#about anything i just said in this post

[clownboybebop]

if you’re ever in the position to choose between giving up and accepting defeat, and actually trying to fight the ancient unkillable god that is about to peel apart reality like a string cheese, remember this: scientifically speaking, you might as well give it a shot!

1.there were trees at the beginning of the world! there were trees so long ago that they predate bacteria that causes wood to decay. when a tree fell, it would lie there in stasis and there wasn’t any way of breaking down wood xylem on a molecular level in that way.

2. it seems obvious to say, but wood eating bacteria are literally incapable of comprehending what they’re breaking down. It’s just not information conciously available to a microorganism. they don’t know what they’re deconstructing, where it came from, bacteria have no way to even fathom the existence of a tree as a concept.

3. Regardless of the facts above, the world we live in today is a world where wood inevitably decomposes

it is worth fighting the unkillable god no matter how pointless it seems. it is worth taking the risk even though youre trying to accomplish something impossible. the reality in which you live was also once reality in which trees didn’t rot. You live in a reality that allows for existence before the possibility of destruction. you live in a reality where uncomprehending microbes break down matter that is so far beyond the scope of their comprehension that it feels comical to specify something so obvious. you live in a reality that occasionally allows unshakeable physical truths to be altered with no warning.

It is worth fighting the unkillable god because trees are so old they predate the source of their destruction, and it still did not spare them. It is worth fighting the unkillable god because bacteria rots unthinkingly, because there is room in our cosmos for destruction without comprehension on the part of the destroyer. It is worth fighting the unkillable god because now and then reality retracts the promise of immortality without fanfare, and when that happens there is no mercy for the ancient. the unmaking is not softer for the desecrators ignorance. for all things, existence is endless until the exact point where it ends.

so you might as well try to kill the unkillable god. it doesn’t seem likely, but at the beginning of the world, trees didn’t rot. so you never know! you never know

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[juniemunie]

[Abandoned by the Lightners, his heart became cracked with hatred.]

Hitting a lil' too close to home?

[an-internet-introvert]

Countdown to October 19th (19/19)

Happy 15 Years of Dan and Phil 🩵🩵🩵

[brotherly-lov3]

The Boys are watching their fav superhero, The Duck Avenger

Bonus meme:

[warpedpuppeteer]

It's interesting how Buck's love interests are all written in a way that ends because of the reason they meet/happen in the first place and then of course, we have Eddie.

Abby, who changes Buck's view of a healthy relationship but then turns around and ghosts him, making him wait for months on end and letting him realize she's not coming back on his own.

Ali, who meets Buck during a dangerous situation in his line of work and then leaves him for how dangerous his work is.

Taylor, who lashes out at Buck for using her as a fake date and saying she thought she could trust Buck to be a friend who then ends up using him for her career and chose to put his friends in danger.

Natalia, who's there to help him embrace and deal with his temporary death but it leads to their break up because of the constant talk surrounding death when Buck's not comfortable with it.

We can't confirm for Tommy till it ends but it's important to note how he offers to get Buck into his interests like flying and muay thai yet doesn't show effort with Buck's interests like dressing up according to the bachelor party theme despite Buck being stressed about it. And we also have the fact that the entire reason they got together was due to Buck's jealousy for Eddie which he then claims to be was for Tommy. Makes me think they are either going to end because of differing interests OR because of the jealousy issue popping up again.

Funnily enough, every scene above has an Eddie parallel:

Eddie co-parents with Buck and not only does this not stop after a dangerous event but Eddie also has Buck down as a legal guardian (healthy relationship - Abby).

Eddie is in the same dangerous line of work and they have each other's backs. This happens right off the bat too.(dangerous job - Ali).

The Lawsuit era and The Dispatch era - both where they "betray" each other but manage to work through it (betrayal/lie - Taylor).

Eddie doesn't pressure Buck to talk about his temporary death until Buck's ready and is more focused about him living than in his death (death doula - Natalia).

Eddie who has different interests than Buck (poker, basketball and UFC/MMA) but also manages to show interest and actively takes part in whatever Buck comes up with; he suggests their outfit for the themed party AND ends up staying there for Buck even when others leave (different hobbies & showing interest/taking part - Tommy).

Absolutely fascinating when you start noticing that Buck's relationships keep failing for one reason or another and then we have him and Eddie who face the same sort of situations but they still come out of it stronger together.

It's clear that there's a reason Buck is able to overcome anything when it comes to Eddie (that conversation with Maddie about being there for each other even at their worst 👀) and we've already established that everything Eddie looks for in a partner is already something he has found in Buck. So really, all that's left is for them to realize that hey, the one I'm looking for is right in front of me! ����🏽

And yes, it's been said to death (hah) but you don't find it son you make it. And Buck and Eddie have already made it.

[luna-loveboop]

Wars and Wild as knights in Lu

They have issues.

I have a lot of thoughts on Wild and Wars and their relationship (Order of this post is talking about saluting, Wild and Wars' different perspectives, memory issues, and fire) Rant time.

No saluting!!

So Wild took a formal- almost/awkwardly saluting pose when Wars confronted him in 'Entrance pt.2'

It's similar to the first time Wild addressed Wars as 'captain'. His left hand is up from where a salute should be, and his overall posture is awkward, with his shoulders and right hand raised, but it's clear he's trying to do a salute in the presence of a fellow knight.

In the second example his hand is behind his head, but his posture is very straight and his right arm stiff- he's again attempting a formal saluting position. Which is still awkward

It is less clear but his changes in posture clued me in. He goes from like a deer in the headlights to visibly sweating to straight backed and looking up at Wars- looking at the changes in his body language

Side note but I literally love how Jojo draws the champions tunic so much-

We can't see the action of Wild's body language in a comic, just the positions he went to. But he visibly leaned away from Wars before switching to a straight backed saluting-like posture. He's clearly freaked out, hence Twilight's face: >:(

I think that Wild taking somewhat military poses around Wars is important to their relationship issues because it comes from his struggle with memory and identity

.

So like. All of them have different perspectives

Wars

I adore Wars. He is baby and I love him. I think it is also important to acknowledge that he would not speak to any of the others this way.

And the scarf man cmon it's so pretty they are so cute-

Why is Wars talking to Wild like this? He's called him out and reprimanded him multiple times in front of the others. Wild has taken it well but tbh if it was Legend I think he would be on fire.

To some extent I think he is in captain mode. I think that he has trouble seeing Wild as not a knight. Wars gives Wild respect as a knight who sacrificed for his kingdom, but now it seems he's taking it away as a knight who's not doing well enough since he 'disregarded the plan'

At least I think that's the outside (or Wild's) view of it. But Wars internally really cares about Wild and he saw him run up to a giant and lose it. Different ways of showing concern perhaps?

Who wouldn't want to keep Wild from getting more scars?

I just. Don't doubt for a second Wars really cares about Wild- even if the way he's acting still isn't cool. He has no right to treat him like a soldier any more than the rest of the chain, and right now I think Wild is acting as the more mature person.

Wild

I adore Wild. He is baby and I love him. I think it is also important to acknowledge that although he is clearly making efforts after Twilight's injury, Wild has ignored Wars for the majority of Lu, by not speaking to him much, and not thanking or acknowledging Wars when he directly helped him. (Small example being walking with Hyrule not Wars when injured and not directly responding to Wars)

Wars cares about and respects Wild, but it seems Wild wants nothing to do with him, and he's been cold towards Wars for the majority of Lu. To Wild, Wars reminds him of his perceived failure. Which is valid feelings, but still not fair. And I think that ask is talking about these two.

The thing I love about this is each of them are right and wrong in some ways, leading to the tension between them. So fully blaming either of them is not logical

The rest of the chain is just vibing. Except twilight who's mad and wants them to just grow up, but. Heros of courage not wisdom @uniquevoidflowers ;)

And that ask- '''Are any of the Links ever jealous of another Link for adventures that were less difficult/life threatening?'' ''When you hear Wild say he 'hates' someone you'll have your answer.''' somewhat leads to my next point-

Wild's identity and memory issues exacerbate all of this

In Entrance, Twilight is being stressed and defensive, that's ok. What concerns me most is that Twilight has talked with Wild through stuff like this in his rough moments

Wild has tried to be formal several times- he is not very good at it

Four's face I can't didnwidkekfjej

Wild isn't and can't be 'him'- the same 'perfect' (<actually has crippling anxiety) knight he was before, and Twilight knows this. And I agree with him a bit, I think, that Wars is making things worse in Wild's mind by being that perfect soldier, and seemingly holding Wild to a standard he isn't

Wild's attempts at saluting is symbolic of that- Wars makes him feel like a failure trying to be the person he should be. But Wild shouldn't be anyone but himself.

Anyways. Fire.

Wars and Wild have issues, and I want them to work through all their relationship drama so they can reach their PEAK dynamic, which is obviously this

I mean like. We need these two to be friends

Anyways. Wild is in this constant state of identity crisis, and being around Wars has not been beneficial- neither of them is or has been showing the other the respect they deserve. Not as knights, but as people and brothers. They need a get along shirt.

All this Art is by Jojo @linkeduniverse au!

:)

[boygirlctommy]

i love the bit from oct 17 2020 when tommy and quackity trapped wilbur in a cobblestone box to keep him from pressing the button... wilbur punching through the blocks with his bare hand to try to get to the button... tommy frantically replacing the block in front of him yelling for quackity to do something... the moment when tommy stops, blocks the exit, and tells wilbur to do it. press the button. but then theyd die with him. quackitys like "wait, wait-" but tommy holds his ground and wilbur. ohh wilbur. "why'd you have to make it so hard?"

[umblrspectrum]

Can we get more of the murder drone x rain world au?

ok

[citrusai]

taash said "they were doing it" and people ran with the interpretation of an npc that doesn't know solas or the history of the elvhenan even when bellara interjected and said, no, that's not right. that's not how it was for the elvhenan. they formed bonds before they had physical bodies. and people ran to doompost or create weird anti-solavellan shit even though mythal & solas refer to each other as old friends and when she releases him there is no tenderness or love in it. it is the act of unchaining a dog from his post, the stepping down of a general. but to each their own ig.

[razberrypuck]

okay but fiddleford was raised christian, is from a small town in the bible belt, AND lived in the 80s do you understand how much internalized homophobia this man must've had. like yeah he was super obvious about his feelings for ford, but god knows he was never gonna SAY anything -- how could he??

he's a married man. he's a father. willing to go out-of-state for work, sure, but he'd never hurt them like that. he never could. and even aside from everything previously mentioned, ford was his first and likely one of his only friends, he wouldn't wanna ruin that for some dumb fantasy. no, fiddleford just has to focus on being a better partner. that's all this is, and that's all it ever will be. he just needs to get that through his skull, and stop thinking about ford so damn much.

thankfully, he's gotten over most that stuff by now. ain't nothing gonna make mcgucket be ashamed of being himself anymore, but you sure as hell can try.

[unknownarmageddon]

swimming pools at night

killer belongs to rahafwabas cross belongs to jael peñaloza rental suits au belongs to me and @psycho-chair

[ambigiousorganfailure]

this is a short in-between post while i gear up for the actual adler/bell and harrow/case comparison, but just an interesting note.

we all know about adler watching you/bell from the red room, right? but did you know he also follows you to the fenced-off area, too?

when i first played cold war, his behavior in this briefing stuck out to me. the way he shifts his weight, changing from foot to foot, looking between his table and the evidence board. it almost seems nervous, fidgety. it feels awkward on him, and it’s awkward to watch. when i was trying to record footage from the safehouse briefings for this miniature post, i thought i’d come out of it making a whole “lightning in a bottle” analogy for adler. but then you run into an issue-there is no other moment like this in cold war. at least, not in the briefings, not in the same way he acts here.

it was strange to me. why does he behave so differently here compared to any other time? his movements are so orchestrated, composed. this is past odd habits, this feels like a moment of weakness. he doesn’t breathe down your neck this severely at any other point in the game. why?

and it clicks in. this is the first briefing of the entire game. this is your first true moment as bell. before this, all he had known of them was a spiteful, frustratingly stubborn soviet and then an empty husk, trapped in a room where he’d have to strong-arm them into psychological submission with drugs and his own personal memories. this is his first time seeing bell out in the wild, moving of their own accord, not separated by restraints or reinforced glass. he’s nervous because of bell.

the reason this is the only time adler appears this way is because he’s reaffirmed of his leash on them after fracture jaw, after the memory exercise. hudson echoes this statement, too, as much as he is untrusting of them, for obvious reasons.

and how interesting is it, that he never shows this apprehension ever again.

[butchvamp]

i already said it but it does really frustrate me how little agency Taash has and the more i think about it the more insidious it gets. again their entire story revolves around Rook making choices for them, and they're also consistently talked down to by other characters, even if those characters are depicted as being friendly or nice. Isabela treats them like a child despite Taash being a very accomplished dragon hunter with the lords (which we see, repeatedly, when fighting the blighted dragons! Taash is not a child), and of course there's their mother (at least this is intentional) and both her and Isabela go behind Taash's back to throw them in with Rook, without asking for their input. Isabela just assumes without even trying to discuss it with Taash separate from their mother, despite seemingly being aware of the two's strained relationship... and from there Isabela continues to make unnecessary comments to Taash whenever you visit the hall of valor with them.

even Flynn, the nonbinary grey warden you meet in the wetlands, condescends to them about the Qun when discussing their gender, and Taash isn't allowed to disagree with them (apparently they give Flynn a Look but ultimately don't press the issue) and Flynn is depicted as being helpful in this discussion. Rook lectures them about gender and their own culture; their entire narrative revolves around Other People telling them what to do and how to feel-- it's obviously meant to be Bad when Taash's mother does it, because she (the Qun) is oppressive, but otherwise the game seems to be fine when it's Rook or literally anyone else doing it, because we're the enlightened Good Guys, and Taash is just helpless and confused and so oppressed. of course, i don't think it's bad for Rook to discuss these things with Taash or give them gentle suggestions, and i don't even hate the potential gender discussion you can have with a trans Rook; and for the record, their mother does treat them poorly. but we can't ignore the way Taash's repeated infantilization culminates in the player being the one to choose their culture for them in the end, because..?

well, the game clearly doesn't think Taash is capable of doing it themselves. at one point Taash links the ropes they wear for the Qun to the ones the antaam used to tie down a dragon and "blight" them. even if i'm feeling gracious and say that Weekes really meant that womanhood & their mother's expectations are restricting, they actively chose to use the ropes of the Qun to make this comparison, and so are also implying here that their mother teaching them the Qun has tied them down and "blighted" them-- that the Qun has "infected" their thinking and is as bad as the blight (this is also implied in the previous discussion with Flynn). this is.... really racist. it takes Rook and their, again, "enlightened" (white) ideas about gender to get through to Taash, nevermind that the Qun has its own ideas around gender that just get shouted down or completely ignored. the racism here results in the narrative contradicting itself, considering one of the first things Taash says is "you don't get to tell me who i am" but... Rook does, in the end, because intentional or not the game is clearly convinced that a person like Taash needs someone from outside of their and their mother's culture (aka free of "blight") to come tell them what's best for them.... 🤔 hm! and while it's true you can choose for them to align with the qunari in the end, that doesn't mitigate all of the heinous and racist writing that leads up to that choice (and that the choice itself is racist. and you have to make it twice!)

of course we can say that Rook makes choices for all of the companions, this is true, but it's obvious that none of the other companions' choices are in the same ballpark, we aren't directly deciding something about their identity, and none of them lack agency to the same extent as Taash. we can even argue that they need Rook to explain gender to them, no one else ever has-- well, sure. the thing with Taash is that some parts of their story, when removed from context, are perfectly fine. i'm not criticizing the way Taash talks or acts or "does gender," all of which are things some people may connect to for various reasons (all of our experiences are different) but unfortunately we cannot discuss any of this without addressing the racism that is so thoroughly baked into every aspect of their character.

i criticized Taash for being "childlike" previously and that really wasn't the right phrasing-- i don't think that Taash themselves is childlike, it has nothing to do with them-- it's the way the narrative treats them, the way other characters talk down to them, how it takes away their autonomy & forces us to go along with it, and ultimately educate them and "save" them, and i think it's worth interrogating why Taash, of all the companions, is specifically depicted this way (it's racism).

[beatcroc]

the real joke here is that i'm pretty sure fake pep is like totally average person height, it's just that the rest of this cast are fuckin pipsqueaks

hey! it's a series! fake peppino world tour: [noise] [noisette]<-u are here [peppino] [gustavo] [gerome] [noisette again]

[warmsol]

i love taking my time. i love working slowly. i love creating things at my own pace