#absolutely not under no circumstances
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kalpasio · 2 years ago
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i woke up at 3:58 am thinking about herrscher kalpas please feed me this food 🙏
pianist anon
I could totally see him having one of those moments where he hates honkai so much he lets it corrupt him?? like so blinded by rage he doesn't realize it's taken over?
obviously Herrscher of fire makes sense, but could you imagine Herrscher of death Kalpas with black instead of brown and his title of decimation is an understatement? just everything around him is destroyed and he's loving every minute of it?
maybe that's what he was like when he first got the meta-morph surgery?? maybe he did actually become a Herrscher and that's why he joined after Elysia talked to him 👀
either way Herrscher Kalpas would be extra hot and spicy and I am not immune to the idea of him killing everyone but reader because he still has that soft spot 💔
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egophiliac · 18 days ago
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don't think I'm not still obsessing over 7-12
#art#twisted wonderland#twisted wonderland spoilers#twisted wonderland episode 7 spoilers#twisted wonderland book 7 spoilers#twisted wonderland episode 7 part 12 spoilers#twisted wonderland book 7 part 12 spoilers#sorry it's even scribblier than usual :') hopefully my chickenscratch is legible#anyway come here and join me in the corner where we go to be embarrassing about anime characters#just. between riddle and trey's dreams i've been thinking a lot about how#trey knew this kid for like two months when he was nine and then never really got over him or how their friendship ended#which. honestly. understandable given the circumstances#and then when they finally met again riddle acted like they'd never met before and neither he nor trey ever intended trey to be his vice#but every time riddle talks about his childhood post-incident it's basically#'oh yeah i constantly thought about trey and che'nya and fantasized about still being friends with them! this is fine and normal'#(there's a bit in one of his birthday cards where he talks about crossword puzzles and shit man that one got me)#idk. i can't put this into words very well#just...the implications that riddle was actively resisting trey's friendship#(presumably because it ended SUPER badly last time and he's learned that if he shows he wants something it gets taken away from him)#and trey had to work REALLY hard to just to get to the point they were at by the time canon starts#that was progress somehow#y'all can call him boring all you want but trey's defining feature really is that he keeps being like#'everything's fine :) this isn't a big deal :) i don't care that much'#(trey on the inside: THIS IS THE BIGGEST DEAL THAT I CARE SO MUCH ABOUT AND I WILL NEVER LET IT GO)#anyway i continue to be absolutely murdered by the timing of riddlepunzel directly after this#riddle's line about not wanting to keep standing in front of a door that's never going to open...#hey. hey silly gacha game about anime disney boys.#you are not actually allowed to do this to me#oh shit oh damn i'm out of tags and i haven't even talked about cater yet. NO BUT I HAVE LOTS OF FEELINGS THERE TOO --#(i am crushed under a falling safe looney tunes style)
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fallout-lou-begas · 2 months ago
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thought about this while grocery shopping. discuss.
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ominouspuff · 2 months ago
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Can I get uhhhhh, a Man of the hour with 8E and waves (👀) please, and a uhhhhhhhhhhhhhhan Alpha-17 with 3H and catjam thank you!
Comin right up, we got one man of the hour and one travesty, enjoy <3
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“He’s making that face again.”
Cody spoke abruptly, umprompted. Obi-wan blinked and swept a glance over the room, following the commander’s gaze - but there was only Alpha-seventeen there, fully geared, helmeted and imposing. He faced off with several other clones in the sparring ring - all of them similarly protected to the point of being nearly featureless.
“How do you know?” Obi-wan asked mildly, but he almost thought he could see it himself - something familiar in Seventeen’s shoulders perhaps, reminiscent of an eager thing Obi-wan had caught glimpse of at an angle during their capture by Ventress.
Cody’s face scrunched in an expression entirely new to Obi-wan, the commander’s eyes narrowed to suspicious slits. “I just know. Excuse me.”
And he shoved on his own helmet and stalked toward the sparring ring, where Alpha-seventeen swiveled mildly (expectantly) to meet him.
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tangledinink · 2 years ago
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... and thus The Gemini Egg Saga comes to a close.
(sort of. because I told you guys via bribe that I'd show you how Donnie and Mama's conversation went after his near brush with death... so expect that in the near future.) (<- now published!)
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sesamebri · 1 year ago
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smoke break with nii-san 🚬👹
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inquisimer · 3 months ago
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happy friday! i was looking at the feeling safe prompts and saw "[ interrupt ] sender stops a confrontation between receiver and someone else, stepping between them and coming to receiver's defense." maybe this would be nice for teia to step in when viago is being a bit too harsh on arlow?
oh ho ho this was a GOOD one, thank you!! here's some Viago Reactivity™️to Arlow and Lucanis' relationship >:]
Arlow de Riva & Viago | 831 words | @dadrunkwriting - da4 spoilers
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“Come with me.” Viago’s gloved hand took Arlow by the elbow and pulled her away from the refreshments. He cast a disdainful look at the wine. “You don’t want to drink that, anyway. Illario has stingy taste when it’s not for himself.”
Arlow rolled her eyes. “Sure, Viago. No problem, Viago. There’s nothing else I was doing at the moment and I definitely have time to chat, Viago.”
“You’ll make time,” he growled, dragging her into a room off the opera house’s main theater. “You’re certainly making time for worse decisions.”
Arlow wrenched her elbow out of Viago’s grip, eyes flashing. “What in the void is that supposed to mean?”
“You know damn well what it means.” The tails of Viago’s cape snapped angrily as he spun around and pinned her in place with a glare sharper than any dagger. “Working a contract with Lucanis is one thing, but what are you playing at? He’s not even the First Talon’s grandson any longer—the actual First Talon? Have you lost all sense?”
“That’s what you’re upset about?” Arlow scoffed, folding her arms protectively across her chest. As much as she loved this dress, it was not the armor she preferred to wear when Viago’s temper flared. “It was a dance. And a kiss.”
“It was a little more than a kiss. And it was in front of the entire House of Crows,” Viago hissed. “Every Talon, every would-be Talon, every rank-and-file assassin is out there taking notes. And you just handed them information that they will use!”
“To do what? What could they possibly do to our house? If anything, this exposes House Dellamorte, not us.”
She had considered the implications, after all. Despite what Viago seemed to think. A Crow never forgot their place in the hierarchy—the very nature of the guild ensured that. Arlow knew quite well that she had been far below Lucanis’ station even before tonight. Now he was First Talon; he couldn’t even see her from where he sat at the top of the ladder. Metaphorically.
But—the dance had been his idea. She had made sure he thought it through.
Still, Viago’s nostrils flared. “Of course it exposes House Dellamorte. They were already weakened, even before Lucanis disappeared and Illario’s stunt. Now, Illario is deposed and Lucanis is possessed. And Caterina is aging—their position is precarious.” His fingers tightened against his hip. “They will need a shield, when the other houses come for them.”
Arlow reared back. “Lucanis wouldn’t do that. Not—not the way you’re suggesting. He would talk to me first.”
“Would he?” Viago raised a brow. “His family, his blood—they are everything to him, no? Do you really think your dalliance means more to him than their legacy?”
“That’s enough, Viago.” Teia’s voice cracked like a whip from the doorway. She laid a supportive hand on Arlow’s shoulder. “This is neither the time nor the place for this conversation.”
“Nor is it the place for your soft heart,” Viago huffed. “I will not have my house hung out for the taking because Arlow cannot keep it in her pants.”
Arlow’s rage flared hot and white. The rage that often got her into deeper trouble with Viago, but she didn’t care. “Oh that’s rich. I suppose I should have waited until you and Teia were back on, that way you’d have a chance of understanding—“
Teia’s nails dug painfully into Arlow’s bare shoulder. “That is not helping,” she muttered.
Viago had gone very, very still—and like his snakes, Arlow knew that was the moment before the greatest danger. Before the strike.
“You overstep,” he hissed, stalking forward with precise, pointed steps. Arlow’s throat bobbed with a nervous swallow, but she glared up at him, chin tilting back the closer he came. He took her jaw roughly between his fingers anyway. “Your contract may have you brushing elbows with people of import, but you will not forget your place in my house.”
Teia’s other hand fell on Viago’s wrist. “Time and place, Vi. Let her go.”
He released Arlow and the skin where his fingers had pressed into her jaw thudded in time with her racing pulse. “Get out of here,” he said, not looking at her any longer. “Go back to the Fade—if you want to keep making mistakes, make them somewhere no one else can see.”
“Vi—“
“It’s fine, Teia.” Arlow took a shaky breath, but her voice, at least, was as cold and level as she wanted it to be. “It’s fine. I’m—I’ll talk to you later.”
Teia’s hand left her shoulder, artfully smudging the lines of purple and black that Arlow’s held-back tears had started to ruin. “There,” she murmured. “Go. I will talk to him.”
For what good it would do. Arlow managed a small smile, painted on in strokes of disbelief and resignation. She pressed a grateful kiss to Teia’s cheek, steeled herself to face the party again, and left.
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rawliverandgoronspice · 6 days ago
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re: sympathetic ganondorf vs evil for evil’s sake ganondorf, i think this is misrepresenting and underselling what’s actually offputting to people
“i’m evil because i’m evil” or “i’m evil because demise is evil” and the associated lust for power simply for its own sake has always been lame and low effort. there’s a reason it’s “shit tier” on the classic “villain motive tiers” thing
“i’m evil but there’s enough nuance to make the player at least somewhat sympathetic to me even if i’m still ultimately a bad guy” is a good thing that people like? i’ve never personally interacted with a zelda player who thinks windwaker ganondorf ruined the character or anything - he’s generally regarded as the gold standard of villain writing both in and out of zelda. this is roughly “high tier” on the tier chart
“actually TWIST i’m not evil at all, it’s the good guys who were evil all along, i’ve done nothing wrong and i’m completely justified in my righteous quest against the status quo, you’re the real secret true villain for being complicit in preserving it” is technically regarded as “elder god tier” on the motive tier chart but i would personally label it as “oscar bait tier”. these things *can* be compelling in conversation with the existing landscape, but often it comes across as a deliberate effort to subvert the audience’s expectations for the sake of being unpredictable (or worse, for the sake of proving you’re the smartest one in the room). in separate works where this conversation/critique is the entire point (eg. Watchmen or The Boys), that’s not necessarily a bad thing, and the audience sets their expectations accordingly. in an established, long-running franchise, however, this almost always reads as dripping with contempt for the audience, like walking into a room and going “you morons like this shit? let me, a person much smarter than you, explain what it’s Actually about, because you’re an idiot if you’ve been a fan of this series before now”
on top of that, in the context of a series like zelda, this type of story feels myopic and disrespectful to the future of the series. “welp i burned down the 20+ years of lore behind this character so i could do a deconstruction, good luck using them in any capacity in the future, sounds like a you problem”
all this is to say, i think it’s a bit disingenuous/strawman-y to suggest that people put off by this want ganondorf to have 0 depth at all. there’s a lot of room for different kinds of depth, it’s just that the trend of the last decade has been for “depth” to mean “condescending deconstruction”
Hey!
Thanks for taking the time to write this ask, I think it warrants an interesting conversation. To me, there's like, a lot of things about what you're saying, and tbh I do see where you're coming from --in part.
First thing first... No yeah unfortunately some people Are hostile to even WW Ganondorf. It's been a rising trend in the fandom since TotK was released --people being very against the concept of any additional complexity to the character, either not getting it or considering anything he says pure manipulation that doesn't even warrant a conversation, literally making fun of people who were intrigued by this and wanting more out of this particular thread. This position not only absolutely exists within the fandom --less so on tumblr, I'll agree there-- but it's not even hard to stumble upon as a pretty regular opinion that gets tossed around. I had some interesting asks thrown my way, let's say. The idea that Ganondorf is a remotely interesting character that deserves more thought than what he gets is very much Extremely not the norm, and the very fact that you, as a fan, likes him as a guy is perceived as weird and missing the point by a lot of people. Like a lot a lot of people.
So I'll just... I guess I haven't clarified my position in a while, so I will reclarify my position on our favorite evil dude: I do like him perfectly fine as a villain, I do not want him to be "redeemed" by the narrative, I think he works fantastically as an ongoing threat, I think they could make him even scarier and more offputting and that would be super fun and thrilling... and I also think he already is complex. Like, inherently. Everything Nintendo has been putting into him since his first appearance is complicated --even their attempts at flattening him back in TotK do not fully work because they can't scrub him of the extremely loaded ideas they injected into him from the get-go. Nobody forced Nintendo to do a Mega Orientalism when inventing him, nobody made them write the NPCs to have this super weird antagonistic relationship to the gerudos in OoT, nobody made them have all this lore of the one man born every hundred years, raised by twin witches --and then nobody made them press on that tension point in Wind Waker explicitely, and then, in a more subtle fashion, in TP too. Nobody forced their hand when it came to having the strange "round ear" situation, suggesting (confirmed even, in additional canon) gerudos are born unblessed. The fact of the matter is: everything to make the relationship between Hyrule and the gerudos complicated has been there since 1998. There's no need for a Switcharoo to prove that anyone is smarter than the audience: everything messy has always been baked within the worldbuilding itself. It's in the cartridges already!!
Perspective on it is what could change, though --because, except in Wind Waker, we never get even a hint of a sense that we should think, as an audience, that Hyrule's super weird relationship to the gerudos is maybe questionable. Worth thinking about at least. Which, given the optics, is wild to me that to bring this particular can of worms up is still very largely considered crazy talk within the fandom (that, or the Sheikah situation across the series, also insane in many ways). And yes, it would perhaps lead to themes that are a bit heavier than what Zelda has been overtly dealing with (though, again, Majora's Mask exists --and I do find a lot of unpacked ideas in the Wild Era, like the very unquestionned gerudo bridal pipeline, very uhhh unfortunate already if I'm being honest --even moreso because it is unquestioned). But Zelda, when well handled narratively, can do wonderful things with evocative subtext, open doors never fully crossed, a lynchian pressure on what should feel offputting. We don't even need a sad monologue about it. It doesn't even need to be handled explicitely. But I think the pressure point is just better when understood and incorporated in some form, instead of being denied so hard the world itself start to feel incomplete and unlived.
I do want to say... I get what you mean with the whole "oscar bait" thing. There has been, historically and in recent years, a tendency to be driven by an external, almost panicked sense of morality rather than by the internal drive of a story, its internal thematic logic. I also do think it can feel very corporate, very "Disney looking back at its own movies and scrubbing off everything Buzzfeed deemed problematic in 2014 while making everything glossy and lifeless and awful" and it's not that great!!! and tbh I can't say I would trust Nintendo to handle any appreciation for the fact that the story of an eternal golden kingdom cheering on beating the evil outsiders who want to corrupt everything good and pure and blonde about that perfect inherently good place, is like, extremely not neutral. It absolutely is a delicate thread to weave, and I agree that putting a definitive end to Hyrule is probably not the smartest IP move to do. But, Hyrule doesn't have to be condemned as Bad, it can be merely complicated. And ongoing, regardless. To keep on with the Disney parallel: The Lion King would feel weird if we started to peel off the internal politics of the hyenas, it's just not the right place for it, when everything about this story revolves around the Righteousness of the Divine Right to Rule. But if the Lion King was an ongoing series that had been looping on itself for a while... wouldn't it make sense to figure out how to achieve majesty by studying other angles too, eventually? Is it that strange to suggest the exercise is like, possible? That it can be handled with artistry and soul?
I feel like... Yes, to acknowledge Ganondorf's humanity --not even to coddle it, just to acknowledge it-- implies taking in everything that makes him who he is, and that might rattle some foundational ideas about why this ancestral fight is even happening in the first place. I also do not think it means that he must be Good now. He can still punch a child and cackle maniacally, he can still be unredeemable --he can still destroy himself and others out of the most unconstructive spite ever, and we can still see the purpose in defeating him while basking in the "yea....." left in his wake (Wind Waker did that!!! Wind Waker did that and then we had more Zelda games!! crazy how that happened). This is hardly undoable. It does take some narrative skill, and some commitment to taking a bit of a risk, but Ganondorf is genuinely unmanageable as a character if you insist on your refusal to acknowledge his foundations --and I think it's partially why TotK's story is such a mess. He sells a TON, but you can't have him breathe slightly too loud without risking the entire world falling apart. They did try in TotK, so very hard, and to me they still failed--as insane as he behaves, Hyrule still doesn't come out of this looking good or particularly justified, because the very central core of Ganondorf's character is to be subjugated, and then rebelling in a destructive and brutally selfish, uncompromising manner that ends up robbing him of humanity --and the discomfort of that premise will therefore always haunt the conversation. Nintendo dug themselves into that mess. I feel like a lot of the Ganondorf fans I know merely... point at that. At the mess. And I feel like the longer the games avoid this mess, the more coats of spinach green they slather ontop of his skin, and the more nonsensical characterization they pile up, and the more Ganondorf will become a parody of who he once was, and what made him compelling to begin with.
And to top it all off, as if he wasn't contentious and complicated enough to handle already, they leaned into the internet turning him into a sex symbol for some fucking reason??? Yeah I genuinely have no idea how Nintendo will manage this dude moving forward, because to me, he is, at best, an endless source of (very lucrative) headaches, and at worst a ticking time bomb. I'm not sure how long they can get away with that TotKification strategy, is what I mean.
(Also: I tried to not overdwell on all the incredibly complicated conversation re: race and orientalism, but it's borderline impossible to have this conversation without acknowledging that I have never seen a major pop culture villain receive more pushback against "woobification" than him, and I don't think it's a complete coincidence let's say :) )
#asks#ganondorf#totk critical#(a bit)#thanks for the ask!#yeah it's complicated#I do understand the fear of deconstructing things without purpose --it does happen#I feel like it's kind of both a thing that happens and a thing that ends up soaking in all the DEI moral panic being flung around too#when to me these two things are like... not that connected honestly#(I have very pointed experiences to inform this take --but like it's a super complicated convo honestly and hhh tired)#there's incredibly soulful deconstuction --and there's terrified corporate deconstruction --and there's whacky lol random deconstruction#and not to over-pry anon but you seem to mention a lot this idea of “the writers wanting to be smarter than the audience”#and like... I won't say that it doesn't happen but I feel like this spiteful self-satisfied intent behind creative decisions is kind of...#at the very least it's hard to prove#I'm not saying this sort of anticipatory behavior to the point of betraying artistic intent isn't a thing. it absolutely is.#but I feel like a lot of the worse expressions of this backlash recently was honestly mostly projection#people generally want to do good art or capitulate under circumstances too difficult to surmount#(source: aaaaaa. hfgfhfgfh. death by gamedev.)#or just kind of fumbled their shit too that happens! sometimes you don't do a good job at art :(#but I think that rejecting complexity --or like the possibility of committing to complicated delicate ideas because it could flop#is no more helpful to art than living in fear of being called out for doing a moral wrongness#at some point you gotta imagine you can nail the concept and execution of what matters to you --because you can#things can be good and rich and simple and also complicated and it's possible and we don't have to live in fear of messing it up#that's my personal take at least
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aliusfrater · 14 days ago
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similar cinematographic choices to portray the same imagery with insanely different circumstantial contexts
#like being tricked into a room and locked off from the outside world with a pitcher of water‚ a waste bucket‚ and an army cot#as you slowly died while experiencing acute mental distress to the point of having a psychogenic seizure at the same time#that people discussed your fate as if it were a decision they had the authority to make (and they DO. unfortunately for you)#vs being tied to chair during which you're in pretty consistent communication and under the care of the person who put you there#and you're narratively given the opportunity to hunt this person down and you even have scenes with hand to hand combat#in which you're able to properly defend yourself. for the other person the idea of your life being in danger is carefully threaded risk#to be taken rather than (as per the previous circumstance described) a decision you have the authority to make#likeee i remember reblogging this post that ssid 'supernatural doesn't really have a concept of jail' but like absolutely yes it does#sam (and even other characters like mary and rowena) are both put in 'jail' as the direct effect to a fault#wrt the winchester familial dynamic and their role. it's one of the main differences here. sam is put in jail‚ dean is not#sam does not have the authority to put him there. it doesn't help that sam is literally pleading as the victim within his scene#while dean is able to victimise sam even as the monstrous body within the 10.03 scene#and the thing is that their identities are being compartmentalised in similar ways here. dean is attempting to save his sammy#from the encroaching (invariable) monstrous sam that which he spends the next season attempting to forgive for the shortcoming#of dean perceiving sam's efforts at independence as abandonment while sam is attempting to save his dean from the encroaching mark of cain#(chosen to be put there yet is still victimised by) and sam spends the rest of the season forgiving him over and over while even#taking misattributed responsibility and blame that which has to be made up for#4.21#10.03#se referat#edit: also adding onto chii's tags wrt the differences in capacity for consent regarding demon!dean#it's so interesting to compare demon!dean to soulless!sam in that demon!dean didn't have the capacity to reject competent!dean's consent#while both soulless!sam and 5.22!sam did not consent to be resouled in respectively active and precedingly passive ways#like 6.12 sam is clearly happy and grateful to have been resurrected and he doesn't even have any specific qualms#about dean keeping information relating to his ressurection from him but 5.22 explicitly made his consent‚ or lack thereof‚ regarding#ressurection clear unlike dean in early-s10... and the thing is that the last time sam didn't pursue dean's ressurection#he faced negative consequences for that decision! and yet dean is seen as objectively correct for his actions in s6#by both the audience and narrative‚ and much of his responsibility regarding sam's psychosis isn't acknowledged as directly related#to his actions vs the pinning of blame to much of early-s10 onto sam esp relating to the guy he had summon a demon‚ who sold his own soul#despite sam's advice‚ whom demon!dean killed
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anticidic · 6 months ago
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no but like, I'd eat my shoe for a light novel of Dazai's and Fyodor's first meeting because there's one RAGING question I have:
Dazai already mentions Fyodor in The Day I Picked Up Dazai, so he crossed paths with Fyodor at least by 16.
Now my question is, did he find it suspicious Fyodor hadn't aged a bit? Like, in 6 years, Fyodor hasn't gained a single wrinkle on his face, his facial features didn't get any sharper, he didn't get any taller. He looks the exact same 6+ years later.
I guesssss you could make an argument that maybe Fyodor has fabulous genes that keep him looking youthful and like he hasn't aged a day, but I feel like Dazai would pick up on any subtleties.
anyway, light novel of them. gimme. I can think of several ways they ended up meeting most of them not-so-good for Dazai since he was in a terrible spot mentally but I WANT TO KNOW
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canisalbus · 1 year ago
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Hi hello, I was struggling with my Spooktober challenge, but wanted to draw something today, so I ended up with this:
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He is Very Shape, so I had to lmao (I don't draw animals much, so it was a bit tricky, but hope it came out okay!)
Also, terkkuja toiselta suomalaiselta, meikäläisiin törmää niin harvoin :D
.
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lichqueenlibrarian · 3 months ago
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Kirk only has one thought and it’s Spock.
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mattelektras · 1 month ago
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i used 2 pray for times like these
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zeb-z · 1 year ago
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I’m so Obsessed with Pac and his crazy ass. he’s so 🤏 yknow? he’s the biggest advocate to make hard drugs recreational and legal on the island. he was jealous when Foolish got shot until downed by Cucurucho, saying he wished it was him. the man he trusts most on the island is a reformed cannibal - the one who literally ate his leg. he looked for anything not bolted down to take in that fed base they found Kameto in. he acted so suspicious to Bad for literally no reason, enough for Bad to plan on killing him to search his body for hidden photo evidence (which he didn’t have) - and then not a minute later ended up just killing himself in front of the demon for some entirely unrelated reason. then when he got his stuff back and found Bad was looking for a photo, he just started giving him the most random assortment of pictures he had without question. he talked for a full minute about why he wanted to execute everyone by hanging them to collect all their heads. there is just something so fundamentally wrong with him <3
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theresamouseinmyhouse · 1 year ago
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Under what circumstances would one discover they enjoy artichoke hearts, onions, and canadian bacon combined on a pizza i desperately wanna know (yeah this is abt tim drake)
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forlorn-crows · 1 year ago
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𝒕𝒐𝒖𝒈𝒉 𝒍𝒐𝒗𝒆
just a lil something i tortured @divine-misfortune with last night after he shared this post with me and said "Now hear me out Zeph/aeth and or omega bc they won’t slow down fr a damn second "
and thus i started a doc lovingly called "zephyr/omega go to sleep ya old man"
1263 words of omega misusing quintessence in order to (lovingly i swear) force zephyr to get some rest. yes zephyr will be mad at him later. yes omega is being a lil bit of a bastard. yes i am indulging in my (our) hypnokink, just go with it.
“You’re a stubborn old thing, you know that?”
Zephyr rolls their eyes before side-eyeing the quintessence ghoul, making a face. “Care to elaborate?”
“Been spending a lot of time with those new ghoulettes. When was the last time you slept?” Omega puts a hand on the back of the leather armchair Zephyr is currently seated in, where they were, up until now, engrossed in a text about ancient languages. 
They bite their tongue against the urge to correct him on Cirrus and Cumulus’ names. “I slept last night, there’s no need for your concern.”
“Oh, last night, hm? So that wasn’t the organ I was hearing in the wee hours of the morning?”
“You are as old as this building, Omega, surely you’re aware of the noises that aged pipes make when all else is silent.” 
He tuts. “Far too melodic for old plumbing, Zeph.”
Zephyr grumbles and makes to return back to their book without replying. Omega chuckles, and suddenly his hands are resting on their shoulders, thumbs heavy over the strained tendons on the back of their neck. 
“Why don’t you let me help?”
The air ghoul grumbles again. Slots their small stack of notes along the book’s binding as a makeshift bookmark and snaps the thing shut. They place it onto the table and stare at the fire in the hearth.  
“And why should I let you?” they say to the fading embers. 
Omega hums. “Because you need your rest, you cranky ghoul.”
“I am plenty rested.”
“These knots in your shoulders say otherwise.”
Zephyr closes their eyes and sighs like an exasperated teacher. “And you claim that I am the stubborn one?”
“Come on,” Omega goads them. Telltale magick crackling to life beneath his fingertips. “Doesn’t have to be much.”
Before Zephyr can so much as think about scurrying away with their book, warm quintessence seeps into their bones, the tension held there unraveling from the inside out. Their eyelids flutter, shoulders slumping. Some undignified noise bubbles up from their throat, and they can barely catch their chin from hitting their chest as their head lolls forward. 
“You . . .” They try to protest, tongue too heavy in their mouth to form its usual elegant timbre. Their hands can’t even grip the arms of the chair anymore, cementing them into place and thwarting any chance they had of escaping Omega’s nagging. 
Said quintessence ghoul shushes him, self-satisfied and certainly not even close to genuinely comforting. “There you go. See? Knew you were tired.”
“Hn . . .’m not—”
“You are, look at that sleepy face.” Omega brushes a few strands of hair back behind their horns, their head leaning into his touch without their permission. Zephyr’s eyes are drooping, rolling with the effort of trying to keep them open. Maybe they are more tired than they thought, he didn’t give them that much magick, did he?
Omega coos at them, running his thumb along the base of their horn. “Just close your eyes,” he whispers. 
Zephyr just groans, something close to uh uh, but it doesn’t sound very disagreeing. They’re falling asleep sitting up, and his warm hand against the side of their face does nothing but drag them closer to unconsciousness. Suddenly, they don’t want to get away from him. Magick swirls all syrupy in their veins, and, really, it’s getting harder and harder to have any opinions on the situation. 
Behind them, Omega shakes his head and loops around to the front of the chair, still cradling their head as he kneels between their parted legs. The hands at their sides, having slid off the arms of the chair, twitch towards him. Zephyr watches Omega’s other hand as it comes to hold the other side of their face, eyes slow and delayed as they track its movement. 
“You’d do well to listen to me, you tired old hen,” Omega chides them. He wiggles their head a little, not unlike a chiropractor looking for sore spots. Ensuring they’re close to limp and loose. 
Zephyr just lets him. Has no choice, really. They’d call him a plethora of names later—bastard, unwelcome imp, meddling hypnotist spawn—but the thought of remembering to do so slides away like rain on glass. 
He must sense the fleeting thought behind Zephyr’s glassy eyes, because he adjusts their head again, tightening his grip almost imperceptibly. 
“None of that; you’re being so good, aren’t you? I’m only helping, aren’t I? Little bit of magick to get rid of all those pesky cobwebs between your ears. I know, you’re so tired underneath all those stubborn thoughts. Just takes a nice, kind ghoul like me to help you relax, doesn’t it?” On and on he drones, the words going in one ear and out the other, washing away their own internal monologue and replacing it with his own. They are tired, and an afternoon nap isn’t so terrible, they aren’t really busy. And Omega’s helping them. 
Definitely not using his magick in some smug, actually selfish way, rendering the normally uptight ghoul completely powerless in less than a second. No, it’s completely selfless—a show of his care and concern for Zephyr’s wellbeing. Absolutely not a vehicle to win any kind of argument, not at all. 
Their breathing is slowing now, neck nearly limp in Omega’s hands. Sinking deeper into the fuzzy embrace of sleep. 
“That’s it,” he lilts. “You’re gonna feel so much better, and I won’t even say ‘I told you so.’ How does that sound?” 
Zephyr responds with a long exhale through parted lips, left thigh twitching randomly as the pleasant numbness settles in. 
Omega smirks. “Good.” With one last push of quintessence, he tilts their head just so and watches as their eyes unfocus and fall shut, jaw dropping open with the softest noise as they drift asleep in his hands. The quiet snores follow just seconds later, Omega’s hands the only thing keeping them upright. 
He waits until he’s sure they’re asleep, warming his back against the dying flames while Zephyr slumps in their chair. Only then does he pull back the tendrils of his magick, letting it seep down towards the floorboards as slow as molasses so as not to accidentally rouse them. Thankfully, the library is empty this time of day. Nothing to interrupt the air ghoul’s much needed sleep. 
They’re lax and peaceful now, but Omega’s sure he’ll hear about it when they wake. He laughs to himself at the plethora of elegant insults that come to mind. For now, he takes satisfaction in the way Zephyr’s head lolls back against the chair with the gentlest press of his pointer finger, drool making its way out of the corner of their mouth already. 
“Cute,” the quintessence ghoul comments, smoothing out the wrinkles in his button-down. And then, as a wicked afterthought, he presses the pad of his finger to the middle of their forehead again, sneaking in a cheeky suggestion of a dream wrapped in plumes of balsam and petrichor. Snickering to himself when Zephyr whines quietly and their tail kinks up at the end. “Enjoy,” he whispers, making his exit. 
Omega knows he won’t get any thanks for that—a pity, really, considering it was quite a nice little fantasy—nor will he get any thanks for helping (forcing) Zephyr to get some rest. At the very least, he’ll get a very disgruntled and haughty air ghoul glaring at him for the remainder of the day. 
Omega’s fine with being berated for misuse of magick if it means the poor thing won’t be sleep deprived. Until then, he files away Zephyr’s reaction to it for later.
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