#aang being a bad father was the least surprising development | Explore Tumblr Posts and Blogs

xaibaugrove · 3 years

Text

Everyone in the Krew is Problematic

I was inspired to go on this rant by someone who recently brought up a question in a server I’m in, asking why so many people in the fandom seem to hate Mako and Makorra and why. This wouldn’t be the first time I defend Mako and it most likely won’t be the last, but it might be the first time I tear him and everyone else in the Krew down in the process, only to bring them back up. Hear me out though.

I think I’ve totally accepted that a lot of people in this fandom will always hate Mako and that I will have to perpetually defend him, I understand that this is the relationship I’ve chosen with this world. But what I still will never understand are the reasons why people hate/dislike him because compared to how much they love other characters in the Krew who honestly aren’t that much better than him (in some cases, even worse!), it doesn’t make any sense.

Let me also preface this by saying, I love these characters with all my heart and soul, probably more than I should love fictional characters, but this is the life I live and with that being said, I am going to tear them apart just to prove a point. Okay, here we go.

MAKO

Most of his detractors list the usual criticisms, which are valid when isolated. He cheated on Asami, he lied to Korra, he was a terrible boyfriend and essentially he treated the women he claimed to love or care about horribly. Gee, it’s almost like the man was a teenager with no experience in having long-lasting, healthy relationships and was raised in the streets by gangmembers while doing anything to survive and provide for his younger sibling after seeing his parents killed right in front of him and suddenly being orphaned…

I think Mako has been torn down enough, so I won’t get too deep into the tearing down part for him. It really does baffle me how someone can claim to be woke and not comprehend how someone coming from poverty could possibly be a product of their environment. Like, does everyone think that poor people automatically have hearts of gold and turn out like Little Orphan Annie? Why are people surprised that when someone has a shitty life, they might do shitty things?

Also, sooo many people love Zuko, who actively tried to cause harm to Aang, Katara and Sokka numerous times, and sympathize with his troubled past. But like, sure Zuko had an abusive father and his mother peaced out of his life for whatever reasons but at least he had his uncle. Mako had his parents for maybe 8 years before they were murdered in front of him and then had...no one for the next 10 years? Except for Bolin, sure, but no other parental figure in his life. Dude literally had to become him and his brother’s own parent and joined a gang to survive, and after all that, the worst he does is acts as a bad boyfriend toward Korra and Asami and he is instantly thrown to the wolves. Something doesn’t add up. It’s just...I don’t get it.

Yes, the way he treated people was bad, but people can grow? That’s a thing humans can do. And he was a teenager, my god. No, we cannot allow our past to be an excuse for how we treat others, but we have to be aware that there is a growth process to being human. And being human in and of itself, isn’t pretty. You think Mako is problematic? Don’t get me started on your fave.

KORRA

Ok, I love this woman to death but she is ridiculously problematic. She pursued someone in a relationship and essentially forced Mako to cheat on Asami by kissing him against his will, that’s already pretty awful and shows a lack of empathy on her part, also kissing people without their consent is no bueno. But also I just have to say it for the people who might not know this. One of the fundamental reasons why Makorra didn’t work was because KORRA WAS ABUSIVE. Okay? It wasn’t just that Mako was inadequate at relationships and didn’t know how to people, it wasn’t that she was secretly confused and wanting Asami the entire time (biphobia at it’s best) one of the main problems in the pairing was that Korra was crazy abusive towards Mako. Seriously, why don’t I see this more often in those discussions??

If we need examples, I have dozens. Honestly, it’s really easy to see how terrible Korra was to Mako, I’d actually argue that she treated him worse than he treated her. I mean, they were both terrible to one another, but in Korra’s case she went through the motions of being completely infatuated with your first teenage crush, getting with said crush, then crashing and burning once you realize that you have no idea how to treat a romantic partner so after the butterflies wear off you subject them to all the wonderful aspects of your anger issues. Not only did she scream at Mako during every argument they had, she also threatened him with bodily harm if she got really angry. Remember how their relationship crashed and burned in Book 2? Here are the things that Korra did during that time. Let me reiterate, this was not okay.

Mako is visibly shaken by this!

This woman burst into her boyfriend’s place of work and violently kicked his desk out from in front of him with all his coworkers present. That is not normal behavior. That is a red flag. And after she came back, had amnesia or whatever and forgot they broke up after that scene, let’s not forget that Mako was legitimately Afraid to break up with her again. Korra made her partner frightened that they might suffer bodily harm if they upset her. Again, and I can’t stress this enough, this is not okay!

The little scene in Book 3 when Korra is lifting Mako like 100 feet off the ground with airbending while he’s screaming in fear just to make Asami laugh is cute, right? I’ll admit, I loved that little moment too, it’s one of the only instances of Korrasami development that we got, but also, there were sooo many things wrong with that scene lol. Not only does Korra terrify Mako for literally no reason, it’s also sort of just her continuing to exercise some degree of power over him for her own amusement. Almost like a subtle reminder to him saying, “I am stronger than you in every way and I can break your femur like a twig if I wanted to… but I won’t, so look how much fun we’re having!”

Now of course, there are reasons why Korra acts like this. She was isolated for almost her entire life and never learned how to treat people and be around people. The Avatar is human because they must live amongst the people they protect and that helps them develop empathy and cherish life. The White Lotus deprived her of that fundamental aspect of her duty as the Avatar and it showed throughout the beginning of the series. Clearly, she was young, didn’t see how her actions could negatively affect others and hurt the feelings of not just her partner but also friends and family (she was really awful towards a lot of people in her life!). But as the series went on, we see her having less outbursts and learning to control her temper more.

One can only assume that she does not have the same behavior with Asami because for one, I don’t think Asami would play that shit, she seems like she would electrocute a bitch in a heartbeat and not hesitate if needed, but also Korra is not the same shitty partner she used to be as a teenager. Again, kids do stupid things. Adults do stupid things. And we learn and we grow. Korra will probably make some more mistakes in her relationship with Asami. I don't think anyone can have one bad relationship and suddenly learn all the lessons they can from it and have a perfect one the next go around. I can totally picture Korra losing her temper and raising her voice at Asami if she gets frustrated and forgets who she’s dealing with. Managing anger issues is hard, I know this from experience, and it doesn’t magically get easier. Of course, if Korra does pop off, Asami would definitely put her in her place because she’s a bad bitch who doesn’t take anyone’s shit, next character.

ASAMI

You know her, you love her, you fantasize about her and you probably have her on your list of fictional characters you would totally bang if you had the chance (I know I do), yes, even your best girl is problematic. It’s interesting to me that a lot of people sympathize with Asami and very few openly criticize her (so few that I’ve never seen anyone say a bad thing about her). What’s there to criticize though? The poor girl was cheated on by Mako, had her feelings disregarded by Korra, who claimed to be her friend but pursued her then-boyfriend behind her back and then made up for it by simping for her for the rest of her life? Also her mom was murdered when she was just 6 years old, her father threatened to kill her once and physically abused her, then died right after they started repairing their relationship, essentially making her an orphan at the ripe age of 22. Suffice it to say, Asami has been through it.

So, how could she be problematic, you ask? Why, of course, through the classic Bryke technique of romance progression in storylines called Kissing People Without Their Consent

To be honest, I did gloss over this with Korra, simply because there were sooo many other issues with that woman and I just couldn’t go through every single one in as much detail but that doesn’t negate how serious this whole sneak attack kissing thing is. Sure, Asami is very emotional and lonely and sort of desperate too, (it's a little sad, really) but Mako is clearly uncomfortable and completely caught off guard by the kiss. This is also the second time this happens to him in the series! There are a couple factors that might contribute to why Asami does this and acts this way, maybe Korra’s general awfulness rubbed off on her (don’t make a dirty joke) but this is still wrong.

AND that’s...pretty much it. Kissing people without their permission is a big no no, though. Not wanting to gloss over that, but Asami really is a good person who just did a not-so-great thing. Getting burned by Mako twice probably made her a little less inclined to be as forward with anyone though, and it looks like she now takes her time and is patient in her relationship with Korra. It even seems like Asami is the only person Korra is afraid to upset, as Korra does seem more gentle and calm when around her. And who knows? Maybe Asami living a life where a majority of the time she got whatever she wanted when she wanted it might have also influenced her to be more assertive or even imposing within her relationships.

If anything, those three fools getting into relationships with each other just showed how not ready they were to be in relationships in the first place and also how not okay they were.

BOLIN

Originally I titled this as “Everyone in the Krew is problematic (except Bolin)” but then I remembered that Bolin totally kissed a woman without her consent so I deleted the shit out of that!

This asshole looks genuinely pleased with himself after essentially assaulting Ginger. Not a good look.

Sure, Bolin is baby. He will always be baby to me. But that does not erase the fact that he also actively supported a fascist dictator. Not only was the kissing without consent thing bad, but there’s also that. No matter how many times people around him warned him about the fact that he was on the wrong side of things, that he was helping someone who was putting people into concentration camps...Bolin wanted to believe the best of Kuvira. He ignored obvious signs that the woman was a dictator committing human rights violations like crazy and you know, there’s gotta be a reason for that too.

Maybe Bolin wanted to feel like he was doing something good for once. When you think about it, with his role as the comic relief in the Krew, and sort of constantly being infantilized by his older brother, I wouldn’t be surprised if the man developed some insecurity in his ability to do anything good or useful for anyone without screwing it up in some way. In Kuvira’s army, it seemed like he was actually taken seriously, he felt like he was doing something that mattered. Korra had being the Avatar, Asami had her business and mindblowing philanthropy (honestly, her ability to be as charitable as she is profitable is insane) and Mako had his police work (ACAB, tho). Bolin had...the role of being a joke. A superficial actor. A former pro-bending meathead.

Bolin lived his entire life following after his brother that once they were adults and Mako finally decided to live his own life for once, it left Bolin completely lost. And lost young men are perfect recruits for fascists.

So, in conclusion, my whole reasoning behind destroying the integrity of my favorite characters is to prove a huge point. All of these characters are problematic. They have flaws, some bigger than others (looking at you, Korra. Just...wow), but ultimately, even if your fave is problematic... that’s okay. A lot of people, mostly younger people it seems, are really obsessed with being right about everything that they do and stan. And that’s a wonderful thing, so much change has come about by the younger generations calling out people who do fucked up shit, don’t want or try to improve, and get away with it. But it’s also caused a lot of people to be unforgiving and completely unwilling to acknowledge when people do improve and try to be better.

Personally, I love my problematic Krew because having issues that you’re constantly working on internally is human. It’s human to make mistakes, it’s human to grow from those mistakes. And it’s inspiring to me, who is wholly imperfect, to see myself reflected in fictional characters who aren’t perpetuating unrealistic ideals of human nature, characters who are messy, crazy and ultimately human.

As one of my favorite manga artists and queen of impeccable character creation Rumiko Takahashi once said:

“I think that perfect people are not very interesting.”

And I will always wholeheartedly agree.

#long post #rant #tlok #the legend of korra #korra #asami sato #mako #bolin #avatar: the legend of korra #back on my random bullshit i guess

49 notes · View notes

saby-chan · 3 years

Text

Fire Lord Ozai: A blood thirsty monster or the less fortunate “Zuko” of his generation?

Hello again and thank you as always for clicking and allotting some of your time to read my humble post! Since I’ve happened to notice quite an increase in posts lately regarding the controversial character and nature of the former Fire Lord, the now imprisoned fallen prince Ozai, and I’ve personally promised in my previous post that I will share my own analysis on him if people asked me to do so (which actually happened), I am here to deliver my own take on this very intriguing man’s character, while also building a potential past for him based on stuff gathered from the show’s cannon.

I would like to start this essay with what I find to be my favorite quote ever: ”Monster’s aren’t born, they are created.” ~ Naruto Uzumaki (Naruto) What I like about this quote soo much and find very inspirational is the truth it holds within its short, yet powerful message. We are often fast to judge a “book by the cover”, to reduce others to what we assume of them by their appearance or latest actions that we’ve seen them do, but never actually take a moment and wonder where they come from, if this person we soo harshly look down upon really has been this way since their very beginning?

I’ve come across many comments on social media related to ATLA, especially on YouTube videos on which people would throw with harsh comments such as “Aang being a coward for choosing to spare the villain just because they saw a dumb baby pic of them” or “Ozai is the essence of evil and even as a baby he’d been a monster”. I can’t help but wonder who hurt these people to make them be so cruel? Like, how messed up must you actually be to say that a baby, a friggin baby, is the embodiment of all evils? Or that a child was a coward for choosing to see his opponent’s last bits of humanity and opted to spare them?

Aang was soo morally conflicted about the idea of killing Ozai not only because it contradicted the morals of his people, but because he himself understood that this man hadn’t always been the cruel beast he came to met in their first and final showdown. It’s important to note here the fact that upon finding that picture, Aang was actually convinced it had to be Zuko as a baby since it looked so innocent and cute and was actually surprised to learn it was Zuko’s father. And that’s the thing, Ozai was born like us all as an innocent and sweet baby. Babies aren’t in any way evil or twisted, they don’t even have the notion of ‘good’ and ‘evil’ defined in their small, still developing minds. In fact, the very choice of the creators to add this picture in the show is meant to tell us this very thing: this man wasn’t always like this. But if he wasn’t always like this, then what happened to make him become this way?

Well, in order to find out the reason, we must go back in time to the very beginning: Ozai’s childhood and upbringing. For this next part I am going to solely focus on the show cannon, as the comics aren’t the products of BryKe and have a lot of inconsistencies to the source’s cannon (you can go and read my other post on why they fail when it comes to Zuko’s character and his family).

From what we know and can easily deduce by ourselves just from their appearances, Ozai and his brother Iroh have a huge age gap between them (somewhere between 10 and 15 years). This has to be our first red flag: isn’t it soo odd that this family opted to have their children at such a long distance between pregnancies? It almost feels as if Ozai hadn’t actually been part of his father’s actual family planning... In other words, he was a ‘mistake’ child (I actually hate having to use this terminology, but it will become relevant to when we expand on Azulon’s relationship with his sons). Sure, some may argue that Azulon actually decided to have two sons in case something were to happen to his first born, but wouldn’t it have been more logical to have his second born at 2-3 years max distance from his first? Why choose to have your second child when you are much older and thus risk having a baby with issues, if your sole purpose of this child is to serve as an insurance that you don’t ‘run out’ of heirs? It just doesn’t make much sense, so let’s go for the moment with the possibility that Ozai was an unplanned pregnancy.

This perspective actually gives way to another very interesting aspect: remember the infamous “Born lucky...Lucky to be born” quote? What if I tell you that there is a possibility that this quote wasn’t Ozai’s personal wicked invention, but actually something he himself heard from his very own father? It had been puzzling me for a long time why he choose to say “You were lucky to be born” to Zuko, which implies that Zuko wasn’t supposed to exist. I mean, it’s soo odd that Ozai went with something implying that Zuko was an unplanned pregnancy, since Zuko was the first born. So my theory is that maybe Ozai wanted to convey a different message to Zuko when he said that quote, but due to his anger he ended up replicating the same line he received from Azulon at some point in his childhood. We never got the exact flashback when the line was delivered from Ozai to Zuko, so we don’t have the exact context that lead to it (remember, we are excluding Yang’s take on the matter from the comics).

I mean, this feels like something that wicked old Azulon would have said to his least favorite child. Okay, so let’s go with the scenario that Ozai was an unwanted child, to which we could also add the possibility that Ilah’s health deteriorated after the first birth, which makes plausible the family’s initial decision of stopping at 1 kid.

Moving on, we know from the old ATLA character wiki’s that Ozai’s character design was made with Zuko in mind, being meant to be a grown up version of Zuzu, without the scar. An interesting choice indeed and even Iroh’s letter to Zuko on Ozai from one of the ATLA books describes Ozzy in a similar way to teenage Zuko in book 1: stubborn, feisty, determined and with a volcanic personality (easy to anger and competitive), so it means that these were intentional choices to imply that Zuko and his father are more similar than we were led to believe at first glance. Maybe Ozai was the “Zuko” of his generation. Also, in one of the interviews on the royal family, BryKe stated that Ozai worked very hard to get where he is in book 3, referring to his firebending specifically (we all know how Ozzy got the throne, so clearly, he didn’t “work hard” for that), so maybe he wasn’t always the strongest man alive, with the most exceptional firebending skills out there, like Azula who showed ease in her learning, but rather someone closer to Zuko’s weaker performance as a child, building his way to success through endless hard work until he became the prodigy we know today.

Continuing with our theoretical scenario, after his birth, the second child show’s lesser skills compared to his brother Iroh (by that I don’t mean that he wasn’t gifted at all, but that maybe Ozai wasn’t as fast and great of a learner like his big bro), so Azulon opts to just ignore him and continue focusing solely on his golden child. In my headcannon I actually think that Ilah survived the birth and so she was left in charge of the younger child’s education and upbringing. At this point Iroh is already 10 or older, so he is forced to focus on his development, which prevents him from spending time with his lil brother, but just for the sake of being positive, let’s assume that Ozai still had both his mother and his big brother to keep him sheltered from Azulon’s darkness for a small portion of his childhood.

I choose to believe that Ozai had his mother’s love for a small bit of his childhood due to his willingness in the show to allow Ursa (who mind you, as the granddaughter of Roku was considered a treacherous individual) to spend a ton of time with both Zuko and Azula and share her philosophy with the children, as seeing his wife playing with their children probably reminded him of his own bitter-sweet memories he had with Ilah. They also probably spent a lot of their time near the turtle-duck pond since that pond’s existence prolly dates long before Ozai and Ursa married and had their own children.

Unfortunately, Ilah dies and little Ozai remains all alone, to be influenced negatively by his father (and even by his grandpa Sozin, we don’t really know for certain when the old man died, so he prolly was there for a short time when Ozzy was still a child). Azulon most likely blames Ozai for his wife’s death as the second birth might’ve really had a huge toll on Ilah’s already fragile body, bringing her closer to death, so he still neglects and ignores the child, if not straight out bullies and abuses him for not being on par with Iroh. This prolly leads to Ozai becoming jealous of his brother since Iroh has their father’s love, pushing them further apart. I headcannon that this jealousy between the siblings led to Ozai complaining to his dad when he finally had too much of their father’s discrimination (at a similar age to when Zuko prolly did and got the infamous line, if not younger) only to get the “Iroh was born lucky, you were lucky to be born!” line with the sole purpose of hurting him since now the child knows that he was never wanted.

When Azulon scolds very furiously adult Ozai in Zuko’s memories for daring to ask to be named crown prince, he literally says something like “What, you dare ask me to betray MY own son?!” (this is like red flag number two), line that pretty much testifies how Azulon chose to pretty much treat Ozai as if he wasn’t his son too, showcasing how much he despised his second born and favored the first child over him. Since we are on the topic of their last conversation, the punishment Azulon gave to his son alone proves this man’s level of sadism, which leads me to be believe that Ozai’s childhood was full of this type of punishments for bad behaviors that could be easily corrected trough a long serious lecture or a lesser punishment focused more on teaching him an actual lesson.

The old wikis also mention on the page about the hall with portraits of the previous Fire Lords that it was the place where Ozai chose to spend most of his time in his youth, seeking advice from his ancestors. I mean, seriously now, if he had a good and supportive father and a present brother in his life, would Ozai had chosen to seek guidance from the dead instead of his living family? That piece of information that was easily overlooked by many proves how lonely this man was in his youth.

So for the most part of his life, Ozai grew up under the toxic influence and abuse of his tyrant father who refused to acknowledge him. Yet he managed to grow up still full of determination to one day prove his worth to Azulon and gain his acceptance (just like we saw with Zuko in book 1, who was desperate to regain his honor and be accepted by his father). But unfortunately, no matter how strong he became or how good of a firebender he was, Azulon was unmoved and unphased by his second son’s performance.

From what we could gather from the little info we received in the show, it seems that Ozai was never sent to the battle field to aid his older brother, being kept as a stay home prince, with the only occasion he actually left home being to search for the Avatar (I don’t think Iroh was sent to do his part on searching the Avatar since he strongly believed that there wasn’t going to ever be one, so it’s safe to assume Azulon assigned Ozai with this mission just to get rid of him for a few years) and the only purpose he ever served to his father was to become part of the old man’s genetics experiment in order to create strong unparalleled firebending offspring (which I am pretty sure were meant to be ‘biological war machines’ used by Azulon in the war, as he didn’t really seem to give a shit about Ozai’s children compared to Lu Ten). So just imagine the level of disappointment and dishonor Ozai must’ve felt as a man and young aspiring soldier to find out that he was going to be used like a ‘non-bending daughter’ in a strategical marriage and never get to serve his country in what he’d been taught was the greatest and most important war for their Nation.

All in all, this marriage didn’t really end up that badly because it seems he and Ursa were actually very compatible. The old wiki for Ursa states that she was a noble woman and the perfect match for Ozai, which leads me to believe that show Ursa was intended to be a very strong willed and determined woman who earned his respect. The show never stated that Ozai never wanted his first born or that he was disappointed with Zuko from birth like the comics say, so it’s safe to assume that Ursa and Ozai actually ended up falling in love at some point since they had not one, but two kids with relatively a short time in between pregnancies.

There are actually many signs in the show that actually prove that these two loved each other and Ozai didn’t abuse his wife: from the fact that they went every year to see Ursa’s favorite play despite Ozai hating the poor performance of the Ember Island Players (I mean, what man would do such a sacrifice as to endure the same torture every single year just to make his wife happy if he never loved her?), Ursa’s undeniable and sincere love for their children (in the show it was never stated that Ursa saw Zuko and Azula as someone else’s children, so if she were indeed an abused woman who was forced to have these children, she wouldn’t have ever loved them to such an extent, especially Zuko who resembled his father the most physically), the fact that Ursa had equal rights in their marriage and raising of their children (her even scolding and grounding Ozai’s favorite child without hesitation), to the most significant scene to the Urzai ship in Zuko’s flashbacks: Ozai sitting troubled all alone in Ursa’s favorite spot by the pond, in a sad and brooding atmosphere, after he lost her, instead of celebrating what had to be the happiest day of his life since he was finally crowned Fire Lord (it’s clear who had more importance in his heart: Ursa meant more to him than the throne, so losing her outshined his achievement). In fact, Ursa must’ve been the only thing that still kept him outside of the darkness that threatened to swallow his heart and once he lost her, Ozai had nothing else to keep him on the right path.

And even as a father, it seems that Ozai wasn’t always cold and distant to his children, as his true self depicted in Zuko’s memories on Ember Island shows him caring for both of his children, even holding Zuko close to him with a protective arm on the boy’s shoulder. Except the Agni Kai, there don’t seem to be any instances in which he was physically violent towards his son before the banishment (Iroh literally let Zuko in to join that faithful war meeting willingly. Would’ve he done that if he knew his brother to be very violent towards his children in case they disobeyed? If yes, then it would make Iroh actually very questionable on a moral standpoint) and even on an emotional level, I don’t really think that he was actually abusive to him (at least while Ursa was there) because from Zuko’s conversation with Zhao, he’s adamant that his father will take him back and even states "You don't know how my father feels about me. You don't know anything!", meaning that the father he used to know showed him a level of respect and genuine affection (if Ozai were to bully Zuko since the boy’s very early childhood, do you think this kid would grow up to be so sure that his father wants him around and would he defend this bully when someone badmouths them in front of him?).

Even with Azula, despite people demonizing her from early childhood and saying that she was manipulated since birth by Ozai to become a war machine, I do believe that she shows genuine love and affection towards her father. I do choose to believe that back in the good times when the family was happy, Ozai spent quality time with his daughter, filling in the gap left by Ursa’s neglect. I theorize that the reason why kid Azula badmouthed her grandpa and uncle was because she was being very protective of her father: since she used to like spying and eavesdropping, it’s safe to assume that she prolly witnessed many instances in which the old man bullied or insulted Ozai, favoring Iroh over him. It’s a bit harder to see it that way since her snarky comments involve dark topics, but since they live in a society governed by power and war, I see them as something similar to if Azula would’ve said “Uncle sucks and he will surely be fired from his job!” or “Grandpa is old and weak, he should leave the family business to dad!”. Even the fact that the only thing capable of shattering her to pieces was her father leaving her proves how much she cared for him. Ty Lee and Mai’s betrayal was a big blow on Azula’s control and sanity, but she didn’t breakdown until Ozai discarded her after his coronation as Phoenix King. There’s nothing more painful in this world than to be left behind by the person you loved the most and was there by your side your whole life, whom you wanted to follow to world’s end and back. That was the moment Azula finally realized that the father she used to know and love was actually gone and had been in fact, long gone for years at this point.

But if Ozai cared for his family what made him change? Easy, it all comes back to the fact that his father never acknowledged him. The throne doesn’t seem to be his ultimate goal in life since Ozai discarded of the Fire Lord title very easily, tossing it to Azula without any remorse or hesitation. It was more about the meaning behind getting the crown: replacing Iroh in the line of succession was the ultimate proof of his father’s acceptance, that he wasn’t only a “mistake” and “failure” in his father’s eyes, but since Azulon ended up saying and doing what he did, backfired Ozai and made him understand that no matter how hard he tried, the old man will never see him for what he is. So yeah, for a proud man like Ozai this was a hard defeat to swallow, which in turn sparked his strong desire of winning the war and becoming the king of the world: if Azulon wouldn’t accept him even in death, then Ozai will prove to the whole world that he was above his father and his “perfect” brother by accomplishing what they never could and even better and no one was going to stop him, not even his own family.

This is what differentiates Ozai from Zuko: while both had similar upbringings, Ozai never broke away from his obsession of gaining his father’s admiration, allowing himself to fall prey to the darkness left by Azulon in his heart and abandon his true self, only to become the copy of his abuser, while Zuko stood up to his dad and chose his own destiny. If Aang were to come back around 20 or 30 years earlier, then he might’ve actually been able to save Ozai just like he saved Zuko, but unfortunately it wasn’t this way.

Do I think that Ozai could still be saved and redeemed even after the events of book 3? Definitely! Since he’s actually a broken man and still has a tiny bit of humanity left within, I think he still has a chance to change his heart. The only thing is that it’d be a long lasting process: first off he needs to spend a long time in solitude and reflect on his life’s choices and his past, understand where he went wrong and that what happened to him in his childhood is called abuse, which he ended up replicating on his own children. After he understands his wrongdoings and becomes willing to rediscover his true self, he needs to understand the truth about the war, that everything he’d known was fake propaganda and that there was nothing glorious in what he, his father and Sozin did under the excuse of “sharing their Nation’s greatness with the rest of the world!”. But most importantly of all, the only remedy that could possibly save him is love. It sound cliche, but by responding to hatred with more hate like Zuko did in the comics would never change the world “for the better” or bring it “to reality”. The only way to save both Azula and Ozai would be trough showing them the power of love, hope and empathy, how they don’t have to struggle alone and push everyone away. And especially by redeeming Azula, she would be a very important piece in Ozai’s redemption: since he had a closer parent-child relationship with Azula and cared for her the most when he did care, realizing how much he made her suffer through his actions, that would probably break Ozai enough to make him admit that he was wrong all along.

So yeah, this is my analysis on Ozai’s character using the cannon information from the show and old wikis and why I think he is just the product of a very bad environment and an abusive parent who never showed him love (if there’s a reason for why Ozai might be uncapable of showing a healthy parental love to his children is because you can’t show what you’ve never learnt yourself), being the Zuko of his generation who never got to experience the positive influence of an “Uncle Iroh” to guide him on the right path.

You can agree with me or not on this one, but this is what I choose to believe. Maybe I am way too good by choosing to see any potential good in anyone, but I feel it’s a better way than to counter hate with more hate like Yang did in his monstrous portrayal of Ozai in The Search.

Let me know your thoughts in the comments and if you agree with anything I’ve said, feel free to leave a like and to reblog this post.

See you next time and stay safe! Bye-Bye!

Saby out.

#atla #atla rant #avatar the last airbender #ozai #azulon #ursa #zuko #azula

35 notes · View notes

beyond-far-horizons · 4 years

Text

Analysing the Zutara Cave Scene from a Writing and Psychological perspective

Forgive me, I’m an enthusiastic newbie to the ATLA fandom and Zutara (mainly because I knew the ship was perfect for me but was not canon and so I held off watching it for years.) So I know you’ve heard it all before but I wanted to break down this famous scene in more depth from my background as both a writer and a student of psychology. It’s also important since the age old ship wars are being resurrected (which I want no part of) and Zutara and this scene has been looked down on and belittled from some quarters.

Warning - Wall of Text TM incoming!

The main thing that gets most people is these mortal enemies going from hating each other to being open and vulnerable in about five minutes of screen time. I get the impression more time and therefore more conversation has gone on off screen, but it’s amazing that Katara goes from tirade at the literal face of the Fire Nation (a country whose plagued her people and killed her mother, and Zuko himself who has hunted her and her friends, captured her at least twice and has had several intense fights with her)

to tenderly touching Zuko’s face and “let me use our one of its kind Holy Water TM to maybe heal your face.”

Also as others have pointed out Zuko lets this ‘peasant’ (who defeated him, wounded his pride and foiled his lifelong goal several times) touch his scar when he doesn’t let anyone else do that at this point, even girls he’s been close to.

I doubt many Zutara shippers think this happened because the two suddenly decided the other was hot, even though there might be an unconscious physical attraction under all the animosity. But no-one can deny the writers were trying to show a shared connection that makes them open up to each other. That to me makes the relationship much deeper whether it’s platonic or romantic.

Katara, despite her understandable rage at Zuko, is surprisingly open to forgiving and helping him as soon as he -

a) mentions they have something in common - the Fire Nation being responsible in some way for the loss of their mothers.

b) his resolution to make his own destiny and overcome his difficult past associated with the scar.

I just love this about her character. She’s passionate, feisty and full of integrity but she can’t stop herself wanting to help make things better, even to one of her worst enemies. Her compassion is such a strength and it comes out even more when she realises she’s accidentally hurt his feelings re his face.

Zuko in turn is softer with her than I’ve ever seen him with others, even Iroh most of the time. He doesn’t get angry or even really defensive and he opens up about his mother for the first time. Extraordinary considering he’s talking to an enemy.

But this isn’t the first time he’s tried to win Katara over against his normal combative persona. When he captured her in Ep 9 you’d expect him to threaten her, especially surrounded by his men and bloodthirsty pirates. Instead he asks for her understanding and tells her (the little peasant and enemy of the Fire Nation) about his lost honour.

He then goes momentarily into full skeevy villain mode (which I loved) and offers her necklace back by placing it round her neck. (As an aside, yes this was totally the wrong tactic considering it was her mother’s who the Fire Nation killed, but I do love that he unknowingly offered her a Water Tribe betrothal necklace.)

Analysing it more deeply from a writing and psychology perspective, I’d say Katara represents the integrity and vulnerability that is at the core of Zuko’s character - the thing that got him that scar and banishment from his warlike family.

The same side he struggles with and that Iroh tries to heal and encourage within him. It’s masterly from a writing POV that they brought this mirror up and allowed Zuko to connect and own this aspect of himself again briefly before Azula (the opposite representation and Zuko’s ‘shadow’) literally crashes the party. This is truly his ‘crossroads of destiny’, raising the stakes and therefore making us - the audience - ache all the more when Zuko makes the wrong but understandable decision to choose Azula and his family’s version of him and betray not just Katara but Iroh too (dat angst.)

(As an aside look at the framing of the above shot. They do this alot showing him literally caught between two sides. In the previous scene with Azula and Iroh, they show both the unscarred and then scarred profile of Zuko to show the ‘two sides of him’ symbolically represented by Azula and Iroh.)

Two sides, Fire and Water, the battle of opposites and the bringing of balance is of course the core of ATLA, and Zuko and Katara’s fraught relationship sums this theme up perfectly. Another reason so many still ship them and feel aggrieved by the non-canon ending.

I think Zuko is so wounded by Katara’s refusal to forgive him and so determined to earn that forgiveness is because she represents his true ‘honour’ - the right way to be - to fight for balance and justice with integrity no matter what. Thus he must make amends to her, not just as someone he has wronged, but as the mirror of that aspect in himself.

Thematically this is tied up beautifully in him asking her to join him to defeat Azula in the final season and them working together to do so.

(As another aside, the theme of balance and Yin and Yang is also mirrored in Zuko and Katara’s relationship and character development. At the start Katara is the caring, altruistic almost motherly sort and Zuko is the angry, aggressive pursuer. However like Yin and Yang that contain an aspect of the other within them, whenever Katara meets Zuko she becomes more aggressive and is allowed to process her grief and anger, unlike with her friends. Zuko, in turn is often softened by her, reawakening his compassion and deeper feelings. Yes these aspects are also fostered by others, but Season 3 highlights this dynamic to Zutara allowing Katara to address her anger and Zuko to practice caregiving and support.)

Coming back to the Cave Scene - the most poignant part for me isn’t actually the face touch (even though I love it). It’s the final glance between them as Katara and Aang leave. Katara looks back worried, it’s as if she can sense the threshold Zuko is on and feels torn between staying and supporting him and her duty to Aang. I feel if they had had more time together Azula would have had less chance to turn Zuko.

He looks back at her softly and there’s a beautiful musical cue, hinting at things unsaid and unfinished, she gives him a final lingering glance, still anxious, then goes.

We all know what happens next.

Conclusion

Looking at this from a purely plot point of view it -

raises the emotional stakes and therefore make Zuko’s betrayal hurt worse.

Sets up Zuko knowing about Katara’s healing abilities and Spirit Water so he knows there is a possibility the Avatar could be saved. This all plays into the shenanigans of Book 3, letting Zuko go back to the Fire Nation, Azula giving him the credit and then letting down her father etc.

Giving Zuko more character development work to earn everyone’s trust esp Katara’s when he finally makes the right choice.

However I’m surprised that Bryke didn’t realise how this episode would look to the eyes of most fans esp Zutarians. Yes you could say it’s hetero-normative and why can’t they be just platonic etc but it was the Noughties, it’s a kids show and they are blatantly playing into those well known tropes - Zuko’s previous verging-on flirtatious treatment of Katara, his uncharacteristic softness and openness with her, her touching his scar, the music, their lingering glances, Aang’s jealous look (you could argue it was animosity towards his enemy but while we get this from Zuko, it is definitely played as suspicion about a potential rival so close to ‘his girl’ from Aang’s side.)

Ultimately the writers didn’t choose the romantic route, which I feel is a real shame and missed opportunity because of the depth of feeling and potential there. But what I really resent is when people act like Zutarians were stupid and/or biased for seeing and loving that potential. I hope this analysis has shown that the romantic subtext was strong (and much more believable for me than with Katara and Aang) and in line with the core themes of ATLA itself. This also refutes the suggestion that Zutara was somehow dark, toxic or shallow cos ‘he’s a bad boy’ or something.

Zuko was owning his own struggles, emotions and destiny in this scene, it’s why Katara finally opens up to him. She doesn’t have to ‘do the work for him’, but she supports him in it as he supports her later on when he earns her forgiveness. And that’s why I love it!

Thank you for coming to my TED talk...

#zutara #zuko #katara #atla #avatar the last airbender #meta #my meta #my writing #long post is long #wall of text tm #anti-kataang #better put that in there even though I don't really go into the rival ship #antis please don't interact I respect your right to ship let's be civil

550 notes · View notes

wiseabsol · 4 years

Text

WA Reviews “Dominion” by Aurelia le, Chapter 15: Lost

Link: https://www.fanfiction.net/s/6383825/15/Dominion

Summary: For the Fire Nation royal siblings, love has always warred with hate. But neither the outward accomplishment of peace nor Azula’s defeat have brought the respite Zuko expected. Will his sister’s plans answer this, or only destroy them both?

Content Warnings: This story contains discussions and depictions of child abuse, emotional abuse, physical abuse, sexual abuse, and incest. This story also explores the idea that Zuko’s redemption arc (and his unlearning of abuse) is not as complete as the show suggested, and that Azula is not a sociopath (with the story having a lot of sympathy for her). If that doesn’t sound like your cup of tea, I would strongly recommend steering clear of this story and my reviews of it.

Note: Because these were originally posted as chapter reviews/commentaries, I will often be talking to the author in them (though sometimes I will also snarkily address the characters). While I’ve also tried not to spoil later events in the story in these reviews, I would strongly recommend reading through chapter 28 before reading these, just to be safe.

Now on to chapter 15!

CHAPTER 15: LOST

Alright, I’m a little late on this one, so let’s just dive into the ugly sadness of “Chapter 15: Lost,” shall we?

The A/N mentions that Toph, Suki, and Sokka will be back in five or six chapters, and a part of me can’t help but think, “Good, you three are distracting us from the Surround Sound Stereo Angst for the Royal Fire Family.” Joking aside, I am looking forward to Toph’s character development later on, because even though I know some of what is going to happen in future chapters of “Dominion,” I legitimately don’t think that Aurelia and I have discussed Toph’s arc yet. It’s a blind spot for me, but I’m okay with that, since I want to have some surprises in the wings, rather than just enjoying how X and Y parts are executed. Both ways of reading this story are fun, but the former is more enjoyable for reader in me, rather than the editor.

If the outline mentioned in chapter fifteen is still accurate, then that means that we have seven chapters left of “Dominion” at present, before we move on to “Thrones.” That number might be off, though, because Aurelia tends to be more verbose than she expects and has to split the chapters into multiple parts.

On to the chapter itself. Ty Lee and Mai are meeting in a sitting room. Ty Lee is nervous and Mai wonders if Ty Lee thinks that she’s mad at her, but Ty Lee hastens to reassure her. Mai’s aura indicates that she’s anxious and struggling to maintain control during this conversation. Mai is upset about “Zuko’s mistake,” but she doesn’t blame Ty Lee for it—she knows who to blame (Azula, probably, but maybe both her and Zuko). Mai doesn’t think that it was a bad idea for Zuko to team up with June, because the bounty hunter will track Azula down in short order and have her back in custody.

Ty Lee is not enthused about this idea. Despite knowing that Mai isn’t going to like it, she tells Mai that Azula shouldn’t be put back into the asylum. As trash of a human being as J. K. Rowling is, I can’t help but think of the quote, “It takes a great deal of bravery to stand up to your enemies, but a great deal more to stand up to your friends.” Ty Lee, you are the overlooked and unsung hero of this story. There should be shrines in your honor.

Mai never likes it when Ty Lee brings up Azula, and usually deflects the conversation. Ty Lee also sees Mai less than she sees Azula, so they don’t get much of a chance to talk anyway. “Ty Lee still felt a little guilty about that, but Mai was always so busy, and Mai and Zuko would never even talk about Azula when she was the one who brought them all together in the first place….”

A few things here. Ty Lee and Mai are maybe a little like Ty Lee and Zuko, in that they call each other friends, but it doesn’t seem like anyone is putting in the effort to be friends. Mai could be making more time for Ty Lee. Mai could be trying to empathize with Ty Lee over the Azula issue. At the same time, I think Mai has been trying to set a boundary with Ty Lee about Azula, but either Mai hasn’t made it clear enough to Ty Lee that this is a boundary, or Ty Lee isn’t able to respect it because Azula is so important to her. It seems like there are competing needs at work here, and the feelings on both sides are valid.

At the same time, this situation has been festering for years. It’s clear that Mai has never been at peace with her feelings towards Azula, and that this is hurting her as much as it’s going to hurt Azula. I think Mai’s hatred for Azula is founded on the love she once had for her. While a large part of her might think that Azula deserved her fate, and even found it satisfying to see Azula brought low, there might also be a small part of her that wonders if that fall was partially her fault (it was, since Mai accidentally slammed down on Azula’s triggers), and feels guilty for it and for feeling that satisfaction. Also, from the way she’s been behaving, Mai might very well have been just as toxic and false a friend to Azula as she accuses Azula of being to her. She didn’t communicate her needs or desires to Azula, but instead let herself boil alive with resentment. She might blame Azula for how things went down, but she’s ignoring the role she played in it.

As the conversation continues, Ty Lee dances around why it would be bad to send Azula back to the asylum (because Azula is pregnant), and Mai says, “‘She tell you they abused her? And here I thought it was her dad.’”

Which brings another layer into this. I’m going to discuss this in more detail later, but Mai has now been confronted with the idea that Azula was an abused child—just as abused as Zuko was. And besides this recontextualizing Azula’s behavior, now Mai is left to wonder, “How did I never notice?” I think there’s a tiny part of her, one that she denies, that is appalled over what happened to Azula.

Ty Lee, who loves Azula whole-heartedly, is HORRIFIED by this revelation. She feels like the ground is “rushing up to hit her” and remembers how Ozai treated her, the last night she spent in the castle as a kid. And then she…well: “But Azula was so strong, she wouldn’t let anyone do that to her, would she? At least she would have told Ty Lee, they were best friends!” Oh Ty Lee, honey. That’s not how abuse works. Azula wouldn’t have told anyone, both because she was ordered not to by her abuser, but also because that would have meant being vulnerable around someone else. Does that sound like something Azula would do?

Mai says that Azula must have been lying about the abuse, but the thing is, Azula didn’t tell Mai about it. Zuko did. And even Mai doesn’t really believe it is a lie, if Ty Lee’s aura-reading is accurate. Mai’s just trying really hard to believe in her own lie. Mai argues that Ty Lee only ever sees the good in people—which isn’t true, since Ty Lee can see the flaws in people, but is more forgiving of them than the other characters are (except for Aang). Mai wonders if Ty Lee has convinced herself that there’s goodness in Azula where there is none.

And that’s…a lot. Because there’s a mix of good and bad in everyone. Some people lean more towards one end of the spectrum than the other, but if you look hard enough, you’ll always find something that humanizes even the most saintly or heinous of people. My stepmother, who was emotionally and psychologically abusive, wasn’t pure evil. She made my father happy. She was fiercely protective of those she loved. She made the best oatmeal cookies in the world and shared my passion for sappy romances. I’ve progressed enough in my healing that I can see these things, and see her as a troubled person who made mistakes and never got the help she needed. But Mai…she hasn’t healed the way I have. She hasn’t forgiven Azula. She might never be able to do that, either, given recent events (and she doesn’t have to—that’s her choice to make). And as long as that’s the case, it’s so much easier for her to demonize Azula, because if Azula is a demon, then Mai doesn’t have to grapple with the messy reality of Azula as a person, or grapple with how Ozai’s, Zuko’s, and Mai’s own choices damaged her.

Then we get this passage, which I’m going to quote in full, because it’s a slap in the face to absolutist thinking where Azula is concerned:

“‘I know she did some bad things, some awful things even, but that was four years ago and she was just a kid! We all were!’ [Ty Lee] argued [ . . . ] ‘And most of that stuff she did on her dad’s orders, and who knows what he would’ve done if she refused—’

‘Oh yes, poor helpless little victim,’ Mai interrupted coldly, rising to her feet with more grace than Ty Lee. ‘It’s not like she ever had a choice.’

‘She had a choice, but this stuff makes a difference, Mai!’ Ty Lee insisted, desperate to make her see it. ‘It makes a difference how we judge what she did! And we know now she was crazy!’ Ty Lee seized on the horrible truth with more enthusiasm than she would ever have guessed, spreading her hands to offer explanation. ‘Doesn’t that make a difference to you?’”

Context. Matters. It matters so much when you’re judging someone’s behavior. If someone is under duress, or isn’t fully in their right mind, or if they have no good choices, can we really blame them from making bad ones? And in Azula’s case, she was a child. Should she really have been written off by anyone, let alone our heroes?

Mai doesn’t believe that Azula was mentally ill, though. That was just a part of Azula’s scheme, you see. Ty Lee is rightly appalled by this. “‘Even if—you thought she just made it up—to avoid prison or something,’ she grasped at the logic only loosely, because it was disgusting, ‘you can’t deny what it did to her! She starved herself almost to death, she almost died!’” I really appreciate that Ty Lee is disgusted by Mai’s reasoning here. You go, Ty Lee! Four for you, Ty Lee! You’re the only reasonable person from the Fire Nation in this cast, I swear.

Ty Lee reminds Mai that there were witnesses to Azula’s deteriorating mental state, but realizes that Mai is in denial about this: “Realization leaked through cold and creeping as the egg Ty Lin broke over her head that one time. ‘Or maybe you can deny it,’ she whispered, horrified, and took a swift step back with hands raised before her when Mai lifted her head.” Yeah, I’m fully in agreement with Ty Lee’s horror. She’s looking at a friend who is so twisted up by resentment that she has lost sight of reality, in favor of believing a comfortable lie—namely, that Azula is irredeemable and so Mai doesn’t need to care about what happens to her. Even though Mai does need to care about this, because Zuko and Ty Lee will be gutted if Azula dies, and the Fire Nation will probably go to war over it.

“‘I didn’t see her because she treated me like shit,’ Mai spoke deliberately.” Mai is right that she doesn’t have to have Azula in her life if she doesn’t want Azula there. You don’t have to have anyone in your life who has hurt you. But that isn’t all that’s going on here. Mai is still smoldering with anger four years later, and her inability to let that anger go has been eating her alive. It’s making her lash out at Zuko and Ty Lee when they try to broach the subject of Azula. This isn’t healthy for her or anyone else. This is just a continuation of the behavior that plagued her as a teenager—suppressing all of her negative emotions until they explode outwards, rather than allowing herself to feel them, accept them, learn from them, and move on.

When Mai points out that she doesn’t owe Azula anything, Ty Lee replies that she wouldn’t have met or fallen in love with Zuko if she hadn’t been Azula’s friend. This stings for Mai, given that the siblings have had sex: “‘She gives, and she takes away….’”

Ty Lee, being more perceptive than anyone gives her credit for, figures out that something must have happened. She’s very sympathetic, asking if Mai wants to talk about it. Mai panics and has another angry outburst, thinking that Azula must have told Ty Lee about what Zuko did. “[Ty Lee] was reminded uncannily of how Azula reacted to Mai’s rejection at the Boiling Rock, and found it hard to fathom how Mai hadn’t run for the hills on receiving such a look.” This is interesting, because it suggests that part of the reason why Mai loathes Azula so much is because of the similarities between them. There is nothing more unsettling than seeing a dark mirror of yourself in someone else.

Ty Lee doesn’t know what Mai is talking about, and then kicks herself for revealing that to Mai: “Azula would have known enough to pretend she already knew, so Mai would tell her.” Mai shuts down at this point and tells Captain Tadao to take Ty Lee to her rooms, because they’ve “embarrassed each other enough for one day” and that they’ll talk later.

Ty Lee knows that’s bullshit. “They wouldn’t because Mai never wanted to talk about Azula, and was extra unlikely to want to talk about Azula when she had problems of her own with Zuko.” I’m sure that Mai was reluctant to talk about Azula with Ty Lee because she didn’t think that Ty Lee would let her vent about her anger towards Azula, or understand it and not make excuses for Azula. Which is fair, but Mai should have found someone else to vent to to get the poison out, and then circled back to seeing Azula as a human being who fucked up.

Actually, you know what Mai probably needs? She needs to confront Azula about what happened between them, because she hasn’t seen Azula since the Boiling Rock. Yeah, Mai had a cool line about loving Zuko more than fearing Azula, but that didn’t get into her specific grievances, or allow Azula to address or apologize for them to give Mai closure. And we know that Azula feels bad about what she did, because it was what haunted her the most when she was having her breakdown. If Azula really was a monster, then she wouldn’t feel that remorse.

“Ty Lee felt bad about that, and she wanted to help Mai, she really did”—Ty Lee is too good for this sinful Earth—“but Mai wouldn’t tell her anything, and even though her problems seemed bad, Azula’s could get her killed—” Yeah, the most reasonable one of the bunch, our Ty Lee.

Ty Lee begs Mai to do something to help Azula, because she’ll die if the Earth Kingdom catches her. Ty Lee has this heart-wrenching speech: “‘I know you guys had problems, and—maybe you think she was never your friend [ . . . ] But she thought of you as a friend, Mai, she told me so! She fought so hard to get better, she’s a better person now, and she deserves a second chance! But she’ll never get that chance unless we help her.’” Carve my heart out and eat it, why don’t you?

And Mai…is unmoved by this. And condescending about it. “‘I hoped your actions might prove you were ready to cut ties with her too. But clearly you can’t be trusted to know what’s best for you” She’s referring here to Ty Lee seemingly choosing the Kyoshi Warriors over Azula. But also, it’s gross that Mai assumes that she knows what is best for Ty Lee. Fuck off with that, Mai.

Mai doubles down on the whole, “Azula’s awful, I don’t owe her anything, and don’t come crying to me when she hurts you” schtick. If she’d met the adult version of Azula and seen that version of her hurt someone, such as Ty Lee, then this reaction would make sense. What this is instead is Mai holding onto a grudge that is years old and using it as a weapon. She’s clinging to the idea that Azula can never change…even though that’s not how people work. Especially not people in the formative years of their lives, which they all still qualify as.

Aaaand Ty Lee, panicking now, reveals that Azula is pregnant as a last-ditch effort to get Mai to get her head out of her black-clad butt and see reason. Mai goes into despairing shock at this news and accidentally cuts herself with her own knife, much to Ty Lee’s and Captain Tadao’s alarm. One of the guards tries to grab Ty Lee, but Ty Lee chi-blocks him and he collapses. The next one manages to grab her. Mai orders them to remove Ty Lee from the room, and instead of putting Ty Lee in her guest bedroom, they stick her in a study.

We learn that Ty Lee actually likes Tadao, because he works hard and doesn’t dismiss Ty Lee’s suggestions on how to improve palace security. He’s the one who comes to see Ty Lee instead of Mai. He tells her that Mai is going to be fine. She might have a scar on her hand, but she’ll still be able to use it. When Ty Lee wonders why she got so upset, Tadao points out that since Mai and Azula are sisters-in-law, Azula’s condition will have an impact on Mai. This is also “the latest in a recent line of insults.” To put it another way, Mai is bitter at Azula for having sex with Zuko and throwing that wrench into her marriage (namely, by revealing that Zuko is not the person she thought he was). Then there are the political considerations, given that Azula’s kid could have a place in the line of succession, if the kid gets legitimized someday. Which then puts little Lu Ten’s claim at risk.

This also reveals that Captain Tadao knows what happened between Azula and Zuko. For a second, I thought that he was Mai’s uncle, and so the ugly secret was just between them and the Fire siblings. But no, more people know about it, and that is NOT GOOD. But Captain Tadao seems like a good guy (sidebar, but was he the guy who escorted baby Ty Lee out of the palace during the abortion episode? It would be a sweet connection if so), and when Ty Lee asks why Mai won’t confide in her about what is going on between her and Zuko, Tadao is gentle when he tells her, “‘I think you know the answer to that question.’” Ty Lee’s love for Azula and Mai’s hatred of her is something they cannot reconcile, and given how important Azula is in their lives, it’s a potential dealbreaker for them, at least as far as having a close emotional, trusting relationship goes. A casual friendship is still possible, but probably not if Mai or Ty Lee keep pushing each other.

Mai has decided to pack Ty Lee off to Kyoshi Island, and has gotten her a ticket and an escort to the harbor. Ty Lee has written Mai a letter to continue their conversation. I’m struck by how fast Mai is pushing Ty Lee out of the Fire Nation. What if Ty Lee wanted to visit her family? What if she wanted to enjoy some spicy homecooked Fire Nation food? What if she, god forbid, decided to visit Ozai for a nice shouting match (well, shouting at his comatose body, more like)? Alas, the plot beckons us forward!

We find ourselves back with Zuko and June. Hooray? I put a question mark there because Zuko doesn’t appearing to be having a good time with the bounty hunter. He is, in fact, puking his guts out. Traveling with June has the feeling of a boot camp to Zuko, because she keeps trying to “toughen him up”: “It reminded Zuko uncomfortably of his father’s early tutelage, before Ozai gave up shaping him into an unfeeling weapon of war, and turned his sights to Azula instead.” Oh Zuko, if you knew what Ozai was trying to shape YOU into, then why blame Azula for—at least in your eyes—becoming it?

June puts all of the gross chores of their journey onto him, and tries to steal his food to see if he’s cunning enough to get it back. I’m sure she finds this amusing, but I remember how hard Zuko’s journey apart from Iroh was, and I think she might have an overly inflated opinion of her teaching skills.

In any case, they find the Dai Li agent hiding in a cave and June forces Zuko to interrogate him. It sounds like June is doing the heavy-lifting where torturing the man is concerned, though. June keeps telling Zuko to burn the man, and reminds him that Azula will be tortured if she’s captured. Eventually, the man begs Zuko to kill him, and Zuko has a flashback to when he was burned by Ozai: “he could only think of a hand wreathed in flame, reaching for him.” It’s at this point that Zuko throws up. He tries to argue that the man deserves this: “He would have blackmailed me, hunted my sister down like an animal. He wouldn’t flinch from torturing her, even killing her if he was ordered.” This line of reasoning doesn’t give him any comfort, though.

I do want to point out that torture, despite what fiction would like us to believe, is an ineffective tool for getting reliable information out of someone. Oftentimes it’s bribery that works better, such as, “You know we can’t let you go, but if you tell us what we want to know, we can make sure that no harm comes to your loved ones.” People in pain will say anything to make it stop, so gentler methods are more effective. However, it’s become ingrained in our cultural consciousness that torture works, despite what studies have shown. And since hurting the villain can be cathartic to an audience, and a hero hurting the villain can tell us something about them as a person, it comes up a LOT in action stories. And while I am exhausted by it being used in this way (torture as a tool of the villains tracks better, since there is no shortage of people who find satisfaction in making other people feel pain), I do see why it is used here. It’s only recently that the ineffectiveness of torture has become more generally known, whereas Zuko lives in a time period analogous to…probably the late 1800s?

I do wish that the torture here hadn’t yielded the information that it had, or that this information turned out to be bunk upon investigating it. As if it, the Dai Li agent is mostly filling in non-vital information: that he worked as an orderly at the asylum and had a partner there, hence how he got to the beach house on Ember Island so fast. So the partner needs to be taken care of at some point soon. Zuko better remember to send that letter!

Then we get this chilling thought from Zuko: “Zuko considered for the first time what might have happened, if she had not run from the asylum. If the Earth Kingdom grew impatient [ . . . ] it would have been appallingly easy to make her death look like a suicide, an accident overdose, a bad reaction to her medication….” Yeah, she was definitely a sitting duck there.

“He wondered if Azula knew, or suspected, that she was in the care of her enemies when she decided to run [ . . . ] She had an instinct for these things. The only time she hadn’t seen it coming was when her friend betrayed her. And when Zuko left to join Aang in ending the war, if her converse [sic] with absent fathers was to be believed—" I don’t know if Azula ever knew that there were Dai Li agents lurking about, but even Zuko is starting to see why Azula has such bad trust issues.

It looks like June continued with the torture and got the location of her dad out of her victim. I really wish she’d gotten a fake location, but I understand that the plot necessitates a swift end to this subplot. June hopes that Zuko is less squeamish about violence when someone is out to kill him, but I’m sure he would be fine in that situation, because that would be a fair fight, rather than causing someone who is helpless and incapacitated a useless amount of pain. June killed the agent in the end, and when Zuko argues that torturing him wasn’t right, and she replies with, “‘It was necessary. You head one of the most powerful nations in the world, don’t you know what that is?’”

And…(sigh)…yes, leaders need to make tough calls sometimes. But if they choose to do something this ugly, they really shouldn’t be fine with it afterwards. They should acknowledge that it was evil, but that they couldn’t see another way to accomplish their goal. That route accepts more responsibility than hiding behind the idea that it was for “the greater good” and that no one else could have thought of a better path forward. When June says that the torture was necessary, that doesn’t make it not evil. It just means that she didn’t see another way to get what she needed.

June then points out that Ozai was a helpless prisoner when Zuko burned him, which stings Zuko. I would argue that Zuko is right about it being different—his crime was one of passion, whereas June’s was coldly calculated. But both ultimately led to human suffering, so both of them were wrong to do it.

Zuko takes a deep breath to keep from lashing out at June, which tells us that he CAN manage his anger when he wants to. He’s struggling, though, because he’s tempted to tell June what Ozai did to Azula to justify burning his dad. He decides not to: “It didn’t feel right somehow, telling anyone else about the abuse. He wondered if this was how Uncle felt when he found out, and why he didn’t say anything. He still should have said something….” Zuko is right—Azula’s trauma isn’t his to share. He also goes from having empathy for Iroh to being angry with him in a split second, which makes sense. He’s conflicted about how his uncle handled the discovery. At the very least, Iroh should have told her doctors, so she could get the care she needed.

“How many more of [June’s] cruelties would he have to witness or take part in, before this was over?” This is rough and why I am not a fan of characters like June. Azula’s actions in this fic are calculated to minimize harm; June has no such scruples. She’s too much in “the ends justify the means” frame of mind.

Zuko has two thoughts that suggest that Azula is the devil on his shoulder, as far as his brain is concerned. “You would [burn Ozai] again” and “You could kill [June . . . ] Remove the threat.” He describes the latter thought as being “so alien and disturbing Azula might have suggested it herself.” No, my dude. Just like hallucination!Ursa is a reflection of Azula’s doubts, whispering!Azula is a reflection of Zuko’s darker thoughts and impulses, which he deflects onto her because that is easier for him to do than face the darkness within himself.

He then has some off-color thoughts about June, besides the idea of murdering her. “Sometimes Zuko thought she was more animal than woman”—Gross!—“and didn’t know whether to be turned on or disgusted by her antics. He had even wondered once in the long hours he spent riding behind her how Mai would look dressed all in black leather like that.” This would be a much lighter story if Zuko and Mai had just embraced his leather kink, rather than him embracing his toxic desire to possess Azula.

As June taunts him about how he wouldn’t win if he tried to kill her, he figures out that she knows that he slept with Azula. She confirms it: “‘Your secret’s out. I might have forgot to mention our mutual friend let that slip, before the end. He got a message to the others. Looks like we should’ve moved faster.’” This means that Zuko, Azula, Mai, Mai’s uncle, Tadao, June, and now some unnamed Dai Li agents—who will probably pass this information along to their superiors—are in the know. That is very bad! Zuko had better hope that they’ll be able to spin this information as slander against him and his family, because if people believe it, his family is going to have a tough time holding onto the throne.

June throws in that now she knows why he has problems with women, which Zuko denies. I feel like he’s better about women than Iroh and Ozai, but his treatment of Azula is definitely skeevy. June, in any case, isn’t bothered by this information, because she doesn’t have siblings as far as she knows. She also doesn’t have the same cultural teachings as Zuko, so she doesn’t have the same taboos that he does.

We switch over to Mai, who is sulking in Zuko’s study. She’s read Ty Lee’s letter a few times by now and is not impressed. She thinks that she’s entitled to be upset, given the situation, and I can’t fault her for that. “That a man so endearingly awkward and painfully sincere would betray her with anyone, let alone his manipulative bitch of a sister, was a permissible source of surprise.” While I don’t like how she describes Azula, I agree with the rest of her sentiment.

“That Azula would take fullest advantage of his lapse was not.” This is ridiculous, though. What, did Azula plan to escape while she was ovulating so that she would become pregnant when she seduced her brother? Is that how the story is going in your brain, Mai? Why would Azula do something like that? She’d be disgraced if anyone found out, just as much as Zuko (unless she spun it as rape, which IT WAS. But Mai seems to be thinking that Azula would make a false accusation). Azula certainly will be disgraced if she has a bastard. Also, her being pregnant is going to slow her down and make her more vulnerable. That’s such a stupid plan, and when have Azula’s plans ever been stupid?

“Mai bent her head and gripped her bandaged hand, to draw a deep breath against the grief that welled inside her like an aching void. A void that demanded how he could do this, how he could still defend her, how he could think she didn’t plan this, why—” Mai is struggling because she knows that she was mostly betrayed by Zuko (she no longer trusted Azula, so how could Azula betray her?), but she can’t help but think that Azula had an evil plan. Probably because if Azula did have an evil plan, then maybe Mai could someday forgive Zuko for falling for it.

Her uncle arrives and she tells him the news. “And Mai felt a rush of ruthless satisfaction, upon seeing the warden back into the desk adjacent to her, revulsion etched in every line of his aging face. It wasn’t just her. Zuko tried to act like this was a terrible but legitimate mistake, like it was at all comparable to anything he’d done wrong before. But her uncle knew. He knew it was an abomination.” Yeah, Zuko and Azula committed a big cultural taboo. It’s unsurprising that other people are reacting this way. Also, I’m sure some of Mai’s satisfaction is that finally, someone is on her side, rather than on Zuko’s or Azula’s.

Her uncle voices the idea that maybe the child isn’t Zuko’s at all—that Azula is trying to trap him with a lie—but Mai responds that whether it is or isn’t, Zuko will think it is, and that’s what will matter. She then reflects on her own sexual history with Zuko. They were sleeping together before he defected, and they continued to carry on without protection when he returned. It took two years before she became pregnant with Lu Ten, long enough that she’d wondered if Zuko was waiting to marry her until he was sure she could get pregnant. Which even she knows is a silly idea. He probably just didn’t think to make their union official until she got pregnant and he realized that he should do the “honorable” thing and wed her.

Mai is salty about Azula getting pregnant from one night with him, when it took so much longer for her. When her uncle asks her what she plans to do, she comments that Azula’s medical records have gone missing. Zuko might have them?

“‘Supposedly she almost died in the asylum,’ Mai explained, her words ringing strangely hollow to her own ears. ‘Her doctors said she would never fully recover. I wanted to know if I could reasonably expect this to kill her.’ She tried to imagine the princess bleeding out, that she might die screaming in the same agony Mai endured when Lu Ten was born—and couldn’t. But there would be time enough to consider why later.” Mai can’t imagine her ex-friend dying. As much as she hates Azula, I don’t think she genuinely wants Azula dead, as convenient as that would be for her.

She then subtly suggests to her uncle that they could make it look like Azula just bled out like that—a tragic turn of events, but not anyone’s fault. Mai then accuses Zuko of being irrationally protective of Azula and that he’ll set Mai aside if she moves against Azula openly. I’m not sure Zuko would really do that, since he loves Mai deeply, but I don’t think their marriage would ever recover if Mai killed Azula.

Her uncle notices her hand, and we get this sweet moment: “Mai put her hand in his offered palm without hesitation. A reflex born of the first months she spent training with knives under his tutelage, when he had often [sic] to tend nicks and cuts gained in her practice. When Mai showed no signs of firebending by her fifth birthday, it was her Uncle Tom who first put a blade in her hand, and offered his home for the summer, so she might learn to use it.” When Mai mentioned that her current injury was an accident, her uncle adds, “‘A man like that isn’t worth hurting yourself over.’”

This is a genuinely sweet relationship, and it makes me wish that he had been the one who raised Mai, instead of her parents. She probably would have learned how to express her emotions in a healthy way, rather than bottling them up. He also doesn’t seem to care that she was a girl and had gender roles to conform to. Really, I’m glad that he’s in her corner. She needs someone to be, because this situation is legitimately awful for her.

Mai gets a hug from her uncle, which I think she’s needed for a while. She thanks him for being there for her and not saying, “I told you so,” because her uncle never approved of Zuko. They even make a joke about the situation, about how neither of them thought Zuko would cheat on her with his sister, which is some very dark humor.

Things take a turn when her uncle comments that the Royal family has been corrupt since Sozin, to which Mai replies that he should be careful, because her son is one of them. Tsutomu then suggests that he doesn’t have to be—that if something happened to Zuko, Lu Ten could be raised away from the toxicity of the paternal side of his family. Mai doesn’t like this idea, but her uncle keeps pushing, suggesting that if Zuko has cheated once, maybe he’s done so before and will do so again. Mai shoots this line of reasoning down, because she’s questioned their household about it and knows better, and doesn’t think that Zuko will stray again. Tsutomu keeps suggesting that they could have Zuko killed, and Mai tells him to stop thinking about it. He insists that he would never do anything without her consent. I want to trust him on this, but given later events, I worry that he might have some involvement there. If he does, it will be a case of him thinking that he knows what’s best for her, rather than respecting her wishes.

We then shift back to Azula, who was being pursued by Fong’s men, but managed to shake them when she entered the swamp. Unfortunately, her mount broke its leg when they were running down the mountain, so Azula had to put it down. What a waste! It would have been cruel to let it suffer, though. Azula wanted to trade her ostrich horse for a different mount, but the sandbenders never showed up. She travelled in the desert for a while, keeping the mountains in sight to avoid getting lost, but she needed more water before long. That was when she was discovered by Fong’s men, and she has a couple of sardonic thoughts about how her “famous luck” hadn’t helped her out.

She then starts trekking through the standing water in the marsh, and I’m already shuddering at the thought of all of the mosquitos there. Though they’re probably crossed with something like a wasp to make them extra horrible. Azula climbs up a tree to see if she can spot her pursuers, and thinks about how stupid they were to advertise their intentions in a fight. Fair! We also get the interesting tidbit that benders and nonbenders in the Earth Kingdom tend to work together in squads, whereas this team was specifically all earthbenders and was patrolling during peace time. Azula takes this to mean that they were searching for her. We also learn that Azula is heading to an avatar shrine.

Azula’s pack is waterlogged at this point, and she sighs in a way that reminds her of Mai. This thought leads her to reflect on her ex-friend, much like Mai was doing earlier in the chapter. There is a humous moment where Azula thinks that Mai would have given herself up to avoid stepping into the swamp, and then a bitter one as she thinks, “You never minded getting your hands dirty except in the most literal sense. Yet it was you and not Ty Lee who finally suffered a crisis of conscience—” Meaning that Mai’s betrayal really did come out of nowhere for Azula.

At this, Azula starts hallucinating Mai. She nearly falls out of the tree in surprise, with her pack opening up and her supplies tumbling into the water. Hallucination!Mai is offended by Azula’s thoughts, reminding Azula that she loved Zuko and didn’t want his blood on her hands. Azula, after a moment, reminds herself that she’s not in the asylum anymore, so what she’s seeing could just be a trick of the light or her imagination…except the Gaang ran into visions in this swamp, so it might be magic at work.

Azula tries to get herself back onto the branch properly, but can’t manage a full crunch. Oh buddy, I feel you. She then does the way more impressive thing by swinging backwards, releasing the branch, and grabbing the vines to stop her fall on the way down. She notices that her pursuers are spreading out around the edge of the swamp, probably to intercept her when she emerges. She figures they’ll wait for reinforcements and might try to flush her out when they have better numbers.

Azula considers that there might be dangers in the swamp that she’ll have to deal with, such as “deadly beasts or hostile primitives.” (Sigh.) Sometimes, her being from an imperialist society rears its ugly head. She figures that she needs to make her way to the far end of the swamp before her pursuers do. She takes some time to regather her supplies and then starts the wet trek, while being swarmed by mosquitos. She decides to heat the air around her to try to drive them off. I wish I could do that on summer evenings!

We shift over to Zuko, who is fighting with a team of Dai Li. Looks like he and June have arrived at the hideout! June has coated her whip in shirsu weapon, which works well and makes her match with Nyla. Zuko notes that the Dai Li are trying to use lethal force on him and June, since they aren’t there on official Fire Lord business, so no one will know who killed them. June at one point does a handspring that would have impressed Ty Lee, which is a fun detail, and then Zuko pulls a leaf out of June’s book and makes some fire whips. Once they’ve taken care of the team, they go through the cave and pass by the crystal cells, which June doesn’t bother to check because there are no guards around. Zuko has a sinking feeling that some of the guards must have smuggled June’s dad out and they’ll have to start the search all over again, which means that one of the unconscious men they left behind might get a spot of torture. BUT Nyla knocked out the guards before they could flee on ostrich-horseback, so June’s dad is fine and trying to get his cuffs off.

June’s father is a balding man with a squarish face and glasses. He teases June for taking so long, and then notices Zuko. There’s an argument about the logistics of the fight, the point of it being that June wasn’t sure if Zuko was going to hold his own, and that if he got caught, she was worried that he would have told them which way June and her father ran. Zuko is insulted at the idea that he would have ratted them out, and asks if they would have left him behind. June says that they wouldn’t have, mostly because it would have come back to bite them if they had. Zuko reminds her that now that her father is free, it’s time for her to fulfill her part of the deal and track down Azula. June asks him if he has a scent sample from Azula on him, because the last one they had is ashes now, and led Nyla to him anyway.

He thinks there are still things in the house on Ember Island that they could use, and remembers some of what happened that night: “Her lips moved silently, forming the same word over and over again. He knew what word she spoke now, two months too late…. I used her no more kindly than him.” Yikes! That word is father and just…ugh. This twisted family. I was trying to explain the appeal of this fic to a friend last night, and I kept saying, “It’s really dark and heavy, but it’s fascinating from a psychological standpoint!”

The trio decide to head to Ember Island. If nothing there works as a sample, they’ll go to the palace. I don’t think there would be fresh enough scents there, so the beach house will have to work. Zuko thinks that after they find Azula, he’ll “make amends, the only way he had left.” Presumably he means to Azula, but he could also be talking about Mai, since Mai also wants Azula caught, though his sister’s fate afterwards would probably be darker than what Zuko wants.

We switch back to Azula, who is being badgered by Hallucination!Mai. I am a little amused about the joke she makes about Azula never lacking direction, though the direction was sometimes the wrong one. If this is Azula’s self-doubt talking, then that’s an acknowledgement that she’s made mistakes and hasn’t always gone down the right path, which flies in the face of her usual self-confidence. There is a suggestion that this hallucination is actually a swamp vision, rather than a symptom of Azula’s mental illness. Unlike her normal hallucinations, this image of Mai vanishes as soon as she looks too closely at it. “Strange that the hallucinations at the asylum never did that.”

This Mai talks more than the hallucinated version of her did. “‘You ever think maybe I didn’t say much, ‘cause I knew you didn’t care what I had to say?’” this Mai says. Azula, tired and bitter, snaps back sarcastically, pointing out that she asked for Mai’s council many times and trusted her as much as she allowed herself to trust anyone. I suspect part of what’s going on here is that Azula is grappling with her fear about how other people—specifically the people she loved—view her. She fears that they see her as a monster and that they’re right to do so, because of the choices she’s made. It’s one thing to have your family by blood betray you, but another thing to have your chosen family do so.

Azula admits that she used Mai’s “infatuation” with Zuko for her own self-gain (clearly not realizing the depth of Mai’s love for Zuko), but that she “still expected Mai to be smart enough to act in her own self-interest.” She was secure in that belief, otherwise she wouldn’t have brought Mai to the Boiling Rock or let Mai have the “first crack at Zuko.” From the sound of it, Azula thought that she was giving Mai a chance for revenge over being left behind by Zuko. Except that Mai couldn’t stand by as he was killed….

Which Azula doesn’t understand. “‘He was a traitor!’ Azula screeched in disbelief, her fist clenched so hard she could feel every bone in her hand. ‘He betrayed you just as much as me! And you still chose him!’ Her voice broke. I was your friend first. He wasn’t anything to you anymore. He ended it in a letter, too much of a coward to tell you to your face. He hadn’t even left her a letter, or any warning of what to expect, the next time she was called before their father….”

While it was a good thing for the world that Zuko chose to help Aang, these are all solid points. Zuko did betray his Fire Lord and nation, so from their perspective, he is a traitor (who, in addition to defecting, then took the throne from Ozai’s appointed heir). He didn’t break up with Mai in person. He didn’t think about what Ozai might do to Azula afterwards. Zuko could certainly have handled the latter situations better.

Vision!Mai devalues Azula’s friendship next, saying that it didn’t compare to his love, and that Zuko was the love of Mai’s life, whereas Azula was a monster. It’s playing right into Azula’s deeply held belief that the reason no one loves and chooses her is because there’s something inherently wrong with her—something that isn’t wrong with Zuko (even though Zuko has fucked up in this story real bad).

Azula punches a tree in anger and thinks that the hallucinations have said worse to her than this, which is super sad. What’s even sadder is that Azula thinks the same things about herself, even without them around: “didn’t Azula think that about herself every day?” She needs some real therapy, not whatever she was getting in the asylum.

Azula is lost by this point, and decides that she needs to find a dry place to sleep and recover, rather than continuing to drain herself by wandering around. Once she gets into the hollow of an old tree trunk, she takes off her socks and boots to avoid trench foot. Good plan! Though couldn’t she also dry out both with her bending? Probably for the best to let her feet air out, though. She then tries to eat, but her food has bog-water in it, and the rice apparently looks like maggots. Gross! She gets sicks, which could be from her morning sickness, from a blood-borne disease from the mosquitos, from the contaminated food, or from a combination of the above. After throwing up a second time—the Fire siblings both have delicate stomachs this chapter!—she decides to stick to drinking water instead.

Azula is getting chills now, which suggests that she’s genuinely sick. She then sees Vision!Mai again, who gives her a nasty Reason You Suck Speech. She accuses Azula of not knowing what love or trust is—excuse me, Ty Lee is proof that that’s not true!—and then adds, “‘You never respected me, or my boundaries, or anything that was mine.’” I’m trying to remember if there was evidence for this in the show, or if this is Azula trying to come up with reasons for why Mai turned on her, and wondering if it was these things? That Azula feels guilty about this, though, shows that she is capable of seeing what she did wrong and learning from it. She can grow as a person…though she needs to be allowed to do so by the people around her. Ty Lee gave her that chance and now their relationship is much healthier. But it’s hard to grow when the people around you keep punishing you for what you did, and never believe that the growth you’ve made is genuine.

Mai then asks, “‘Why else would you seduce [Zuko]?’” which Azula denies, saying she didn’t mean for it to go that far. Apparently, Azula hoped that the kiss would distract him, and then she’d be able to chi-block him so he couldn’t move. Unfortunately, he reacted by throwing her into a nightstand, and after she twisted her ankle, there was no running away.

Mai accuses her of lying—that she did it because she saw Zuko’s weakness and was exploiting it. She asks, “‘How did it feel when he did that to you?’” and Azula doesn’t respond. I think this is where, if she’d felt any pleasure or satisfaction from the sex, it would sneak in and provide an extra layer of shame. That it doesn’t suggests that all Azula felt was violation and pain in the act.

Mai says that this must be why Azula hates her—not because of the betrayal of their friendship, but because she “played the game better than [Azula]. And [Azula] lost.” If I’m parsing this right, Azula thinks that Mai believes that Azula wanted Zuko, and that because Mai won Zuko, Mai got more political power than Azula, beating Azula at the political game. It’s an ugly take, and while I don’t think Mai’s accusations are fair—because we’ve seen from Azula’s perspective what her motives were—this does show that Azula knows Mai quite well, because the real Mai’s thoughts run along similar lines as the vision’s. Real Mai believes that Azula seduced Zuko to blackmail him and continue playing the political game, when in reality, it was a terrible mistake. Azula might have “started it,” thanks to Ozai’s training, but she never would have considered kissing Zuko if Ozai hadn’t done what he did.

Azula asserts that she hasn’t lost until she’s dead. I don’t think she means “winning Zuko” when she says this. She then puts out the fire and goes to sleep, dreaming about her father. After Zuko was banished, her training went into high gear, with more lessons on statecraft and the like. She was so busy that she didn’t have time to miss Zuko—which is definitely a lie—and he would have spoiled her happiness anyway by sulking and trying to get their dad’s attention. “It had been a source of amusement one, but they were not children anymore.” Oh honey, you both were children during canon. Maybe Zuko and the water siblings came of age during the show, but that age was still below what we would currently consider the age of majority.

Azula wondered what Zuko would have thought about the sexual training Ozai inflicted on her. Not that she would ever have told Zuko. We then get a series of thoughts that were almost certainly things Ozai told her: “[Azula and Ozai were] willing to do whatever it took to succeed, to survive. [Zuko] would never realize that people will use anything against you, unless they are too afraid of your doing the same.” This is a paranoid way of looking at the world and the people around you, and also self-defeating. If people are afraid of you, they will turn on you the moment they think they can get away with it (and sometimes even before then—Mai knew that she was throwing her life away when she saved Zuko, but she did it regardless). Love and trust, on the other hand, are what makes people will stick by you, even if you’re a walking disaster.

“[Zuko] never saw his own peril, until it was too late. Sometimes Azula thought he still didn’t see it.”—Foreshadowing!

Azula then thinks about the training itself. “Her father said it would hurt the first time”—that’s a myth. If you have a vagina and are aroused and lubricated enough, even the first time shouldn’t hurt. “—but it didn’t only hurt the first time. Sometimes it was hard to know what he wanted, and he was as intolerant of failure in this as in her firebending.” This is awful, but also, Ozai sounds like a terrible sexual partner. You’re supposed to communicate what you want and don’t want during sex. You can’t expect your partner to intuitively know that. They’re not psychic!

“As he should. It made her strong.” Azula, that training didn’t make you strong. It destroyed your boundaries and your ability to approach sex in a healthy way.

“It wasn’t always—Sometimes he would stay with her after, and just talk. She liked those times. It made her feel important. It made her feel loved.” She’s shying away from thinking of it as awful, even though she clearly felt that it was. The implication is also that she didn’t feel important or loved during their other interactions. Ozai, you are a TERRIBLE parent!

Which I think some part of Azula knows, because when she starts to feel the vines from the swamp wrapping around her, she imagines her dad molesting her. Still half-asleep, she lashes out with fire knives to free herself from the vines and runs out of her shelter. It’s daytime—Azula missed rising with the sun—and Azula is sicker now than she was the night before: “Her head pounded, her heart hammered, her joints ached like she took a beating. Her skin burned so hot that steam rose from her body when she hit the water.” This could suggest that she was beaten by Ozai at some point, but then again, all of these characters have been in combat, so that might be what this comparison is referring to.

The plants keep trying to grab her, which I think indicates that the waterbenders in the swamp are trying to catch her. I seem to remember them being the ones in control of the vines, rather than the vines themselves being predatory. Azula manages to escape, but is winded from it, which means that she won’t be able to bend. She’s also dizzy, nauseous, and shivering uncontrollably. Plus, it’s actually evening now, so she slept through most of the day. Azula realizes that she has no idea where her old shelter is, so her supplies are lost to her. She’s experienced abdominal cramps, too, and wonders if she’s miscarrying.

“This was what you wanted, she reminded herself pointlessly, though she knew very well what her mother would say. That she deserved this, for wishing her baby dead. Her tears fell on the water when Azula bent forward to hug herself, head bowed as if she could hold the pain inside anymore—” This might be the first time that Azula thinks of the fetus as her baby, which indicates that she might not want to lose it as much as she thinks she does.

She then hallucinates child!Zuko, which is heartbreaking. He tells her not to cry, “his round face scrunched in the look of unstudied concern their mother loved so well, and which Azula could never recall him directing at her.” Ouch! The dysfunction in their relationship went back really far, didn’t it?

“Didn’t he know the world would beat him down over and over again so long as he kept that way? That not just Father and Azula, but every person with an ounce of cunning would take advantage of him when he wore his heart on his sleeve like that? She told him so many times, but he never listened until it was too late.” So she acknowledges that she and Ozai took advantage of his naivety. She certainly did when she tried to trick Zuko into coming home early in season two. But also, Azula has a point. There are people in the world who take advantage of emotionally open and giving people. I don’t think that the solution to this is to harden your heart, though. Instead, you need to surround yourself with people who genuinely care about you. Zuko did that with the Gaang, which is part of why he succeeded and Azula failed. I’ll also note that Zuko would have done better with Azula as his ally, since she would have been more discerning about who was allowed in his court, and could have told Zuko about their ulterior motives and told him the unpleasant truths he wouldn’t want to hear. As it is, Mai has taken on that role.

“Yet in the end, he prevailed. The world bent to him. He got to be himself without condition, but not her. Never her. She didn’t understand….” Zuko allied himself with what wound up being the winning side, due to Aang defeating Ozai. If Aang had fallen, Zuko’s fate would have been much grimmer.

Zuko made a better choice than Azula did, but it’s important to note that he knew he had a choice. I don’t think Azula realized that leaving was an option for her. Why would she, when she believed that her nation was the best in the world, that their cause was right, and that if she stayed loyal, she would be the ruler of it all in the end? She would have lost everything if she’d left, and gained…what? The Gaang, Iroh, and Zuko hated her, so she couldn’t go to them. Mai and Ty Lee hadn’t defected yet, so she would have been abandoning them. And while she would have escaped Ozai’s abuse, she also saw Ozai as the only person who valued her and loved her for who she was. Even if being around him hurt, it was better than being alone.

No one except Ozai, at any point, held out their hand to Azula and asked her to join them. So while she is responsible for her own choices, how much can we blame her for what she chose, when none of her alternatives seemed viable?

Child!Zuko says that they are playing a game of hide-and-seek, which is true in the grand scheme of this story. He claims that he’ll always find her, which Azula says she no longer wants. He’s disappointed, but insists that it’s getting dark out, so he’ll help her find her way. He then lights the tiniest flame in his hand. “Azula’s stomach clenched painfully at the sight, plucked out from her earliest memories and brought freshly to life. How desperately she wanted to bend when Zuko made his first flame, and she saw how their parents explained over him….” This suggests that neither of Azula’s parents paid much attention to her before she first firebent. No wonder she came to believe that their love was conditional, and that she had to excel at what she did to earn it.

Child!Zuko, seeing her sadness, assures her that she’ll learn how to firebend when she gets older. I think it was mentioned already that she learned when she was three, which is mind-boggling to think about, since she would have been a toddler. He adds that she’ll pick it up in no time, since she’s “smart for a girl.” Ah, that sexism. He could have left it at “you’re smart,” but he had to add that qualifier. While the Fire Nation is less overtly sexist than the EK and the NWT, it’s clear that sexism is still a problem there. That baby Zuko is saying things like this is symptomatic of that.

“Half of what he said might be condescending bullshit, but this was still more supportive than Azula could ever remember him being.” This is very sad, since it means that Zuko started treating her as an adversary very early on in their childhood, once she proved better at something than him. He was jealous of her for earning their father’s interest, for all the good that did her. He was “resentful” when she survived her fall at the Western Air Temple, which is so ugly. He should have been relieved. She thinks of other moments where his hatred for her was apparent, like during the Agni Kai, at the asylum, aaaaand….

“The night he raped her.” And there it is. She can’t bring herself to see what Ozai did to her as rape, but she views what Zuko did as such.

“And she couldn’t reconcile it. How the little boy who stood before her could do—” This is a fascinating parallel to Mai’s thoughts about Zuko earlier in the chapter. Neither of them can understand how he did this. I’m reminded of how shocking it is to find out that someone that you know and care about sexually assaulted someone. What do you do afterwards? The safest option is to cut ties with them, but that doesn’t address the difficulty in doing so when they’re your family, or the grief of doing so when you’ve loved them for so long, only to find out that they weren’t who you thought they were.

Azula starts to ask him why he did what he did, but I think she knows the answer to that—because Zuko hated her and wanted to punish her that night. So instead, Azula asks where this good, caring version of her brother was when she wanted him—which, in the context of this fic, was from the time she was a toddler until now.

“‘Dad killed me,’ the hallucination said forlornly. ‘And you laughed.’” Ozai destroyed Zuko’s innocence just as much as he destroyed Azula’s.

I thought this was a reference to Zuko and Ozai’s Agni Kai, but this seems to actually be referring to when Azulon told Ozai to kill Zuko, and Azula’s teasing about it: “Her chest clutched painfully when she remembered that night, the night her mother left. And Azula thought it was cruelly appropriate that it was not Ursa here with her, at the end.” Ouch!

“She whispered, ‘I didn’t mean it.’”—I believe her, but unfortunately, the real Zuko never realized that.

The vision version of him does, though. “Azula felt his presence as clearly as if he sat on the edge of her bed, when she pulled the covers over her head.” At some point, Azula was just a little girl who hid under the covers. “‘I know,’ she dimly heard him speak. And the last thing she felt was him hugging her shoulders, his head laid against hers.” This is heartbreaking. It’s an exchange they should have had in reality years ago, but one that they might never be able to have, now they’ve hurt each other so badly. This is one of the scenes that sticks with me the most, because of how tragic it is and how poignant the imagery is: of the tiny, kind version of Zuko hugging the adult version of his sister, who is being eaten away by sickness, grief, and remorse.

And on that tearjerking note, we have reached the end of chapter fifteen. As always, thank you for the read, Aurelia. Thank you also to the folks on FFN and Tumblr who have been encouraging me to work on these reviews. Your support has been keeping me going!

Until next time,

WiseAbsol

#Dominion by Aurelia le #Azula #avatar: the last airbender #fanfiction review #WiseAbsol

10 notes · View notes

chemicalmagecraft · 4 years

Text

A Black Wind Howls Chapter 3: The Fight

A/N: I hate finals and am glad that I'm done with them. Merry Christmas and happy holidays, everyone!

By the way, if you haven't noticed by now I decided to give all the chapters titles. A chapter that follows the events of an original ATLA name will share its title, but original chapters will have original names.

Also, in case anyone was curious, my mental image of Lhamo is that she looks and sounds like Scorpia from She-Ra and the Princesses of Power, except not a scorpion and with black hair. Meanwhile, I may or may not have thought of Old Toph from TLoK a little when writing Tsering. To be honest, though, I don't really have any one character to point to for Dorji, aside from the in-universe comparison between her and Aang (though it might be more accurate to say she looks like a mix between Toph and Aang, just nobody's seen Toph yet and therefore cannot make that comparison). As for personality, according to TVTropes she might be described as a Rei Ayanami Expy, though I haven't seen Neon Genesis Evangelion so I can't say for sure if that's the best comparison. And just a little fun fact, despite being currently the shortest member of the Gaang (roughly 3'11, and I found a thing that says that Aang is 4'6, Katara is 4'9, and Sokka is 4'11, though it wasn't exactly official so it might be slightly off) she is the second oldest, being a few months older than Katara. Assuming you count Aang as 12 and not 112.

oOoOo

Previously on Avatar...

The firebender that the girl had hit shakily got back up and punched at the airbender's back. Only a puff of smoke came from his fist.

"My name is Dorji. I'm an airbender."

"The power of airbending may have survived through my family line, but unfortunately the spirit of the Air Nomads lives on only through you." Aang winced at that comment.

"Should you really be stealing moon peaches?" Aang asked her in a slightly accusatory tone.

Dorji shrugged. "Not stealing."

Lhamo gasped and hugged the three. "Dorji has friends her age!"

"Is that you, Tsering?" Aang asked.

Tsering grimaced. "I survived."

At some point Katara had shifted in her sleep, ending up with her arm hooked around Dorji's waist. Judging from the red glow dusting her cheeks and ears Dorji had some very conflicting feelings about this. "Shiiiiit..." she muttered softly.

Aang simply couldn't sleep.

oOoOo

Aang and Dorji, both very tired, grunted at each other sleepily when they met in the hall, both rubbing their eyes. "Couldn't sleep?" Aang asked.

"Couldn't sleep..." Dorji nodded after a few moments, like she hadn't heard Aang at first. While Aang had fully opened his eyes, Dorji's were still half-closed drowsily.

"I kinda stayed up all night thinking. You?"

Dorji's cheeks turned a nice shade of pink. "...Also thinking." After a silence that could have been either her insomnia-addled brain trying to think or just her having dozed off for a bit she said, "Actually could you please put your hand on my stomach?"

"What? Why?" Aang asked.

Dorji's blush returned. "I'm... curious about something."

"Oookay..." Aang looked at her weird, but carefully placed his hand on her stomach. "Why?"

Dorji grabbed Aang's arm and twirled around so that his arm ended up hooked around her waist. "Hmm... Nothing..." she muttered as she leaned on Aang's shoulder.

"What are you doing?" Aang asked.

Dorji released his arm and started walking away. "Checking something." She sniffed the air. "Smells like Lhamo made breakfast. Let's go." She walked away before Aang could ask her more questions. Aang sighed and followed her down the hall.

"Hey, Lhamo," Dorji muttered when she walked into the dining room, turning her head slightly to face her cousin who was currently placing food on the table. Katara and Sokka were seated at the table, eating.

"Hey, what'sh up!" Sokka said in between chewing. "You two are up late!"

"Sokka, please don't talk with food in your mouth," Katara scolded.

"Itsh sho good, though!"

Lhamo smiled. "Thank you! I made it myself!"

Dorji stared at Sokka, seemingly deep in thought. Sokka swallowed. "Something wrong?" he asked.

Dorji jumped, sailing through the air to land gently on Sokka's lap, causing him to squawk in alarm. She forced his free arm around her waist. "Ew. Weird," she muttered.

"One of us is weird here and it isn't me," Sokka objected. He put down his food and picked Dorji up, placing her in the seat next to him. Dorji started snoring despite sitting up. "She is weirdly light. Is that an airbender thing?"

Lhamo rushed over to Dorji. She placed one hand on her shoulder and the other over her forehead. "Dorji are you okay? Have you been eating well?"

Dorji grunted lazily and touched the thumb of her open hand to her chest and then her chin, then started snoring again.

Lhamo put some food in front of her. "Still, you need to eat."

Dorji made a small noise, but started eating. She made another sign after a few bites of food, then stopped eating.

"Ya gotta eat more, kid," Tsering said as she entered the room. "You're worried about your dad, right?"

Dorji sniffed and nodded after a few moments.

Tsering sighed and sat down next to her, facing her despite the fact that her eyes were closed. "I am too, kid. You have to eat, though. I remember, back when I'd just escaped the massacre, I couldn't bring myself to eat at all. It... wasn't good for my health. Felt like I was floating all the time, nearly passed out a lot. Think I did pass out a few times. Remember dreaming about everything being upside-down or something... Where was I?" Dorji touched her thumb to her forehead. "Right, your father. Honestly, I wouldn't be surprised if he busted out of prison and assassinated the Fire Lord or some of his generals, or simply razed their capitol to the ground. He can take care of himself. Now eat."

Dorji nodded and started eating again, ignoring Aang, Katara's bewildered stares from what Tsering had said about her son.

oOoOo

"Goodbye, everyone!" Lhamo said with a wave as Aang, Katara, Sokka, and Dorji boarded Appa. "It was nice meeting you all! Take care of Dorji!"

"Goodbye, Lhamo," Dorji said.

"Thanks for the pie!" Sokka shouted.

"Speaking of pie," Tsering said as she walked into the clearing, followed by a few workers bearing a box, a few sacks, and a few tubes. "I have a few gifts for you all." Despite not moving her hands from where they were clasped behind her back, the packages started floating in bubbles of air and were loaded onto Appa. "One of those is the rest of the pie from last night. Eat it before it goes bad. Those bags contain some of our produce, freshly picked." She smiled and stroked Appa's fur. "I'm sure between the sky bison and the three growing teenagers, you'll need them."

"Thanks!" Aang said. "We'll be sure to use them."

Tsering chuckled. "That's not even the thing I figured you'd like the most. The scroll tubes contain, among other things, copies of genuine Air Nomad scrolls."

Aang's eyes widened. He grabbed one of the tubes, one with the Air Nomad sigil on it, and with shaking hands carefully opened it. He reverentially pulled out a pristine scroll that also had the Air Nomad sigil on it. He unfurled it, revealing instructions for advanced airbending techniques. His eyes welled with tears and he quickly rolled the scroll up and put it back before wiping his eyes. "Y-you..."

The old woman smirked at him. "Figured you'd like that. I may not have been too cut out for the whole monk life, but I'm still an Air Nomad. I decided a while back to preserve as much of Air Nomad culture as I could, hopefully for future generations but at the very least to preserve records of my people." She chuckled. "Made a bit of name for myself in the field of anthropology as a result."

"And you're just giving these to me?" Aang asked.

She shrugged. "As I said, they're copies. I made sure to put the originals in safe hands, so don't worry too much if you lose them."

"What are the other scrolls?" Katara asked.

"I also wrote down some techniques Wangchuck and I made that Dorji might want to refresh herself on. And you might want to learn some of those, Aang." Aang looked a little uncomfortable when she said that. "Just a suggestion, kid. There's also some stuff on Air Nomad culture in there that I thought you might like, plus some recipes in case you want something from home. Aside from that, there are a few scrolls on bending the other elements that I've managed to obtain. Figured that as the Avatar you might have more use for those than me. Unfortunately I wasn't able to get much more than theory for fire and water, especially because Wangchuck never fucking told me where he put his scrolls, but it's better than nothing, huh?" She smiled at Katara. "Plus I figure you might appreciate it too, Katara. You are a waterbender, are you not?"

Katara nodded. "Thank you."

"I also managed to find a scroll on healing with waterbending. It's not anything you can use in a fight but, well..." Tsering rolled up her sleeve, revealing a faded but still slightly visible burn scar. "Let's just say I speak from experience when I say that healers are the kind of thing that are always great to have around. I'll try to find practical waterbending scrolls to get to you."

Katara bowed. "You've already given us a lot. I'll try to work with what you've given me already."

Tsering shrugged. "Don't worry about it, I've got enough connections that I should be able to get you a few scrolls eventually."

"That stuff's cool and all, I guess, but I don't suppose you have anything I can use?" Sokka asked.

She nodded. "Fair enough. It might not be quite your fighting style, but there are also a few scrolls on chi blocking in there. The art was originally developed by nonbenders to give them an edge against benders. Dorji can teach the basics to you, if you want. And finally, I added in a few scrolls on Earth Kingdom Sign Language."

"Is that that weird hand thing Dorji was doing earlier?" Sokka asked.

Dorji winced and Katara glared at Sokka.

Tsering stared at him flatly. "Little rude to phrase it like that, but yeah. It's good for sneaking around because you have to be pretty fucking bad at it to make noise while doing it. And while it's not my place to tell you why, Dorji sometimes prefers talking in it so it'd be for the best if at least one of you learned enough of it to hold a conversation."

"Thank you, Grandmother," Dorji muttered shyly.

"Right, you all should leave now. Goodbye, Dorji and Aang." She waved them off with a smile.

"What about us?" Sokka asked as Appa started to rise.

She shrugged. "Yeah, I suppose you too." Despite being far away from them at this point and not speaking up at all, her voice traveled perfectly to them.

oOoOo

Aang touched Appa down in a large forest clearing so they could rest for the night. He patted Appa on the head before jumping back onto the saddle. "All right, buddy. Let's see what Tsering got you." He was a little woozy from lack of sleep, but hopefully they'd be sleeping soon so he didn't say anything about it.

Dorji jumped off of Appa and pointed at the ground by his side, making a small circle with her pointing finger. A small cloud of dust kicked up where she pointed. "I'll cushion your fall," she offered.

"Thanks!" Sokka said, then jumped down. When he hit the dust cloud his fall slowed and he fell on his ass with a yelp.

"Sorry," Dorji muttered. She moved her hand to the right slightly, and the dust cloud moved to where she was pointing. She widened her circles, causing the dust cloud to grow larger and wider. "This one should be better, hopefully."

Katara jumped. She also lost her balance when she hit the cloud, but Dorji quickly stepped forward and caught her.

"Thank you," Katara said.

"Y-you're welcome," Dorji said, blushing slightly. She immediately let go of her and stepped back a bit.

"Thanks for catching me, too," Sokka deadpanned as he got up.

"You're welcome," Dorji said.

He looked at her flatly.

Dorji tilted her head and blinked. "Was that sarcasm?" she asked.

Sokka sighed. "Yes, that was sarcasm," he said exasperatedly.

"Ah," she said. She looked a little nervous for some reason. "I'm sorry, I... have trouble with detecting tone, sometimes."

Katara glared at Sokka yet again. "How was I supposed to know that!?" Sokka snapped at Katara.

Katara sighed. "Sorry, you do have a point there. Is there anything else we should be aware of, Dorji?"

Dorji eyes widened. She blushed and gave Katara a very appreciative smile. "I... Sometimes I have... problems processing sounds. It's not too bad anymore, I hope anyway, but please be patient if I need you to repeat things," she muttered.

Katara nodded. "Okay. Is that why your grandmother said you sometimes prefer to use sign language?"

She bit her lip. "It's... part of it. I would also prefer if you faced me while speaking to me, for similar reasons. I can read lips, in case I'm having trouble with hearing."

"How do you read lips?" Sokka asked.

"Lots of practice. Start by looking at lips."

Sokka shrugged. "Fair enough."

Aang jumped off of Appa's saddle after putting the bag of apples he was feeding Appa back. "What're you guys talking about?" he asked.

Katara gave Dorji a look, as if asking her if it was okay to tell him. Dorji nodded to her. "Dorji was telling us about how she has a few... issues with hearing."

"Oh, is that what the sign language was for?" he asked.

Dorji nodded. "I can hear, but I have trouble processing sounds sometimes, if that makes sense," she clarified.

Aang nodded. "I remember one of the boys I grew up with, Dema, had an issue like that too." His face fell. "Dema..."

"I apologize," Dorji said.

"For what?"

Dorji fidgeted. "I... brought up a memory. One that must be painful for you."

Aang shook his head. "No, you didn't even know that'd remind me of Dema."

"Would... would you like something to take your mind off of it?" she offered.

"Thanks!" He smiled at her. "What do you have in mind?"

"If you're going to be fighting the Fire Nation, you need combat skills. Traditional airbending may have had martial arts, but they were mostly restricted to evasion, disengaging, and defense," she explained. She unsheathed one of her daggers and swiped it at a tree off to her side, not even breaking her gaze with Aang. A blade of wind rushed from her blade, slicing a deep gash in the ground as it kicked up a large cloud of dust and slicing the tree almost in half vertically when it hit it. "All of that is good, but you might be a bit lacking in your offensive capabilities, decisively ending a fight." She spun her dagger, then sheathed it. "Shall we begin?"

"I don't feel comfortable with that," Aang said nervously.

"Why not?"

Aang clenched his hands, a sour expression on his face. "That's... That's not airbending."

"Um... Aang?" Sokka put his hand on his shoulder. "Maybe..."

Aang forced his hand off. "No. That's not airbending."

"It is, though," Dorji rebutted. "Well, some of the moves I intend to teach you don't need airbending, but for the one I just showed you? Doing it requires you to stream air along a thin surface, like my daggers or your staff. It might be a little hard at first if you haven't done anything like that, but-"

"That's not what I mean!" Aang shouted. "You're doing it all wrong!"

Dorji sighed. "It's not wrong. Just... different. I understand that it might be upsetting to see such a different style from what you're used to, but... it's not wrong."

"It goes against all of airbending culture!" Aang shouted.

"Aang..." Katara said.

Dorji frowned slightly. "I see. You know, I had always been fascinated with grandmother's scrolls and books about the Air Nomads. Part of it was just that reading was... nice... for me, I will admit, but..." She turned away from Aang and walked a few steps away from him. She stood there for a few seconds, then sniffled and wiped her face. When she turned back around her eyes were a little red. "For a while, I wanted to be like them. They were my people, my ancestors. But at the same time, I was always worried a true Air Nomad would despise me, as I am still my father's daughter, and my father was not a traditional Air Nomad. Thank you for confirming it for me. I told you before, the pacifistic monks of the past died out a century ago. I'm not an Air Nomad. I was never an Air Nomad." She touched one of the green highlights of her clothing. "I was born of the Earth Kingdom. I was raised by the Earth Kingdom. Why should I call myself an Air Nomad?"

Aang's face contorted in anger, then softened slightly. "Fine." He turned around and walked away.

"Fine," Dorji echoed. She pulled the two halves of her father's staff from her belt and started walking towards a large rock.

Sokka and Katara sighed at the same time. "I'll talk to Aang, do you want to talk to Dorji?" Sokka asked.

"That sounds good," Katara agreed.

"Cool." Sokka started climbing back onto Appa, struggling a bit. "Let me just... get something... real quick."

While Sokka was doing that, Katara walked over to Dorji. Wielding the two halves of her father's staff like dual swords due to how long they were compared to her, Dorji swung at the rock with one segment. A wide gash appeared in it despite the fact that the staff never made contact with it. She swung with the other segment, creating a second gash. Next she slashed both, deepening and widening both of the gouges she'd made. She quickly put the two halves of the staff together and started twirling it with insane speed. The wind in the area picked up, and dust clouds flowed towards her staff. She jumped back and threw the staff at the boulder. The spinning staff cut cleanly through the boulder, grinding it in half with little resistance. After it was on the other side Dorji held her hand out to it. The staff shot back, pulverizing the upper half to smaller rocks with pure windy force. Dorji caught the staff and swung it, blowing all the rocks and dust away. She used the momentum of the swing to turn around, jabbing the end of the staff a few inches away from Katara's throat. Tears streamed down the shorter girl's face, and her hands were trembling. The air stilled again.

Katara slowly put her hand on Dorji's shoulder. The airbender stiffened a little, but didn't resist. Katara smiled at her and slowly lowered Dorji's staff with her other hand before pulling her in for a hug. Dorji dropped the staff and started sobbing. "W-why?" she asked. Katara let her go, and she rubbed her eyes. "Why can't I go a day without crying?"

Katara sat down on the remaining part of the boulder, which had conveniently been cut and smoothed into a serviceable, if a little tall, bench by Dorji's practice. She patted a spot next to her and smiled at Dorji, inviting her to sit next to her. Dorji hesitated, but slowly sat down. She tilted her head slightly to Katara, staring at her.

"When my mother died... It was hard on all of us. And the first few days were the hardest. But... it does get easier. And I'm sure I speak for Sokka as well as myself when I say that we will both be here for you when you need a shoulder to cry on." She sighed. "And I'd have hoped that I could say the same of Aang, but now I'm not sure..."

Dorji whimpered.

Katara scowled. "To be honest, I didn't think Aang would blow up like that. I mean, he was a little touchy when he saw what happened to his old temple, but I thought that that was just from seeing the remains of someone he knew..."

Dorji winced. "Did I... some of the things I told Aang must have hurt him. I should apologize." She tried to get up, but Katara put her hand on her shoulder.

"Don't. I think he should apologize first. He's hurting, yes, but he has no right to take that out on you."

Dorji leaned on Katara. She didn't say anything else, but Katara hugged her.

oOoOo

Aang sighed. He sat at the edge of a small lake near where they had landed, prodding at the water with some attempts at waterbending. "Maybe I shouldn't have..."

Sokka slapped him on the back of his head, then sat down next to him. "Yeah, you really shouldn't have." His tone was annoyed.

"I'm so-"

Sokka slung his arm around Aang's back, clamping his hand on his shoulder. "No. You're gonna listen. You lost your people and found out the world crumbled after you left. I can't even imagine how horrible that feels. But." He tightened his grip. "If you even begin to think that gives you a right to dump all that out on a girl you just met, who recently lost her father, that's unforgiveable. Imagine if some old friend of that one monk guy you were fond of... Gyatso, I think, came out of nowhere and told you that you weren't fit to be the Avatar, or even an Air Nomad. That's what you just did to Dorji."

Aang sighed. "You're right. I should never have said that. I... I'm sorry."

Sokka patted his shoulder. "I'm not the one you should be apologizing to, buddy. And first... maybe we should talk a bit. You've got a few issues to work out, clearly."

Aang looked down. "I... I miss them."

"Yeah, that's pretty natural. But what made you lash out at Dorji like that?"

He sighed. "I guess... I'm sure she's not trying to, but she always seems to... remind me they're gone. That I was gone for a hundred years, and my people are long gone." He sniffed and rubbed his eyes. "But... I should never have taken it out on her."

Sokka patted his back. "You know, I know I always complained about the lack of meat and everything, but... If you want to make a traditional Air Nomad dish or something, I'd totally be willing to help." He grinned. "And I'm sure Dorji would, too. But first you gotta apologize to her." He pulled out a scroll. "And I have an idea of something you can do for that."

oOoOo

Dorji had fallen asleep, resting with her head on Katara's shoulder. Katara smiled and stroked her hair gently, as not to wake her. Sokka walked up to her, Aang trailing sheepishly behind.

"I hope you're here to apologize," Katara glared at Aang.

Aang shrank back slightly. "Yeah, I... Shouldn't have taken my feelings out on Dorji." He got out from behind Sokka and faced Dorji. "Dorji, I want to apologize to you," he said, raising his voice to try to wake her up. "My suffering was no excuse for what I said to you. And I was wrong, you may be other things, but you are an Air Nomad, too!"

Dorji, perhaps due to her hearing impairment that she had yet to fully explain to the others, did not react at all to this.

"Maybe you should wait until she wakes up, Aang?" Sokka said.

He nodded. "Right, sorry. Should... should we wake her up or..."

Dorji stirred, then sat up and started rubbing her eyes. "Sorry, did someone try to wake me? You'll need to shake me awake, shouting won't work..." She noticed Aang and stiffened slightly. "R-right. Y-you..." She bit her lip.

Aang placed his hand, a loose fist, on his chest and made a small circular motion with it. The sign, as best he understood the EKSL scroll, for 'sorry.' "I'm sorry," he said, as sincere and contrite as possible. "You reminded me of what I've lost, and I couldn't take that and lashed out at you. But that's not an excuse for how I acted towards you. I understand if you don't forgive me. For what it's worth, you are a real airbender." He smiled. "You are airbending culture, as much as I am. And you have every right to call yourself an Air Nomad."

Dorji sniffed. She rubbed her face, but a few tears fell onto her shirt still. "Th-thank you. And... f-for what it's worth... I'm sorry for hurting you, even if it was unintentional. I'll... I'll try to be more mindful of what I say in the future."

Aang smiled at her. "Thanks. If you want, you could show me that one airbending move. I don't think I'll ever use it on a person, but if I need to cut down a lot of trees really fast I could use it for that?"

She smiled slightly. "Actually... I think I know another move that my grandmother made that might... suit your tastes slightly better. When used on a trained warrior, especially a firebender due to how firebenders train their lungs, it will never cause any lasting damage. And at the same time, it will temporarily disable the person you use it on, especially if they are a firebender."

Aang hugged her. "That sounds great! And later, I can show you some airbending moves of my own!"

Dorji backed up nodded when Aang released her. "I'd like that. But first..." She got into a fighting stance and took a deep breath. "The best way to explain this is with a demonstration. And the best way for you to learn how to do it is to experience it yourself. But I will not do it without your permission, as it can feel... unpleasant."

"Um, is this a good idea?" Sokka asked.

Aang nodded. "Do it. Is there anything I should be paying attention to?"

"Your breath." In a blur, Dorji was suddenly standing inches away from Aang. She paused for just long enough for Aang to focus on her, a rush of wind punctuating her stop, then jabbed him in the solar plexus with two fingers. The amount of force she put into the physical movement was negligible, but Aang still toppled backwards as he felt his lungs empty against his will. He struggled on the ground for a few seconds, finding it hard to regain his stolen breath. Eventually he coughed and shakily took the hand that Dorji had offered him at some point.

"Are you okay, Aang?" Katara asked.

"Gimme... a minute..." he said between pants, a pained grimace on his face as his breathing slowly returned to normal.

"Sorry, I should've mentioned it can be... unpleasant." Dorji said, taking a few steps away from Aang and the others. She looked nervous again.

"No, it's fine," Aang assured her. He chuckled. "I probably should've guessed it wouldn't feel too good, anyway. Still, I can see what you were getting at. And you're sure it doesn't hurt people you use it on?"

She nodded. "Unless you use it on the same person multiple times in a row without letting them breathe, or use it on someone with weak lungs. But a trained soldier should be fine, and the technique will let you take them out of a fight for a few seconds at least, as well as open them up to a finishing move. And most notably, it temporarily disables firebending."

"It disables firebending!?" Sokka parroted, incredulous.

Dorji nodded. "Grandmother made the technique with some principals involved in chi blocking, after performing some... research on firebending." She breathed deeply, in and out, and when she exhaled her breath was very warm. "In fact, she learned that the breathing techniques the Air Nomads used to keep themselves warm in even the coldest of weather were originally based on knowledge given to them by firebenders. Firebending does not come from muscles, but rather the breath. So a technique that disrupts a firebender's ability to breathe..."

"Also disrupts firebending," Sokka finished. "That's... that's amazing!"

"It only lasts a minute or so at best, but it will still throw a firebender off," Dorji continued explaining. "And a master of it can do it from a distance, or even without moving at all, or at least my father and grandmother can. If you need more guidance to learn it, Aang, ask me. But..." Dorji turned to Sokka. "Perhaps you would like to learn chi blocking? You seemed pleased with the concept of disrupting firebending. And it can do more than just disable bending for a few seconds."

He grinned. "That sounds awesome!"

She nodded. "Then let us begin." She collapsed, but still somehow managed to hit the ground lightly. "Tomorrow. I'm tired." She closed her eyes, already asleep.

#fanfiction #avatar the last airbender fanfiction #Avatar The Last Airbender #A Black Wind Howls #ABWH CH3

1 note · View note

orihime-maychan · 5 years

Text

I gave the ATLA live action movie “The Last Airbender” one more shot...

Four hours ago, I happen to catch the Avatar: The Last Airbender live action movie on the telly, and before I cringed out even thinking about it, I said to myself:

“It’s been almost 10 years, what could possibly make me cringe anymore than what it was?”

So... I watched it. I was supposed to go to sleep because I had a bad case of food poisoning (again) but then my tummy got all better so.. Why not. And I was surprised for the next 1 hour 30 minutes.

OK, so to all ATLA-TLOK fans out there, before you bash me into little pieces for even mentioning this live action movie, PLEASE HEAR ME OUT FIRST!

I am not posting this to bash or to rave about anything, I am just posting this to bring out my thoughts on this movie about 10 years after it was made/after I watched it for the first time (under the assumption that my opinions are valid and welcomed in this site).

I wanted to put this “late” review and commentary so I could have a comparison point once the ATLA series goes live in Netflix next year, among other things.

I believe I may have been too attached to the animated series way back then to have made a somewhat partial and unbiased review to put it down completely as trash.

And lastly,

In relation to the previous point, I will take into account a possible viewpoint from non-ATLA fans who just wanted to while away their time by watching a movie which they knew nothing about.

I’m not gonna put any jumps/breaks/keep reading cuts on this post because it doesn’t show up on mobile anyway, and also because some people on desktop are too lazy to click it so.. I’ll just make this a long-ass post and hopefully my PC can survive the long-ass ness x_x So if you started reading this well.. It’s on you. =P

I will be doing the commentaries based on the following:

How the story flow compares to the original ATLA series

Character comparisons between the series (especially KEY characters)

Rendering of the effects

If I was a bystander who watched it for the sake of watching (i.e. if I wasn’t an ATLA fan), how would I feel about it?

If I remember to do so, I’ll probably make an overall comment on the whole thing based on what I said and add some stuff I may have forgotten to add. Also, since the Airbender movie is just for Book 1: Water, well it’s the only thing I’ll comment on. Again, be warned, this will be a long, long, long-ass post.

Live Movie vs Book 1 Series

Well, let’s be honest here, even the Ember Island Players took a very long time to showcase just Book 1 in their own version, so of course Nick and Paramount had to cut everything to fit into 1 1/2 hours of movie time, and that would cut out more exciting and pivotal scenes from even getting shown. I mean, it’s not like they had that much budget to turn the whole thing into something as long as one movie from LOTR or even Hogwarts movies. A lot of the magical bending stuff were sorta uhm.. not there? Also, there were so much leaps and stuff just to visit all of the Air Nomad Temples, that was basically what Aang, Katara and Sokka were doing most of the time, aside from learning how to bend, escaping Zuko and Co., as well as inciting rebellion within the Earth Kingdom under the Fire Nation domain. And also, I felt the whole thing wasn’t even meant to be a big production, unless I just don’t watch enough movies to recognize anybody. Seriously, the only actors I recognized in the live action were Jackson Rathbone and Dev Patel, I honestly don’t know everybody else (sorry Yue, I find you lovely but I don’t know who you are T_T). So... You see where I’m going here?

So... Because of many constraints, the entire Book 1 was reduced into this plot:

Two Southern water tribe siblings found a kid (and a huge fluffy beast) frozen in a ball of ice, which shot out a beam of light after breaking the ice ball. They brought the kid and the beast back home, in which they tried to get to know him better. But a foreign prince from beyond the wild seas took it upon to himself to bring back what he believed to be his target, The Avatar, by storming into the Southern water tribe village and taking the kid from the ice into custody. The two siblings’ grandmother later revealed that based on history and her own knowledge, the kid was the Avatar who was supposed to bring balance into the world, but disappeared in almost a century. So the two kids took it as their responsibility to rescue the ice ball kid under any circumstance, until he could turn the tides from the Fire Nation and bring balance and harmony into the world. Meanwhile, the kid from the ice was tested if he was indeed the Avatar, and unfortunately passed the test, now has an existential crisis and wanted to run away again, which he was able to do so with the help of the water tribe siblings. This leaves the captor, the former Prince of the Fire Nation even more pissed and determined to recapture his place and his position in his own country, as well as his father, the Fire Lord.

After visiting all of the Air Nomad Temples and realizing that he was the last bender of his kind, the Avatar underwent another existential crisis which he was only able to mitigate through meditation and reaching out to the spirit realm. This was further intensified by his need to master all of the remaining elements in order to serve his life purpose better because he ran away even before beginning his trainings, and he just couldn’t make stronger attacks or defenses just by bending air. So along with the two siblings, he traveled to the Northern Water tribes in order to learn water bending from the master. During the course of this travel, he met with the former Fire Prince and fought with him multiple times, he was kidnapped by another Fire Nation official after being lured by an Earth Kingdom citizen (and was actually set free by a ninja who later turned out to be the former Fire Prince), and he kept getting blocks from unlocking his full water bending potential. Only by entering the spirit realm and chatting with a dragon spirit was the Avatar able to keep himself calm despite the stuff happening around him.

After staying at the Northern water tribe’s place and learning water bending for quite sometime, the time for war against the Fire Nation came. However, despite preparations, the water benders were outnumbered and overpowered by the fire benders, which further worsened when one of the moon spirits got killed by the Fire Prince’s rival, thus removing the water bending abilites from those who could. However, ironic as it seems, another Fire nation member knows how to undo the damage that was done, and once the sacrifice was done, the water-benders were back in action. So much so, that even the Avatar was able to chase away the Fire Nation’s armada of ships away. After realizing that he was indeed, needed to restore the imbalance brought upon by his disappearance, the Avatar took his original responsibility to heart by bowing back to all of those who bowed down to him.

That was basically the entire content if focused only on Aang’s development. If you’d ask me, an hour and a half won’t be enough to bring to light all the wonders and charms of the original series, you might need like a three-hour trilogy series just to show each character’s full strengths and weaknesses. So even if a lot of the nice stuff in the series had to be cut out, I’d say that whatever was used in the movie was pretty much enough to show a proper plot to keep track of.

Basically, it all boils down to this:

The production team (or whatever governing body had to make the decisions regarding how the whole thing had to be made) had to take into consideration their target audiences, the production cost, and how long the whole movie must be in order to maximize whatever resources they had. If I was to base my opinion on such things, then I say that the movie’s storyline is overall OK.

Movie vs Series... Characterwise

Well, to make this long-ass commentary a bit shorter, I’ll just make a generalized comparison because for a short movie, there is obviously not enough time to build each character up so it makes for seemingly-flat characters.

First of these is the fact that despite filling in some backstories for most of the characters, their traits seem to feel a bit wanting. Like there’s something missing. If you’d ask me, the thing that’s missing is whether or not they are capable of change. Some characters are like that, you see them move for the first 5-10 minutes and you’ll know whether or not the character has some potential for growth and change, not necessarily for the better but just some overall change from point A to B. We see this in the ATLA series because there is so much time spent on that, and I think that’s what makes everyone in there so endearing. Heck, even Azula has some fans because at least, at some point she had some sort of character change. However, based on my experience, that’s not easily done because in order for a character to enter change, a lot of events, introspections, expressions, and other internal and external influences must push the character to change. To make them strong or weak isn’t the point, but rather to make the character move out of their system and into another. This wasn’t possible in the live action movie because again, time constraints. So whatever they were from the beginning just continued on until the end. NO dead-obvious growth observed, whatsoever. I felt like this was a disservice to ATLA fans because the characters portrayed on the screen were so different from the ones we got used to (hate) and even loved from the series:

Aang got reduced to a very confused and angry boy, who was originally written as a warm, friendly, and happy-go-lucky ball of charm. Also, if they wanted to do justice for however they shaped movie Aang, they should have made a whole lot more internal dialogue about his regrets and stuff, so angsty and angry Aang could have been justified better.

Katara got portrayed as a stiff girl, when in fact she was originally shown as hopeful, inquisitive and even smart, apart from her kindness and her nurturing and fun side. Also, as far as I recall, Katara in the series was already a very competent water bender, so why reduce her to a floppy one in the movie? It would have been better if she just was a wee better than what she was but still wanted to learn from Paku, to show children that there is always room for improvement (because again, this was originally intended for young viewers)

Sokka got reduced to a moody teen (Sorry Jackson), when in fact he was like Ronald Weasley: funny, resourceful, really tactical (friendly reminder that Ron won Wizard’s Chess, just saying) and is actually a comic relief. OK, so maybe there was a teeny, tiny part where Sokka was funny, but like 3% or lower. If you blink, you’ll miss it. I guess the part where he was brotherly to Katara was OK, just to redeem his movie self a bit.

Despite the vibe, movie Zuko wasn’t too angsty for my taste, he was just full of anger and revenge, so I don’t feel like it’s justifiable for him to be like that. Even if he actually got some screentime for some flashback, the character was just too angry and vengeful, not enough teen angst to give it depth. Sorry Dev, you did great but if you had an idea on who Zuko really was, you may probably gave him a better shape. Unless you already know how but just got cut off by the directors or something. I won’t know for sure. Also, we need more scars, like really deep, wrinkly, very horrifyingly discolored scars, not just the mild ones that I had to squint to see, because that’s surely a good source of Angst(c)

Uncle Iroh’s love for self-indulgence and his laid-back style wasn’t completely spot-on, I wanted a really chill yet wise vibe from him, but I guess the lack of dialogues between him and Zuko plus the fact that I only saw him drink tea TWICE, well, that’s just sad. I’m sure Uncle Iroh would’ve wanted more tea and cake times, and more feet-pampering. Plus more father-and-son scenes with Zuko because that’s what will eventually give way for angst and realizations but then again, I may be too opinionated on this one.

Ozai wasn’t as evil and as psychopathic as I expected him to be. He could have been more cruel, more harsh, more brash, more brutal, less passive, and less fluffy. General Zhao had more of that Ozai feel in him, maybe the two should have just exchanged places. Or better yet, it would have been better if they just made Ozai into a narcissistic manipulator, that might have worked. A charismatic manipulator, like Azula.

I think these are the only key characters worth mentioning in the movie since they’re pretty much pivotal in how that story arc moves, whether in the live action movie or in the series.

Movie Bending (Expectations vs Reality)

I had to say, the bending was actually OK, for me at least. The flamey-flamey shots and the water to ice bending were cool, the earth bending could have been better and faster but it’s pretty much decent, and the fact that air bending can be made more visible by putting air particulates like dust and mist around the whirlwinds so that the air movements can be seen is actually laudable. But then again, there wasn’t really that much bending to show since there were equally as much fight scenes as bending. It didn’t do that much justice though, since in the series bending elements were not limited to just fighting. Bending the elements could destroy or build structures, bending can heal or break people, and there is just so much complexity that elemental bending can show fans or non-fans or even beginning fans, which were not shown in the movie because of so many constraints. I’d dare say it was a disservice, but again, given the restrictions, I’d say that the bending shown in the movie was also, overall, given the circumstances, were pretty much OK.

If I wasn’t a Fan... (lol)

Well, if I wasn’t a fan, if I wasn’t aware (or even living) in the ATLA-TLOK universe, I would say that this movie had some entertainment value. Sure, maybe introducing the four nations could have needed some extra sentences at least, like the intro in the series, or maybe like show the map of the entire ATLA-TLOK world, talk about each part briefly, and maybe some bit on explaining what the elemental benders are. So I won’t be surprised at Katara making water balls or Aang making whirlwinds or Zuko kicking some fire out. I’d be confused as heck. Also, I feel that it would be even more amazing if they showed Appa flying a lot, and Aang’s interactions with Appa and Momo, because seriously, that would have at least made some of the kids think on the possibilities of having a flying bison or a flying lemur. Because showing a flying Appa but not seeing how that looks when you’re on the back of one kinda, I dunno, feels less magical. I only saw them fly once and swim once on water but that’s about it. At least show them parking Appa on one of the Air Nomad Temples or something. My point is:

Make the scenes a bit more engaging to the viewers. Strike their imagination or something. OR at the very least, make them awe at the possibilities of bending or whatever.

If the viewers came out of the cinemas feeling like they want a flying bison or they wanna bend fire or rocks or stuff, then at the very least you’ll be able to gauge if they got engaged with your movie or not. I don’t care what age group they would be, heck, I’m in my early 30′s and after more than a decade of being an ATLA fan, I still want my own dragon or flying bison. I won’t even mind if I get a letter from Hogwarts that I’m accepted as a witch, or if a parcel suddenly appears at my doorstep and something magical or mystical was there. Now if that isn’t engagement then I don’t know what is.

Unfortunately, I didn’t get that kind of feels from the movie, it just felt like something that would pass through me and won’t even consider remembering. I mean, the bending was all magical and stuff, but the characters weren’t able to pull me in. I wasn’t able to connect with them as much as I wanted to. They weren’t as much likeable or relatable as much as I expect them to be. They feel like a one-time deal, and I feel bad for them, actually. I mean, if you’re gonna write about a bunch of people, at least make them a bit relatable for the viewers. Give them a bit of depth, so that we won’t take them at face value. I mean, even the most boring person on earth has some depth, so at least, make the characters seem like they could actually feel things, because they aren’t stuck on something like a one-dimensional person. At the very least, make them DECENTLY human.

Overall Comments and some Final Stuff

I’m a bit sleepy but I’ll try to sum it all up and give my conclusions.

The Avatar the Last Airbender movie (seems to have) came short because of too many constraints:

Time constraints

Budget constraints

Character constraints

Creative constraints

However, despite such constraints the plot was actually enough to keep the movie going. There were also sufficient backstories for the main characters to use in order to push through with what they’re supposed to be doing. Sure, Aang only learned how to water bend but I think there was enough elemental bending in the movie to show the different styles of bending so that’s OK, I guess.

Overall, even if it sucked the first time around, after giving this movie another shot I guess it’s pretty much an OK movie to watch, to while away the time. I just hope that the Netflix version can be a WHOLE LOT BETTER at translating the animated series into live action. I know it’s a lot of expectations but at this rate, I could just hold on to properly-written and portrayed characters as well as smooth-flowing storylines, never minding whether or not the places or the bending are properly portrayed.

And with that, this review is done.

Will snooze and let this whole thing roll off my back.

#The Last Airbender #The Last Airbender movie #yeah that live one from 10 years ago #I gave it one more shot #well I was pretty much surprised #either my expectations have lowered now because I actually enjoyed it #or I just made adjustments based on my previous experiences #The Last Airbender movie commentary #I don't care if it's late AF #atla movie #atla movie versus atla animated series

2 notes · View notes

orpelia · 6 years

Text

Air: “Endgame”

Eleven episodes and a two-week hiatus later (oops!)~~

My praise, my wishes, and my feelings of the season finale of Book I.

[Heart eyes.]

Oh, Bo. What would we do without you.

As always, he gifted us with his silly and endearing humor,

but he also starred in some fantastic collabs.

Bolin x Naga

Bolin x General Iroh

Honestly, Bolin x Any Character <--- now that’s my kind of ship.

General Iroh is just as stupidly fearsome and heroic as his grandfather.

This is fact.

His stunt with the planes?

Cray.

I’m looking forward to seeing more of him in the future, preferably in the same scene(s) as Zuko because that’s something I desperately need in my life.

My favorite Mako: protective and powerful.

Let’s not forget, he can break free of Noatak’s bloodbending!!!

Korra---the freakin’ Avatar---couldn’t even do that! At least, not at first.

Amon admits it himself: “I'm impressed. No one has ever gotten the better of me like that. It is almost a shame to take the bending of someone so talented.”

I hope Mako’s talents become focal points in the next books. Please, oh please don’t revert him back to a frustrating, lovesick puppy who can’t make up his damn mind. It really doesn’t do his character justice.

Speaking of lovesick puppies...

Without a doubt, Mako and Korra had the most compelling scenes of the entire episode (and not because they were fighting Noatak).

Canon couple or not, these two make a great team. They obviously care about each other, but they’re fiercely protective of one another as well, and that’s what makes their chemistry so palpable.

Although I wasn’t over the moon about dropping the love bombs, even I recognize how heartwarming their moments were.

Take, for example, the penultimate scene of the finale:

Recap: Mako tells Korra he loves her, Korra dramatically runs away with Naga, and Tenzin tells Mako they have to be patient with her, which is old people code for “give her some space.”

If you ask me, that’s shitty advice.

In real life, I want someone to go after me, even if I say I want to be alone or I tell people to go away.

Yes, I am that person.

So you best believe my heart SOARED when the boy chased after the girl:

At first, Mako’s shocked.

No surprise there.

He just witnessed Korra in the Avatar State, which means 1) her bending is back and 2) the Avatar State is no joke!! The glowing eyes!! The command of the four elements at your fingertips!! That’s hardcore, bro!!

But then he fondly smiles at her, which I wholeheartedly interpret as “Ah, yes. That’s my girl.”

And look at her face!!

These two aren’t endgame, so I’m allowing myself to savor in the swoon.

FYI: If there’s anything you should know about me, it’s that I’m a sucker for cheek caresses.

Twirling hugs also make me a lil weak in the knees.

Running to someone and barreling into their arms is just stupid cute.

[Heavy sigh.]

I was really rooting for Asami.

After Chapter 7, I thought we were going to see how Asami was coping with the reveal of her father’s conspiring nature. Instead, her character seemed to revolve more around the love triangle (or whatever shape you want to call the ridiculous Asami x Mako x Korra situation). When Asami does mention her father, it’s only a sparse comment every other episode or so.

Thus, the showdown between father and daughter lacks an emotional weight, and it’s partly because we haven’t explored enough of their relationship to truly feel for these characters.

That isn’t to say their sequence doesn’t have powerful moments.

I just want to take a moment to holla at ma boy @Jeremy Zuckerman, sole music composer.

Your music is always stunning, but the accompanying track in Asami and Hiroshi’s showdown (plus the music in the boat scene and everything in the third act) is what carries the entire segment.

Your melodies tugged at my heartstrings in ways the story couldn’t.

Their final fight, for instance:

Asami is so caught up in the battle---defending herself against her father, no less---that you think she might actually do it, she might actually hurt him.

But then he’s looking at her like this,

and she starts to hesitate (this is her father after all),

which is the exact moment Hiroshi strikes.

In the end, Asami captures her father, but not without remorse: “You really are a horrible father.”

Dear Creators,

Please give your characters the emotional depth they deserve and explore the nuances of their relationships.

Trust me: they can lift the weight of their stories just fine.

I am unbelievably disappointed in Noatak’s arc.

I just---

I mean---

How?

How are you going to build the foundation of a character on a lie?

How are you going to develop that character’s arc for ten episodes, then discredit almost everything with deceit??

How are you going to completely undermine your character like that???

And to add insult to injury, Noatak keeps lying, going so far as to reveal a fake, painted scar:

Here’s the thing: Zuko is my world.

Of all the characters from Avatar: The Last Airbender, I found pieces of myself in his story the most. Scars, then, are sore subjects for me; sometimes, I feel like I’m as sensitive about his scar as he was.

Yes, I jumped in my seat upon first seeing Noatak’s “scar,” but make no mistake---I’d rip that lie off his face in a heartbeat.

Undermining your character with lies is bad enough, but this shit felt like mockery, and while I’m certain that wasn’t the creators’ intents, I’m taking it personally anyway.

However, attention should be paid to Noatak’s last scene:

Again, the music is so beautifully somber, but the dialogue here is probably some of the episode’s best.

From Noatak’s “I had almost forgotten the sound of my own name,” to Tarrlok’s "It will be just like the good old days.”

From the tear that rolls down Noatak’s cheek,

to Tarrlok's decision to sacrifice them both.

It doesn’t make up for butchering Noatak’s arc, but this was, quite simply, a beautiful ending to a sad story.

Dear Creators,

Please don’t make the same mistake twice.

You compromised the integrity of your character the moment you sacrificed a fleshed out plot for woaw!shock factor.

Villain or not, he deserved better.

Also, I CAN’T BELIEVE YOU.

It was at this moment that I wanted to jump into the screen and rescue Tenzin and his beautiful children myself.

LOOK AT THEIR FACES.

I WAS SO MAD.

LIKE:

HOW COULD YOU.

It should be said: I loved Korra in this episode.

I mean, she was pretty daft to think that hiding under a table would keep her safe from a bloodbender. A bloodbender (a psychic one at that) can feel your blood, Korra, of course he knows you’re under there.

So just for that:

Yeah, don’t you look all silly and fuzzy.

Aside from this idiotic little slip, she was pretty badass, unlocking her airbending and fighting against Noatak’s bloodbending:

What a crappy screenshot of her airbending, haha. Would you believe me if I said this was genuinely the best I could do?

And unlike Asami and her father, I actually felt for Korra. I was devastated when Katara couldn’t repair her severed connection to the other three elements.

Though I wonder if I felt more for Korra because she acted just as I would. That is, she’s clearly distraught over losing her bending, but she wants to spare her friends and family the trouble of making a scene:

So she waits until she’s alone to let it all go:

:’-(

As I said, I loved and felt for Korra in the finale, and I don’t have a problem with her...

I have a problem with the writing.

Korra’s airbending was very badass, but I completely forgot about her airbending struggles.

The first four episodes show Korra’s conflict with the element (i.e., it’s literally the plot line of Chapter 2). If anything, these episodes have small moments that remind us of Korra’s airbending training---practicing in the temple’s courtyard or doing exercises with the kids, to name a few examples.

Then, in Chapter 8, Tarrlok insults her with the “half-baked Avatar” comment, snidely remarking on her less than satisfactory airbending. It’s in this same episode that Korra reminds Tenzin---and the audience---that she’s never been able to connect with her spiritual side. (More on this later!)

And... that’s it.

After the eighth episode, she’s kidnapped by Tarrlok, who reveals himself as a bloodbender; she’s rescued but then Amon and Hiroshi attack Republic City, separating Korra and the teens from Tenzin, his family, and Lin; Korra decides to take Amon on her own (but not really because Mako decides to tag along) and the two of them bump into Tarrlok, who reveals that Amon is actually his long-lost, waterbending, psychic bloodbending brother, Noatak.

It’s not necessarily a bad thing. If the creators were prioritizing awe! and shock! and woaw!, then unlocking Korra’s airbending this way definitely did the job. But it felt a little too... convenient? Plus, there was no explanation for why her airbending worked when it did.

I mean, saving Mako obviously had something to do with it, and they didn’t have time to get into the details because, duh, they were trying to restore Korra’s bending.

Still, the audience shouldn’t have to interpret everything.

(Or perhaps I’m just being petty, lol.)

For a book titled after the element, I guess I just expected more.

Ultimately, I wish we saw Korra practicing more airbending; I wish we got an explanation for how and why she airbended when she did; I wish her success in unlocking her final element had not been overshadowed by the loss of her water-, earth-, and firebending.

Which brings me here, to this special moment:

I cried.

100%.

And the gentle, yet all too familiar Avatar theme playing in the background? Yeah, I was a puddle of tears.

However, as nostalgic as this was, I wasn’t too pleased at how quickly Korra’s bending was restored because it felt like the creators were taking shortcuts again.

For the record, I like that Noatak took Korra’s bending away (though I would have liked a more epic battle?), as it debunked the whole “the Avatar is invincible” concept. But, really? A quick touch of Aang’s fingers and her bending is restored, just like that?

Maybe it’s just me, but I would’ve loved to see Korra struggling to get her bending back. Perhaps we could’ve seen her retraining and relearning the other elements, which is something I still feel we were robbed of.

Furthermore, as much as I enjoyed seeing Aang and all the former Avatar reincarnations, I didn’t like that this was also the moment Korra connected with her spiritual side. Similar to her airbending moment, I forgot about her spiritual struggles; the issue is last mentioned in Chapter 8 and, before that, all the way back in Chapter 1. But, honestly, I think the ease and convenience of this moment lends to the problematic pacing of Book I as a whole.

Dear Creators,

While I thank you for restoring Korra and Lin’s bending, please don’t resort to convenient endings. I recognize that you only had twelve episodes, but please, no more shortcuts.

Your story will suffer.

Your characters will suffer, too.

p.s., I’m sorry for being so mean to you. I have a lot of feelings, is all.

Cheers to Book II, though!

Parting Thoughts

Before sitting down to write the finale’s review, I took a two-week break.

In that time, I rewatched (and re-rewatched) the entire first book.

I even had time to indulge in the fifth season of The Great British Baking Show.

Shameless Plug:

I absolutely recommend this charming baking competition.

You learn quite a lot about the science and precision of baking, endure (but also adore) countless baking puns, and witness what true competition looks like. That is, genuine camaraderie, rooting for your fellow bakers to succeed, and sometimes, lending them a hand if they’re pressed for time.

Warning: do not watch late at night. You will reach for a baguette.

And yet, I still feel meh about Book I.

The season has its share of success: the music is as impeccable as ever and the technological and industrial components of the Avatar-Korra universe are developing and expanding nicely.

However, it will always come down to the story, and the writing just wasn’t up to par.

Truthfully, the real triumphs are the characters, who---after only twelve episodes---have built a home for themselves in my heart:

Although, our bright, blue-eyed Avatar still has much to learn.

(i.e., how to stop being an impatient little dumdum)

But take heart...

Her story’s only just begun.

From Beginning to End:

“Thanks for looking out for me, Aang.”

credits

#legend of korra #book 1 #1x12

1 note · View note

the-badger-mole · 2 years

Text

There's A Difference

I think I've said this before- in fact, I'm almost certain I've said this within the last few months- but the reason I can't let Aang's actions be dismissed by his age is because his worst traits are never addressed in canon. The reason why I personally find him very incel-ish is because the grown men who created him and project onto him strike me as incel-ish (and yes, I'm aware that at least one of them is/has been married. Incel is more of a frame of mind than an actual state of being). Aang could have had a growth arc, but instead Bryke chose to either ignore his flaws or make them out to be virtues. I'm judging Aang as a character, not a child. Because Aang is not an actual child. An actual child might have been confronted on the things Aang did. Aang is a character whose creators want fans to think is perfect, even when they themselves introduce the idea he might not be (Aang's being a terrible father is not that surprising to me, but even then Bryke had to scramble to tell us he wasn't actually that bad 🙄)

I am a lot less harsh with Zuko because he actually faced the consequences of his poor decisions. He worked to make amends not only for himself, but for his family. I empathize with his losses and his personal tragedies because the narrative actually cared about how those things affected him in just about every episode, unlike Aang, whose devastating losses are only touched on when they're convenient to that episode's plot. Otherwise, he is the picture of unbothered to the point that I question if he even knew most of the time that he was in a war (the answer, it would turn out in the penultimate episode, was no, apparently not). There's not much I can criticize Zuko on that wasn't already touched on within the show. Why would I judge Book 3 Zuko based on Book 1 Zuko (who btw, I still think was a much better rounded character than Aang in any of the series)?

When it comes to Katara and the misogyny inherent in how she was treated in her canon ship? Well, I can only point to canon and aks to be proven wrong. Katara had very little to do with the development of Kataang during the series, and that little was usually prompted by someone or something outside of her own thoughts and feelings bringing the idea up. Meanwhile, we know from the beginning that Aang likes Katara (well, he likes how she looks anyway). His feelings matter to the narrative: Katara's not so much. Then the disastrous comics where Katara's character from the show is completely stripped from her and she ends up being the cheerleader girlfriend of the Avatar. I know some of that is walked back in the more recent comics, but we already know how it ends for Katara and her kids. Also, the post LoK scramble to give Katara more agency honestly just makes me think that my original assessment of her relationship with Aang was spot on.

Zutara, in my opinion, would have been a great relationship for them both. They would've been just about perfect together, because as hot tempered as they can both be, they also both get really good at communicating with each other, which is something that Katara never really has with Aang. That's why it doesn't surprise me to find out how dysfunctional their family is. Katara and Zuko know how to work together as a team. In a relatively short time, they got comfortable opening up to each other. They are both passionate to the point that they can be really hot-headed, but they are both also extremely empathetic and compassionate. They are a couple that would've helped each other grow, and would have been so much more interesting than anything that happened with their actual canon relationships.

I get that there are people who would rather believe that Aang could outgrow his selfishness. That's totally valid, and has made for some great stories. However, I don't think saying the way he was written in canon has shades of incel is wrong. Especially by Book 3. I could see that guy growing up to be a viciously obnoxious narcissist. I bet those of us who know an "Aang" IRL can picture that, too.

#atla #zutara #anti aang #anti kataang #incel aang #aang-cel #THE YEAR OF CONTENT!!!!

258 notes · View notes

groundramon · 7 years

Note

F, K, M, and V? (shoot i just realized the first three letters)

F - What’s the longest you’ve ever been in a fandom?

Oof, I guess that depends on your definition of a “fandom”? The OG spyro games were some of if not my very first proper video games that I ever played, but I dont know if I can call myself part of the spyro “fandom”. Same goes for stuff like Looney Toons, SpongeBob, Tom and Jerry - all cartoons that (at least old episodes, in SpongeBob’s case) I still think are pretty damn good cartoons. But I feel like Spyro might’ve been before SpongeBob and Tom and Jerry….not sure though (Looney Toons was later) it was a long time ago lol. But as far as an actual fandom goes, I’d say Pokemon would be my oldest one.

K - What character has your favorite development arc/the best development arc?

OOH this is a good question. I can think of a couple of my characters that’ve had the most fun development arcs (or…will have) but for fandom characters, hmm… God I really cant decide, probably someone in ATLA though (although my mind keeps jumping to Digimon Adventure/02 haha) but I’ll go with Aang’s because while his development arc probably isnt my favorite, it’s absolutely one of my favorite to analyze. We all know how much Zuko’s arc is praised, and rightfully so, but while Zuko’s has a happy ending, Aang’s development is much more tragic and also much more realistic in my opinion. You kind of have to look into the subtext to see what’s happened to Aang over the course of the series, but once you do it kind of makes the series bittersweet.

Over the course of ATLA, Aang slowly looses his innocence and naivety until he can become the “hero” that the world needs. His playful nature, his trusting nature - its all slowly whittled down. Perhaps the saddest thing and most realistic thing about it, though, is that he didn’t immediately loose his playful nature when he lost everything he’s ever known - all air nomads, gone. No, he was still his usual self after that instance. But time after time he had to make hard decisions, found out people he trusted stabbed him in the back, had things he loved and cared for ripped away from him. It all slowly, ever so slowly caught up to him. I’ve been through a similar thing - one traumatic thing happens, you slowly get worse and worse after that, other bad albeit less bad things happen, and you’re just never the same afterwards.

And some people might call Aang’s character growth “maturing” but…he was 12. He was literally not even a teenager yet. Also the way society views “maturing” is synonymous with “shoving your mental wellbeing in a bottle and floating it out at sea because people aren’t capable of being good people” and I hate it.

You know, it’s never surprised me that Aang had problems being a father. Sure he never had a true “father” in his life because of how the air nomads were raised, but he had way too many other factors working against him. I really feel like Aang was an extremely emotionally compromised character, even at the end of the series. Sure he still expressed his feelings at times like when he confessed to Katara, but that’s like saying I’m not a depressed and anxious mess because I vent every other text post I post lol. (Also, you can say what you want about Katara not letting him do that, but I just feel like it was realistic for AANG to do that, not Katara. I also don’t think Aang’s favoritism was intentional nor did do any good for Tenzin. Babying your child and/or expecting perfectionism can go hand in hand with favoritism and I feel like Tenzin was subject to at least one of those if not both. But like I said, Katara is a completely other story.)

M - Name a character that you’d like to have for a friend.

tERRA or Kirishima or Tsuyu. I love them all. we’d all be gr8 friends

V - Which character do you relate to most?

Terra again lol. I’ve said before that Zuko’s character arc was better than Terra’s despite being fairly similar, but in some ways this actually almost works to Terra’s advantage. Because her arc is so brief, she holds a lot more moral grayness than Zuko does. By the end of the show, you know Zuko is a good guy, 100% guaranteed. But Terra’s is a bit more vague, since it’s abruptly cut short. Is she sacrificing herself to protect her friends? To protect the city? To protect solely beast boy? Or could it even be…well, something else, I guess you could say? Is it a spur-of-the-moment decision that, if she had survived somehow, she would’ve gone back on at some point and flipflopped to the bad side again? There’s a fairly strong indication that she was on the side of good for sure after that, but…you know that stuff doesn’t explain why she’s on the side of good. She could just have wanted to do it to make it up to her friends and protect said friends, without any concern for “the right thing to do”. Who knows. And that’s why I dont like calling myself a terra stan - because saying she never did anything wrong takes away half of why I like her so much. Having said that, I’ll still shoot Slade with a bazooka for corrupting my child. *cocks gun*

That doesnt explain why i relate to her tho. Uh…we’re both insecure bastards. That’s it. Also I love her, she’s trying her best

#stormy answers #thanks for the ask!!

2 notes · View notes

araeph · 7 years

Note

Also, if you wrote out everything Katara has ever wanted and planned to do, Aang has always been supportive. Emotionally present and supportive. Distracting her from bad feelings!

Uh … sure he has.Say, it’s time for a new Katara essay called:

The Tip of the Iceberg

It’s a well-knownfacet of Katara’s personality that she pretends everything is fine when it’sreally not, even denying when things are wrong in order to play the role of theperfect sister, mother, and friend. But she is only human, and when thepressure gets to be too much, she blows up at everyone, even people who aretrying to help.

A helpful diagram.

So let’s take alook at the times when those inner emotions rise to the surface and ask:

Does Aαng recognize the underlying cause of her outburst?

Does Aαng succeed in helping her with the underlying cause?

If Aαng does not help her, who does?

Tip of the Iceberg #1: The Iceberg

Katara: You arethe most sexist, immature, nut brained… Ugh, I’m embarrassed to be related toyou! Ever since Mom died I’ve been doing all the work around camp while you’vebeen off playing soldier!Sokka: Uh… Katara?Katara: I even wash all the clothes! Have you ever smelled your dirtysocks? Let me tell you, NOT PLEASANT!Sokka: Katara! Settle down!Katara: No, that’s it. I’m done helping you. From now on, you’re on yourown!

Katara blows up forthe first time at Sokka because of the life she’s been leading up until now. She’sconstrained by her circumstances and unable to develop her gift the way that shewants because the war has depleted and isolated the Southern Water Tribe.

But wait, is iteven fair to bring Aαng into this incident? After all, Aαng is still in theiceberg at this point. To which I say: yes, it is fair to mention Aαng, because his not having been there for thepast 100 years of war is a character flaw that he will struggle with throughoutthe show. In fact, the first thing Katara ever says about Aαng is:

“But when the world needed him most – hevanished.”

Still, once Aαng doesshow up, he offers to take Katara to the North Pole with him on Appa so thatshe can learn waterbending, too. So because he makes an effort to rectify thisbehavior, we’ll call it a wash.

Tip of the Iceberg #2: The Waterbending Scroll

Katara: Will you PLEASEshut your air hole! Believe it or not, your infinite wisdom gets a little oldsometimes. Why don’t we just throw the scroll away since you’re so naturallygifted!

Aαng is veryconsiderate toward a Katara who is seething with jealousy in this episode. She hasworked so hard to achieve the few moves she knows, only to see her “pupil” rushthrough them in a few humiliating minutes. I imagine it’s much like what Zukowould feel, watching a young Azula. She lashes out at Aαng, who recoils,but who quickly accepts her apology and even tells her it isn’t her fault lateron, when they get captured. He encourages her by calling her a fellowwaterbender and relying on her talents to help move the boat and make theirescape. Katara apologizes again and all is well.

But …

There’s more tothis outburst than simple jealousy. On Kyoshi Island, admiring fangirls attractAαng’s attention very quickly, leaving Katara in the dust, but Katara doesn’treact so strongly about that. No, this is about Katara having the burden on hershoulders of being the only waterbenderof her tribe. And unlike Aαng, she is not a master of her element. If Kataradoesn’t learn these techniques, if Katara is not the best she can be, inKatara’s mind she is failing not only herself, but her people. So although Aαnghelps with the symptoms of Katara’sfeelings, that deep well of anger and longing for mastery is still there and isnever addressed. This particular iceberg will continue to grow until it cracksopen again.

Tip of the Iceberg #3: The Waterbending Master

Katara: No! No wayam I apologizing to a sour old man like you! Aαng: Uh, Katara… Katara: I’ll be outside – if you’re man enough to fightme! Aαng: I’m sure she didn’t mean that. Sokka: Yeah, I think she did.

Again, Aαng doeswell by Katara as a friend when he discovers that Master Pakku won’t teach herbecause she’s a girl. He initially refuses to learn from Pakku if the latterwon’t teach Katara, and then volunteers to tutor Katara himself,when Pakku’s not around.

But once their ployis discovered and Katara is made to apologize, Aαng plays peacemaker in a waythat glosses right over Iceberg Katara. First of all, when Pakku demands anapology from Katara, Aαng should have asked to be treated as equally guilty,since he was the one who was actually doing the teaching. Second, he shouldhave pointed out that Pakku has no monopoly on Aαng’s culture, so he has noright to dictate who Aαng can and cannot teach waterbending to once he learnsit. Third, Aαng tries to pretend that Katara doesn’t mean what she so obviouslydoes. He is willing to downplay Katara’s righteous anger and ignore aninjustice so the people around him stop being angry.

Aαngis just not seeing the big picture here. Katara is the last waterbender of the Southern Tribe; her cultural heritage ofwaterbending has been all but wiped out whilethe North did absolutely nothing. And now that the population of southernwaterbenders has been reduced to 1 due in part to the North’s inaction, they arewilling to let combat bending in the South die out just because they don’t wantto teach a woman.

Remember in the“Northern Air Temple”, when Aαng wavered between angry and devastated at thecultural destruction that the Mechanist was wreaking on the temple? I’msurprised, as the last of his kind, that he didn’t take this challenge toKatara’s mastery more personally. But setting aside personal feelings, as theAvatar, it is Aαng’s job to protect the culture of a sovereign nation frombeing extinguished in order to maintain balance in the world. He had the authorityto intervene on Katara’s behalf, and he should have.

Tip of the Iceberg #4: The Chase

Katara: How canyou be so infuriating! Aαng: Should we… do something?Sokka: Hey, I’m just enjoying the show. Aαng: Okay, okay, you both need to calm down.Katara: Both? I’m completely calm!

Points to Aαng forat least trying to intervene herewhile Sokka does the equivalent of eating popcorn. There is a squabble that’saffecting group dynamics, and he gives it his best. But just like before, Aαngdoesn’t get to the root of the problem; he just wants everyone to stop beingangry so things can carry on the way they always have … even if the way thingshave been isn’t optimal.

Like it or not,there are problems with the current situation. Toph’s refusal to be part of thegroup activities is harmful to the GAαng as a unit, whatever she may thinkabout being independent. And really, it should not have been left up to Katarato address this alone—but she knows that no one else will step up until shedoes. It’s a sign of Katara doing more thanjust pulling her own weight. As I’ve pointed out before, countless times inA:TLA we see her in the background doing some thankless chore so these kidshave hole-free pants and hot meals every day. This is a major burden that’s onKatara’s shoulders continuously; she helps ease Aαng’s burden as the Avatar onmultiple occasions, but sadly, Aαng never does the same for her.

Tip of the Iceberg #5: The Awakening

Hakoda: What’swrong Katara? Katara: He left. Hakoda: What? Katara: Aαng. He just took his glider and disappeared. He has thisridiculous notion that he has to save the world alone. That it’s all hisresponsibility. Hakoda: Maybe that’s his way of being brave. Katara: It’s not brave. It’s selfish and stupid. We could behelping him. And I know the world needs him, but doesn’t he know how much thatwe need him too? How could he just leave us behind?

This time, Aαng does more than notresolve the underlying problem; he exacerbates and in some ways causes it. Idid an essay before on Katara’s issues with abandonment; basically, losing her mother and her father to the war, albeit indifferent ways, leaves her very vulnerable to people running off on her. In“The Awakening”, Aαng shuts her out and flies away, still injured, and may verywell have perished were it not for Avatar Roku. This worrying over her friend’ssafety is the last thing Katara needs while she is still dealing withresentment over being left parentless for several of her formative years.Katara even knows that she’s being unfair to Hakoda in blaming him for leaving,but she’s simply unable to cope with the emotions she’s stored up inside whilehe was away. Aαng returns from his unsuccessful solo venture, but never makesit up to Katara or helps her with this longstanding issue.

Tip of the Iceberg #6: The Painted Lady

Sokka: Didyou even think this through? The army’s gonna blame the villagers. They’reheaded there right now to get revenge. Katara: Well, what was I supposed to do? Sokka: Leave! Do nothing! Katara: No. I will never, ever turn my back onpeople who need me. I’m going down to the village, and I am gonna dowhatever I can. Sokka: Wait. I’m coming too. Katara: I thought you didn’t want to help. Sokka: You need me, and I will never turn my backon you.

Just like in “The Waterbending Master”, it’s all fun andgames for Aαng when he’s helping Katara break the rules, but acceptingresponsibility? Not so much. He knows as well as Katara that Sokka, their planguy, has a strict schedule that they are adhering to in the hopes of making itto the invasion point on time. When he finds out that Katara has been delayingtheir mission to help the people of the town, he volunteers to help—not help asin learning healing from Katara, but help as in blowing up a munitions factory.And at first, it’s nice that he thinks Katara is a superhero, but when they’rediscovered, Aαng is quick to dodge the blame:

Sokka: Katara, what you did put our whole mission in jeopardy. We’re leaving rightnow. (He turns to Aαng.) And how long did you knowabout this? Aαng: Hey, I just found out this morning.

Yes, if by “just found out” you mean “was an enthusiastic participant in the deed most responsible for attracting the enemy’s attention”.In the dialogue that follows, he leaves Katara alone to defend herself, just likehe did in “The Waterbending Master”.

But worst of all, the same thing is happening here that hashappened in the last several outbursts: Aαng understands that Katara wants todo something in the moment, but thereis no epiphany where he gets just why that is. Whyis Katara so compelled to help everyone who needs it, regardless of far-offconsequences? What is the underlying cause of her determination? Aαng neverreally finds out, so once again Katara’s overprotectiveness will rear its heada few episodes down the line.

Tip of the Iceberg #7: The Runaway

Katara: Fine!It’s a lie. But you’ve been so out of control lately, I knew something was up.I knew you were hiding something, and you were. Don’t you walk away fromme while I’m talking to you! Toph: Oh, really, Mom? Or what are you going to do?Send me to my room? Katara: I wish I could. Toph: Well, you can’t. Because you’re not my mom, andyou’re not their mom. Katara: I never said I was! Toph: No, but you certainly act like it. You thinkit’s your job to boss everyone around, but it’s not. You’re just a regular kidlike the rest of us, so stop acting like you can tell me what to do. I can dowhatever I want!

Katara and Toph areat each other’s throats again in an extension of the problem they had in “TheChase”. This time, Aαng doesn’t even do as much as he did there, where he toldeveryone to calm down. He doesn’t tell Katara how much he appreciates all shedoes for him; he doesn’t take Toph aside ask if she really thinks these schemesare a good idea. Katara is going overboard with her role as Team Mom, a rolethat she is paradoxically becoming fed up with. We learn in this episode thatKatara has been taking on the burden of keeping her family together since she wasjust a little kid, and after all this time, she doesn’t know how to let go ofit. But we don’t learn this from Aαng, and Aαng isn’t even around when we hearabout it. And Katara mothers him just as much as anyone in this episode.

Tip of the Iceberg #8: The Western Air Temple

Katara: Youmight have everyone else here buying your “transformation”. Butyou and I both know you’ve struggled with doing the right thing in thepast. So let me tell you something right now. You make one step backward,one slip-up, give me one reason to think you might hurt Aαng… and you won’thave to worry about your destiny anymore. Because I’ll make sure your destinyends right then and there… permanently.

Wait a minute … wecan’t blame Aαng for not helping Katara with this one, can we? He wasn’t evenin the room when she threatened Zuko! Anyway, it was Zuko who betrayed hertrust at Ba Sing Se, and Zuko who has to earn her forgiveness, right?

Well, yes and no.Zuko siding with Azula against the GAαng in “The Crossroads of Destiny” was ablack mark in Katara’s book that he had to make up for, all the more so because he had confided in her and made her believe he had changed. Butremember, this is about how Aαng recognizes and responds to Katara’s moments ofemotional turmoil. And the fact that she confronts Zuko in private afterpublicly going along with what Aαng wants is a red flag that she doesn’t want Aαngto see how huge the Katara Iceberg is.

Besides, let’s notforget just how obvious Katara’sanger at Zuko was to the entire GAαng. She sniped at him in public episode after episode—even “The Firebending Masters”, which barely featured her. There’s absolutely no way Aαng didn’t notice this, or how much Zuko’spresence was upsetting her. Did he do anything, even something small like helpher with the chores? Did he try to talk to her or Zuko at all about what theirproblems were? Did he let Katara know that her feelings of betrayal were valid,and that he would help her understand what he saw in Zuko?

Maybe they shouldn’t have just kept flying over“The Great Divide”, because Aαng sure could have used those negotiation skillsin this situation.

Tip of the Iceberg #9: The Southern Raiders

Katara:We’re going to find the man who took my Mother from me. Zuko: Sokka told me the story of what happened. I know who did it. And Iknow how to find him. Aαng: Umm… and what exactly do you think this would accomplish? Katara: I knew you wouldn’t understand. Aαng: Wait, stop, I do understand. You’re feeling unbelievable pain andrage. How do you think I felt about the sandbenders when they stole Appa? Howdo you think I felt about the Fire Nation when I found out what happened to mypeople?Zuko: She needs this, Aαng. This is about getting closure andjustice. Aαng: I don’t think so. I think it’s about getting revenge. Katara: Fine! Maybe it is. Maybe that’s what I need. Maybe that’s whathe deserves. Aαng: Katara, you sound like Jet. Katara: It’s not the same. Jet attacked the innocent. This man, he’s amonster.

Wow, did Aαng bungle this one.First, Katara knew he wouldn’t understand—thatright there is a big blow to the notion that Aαng is there for Kataraemotionally. Second, Aαng tries to tell Katara he does understand by using acompletely inappropriate example. Aαng’s pain and rage on seeing Appa stolencan’t hold a candle to Katara’s mother getting murdered, nor is the Air Nomadgenocide comparable because Aαng didn’t personally witness the perpetrators, andall of the people who carried out the massacre are already dead. Third, hejumps to conclusions that this is about revenge before Katara even says itis—the way she says, “Fine! Maybe it is; maybe that’s what he deserves” makes it seemlike she’s mulling the idea over in real time as it occurs to her. It’s possiblethat Aαng’s premature suggestion actually plantedthe idea of killing Yon Rha in Katara’s head, where before she just had anebulous idea of confronting him. And as if that weren’t bad enough, Aαng thencompares Katara to Jet, who took revenge for his village’s destruction on anentire town of innocent Earth Kingdom civilians.

Aαng tries to drumthe idea of forgiveness into Katara’s head fourtimes in this one episode, an idea that she repeatedly and finally rejects,even at the episode’s end. This is a huge clue that Aαng wasn’t letting Katarado what she needed to do to getclosure, but kept trying to pressure her into doing what Aαng personally wantedher to do to maintain his own Air Nomad ideals. He made her pain all abouthimself and the wisdom of the monks, the least helpful thing he could havedone. And let’s remember that, like with Katara and Zuko’s long détente, Aαnghad plenty of times throughout the series to ask about Katara’s mother andwhat happened, possibly helping her to heal by sharing his own experiences. Buthe never, not once, sympathizes with her or even seems to realize how huge awound she still has—not until it stands a chance of violating his personal precepts.

So let’s take stockof all of these situations where Katara’s anger was a sign of dire emotional distress. How many times did Aαng recognize and respond to Katara’sanger in a way that got at the source of the problem? “The Waterbending Scroll”is the only time he comes close, and arguably, each of his attempts at diffusingKatara’s anger is worse than the one before it. By no means do I think Aαngshould have solved Katara’s problems for her, or that he should have had thematurity of his technical age. But think of all of the people who step in anddisplay genuine, helpful understanding to Katara in these moments: Hakoda,telling Katara how much he missed her and how he hated being without hischildren. Sokka, telling Katara he’ll never turn his back on her. Toph, tellingKatara that she can be fun, too. Zuko, helping Katara find the man who murderedher mother. Considering how Katara and Aαng are held up as soulmates in theshow, it’s quite depressing how few moments of helpful understanding Kataraactually gets from him, not to mention how often she has to hide her emotions in fear of being judged for her angry reactions. And yes, there’s a good chance that Aαngis simply not mature enough to do more than skid along the surface of Iceberg Katara.But if that’s the case, the last thing he should do is make himself a permanent resident.

#katara #anti-kataang #anti kataang #a:tla

607 notes · View notes