#ada wont

[genesissaw]

i'm so tired of searching for the most gut wrenching fic ever and only finding smut😭

[insomniacxan]

stan the the RE girlies 💗 | who’s your bias?

[possessionisamyth]

Here's some RE Separate Ways analysis that isn't about shipping because I like Ada. I'm happy her DLC actually focuses on her, but some of the takes I'm seeing are Insufferable. Main statements in bold for ease of reading and skipping purposes.

-Wesker and Ada haven't been working together consistently for the past 6 years. This dripless bitch is calling Ada every five minutes to babysit her. I don't think that's the relationship dynamic of someone you're regularly employed under, and when it is, Ada is not the type of character to tolerate that behavior for 6 years. We know Ada is a contract worker. We can understand she's worked for Wesker on and off, but she's a freelance agent period. She must've done enough jobs for Wesker that he feels the need to check on her and have this constant reporting in to make sure she stays on task since he's clearly used to her not always following his orders. He 100% hired her for this assignment because he knew the situation and compared to the other options, she had the highest survival chances. Which, he was right. High risk, high reward.

Sometimes Wesker's babysitting works: Ada holding Luis at gunpoint when he tries to negotiate saving Leon and Ashley. Sometimes he knows when to step away: "Keep your dog." All of it is in the effort to get what he wants. Look, he let her live. He worked with S.T.A.R.S for years and wanted them all dead. If he worked with Ada regularly and she pulled this shit with the amber, he would've had that helicopter blown out of the sky. There's always some restraint with personal distance, especially with a guy who thinks so highly of himself.

-Luis is a drama queen. In the regular game, Luis acts cool and under control to the best of his abilities around Leon and Ashley. It's a part of his newly found hero-complex even though he does still know when to ask for help: "save me prince charming!" In the DLC, we see the real side of Luis. The one who's scared, and dramatic, and knows when he's not shooting with a loaded gun so to speak. When Ada tells him to leave her to fight, he does. He wants to help, but his respect for her abilities sends him fleeing like she orders him to. Also, like every scientist, he has zero self-preservation! He ran into a fire that clearly would kill him to get medicine. And the exchange afterwards? "No! Now you'll all die!" "Make some more medicine." "Oh..yeah...I can do that. I do have that ability."

The flamenco dance. "Are you mad at me???🥺 You're mad at me!😭" This man understands Ada can kill him without blinking, but still can't keep his composure around her. This is such a fun dynamic to explore in fic for expansion stories and "Luis lives" au's. The DLC gives him breaks to freak out and panic, whereas the main game holds the "cool persona" moments after Leon saves him. Even his dying words to Ada. This man is bleeding to death and still can't shut up. I love him.

Okay, that's all I gotta say about the loser men. Now for the star of the DLC. Ada. :)

-Ada "Sans Undertale go into my eyes" Wong. The methods Ada uses in the DLC are fun and appropriate. It's not invasive and in your face unlike another agent, but more subtle. She can track footprints, fingerprints, gauge the safe distance required for her grappling hook, and she knows when she needs to fight and whens he needs to run. Her practicality has always been the cleanest of the entire cast due to her being a spy, but this time we actually get to see this trait utilized through her tools.

-Ada is silly and quips her own jokes to get through it. Something I'm not seeing anyone talk about including the aeon people who are claiming anything they can get, is this specific humor parallel between Leon and Ada in the remake. Both of them have gone through the horrors of Raccoon City. Both of them went right back into very difficult military in function style work which always has a body count. I talked about Leon's humor coping mechanism here [X], but to hear Ada do the same thing? I feel like they went under the radar because they don't sound as stupid as Leon's quips, but they are still so stupid. "Nighty night." "Lights out." "Bring me a real challenge next time." "Now look at the mess you've made." "You think that gun will be enough?" She and Leon even share the same "Next," line!

If I had 80GB to spare on the game, I'd see just how many more I could get out of her. Like, these are dumb as hell. She's found a method to cope with the horrors she's witnessing that just so happens to coincide with Leon's. I'm not saying this as a marker of whatever romance you've tossed them in or even to diss any other romances. What I am saying is that they have a similar type of mental illness resulting from trauma, and they ended up using the exact same coping method despite never seeing each other.

Ada fans who hate Leon! This opens a door for you when it comes to character analysis and how Ada deals with her PTSD and/or depression! Run through it RIGHT NOW!

-Ada's infection pulls a lot more weight than it seems. I've seen some people say Ada's parasite should've been removed the same as Leon's and Ashley's. (Which is an extremely unsubtle argument to get them all in the same room for your shipping nonsense.) However, something I noticed with the DLC were the parallels to the troubles in RE2. The Black Robe/U-3/Pesenta monster is the first time where we get to see Ada dealing with a stalking enemy. Due to RE4 being so much more plot-lined streamed to maintain the flow of gameplay, these events were not allowed to be random, but the narrative purpose remains. Ada gets to have a stalking enemy in her DLC like Claire and Leon did in RE2 with the addition of a hubris check.

The hubris check? Well, Ada has never been infected until this DLC. In the original games, she can step back and watch people die because she doesn't know what it feels like. Now she knows what it feels like. The lack of control. The pain. The slow turning. Her job has had her flirting with death for years, but not in a way she can't fiddle with the odds. A parasite is not something a person can distract with words. The action to steal the amber is backed up via personal experience not just a morality code slapped on. The addition of Wesker's correction to "billions of causalities" means she's included in that number and just cements her incentive to flee. She's not doing this for Leon. She's not doing this for Luis. She's doing this for herself, and if it so happens to help other people then it is what it is. After being on both sides of the coin when it comes to viruses, she can no longer function as entirely impartial to the work she's doing.

-Ada doesn't ask for permission but asks for forgiveness. Don't take this phrasing literally. She doesn't ask Wesker to forgive her. What this means is that she'll do something before asking, and if it upsets people then she'll course correct. Her job is not the kind of job where she needs to take orders for every action she implements which is why Wesker calling every five minutes was annoying as hell. In the OG RE4 she kind of argues with Wesker for Leon to live for "his usefulness", but it's swiftly shut down until it's convenient to Wesker for Leon to live. This forces her to sneak around and betray Wesker multiple times to save Leon secretly, and the concept rightfully gets thrown into the garbage for the remake DLC.

The scene in the bedroom where Wesker tells Ada not to become a liability after taking her blood? Ada doesn't fight to get her shit back. Some people said this was flirting. Wrong. This is Ada seeking forgiveness after the fuck up of passing out in the middle of an active field by letting Wesker walk off with an infection sample. She then makes sure not to fuck up a second time in the same way, and she doesn't. She learns the signs of her parasite so in case she does pass out again, she'll be somewhere much less conspicuous. She listens for the changes in her environment and the feelings in her body and prepares herself for what's next.

-Ada saves Leon and Ashley for Luis' sake. I stated earlier that Ada's action to take the amber was for her own sake but ends up helping others. This is the exact situation going on when Luis talks about getting the suppressant. She needs the suppressant in order to do her job and kill the black robe so she can heal. It just so happens that Leon and Ashley need the suppressant for survival reasons too. They are an afterthought until Luis dies.

We watch Ada question Wesker and his plans all throughout this DLC, and she comes to her own conclusions after her experience working with him. She could've gotten the amber back and let the whole place blow into smithereens like Wesker intended. Who cares about the president's daughter? Who cares about another dead federal agent? Luis did. He cared so much he died for it, and just like that other clown in Raccoon City (aka her), she got emotionally attached. If there was anything she could've done for Luis to make his death mean something, it was this act.

-Ada sells Leon's jacket. This isn't analysis, but I thought this was funny as hell. ACAB! No exceptions! Freeze your tiddies off, Leon! I don't give a shit!

-Ada's new outfit is still better than her old one. It's still not the best they could've given her. I'm also not speaking from a fashion point of view when I say this. In the OG RE4 we see Leon in a jacket which is forcibly removed to show off his pecs to the ladies, but it clearly marks a colder time of year. OG RE4 Ada has arms out, legs out, and tits out because a hoe never gets cold. The sweater dress for the remake re-establishes that it's colder here because even Luis doesn't lose his jacket. Ashley doesn't lose her jacket either until they yoink it off her for ritual reasons. I still hate that the thigh high boots have that heel and would prefer the flats, but that's going to be in the complaint paragraph below.

-Capcom sexism at play once again. I don't give a shit about rigs and motion capture or whatever, her walk cycle was 2 adjustments from being full Bayonetta, and I hate it. The ass shots? Disrespectful. Her heels didn't have to be that high. Never heard of a kitten heel? They exist. The people who worked on RE3 Remake and worked on this DLC sure love to make a woman vomit don't they? Why the fuck was she so clean the entire game? She was being thrown around and tossed in the dirt a lot, but this woman's skin is shinier than a waxed apple. Either she has some wet wipes on hand, or god forbid women get filthy. Absolutely zero reason she shouldn't have been looking as rough as Leon by the time she gets on the helicopter! No reason at all!

That's all they wrote! I love Ada. I loved this DLC, and I loved the dynamics going on here even though I hated every time Wesker was on screen or opened his mouth at all.

As much as I would love to expand this post and go further into the changed Ada and Leon relationship, I frankly hate all the takes I've been seeing so much on either side of the Aeon debate. I hate the ongoing conversation around it so much that I don't know if I want to discuss this at all. The Aeon should've gotten this if not for Luis and Ashley side and the Aeon is dead side going back and forth with each other? All of you put on your clown noses! None of you are looking at this situation objectively to see where the lines cross and where they run alongside each other, and frankly I'm tired! I could clear this whole table off so both of you can get exactly what you want based on what you're not actually interpreting from this media, but I won't! Kill each other!

[fvedyetor]

um guys. did skk forget sigma again. they went back to check on fedya only to find that he was gone. kolya wasnt there either. and skk just left sigma unconscious in the prison??

fyodor probably took over kolyas body and next thing you know we're gonna see fyodor-kolya grab unconscious sigma and escape team rocket style. wtf is skk doing leaving the vulnerable very powerful pawn piece that is sigma alone???? guys???

[chuuyanakaahara]

how many of you can acknowledge that chuuya is not like, a pillar of morality. dude was killing people at 15 and prior. he has no qualms with it. finds it exciting to improve his skills and show off.

chuuya would make a very, very violent detective.

[veryaren]

here.... Take this bwforei go..... (To bed)

[gigi-does-art]

Not art but… assigning RE characters a species of bird because why not

(Part 1)

Chris Redfield: Red-tailed Hawk

Jill Valentine: Peregrine Falcon

Albert Wesker: Barn Owl

Leon S. Kennedy: Kestrel

Claire Redfield: Red-tailed Hawk (Just like Chris lol)

Ada Wong: Secretary Bird

Rebecca Chambers: Rosy-faced Lovebird

Billy Coen: Magpie

Sherry Birkin: Sandpiper

Carlos Oliveira: Quetzal

[okitanoniisan]

my ass has been haunted by this since january

[burningvelvet]

Here are two of the most hilariously scalding letters from the 1800s that I have ever read. One is by the famous writer Lord Byron, and the other is by his daughter Ada Lovelace, the famous mathematician. Both are written to their respective business partners: Byron to his publisher John Murray, and Lovelace to her colleague Charles Babbage. It’s interesting to note how strikingly similar these letters are despite the fact that Ada and her father never knew each other, as her parents separated shortly after her birth and he died abroad when she was eight. Both were rebellious, fond of gambling, prone to tumultuous affairs, and both hated Lady Byron. These similarities may help to explain why her final wish was to be buried next to him instead of her family.

Lord Byron in a Letter to his publisher John Murray about the printing of his magnum opus, the poem Don Juan:

“Ra. August 31st. 1821.

Dear Sir

I have received the Juans – which are printed so carelessly especially the 5th. Canto – as to be disgraceful to me — & not creditable to you.

It really must be gone over again with the Manuscript – the errors are so gross – words added – changed – so as to make cacophony & nonsense. — You have been careless of this poem because some of your Synod don’t approve of it – but I tell you – it will be long before you see any thing half so good as poetry or writing. — Upon what principle have you omitted the note on Bacon & Voltaire? and one of the concluding stanzas sent as an addition? because it ended I suppose – with –

‘And do not link two virtuous souls for life Into that moral Centaur man & wife?’

Now I must say once for all – that I will not permit any human being to take such liberties with my writings – because I am absent. —

I desire the omissions to be replaced (except the stanza on Semiramis) particularly the stanza upon the Turkish marriages – and I request that the whole be carefully gone over with the M.S.S. –

I never saw such stuff as is printed – Gulleyaz – instead of Gulbeyaz &c. Are you aware that Gulbeyaz is a real name – and the other nonsense? – I copied the Cantos out carefully – so that there is no excuse – as the Printer reads or at least prints the M.S.S. of the plays without error. —

If you have no feeling for your own reputation pray have some little for mine. — I have read over the poem carefully – and I tell you it is poetry – Your little envious knot of parson-poets may say what they please — time will show that I am not in this instance mistaken. — Desire my friend Hobhouse to correct the press especially of the last Canto from the Manuscript – as it is – it is enough to drive one out of one’s senses – to see the infernal torture of words from the original. – For instance the line

‘And pair their rhymes as Venus yokes her doves’

Is printed

‘and praise their rhymes &c. –

also ‘precarious’ for ‘precocious’ – and this line. stanza 133.

‘And this strong extreme effect – to tire no longer’

Now do turn to the Manuscript – & see – if I ever made such a line – it is not verse. —

No wonder the poem should fail – (which however it wont you will see) with such things allowed to creep about it. – – Replace what is omitted – – & correct what is so shamefully misprinted, – and let the poem have fair play – – and I fear nothing. — I see in the last two Numbers of the Quarterly – a strong itching to assail me (see the review of the “Etonian”) let it – and see if they shan’t have enough of it. – – I don’t allude to Gifford – who has always been my friend – & whom I do not consider as responsible for the articles written by others. – But if I do not give Mr. Milman – Mr. Southey – & others of the crew something that shall occupy their dream! I am not what I was – that is all

I have not begun with the Quarterers – but let them look to it. – As for Milman (you well know I have not been unfair to his poetry ever) but I have lately had some information of his critical proceedings in the Quarterly which may bring that on him which he will be sorry for. – I happen to know that of him – Which would annihilate him – when he pretends to preach morality – not that he is immoral – because he isn’t – having in early life been once too much so. – And dares he set up for a preacher? let him go and be priest to Cybele. – why let

You will publish the plays – when ready — I am in such a humour about this printing of D.J. so inaccurately – that I must close this.

yrs. [scrawl]

P.S. I presume that you have not lost the stanza to which I allude? it was sent afterwards look over my letters – & find it. The Notes you can’t have lost – you acknowledged them – they included eight or little corrections of Bacon’s mistakes in the apothegms. – And now I ask once more if such liberties taken in a man’s absence – are fair or praise-worthy? – As for you you have no opinions of your own – & never had – but are blown about by the last thing said to you no matter by whom.”

[Separate page]

“Dear Sir

The enclosed letter is written in bad humour – but not without provocation. -

However – let it (that is the bad humour) go for little – but I must request your serious attention to the abuses of the printer which ought never to have been permitted. – You forget that all the fools in London (the chief purchasers of your publications) will condemn in me the stupidity of your printer. — For instance in the Notes to Canto fifth – ‘the Adriatic shore of the Bosphorus – instead of the Asiatic!! – All this may seem little to you – so fine a gentleman with your ministerial connections – but it is serious to me – who am thousands of miles off & have no opportunity of not proving myself the fool yr. printer makes me – except your pleasure & leisure forsooth.

The Gods prosper you — & forgive you, for I wont.

B.”

Ada Lovelace in a letter to her work partner Charles Babbage, who she helped invent the computer with:

“Tuesday Afternoon [1 August 1843] Ockham

. . . Note B has plagued me to death; altho' I have made but little alteration in it. Such alterations as there are however, happen to have been very tiresome & to have demanded minute consideration & very nice adjustments.

It is a very excellent Note.

I wish you were as accurate, & as much to be relied on, as I am myself. You might often save me much trouble, if you were; whereas you in reality add to my trouble not infrequently; and there is at any rate always the anxiety of doubting if you will not get me into a scrape; even when you don't.

By the way, I hope you do not take upon yourself to alter any of my corrections.

I must beg you not. They all have some very sufficient reason. And you have made a pretty mess & confusion in one or two places (which I will show you sometime), where you have ventured in my M.S's, to insert or alter a phrase or word; & have utterly muddled the sense.

I could not conceive at first in one or two places what had happened to my sentences; tho' I soon saw they were patchwork & not my own; and found it so, on referring to the M.S. I fear you will think this a very cross letter. Never mind. I am a good little thing, after all. Yours ever

A. A. L.

Later. P. S. It is impossible to send you anything but Notes B and C; (& this partly owing to some wrong references & blunderations of your own). — Do not be afraid, for I will work like the Devil early tomorrow morning. —“

[Separate Page]

“Wednesday, 4 o'clock [2 August 1843] Ockham

After working almost incessantly, since 7 o'clock this morning, until I am forced to give in from sheer inability to apply longer, I find only the sheet I enclose is quite completed. I shall however send a servant up tomorrow morning by a ten o' clock train, to take you all the rest; so that you will have it almost as soon as this letter.

You cannot conceive the trouble I have had with the trigonometrical Note E. — In fact no one but me, I really believe, would have doggedly stuck to it, as I have been doing, in all wearing minutiae.

I am very uneasy at not hearing from you, as I have expected to do both yesterday & today; & fear some disaster or other. I hope all of Note G is forthcoming; & I also hope you have received all my communications safely.

I think you had better do the second revise of the translation for me. If you will compare it carefully with my first revise, it can hardly be necessary I think for me to go over it again.

I suppose I ought to take it for granted that no news is good news; but I am in a sad fidget. — Yours ever

A. L.”

[thepartyishere]

Bsd music venue (band) au inspired by the rock concert I just went to

The Port Mafia all work at a venue that mainly hosts rock and similar concerts

The ada is a band that frequently plays there

Tachihara is the sound/tech guy totally jamming out to the music with the crowd, he wanted the job as a way to go to concerts for free (but he still does his job well)

Gin does sound and tech too, they get along well. Gin is especially good bc they know sign language and teach others so they dont have to try to shout

Akutagawa is the weird kid working the merch table, no one really gets along with him but he gets the job done well. He has a bizzare way of organizing and doing things that irritates anyone else but he claims its faster

Mori technically owns the place but is never actually there, Kouyou runs it with help from Chuuya and Verlaine (all three are step siblings via Mori so it's kinda family run)

Chuuya runs the bar as well

Verlaine is never seen, he remotely does finances and boring stuff

Kouyou is the main manager/ highest besides Mori. She does booking and other stuff

Dazai used to work there but quit to join the ada band, now he comes to concerts just to bother chuuya at the bar

Hirotsu does hiring and training, hes been working there the longest, since before it was sold to Mori. Everyone knows him and likes him

Higuchi is head of security and manages security people as well as supervises and creates the id checking and security process to enter the venue

Whenever the ada plays there Atsushi sneaks off to make out with Akutagawa at the merch table

DazaI also sneaks away to be a bother, usually to Chuuya

Kunikida is the manager that travels with the ada, Fukuzawa doesn't travel

Kunikida and Kouyou in particular get along very well with how often they work together and their similar way of doing things

The band is made up of Dazai, Atsushi, Junichiro, Kyoka, Kenji, Ranpo, and Yosano

Fukuzawa, Kunikida, Naomi, and Haruno are all behind the scenes staff

[dennisboobs]

people will just say anything

[acidbathdemon]

lets gooooooo (I COLLAPSE ONTO THE FLOOR DYING BLEEDING)

[tequiilasunriise]

Let’s see here- an abusive, narcissistic prick who manipulates women and has a clear red raging bull design but the fandom calls him a “fucken goatman” regardless?

At the very least Adam was so homophobic that, in a roundabout way, he became the number one Bumbleby truther (“I will make it my mission to destroy everything you love, starting with her”, “WHAT DOES SHE EVEN SEE IN YOU?!”, etc etc), the fuck does Montyass got going fer him???

[astralmarionette]

todays thoughts: atsugawa sickfic abt their relationship with food insecurity and how akutagawa couldnt eat just anything due to his illness (lungs but i also believe he'd have an extremely sensitive stomach + foods he absolutely could not eat because they were so horrible to him) and so he wiuld often just not eat whereas atsushi grew up eating anything as long as it didnt look too bad (if he could take off the visible mold it was fine to him) and them slowly unlearning these habits that are detrimental to their health (aku's unintentional self starvation and atsu subconsciously international self sabotage)

[scringee]

If there's one thing I want from RE9, it's Ada Wong backstory. Just a crumb... Just a little bit of it. Even just learning her real name would be enough for me, we know so little about her that learning her fucking name would make me holler like an animal.

[zkretchy]

Hope you like thrill rides

Aka after both the mine cart sections&the final boat ride....my mind went to rollercoaster? The game sure feels like it at times and I love it

quick bonus: