeing passerbys that (name) would prank (read: setting their shoes on fire).

It was always a serene affair.

Well for (name).

When bedtime came, (name) carefully took off his jewelry as did his husband, removing any makeup for the night against the candlelight "Oh..." (Name) whispered as he felt his love's large hards easily spread his legs, rubbing the inside of his thighs "been energetic these days, causing problems..." The orc said as (name) leaned into his broad chest and felt the other large cock against his ass "Have no output for this energy..." (Name) said back breathlessly as he already imagined the sweet stretch of the other cock "need something... Big to help me relax" he cooed and grinned impishly when his large husband tossed him on the giant bed, something they invested in long ago.

The orc pulled down his pants, large girthy cock erect and heavy, a deep red tip that slowly turned green "pretty.." fourteen inches that (name) couldn't help but feel giddy as he crawled to the other and gently took the others cock in his hands, kissing the tip sweetly as he stroked the shaft with both hands, taking the tip into his mouth as he gently placed his hands on his abdomen and a womb tattoo appeared, already using magic to keep his body intact so the other could fill him fully, essentially an infinity spell to not kill him.

The taste of pre-cum made (name) hazy, fae pre-cum and the likes were aphrodisiacs, (name) 's eyes heavy as the effects of the tattoo began "Gonna take me well... Always do" the orc grumbled as he watched (name) stroke him off and trying to take him but sadly he just couldn't fit him in, not without using magic to warp his body.

And last time that happened it was horrific when he let (name) do the magic using.

Jaw unhinging and face distorting...the poor orc couldn't look at his husband the same for a week.

"Lemme see that ass" (name) let himself be manhandled into his husband's hold, upside down as he held onto the other cock while being held in the air, letting out a shaky breath when he felt his loves tongue lick from his balls to his ass and circling his hot tongue around the rim as (name) shakily stroked the orcs cock as his husband's long tongue went down to curl around (name)s cock, average in size but tiny to the massive orc who felt the aphrodisiac affects himself as his large fingers pushed into (name)s ass.

(Name) Whined and moaned as he felt himself fall apart, clinging onto the other's cock like a lifeline as his ass was finger fucked and his cock licked methodically "Please... Need it..." He needed that itch scratched, yelping when his husband smacked his ass "Behave" the other grunted as his tusks scraped (name)s lower ass cheeks.

(Name) Was manhandled onto his back, for a moment he felt giddy thinking he was getting the other big cock but let out a loud cry as his husband's index middle and ring finger fucked his ass aggressively, veins showing up on the orc's arms as he fucked as hard as he could against (name)s prostate as (name) climaxed hard but the other continued fucking through his climax, watching intensely.

He could barely muster words, the two having a safe word as their sessions got... Intense so the mewls of "stop" and "I can't!" Fell on deaf ears as the orc grinned at his lover's fucked out expression as he slowly pulled his wet fingers out "Your little ass-pussy is ready... You good there baby boy?" He asked as (name) whined "please..." (Name) Begged as he let his husband kiss him slowly, lining his giant cock to (name)s poor entrance and pushing in, shushing his whined at the sensation. no matter how many times they did it, it still stung as the orc slowly bottomed out.

"You did so good, my love" the orc soothed him as he let (name) adjust, no matter how much prep the sweet face needed to adjust for a few minutes as his body twitched helplessly "Big..." (Name) Whined as he felt his husband kiss stray tears.

The two stayed like this for a few moments before (name) gave the ok and the other slowly began thrusting, pushing out to the tip and pushing in, with each thrust he slowly picked up speed. "Oh! Fuck!" (Name) Gasped as he felt the other's balls slap against his ass, hips bruising as he was fucked like a doll.

"More!"

"Yes!"

"O-oh!"

Climaxes and moans, scratches and bites were all the things that (name) got and gave as his legs stretched with a slight burn, riding his beloved as his wings stretched out, previously hidden with magic as a harsh climax rolled through and the dust from his wings lifting them slightly "yes! Fuck me with that cock!" (Name) Scratched down the other's chest as he developed more fae features, unable to keep his magic back.

"Gonna cum in that pretty hole, take it all!" (Name) Collapsed as he was stuffed, stomach bulging as his husband filled his belly with cum.

"There... Keep you from setting trees on fire for a few days..."

[grunckle]

Qualia and Ascension in Rain World

(To clarify I'm mostly talking about base-game lore and not including Downpour, but honestly most of these things can transfer over)

Qualia

One thing that’s relatively hidden in Rain World’s text and subtext is the concept of qualia. Qualia is described as being, “sensory experiences that have distinctive subjective qualities but lack any meaning or external reference to the objects or events that cause them.” It’s a personal sensory experience that cannot be comprehended by another person other than the individual themself, and are often hard to convey via language.

Qualia is a reoccurring motif in Rain World, but what’s more important is the way in which it’s conveyed to the player. The picture that’s painted is that of a world or civilization that placed a great importance on the individuals’ experience, and it’s shown through pearls or environmental details.

Here are some examples of qualia appearing in the text through pearls.

“It's qualia, or a moment - a very short one. Someone is holding a black stone, and twisting it slightly as they drag their finger across the rough surface. The entire sequence is shorter than a heartbeat, but the resolution is extraordinary.”

“A memory... but not really visual, or even concrete, in its character. It reminds of the feeling of a warm wind, but not the physical feeling but the... inner feeling. I don't think it has much utility unless you are doing some very fringe Regeneraist research.”

“This one... is authored by Five Pebbles, when he was young. There has been an attempt to scramble the data, but it's sloppily done, and most is still somewhat legible. It's written in internal language, or thoughts, so it is hard for me to translate so you would understand.”

But the most prominent examples of qualia and it’s importance in this world are the Memory Crypts and possibly ancient naming conventions. The deep purple pearl (shortened) found in Shaded Citadel states,

“In this vessel is the living memories of Seventeen Axes, Fifteen Spoked Wheel, of the House of Braids (…) Seventeen Axes, Fifteen Spoked Wheel nobly decided to ascend in the beginning of 1514.008, after graciously donating all (ALL!) earthly possessions to the local Iterator project (Unparalleled Innocence), and left these memories to be cherished by the carnal plane. The assorted memories and qualia include:”

Ancients likely mutated their own neural tissue into the cabinet beasts we see in Shaded, which were used to store their memories and qualia before ascension. Even james said once "how 5 pebs got the rot is a good hint here" in response to someone asking how cabinet beasts work, and how they're made.

Adding on to this, ancient (and iterator) naming conventions seem to be built off of the concept of qualia, with them focusing on individual images or experiences.

Nineteen Spades, Endless Reflections

Droplets upon Five Large Droplets

Two Sprouts, Twelve Brackets

Looks to the Moon

Generally, this all points to a world focused on the expression and preservation of the individual experience. You could even consider some of the echo dialogue as more evidence for this running motif, but I already have too many quotes lol.

Ascension

So now time to talk about my interpretation of ascension. In short, you turn into a worm, but I should probably explain more than that.

So its been surfacing on rw-tumblr that the light in the end of the game is called the egg in files. Although file names shouldn't be taken as fact or canon, it is pretty obvious given the birth imagery.

But something a little lesser known is what happens to the worm that takes us down to the void-sea depths. Void worms normally have a bright glowing effect, on their body, which is present for ours as well. But after it unhooks us, it swims down, and when it passes us on it's way back that glowing effect is gone.

To be honest, I don't really think this can be interpreted in many ways, but the most obvious one and the one I personally subscribe to is that the worm laid the egg. Biology and spirituality really aren't that different in Rain World, it's implied that karma is stored in the brain through Five Pebbles's slideshow. Adding on to that, we see voidspawn after eating an iterator neuron. One's spiritual state is innately tied to their mental state, and that dictates what and what they can't perceive.

And for that reason I decide to take a more biology leaning approach to what happens in the ending. At face value, we are fertilizing the egg of a void worm to be reborn into a voidspawn.

Not only do void spawn and void worms have multiple characteristics in common, (worm like bodies, tendrils/tentacles, glowing heads, void spawn look microbial and void worms are likely some of the oldest "life" in game)

but voidspawn are seen inside egg-like coverings and share the same egg light seen in the end of the game, confirmed to be the same thing by Videocult in a livestream they did.

I believe that all this points to ascension being re-birth into a voidspawn, which eventually undergoes metamorphose into a worm. Higher-dimensional beings, who manifest and give birth to a new world.

So how does this tie in with qualia? Another thing you might know is that the area in which void spawn are most plentiful is Shaded Citadel and areas in Shoreline near Shaded. And shaded is absolutely packed with Cabinet Beasts, even outside Memory Crypts. I believe these qualia-storing creatures are what manifest voidspawn.

From what we see in ascension, it still looks physical and largely based around the real world. Hunter still has his scars and see's an iterator, survivor sees the slug tree in a more mystical and formless state, and monk sees survivor frankly just looking like a normal slugcat. I think that ascension is a product of qualia. We transcend our earthly knowledge via the egg, and our own qualia is used to give birth to a new world. This is why voidspawn appear most in Shaded Citadel.

Now I won't be getting into Void-Worm theories too much here, I'm mostly focused on ascension but I can't ignore the Gnosticism parallels. For those who don't know, Void Worms heavily resemble the Yaldaboath from Gnosticism, along with sharing some similar celestial motifs.

and running with that some people theorize that, like the Yaldabaoth, void worms are responsible for manifesting the material world. Ascension seems to be a mix of the concepts of Gnosis and Nirvana, but I believe it might lean more on Gnosis.

From my limited knowledge, Gnosis is a few things, some of which being a state achieved from experiences or intuitions, and an essential part to salvation is personal knowledge. While researching a bit, I came across this text by Peter Wilberg called "From NEW AGE to NEW GNOSIS" which brings up some comparisons between Gnosticism and qualia as well.

"Gnosis is subjective knowledge of an inner universe made up not of matter, energy, space or time but of countless qualitative spheres or ‘planes’ of awareness – a knowledge obtained directly through inter- subjective resonance. It is the subjective science of this inner universe."

One thing though that has been brought up when discussing this is how this can be consolidated with the tone of the ending. It is pretty un-ambiguously happy, but if we're going with the Void worm Yaldaboath theory then that would put a bit of a sour twist on it right?

I agreed with these for some time, but now I actually think it ties in perfectly with Rain World's core themes as stated by the devs, "overcoming differences and finding empathy." I don't think the void worms are "evil" or malevolent, but I think they (and subsequently us after ascending) play a key role in demonstrating this theme.

By manifesting the physical world, we allow these souls to experience life and develop their own qualia so one day they can ascend themselves. We are shown compassion, and pass it forward.

[cozage]

Gm!! I saw your inbox was open!! I was hoping to request something with Sanji, Ace n Franky with a selective mute (gender neutral) reader talking to them through their voice for the first time to confess? 👉👈

(Btw I wanted to let you know that your writing has such a grip on my heart, I must have re-read your Sleepy Afternoon hcs at least a hundred times 🥺🫶 and i hope you have a wonderful day!)

So sorry I didn't get a new chapter out today...the holidays kept me busy! Enjoy these sweet short stories instead <3 Characters: gn reader x Sanji, Ace, Franky Cw:  none :) Total word count: 1600

First Words

Sanji

Ever since you joined the crew, you had found yourself gravitating toward the kitchen. 

Being with Sanji was easy. He never pestered you with questions or asked you to speak. If he did ask questions, they were always non-invasive, yes-or-no questions that you could answer with a shake of your head. 

You realized you had feelings for him when he came into the kitchen one morning, dark shadows under his eyes. And before he began cooking, he signed good morning to you. You had signed back the same phrase before you realized that he had signed, not spoken. 

He beamed with pride as your eyes widened in shock. 

“You learned how to sign?” you signed quickly. 

He focused intensely as he watched the way your hands moved, and then slowly nodded. 

“I stayed up all night trying to learn the basics. I figured it’s lonely up there in your head.” He tapped his temple with his forefinger for effect. “I’m not very good yet, but I’ll try my best to follow you if you ever feel like communicating.”

You gave a soft nod, the thought making your eyes shine. Even just the effort of knowing good morning made your heart swell. 

As the days went on, Sanji got better at sign language. So much better that he indirectly became your translator for the rest of the crew if you ever felt like adding to the conversation. He came to your defense whenever Luffy begged you to speak, and helped make sure your voice was heard without ever judging you. 

As the two of you were sitting out on the deck one night under the stars, you decided you couldn’t hold it in anymore. You had to tell him. 

“I have to tell you something,” you signed.

Sanji stood up a little straighter, looking at you with slight concern. “What is it, my love?”

“I think-” you paused your signing. Saying the words with your hands didn’t seem right. You trusted Sanji with everything. You wanted to tell him. You wanted to say it. Out loud. 

“I think-” you whispered softly, your voice raw from time unused. But you grew more confident when you spoke again. “I think I might just be in love with you, Sanji.”

You could see him struggling to understand your words; the fact that you had spoken was enough to send him into shock. 

And then he leaned in and kissed you. 

You melted under his touch. Your body craved the feeling of his skin as he held your face against his. 

“I love you too, my dear,” he whispered back. “And my name on your lips is sweeter than anything I could ever cook up.”

Ace

Ace didn’t mind that you didn’t speak a lot. Or speak at all. He did enough talking for the both of you. 

Still, you liked being around him. At meals, you often found yourself sitting next to him. At parties, he was often at your door, dragging you out onto the deck to have a few beers with everyone. 

You liked how he could bring people together. He was always the life of the party anywhere you went. You enjoyed his warmth, both through his devil fruit ability and personality. 

You often found yourself staring at him, admiring everything about him. You knew every other person on the ship was doing the same thing. So even when his eyes locked onto yours and the two of you had silent conversations, you did your best to ignore that ache in your chest. He was loved by everyone. You weren’t special. 

“Thank you for coming tonight,” Ace said, taking a seat next to you on the deck. “I know you didn’t want to, and I know these parties can be overwhelming. So thanks for coming for me.”

You shook your head slightly, smiling softly. It’s no big deal.

“It is a big deal! You-” the rest of his sentence was cut off by a few of your crewmates screaming at each other and everyone cheering loudly. 

“Come on,” Ace mumbled, rising to his feet and holding out his hand for you. “Let’s go somewhere quieter. I can’t hear myself think here.”

You smiled and nodded, taking his hand. It was loud and overwhelming. You were here for Ace, to celebrate him being promoted. But that didn’t mean you liked being around crowds or rowdiness. 

There was only one place that was quiet on a night like tonight: the crow’s nest. So the two of you quietly snuck up the ladder and hid away from everyone. A moment of quiet amongst the sea of noise. 

“It's so peaceful up here,” Ace said softly. “I love it up here.”

You hummed in agreement. “I love you.”

Both of you froze. You hadn’t even been thinking about a confession. It had come out entirely on its own. 

You could feel Ace’s sharp gaze on you. “What?”

You cleared your throat, ignoring the heat on your face. “The view. I love the view.”

“You’re speaking.”

You finally looked at him, your voice rough. “I speak sometimes.”

“Never to me!” Ace ran his hand through his hair and took a long drink from the bottle in his hand. “You’ve never spoken to me!”

“I-” you stopped. You hadn’t spoken much since you had joined the crew. Only to Pops, really. And only whenever you were asked a direct question. Ace had probably never heard your voice. “I thought you had. I’m sorry.”

“Don’t apologize!” Ace said, laughing. “I just want to hear more of it! Tell me a story! Your voice is- is like-” he struggled for words, and then he smiled as his eyes locked onto yours. “It’s like a breath of fresh air.”

“It is not,” you smiled at his words, though. “You just feel that way because we can breathe up here without smelling our lovely crewmates.”

Ace barked out a laugh. “Stunning and funny. You really are the total package.”

You quieted at that. A true compliment from Ace didn’t happen often, and you could feel the blush creeping its way through your face. 

Instead, you laid back and turned your head toward the sky, choosing to watch the stars instead. You were almost asleep when Ace spoke again.

“I love you too, you know.”

Franky

You liked being in the workshop with Franky. Franky never tried to get you to speak. Most of the time it was too loud in there to hold a conversation anyway. The extent of your conversation was him asking you to get a tool for him, and you silently retrieving it. 

You weren’t sure it changed into something more, but you began watching him closely as he worked. After a day or two, he began explaining what he was building and all the steps that went into it. It wasn’t long before you were working on the bench next to him. 

Some days, Franky was chatty. He talked about his home, his old life, and other projects he had done. Sometimes he asked you simple questions about your past, but he never pried too deep. 

That’s what you liked most about Franky. Everything had been on your terms, and Franky had always received your decisions enthusiastically. He always supported you when you wanted to help him build a bench, but he also encouraged you to take rest days when you simply wanted to observe. 

Franky was always on your side. No matter what you decided, he was going to agree. He was your biggest fan, always cheering you on. 

And as his strong arms wrapped around you, both of you holding the torch to weld two pieces of metal together, you realized the heat on your face wasn’t just from the flame. 

Franky pulled his welding helmet up. “So, do you like welding?”

You nodded. “I think I like you more, Franky.”

Franky’s mouth fell open in shock. For once, you had stunned him into silence. Only the hum of the generator buzzed in the air. 

The silence made you feel strange, and words began falling out of your mouth in an attempt to fill it. 

“You’re so kind and supportive to me and you always help me learn new things. You’ve been so amazing and patient these past few weeks and you’re always so encouraging and…I just…I like you a lot, Franky, and I was just thinking about how I wanted to tell you and then it just…came out.”

Franky was still staring at you, awestruck. “You can speak?” 

You covered your face. He was missing the whole point. Maybe he would forget the words you had actually said. 

He seemed to remember your words at that exact moment. “Me? You like me?”

A small smile creeped across your face. No backing down now. “Yes, I do.”

“Super!” His words made you laugh. “I’ve liked you for quite some time as well. Just didn’t tell you because I didn’t want to make you feel uncomfortable.”

Your smile finally widened, full and genuine. “You’re the place I feel most comfortable, Franky.”

He gently wrapped his arms around you, pulling you in for an embrace. “And I will never stop being that for you, I swear it.”

[kozachenko]

And now we are finally getting to the most recent stuff I've worked on, starting off with my 2025 Marisa redraw! This time I'll actually have some more stuff to say since I can remember my thought process while drawing this yipeeee- (click image for better quality)

Artist's Notes;

So ever since doing these redraws, I've always kinda mourned the loss of the second redraw's dramatic lighting, so I decided to finally bring it back for this one! This one is kind of the melding of a bunch of my favourite aspects of the precious redraws, plus some of the newer stuff I've learned ever sine making them. I also tried out a new style of rendering hair for this piece and I'm really happy with how it looks! Also if you guys are wondering, yes that it s the same lantern from the previous Marisa drawing I did, I copy and pasted it because I was lazy and I just needed it to look consistent, work smarter not harder folks.

So I've been returning to my old favourite brush, the Clip Studio Paint Default Oil Paint brush for this one, and I did a bunch of the rendering for this piece with minimal blending. For the clothing, I wanted to incorperate a technique I did a few years ago, where I added some subsurface scattering to make the lighting feel more dynamic, and I love the effect it gave the white parts of the clothes. For the hair rendering, I did one base layer of shadows on top of my base colour for the hair, then a sort of mid-tone underneath it to add some variety in colour, and then did my highlights underneath all of that. I focused less on rendering every single strand of hair and moreso focused on getting the general shapes down, since I got inspired by some art I saw on Pinterest with a similar rendering style.

Once I finished with the base rendering, I used a multiply layer to create some more prominent shadows and also to give the lighting more direction. I did this with another piece as well and I think it gives me some pretty good results. It helps make the shadows a lot clearer and also gives me some better lighting while also allowing me to do some rendering to flesh it out even further, it's the best of both worlds and I have a lot of fun doing it. Also, what helped me a lot in the compositional stage was making a shitty little stick figure version of the character in the pose that I wanted and then painting in the base pose like a mannequin. I find that just painting in the figure immediately instead of forcing myself to stick to a rigid sketch has helped me out a lot, and here's an example of how the process went below. Later on in the drawing I did flip my canvas and after fixing it, realized that I liked it better flipped so that's why the orientation is slightly different. It also helps to just to some quick linework distinguishing the body parts to it's easier for me to draw the clothes. I do often keep major features of the silhouette in tact during this phase though so I don't forget to include them.

The background was actually pretty fun since it's just a nice outdoors scene. I didn't want there to be too much detail since I am all for creating the illusion of detail than rendering everything in immaculate detail, though I do think I could do just a little bit better, but hey that's why I've mainly been drawing backgrounds nowadays lol.

Overall, I'm really proud of this piece and I had a lot of fun making it. I want to continue experimenting with backgrounds and how to incorporate characters into them, so after my hibernation period you guys can expect to see some more of that.

[fandomfuntimem]

Dp x Dc or just Dp things I (personally) want to see more of.

Just some stuff I've seen and really liked but never see enough of.

Danny is very casually a genius and/or skilled (engineering, gymnastics, really any skill you pick):

There isn't enough of it tbh. I dont think people realise just how smart and skilled he is. Being a ghost probably made him very flexible and gave him extra abilities the average human may not have. Also he comes from a family of scientists, yeah maybe up against them he doesn't seem smart, but being "smart" comes in different forms. More often than not the ability to be smart comes from your ability to pick up on things, retain information, understand information, and use that information accordingly. Danny does that, especially with his villains. He even finds outside the box ways to defeat his villains. Like tricking Freakshow into becoming a ghost.

I just think its under utilized. A lot of Teen heros are geniuses but no one ecknowledges it. Hell, you can make it that Danny doesn't even realise just how smart he is. He doubts it and often thinks he's one of the dumber people in the room. But when sleep deprived and running on a cup of coffee he can solve a problem he hasn't even seen before the konk out for an hour.

Danny has BEEF with the JL or isn't outright a fan:

In a lot of fics the JL (especially Batman) are huge hypocrites. Like they'll barge into Amity trying to solve problems that don't even effect them, screw things up more, then offer Danny more training. Hello????? You guys being there caused the problem???? Then, in other things Batman preaches about territory and Danny will get threatened or treated with suspicion for even stepping foot NEAR Gothem, but then barges into his territory like its his buisness.

Let Danny call them out. Let him point out that everything has been fine untill they showed up. Let him get MAD. This is HIS territory, HIS haunt, HIS people. These guys have done nothing for him! Why should he accept their help when their help only makes things worse? In fics where they help him because he needed it and ended up in Gotham let him be suspicious and careful. He doesn't need to be vivasected or hurt to be warry of the crime fighting furries he just met.

Mans has the experience to know you can't trust anyone untill they prove you can.

Danny should be casually overpowered and spooky:

This isn't even he has to be experienced. He is so used to his powers he doesn't realise how scary it is. He will casually stop a punch from superman, laugh, quipe, then punch back.

He accidentally breaks stuff, walks through things, glows, its so normal for him. He apologizes and does it again because he forgot. He genuinly has no idea how strong he is, he just knows he needs to be soft on humans.

Danny and Phantom are very different personalities:

I'm not saying they're two different people. They have the same mind same person. But the way they act is so different. Danny is grumpy, quiet, whimpy. Danny is a loser, and everyone knows it. Phantom, on the other hand, is confident, he jokes, smiles, makes a game out of his struggles, he's strong. Phantom is just a good guy. Everyone (minus others) loves him!

This happens because Danny is more comfortable as Phantom or Vise Versa. Sertant trates carry over, they're nerds, they're smart, they enjoy a good pun, they're sassy. But because Danny is a loser everyone sees it as lame, but with Phantom its endearing.

~~~~~~~~~~~~~~~~~~~~~~~

None of this means you need to get rid of silly nerdy Danny. You can have that but all these other things ad depth to his character. Hes smart but not confident, he's kind but not naive, he's powerful but not violent, and he finds comfort in the fact no one knows him.

Idk. I'm not a big fanfic writer so i thought i would just share and see what others do with it.