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thankskenpenders · 6 months ago

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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alpaca-clouds · 1 year ago

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Why the media CEOs will always learn the wrong lessons

Yesterday a friend and I talked about how the entire (AAA) game industrie looked at BG3 being as popular as it is and going: "Oh, we need to produce 100+ hour games, I guess! Those sell!" Which... obviously is not why it is popular. The game is not popular because it has 100+ hours of gameplay, but because it has engaging characters, that are well-acted and that work as good hooks for the players. Like, let's face it: The reason why I so far have sunken 160 hours into this game is, because I wanna spend time with these characters - and because I wanna give them their happy endings.

But the same has happened too, just a bit earlier this year, right? When Barbie broke the 1 billion and every Hollywood CEO went: "Oh, so the people want movies based on toy franchises! Got it!" To which the internet at large replied: "... How is that the lesson you learned from this?"

Well, let me explain to you, why this is the lesson they learn: It is because the CEOs and the boards of directors at large are not artists or even engaged with the medium they produce. They mostly are economists. And their dry little hearts do not understand stuff more complex than numbers and spread sheets.

That sounds evil, I know, but... It is sadly the truth. When they look at a successful movie/series/game/book/comic, they look at it as a product, not a piece of art or narrative. It is just a product that has very clear metrics.

To them Barbie is not a movie with interesting stylistic choices that stand out from the majority of high budget action blockbusters. It is a toy movie with mildly feminist themes.

Or Oppenheimer is not a movie to them with a strong visual language and good acting direction. No, it is a historical blockbuster.

And this is true for basically every form of media. I mean, books are actually a fairly good example. In my life I do remember the big book fads that happened. When Harry Potter was a success, there was at least a dozen other "magical school" book series being released. When Twilight was a big success there was suddenly an endless number of "teen girl falls in love with bad boy, who is [magical creature]" YA. When the Hunger Games was a success, there were hundreds of "YA dystopia" books. Meanwhile in adult reading, we had the big "next Game of Throne" fad.

Of course, the irony is, that within each of those fads there might have been one or two somewhat successful series - but never even one that came even close to whatever started the fad.

Or with movies, we have seen it, too. When Avengers broke the 1 billion (which up to this point only few movies did) the studios went: "Ooooooh, so we need shared universe film series" - and then all went to try and fail to create their own cinematic universe.

Because the people, who call the shots, are just immensely desinterested in the thing they are selling. They do not really care about the content. All they care about is having a supposedly easy avenue of selling it. Just as they do not care about the consumer. All they care about is that the consumer buys it. Why he buys it... Well, they do not care. They could not care less, in fact.

So, yeah, get ready for a 20 overproduced games with a bloated 100+ hours of empty gameplay, but without the engaging characters. And for like at least 15 more moves based on some toy franchise, that nobody actually cares about.

And then get ready for all the CEOs to do the surprised Pikachu face, when all of that ends up not financially successful.

Really, I read some interviews yesterday from some AAA-studio CEOs and their blatant shock and missing understanding on why BG3 works for so many people.

Because, yeah... capitalism does not appreciate art. Capitalism does not understand art. It only understands spread sheets.

#baldurs gate 3 #oppenheimer #barbie #barbie movie #hollywood #game industry #media #indie media #media criticism #anti capitalism #late stage capitalism

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augustinewrites · 8 months ago

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cw: pregnancy

“when you said we were sneaking out to go for a ride, i didn't think you meant that,” you sigh, breathless but content as you slump against your husband’s chest.

“deep breaths, darling,” diluc encourages, fingertips brushing down your spine. it makes him think of before, of juvenile fumbling and embarrassment. he’s much less chaste now. confident in his touches and his ability to please you. “why let the horses have all the fun?”

“you’ve been spending too much time with kaeya,” you grumble.

“i agree. it’s why i had to sneak away from his party with you.”

“your party,” you correct, letting him twine your fingers with yours. just like he had earlier, when he’d convinced you to sneak out of the surprise birthday party thrown in his honour. “the guests are likely looking for you.”

diluc’s used to being the center of attention. he doesn't necessarily enjoy it, but his day-to-day is filled with employees searching for his signature or potential clients seeking his participation on new ventures. as the king of the wine industry, he’s possibly the most in-demand person in mondstadt.

but their attention is nothing compared to yours. you’re his favourite person.

“you didn't even make it to the cake,” you add, shifting in his lap. “which means they'll be looking for us soon.”

he brings your hand to his lips, placing a soft kiss upon your knuckles and making your heart flutter. “i've already had dessert.”

your face warms considerably against his skin as he chuckles, releasing your hand in favour of slowly smoothing his palm down your side, resting on your hip. he’s more than content to abandon his birthday party entirely in favour of being here in bed, watching the sunset over the fields of your home and bathing you both in golden light.

“well, it’s your birthday party,” you say softly. “even if your actual birthday is two days away, i still want you to have everything you could possibly want. and if what you want is to sneak away from your party to bed me so thoroughly, who am i to argue?”

his heart starts to thump so loudly in his chest that he fears you can hear it. he does want something else, an answer to a question that’s been stifled by shyness, fear, and uncertainty.

“and if i wanted…something else?”

your fingers trace idle patterns across his arm as you hum. “i’d do my best to give it to you.”

he knows you would. which is why he’s been waiting, making sure you want this just as much as he does.

“kaeya said something to me earlier,” he starts.

“please tell me this doesn't end with you hitting him.”

“of course not.” well, not this time. “he asked when i would make him an uncle.”

your movements pause, and diluc wonders if he'd messed up, if it was too soon–

you sit up immediately, grasping his shoulders. “he told you i was pregnant, didn't he? i knew adelaide wouldn't be able to keep it a secret. she’s been knitting baby socks since last week.”

wait.

“you’re–”

“i wanted it to be a surprise,” you deflate, a frown tugging on your pretty lips. “on your real birthday. adelinde was the only one i told, only because she’d caught me throwing up in the rose bush she’d just pruned and insisted i get checked…”

diluc’s hardly hearing you, your rambling slowing to a stop as he holds your face in his hands.

he needs to hear you say it.

“we’re having a baby?”

you place your hands atop his, nodding. “we’re having a baby, diluc.”

he presses his lips against yours, one firm kiss before he rests his forehead against yours. you are and will always be his favourite person, the only one who could give him a gift as special as this.

_____

BONUS:

“lavender bisque. whispering peach. sweet potato surprise…” adelinde murmurs, hunched over a few sheets of paper.

“what is that? is that the menu for tomorrow’s party?” kaeya asks, peeking over her shoulder.

adelinde sighs, shaking her head. “they're sample colours i had sent over for the nursery.”

“nursery?”

“yes–” the colour drains from the poor woman’s face as she realizes her slip. “oh dear!”

the realization takes a few moments to sink into the cavalry captain’s “my brother had sex?!”

for @mydiluc aka mrs diluc ragnvindr for listening to my endless rambles...and also diluc bday fic!!!

#diluc x reader #genshin x reader #genshin fluff #diluc x you #genshin x you #f!reader

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thefirstknife · 1 year ago

Note

Is the Witness cutscene viewable to people who did not pay for access to the season (or will it be post-year)? Like people who only bought the expansion and not the season pass? I know they shove important story and lore info behind timegated paywalls constantly (reason I hate the season model), but that seems like a really especially vital scene I would hope would be viewable in-game by everyone

Right now, it's only a part of the season. Obviously it's available for free online on their official and non-official channels, but in-game it's only for those that have Season of the Deep, for now, since it's a part of this season.

As for the future, honestly no clue. I will assume yes because of one simple fact: you will no longer be able to buy the past seasons when Lightfall year ends. That would mean that only people who bought the season during this year would continue to have access to the cutscene going forward, but no new players would have the same access, which kinda defeats the purpose of having it accessible in the game later.

So I can assume that they might be working on some universally accessible cutscene viewer that will allow all players to see cutscenes from content no longer in the game, regardless of whether they've previously purchased it or not. That's the best scenario because it would mean we'd get all other cutscenes in the game too. The middle scenario is that only the Witness cutscene will be viewable somewhere as part of another mission or some quest, also without having to have purchased Season of the Deep (since you won't be able to once TFS starts: technically you'll be able to purchase Lightfall so maybe it will require you to at least have purchased that, but the season itself will no longer exist).

We'll have to wait for more info on that. As of now, I would assume that once this year is done and the season is no longer purchasable, the cutscene will be a part of content that is available to everyone. While it's still purchasable, it's only in-game for those that bought it, but can be viewed with no problem on their official channel (and elsewhere).

#destiny 2 #ask #season of the deep #i completely understand the frustration of it if you decided to skip this season #i still think that this isn't too big of a deal and would 100% still advise people to skip any content when they're not into it #all of the content will be online #obviously it feels better to play it yourself but at this point we go into a more complex issue of seasons and vaulting #you'd have to pay for this content either way. delivering this whole story in an expansion would've made the expansion too long #which means it would've probably had to have split into even more pieces. putting it into a season relevant to this year makes sense #there's also the longstanding complaint about how seasons used to not really be relevant to the plot that much #especially not relevant to the expansion. people were fairly mad about that. it was a frequent point of critique in the past #but now that they are relevant people are mad again. it's an unwinnable scenario #i don't think anyone will ever be satisfied until destiny is a singleplayer rpg with a book series and an audiodrama #but hey. even then people would have to buy all that stuff. so i really don't know what the solution here is outside of just...#... 'put everything in the same spot and release it all at once for a smaller price'. balancing that is nearly impossible #as it stands destiny is still the live service game with the lowest monthly cost. even with all of the outrage.#the effective monthly sub for an annual pass of the expansion is less than you pay netflix.#that being said. never spend more than you can or more than you need to. seeing content online will always be better than feeling ...#... like you're wasting money. or worse. actually wasting money. nothing in the story really changes if you see it on youtube #i'm a big proponent of not spending money if you're 100% sure you are into something. even if it means missing out #it's an incredibly complex situation that people boil down to somethinig simple and it's just not the case

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hannieehaee · 6 months ago

Text

BAD HABIT (teaser)

18+ / mdi

summary: hiding his secret crush on you was already hard enough for jungkook, and after getting bit by a spider, he'd now have the grueling task of hiding his brand-new superhero identity from you.

content: spiderman!jungkook, f2l!jungkook, based on mcu's spiderman and is supposed to take place during/after civil war but with an aged up spiderman, college-aged Jungkook and reader, picture tattoo-less 2019 jungkook, pining, slow burn-ish, afab reader, smut, dry humping, fingering, penetrative sex, etc.

(^ no actual content warnings in the teaser)

wc: 878 (teaser); 9.4k (full fic)

RELEASE DATE: august 6th

or you can check it out on my ko-fi or patreon today by subscribing to either one!

a/n: writing a spideykook fic is a right of passage for every jk fanfic writer

masterlist | kofi/patreon

support me through a one time tip<3

"Oh my God, did you see what he did last night?", you excitedly shoved your phone in Jungkook's direction, showing him yet another news article detailing Spiderman's newest act of bravery.

"What, did he stop another bank robbery?", Jungkook showed disinterest in your interruption, continuing to pay attention to what was playing on the TV.

"Okay, booo! Why are you so lame about him? He's so cool," you complained, setting your back against the couch again with a frown.

"I dunno," he shrugged, "Just don't see what the big deal is about him. There's cooler superheroes out there."

With the light from the TV shinning on the two of you, you allowed the content from the movie to consume you for a bit before arguing back. You always argued back when it came to Spiderman. This was practically routine to Jungkook by now.

"Like Iron Man? Sure, Tony Stark's cool, but think about it — Spiderman's probably just a regular person like you and me. Can you imagine doing all he does while keeping it all undercover?", you rambled on, "Also his body's crazy," you added as an afterthought, almost whispering it to yourself.

Jungkook couldn't help but chuckle at this, inadvertently looking down at his own abdomen before responding, "How do you know he's got a nice body under that suit?"

"You can literally see his abs through the suit! Duh!", you tutted at him as if he were an idiot to question you.

"Ah, right. My bad," he chuckled, "Okay, whatever. Just pay attention to the movie. You can ramble about him all you want after we finish, okay?," he held up his pinky towards you in a childish fashion, grinning when you giggled at him and intertwined your pinky with him, grumbling a 'fine' in mock annoyance.

Now with you both putting your focus on the movie, — Jungkook's all-time favorite, Back to the Future — Jungkook had the opportunity to lose himself to his own head, thinking about your recent obsession with Spiderman — New York's newest hero.

After Spiderman's recent appearance at an encounter with the Avengers in Germany, followed by a more prominent presence in the streets of New York with a revamped suit, you had instantly formed an intense interest in the masked man. Prior to that, the hero was mostly a man hidden in the shadows — a myth to all those in Queens. Almost immediately upon his return to New York he became a sensation across the world, but specially around the area in which he'd serve the people and fight all evil around.

Among all those fans stood you, maybe the biggest of them all.

It didn't take you long to develop a liking to the masked man upon his sudden resurgence. Jungkook had known you to get overly invested in your interests (there had been a few instances throughout your friendship where you'd demonstrated as such), but he never thought you'd be the type to develop such a blatant crush on someone you virtually knew nothing about. Past the fact that he was the youngest addition to the Avengers, there was not much information about Spiderman out to the general public, yet you were quite loud about your crush on him to everyone you knew — especially to Jungkook, who just so happened to be your best friend.

Unfortunately to Jungkook, you were entirely unaware that the man you were actually crushing on was your best friend in disguise.

And even more unfortunate to him, you were even more unaware of Jungkook's own crush on you.

Did this count? Were you technically crushing on Jungkook?

He chose to go for the most pesimistic answer and assume that your interest in Spiderman would immediately die upon finding out his real identity. Throughout your many years of knowing each other — all through the ups and downs of middle school and high school all the way to university — you'd never once shown anything but platonic interest in him.

To be fair, Jungkook also never gave you any clear indication of his feelings for you. He liked to think that he was discrete about it; that you had no idea of the embarrassing crush he'd been cultivating since freshman year of high school. Fortunately, you appeared to be far too oblivious to it, leaving Jungkook to hold not one but two life-altering secrets, never once considering letting you in on either of them.

For now, all Jungkook could do was make up lame excuses for his sudden absences and to grumble any time Spiderman's name was brought up. Part of him held disdain for Spiderman due to having to keep him a secret from you, but most of his dislike was born out of jealousy over your interest in him. What did he have that Jungkook didn't? Nothing! But he could never tell you that, leading him to a never-ending dilema that he could entrust in no one.

The movie left his mind for the next of the night, much more so when you seemed to become disinterested again, cuddling against him as you prepared to let yourself fall asleep. This was common in your relationship, though it was always strictly platonic. It always left Jungkook wanting more, but still content at having you by his side.

...

you can check it out today on my ko-fi or patreon by subscribing to either one!

#jungkook imagine #jungkook scenarios #junhui fanfic #jungkook smut #jungkook fanfic #jungkook x reader #bts imagines #bts scenario #bts fanfic #bts scenarios #bts x reader #bts smut #bookmarks

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logosbot-tm · 1 month ago

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New information has been released.

The information below is old, and I'd suggest checking out the link above first.

^Regarding whatever is going on w Iskall.

Let's all just back down, stop speculating, and don't ask questions to the Hermits. We might get to know more in the future, or we might not. They don't owe us any more information in reality.

Doc has said that he can't talk about it, and based on Mumbo's tweet and the og tweet, I'd assume that the Hermits can't currently speak about the situation.

So don't ask them anything. Have patience instead.

Here's a list of what we do know:

No minors involved

There were complaints about Iskall

Iskall resigned

Out of respect for the privacy of the people involved, they're not going to say more

Don't speculate. It just makes all the information that we do have less clear.

Also, don't go, "I was never a fan of Iskall either way."

People are allowed to be upset. You're not better or more morally good because you never enjoyed his content.

Also, reminder: We don't know the Hermits personally. We don't really know their views on things. We don't know them. YouTube is their job.

Saying that you "always got a weird vibe" is honestly a p weird thing to do. That's based on nothing, and we still don't actually know what happened.

So, stop speculating. Try to keep track of what the actual information is.

If this whole thing upsets you, try to find other things to do in the meantime.

#i am so tired rn i am constantly on the verge of falling asleep so i cant really formulate sentences the way id like to #but heres my two cents anyway #god English is a struggle rn #im also not going to add my opinion to this #bc it doesnt add anything and it doesnt matter #either way #hermitcraft #mumbo jumbo #docm77 #iskall85 #hermitblr #stressmonster101

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foolisheval · 1 month ago

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DRABBLE - men who overstimulate

MDNI! sexual content ahead!

✻ 𝐒𝐘𝐍𝐎𝐏𝐒𝐈𝐒. men who like to overstimulate— whether that be by accident or intentional (Scaramouche, Xiao, Tartaglia)

✻ 𝐓𝐀𝐆𝐒. overstimulation, bratty! afab! Reader, creampie, praising, implied unbalanced power dynamics (Scaramouche), choking (Scaramouche), degradation (Scaramouche) Switch! Xiao and Fatui! Scaramouche (he drives me crazy)

didnt proofread and slightly slacked off with Ajax’s part. Mb gang

BALLADEER

The Balladeer? He's reckless when he's fucking you. He's all raw energy and unbridled passion, like a storm of thunder you can't control but can only surrender to. When the Balladeer's hands are on you, it's electric. Every touch sends shockwaves through you (quite literally) and every kiss feels hungry. As if he's trying to devour you whole.

Scaramouche will fuck you for hours if you ever dare to mouth off so don’t even think he’ll look past disorderly behavior. You’re his cute little subordinate after all. If his hands aren't firmly gripping your waist, then one of them is surely between your legs, his fingers working their magic with the kind of precision that only he seems to possess. Two fingers press into you, curling upward with perfect intent when they find that sensitive, gummy spot inside of you— the one that makes your knees tremble and threatens to steal the strength from your legs. Scaramouche’s other hand is no less active, the broad expanse of his palm pressing teasingly against your lower stomach. It's not just to make you feel more; it's to ensure you're at his mercy, unable to shift or chase after the rhythm he sets. He gives you only what he decides you’re allowed to have. And today, despite his day being ruined by your relentless teasing, he’s feeling unusually generous… perhaps even a bit too generous with the way he’s been overstimulating you.

You've always loved Scaramouche’s hands. You love the way they feel, the way they claim every part of you they touch, and especially the way his palm grinds against your clit when he slips a third finger inside. It's a delicious stretch, one that pulls wanton moans from your lips before you can even think to stifle them. It’s all too much. All too fast and too rough! But, god, you can’t get enough.

When frustration has been building up in him for far too long— he lets it show in the roughness of his words and touch.

That's when you feel his hand slide up to your neck, wrapping around your throat with a firm yet deliberate grip. “Fucking slut, huh? Yeah? You asked for this.”

XIAO

Xiao, who finally has enough of your teasing, your denial of the orgasm he was chasing and your constant mouthing off. He is so frustrated and annoyed that he flips the both of you over just so he can fuck you at the pace he's been aching for this entire night.

It takes you by surprise because the change is so sharp, as if a flip has switched. One second you're lazily riding the man, holding him down and bathing in his moans and whines for more. Denying him as often as your heart desires because you thought he'd let you.

And now you're beneath him, desperately gripping the sheets to try and find purchase as he fucks so hard and so fast that you're about to pass out. You've never been so full of him and still so hungry for more at the same time now that he's hitting spots inside of you that you didn't know existed in the first place.

Xiao holds you by your lifted hips, fucking himself into you like it would make up for the amounts of ruined orgasms you've brought him. And he does it so easily, handling you around like a doll made for his desires. "You’re impossible to handle,” He groans, the drag and pull of his fat cock rendering you speechless.

He knows you deserve the meanest of treatments. It would be just fair to almost drive you over the edge just to ruin every ounce of release once you're actually about to finish. Maybe he should've fucked your throat instead so he wouldn't have to deal with your attitude. Even now, all you do is complain and whine between broken moans and gasps for more. But, god, you feel too good, too warm and way too tight. The face you're making is motivation enough to keep on fucking you even after you've come.

Xiao rubs your clit, gifts you another orgasm, but he never slows his pace. And although Xiao fucks like he owns you, even he is moaning like a bitch when he empties his balls into you.

TARTAGLIA

There's nothing Ajax likes better than seeing your stupid colorful socks dangling over his shoulders as he fucks his fat cock into your gushing pussy. Your nails dig into his biceps, whining for him, telling him that it's too much but not pushing him away as he pounds you harder.

"A-Ajax!" Your eyes roll back whenever he hits that special spot inside of you, but Ajax isn't stopping until he's sure your pussy is filled to the brim. You're so close to drooling all over your chin, moaning his name over and over just to spur him on a little.

Ajax isn't exactly known to be a patient man, but he'll make an exception for you. Fucking you senseless is an art he's more than willing to practice over and over again until he's mastered it. It doesn't matter whether his balls are coated in your slick, or you babble incoherent sentences about how big he is, about how full you feel.

He knows he did a great job fucking you when he finally empties his balls into you and you gush around him like you've never before.

"you look-- s-shit! look so pretty like this. Pussy feels so fuckin' good, so fuckin' wet. Am I making you feel good, baby? C’mon, talk to me."

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scribeofmorpheus · 2 months ago

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Dragon Age Veilguard: Love, Wisdom and Pride

A very long Dragon Age post!

Warnings for: Veilguard Spoilers, Solavellan spoilers.

Okay, so I will preface this by saying that this ‘analysis’ primarily focuses on Solas’ arc; both romanced and unromanced. It isn’t intended to be a romanticised analysis, though it is very much enamoured with how a romanced Solas and his relationship with Lavellan foils (and informs my reading/reception of) that of Solas and Mythal’s relationship in Veilguard. There is a relationship I will address that I feel does parallel Solas and Mythal! Scroll down to “Reading Between the Lines” if you wanna skip my little intro below. Spoilers follow.

Truth be told, I wasn’t ever expecting much in terms of actually getting a sequel to Inquisition. The game dev market went through a tumultuous reshuffle before the remake madness breathed life back into many studios. Bioware game sequels (Mass Effect Andromeda) were underwhelming and not as fleshed out since the EA acquisition. I absolutely believe Bioware would have been shunted had Mass Effect Legendary Edition not been so successful. EA’s reputation was always lacklustre and underhanded, but laying off or losing several head writers attached to Bioware with almost two decades of work under their belts was the biggest red flag. Trevor Morris not being asked to return in exchange for a ‘bigger name’ was also a grave warning that returning to the atmosphere, ambience and world of Thedas that we knew was getting further and further away from a plausible reality. And on top of that, there’s the fact Solas was never intended as a romance interest during early development of Inquisition.

Solavellan seemed doomed!

Despite this, I still held out hope for a sequel, but I feared we’d always be in permanent Solavellan/developmental hell. Heck, I’m still waiting for a Beyond Good and Evil sequel—the game released in 2003! So, actually witnessing people play Veilguard, seeing reactions to it, seeing memes and gifs and essay pieces (like this one), it’s like my community has awoken again, and I never thought I’d see the day. Yet I am not blind to the fact we were robbed of so much potential. I knew thing’s wouldn’t live up to re-emerging expectations when Dragon Age: Dreadwolf was rebranded to Veilguard—the shift seemed to imply less of a primary focus on Solas (and apparently, according to the artbook, the early concept art proves this implication correct).

Things seemed even more dire when the devs revealed there was no tapestry mechanic. I had only one hope: that with the Inquisitor’s confirmed return, we’d get at least some form of catharsis for our Inquisitors (Lavellans and otherwise), if we couldn’t get the conclusions to so many storylines present in each of our worldstates. My main fear was that they’d go the clichéd Ultimate Sacrifice route (which happens anyway, but in a way that makes thematic sense given the stakes and heavily blighted worldstate).

Suffice it to say, there was a lot of evidence that Veilguard would disappoint me in the end. But it hasn’t. It hasn’t lived up to the many expectations and marks of excellence that the Dragon Age world built itself into with the first three entries, that’s for sure, but I am also just so deprived of conclusions, of endings (whether it be because TV doesn’t exist in a sustainable format anymore or that comicbook movies are made with a sequel in mind, never letting anything just “Exit Stage Left” gracefully; or the fact we live in a regurgitating content cycle with late-stage-capitalism where anything remotely profitable gets turned into a caricature of itself: Squid Game, Star Wars, etc.). The cycle is so exhaustive that I am actually at a point where I can say I am content with the ending we were given (on a Solas/Solavellan front), Veilguard gave me relief, and beautiful, achy pain to boot. Though I would absolutely be disappointed by both the "non-romanced Solas" endings, given that Solas winds up either "dying alone, forever" or turns to Tyranny.

Now onto the actual review of that Solavellan ending, Mythal and themes of Love!

Note: I have only gotten the ‘best’ ending in my first playthrough, but I also thought the consequences of not maxing factions would be more… dire? Another note, pls, if your romanced Inky swore to stop Solas, how does that ending differ, if at all? Let me know, I’m dying here!

Sidenote: I’m working on writing another review about my views on the ‘sanitised’ worldstate, the new companions (and why I think Varric was the wrong choice to have as an advisor in the game, given that the Inquisitor or Morrigan would have been more impactful; and not to mention that Cole or Briala should have been companions), removal of the tapestry and what it means for the future of stories in Thedas (The Story We Lost is such a poignant compilation of the sheer volumes of lost lore and depth that I honestly think I won’t go as in-depth on that review as this one), and why I think Veilguard is my final entry into Dragon Age.

Reading Between the Lines: What Pride Hath Wrought

One thing is for sure, Trick Weekes flourishes when writing within the ambiguities and complexities of meaning. This makes every word uttered by Solas so great to dissect, he's a god of lies not because he 'lies' but because he's so careful with how he phrases things, what he holds back, and what he reveals.

For instance, the famous Trespasser exchange where Solas mocks his own follies with sarcasm by saying:

“What is the old Dalish curse? May the Dread Wolf Take you.”

Then a softer, more saddened and beaten-down Lavellan replies:

“And so he did.”

This irks him. Because he then realises in that moment that he absolutely did take advantage, but for some reason he frames it around sex rather than power because that’s easier to address than the latter. And he rejects the notion, even though he brought up the expression he knows to mean nothing close to a sexual inuendo for being ‘taken’, and yet he has the gall to try and derail the conversation by pivoting and saying:

“I would not lay with you under false pretences.”

When I first had this dialogue exchange, I was baffled, because did this mean that there was another meaning to ‘Dread Wolf take you’ that Dalish clans lost through the years, or was it more of a self-deprecating joke Solas had with himself because he, the Dread Wolf, romanced (took) a Dalish Inquisitor (away from her people’s beliefs, histories, past), and he found irony in the saying?

On the surface, “wouldn’t lay with you under false pretences” could simply mean “we didn’t sleep together” or “we did sleep together, but I wasn’t taking advantage as the Dread Wolf, I was simply Solas in your presence”. But I have recently thought of a more… ambiguous reading. Lay could have been used in a milder, more vulnerable way; to mean to be at peace, to be completely vulnerable, as if to sleep. In that sense, the phrasing becomes: “I could not be at peace with you because I was living a half-truth”.

I absolutely think the moment he feels he is truly beyond hope is when we see his expression of abject horror as Lavellan shouts: “I would have had you trust me!”. He realises then that he did fuck up, he did take the choice away from her because he thought he knew better, him and his pride led to a decision that hurt someone close to him, and he could finally see how wrong he was, how alike the entire situation became to Mythal’s treatment of him. Especially if Lavellan asks to go with him. Because he can see that despite the hurt, the lies and the betrayal on his part, Lavellan still wishing to join him draws too close to his first regret: following Mythal.

Whether he likes it or not, Solas’ love which could burn like a bonfire was directed at a powerful woman—a Herald, an Inquisitor—and inspite of her greatness of character, it still shaped her into someone willing to follow him on his dinanshiral out of love, much like he left the Fade and took physical form for Mythal. So now whenever I hear Lavellan shout “Var lath vir suledin”, Solas replying with “I wish it could, Vhenan,” changes drastically with the Mythal reveal, knowing he always walks away from the Inquisitor in Trespasser.

“I wish it could, Vhenan” sounds heavily like: “You would regret me, as I regret Mythal, and I cannot bear for that to happen us.” More poetically, it could read as: “I wish our love could overcome a duty that has lasted an incomprehensible amount of time, I wish I could change my nature, but then I’d be twisted into a demon, like the spirit of Wisdom in the Dales; and yet again, I would become your regret.” These two readings are very, very romantic. Realistically, given what we know of his kinship with Felassan, and how they were comrades and friends for centuries (“A story unfinished. His back turned!”), and given what we know of the complexity of Mythal’s will that presides over the creation of his very being, and yet he was still able to muster the strength to kill a fragment of her to fulfil his mission, “I wish it could” was most probably a lament: “Do not ask me to hurt one of the two women I’ve loved on this journey, because if it ever came to it…” he would.

Knowing what I know of Solas, of how he was able to convince himself that Varric’s death (avoidable as it was) was just another necessary step, that it was just another sacrifice, another loss that would be worth something only if he completed his ritual, I have no doubt that Solas would also be able to rationalise hurting Lavellan (which is why in his mind, turning away from her, breaking her heart, leaving with no explanation and aiding her in Trespasser so she could live whatever few years remained in “relative peace” is actually an act of preserving that love). I partially think the reason he reveals the truth in Trespasser (especially for a romanced Lavellan) is in the hopes his ‘truths’ will push her away. But on a deeper note, I think he also thinks of it as some twisted form of repaying her for loving him to the point that he could have almost forgotten what it was to be the Dread Wolf, to just be with her as Solas, that night at Crestwood. Maybe his harsh truths would push her to the point where she’d give up her love for Solas, now that she knew he was the Dread Wolf, freeing her from the shackles of their love. He’s very self-flagellating, all about self-sacrifice for the ultimate goal, the ends always justify the means, he will endure any pain and punishment as long as Arlathan returns in the end.

What is his love of a mortal compared to the despair and loss of an entire empire? Solas views himself as selfish for falling for her, and that nearly broke him, if he was selfish enough to leave the dream of Arlathan behind for her, what would that do to his spirit then?

In his way of thinking, perhaps telling the Inquisitor the truth is a way out, a rationale they can use to justify stopping him or to make it easier to hate him as the Dread Wolf rather than love him as Solas (someone he hasn’t been in so long).

‘Masking’ as the Dread Wolf

During Trespasser, the Inquisitor has every right to despise Solas after all they’ve learned, and I think he half reveals the truth as a tactic so the Inquisitor can have an excuse to hate him, to be driven to anger and have less pull over his choices, once they learn the truth. Solas is particularly skilled at making other’s play the role that makes his own choices seem inevitable, he orchestrates a lot of events to play out in a manner where it's easier for him to talk himself into bringing down the veil.

He goads Elgar’nan to anger easily. He inspires the spirits to fight for him to the death as a necessary distraction during the war. He absolutely allows the Inquisitor to speak to him one last time so he can offer insight, yes, but also so he can easily frame his actions as just and inevitable. But, Oh boy does he get in for a shock if the Inquisitor shows empathy towards him, it scares him because he’s become accustomed to being seen only as the Dread Wolf. To be understood? That gives way to remorse. And remorse gives way to doubt. And he cannot doubt his purpose, twisted as it is, it is all he has left of his former self. Without it he would most likely change into something different. Someone he doesn’t recognise.

This fear intensifies more so if a romanced Lavellan asks to go with him, and in that case, he takes command and distances himself away (rejecting the help of someone close to him; the chance for a possible betrayal; the chance at another Felassan or Mythal [x]; the chance to twist Lavellan outside of her purpose, in this case, the purpose would be love/empathy) but not without showing remorse at having sacrificed yet another relationship for his crusade.

“Ir abelas.”

Sorrow for what cannot be is at the heart of why the Solavellan romance is so powerful, especially because even though both Solas and Lavellan love each other passionately, love alone cannot be enough when faced with regrets. Love would ultimately be stifled. Corrupted into something else over time. And so, for Solas, having loved and lost tragically is better than having loved and corrupted.

He will not do to Lavellan what was done to him, even if it is her choice, because she knows so little, her naivete cannot close the distance of a millenia’s old sea, and it would hurt him immensely to take advantage of her kind heart [x].

By leaving, he keeps her heart pure. And the yearning! Knowing the love is there, but on its own it cannot be invulnerable to corruption, so it is better to lose it than twist it. Ugh! Him leaving Lavellan is the ultimate show of love! IT IS A WISE DECISION. A rare glimpse into pure wisdom. Which is why he kneels beside Lavellan in Trespasser, he does not “Stand Tall” in the face of Wisdom’s heart. He kneels beside her. And when he stands tall again, he is Solas once more, filled with regret, and once through the eluvian, he returns to masking as the Dread Wolf.

Sidenote: It’s especially confounding that Veilguard allows Rook to push the Inquisitor to save or stop him after you’ve reached act 2 despite your world state choice (I think this was done in case they feared the Inquisitor wouldn’t stand by Solas after everything he was revealed to be responsible for in Veilguard, however it doesn’t work because the Inquisitor wasn’t an advisor, Rook never told them what they learned from the wolf statues, so having a stranger hold the ability to make Lavellan keep her promise or not rings hollow). Personally, I wish the Inquisitor’s presence had more weight in the non-Solavellan endings, too. I wish the Inquisitor could end up being the last friend/former love that Solas destroys (if you don’t collect the wolf statues) which then prompts Rook to fight him because Solas’ last tie to empathy failed to redeem him, that the Inquisitor falling is the last straw and Solas snaps, choosing to be a villain in the hopes of being stopped because he can’t stop himself, and not the ‘I am a God’ ending they gave us. Same for if your Inquisitor vows to stop him. I also wish the Inquisitor was the one to do the wolf statue missions. Would have been a nice secondary protagonist mission like the switching perspectives between Kratos and Atreus in GOW: Ragnarök (the old guard and the new; Inquisitor and Rook). I would have loved if they dedicated more dialogue to Inquisition days too, which is why I think Cole should have been a companion (if he wasn’t recruited, he could simply be a compassion spirit that ‘follows’ the greatest pain in the Fade that yearns to be healed, giving a compassionate viewpoint to Solas’ folly; recruited Spirit Cole could have a greater connection to Solas than even Varric, seeing as Cole was most likely a literal representation of Solas rewriting his own history by preventing a spirit from becoming too ‘real’; Human Cole would have a deeper connection to the world of Thedas, and could have been a great tool to prove how change was inevitable, not always a bad thing, and inevitably out of even Solas’ control. But alas, we live with what we are given! Even Imshael could have served in this role! Spirit/Demon of choice and it wasn’t incorporated into the game that supposedly asks you to make the greatest world-changing choice ever; redeem the Dread Wolf or end the age of the Evanuris entirely?!

Now onto the next segment: I want to talk about Solas’ regrets and how I read the ‘love story’ between Solas and Mythal, and why Lavellan (and what she represented) wasn’t enough to get through to him (and that’s a very believable thing, that’s what makes their love both tragic and epic!).

The High Price of Redemption

A romanced Lavellan has the most agency to see through his guises, if she resolves to save him, but even she cannot undo the shackles that still bind him to Mythal—the binds that twisted Wisdom so far from its purpose it became Pride, even when he burned (Mythal) from his face. (Likewise, A close friend Inquisitor who promises to save him is most likely a parallel to Felassan, again, they cannot undo the shackles of regret either.) I fully believe the vallaslin had a deeper magic than simply marking one as being committed/devoted to an Evanuris, I think it linked them magically, and since Solas was the first to burn the vallaslin away, he probably wasn’t as good at severing the link on himself as he was for other elvhen, so maybe a part of Mythal’s will still lingers in him, twisting him to Pride still.

In Veilguard’s final confrontation, I love the intention of showing how Lavellan approaches Solas slowly, as she doesn’t know who she’ll be faced with up those steps, Dread Wolf or Solas. But when she speaks to him, trying to get him to change his mind yet again, forgiving him for his wrongs, we are reassured that Wisdom hasn’t been completely consumed by Pride despite everything we’ve witnessed in the game because he bows his head at her in reverence as he apologises.

He shows humility towards her. He elevates her and her enduring love as worthy of his respect, but he does not consider himself worthy of hers. Thus, Lavellan pries open the door to acceptance but his heart is still not enough. Which is why love alone cannot turn the tide. He’s too broken to accept it. He doesn’t think he deserves it, so the only way out is through; to continue the ritual, to prove he was right. The shackles persist. Varric’s death weighs on his conscience now more than ever. Possibly members of Rook’s team too if they died on his crusade. But he is vulnerable enough for Morrigan to approach, and now Rook can use Mythal’s essence to make the final push. The only way he could be with Lavellan, the only way he could atone for the past and shed the weight of his armour (his crushing duty to the Elvhenan) is as Wisdom, fully restored, unbound by mistakes.

“Ar lasa mala revas.” He could only find absolution once Mythal (the angered and more brash essence of Mythal, the one unchanged by Flemeth and all the human women’s lives she’s been shaped by, but the closest iteration to that of Mythal in Arlathan, the version that he perceives as having every right to be angry at him for turning his back on her, for not going that last final stretch with her and subsequently, not being by her side when she died) severed the final connection: facing his regrets, showing humility and apologizing, while not taking away the blame but sharing it.

What is Benevolence without Wisdom if not Hubris?

We know Elgar’nan was twisted to Tyranny during the war, and I saw a post somewhere where someone wondered what led to his corruption, and what he was before (leadership/command). Likewise, Mythal was not above corruption.

So far, I’ve seen a lot of takes on Solas’ ties to Mythal, the power dynamic of being a student/disciple enamoured (could be romantic) with the benevolence of Mythal, but not how Mythal’s purpose was possibly also twisted towards hubris the moment she asked Wisdom to turn physical and build weapons from its knowledge, twisting it to Pride. Without Elgar’nan’s tyranny to rally against after the war with the Titans, Mythal would most likely turn a similar route, seeing her ruling as “necessary” for the people: “If not me then who?”. And that is a very short stop and quick drop to “I am your all-powerful ruler, I liberated you, and only I can guide the way”. Benevolence twisted by hubris can easily turn to Tyranny too, only one more subtle, a kind of cultish indoctrination compared to violent subjugation. If Solas had not turned his back on Mythal when she chose to be Evanuris (a god over her people) then they most likely would have made the worst (best) pair in the Evanuris. Pride is the Seventh Deadliest Sin. But imagine Pride next to Godhood?! That is frightening. So, when Solas burns the vallaslin, walks away and works against the Evanuris, I believe that he also inadvertently stops Mythal from becoming a corrupted version of herself. The sorrow at having lost her closest confidant and “love” grounds her, keeps her saintly in Solas’ mind, and in some ways, perhaps saves the Elvhen empire from a worse fate than him erecting the veil to begin with. But neither of them ever consider this. And I think that sort of self-blindness perfectly encapsulates how flawed both Mythal and Solas are. Now onto love.

Solas and Mythal – a Love too complex to simply classify as mortal ‘Love’.

There’s no doubt Mythal and Solas shared a deep bond, one that definitely had love in it, when we hear Mythal calling him ‘love’, without the possessive ‘my’ in front of it, it’s easy to misconstrue what type of love they share. A small nitpick, but like a thorn, it applies sometimes just enough pressure to change a perspective. Not calling Solas “My love” but instead choosing to simply use “love” works within those wonderful ambiguities/complexities that Weekes thrives in.

If one started out as a spirit, it’s safe to say concepts like familial bonds, romantic bonds, and blood ties mean little to nothing. There is no one type of love and there is every kind of love all at once. It is only once physical bodies are introduced, that physical touch, the ability to stab someone in the back, to kiss out of affection, to hug out of empathy, to strike out of anger, that love now becomes this twisted thing too. There are no spirits of love because spirits always possessed love, but there are demons of Desire (Gluttony) and of Rage (love denied).

I believe, from GDL’s acting skills, his soft whisper, his almost submissive smallness in the breadth of Mythal’s already soft voice, that Solas was in love with Mythal, devoted as a student, beguiled by her benevolence, content even in her shadow, and possibly star-struck. He was in love with someone who doesn’t have the possibility to love him back the same, it is not in her nature to love those beneath her in the same intensity that those who look up to her do. It’s like a priest being in love with God. The priest can devote themselves, sacrifice everything, but a God will always love their flock equally, but they can still play favourites.

Benevolence cannot be enamoured with Wisdom because to be truly benevolent they must possess Wisdom but there is also Pride to be had in walking beside benevolence, but they can never be on equal footing. Likewise, Solas’ love is not reciprocated entirely by Mythal, but she does love him back in her own way. While Mythal is definetly Solas’ first love, layered and complex, it is also strangled by regrets and twisted by uneven scales of power. It would never be a nurturing love, only a consuming kind.

When he speaks of Mythal during the Solavellan ending, he calls her his “oldest friend”, much like what Mythal says, (paraphrasing) “would you have me be angry at my oldest companion whose experienced so much with me”. Because friendship is perhaps the easiest way to describe their companionship. They went through many iterations, one certainly holding romantic tensions (specifically from younger Solas), but ultimately, with that much time shared, kinship/friendship becomes the easiest to surmise. You can love your friends, fall in love with them, fall out of love with them, only to love them again, be disappointed in them, etc.

Media today is flushed with romance as a linchpin for driving a hero to make dire choices, and that has warped our perception of how a platonic/non-romance-based relationship can be all-consuming, and sometimes more impassioned than strict romance. But, to make it easier for people to understand Solas’ motivations, it's easier to see their love in the light Taash sees it (an unreliable, somewhat “still juvenile” narrator, in that they are still growing into themselves and their culture and the world): “They were doing it”.

However, Bellara, a companion whose entire companion story is linked to her strong, deeply character-driving relationship with her brother (platonic love) refutes that reading by saying (paraphrasing here): “We don’t know if their ‘love’ is the same type of love we tend to think of in a masculine and feminine relationship.”

Felassan’s letter after the Mythal Dragon fight alludes to Solas having been in love with Mythal, but nothing about how she felt. This is why I consider the Solas/Mythal relationship to be more of a one-sided romantic love, but a requited ‘love’ relationship for them both.

A parallel I find so compelling: Solas and Mythal vs Briala and Celene. Solas and Briala both hold deep emotions for people in great power with the ability to end a tyrannical cycle of subjugation, enslavement and classism, yet for both of these ruler’s charisma and well-meaning intent, they often are swayed to side with tyranny. For Mythal, that was Elgarnan, the Evanuris who made all the other’s worse tyrants; as well as her own hubris for believing her presence alone could dampen the ravenous hunger for power that the rest of the Evanuris held at the small prospect of leading the Elvhen in a time of confusion (being a North Star is hard when all the other lights around you aim to blind the flock into submission). For Celene, this is more about the nuances of retaining favour, pull and power over other noble families, their backing (be it financial, political or simply cut-throat), and their support so she can be the ‘lesser of two evils’ compared to Gaspard’s warmongering personality and Florianne simply being a puppet with no backbone. Both Briala and Solas are turned to pawns despite their immense strength and compassion for their respective elven plights; Briala is rendered a fangless lion (for lack of a better metaphor) if she is reunited with Celene, whereas if she is chosen to puppet Gaspard, there’s every likelihood her story could parallel a ‘power-mad’ Solas if he’d been tethered to Rage (at betrayal) and not Regret (at having not rejected Mythal when she asked him to take a physical body) throughout his tenure as the Dread Wolf.

Solas and Lavellan – a Heart that was never intended to be Given/Taken

Now I will compare the lack of possessives in front of Mythal’s “love” to Solas declaring Lavellan as ‘Vhenan’ and then ‘Ar lath, ma Vhenan’ vs ‘Ar lath ma vhenan'; again, the coma is the thorn, the pause that shapes the quiet unsaid things we can deduce. In the Trespasser cutscene DGL puts the pause after “Ar lath”, even though the subtitles construct the sentence with Vhenan as a proper noun since it’s a nickname often used by Solas: “Ar lath ma, Vhenan”. But I believe Solas actually says “Ar lath, ma Vhenan”.

With “Ar lath, ma Vhenan” the stressor is after the pause, so the line reads: “I love [you], my heart.” And with “Ar lath ma, Vhenan” it makes even less structural sense but can be inferred to mean: “I love you, Heart”.

The possessiveness of “My” is what definitively differentiates the love Solas feels for Lavellan as one more of the romantic side, it is a love of yearning and desire and a wish to have one last good thing that is pure and incorruptible. The one thing he had left to give. His heart. But that does not mean his heart is enough! The rest of him is still bound to the love of Mythal that was twisted through the ages. That changed him. And given how Pride often comes before a fall, I absolutely understand why Solas is actually very brash and ill-considering when he’s romancing Lavellan (“The kiss was ill-considered”/”It would be kinder in the long run”/”I wanted to show you what you mean to me”). He's on a precarious cliff during Inquisition. His first plan failed. He's allowed ancient elvhen magic to fall into a blighted Tevinter magister's hands. Literally everything the Inquisition did could have been for nought if the Mark had fallen to the wrong person. Things could have easily fallen apart for Solas too, so why not indulge in something trifling and fleeting? Execpt it wasn't trifling. Nor was it fleeting. And when he saw that the fall could potentially not happen, that the Inquisitor could do it, save Thedas and retrieve the orb, he was struck by the gravity of his brashness, of letting impulses control him instead of acting according to a plan. But it was too late. They'd both fallen for each other.

Solas didn’t expect to form entanglements within the Inquisition. He was committed. He was angry at the world, “walking through a sea of tranquil”, called flat-ear by the Dalish that later chased him from their village when he proved he was the Dread Wolf. He was despised by people who looked like him. Spirits were constantly being abused and turned into demons. People erected monuments to heroes who slew demons. Mages were caged. Elves were subjugated. The empire fell. Humans razed the lands with their wars and petty squabbles of succession. The darkspawn tainted the land. The dwarves would never dream. Solas awoke to the worst possible fate; in his eyes, it was all his fault.

So when he kisses Lavellan in the Fade, impulsively, he isn’t kissing her there because it is less ‘real’ than if they kissed while she was awake, it makes it so much more real. He’s kissing her in the space where he is most himself. Where he can shed the body he was forced to build and trap himself within, the body of Pride. He is acting on the impulses of an enlivened Wisdom spirit that does not consider tomorrow, for the first time in a long time. It isn’t a long game with Lavellan, like so much of his life has been about always thinking to the future, always considering the outcome, machinating, scheming, the wiles and woes of every trickster god in mythology. It’s being in the moment with her that is all-consuming. It lowers his guard, leaves him vulnerable, and when she enquires about the Fade or spirits or histories, he gets to be useful as pure Wisdom again.

Lavellan challenging him when he first shows animosity or irritation towards the Dalish (a prideful act), and then him being taken aback when she explains that maybe the Dalish could be shown another way (making him consider her words, being given a morsel of wisdom back, reminding him of his old self), these are all small moments where Solas can begin to see springs of hope in the broken world. And that’s terrifying. It means he’s destroying not just himself, but the memory of Mythal and Arlathan too, all for the love of a woman who fell for an apostate.

The best, most genuine unmasking of Solas for me is during Wicked Hearts, when he’s tipsy on wine, has no inhibitions, and revels in the intrigue, the gossip, the dancing, the music (something we now know is important enough to have an entire music room in the Lighthouse), the sex! He is at his most relaxed, and then he asks Lavellan to dance, not caring about how it would look for the “Inquisitor’s serving man, Solas” to be intimate in a fucking Orlesian palace with the Herald of Andraste, right after stopping an assassination attempt! He finds comfort in the world of Thedas at that moment. Something he rarely shows so outright.

When he takes Lavellan to Crestwood to confess, I believe removing her vallaslin wasn’t entirely just for her, it wasn’t just to free her from slave markings or to simply reveal a form of a truth he wanted to tell her, it was to resolve himself of what his first purpose was supposed to be, what she distracted him from. Removing the vallaslin had been something he’d done for the slaves of Arlathan, it was what earned him the mantle of Dread Wolf. When he removes Lavellan’s vallaslin, he resets.

Thedas cannot allow Wisdom to truly exist without fear of corruption to Pride, Thedas the world he was responsible for shaping, literally the Maker of the Veil, and he falls for a woman Heralded as Andraste’s Chosen One, Mythal’s incarnation in the South. The irony. The cruel, cruel irony. The Inquisition is tied to his past, every Andrastian he meets, every Dalish person with vallaslin on their face, every slave or city elf. Tevinter worshiping the dragons that still have the essences of the Old Gods. His heart alone cannot withstand all of the punishing, gruelling, oppressive weight that is Thedas. Even for Lavellan. So he frames their romance as this tragic, short-lived tale that was beautiful but ultimately destined to end. He expects it to pass for her, she’s mortal after all. But he also leaves his heart with her, literally giving her power over the last uncorrupted part of himself. Think Will Turner and Elizabeth Swann at the end of World’s End, but metaphorically. He gives her his heart to safe keep as he goes on a journey that could corrupt a heart, turn it cold and bitter, destroy it.

Ar lasa mala revas. You are free.

He frees his heart.

Lets it go.

Twice!

So only once he is relinquished of his regrets, once Mythal does the same for him, only then is there “Nothing left except their love”. Because Lavellan still held his heart there was still something left after. Something beyond despair and regret and loss. He had given his heart to her to safekeep. And she did. Lavellan returns his heart to him when he is freed. What Mythal had to break so Solas could heal right again (like a bone), Lavellan casts a splint around so it can be set and heal properly. This is the difference between Mythal’s love and Lavellan’s. Both Mythal’s love and forgiveness broke him, but Lavellan’s love gives him the strength to Stand Tall one last time.

Solas, before Pride alone, as Wisdom (perhaps Solas always meant both Standing Tall and Wisdom, for Wisdom can grant one pride to stand tall for what they believe in), finds contentment with the rare and marvellous spirit that endured (his Vhenan). Wisdom endured because of humanity, something benevolence is beyond.

Bellanaris

When Lavellan offers to go with him, to continue on the dinanshiral that she already considers herself a part of, Solas is legitimately taken aback. His expression is soft yet full of disbelief and awe. He actually stops walking a few frames before Lavellan says this, as if hoping Lavellan would say something to him!

And then she basically proposes to him! “Bellanaris!” I absolutely adore the fact that Lavellan promises them eternity. A vow as sacred as a death right, as protected as an ancient, elvhen, undisturbed burial ground in the face of Orlesian colonialisation. They endured and now they will have an eternity. For once, we have an elvish tale that is not a curse, it is a love story with reunion at its core, where both elves reclaim something precious that was denied them.

Lastly, i am absolutely frothing at the mouth that Solas and Lavellan primarily speak in elvish! And even more feral at the fact Solas does not try to talk her out of joining him (because this sweet talker very well could!). He simply tells her where he is going is terrible. And she shuts that shit down immediately. No repeat of Trespasser. She's standing beside him, the South has all but fallen, whatever ties yet survive are strained, and she has fought the good fight for 8 years. I think the Inquisitor was about ready to leave Thedas behind.

The last decisions Solas makes are of his own volition. Entering the Fade for atonement. Stepping into the Fade with Lavellan (It was confirmed by Weekes that Lavellan’s presence in the Fade prison would fundamentally change it in a way we haven’t seen!). Thanking Rook for giving him one last shot at getting happiness. All his own!

This is the look of a man finally reunited with his wife! So much emotion in ONE frame. God! There’s never been a character like him. A love story like theirs! I’m so happy I got to see this ending. Full circle!

P.S. If you read this far, woah nelly! That’s crayyzeee, so here are some more great pieces: Why it was important for Lavellan to kneel for Solas as he knelt for her in Trespasser in the Solavellan ending [x], and here’s a great deep-dive on Solas as a spirit of Wisdom [x].

#dav #dav spoilers #solas #solas x lavellan #solavellan #mythal #datv spoilers #dragon age veilguard #veilguard spoilers #dragon age #dragon age veilguard spoilers #the dread wolf finally took her #his war has ended #their love may endure for eternity

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gojos-thot-patrol · 1 year ago

Text

a let my demons get a little silly with it here

Now Loading, Kinktober Week Two...

Synopsis: Ryomen always got what he wanted, it was a simple rule of life. And ever since he caught your scent, you were all that he wanted- your previous bond mark be damned. And you must have wanted him too. Why else would your window be open in the middle of your heat? Kinks: Omegaverse, Breeding, Marking, Knotting, Scent, Dub-Con, Non/Con, Somnophilia, and Infidelity. Reader Discretion is Advised.

Sukuna was going to fuck you. He was going to have you on your back, legs spread as he filled you to the brim, breeding you like a bitch while covering you in his bite marks and scent. Sukuna was sure of this fact from the first time he caught your smell in the air, light and warm and made for him. You were made for him. It was only a matter of time until he took what was rightfully his.

The only problem was you were marked, and sadly, it wasn’t by him. Worse yet, it was by some weak asshole who barely even had the ability to mark someone. Some feeble excuse of a man who probably didn't know what to do once he got your panties around your ankles, much less what to do when you were in your heat. The only thing worse than you being bonded to that douche canoe, was knowing it only happened so you wouldn’t be bonded to him.

Okay, so “bonded” wasn’t really the right word there. “Sacrifice” was closer to the actuality of the situation, but still! You were literally destined to be his, and one asshole wants to play hero and fuck it all up? It drove him fucking mad, what right did that limp dick think he had to interfere? He caught himself clenching his fist and jaw. He needed to calm down before he hurt someone, especially since the only person nearby was you.

Sukuna watched from a distance as you lounged under your tree, finding comfort in the forest instead of the inherent danger you should feel. He had suppressed his scent enough he was sure you hadn’t noticed, your calm demeanor conveying that fact. He could have you right now, release his scent and take you where you sat. But, that wouldn’t have done anything about your bond mark. No, to take care of that Sukuna had to be patient. Which, was a real fucking drag because if there was anything Ryomen Sukuna wasn’t it was a patient man.

🌒🌓🌔🌕🌖🌗🌘

He remembered the first time he encountered you. Almost a month ago now, while he was taking his regular walk through the woods. He could still feel the full body reset that happened when he caught your aroma, the smell of apple and clove working its way through his nervous system and grabbing his cock his heart in a chokehold. Suddenly, his lazy stroll through the woods was a hunt to find out what decadent creature had made such a perfume.

And that’s where he found you. Sitting contently in a floral field, making a fucking flower crown of all things, and surly waiting for him. He saw your hands falter and your eyes widen as he approached, no doubt because you finally picked up on his pheromones. He could feel the smirk forming on his lips.

“Well, what a nice surprise,” He hummed as he approached you, “I wasn’t expecting to find anyone else out here.” You immediately fell into a low bow before him. Good, you knew your place.

“I’m sorry my lord,” You apologize, though you weren’t sure why. You knew of the warlord Ryomen Sukuna. You knew he owned your village, as well as the villages surrounding it. But to your knowledge he didn’t police who was allowed in the woods. Still, you’d rather not risk upsetting him.

“What’s a pretty girl like you doing out here, all alone?” He asked, eyes tracing the way your back curved into the bow.

“My mate and I moved closer to the forest recently, I was exp-”

“Your mate?” The vitriol in his tone made your stomach revolt and ignited your fight or flight system. You didn’t even know what you had done wrong.

“Y-yes?”

“Stand up, look at me.” He demanded. You did so without hesitation, your omega body naturally inclined to follow the alphas commands. When you did, you were hit with a fresh wave of his aura, the smell of whiskey and cinnamon filling your senses and making your joints feel weak. You were caught between your need to honor your bond mark, and the need to fall to your knees for the man in front of you. You whimpered softly as he grabbed your chin and shoved your head to the side.

Sure enough, right there on your scent gland were faint teeth shaped scars. If he wasn’t specifically looking for them, he wouldn’t have seen them at all. Still, the fact it hadn't been refreshed didn’t negate the fact that it was there. You were unequivocally spoken for.

“You don’t smell marked.” He scoffed as he released your head, taking a step back.

“It’s new…” You muttered. He may not have been able to smell your mate, but the stench of a lie was familiar to him. Especially one as piss poor as that.

“If it’s new then you should reek of him, Wench, don’t lie to me.” He growled. You looked down as your shame rolled over you.

“He’s a beta.” HE’S A BETA?! Sukuna had felt rage a lot in his life. Some may even say it was his default setting. But the rage he felt at being cucked by a beta was unlike anything that he had felt before. He felt his fingers twitch with the need to wrap around someone's neck, and the urge to burn down this entire forest was a hard one to fight. He choked back his molting hot fury with a simple reminder: Beta bond marks don’t mean shit. He could easily still have you. He just had to wait for your next heat cycle to do it, when your hormones were high and looking for something more…substantial, then a betas nub.

“How cute, being mated to a beta. I’m sure you’re crazy for each other.” He sneered. You wished. Leaving every heat cycle woefully unsatisfied and frustrated might have been worth it if you had actually loved the man. If your union to him wasn’t purely survival.

“He provides.” You settled on a half truth to keep from lying, one Sukuna definitely picked up on.

“What’s your name Omega?” He demanded.

You told him your name in a soft whisper. Cute name. He’d be sure to have his servants look into you and your records.

“Well Omega,” He said, making a point not to use the title given to him. To remind you what you were. “You should probably get back to your beta. It’s not safe for a pretty little thing like you to be out in these woods alone.” It didn’t take a rocket scientist to know that was a warning and a threat, the edge in his words making that much clear. You nodded to the warlord, before making your way home. You fought the urge to sprint with everything you had in you, knowing better than to activate his prey drive.

He watched as you did, noting your refusal to run. Smart girl. He could feel his mouth watering as he watched your hips sway, and his body buzzed with the need to have you under him. He took a deep breath to recollect himself before making the walk home. He’d have you soon enough.

🌒🌓🌔🌕🌖🌗🌘

He kept a close eye on you in the weeks that followed. Learning about how your marriage was arranged through his servants, and how your marriage was failing from watching you. To your credit, you did try in earnest to make it work. You were the perfect mate. You kept a tidy home, always had dinner ready, and were always happy to get on your back for your husband.

And yet it did nothing. That asshole still acted as if he was gods fucking gift for “saving” your life, and as if you didn’t do enough. Dinner was never right, there was always an issue with the house, and every morning Sukuna could smell your dissatisfaction from the night before- still rolling off you in waves. It was pathetic that a creature as divine as you was wasted on swine like him. The good news was that your scent was evolving. As the leaves changed colors your fragrance got thicker, and sweeter in some aspects. You clung to your beta even if he was woefully unequipped. Your heat was coming.

A fact you were all too aware of. You could feel it pooling in your stomach and feverish on your skin. The effects were already starting, and you knew this one was going to be hell. Your mate thrashed in between your legs, chasing his high in you. You felt close, so close. Your body was trembling with anticipation, electricity buzzing under your skin. All you needed was his knot and-

He pulled out of your quivering cunt, cumming on your stomach with a guttural moan. Oh, right. He didn’t have a knot. You whined as he painted you white, wanting to snap at him for wasting his load. You held back though, knowing that, in reality, the last thing you wanted was his pups. You watched as he rolled off the bed and grabbed his pants.

“W-wait, but Naoya-” You panted, “I’m so close, please-”

“You’re gonna have to finish yourself, I’m gonna be late for my train.” Your “mate” groaned as if you were an inconvenience.

“But…” You whimpered, then let it go. You knew better than to argue, and besides. Your climax was already fleeting. “Do you have to go?” You asked softly. You understood that, as a beta, Naoya couldn’t sense when your heat was coming like an alpha could. You accepted that. What you found hard to accept was that he still planned a business trip during your heat cycle, despite you explicitly telling him that you would need him.

“Yes, Sweetie,” He said it with so much ire and hate, you would have rather he called you a bitch. “This is my job. It doesn’t stop because you’re horny.” He snapped, tired of having this conversation again. His venom shut you up. You watched as he quickly got dressed, then grabbed his bags and rushed for the train station. You fought tears as you went to clean yourself up. Were you really so unloveable?

You often wondered what the worse fate was, being sacrificed to Ryomen Sukuna or being trapped in a loveless pair bond. For years you knew without doubt it was being sacrificed to the warlord. You were always grateful to your father for selling you to the beta, saving you from what would no doubt have been a cruel and untimely death. Naoya may have been cold at times, but surely he wasn’t as bad as Sukuna.

Or at least, that’s what you used to think. Before you had actually met the man, and felt the way your body reacted to his presence alone. Suddenly, the so-called king of curses invaded your every thought, and life trapped in a passionless marriage felt like a prison sentence. You thought about Sukuna constantly, especially in the days leading up to your heat. You chased his faint scent on the wind, traced his markings in your dreams, and envisioned him to endure your husband's advances.

It left you a wreck. Especially now, as night fell and your body temperature rose. Your fingers were doing absolutely nothing for you, and wouldn’t for at least the next week. Which, was rather conveniently when your husband was due to return home. You knew your heat bothered him, but you never knew it bothered him this much. Resentment grew in you the more you thought about it. If he didn’t want a fucking omega, then why the fuck did he pay for one?

You tried not to think about it as you opened your window, hoping the cool night air would do something to help cool down your feverish skin. You lived far enough away from the other villagers you didn’t really have to worry about a wayward alpha finding you. And at this point, you weren’t sure you would care if one of them did.

You settled into your nest, albeit a bit reluctantly. The faint smell of your mate clung to it, and despite your bond mark it brought you little comfort. More just frustration. It didn’t smell right anymore. You quickly took off your sleep pants, finding them unbearably hot, leaving you in just a tank top and soaked panties as you drifted off to sleep.

Sukuna could try and say that he was just out on a stroll to enjoy the moonlight. That he enjoyed the peace that the dark brought with it, and was only out to clear his mind. He would be lying. The truth of the matter was Sukuna had been keeping tabs on you. And while your bitch of a mate may have been inflicted with brain worms, Sukuna was not. He knew you were alone, and in heat. And he fully planned to take care of you, in ways your beta couldn’t dream of doing.

Walking to your little shack at the edge of the woods felt like wading into a warm lake, your trail becoming thicker and thicker in the air as he made his way to you. It was intoxicating, and he couldn’t stop the visions of you whimpering underneath him from entering his mind. Needy and alone, fuck. He could feel his blood rushing in his veins as your scent laced into his senses and his psyche, and his cock ached for you.

He wasn’t shocked to find your window open. Of course your window was open. You were waiting for him, your true mate. That fucking beta be damned, you wanted him, why else would the window be open? He crawled into your room on instinct more than much else, your body calling to him like a siren's song. The reality of your heat hit him like a train as he took in your visage. Sleeping not-so-peacefully in your marital bed, mindlessly rutting into a pillow drenched with your slick. He fucking hated that you were reduced to fucking pillows.

He was right here, you just needed to let your proper alpha take care of you. Let him protect you, let him fuck you until you can’t walk, let him fill you to the brim- until you’re overflowing, let him fix the fucking stench of your nest. He was on your bed and spreading your legs before he even fully realized what he was doing, ripping your slick drenched panties off of you. On a normal night, he would have touched you and known you were burning alive with a fever. But tonight? He was molting lava with his own forced rut, and he didn’t even notice yet.

Mates don’t need to ask before taking care of their mate in heat, so he doesn't even bother waking you up before shoving two fingers into your weeping pussy to get you ready for him. You whine out softly, back curling off of the bed as he thrusts his fingers in and out of you sharply. He smirked as he curled his fingers up, listening to your breath catch in your throat.

“Fuck, Sukuna..” You whimpered in your sleep. Of course you called out his name, you were his omega. You chose him, you were meant to be with him. Soon, there would be no doubt about that. After he covered you with his scent, after he marked you as his and only his, and when your stomach was swollen with his pups- pink haired, four eyed and undeniably his.

He shrugged off his robe, his rock hard cock burning with need and dripping pre-cum. He ran his dick up your slit, gathering your divine slick on his angry red tip. He felt the tension in his shoulders finally dissolve as he pushed into you, finally at home where he was supposed to be. He growled as he sunk in to his base in one swoop.

You jolt awake with the sudden intrusion, your cunt torn between pushing the intruder out and sucking him in deeper. “Wh-wha…?” You were given no time to try and catch up to the situation before the assault on your g-spot started, leaving you a moaning mess. Sukuna lifted your hips, holding your body with just his forearms as he changed the angle he fucked you in to fuck you deeper, harder. He needed it to take.

You looked up and saw a shock of pink hair and sharp tattoos through bleary eyes. On the surface your body revolted, knowing this wasn’t your mate and he was not meant to be touching you. But something deeper, more primal rejoiced at feeling the alphas fat cock. “Fuck, fuck, more..” You whimpered, bucking your hips in time with his thrusts. You could feel his knot swelling inside you and all you wanted was him. Nothing had ever felt more right.

Sukuna had fucked a lot of omegas during his ruts. He ran through whores like they were nothing. But none of them had ever felt like this. Your pussy was made for him, so perfect as it milked his cock. Your body reacted to him perfectly. You were made to be his. You were his. Every inch of your skin, every breath you took, every smile you gave you were his. He’d prove it. He grabbed you in a bruising grip as he bent over you, capturing you in a demanding kiss and taking what little breath you had away in a clash of teeth and tongues. You belonged to him.

He growled lowly, as he pulled back, throwing your ankles over his shoulders as he pressed his body weight into you, folding you in half. “Fuck, you’re so good,” He groaned, “So fucking tight for me Baby Girl. Gonna knot you, fill you with my pups,” You didn’t know if he was talking to you or himself but it didn’t matter. A thought that should have been deeply revolting to you as a marked woman had never sounded more euphoric.

“Yes, please,” You begged into his ear, “Fuck me, it’s s’ good. Fill me, I- I need you.” you slurred together whatever words you could grapple with. You felt drunk on the feeling of euphoria, you almost forgot sex could feel so good. Your words, albeit a bit jumbled, electrified the part of Sukuna’s brain that had already decided he was your mate. You didn’t just want him, you needed him. You needed him. Of course you needed him, you belonged to him. You were his and his alone.

His his his his-

Then he smelled it. In the sea of apple, clove and cinnamon whiskey a sharp mildew scent hit his nose. The fucking mold of your “bond mark.” Sukuna saw fucking red, his body seething with rage as he remembered you weren’t truly his. No matter how deep he fucked his seed into you, or how much of his skin touched yours, you weren’t his.

Not yet anyway.

He plunged his teeth into your scent glands, right over your previous bond mark. You howled as he did, a wave of ecstasy rocking its way through your heated body and decimating your shocked nervous system as you came all over him. Aftershocks of your orgasm pulsed through your cunt in time with his thrusts, sending static electricity through your needy body. You instinctively dug your fangs into Sukunas scent glands, an act you were never able to perform on your (former) beta mate.

The relief that washed over him as you completed the bond mark was unlike anything he had ever felt before, and it left him in ruins. Cumming deep inside you, painting your womb white. The warm feeling he filled you with actually worked to (somehow) cool the raging inferno in your bloodstream, and you finally found relief from the hell you had been in.

You stayed connected, him holding you close while he waited for his knot to deflate. You thought about Naoya. You had never been able to properly mark him because he didn’t have scent glands for you to mark. It met you were never really bonded, not like how you were bonded to Sukuna now. But, he was technically still your husband. This was his house and his bed you were getting fucked by a perfect stranger in. How would he react when he found you here with the warlord that owned the land? Would he find you here?

Would you regret it?

You didn’t have time to really consider the ramifications of your actions before Ryomen was moving inside you again, and the last thing you wanted to think about was the boy that abandoned you. You whined underneath him, bringing your hands to tangle in his hair. He pressed his forehead to yours in response.

“Still with me Omega?” He asked as he started to pick up the pace, making you whine underneath him.

“I’m here my lord,” You mumbled softly.

“Good,” He punctuated the word with a sharp kiss before straightening up, “Cause it’s gonna take more than just that to knock you up.” He chuckled as his hips started to piston into yours, setting a punishing pace. The natural curve of his cock was seemingly designed to bully your hypersensitive g-spot, stimulating your body back to life as you gripped the sheets under you.

“Aww, look at my pretty little omega,” Sukuna cooed mockingly as he fucked his cum back into you, “All fucked out and full. Feels good to actually cum after spending so much time with a limp dick, doesn’t it slut?” Apparently, all it took was him getting to cum once for him to find his voice.

“So good, so fucking good.” You whimpered, “So big, so full…” And you had no problem feeding into it. His claws dug into your hips, leaving bruises defined enough you could take his fingerprints off of them. He watched the way your tits bounced as you tried to feebly hold onto the sheet, attempting to ground yourself however you could. He watched his bulge appear and reappear in your stomach with every thrust. He watched the way your skin glistened in the moonlight, begging him to mark it. He watched the way your eyes fluttered and glazed over with dazed pleasure.

But the real show was happening where the two of you were connected. Where your slick coated his cock, creating a foamy ring around the base. Where your natural lube mixed with his load, making the most vulgar sounds as he fucked your quivering cunt. God, he couldn’t have asked for a better mate.

Your warm pussy hugged him perfectly, begging him for more and pulling him even deeper into you with every thrust. Every movement of your hips sent a wave of euphoria through him, and he desperately chased both of your highs. He wanted to see you cum. He didn’t get to the first time.

He wouldn’t make that mistake again. You were finally finally his after months of coveting you. Of watching you, of needing you wanting you, of imagining you, you finally belonged to him. He was going to see what you looked like when you came for him god damn it!

“You gonna cream for me again Sweetheart?” He growled, “Squirt all over my dick like a good girl? I know you are, I can feel it, fuck-” His words fell apart on his tongue as you clenched around him. Stars blotted out your vision as your second climax started to creep up on you, slowly tingling up your spine and taking over your body. You bucked your hips into his erratically, chasing the high only he could give you. Sparks of bliss exploded under your skin as you felt him start to swell again.

And suddenly he felt way too far away. You needed him closer. You needed his scent, his skin, him. You ripped one of your hands away from the bedsheets and reached out, trying to communicate what you wanted. His head tilted to the side and he scoffed as he looked at your outstretched hand.

“Words slut, what do you want?” He growled.

“My mate.” You whimpered. He was immediately leaning down to you, pressing his chest to yours and letting your fingers intertwine with his. How could he deny you your mate? Your body exploded into a thousand sparks of ecstasy where his skin ment yours. His scent wrapped around your senses like an old blanket, cozy and familiar and safe. You whined softly and closed your eyes to embrace for impact.

“No.” He growled, using his free hand to pull your hair and force your eyes open, “Look at me.” He demanded. Your watery eyes held his fiery ones as you moaned pathetically under him.

“I’m so close..”

“Then cum for me.” The floodgates opened and you were suddenly drowning in a sea of ecstasy and dopamine. Your hips thrashed against your will and your legs shook like the last leaves on autumn trees. You swore you saw entire galaxies be born before your eyes as you were hit with one of the hardest climaxes of your life. Your eyes watered as they looked into his, your skin felt flushed against his touch, and your grip on his hand tightened.

“Fuck, Ryomen…” He hadn’t heard his first name spoken in years. His body slammed into yours as his own climax hit him with a brick. He fucked you as best as he could through his knot, riding out both of your highs as he filled you to the point of overflowing and then some. His entire body was racked with euphoria as he came harder than he even thought possible.

He collapsed on top of you, rolling you both to the side so he didn’t crush you with his body weight. For a while, the only sound was of the two of you trying to catch your breath. You felt his arms wrap around you and calloused hands rub your back gently to sooth you. He kissed your neck almost sweetly.

“You’re doing so good sweetheart,” He praised in a whisper, one soft enough the wind threatened to take it away, “So good for me.” It made your stomach flutter. His presence was instantly calming, much more so than your ex’s. You might have even fallen asleep, if you didn’t feel him start to move again, still rock solid inside of you.

🌒🌓🌔🌕🌖🌗🌘

Your body was sore the next morning when you woke up, but the fever had subsided for now, finally giving you room to breathe and think about literally anything other than lust. The first thing you noticed was that you were not at home. You jolted up in bed, a soft whimper leaving your throat.

“Silence, woman.” That was when you registered the body next to you in the bed. You looked over to see Ryomen, fully annoyed at being woken up. “You’re safe. I’m here.” He grumbled as he pulled you back into his side. You weren’t sure what was more impressive, that he managed to return to (what you assumed was) his home after last night, or that he managed to carry you with him.

“Sukuna-”

“Ryomen.” He corrected you with a dangerous growl. You paused, a bit taken back.

“Ryomen,” You accepted the correction, “what happens now?”

“Hopefully you go back to sleep.” He sighed, irritated to have been woken up at the ungodly hour of 12 pm. While he was still in rut no less! He didn’t get a lot of chances to sleep during this time, and neither did you. You needed the rest.

“No, I mean with…with,” You didn’t know how to put it.

“What, you mean your cuck ex? Don’t worry about it.” He didn’t hide that he was irritated with you for bringing him up first thing in the morning.

“....Is he going to be hurt?” You asked softly. Sukuna felt his lip twitch.

“If I have it my way, yes.” He didn’t mince words. Why the fuck did you care so much about that loser anyway? You thought about your mates words, then nodded.

“Good.” You said, finally settling back into Ryomens arms and relaxing into him. He didn’t hide the smile that tugged on his lips. He knew he loved you.

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#jjk #jujutsu kaisen #ryomen sukuna #sukuna x reader #sukuna x reader smut #alpha!sukuna #omega!reader #omegaverse #jjk omegaverse #abo #sukuna abo #sukuna omegaverse #ryomen sukuna x reader smut #ryomen sukuna x reader #kinktober #trick-or-kink 23

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