#abstrac art
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tilbageidanmark · 2 months ago
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c0rps3g0bbl3r · 1 year ago
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one of the first things you learn in an art apprenticeship is how to photograph and mock a cute little setup
i failed every test. anyways
Gloop n' Sloop, 2023
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somos-deseos · 2 years ago
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Día de la tierra
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yourlocalabstraction · 6 months ago
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Some refs i redid for artfight!
You can follow me if you wish!
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spiritpainterforever · 2 years ago
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abotarez · 2 years ago
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Abstracción No. 1, Acrílico sobre tela, Arturo Botarez, 2023
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avnya333 · 2 years ago
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fightinglikeaman · 4 months ago
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By abstrac aerial art
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sculptures-creations-art · 9 months ago
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" Fire art"
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niebieskieoko · 10 months ago
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hh--hh · 1 year ago
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Eres bueno, solo te falta ser mejor.
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gabrielesalvaterra · 2 years ago
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Paolo Valle / Altrove
curated by Dino Marangon
texts by Gianluca Macovez, Dino Marangon and Gabriele Salvaterra
Pieve di Soligo (TV), Villa Brandolini
September 3rd - October 9th 2022
with exhibition catalogue
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vick3l · 2 years ago
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Be Green
We can all take part and choose to be selfless or be selfish. The choice is yours to make.
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fightinglikeaman · 4 months ago
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By Abstrac Aerial Art
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srlgemstone · 1 year ago
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Funny Faces - Agate Pair
Abstrac Art by Nature
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abwwia · 1 year ago
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Twomie Ohtake
B. 1913, Kyoto, Japan. D. 2015, São Paulo.
Accomplished painter, sculptor, and printmaker Tomie Ohtake settled in Brazil after her visit from Japan in 1936 was prolonged due to the Pacific War. It was not until the age of 39 that Ohtake began to paint, channeling a figurative style encouraged by Japanese artist Keiya Sugano, who was passing through Brazil in 1952. It was still later that she began to develop her acclaimed painterly style that focused on a simplicity of forms and intense, saturated pigmentation. In the context of Brazil’s Concrete and Neo-Concrete movements, Ohtake’s work distinguished itself.
Remaining unaffiliated with any group, Ohtake pursued her own freedom and experimentation, as exemplified by her renowned “blind paintings,” in which she put on a blindfold to paint. Ohtake’s career soared in the 1960s with numerous international exhibitions, public sculpture commissions, and inclusion in biennales including São Paulo, and Venice. Ohtake continued making art until the end of her life, and in 2013, at the age of 100, was the subject of 17 exhibitions across Brazil. source & more:
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