#actually this would be a good

[flamingthespian]

[b4kuch1n]

same teacher, different lessons

transcript

[biggest-gaudiest-patronuses]

i understand the whole "stop applying modern labels to the hypothetical gender & sexual identities of historical figures" argument but you gotta admit. just as a thought experiment it might be PRETTY DAMN FUN to imagine "okay say this renowned 19th century novelist was trans as fuck. how would we have to reinterpret their vast vast written body of work?"

[muppetbyers]

this shot. this shot right here encapsulates their s4 dynamic perfectly

[ahbogman]

bestest friends

[sunnibits]

I still can’t believe Izzy was really out there with two hot as FUCK big strong daddies literally following at his heels and flanking him like guard dogs but instead he decided to spend all his time pining after Ed like ohhh booo hooooo when will I get fucked by a big strong grizzled pirate daddy 😭 bestie look behind you for like two seconds

[inkskinned]

i hate how commodity and capitalism has ruined so much storytelling . i hate how sequels and prequels and whatever else all ring like merch sales; i hate that i as an author have to include any social media following i have as a marketable trait; i hate that everything feels like a xerox of a copy of a dream of a memory.

i hate that my nostalgia has been turned into profit. i hate that companies fear consumer backlash so no real commentary may be made; i hate that companies care more about quantity over quality. i hate that so many artists and creators are being overworked to the point of complete collapse rather than being allowed to tell the story their way. i hate that every point of representation has to be fought for. i hate it i want us all to go back to living in a cave .

when you sit with friends over a bonfire and the night is getting long and people start telling this slow, almost hypnotic story - in this quiet voice, like they don't expect you to listen while they say the most fucked up shit you've ever heard - that is storytelling. who cares if the punchline is car hand hook door. storytelling has always been about community, about us all sitting in the dark, choosing to fill the silence while the last embers are dying. we forgot that storytelling is spellwork. hallucinating together, our breaths held, waiting for the ending we already knew was coming.

[m0th-gh0st]

i feel like there was a greatly missed oppurtunity to have sammy teach audrey how to walk through walls tbh

[chesspens]

I held him as the rain came and we laughed

[personishfive]

in which goro is recruited

[teaboot]

Happy birthday to the comic panel that convinced me to read Pride and Prejudice

[biggest-gaudiest-patronuses]

I simultaneously want to live a lifestyle where I can regularly afford to EXTRAVAGANTLY tip service workers, whilst also living in a world where topping culture is not normal or necessary because minimum wage laws do their damn jobs and actually allow all workers to comfortably support their selves & families without relying on the arbitrary "generosity" of entitled customers

[yujikuna]

anyway hinata lets his kids win when they play volleyball together but kageyama would block his 10 year old daughter with no mercy

[hellspawnmotel]

an honest conversation

[jattendschaton]

Adrien “I’m not jealous” Agreste saying “remember when you kissed me?” right in front of Marinette’s ex, the boy was all power moves this episode

[littlebigmouse]

I cannot get over how we've been theorizing for years what Belos' endgame could be, what his motivations are, plotting and thinking that maybe "he wants to go home", "maybe he just misses his brother", "something dramatic MUST have happened for him to be this way" and it turns out that no.

He's just racist. No, he just really likes killing people.

We kept waiting for the "cool motive, still murder" but it really is just murder. No thoughts, head empty.

And it works so well.

I don't know how to explain to my friends that "the bad guy is actually, really just that evil" is one of my favourite reveals of the show.