ladddyyybuuuggg

[westendartspaces-blog]

Art Appreciation 101: The Significance of Commercial Art Gallery in Melbourne

Melbourne, a vibrant cultural hub, boasts a thriving art scene. Within this scene, the commercial art gallery Melbourne plays a crucial role in not only showcasing established and emerging artists but also in fostering an appreciation for various art forms, including abstract art.

A Platform for Melbourne's Abstract Art

Abstract art in Melbourne, by its very nature, challenges viewers to engage with form, colour, and emotion on a deeper level. Commercial galleries in Melbourne provide a dedicated space for abstract artists to exhibit their work. This allows viewers to immerse themselves in the world of abstraction, away from the potential distractions of a broader art exhibition.

Curated exhibitions by these galleries often group works thematically, allowing viewers to trace the development of a particular artist's style or explore specific movements within abstract art. For instance, a gallery might showcase a collection that delves into the interplay of geometric shapes and colour in Australian abstract expressionism.

Melbourne's Commercial Art Gallery: Curating the Conversation

Commercial art galleries act as vital platforms for these abstract artists. Here's how they contribute to the art world:

Exposure:  Galleries provide a professional space to showcase abstract art, making it accessible to a wider audience. This exposure allows artists to gain recognition and build successful careers.

Expertise:  Gallery curators possess a deep understanding of art movements and trends. They curate exhibitions that introduce viewers to the nuances of abstract art, sparking curiosity and appreciation.

Investment:  Commercial galleries invest in artists by purchasing their work. This financial support allows artists to focus on creating new pieces, enriching the art landscape.

Education:  Many galleries host artist talks, workshops, and educational programs. These initiatives help demystify abstract art and empower viewers to connect with the works on a personal level.

Appreciation Through Experience

Melbourne's commercial art galleries offer an immersive experience for anyone interested in deepening their appreciation for art. Stepping into a gallery space allows viewers to engage with the artwork in person, appreciating the artist's technique, use of materials, and the scale of the pieces. This firsthand experience fosters a deeper understanding and connection with abstract art, often surpassing what can be achieved through online viewing.

By providing a platform for artists, educating the public, and fostering a collector base, these galleries ensure the continued growth and appreciation of this dynamic art form. So, the next time you're in Melbourne, consider exploring the city's commercial art galleries. You might just discover your next favourite abstract artist.

Source

[abstrakshun]

Ron Robertson-Swann (Australian, b. 1941)

Vault - 1980

[details and work in situ, Melbourne]

Mobile photos: Jeffrey Earp

[x-heesy]

ɪ ᴄᴀɴ ғᴇᴇʟ ɪᴛ

Jack Vanzet is a graphic designer and music producer from Melbourne who combines both passions perfectly to create album covers for new records. Vanzet works on electronic music production under the name Thrupence.

#digitalart #digitalillustration #digitaldrawing #digitalartist #digitalpainting #illustration #art #drawing #digitalartwork #artwork #fanart #digital #artist #illustrator #artoftheday #cryptoart #digitalsketch #contemporaryart #art #artist #painting #artwork #abstractart #modernart #artgallery #arte #fineart #artoftheday #artcollector #instaart #artistsoninstagram #drawing #contemporarypainting #abstract #contemporaryartist #gallery #photography #sculpture #kunst #abstractpainting #design #interiordesign #oilpainting #illustration #acrylicpainting #digitalart #artlovers

Space Is A Place by Farai, Chris Calderwood 🎧

[conformi]

Jannik Sinner celebrates winning championship point, Men's Singles Final match | 2024 Australian Open, Melbourne Park | Melbourne, Australia, 28 January 2024 VS Barnett Newman, Onement VI, 1953

[s2z]

"...weclome my son; welcome to the machine"

[wheresmydepressiongone]

I did some more prints

[cuntvillage]

Yummy yummy images fruitful life I open the doors for beauty and joy to flow in and surround me. I am powerful and my power attracts wondrous people and experiences. I find happiness everywhere. I am only recently grateful.

[brightwitchbrews]

Making my first foray into selling original art on Etsy, just to try it out! ☺️ I really enjoyed making this little piece, which I’ve titled Moonrise Over Darkwood.

As I’m only just starting out with selling originals, and am nervous about wayward parcels, I’m only shipping this piece domestically from Melbourne within Australia.

As a small piece (12 x 14.5cm), this art is perfect for magical minded collectors of pocket sized art! 🌙💛

EDIT: Sold!

Available at:

✨ etsy.com/shop/BrightWitchBrews

[westendartspace]

Finding Peace in Abstract Art - Visiting A Gallery

Visiting an abstract art gallery can be an enlightening and transformative experience. In a world filled with chaos and turmoil, finding peace can seem like an elusive concept. However, abstract art offers a unique opportunity to transcend the noise and discover inner tranquillity. The ambiguity and subjective nature of abstract art allow viewers to interpret the artwork in a way that resonates with their own experiences, fostering a sense of calm and serenity.

Unlike representational art, abstract artworks in Melbourne do not depict recognisable objects or scenes. Instead, they explore the use of colour, form, line, and texture to evoke emotions and evoke a response from the viewer. Without the constraints of representing the physical world, abstract artists are free to express the intangible aspects of human existence. This freedom opens doors to an infinite range of interpretations, allowing visitors to project their own emotions and thoughts onto the canvas and connect with the artwork on a deeply personal level.

Walking through an abstract art gallery, one can observe the different techniques and styles employed by various artists. Some might use bold, vibrant colours and energetic brushstrokes, while others may opt for a more minimalist approach, using simple shapes and delicate lines. Regardless of the aesthetic choices, abstract art often invites introspection and reflection. The absence of a definitive subject matter encourages viewers to tap into their inner selves and explore their own emotions and thoughts.

So, visiting an abstract art gallery can provide a respite from the chaos of the world and offer a serene space for self-reflection.

[wub-fur-radio]

New Brooms & Pantries!! More 21st Century Post-Punk for Your House

Wub-Fur presents another eclectic mix of new post-punk rock music that you should listen to. 19 tracks featuring selections by Iguana Death Cult, Egyptian Blue, Mannequin Pussy, Yard Act, Pylon Reenactment Society, Uranium Club, Hot Garbage, and a dozen more bands who know what “a new broom sweeps clean” means.

Cover Art by the Photoshop AI (we asked it for "Abstract album cover art for a compilation album of 21st century post-punk rock music"). Apologies to Ian Dury and the Blockheads, whose classic 1977 first album is the inspiration for the title of this mix.

▶︎🎶  Listen on Mixcloud or 🍎 Music

Running Time: 1 hour, 10 seconds

Tracklist

Intro / WUAMLWM [Brief Excerpt] (0:10)

Pushermen (3:50) — Iguana Death Cult | The Netherlands †

Nylon Wire (2:14) — Egyptian Blue | Brighton, UK †

Hyperglam (1:50) — Opinion | Occitanie, France ‡

Accidental Momentary Blur (2:41) — Ulrika Spacek | London, UK †

Small Grey Man (4:02) — Uranium Club | Minneapolis, MN ‡

I'll Do What I Can (3:46) — Folly Group | London, UK ‡

Dream Death (2:47) — Feeling Figures | Montreal, Canada †

Redecabbaged (3:01) — Sachet | Sydney, Australia ‡

Educate Me (3:53) — Pylon Reenactment Society | Athens, GA ‡

Who Do You Wanna Be? (3:48) — Dream Wife | London, UK †

Dead Meat (1:29) — The Tubs | London, UK †

When the Laughter Stops (3:16) — Yard Act | Leeds, UK ‡

Long Way from the Top (4:03) — TV’s Daniel | Austin, TX †

I Got Heaven (2:51) — Mannequin Pussy | Philadelphia, PA †

Lowering (4:02) — Hot Garbage | Toronto, Canada ‡

A Brash Child (3:00) — The Pheromoans | UK †

Pop Star (2:53) — Lime Garden | Brighton, UK ‡

Ex-KGB (3:42) — The Toads | Melbourne, Australia †

The Ring (2:51) — Flowertown | San Francisco, CA ‡

All tracks released in 2023 † or 2024 ‡.

[mybeingthere]

Jordan Kerwick, born 1982, Melbourne, Australia

Currently lives and works in Albi, France.

"Jordan Kerwick’s gritty, thickly impastoed paintings range from haunting figurative portraits and Cubist-inflected still lifes to more abstract, gestural works in the vein of Franz Kline or Cy Twombly. The self-taught Australian artist, now based in France, began painting in 2016—more or less on a whim, he says. Kerwick quickly found himself at the center of international success: He has shown at galleries in Melbourne, London, New York, Tokyo, and Paris. Kerwick’s disparate practice embraces a range of materials including enamel, acrylic, oil, house paint, airbrush, graphite, and charcoal. The artists’ inspirations include art historical still lifes, his family, literature, music, and the city of Los Angeles." https://www.artsy.net/artist/jordan-kerwick

[youhavehitawall]

Wait, BWD is your ocs?? DUDE!! I THOUGHT IT WAS OBSCURE SHOW YOU'D CARS-IFIED/CROSSED OVER I HADN'T WATCHED AND WANTED TO, I DIDN'T KNOW YOU CREATED IT, HOLY SHIT THAT'S AMAZING!!!

Have you written/made a comic or anything for it yet, or is it more along the lines of "ah yes, my ocs, time to create art with no context for anyone else" (because I do that too if that's the case LMFAO)

AHHH THANK YOUU <3! We have achieved a Professional level of Quality.... hoyl sit !

the stuff on Here is currently just art with no context, but i've got quite a bit written down around them and even more is waiting to be lovingly waxed and polished. These guys have been living in my head since 2019 and aren't going anywhere, but im still ironing out their personalities and the plot of the actual Story Itself- i originally intended to Write the story, but a Comic would also fit for a lot of the scenes i have planned

at the moment these are all future hypotheticals though. for now have a snippet of Ratchet's Horrible No Good Very Bad Day :)

[Before moving to BWD, but after escaping America, Ratchet and Austin are keeping a low profile in Melbourne. Ratchet suffers catastrophic injuries after being pushed off the freeway by a client of their American enemies. Two days after, he's released from surgery.]

Austin’s the first thing you hear. You’re dizzy and you're tired, but Austin’s light, smooth voice is nearby and you know he’s safe. Their voice is steady and constant, and you drift, aware that something is very wrong but not awake enough to parse it out. Whatever the issue is, Austin will fix it. They're good at that. 

The next time you’re aware, someone has pinged your proximity sensors. You crack your eyes open to see your hood has been removed and your engine is exposed to the open air, and you trace the lines, trying to fit the parts into a pattern, into recognisable individual components and failing. The engine is an enigma to you, warped and misaligned like it had been made of magazine clippings. 

The car that woke you is gentle, or maybe not- you realise dully that your engine is numb and cold. She isn’t a threat, poking around with something and humming at the screen, so your attention sways to the warmth along your left flank. You know instinctively that it’s Austin. You recognise his wax’s scent and the slight curve of gold in the dark, and you can feel his fuel lines pumping slowly in sleep like they’re your own. It’s night- the room is black except for the glaringly bright screens of the machines you’re hooked up to. Your vision is too blurry to make them out.

All this information is as warped and piecemeal as the engine in your chassis, like your mind is trying to solve a puzzle-box with no edges, details slipping from your grasp. You’re still not sure why you’re here so late in the night, Austin so close it feels like your flank and his are the same piece of metal.

The nurse sets off your sensors again, and you make eye contact, though barely. Her eyes are so bright in the gloom. She bares her teeth at you- no, she smiles at you. It’s meant kindly. Her teeth are flat and clean and not a threat. “Don’t try to speak, you’re not out of the woods yet.” She says. The meaning is abstract and strange. You couldn’t speak if you tried- the nerves in your mouth were just as dead as your engine, like they’d been pulled out and rewired. You’d bite your own tongue before forming a word. And you weren’t in the woods. You were in hospital, with Austin, who was alright, and you, Ratchet, were injured. You had been falling, and now you were in hospital, but alive.

“You have a roll cage, don’t you?” She continues, and this does make sense. Yes, you have a roll cage. You can normally feel it, like wearing thick armor. Its weight is a comfort.

You try to nod, your suspension making a low wailing shriek of protest like the springs were missing, and she smiles, and you don’t realise it’s closer to a frown. “You’re lucky to be alive, you know, that rollcage saved you.” She cycles air through her vents, watching the monitors you can’t decipher with an expression equally as confusing, before she bares her teeth again. “I’m done for now, so you sleep well and keep healing. I’ll be more careful of your proxies next time.”

She leaves, and as soon as she’s gone you can’t remember anything about her, though you try to, but her face is blurring in with the entire magazine-collage of the night. You’re lucky to be alive- that’s the part that sticks.  Now the dark and the quiet is drawing your mind out and idly, you wonder if this is the dream and that you’re still falling. Still hung in that moment before it all ends, body weightless, engine stalled. But the darkness is comforting and Austin’s fuel pressure is a steady, decipherable rhythm, and you fall back into sleep before the thought can complete itself.

[memorableconcerts]

Nick Cave The Bad Seeds - "From Her To Eternity" - Live 1989

Live 1988

Nicholas Edward Cave AO FRSL (born 22 September 1957) is an Australian singer, songwriter, poet, lyricist, author, screenwriter, composer and occasional actor. Known for his baritone voice and for fronting the rock band Nick Cave and the Bad Seeds, Cave's music is characterised by emotional intensity, a wide variety of influences and lyrical obsessions with death, religion, love and violence.

Born and raised in rural Victoria, Cave studied art in Melbourne before fronting the Birthday Party, one of the city's leading post-punk bands, in the late 1970s. In 1980 they evolved towards a darker and more challenging sound that helped inspire gothic rock, and acquired a reputation as "the most violent live band in the world". Cave became recognised for his confrontational performances, his shock of black hair and pale, emaciated look. The band broke up soon after moving to Berlin in 1982, and Cave formed Nick Cave and the Bad Seeds the year after, later described as one of rock's "most redoubtable, enduring" bands. Much of their early material is set in a mythic American Deep South, drawing on spirituals and Delta blues, while Cave's preoccupation with Old Testament notions of good versus evil culminated in what has been called his signature song, "The Mercy Seat" (1988), and in his debut novel, And the Ass Saw the Angel (1989). In 1988, he appeared in Ghosts... of the Civil Dead, an Australian prison film which he both co-wrote and scored.

The 1990s saw Cave move between São Paulo and England, and find inspiration in the New Testament. He went on to achieve mainstream success with quieter, piano-driven ballads, notably the Kylie Minogue duet "Where the Wild Roses Grow" (1996), and "Into My Arms" (1997). Turning increasingly to film in the 2000s, Cave wrote the Australian Western The Proposition (2005), also composing its soundtrack with frequent collaborator Warren Ellis. The pair's film score credits include The Assassination of Jesse James by the Coward Robert Ford (2007), The Road (2009) and Lawless (2012). Their garage rock side project Grinderman has released two albums since 2006. In 2009, he released his second novel, The Death of Bunny Munro, and starred in the semi-fictional "day in the life" film 20,000 Days on Earth (2014). His more recent musical work features ambient and electronic elements, as well as increasingly abstract lyrics, informed in part by grief over his son Arthur's 2015 death, which is explored in the documentary One More Time with Feeling (2016) and the Bad Seeds' 17th and latest album, Ghosteen (2019).

Cave maintains The Red Hand Files, a newsletter he uses to respond to questions from fans. He has collaborated with the likes of Shane MacGowan and ex-partner PJ Harvey, and his songs have been covered by a wide range of artists, including Johnny Cash ("The Mercy Seat"), Metallica ("Loverman") and Snoop Dogg ("Red Right Hand"). He was inducted into the ARIA Hall of Fame in 2007, and named an Officer of the Order of Australia in 2017.

Live 1988

Nick Cave and the Bad Seeds (1984–present)

The band with Cave as their leader and frontman has released seventeen studio albums. Pitchfork Media calls the group one of rock's "most enduring, redoubtable" bands, with an accomplished discography. Though their sound tends to change considerably from one album to another, the one constant of the band is an unpolished blending of disparate genres, and song structures which provide a vehicle for Cave's virtuosic, frequently histrionic theatrics. Critics Stephen Thomas Erlewine and Steve Huey wrote: "With the Bad Seeds, Cave continued to explore his obsessions with religion, death, love, America, and violence with a bizarre, sometimes self-consciously eclectic hybrid of blues, gospel, rock, and arty post-punk."

Reviewing 2008's Dig, Lazarus, Dig!!! album, NME used the phrase "gothic psycho-sexual apocalypse" to describe the "menace" present in the lyrics of the title track.[23] Their most recent work, Ghosteen, was released in October 2019.

In mid-August 2013, Cave was a 'First Longlist' finalist for the 9th Coopers AMP, alongside artists such as Kevin Mitchell and the Drones. The Australian music prize is worth A$30,000. The prize ultimately went to Big Scary. In a September 2013 interview, Cave explained that he returned to using a typewriter for songwriting after his experience with the Nocturama album, as he "could walk in on a bad day and hit 'delete' and that was the end of it". Cave believes that he lost valuable work due to a "bad day".

Live 1986

[decorguruvic]

Stunning Wall Art in Melbourne - Decorguru

Melbourne's vibrant art scene offers an incredible selection of wall art, perfect for transforming any space. From modern designs to abstract pieces, wall art has the power to enhance your home or office, reflecting your unique style. Whether you're looking for something bold and colorful to make a statement or a more subtle, minimalist piece, there’s something for every taste.

Local Melbourne artists and galleries showcase a variety of works, ranging from traditional paintings to contemporary prints and sculptures. Wall art can easily refresh your living space, adding character, texture, and personality to your interiors. Whether you prefer framed art, canvas prints, or murals, the options are endless.

Melbourne's rich artistic culture means you're never short of inspiration when it comes to decorating your walls. With so many local and unique pieces available, you can easily find the perfect art to suit your space and make it truly your own.

For More:

Ph: 0430 310 820 

Mail id: info@decorguru.com.au 

Working Time: Monday to Friday 9.00am - 6.00pm

Visit us: https://decorguru.com.au/

[s2z]

Everyday Abstractions, the Southbank Edition.

[bestartdeals1]

Canvas Prints in Melbourne: A Perfect Way to Add Life to Your Space

Canvas prints have gained immense popularity as a way to showcase art, photography, and personal memories in a stylish and lasting format. In Melbourne, a city known for its vibrant arts scene, these prints are an ideal choice for home décor, office spaces, or gifts. With a diverse array of designs, themes, and customization options, canvas prints offer a unique way to express personality and creativity.

Why Choose Canvas Prints?

One of the key reasons for the popularity of Canvas Prints Melbourne is their durability and aesthetic appeal. Unlike paper prints or posters, canvas prints offer a textured finish that mimics the feel of a traditional painting. This makes them not only visually appealing but also long-lasting. The high-quality materials used in canvas prints ensure that the colors remain vibrant and the print doesn’t fade over time, making it a great investment for those looking to decorate their spaces in Melbourne.

Canvas prints are also lightweight and easy to hang, which makes them convenient for anyone looking to switch up their décor without much hassle. Whether you're renting a small apartment in Melbourne’s inner suburbs or own a home in a more spacious area, canvas prints are a versatile solution that works with various room sizes and styles.

Popular Themes for Canvas Prints in Melbourne

Melbourne’s artistic and multicultural atmosphere is reflected in the wide variety of themes available for canvas prints. Local companies offer everything from abstract art and nature landscapes to personal family photos, making it easy to find a style that resonates with you. Some popular themes include:

Cityscapes and Landmarks: Melbourne’s skyline and famous landmarks like Flinders Street Station and the Royal Botanic Gardens are often transformed into beautiful canvas prints. These pieces not only capture the essence of the city but also make a great statement in any room.

Abstract Art: If you’re looking for something more modern, abstract canvas prints can add a pop of color and energy to your space. Melbourne’s contemporary art scene provides ample inspiration for unique and striking designs.

Nature and Wildlife: For nature lovers, canvas prints of Australian wildlife or landscapes are a popular choice. Images of native animals like koalas, kangaroos, and cockatoos, or serene beach and forest scenes, can bring a sense of calm and connection to nature into your home.

Custom Family Photos: Many people opt for personalized canvas prints that feature family portraits, wedding photos, or other cherished memories. These prints are a beautiful way to keep important moments alive and display them in a high-quality format.

Customization Options for Canvas Prints

One of the main benefits of canvas prints is their customization options. In Melbourne, numerous businesses specialize in producing personalized canvas prints to suit your specific needs. Customers can choose the size, orientation, and frame type to match their décor and preferences.

Many print shops in Melbourne also offer photo retouching services to ensure your image is print-ready. Whether you want to add text, enhance colors, or remove imperfections from a photo, local experts can help you create a flawless final product.

Supporting Local Melbourne Artists

Choosing to purchase Canvas Prints Brisbane-based artists or print shops is a fantastic way to support the local arts community. Many local artists offer their work as limited-edition canvas prints, providing you with a unique piece of art while also promoting local talent. Purchasing locally also ensures a faster turnaround time for custom orders and reduces the carbon footprint associated with shipping from overseas.

 

Canvas prints in Melbourne offer a stylish, customizable, and long-lasting way to brighten up your space, commemorate special moments, or support local artists. With a wide range of themes and options available, there’s something for everyone, whether you're decorating a modern office or adding a personal touch to your home. For Melburnians looking to blend art with personal expression, canvas prints are the perfect choice.