#adding characters often has this effect

[spatorarupture]

Honestly the worst thing about the shift to an Olu/Yisao and Jim/Archie setup in s2 is that we got robbed of so much Jim? They both had more meaningful arcs in s1 but especially Jim, with coming out and romance and family and revenge, and then a few great moments but mostly just time in the ensemble in s2.

[daisydrabbles]

Maybe it's the Moonlight

- Theo Nott x Female Reader

Pairing: Tutor!Theo Nott x Good girl!female reader

ⓘ When I write within an academic setting it’s a university au and therefore all characters are over 18!

Warnings: slight dubcon, dirty talk, fingering, corruption, praise, mild degradation, power imbalance, unprotected sex, creampie, public sex (there’s literally nobody around but still it’s a public place)

Summary: Theo has been assigned to tutor you in astronomy, but his methods are a little… unorthodox (they involve fucking)

Word count: 3.1k

‘I didn’t take you for the type to sneak out past curfew, doll.’

You looked up from your seat on the edge of the Astronomy Tower to see your devastatingly handsome tutor staring down at you.

As one of the brightest in your year, it was incredibly frustrating to you that you were almost failing astronomy. What was even more frustrating was that Theodore Nott, the infamous man-whore who’d probably never stepped foot in the library (for reasons other than making out behind the bookshelves), was top of the class.

When you requested additional help, you expected to be partnered with someone like Hermione Granger - someone as studious and academically motivated as you. Yet here you were, meeting with one of the most attractive yet most troublesome boys in school.

You two were the definition of an oxymoron: you; good, innocent and studious, juxtaposed with him; bad, corrupt and carefree.

‘I’m normally not,’ you said defensively, ‘but I really need to pass this class.’

‘And you want my help.’ he smugly added as he sat down next to you.

Immediately, you felt some weird tension between the two of you. Why did he look so happy to be here? And why was he wearing such a predatory smile on his face?

Maybe it’s the moonlight you told yourself, as you made a mental note to reschedule your next session for a more civilised location, despite the fact that this one was undeniably practical - what better time and place to study the stars?

You cleared your throat and flicked through the pages of your textbook, feeling rather shy, and desperate to get this study session over with as soon as possible. ‘So, what first?’

Theo tutted and plucked the dusty old book from your hands, before he carelessly chucked it over his shoulder. ‘What’s first is I wanna hear you say it: Theo I need your help.’

‘Hey I needed tha- what?’

He was already having fun with your new dynamic. Whilst you were disappointed with your assigned tutor, he was pleased. In astronomy, the only class you shared, he would watch you intently - in a way not dissimilar to how lions stalk their prey. You were too perfect… he thought often of inviting you over and corrupting you; fucking you senseless and leaving enough marks on your body to prove it. However he knew you would never agree to hang out with him outside in a social setting - his academic arrangement was a perfect way to get you alone.

‘You heard me, miss high-and-mighty, I want you to say the words.’

‘Why?’ you crossed your arms in protest. You didn’t want to admit to needing anyone, especially not Theo Nott.

‘Cos you think you’re better than me,’ he said simply, ‘yet here you are about to fail astronomy, expecting me to help you pass it. You almost sound entitled really, maybe I should just go-‘

‘Fine.’ you cut him off, which only made him grin and look at you expectantly. ‘Theo I… I need your help.’

‘Good girl.’ his grin widened hearing you say those words, whilst simultaneously your eyes widened hearing his response. What did he just call you?

‘Why did you want me to say it so badly?’

He shrugs. ‘What man doesn’t want a pretty girl to say she needs him?’

Cheeky bastard. Nevertheless, you felt your cheeks heat up against your will. He thought you were pretty. Not that that should’ve meant anything, coming from someone like Theo Nott. He was notorious for being a womanizer. A playboy. A man-whore. You so badly wished his reused words had no effect on you, but they did. Looking down at your lap you prayed that your flush wasn’t noticeable in the darkness, for you were almost embarrassed at how he could fluster you with so few words.

It was very noticeable.

At least, it was for Theo, who had been seeking such a reaction and had therefore picked up on it immediately. He wasn’t entirely sure if you even wanted to study at all when you suggested meeting in the Astronomy Tower, with it being a primarily regarded by students as a hookup spot. It surprised him that you actually brought textbooks and came with the intention of learning.

He had other ideas.

He was sick of girls throwing themselves at him, this time he wanted a challenge - but he didn’t just didn’t want any challenge, he wanted you.

He wanted to shut your smart little mouth up with his own; he wanted the satisfaction of taking someone so smart and fucking them dumb. The dirty-minded boy found it cute that you’d so innocently suggested the meeting in the middle of the night - that the impure thoughts he was thinking hadn’t even crossed your mind.

Clearly you hadn’t considered your choice of clothing either. He didn’t miss the way the wind was causing your little pleated skirt to fly up, nor the way your tight blouse clung to your curves and accentuated all the right places. Places he’d love to touch; to kiss.

Alas, he would have to settle for letting his mind wander for now. As badly as he wanted to fuck you, he did also commit to helping you. His hands would have to wander later. Wander up to your perky tits, down to your sensitive cunt…

‘Anyway,’ he shook his head to rid himself of his horny thoughts, ‘is there an area of study you’re particularly struggling with?’

‘Star charts.’ you admitted, your shoulders slumping.

Theo looked as though he was trying his hardest not to laugh at you. ‘Star charts?’

‘You’re supposed to help me, not mock me.’ you deadpanned.

‘I’m sorry,’ he chuckled, ‘I just find it amusing that someone as intelligent as you can’t read a fucking star chart.’

‘I can read a star chart just fine. I just can’t…’

‘Use it to navigate the sky?’ he offered.

‘Exactly!’

Unable to help himself, he dropped his voice to a low and seductive tone and leaned into your ear. ‘Well I’d be more than happy to make you see stars.’

Theo’s hot breath on the side of your neck combined with his dominant tone caused a gush of wetness between your legs. Discreetly, you squeezed your thighs together, silently willing yourself to break free from whatever trance he’d put you under.

This didn’t go unnoticed by Theo, who was thoroughly enjoying watching you squirm.

‘I- if you don’t wanna help me that’s okay but I think maybe I should-‘

‘Believe it or not,’ he cut you off, his tone surprisingly gentle, ‘I’m actually trying to help you.’

A puzzled look appeared on your face. ‘You threw my textbook away when I tried to open it.’

‘Well, let’s not live in the past.’ he waved off your statement, holding out his hand for you to take. ‘Do you trust me?’

‘With what?’ you eyed him skeptically.

‘Jesus are you always this tense? It’s a yes or no question, doll.’

After a moments hesitation, you answered; ‘Yes… yes,I trust you.’ and took his hand.

That was all the confirmation he needed to yank you onto his lap, causing you to let out a little gasp. Sitting on Theo Nott’s lap was not how you envisioned spending your study session, but you were hardly complaining. The faint aroma of cigarettes and the sound of his racing heart should be distressing - a sign of danger, even - but you felt oddly calm. Your back was towards him so you were both facing the night sky as he asked, ‘Can you point out Andromeda for me?’

The feel of his hardening bulge underneath your ass had momentarily stunned you, and you stuttered trying to answer his question.

‘Just relax…’ his fingers caressed your exposed thighs comfortingly, slowly working their way upwards, meeting the hem of your mini skirt.

‘What are- shouldn’t we study first?’ You grabbed his wrist to stop his fingers going any higher.

When you said first, implying that you would be interested in having sex with him later, he felt his cock twitch. Finally, you were granting the opportunity for him to make you his. Luckily for the both of you, Theo was great at multitasking.

‘Tut tut, do you want to get better at astronomy or not?’

Well yes, but you couldn’t see how him touching you was going to help with that. ‘I-‘ you were cut off by your own whimper as you felt Theo’s fingers graze over your clit through your underwear.

‘Then let’s try again. Where’s Andromeda?’

At first, his fingers lightly circling your clit were too much of a distraction. It was obvious he had experience, because he knew exactly how hard to press to satisfy you but still keep you coherent. After a moment of getting used to the sensation, your brain was clear enough to answer his question so, using your finger, you traced the outline of the constellation in the sky.

‘That was correct, clever girl.’

‘Wait, really?’ you bounced up and down in excitement, making the boy underneath you groan at the feeling of you pressing on his hard cock. ‘How did you teach me to do that without teaching me anything?’

‘Your problem is you think too much. I thought if I helped you… relax, you’d be able to focus on astronomy a little better. Clearly, I was correct.’ Theo moved his hand inside your underwear and slipped a finger inside your wet hole. ‘Well done.’

Your mouth falls open at the feeling of his long finger deep inside your tight cunt, stroking your inner walls. As determined as you were to not be another one of his silly hookups, you couldn’t bring yourself to deny the pleasure he was giving you.

‘Fuck, doll, who knew a good girl like you would be this wet for someone like me.’

Theo’s finger teased you for the next twenty minutes as he asked you various Astronomy-related questions, which you answered correctly. He was right, you were clearly thinking too hard at something so simple, and his fingers pleasuring you rid you of all the unnecessary thoughts, allowing you to focus solely on the stars. Every now and then, Theo would increase the pressure on your clit or thrust his finger deeper, just to see you cut yourself off mid-sentence with a moan or a whimper induced by his touch.

‘Theo…’ you whined after answering a dozen questions about constellations, looking up at him. You were asking for something, but you weren’t quite sure what. Just something more.

He pushed a second finger inside you, curling them upwards into you slowly as his palm pressed against your clit. Watching you writhe on top of him and hearing you moan made his dick throb in his trousers, as he internally tried to decide between bringing you to your climax on his fingers first or just freeing his cock and fucking you raw right away.

‘Yeah, amore? You like being finger-fucked out in the open?’ he whispered, even though there was no chance of you being seen or heard by anyone at this time. His words went straight to your core and his previously slow pace started to quicken as he felt you clench around his digits. ‘Fuck- yes right there.’ you cried, feeling his long fingers hit that sweet spot deep inside you.

Not long after, he retracted his fingers, smearing your wetness on your clit teasingly before removing his hand from your underwear altogether. The new, empty feeling made you whimper.

‘Why’d you stop?’ you pouted breathlessly whilst you turned around in his lap, now straddling him.

Locking his eyes on yours, he brought the two fingers that were previously buried inside you to his lips and licked off all your juices. ‘So sweet.’ he muttered to himself, probably not intending for you to hear. ‘Because,’ he said louder, ‘I want to make you cum on my cock, if you’ll let me.’

Your eyes flick down to his now rock-hard erection, still trapped inside his trousers. ‘Yes, please…’

‘Atta girl… but first, let’s get these clothes out the way, shall we?’

You nodded frantically, tugging at the hem of his t shirt as he unbuttoned your blouse to reveal your tits sitting perfectly in a lacy white bra. ‘These are fucking gorgeous.’ he palmed them before reaching round to unclip your bra. ‘I can’t want to watch them bounce as I fuck you.’

He pulled away briefly to discard his own shirt before flipping you both over. How he revelled in the sight of you underneath him, all exposed and desperate. Theo knew that you weren’t like him; you weren’t the type to sleep around. He was honoured to be making you feel this good, and he wanted to make sure you had as much fun as he knew he would have.

After pulling off his trousers he guided your hand to his bulge, making you feel him through his boxers. ‘Can you feel how hard I am for you, amore? How desperate my cock is to sink itself into your pretty little cunt?’

He leaned down to give you a passionate kiss, his thumb finding its way to your clit. Your fingers found his waistband and tugged on it, indicating that you wanted him to discard them. He obliged.

Pulling away from the kiss, your jaw dropped as you saw his erection finally spring free, hitting his stomach. It was bigger than you could’ve imagined, and you suddenly found yourself conscious of how large he was in comparison to you.

‘Theo that is not gonna fit inside of me.’

‘Let’s find out, shall we?’ he yanked your skirt and your underwear down with one harsh tug, leaving you entirely on display for him. With one movement of his hips the tip of his cock found your dripping wet entrance, and he pushed it in it in ever so slightly. The stretch makes you moan; his cock was way thicker than his fingers. ‘See that, doll, your warm little cunt is practically pulling me in. I told you I know what’s best for you.’

Tugging at his brown curls at the back of his neck, you hum in agreement. ‘Please… I need you.’

‘I didn’t even have to ask you to say it that time.’ he grinned before he bottomed out inside of you making you cry out. A bulge was visible in your stomach where is cock was deep inside you, still whilst you adjusted to his size. ‘You okay, pretty girl?’ All you could do was nod, not trusting your mouth to form coherent words with the boy who was meant to tutor you buried to the hilt in your dripping wet cunt. ‘Words, please.’ he commanded as he grabbed your jaw to bring your face closer to his.

‘Yes I’m- I’m more than okay just please…’

‘Please what?’

‘Please fuck me.’ you said in a small voice, surprised at yourself for saying it outright. At your request he started to move, making you bite your lip to keep yourself from moaning at the sensation.

‘Don’t hold back, amore. Your sounds are as cute as your face, I wanna hear them all.’

And with that he began to pound in and out of you, immediately picking up a harsh pace. His large hands pinned your wrists on either side of your head so you could make no attempt to cover your flushed face or muffle your breathy moans. He was no hypocrite either, groaning into your ear letting you hear just how much he was enjoying fucking you raw.

It was even more erotic than he’d imagined. He’d managed to turn a tutoring session with the schools resident good girl and turn it into a scene straight out of a porno. The sight of your tits bouncing as your tight, warm cunt took his thick cock was one he wanted engrained in his memory. Fuck, if you weren’t on a hard wooden floor he’d be tossing your little body around in all sorts of positions. And god, how he wanted to taste you; to suck on your sensitive little clit and lick up your sweet juices. The opportunity hadn’t arose in this particular occasion, but it only motivated him to get you in bed again.

‘You feel fucking incredible.’ he groaned, earning only a whimper in response. ‘Bet you couldn’t answer any astronomy questions now, hm?’

You shook your head, your eyes fluttering shut as he hit that sweet spot deep inside of you. ‘N-no, I-‘ his pace didn’t falter as you felt yourself clenching around him, orgasm building up - if anything, it quickened.

‘Cos I’ve fucked you senseless, haven’t I?’ Although you could hear him, you couldn’t respond. His voice was muffled and your vision was clouded, your pleasure was so overwhelming, you couldn’t think straight. ‘You like going dumb on my dick?’

Theo could tell you were close, so he brought a thumb to your clit, adding pressure in circular motions. That’s all it took for your orgasm to come crashing over you. ‘Theo, I’m-‘

‘Do it. Let go. Cum for me.’

And you do. Just as he promised, you swore you saw stars whilst he fucked you through your high and chased his own. He didn’t slow down to accommodate your now increased sensitivity - his need almost became primal as his thrusts got sloppier the closer he got. ‘Gonna fill you up with my cum, doll. Real deep.’ he grunted in your ear, feeling his own orgasm building. The pressure from your tight cunt felt like heaven to him, but mostly it was the way you were looking at him that pushed him over the edge, like he’d just taken you places you didn’t know you could go.

You both moaned as you felt his hot cum spill into you, marking you as his. And you were his, now. He’d ruined you for anybody else; he’d moulded you to fit him perfectly.

After pulling out, he laid down on his side next to you, tracing mindless circles around your navel.

‘That,’ you inhaled shakily, ‘was amazing. Are you okay?’

His eyes, which had previously been fixed on the sight of his cum leaking out of your hole, snapped up to you. By the looks of it, people don’t normally ask him that after sex, and you immediately felt as though you’d said something wrong. That was, until you felt his hand cup your cheek. ‘Careful, doll, you’re really making me want to keep you.’

‘What?’ you roll onto your side to face him.

‘Nothing.’ he sighed in content. ‘I’m great, are you okay?’

‘Amazing. Same time next week?’ you attempted to joke.

‘Same time tomorrow.’

[fangsandfeels]

Quite often, I'm sad that Larian canned the original idea of letting origin characters narrate their story and choices. It gave such a nice flavor to their personal stories and their emotions during every encounter.

For instance, upon encountering a wounded illithid who tried to mind control them:

Astarion already fucking hates this thing - he growls as he describes it, he seethes. And then he almost sobs, when the mindflayer tries to force him to think he deserved to be whipped and flayed for resisting it. And it makes perfect sense for him to react like that -- not only does he hate any intrusion into his mind, but also, the mindflayer found his trigger and made him feel miserable.

Meanwhile, Shadowheart, in the same scene, sounds a lot more collected, and observant, detached even when the mindflayer pushes into her mind. Sharite training pays off - she has probably been prepared for such attacks and is ready to endure what it takes to fulfill her mission. She needs to keep her focus and press on.

Will is straight-up poetic. He doesn't narrate; he tells a story he is immersed in (and wants to get you immersed too). He doesn't hate the dying mindflayer -- he has no reason to, it's dying all the same. He is taken aback by the compulsion attempt, clearly processing the emotions the creature tries to drag him through, but he is still in control, clearly understanding what it's trying to do. And of course, he would be in control - he is an experienced monster hunter, he dealt with all kinds of creatures. He knows a mental attack when he sees one.

Oh, and Gale, Gale just brings that classy "stranded in another world log" vibe. He is one of those sci-fi protagonists who go through the horrors and wonders, but always narrate them in the calmest of voices because they can't afford losing focus and losing their cool. Of course, Gale is also sympathetic, and curious, and melancholic at times, but it's all contained. I don't know if it was intentional, but his lines conveyed the feeling of isolation despite being surrounded by people.

Yes, Amelia Tyler is perfect, but I feel like BG3 origin character playthroughs suffer from the same effect that Divinity: Original Sin 2 origin stories did -- aside from a couple of details, more personalized interactions, and a bit more insights related to personal quests, they blend together with custom character behavior a lot.

Narration by VAs would have added such a nice personal touch to every choice and decision - not to mention compensated for the lack of voiced dialogues.

[urdreamydoodles]

Can you please make an X-Men with a goth reader?? With Logan, Scott, Remy, Rogue, Pietro, etc.

We need more x men that can handle a goth baddie 😭🙏

X-Men x Goth!Reader

How the X-Men react to their gothic s/o

Wrapped in dark elegance, your presence is a mystery, a shadow that moves beside them.

Characters: Logan Howlett, Remy LeBeau, Kurt Wagner, Scott Summers, Jean Grey, Rogue, Erik Lehnsherr, Bobby Drake, Wanda Maximoff, Pietro Maximoff, Laura Kinney & Wade Wilson

Oh my god, thank you for this prompt. I hadn't thought of that yet, and now I'm in love. (And yes, the X-Men need a goth baddie) Hope you like it <3

Logan Howlett aka. Wolverine

- Logan was immediately intrigued by your dark, edgy look. He’s always appreciated individuality, and your gothic style is no exception. There’s a look of quiet admiration in his eyes whenever you’re dressed up in dark attire, heavy eyeliner, and your signature accessories. He finds it a refreshing contrast to his own rugged appearance, and there’s a glint in his eye every time he sees you dressed to the nines in your gothic style.

- Despite his rough-and-tumble nature, Logan has a soft spot for taking care of you when you’re adjusting your outfit or fixing your makeup. He’s rough with his own appearance but becomes surprisingly delicate if you need him to hold a pin, help fasten a corset, or even steady your eyeliner in a moving vehicle. Logan finds a sort of pride in your style and will gruffly mutter about how you don’t need any of it to look “kickass” — though he never actually tells you to change.

- Logan has always been a bit protective, but seeing you in such unique attire intensifies that instinct. Whether you’re out in public or at a party with other mutants, he’s hyper-aware of anyone staring too long or making a comment. Anyone who tries to criticize or judge your appearance will face Logan’s steely glare, and if anyone dares to say something unkind, Logan will growl out a curt, “Watch your mouth.”

- Logan takes you on adventures in the forest, where your aesthetic is at home against dark trees, shadows, and the moonlight casting a pale glow. He notices the way your love of all things dark blends so well with nature, and he’ll sometimes surprise you with gifts like black roses or unique stones that he finds during his travels. There’s an unspoken connection between his wild spirit and your gothic beauty, and he feels that keenly.

- In private, Logan can’t help but be a little captivated by you. When you’re together, he takes a moment to admire you in the shadows, noticing the details in your clothing, jewelry, and makeup. He’ll run his fingers over your darkened nails or twirl a piece of your hair, finding the gothic aesthetic mysterious and alluring. He may be a man of few words, but the way he looks at you says it all.

Remy LeBeau aka. Gambit

- Remy was charmed from the moment he saw your gothic look. He’s always been drawn to unique personalities, and your dark, striking style caught his attention immediately. He’s often complimenting your bold choices and teasingly asks if you’re trying to cast a spell on him with your bewitching look. Every time you add something new to your ensemble, he’s the first to notice and give an enthusiastic approval.

- Remy loves accessorizing and will often gift you trinkets and jewelry that he thinks match your aesthetic. He has an eye for detail and will go out of his way to find vintage rings, unique chokers, or bracelets that fit right into your gothic wardrobe. Sometimes he’ll even joke that he “borrowed” it from a wealthy socialite, adding a bit of thrill to each item he gives you.

- Whenever you’re out together, Remy makes it clear to everyone around that he’s proud to be by your side. He doesn’t mind being the center of attention, and he revels in the way people stare at the two of you together. Your gothic style, paired with his smooth Cajun charm, makes you both an irresistible sight, and he absolutely loves the dramatic effect you create as a couple.

- Remy isn’t shy about getting involved in your look either. He’ll sometimes join you in wearing darker colors, occasionally adding a dark coat or some subtle accessories to match your aesthetic. And whenever you put on darker lipstick or smudged eyeliner, he’s quick to lean in, smirking and saying, “Chere, you tryin’ to make a bad boy outta me?” before sneaking a kiss and smudging your lipstick.

- At the end of the day, Remy loves the way your dark, bold look contrasts with his playful nature. In private moments, he’ll trace his fingers over your jewelry or adjust your lace gloves, smiling in admiration. There’s something about your mysterious beauty that makes him feel even more protective and infatuated, and he’ll often pull you close, murmuring about how he’s got a taste for danger — and you’re exactly his type.

Kurt Wagner aka. Nightcrawler

- Kurt is utterly enchanted by your gothic style. To him, it’s a beautiful form of self-expression, and he admires your ability to embrace it so wholeheartedly. His own appearance has always set him apart, and your willingness to stand out with your unique look makes him feel seen and appreciated. He’ll often tell you how striking you look, calling you his “dark angel.”

- While Kurt’s aesthetic might be different, he secretly loves trying out some gothic-inspired touches when he’s with you. Whether it’s a spiked bracelet, a dark cloak, or even dabbling with black nail polish (after much convincing), he’s open to stepping out of his usual look to match your vibe, finding it fun and endearing to share in your aesthetic.

- Kurt is deeply respectful of your style, and he’s fascinated by the meaning behind the gothic elements you choose. He’ll eagerly ask about your jewelry, your makeup, or why you love dark colors. He listens intently to your answers, often seeing your look as a form of art and self-expression. He sees beauty in everything you do, and that extends deeply to your appearance.

- When you’re both out together, Kurt keeps an arm protectively around you, teleporting you out of crowds if he senses anyone staring too much. He knows how judgmental people can be, and he wants you to feel as comfortable and safe as possible. He’ll often take you on night-time adventures, leaping across rooftops with you in his arms, knowing you’ll love the thrill of the city under moonlight.

- Kurt loves your aesthetic so much that he’s inspired to draw you. When he has free time, you’ll catch him sketching in his notebook, creating little drawings of you in various gothic outfits. He never tells you about it until you find his sketches by accident, blushing furiously when you compliment his work. He’d say shyly, “Vhy wouldn’t I vish to capture such beauty?”

Scott Summers aka. Cyclops

- Scott’s first reaction to your gothic style is one of quiet fascination. As someone who’s usually by the book, he’s intrigued by how unapologetically yourself you are. He’s not exactly one for bold fashion statements, but he admires your confidence and individuality, often finding himself silently captivated by your unique look. He might not say it often, but his lingering glances are unmistakable.

- Scott quickly becomes a bit protective when you’re out in public, especially if people stare or make comments. He’s the type to subtly position himself between you and any potential gawkers, his arm hovering near yours in a quiet but firm show of solidarity. He respects your aesthetic completely, and he doesn’t tolerate any negativity directed your way.

- While Scott may not share your love for gothic fashion, he’ll still make an effort to understand it. He’s the type to do his research and might even surprise you with knowledge about gothic subculture, books, or art. He takes your interests seriously and often engages in thoughtful conversations, eager to understand the things you’re passionate about.

- Although Scott isn’t one for grand gestures, he’s deeply supportive in his own quiet way. He’ll surprise you with thoughtful little gifts—perhaps a book by a gothic author you admire or a vintage item he thinks would suit your style. His love language might be subtle, but he’s always thinking of ways to show his appreciation for the things that make you unique.

- Behind closed doors, Scott’s admiration for your gothic look becomes a little more apparent. He’s endlessly fascinated by the contrast between his own controlled, structured personality and your bold, mysterious beauty. He’ll sometimes run his fingers through your hair, admiring the way it frames your face, and he’ll tell you in his own reserved way just how much he’s in awe of you.

Jean Grey aka. Marvel Girl / Phoenix

- Jean is fascinated by your gothic style and sees it as a beautiful, creative way to express yourself. She finds herself admiring the little details in your attire, the dark layers, intricate jewelry, and the way it all complements your personality. Her curiosity often leads her to ask about your fashion choices, eager to understand what each piece means to you.

- Being empathetic and open-minded, Jean appreciates how you embrace a style that isn’t necessarily “mainstream.” She’ll often compliment you, giving you a gentle smile and reminding you that she loves your unique style. She finds it refreshingly bold and admires how it reflects your inner strength and individuality. Jean occasionally likes to join you in trying out darker makeup or accessories to match your aesthetic, finding the experience fun and bonding.

- Jean’s powers make her sensitive to people’s thoughts, and she’s hyper-aware of the judgmental looks or whispers when you’re both out in public. She’s quick to reassure you telepathically, sending you warm, encouraging thoughts if she senses any discomfort from you. Her presence always feels like a supportive, silent reminder that she’s by your side, and she has a way of making you feel completely understood.

- Sometimes, she’ll surprise you with little gifts that fit your gothic style—a delicate black pendant she found, a book of poetry she thinks you’ll love, or a flower carefully chosen to match your look. Jean’s attentiveness shows in every thoughtful gesture, and she genuinely enjoys finding ways to make you feel cherished and accepted.

- Jean often finds herself captivated by the way your gothic aesthetic contrasts with her own. In private moments, she’ll softly tell you how beautiful and mysterious you look, her gaze filled with admiration. She’ll gently brush a strand of hair from your face, whispering about how she feels lucky to be with someone as unique and bold as you.

Anna Marie aka. Rogue

- Rogue adores your gothic style and finds it incredibly cool. She’s all about breaking the mold, so seeing you embrace a bold, dark aesthetic instantly impresses her. She’s the type to playfully nudge you and say, “You look killer, sugah,” whenever you put together a particularly striking look, and she often asks for style tips to incorporate some gothic elements into her own outfits.

- She loves joining you in shopping trips for gothic clothes and accessories. Rogue has a thing for statement pieces herself, so she’s always on the lookout for something edgy that could match both of your styles. She’s especially drawn to things like dark leather jackets, silver rings, and anything that screams “rebellious”—finding it exciting to shop with someone who has a taste for the unconventional.

- Rogue has a protective streak and won’t stand for anyone disrespecting you or making you feel out of place. If someone stares too long or makes a comment, Rogue has no problem giving them a sharp, intimidating glare. She’s fiercely defensive of your right to express yourself, and she’ll always make sure you feel comfortable and safe being yourself around her.

- Your gothic look and overall vibe sometimes make her feel a bit soft around you, and she loves that. Rogue admires your confidence and how you carry yourself, and she’s grateful for the quiet strength she feels from being with you. Sometimes, when it’s just the two of you, she’ll sit close and tell you how she feels like she’s found a kindred spirit in you—someone who isn’t afraid to stand out.

- In private, Rogue is endlessly affectionate and attentive. She loves taking in all the little details, like how you accessorize or the particular makeup you wear. She’ll sometimes brush her gloved hand across your cheek, marveling at how stunning you look and making you feel like you’re the only person in the world. With you, she can be her true, unfiltered self, and she’s grateful for that.

Erik Lehnsherr aka. Magneto

- Erik is immediately intrigued by your gothic aesthetic. He’s a person of elegance and sophistication, but he appreciates when someone dares to be different. He’ll often give you a thoughtful once-over, his piercing gaze lingering on you in silent admiration. Though he doesn’t say much at first, he finds himself fascinated by your unique look and style.

- Erik’s keen intellect often leads him to inquire about the historical roots of the gothic subculture, and he listens intently as you explain its influences. He sees a lot of strength in your choice to embrace a bold, non-conformist style and has a profound respect for your commitment to your aesthetic. He’ll occasionally surprise you with antique jewelry or rare finds that match your taste, finding a sort of thrill in choosing gifts you’ll treasure.

- When you’re out together, Erik is a silent but powerful presence, always by your side and subtly protective. Anyone who dares look down on you or make a judgmental comment will quickly find themselves on the receiving end of his steely glare. He values self-expression and has no patience for those who would try to undermine yours, making it very clear that he respects you fully and will tolerate no less from others.

- He has a refined appreciation for your style, often drawing parallels between it and his own preference for timeless, dignified looks. In private, he’ll run a hand over a piece of your jewelry or trace his fingers along the intricate details of your clothes, remarking in a low voice about how well it all suits you. He finds your appearance mesmerizing and genuinely enjoys the aura of mystery you bring with you.

- Erik doesn’t often show vulnerability, but with you, he finds himself at ease. He admires how your gothic style reflects resilience, a quality he holds dear, and he sees in you a kindred spirit—a reminder of strength in individuality. When it’s just the two of you, he’ll quietly express how he feels lucky to have found someone who embraces the world with such fierce independence.

Bobby Drake aka. Iceman

- Bobby is absolutely fascinated by your gothic style. As someone who’s always been a bit playful and lighthearted, he finds your dark, brooding aesthetic to be thrillingly different from anything he’s used to. He’ll often tease you affectionately, calling you his “goth queen” or “dark angel” in that playful way only he can pull off, genuinely admiring your commitment to the look.

- He’s endlessly curious about your fashion choices and will often ask questions about the different elements of your style, from the jewelry to the makeup. Bobby isn’t afraid to experiment either—sometimes you’ll catch him jokingly trying on your rings or attempting your dark eyeliner just for laughs. He loves getting you to crack a smile, even if it means looking a little ridiculous himself.

- Bobby is all about hyping you up in public. He finds your look incredibly cool and will proudly show you off whenever you’re together. If people give you weird looks, he’ll throw an arm around your shoulder and declare, “Yeah, that’s my goth babe—jealous?” His lighthearted energy brings a fun dynamic to your relationship, making you feel completely accepted for who you are.

- Despite his own upbeat personality, Bobby finds your gothic aesthetic deeply captivating. He’s fascinated by how well it reflects your personality, and he often jokes about being “entranced” by your dark, mysterious look. Sometimes, he’ll even ask if you could show him a bit more about the gothic subculture, genuinely interested in learning about something that means so much to you.

- In quiet moments, Bobby is surprisingly thoughtful, admiring your makeup or your choice of accessories in a way that’s tender and sincere. He’ll tell you that you look amazing and that he’s lucky to have someone so unique and bold by his side. Beneath all his jokes, there’s a deep respect for your individuality, and he genuinely loves how your gothic aesthetic adds a layer of mystery and allure to your relationship.

Wanda Maximoff aka. The Scarlet Witch

- Wanda is deeply drawn to your gothic aesthetic and feels an immediate kinship with you. She’s familiar with the feeling of being different, of standing apart, so she instantly understands your choice to embrace a darker look. She loves how your style is unapologetically you and finds comfort in how it resonates with the magic and mystery she herself embodies.

- Wanda is genuinely captivated by the intricacies of your look. She’ll admire the subtle details—maybe a delicate, ornate ring or a shadowed makeup look that speaks to your artistry. Sometimes she’ll playfully use her magic to make a small dark aura shimmer around you, a soft, enchanted touch to match your aesthetic. It’s her way of embracing your uniqueness and showing that she appreciates every part of you.

- When you’re both out together, she’s proud to be seen by your side. If people stare or pass judgment, Wanda doesn’t let it affect her. She’ll take your hand and give you a knowing smile, her quiet confidence making you feel fully accepted. Her serene presence has a calming effect, and you know you’re safe with her, free to be yourself without any need to explain or justify.

- Wanda loves sharing her own story with you, talking about the darker aspects of her past and the magic that’s sometimes misunderstood by others. She feels like you understand her struggles and admires how your gothic style speaks to resilience and defiance. Sometimes, she’ll create small magical gifts for you—a necklace that glows faintly with enchantment or a rose that never wilts, gestures to show her affection and appreciation for who you are.

- In private, she’s incredibly gentle and open, drawn to how your darker style balances her sometimes chaotic world. Wanda will often express how much she cherishes you, how your individuality and strength help her feel more grounded. She finds comfort in your presence, and there’s a deep, almost otherworldly bond that connects you both, as if she’s found a piece of herself in you.

Pietro Maximoff aka. Quicksilver

- Pietro is absolutely fascinated by your gothic look and finds it incredibly cool. He’s the type to whistle and tease you, calling you his “gothic queen” or “dark angel” with a big, proud grin. Your style is so different from his fast-paced, casual vibe, and he loves how it sets you apart from everyone else he knows.

- He loves showing you off and finds joy in watching other people’s reactions when they see you two together. Pietro has a protective streak, so if anyone gives you a weird look or mutters a snide comment, he’s quick to shut them down with a snappy comeback. He’s proud of your unique style and makes it known that he wouldn’t want you any other way.

- Pietro’s energy is a fun contrast to your aesthetic, and he often makes it his mission to get you to crack a smile. Whether it’s by jokingly trying on your dark lipstick or attempting your makeup style (usually ending up with eyeliner everywhere), he’s always trying to bring some lightheartedness into your day. He loves that your seriousness balances him out, and he always feels like his life is a bit more exciting with you in it.

- He’s incredibly curious about all things gothic and will often ask questions about your music, style, or favorite bands. Sometimes, he’ll surprise you by blasting one of your favorite gothic rock songs while you’re together, just to show he’s been paying attention. He’s always eager to learn more about what makes you tick and is genuinely interested in understanding the darker elements of your personality.

- In quieter moments, Pietro will tell you how lucky he feels to be with someone who’s so unapologetically themselves. He’s a bit of a show-off, but around you, he’s sincere, openly admiring the depth you bring to his life. He loves the contrast between your mysterious vibe and his vibrant personality, and he feels like you’re his perfect opposite, bringing balance to his world.

Laura Kinney aka. X-23 / Wolverine

- Laura’s first reaction to your gothic style is quiet fascination. She’s not one to comment much on appearances, but she admires how self-assured you seem with your unique look. She respects individuality, and your dark aesthetic quickly becomes something she associates with strength and resilience—a reminder that you’re someone who can stand out and face the world on your own terms.

- She’s very protective of you, especially if you’re out together and encounter anyone who looks down on your style. Laura doesn’t tolerate any disrespect, and if she senses anyone judging you, they’ll get a deadly glare. Your relationship with Laura is based on mutual respect, and she’ll go out of her way to make sure you’re never made to feel lesser because of how you look.

- Laura isn’t one for big gestures, but she shows her affection in small, meaningful ways. If she notices a new accessory or makeup look, she’ll give you a subtle nod of approval or say, “You look nice.” It’s her way of showing that she notices the little things and that she values the care you put into your style. Occasionally, she’ll even ask for your input if she wants to try something different with her look, trusting your judgment.

- Sometimes, Laura’s curiosity gets the better of her, and she’ll sit with you to ask questions about the gothic subculture. She respects that there’s a deeper meaning behind your aesthetic, and learning about your interests helps her feel closer to you. She listens intently, taking in every word with her characteristic seriousness, and it’s clear she appreciates the passion you have for your style.

- When it’s just the two of you, Laura lets her guard down and shows a softer side, often complimenting you in her own way. She’ll tell you that you’re “different from anyone else,” and coming from her, it’s the highest praise. With Laura, you know you’re accepted fully, and she values the unique presence you bring to her life, finding comfort and strength in the dark beauty that defines you.

Wade Wilson aka. Deadpool

- Wade is absolutely thrilled by your gothic style and finds it ridiculously cool. He’s the type to immediately start calling you his “dark and mysterious love,” and he’s not shy about showing you off. He’ll take you anywhere and everywhere, proudly bragging to anyone who’ll listen about how awesome you look. He loves that your aesthetic stands out and often tries to “match” you in his own chaotic way.

- Being Wade, he’s constantly trying to make you laugh, especially since your serious demeanor intrigues him. He’ll crack jokes, do silly impressions, and make exaggerated compliments about how you’re his “queen of darkness.” He’s always trying to get a smile out of you, relishing the challenge of breaking through your stoic exterior, and finds it endlessly amusing when he actually succeeds.

- Wade also loves dressing up to match your gothic look on occasion, though his interpretations are… creative. He’ll try on dark makeup or leather jackets and end up looking like a rock star from the 80s. Despite how outlandish he looks, his attempts are always genuine, and he adores the way your aesthetic complements his unpredictable personality.

- Wade is surprisingly sensitive to how the world judges appearances and takes it personally if anyone so much as looks at you the wrong way. He’s fiercely defensive of your right to express yourself and will launch into a full-fledged speech about how amazing you are, shutting down any naysayers with his trademark over-the-top theatrics. With Wade, you know you’ll always be celebrated for exactly who you are.

- In private, Wade will tell you how he admires the confidence and mystery you carry with your style. Beneath his antics, there’s a genuine admiration for your strength and individuality. He’ll hold your hand, make eye contact, and tell you that you’re the best thing that’s ever happened to him, adding with a smirk, “Even if you look like you might summon a demon any second.” It’s his way of saying he’s completely smitten, and he loves you just as you are.

[rockpaperimpala]

So about Netflix's the Last Airbender....

I am literally so confused you guys. You made me think I would HATE this show. And I LOVED it. Me. Known perfectionist and hater.

Katara was lovely. Yes, she started as a more soft spoken character than her cartoon version, but she was still passionate and hopeful throughout, just visibly unsure of herself. I think people were thrown off by this actress' natural way of expressing herself, which is Different from animated katara for sure, but not bad. Then she spends the whole season growing in Confidence and Fire. I Adored her fight with Paku, it really did feel like a payout of the whole season's development, and the bending kicked ass!

The Bending Kicked ass!!! The martial arts was fun and fast and creative and exciting! It looked SO good. That alone would be enough reason for me to watch and enjoy any show.

Zuko's actor was fantastic. He really captured the rage and confusion of this 16 year old banished prince. And there were so many Added moments between him and Iroh wich to me enriched their relationship. Like YES! This is why I'm watching, to see more of them, to see things done a little differently.

Iroh facing the consequences of his actions at Ba Sing Se!! That's what I'm here for!

Zuko's relationship with the men on his ship! That's what I'm here for!

The Extra layers we get to Ozai manipulating his children!

Also no one is talking about Admiral Zhao, who I had SO much fun with. I feel like they slightly fleshed out his character in a really dramatic way, really developing the hubris and frankly insane grasping ambition of someone who would kill the moon. I completely enjoyed this wilder, less controlled version of him, who comes up through the season from basically nothing and no one!

I am OBSESSED with King BUMI and his anger and disillusionment with the world! Like this was SO real. Living a hundred years of futile war would do that!!!! It is one of my favorite changes to the whole series. This new layer of emotion and character depth is what I'm here for!

Sokka was SO funny. He literally had me laughing out loud so often. That actor GETs Sokka, and GETS the way his humor is delivered. And is also able to tap into the more vulnerable side of him. People said he was "obsessed" with leadership. WHAT? That is a young person trying desperately to do his best and to try and find his place in the world, to figure what he has to offer. I loved his pride at hearing the Mechanist say that he would make a good engineer, and the sweetness of the moment that Yue's father says that he can be a hero without being a warrior. Sokka does so much growth in this series, in understanding himself and life.

And his chemistry with Suki was adorable!! I even like him and Yue (who was a totally unexpected sweetheart, despite her terrible wig)!! Like he has that same ability that Sokka has in the original to Connect with people.

Aang was great! He WAS fun loving and sweet and funny. I don't know what you guys wanted. Cartoons are always bigger and more exaggerated than live action. People's eyes swell up an, birds fly around their heads, and there are funny sound effects. That larger than life quality is the strength of animation! You have to look for different strength in live action. Like the SUBTLETIES of the acting choices. This little actor brought so much kindness, innocence, and strength to Aang.

And I FELT his frustration at being asked to do this at 12, his fresh hope anytime it looked like someone more experienced would be able to help him and no one did, and that's why he didn't learn waterbending this season, because he kept waiting for an freaking ADULT to show him the way, to help him carry this immense burden, but every adult he meets asks him for help instead, asks him to carry it himself, and then the finale hits and he realizes that there won't be any adults helping, he does have figure this out himself, and he makes the hard choice, takes on responsibility more than his years and offers himself to the ocean spirit, and he might have been lost entirely if not for Katara!

And that counter running theme to the show pays off: that he doesn't have to do it alone. He may not have more experienced guidance, because the adults have let him down again and again, but his friends will be with him, and they will figure it out together!

This is there throughout the series! Katara tells him this about learning waterbending, when he says he still wants to wait. Bumi tells him this in the palace at Omashu, and Aang sees the faith he has in his friends repaid!

I like these changes! And the show still found time for silly fun adventures and character building moments.

The show was never going to be the animated original. That is already a Masterpiece, and it frankly did NOT need to be adapted at all. I did not WANT a live action adaptation. I was adamantly convinced I would hate it. But the changes that they netflix show gave are what I Iike most about it. If I want to see Zuko say "you rise with the moon, I rise with the sun," I will go watch the animated original, because that version is perfect. And now, if i want to see Zuko say "Lu ten would have been proud to have you as a father," and see iroh pull him into a tight hug, I can watch this live action version, which is very good too. I'm going to disagree with most of the people on here and say that the Netflix's Avatar: The Last Airbender, DOES capture the heart of what we liked about the original show. It's spirit, fun, excitement, and characters. And the changes made are the reason we should be watching.

[reallyromealone]

Title: fae love

Fandom: none

Characters: original character (orc), reader

Fic type: nsfw, story

Pairings: orc x male reader

Warnings: male reader, reader insert, nsfw, smut, reader has some description, boy pussy term used, reader is a fae, chaotic reader

Notes: I thought I posted this but I didn't, this is super indulgent, and yeah. Normally this would go through Patreon first but I'm feeling kind

🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️🕯️

(name) smiled as he was carried by the giant orc that was his mate, a towering ten feet tall to (name) 's five feet four inches, the pretty fae kissing the orc's olive cheek sweetly as they went back to their farm, a sweet little farm in the woods outside of town "I told you no more fires in non agreed fireplaces" he said gruffly to (name) who just smiled "you're the one who chose to become fated mates with me~"

The Orc sighed, looking at the gold ring on (name) 's finger and the wedding necklace, indeed he chose (name) for marriage, he did love his chaotic husband.

(Name) often treated his husband like a jungle gym, the tiny fae usually resting on his shoulder as he went about things and used his magic for various tasks "My love, please... You're awful at cooking" he swatted (name)s hand away when (name) tried to help by adding flower petals to the stew "but they make the stew look magical ~!" Was (name) 's reasoning as he watched the other stir the rabbit and vegetable soup "I added extra (vegetable), magical enough?" The orc gently kissed the other calf, tusks grazing (name) 's flesh, and (name) giggled "You romantic~"

(Name) always sat in his husband's lap when they ate and spoke about their days, (name) in the woods building little homes for the mouse village as they wanted to expand--- thankfully their building supplies were primarily popsicle sticks, the Orc gladly letting his love do that, especially since the mouse folk traded for mushrooms and herbs they find, it also kept (name) from causing mischief amongst the fae wilds, the two living outside the fae wild portal ring and often seeing passerbys that (name) would prank (read: setting their shoes on fire).

It was always a serene affair.

Well for (name).

When bedtime came, (name) carefully took off his jewelry as did his husband, removing any makeup for the night against the candlelight "Oh..." (Name) whispered as he felt his love's large hards easily spread his legs, rubbing the inside of his thighs "been energetic these days, causing problems..." The orc said as (name) leaned into his broad chest and felt the other large cock against his ass "Have no output for this energy..." (Name) said back breathlessly as he already imagined the sweet stretch of the other cock "need something... Big to help me relax" he cooed and grinned impishly when his large husband tossed him on the giant bed, something they invested in long ago.

The orc pulled down his pants, large girthy cock erect and heavy, a deep red tip that slowly turned green "pretty.." fourteen inches that (name) couldn't help but feel giddy as he crawled to the other and gently took the others cock in his hands, kissing the tip sweetly as he stroked the shaft with both hands, taking the tip into his mouth as he gently placed his hands on his abdomen and a womb tattoo appeared, already using magic to keep his body intact so the other could fill him fully, essentially an infinity spell to not kill him.

The taste of pre-cum made (name) hazy, fae pre-cum and the likes were aphrodisiacs, (name) 's eyes heavy as the effects of the tattoo began "Gonna take me well... Always do" the orc grumbled as he watched (name) stroke him off and trying to take him but sadly he just couldn't fit him in, not without using magic to warp his body.

And last time that happened it was horrific when he let (name) do the magic using.

Jaw unhinging and face distorting...the poor orc couldn't look at his husband the same for a week.

"Lemme see that ass" (name) let himself be manhandled into his husband's hold, upside down as he held onto the other cock while being held in the air, letting out a shaky breath when he felt his loves tongue lick from his balls to his ass and circling his hot tongue around the rim as (name) shakily stroked the orcs cock as his husband's long tongue went down to curl around (name)s cock, average in size but tiny to the massive orc who felt the aphrodisiac affects himself as his large fingers pushed into (name)s ass.

(Name) Whined and moaned as he felt himself fall apart, clinging onto the other's cock like a lifeline as his ass was finger fucked and his cock licked methodically "Please... Need it..." He needed that itch scratched, yelping when his husband smacked his ass "Behave" the other grunted as his tusks scraped (name)s lower ass cheeks.

(Name) Was manhandled onto his back, for a moment he felt giddy thinking he was getting the other big cock but let out a loud cry as his husband's index middle and ring finger fucked his ass aggressively, veins showing up on the orc's arms as he fucked as hard as he could against (name)s prostate as (name) climaxed hard but the other continued fucking through his climax, watching intensely.

He could barely muster words, the two having a safe word as their sessions got... Intense so the mewls of "stop" and "I can't!" Fell on deaf ears as the orc grinned at his lover's fucked out expression as he slowly pulled his wet fingers out "Your little ass-pussy is ready... You good there baby boy?" He asked as (name) whined "please..." (Name) Begged as he let his husband kiss him slowly, lining his giant cock to (name)s poor entrance and pushing in, shushing his whined at the sensation. no matter how many times they did it, it still stung as the orc slowly bottomed out.

"You did so good, my love" the orc soothed him as he let (name) adjust, no matter how much prep the sweet face needed to adjust for a few minutes as his body twitched helplessly "Big..." (Name) Whined as he felt his husband kiss stray tears.

The two stayed like this for a few moments before (name) gave the ok and the other slowly began thrusting, pushing out to the tip and pushing in, with each thrust he slowly picked up speed. "Oh! Fuck!" (Name) Gasped as he felt the other's balls slap against his ass, hips bruising as he was fucked like a doll.

"More!"

"Yes!"

"O-oh!"

Climaxes and moans, scratches and bites were all the things that (name) got and gave as his legs stretched with a slight burn, riding his beloved as his wings stretched out, previously hidden with magic as a harsh climax rolled through and the dust from his wings lifting them slightly "yes! Fuck me with that cock!" (Name) Scratched down the other's chest as he developed more fae features, unable to keep his magic back.

"Gonna cum in that pretty hole, take it all!" (Name) Collapsed as he was stuffed, stomach bulging as his husband filled his belly with cum.

"There... Keep you from setting trees on fire for a few days..."

[grunckle]

Qualia and Ascension in Rain World

(To clarify I'm mostly talking about base-game lore and not including Downpour, but honestly most of these things can transfer over)

Qualia

One thing that’s relatively hidden in Rain World’s text and subtext is the concept of qualia. Qualia is described as being, “sensory experiences that have distinctive subjective qualities but lack any meaning or external reference to the objects or events that cause them.” It’s a personal sensory experience that cannot be comprehended by another person other than the individual themself, and are often hard to convey via language.

Qualia is a reoccurring motif in Rain World, but what’s more important is the way in which it’s conveyed to the player. The picture that’s painted is that of a world or civilization that placed a great importance on the individuals’ experience, and it’s shown through pearls or environmental details.

Here are some examples of qualia appearing in the text through pearls.

“It's qualia, or a moment - a very short one. Someone is holding a black stone, and twisting it slightly as they drag their finger across the rough surface. The entire sequence is shorter than a heartbeat, but the resolution is extraordinary.”

“A memory... but not really visual, or even concrete, in its character. It reminds of the feeling of a warm wind, but not the physical feeling but the... inner feeling. I don't think it has much utility unless you are doing some very fringe Regeneraist research.”

“This one... is authored by Five Pebbles, when he was young. There has been an attempt to scramble the data, but it's sloppily done, and most is still somewhat legible. It's written in internal language, or thoughts, so it is hard for me to translate so you would understand.”

But the most prominent examples of qualia and it’s importance in this world are the Memory Crypts and possibly ancient naming conventions. The deep purple pearl (shortened) found in Shaded Citadel states,

“In this vessel is the living memories of Seventeen Axes, Fifteen Spoked Wheel, of the House of Braids (…) Seventeen Axes, Fifteen Spoked Wheel nobly decided to ascend in the beginning of 1514.008, after graciously donating all (ALL!) earthly possessions to the local Iterator project (Unparalleled Innocence), and left these memories to be cherished by the carnal plane. The assorted memories and qualia include:”

Ancients likely mutated their own neural tissue into the cabinet beasts we see in Shaded, which were used to store their memories and qualia before ascension. Even james said once "how 5 pebs got the rot is a good hint here" in response to someone asking how cabinet beasts work, and how they're made.

Adding on to this, ancient (and iterator) naming conventions seem to be built off of the concept of qualia, with them focusing on individual images or experiences.

Nineteen Spades, Endless Reflections

Droplets upon Five Large Droplets

Two Sprouts, Twelve Brackets

Looks to the Moon

Generally, this all points to a world focused on the expression and preservation of the individual experience. You could even consider some of the echo dialogue as more evidence for this running motif, but I already have too many quotes lol.

Ascension

So now time to talk about my interpretation of ascension. In short, you turn into a worm, but I should probably explain more than that.

So its been surfacing on rw-tumblr that the light in the end of the game is called the egg in files. Although file names shouldn't be taken as fact or canon, it is pretty obvious given the birth imagery.

But something a little lesser known is what happens to the worm that takes us down to the void-sea depths. Void worms normally have a bright glowing effect, on their body, which is present for ours as well. But after it unhooks us, it swims down, and when it passes us on it's way back that glowing effect is gone.

To be honest, I don't really think this can be interpreted in many ways, but the most obvious one and the one I personally subscribe to is that the worm laid the egg. Biology and spirituality really aren't that different in Rain World, it's implied that karma is stored in the brain through Five Pebbles's slideshow. Adding on to that, we see voidspawn after eating an iterator neuron. One's spiritual state is innately tied to their mental state, and that dictates what and what they can't perceive.

And for that reason I decide to take a more biology leaning approach to what happens in the ending. At face value, we are fertilizing the egg of a void worm to be reborn into a voidspawn.

Not only do void spawn and void worms have multiple characteristics in common, (worm like bodies, tendrils/tentacles, glowing heads, void spawn look microbial and void worms are likely some of the oldest "life" in game)

but voidspawn are seen inside egg-like coverings and share the same egg light seen in the end of the game, confirmed to be the same thing by Videocult in a livestream they did.

I believe that all this points to ascension being re-birth into a voidspawn, which eventually undergoes metamorphose into a worm. Higher-dimensional beings, who manifest and give birth to a new world.

So how does this tie in with qualia? Another thing you might know is that the area in which void spawn are most plentiful is Shaded Citadel and areas in Shoreline near Shaded. And shaded is absolutely packed with Cabinet Beasts, even outside Memory Crypts. I believe these qualia-storing creatures are what manifest voidspawn.

From what we see in ascension, it still looks physical and largely based around the real world. Hunter still has his scars and see's an iterator, survivor sees the slug tree in a more mystical and formless state, and monk sees survivor frankly just looking like a normal slugcat. I think that ascension is a product of qualia. We transcend our earthly knowledge via the egg, and our own qualia is used to give birth to a new world. This is why voidspawn appear most in Shaded Citadel.

Now I won't be getting into Void-Worm theories too much here, I'm mostly focused on ascension but I can't ignore the Gnosticism parallels. For those who don't know, Void Worms heavily resemble the Yaldaboath from Gnosticism, along with sharing some similar celestial motifs.

and running with that some people theorize that, like the Yaldabaoth, void worms are responsible for manifesting the material world. Ascension seems to be a mix of the concepts of Gnosis and Nirvana, but I believe it might lean more on Gnosis.

From my limited knowledge, Gnosis is a few things, some of which being a state achieved from experiences or intuitions, and an essential part to salvation is personal knowledge. While researching a bit, I came across this text by Peter Wilberg called "From NEW AGE to NEW GNOSIS" which brings up some comparisons between Gnosticism and qualia as well.

"Gnosis is subjective knowledge of an inner universe made up not of matter, energy, space or time but of countless qualitative spheres or ‘planes’ of awareness – a knowledge obtained directly through inter- subjective resonance. It is the subjective science of this inner universe."

One thing though that has been brought up when discussing this is how this can be consolidated with the tone of the ending. It is pretty un-ambiguously happy, but if we're going with the Void worm Yaldaboath theory then that would put a bit of a sour twist on it right?

I agreed with these for some time, but now I actually think it ties in perfectly with Rain World's core themes as stated by the devs, "overcoming differences and finding empathy." I don't think the void worms are "evil" or malevolent, but I think they (and subsequently us after ascending) play a key role in demonstrating this theme.

By manifesting the physical world, we allow these souls to experience life and develop their own qualia so one day they can ascend themselves. We are shown compassion, and pass it forward.

[linkspooky]

TOGACHAKO VS. FUFFY: How To Save Your Evil Girlfriend

So, once again My Hero Academia has failed to deliver on its promise of saving / redeeming one of the main villains of its story, and victims of its ficitonal society. This time I'm going to make the added argument that not only does failing to save Toga make the story worse, it also makes Uraraka's character almost completely hollow. While you can dismiss Deku's lack of character development as him being a shonen protagonist, both Uraraka and Shoto had arcs and Ochako's is effectively ruined by her failure to save Toga.

In order to make my point I am going to compare it to a villain redemption arc in another piece of media that does it right, Faith's character, and her strained relationship with Buffy in Buffy the Vampire Slayer. A series which is overall anti-state punishment and pro-redemption and delivers on practically all the themes MHA promised us.

MORE UNDER THE CUT:

THE GOOD GIRL and THE BAD GIRL

There is a reoccurring dynamic between two female characters in media, usually between a heroine and a female villainness that I like to call: The Good Girl vs. Bad Girl complex.

However, if you were a Freudian you'd be calling this a Madonna Whore Complex.

To explain the Madonna Whore Complex, one of the biggest examples in other Media is Aronofsky's Black Swan. The entire movie is themed around the Madonna Whore complex, and the impossible double standards the male perception imposes upon women.

"The white swan and the black swan are not merely characters, and not merely characters that are relevant to Nina. The black swan and the white swan are archetypes of women. They are emblematic of the Madonna and the Whore [...] . The white swan is the Madonna, she is pure, innocent, the ingenue. The black swan is the whore, she is cunning and deviant. The seductress. Nina and her ballet counterpart Odette are characterized as perfect ingénues. Ingénues are young, innocent girls who possess qualities of youth, innocence, kindness, naivete and purity. She is the fawn eyed damsel in distress and in literary films she's often the heroine or protagonist. On the other side of the coin from the ingenue, we have the seductress, embodied by Lily and her ballet counterpart Odelle. The seductress is characterized by her promiscuity, cunning nature and sex appeal. She is the alluring femme fatalle, willing to do whatever it takes to get what she wants. She's most often framed as the village. These draw parallels to Freud's psychoanalytical theory, a theory that suggests in the minds of some men they struggle to fully see women as fully realized and rather view them in archetypal categories." [SOURCE]

Black Swan is also a movie where Natalie Portman attempting to live up to the impossible expectations society has placed on her to be both the White Swan and the Black Swan goes insane, and quite possibly dies at the end of the movie.

Considering that Toga's entire story is that she is a shapeshifter who went mad because she could not fit both her parent's and society's expectations of being a "normal girl" then you can see why the Madonna Whore Complex is relevant, with the oversexualized, vampish, femme fatalle Toga quite obviously playing the part of the whore.

Before you call me a fraud for citing freud though, let me prove my point that the Madonna Whore Complex is quite literally everywhere in media.

I could literally keep going if this post didn't have an image limit: Jean Grey and Emma Frost, Jean Grey and Madelyne Pryor, Starfire and Blackfire, Raven and Terra, The Two Sisters from Ginger Snaps, t's literally everywhere all the way back to Lilith and Eve.

More intelligent takes on this trope play with the concept of the Madonna Whore Complex (MWC) to either present the archetypes as two fully rounded people (Catra and Adora) or demonstrate that it's impossible for women to fit into these two dinstinct categories (Natalie Portman in Black Swan).

Buffy the Vampire Slayer is a work that challenges the MWC, by allowing both its good girl, and bad girl to be fully realized characters. My Hero Academia plays the MWC straight to a sexist extent by not allowing Uraraka and Toga to escape their categorization of Good Girl and Bad Girl, and also going out of its way to punish and kill the seductress for her sexuality like this is a slasher horror movie. Actually, it's worse than a horror movie because at least Jennifer's Body plays with the MWC in a clever way.

It's not just bad writing anymore Hori's writing has crossed over into actively murdering female characters to enforce puritan values, but let's not get into that just yet we'll talk about the writing portion instead.

I'm going to outline what BTVS accomplishes, demonstrate how it does this below, and then go on at length picking apart how MHA fails.

BTVS:

Shows Buffy and Faith as fully realized people

Shows the pressure to conform to the "Good Girl / Bad Girl" label.

Breaks down those two categories

Redeems it's bad girl

With that out of the way let's get the ball rolling.

HOW TO (NOT) SAVE YOUR EVIL GIRLFRIEND

This is the part where everyone in the audience is going to gasp. Even though I'm using Buffy and Faith as a positive example of deconstructing the MWC and redeeming a villain, Buffy does not save Faith. The two of them reconcile in the end, but Faith is not redeemed or saved by Buffy, and in fact Buffy is in part responsible for Faith's fall.

So, why would I say Buffy and Faith are a better example of villain redemption then Uraraka who at least did everything she could to offer a helping hand to Toga?

Because Buffy not saving Faith is THE POINT and Faith receiving redemption even though Buffy gave up on her is also THE POINT. Lemme explain, by starting at the beginning.

BTVS is a story that exists to flip both horror tropes, and the idea of the chosen hero on its head. The concept started out with Joss Whedon noticing that the Cheerleader is always the first victim in any given horror movie, and wondering what it would look like if the Cheerleader could fight back. If the Cheerleader was the thing that monsters ran away from.

Which leads us to Buffy Summers. Buffy is chosen by the universe to slay vampires, she is hero with super strength that can easily take on legions of vampires and often has to fight even tougher villains for each season's conflict. Buffy carries all the classic features of both the ingenue and the chosen one protagonist rolled up into one:. Ingénues are young, innocent girls who possess qualities of youth, innocence, kindness, naivete and purity.

However, after dying in the first season, and having to kill her boyfriend in the second season after he turned evil and inflicted a lot of psychosexual abuse on her Buffy has also got a whole lot of trauma. Which is when Faith appears on the scene. One of the first ways that the show challenges the idea of the "Chosen One" is that there are actually two Chosen Ones, Faith being the other Slayer.

Buffy much like Deku has a case of protagonism brain rot, but in her case she was actually chosen by the mystic powers that be to be the protagonist of reality. Buffy, who views herself as the hero of the story as a coping mechanism (we'll get back to this later) is suddenly challenged when the fates chose yet another chosen hero, challenging her pre-conceived notion that she is the hero of the story. If Buffy is not the only hero then who is she? What is all the suffering she's endured so far if it's not a part of her own personal hero's journey?

Buffy begins to dislike Faith on sight for projection reasons, before Faith does anything wrong. In a way Buffy herself the female lead is enforcing society's standards of the MWC because all the reasons Buffy decides to disturst and dislike Faith on sight are because she exhibits qualities of the seductress.

Faith is openly promiscuous, often comparing the art of killing vampires to sex, she is also someone who is proud of her power as a a slayer and uses it for her own purposes. She is a slayer for selfish reasons (apparently) while Buffy is the selfless hero. In the first episode Faith appears in, Faith, Hope and Trick Buffy is almost immediately hostile to Faith who has so far done nothing wrong for, trying to get along with Buffy's friends, getting a little bit too into vampire slaying and openly relishing her strength, and like occasionally making lood comments.

FAITH: Don't… touch… me…! BUFFY - yanks Faith off the unconscious vamp with one hand, stakes the vamp withher other. Then she turns to Faith who is breathing hard, high on adrenaline, rubbing her fists. BUFFY: What is wrong with you? FAITH: What are you talking about? BUFFY: I'm talking about you living large on the great undead here. FAITH: Gee, if doing violence to vampires upsets you, I'm pretty sure you're in the wrong line a work… BUFFY: Or maybe you like it just a little too much. FAITH: I was getting the job done. BUFFY: The job is to slay demons. Not mash them into sloppy joes while their

Buffy then escalates to like ableist slurs towards Faith within half an episode for getting slightly violent in a fight against vampires that were trying to kill her.

GILES: Well, Buffy, you have to realize you and Faith have very different temperaments… BUFFY: I know, mine would be the sane one. Giles, she's not playing with a full deck. She has almost no deck. She has a three. GILES: You said yourself she killed one of them, she's a plucky fighter who got a little carried away. Which isnatural, she's focussed on Slaying,she doesn't have a whole other lifehere like you --

The twist this episode is that no matter how much Faith tries to present herself as a free-spirit, she's actually a scared homeless girl who just happened to become the Slayer. Unlike Buffy she does not have a watcher, a mother, or friends to support her. She lives in the cheapest motel in sunnydale. The reason she's so violent against vampires is because she is understandably having a trauma flashback because her mentor was murdered right in front of her by a different vamp.

This is repeating pattern throughout the whole season, Faith is shown to be a victim of trauma, and occasionally acts in ways that are understandable for a victim like her to ask, only for Buffy to start mischaracterizing her as someone violent and insane and throwing the slurs.

You can compare both Faith and Toga as characters who are complex victims of trauma who society turns their back on and become bad victims, but Faith is a special case because we actively see her turn to the dark side. Faith starts out trying to be a hero like the rest and she practically does nothing wrong for half a season, and when she does finally make a mistake and become a bad victim it's the hero's desire to punish her and castigate her that turns her into a villain.

We actively see Faith's fall happen onscreen, and it's like totally Buffy's fault. Buffy throws her completely under the bus, because she's so desperate to see Faith as the Bad Slayer and Buffy as the Good Slayer. Faith is almost pushed into evil because of the MWC, the characters around her can't see her as a fully fleshed out human being so they are quick to demonize her when she starts acting like a bad victim.

So the two episodes appropriately named: Bad Girls and Consequences depict Faith's fall. In that episode Faith and Buffy are fighting vampires, and one human is mixed among the vampires. The human grabs Faith by the shoulder, and Faith thinking that the human is a vampire turns him around and stakes him.

It's a complete accident, something that Giles even says later on is an accident that can happen to any Slayer on the job and is completely normal. It's a murder that Buffy herself could have committed.

GILES: This is not the first time something like this has happened. BUFFY: It's not? GILES: A slayer is on the front lines of a nightly war, Buffy. It's tragic - but accidents have happened. BUFFY: What do you do? GILES: The council investigates, meters out punishment if punishment is due… I've no plan to involve them,however. That's the last thing Faith needs right now. She's unstable, Buffy. She seems utterly unable to accept responsibility. Shows no remorse.

However, even in the same breath Giles explains that it's an accident and not Faith's fault, he's also calling Faith unstable and irresponsible. Basically when they're not calling her a psycho (just hitting her with the ableist slurs), the protagonists all lowkey imply that Faith is somehow inherently violent and unstable because she displays symptoms of a bad victim.

I might also remind you Faith has not done anything to earn any of these accusations, until she kills someone in a complete accident. A complete accident that Giles once again said wasn't her fault and wasn't really a big deal.

FAITH: My dead mother hits harder than that.

Faith is stated to be a victim of physical abuse, heavily implied to be a victim of sexual abuse, and is homeless (none of the main characters offer to let her stay in her house she spends half a season in a terrible motel). However, Faith is quickly demonized by the white wealthy main characters for acting in ways that are completely typical for a homeless teenager.

The moment she commits one mistake they all turn on her and use that mistake as proof of these violent tendencies they all want to accuse her of having. Faith can never be the ingenue so she must be the seductress, because she can't just be a person.

Buffy: So, I, uh... (sees Faith scrubbing) How are ya doin'? Faith: (still scrubbing) I'm alright. You know me. Buffy: Faith, we need to talk about what we're gonna do. Faith: (looks at Buffy) There's nothing to talk about. I was doing my job. Buffy: Being a Slayer is not the same as being a k*ller. Faith has nothing to say. She's finished scrubbing. Buffy: Faith, please don't shut me out here. Look, sooner or later, we're both gonna have to deal.

It is essentially two episodes of this, Faith after killing someone on accident in a life or death fight is constantly called a murderer by others. She wasn't even like, drunk, or high, or being especially reckless she was being a normal slayer.

FAITH: So the mayor of Sunnydale is a black hat. Shocker, huh? BUFFY: Actually - yeah. I didn't get the bad guy vibe off him. Faith shakes her head. Scoffs. FAITH: When you gonna learn, B? It doesn't matter what kind of "vibe" a person gives off. Nine times outta ten he face they're showing you? It isn't the real one. BUFFY: I guess you know a lot about that. FAITH: What's that supposed to mean? BUFFY: Look at you, Faith. Less than twenty four hours ago you killed a guy. And now you're laughing and scratching and zipidee doo dah. That's not your real face, and I know it. I know what you're feeling because I feel it too. FAITH: Do you? So, fill me in. I'd like to hear this. BUFFY: Dirty. Like something sick creeped inside you and you can't get it out. And you keep hoping what happened wasjust some nightmare…

Faith is dirty, faith is disgusting, faith is unstable, Faith is sick for... killing a guy on accident in a way that Giles said was a perfectly understandable accident, and not showing clear guilt because the moment she did it everyone around her jumped on her and started accusing her of being a murderer.

Why do the selfless main characters suddenly start demonizing this girl before she even did anything wrong - well it's because she's poor problem solved.

No, but it does play a factor. Why do most american white middle class look down on the homeless? Because, they must have done something to deserve it, right? If Faith killed a man, that clearly is an indication that she was violent all along and the heroes don't have to sympathize with the fact she's homeless or you know lift a finger to help her.

Now, this makes it sound like I hate Buffy, but Buffy is actually my favorite character in the whole show. The thing is Buffy's complete lack of sympathy for Faith makes her a better character. Buffy needs to demonize Faith and throw her under the bus, because Buffy is a victim of sexual abuse too. Her boyfriend turned evil after having sex with her once, and spent an entire season stalking her and terrorizing her the entire season 2 Buffy / Angel plotline is a thinly veiled groomer metaphor.

The thing about Buffy is she's not allowed to show any kind of reaction to her trauma. The episodes preceeding Faith, Hope and Trick are Anne, an episode where Buffy runs away from home after being sexually abused (stalking is sexual abuse) by Angel for a whole season and feeling like no one would understand her, and Dead Man's Party, an episode where every single one of Buffy's loved ones ruthlessly criticize her for having run away. Like, how dare a teenager not react perfectly to being horribly stalked by a serial killer after she had sex with him for like half a year.

JOYCE: Buffy! You didn't give me any time. You just dumped this… this thing on me and expected me to get it. Well -guess what? Mom's not perfect. I handled it badly. But that doesn'tgive you the right to punish me byrunning away. BUFFY: Punish you? I didn't do this to punish you XANDER: Well you did. You should have seen what it did to her. BUFFY: Great. Would anybody else care to weigh in? What about you? By the dip. XANDER: Maybe you don't want to hear it, Buffy. But taking off like that was selfishand stupid. Buffy's breaking down. It's all too much. BUFFY: Okay - I screwed up! I know it - alright!? But you have no idea. You have no idea what happened to me or what I was feeling

The reason Buffy is so hard on Faith is because everyone else is equally hard on her. The label of the ingenue is so difficult for Buffy to maintain, because she has to be pure, and without any flaws, especially when reacting to trauma that she throws Faith under the bus for her bad victim behaviors.

The white middle class demonize the homeless because they don't want to face the reality it can happen to them, Buffy doesn't want to reflect on all the things her and Faith have in common because she could very easily become Faith. Buffy is the victim of extremely similiar trauma to Faith, and being pressured to be the perfect victim of that trauma in a way that's destroying her mentally slowly.

FAITH: It was good, wasn't it? The sex? The danger? Bet a part of you even dug him when he went psycho BUFFY: No FAITH: See - you need me to tow the line because you're afraid you'll go over it, aren't you, B? You can't handle watching me living my own way and having a blast - because it tempts you. You know it could be you... ( Something snaps in Buffy. She rears back and POPS Faith a good one. Faith falls back, but she's smiling as she puts a hand to her bleeding mouth. ) FAITH: There's my girl…

Buffy is suffering under the expectations of the MWC too, but in her desperation to make Faith out to be the seductress instead of... like... a csa victim... Buffy is reinforcing those standards on both herself and another woman.

The entirety of Bad Girls and Conesequences is Faith being called a murderer by several people, having another trauma flashback to a sexual assault because Xander came to her motel room under the guise of "helping her", getting hit over the head and chained to a wall, then getting the swat team called on her and almost dragged to London for trial. Then the heroes do nothing to help her. The first thing Faith does is go to the main villain, who buys her an apartment AND A PLAYSTATION. So... the evil main Villain of the show helped Faith with her homelessness situation while none of the main characters lifted a finger.

it sounds like it sucks but it doesn't because it's all intentional. Buffy cannot process her own sexual trauma so she is just awful to people who are also domestic abuse victims. here's one of my favorite scenes, Buffy yells at a girl being beaten by her boyfriend with a visible black eye.

Buffy: Where can we find him? Debbie: I-I don't know. Buffy: You're lying. Debbie: What if I am? What are you gonna do about it? Willow: Wrong question. Buffy takes her by the arm again and pushes her up against the sink in front of the mirror. Buffy: Look at yourself. Why are you protecting him? Anybody who really loved you couldn't do this to you. She takes a few steps away. Debbie turns around to face them. Debbie: Would they take him someplace? Buffy: Probably. Debbie: (shakes her head, sobbing) I could never do that to him.(Willow sighs) I'm his everything. Buffy: (disgusted) Great. So what, you two live out your Grimm fairy tale? Two people are dead.

That poor girl gets her neck snapped like five minutes later and Buffy just kinda, moves on even though it would have been an easily preventable death.

Buffy getting mad at an abuse victim for showing textbook behaviors of abuse victims in bad relationships. Buffy is a good character because she is a hero, she can be empathic, but she really only understands heroism in term of defeating the bad guys, and when called to relate to people with complex trauma, especially trauma that reflects her own trauma she can't! She just can't process it! The expectations of being the ingenue, the perfect hero are so crushing she can't cope with a messy reality so she needs to have a black and white view of herself and other people.

Buffy needs to be firmly in the good category, and Faith needs to be firmly in the bad category in order for Buffy's brain to keep working.

Not only does Buffy's conflict with Faith characterize how much Faith suffers for being a bad victim, it shows how the pressure to be a good victim destroys Buffy mentally to the point where she starts using Faith as a punching bag.

Literallly.

It's all intentional too, Buffy gets called out on it, Faith always gets the last word and the final episode of the season makes out Buffy to be a hypocrite. After Buffy literally threw Faith under the bus, called her disgusting for murdering a man, Buffy is completely willing to murder Faith to get a cure for her vampire boyfriend who's been poisoned.

All human life is sacred and needs to be protected, but Fuck Faith I guess.

Faith: I could say the same about you. I mean, you're still the same better-than-thou Buffy. I mean, I knew it somehow. I kept having this dream, I'm not sure what it means, but in the dream the self-righteous blond chick stabs me, and you wanna know why? Buffy: You had it coming. Faith: That's one interpretation, but in my dream, she does it for a guy. Faith: I wake up to find the blond chick isn't even dating the guy she was so nuts about before. I mean, she's moved on to the first college beefstick she meets. Not only has she forgotten about the love of her life, but she's forgotten about the chick she nearly k*lled for him. So that's my dream. That and some stuff about cigars and a tunnel. But tell me, college girl, what does it mean? Buffy: To me? Mostly, that you still mouth off about things you don't understand. (Sirens) Uh-oh. I guess somebody knows you're here.

So the show goes to great length to show you that there are two sides to this conflict, Buffy demonizes Faith, because her friends expect her to be the perfect hero. Faith reacts badly to trauma because she has no support system, and the people around her have no empathy for her because they're too privileged to imagine the things in Faith's life ever happening to her.

Buffy and Faith are fully realized people.

Buffy and Faith are presented to the audience as the ingenue and the seductress but they're both fully realized characters. Buffy's not the ingenue because she's just as capable of murder as Faith is. Faith isn't the seductress because she's a homeless teenager. They are both victims of sexual trauma, though one reacts in what people consider an "acceptable way" and the other is a total slut about it.

Shows the pressure to conform to the "Good Girl / Bad Girl" label.

Buffy throws Faith under the bus specifically because the pressure in her life to be the perfect slayer is so immense that it could be her that takes the fall so she needs to believe in black and white concepts like she is inherently good and Faith is inherently bad to justify the bad things that happen to Faith and therefore convince herself said bad things could never happen to her. "You can't handle watching me living my own way and having a blast - because it tempts you. You know it could be you..."

Faith: Angel said there was no way you were gonna give me a chance. Buffy: I gave you every chance! I tried so hard to help you, and you spat on me. My life was just something for you to play with. Angel - Riley - anything that you could take from me - you took. I've lost battles before - but nobody else has -ever- made me a victim. Faith: And you can't stand that. You're all about control. You have no idea what it's like on the other side! Where nothing's in control, nothing makes sense! There is just pain and hate and nothing you do means anything. You can't even.. Buffy: Shut up!"

Buffy needs to fit her and Faith into neat little boxes because she cannot face the inherent senselessness of the world (and also that she is a victim too "you made me a victim")

Breaks down those two categories

Even in Seasons where Faith is not present she haunts the narrative, because the writers were well aware that Buffy and Faith are the same person under different circumstances.

All of Season 6 Buffy is faced with many of the same situations that Faith was, she suddenly becomes poor and in danger of losing her house, she has extreme depression from coming back from the dead (long story) she can't share those feelings with any of her friends because they treated her much like they did Faith - having no sympathy for imperfect victims. Buffy even gets into an unhealthy, sexual relationship, and like Natalie Portman basically changes from the ingenue into the seductress.

A relationship she has to keep a secret because once again, Buffy must fit into the box of the ingenue in order to be loved by her friends. This leads to her committing several bad behaviors, and at times borderline emotional abuse towards her sister (and debatably her boyfriend) and all comes to a head when Buffy is faced with the exact same situation as Faith.

Buffy in Season 6 believes she has killed a person accidentally while being the Slayer. It's a repeat of Bad Girls with several paralels, including someone trying to hide the body only for it to turn up later, and Buffy insisting she has to turn herself into the police and face jailtime.

However, in this version Buffy unlike Faith has friends who try to stop her from turning herself in and explain to her the murder wasn't her fault - and Buffy still reacts the same way Faith does. She basically borderline quotes Faith.

Faith: Shut up! Do you think I'm afraid of you? [Faith grabs Buffy and throws her down, then sits on top of her and starts punching her.] Faith: You're nothing. [Punch. Punch.] Faith: Disgusting. [Punch. Punch.] [Faith grabs Buffy's hair with both hand and bangs her head.] Faith: Murderous bitch. [Bang. Bang...] You're nothing. [Bang. Bang...] Faith: [Switches back to punches] You're [Faith is now crying.] disgusting.

This is an earlier scene which plays out as an exact parallel to this scene:

BUFFY: You can't understand why this is killing me, can you? SPIKE: Why don't you explain it? She hits him a few more times. He takes it, not fighting back. SPIKE: Come on, that's it, put it on me. Put it all on me. (She kicks him) That's my girl. BUFFY: (yelling) I am not your girl! She hits him hard. He falls back onto his butt. Buffy gets on top of him and begins hitting him over and over. BUFFY: You don't ... have a soul! There is nothing good or clean in you. You are dead inside! You can't feel anything real! I could never ... be your girl! She continues hitting him throughout this. Now Spike goes back to human face. He's looking very bruised and bloody, but he doesn't fight back, just takes it. Buffy hits him again and again, looking angry and desperate. Finally she stops and looks at him in horror.

So if Buffy can react the exact same way that Faith does, when faced with the same trauma there is no good girl or bad girl, there's only two people who are complicated human beings.

The story *gasp* lets the hero be a bad girl.

Redeems it's bad girl

Faith's redemption is a shocking contrast to MHA the plot of BTVS does not allow Faith to commit suicide in order to redeem herself. In fact, her entire arc is an argument against the "put her down like a mad dog" trope. Starting with the fact that the heroes who are partly responsible for Faith's fall in the first place, are all too willing to just let the homeless teenager fall by the wayside, and then put her down for her own sake.

As I stated above, the inherent hypocrisy Buffy shows in her calling Faith a murderer and irredeemable for killing someone on accident because all human life is sacred to her, and then going on to try to murder Faith at the end of the season already shows the "put her down like a mad dog" argument doesn't work. Faith isn't too far gone, it's just Buffy who sees her that way. And because Buffy has given up on Faith she's failing at being a hero.

As I said above, Buffy is not the one to rescue Faith. In fact, in the episodes where Faith's redemption arc starts, Buffy is the one trying to hunt her down and enforce punishment on her. The episodes "5x5" and "Sanctuary" are both focused on Buffy going to LA to hunt down and interfere when Angel is trying to help Faith get back on her feet. The two episdodes basically explore the concept of redemption vs. punishment and how punishment saves no one.

5x5 depicts Faith's spiral as she runs away to LA to escape Buffy who is hunting her down, and accepts a job to assassinate Angel, which if she succeeds will get her rich and also get the cops off of her trail. We're led the whole episode to believe Faith has learned nothing until the confrontation with Angel at the very end, which you should really watch because it's great television.

Faith: You hear me? - You don't know what evil is! - I'm bad! - Fight back! Faith keeps whaling on Angel, sometimes he ducks, sometimes the hits connect. Angel grabs a hold of her: Nice try, Faith. He tosses her away from him. Then walks after her. Angel: I know what you want. She hits him and he hits back dropping her. She comes back up hitting and screaming, but not making much of a dent. Wesley leans out of the window and sees Faith beating up on Angel. He goes into the kitchen and grabs a butcher knife, then heads for the door. Angel as he dodges another hit: I'm not gonna make it easy for you. Faith throws herself against Angel screaming: I'm evil! I'm bad! I'm evil! Do you hear me? I'm bad! Angel, I'm bad! (She begins to sob, grabbing a hold of Angel's shirt and shaking him) I'm ba-ad. Do you hear me? I'm bad! I'm bad! I'm bad. Please. Angel, please, just do it. Wesley comes running out of the house. Faith sobbing: Angel please, just do it. Just do it. Just k*ll me. Just k*ll me." Angel wraps his arms around her shoulders and pulls her against him. She over balances them and they sink to their knees, Angel still holding her as she cries. Angel: Shh. It's all right. It's okay. I'm here. I'm right here. Shh.

Faith tries to take the Toga approach to commit suicide in order to atone, but Angel actively understands that is what she's trying to do, and denies her the chance to die to redeem herself and instead holds her until she calms down.

Angel doesn't just save her once though he spends the entire next episode defending Faith from Buffy who has come to LA to take her revenge, and trying to talk Faith into believing she can still keep on living in spite of all the bad things she's done.

Faith: Are you saying I got to apologize? Angel: Think you can? Faith: I don’t' know. - How do you say 'Gee, I'm really sorry tortured you I nearly to death? Angel: Well, first off I think I'd leave off the 'Gee.' And secondly I think you have to ask yourself: are you? Faith: What? Angel: Sorry. Faith: And what if I *can't* say it? There are some things you can't just take back, no matter how sorry you *are*, right? Angel: Yeah, there are. I've got some experience in that area. Faith: Right. And you've been doing this for a hundred years! I'm not gonna make it through the next ten minutes. Angel: So make it through the next five, the next minute." Faith: "I don't think I can. Angel: Yes, you can. Faith walks away: God, it hurts. I hate that it hurts like this. Angel follows her: Oh well, it's supposed to hurt. All that pain, all that suffering you caused is coming back on you. Feel it! Deal with it! Then maybe you've got a shot at being free.

Angel's advice is "Guilt is supposed to hurt but if you face your pain you can try to find a way to be free of it" which is something much more profound then any of the forgiveness crap they peddle in MHA. More importantly though, the conflict the whole episode goes out of its way to show that revenge is bad, and punishment doesn't save a soul.

Angel: I didn't - I didn't think it was your business. Buffy: Not my business? Angel: I needed more time with Faith. I'm not sure... Buffy: You needed - do you have any idea what it was like for me to see you with her? That you went behind my back... Angel: Buffy, this wasn't about you! This was about saving someone's soul. Buffy: I came here because you were in danger. Angel: I'm in Danger every day. You came here because of faith. You were looking for vengeance. Buffy: I have a right to it. Angel: Not in my city.

Faith's suicidal ideation is a recurring theme that carries through her character arc in the following season - she does in fact go to prison for awhile (Elizabeth Dushku had to go make Bring it On) but Buffy remains anti-state punishment because going to Prison doesn't help her whatsoever. In fact, she just breaks out when she has to save Angel and spends the rest of the season free.

There are two episodes that actually are dedicated to showing prison didn't help, and what Faith needs to redeem herself is to spend every day of her life trying to be good, not just accepting punishment.

ANGEL: Faith, wake up! FAITH: (wakes) I've rolled the bones. You for me. ANGEL: I used to think that. That there'd be a point when I'd paid my dues. Angel and Angelus are fighting in the alley again. Angel leaves the fight and goes over to Faith's side, holding her up in his arms. ANGEL: Faith, listen to me. You saw me drink. It doesn't get much lower than that. And I thought I could make up for it by disappearing. FAITH: I did my time. ANGEL: Our time is never up, Faith. We pay for everything. FAITH: It hurts. ANGEL: I know. I know. ANGEL: Get up! You have to get up now. Faith, you have to fight. I need you to fight. Do you understand what I'm saying?

So you have one manga series where the teenage girl who did bad things commits suicide because she believed she was going to be in prison for the rest of her life and had no future, and you have the other where the teenage girl tries to commit suicide - only for Angel to stop her and encourage her every step of the way that there's still a future for her even if she can't be "forgiven".

One work ends Toga's life because she's done "unforgivable things" and the other tells Faith that the things she should feel guilty for the things she's done, and she should feel that guilt so she can keep working to be a better person every single day.

One of these is a good message to send to your teenage homeless trauma victim, the other is incredibly harmful. With that out of the way let's switch to BNHA.

HOW TO BURY YOUR GAYS

Now I'm going to attempt to demonstrate why MHA fails to truly deconstruct the MWC, and this not only ruins any potential character development for Uraraka, it also sends a deeply harmful message with Toga's death.

I think I've gone to great length above explaining how BTVS communicates it's stance of being anti-punishment and pro-redemption and even goes as far to demonstrate how punishment does not save anyone. Yet, here is the manga about heroes saving people that completely fumbles those exact same themes.

MHA:

Doesn't show Toga and Ochako as fully realized people

Doesn't show the pressure to conform to the "Good Girl / Bad Girl" label.

Doesn't break down down those two categories

Doesn't redeem it's bad girl

So let me start by saying outside of the context of the story Ochako and Toga both had the potential to be great characters. Unforunately this isn't Gacha, so the way the characters are written in the story, and the quality of their story arcs affects how well they are characterized.

Toga is much better off as a character as opposed to Ochako who sort is reduced to a satellite that revolves around Deku, but their story arcs and the way they conclude does a disservice to both of them as characters. They fail entirely to be shown as fully realized people by their narratives, because of the narratives desire to force them into the good girl and bad girl box.

More or less, Ochako isn't allowed to have flaws, and Toga isn't allowed to redeem herself in any way that doesn't involve killing herself.

Let's get to the characters though, the basic premise of the comparsion between Toga and Ochako is that Ochako perfectly fits into the mould of what society considers a "good, nice girl" she perfectly embodies the ingenue. Whereas Toga was horribly abused for most of her life until she snapped, because she was unable to simply pretend to be the normal girl that Ochako is naturally.

One thing I will give credit to MHA for, it does Toga being pushed to the margins and eventually falling off the edge of society as a young eventually homeless girl that no one cared enough to help about as effectively as Faith did. Toga and Faith were also both demonized before they did anything wrong, and were further demonized because they didn't act the way good victims were supposed to act.

The manga is almost masterful at portraying how much being forced into the box of the ingenue caused Toga's mental decline, until she eventually snapped and became the seductress instead.

Toga hasn't even done anything yet, she's already being punished and demonized simply for appearing deviant. Because once again the categories of Ingenue and Seductress aren't for viewing women and girls as fully realized people, you are either a perfect, innocent, girl, or you're a whore.

Toga is also hypersexual the same way Faith is. Of course it's not done with any of the same amount of nuance of BTVS because Hori has a habit of using Toga for fanservice, but Toga does have a habit of sexualizing herself, in a way that would be classified as deviant love. We also in the manga first view her as nothing more than a shallow yandere who creeps Uraraka out with her blushing and hot desire for blood, only to be shown she's actually capable of being an emotionally intelligent and caring individual when it comes to how she relates to her friends.

Toga viewing sucking blood as love is a clear metaphor for deviant sexuality, or even hyper sexuality, it's something that makes her a literal vamp. Toga being overly sexually aggressive and suggestive with the way she sucks blood is something the society she's in demonizes her for, Deku even makes a thoughtless comment that pushes her off the edge that he'd never even think of hurting someone he loved.

Faith is a CSA victim who is constantly trying to play off her trauma, so she's totally into sex guys, she loves sex, she loves it rough, she goes to clubs and grinds on guys, she's all into sex and violence and safety words are for chumps.

Toga was told her way of expressing love and attraction was wrong and deviant from a young age, and as a result of that the same way that Faith embraces hypersexuality, Toga embraces her femme fatalle / yandere persona and plays it up. Well everyone was right about her, she's fine with being a monster, so she just wants to live as a monster stabbing people randomly and taking their blood before moving onto the next victim.

They can't ever be the ingenue, so Faith and Toga embrace being the seductress instead. Yes, Hori does use Toga for fanservice, but at the same time you can't deny she's deliberately playing up her sexuality like a femme fatalle in a way that is not healthy (Faith is a hypersexual teenager too, I'm saying it's a trauma response for both of them).

MHA also shows much like with Faith how Toga despite being just a teenager is someone all of society has given up on - the same way that everyone gave up on Faith for being a homeless teenager. Then further demonized her for acting in ways homeless teenagers act, until she at last finally committed one crime and they turned on her.

Toga's first crime was committed after her mental breakdown, but it's revealed much later on that Toga wanted to ask Saito for permission to drink his blood, and if she'd just been granted it or at least the emotional abuse heaped on her had stopped she never would have had her breakdown.

For Toga it was Saito, for Faith it was killing by Mistake, after being abandoned they endured violence that further radicalized them with no help from the heroes.

Toga's character also textually acknowledges that the heroes are not going to help her, and are likely going to kill her, whereas in Buffy it stays subtext. Which isn't a problem, it trusts it's audience to go "Oh, the good guys are being jerks here" however, it's a direct facet of MHA's worldbuilding that Toga has watched the heroes kill her best friend, and now thinks she has to fight to the death because the heroes will kill her too. She can't back down and let herself be saved, because the heroes don't even see her as human.

Buffy can't forgive Faith for accidentally killing some random guy because all human life is sacred, but also she tries to kill Faith multiple times, because Faith's not human I guess. Uraraka and Deku believe themselves to be heroes but they actively support people like Hawks, who murdered Toga's best friend and have done absolutely nothing to show her that they won't kill her.

Toga reflects a lot of Faith's suffering for being a bad victim that society allowed to fall through the cracks, and a Seductress who needs to be punished for expressing her sexuality. In fact if it were just Toga, you could call it at least an effective deconstruction of the "seductress/whore" because Toga is a fully realized character and her entire backstory is about how society's expectations for her to be a perfect ingenue, and then punishing her when she wasn't a perfect ingenue is what led to her complete mental breakdown. She couldn't be the white swan or the black swan, so she became the blood-soaked swan instead.

Where the comparison starts to fall apart is Ochako. Toga is a character, and Ochako is not. Just like Deku Ochako more or less just kind of morphs into a plot device that exists to save the villain counterparts to prove what good heroes the kids are - and then she doesn't even do that part. Failing to save Toga is the final nail in the coffin for Ochako being a character and not a plot device to show how good and virtuous the heroes are.

BTVS goes to painstaking extents to establish how Buffy and Faith are the exact same girl in different circumstances. They are both victims of sexual abuse. They're both the Slayer. They both lose their mom at different points in the story. They both struggle with the fact that slayers are also killers, they're both the "chosen one". They both have issues that makes them conflate sexuality with violence.

Buffy is put through several situations that parallel Faith, she loses her mom, she becomes financially destitute, she starts exploring her sexuality in a very faith-like way. The two of them swap bodies at one point and nobody can tell the difference.

There's no strong parallel between Ochako and Toga to give the audience a reason why we should care about the relationship between the two girls in the first place. Ochako's connection to Toga tells us nothing about her character, because there's no strong parallel as shown to us by the story.

There are some parallels, the story attempts to tackle the emotional repression angle of how much the ingenue suffers because she's forced to repress her emotions and how much she envies Toga's free expression.

Why does Ochako think that way? Why does she focus on Toga in particular? The plot tells us why Buffy feels she has so much in common with Faith, they're both the chosen one but Buffy feels like she's under such intense pressure to be perfect that seeing Faith get to act out and express herself makes her jealous.

The manga tells us that Ochako is emotionally repressed, but it doesn't show us, because there are never any real consequences for Ochako repressing her feelings. Natalie Portman in Black Swan, and Buffy both experience mental spirals because the pressure to be the perfect woman is too much for them - to meet the impossible purity standards of the ingenue while still being a sexual creature.

In Uraraka this is the extremely simplified belief that she can't have feelings for a boy, while also being a hero because those beings are selfish and she should be focused on saving people. However, we never see her suffer because of these feelings. We don't even get the bare minimum of having her angst over unrequited love.

I don't want to give Ochako too little credit, there are several things that could have been a connection to Ochako, but they all turn out to be non-starters. Ochako is poor and often makes remarks like "The best way to save money is to not eat" in omake and she hangs out with mostly rich friends. She had early angst about the fact that her friends were becoming heroes for mostly altruistic reasons and she became a hero for money.

That could have also connected to the scene where Ochako witnessed the scene of a hero quitting amongst all of the destruction after the end of the first war arc, to show her the consequences of all the heroes who were heroes for less than altruistic reasons.

Ochako could have even told Toga something along the lines of "I was poor, I know how it is to struggle" especially since Toga spent a good portion of time homeless after she was throne out by her parents.

Instead that goes unaddressed except in this scene which makes it look like Toga is ignorant for assuming Ochako never suffered.

Toga and Ochako both feel like they need to repress their feelings but Toga was emotionall abused by her parents, then experienced psychiatric abuse, and then was disowned after her mental breakdown led to a violent incident. Uraraka feels like she can't tell the boy she loves how she feels. One of thsee things is not like the others.

There are more possible connections that you could draw between them, Uraraka gives a big speech about how the heroes have it rough too guys and at that point it cuts to a picture of Toga crying and that could have led to a revelation that if Ochako is asking the common people to see heroes as human beings, then they should try to see villains as human beings too.

This could also couple well with the fact that Toga believes Ochako wants to kill her the same way that Hawks killed Twice. Both of these facts, Ochako originally only being a hero for money and watching heroes for money quit, and also Ochako learning about Twice killing Toga's friends could lead to some self-reflection on the hero system and Ochako could listen to Toga and be the one to convince her that heroes will save her.

However, none of these happen so we don't know why Ochako feels compelled to save Toga, other than the fact that Ochako is just that nice.

It is really a repeat of Deku's writing, we are told that Himiko just really, really, really wants to save Toga, but not only are we never given an in character reason why that is, but we're also supposed to ignore all the evidence that contradicts this.

Ochako wants to reach out and touch the sadness inside of Toga, but she never actually does anything to try to understand or talk to Toga until the last possible minute. In fact, it's Toga who reaches out several times and Uraraka who ignores her. It is Ochako who insists several times that Toga's deeds are unforgivable and then the conversation stops there.

There's also the scene where Deku and Ochako are looking over the cliffside and Ochako is actively reminding herself of the damage that Ochako caused as a reason that she doesn't have to think of her as a human being.

Ochako doesn't even go in with a plan to take down Toga non-lethally like Shoto did with Toya, nor does she even think about what she wants to say to her until the last possible moment.

Ochako's actions make her more like Buffy, someone who actively doesn't empathize with the villain and doesn't want to save her because of her own personal hangups. (However, we're given no personal hangups for why Ochako, the most perfect hero ever wouldn't want to save Toga). Her actions are like Buffy's, not reaching out a hand to Toga she only gets worse and worse, but we're told the opposite. That she's someone who wants to reach and touch Toga's sadness.

It would be better if Ochako DIDN'T want to save Toga, because at least there would be an arc to it. The lack of empathy would be a character flaw on Ochako's part, something that she needs to overcome to be a proper hero. It would be better if Ochako DIDN'T want to save Toga, because then she'd need an in character reason why she doesn't empathize with Toga, like Buffy does with Faith.

Ochako is supposed to be deconstructing the ingenue, but she's not allowed to have any flaws, or be anything other than the perfect, empathic hero and because of that she ends up reinforcing the Ingenue instead. The ingenue isn't allowed to be anything other than perfect, and the Seductress must be punished.

Doesn't allow the Bad Girl to be redeemed:

Toga's death ends up reinforcing basically every backwards double standard about the MWC including the need for men to punish and villify women who freely express their sexuality. Toga's entire character arc is asking the question if soemone like her is allowed to live in this society, if the heroes will save the life of someone like her and the answer we receive is: no she can't live.

Toga can't live in this world, she has to die. Not only does Twice die and never receive justice and his murderer get off scott free, Toga who asks the question of if she's going to die too, the answer is yes.

In both of these plotlines you have young woman who have done bad things but are still teenagers, who are struggling with suicidal ideation who believe their only escape is death. Faith is told that the guilt of the things she's done is painful, but she has to live in order to make up for it because that's the only way to free herself. Whereas, Toga comes to the conclusion that there is no future for her other than being in jail for the rest of her life and therefore it's not worth living.

Toga has to be punished by the narrative in a way that's completely unnecessary, because characters like Bakugo and Edgeshot somehow survived doing open heart surgery in the middle of an active battlefield, but Toga dies from a blood transfusion.

One of these narratives is telling a troubled young abuse victim who's still a teenager to live, and the other is telling her to die. Now which one of these plotlines would you want a young girl to read?

[cozage]

Gm!! I saw your inbox was open!! I was hoping to request something with Sanji, Ace n Franky with a selective mute (gender neutral) reader talking to them through their voice for the first time to confess? 👉👈

(Btw I wanted to let you know that your writing has such a grip on my heart, I must have re-read your Sleepy Afternoon hcs at least a hundred times 🥺🫶 and i hope you have a wonderful day!)

So sorry I didn't get a new chapter out today...the holidays kept me busy! Enjoy these sweet short stories instead <3 Characters: gn reader x Sanji, Ace, Franky Cw:  none :) Total word count: 1600

First Words

Sanji

Ever since you joined the crew, you had found yourself gravitating toward the kitchen. 

Being with Sanji was easy. He never pestered you with questions or asked you to speak. If he did ask questions, they were always non-invasive, yes-or-no questions that you could answer with a shake of your head. 

You realized you had feelings for him when he came into the kitchen one morning, dark shadows under his eyes. And before he began cooking, he signed good morning to you. You had signed back the same phrase before you realized that he had signed, not spoken. 

He beamed with pride as your eyes widened in shock. 

“You learned how to sign?” you signed quickly. 

He focused intensely as he watched the way your hands moved, and then slowly nodded. 

“I stayed up all night trying to learn the basics. I figured it’s lonely up there in your head.” He tapped his temple with his forefinger for effect. “I’m not very good yet, but I’ll try my best to follow you if you ever feel like communicating.”

You gave a soft nod, the thought making your eyes shine. Even just the effort of knowing good morning made your heart swell. 

As the days went on, Sanji got better at sign language. So much better that he indirectly became your translator for the rest of the crew if you ever felt like adding to the conversation. He came to your defense whenever Luffy begged you to speak, and helped make sure your voice was heard without ever judging you. 

As the two of you were sitting out on the deck one night under the stars, you decided you couldn’t hold it in anymore. You had to tell him. 

“I have to tell you something,” you signed.

Sanji stood up a little straighter, looking at you with slight concern. “What is it, my love?”

“I think-” you paused your signing. Saying the words with your hands didn’t seem right. You trusted Sanji with everything. You wanted to tell him. You wanted to say it. Out loud. 

“I think-” you whispered softly, your voice raw from time unused. But you grew more confident when you spoke again. “I think I might just be in love with you, Sanji.”

You could see him struggling to understand your words; the fact that you had spoken was enough to send him into shock. 

And then he leaned in and kissed you. 

You melted under his touch. Your body craved the feeling of his skin as he held your face against his. 

“I love you too, my dear,” he whispered back. “And my name on your lips is sweeter than anything I could ever cook up.”

Ace

Ace didn’t mind that you didn’t speak a lot. Or speak at all. He did enough talking for the both of you. 

Still, you liked being around him. At meals, you often found yourself sitting next to him. At parties, he was often at your door, dragging you out onto the deck to have a few beers with everyone. 

You liked how he could bring people together. He was always the life of the party anywhere you went. You enjoyed his warmth, both through his devil fruit ability and personality. 

You often found yourself staring at him, admiring everything about him. You knew every other person on the ship was doing the same thing. So even when his eyes locked onto yours and the two of you had silent conversations, you did your best to ignore that ache in your chest. He was loved by everyone. You weren’t special. 

“Thank you for coming tonight,” Ace said, taking a seat next to you on the deck. “I know you didn’t want to, and I know these parties can be overwhelming. So thanks for coming for me.”

You shook your head slightly, smiling softly. It’s no big deal.

“It is a big deal! You-” the rest of his sentence was cut off by a few of your crewmates screaming at each other and everyone cheering loudly. 

“Come on,” Ace mumbled, rising to his feet and holding out his hand for you. “Let’s go somewhere quieter. I can’t hear myself think here.”

You smiled and nodded, taking his hand. It was loud and overwhelming. You were here for Ace, to celebrate him being promoted. But that didn’t mean you liked being around crowds or rowdiness. 

There was only one place that was quiet on a night like tonight: the crow’s nest. So the two of you quietly snuck up the ladder and hid away from everyone. A moment of quiet amongst the sea of noise. 

“It's so peaceful up here,” Ace said softly. “I love it up here.”

You hummed in agreement. “I love you.”

Both of you froze. You hadn’t even been thinking about a confession. It had come out entirely on its own. 

You could feel Ace’s sharp gaze on you. “What?”

You cleared your throat, ignoring the heat on your face. “The view. I love the view.”

“You’re speaking.”

You finally looked at him, your voice rough. “I speak sometimes.”

“Never to me!” Ace ran his hand through his hair and took a long drink from the bottle in his hand. “You’ve never spoken to me!”

“I-” you stopped. You hadn’t spoken much since you had joined the crew. Only to Pops, really. And only whenever you were asked a direct question. Ace had probably never heard your voice. “I thought you had. I’m sorry.”

“Don’t apologize!” Ace said, laughing. “I just want to hear more of it! Tell me a story! Your voice is- is like-” he struggled for words, and then he smiled as his eyes locked onto yours. “It’s like a breath of fresh air.”

“It is not,” you smiled at his words, though. “You just feel that way because we can breathe up here without smelling our lovely crewmates.”

Ace barked out a laugh. “Stunning and funny. You really are the total package.”

You quieted at that. A true compliment from Ace didn’t happen often, and you could feel the blush creeping its way through your face. 

Instead, you laid back and turned your head toward the sky, choosing to watch the stars instead. You were almost asleep when Ace spoke again.

“I love you too, you know.”

Franky

You liked being in the workshop with Franky. Franky never tried to get you to speak. Most of the time it was too loud in there to hold a conversation anyway. The extent of your conversation was him asking you to get a tool for him, and you silently retrieving it. 

You weren’t sure it changed into something more, but you began watching him closely as he worked. After a day or two, he began explaining what he was building and all the steps that went into it. It wasn’t long before you were working on the bench next to him. 

Some days, Franky was chatty. He talked about his home, his old life, and other projects he had done. Sometimes he asked you simple questions about your past, but he never pried too deep. 

That’s what you liked most about Franky. Everything had been on your terms, and Franky had always received your decisions enthusiastically. He always supported you when you wanted to help him build a bench, but he also encouraged you to take rest days when you simply wanted to observe. 

Franky was always on your side. No matter what you decided, he was going to agree. He was your biggest fan, always cheering you on. 

And as his strong arms wrapped around you, both of you holding the torch to weld two pieces of metal together, you realized the heat on your face wasn’t just from the flame. 

Franky pulled his welding helmet up. “So, do you like welding?”

You nodded. “I think I like you more, Franky.”

Franky’s mouth fell open in shock. For once, you had stunned him into silence. Only the hum of the generator buzzed in the air. 

The silence made you feel strange, and words began falling out of your mouth in an attempt to fill it. 

“You’re so kind and supportive to me and you always help me learn new things. You’ve been so amazing and patient these past few weeks and you’re always so encouraging and…I just…I like you a lot, Franky, and I was just thinking about how I wanted to tell you and then it just…came out.”

Franky was still staring at you, awestruck. “You can speak?” 

You covered your face. He was missing the whole point. Maybe he would forget the words you had actually said. 

He seemed to remember your words at that exact moment. “Me? You like me?”

A small smile creeped across your face. No backing down now. “Yes, I do.”

“Super!” His words made you laugh. “I’ve liked you for quite some time as well. Just didn’t tell you because I didn’t want to make you feel uncomfortable.”

Your smile finally widened, full and genuine. “You’re the place I feel most comfortable, Franky.”

He gently wrapped his arms around you, pulling you in for an embrace. “And I will never stop being that for you, I swear it.”

[fandomfuntimem]

Dp x Dc or just Dp things I (personally) want to see more of.

Just some stuff I've seen and really liked but never see enough of.

Danny is very casually a genius and/or skilled (engineering, gymnastics, really any skill you pick):

There isn't enough of it tbh. I dont think people realise just how smart and skilled he is. Being a ghost probably made him very flexible and gave him extra abilities the average human may not have. Also he comes from a family of scientists, yeah maybe up against them he doesn't seem smart, but being "smart" comes in different forms. More often than not the ability to be smart comes from your ability to pick up on things, retain information, understand information, and use that information accordingly. Danny does that, especially with his villains. He even finds outside the box ways to defeat his villains. Like tricking Freakshow into becoming a ghost.

I just think its under utilized. A lot of Teen heros are geniuses but no one ecknowledges it. Hell, you can make it that Danny doesn't even realise just how smart he is. He doubts it and often thinks he's one of the dumber people in the room. But when sleep deprived and running on a cup of coffee he can solve a problem he hasn't even seen before the konk out for an hour.

Danny has BEEF with the JL or isn't outright a fan:

In a lot of fics the JL (especially Batman) are huge hypocrites. Like they'll barge into Amity trying to solve problems that don't even effect them, screw things up more, then offer Danny more training. Hello????? You guys being there caused the problem???? Then, in other things Batman preaches about territory and Danny will get threatened or treated with suspicion for even stepping foot NEAR Gothem, but then barges into his territory like its his buisness.

Let Danny call them out. Let him point out that everything has been fine untill they showed up. Let him get MAD. This is HIS territory, HIS haunt, HIS people. These guys have done nothing for him! Why should he accept their help when their help only makes things worse? In fics where they help him because he needed it and ended up in Gotham let him be suspicious and careful. He doesn't need to be vivasected or hurt to be warry of the crime fighting furries he just met.

Mans has the experience to know you can't trust anyone untill they prove you can.

Danny should be casually overpowered and spooky:

This isn't even he has to be experienced. He is so used to his powers he doesn't realise how scary it is. He will casually stop a punch from superman, laugh, quipe, then punch back.

He accidentally breaks stuff, walks through things, glows, its so normal for him. He apologizes and does it again because he forgot. He genuinly has no idea how strong he is, he just knows he needs to be soft on humans.

Danny and Phantom are very different personalities:

I'm not saying they're two different people. They have the same mind same person. But the way they act is so different. Danny is grumpy, quiet, whimpy. Danny is a loser, and everyone knows it. Phantom, on the other hand, is confident, he jokes, smiles, makes a game out of his struggles, he's strong. Phantom is just a good guy. Everyone (minus others) loves him!

This happens because Danny is more comfortable as Phantom or Vise Versa. Sertant trates carry over, they're nerds, they're smart, they enjoy a good pun, they're sassy. But because Danny is a loser everyone sees it as lame, but with Phantom its endearing.

~~~~~~~~~~~~~~~~~~~~~~~

None of this means you need to get rid of silly nerdy Danny. You can have that but all these other things ad depth to his character. Hes smart but not confident, he's kind but not naive, he's powerful but not violent, and he finds comfort in the fact no one knows him.

Idk. I'm not a big fanfic writer so i thought i would just share and see what others do with it.

[tossawary]

I don't have the right term for this, but I enjoy the... retcon sliding effect that new additions to a fictional universe have on old entries into that universe. I kind of love the mess of new story elements that have you asking, "Wait, if this new thing has always existed in this universe and is relatively well-known, why wouldn't the characters have used it earlier in an older plotline?"

Where the Doylist answer is just, "In real life, this story element was invented and added to the universe later," but the pro-writers and fanfiction authors alike have to scramble for Watsonian in-universe explanations as to why the characters didn't use that convenient solution to an older problem. These plot holes are an inevitable part of sprawling franchises being passed from writer to writer! (And sometimes solo authors do it to themselves, like, "Huh, this new story element I have invented has retroactively destroyed almost all of my earlier plots. Whoops.")

One of the most pronounced sufferers of this effect, I think, is "Star Wars", which did one trilogy of films, then went BACK and created a direct prequel trilogy of films, multiple television shows, comics, books, games, and so on. I think it's SO funny how often the prequel films and shows add something to the universe and suddenly everyone (the makers of these SW stories especially) has to scramble to cover up a new plot hole, big or small. This problem can be really, REALLY frustrating at times, but I also think it makes a great fandom playground if you're willing to play with such a malleable canon.

I was talking about "Revenge of the Sith" with someone and then realized... "The prequels have it so that Obi-Wan and Yoda both knew the Emperor personally... and Yoda even fought him... I think the prequels accidentally retroactively made it a REAL DICK MOVE that Yoda apparently never, like, told Luke about Palpatine's Force Lightning abilities or told him how to counter the lightning specifically in the original trilogy... Whoops."

[astrophileblogs07]

ASTRO OBSERVATIONS PT.20

⚫ Opposite to the stereotype of Leo being a narcissist, its the Aquarians who are more narcissist than ANY other zodiac. Esp its the Dhanishta naks out of the Aqua naks who are so.

⚫ I have seen 3 Aquarian moons (of Dhanishta nak) who had a poverty stricken first half of life (childhood, teenage years) but then they become well off like rlly very well off in their second half (esp after marriage). They marry rich 🤑 too. What i am saying here is the dramatic transformation of their financial life.

⚫ Pisces men are physically abusive. That's it. Esp the March Pisces. They literally are a bully. (Dont be fooled by the beautiful doe eyes lol)

⚫ "WOW What voluminous and luscious hair he's got!" -my ♌ rising and moon mom commenting on a side character with insignificant role in a movie 🤣. I wasn't noticing that at all...but she seemed to be stuck on that feature 😂.

⚫ Martian influence on a chart can actually have a liking to dangerous weapons and ammunitions. (Like idk I weirdly love them 😂😂)

⚫ Females with Ketu ruled naks are the first group of people whom male perceive as "threat". (Second is mars btw). Like if the other person is a typical male (egoistic, chauvinist) they will literally hate you to the core coz they know you equal them in all ways (except you know what LMAO 🤣). So they'll try to pin you down or belittle you etc. (sad, but since I have experienced I wanted it to share w you guys)

⚫ Also I love the way Ketu Nak women get along becoz mostly they have so much in common. And by that I mean how the society (male dom) treats them. I am not saying they're an "outcast" but the reaction they face just coz the male species get intimidated by us which has an cascading effect on our mental peace is beyond tolerance.

⚫Ketu naks are sexyyyyyy 🖤👁️🫦👁️❤️‍🔥❤️‍🔥

(I always imagine a smokin hot biker girl 👩🏻‍🎤with leather jacket and smoky eyeshadow whenever I hear "Ashwini, Magha and Mula")

⚫ I have seen a Chart which was totally "Mars" chart and I'll tell you, that person has Aries asc, Moon, Mars and (Mercury ig is in Scorpio?idr) along with Scorpio sun. And that person is like personified version of the planet itself. So cunning and so shrewd, potentially be a mastermind. Statergic. Secretive af. (Might be their middle name to exaggerate). Close to their mom. Loves friends (friends over anything). Also they have a "reddish" tint to their skin (no health probs, but yeah that planet does that). Knows how to tackle any embarrassing moment in public and deal with it. (I am jealous of him coz i wanted to be like him in every way 😂)

⚫Lilith and Pluto aspects in natal chart can actually survive 8H synastry. Almost same energy and themes. 💀

⚫Why are Maghas the "scapegoat" of the family? Like they be framed in a situation with which they have no relation with. Its annoying to see. Its like you're locked in your room chilling and as soon as you step out, everyone in the family is blaming you for something or the other. Now you're the "bad guy". (Yo wtf 🤡). Added to the generosity of Leos, people target you often. 😕

⚫Libra men CANNOT stand loneliness and being ostracized at all in any way. I have seen this in every Libra I came across. For eg: if you're the "black sheep" they won't talk to you and will go with what the crowd says. And if people have outcasted them just becoz they're with you/involved with you, they'll drop you like hot potato. People say and stereotype Capricorns for being the one who cares about reputation and all, but her 'Venus-ruled-Saturn-exalted' sister also is same. 💀

(no wonder they're besties lol)

P.S: I read a post here which said "Eye contact with 8H synastry hits different" ( i am not copying, i don't remember the username) and boy is that true 💀💀💀. Like I was -->😯😳🫣. Coz I have experienced that 🤣🤣. It does, than any other eye contact I have seen. Lmao 🤣🤣.{Edit: its @zeldasnotes 🖤😁}

Hope you liked it 😁😊. Until next time! 👋🏻

Love you y'all ❤️❤️❤️

[cripplecharacters]

Hi there, i have a character in my original story who is blind, specifically because he lost both eyes (one from injury, one from infection at birth). However, he doesn't have access to prosthetic/glass eyes as he lives in a secluded group of warriors. I've been drawing him with a blindfold to protect from infection, but upon reading your posts about eye coverings on blind characters, i'm unsure if this is offensive or not, but i also can't think of a good alternative other than going bare. He is a warrior, so i don't think glasses would stay on for very long, but i'm wondering if maybe goggles would work? Hes not the only blind character i have (one of the others is a born-blind cane user who does not wear glasses) but i still don't want to misrepresent or spread misinformation. Any help would be appreciated, thanks

Hello!

@blindbeta has an excellent post on the subject, which I'll link here [Link].

In your character's case, the cover would serve more for protecting their eyes and less for photophobia or other sensitivities. One of the points that's mentioned heavily in the post is to ask why your character is using a cover for their eyes.

In this case, you've already answered that question. Your character needs to protect their eyes from infection and further damage but doesn't have the option of prosthetics and glasses are inconvenient and could fall off or get in the way.

That being said... wouldn't a blindfold also get in the way?

A blindfold would be more of a problem in combat than a pair of glasses with a strap securing them. A blindfold gives his opponent another way to grab onto him (Think of ponytails) or something else to get caught on.

Also, if the goal is preventing infection, a blindfold would do the opposite here. Fabric is notorious for encouraging the growth of bacteria, fungi, and other microorganisms. When it's pressed up against your character's eye sockets while they're fighting and sweating, it's also creating a very humid and moist environment.

Back when I was still rock-climbing and would go blindfolded, the blindfold would become gross and sweaty after just a few rounds. I don't even want to think about how it would have been after a day of fighting and adding in the blood and other fluids that would be on it. This can be especially problematic if your character is living in a secluded place where he may not be able to properly wash the blindfold as often as needed.

In general, the goggles (Or a pair of secured glasses) may be a better way to go. They'd be less of a liability in combat and be much more effective at preventing infection than a blindfold would be. There's also the fact that they would be much easier to clean if it ends up being necessary.

Now, you didn't specifically ask about this but I would just like to point out that prosthetic eyes aren't just used for preventing infection. Prosthetic eyes allow you to maintain the function of your eyelid and ensures that your eye socket keeps its shape. Depending on your character's circumstances, this may or may not be a concern for them.

Regardless, I'd definitely suggest looking into this and giving it some thought if you haven't.

Here's a few links to get you started:

A brief article discussing the benefits of prosthetic eyes.

An article that talks about prosthetic eyes in general. It also includes some brief information on prosthetic eyes in the past, which may be of interest to you.

Some FAQs about prosthetic eyes. Most of this is more specific to the current prosthetics offered but has some general info as well.

If you haven't done so already, I'd also advise checking out the linked post from @blindbeta since it has some excellent information about the specific trope.

Cheers,

~ Mod Icaus

[maelancoli]

PADDING OUT DIALOGUE SCENES

in another round of very unprompted writing advice i thought i figured i'd share my two cents when it comes to the topic of struggling to fill out conservational scenes. another thing i see a LOT of lately is a general fretting among writers who find that dialogue comes easily to them but the rest is a struggle. for me it's often been the opposite, i had to work at honing the talking part but description? i've always done a little too much tbqh. but funny enough the solution for both is not disconnected.

a lot of it will come down to knowing your character. what are their ticks? what are their filler words? are they bold and expressive when they're speaking? or are they withdrawn and shy? deciding the behavioral quirks of your character will improve your instincts when trying to be more descriptive. do they fidget with their clothes? do they pick up objects and toy with them? do they fold their arms around themselves or have other defensive posture? where do their eyes go when they speak? do they look around a lot? do they have an intense, unwavering gaze? do they zone out to look at other objects? what are they looking at when they do look away to think or listen? (this is also where having a faceclaim to build characteristics and mannerisms around can be helpful, not just in rp settings but any kind of fiction.)

"i guess...i don't really know how i'm supposed to feel about it," he admitted.

okay so we already have information here to expound on. the character is uncertain and conflicted. how would that effect their demeanor outwardly?

"i guess..." he trailed off with a sigh. he shook his head and his gaze grew unfocused, wandering away from his companion to stare blankly at a clock on the mantelpiece. his index finger tapped lightly at his knee. "i don't know how i'm supposed to feel about it, ya' know?" amir admitted with a shrug. he finally looked at the other man again, but there was a vulnerability which brought a sheepish shadow to his tumultuous gaze.

we've shown he is pensive with a wandering eye and that he's a little uncomfortable with his nervous tick of tapping. the next step is to consider the inner workings of their PoV. what does the scene itself call for them to be doing and thinking between lines? what does the emotion and tension of the scene—or even the comfort and familiarity of it—reflect inside them?

"you don't have to know right now," malik pointed out. he lifted his hands from where they had rested on the surface of the table to turn his palms outward, leaning in closer. "it's okay not to know." they held one another's gaze for a silent moment. amir's lips pressed together and he swallowed down the lump which had formed in his throat. he was not an emotional man. he had always prided himself on his restraint. but it was all beginning to be too much and the empathy in his friend's eyes was only another weight upon his already bowed shoulders. "...maybe you're right," he mumbled thoughtfully.

here we have shown his friend's gesture, adding more presence to the environment around them. and then we have given a little space for the character to feel. we have given a little information about who he is, or at least how he thinks about himself. by bringing his eyes back to his companion we have shown he is opening up, he is actually leaning into the intimacy of comfort and listening. but the mumble shows he is still not confident in admitting the need for help. it shows he has not even accepted fully the grace he's being given.

it isn't just what a character is saying, it's how they're saying it. it's how they're carrying themselves. it's how they're receiving the other characters' words. and showing how they're carrying themselves along with their inner feelings will also help show what is driving their dialogue. it will create a contrast if they're not being a reliable narrator, if they're contradicting or if they're withholding etc.

taking time and being patient with yourself to expound upon these things and to develop your character will make them more real. the more you practice and get to know them, the more instinctive and natural it will become!

[asidian]

Set breakdown time! Next up: Niko's room.

As before, I've circled the points of interest and numbered them to make them easier to talk about. Cool? Cool. Let's do this!

1: Niko's mom's name! This part is her and Niko's surname. The kanji are 佐々木.

佐 – sa, meaning help or aid

々 – an iteration mark. When you see this, basically it means "exactly what the last one said, one more time." So another sa meaning help or aid

木 – ki, meaning tree

It's really neat that they picked a last name for her that doubles down on her role in the narrative. Just like Niko is there to support and help other characters in whatever way they seem to need, her surname hammers it home by including 佐 not once but twice.

2: Riza (リザ) Niko's mother's given name. Somewhat odd here is that it's written in katakana and not kanji. Without getting sidetracked too much (you can pop over here to read more if you're interested) most Japanese people write their names in kanji.

Katakana seems like a bit of a strange choice here, unless a) Niko for some reason doesn't know the kanji for her own mother's name (weird, given that she's in high school) b) her mother is a foreigner (a possibility; foreigners usually write their names in katakana) c) the set designer/whoever prepped the letters didn't know the appropriate kanji for "Riza" (seems unlikely, given how accurate all the rest of this is) or d) some sort of personal habit. An interesting side note is that her letter to Niko also puts Niko's name in katakana.

3: Cutesy stationery, used for marking your place in a document or book

4: A cute blue purse!

5: Watermelon! Judging by the shiny material and placement near the other bag, I'm going to guess this is another purse

6: Niko's clothes :>

7: Pink luggage

8: Lots of instant noodles

9: A rice cooker

10: Rice vinegar

11: This girl LOVES her some plants

12: Probably food items…? The one on the right looks like it might be a five-pound bag of rice, but I don't recognize the brand

13: Lots of unwashed dishes

14: A toaster oven

15: Chopsticks

16: A cute octopus pillow. I think I saw someone mention that it's from Ikea :>

17: She often leaves dirty dishes sitting on the bedside table

18: A painting of what seems to be a skyscape

19: Brightly colored pillows

20: Metal art in the shape of a moon

21: A decorative window hanging

22: More plants :)

23: Candles

24: Her tv

25: Cute pens with pompoms on the end

26: Regular tape

27: A cute cat statue

28: Marble Pop Ramune, strawberry flavor. Ramune is a type of soda that's a popular festival drink in Japan. It's sealed with a  glass marble and you have to pop the marble down into the little catch basin before you can drink it.

29: Anime wall décor

30: Fruit jelly cups. In Japan, small gelatin based snacks like this are popular. They're tiny, about an inch tall, and you eat them in just one or two bites.

31: Niko's laptop. She has stickers on it

32: Washi tape! It's decorative Japanese tape, often with bright colors and patterns, used for crafting.

33: A lot of cute magnets, including the bunny one, which serves double-duty as a kitchen timer

34: Niko's grocery list. The only thing on here that's here because she wants it is strawberry ice cream. The rest of the items, licorice tea, manuka honey, and Epsom salts, are all natural remedies. She's been trouble-shooting how to get rid of the effects of the sprites. She knows she's sick, but not why

35: Cutesy craft supplies! Sequins, glitter, and pompoms

36: More washi tape!

37: Niko's manga collection. She is that particular brand of organizational mess that does not put her numbered volumes in order. She has made an exception for the series that makes a complete picture when you line them up, though

38: More plants :)

39: Manga posters! Issho is one of the series that she has on her shelf

40: A decorative jar

41: Little metal bird sculptures

42: What seems to be the only framed picture in her room. The angle is wrong to see what the photo is, but it's interesting that they added just one in here. Maybe it's her family…?

[kooldewd123]

The scene of the Animorphs voting whether or not to make David one of them might be one of the best character moments in the entire series. You can read into everyone's actions in this scene so well.

Marco sees "the bright, clear line." David hasn't seen any of them yet. He doesn't know anything. Just giving him up to the Yeerks is incredibly cruel, but it's the safest option. At the same time, how much of this is just his personal feelings? He's the only one who dissents on the basis of personality. He doesn't really like the way David acts, but is that enough reason for concern or is he just writing him off because he can't stand being around him?

Cassie is eager to go for it. She had just taken a massively risky leap of faith with Aftran, and it had actually paid off. And if trusting a Yeerk could lead to good things, surely trusting a human would turn out even better. She's already seeing the big picture: maybe David is the first of many. Maybe they could extend their force even more and give themselves the opportunity to make a bigger difference.

Rachel starts out against it. Despite their frequent disagreements, she and Marco both share that ruthless streak and often end up on the same side of heavy decisions as a result. She's the first to agree with Marco about giving David up, and the first to voice against making him an Animorph. But Cassie's argument sways her over. Cassie is probably just thinking that more people equals more power, but Rachel frames it by saying that more people means they can afford to take bigger risks (something that Marco can't help but agree with). Cassie is thinking optimistically, but Rachel sees it from a warrior's perspective.

Tobias is for it, and of course he is. David is just like Tobias was back then: no real family, no real home, and effectively a stranger to the rest of the group. He can't give up on David. He needs to have faith that things will work out, the same way they did for him (in a way). There's literally no other choice, as far as he sees it. He says Jake should make the ultimate call but clearly doesn't actually believe that, seeing as how when Jake replies that they need to put it up to a vote, Tobias immediately votes in favor of making him an Animorph.

Ax in particular is fascinating to me here because he's the one who actually suggests making David an Animorph in the first place. At the start of the series, breaking the law of Seerow's Kindness and sharing Andalite technology with humans, let alone a complete stranger, would have been completely unthinkable to him. But now he's seen just how fallible Andalites can be. He's begun to doubt the pillars of his society, and has thrown his lot in with the humans instead. He makes a very human suggestion here. It's something you'd expect Cassie or Tobias to come up with, not Ax. When the vote actually comes around, however, he votes against it. Like Rachel, he views it from a military perspective, but comes to the opposite conclusion. More Animorphs would be good to add to their ranks, but he's been in an army before and this ain't exactly one of those. A seventh member isn't enough of an added benefit, and putting a stranger in the role is too much of a wild card when they're about to undertake such an important mission.

We don't know what Jake is thinking. He never provides an opinion, only stating the facts of the situation and prodding the others for their votes. He's presumably freaking out inside, but trying to keep a calm demeanor in the face of the biggest decision they've had to make up to this point. Any weakness at this pivotal moment could skew everything, so he has to remain as neutral as possible until he can properly collect his thoughts. He's the last of the group to make his vote, and he really doesn't end up making one in the end. David wakes up, sees them, and Jake decides to bring him into the group. If David hadn't woken up there, what would Jake have chosen: Safe but cruel, or risky but optimistic? We never get to find out what was going through his mind at that exact moment, only in the aftermath.

And of course, this is all underscored by the dramatic irony of what this will eventually lead to. The group decides against inaction, but by their actions, they will commit a horror upon David arguably just as bad as the Yeerks would have. Would it have been better to leave him behind and be haunted by what they didn't do, or to have tried to save him and be haunted by what they did do?