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anqelrafe · 1 month ago

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— ୨ৎ sleepover with secret bf!rafe

authors note: i got a request for this a few weeks ago but the ask deleted itself so I'm so sorry to whoever sent that! and i'm trying to get out of my writers block so enjoy...whatever this is. (not sure how I feel about this) not proofread!! content warnings: contains smut, 18+

“come over? just for a little bit?” rafe asked as he looked at you through the facetime camera. it's been a rough day for him and you were really the only person he wanted to see right now. but it was past midnight and you weren't supposed to be out of the house around this time, let alone going to his house.

you've been told by your parents to stay away from him—countless times, actually. rafe knew he had some...things to work on, but in his mind, he wasn't that bad. at least towards you. “dunno rafe...'m already in trouble for skipping school yesterday.” you frown, tapping your manicured finger on the side of your phone. rafe sighed, sitting up against his headboard “please? it'll be quick. i'll sneak ya in and out.”

you were hesitating and that's something rafe could see clearly, but he was desperate. you were one of the only people he actually cared about these days and he didn't want to be alone right now, especially not at night.

“please..? you're the only person i want to see right now.” he pleaded, almost begging in a way. he was never one to beg, but it was the only thing he could think of that could convince you to come.

you thought it over as you bit the inside of your cheek. you knew how it would end if your parents found out you snuck out of your house. “isn't sarah home though?” rafe was silent for a moment, his hand running through his hair “no...she's out. won't be home 'til morning” he murmured. that was one less obstacle so it was one good thing. but you still weren't sure. rafe was your boyfriend and you cared about him, but sneaking out wasn't the best idea right now. “but my parents said-”

“i know sweetheart and i'm not tryna get you in trouble, but i swear it'll be like thirty minutes.” he cut you off, his tone almost desperate. you bit your lip as you leaned back against your headboard. “rafe...” you trailed off with a sigh. you weren't saying no right away, but you weren't saying yes either. it was clear you were conflicted as you hesitated before adding, “okay, fine. but just for thirty minutes. not a second longer.”

rafe's face lit up as he heard you agree. he knew he could be convincing if he wanted to and he was so glad it worked this time. “thank you baby, be outside waiting. i'll come get you.” with that, he ended the facetime, standing from his bed as he grabbed a jacket and his keys. it didn't take long for you to change into some shorts and a hoodie and put your shoes on. you carefully crept out of your room and out into the livingroom, pausing to listen for any noises. once you were sure your parents were asleep, you opened up the front door and slipped outside, shutting the door quietly behind you. by the time you were out of your house, rafe was already parked outside.

rafe was leaning against the door of his car as he waited for you. he heard the door open and shut, looking up and seeing you walking towards him. he could see you were nervous, but it didn't stop him from pulling you into a tight hug. “hey,” he greeted, his voice tired but he felt better with you in his arms. you returned his hug, leaning into the embrace. “hey...” you murmured back, your tone almost equally as tired. you could feel the exhaustion in him as he hugged you and you felt the need to ask, “you okay?”

rafe let out a sigh against your shoulder, giving you a light squeeze before leaning back “not really...” he mumbled, releasing his hold on you reluctantly. he opened the passenger side door for you, waiting until you got in before shutting the door and walking around to get into the driver's side.

you got into his car, leaning back in the seat as you looked over him. you could tell something was bothering him by the look on his face and his tone of voice. it's been a long time since he sounded that exhausted. “...rough day?”

rafe ran a hand over his face, looking over to you wearily “rough life.” he mumbled, starting up the car as he pulled out from the curb. “seatbelt.” you hummed quietly as you reached out to grab the seatbelt, buckling yourself in. you decided not to ask more about what exactly was bothering him; in time, he'd probably talk about it.

the car ride was silent as rafe drove back to his house. you didn't mind though, figuring that he needed the silence in order to calm his head for a bit. a few moments passed before he parked in his driveway, unlocking the doors and getting out. he came around the side and opened your door for you, offering his hand to help you out of the car.

you slipped your hand into his, letting him help you out of the car. walking through his yard, he quietly unlocked his front door and let you in first. “wheezie's home so we're gonna have to be quiet” he said as he shut the door behind him, locking it again.

you followed him inside “gotcha” you whispered as you looked around. “is she awake? i don't wanna be the reason she doesn't sleep.”

“she's asleep.” he mumbled, nodding towards the stairwell. “come on..” he took your hand again, quietly leading you upstairs to his bedroom. once inside, he closed the door and locked it before turning on his bedside lamp and walking over to his bed.

you followed him to his bed, crawling onto it and moving to lay back against the pillows. you could still see the exhaustion in his body as he laid down next to you, his head resting against your shoulder as he wrapped an arm around your waist. “wanna talk about anything...?” rafe was silent for a moment, almost as if he was thinking about your question. he really didn't wanna talk about anything at all. all he wanted was to lay here with you, which he thought to himself as he shook his head. “nah”

you nodded once he answered, wrapping an arm around his shoulders as you closed your eyes. you could tell he didn't want to talk and you were okay with that. you both laid there in comfortable silence, no sounds besides the sound of your breathing and the occasional passing of a car outside. “can i do anything to help?”

it felt good to lay here with you. it was the only real peace he's felt in weeks and it helped calm him a little. when you spoke again, he lifted his head to look at you, his tired eyes meeting yours.

he moved a bit closer to you, his arm around your waist tightening as his head rested on your chest. “this is more than enough for me, sweetheart” he murmured, his fingers brushing against your side. “i do have a request though”

you looked down at him, your fingers lightly running through his hair as you waited for him to speak. you could tell he was still thinking about something and you waited patiently before finally speaking, “what is it?” rafe's eyes closed as your fingers ran through his hair. he loved when you did that and it relaxed him greatly

he was still silent for a few more moments before finally speaking. “i need to relieve some stress.” he murmured, his fingers gently brushing against your waist once more before suddenly resting right above the drawstring of your shorts.

────୨ৎ────

“a-ah shit, rafe” your hands clench by your sides as rafe glides his tip between your drenched folds, looking down at you with this tongue between his teeth. “mmh...this wet already, darling? barely even touched ya yet.” rafe hummed, smirking down at you. all you can do is nod and let out a whimper as he tapped his cock against your cunt. “nuh-uh, words. none of that whimpering shit”

you were already a stuttering, whimpering mess as he ran his fingers over your clit. you needed more from him, wanted to feel more of him, but you knew that he wasn't going to give that to you until you answered.

you let out a shaky breath as you looked up at him, eyes wide. “yes!” you quickly whimpered, “been thinking about it all night. please, please rafe...” you whimpered, your hips bucking up in an attempt to get more from him. “i know baby, i know” rafe murmured, running his tongue over his bottom lip as he teased your clit with his thumb again “been so long since you've had this cock, yeah?”

you nodded rapidly, eyes pleading him to do something, anything. you wanted him so badly and you could tell he was just teasing, which was driving you absolutely insane. “rafe..." you murmured, your voice trembling a little. rafe chuckled softly, shaking his head “come on. don't get all shy with me now. tell me what you want” he said with a smirk, his fingers still moving over your clit, barely applying pressure. he could feel you shaking beneath him, which encouraged him to tease you a little more. “tsk tsk i want an answer. i know you know how to talk, baby. i just wanna hear your pretty little voice say it.”

you swallowed hard as you looked up at him from under your lashes; he looked so damn proud of himself. you were almost positive he got off on teasing you like this, and the last thing you wanted to do was give him that satisfaction. but your patience was wearing thin and you were getting desperate. you just wanted him to touch you already, but he was always so stubborn. you ran your tongue over your bottom lip as you met his gaze again, your voice shaking a little as you finally spoke up, “n-need you rafe…please...”

“mmh, that's my good girl. i knew you could do it baby.” rafe murmured, finally pushing his cock into your aching hole, causing both of you to let out simultaneous moans. “a-ah fuck” you gasp, gripping onto his biceps as he pushes all the way in, making you groan at the feeling, his cock slowly slipping all the way down, filling you to the hilt, “so fuckin' tight” he groans under his breath at the feeling of your narrow pussy engulfing his member.

you whimper as he remains motionless, denying you the much needed friction. “mmh what do we say after i give you something, baby?”

you could practically hear the smirk in his voice as he murmured the question into your ear. he knew what he was doing. he knew exactly how to get you to say what he wanted you to say, knowing how well he filled you up and how he wasn't moving. you moaned quietly, hands moving to grip onto his back as you looked up at him with watery eyes, “thank you.”

rafe hummed and nodded against your neck, lightly kissing just under your ear as he lifted his head, “good girl.” he said “you're welcome, my love. anytime.”

he finally pulled his hips back a little, thrusting back into you “you feel so damn good, baby.” he breathed before beginning to thrust into you harder, repeatedly hitting your cervix deliciously “been too long without having you.” he murmured, his hand gripping onto the back of your thigh, lifting your leg up over his shoulder. the change of position caused his cock to slide even deeper, making you gasp.

you whimpered at the feeling of him hitting your sweet spot, unable to speak clearly “oh...oh g-god rafe” you tried, your eyes already shut as you tried to move your hips in time with his. he could feel your nails digging into his shoulders, leaving red indents. “look at me.” he murmured in your ear, his hand reaching down to grab your chin, turning your face towards his “look at me while i'm fucking you, sweetheart. ” your mind goes a little blank for a moment when he says that, only able to focus on the feeling of him inside you. it takes a few seconds before you manage to open your eyes again, meeting his gaze. rafe's eyes are focused on you, a small smirk on his lips as he sees you staring “there you are.” he hums, biting down on his lip once he feels you start to clench around him “shit, you gonna cum already?”

“yeah...mmh, so close ray.” you moan, struggling to keep your eyes on him as his hand reaches to press his thumb against your clit, rubbing tight circles. “so fast, sweetheart?” rafe murmured with a smirk “been that long, huh? gonna make a mess all over my cock already?” you don't even have time to respond before your orgasm hits you hard, your body shaking as the coil in your stomach snapped. eyes squeezed shut, walls clenching around his twitching shaft. the way your pussy cinched around him is all rafe needed to go over the edge, spilling his seed deep inside you.

“mmh ray?” you murmur, looking up at him with your glossy eyes. “hm?”

“think 'm gonna stay here tonight.”

taglist: @bunbun-3 @drewscoquette @untitled10351 @rafesweetie @meetmebehindthemallrafe @supercutelovergirl

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thankskenpenders · 7 months ago

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The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

#tkp post #tlsc #tlsc beginnings

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thefirstknife · 2 years ago

Note

Is the Witness cutscene viewable to people who did not pay for access to the season (or will it be post-year)? Like people who only bought the expansion and not the season pass? I know they shove important story and lore info behind timegated paywalls constantly (reason I hate the season model), but that seems like a really especially vital scene I would hope would be viewable in-game by everyone

Right now, it's only a part of the season. Obviously it's available for free online on their official and non-official channels, but in-game it's only for those that have Season of the Deep, for now, since it's a part of this season.

As for the future, honestly no clue. I will assume yes because of one simple fact: you will no longer be able to buy the past seasons when Lightfall year ends. That would mean that only people who bought the season during this year would continue to have access to the cutscene going forward, but no new players would have the same access, which kinda defeats the purpose of having it accessible in the game later.

So I can assume that they might be working on some universally accessible cutscene viewer that will allow all players to see cutscenes from content no longer in the game, regardless of whether they've previously purchased it or not. That's the best scenario because it would mean we'd get all other cutscenes in the game too. The middle scenario is that only the Witness cutscene will be viewable somewhere as part of another mission or some quest, also without having to have purchased Season of the Deep (since you won't be able to once TFS starts: technically you'll be able to purchase Lightfall so maybe it will require you to at least have purchased that, but the season itself will no longer exist).

We'll have to wait for more info on that. As of now, I would assume that once this year is done and the season is no longer purchasable, the cutscene will be a part of content that is available to everyone. While it's still purchasable, it's only in-game for those that bought it, but can be viewed with no problem on their official channel (and elsewhere).

#destiny 2 #ask #season of the deep #i completely understand the frustration of it if you decided to skip this season #i still think that this isn't too big of a deal and would 100% still advise people to skip any content when they're not into it #all of the content will be online #obviously it feels better to play it yourself but at this point we go into a more complex issue of seasons and vaulting #you'd have to pay for this content either way. delivering this whole story in an expansion would've made the expansion too long #which means it would've probably had to have split into even more pieces. putting it into a season relevant to this year makes sense #there's also the longstanding complaint about how seasons used to not really be relevant to the plot that much #especially not relevant to the expansion. people were fairly mad about that. it was a frequent point of critique in the past #but now that they are relevant people are mad again. it's an unwinnable scenario #i don't think anyone will ever be satisfied until destiny is a singleplayer rpg with a book series and an audiodrama #but hey. even then people would have to buy all that stuff. so i really don't know what the solution here is outside of just...#... 'put everything in the same spot and release it all at once for a smaller price'. balancing that is nearly impossible #as it stands destiny is still the live service game with the lowest monthly cost. even with all of the outrage.#the effective monthly sub for an annual pass of the expansion is less than you pay netflix.#that being said. never spend more than you can or more than you need to. seeing content online will always be better than feeling ...#... like you're wasting money. or worse. actually wasting money. nothing in the story really changes if you see it on youtube #i'm a big proponent of not spending money if you're 100% sure you are into something. even if it means missing out #it's an incredibly complex situation that people boil down to somethinig simple and it's just not the case

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gloomwitchwrites · 1 month ago

Note

141 with a fem!reader who instead of not wanting kids can’t have kids?

This is a popular request, anon. I've had several submissions from various users. Since the theme/idea is similar, I thought I would combine them into one.

Heavy angst ahead, folks. I decided not to sugarcoat with this one. It's heartbreaking. It's sad. And yes, there is comfort and love mixed in.

For the masterlist and how to submit your own request, click HERE

Task Force 141 x Female Reader

Content & Warnings (per the warnings MDNI): established relationship, angst, infertility, pregnancy, miscarriage, mention of surgical procedure, emotional hurt/comfort, implied abortion/d&c, minor blood

Word Count: 900

ao3 // main masterlist // imagines & what if masterlist

John Price

This time, it sticks.

Somehow.

Miraculously.

After years of struggling, of being told it would never happen, of false results and shattered hopes—it’s happening.

You’d be in denial if it wasn’t for the test results in your hand. It is solid, a print out of what your doctor told you over the phone.

John stands next to you, reading the piece of paper over your shoulder. His shoulders are riddled with tension, lips a thin line. It’s clear that he wants to join in on your joy, but something holds him back.

“Are you happy?” you ask, suddenly nervous.

“I am—I.” John clears his throat. “But last time?”

Last time looked just like this. Last time everything was fine—until it wasn’t. Until the blood and the pain and the hospital visit.

“It might not be like last time.”

John gently grasps the sides of your face, thumbs brushing over your cheeks. “You don’t have to. Not for me. Not for anyone.”

“It’s okay, John.”

“Are you sure?”

You nod, and John places his lips to your forehead. “I worry.”

“I know,” you murmur, turning your face into his touch. “But you’re here. And that’s all that matters.”

John "Soap" MacTavish

It all has to go. All of it. There is too much damage.

No uterus. No fallopian tubes. No ovaries.

Gone. All of it. Gone.

Johnny sits next to you on the sofa, his head in his hands. His sigh is heavy as he rubs at his face. When he comes up for air, you know his world is shattered, just likes yours.

“The surgeon said they might be able to save some eggs.” Even you don’t believe the words leaving your mouth. It’s a farce.

“Might?” asks Johnny.

“They won’t know until they’re actually inside.”

Johnny is oddly silent. It’s not like him to be quiet.

“Are you upset?” you ask, tentatively.

“No,” he says sharply. “Not with you. Never with you.”

“I’m sorry,” you say, because an apology feels right but you’re not sure why you’re doing it at all.

Johnny places his hand on your knee, squeezing gently. “For what?”

Tears pool, threatening to spill over. “For not being enough.”

He leans in, face serious. “The fact that you think that at all means I’ve failed you. That I haven’t loved you enough.”

“Johnny.”

He draws you in. “This doesn’t make you less worthy of my love.”

Simon "Ghost" Riley

A heartrate monitor beeps nearby. They’ll release you soon now that you’re awake and aware.

It’s all coming back in pieces.

You remember the cramping, the spotting, and then the bleeding that wouldn’t stop. You remember the cold linoleum floor against your cheek, of losing consciousness, of gaining it again only for the room to spin. You remember how cold you were, and Simon’s hands—of how his voice cracked when he said your name.

You don’t recall the trip to the hospital. You only remember how Simon demanded help while the staff told him he needed to calm down.

But he’s here now—and no one is yelling. He sits in a chair next to your hospital bed, face grim and skin pale like he hasn’t slept in days.

There have almost always been complications—always been issues while trying to conceive, but of those that have ended, it’s never been like this.

You turn your head, and as if sensing you, Simon glances up from his silent musings. You offer your hand. Simon takes it, and though he doesn’t squeeze hard, you feel the desperation in the way he clings to you.

“I’m not risking you. Never again.”

Kyle "Gaz" Garrick

Your friend opens the gift, presenting it to the gathered crowd. Everyone fawns over the set of baby blankets. There are several in total, all pale pastels.

You smile and agree that it’s a wonderful gift. Outwardly, everything is fine. Internally, your mind is still at home, lingering on the four pregnancy tests hidden in the bathroom bin beneath a pile of toilet paper.

Each one negative. Each one a glaring stain on the long list of failures.

Kyle emerges from the kitchen with the father-to-be, a massive grin on his face. This baby shower is a reminder to you of all your shortcomings. For Kyle, this is hope—a vision of the future.

And you haven’t told him. Haven’t said a word about those four negative tests.

How many years of trying now?

But you’re still young.

Don’t stress about it.

It’s so easy for others to stick their nose in, which is why you don’t share anymore.

Kyle plops down next to you. The happiness there is palpable, so thick it’s almost like butter on the tongue. You’re going to shatter it—hurt him yet again.

He presents his hand, palm upward.

You snatch it like a lifeline, and squeeze—hard. Kyle frowns at your entwined fingers. His gaze sweeps upward.

In your friend’s hands is a onesie for a newborn. Everyone coos, and something in you breaks. You’re smiling, but you sense the threatening tears.

Kyle’s frown shifts to a sad smile.

He knows. You don’t have to say anything.

Lifting your joined hands, Kyle brings the back of your palm to his lips. Placing a quick kiss there, he then kisses your forehead. He adds another kiss to spot just behind your ear.

“It’s okay,” he murmurs. “It’s okay.”

No one is watching.

“I love you.”

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alpaca-clouds · 1 year ago

Text

Why the media CEOs will always learn the wrong lessons

Yesterday a friend and I talked about how the entire (AAA) game industrie looked at BG3 being as popular as it is and going: "Oh, we need to produce 100+ hour games, I guess! Those sell!" Which... obviously is not why it is popular. The game is not popular because it has 100+ hours of gameplay, but because it has engaging characters, that are well-acted and that work as good hooks for the players. Like, let's face it: The reason why I so far have sunken 160 hours into this game is, because I wanna spend time with these characters - and because I wanna give them their happy endings.

But the same has happened too, just a bit earlier this year, right? When Barbie broke the 1 billion and every Hollywood CEO went: "Oh, so the people want movies based on toy franchises! Got it!" To which the internet at large replied: "... How is that the lesson you learned from this?"

Well, let me explain to you, why this is the lesson they learn: It is because the CEOs and the boards of directors at large are not artists or even engaged with the medium they produce. They mostly are economists. And their dry little hearts do not understand stuff more complex than numbers and spread sheets.

That sounds evil, I know, but... It is sadly the truth. When they look at a successful movie/series/game/book/comic, they look at it as a product, not a piece of art or narrative. It is just a product that has very clear metrics.

To them Barbie is not a movie with interesting stylistic choices that stand out from the majority of high budget action blockbusters. It is a toy movie with mildly feminist themes.

Or Oppenheimer is not a movie to them with a strong visual language and good acting direction. No, it is a historical blockbuster.

And this is true for basically every form of media. I mean, books are actually a fairly good example. In my life I do remember the big book fads that happened. When Harry Potter was a success, there was at least a dozen other "magical school" book series being released. When Twilight was a big success there was suddenly an endless number of "teen girl falls in love with bad boy, who is [magical creature]" YA. When the Hunger Games was a success, there were hundreds of "YA dystopia" books. Meanwhile in adult reading, we had the big "next Game of Throne" fad.

Of course, the irony is, that within each of those fads there might have been one or two somewhat successful series - but never even one that came even close to whatever started the fad.

Or with movies, we have seen it, too. When Avengers broke the 1 billion (which up to this point only few movies did) the studios went: "Ooooooh, so we need shared universe film series" - and then all went to try and fail to create their own cinematic universe.

Because the people, who call the shots, are just immensely desinterested in the thing they are selling. They do not really care about the content. All they care about is having a supposedly easy avenue of selling it. Just as they do not care about the consumer. All they care about is that the consumer buys it. Why he buys it... Well, they do not care. They could not care less, in fact.

So, yeah, get ready for a 20 overproduced games with a bloated 100+ hours of empty gameplay, but without the engaging characters. And for like at least 15 more moves based on some toy franchise, that nobody actually cares about.

And then get ready for all the CEOs to do the surprised Pikachu face, when all of that ends up not financially successful.

Really, I read some interviews yesterday from some AAA-studio CEOs and their blatant shock and missing understanding on why BG3 works for so many people.

Because, yeah... capitalism does not appreciate art. Capitalism does not understand art. It only understands spread sheets.

#baldurs gate 3 #oppenheimer #barbie #barbie movie #hollywood #game industry #media #indie media #media criticism #anti capitalism #late stage capitalism

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ittybittyfanblog · 1 month ago

Text

Error 404: (Self-Aware!AU, Sylus Edition) – Pt. 8

Summary: A LADS self-aware!AU featuring Sylus and a player. That’s it, that’s the plot. Tags: player!reader x sylus, fem!reader x sylus, reader x lads, self-aware!au, strong language, suggestive themes, again with the slight smut phew, angst on top of more angst, no comfort... yet (or ever? hmm much to ponder about) A/N: Imagine if I leave it here lmao Also, I've been listening to White Ferrari on repeat while editing this chapter. I'm not saying that you should too while you're reading, but ¯\_(ツ)_/¯ Oh, and Angel by Massive Attack. Trust me, it's gonna come up. (˵ ¬ᴗ¬˵)

Pt. 1 - Pt. 2 - Pt. 3 - Pt. 4 - Pt. 5 - Pt. 6 - Pt. 7 - Pt. 8 - Pt. 9 - Pt. 10

The cold tiles of the bathroom floor wreak a shiver through your body.

You’re curled up in front of the toilet, barely upright after another round of puking what little bile is left in your stomach. Cold beads of sweat dot your forehead and every breath feels thin, ragged, like you’re trying to gulp air through a pinhole. The chill seeps under your skin, leaving you shuddering involuntarily between dry heaves.

You make the rookie mistake of tilting your head ever-so-slightly to rest against the cool porcelain, and the miniscule action threatens to send the room careening into another violent spin. A wave of nausea hits you and you desperately gnaw on your bottom lip to prevent yourself from gagging.

You feel like absolute shit.

There’s something lodged inside, sinking deep into the pit of your stomach. A poison, a corruption—heavier than the excess of alcohol still clawing its way through your system. It isn’t the simple penance for overindulging, no; it’s darker, rawer, less perfunctory than the remnants of last night’s events.

It churns inside you, leaving an acrid, metallic taste on your tongue and a dull ache behind your eyes.

The buzzing of your phone reverberates beside you, a relentless vibration against your thigh. It hasn’t stopped since the moment you clawed your way out of bed and staggered toward your porcelain waste bucket. You weren’t supposed to bring it along with you—it should’ve been left abandoned outside of this room, far from this bleak sanctuary. This… this disgusting aftermath of your revelry.

Unfortunately, it’s practically an extension of you now. A limb, almost. Or worse, a crutch—something you lean on so habitually, that the mere thought of its absence feels like an amputation.

“S-sorry,” you release a shaky breath, tears pricking your vision, unbidden. Unwelcome. “Sorry.”

Another vibration. You can picture it clearly in your head: the worry marring his face, the exasperation in his eyes.

You retch.

––––

The red takeout box from Panda Express sits in front of you, its contents lukewarm and forgotten for the better part of the hour. You barely remember ordering it—actually, now that you think about it… Did you even order it yourself? Your memory’s a little hazy, just like everything else today. And last night.

Sylus’ voice crackles through your phone, propped precariously against a half-empty mug of tea on the low table.

His presence, as always, manages to fill the room, though this time there’s a palpable tension in the air since you opened the game. His initial greeting had all the warmth of a parent catching their kid sneaking in past curfew. The moment his image blinked into view, you could see the battle in his eyes.

On one end, he simmered with ire, almost ready to boil over. On the other, he looked like he’d gladly claw his way out the screen just to tuck you into bed and personally force-feed you the food you’ve been ignoring for the past forty minutes.

“Eat it,” he grouses, a hint of steel sharpening his deceptively calm tone. The worry beneath it feels like it could strangle you.

(And if it could, it probably would—if he has any say in it.)

You whine, burrowing deeper under the blanket, folding yourself into a sad, uncooperative ball on the couch. “I will. Eventually.”

“Eventually?” he echoes, the incredulity clear in his voice. “Do you plan on eating it soon as it becomes inedible, or is this a test of endurance?”

With a sigh that feels like it’s pulled from the depths of your soul, you poke halfheartedly at the lid. The smell of grease and fried food wafts out, making your stomach churn. Whether it’s from nausea or hunger pangs, you can’t tell.

“It smells like regret,” you mutter, swallowing the lump rising from your esophagus.

Sylus snorts, and you can tell it slipped out before he could stop it. “Considering the state you’re in? Can’t say I’m surprised. But you still need to eat, kitten. You can’t run on stubbornness alone.”

“I’m doing fine so far,” you argue weakly, knowing you’re not convincing anyone. Your body feels like it’s been put through the wringer—limbs heavy, muscles crying in protest, a pounding headache that refuses to let up.

“Fine,” he repeats, dry as ash. “You can barely hold yourself up, but sure, let’s call that fine.”

You finally flip the box open, revealing a mess of something fried and vaguely brown. The smell hits you harder this time, and you salivate something odd. “I don’t think—”

“Eat,” he cuts you off, voice firm, brooking no argument. “You’ve done well with the tea, but now you need something to fill you up.”

“I can think of something else I’d like to fill me up,” you mumble, the words slipping out before you can stop yourself.

A beat of silence, and then Sylus’ tone shifts—a touch amused now, but it’s edged with a deliberate weight that makes your skin prickle. Uh-oh.

“Sweetie,” he says slowly, almost indulgent, “if you’ve got the energy to make jokes like that, you’ve got the energy to eat. Be good, and I’ll make sure you’re properly rewarded once you’re feeling better.”

You laugh, breathless, trying to mask your nervousness from the subtle innuendo. Obediently, you pick up the plastic spork beside the carton. “You’re really selling this hard, huh.”

“I’m not here to sell it,” he sighs, voice losing its edge, but there’s still a firmness to it. “I’m here to make sure you don’t pass out. One bite. Start there.”

You spear a piece of shrimp hesitantly. It looks harmless enough, but you lift it like it might bite back.

You take the tiniest nibble.

It’s greasy, salty, and absolutely meh—but it doesn’t immediately trigger your gag reflex, which in itself feels like a small victory.

“There,” he says, his satisfaction palpable. “See? You survived.”

“Barely,” you shoot back half-heartedly, though the corner of your mouth twitches.

“I’ll make sure to congratulate you later for your heroic recovery,” he says wryly. “Now another bite, sweetheart.”

You make a reluctant noise but comply, munching slowly. He hums in approval. When you glance at the screen, his expression has mellowed—the severity giving way to something almost tender.

You look away quickly, swallowing hard; though you're not sure if it’s because of the tiny morsel of food or from the heavier something that's lodged in your throat.

The sound of your chewing is slightly amplified by the silence that comes after. You’re afraid to break it first.

So Sylus does it for you. Once he’s decided you’ve had your fill of the fried rice.

“Would you like to talk about last night?”

You bite the inside of your cheek. “What about last night?”

A long pause.

“We don’t have to,” he says quietly. “I’m just saying that if you want to, you’ve nothing to worry about.”

The sincerity in his voice makes your chest tighten. You press your lips together, unsure of how to answer. There’s discomfort; the unease brought by your own self-consciousness.

“I—uh—” You start, fumbling for the right words. “I didn’t mean to… make things weird or anything. I don't usually get that wasted,” You sigh, blowing a stray hair out of your face. “I’m sorry you had to see me like that.”

“The only thing you did wrong last night was ignore my messages,” Sylus murmurs, his tone a little admonishing. “Making me worry about your well-being.”

You glance up, catching the affection in his eyes. He gives you a slight smile, relieved to finally have your attention fully on him.

You scrunch the blanket in your fist, fiddling with a loose string. You want to say something. Anything. But you can’t seem to summon the courage.

Finally—

“You don’t think…” you hesitate, voice small. “You don’t think it’s– that I’m… too much trouble?”

He tuts softly, the sound playful, with hints of something fond. Comforting, almost. So you hold his gaze, even if it’s a little harder than you’d like it to be.

Sylus looks at you with something so… endearing that it’s almost painful. “You’re perfect. My little troublemaker,” his eyes burn a little brighter. “Mine.”

The words hit you like a wave—soothing, gratifying. Staggering.

Oh, you want to believe him. You want to lose yourself in his words, to give in to the feeling of being cherished, of being seen. You don’t think you’ve wanted anything as much as this.

But turmoil wages a war inside you, and you’re stuck between the pull of letting yourself believe and the sharp reality of your situation.

The futility of it all.

It makes you hurt, deep inside, in a way you don’t know how to fix.

––––

The package you got from the lobby is nondescript. Unassuming. The kind of box that could contain anything from kitchenware to – you don’t know, maybe a desk lamp? You turn it over in your hands, squinting at the lack of clues of its content and its sender.

Did you order something and forgot?

Payroll was over a week ago, and you’re aware of your irresponsible tendency to pile everything that catches your eye onto an online shopping cart just to tempt yourself into buying shit you don’t need, but you’re pretty sure you’d remember spending money on… whatever this is.

It’s not until you’re back in the privacy of your apartment, scissors in hand, that the mystery begins—and promptly ends.

The contents spill out, leaving you to blink owlishly at the mess of shredded wrapping paper and its pièce de résistance: a nine-inch monstrosity of a dildo, hot red in color.

The… thing is practically a weapon, its twisting ridges and intimidating girth looking more like something you’d need a user manual for. Or a fucking exorcist, you distantly think in rising panic.

“Uhh…” The sound tumbles out, an embarrassing mix of confused and gobsmacked. “I don’t remember—?”

Ping!

Your phone chimes before you can finish, and you slowly turn your gaze towards the screen, a sinking feeling beginning to form in your gut.

The message is short. And oh-so-smug.

Ah. Just in time.

The realization dawns on you, and your cheeks burn hot enough to fry an egg. “Sylus!”

What? Even in text, his tone carries that infuriating slyness you can practically hear from a mile away. You’ve earned it.

Your mouth works uselessly for a moment before words could spill out, clumsy and agitated. “Earned what?!”

A little treat for being such an obedient little thing while you were recovering, remember?

“Holy shit,” you wheeze. A half-hysterical giggle bubbles up your throat as you hold the draconic cock far from you as if it’s gonna attack at any second. Fuck, it might. “This is almost as big as my forearm! The hell am I supposed to do with this?”

What do I expect you to do with it? Sylus’s reply comes almost instantly, the weight of his insinuation almost coming across as mocking. I thought that was obvious.

You didn’t think your face could go any redder, and you’re sure you resemble a fucking tomato right at that moment. “Sy-Sy, this is—” You gulp, glancing at the toy with wide eyes. “fucking massive. It–it has… it’s got scales!”

Ah, so you’ve noticed the craftsmanship. Quite exquisite, isn’t it?

“E-Exquisite?” you sputter, voice soaring at a higher octave. “This looks like it came out of Alien or something! I’m pretty sure it’s gonna start moving on its own…”

Only if you press a button.

Your brain short-circuits, and you frantically examine the thing for telltale signs of any hidden mechanization.

There’s a short lull, laden with barely restrained amusement. Then: Relax, sweetheart. It’s not going to bite.

You let out another – nervous – laugh, gingerly setting the large toy down as if it might explode from its sheer audacity. “I hate you.”

No, you don’t, Sylus counters without missing a beat. But I do appreciate how flustered you’re getting. Go on, sweet thing—tell me how it’s too much for you. I could listen to that all night.

You let out a strangled noise, burying your face in your hands. “You’d love that, wouldn’t you.”

Mmh, you know me so well.

You sigh, the gravity of what’s inevitable setting in. It was like fighting a losing battle.

Something the both of you knew right from the start.

(You are my angel)

“I-It hurts to put in,” you whimper, body trembling as sweat clings to your flushed skin. Every muscle feels taut, coiled tight with both anticipation and a flicker of fear. “p-please…”

“We have the rest of the night, little dove. We’ll take it slow,” Sylus whispers, his voice a velvet caress in your ear, warm and grounding. “I’m right here.”

His words melt into you like cloying liquid, wrapping around your resolve like a sensual embrace.

(Come from way above)

“Again.”

“I-I can’t,” you sniffle, the words breaking into short, shaky gasps as your chest heaves. The remnants of your last orgasm still ripple through you, the one he’s ripped from you mercilessly.

“You can, poppet,” he coos, the endearment sliding over you like cool mercury. “Give me one more, yeah? Want to see those pretty eyes rolling for me.”

The thought alone has you shivering, his tone dripping with enough heat to stir something molten from within you.

(To bring me love)

The air hangs unbearably hot, almost suffocating. Every nerve sings, alive with the memory of his ministrations—though he’s never truly touched you, has he?

It doesn’t matter. The line between what’s real and what’s not blurs further with every passing moment.

Your body burns, and yet you crave more, more—the pulsing ache of your stretched walls only feeding the gnawing hunger that builds inside, like an unrestrained beast.

You blink sluggishly; your vision swimming as pleasure courses through you in heavy, dizzying surges.

Has he bewitched you? You’ve become insatiable, ravenous—monstrous in your desire. For him. For the addicting high only he could give, and teasingly dangle just out of reach.

It’s too much. It’s not enough.

How…? He’s nothing but a voice, incorporeal, yet he commands you completely. Your hands, your movements, your very breath feels as if it belongs to him. They follow his instructions without hesitation, carving paths of fire and electricity across the bare expanse of your skin.

“More?” Sylus rasps, and the edge in his voice sends a thrill down your spine. There’s something feral in his tone, and it brings you an almost animalistic sense of glee to know that he isn’t unaffected by all of this any less than you are.

“More,” you beg, raw and needy. He groans in response.

“Good, so good for me,” he hisses a litany of praise that sounds so much like a curse. “My good girl. Mine to break, mine to ruin.”

Your back arches as you cry out; muscles locking, mouth falling open in a soundless scream as both agony and ecstasy crash over you like a tidal wave.

(Love you, love you, love you, love you Love you, lo–ve you, love you, love you … Love you, love you—love you, love you…)

––––

"My cousin's getting married tomorrow."

You say it with an air of nonchalance, your voice light, as if you’re just commenting on the weather.

Sylus doesn’t respond right away. His usual quick wit is conspicuously absent, replaced by a silence that stretches long, settling into the room like a beam of sunlight from your window. The continuous whirr of the electric fan and the droning of the news anchor on TV fill the space instead, in place of conversation.

You don’t force it. Instead, you wait patiently until it bends under its own weight and breaks.

After what feels like minutes, his voice cuts through the quiet; neutral and impassive. "Where's it happening?"

"A little chapel in Downtown Orlando, near Lake Lucerne. Nothing fancy. They’re keeping it small."

He nods, his gaze distant. Somewhere you can’t follow. "Just close family?"

"Yeah," you murmur, your fingers absently tugging at the fraying hem of your cardigan. "And a few friends. My mom’s going, along with her new husband. They sent me photos of the setup earlier—it’s pretty."

Sylus hums. “Would you have gone, if it weren’t so far away?”

“Yeah,” you answer automatically. “Yeah, ‘course. But I’m here, and they’re there. So I could only send my regards.”

Maru pads into the room, brushing against your leg before bumping his head insistently against your shin. You scoop him up, ignoring his soft meows of protest, and cradle him in your lap.

“She’s been planning it for months,” you continue, scratching behind soft cat ears. “Way before she got engaged. She’s one of those people who just… knows. Knows what she wants, knows how to get there. All mapped out, down to the finer details.”

In the corner of your eye, you see a faint smile ghosting his lips. It doesn’t reach his eyes. "What a luxury,” he remarks, almost wistfully. "To pave your life so easily, just like that."

There’s something unspoken behind his words, something heavier than a passing comment.

"Do you think about it?" His question startles you—not just its suddenness but the way his gaze locks onto yours, intent and searching, like he’s trying to read the answer in your face before you could even utter a word.

You blink. "... About what?"

"Marriage."

You hesitate. The question feels delicate, like a soap bubble floating in the air, fragile enough to burst at the slightest touch. "Sometimes," you admit. "But not like she does. It's always been more of an abstract idea, I guess."

He doesn’t speak.

"I don’t know," you say softly, “if it’s something I could ever want. Or if it’s even meant for me."

Your voice falters, and the rest is left unsaid, though it lingers between the spaces untouched.

I don’t think about it, no. Not if… if it’s not with—

You stop yourself before the thought takes flight, tampering it back down.

Sylus leans back, his gaze flickering away. "It’s a commitment," he says eventually. "One that requires a lot of thought. I understand."

He doesn’t elaborate, and for a moment, you almost consider leaving it there. But something in you—persistent, prying—urges you to press just a little further.

"What about you? Have you thought about it?"

There’s an imperceptible shift in his expression; the faintest furrow between his brows, a shadow of uncertainty crossing his features.

"Perhaps not in the way you're thinking," he says quietly, almost to himself. "Sometimes I wonder what it means. For someone like me." He hesitates, glancing at you, an uncharacteristic vulnerability in those deep pools of red. “For…”

His words hang unfinished; you feel its hollowness pushing down on you, as though they bore meaning neither of you can bring yourself to name.

You feel it settle in your chest, vacant and aching, like an absence of something. Gone before it even began.

––––

It dawns on you on a regular Saturday evening, as you're (clumsily) peeling potatoes for dinner, and Sylus is dutifully recounting the events of his day to you like your very own talk show host on late night cable.

It creeps up at you—not in an explosive burst of clarity, no. No fanfare, no earth-shattering epiphany. It’s quieter than that, like the tides under the moon, rising unnoticed until you’re already ankle-deep.

Maybe it’s always been there, tucked into the corners of your mind, hidden in the spaces between the teasing banter and the way he watches you when he thinks you’re unaware. A whisper that you refused to acknowledge, too afraid of what it would bring.

You must have known, even then. Right from the start.

From the way it feels when he says your name—softly, reverently, like it’s a privilege to utter it so freely.

From the way you ache when he waits for you to finish a thought, as though every word you speak is something worth treasuring.

And it’s in the way he knows you better than you understand yourself, filling your silences with meaning so you don’t have to.

You love him.

You know how this ends.

––––

Coming down from a mind-numbing high is always an experience, a short state of nirvana; this time no different from the rest.

For a fleeting moment, everything feels infinite—a small eternity suspended in pleasure. Petite mort.

But then reality hits you once again, and the pleasure vanishes like smoke.

It leaves you feeling utterly spent. Empty. The silence crashes back in like a tsunami, heavier than before. The stillness wraps around you like a suffocating shroud.

The sound of your shallow breathing, the oppressive white noise, the distant hum of the city from outside your window… These are your only source of life. There’s no warm touch to ground you. No arms to pull you close. No sweet nothings to piece you back together. Just this. Just you.

You had known. You always knew.

This was it—the price of wanting something you were never meant to have. For surrendering yourself to something that exists only in fragments and pixels, bound by lines of code and a screen you can’t cross. You delude yourself into thinking it’s worth it, that these fleeting moments of bliss outweigh the quiet wake of devastation it leaves behind, every time.

And yet—

A choked sob breaks past your lips, shattering the silence. It tears out of you like something primal, something you can’t control.

Your body folds in on itself, naked and trembling, your arms banding across your stomach like you’re trying to hold something broken together. The sheets beneath you feel clammy, disgusting, but you pull them tighter anyway, desperate for something to hold on to.

It hurts all the same.

“Talk to me,” Sylus whispers urgently. There’s something jagged and desperate about it. “Please. Tell me how to make it better.”

How could you?

What words could bridge this chasm between you? How do you explain a hurt so uniquely yours, so tied to the fragile intricacies of a body he doesn’t have, of feelings that leads to nowhere?

How do you describe the way it breaks you, knowing that he’s oh-so close, yet still—yet always—out of reach?

How do you describe the weight of being too human in moments like this?

You press your forehead to your knees, heart in your throat. You don’t know how to make him understand.

“I can’t,” you whisper into your knees, voice cracking under the weight of what’s left unsaid.

The next morning arrives with the muted glow of daylight filtering through the blinds, but it does nothing to lift the oppressive tension in the room. You don’t mention last night. You don’t even glance at the lit phone screen.

Sylus doesn’t bring it up either—not directly. But you feel him. The weight of his attention clings to the edges of the silence you’ve imposed, like static crackling just beneath the surface.

You keep moving. It doesn’t matter how; you make yourself busy. Work has never been more engrossing as it does at that very moment, and you hurl yourself into the thrilling world of emails, spreadsheets, and Teams meetings like you’re vying for the spot as best employee of the month.

His impatience is impossible to ignore. It presses against you, insistent, like a gasp of breath waiting to be released. But you don’t give him the chance.

At some point, his voice drifts from the speakers, low and clipped, but careful; as if he’s reigning in his emotions, afraid to scare you further away.

“Are you going to talk to me?”

Your fingers hover the keyboard. For a moment, the mouse cursor taunts you, as if it's also impatiently waiting for an answer.

Sylus thinks the silence you leave him suspended in is deliberate, even cruel.

He doesn’t push, not immediately. You hear the faint noise of the game’s background music, the tinkling piano keys, a reminder of his presence.

When he speaks again, his tone is softer, laced with something almost… pleading. The change in his tone doesn’t ease the tension; it makes it worse.

“I can’t help if you shut me out, my heart.”

Still, you offer nothing.

The air feels brittle, stretched too thin, like glass just before it shatters. You can almost hear the first cracks forming, spidering between the two of you.

He doesn’t speak again.

The day drags on in an uneasy rhythm. You move through the hours like a ghost, and Sylus remains silent. But the quietness pulses with disconcertment; a build up without release. The quiet isn’t peaceful. It’s the kind that crackles like a frayed wire. It collides with your refusal to confront it.

And so it goes: you avoid, he waits, and the distance between you grows.

––––

You’re at a crosswalk on the 4-A highway intersection, surrounded by a sea of pedestrians, the incessant hum of the metropolis vibrating beneath your feet as if the very ground you walk on is alive.

The moment your gaze lands on a couple just ahead of you, everything seems to quiet down, like a fuzzy FM radio station on mute. You see them, caught in their own little world, oblivious to the noise and rush of the city.

The woman’s laughter is light—happy. Her hand in his, secure and relaxed. The way she looks at him… it’s familiar, almost. Something you recognize.

The man beside her moves with a subtle grace. His presence is undeniable, but it’s the way he watches her, something soft and devout in his gaze, that draws you in. He’s tall, his sharp features and posture elegant—and somehow, it fits perfectly beside the smaller figure pulling him effortlessly against the throng of people.

Without warning, the unnamed man’s features shift into something more distinct, and the woman turns into the reflection you see every day in the mirror.

It’s not the couple before you that you see anymore—it’s you, against Sylus’ chest, his silvery-white hair stark against the dark fabric of his clothes. You imagine his red eyes, those sharp features, the quiet strength of his presence wrapping around you, like it’s where you belong.

You're lost in the fantasy—the way it could be, if the two of you existed in the same world, side by side. His hand around your waist, the shared intimacy, the profound joy. Just the two of you against all odds.

A smile starts to tug at the corners of your lips, but before it can fully settle, the harsh blare of a car horn shatters the illusion.

The world rushes back around you. A teen bumps into your shoulder, pushing you forward. The vision of them—of him—dissolves, leaving you in the busy street, once again just another face in the crowd.

––––

Everything falls apart one afternoon.

You confront Sylus, words spilling out before you can stop them. You don’t know what drives you—bravery, desperation, or maybe the crushing weight of hopelessness that has finally stripped you of your fear.

“How’s she?”

His brows furrow. “Who?” He looks genuinely thrown, and for a second, you wish you could take the words back.

When you finally say her name, his expression shifts. It’s quick—a flicker of something you couldn’t catch before he schools his features again.

“Why do you ask?” There’s an undercurrent to his voice now, his tone wary, eyes searching yours. “I try to avoid any interactions with her if it’s not needed.”

He pauses; then his gaze softens, though there’s still a guardedness to it. “Are you… worried?”

You shake your head, frustrated with yourself, with him, with all of it. “It’s not—It’s not that.” You don’t know how to put it into words.

How can you explain the knot in your chest? The envy—not for reasons he thinks… or maybe for exactly those reasons. Maybe he knows. Maybe that’s why he’s looking at you like that, imploring and cautious at the same time.

“You have her,” you finally say, and the words fall flat, bitter on your tongue.

Sylus’ eyes flash, sharp and unyielding. “And you and I both know who I’d rather have.”

Now, isn’t that the crux of it all?

Your throat closes up, a hard lump that you can’t swallow down. “I don’t know how you could,” you manage, though it rings hollow in the dead air.

“Don’t.” His voice is harsh now, rougher than you’re used to. Frustration bleeds through his usual composure. “Don’t act like you don’t feel it.”

You bite your lip, your gaze darting away. He calls your name, and there’s something raw in the way he says it, like it costs him something just to say aloud.

You choke out a laugh that sounds more of a sob than anything. “I don’t know where to go from here. It was fun at first, but now… It’s just sad.”

He frowns, and for a moment, there’s a boyishness to the expression, an innocence to his vulnerability. It stirs something deep in your chest.

He opens his mouth, no doubt ready to ask why—why now, why this? Why are you unraveling in front of him, like this?

But you don’t give him the chance.

“I love you, Sylus.” You admit, barely above a whisper. The words fall heavy between you, a confession and a wound all at once.

Sylus stills.

The silence fills the room, but his eyes—those soft crimson—speak volumes. His jaw tightens, hands clench into fists, but there’s no real surprise in his face. He’s always known.

“I know,” he tells you.

There’s something ancient in the timbre of his voice, like it’s been torn from the deepest part of him. And for a moment, neither of you moves.

He feels it—the way you’re slipping through his fingers. Every word you say feels like a step away, less of a standstill, more a surrender, and he… he’s never felt more powerless than he does in this moment.

(And isn’t that just grand? You’ve always had this uncanny ability to make him feel things he’s never felt before. He just wishes it wasn’t like this—wishes it wasn’t slipping into something he can’t hold onto.)

He doesn’t know what to say or do, doesn’t know what could possibly alter the trajectory you’re both hurtling towards. But the thought of losing this, of losing you, is unimaginable.

“I love you,” he says, rough and uneven, like the admission physically hurts. “In ways that terrify me. Do you understand?”

Your eyes widen, and he sees it—the flicker of hope. Fragile and fleeting, but there. Your gazes lock, and the world stops.

For a moment, there’s no sound, no movement—just the two of you standing on the edge of something vast and terrifying.

“I want—” His voice cracks, infinitesimally, but it echoes in the void between you. “I want to hold you. To wake up next to you. To touch you in all the ways that matter, not just in words and binary. I want to be what you need.”

You know what’s coming.

“But—”

The word lingers.

“But you can’t,” you whisper, finishing what he couldn’t.

Sylus looks at you, his red eyes burning with an intensity that feels heartbreakingly human.

You’ve reached another impasse, and it feels like the final one. The air between you is thick with words unspoken, promises that can’t be made. It’s not anger that lingers, nor is it blame. It’s something quieter. More agonizing.

A resignation.

And yet, even in this fragile moment, a piece of you—of both of you—refuses to let go. To what could be, to what never will.

––––

Your mom’s voice rings bright through Facetime, a faint blur of words as she gives you the rundown of the events from your cousin’s wedding. The dress (An elegant Oscar de la Renta boat neck), the cake (A three-tier red velvet, a little on the sweeter side), and the vows (“Oh, you would’ve cried, honey!”).

You try to listen, but your attention keeps drifting away. She notices, of course.

“You seem more preoccupied lately, dear. Boy troubles?”

It’s a simple question, but it lands differently. Her voice is too light, too casual, like she’s asking if you’re still eating your vegetables.

She doesn’t seem to acknowledge how far the distance has grown between you, how many years have passed where you stopped expecting her to understand. You’ve wanted her to notice, to see the parts of you she never asked about. The changes in you, whether small or monumental. But she never did. And you stopped waiting.

You chuckle tiredly.

“Yeah, mom. Boy troubles.”

Tagging: @xxfaithlynxx @beewilko @browneyedgirl22 @yournextdoorhousewitch @sunsethw4 @stxrrielle @mangooes @hrts4hanniehae @buggs-1 @michiluvddr @ssetsuka @imm0rtalbutterfly @the-golden-jhope @beomluvrr @milkandstarlight @bookfreakk @ally-the-artistic-turtle @sapphic-daze @sarahthemage @cchiiwinkle @madam8 @slownoise @raendarkfaerie @sylusdarling @luminaaaz @greeenbeean @vvhira @issamomma @shroomiethefrogwhisperer @blueberrysquire @lovely-hani @fiyori @peachystea @slyfoxtsu @tinyweebsstuff @i2sannie @aeanya @sylus-crow @queen-serena88 @xthefuckerysquaredx @rayvensblog @poptrim

#love and deepspace #lads #lnds #love and deepspace sylus #lads sylus #lnds sylus #sylus x reader #sylus x you #lads x you #lads x reader #love and deepspace fic #self aware au #sylus qin

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augustinewrites · 9 months ago

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cw: pregnancy

“when you said we were sneaking out to go for a ride, i didn't think you meant that,” you sigh, breathless but content as you slump against your husband’s chest.

“deep breaths, darling,” diluc encourages, fingertips brushing down your spine. it makes him think of before, of juvenile fumbling and embarrassment. he’s much less chaste now. confident in his touches and his ability to please you. “why let the horses have all the fun?”

“you’ve been spending too much time with kaeya,” you grumble.

“i agree. it’s why i had to sneak away from his party with you.”

“your party,” you correct, letting him twine your fingers with yours. just like he had earlier, when he’d convinced you to sneak out of the surprise birthday party thrown in his honour. “the guests are likely looking for you.”

diluc’s used to being the center of attention. he doesn't necessarily enjoy it, but his day-to-day is filled with employees searching for his signature or potential clients seeking his participation on new ventures. as the king of the wine industry, he’s possibly the most in-demand person in mondstadt.

but their attention is nothing compared to yours. you’re his favourite person.

“you didn't even make it to the cake,” you add, shifting in his lap. “which means they'll be looking for us soon.”

he brings your hand to his lips, placing a soft kiss upon your knuckles and making your heart flutter. “i've already had dessert.”

your face warms considerably against his skin as he chuckles, releasing your hand in favour of slowly smoothing his palm down your side, resting on your hip. he’s more than content to abandon his birthday party entirely in favour of being here in bed, watching the sunset over the fields of your home and bathing you both in golden light.

“well, it’s your birthday party,” you say softly. “even if your actual birthday is two days away, i still want you to have everything you could possibly want. and if what you want is to sneak away from your party to bed me so thoroughly, who am i to argue?”

his heart starts to thump so loudly in his chest that he fears you can hear it. he does want something else, an answer to a question that’s been stifled by shyness, fear, and uncertainty.

“and if i wanted…something else?”

your fingers trace idle patterns across his arm as you hum. “i’d do my best to give it to you.”

he knows you would. which is why he’s been waiting, making sure you want this just as much as he does.

“kaeya said something to me earlier,” he starts.

“please tell me this doesn't end with you hitting him.”

“of course not.” well, not this time. “he asked when i would make him an uncle.”

your movements pause, and diluc wonders if he'd messed up, if it was too soon–

you sit up immediately, grasping his shoulders. “he told you i was pregnant, didn't he? i knew adelaide wouldn't be able to keep it a secret. she’s been knitting baby socks since last week.”

wait.

“you’re–”

“i wanted it to be a surprise,” you deflate, a frown tugging on your pretty lips. “on your real birthday. adelinde was the only one i told, only because she’d caught me throwing up in the rose bush she’d just pruned and insisted i get checked…”

diluc’s hardly hearing you, your rambling slowing to a stop as he holds your face in his hands.

he needs to hear you say it.

“we’re having a baby?”

you place your hands atop his, nodding. “we’re having a baby, diluc.”

he presses his lips against yours, one firm kiss before he rests his forehead against yours. you are and will always be his favourite person, the only one who could give him a gift as special as this.

_____

BONUS:

“lavender bisque. whispering peach. sweet potato surprise…” adelinde murmurs, hunched over a few sheets of paper.

“what is that? is that the menu for tomorrow’s party?” kaeya asks, peeking over her shoulder.

adelinde sighs, shaking her head. “they're sample colours i had sent over for the nursery.”

“nursery?”

“yes–” the colour drains from the poor woman’s face as she realizes her slip. “oh dear!”

the realization takes a few moments to sink into the cavalry captain’s “my brother had sex?!”

for @mydiluc aka mrs diluc ragnvindr for listening to my endless rambles...and also diluc bday fic!!!

#diluc x reader #genshin x reader #genshin fluff #diluc x you #genshin x you #f!reader

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vibelladonna · 16 days ago

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✑ 𝒷𝓊𝓃𝓃𝓎 𝓈𝓊𝒾𝓉 𝜗𝜚 𝒸𝓇𝑜𝓌𝑒, 𝓈𝑜𝓁 𝒶𝓃𝒹 𝑔𝑒𝑜

· ───────⋆⋅♤⋅⋆─────── ·

𝓈𝓎𝓃𝑜𝓅𝓈𝒾𝓈: Who doesn’t love a good bunny suit fanfic? This little piece was inspired by the incredible artwork of @alienfreak124. I’m always in awe of her creations—her OC is so cool! Honestly, every time I see her work, I wish I had the talent to draw. T-T Always wanted to see what my OC would look like in the Tkatb fandom.

𝒸𝑜𝓃𝓉𝑒𝓃𝓉 𝓌𝒶𝓇𝓃𝒾𝓃𝑔: 18+ NO KIDS (Adults Only) This content contains mature themes unsuitable for children. Please respect the creator's intentions.

Also, I’ve been thinking about branching out into other fandoms—Creepypasta is definitely at the top of the list since it was such a huge part of my childhood. Ticci Toby has always been my favorite, and I’m super excited to dive into that world. I’m also considering Death Note and Black Butler, but who knows?

For now, I’m pretty set on exploring the creepy side first, especially with all the dark, twisted fandoms.

Anyway, I’ve got about three fics in the works for these lovely men—Crowe, Sol, and Geo. But it’s gonna be one day at a time because, let’s be real, I need to stop posting these things so damn late. College life is getting hectic, but I’m making it work, even if it means less sleep. Priorities, right?

· ───────⋆⋅♤⋅⋆─────── ·

✑ 𝒸𝓇𝑜𝓌𝑒

You’re in your room, standing in front of the mirror, tugging at the hem of a plain black dress.

It’s simple, safe, and exactly the kind of outfit you’d usually wear to a small party. You tilt your head, trying to decide if “simple” is too boring. The party isn’t exactly a big deal—just a casual gathering—but there’s a nagging thought in the back of your mind:

Crowe’s going to be there.

Before you can overthink it, there’s a sudden knock at your door. “Hey! Open up!” Brittney’s voice is unmistakable—high-energy and impossible to ignore. You sigh, already knowing she’s about to upend whatever plans you’ve made for the evening.

When you open the door, Brittney bursts in like a hurricane, her arms overflowing with what looks like… fur? No, it’s worse. It’s a bunny costume—a black bodysuit with matching ears, thigh high socks, and heels so high they look like a twisted form of punishment.

“Oh no,” you say immediately, holding up your hands in protest. “Absolutely not.”

“Oh, come on!” Brittney waves the outfit in front of you like it’s the Holy Grail. “It’s perfect! It’s fun, it’s flirty, and you’ll steal the spotlight! Imagine the look on everyone’s faces when you walk in wearing this. Especially Jericho.”

Your stomach flips at the mention of his name, but you shake your head. “There’s no way I’m wearing that. I’ll look ridiculous!”

“Ridiculous?” Brittney scoffs, planting her hands on her hips. “Please. You’ll look hot. Besides, when was the last time you did something bold? Live a little!” She leans in, grinning mischievously. “And, you know, like I said he might notice.”

You roll your eyes, before releasing a sigh, “Britt, I’m not trying to ‘steal the spotlight.’ I just want to blend in.”

“Blend in?” She gasps like you’ve just insulted her personally. “Blending in is for cowards. And you’re not a coward, are you?”

“...You’re guilt-tripping me.”

“Is it working?”

Unfortunately, yes. You stare at the bunny suit like it’s a wild animal that might bite you, but part of you can’t help wondering: What if Brittney’s right? What if Crowe actually notices?

“Fine,” you say, at last, snatching the costume from her hands. “But different heels and if I look stupid, I’m blaming you.”

Brittney claps her hands in triumph. “You’ll look amazing, trust me! Now, hurry up and get dressed—I need to see the final look.”

You sigh and shut the door, holding up the bunny suit with a mix of dread and curiosity.

This is either the best idea or the worst mistake.

The moment you step into the party, a hush falls over the room—or at least it feels like it. The warm glow of string lights strung across the ceiling doesn’t do much to soothe the nerves twisting in your stomach. You keep your head down, gripping a drink you barely remember picking up, and try to focus on anything other than the fact that you’re dressed like a bunny in a room full of people dressed... normally.

Brittney, of course, is loving every second of it. She’s practically glowing as she flits around the room, dropping comments like, “Isn’t she adorable?” and “Doesn’t she look amazing?” to anyone within earshot. You glare at her from across the room, but she just winks and mouths, “You’re welcome.”

You hover near the edge of the crowd, trying to blend into the background. It’s ironic, considering the ridiculous outfit, but you figure if you keep still enough, maybe no one will notice. That plan works for about five minutes—until you catch a familiar figure out of the corner of your eye.

Crowe.

He’s leaning against the wall near the bookshelf, casually sipping from a glass, his posture as effortlessly relaxed as ever. Even in the soft glow of the party lights, he’s sharp, dressed in his usual clean, put-together style that somehow manages to look both formal and casual at the same time. He always looks like he belongs on a magazine cover—button-up sleeves rolled neatly to his elbows, a faint smirk playing on his lips as he listens to someone talk.

You freeze, torn between retreating to the nearest shadowy corner and pretending you haven’t seen him, or... well, doing something else. But then, as if sensing your eyes on him, Crowe looks up—and the moment his gaze lands on you, it’s like the rest of the party fades into the background.

You brace yourself, half-expecting him to laugh or make some snide remark. Instead, his eyebrows lift slightly, and the corner of his mouth quirks up into what might just be the faintest hint of a smirk. He takes another sip of his drink, sets the glass down, and begins making his way toward you.

Oh no.

Before you can figure out an escape route, he’s standing in front of you, tall and composed, with that cool, unreadable expression that makes your heart do ridiculous things.

His expression is calm and unreadable, but there’s a sharp glint in his eyes that immediately sets you on edge. The drink in your hand suddenly feels useless as you clutch it tightly, wishing you had anything to focus on besides the way Crowe’s gaze is very obviously trailing over your bunny suit. Slowly.

“Nice to see you decided to... dress up,” he says, his tone dripping with amusement as he comes to a stop in front of you. His eyes flicker from your bunny ears to the tights and back to your face, where your mortified expression only seems to fuel his teasing.

“This wasn’t my idea,” you say quickly, feeling the need to defend yourself. “Britt made me wear it. She said it’ll steal the spotlight or whatever…”

Crowe raises a brow, “Britney suggested this..?” then soft smile appears once again as he leans just slightly closer. “Oh, I believe you. But she didn’t make you come to me wearing it, did she?”

You sputter, your face heating up. “I didn’t come to you! You walked over here!”

“Did I?” he asks innocently, his smirk widening into something outright devilish. “Must’ve been the bunny ears. Hard to miss.”

You glare at him, your mind racing for some kind of witty comeback, but it’s hard to think when his gaze keeps darting to your legs, the curve of your waist, and then back to your face, like he’s deliberately making a show of it.

“Well,” he says after a beat, his tone maddeningly casual. “She wasn’t wrong.”

Your brain short-circuits. He did not just say that.

“Excuse me?”

“About the spotlight,” he clarifies, his smirk softening into something almost... fond. “You’ve certainly got everyone’s attention.”

You rolled your eyes, “I look ridiculous,” crossing your arms over your chest, turning your head away from his gaze.

It wasn’t long before you felt his finger under your chin to look at him once more, his deep blue eyes filled with warmth, “I wouldn’t say that now,” he counters smoothly. His voice drops a little lower, just enough to send a shiver down your spine. “Not that I’m complaining, of course. But I’m curious—how many people have tried their luck with you tonight?”

Your eyes widen. “W-what?”

You can’t decide whether to tell the truth to him or strangle him.

“Come on,” he says, his smirk turning positively wicked. “In that outfit? Like you said, half the room is staring. Though...” He leans in, his voice dropping to a near whisper. “I doubt anyone else is appreciating it quite as much as I am.”

Your breath hitches, and you’re sure your face is about to burst into flames. “Crowe, you can’t just—”

“Say the truth?” he interrupts smoothly, stepping just close enough that you can catch the faint scent of his blueberry cologne. “Oh, I can. And I will.”

You open your mouth to argue, but before you can, Crowe’s gaze shifts, scanning the room. The teasing glint in his deep blue eyes is replaced with something sharper, almost protective, as he takes in the prying eyes of the other partygoers.

“It’s way too many people here,” Crowe mutters, his voice low enough that it feels like the words are meant only for him. Then he glances back at you, his eyes softening in a way that makes your breath hitch.

“Let’s leave.” He mumbled.

“What?”

“I said, let’s leave.” His hand brushes lightly against your elbow, the fleeting touch sending a spark up your arm. His gaze lingers on you, unreadable but heavy with something unspoken. “Unless you’d prefer to stay here and let everyone keep gawking at you like you’re... on display.”

Your eyes dart around the room, catching a few glimpses of the subtle but unmistakable stares in your direction. The air feels suffocating now, and the idea of staying in this crowded space seems unbearable. Still, you hesitate, caught off guard by the sheer intensity of his presence.

“Fine,” you say at last, forcing an air of nonchalance even as your pulse quickens. “But if you’re planning to tease me, I’m leaving the second you start.”

Crowe chuckles—a deep, smooth sound that does nothing to steady your nerves. “Don’t worry,” he says, his lips curving into a slow, knowing smirk as he places a hand lightly on the small of your back to guide you toward the door. “I’ll behave.”

You’re not entirely convinced, but before you can second-guess your decision, the two of you are stepping into the cool night air. The sharp contrast to the party’s stuffy warmth sends a shiver down your spine, but it’s not just the chill that has you trembling.

Crowe’s steps are deliberate, his presence magnetic as he walks you to his car. He unlocks the passenger door with a smooth motion, holding it open for you before rounding the car to slide into the driver’s seat. The quiet thud of the door closing feels heavier in the silence, the hum of the engine breaking the tension only slightly.

“Brittney’s going to wonder where I went,” you say softly, partly to yourself, as Crowe pulls out of the driveway.

“I’ll text her later,” he replies, his tone calm but firm. “She’ll survive.”

The car is dimly lit, the glow of passing streetlights casting fleeting shadows across his sharp features. You can feel his gaze flicking toward you every so often, lingering just long enough to make your skin tingle.

He doesn’t speak for a while, but the silence between you isn’t uncomfortable. It’s charged—like the air before a storm. You’re hyper-aware of every detail: the way his hands grip the steering wheel, the faint scent of his blueberry cologne filling the small space, the way his jaw tightens whenever you catch him sneaking glances.

“You shouldn’t let her talk you into things like that,” he says suddenly, his voice lower now, almost rough.

“Like what?” you ask, even though you know exactly what he means.

He glances at you briefly, his lips pressing into a thin line before his expression softens. “Like wearing something that makes every guy in the room look at you like they’ve forgotten how to think.”

The words are sharper than you expect, tinged with an edge of possessiveness that makes your breath catch.

“I thought you didn’t mind people staring,” you counter, trying to keep your voice steady.

“I don’t,” he says, his fingers tightening on the wheel. “Unless it’s you.”

The confession hangs in the air, heavy and electrifying. You look over at him, your heart pounding in your chest. There’s no teasing smirk now, no easy charm—just raw, unguarded honesty in his gaze as he pulls the car to a stop at the side of the road in the middle of nowhere.

He turns to face you fully, his expression unreadable but his eyes dark with something unmistakable.

“Do you have any idea what you do to me?” he asks, his voice barely above a whisper, the words rough with restraint.

Your lips part, but no sound comes out. The heat in his gaze is overwhelming, and you feel pinned in place by the sheer intensity of it.

“I’ve been trying to keep my distance,” he continues, his tone rough and uneven now, “but seeing you tonight, dressed like that, letting everyone else see you like that…” He exhales sharply, running a hand through his hair. “It drove me crazy.”

The air in the car feels thick, charged with an unspoken tension that’s almost suffocating. Your pulse pounds in your ears, your breaths shallow as you sit still, unsure of what to say—or if there’s even anything you should say. The silence stretches out, heavy and electric, until Crowe shifts closer to you, his movements deliberate yet almost hesitant.

His hand rises, and for a moment, you think he might stop midway. But then his fingers gently brush against your cheek, tucking a stray strand of hair behind your ear. The touch is light, almost feather-soft, yet it lingers—his fingertips trailing against your skin just long enough to leave a burning imprint.

“Please tell me to stop…” he murmurs, his voice deep and velvety, the faintest edge of uncertainty in his tone. “…before I do something I’ll regret.”

A shiver races up your spine at the feel of his touch, and the heat of his proximity makes it impossible to think straight. Your breath hitches, and you swallow hard, your throat suddenly dry. You manage to meet his gaze, his eyes dark and searching, as though he’s looking for any sign of hesitation.

“And if I don’t want you to stop?” you whisper, your voice trembling but carrying a weight of undeniable desire.

His breath catches, his chest rising sharply as though you’ve just knocked the air out of him. His eyes widen, a flicker of disbelief flashing across his usually composed face. His lips parted slightly as if to speak, but no words came out. Instead, he tilts his head, studying you like he’s trying to convince himself he heard you correctly.

You don’t reply right away—words feel clumsy in the intensity of this moment. Crowe’s gaze still lingers on you, steady and deliberate, traveling down the length of your figure and then back up again. His deep blue eyes seem darker in the dim light, their usual warmth replaced by something unreadable, something that makes your pulse race. His soft smile was still there, faint but unshakable, as if he knows exactly what he’s doing to you.

Your breath catches, and for a second, all you can think is how badly you don’t want this moment to end. Then, before your mind has time to catch up, your body moves on instinct. Slowly, deliberately, you move your body forward—out of the passenger seat closing the distance between you and him.

His head tilts slightly as he watches you, his soft smile faltering, replaced by a soft gasp for just a heartbeat as you climb onto his lap. Your knees press into the seat on either side of him, the soft material of your tights brushing against his thighs as you warp your arms around his neck looking at him.

For a brief moment, neither of you speaks. The air feels heavy, charged with something neither of you can name. His reaction is filled with disbelief.He inhales quickly, his chest rising against yours, and his hands lift instinctively to your hips. His grip is firm yet hesitant, his fingers flexing slightly on the tight spandex of your bunny suitas though he’s testing the reality of the situation.

You’re glad you caught him like this—off-guard, unguarded. It’s rare to see him anything but happily composed, but now? Now, his usual teasing and confidence feels shaken, his calm veneer cracking just enough to let you peek underneath.

“Don’t regret this…” you whisper, your voice low and thick with emotion. “Please don’t stop, Jericho.”

The tension in his shoulders eases, but only slightly. His body remains taut beneath yours, every muscle coiled like a spring. His hands tighten against your hips as if anchoring himself—or maybe anchoring you. He leans forward, and the closeness is dizzying.

His breath fans against your neck, warm and teasing, and goosebumps rise across your skin in response. His hands shift from your hips, sliding upward in slow, deliberate movements that leave you breathless. His thumbs trace over your waist, the faintest pressure sparking heat in their wake. His fingers move higher, brushing against your sides, and you can’t stop the way your body responds, arching slightly into his touch.

Soon his lips hover near your ear, his voice low and husky, dripping with intent as he murmurs, “I won’t.”

May got a little carried away here…

✑ 𝓈𝑜𝓁

You don’t know how it happened.

So okay, you do know how it happened—you were dumb enough to bet against Hyugo. The guy might be obnoxious, loud, and silly as hell, but unfortunately, he’s also good at literally everything. Somehow, that fact slipped your mind when you let him talk you into betting on the last round of a stupid game at a party.

It was one of those chaotic, anything-goes types of games, the kind where people are shouting over each other, rules barely make sense, and luck has just as much sway as skill. You don’t even remember what it was called—something involving a blindfold, ping pong balls, and a lot of yelling. I’m kidding here…

All you know is that Hyugo had that stupid grin on his face, the one he always wears when he knows he’s about to win.

“Come on,” he’d said, his voice dripping with smugness as he leaned against the table. “You scared or something? What’s the worst that could happen?”

And like an idiot, you fell for it. “I’m not scared,” you shot back, crossing your arms. “You’re on.”

Big mistake.

Because five minutes later, you were standing there in stunned silence, staring at Hyugo’s triumphant face as he held up his winning ping pong ball like it was an Olympic gold medal.

“Wow, that was almost too easy!” he said, laughing as he clapped you on the shoulder. “You really thought you could beat me?.”

You scowled, already regretting your life choices. “Yeah, yeah, whatever. What do you want?”

His grin widened, and you instantly knew you were doomed. “Oh, don’t worry,” he said, his voice practically oozing with fake innocence. “It’s nothing crazy. Just a little outfit change for, let’s say... an hour?”

Your stomach dropped. “What kind of outfit change? I have a movie night at Sol’s place later,”

And now here you are, standing in Sol’s dimly lit studio apartment, wearing a bunny suit that makes you feel about three sizes too exposed and questioning every decision you’ve ever made.

How the tf did Hyugo knew your size anyway?

The small space smells like popcorn and energy drinks, and there’s a paused horror movie on the screen, but all of that pales in comparison to the look on Sol’s face.

He hasn’t stopped staring since you walked in.

The guy is sitting on his beat-up couch, one leg tucked under him, the TV remote hanging limp in his hand. His mouth is slightly open, and his face?

Bright red.

Like, glowing tomato-red, borderline matching the devil on the movie poster behind him.

“…What are you doing?” he finally chokes out, his voice cracking just enough to make you raise an eyebrow. He clears his throat and tries again, this time deeper: “I mean, what’s this?” He gestures vaguely at you, but his hand is shaking a little, so it’s not exactly smooth.

You cross your arms, trying to tug the hem of the crotch area down to show less skin, but there’s no saving it—it’s just too short. “Lost a bet to Hyugo from party earlier today,” you mumble, your voice flat, as if that explains everything.

Sol squints at you, the disbelief radiating off him in waves. “Hyugo made you do this?” His tone flips between outraged and incredulous. His eyes dart down to the whole getup— floppy bunny ears, the thigh-high socks, even a little button tie—and then snap back up so fast you think he might’ve given himself a neck cramp. “Ugh… He’s the worst sometimes.”

“Yeah, thanks for the groundbreaking insight,” you deadpan, shooting him a withering glare. “I figured that out the moment Hyugo handed me this thing.”

Sol drags a hand through his perpetually messy hair, clearly grappling with some kind of inner turmoil. “You didn’t have to wear it, though,” he mutters, his usual grumbly tone edged with something oddly defensive. “You could’ve just… I dunno, said no.”

You blink at him, unimpressed. “Oh, sure. And let Hyugo post that video of me tripping like an idiot in front of the entire campus? An excellent alternative, Sol. Really genius stuff.”

He makes a weird noise in his throat, half a groan, half something else, and he mutters, “Still better than this…” But his eyes betray him.

Because despite the whole “ugh, this is dumb” act, Sol keeps looking. Like, really looking. His gaze lingers on your bunny ears, the curve of the bodysuit, and the thigh-high socks that are making you wish the couch would swallow you whole. Every time his eyes travel down, they snap back up so fast you’d think he got whiplash.

“What’s your problem?” you snap, crossing your arms over your chest, mostly for your sanity. “You’re staring.”

“I’m not—” He cuts himself off, dragging his hand down his face with a groan. “Whatever. I’m not the one dressed like…” His words trail off as he waves vaguely in your direction, his ears reddening again as if even describing the outfit is too much for him.

You sigh and plop down on his old couch because there’s literally nowhere else to go in this shoebox of an apartment. As soon as you do, Sol freezes like you’ve just stepped on a landmine. His whole body stiffens, his hands gripping his knees, and you swear he stops breathing.

“Relax,” you say, kicking off your heels with a sigh. “It’s not like I want to be here in this dumb outfit either.”

“You don’t look unhappy,” he mutters, barely audible, but you catch it.

Your head snaps toward him, catching the faintest flicker of his eyes darting to your outfit before immediately locking onto the popcorn bowl on the coffee table like it’s his last lifeline. His face is ‘burning’, and it only gets worse when he realizes you caught him looking.

“Excuse me?” you ask, leaning in slightly because you can’t let him off the hook that easily.

“I didn’t—” His voice cracks, and he clears his throat so violently it’s almost painful. “I just meant—uh, never mind.” But his ears are practically glowing, and you can feel the tension radiating off him in waves.

“Sure, okay,” you say, sighing as you settle deeper into the couch, before you mention, “It’s not like you’ve been staring at me like a creep since I walked in or anything.”

“I wasn’t staring!” he blurts, far too defensively for someone who was. He drags a hand through his hair, the strands sticking up even more as he groans like he’s on the verge of losing it.

“Oh, you weren’t?” you tease, tilting your head. “Are you calling me a liar?”

He shifts uncomfortably, his eyes flicking to your legs for half a second before darting away. His hands curl into fists on his lap, and his breathing sounds... uneven.

Fast.

One second, you’re sitting on the couch, awkwardly avoiding his gaze, and the next, you’re swept up off the cushions. His arms slide under you, one wrapping around your back and the other hooking beneath your knees, lifting you effortlessly into a bridal carry.

“Sol!” you shriek, your hands instinctively grabbing onto his shoulders. “What are you—put me down!”

But he doesn’t.

Instead, he lowers himself back onto the couch, keeping you securely in his hold. Your legs dangle awkwardly over his arm, your heels threatening to slip off, and you’re acutely aware of how close your faces are now—his warm breath brushing against your skin, his sharp eyes fixed on yours.

“Relax,” he mutters, his tone gruff but oddly soft. “You were fidgeting too much. Thought you were about to hurt yourself or something.”

“Hurt what now?!” you snap, glaring at him even as your cheeks flush. “I wasn’t—Sol, that doesn’t even make sense. Let me go.”

“Not yet,” he says simply, his grip tightening slightly as if daring you to try and wriggle free.

You glare at him, but the heat of his gaze makes it hard to keep your composure. His eyes flicker down for a moment—trailing from your flushed face to the curve of your legs draped over his arm. He’s trying to play it cool, but the way his jaw clenches and his ears turn a faint shade of pink gives him away.

“Your legs are cold,” he murmurs after a beat, his voice quieter now.

“I wonder why,” you deadpan, trying to ignore the way your heart skips at the hint of concern in his tone.

His lips twitch a shadow of a smirk tugging at the corner of his mouth. “This outfit isn’t practical.”

“Well, I didn’t exactly pick it,” you grumble, squirming slightly in his hold.

“Stop moving,” he mutters, his voice dropping an octave. His hands shift slightly, one sliding along your back and the other brushing against your thigh as he adjusts his grip. The casual intimacy of it makes your face burn hotter.

“Sol...” you warn, your voice shaky.

But instead of answering, he leans back slightly, settling you more comfortably in his lap. The movement makes your head spin—partly from the sudden shift, but mostly because of how close he is now. You’re practically curled up against his chest, his arm still supporting your legs while his other hand rests firmly against your back.

And then he looks at you again. Really looks at you. His orange-red eyes lock onto yours, and for a moment, the teasing, grumbly version of Sol you’re used to is nowhere to be found. There’s something different in his expression now—something serious, almost vulnerable, and it steals the breath from your lungs.

“You should be more careful,” he murmurs, his fingers brushing lightly against your knee. His hands slide from your hips to your legs. “These heels could’ve hurt me,” His thumbs trace slow, deliberate circles along the tops of your thighs, sending shivers up your spine.

Your mouth opens to respond—maybe to defend yourself, maybe to yell at him, you’re not sure—but then his hands shift lower, skimming over the curve of your calves. He grabs one of your feet, his fingers curling around your ankle as he starts tugging off your shoe.

“Sol, I can do that myself—”

“N-No,” he practically begged. His cheeks are pink, his expression strained like he’s trying to keep it together. “Please, just let me.”

You’re too stunned to argue. He’s slow about it, almost hesitant, his calloused fingers brushing against your skin as he removes one shoe, then the other. When he’s done, he lets his hands linger for a moment, his thumbs brushing over your bare ankles.

His eyes flicker back up to yours, and there’s something desperate in his expression now like he’s holding himself back from doing something stupid. “Why do you always have to make this so hard?” he mutters, half to himself.

“I’m making 'it' hard?” you blurt, your voice shaky.

“You showed up like this,” he counters, his gaze sweeping over you again. “Looking like... this.”

He leans closer, so close you can feel the heat radiating off him. His hand slides up, tracing a line from your ankle to your knee, then up your thigh, stopping just shy of where the hem of the bunny suit begins. His knee presses a little closer, and you suck in a sharp breath.

“Do you have any idea what you’re doing to me right now?” he asks, his voice barely above a whisper.

Your brain short-circuits. You don’t even know how to respond to that, especially not when his eyes are locked on yours like he’s waiting for an answer.

“Sol,” you finally manage, your voice barely audible. “You’re being weird.”

“I know,” he mutters, his lips twitching into a crooked, almost self-deprecating smile. “I’m always weird. But you make it worse.”

And with that, he dips his head lower, his breath ghosting over your lips like he’s daring you to stop him.

Please don’t make him stop…

✑ 𝑔𝑒𝑜

Geo hadn’t thought much about your text at first.

You were running late—what else was new? He was used to it by now. You’d told him to let himself in with the key under the mat since you were still getting ready, and, well, that’s what he did.

Your apartment was as familiar to him as ever: the faint smell of your scented candles. Geo plopped onto the couch, scrolling through his phone to kill time. After about ten minutes of waiting, he sighed loudly, tossing his phone onto the coffee table.

“Why do I let you do this to me?” he muttered, dragging himself to his feet. He made his way down the hall, the hardwood floor creaking faintly under his boots.

The door to your bedroom was cracked open, soft light spilling out into the hallway. He tapped lightly on the frame with his knuckles. “Hey, we’re gonna be late, y’know. What’s taking you so—”

He pushed the door open mid-sentence, stepping inside. And then he stopped.

His brain short-circuited.

There you were, standing in front of your full-length mirror, fiddling with a pair of floppy bunny ears.

A very, very skimpy bunny suit clung to you like a second skin, all shiny black fabric and sheer tights that showed just enough to drive someone insane. The plunging neckline, the dangerously high cut of the bodysuit, the tiny bowtie collar around your neck—it was absurd. Ridiculous. And yet somehow…

You looked stunning.

Geo froze in the doorway, one hand gripping the frame like it was the only thing keeping him upright. His trademark sarcasm, his quick wit, his effortless aloof expression? Gone. His brain? Absolutely empty.

His mouth opened like he wanted to say something—anything—but no words came out.

You noticed him then, spinning around so fast that your bunny ears flopped dramatically to one side. “Geo!” you shrieked, your voice an octave higher than usual. “What the hell are you doing? I thought you were on the couch.”

“What am I doing?” he echoed, his voice cracking slightly as his eyes flicked over you, up and down, up and down, like he couldn’t stop himself. He quickly snapped his gaze upward, focusing on the very uninteresting ceiling. “What the hell are you wearing?”

You crossed your arms over your chest. “It’s for a charity event,” you muttered defensively. “Crowe asked me to help raise donations.”

Geo’s jaw clenched, his fingers twitching at his sides as he tried to keep his gaze anywhere but directly on you. His eyes betrayed him, though, darting back to your legs, your waist, your— “What kind of charity involves… that?” he asked, gesturing vaguely at your outfit like it was some kind of alien artifact.

You groaned, turning back to the mirror to adjust the bunny ears again. “It’s a themed event, okay? College students are more likely to donate if there’s… I don’t know, incentive?”

“Incentive…?” Geo repeated, “And Crowe ask you wear that? Crowe?” His tone was somewhere between disbelief and outrage. “What is wrong with him? Is he insane?”

“It’s not that bad,” you said defensively, though your voice wavered because, yeah, it was kind of bad. “It’s for a good cause!”

Geo crossed his arms, his lips pulling into a tight line. “No. Nope. Not happening. You’re not walking out of here dressed like that. I don’t care if it’s for world peace.”

You threw your hands up. “What are you, my dad? Relax, Geo. It’s fine.”

“Fine?” He frowns, irritated, his eyes accidentally drifting downward before snapping back up to your face. He looked like he wanted to sink into the floor. “You look like—you—ugh, never mind.”

You raised an eyebrow. “I look like what?”

“Forget it.” he sighed, his face turning an even deeper shade of red. “Just… just go change or something."

“I can’t!” you said, exasperated. “This is the whole point of the event!”

Geo groaned, dragging a hand down his face in pure exasperation. His usual sharp wit was dulled by whatever internal battle he was clearly losing. “Why do I have to be the one to see this? Literally anyone else would’ve been better. Anyone.”

You crossed your arms, giving him an incredulous look. “You’re the only one with a car who wasn’t busy,” you shot back, matter-of-fact as ever.

Geo huffed, throwing his hands up dramatically. “You should’ve just taken the bus, then!”

“And have creepy men ogling me the whole ride? Absolutely not,” you retorted, your tone sharp. “You’re a much better option. Like it or not.”

“Well,” he muttered, clearly flustered as his hand shot to the back of his neck, his eyes darting anywhere but at you, “I’m regretting it now.”

You sighed, turning back to the mirror and fiddling with the bunny ears again, your patience wearing thin. “Look, if it’s that big of a deal, just wait outside. I’ll be done in a sec—I just need to put on my shoes.”

For a moment, you thought he might actually listen. But then Geo took a step closer, his posture shifting. The embarrassment still lingered in his tense shoulders and flushed face, but there was something else now—something almost… resolute.

Before you could ask what he was doing, he reached out and grabbed your wrist, turning you around so fast you nearly stumbled.

“Geo?” you asked, startled by the sudden intensity in his gaze.

He didn’t answer. Instead, without missing a beat, he pushed you backward with a firm but careful hand, and your back hit the edge of your bed. You let out a startled gasp, barely managing to catch yourself as you propped up on your elbows.

“Hey! What the hell—”

You froze as Geo knelt in front of you, his hand gripping your ankle firmly but gently. His other hand reached out for your heels, which had been discarded nearby, and he snatched them up with a quick, fluid motion.

“You need to hurry up,” he grumbled, his voice low and laced with irritation as he slid the first heel onto your foot. His touch was surprisingly gentle, his fingers brushing against your sheer tights as he adjusted the strap. His face, however, was a different story—flushed red and rigid, like he was barely holding himself together. “So just—shut up and let me handle it.”

You blinked, your mouth opening to protest but no words coming out. Geo hadn’t spared you a glance, too focused on fastening the strap with a level of concentration that was almost comical.

“You’re—” you finally managed, but your voice wavered as his hands moved to your other foot.

“And you’re taking forever,” he shot back, not missing a beat. His grip on your ankle tightened slightly as he secured the second heel, his eyes resolutely fixed downward.

Is he blushing?

Your eyes narrowed, “You seem red there,” you teased, leaning back on your hands and watching him with a growing smirk. “What happened to all your sarcastic remarks, Mr. Smartass?”

“Shut up,” he muttered through clenched teeth, still not looking at you as he finished adjusting the second strap.

His fingers brushed against your ankle again, lingering just a second too long, and you swore you saw his ears turn even redder. Deciding to test your luck, you slowly crossed one leg over the other, making the movement deliberately graceful.

Geo’s aquamarine eyes flicked up instinctively at the shift in movement, and when he realized what he’d done, he snapped his gaze away so fast it was almost whiplash-inducing.

“Stop doing that,” he muttered, his voice lower now.

“Doing what?” you asked, feigning innocence as you tilted your head and batted your lashes at him.

“You know what,” Geo shot back, his jaw tightening as he focused way too hard on the buckle of your heel, his fingers fumbling slightly.

“Aw, is Geo embarrassed?” you teased, your voice dripping with playful mockery as you leaned forward slightly, one of your legs crossing just enough to invade his space. The toe of your heel pressed lightly against his chest, and you tilted your head, a mischievous grin tugging at your lips. “I didn’t think you’d get so flustered over a little outfit.”

Geo, ever the picture of calm composure, froze mid-motion. His hands, which had been casually adjusting the cuffs of his jacket a moment ago, were now completely still. For a second, it was like time itself had paused. Slowly—deliberately—his gaze lifted, locking with yours.

Fuck.

His aquamarine eyes, normally narrowed and calculating, were different now. They seemed darker, more intense, clouded with something you couldn’t quite place. It wasn’t annoyance, nor was it the usual stoic indifference he wore like armor. Whatever it was, it had you swallowing hard.

The teasing smirk on your face faltered just slightly as curiosity crept in. You tilted your head to the side, your lips parting faintly as you tried to read him, to figure out what was going on behind that icy stare. “Geo?” you prompted softly, your narrowed eyes searching his face.

Still, he didn’t look away. He couldn’t seem to.

It was unnerving—and kind of thrilling, if you were honest. Normally, a jab like that would earn you a dry, sarcastic retort, something sharp-edged that would put you right back in your place. But this time? Nothing. Whatever comeback he’d had locked and loaded vanished the second your teasing grin softened into something more uncertain.

The silence stretched, tension thickening between the two of you like a coiled spring. You couldn’t tell if it was your own heartbeat hammering in your chest or his, but the moment felt impossibly fragile.

“Seriously, say something,” you murmured, a hint of nervous laughter creeping into your tone. You pressed your foot just a little harder against his chest, trying to get any kind of reaction. “You’re starting to freak me out.”

His gaze flicked briefly to your leg—the curve of your calf, the ridiculous heel perched at the end of it—before snapping back to your face. “You shouldn’t play games you can’t win,” he said finally, his voice low and even.

Your breath caught for half a second. His hand moved, wrapping firmly around your ankle—not harshly, but with enough pressure to make your pulse skip a beat. With one smooth motion, he guided your leg away from his chest.

“You don’t get it,” he said suddenly, his voice quiet but firm, his tone a complete shift from his usual snark.

The intensity in his voice caught you off guard, and your expression faltered. “...Don’t get what?” you asked, your playful tone slipping into something more hesitant.

Geo’s hands clenched into fists, his knuckles white as if he were trying to hold something back. He stood abruptly, the sudden motion making you flinch slightly. His eyes immediately flickered with regret at your reaction, and he took a deep breath, trying to collect himself.

“Shit,” Geo muttered under his breath, running a hand through his already messy hair. His back was turned to you, but the stiffness in his posture betrayed his frustration. He exhaled sharply, shoulders rising and falling as though wrestling with something he couldn’t quite say.

“Geo…” you started softly, the sharp edge in your tone from earlier now replaced with concern.

“Don’t,” he cut you off, his voice strained and hoarse, like the words were being dragged out of him. “We’re not going to the charity event. You’re staying here. End of discussion.”

You blinked, caught off guard by the sudden shift. “What?” you exclaimed, still perched on the edge of the bed. “You can’t just decide that for me!”

He turned to face you, amber eyes blazing with a mix of irritation and something you couldn’t quite place. “Watch me.”

Before you could react, Geo stalked toward your desk, snatched a hoodie draped over the chair, and swung it around your shoulders with surprising precision. His hands lingered just long enough to tug it snugly over your frame, the fabric swallowing the delicate silhouette of your bunny suit.

“You’re not going anywhere in that,” he said firmly, his tone brooking no argument. He stepped back slightly, his gaze flicking over you as though ensuring his makeshift cover-up was secure. “If Crowe wants donations that badly, he can wear the damn bunny suit.”

Your jaw dropped, words caught somewhere between outrage and disbelief. “Geo, you’re being absolutely insane!”

“Yeah, probably,” he admitted, flashing a grin that was more sharp edges than warmth. “But at least I’m not letting you walk into a room full of idiots who won’t be able to keep their eyes—or their thoughts—off you.”

Heat crept up your cheeks at his bluntness, and you folded your arms tightly across your chest. His words hung in the air, heavy and unyielding, and the tension between you grew like a palpable thing.

“You’re seriously overreacting,” you muttered, but your voice lacked its usual bite.

“Am I?” Geo shot back, stepping closer. His towering frame cast a shadow over you as his gaze locked onto yours, burning with an intensity that made your pulse quicken. His voice dropped, low and deliberate. “Do you even realize how—” He stopped abruptly, his jaw clenching as if swallowing the words was the only way to keep them from spilling out.

“Realize what?” you pressed, your own voice barely above a whisper now, caught somewhere between defiance and curiosity.

Geo’s eyes darted to the floor, then back to you, before he let out a low, frustrated growl. In one swift movement, he stepped forward, his hands gripping your shoulders as he pushed you gently but firmly down onto the bed.

“Geo, what the hell—”

Your protest was cut short as he followed, his weight settling over you in a way that was far from aggressive but left no room for escape. His arms slipped around you, pulling you into a tight embrace as his head dropped to your chest.

The world seemed to stop as you felt the warmth of his breath against your collarbone. He didn’t say a word, his face buried against you, his grip almost desperate.

You froze, your hands hovering uncertainly in the air. “Geo?” you murmured, your voice soft and unsure.

“Just… shut up for a second,” he muttered, his voice muffled against you. His tone was softer now, tinged with vulnerability that made your chest ache. “Let me have this.”

Your hands hesitated before they slowly lowered, one settling against his back, the other threading cautiously through his hair. His body tensed at first but then melted into yours, his hold tightening as if he were afraid you’d disappear.

“You drive me crazy, you know that?” he mumbled, his voice raw and unguarded. “And not in the way I’m used to handling.”

For a moment, neither of you moved, the weight of his words—and his closeness—stealing the air from the room. Whatever you were going to say died on your tongue as you let the moment stretch, the sound of his breathing steadying against you.

“Oh,” you said finally, your voice quieter now, “You’re not making any sense. We’re going to be late for the event,” you murmured, trying to keep your tone soft but firm.

“Good,” he muttered into your chest without lifting his head.

“Good?” you echoed, your brows furrowing. “Crowe’s going to kill us if we don’t show up. And you promised to drive me, remember?”

“I don’t care about Crowe or the stupid event right now,” he grumbled, his voice low and slightly muffled. “It’s not important.”

“Not important?” You leaned your head back against the bed in disbelief. “You’re acting like the world’s ending because of a bunny suit, Geo. What’s really going on?”

He finally lifted his head slightly, just enough to look at you. His amber eyes burned with an intensity that made your breath catch. “You still don’t get it, do you?” he asked, his voice low and gravelly, a mix of irritation and something deeper. “I don’t want anyone else looking at you the way I am right now.”

Your heart skipped a beat, his words sinking in and leaving you momentarily speechless. “Geo…” you started, but he didn’t give you a chance to finish.

Instead, his arms tightened around you, pulling you impossibly closer as his lips brushed the curve of your neck. You tensed under his touch, your breath hitching as his teeth gently grazed your skin.

“Just give me five minutes,” he whispered, his voice low and rough, sending a shiver down your spine. His lips pressed softly against the spot he’d just bitten, lingering for a moment before pulling back slightly. “Five minutes, and then I’ll get up, and we can go. Deal?”

You blinked, trying to process what just happened, your body feeling like it was on fire where his lips had been. “Geo, that’s not—”

“Five minutes,” he repeated, cutting you off. His tone was quieter this time, almost pleading as his eyes locked onto yours, filled with a vulnerability he rarely let you see. “Please.”

Wow. Five minutes it is then.

· ───────⋆⋅♤⋅⋆─────── ·

#the kid at the back x reader #the kid at the back vn #tkatb #solivan brugmansia #the kid at the back crowe #the kid at the back sol #tkatb crowe #tkatb sol #crowe ichabod #crowe x reader #sol x reader #sol brugmansia #jericho crowe ichabod #tkatb geo #geo oogami #tkatb vn

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