#actual fire risk

[babyspacebatclone]

Can I get some help with something? Cuz I really would rather prevent a fire from happening at my work if my fears turn out not to be exaggerated….

I’ll start off by saying I did just do a quick search about this to prove I’m at least not making stuff up, but I’m afraid I’m going to need to parrot back some expert advice to my daycare’s owner because yes he really is that big of an idiot.

The question:

Exactly how dangerous is it to have a dryer start melting down fabric tags like shrinky dinks???

Like, that one corner is just straight hard plastic. I had to cut it loose to be able to get the baby bouncer cover on, which initially just confused me until I processed exactly how bad it was.

There was also a cloth baby book with teether-like edges that had them fuse together that I didn’t think to get a picture of before handing it over to my director, this book though so you can get an idea:

I know if something were to get caught in the door or similar that could cause the overheating, but the book is too big for that.

When I brought up what I found to my director, which has only been stuff from about a week, she (sadly rightly) said the owner would just tell is to “Not put stuff with plastic in the dryer then.”

I immediately showed her the bouncer cover, which proved that it’s not just obvious plastic but any synthetic fabric at risk, but she just sighed, had me turn down the temperature setting on our only working dryer, and reminded me that our idiot of an owner has let the other dryer sit broken for over four months because well, how badly do we need two dryers?

(We wash all the children’s nap blankets once a week. I’m 90% certain this is required by licensing. We have to do each room on different days because they take multiple loads. This is on top of cleaning rags, washing baby toys on every use, and older soft toys as often as we can manage….)

Anyway…

How big of a fire risk is there? Because the building is old, the basement hasn’t seen updating in probably 50 years, and if there is a fire starting in the laundry room there will be issues.

[prolibytherium]

Would kill to read animal POV fiction that has the animal POV’s interaction with humans be like, semi realistic to the level of caution most predators take with large prey and/or competitors (including humans).

Like instead of the usual - “the human is such a weak, pathetic creature... so slow, no claws, blunt teeth… completely helpless without its 'Fire Sticks'. how is it the master of the earth?” type crap it’s like, the bear protagonist or whatever approaches some dude who spreads their arms and yells and the bear is like “FUUUUUUUUCK THAT THING JUST GOT HUGE. IT'S LARGE AND MAKING NOISES. HOLY FUCK.”

[danwhobrowses]

I have to say when it comes for episode 107 I'm on the camp of this feeling wrong. Like, two gods' plan is to just let Ludinus just have his way? And just assume that the vessel won't get them? The Wildmother showed Orym the time Predathos came to town, it took out two of them in a blink and the Titans did the heavy lifting, it chased them from Tengar to Exandria without concept of navigation so it's foolish to think they won't do the same this time around. Running forever isn't a life even the infinite should be pursuing. Corellon is cheeky and flirty but it's a mask for being deflective and honestly a little cowardly. What you're asking and trying to persuade with gifts requires the Hells to entertain sacrificing one of their own, which they shouldn't (and I'm hopeful they won't, because that'd be to me at least be a character betrayal since they have always prioritized each other over the gods) consider doing even for any kind of promise, and treating it like it's a necessity, as if leaving like you've decided you want to do now is your 'sacrifice'? Even if being a vessel and still being of sound mind was a viable option with proof that it can work that way, there are too many unknown factors that it seems not even the gods have answers for, so it should all trail back to the fact that this is STILL not a risk worth taking and Ludinus should not be having his way.

I guess part of this feeling comes down to the fact that this was not what I was hoping to get out of the episode; I'm always open to being surprised (because I often am) but it has to be in a good way, this was not a good way. But we'll have to see where it goes, this is a proposal of two gods against a majority yet to say their piece and could still be heard out, I still trust Matt's vision and Abu DM's like smooth butter, but the god debate admittedly continues to wear on me - we were already in a state where we were open to talk but now they're conspiring against one another too? Can we not just focus on Plan A: Unite to Stop Ludinus from releasing Predathos? Evoroa literally said Ludinus' plan is to divide why are we sowing more division? Couldn't just kill Zathuda and take his dragon for Fearne...this should've been Bell's Hells' big win to make up for Otohan but now for me at least it feels a little sour.

[aro-culture-is]

Not an Aro-culture-is thing but I do have a question you might be able to answer? Is there an aromantic/asexual term for this: AroAce but if I wasn’t I would be gay? It might just be homoplatonic or homoaesthetic but idk if there was a term for it that relates to being AroAce. Thanks! <3

possibly you might vibe with oriented aroace labels, like gay aroace? i'll put this out there for other folks to consider as well, but I feel like oriented terminology sounds the most applicable from my POV.

[statementlou]

Louis might not be chucking bricks at No. 10, but people are responding like he’s never displayed leftist politics or challenged a government position on anything. He supported demands to the government about a fix for UK touring musician post Brexit and Marcus Rashford’s petition about food insecurity. He fought the police about their social media use in 2018 and criticised the UK government position/support for factory workers in the pandemic. The things he speaks about are usually UK issues and meaningful to him or his family and friends. He’s also most likely to speak when he isn’t working. Also that specific anarchy has a punk anti authoritarian message as well. That statement fits Louis pretty well. He has been a poster boy for not sitting down and shutting up and doing what you’re told since 2012. If he was he probably wouldn’t have a solo career and he definitely wouldn’t have sold out the O2.

I like this point about him speaking out more when he's not working, I think that's a really great and useful observation and makes so much sense. I feel like it makes sense in two ways right now: like first, I don't blame him for not wanting to do things that would jeopardize how beautifully everything is going for him right now after the number of setbacks and troubles he's had to get here, it must feel so precarious. And knowing for a fact that any political statement you make will spawn a dozen tabloid stories and all kinds of outrage is bad enough, but add to that the fact that it's simply impossible to predict which thing will turn into a huge viral mess- it's a lot. And second, he's not just working, he's been on TOUR! I've been around musicians my whole life and one constant is that tour is time outside of normal time and life, it's a bubble, it's only paying attention to right where you are and what's in front of you and the people there with you and everything else is put off and neglected, is for when you get home (and have massive post tour letdown depression and fatigue). I'm not saying he can disconnect with the outside world entirely... but putting everything on pause? I would be surprised if it were any other way, and I would be surprised if he's been following the news and counter news and so forth closely enough to feel comfortable speaking out publicly about anything when it will be so scrutinized and picked apart. I would add to your list supporting the rail strike (something we wouldn't even know about if it hadn't been tossed in as an aside by an interviewer in the print only version of a piece, he didn't post about it or anything) and attending and posting about the BLM protests (not to mention telling people to pirate his stuff come on how punk is that), and I agree he is much more likely to speak out about UK issues which makes sense: most people are most moved by issues that are close to their lives in some way, and it's his brand. And I agree that even though as an anarchist I love talking about what anarchism as a political ideology actually is, the symbol does also have a common meaning in the world as just basically standing for anti-authoritarianism, and Louis as a guy who rejects authority and the status quo is nothing new at all and one of the reasons we love him, and in the last few years I feel like he's been going further in that direction both aesthetically and politically, and we love to see it! Plus he has pretty much always sported this slightly punky aesthetic to some degree, even when he was being dressed up like a little ken doll he snuck in skater looks and indie band tees and so forth (something something it's part of why his fanbase was so primed to love his new sound and it wasn't the risk he feared it was because people were always drawn to him who were already into that aesthetic even when his sound wasn't that yet) it's not like it's just a brand new out of nowhere side of him or something.

[bacchuschucklefuck]

My Accolades

[infinitelystrangemachinex]

streaming tv is like the fantasy/fiction need for a mid list. big money thrown at projects expecting that big money can make anything too big to fail, when the reality is that there’s only so much profit to make in an oversaturated market and only so many properties that can be the number one most popular thing at a time, but no matter how many projects fail or how variable the quality of the art is, it’s never going to be acceptable again to shore up most of your projects with only SOME money and letting that “mid list” find longlasting audiences that provide your baseline business

i wish both streaming tv and the publishing industry would spend less money on more projects that cultivate good writing. i want good writing and long projects to get invested in so bad that i'm caring less and less for production

my thesis statement is that tv shows are being canceled because they cost too much money. a mid list would have saved most canceled shows. higher production costs don't mean better writing, and lower production costs don't mean worse writing

the publishing industry is asking for shorter fantasy books and is canceling series and leaving authors behind because it is throwing all its money at shiny new things that are not actually new and don't stick

all of this without investment in a "mid list" to keep baseline profits coming or to keep a foundation of writers paid and busy

if companies spent less money on shows, would they last longer? would they hone writers' skills more? does this extend to animation where the budgets are so much smaller? or is there no world where i could get multiple 25-episode seasons of arcane and i'm just deluding myself

fantasy books especially have had an oversaturation problem for years, but the biggest problem is an over-reliance on debuts without investment in originality or in authors’ futures. what this looks like is big money thrown at marketing shiny debuts or at a subset of the old familiar faces in fantasy that established themselves before the shift in industry mindset. everyone else either gets scraps or can’t find their footing after their debut. you either go viral somehow or you go home. to make money, the only acceptable projects are generic or are recognizable rehashes of previously popular but specific ideas. fantasy is considered a popular genre now, but in my opinion, fantasy has never stopped being niche, but the need to find bigger audiences and bigger investment has resulted in pushing fantasy series that don't do anything new or interesting and actively spurn good prose, but can appeal to as many people as possible (instead of weird fantasy freaks, aka me, i'm freaks, now most of the freaky fantasy i can find is in video games and a single tear is rolling down my face)

now tv. buffy the vampire slayer cost about 1-2 million per episode. star trek tng cost 1 million per episode

look where we’re at with streaming services. tv shows that cost millions and tens of millions of dollars per episode. the sopranos redefined what prestige tv meant and it cost 2-6 million per episode. chasing the new prestige mindset, game of thrones started out at 6 million per episode. today, early game of thrones’ budget from about 2011-2013 is joked about like it’s chump change, especially for game of thrones or hbo. but prestige tv reeled in that subscriber money. the streaming model today is the continuation of the prestige tv model, except that every show needs to be prestige, no matter the audience or genre or story structure. because prestige tv made money

now that the baseline model for helping your subscription/channel make money is to throw 6 million+ per episode, it's no longer a mystery why seasons are getting shorter and shorter. and the demand for higher and higher production will only mean that shows take longer and longer to make

netflix shelled out 6 million per episode - what an oddly familiar number, huh? - for stranger things season 1. season 4 cost 30 million per episode

wheel of time season 1: 10 million per episode. rings of power season 1: 58 million per episode. these are adaptations btw, not original IPs, but this is SEASON ONE money you’re looking at. i liked both rings of power and wheel of time decently, but my hot take is that both of these shows are under-written and over-produced. why so much money thrown at projects with writers at the helm who are inexperienced in the fantasy genre? rings of power in particular is bank-breaking and it was originally planned to run for several seasons

the mandalorian season 1: 15 million per episode. andor season 1: 20 million per episode. the acolyte season 1: 22 million per episode

remember that the subscription model requires subscribers to make money and requires NEW subscribers to satisfy the hunger for growth, and star wars is a single IP with established fans. the mandalorian, andor, and the acolyte all took major risks in different ways. the mandalorian actually fell back on star wars fundamentals (rather than being something net new in my opinion) and its risk was in being a show, not a movie, and the first of its kind on streaming for star wars

andor could be the riskiest fantasy/sci-fi show to hit streaming, ever. 12 episodes for season 1 that cost 250 million overall, not 6-8, explores marxist themes, and did not pull in new subscribers. what popularity it does have is purely due to word-of-mouth and plain old good writing, rather than marketing or by simply being part of star wars. it was originally going to be 5 seasons but is now going to be 2 because... 250 million dollars is a lot to spend on one season of television that didn't make you a lot of money. simple as that, even if andor is the best live-action thing disney has produced in decades in my opinion

the acolyte season 1 was 8 episodes and cost 22 million per episode, which armchair critics on social media are stating is the reason why the show has been canceled. haters will just say it was canceled because of bad writing, and fans are saying it was because of review-bombing and the diversity of the cast and crew

i disagree on some level that the acolyte is the first star wars show to be canceled, because again, andor was going to be 5 seasons and is now going to be 2, losing over 50% of the original story. even fans of the acolyte will agree that its writing wasn't the best. most fans who have seen andor will agree that it is the best-written star wars media ever on par with the best episodes of clone wars. both shows brought me over to disney plus when no other show or movie did

but in effect, both shows have been canceled

my take is that if a mid list existed, both shows should have been on it. they are part of an established IP with established fans who were going to watch the shows no matter what. most people with star wars fatigue would not have heard about the uniqueness of these shows until later and would have probably picked them up by their finales or by their season 2s

if they were not star wars properties and were original stories instead, both of these shows were still fairly unique doing things that appeal to "weird" subsets of sci-fi/fantasy fans. the mid list would have been perfect either way

i firmly believe that a mid list would have saved both of these shows. 6 million per episode MAXIMUM. ideally less. not because i dislike either show, but because i care about writing above all else. pay 1 writers room a fair wage and let them go fucking nuts for a few seasons. as long as everyone else in the production is being paid a fair and living wage, i don't care how little is spent on the show

stranger things should have been a mid-list anthology series that ran forever, wheel of time should have been a mid-list tv fantasy with at least 12 episodes per season to do any justice to those massive books but also to pay homage to the book series' roots as high fantasy that goes on and on without much of a plan and with often mid and sometimes junky writing but with appeal in that it was long-running, made readers familiar with the same characters every book for many hundreds of pages each, and is something of a comfort read now for many fans

i think that reality is catching up to streaming services and things are going to get worse before they get better

but i also think that the next "evolution" of tv should be the return of the mid list

[mythos321]

Tsunami: who’s the toughest Dragon ya know!

Sunny: Clay(points at Clay who waves)

Tsunami:…who’s the toughest Woman Dragon ya know!

Sunny:You’re the toughest woman dragon I know?

Tsunami:BOOYAH!

[proteusolm]

The funnest part of our fires is that the boxes seedlings come in are thick and wax coated, so they burn shockingly high and hot. Every time we add more everyone has to scramble to get away from the heat, or shield any exposed part of their body. Good entertainment.

Before every fire we're told not to get crazy with the boxes, but it always ends up being the staff who get silly with it and toss on a bunch at once.

[hulloitsdani]

You know that moment in FE: Awakening where Robin decides to light an entire naval fleet on fire by rigging their own ships? And it was kinda insane but it somehow managed to work? That is the manic energy in which I imagine Kiran approaches ALL their tactics with. Every battle you can pinpoint the exact moment where Kiran goes “you know what? fuck it” and unleashes some god of death onto the battlefield.

With that perspective, you gotta give credit to Veronica. She’s sees that bullshit and is like “yeah I could punt kick that twink.”

[zombzgutzz]

what if........i was a zombie.........in real life................and it was COOL.........................

[cienie-isengardu]

I don't really agree with your takes on Kuai Liang. You hold him to a standard far higher than his circumstances allow him. You say he should have confronted the Lin Kuei but the moment he saw them, they immediately tried to kill him and Tomas without any chance. You assume Liu Kang helped him when an intro suggests Liu has left him on his own. You say he should have returned and taken over Lin Kuei, people who rejected him and never gave him a chance but take issue when he tries to get stronger to face them. You conveniently leave out the part Kuai wants others to not touch Bi-Han and Lin Kuei and that's why he's in Outworld to stop Bi-Han according to intros.

I think you're more than a little biased against MK1 Kuai. It's getting obvious.

That’s perfectly fine if you do not agree with my take on Kuai Liang. I’m not here to convince you or anyone to my ideas, simply explaining my reasoning since you asked 🙂 

“You say he should have confronted Lin Kuei but the moment he saw them, they immediately tried to kill him and Tomas without any chance.”

I think you mistake two separate events. I said he should confront Lin Kuei when he learned the truth about Bi-Han not aiding their father in need, right away when he defeated and captured his brother. Tomas thought he would do so, to take the title of Grandmaster and prevent further damage. But Kuai Liang outright rejected this idea, thinking Cyrax and Sektor would still stick to Bi-Han despite the grave accusation. In that scene Kuai Liang chose to cut his ties with Grandmaster, as was seen when he removed his emblemant of Lin Kuei, saying "You are my grandmaster no longer" . Which I guess could count as him leaving the clan. 

From story mode we know only that they took Bi-Han with themselves and a few chapters later, Tomas noted that Lin Kuei refused to aid Liu Kang. But as far as dialogue goes, neither Scorpion nor Smoke said they were attacked by Lin Kuei or in any other way persecuted and I don’t think there is any source claiming that for this specific point in time. Otherwise Kuai Liang and Tomas would either mention they needed to run away from their people to join Liu Kang for the battle or would not be there at all, if the clan wished them dead or hurt.

The attack you mentioned comes AFTER Titan Shang Tsung was defeated and again, comes from Scorpion’s ending and not story mode itself. Which is a second, separate event from the one I referred to in my previous post. In my opinion Kuai Liang should take control over the clan right away Bi-Han was compromised, because it was his duty as the second-in-line. And most likely he was trained for that possibility, as being Lin Kuei was a hazardous job and Grandmaster Sub-Zero was personally involved with doing Fire Lord’s bidding. So no, I don’t think this is holding Kuai Liang to a higher standard, as he is not a mere warrior forced to step in and solve the critical situation all by himself but a man raised as part of the ruling family and with a birthright to do so. Expecting Scorpion to do his duty hardly feels like demanding too much. But it is perfectly fine if anyone does not agree on this one with me. 

So yes, I say he should have confronted Lin Kuei and no, Tomas and Kuai Liang were not immediately attacked between chapters. Lin Kuei refused to aid Liu Kang and at this certain point in the story, it is all they did as far as source materials goes to my knowledge.

“You assume Liu Kang helped him when an intro suggests Liu has left him on his own. “

Yes, I assume so, as for me characters BIO and story mode are a more truthful source than intro dialogues that don’t give us the full context of the interaction, or characters’ endings that aren’t always 100% compatible with the next game (and I do acknowledge that my opinion about Scorpion's ending may change once the new story will be released). Sadly, I have no idea what intro dialogue you're referring to. It would be helpful if you could paraphrase it for me. I checked out MK Warehouse’s page but did not see anything fitting? Or did you actually mean Scorpion’s ending?

“You say he should have returned and taken over Lin Kuei, people who rejected him and never gave him a chance but take issue when he tries to get stronger to face them. 

Yes, as I said before he should do so right away when Bi-Han allied with Shang Tsung but was defeated in one on one match. Sure, the sources strongly imply for us that no Lin Kuei beside Tomas supported Kuai Liang which I admit is pretty surprising. I imagine there were still plenty of people who loyally served his father and to think all of them rejected Scorpion in Sub-Zero’s favor says a lot about the political mood within the clan. Me wishing for Kuai Liang to confront Lin Kuei right away after the failed mission is not saying he would succeed but he definitely could at least try. Instead all the story mode said on the matter is that he doesn’t think Lin Kuei will make him the next Grandmaster due to Cyrax and Sektor, which again raises a question why his socio-political status would be so low between his folks if BIO alone introduced Scorpion as a REVERED Lin Kuei Warrior.

(definition presented at Cambridge Dictionary)

If you meant “return and take over Lin Kuei” in regard to leaks, then again, I do stand by my previous statement. He should take an active part in bringing back Lin Kuei on the righteous path, reclaiming his home and position, if he truly was so dedicated to his duty and father’s teaching. Otherwise leaving Lin Kuei on their own terms may lead to another conflict and in result put Earthrealm at risk. I do not say doing so would be pleasant or easy for Kuai Liang, but what else could be a better way to honor his father and the tradition he revered so much than personally restoring father’s legacy? A legacy for which Scorpion rejected his own brother and future offered by Sub-Zero? Though again, feel free to disagree, as this is just my personal opinion. 

I take no issue with Kuai LIang getting stronger and preparing for the war. I would be quite disappointed if he didn’t do so, as he is warrior first and foremost. Last time I only pointed out that MK1 Kuai Liang has better means to face Lin Kuei than his previous incarnations even had. Which is why I rejected your statement Scorpion and Tomas had not enough time or resources to do anything. If we go with intro dialogues, it seems they used the given opportunity very well, as in the relatively short time Shirai Ruy rose in such power they felt ready to face Lin Kuei on their own terms. Or more precisely: hunt down Bi-Han.

Scorpion: Bi-Han's trail has led me to Sun Do. Li Mei: I'll abide no vigilante justice, Kuai Liang.

or

Raiden: How goes the hunt for Bi-Han? Smoke: I've never chased a cagier quarry.

You conveniently leave out the part Kuai wants others to not touch Bi-Han and Lin Kuei and that's why he's in Outworld to stop Bi-Han according to intros.

Conveniently leaving? Nah, the only reason I did not go into great details about all intro dialogues is simply the fact that those intros do not contradict in any way my statement. Both brothers are fully ready and willing to hurt each other to fulfill their goals and show little regret over this (with only Tomas actually preferring the reconciliation). Kuai Liang rejecting Kitana or Raiden’s help or Mileena's demands as he wishes to deal with Bi-Han by himself is not an example of Scorpion regretting the fratricidal struggle. Same with Bi-Han rejecting Havik’s offer

Havik: Aid me, and I'll destroy the Shirai Ryu. Sub-Zero: That is *my* privilege, Havik.

Funny though how you conveniently left that Bi-Han too rejected help from his allies in regard Kuai Liang at least once or that he actually is willing to make peace with Liu Kang (what most likely would stop the war between brothers)

Sub-Zero: You want peace? Let us be. Liu Kang: The Lin Kuei's sins aren't easily forgiven.

or that he is willing accept Tomas back if he submit 

Smoke: Are we to be enemies for life? Sub-Zero: Unless you submit, Tomas.

Which is not much, but frankly, at this moment it is more than Kuai Liang’s intros offer in regard to calming the clans war. Understandable, as Scorpion has right to be bitter and angry but even Liu Kang is concerned about his vengeance:

Liu Kang: You allow vengeance to consume you. Scorpion: I should not punish Bi-Han for his crimes?

But like I said, showing a bit of good will here and there or brothers seeing their conflict as personal matters that should be resolved between them does not contradict my statement that both Bi-Han and Kuai Liang are willing to face the other in fight and if needed, even hurt each other’s friends and family. So in all fairness, I’m not sure what you are accusing me here? 

I think you're more than a little biased against MK1 Kuai. It's getting obvious.

The thing I’m definitely biased towards is the NRS forcefully bringing back the Shirai Ryu vs Lin Kuei conflict that was solved in MKX almost decade ago. If you think this is a personal bias toward Kuai Liang then sure, why not 🙂

[rockpapertheodore]

adhd life hacks

forget ur soup on a low simmer overnight and you will awaken to a delicious hot stew breakfast

but watch out!

[turnleft]

do you ever think about how in journey’s end donna thought she had nothing else to live for, but in the star beast she had something (someone) to die for

[dykedvonte]

I think i dislike the idea gen 3 synths have any noticeable mechanic parts besides the component (and probs brain tissue) due to the horror of it all existential or not.

It's almost canon that not many wastelanders know about the synth component and if they do they don't know how to get it out without killing the individual making synth hunts risky. They too think when they kill a synth they will see gears and coolant and wires and something distinctly telling them that this thing is not like them.

So imagine a group so excited cause they caught a synth, they caught a synth and plan to execute it. The synth is begging for it's life either denying that it is a synth or promising to never bother them again if they just let it go. But they don't and they line up and they fire and they are expecting grease and oil and the distinct sound of metal piercing metal but they get none of that.

They get blood and guts and lots of it. Lots more than they expected from something they didn't expect to have it.

At first, they think it's a trick of the light or lack thereof. That the liquid pouring out of the multiple new wounds they created isn't what they think. That the metallic smell is just from whatever scrap it was made of. So they poke around it more and it's sickening. There are bones and tendons. Blood and meat and it's so real but they know it was a synth.

He admitted it when they stormed into his home, the house he had welcomed them any plenty of times in they days leading up. When he was dragged through the town that he helped build and put before a kangaroo court. Even when he was begging to keep his life. To keep on living just as he was, as they were.

"But he was a synth, he..." And they realized they stopped calling him it and they realize that they didn't just kill something but someone.

There would be something in the air. They knew but did they really know? He said it but wouldn't you admit to whatever you're accused of when cornered and scared and just wanting it to stop? He was a synth but what does that mean now? Did it matter that much to do this to someone they once called a friend? Now that his insides were forced out and the only inhuman thing they found was how it happened.

But that's how it goes and they clean up even though their consciousness is anything but. They look at each other and they know they stopped another one of them from being taken and becoming like him. They know they are staring at another human and that's all that matters...

Or that's what they keep telling themselves.

[moe-broey]

SORRY this tag completely undid me LMFAOOOOOOOO

He needs to buy some fucking shirts........

Sketch vers under the cut bc I was originally just gonna leave it at that but. I was possessed I think.