#a tv show that--as far as i can tell--literally No One But Me gives a fuck about

[trentcrimminallybeautiful]

okay this one doesn't get a full post yet bc i might actually write this au even though literally no one but me wants it, but

[justarkive]

TABLE 3 | JJK ch 2

“For good services and cute waitresses”

pairing: pre militaryljk x fuckbuddy!oc

contents: mild language, no smut (yet), fluff, humour, celeb au, a bit of angst, flirting, TENSION. lowkey mean manager. kind of dramatic oc.

wc: 4k

this fic is not meant to represent the real jungkook or any other characters mentioned!

taglist: if anyone wants to join pls comment!!

masterlist , <prev | next>

It’s 1am, and you and Nari have decided to have a girls night at her apartment. Nari’s apartment is cosy, you and her are sat in front of her TV on her comfy floor-sofa (Which you convinced her to buy rather than a traditional sofa.) She’s glad to have listened however, night’s like these sitting on her floor, blasting music and simply enjoying each other’s company with side of wine make you grateful for having this kind of friendship.

You’d both came straight after work. It’s been a couple of days, two exactly, since Jungkook and his friends had showed up to your work, and you’re not sure who you’re trying to convince when you tell yourself you don’t care and all the exchanges between you were simply out of respect and making small talk. But honestly, who cares? Jungkook is undeniably attractive, you’re probably just another waiter he’s hitting on for fun, you’ll likely never see him again and you don’t wan-

“Do you think we’ll see them again?” Nari’s voice cuts through your thoughts, realising you’ve not been paying attention to the TV playing in the background. “Who?”

She scoffs, tucking her feet under her knees, nudging yours. “Don’t play dumb,” She’s smirking at you, and you’re biting your lip before you answer.

“I doubt it, why? And does it even matter?” You’re taking a sip of your wine, playing it cool, but Nari’s already deadpanning you as you avoid eye contact with her.

“Y/n, you don’t have to lie to me!” Shes whining, giving you puppy dog eyes and you roll your eyes and chuckle.

“Okay- Fine, maybe i do want them to come back, but i honestly don’t care if they don’t, i mean they’re just normal people right? Also, I heard some of their fans are crazy and i seriously don’t want to get caught in the middle of- What the fuck!”

Your breath catches in your throat while you stare at your phone screen, wine glass frozen mid air. Nari, instantly alert, scoots closer, “What?! What happened?”

You don’t answer, too busy reading the words in front of you. It’s a Twitter post- in fact, multiple posts—flooding your screen mid-rant, you’d decided to search Jungkook’s name up and it turns out, he wasn’t the only talk of the town today.

“JEON JUNGKOOK SPOTTED TALKING TO A MYSTERY GIRL AT RESTAURANT IN SEOUL WHO IS SHE?”

Beneath it is a blurry photo of you standing beside their table- table 3. You can tell it was taken secretly—the angle is weird, the lighting is off, but it’s unmistakably you. And even more unmistakably him. In the picture, it’s only Jungkook talking to you, the others are engrossed into the food, and Jungkook’s smirking up at you. And the comments?

“Omg she’s so lucky wtf.”

“They look kinda cute together not gonna lie.”

“Who is she??? Someone find her @.”

“She better stay away.”

“She’s literally doing her job, y’all are so weird.”

“THIS BETTER BE FAKE.”

“Oh shit.” Nari’s snatching your phone out of your hand, scrolling through the posts with wide eyes, and your stomach is churning, the longer you sit there, the more you feel like vomit’s crawling up your throat.

“Theyre talking about me..” You whisper, as if saying it out loud would make it worser than it already is. Nari hums in agreement, still scrolling. “Yep. And they’re crazy. Look at this one—‘someone find her @’? What the fuck?”

Your heart pounds as you snatch the phone back, scrolling faster. The tweet has thousands of likes already, and it’s spreading. You can see people speculating in real-time, some trying to figure out your name, others joking about Jungkook flirting with every waitress he meets.

You try to ignore that. Seeing the far bigger issue at hand.

You hate the spotlight. And this was seriously your worst nightmare, and definitely not how you’d want to end up in it if you ever did.

“Fuck- what if Jungkook sees this? What if he thinks i’ve taken the picture- Oh my god what if he thinks im a creep! I can’t, Nari-“

“Okay, first of all, he probably will see it eventually-“ That somehow makes your stomach drop further, he’ll see it. What a stupid question, of course he will. He’ll see the picture, the comments and all the speculation. “And y/n, that doesn’t even make sense, why and how would you take a picture of yourself, from that angle too?”

“I don’t know!” you groan, throwing yourself back onto the floor sofa, staring up at the ceiling. This is too much. You were fine just a few minutes ago, sipping wine and enjoying your night. Now your face is floating around Twitter alongside his, and you don’t know what to do about it.

Nari nudges your leg, giving you a look of sympathy . “Look, it’s like 2am, let’s sleep it off for now, it’ll probably die down soon, forget about this.”

You wish you could believe that. But as your phone continues to buzz, you have a sinking feeling this is just the beginning.

——

You’re shuffling through the backdoor of the restaurant, head down low and mentally cursing yourself for actually coming to work today. First of all, you’re hungover and you’d tossed and turned next to Nari all night, trying to avoid your phone and updating yourself on the… scandal.

It took some convincing on Nari’s side for you to actually come to work today. After she’d woken you up at the crack of fucking dawn all you wanted to do was go home and rot in bed, and maybe shoot your phone too. Avoid the drama.

Eventually, you gave in. Realising that suddenly not showing up makes you look suspicious- guilty. And that’s why you’re walking in, the smell of grease filling your nose.

Nari’s already behind the bar, handling customers. She notices you, waving while the regulars also wave, you smile back, however it doesn’t really reach your eyes and you know she notices.

—

You’ve changed into your work slacks and shirt, walking up to Nari when the buzz of the early morning starts to die down a bit.

“You seriously look like you wanna die.” Nari snorts when you rub your eyes, sliding a bottle of water in front of you, and you grab it and chug it fast. “Damn, thirsty much?”

You groan, crossing your arms after putting the bottle into the trash, “That obvious?”

“Just a little.” She winks, leaning against the bar, propping her chin on her palm. “But, at least you showed up. I was worried you’d actually quit and run off to live in the mountains or something. And- leave me here, to serve overpriced coffee and processed food to rich people, alone!”

You’re grinning when you look back at her and retort, “Honestly tempting, thanks for the idea.”

“Mm, I don’t think you’d last. No phone, no music, nothing.”

“You’re right, who am i kidding? I’d die within a day.” You’re rubbing your eyes again, sighing. “I still don’t know why I even bothered coming here today, everything’s moving pretty slow,”

Nari’s deadpanning you, “Its 10am. And this restaurant is never quiet. And you’re also a responsible adult with bills to pay.”

“Or because someone called Nari guilt-tripped me into it.”

“That too,” she grins.

For a split second, things feel normal—just the usual banter between you and Nari. No online chaos, no invasive speculation. Just work. Just routine.

Then, of course, the moment doesn’t last.

Two customers approach the bar, and before you can ask what they’d like to order, one of them leans in a little too eagerly.

“Oh my god,” the girl whispers, eyes wide with excitement. “You’re that girl, aren’t you?”

You blink, already knowing where this is going. “…What?”

“You know,” she grins, as if she’s in on some big secret. “The one from Twitter! The one Jungkook was talking to! We came to the right place, Unni! Oh my god- you have to tell me where he sat, where did he sit?!”

They’re both squealing, looking around the restaurant. Your stomach sinks. And just like that, the peace is gone.

Nari’s rolling her eyes, and you simply reply. “I have no idea what you’re talking about.”

“She’s totally lying! You’re pretty- i guess, seems like the type of girl he’d go for surely, you can tell us, we wont say anything.” They’re winking, as if you’d tell a stranger that you’re dating a major celebrity. Crazy fans! You cant help but clench your jaw, you take a glance down and you notice they’re sporting Jung-kook’s merch, photo cards, keychains, you name it. You make a mental note to not slip anything about him at all, as if theres any thing to slip anyway… right?

“Im not lying, he only came here to eat, thats it, im just doing my job.” You clearly sound annoyed, and it’s getting worse when you see they clearly cant take a fucking hint.

The second girl gasps, grabbing her friend’s arm. “She’s totally lying!”

The first one giggles. “Come on! Tell us! You’re telling me you actually got to interact with the Jeon Jungkook and you arent telling anyone? Did he say anything? Does he flirt in real life the way he does on camera? Oh my god- are you.. secretly dating?!”

Your jaw tightens, irritation bubbling up. It’s always the same thing—his looks, his charm, the way he flirts on camera. No one ever seems to care about anything beyond that. It’s like he isn’t a real person to them, just some fantasy they like to add shit onto.

And now, because you happened to cross paths with him, they’re dragging you into it too. You didn’t ask for this. You didn’t ask to be some character in the story of Jeon Jungkook’s life.

Your fingers tighten around the rag in your hand. You inhale sharply, trying to keep your patience, but the way they’re both gawking at you like you’re some kind of rare exhibit is making your skin crawl.

“I was just doing my job. That’s it.”

“But-“

Nari’s had enough. She’s barging beside you, slightly nudging you to the side. “Seriously?! She she’s already said nothing happened, do you not have anything better to do?” One of the girl’s flinch at her raised voice slightly, “So if you’re not here to actually buy food and just here to harrass my friend, i suggest you leave before i call security.”

The first girl’s mouth opens and closes like a fish, while her friend looks absolutely scandalized.

“Harassing?! We weren’t harassing her!”

“Yeah, you kind of were,” Nari deadpans.

“Now, what’s it gonna be? Drinks, or are you leaving?”

A pause. Then, with a few grumbles under their breaths, the girls exchange one last look before turning on their heels and storming off.

Nari watches them go, rolling her eyes. “Fucking weirdos.”

You let out a breath you hadn’t realized you were holding, slumping against the counter. “I seriously hate this.”

She clicks her tongue, patting your shoulder. “Yeah, well. Better get used to it.”

You groan, rubbing your temples. “I didn’t even do anything.”

“Tell that to Jungkook if he shows up again.”

Your heart stops, he wouldn’t… right? Not again. Unless he hasn’t seen the shambles on social media, which you highly doubt. Him coming here again is a recipe for destruction.

—

You spoke too soon once again.

You’re already having a bad day, but this? This honestly just makes everything worse.

Are you fucking serious?

You’re lowering your head slightly, glancing toward the entrance as Jungkook walks in—alone. Of course, he is. Because why wouldn’t he want make this even harder for you? It’s not enough that people have been whispering, not enough that eyes linger on you when they think you won’t notice. Now he’s here, and there’s nothing to remove the attention. No group of friends, no distraction, just him walking in alone so casually, like he owns the place, completely unaware of the storm you’re stuck in because of him.

You exhale sharply, gripping the menu a little too tight as he scans the restaurant. It’s almost a relief when he picks a booth in the back—almost. At least from there, you’ll have a good view of anyone sneaky enough to try taking pictures. But it still doesn’t change the fact that he’s here, and now you have to deal with it.

“Do you want me to go instead?” Nari asks under her breath, her voice low so only you can hear.

“No, I have to go talk to him.“ Shes giving you a smile and nod of encouragement, and you pick up a menu, smiling back and walking over to the booth.

By the time you reach him, your frustration is simmering just under your skin, and you don’t even bother hiding it. Instead of setting the menu down gently, you drop it onto the table with a sharp thwap. Jungkook flinches, looking up at you with wide eyes, clearly caught off guard. Your heart clenches at his big, huge doe eyes. Why does he have to be so… cute! Ugh!

You cross your arms, glaring at him.”Seriously?”

He blinks. “Uh… what?”

You scoff. “Why am I in the middle of this?” You gesture vaguely, but he knows exactly what you mean. The posts, the speculation, the hushed conversations happening the moment you turn your back. “I really don’t want to be a part of this.”

For a moment, Jungkook just watches you. Then he leans back slightly, draping an arm lazily over the back of the booth, like this is just another casual conversation. Like this is nothing to him. “It happens all the time,” he says, completely unfazed, and you couldn’t be more pissed off. “I’m sorry.”

You narrow your eyes. “Yeah, of course you’re just sorry, well guess what Jungkook, im not you, okay? I’m not used to this- I dont want to be in this”

You don’t mean to snap, but the words come out sharper than you intended. Something flickers in Jungkook’s expression. His confidence doesn’t disappear entirely, but he’s hesitating and biting his lip ring—just for a second. His gaze flickers across your face like he’s actually seeing you now, realizing this isn’t just some minor inconvenience for you. You don’t know what to make of that. It throws you off, just a little. But you hold your ground.

“Im sorry, I didn’t want this to happen- I know how it feels, and ill do what i can to get it under control.” He’s speaking softer, looking up at you before he gets distracted by something in the back.

Before either of you can say anything else, Nari arrives with utensils and plates , setting them down a little harder than necessary. You startle.

“Here you go.”

Jungkook barely acknowledges her, murmuring a quick, “Thank you,” before reaching for his utensils. The interaction is completely normal—just a regular customer getting his order—but you watch anyway, searching for something you can’t quite name.

You trail off after Nari, giving him a tight lipped smile, picking up the plates around the tables near him. Something distracts you- someone. He’s old, in a casual, but smart outfit. Walking up to Jungkook. The man himself seems quite annoyed, like he dosen’t want to be there. You figure he’s his manager.

You’re still watching when Jungkook’s manager walks in and slides into the seat across from him.

Immediately, the atmosphere changes.

“You seriously need to lay low,” his manager says in a hushed but firm voice.

Your grip tightens around the tray in your hands. You weren’t trying to eavesdrop, but you don’t have to. The tension is clear as day, thick enough to press against your chest. You don’t know why, but something about the conversation makes you uneasy.

Jungkook doesn’t say much—just nods along, eyes downcast as he eats. Whatever they’re talking about, it’s serious.

You decide it’s time for a toilet break.

—

As you step into the bathroom, the cool air and muffled hum of the restaurant give you a moment to breathe. Exhaling slowly, shaking your head to yourself. This entire night has been one giant headache, and you’re barely keeping up.

The door swings open behind you, and in the mirror’s reflection, you see Nari stepping in. Her eyes meet yours briefly before she heads to the sink, washing her hands with the same frustration you’re feeling.

“You okay?” she asks, glancing at you through the mirror.

You let out a dry laugh. “I was gonna ask you that first.”

Nari snorts, shaking her hands off before grabbing a tissue. “Yeah, well. I figured you might need to hear it first.” She tosses the towel in the bin and leans against the counter, taking out her lipgloss and applying some. “What the hell is going on out there?”

“Trust me, i wish i knew.” You groan, rubbing your temples.

Nari raises an eyebrow. “So, what? You two got some unfinished business or something? Cause it kinda looks like it.”

You shoot her a look. “No. Definitely not.”

She hums, unconvinced. “I dunno… that was a lot of tension back there. Thought you were about to start throwing hands or—”

“Nari.”

“Okay, okay.” Shes grinning, nudging your arm. “But really, are you okay? You looked ready to bite his head off.”

You sigh, leaning back against the counter next to her. “I just… I don’t like this attention. The stares. The way people assume things just because he walks in here.”

Nari nods, her expression softening. “Yeah. I feel you, especially those girls earlier, that already annoyed me, i couldn’t imagine being you right now.”

“Exactly.” You run a hand through your hair.

“And now, one of his managers is all over him about laying low, and I’m caught in the middle of it.”

Nari makes a disgusted noise. “Ugh. I hate that. Like, what are you supposed to do? Ban him from the restaurant?”

“Right?”

There’s a brief silence before Nari shifts, giving you a sly side-eye. “But… if we ignore the part where this is a disaster… he is kinda hot, right?”

You groan, shoving her shoulder. “Nari.”

She laughs, raising her hands in surrender. “Hey, I’m just saying! If this was some corny romance film, you guys would so be two scenes away from a heated argument turning into—”

“Nope. Not happening.” You shake your head firmly, pushing off the counter.

“Mm-hmm.” Nari sing songs, but doesn’t push further. “Well, whatever’s going on, you’ll figure it out.” She gives your arm a light squeeze before heading for the door. “I’ll cover if you need a few more minutes.”

You smile, feeling a little lighter. “Thanks, Nari.”

She winks. “Anytime, Mrs Celebrity.”

You groan again as the door swings shut behind her, leaving you alone with your thoughts.

When that the calmness of the bathroom suddenly isnt so relaxing anymore, you make your way out, deciding that if you stay any longer, it may look like your actually hiding from him.

Stepping back out onto the floor, the buzz of the restaurant greets you again. You scan the room, gaze flickering toward Jungkook’s table. He’s still there, picking at his food and watching something on his phone but his manager is gone. For a second, you think he left completely—until you spot him at the bar, sitting stiffly, drumming his fingers against the counter like he’s waiting for something.

Or someone.

You sigh, steeling yourself, before walking over. “Can I get you anything?” you ask, keeping your tone neutral.

The manager barely glances at you before exhaling sharply through his nose, looking back to the side and it irks you. Pisses you off. “What you can do is tell me whats going on here. I’ve seen the posts, do you know who he is? Im sure you do, and you know the consequences of these things,” he mutters, shaking his head.

“Frankly, I dont care what you kids are doing, but you and him should not be doing this so confidently out in the open.” He scoffs under his breath, fixing his watch around on his wrist absentmindedly on the counter. “But whatever. You don’t seem like the type to listen.”

You blink, caught off guard. “Excuse me?”

His gaze flicks to you properly now, sharp and assessing. “I’m saying,” he continues, lowering his voice, “I understand that you have your own life to live, but Jungkook isn’t just anyone. He’s got an entire career, a reputation, and people looking for any excuse to pick him apart. So, unless you want to become the next big scandal, I’d suggest you be a little more careful.”

You cross your arms. “First of all, I’m just doing my job and theres nothing going on between us,” Irritation is building up, you couldn’t be famous. If this is the tiny amount of control you’d have over yourself? You seriously wonder how celebrities can deal with it. “Secondly, Jungkook’s also a grown man, and you cant sit here and babysit him.”

He huffs a dry laugh. “Trust me, I know.” His fingers tap against the glass again, thoughtful. “That’s the problem.”

You narrow your eyes. “What’s that supposed to mean?”

He shakes his head, letting out another sigh before pushing back from the bar. “It means that he always gets what he wants,” he says, standing up. “That’s all.”

You stand there for a moment, still processing, before glancing over at Jungkook.

His manager is leaving when you turn back, why the fuck is everyone leaving you riddles to solve?!

—

Its a few minutes later when Jungkook’s at the bar, interrupting your zone out sesh, annoyingly enough, he has that same smirk on his face, and what looks to be the bill in his hand.

“Hey,” he interrupts smoothly, stepping between you and your thoughts, “I have to leave a little earlier tonight.”

You cross your arms, narrowing your eyes and making sure what you next say comes off as a joke, “And why would I care?”

Jungkook hesitates just a little, then tilts his head slightly, flashing a quick, teasing smile. “Hm, not sure, you do seem kind of invested.”

You roll your eyes, biting down the urge to smile just to be difficult. “Yeah, in my paycheck. Which I better still have after all this.”

His lips twitch like he’s holding back a laugh. “Good to know where we stand.”

“You’re a customer, and I work here. That’s where we stand.” You remind him. And you don’t know who you’re trying to convince when you tell him.

“Mm.” He hums, expression faltering the slightest, but you dont miss it. He’s resting his elbows on the bar. “But I don’t see you talking to your other customers like this.”

You scoff, reaching for a glass just to have something to do. “That’s because they’re not you.”

His grin deepens. “Exactly.”

His manager’s coming back through the door, looking out of breath, seemingly in a rush and exhales sharply, clearly fed up. “Jungkook, we need to go. Look’s like someones seen you,”

You look outside, its not a crowd yet, but theres the same two girls standing outside, you make sure to put your head down, not making it too suspicious that you’re hiding but you seem to cover your face successfully behind the bar glasses and you are praying to the Gods that your face isn’t going to be plastered all over your timeline tonight.

Jungkook doesn’t move. He just stays there, watching you, like he’s waiting for you to say something first.

You meet his gaze, feeling that tension again—annoying, frustrating, but undeniably there.

After a long beat, you raise an eyebrow. “Aren’t you supposed to be laying low?”

Jungkook smirks. “I’m working on it.”

The manager mutters something under his breath and finally leaves the restaurant. Jungkook takes his time following, sliding a tip across the bar before turning toward the door.

And like last time, you wait until he’s gone before checking.

Scribbled next to his unnecessarily large tip, in his barely legible handwriting, is a number, and the same emoji he has tatted into his middle finger drawn terribly next to it.

You freeze.

Jungkook left you his number.

[mysecretlittlelibrary]

NFWMB (Nothing Fucks With My Baby)

Pairing: Reader x Venom

Word Count: 2.4k

Warnings: you get kidnapped, there's some cannon level violence, nothing to write home about &lt;3

Genre: idk if I should really classify this as angst fr but the ending is fluffy!

Summary: Carnage returns, his mission remains the same; kill Venom. And he plans to use you to do it.

Based on this ask by @weebnotheree (thank you so much for the request, I know it took a while so I appreciate your patience, I hope you like it <3)

***

"Hey y/n!" Your coworker skirts over to your desk with curious excitement.

"Yes?" You glance up from your computer at her.

"Your boyfriend is a reporter isn't he?"

"Correct. Where is this going exactly?"

"Well do you think he'd be able to come cover the charity gala this weekend?" She asks.

"He doesn't really- cover this sort of thing? He'd need to get assigned to it. But I can check with him, he can ask his boss and maybe they'll send someone else down." You concede. It can't hurt, after all, you do need the exposure for the event anyway.

Hours later, after you've both gotten home from work and eaten dinner. You're winding down for the day with Eddie by watching a show together when you propose the question from your coworker.

"Eddie quick question." You say, not lifting your head from his shoulder.

"Yeah?" He's been tracing patterns against your leg for the past ten minutes.

"Do you think you could come cover the charity gala this weekend? My coworker Dani thought it'd be a good idea." You tell him.

"I don't usually write those sorts of pieces." He hums.

"I know I told her, but I also told her I'd ask anyway. It doesn't have to be you, if your boss sends someone else that's fine. We're just aiming to get more eyes on the event." You shrug.

"I'll talk to my boss. He'll probably send someone. Not me though."

"Yeah that's fine, I know these aren't your thing, you don't have to come." You say.

"Say what?" You feel him shift to look at you.

"I drag you to enough work functions. I'll let you skip out on this one." You pat his chest lightly.

"Don't have to tell me twice." Eddie snorts turning back to the TV.

"Technically I already did tell you twice." You chuckle.

"Smartass." He pinches your thigh.

"Always." You sit up just to wink at him.

The following day, you are accosted by Dani pretty much as soon as she walks into the office.

"Did you ask him?"

"Ask who, what Dani?" You ask though you know exactly what she's talking about. "Also have you forgotten that the proper way to start a conversation is with a greeting? What happened to hi? What happened to how are you?"

"Hi, how are you? Did you ask your boyfriend about covering the gala?" She says.

"Hi Dani, I'm doin' alright. How are you?" You ask her.

"Y/n!" She huffs.

"Yes Dani I asked. He said he'd talk to his boss. Knowing Eddie, someone will probably be at the gala. It's handled." You finally cave and give her the answers she came for.

"You're the best!" She tells you.

"I know, thanks." You chuckle. You shrug.

The day of the gala is chaos from the minute preparations start. It's not really anything that surprises you and you've been handling everything that comes your way with ease.

"Y/n!" Your coworker Wendy grabs your attention when you're sorting out something with one of the photographers.

"Yes Wendy?" You aks.

"The uh catering staff is here do you know where they're supposed to-"

"They just got here?! They were supposed to be here an hour ago! Who was on that? They should've been checking for- oh never mind! Their tables are over there on that wall and tell them to hurry Wen the event is literally starting." You sigh pointing her in the right direction. The event is just gaining momentum, doors opened about twenty minutes ago and aside from the catering situation that has just been taken care of, as far as you know, everything is precisely as it should be. At least you hope so since you did come here a couple of hours in advance to make sure things were ready. You aren't technically in charge of this event but you are naturally better at organizing chaos and these events tend to be a bit of a frenzy on the day no matter how prepared you are in advance.

Tonight is your company's annual charity gala. Every year the board votes on a cause to raise money for by hosting a huge party. This year's cause is a charity that supports kids getting involved in the arts. There are a bunch of art projects on display, some of which will be up for auction at the end of the evening, but the goal is to shmooze with the community members effectively enough that they want to support the charity. You spend most of these galas working optics; talking to reporters, setting up pictures, and just generally organizing things throughout the night. As part of the company's public relations department events like these are your specialty. Carefully curating the perception of everything that goes on here tonight with the help of the other members of the department here tonight.

You're pleased to say that a couple of hours in, the event is going off without a hitch. Once it's in full swing, you have your hands full giving statements to different press outlets and sending photographers to snap the board of directors with guests of the event. Just as you're preparing the host for his introductory speech, you notice a small crowd gathering by one of the large glass windows overlooking the city.

"What's going on over there?" The host frowns at you.

"I'm- not sure. Probably just some nightlife chaos got people's attention." You shrug but before you can walk up the stage there's a shout from a few of the guests followed by the sound of shattered glass as something crashes through that large window. The room erupts into chaos as red goop shoots out at people. It only takes you a couple of moments to realize the thing currently ruining your gala is Carnage. You didn't meet him or anything last time they faced off, but Eddie gave you enough of a description to come to that conclusion when you spot the bright red tentacles and eyes so like Venom's but different at the same time.

"You have got to be fucking kidding me." You huff quietly from where you're crouched behind a curtain with the gala host.

"What is that thing?!" He hisses.

"Doesn't matter. Find the nearest exit and run like hell." You tell him.

"What?! You want me to go out there?! What if it sees me?" He shakes his head. You poke your head out just enough to see Carnage. Weirdly enough he just seems to be picking up people and dropping them on the ground again.

"You ever seen that thing before?" You ask.

"God no!"

"He's looking for something. Unless you think it's you, I'd suggest taking the risk before he starts getting snackish!"

"W-what?!"

"We know you're here! We did our RESEARCH!" The man beside you is practically shaking as Carnage's deep voice rings through the room.

"He's coming this way, you have to move now." You say.

"What about you?"

"He's more likely to notice two of us. I'll be out after you." You're so busy directing the guy you don't realize how close Carnage is to you all until the curtain you're behind is ripped off its bar.

"AHA! THERE YOU ARE!"

"GO! GET OUT OF HERE NOW!" You shout to the guy as Carnage reaches for- you. He's reaching for you, you realize only when one spindly spider-like appendage wraps around your waist.

"How noble of you. We weren't after him- but if you must be the hero-" Carnage easily reaches the scrambling host before he can get to the door and all you can do is shut your eyes tight when Carnage lifts him up. It's only when his screams stop suddenly and something warm drips onto your arm that you're sure is blood. You don't dare to check what Carnage has done, but if you had to guess, he bit his head off; much like Venom does when you or Eddie allows him to. Your eyes only shoot open when Carnage starts to move again, swinging back out the hole he came in through and taking you through the city. You're in the air for quite some time before eventually, Carnage drops you, rather gently for a kidnapper, on the ground inside a dusty building.

"Hello, little thing." Carnage says to you.

"I could have sworn Venom dealt with you already." You cross your arms.

"Almost. I was lucky to escape."

"Unfortunate for the rest of us." You muse.

"Rude!"

"Let me remind you that you did kidnap me so excuse me if I'm not kind." You roll your eyes. "I take it my role is to lure Venom to you? Right?"

"Correct. He cares for you. So he will come."

"Of course, he will. Though, disrupting my work event was an unnecessary scene just to lure him out to- where are we?"

"An old firehouse!"

"Wow you really are a baby." You scoff realizing he's chosen another location where loud noise is common.

"Excuse me?"

"Nothing nothing. I presume you have a different host now right? That other guy, the serial killer, died the last time, didn't he?"

"I am bonded to his blood! I can regenerate!"

"I'm sorry- so you regenerated… an entire head for your last host?"

"Yes!"

"That is- very strange." You frown. "Still, this place doesn't hold sentimental value to Cletus so- how will they find you?"

"Oh just call them." Cletus makes an appearance, finally, and rolls his eyes as he makes his request.

"Call them? You want me to call them and lead them to where you plan to kill them?"

"Yes. Or I'll kill you."

"That would be stupid. Killing me won't get you what you want." You scoff.

"CARNAGE! YOU TOOK MY CHOCOLATE DROP! I'M GOING TO RIP YOU TO SHREDS!!"

"Guess we don't need to call him." Carnage says pushing you into the fire engine that's collecting dust in the unused building.

"WAS DYING ONCE NOT ENOUGH FOR YOU?!" Venom stomps towards Carnage.

"Father. I'm not that easy to get rid of!"

"EVIDENTLY!" Venom charges at Carnage and the two of them are quickly destroying the old brick firehouse you're occupying. From inside the fire truck you're in, it's hard to tell who's winning for most of the fight. It's all too quick and too fluid the way they're throwing each other around. By the time you've gotten a handle on what's going on between the duo, Carnage has Venom pinned to one of the walls that they haven't totally ruined already. Frantically you turn towards the control panel of the fire engine, you can't imagine it's still fully operational but there's a chance you can find some way to make noise with this thing. You need to give Venom the upper hand somehow.

"V!" You shout and cover your ears for only a moment before pressing as much of your weight as you can into the horn of the truck and hoping for the best. You can't explain the relief that you feel when that horrid loud noise fills the small space and Carnage screeches. You let up on the horn once he stumbles away from Venom, his attention on you now that you've gotten involved.

"You!" Carnage snarls. You lay into the horn again before he can get to you and the sound seems to disrupt him enough to almost completely separate him from Cletus. You let up when Eddie has crept up behind them and Venom takes over to fully rip Carnage from Cletus by force. You didn't think that was possible and it is extremely strange to watch. Venom grabs Cletus with an extra appendage and holds him far in the air as he eats the angry red goop that is Carnage.

"EVEN WORSE THE SECOND TIME." Venom grumbles and you can't help but giggle a little. The noise makes Venom wink at you before turning his attention to Cletus. "THIS TIME STAY DEAD!" Venom says before biting his head off, out of your line of sight. You come out of the fire truck just in time to catch him dropping the body.

"ARE YOU ALRIGHT?!" Venom runs over to you and lifts you into his arms so you're eye level with him as he looks over you for injuries.

"I'm fine V. He didn't actually hurt me. You got here so quickly." You muse.

"EDDIE WAS WATCHING COVERAGE OF YOUR GALA." Venom explains.

"It was going so well until he crashed it." You pout. "You don't have any other errant children we should know about right Venom?"

"NO. NOT THAT I KNOW OF." Venom shrugs lowering you back to the ground.

"Good because this kidnapping thing is very inconvenient." You say. Eddie chooses that moment to reappear and he quickly wraps his arms around you.

"Y/n, baby, thank fuck you're okay. I am so sorry." He breathes out.

"You're sorry? What for?" You frown as you hug him back.

"If I had just come to the damn gala in the first place-" You pull back and hold Eddie's face in your hands to make sure he hears what you say next.

"No. It wouldn't have changed anything. In fact, it would actually have been worse I think. There were hundreds of people in that building and we were on one of the higher floors. The casualties if you had fought him there would have been so not worth it. This was the best outcome. I'm sure there were several injuries but I think there was only one death besides him so- don't apologize. Especially because there was no way you could've predicted him crashing my event. Don't blame yourself because other than a ruined charity gala and the inconveniences that come with a kidnapping, I've barely got some scrapes. You two did well." You tell him.

"We couldn't have done it without you. The fire horn was a great idea."

"Yeah well, you were going to die. And I didn't have any fire." You shrug. "We should get out of here though, I can't imagine it'll take much longer for authorities to get here in search of the red monster that crashed a charity event." You add.

"True. The party looked beautiful by the way. You know, before Carnage trashed it." Eddie says scooping you into his arms.

"Thank you baby." You kiss his cheek just before Venom appears again to take you all home.

"I WANT A KISS TOO! I DID ALL THE WORK."

"You can have as many kisses as you want V." You say kissing his cheek too as he walks out of the trashed fire station with you in his hold.

"I WANT ALL THE KISSES THEN!" He declares as he swings you both up into the air.

"Once we get home I'll kiss you til my lips fall off if you so wish my love." You giggle.

"NOT THAT MANY! IF THEY FALL OFF I WON'T GET ANY MORE IN THE FUTURE!"

"Okay okay. Reasonable amount of kisses, once we get home. Deal?"

"DEAL!" Venom says before taking off from building to building to get you home. There's no such thing as normal when your boyfriend is sharing his body with an alien you suppose, but you wouldn't have it any other way.

***

[whencartoonsruletheworld]

my pitch for a phineas and ferb-themed ride at the disney parks (hire me disney you cowards)

the queue is an interior building with pnf-themed decorations. kinda like the figment ride in epcot, a lot of it is winding through a "museum" of pnf and/or doof inventions. most of those inventions disappeared of course, so they're models, parts in glass cases, etc. overhead are tv monitors that play a shuffled loop of phineas and ferb songs, but bc there are so many good songs they can use it hopefully won't get repetitive unless you're there for nine hours. the exception to this is one small part of the queue (small to avoid people being stuck there too long) where it exclusively plays the quirky worky song and you see the pnf gang building the ride you're about to go on, either as statues/figures or through a "screen" that shows looping animation

you get onto the coaster car from the first episode as phineas, baljeet or isabella reads the safety spiel over the loudspeaker. actually as i'm typing this it might be fun to loop each of the backyard gang doing their own version that'd be cute

the ride takes off and you hear the vamp from the "rollercoaster" song as you're loading in.

once inside, the ride is styled like epcot's guardians of the galaxy ride, where you're on a track looping through a mix of screens and sets. the first part plays more of the "rollercoaster" song as you run through the "coolest coaster ever" scenes.

miscellaneous room/scene ideas: fireside girl action segment, carpe diem room, obviously a space segment w/ meap and queen candace and the catu aliens, obligatory scary bit through the haunted house, rock concert w/ love handel, backyard beach/atlantis, owca headquarters, 2nd dimension bit (might be too confusing for new fans?), relatively normal area where candace is gesturing wildly to a linda animatronic that won't turn around and see the rollercoaster car, idk a hamster & gretel segment or smth

a little bit in, you hear a beep and a call for agent p. a small animatronic of perry rises from the front of the car as you enter a tunnel, where a screen of major monogram tells perry to get his ass to doofenshmirtz evil incorporated to fight doof. perry salutes and slides back down into the car, and the ride then takes a "wrong track" (kinda like when you run into a "broken track" on everest) to DEI.

we go inside and see animatronics of perry fighting doof as an inator sparks. it goes off, sending us down yet another "wrong track," which shoots through wilder parts of danville. at the climax, we start looping and the climax of the "rollercoaster" song starts playing ("we're rightside-up and upside-down...")

at the end of the ride, we see an animatronic/animation of doof hanging upside-down from rope as perry glares at him cross-armed, and doof intermittently yells "curse you, perry the platypus!" on a screen, monogram congratulates the riders for saving the tri-state area with agent p. perry makes platypus noise.

you go to another room, right before the exit. you see candace pointing to an empty backyard, saying stuff like "but it was right here! and it was huge!" as phineas and ferb sit under the tree and address the guests. if you're far enough away from the last room, perry can be sitting under them being cute.

the exit queue has posters for dwampyverse stuff, like "love handel reunion", "doctor zone: the movie", the og rollercoaster poster, etc.

you exit in a gift shop where you can buy perry the platypus inaction figure (he doesn't do anything!) and big sticks

lastly,

you know when rides break down or stop for a sec and you get in-character voiceovers telling you to stay seated or w/e? i think we should have three that loop: one of doof giving a basic spiel, one of milo murphy being like "yeah i went on the ride. sorry about that. it should start working soon lol" and one where literally the whole thing is candace yelling "NO MOM I SWEAR IT'S A WORKING ROLLERCOASTER AND PHINEAS AND FERB BUILT IT! MOM LISTEN–"

[ohnoohnoohnoo]

Everything about the kiss scene is FASCINATING to me.

All of their choices in this scene serve to reflect the ballet. Their romance IS the ballet, and while having the audience sit enraptured while they choreograph start to finish and then give a standing ovation to a kiss seems literally silly, it's metaphorically brilliant. I don't know anything about ballet. Even watching the final piece kind of knowing what it should be about, I was confused. But that's what this show is, it's taking this art form and fleshing out stories behind it from bureaucracy to chaos to relationships. And every element of this kiss scene reflects that so well.

Correct me if I'm wrong, but I feel like typically you frame a TV kiss differently from how they did. You shoot from the side and direct the actors so the camera can get a clear shot of their lips meeting. But most of this scene, we are seeing the back of Tobias' or Gabin's head. Because what is significant in this scene isn't their lips, it's the movement. Their hands are in almost constant movement across the other's back or neck, their torsos twist around each other, and their heads bob with the motion of a deep kiss. The scene is shot in an atypical way to capture as much movement as possible because this is the ballet. This kiss is a metaphor for the ballet. The shows that are put on this stage are works of love and passion and story, and that is what the audience is seeing--an intimate admission through art. The show just takes everything a step further by showing us directly. They are telling us the stories that are already being told and allowing a wider audience to understand a new art form.

As for the audience in the theater and outside, it's SUCH a perfect metaphor for the general audience watching the show at home. I mean literally the people outside are watching on a screen. They even go out of their way to show a girl in her home turning to watch on that screen. We the audience watch, from start to finish, the development of the ballet as it reflects the development of the characters we now know and love all the way to the culmination of both of them: the full performance and the kiss.

The one time Gabin and Tobias kind of freeze in their motion is to notice the audience watching. I feel like this reflects the whole spiral from the first ballet Tobias directed. He couldn't create in France because he knew he was being watched. New York was his home and he was comfortable there. He went so far as to fly back to see and work on his old piece with Cheyenne even though he said he stops thinking about a dance when it's done. He was sent to France to be paraded around a little bit. The media was the point of the whole swap. He literally complains about the rat that's watching him and points out that the French rat is specifically different from New York rats. He's being watched, he's uncomfortable, he creates something inauthentic. Not once, but twice.

But you know who gets rid of that rat? You know who says it doesn't matter who else is there, just that Tobias can watch the show? Gabin. He is the key to the comfort and change that Tobias finds. Gabin puts on a show of wanting to be seen, he boasts and brags every chance he can, but as soon as it comes to Tobias, he doesn't care. He doesn't need the attention of fame, he needs to be truly seen by someone who cares about him.

So they're on stage, frozen for a moment, realizing they are still being watched. And Tobias asks if Gabin thinks anyone saw, and Gabin responds "No, not at all."

It's funny on a literal level, but it's also a reflection of the fact that they've both let go of their opposite but equally intense grasps on perception. Who in that audience really knows what that kiss means to either of them? Who in that audience knows everything about that dance? They got to see more than normal, and it's fascinating, but they didn't see the move and the spiral and the rat and the fight and all of it. We at home are watching this show with the overarching purpose of representing ballet, so we see more character and thought and feeling behind it, but we are so so far from seeing all of what has gone into this show. An audience will never know all that goes into someone else's art, the only people who can truly know are the artists themselves. We just watch, we can't see.

But the authenticity of that art in the scope that we get still rings true. That's why we watch. Art can't be art without authenticity. Hence the bad reviews and booing crowd when Tobias was still resisting France and Gabin still just wanted a spotlight. So Gabin and Tobias let go of the pressures of perception and create something authentic and kiss again. Then, and only then, does the audience cheer. They have next to no context for this, but they applaud. It doesn't matter that they have almost no context for this because they're watching something truly vulnerable and human. It doesn't matter if we know nothing about ballet or the show, it's a satisfying conclusion because we're seeing some damn good art

[mypoptartburnt]

Idea!

Mafia mommy suguru! Where we are one of his subordinates!

Anon-💄

my brilliant lipstick diva i love this so much please don’t ever run somewhere far far away

this whole concept is so divine he’d be borderline terrifying and threatening to everybody, just ordering people around with his soft yet strict ass voice and giving the MEANEST glares when he deems it necessary. then he meets you and immediately he’s like “awww oh my goodness a little baby🥺”

you’re hired about two minutes into the interview. the good news is there’s no long scary grueling interview for you yay!! bad (or maybe not ;)) new is you did not get hired for the reasons that you think. let’s just say your position is very umm…… unique!

your job is to let him take care of his maternal needs and instincts which YOU unintentionally caused :( he is so sweet, patient, and gentle to you it’s almost pathetic but oh my goodness it can be embarrassing at times. he will bottle-feed you your juice while giving you skin to skin in the middle of a damn meeting. you’re barely able to walk around anymore :( he insists on carrying you around everywhere because what if his baby trips and don’t even get me started on the stairs… insufferable i tell you!

you’re like his emotional support stuffie. when he’s frustrated and just wants to throw stuff around and beat people up he just picks you up and squeezes you to his chest and kisses/sniffs your hair (don’t ask he’s just weird) and it works like an absolute charm it calms that man right down.

he is very strict on keeping all the violent aspects of his job far far FAR away from you. little babies should never be subjected to that, you will be sheltered even if he if it costs him all of his toes. i can just envision him locking you in the decorated patted room he set up for you with noise canceling headphones playing your favorite songs/shows/movies etc connected to a tv while he’s in the other room beating the crap out of someone who owes him money or something. he’d stop in the middle of a beating to send you sweet messages through the tv like “mommy loves you🥹🩷” “mommy misses you💔” “just a little longer baby, mommy’s cooking your favorite later because you’re being so good”

you will never feel worry again with this job, mama will make sure of it. literally all you have to do is just exist and take breaths, it makes him so proud! he’s so smitten with you he constantly has to hold himself back his cuteness aggression goes crazy, he so badly wants to bite your cheeks and squeeze you so tight, he refrains of course he’d never hurt his precious baby.

[rlch-marvln-whlch-marvln]

The Outsiders + Love Languages

I’ve always been extremely fascinated by love languages and The Outsiders has been living rent free in my brain for months, so here you go. This includes moments from the book, movie, and musical (not the tv show though lol)

Ponyboy - Acts of Service

- “and now I look at what my brothers do for me”— he recognizes the opportunities he has bc they don’t, but this is also the thing that lets him know they care about him

- When he’s thinking about his brothers when he’s hiding in the church, he thinks about the way Darry cooks him breakfast and soda wakes him up for school and they make sure he has everything he needs to be successful

- The last thing Johnny does for him is solve a problem that he couldn’t figure out (the meaning of the poem— yes, I’m considering this an act of service) and he carries that with him FOREVER

Darry - words of affirmation

- Darry thrives on being told he’s doing a good job and providing others comfort through verbal feedback

- @the entirety of Throwing in the Towel

- “Did you hear what I said? I said I love you” (side note: I love this part)

- This sometimes manifests in commentary that comes off as critical or harsh—especially to Ponyboy—but he means well

- Also including “I thought we lost you like we did mom and dad” bc if that’s not him screaming ‘I love you’ I don’t know what is

- the thing where he will do anything but call his brothers by their real names, opting for nicknames/pet names instead (baby, honey, little buddy, Pepsi-cola (when he knows soda is having a particularly hard day), etc.)

Soda - Physical Touch

- lowkey self explanatory

- Bro’s go-to move is to reach out and grab someone in a moment of distress. He does this to Johnny when he gets jumped, Steve after he breaks a bunch of ribs in the rumble, Pony when Johnny dies, Darry when he’s second guessing everything that’s happened in the last 8 months (this is Throwing in the Towel again)

- (in the musical, he also reaches out to Dally right after Johnny dies but dally pushes him away so he grabs pony instead)

- He cuddles ponyboy to sleep every night!!

- He falls asleep in Darry’s lap at the hospital!!!

- He gives Darry shoulder massages every night (and “can put anyone to sleep” which implies that he’s done this to other members of the gang as well)

- When pony finally wakes up after being sick at the end of the book, Darry has to tell Soda to be gentle (bc he literally swings him around when they reunite in the hospital)

- The hug after he runs out of the house during dinner

Side note: I think part of the reason pony doesn’t feel like Darry cares about him for the first half of the story is bc they love differently and they have a hard time interpreting love from one another. It doesn’t help that Soda love so fully all the time in a way that can’t be overlooked and wears his heart on his sleeve so even if they don’t love the same way he does, they can’t miss the fact that he cares about them.

Johnny - Quality Time

- lowkey he thrives when it’s just him and pony in the church for days

- He buys them books and cards and activities so they have things to do together to pass time

- The entirety of Far Away from Tulsa (“and you can read us stories”/ “every night we’ll stare up at the stars”)—things for them to do together!!

Dally - Acts of Service

- bc dally doesn’t want them to know how much he cares, so he has to do it subtly by doing things for them

- He asks no questions when they show up at Buck’s saying they killed someone— instead, he provides them with what they need and some advice and sends them somewhere safe

- (Except when he asks Ponyboy why he’s all wet… and then lends him clothes so he doesn’t freeze)

- He delivers Soda’s letter to Pony in the church (when he 100% did not have to)

- “Do it for Johnny”

- (Side note: I think part of the reason dally and pony eventually click better than Darry and pony do (in like…the middle of the book) is bc pony has an easier time recognizing that dally cares about him bc they show and feel love the same way, whereas it takes him a little longer to realize Darry cares because of that disconnect)

Two-bit - Giving and Receiving Gifts

- It’s a little tricky bc he doesn’t have a lot of ✨money✨ but he will always give someone something when he can—even if it’s just something small

- He’s really good a stealing!! So he can give to others

- he buys Johnny popcorn at the drive-in!

- He buys the copy of Gone with the Wind Johnny wants!!

- He gives Dally his prized possession (the knife) without thinking twice

- In the musical, he steals one of the hubcaps off a car and gives it to pony/dally

- (The alternative here is acts of service bc he’s ready to drop everything to go to Texas and give up his whole day to “babysit” pony for Darry, but that line about how his mom would die of shock if he started helping around the house kind of discredits this for me)

Steve - Quality Time

- one of the reasons Pony thinks he doesn’t like him is because they are at odds competing for soda’s attention lol

- He plans double dates for Evie/Sandy/Soda!!

- He’s so excited when his friends come visit them at work (in the movie)

- He spends so much time at the Curtis house (partially bc he doesn’t want to be at home, but partially bc he really likes them and wants to spend time with them)

That’s it for now :)

Feel free to add/challenge/suggest changes/ whatever floats your boat

[so-much-for-the-seashells]

Movie Nights Headcanons With BF!Dean

✨ Dean Winchester x fellowhunter!Reader ✨

Minors! Get out of here! Please and thank you!

COOOOONTENT: definitely 18+ (a tiddly bit of spice) but very cute

A/N: reader’s supposed to be cis/fem BUUUT headcanons only mention “girl” a few times? I’m working on my spicy gender neutral skills I’ll get there I swear

Oh also!!! I made my own icons, super proud 😌

And please! Feel free to leave notes! They literally make my day!

Anyway, let’s get this party started!

( ˘ ³˘)♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎ ♥︎

-movie nights at the bunker are few and far between, because, you know, hunting is exhausting

-however, when they do happen, they’re the best thing in the whole wide world

-let me explain

-once you started dating Dean and moved into the bunker, some changes had to be made

-you had gotten a cute sofa for the Dean cave, somewhere for the both of you to sit because all that had been in there before you moved in was two dingy chairs

-at first Dean had protested in the sofa saying that it was “too girly”

-but you know how dads are with the pet that they never wanted??

-that’s Dean and the sofa

-so once you guys get comfy with your favorite snacks and drinks, you snuggled up sitting crisscross in the corner

-he’ll lay with his head in your lap, letting his bow legs rest on the opposite arm rest.

-he really loves laying on your thighs. This can be taken as you want it to.

-they really are his favorite pillows

-they’re just so squishyyy

-anyway

-he loves when you play with his short hair. It’s really comforting to him, and he really enjoys it

-this may or may not come from his love of you pulling it when he’s being a munch

-rom coms are his guilty pleasure. He’s a sucker for Rambo and Top Gun. Also Back To The Future. Ofc he likes his horror movies too. Won’t make you watch anything you are uncomfortable with.

-might try to grumble when you pick, but if you give him some puppy dog eyes he’ll shut up real quick

-he’s sugar sweet when he’s sleepy. No more defenses or cool guy wit, just Dean saying a lot of I love yous and being the fluffiest biggest stuffed animal of a man

-tends to fall asleep in your lap

-if he doesn’t fall asleep he’s always chatting with you about literally whatever shows up in his pretty little head or talking to the movie

-“who fumbles reese witherspoon?” said with full indignation (about legally blonde)

-“I think my man Freddie is blind” (about Lainey in she’s all that)

-it’s super cute, especially if it’s after he’s grumbled about watching the movie he’s commenting about

-now (nsfw ahead)

-the thing is

-sometimes this dude wants to watch a movie, but he also wants a specific kind of snack

-yk, one that’s typically… white and sticky? And no I’m not talking about sticky rice

-so if you’re wearing only one of his shirts and your underwear

-and he’s in a mood

-uhhh let’s just say he really gets the munchies

-his legs’ll fall off of the sofa and magically his ass’ll land on top of them

-and oh em gee suddenly he’ll be eating that pussy like he didn’t just take down a whole bowl of popcorn

-and let me tell you, your hands aren’t ever gonna even bother leaving that hair, cause you’re gonna need to hooooold tight

-other times it’s a little different

-maybe you’re being needy while you both want to watch the movie

-so he’ll sit up, take down his pants just a little bit, move your underwear to the side and just sit you there. Keeping his cock nice and warm until the credits.

-cause you wouldn’t wanna be a bad girl (cue jojo siwa) and move on him!

-but sometimes you just can’t help it…

-so he’ll sigh heavily and pause the tv lethargically with great dramatics

-and then he’ll rail you within an inch of your life, as he does (has to make sure his girl is sated and then some 🖤 🎀)

-and hit play like nothing happened, keeping you sat right where you were

-honestly it’s a great time

-oh, also, blankets

-he loves blankets

-it’s his guilty pleasure, he buys them whenever he has some extra (stolen) cash and isn’t with his brother or Cas

-cause obviously they can’t know about his “girly” habits

-but he has so many. Some of them have flannel prints, there’s one with a bunch of Patrick Swayzes, one for every season, fluffy ones, scratchy ones, hand crocheted ones (major brownie points if you can somehow make him one)

-oh and back to snacks

-listen. You can tell him all about how much of a good idea it would be to eat healthy. Bring up all the stats and one of Sam’s famous guilt trips too.

-but all it takes is a pout with those sparkly, gorgeous, mountain-ass green eyes

-and all of a sudden you’re baking brownies together, just because you actually have a second to do normal couple things

-and anyway, brownie batter kisses?? Worth it.

-oh

-and it’s not just movies, sometimes it’s shows

-and I mention this because sometimes those shows are the wiggles. And you know why they’re the wiggles? Cause you two’ll sometimes sneak just a little bit of fun time grass into the brownies

-and the wiggles is just too much fun to watch when you’re uh… seeing sounds and hearing colors

-oh and also giggly high fun time sometimes ensues (WITH THE WIGGLES TURNED O F F you are NOT that blasphemous) (I hope)

-another one of the shows you get him to watch is Gilmore girls.

-he got hooked for three reasons:

1. he loves Luke (and no we don’t know if he loves him or LOVES him) oh and Kirk. He wants to be best friends with Kirk.

2. he’s a sucker for fall vibes. Including pumpkin spice and Halloween, apple cider and ofc his flannels- so naturally stars hollow visually floats his boat

3. he thinks it’s hilarious that some dude named Dean looks exactly like Sam ( 😏)

-oh and bonus- he’s really just a messy bitch who loves the drama and wants Lorelei to be happy

-ofc you two don’t watch your shows as much, movies take priority, but when you do you binge them. Cause who knows when the next time you’ll have time to see them is

-stupid supernatural warfare

-oh and he will always convince you to make a pie with him (NOT the sexual kind) (…sometimes the sexual kind) (🤤)

-sometimes you’ll host family movie nights, have Sam and Charlie and Cas and whoever else is hanging out around the bunker come

-most of the time a movie doesn’t even get chosen but that’s okay cause it’s still fun

-anyway, Dean is a cutie patootie sweetie sugar pie

-oh, and a munch

-I rest my case

-yeah that’s basically it

If you have any ideas for headcanons, send a request! My box is always open!

Xx

[not-goldy]

Do you think Jikook's bond (whatever it is) is a goldmine to HYBE and they are trying to profit off it?

Thanks for such an intelligent question, having had one such mentally stimulating ask in a while.

Is Hybe overtly exploiting the chemistry that BTS has and that each pair has within the band, absolutely. I mean that bit should be so easy to wrap your head around.

Romance, bromance is one of the top selling genres of all time. The idea of BTS having a super strong fated bond between them is so commercially viable literal movies and songs have been written about them. 7 dates, bullet proof, and their recent Kdrama series etc to be exact.

And ships sell. I've said this since day one. The commercial viability of ships is just an offshoot of the commercial viability of bands as discussed above.

So yes, within that context, Hybe definitely would gravitate towards the two members with the most chemistry, who also happen to be two of the most liked members of the group, two of the most popular members and the most influential members of the group.

You don't go to war with your weakest soldiers.

Jikook is a very strong ship. We all know that.

They've had the most running in the group with some of the ships rising and falling over the years in terms of chemistry and popularity.

There's a lot to do with a pair like that. Reality shows, travel shows, documentaries, memoirs, tell all, cooking shows.

I watch a lot of reality TV and it's not hard to see how Jikook would fit right into that realm.

If BTS was love Island 🏝 Jikook would get their own spinoff after the season ended.

Fans love them, they get the most votes, the camera adores them and producers have so much they wanna do with them.

Am I making sense???

Going off with the Love Island analogy, just because Jikook are fan favorite, and the crew likes to follow them every where with a camera, and they are getting a spin off show of just the two of them don't necessarily mean their bond is fake that they are only existing for fan service or that the company is exploiting them.

There's just so much to do with them. They are fun entertaining adorable and a pleasure to work with.

So to answer your question I'll say yes and no.

Yes, they definitely a Goldmine for hybe in as far as content production goes.

No because they get to kill two birds with one stone. They can make money off of them, but also they create a safe space for Jikook to have that longevity to explore and nurture their relationship. They love being together. They love doing what they do. Hybe simply allows them to live their dreams and relationship much longer.

I've always said, if any queer pair in kpop were real you'd find them in a ship because ships would be their perfect cover for it. And we've seen jikook use this card very often to get out of trouble. Everything they do would be chalked down to fan service no matter how egregious they were. It can be invalidating and frustrating but In a way, it's also safe for them that way.

If I got paid to cozy up to my girlfriend, travel the world with her, eat as much as we can, hike, experience all and any culture- yall could call us anything you want I'm taking that offer🤣🤣🤣🤣

But we gotta give credit where credit is due because to me it's Jungkook that lay the foundation for all of this to be possible when he put of his first GCF with Jimin and later Jimin lay on top of him on a couch talking bout how they ought to do it again and how he would even model for him if filming is what he wanted to do.

I think they gave Hybe the idea of what it can do with them.

You can tell these things are things they both naturally want to do and have already done. During Run, they come up with a team name, they work well together, during rehearsals they stay behind and work on their routines tweaking it a bit, they come up with cooking shows to do, stay up all night doing nothing.

They are by themselves very creative and adventurous.

So like I said, I don't think this is hybe mining them but more so amplifying and giving them the production value to do what they already have been doing which they love, fans love and the company loves.

I'm sure if any other pair had this same organic pull towards eachother and wanted to be around eachother all the time too hybe would be just as curious and invested in them but as it turns out there isn't.

We are not stupid, we see them. And we see how some members act like they can't wait to get out of set when others keep it going even after they yell cut.

We see them all.

[delightfullyquirkydoodles]

Okay, buckle up, friends and neighbours, because it's time for:

THE DOOPLISS DISSERTATION

(Obviously, you should take all of this with a HUGE chunk of salt, since I'm not only an internet-poisoned fandom blogger, but also a former English major with a penchant for over-reading.

Still, I spent a long time writing this, so I'd appreciate it if you gave it a read.)

So before we talk about Doopliss himself, I feel like we should talk about Creepy Steeple, since a lot of the topics I'm going to be touching on relate to the actual building.

Neither the original Gamecube version nor the Switch remake really bothers to explain what Creepy Steeple actually is.

None of Goombella's tattles say anything about the building's intended purpose. The name vaguely implies that it's a church of some kind -- in Japanese, it's called Odoron Jiin, or "Astonishing Temple" -- but that's still not very helpful.

Still, for the purposes of this analysis, I'm going to assume that it's meant to be a church.

This brings me to the Steeple's stained glass window, which shows a scary-looking Doopliss standing over some piranha plants.

From a design standpoint, I'm guessing that this detail was added to give the location a spooky vibe, but from an in-universe perspective, the implications are wild.

Like, who designed this? How long ago? And why? What the heck is it supposed to represent?

Unsurprisingly, the game offers no real answers, but I have a couple of theories.

The first is that the people of Twilight Town (or their ancestors, or something) created the window in Doopliss's honor.

Stained glass windows often depict saints or angels, so maybe the Twilighters used to worship him? Like, maybe Creepy Steeple was once dedicated to him and then, for whatever reason, the worshippers decided to leave?

It's not super likely, but I didn't want to rule out any possibilities. This is a weird freaking temple. Literally anything is possible, as far as I'm concerned.

My second theory is that Doopliss designed the window himself. He seems like a guy with a lot of spare time, so it's not too much of a stretch to say that he came up with the idea and then spent weeks building it by hand.

He could have also bullied the Boos into constructing it for him. I dunno. I just have this mental image of him pulling pranks on them and generally being a nuisance until they caved.

The bottom line is someone wanted to Doopliss's face to be front and center. And if that someone is Doopliss himself, then hoo boy, there is a lot to unpack here.

Maybe I'm projecting, but it feels like Doopliss is wrestling with some major self-esteem issues.

Despite being an incredibly powerful shapeshifter who somehow cursed an entire town, he seems very childish. He spends all his time watching TV and coming up with new jokes. He throws tantrums when he loses. He wears a party hat, of all things.

Based on that, I'd say that he's probably starved for attention. He's probably pretty lonely living in Creepy Steeple all by himself (doubly so if my theory about the Twilighters is correct).

I'd even go so far as to say that his scheme to turn the Twilighters into pigs is motivated by this need for attention. I mean, what better way to get people to notice you than to cause a town-wide panic?

I feel like the disguises he uses over the course of the main story also support this theory.

Though Mario, Zip Toad and Professor Frankly are quite different from one another, they all have one important thing in common: they're famous. Mario's a world-renowned adventurer, Zip Toad is a well-known actor and Frankly is a tenured professor whose students love him.

Doopliss even alludes to this after stealing Mario's body, telling him, "You're so popular around here! I just love being you!"

By transforming into beloved figures, Doopliss can get the attention he craves.

I also think that this is why he joined the Shadow Sirens. Sure, Beldam abuses him almost as badly as she abused Vivian, but at least she notices him. That's better than nothing.

The most conclusive piece of textual evidence is found in the epilogue. In her letter to Mario, Goombella explains that Doopliss has joined Flurrie on-stage in her production of "Paper Mario".

Obviously his shapeshifting abilities make the play a lot more realistic, but why would he bother participating in it at all? This guy was a villain for most of the game. Why would he suddenly decide to join up with one of his enemies?

Because, as far as I can tell, he's not a villain. Just a guy who's sick of being ignored.

I dunno. Doopliss's motivations have never been super clear, but I feel like there's more to him than meets the eye.

If you have any thoughts or ideas of your own, feel free to comment. I'd love to hear your thoughts on this.

[cakeandpudding1]

Haii can you do a hcs of the Greek brothers (Zeus included but it's fine if you don't want to) to their S/O who is a mortal from the modern era?? I rllyy like your writing especially the Apollo's one ^^

Ofc! I'm sorry for the long wait 🙇‍♀️ I've been eating and rotting in my bed for a while. I dont really know about what you are requesting, there's only very little description. So I'll try my best ^^

RoR Greek bros with modern mortal s/o

Zues

- Mf is old as hell, literally. He'd be asking you all sorts of crap and wonder about the technology you have. He already knows about it, but he does like to stare and wonder what you do all day in that little rectangular piece of technology.

- He also tries to find ways to make you immortal, cus duh, he really likes you. But I think he'd be interested in cute little farm games online when you show him the stuff that you can do on your phone.

- he asks you to buy him a gadget, which you do so. but man, he sucks ass at it. You find him trying to figure out how to use it. Holding it upside down, pressing on all sorts of buttons until you have to lend me some help.

- he's also fond of the slangs and way you talk. He often uses your words too. Like "Lmfao!" Or "LOL!!"

- he wants to learn more about modern society, and everything there is to learn about. Until he found out about google. Mf now keeps on asking the stupidest questions, and even calls his brother's on facetime, just to talk to them about the stupidest shit.

- he'd laugh so loud when it comes to you telling him jokes from your TikTok brainrots and all.

- you talk to him about all the newest things happening, and all. And drama. But I think he's more interested in learning new words.

Adamas

- yes he does use the slangs too. I bet he'd randomly gangsta talk outta nowhere and make the most out of pocket statements.

- give him some love, he's just having fun especially after all the stuff he went through.

- I know damn well he makes yo mama jokes, no matter how old that stuff be. He's older than you bro, he's been alive for a very long time. So you better teach him more to mama jokes.

- your fashion sense was interesting, he wanna dress cool too. So he's gonna force you to show him clothes that he'd like to wear, and he'd pick the edgiest ones. 😭

- he often gets annoyed at how you're always on your phone and not paying attention to him, which makes him wonder what's so good about it.

- you gave him a gadget, which he now likes to watch anime in, or sports probably. Basically anything interesting.

Hades

- he finds you very endearing, and loves you very much. He'd find a way to turn you immortal so that he can care for you forever.

- yes he installed wifi in his place so that you could stay happy, and do whatever the hell you do on your gadgets.

- Bet you bought a TV and watched anime there with him, or maybe TV series or shows. Could even be horror movies. He loves to cuddle up with you whenever you guys watch a horror movie, cus he knows that he'll be the one to protect you when you get scared or tired.

- when you gave him a gadget, he didn't know what to use it for, but you said that he could chat with other people no matter where they at. And even store photos of whatever he wanted.

- it truly amazed him how far humanity had evolved. Now he can just search up anything he had questions about, or facetime his brother's, or buy something for you.

- he likes to listen to songs he finds, and now he's never really bored like he used to be. Maybe gadgets weren't so bad. He knows how to limit himself, and that's why he tries to limit it fro you too. He doesn't want your eyes to hurt, and wants you to get rest.

- there's so many things he wants to learn from you. And how humans do their daily thing. It's amusing to watch.

Poseidon

- Bro he really loves you a lot, he just doesn't show it. But it definitely caught his attention seeing the odd way you talked or acted.

- when you introduced him to a gadget, he just shook it off, not wanting to get into pathetic little things like that, but you insisted. So now there he was.

- he really thought that humans were babied. The fact that they all gotten so lazy over the centuries gave him the ick.

- but he did find some helpful words to use whenever it came to describing stuff. But that's till doesn't help with anything. Like y'all have google, you don't need to waste your time studying when you can just do a quick search and boom, all the answers are there.

- you guys had online shopping, you didn't need to use your legs to do some work when you could just order online. And so much more. Humanity was babied. Everyone was pathetic in his eyes.

- but, you were an exception. Cus he liked you lots.

- I believe that over time, he'd catch himself talking like you, like "it gives me the ick." 💀

- he's such a bitch, but it's ok. Cus it's Poseidon.

[queenimmadolla]

Maybe could you write a dad Eddie x reader fic where penny wants to have a baby of her own so she can be a mom like reader

You were cuddled up to Eddie’s side on the couch, your toddler playing with her toys on the floor and your newborn curled in your arms, his face nuzzled against your bare breast as he nursed.

  The TV was on, but you and Eddie had long forgone your horror and dark fantasy movies for child friendly films and shows like Sesame Street, which was currently displayed on the screen. It was far from your favorite thing to watch, for either of you, your daughter was entranced with reruns of the show, and had a special love for Kermit and Elmo.

  “I’m telling you, there is no way they’re just roommates.” Eddie remarked with a scoff, during the Bert and Ernie segment.

  “They so are! I mean, the romantic tension is obviously present but neither has acted on it yet. Ernie’s too oblivious to do anything about it, probably thinks it’s only one-sided, and if Ernie’s not showing his interest, Bert’s not gonna make a move.” You countered, sinking further into Eddie’s side. His arm was around your shoulders, hand stroking along your forearm before latching onto his son’s tiny sock covered toes and giving them a gentle wiggle to which baby Wayne curled his feet further into his body, depriving his father of access to his toes. It didn’t distract the little glutton from the task at hand, your baby just mouthed a little at your nipple, head moving around until it was in place before latching once more.

  Eddie chuckled at that, watching with affection as his baby continued to stare up at you with wide eyes while he nursed, before his gaze moved back to the characters in question.

  “Sweetheart, they are clearly in a domestic partnership, they’ve just grown very comfortable around each other. We don’t need to see their affection to know they’re in a relationship.”

  “They sleep in separate beds, Eds.”

  “Okay, you got me there.”

  Penny chose then to get up from the floor, rushing over with the baby doll you’d gotten for her when you’d told her you were pregnant. She leaned against Eddie’s leg, resting her head on his thigh and letting him stroke over her curls before she pushed herself up and held the doll out to you.

  “Is that your baby doll?” You asked, assuming she was trying to show it off and she nodded, continuing to extend it and you realized she was trying to give it to you.

  “Hew you go, mama.”

  You made sure your actual baby was secure against you, glancing down to meet his unwavering stare as he ate, satisfied grunts sounding from him every so often, before you took the doll into your free hand, “Oh, you want me to hold…her?”

  You didn’t know what gender it was supposed to be, you’d heard Penny change it constantly.

  “Uh huh!” She nodded, grabbing onto Eddie’s knee and using it to sway back and forth. Sounded simple enough, you could play along, “She’s hungwy.”

  “You want to hand me her bottle then?” You could see the toy baby bottle, it had come included with, on the floor where Penny had previously been playing.

  “No, you has to feed the babies.” Penny released her dad’s knee to poke at her chest with both index fingers. “Fom wight hew.”

  You could hear and feel Eddie choke beside you, trying to muffle his laughter as you realized your toddler wanted you to breastfeed her doll.

  “Oh. Um.” You tried to think of a way to get out of it, casting Eddie a glare when you caught sight of his wide smirk from your peripheral vision. “Brother is eating right now.”

  “Udda one.” She pointed at your freed up, covered boob rather than the one your son’s wispy curl covered head was blocking for her.

  Damn it, Penny was beginning to become too self aware.

  Reluctantly, and very awkwardly, you held the baby doll’s plastic head against your other breast as Eddie literally started shaking against you. He might as well have just laughed outright with all the wheezing he was doing. Even Penny was casting him a few side-eyes.

  You turned your head towards him, eyes narrowing as Eddie continued to try to muffle his amusement behind a fist, face turning red with his effort but not even his fist was large enough to conceal the grin at your expense.

  Penny, however, looked like the cat who got the cream, happy you were once again complying with her demands. 

  You thought you’d be able to put the doll down once she went back to the toys, no luck, she’d apparently come over with the intention of watching you ‘feed’ her baby. So for like seven entire awkward minutes, you held the doll to your boob, its plastic face pressed against it, while she stared at you and Eddie suffocated on his amusement. The reason he didn’t just openly laugh at you was because he knew Penny would get mad at him. He could tell this wasn’t a game to her and if he laughed at something she didn’t intend to be funny, he’d have an angry toddler on his hands.

  Then you’d be the one laughing. 

  Mercifully, Penny eventually grew bored of watching you and reached up for the doll, which you were all too happy to give back. “You want to burp her?”

  The answer to that was no. Penny adjusted the baby doll in her hands until its face was smashed to her chest. It was half her size, but her motive was clear as she beamed up at you.

  She was imitating you.

  “Look! I A MAMA, LIKE MAMA!”

[jjwolves]

⋆⁺｡˚⋆˙‧₊☽ ◯ ☾₊‧˙⋆˚｡⁺⋆ KISS MY SUPER BOWL RING

What: 5 Headcanons of Moony X Reader

Who: Moony from ENA by Joel G

How Much: ~700 words, ~3 mins

Credits: Image Banner -> Joel G, Divider -> @enchanthings-a

Warnings: None

(Psst! Green is reader!)

Dating Moony is weird. I mean, besides being a floating moon (head?) and existing inside of a digital wonderland where pixels collapse in on themselves when you aren’t looking at them. It’s weird in something approximating humanity. Moony wouldn’t be caught dead saying that she loves you. She doesn’t even admit that you two are dating at first. “Don’t get weird on me,” is what she says when you give her affection or try to get any from her. That is, until you don’t want to go to that mall in the sky surrounded by an ominous green tornado, at which point Moony tilts, and, in a tone which is somewhere between apathetic and sincere, says, “Aren’t you literally my love-satellite? Get serious.” She squints. “It’s you and me against the city. Then the world, obviously, but we gotta start somewhere.”

Moony prefers to let her actions do all the talking in her relationships, but oddly, in this case, it’s the opposite. You will know exactly where you stand with Moony based on what she doesn’t do. She often resorts to sarcasm and flippancy not long into an interaction with any other entity, but not you. For whatever reason, her fuse is a lot longer than normal when it comes to you. When you’re doing something stupid and you’d expect Moony to huff and call you out on your lapse in sanity, she passively vouches for your madness instead. Onlookers greeting you with a raised eyebrow are hit with a defensive “What?” Later on, she’ll tell you, “They’re all weirdos anyways. And mega-haters. Don’t you dare start caring about opinions from people like that; you’ll thank me later.”

Moony starts carrying things in her eye-space for you. Of course, she tries to deny this. “Whaaat? Churros? In my crater? So what?! Celestial bodies gotta eat!” They don’t. The churros taste delicious, even though they're green. “Well, I guess you might as well take this awesome rock I found. It’s been weighing me down all day.” It was secretly a gift. “Yeah, someone deposited their sword here. Not mine. I can’t even use it. You may as well take it. I’m basically a lost-and-found bin now.” She just wanted to see what you look like with a sword. You carefully extract the blade and hold it up in the air to inspect it. The light dramatically falls on your back and glares off the weapon. “Whoa. Sick, dude,” she mutters. “I knew it.”

You start understanding Moony’s weird jokes. Once, when you were near a haughty sea monster trying to squeak notes out of some sort of ancient brass instrument, Moony joked, “It sounds like you can tuna fish, but you can’t force him to take music lessons, am I right?” and you got it. You laughed. It was at something only approximating the vague rhythms of comedy and nothing more, but she had endeared you so that you found it funny anyway. Her eye widened. “Oh! You like that! Well, uh, I’ve got more, obviously! Keep laughing!” She begins trying to crack jokes at an unprecedented rate, each one degrading in coherence until she’s essentially spouting color and movement. “Dog hat cow bell mouse rat. Or am I crazy?” “Okay, that’s a tad bit too far. Go back.” “What? You love it. Right?” “I do. But you need to go back to your old jokes for both of us. We’ll be laughing at white noise if we go any further.”

You find that Moony, despite her apathetic facade, really enjoys putting on a show for you and getting you to laugh. Her inner court jester energy tends to manifest in her exquisite corpse-tier jokes, of course, but this side of her hijacks the train when you two watch a movie or TV show together. Expect her to loudly commentate and dub over every scene in an embarrassingly sincere attempt to be funny, Mystery Science Theater 3000 style, but badly. “What are those two blob guys doing standing around? Why are they dressed the same? ‘Aaah, my doppelganger, get him!’ Dead. Heh! I could write this stuff” You’re unable to focus on what’s happening on the TV and eventually give up, drifting to sleep, but it’s not a bad thing to fall asleep to. Not at all.

A/N: Does anyone else here listen to The Garden?

[stephofromcabin12]

Little PJO tv things I noticed upon my rewatches of it

But can't fit into my script of the PJO tv video™

When Sally and Percy talk in the cabin in Montauk, Percy is in front of mostly yellow/golden colors with bunk beds behind him, while Sally is mostly surrounded by blue tones. Hmm something something she symbolizes the familiarity of the mortal world (blue), and Percy is already belonging to a mythological world, separate from hers (gold).

In the same scene, the light of the fire (from the literal hearth they're sitting at, mind you), gets more agitated as they get more emotional. It starts off pretty stable then flickers more and more until Grover knocks on the door. Something something threatening family safety and peace.

Gabe says 'I don't know where your mom is I'm not Nostradamus!" Which is funny, because Nostradamus was a seer and Gabe is the voice of the Oracle at camp when Percy gets his quest.

Mr D's sunglasses have purple tinted glasses in them. I was wrong about it. They did, in fact, tint them purple/they were already purple tinted beforehand. However it's very subtle and I think if they could highlight the purple in the glasses, they could add an overlay to the actor's eyes. But it's not that big of a deal.

Sally and Poseidon both hold onto Percy's neck/shoulder when they directly acknowledge that he's theirs. Yeah that one made me sick when I realized they parallel each other. Also funny how Sally is bathed in golden light, and Poseidon is in cooler, bluer light. Hmmmmm. Also they're literally framed opposite each other oh my god this show is so fucking good I hate y'all for trying to convince me it wasn't good. Like:

Anyway, speaking of them, not only is there a gold window/wallpaper thingie behind Poseidon in the "I want him to know who he is" flashback scene in episode 7, which is obscured partly by the time it reaches Sally. When we see Poseidon glance at Percy, Percy is separated from him by a blue glass wall. Oooh and people thought this show was too obvious with its writing. Also the whole café looks like a ship. It's so ship coded. Ship pilled café.

Gabe and Poseidon are so eerily similar in little ways. Like not in a 'oh its because Poseidon is bad actually' way but it is interesting that show!Gabe gives 'We have Poseidon at home' vibes. (Same shirt, similar hair color and haircut although P looks far better than Gabe on purpose, loose pants however Poseidon has those Scandi-summer pants and Gabe has grey sweats, sandals--though technically we don't know that P is wearing sandals I argue, your honor, look at that man and tell me he isn't wearing sandals)

Oh, and they also both wear necklaces.

This one I did include in my script because I spent so long having to look at beer cans until I could find a clear shot of the ones Gabe drinks. But they made up a whole beer for him. Just for him. It doesn't exist. It's called Shotz. I don't know enough about America or beer to know if that's some kind of joke. It's also a malt lager. So. beer confirmed, however fake beer.

Hades is the god that blinks the most and I can't tell if that was direction or if its just a coincidence, either way, it's really weird that he's the only god that seems intimidated. What's that about? I can't wait to find out (hopefully)

Grover and Percy both receive affirmations and kindness from mother figures while father figures consistently offer tough love, and discouragement. Hmmm something something patriarchy matriarchy something something

Some of the cabins look to have second floors, yet cabin 11 has just one.

While the casino scene got a lot of heat for being 'least faithful' to the books, the VR games are actually in TLT...So there's that.

The reason Alecto's fight scene feels weird is because she's not aiming to kill Percy like she is in the book. She was asked to bring him in quick and quiet, not kill him. Percy, much like in the book, accidentally kills her. Whoops.

Lin Manuel Miranda's acting in episode 6 actually brings the immersive experience of being stabbed 87 times with a dull, rusty knife and people had the audacity to dislike his casting. That was rude.

In episode 2, Chiron's hand in Pinochle amounts to 10 points (2x 9's = 0, Jacks = 0 and a 10 = 10) So no wonder he's unhappy lmao.

This one might be super obvious and I'm just stupid/inattentive, but Luke's first full dialogue with Percy is: "I heard what happened on the hill. I know what you're going through, really." And yeah. Hah. :(

There is no way in Hades that Mr Brunner is pronounced like that. Why is it spelled like that then. I refuse to believe that. Grammatically, Rick, it makes no sense. Whatever.

I can't prove it, but I'm like 90% convinced the waterbeds at Crusty's are modeled after the gods? I might be stupid here as well.

I know I've talked about this before but what fucking protest at Olympus? What are we talking about. HUH???

There are others probably but I must go and think about something not PJO or I'll die. And keep in mind these are the ones I found while writing and went:

So you can imagine how deeply invested I am in the show by now lmao

[savagewildnerness]

Let’s talk about truth, lies, morals and goodness in The Vampire Chronicles, especially with respect to Lestat and Louis.

OK, all of this is going to be off the top of my head, but chat around Lestat smacking Nicolas into a wall got me thinking on a topic that’s going to be a hot topic during season 3, particularly given the TV show IWTV so far has been all about “memory is the monster.”

First of all, I want to reiterate that Rolin has said that we’re done with that theme now.  However, I just know that whatever happens in S3, some things are going to be met with “Well I think/know Lestat is lying�� in some corners.   And I am absolutely not saying Lestat always tells the truth.  Lestat himself says things such as that he only lies to those he loves and that he sometimes lies to himself. There are moments in the story where I don't believe Lestat (a controversial one being that I believe the book NOLA reunion is close to Louis' account and it is Lestat who denies it as his psyche cannot accept how Louis abandoned Lestat to what Louis thought was a mortal death here. I know many disagree with me. And as I see it, it is irrelevant to the TV show as for me the reasons Lestat has for denying this encounter do not exist on the TV show so it happened, Lestat won't deny it and we can be happy that the beauty of that scene in S2E8 is real with no needed debate.)

Anyway... the whole hitting Nicolas thing today indicates one area Lestat never lies about.  When Lestat has done something bad, he’s telling us.  He’s always telling us.  He’s never trying to hide it.  And depending on how much you like him or don’t, we as readers/listeners may or may not excuse different things he does, to different degrees.  And Lestat is 100% of the time asking us to do just that.  Because Lestat is deeply terrified he is evil.  He knows he has done evil things and bad things and that he has hurt not just strangers as his monster-self, but also humans and vampires he loves.  And so he shares when he hurts someone.  And in sharing, he is pleading with us “I did this.  Do you love me now?”  Lestat is never going to lie about that kind of thing, because he desperately needs literally any random stranger on the street to (ideally) say… “I see what you are, in fullness and I love you anyway.  You are worthy of love.  You can be good.”

Oooooh… I’m going to find Lestat’s own quote on the matter from The Vampire Lestat:  “By the time we left Italy I was playing dangerous little games with mortals. I'd see a man, or a woman -- a human being who looked perfect to me spiritually --  and I would follow the human about. Maybe for a week I'd do this, then a month, sometimes even longer than that. I'd fall in love with the being. I'd imagine friendship, conversation, intimacy that we could never have. In some magical and imaginary moment I would say: "But you see what I am," and this human being, in supreme spiritual understanding, would say: "Yes, I see. I understand." Nonsense, really. Very like the fairy tale where the princess gives her selfless love to the prince who is enchanted and he is himself again and the monster no more. Only in this dark fairy tale I would pass right into my mortal lover. We would become one being, and I would be flesh and blood again. Lovely idea, that.”

We, as ‘the reader’ literally would be unable to tell Lestat what he so desperately needs to hear if Lestat lied about or minimised the bad things he does or his negative actions.  He himself feels varying levels of guilt for different things.  But he tells us what he does that is bad. Obviously this was inspired by discussion of Lestat hitting Nicki. But he was provoked into that and while he describes that Nicolas can then take the moral high ground, just as he could with The Children of Darkness in that moment... because Nicki achieved what he wanted here... Lestat tells us way worse things he does than this: murder of the most innocent, rape of innocent humans, to his closest mortal friend... he runs the gamut and he tells us every thing he does. Which is not to minimise that Lestat does harm Nicolas. That is a thing that happened. Even though obviously vampires recover quickly from physical injury.

Lestat does lie though.  Lestat, the endurer was taught as a child that when he has big feelings, they are *too much*... Although he expresses his emotion readily, even by the person who loved him most of all, Gabrielle (who does validate some of Lestat's feelings and experience), he is taught - do not sit in your feelings. Especially do not dwell in existential feelings. Move away from enduring existential pain. Move into action.  Be practical.  Fight.  You are a fighter.  You will endure.  You are strong. 

And as such, Lestat lies when he feels utterly broken.  We see Lestat as an optimist so thoroughly, not because Lestat is internally 100% optimist, rather because he chooses to be an optimist.  Internally, Lestat is not as much an optimist as he appears to others.  We ought to know as we hear his existential crises all the time, from when he was a child. We know him from the inside out.  And so Lestat lies when he feels suicidal.  He minimises his own pain. He minimises psychological damage done unto him. 

Which is a distinction - Lestat does not minimise his emotion!  He’s happy to tell us he cries and of his joy and of the whole gamut of big and human expression.  But he minimises his pain. When he is psychologically damaged, it often isn’t even that he wants to lie.  It’s that he cannot allow that of himself and so he isn’t fully aware of it in himself. And Lestat does not minimise the physical or psychological pain he does unto others. He is well aware of it. And we don't need to deny that he does cause others pain as well, as of course he does. To love is to harm as well as to heal. Show me the person who has never hurt someone they loved (emotionally/psychologically. I don't mean physically) and I'll show you a true liar....!

I just want to put these thoughts out there.  Because when we get into season 3, I want it to be very clear exactly when and why Lestat might not tell the full truth. (Obviously with the concession that TV Lestat is his own being, but I feel like surely he'll retain his core self???)

Things are very different for Louis.  There’s a similarity, as Louis too is deeply terrified of not being good.  But unlike Lestat who presents every aspect of himself and says “Here is all I am.  See me.  Can you still love me?” Louis is so afraid of what he might be that he’s scared to look deeply inside himself in case he were to look inside himself and find true horror he could not cope with.  Of course Louis has been brought up with religion in a way where he believes that were he to look inside himself and find terrible enough things, God and he himself would know and Louis himself then would be unable to endure.  Louis doesn’t need that external validation.  He knows himself.

Because Louis is afraid to look deeply within himself, he is also afraid to look deeply within others.  Which is an interesting dichotomy as of course Louis is naturally empathetic and sensitive and thoughtful.  But for example in the book IWTV he makes a lot of assumptions about Lestat without thinking about Lestat’s internal experience at all.  And he’s happy to make those assumptions as if fact as he cannot bear to delve deeply and understand himself, let alone Lestat.  Louis needs to be good just as Lestat does, but Louis imposes external moral rules upon himself so he doesn’t have to think more deeply about who he is and can just feel good if he follows his rules (much like his religion imposes its rules.). This means that when we hear things that aren’t entirely true from Louis, they often seem more like lies.  But they’re never intentional lies.  And they’re often not even misremembering - they’re simply Louis afraid to look at the all of himself.  And happily, Louis has a beautiful soul, and so once he has been able to accept himself (and Louis is aware on some level of this aspect in himself by the time he gives his first interview; aware of his fears of acknowledging all of himself - so his journey has begun even then) he is deeply empathetic and can offer this to Lestat.

And happily, at the end of S2, Louis has reached this place of accepting and understanding himself. Which is much happier than the books, where it takes him longer to truly get there.

We can look at many other characters too - some who lie to themselves; some who fail to understand aspects of themselves; some who are literally incapable of a lie, sometimes to their own detriment or destruction, so it is absolutely not always a good thing.  Some who cannot know their self fully.  All who are damaged in some way.

I don’t know where I’m going with this now.  But I guess I just wanted to open a conversation about truth and lies and goodness and evil…?

I hope this may spark some more articulate thoughts in someone else…?

And obviously, all only just as I see things/my truth.

And I guess I'm also saying that how we recount events depends on our experience of them, yes. But humans lose much to memory in a way vampires do not. For good and for bad. To not remember everything protects us, as mortals. So is it any surprise that immortals, with vampiric-level memory, as all other senses, in order to endure eternity have to not look too deeply in some areas. Or else they simply couldn't go on...

OK, shut up me! But I am curious to hear anyone's thoughts here..???

[manic-sapphic]

gonna pretend i'm sorry for this cause tbh- it's just a string of spop gifs where i rant for way too long about the feels i get from each scene~

(-hey - i said sorry, ok ... sure, i openly admitted it was a lie - but i guess i just hoped you'd appreciate the slight effort of the pretense-)

this moment obviously kills me- just like i know it does for alotta you- but i just gotta call attention for a sec to what exactly kills me the most about it: up until this point, we've constantly been shown brief moments of catra's expression betraying her true vulnerable state - even if it's just a close-up of her eyes - during which less than a second passes before the look in them transitions from sad/hurt or disappointment/self-hatred (anything of the sort, really) to anger/ resentment/ rage. her brow usually falls quite quickly as her eyes narrow, refusing to allow her real feelings to continue just being felt - (& tbh, for most the show, i think she's just so fucking afraid of what might happen if she does let herself feel them- esp s4 after the portal)

but in this scene - that's changed. it's completely turned around, flipped upside down - she starts off w her usual habit - a display of resentment and rage - that dissolves into the most heart-breaking freaking expression i think i've ever seen. because you can see just how heart-broken she is- and it kinda seems like she's tryna admit, w/o having to say it- that she was already heart-broken for a really long time, and is tryna make one last attempt at getting adora to understand- not to choose catra- that's not the point, that's not what catra's after, even if it is what she wants and needs to know (for her own peace of mind) if the feeling is mutual-

rn, all catra is desperately tryna get adora to even just think about - is herself. take away every single person she feels responsible for - which is literally everyone.. everyone - a feeling, btw, catra now understands to be an unconscious reflex born of the trauma shadow weaver had caused adora. she's finally able to see it was never just her - adora was just traumatized far more secretively & in ways that would be harder for others to notice (which i'm sure was very much on purpose)

- the weird convos w shadow weaver, disguised as personal pep talks, looked as if they only took place when shadow weaver had adora alone - but in failsafe, catra hangs back to listen & make sure there's no bull shit going on- just like she said she would- "i'm only going to make sure shadow weaver doesn't try anything - it's not because i like you-" (yeah yeah we get it- u DoN't LiKe HeR ~ duuuh, that's cuz u luv her u dummy <3)

oh but now- now i gotta talk about THIS look right here- as if the expression they give catra when/after she asks "what do you want, adora?" isn't enough to see me out in the backyard digging my own goddamn grave- then they throw this shi on my tv screen just seconds later ?! tf. i mean- the way catra's eyes shift up- no longer able to keep looking at adora after the only answer she can give her as to what she wants is "i have to do this, catra - i'm the only one who can" ... FUUUUUUU THO OK

for so many reasons, too many for me to get into in a post i already feel bad about cause dude i ain't near done ranting on scenes and moments annnd i see how long it's already gotten- my bad, fr- so i'll just try (and fail) to narrow it down and keep it brief- catra's questioning what adora wants is definitely aimed most importantly at her hope that maybe she can still get adora to even just think about that- to realize that she's allowed to and should think about it.

but i also read it as, once again, these two knowing each other so well that they don't always have to say exactly, word for word, what they wanna ask or tell each other- the emotional stuff is weird and hard for them to even put into words still, tbh; cause i mean, ya know- orphaned child soldiers discouraged from even showing any signs of illness when sick, cause asking for medical attention would be a real loser move for a kid to make, right.. like, wtf? dude- they can take on so much and handle the gnarliest situations that require strength and skills and abilities i couldn't ever ever fucking fathom facing - but feelings? tf? all i can ever hear them thinking in response to those: "ohhh fckfckfck what is this, why is this & how do i make it stop -???"

so when catra asks adora what she wants, i mostly hear her begging adora to be a little selfish - just this once, at least - and let herself think about herself, but i also hear catra's most vulnerable, desperate, & honest ask of adora so far. what i hear woven in what catra actually says aloud, is another quiet question she's still too scared to put into words, but that i kinda think she hopes/knows adora will hear if she's really listening- "do you want me?"

uggghh and the way that after a moment of an outward, unfiltered display of grief over adora's answer (or more accurately, lack of an answer), catra wipes her eyes and turns away. the switch flipped. back on her bull shit. emotional defense mechanisms she's once again starting to feel are the right idea & always were, and is prob feeling like a fool for ever thinking she might actually get to have a life where she doesn't have to feel them as necessities - where it doesn't feel like that's the only way she'll ever survive.

cause maybe by now, she's seen that some people get to have that - but it's just not the life that was ever meant for her. just like adora was never meant to have a life of her own - at all - period. they're both still so easily fcking convinced of what they've been conditioned to believe about themselves, their lives, and the inevitabilities associated w their existence - (FUCK OFF FOREVER SHADOW WEAVER)

and the quick little moment of adora shown just after catra disappears - possibly gone from her sight forever - the shorter close-up of her reaction before the shot goes waaay back and she cries out for catra - i feel like it def doesn't get enough recognition (prob mostly due to the fact that the clip of adora yelling catra's name comes only seconds later and is portrayed far more dramatically, & in a way that crushes tf outta ur soul, ofc)

but that lil bit there- that brief second of adora's initial reaction- the moment she starts to process that catra just left- that catra's gone, and that this time- adora thinks it's probably for good- her short, shuddering intake of breath followed by what seem like more hurried, forced breaths that kinda appear difficult for her to take- sound like the first seconds of a fcking panic attack to me dude.

and it certainly hurts to watch just as much as when she calls out after catra - although yeah, tbh, that bit stings a lil extra in its own way- i mean, knowing catra had to have heard adora pretty much scream out her name seconds after she disappeared w melog- fuck. (idk how tf catra didn't come right back tbh. i'd be visible again so quick, rushin to adora like "omg bb i'm so sorry- pls don't cry, never ever, ily so much, won't ever hurt u again ok- ilysm omg omfg ily i'm so sorry" & btw, that's a totally normal thing to think when watching that scene ok-)

oh but then - omfg - adora gets a swift slap in the face from the crystal castle - the haunting of a sudden, unexpected vision of catra. all the catra's. catra in so many of the different forms adora's known her through, even if it was as enemies. it reminds me a bit of an excerpt out of the "don't go" fanfic - "catra hasn't been in her life for a long time - but she hadn't known how unbearable it would be to lose her for good until that moment" -

neither of these bitches ever wanted each other gone- catra (very sadly so) def spent most the series tryna convince herself that's how she felt about adora- tho it's just cause her conditioning taught her to think needing someone makes you weak and easy to hurt, and tbh, i think catra knew she needed adora for most their lives, even if she could never admit it to herself in even the form of a full, conscious thought--

but i think she also believed that, after the promise, that need was confirmed to be mutual. and in that way, it was something catra never needed to say but also never felt the need to be ashamed of/embarrassed by- until adora left. and her belief that the feeling of needing each other for support & protection (and let's be honest, care & affection) was mutually shared between them was shattered - & in such a way that i imagine catra musta felt like she was the actual idiot all along - adora had never needed her, and now she needed to figure out how to achieve that same independence - she needed to figure out how to not need adora.

omg tho dude - pretty sure i've said it before but i can't not say it (aka rant on it tho tbh- sorry lol) again and prob every time i ever share anything that features this couple seconds of what i kinda feel to be adora's most honest, selfish, & vulnerable moment we see up to this point- & without her needing to say a fucking thing- just tears that fall from her eyes after catra basically says "uhh yeah ok so- fuck that nonsense- i'm not leaving, idc wtf happens- i'm staying with you"

--(cause yeah, maybe she spent the last few years too prideful and stubborn to admit that was always what she wanted to do and where she loved being the most- and after so little time spent back by adora's side- it was breaking her fucking heart all over, knowing her chance at having time w adora was going away again- but regardless, catra gets now- that part's not up to her; it's never been her choice to make- & not even adora's, really- but deciding to stay w adora no matter where she goes- that's always been up to her- and she's not ever fucking making the mistake of choosing not to stay right beside that silly sweet dummy ever, eeeever again)

BUT duuude tho - the way adora cries a bit but says nothing - doesn't attempt even once to try n convince catra to go, to push her to leave and get somewhere safe - i just can't help but figure catra staying with her is exactly what she wanted, but never would've asked for in a million years. never would've even let herself form the question in her head.

but in spite of that, when catra states it unequivocally and clearly adds w confidence - "no matter what happens" - adora can't argue. she can't insist. much like catra hasn't really been able to do for quite a while now - adora can't fake it anymore. she's just too tired and she finally has to recognize she wants someone to take care of her, too - just like she's felt compelled to do for everyone else for so long. and in that moment, i feel like she's finally wordlessly admitting to catra, not only does she want her to be the one to take care of her - she needs her to be (and always has)

ahhhh but oof-baboof bro - then there's all this.

somehow, catra straight up delves deep into the abyss currently consuming adora & pretty much says - "fuck no. plsss wake up - you can't just die like this, not before you ever get a chance to live your own fcking life, good god dude - i get now why you couldn't before, but please, this time - STAY."

(huh- stay.. another way of saying "don't go"... hmmm :) <3)

these gurls literally got so much love for each other that catra is able to straight up force open an entryway into adora's fading subconscious (which seems to be the only part of her that's still alive) - just by talking to her - barely above a whisper there in the heart, but in adora's mind, she's screaming at her.

the desperate, hopeful sentiments uttered, urging adora to keep going - to push through this and come out the other side alive - to please survive because you deserve to - are just that much stronger when they come from catra- it's that loud to adora when catra is the one saying it- cause she's finally freaking realized, catra's the one she most hopes to hear it from. knowing catra feels that way about her is something she's never really had, and vice versa ofc, even when they were both in the horde. it wasn't the kind of thing they were taught to say or even acknowledge feeling - but hearing catra beg her to just stay alive - and then hearing why catra so desperately hopes for her to - adora's made certain that it really is true -

she does deserve love, and there's someone whose love she's realized she wants- and they're holding her, telling her she has it & always has. and suddenly staying isn't a hope, isn't a plea - it's an inevitability. adora ain't going nowhere--

and, so reminiscent of adora's line to catra near the end of save the cat: "c'mon catra, you've never listened to anyone in your life - are you really going to start now?" we hear catra imploring adora: "you've never given up on anything in your life- not even on me- so don't you dare start now!"

they both know each other so well, they know the best buttons to push that might just work when tryna reach each other, even when one of them is lost to the point of nearly being gone for good - they don't find a door to open - they take a saw to the fucking wall and make one. and pull the other back through. cause everything will be ok if they just stay together. and once they've both finally accepted the truth to that - that's all they wanna do, to the point of refusing to allow each other to die when faced with that possibility. and likewise, refusing to die- just knowing the other is there waiting for them, wanting them, is enough to bring them back -

wanting the life they haven't gotten to share yet, and straight up refusing to let anything take the hope of that future away - even if it means unlocking their true, innate she-ra form (and beginning to understand that they are magic & it was never about the stupid sword) - or if it's wielding some strange, mysterious power w/o prob even knowing they are- like reaching through a metaphysical doorway into the mind of the love of your life and grasping as far and as desperately as you can for their hand, trying- and succeeding- to pull them back from the brink of death.

their story is literally so lovely. & individually, they are truly such honest, raw, complex and thought-provoking characters - presented in a way that offers viewers a fairly rare experience, even these days, of seeing a story written by people willing to honor the honesty everyone deserves to see and may kinda need to see - things aren't always shiny, happy, good times & people aren't perfect- quite literally, no one is- but that doesn't mean there's no point trying. that doesn't mean there's no hope of a happy ending - or that you don't deserve one. it's literally all just part of life, part of living that you'll find yourself faced w figuring out along the way- whether the answers are good or bad. and that's an insane idea to thread into a freaking cartoon dude - wuhhh tf

oh and ps- catradora are canon. (almost wanna end every rant w this reminder lolol) ~~ they cannot be stopped, this shit won't ever be undone lmao. & that makes me wanna say- "hell yes!" and for anyone who it makes wanna say "hell no" - all i got in response to that isssss "more catradora for us then - hell yes x2"

:) <3