#actual things i said while watching this scene

[animeshotsh]

You what? | Viktor x Jayce x Kid!Reader | Arcane ¤

Summary: Viktor knows Jayce sometimes does things without thinking, but this? This goes beyond his own limits.

Warnings: Mentions of trauma - Kid!Reader - Viktor and Jayce are a couple - OFF CANON EVENTS - Human traffic - GN Reader - PLATONIC - grammar mistakes -

When Viktor enters on monday morning into the lab with his coffee in hand he expects nothing but silence, after all he is here before Jayce most mornings.

But he stops in his tracks when he hears Jayce's voice, maybe sounding less...well less like him. He sounds like he is talking to a small animal. It reminds him on how he uses to talk to Rio when he was a kid.

Pushing memories aside Viktor retakes his way and goes deeper into the lab, where their experiments are.

And oh, if his illness did not kill him as most doctors had said then this would do it.

Jayce, using one of his experiments showing it to a kid who seems to be as suprised as any kid would be and perphas gives the most honest reactions to his inventions.

But wait, go back.

Jayce and a kid.

His cane hits the floor in suprise and he ends being watched by two pairs of eyes.

Jayce looks like he was discovered breaking some important rule, to which Viktor is centrain that bringing a kid into the lab counts as but he wont say it. And another pair that looks at him with curiosity.

There is silence, no one really knows what to say or how to act. But Jayce ends reacting, leaving the experiment and going to help Viktor with his cane who is feeling a headache coming.

"Hey Vik! long time no see, how's your house?"

Honestly? Viktor wants nothing more than to go back in time and insist that he is fine and does not need rest. Maybe like that he would have stayed with Jayce and prevent...this.

But time travel is something that is still on the making, so back to the main point.

Viktor just gives out the most tired look, then turns to a near chair, sits and taking his coffee simple says "Explain"

Becuase if there is something he has come to learn while dating and loving Jayce is that nothing should suprise him (and yet Jayce still manages to do it) and also, is better to ask upfront than to wait for him to talk up. Viktor can still remember that one time he found a big (illegal no less) plant at his home and Jayce ignored it for two hours till he asked.

"Well you see, its really funny actually..."

"Jayce...."

"Alright..., so I took a walk around campus and saw some...suspicious individuals and well lets say I was not very discrete"

Viktor can just imagine the scene

"And they saw me and ran but I chased after them"

Stupid move Viktor thinks

"And then they trow me this kid at me, i mean what could I have done? So i took them home, gave them a warm meal and a bath" Jayce ends sounding a bit too proud of himself.

"Jayce you...you stole a kid?" Viktor asks because he is confused "And did not report the incident?"

"Uh well i was going too but then (Y/N) started to wonder around so i kind of forgot..."

"(Y/N?" Viktor asks and sees you peeking out from behind the big desk.

"Yes! Thats their name, im not sure about much more, only that they like chocolate and blue stuff"

Viktor ends in silence for various minutes. You must be an orphan he concludes, an orphan from the undercity, who had no other choice but to follow a gang in order to survive. He tries to calculate your age but its hard, you have been not eating well, thats clear, and he can already see some bruises from the misstreatment of the undercity.

Being raised by parents or family its a luxury after all.

"Jayce you cant just take a kid in" Viktor says and his heart almost breaks as he sees you run towards Jayce hugging his legs.

Noted, you may not talk but you understand, its clear you are more intelligent than what you leave to be at first.

Street smart maybe?

"But Viktor! I cant just leave them" Jayce responds picking you up. "If they return to the undercity i dont think they will make it"

Jayce sees how you push your head against his chest and smiles softly at you.

"And we cant leaven them at an orphan home! I have read of these places, they suck"

Viktor must agree, its not like he comes from one but knows well that lots of kids ends being sold off...

"Alright and whats your plan?" Viktor asks "Do you even know what it means to raise a kid, or how? What about me? Were you going to consulte me?"

He can see the pain in Jayce eyes at his last sentence. "Of course I was! I was just thinking of a...well a good moment"

"Because bringing them to the lab was the perfect idea"

"I could not leave them at home! I mean i tried but- they would not let go of my leg, i think they have some type of trauma..."

Viktor takes another deep breath, Jayce kidness and heart knows no limits.

"Besides you did say you wanted to help the peopel from the undercity"

"This is different, we are talking about raising! adopting a kid!"

"So you are considering?" Jayce asks in the most hopeful tone ever.

Viktor just lets out another breath.

"Well, its not like they can go back and yes, orphan homes sucks" Viktor responds. "But we need to do this right. And i mean legally"

Jayce nods and all of him lights up like he has discover a new thing. He goes to Viktor carefully managing (Y/N) by his hands and leans down to peak Viktor's lips.

"Yes!! Totally! I will talk to Mel about it, im sure she can move some contacts for this" Jayce says and Viktor can see his brain making more and more plans.

"They also need clothes, and we should think of getting them into school" Viktor adds standing up with his cane and going closer. He can see (Y/N) eyes and cant denied how it makes his heart melts.

"Dad?" Its what you say looking at Viktor, then you look at Jayce "Mom?"

Jayce smiles and nods while Viktor is left without words. "Yes! We are your mom and dad now" he says pointing at him then at Viktor.

"Family?"

Jayce nods again

"...Chocolate?" You asks once more

"Alright thats all, if they eat too much sugar this place will be a disaster, you do remember we have dangerous things in here, right?"

Jayce nods at Viktor then whispers to you "We will get chocolate once we end work"

Viktor snorts then moves to his desk to finally start working and also to let his mind register everything. He hears the doors closing imagining Jayce went with you to talk to Mel.

But no, he feels a pull at his trousers and looks down at you who looks up at him extending your arms

"Dad! Up!"

Viktor does as told pulling you on his lap and passing you some papper and a pen. Both fall in a comfortable silence.

And Viktor thinks, this is something he can totally get used to.

[1toreyouapart]

The Lies We Tell

* **FANFIC THAT INVOLVES REAL PEOPLE. 18+ ONLY. MDNI. DO NOT READ IF YOU DON’T LIKE FANFIC THAT INVOLVES REAL PEOPLE***

Summary that tells you nothing: Sometimes everything you ever wanted has been right there, within reach, all along.

CW/TW: Angst, fluff, swearing, friends to lovers, jealousy, smut, fingering, PinV, pet names, friends with benefits, more to come as I actually get things written out.

Masterlist

The Shower Scene

Noah leaned over the sink, watching intently in the mirror as the razor glided across his skin. The pitter-patter of the shower the only sound in the bathroom, broken every so often as water splashed. He had lost track of how many times they'd done exactly this. One of them in the shower while the other did whatever they needed to. And every single time he had to fight tooth and nail not to sneak a peek. Friends weren't exactly supposed to want to see the other one naked. But damn it, he couldn't help it.

With a groan he leaned down, rinsing the remaining shaving cream from his face. Friends also didn't sleep in the same bed more than half the time. Or cuddle the way him and Quinn did. They sure as shit didn't get jealous every time one of them went out on a date. She had such shitty taste in men, too. All of them absolute tools that left her disappointed at the end of every date. Yet she still went back. It made zero sense.

Her phone on the counter lit up. A quick glance and he wanted to vomit. Here she was, getting ready for another date with another boring asshole that if he even made it past the first date would disappoint her, again, by the end of the second or third. What the fuck was she doing wasting her time with these idiots?

"Noah? Can you pass me my towel?"

Noah paused for a moment, wondering just what would happen if he said no. If he made her get out and get her towel herself. It was tempting. Maybe a little too tempting. Resigning himself he grabbed her towel off the rack, passing it through the shower curtain to her.

"Got any plans tonight?" He knew the answer, but fuck it, why not torture himself and hear her say it?

"Yeah." She stepped out of the shower, wrapped up in her towel. "Got a date."

Biting back the words that so desperately wanted to escape he moved aside and leaned against the wall, arms folded across his chest. He watched her as she applied her leave-in conditioner. Watched as she wiped her hands on her towel before she picked up her phone. Ignored the pit in his stomach as she responded to whatever the douchebag had said.

"You deserve better."

"You don't even know him, Noah."

"Don't have to. You have fucking terrible taste in men." Noah's eyes widened. He hadn't meant to say that. "I'm sorry. Fuck. I shouldn't have said that."

Quinn laughed. Actually laughed. But it wasn't her usual laugh. He could hear the pain hiding behind it. What the fuck was wrong with him?

"Yes, you did. It's okay, though. You're not wrong. Just look at how we met." Her eyes met his in the mirror. "I would like to get dressed now, if you don't mind."

Noah stepped up behind her, wrapping his arms around her. Of course he had meant it, but he hadn't meant to actually say it. She didn't need to tell him that his words had stung. He could hear it in her voice. See it in the way she looked at him through the mirror.

"I'm just tired of seeing you hurt when they all inevitably do the same stupid shit. I love you, terror pixie." He bent down, pressing his lips to the top of her head.

"I love you, too, Bigfoot."

She grinned, her eyes crinkling at the corners. At least she was smiling again. With a weary sigh he reached up, ruffling her hair before darting out of the bathroom. Part of him, real deep down, knew that if he had just asked her to cancel. To stay home with him, she would have, no questions asked. But that would be selfish. Who knows? Maybe this guy wasn't a total douchebag. And maybe he would turn out to be the love of her life. The thought made him physically ill.

Noah burst into Jolly's room, quickly closing the door behind him. Jolly merely looked up from the book he was reading, an eyebrow arched.

"Lemme guess. Another date tonight?"

"Yeah. And we all know how it's gonna go. Gonna need all of you to get lost for a while."

[soft-cristobalite]

Watched arcane season 2 act 1, thought abt it, so here are some of my thoughts in no particular order. Obvious spoilers.

Also, i watched in dub. Important to know when i am quoting charaters + when i am talking about their tone.

Starting of with something that is directly affected by dub — ukrainian Jayce is my Jayce. Ppl said he sounded condesending while talking to Ekko — not. at. alllll. true for my Jayce. My Jayce sounded tired, emotionaly burn out. "You drink tea, Ekko?" said with no though to it, in a context of continues talking of "Haha do i live here? Hahah....... Do you guys want tea? Want some tea? I'll make tea. Do you drink tea, Ekko?". But d-dub is supposed to stay true to the original— I DONT CAREEE. I love my blorbo almost-himbo Jayce, never changing his characterisation in my mind.

And i will hold Jayce's hand when i say this — you were. Just so gay for like... Essentialy going "Are you okay? Good, good" to lady Mel Medarda HERSELF and then seeing Victor and losing your mind. Sprinting with him in your hands to your lab. LIVING in your lab to monitor him. I just... I get it, you don't have many friends. But like...... Really dude. Reaally.

Give Mel and Ekko thirty minutes. I promise you they would work it out. Eternal piece would be achieved.

I know there are a lot of different opinions regarding Caitlyn. I will not be explaining in-depts what i think about her acr, because a) who cares and b) i like to see her go cray-cray. But like — why isnt anybody exept for Vi attempting to stop her??? Like why is Jayce mourning Victor's twink death instead of, yk, stopping his childhood-best-friend-kinda-younger-sister from killing ppl of Zaun, the last thing Victor wants btw? She and Vi are twenty-ish — WHYYYY are they going through it by themselves??? Why doesnt baby yoda guy with German name that i dont dare to write trying to stop the daughtrer of his ex-collegue? He is 600 or something, im sure he could've come up with advice.

Cait pointing her gun at a child is terrifying, it opens up the possibilities of her going even more blinded with anger, doing even more horrific things, and Vi is right to try and stop her. However... I know damn right i would've believe her when she said she will not miss 😭 Every single time she fired her gun she was very precise. Even in that scene she aimed at the gun the girl was holding like two seconds ago and got a perfect. fucking. score. Like i dont remember her missing at all, actually.

"Ohhhhh you're gonnnaaa haaaaaattteeee Maddie after act two—" says who? On that note, i hope both Cait AND Vi will sleep with a few random people. Good for them. Let them try to forget about each other only to realise just how down bad they are for one another. Let the scenes of Cait and Maddie hooking up intertwine with Vi's one night stand.

"Maddie is just gonna be a victim of comander Cait :(((" and i do not have any thing to say to that — we dont yet KNOW what will happen — but I dont think Cait will try to manipulate her into this. I think Maddie will flirt a bit, Cait will try and seek salvage and vulnerability in someone, especially since she is now constantly in public's eye and needs to project hope™ and stoicism™. It will be a genuine attempt to move on — not anybody's fault she can't.

But oh god, oh goooddd i cant wait for Maddie to loose the spark in her eyes due to lesbian situationship.

[prince-liest]

hi princely! i was rereading through your 666 series and i wanted to ask if you have any tips for writing dialogue? its the one part of fiction ive always struggled with, i.e. making conversations flow naturally instead of sounding robotic. imo one of the most memorable aspects of your work is how real your dialogue feels

(also i was skimming your tumblr while writing this, im so sorry about your car that's genuinely insane??? and sorry if this is terrible timing aaa)

Hello! Thank you, but no worries, not terrible timing - I could use a distraction, haha.

When I started writing fanfiction, I actually really struggled with writing dialogue for a really specific reason, which was that I was really used to RP and felt like getting into the head and talking style of more than one character at a time felt like a lot of effort and something that I had to actively swap back and forth between. This is something that got much, much easier over time, and unfortunately the #1 tip I always have is that practice not only makes the quality of your writing better, but it also makes the process of writing much easier as you get used to things.

That said, specifically for natural-sounding dialogue, I tend to pay a lot of attention to how specific characters talk and try to mimic it. This came particularly naturally for me with Hazbin Hotel because the show is full of bombastic characters with really amazing voice actors and very specific styles of talking. When I write a particular character for the first time, I go back and watch various scenes that feature them, both generally and in different emotional states.

With a form of media like Hazbin, where I actually get to hear the characters speak, it honestly helps to just imagine them doing so in my head when I'm writing with whatever accent they have going on, too. Sound it out in your head: does it sound like something someone might naturally say? Why or why not? Adjust accordingly.

So, that's where I start! I diverge from there over time as my own interpretation of a character grows and changes, or I put them in different circumstances for different stories, so on and so forth. But For pretty much every fandom, it's always been very helpful for me to go back to the source material with the explicit goal of paying attention to characters' styles of speech, turns of phrase, and reactions. This is good not just for dialogue, but for characterization, especially for characters that tend to get pigeonholed into a particular archetype (for example, I frequently have to tone down how prim or "old-timey" Alastor sounds in my dialogue because he doesn't actually talk like that in canon despite the vibe of his reputation (and sometimes I don't bother, LOL)).

Last but not least, thank you very much! I'm really happy that you enjoy my dialogue. It's definitely one of my favorite things to write (if you couldn't tell by how many fics I've written that are basically two characters talking for extended periods of time), so it brings me joy to know that I succeed in making it enjoyable for others as well.

[matt0044]

This is something I've often experienced with other shows be they stuff I have it bad for or stuff that I acknowledge is good but isn't for me. It's gotten to the point where when I see something getting dunked yet see that it's a fairly thriving series or even a full-on franchise, I start to scrutinize the scrutiny.

Especially when a lot of the popular talking points are either memes or passed around so often, they may as well be meme.

A while back, Netflix's 13 Reasons Why was bandied about Tumblr and YouTube as this most offensive thing for it's portrayal of suicide. I was aware of how this wasn't the sort of subject to take lightly lest I be eating my foot for a full course meal. As such, I took the outrage's word for it and steered clear.

I did start to get curious with a lot of specific scenes from Season 1 being passed around for the afformentioned dunking. Such as Hannah calling Clay a nerd for referencing Star Wars only for said post to show how much The Force Awakens grossed.

Said curiosity grew when I saw many video essays tackling 13 Reasons Why. Most were negative but what I footage saw didn't seem bad. Some of it was pretty... nice actually. But still, this was the show that gave suicide and poor mental health a bad name with how the female lead took her own life seemingly out of revenge.

So... I stayed away. That is, until I saw a billboard for Season 2 in NYC. Now this got me seeing that this show had a legit audience. Not just hatewatchers but those invested in the story of Hannah Baker and Clay Jensen. That's when I decided to add it to my watch list.

At best, it would be bad but maybe a fascinating kind of bad. The kind that RiffTrax would sink their teeth into. At worst, it would be a bore and I'd turn the other way. Then I started to watch it.

Twenty Six episodes later... I loved it. I felt that it... spoke to me emotionally on how life can be so messed up. I loved how no character was totally good or bad. How even Number 12 on the tapes had his depths despite being, well, the worst really.

When Hannah reached the end of her rope, I found myself begging her to not do what I knew she'd do. When Tyler Down tried to take matters into his own hands, I wished I could be there to talk him down. It takes a very special kind of story to invoke that kind of visceral dread.

Now if you've heard me out, how it relates to RWBY is that a lot of the dismissal and derision relies on a specific kind of media illiteracy: the active lack of curiosity.

Rather than be curious about people pitching a fit about "X show" and seeing for themselves what all the hubbub is about, they just stay away. They go with the crowd essentially.

And why wouldn't they? It's like how school bullies get away with picking on their victims even in front of others. Anyone else who doesn't want to play hero would keep their head down and not even be associated with the targeted kid.

I mean, we've got clickbait titles called "We Watch 'X' So You Don't Have To." That is literally ripping off the Nostalgia Critic AKA baby's first Angry Geek. It's not that looking into a show so you'd know if it's worth your time or not is bad. It's when it's from second hand sources like very leading Video Essays.

So many act autoritative and present themselves with the kind of confidence we so wish we had in ourselves. We trust that they're editing isn't being coy and that their assessment is legitimate or, if more emotionally, honest at the very least.

But what about the show itself? Why not find any clips online that highlight certain moments? Why not at least view some of the trailers? Why not go onto subreddits or Socials to ask, "Hey, why do some many seem to like this show?"

Because between James Somerton and Lily Orchard, it's become abundantly clear that there are many who are willing to abuse this this trust. And they are not isolated incidents. Even those who maybe are just giving their opinion may be twisting facts to suit their narrative. They also may be not.

But you won't know unless we let ourselves be curious. Is the show trash? Or is it just another punching bag for YouTubers to hit so money will fall out if they make a hard enough blow?

Is the show truly offensive? Or did it mishandled pre-warning those of its subject content?

Is the show bad... or just not for you?

Be curious. Find the answers for yourself. Nobody is ever immune from mob mentality.

@tumblingxelian @citadelofmythoughts @galaxy98

it is wild to me that the word of mouth on RWB/Y being 'bad' is like, secondhand

almost every time it's someone saying they've never watched the show but they got their opinion from a youtuber or reddit

the casual admittance that they outsource their thinking to other people, who they don't know, and they can't know are telling the truth, because they refuse to engage with the source material, and then proceed to go about their lives on pure confirmation bias, everyone who validates that opinion (regardless of whether they actually watched the show or are also regurgitating someone else's opinion as fact) is truthful and anyone who disagrees and says that the show is good, actually, is dismissed as either being a liar or stupid (because it's definitely smart and mature to make a mass value judgment on people you don't know, about a topic you know very little about)

and that's the thing, when you've got one group of people saying a piece of media is bad and the worst thing ever, and you've got another group who are saying it's good and fun, then a) it's clear there's some level of subjectivity involved here, which means the "objectively bad" claims you've been consuming should have immediate doubt cast on them (though really if anyone says anything is 'objectively bad' then they're conflating their opinion as fact and that's a red flag) and b) the smart thing to do would be to actually try to consume the media to see what it is that has appealed to people enough to contribute to its enduring popularity, even if it doesn't end up appealing to you, and not dismiss it out of hand

[kandadze]

Ep 26 loose (and rambling) thoughts

I find it almost comical how Chongwu Camp took over the whole shapeshifter case and everyone just nodded and went home. What is Fan daren even doing? Playing weiqi with the Situ guy, instead of actually running the Demon Hunting Bureau so that it doesn't look completely inept in comparison?

Aww look at WX waiting for ZYC to come back! It's kind of interesting how, as she was moving closer to him, the camera moved away so we can only see their silhouettes in the end, and just the very beginning of a hug-

But then we get to follow ZYZ as he's almost floating through the rooms of the Bureau. I imagine these are ZYC's private quarters... It might be the fighter training, or ZYC is just so attuned to ZYZ's presence, either way the fact that he noticed the Great Demon immediately despite being deep in thought, *and* wasn't surprised in the slightest, is kinda amusing to me. (Don't get me started on the bed in the foreground as the scene  switches to them talking 😂)

I'm afraid I was not wrong when I thought that "I understand ZYZ now" might mean, among other things, that ZYC understands the demon's wish for death, and thus feels less conflicted about fulfilling it. At the same time, the relief in his face when he talks of breaking the oath, regardless of the consequences... These two, I swear. Because of course ZYZ cuts in immediately with, absolutely not, no dying on my watch, ZYC!

(Also, did we forget the little detail of ZYC not possessing an inner core? Or have they already discussed it behind the scenes and this way we got the "do what you want to become who you want to be" because of course they're going to repair the sword so ZYC *will* be protected from his own demonic energy?)

Now don't come for me, I don't have medical training or anything, but I know depression, and I know how I can extend the gentlest of care and understanding to others while completely unable to do the same for myself, and this is what I see in ZYZ in this scene. He reassures ZYC, encourages him to think about the future, talks of how they're family and they're in this mess together, and yet, and yet, almost in the same breath, he still insists on only one thing for himself. I understand him *and* I want him to want to have a future too, goddamnit.

Is everyone in this place suffering from insomnia? I mean, not that surprising all things considered, but we barely see anyone from the crew resting... You tell him, WX! Him and ZYC, the two self-sacrificial idiots. Also, for such a short scene, it sure did pack a punch... I love the tenderness between them.

Finally we got around to repairing that goddamn cloud ceiling over the Wilderness lol And of course, now that Bai Jiu's mom is back to her human form, he's - where?

The way I cackled at the way my question was answered in the very next scene... Li Lun, the drama queen of all times, does not want to miss the family excursion! (Also, I've seen it said many times but it bears repeating, the kid actor is phenomenal. I literally forget he's 12 when he's portraying Li Lun.) Ying Lei is the goodest boy, and I'd give him all the head pats and high fives. Don't die, please.

I find myself cheering for WX repeatedly in this ep, probably because she keeps saying what I'm thinking, ZYC, ZYZ, stop being idiots!

Well this took an unexpected turn. I love how unruffled ZYZ appears up until the very moment ZYC says, let's give up on restoring the sword, and I hate how his reply seems to be the drama once again reminding us that apparently there are only two possible outcomes. Come on, give us a secret third thing, I'm begging you!

"Even if it's restored... please don't die." What I just said! I remember how we were all, ZYC is going to regret his oath, and we definitely got that, but for him to outright put a condition like that on restoring of his fate weapon, demanding ZYZ to promise not to die is just - top tier. My heart. And then I cheered for WX again, she was *so* mad lol Good on you, girl, you said what we were all thinking!

Ugh ZYZ, stop breaking my heart. I don't think he's ever outright lied to any of them, but the way he seems to categorize his own promises to ZYC... I guess the one about not seeking death is not the highest priority. Ffs

All demons in this world, including ancestors, seem to suffer from loneliness above all else... I love how fast ZYC refuses. He's ready to sacrifice himself, but he'll never sacrifice any of his companions. Ngl I don't think I breathed through the whole sequence that followed. The goodbyes (PSJ, can you act like a normal person at least once? Not sure if it's the actress, but oh goodness does PSJ grate on me sometimes), the "I choose myself," and then ZYZ activating his energy to break the ice, because of course he would. To be honest, at this point in the story, I would really rather these two died together doing something heroic, as opposed to one of them dying and the other continuing on in misery, but hey, unfortunately I'm not the one calling the shots here.

(Also, seeing Bingyi and Ying Long in the preview... hats off to the costuming and makeup folks, because damn, TJR and HMH are already exceptionally good looking, but in the demon get-up they're just out of this world, achingly beautiful.)

[babygray]

Starving, no food in the house, no one would deliver.... guess the only thing left to do is to eat the tea.

AH! No, girl, stop!! I was only joking!!!!!!!

Delicious Romance, episode 2

[hercarisntyours]

dreamt about oplita and woke up crying from happiness and cuteness

[durtystars]

i agree with a lot, heavily on the fact that he was a good leader. one of the biggest arguments against him is that "he would get everyone killed" but.....he was already taking care of an entire group of people that were nearly 12 in number (if not that number in the first place) well before rick came into the picture. that reddit post could be right regarding the show, but the comic creator said that rick was asleep for an entire month (if not, i know it was said somewhere regarding the timeline of twd video games) so even if the show wanted to backtrack and say shane was a bad leader, they already showed literally in the first two episodes that start it off that he's not. in addition, if you read the official TV scripts of S1, in the scene of them in front of the lab and they don't have an answer after knocking on the door, daryl says "Everything was fine until this guy showed up." one of the weirdest and hardest things in twd to understand and accept was rick's sudden transferal of leadership, as if the group knew and trusted him better than shane the entire time. and during this time, rick is making horrible mistakes. but if you look in the deleted scenes of S1, rick heavily relies on shane for guidance on what to do, which ACTUALLY makes sense. i have no idea why these scenes were deleted. even if they were cut for time, they could have made some other scenes in S2 to show the rick/shane dynamic.

i don't agree that shane lied about rick. for one thing it doesn't make sense for him to save his life at the chance that he can come back and then lie about it, and as for why he never cleared it up is because he knew how bad it looked regardless, so he didn't bother. and of course as his character is deeply sensitive he was too ridden with guilt for loving lori so he let her believe it to make it easier to cut her out of his life.

i'm glad you brought up that shane always had rick's back. even in the scene when he had his gun pointed at him, i interpret it in the sense of him thinking of offing him because he's simply to weak for this world, but he couldn't bring himself to do it. i defend lori and give her a LOT of slack, but it must have been a special tormenting hell for him to face rick and her never supporting him when all he wanted was everyone to be safe. the rest of the group was affecting him as well, but lori and rick are something special to him, of course.

in my first watch (i think it was around covid days), i completely agreed with shane and was absolutely blown away that everyone was treating him like he was crazy. this was during the last stutter of the era of hating S2 as it was regarded as the most boring season, so when i looked around online to see if i was crazy i wasn't met with anything of the contrary. nowadays, S2 has been regarded in a much better light and has been for at least the past 2 years and while shane was always popular you definitely see more support of him in the ways of YT videos, and even if there's no support it's still in the breakdown of his character because he truly has so much to give as he is and through jon's performance.

i always say that while i believe S1 to be a masterful display of TV, S2 is the one that really brings out the discussion with the viewers. you said you couldn't watch shane's death scene, on my first time i couldn't either. i had no idea he even died because i was so outraged he was being isolated the way he was. i literally skipped up to the end of the episode because i was so adamant on his obvious road to death. so instead i turned all the way back to 2x1 and asked my mother to watch it with me, just to see how crazy i really was. that's why i say S2 is the one that actually brings out real discussion. my mother did agree with me, but we still had interesting conversations while watching it. i told her that she didn't need to watch the rest of the show with me, but she decided to stay for the rest of the journey (now she's watched the entire show and almost all the spinoffs and it's completely in love with the daryl show). but the thing is, as some of these things will go, my mother was telling what happened with me to my father, and so she convinced him to also watch S2, for which he stayed with for 6 more seasons. S1 is the one that pulls you in, but S2 is the one that makes you stay. and you are not going to convince me that it's not because of anything other than shane's character and jon's performance. we talk of shane very casually in the twd fandom, but in the outside of things he's a character that died in the second season of a 10+ season show and was barely mentioned again. and yet in this context, he's THE most talked about and relevant character in the franchise. the twd creator just talked about making a comic prequel surrounding him, lori and carl this year as well. no other character died as early as he did and have remained at such an impactful level, not a single one comes close.

now, me and my mother still rewatch S2, and find new realizations about his character. S2 is the most viewed, most rewatched and most discussed season in my house. every single time, it's brutal to see shane's degradation. and yet he became the groundwork of the show. he also still lives on in the characters. rick, daryl, carol and maggie are alive because of him. whether the writers mean it, whether the actors mean it or not, they have manifested his harsh way of living within them one way or another. and yes, carl is gone but he's still worth a mention as he voiced his mourning of him and how much he missed him. yes, i would prefer if shane stayed alive for at least one more season. but it's his leaving the show so soon that shows how much his presence stayed deep in the cracks of the show.

I’d love to hear your thoughts on why Shane is the best character in TWD 😊

Cause he's my baby and he's hot and I love him and that's good enough of a reason 😂 

But if you want something more logical, perhaps for a lot of reasons people tend to overlook… First, something that always bugs me is how little acknowledge there is of him actually stepping into the role of a leader for months before Rick showed up. As far as I know, no one in that group stepped in like he did. For the few interactions we saw, everyone would come to him for answers, and while he wasn’t always very diplomatic, he had good survival instincts and kept the group safe for months. Perhaps staying at the quarry wouldn’t have worked in the long run, but it was a plan nonetheless. 

He was right most of the time. He figured out pretty quickly how things were after the infection, and adapted a new mindset. He had to make tough decisions nobody was ready for yet, and maybe he pushed too hard instead of giving people time to get into that same headspace. And we see in later seasons that almost everyone thinks in a similar way Shane did, they just have different approaches. 

and it keeps going under the cut...

I recently saw a timeline in a subreddit or somewhere else that said the events from season 1 and 2 happened in the span of 2 or 3 weeks and that's crazy to me. So they were seemingly doing good, and they found Rick, everyone automatically herd to him, and everything until that point didn’t really matter anymore. That really pisses me off that he was just killed a few weeks later because they couldn’t sit down and talk things over. All and that, and despite him being driven for his misplaced love for Lori, he was still loyal to Rick in his own way. Did he question Rick’s leadership? Yes, countless times. Did he also follow his lead every single time? Also yes.

Which leads me to my next point. He also kept Rick safe. In the hospital flashback, he went in and saw what was happening and amidst all the chaos he still tried to get him out. When he couldn't, he did the only thing he could, he locked the door and barricade it. Did he know that would keep him safe? Probably no. He had absolutely no idea, but he was driven by getting them all out, and when he couldn’t get him out, he did the best he could to get Lori and Carl out of town. If he hadn't lied about Rick, Lori wouldn’t have agreed to leave him behind. Again, tough situations led to hard decisions.

And one of the hardest decisions he made was killing Otis to save Carl. He didn’t murder him in cold blood, he was with him until the end, killing him wasn’t something that crossed his mind until the very last second when he had no choice. If he hadn’t, Carl wouldn’t have gotten the care he needed. BUT people tend to paint him as a murderer for shooting him in the leg. It wasn’t right, but it was the only way out at that moment. I recently revisited one of my fics and wrote that Shane sacrificed his soul to saved Carl that day and I still agree with that. I don’t think he purposely hurt someone before unless he was defending himself. And from that moment on, you could see it changed him and didn’t know how to deal with that, which led him to his own demise.

Was he an asshole sometimes? Yes. Did he do or say things in a way I didn’t agree with? Yes. Did I ever want to slap him? Many times. But there was something about him, compared to other antagonists later on the show, that made him more realistic to me. He wasn’t driven by wanting to be right all the time or even being the leader. His misguided love for Carl and Lori, was at its core the things that he cared the most about and that he wanted to protect at all costs. And while I cared for neither, I think it was beautiful of him. 

I can never watch his last moments. For me, he got the right idea at the beginning of season 2 when started considering leaving the group on his own. I wish he had done that, even if that meant leaving the show. 

I’m probably forgetting something here cause I haven’t rewatched in years, but I think that’s it. Like I’ve said, I didn’t pay much attention to him the first time around, I did agree with him most of the time, it was his manners that left a lot to be desired. It wasn’t until my love for Frank got me to go back and watch some of his previous performances that I got to see Shane in a new light. 

In conclusion, he’s still the best character to me, and everyone should love him like I do. Or not. More Shane for me if you don’t. 

[roots-symphony]

do you think the reason agatha’s trial felt weird is because she was the only one who did not actually buy into the mythos of the road since she knew the truth? like that was why no perspective change and all the other reasons why people thought it was a fake trial

[todayisafridaynight]

whatever og text i had in mind for this post about ko shibasaki looking like sayama in this movie is completely cancelled on account of utsumi (this character)'s first name being kaoru and i only found this out cause i was looking up her name just to be sure when making this post

like jesus christ i legally have to make this post now

[duskerot]

i got SO inspired by this beautiful photo by Ron Frazier so i decided to paint it !! and then throw some guys on there cuz of course

u can look below the cut if you want to see the painting without the characters !!

MY PAINTING !! this was so fun fr i love painting light <3 might go ahead and post this separately but for now you must look at these ocs ok?

[mercless]

🗡 mad cowboy disease....

[bearenjoyers]

sorry im just thinking about bcs but like. why not add a few smaller scenes of gus interacting with his own men? why does it seem like, in comparison, mike is almost immediately elevated to a higher status than those two in bcs purely because we actually get to see him having normal conversations with gus? like i understand they might not keep the plot moving as well because of the fact obviously if victor is currently doing something it’s because gus told him to etc. but for the most part all of the smaller interactions gus does have with those two ends up being in a somewhat high stress situation where it feels very tense between everyone. and it’s just like damn! is it always like that?? why do those two even care that much about their jobs if their boss is a bit of a dick? etc. i think even an additional scene or two with those guys (either alone or the both of them) talking with gus in a more normal situation could’ve both added a bit more depth into how gus treats his employees (we got a lot with how he treats lyle and co., but not a whole lot with the illegal side of things), how comfortable vic and tyrus feel around him in a calmer setting, and exactly why they both feel the need to be as loyal as they are to the guy.

and also on the other side of this i don't think it'd hurt to maybe elaborate on their pay just a bit..? i'm not saying to randomly put a number out into the atmosphere but i just mean some smaller things like. do they buy nicer things for themselves? what's their housing situation? what's their car situation? are the escalade / yukon their own vehicles or does gus just use those two for business situations? do they use them when they're doing their own stuff off the clock or do they have their own cars? etc. that can also help with understanding their motivations a bit. don't get me wrong i don't think they should be visibly rich or something because that's not what gus would want but just smaller things! cause it's easy to write their loyalty off as Well they probably get paid super well, which i'm sure is true, but if they don't show a single hint of that then what's the point. even something as simple as giving tyrus a nice watch, or maybe victor having a nicer looking gun, etc. something small like that. because as it stands right now the average 41 year old viewer who watched the show once only knows and will only ever know victor and tyrus as those two guys in the background who do random stuff for gus with no clear motivation. just the personification of "On it boss (salute emoji)". and to be honest this is true for a whole lot of fans who do watch the show multiple times and enjoy thinking about it more in depth, because on screen we barely have anything about the two.

and to be clear i'm not trying to say we should have an episode just for them or something like no i understand they're side characters. i understand we don't need all that. and i understand this is also primarily Jimmy's show. but it's not like these two are on the same level as like, arlo or paige and kevin etc. these guys have been around since brba. victor was literally introduced in the same episode gus was. and they are a huge part of gus's story, especially in brba. s4 wouldn't have been what it was without victor and tyrus. and in bcs, ignacio's situation wouldn't have been the same if it weren't for victor and tyrus as well. and i just personally believe that if their goal with gus in bcs was to go back and elaborate on how everything came to be and show what he was like a few years younger, they could've dragged victor and tyrus into that. and i think his character would've benefited from taking that extra step with those two.

[mcybree]

Random limlife Scott rant, GO!

I got this ask and decided that I’d give it my best shot but got so mad on my skim through some of the moments I remembered that I gave up.

[mrschwartz]

in my imagination the sculptures of anything goes music video starts off with an aerial view of a perfect reconstruction of the car album cover, and then the camera lowers down slowly in the direction of the toyota corolla until it's level with the roof and then (it's the same shot, no cuts) it goes into the car and it's alex by the steering wheel. it's a continuous shot but every bass drop (stab?) there's a flash of different images associated with wealth from the song (a blank canvas, marble stairs, a chandelier, etc), and this goes on for most of the mv btw, until the second chorus).

then okay official first cut. it focuses on alex as if the camera was on the passenger seat and he turns the car on and drives down from the parking lot and into the street (plenty of cuts here, showing the car going down the parking lot, out of it and into the street, etc). it's the "perfoming in spanish on italian tv" part of the song now so when he's driving down the streets (the city is deserted and it's sunset now, btw) it cuts to the car driving by a screen billboard where it's alex singing with an old-timey looking microphone in an empty-looking tv set. he keeps driving and stops by a museum-looking art gallery. he steps out of the car (that he parked in front of the gallery) and walks up the stairs and into it. the camera follows his back until he walks through the door just as it says "blank canvasses" and we see that inside the gallery it's a film set (with the lights, scaffolding, cameras, the whole shabang) where the grips are setting up marble statues and abstract paintings. he walks by them through the middle of the set (the camera is still following him from behind), with no one even noticing him, and he goes up the left side of the double staircase at the back of the gallery (it's a real museum, they're just using it as an set in the mv).

it cuts to him at the top where he turns left into a corridor with ambiet lighting, carpeted floor, etc. on the walls there's a bunch of mirrors with fancy frames (and we can see a bunch of alexes reflecting each other as he walks by), and just as the song says "guess i'm talking to you now" alex mouths the words while staring at himself in one of the mirrors, then lowers his head and keeps walking. he opens a door into a room that looks like the cutting room from the body paint music video, and he rumages through the mess on the tables (and while he does the camera shows a bunch of details on the walls and on the mess, just little easter eggs to other songs, like in the body paint mv) until he finds the simulation cartridge for city life 09. it focuses on the cartridge in his hands just as it says "when you said them out loud" and it cuts back to the view we had of the double staircase from downstairs, and alex appears from the left side putting the cartridge in his inside pocket) and he walks down the stairs. while going through the set again on his way back, he accidently stumbles on someone we don't see the face of, but he quickly apologizes without really looking back and keeps on his way. the camera cuts to show that the guy is also alex who looks at the initial alex going through the door and out of the gallery with a furrow on his eyebrows. then a grip hands him a megaphone and he snaps out of it, sitting in a director's chair and pointing and shouting out orders to everyone.

we cut to the first alex already on the last steps in front of the museum (it's fully night now), opening the car door and going inside the car. we're inside the car with him now, back on the passenger seat, and there's a beat where he takes a deep breath, and then he turns the key in the ignition exactly in time with the guitar drop right before "leading to almost wherever you want them to" and we see the car driving off (with the camera stationary) while he finishes the elongated noted of "to" and there's the next big drop. it cuts to the car pulling up next a sidewalk in a small neighborhood (the pov is as if the camera is on the floor and we can look at the small commerce, the old looking lamp posts, and there's an ocean in the horizon, until the car comes into view and blocks most of the lens, parking), but it's also deserted, and it's clearly dawn btw. alex steps out of the car and walks into a café (of course there's a small cut to the door opening and ringing a bell, cliché and all). there's a barista wiping the balcony (who doesn't look up at him) but no one else, and he walks towards a small table for two at the very back of the establishment. just as it says "cartridge" on the song it cuts to the bell on the door again and we follow this figure with a hat and trenchcoat walking towards alex at the back of the café (at first alex is blurry on the bg, the back of the guy is what's in focus, then it shifts as he gets closer so we see alex's eyes lifting to meet the guy's as he gets closer to him--the walk up takes as long as to get to the words "come by" in the song). he takes his hat off and places it on the table (where we can see there's a coffee mug halfway drank that alex had ordered) as he sits down opposite to alex, but we still can't see his face. alex takes out the cartridge from his inside pocket and slides it across the table (the action is the exact duration of the line "now that's my idea of a good time"). it cuts to a super close up of just the bottom half of the guy's face where we can see him curling up one side of his mouth in a smirk just as it says "flash that angle grinder smile" of course. there's a huge flash when it says "gasp!" and a super close up of alex's eyes widening just as there's the actual gasp. it quickly cuts to the guy's gloved hand holding a shotgun under the table with smoke coming out of the barrel, and alex's top half falling on the table. he's dead.

we see the guy's hands grabbing the cartridge and his hat from the table as he stands up, and we follow him to the door from his back as he puts his hat back on (we can see the barista in the background, unfazed). he stops at the door and when he turns to the camera, to look at alex's direction, we see that he's also alex. he puts sunglasses on and opens the door in time with the stab after "umbrella" and walks out. it cuts to an angle where we can see the toyota corolla from above, and it shows him going around the car and entering it. it cuts to inside the car (just after "tune" in the song), as if the camera is on the passenger seat filming him, and he turns the car on and starts driving. it cuts to outside again, the same angle when alex pulled up earlier, and we see the car driving down the road in the direction of the ocean/horizon, and then turning right, out of sight.

cut to black