#a translation of what is thought to be the last poem written in Old English

[dig-with-it]

The Grave

[translated from the Old English]

There was a house built before you were born. Before you came from your mother, your dust was here. But it wasn’t active, its deepness not known, not yet locked in what length it would lay for you.

Now you are brought there where you shall be. Now you are measured and the dirt after that.

No, your house is not made high with boards, it is un-high, low when you lie in there. The cover-walls are low, the side-walls un-high, the roof is built full near your breast.

So you shall dwell in full-cold soil, dim and dark. That den fouls around your hands, that house is doorless and dark within. There you are kept fast, and death has the key. That earth-heave is burdensome, and bitter to abide in.

There you shall dwell and worms will dismember you. There you are laid, and loathsome to your loved ones No one, never will a friend come near to see how you are, to look and see how you like that house, that will ever undo that door after you and make light [ ]

For soon you are burdensome and loathsome to see, (for soon your head is bereft of hair, all the fairness of your hair is scattered, and never, no one will stroke it softly with their fingers.)

— translated by Miller Oberman

[hedgehog-moss]

Loved your mentioning of learning poetry by heart: this is something I haven’t done since school! What are some of your favs that you’d suggest to ease my brain back into it?

(Française ici donc les options 🇫🇷 autant que anglais sont welcome :) merci!)

Hi :) You can look at the poem tag of my quote blog if you want—some of the ones I've learnt by heart (or excerpts from them) include this one by Sara Teasdale - Nanao Sakaki - Velimir Khlebnikov - Wallace Stevens - Rabindranath Tagore - Archibald Macleish - Howard Nemerov - and these paragraphs by Henri Peña-Ruiz which I consider prose poetry... My favourite French verses (from Corneille, Aragon, Anna de Noailles, Hugo, Valéry...) are all alexandrines and I find it to be the easiest type of verse to remember, as the structure is so rigorous and consistent. I sometimes translate English poems into alexandrines (like this one) to make them easier to learn in this more familiar form—I think even after all this time English prosody still feels foreign to me; the patterns of sound and rhythm in French are more deeply embedded in my brain so it can more easily predict what comes next...

Re: easing your brain into it, I guess that depends on your style of learning? For me the best way to learn a text is to spend time with it in written form, be it by translating it, or by writing it down by hand (slowly) and then (sometimes) keeping it for a while in a place where I often stand idle, like taped to my microwave so I re-read it as I wait 1 minute for something to heat up.

One thing I like about learning poems is that it's a costless, always-accessible way to get a sense of personal accomplishment. Beyond that, I've got three categories of poems I like to learn for different reasons—I'll go into some detail in case it can help you figure out what you're after :)

1. Classic poetry, because it's just fun to have little snippets of ancient tragedies or epic Victor Hugo poems living at the back of your mind and accompanying you through your own everyday tragedies—as an overdramatic person who tends to feel devastated or exasperated over tiny stuff, it helps me to take some distance from my feelings. Like if I spill a bucket of manure on my boots and my first reaction is rage and despair and my second thought is a couple of verses by Euripides where Iphigenia bemoans her relentless fate, it's a way to make fun of (and get over) myself.

My grandmother did this a lot, she knew so many poems by heart and often used them ironically. If I went whining to her when I was little she'd recite to me the last few verses of Alfred de Vigny's La Mort du Loup (it sounds better in the original but):

[...] With all your being you must strive To that highest degree of stoic pride [...] Weeping or praying—all this is in vain. You must instead shoulder your long and heavy task In the way that Destiny has seen fit to ask Then suffer and die without complaint.

(Let me tell you, that's just what a five-year-old wants to hear after scratching her knee at the park) But really I admired this treasury of poetry she carried within her, especially as she only went to school until age 14 and came upon most of it thanks to her own curiosity; as well as the way she used it playfully in everyday life, using dramatic classical verse to de-dramatise minor annoyances.

2. Nature poems are great in the opposite way, to magnify minor positive things :) Like seeing a fox and having a few lines by Mary Oliver come to mind, seeing a frog and thinking of that Basho haiku... I recently discovered Jean-Michel Maulpoix and I also love his nature poems, like 'The recovery of blue after a downpour', the way he describes snow melting in the spring, or golden-blue evenings:

[Snow] takes some time to leave, but delicately. She doesn’t insist, hardly persists, never roots… She gives way. No one else dies so merrily With such good humour Unmatched is her disdain for eternity…

L’azur, certains soirs, a des soins de vieil or. Le paysage est une icône. Il semble qu’au soleil couchant, le ciel qui se craquelle se reprenne un instant à croire à son bleu.

3. And then there are the poems that proudly serve no purpose. <3 I mean beyond distilling language in a beautiful way. No deep meaning—or no meaning at all, e.g. surrealist poetry. I learnt this passage from Les Champs magnétiques back in middle school:

La fenêtre creusée dans notre chair s'ouvre sur notre cœur. On y voit un immense lac où viennent se poser à midi des libellules mordorées et odorantes comme des pivoines. Quel est ce grand arbre où les animaux vont se regarder ? Il y a des siècles que nous lui versons à boire. . . Prisonniers des gouttes d'eau, nous ne sommes que des animaux perpétuels. . . Nous ne savons plus rien des astres morts ; nous regardons les visages. . . Quelquefois, le vent nous entoure de ses grandes mains froides et nous attache aux arbres découpés par le soleil.

—and I've often recited it to myself just to enjoy these gratuitously nice sentences that aren't here to deliver information. Like Kay Ryan said, "Poetry makes nothing happen. That's the relief of it." It's a nice break, a way to remember that communicating isn't all language is for; beyond the social dimension there's also an intimate one that relies on our own aesthetic sensitivity. Most of the time we look through language, to access ideas, meanwhile enjoying poetry means looking at language, for a change, appreciating it for itself.

I just realised I'm paraphrasing John Brehm here—in The Poetry of Impermanence he wrote something that can be read as an ode to learning things by heart:

When you read lines that seem especially lit up—that move or intrigue you in some way, or that are simply pleasing or even dazzling—don’t focus on being able to formulate a statement about what they might mean, as if you might be called upon to explain the poem, to yourself or to someone else. Just linger with those poems or passages that resonate with you. . . Rest your mind on them; let them live inside you.

[henry-fox-biggest-stan]

Some more obscure and / or underrated lesbian literature : An incomplete list made by a lesbian in hopes of making other sapphics happy

(I haven’t read all of them)

Sorted by years (this rapidly became a history lesson of lesbian literature sorry I’m a nerd)

Ancient times

(A good article about lesbians in ancient greece / rome)

Queen Zhuang Jiang 庄姜 (???- BC 690) / We know about Sappho and Enheduanna, but what about her? She wrote poems some of which were, uh, pretty gay. I learnt about her here. It is said than her poems are in The Book of Songs (which is a collection of ancient Chinese poetry). I couldn’t find a lot about her but I found enough to believe than (hopefully) she was a real person and the internet isn't lying to me.

Dialogues of the courtesans - Lucian of Samosata (somewhere in the second century BC) / Basically Dialogues of the courtesans is a collection of dialogues between well, courtesans (prostitutes). Either between themselves or between clients. One of the dialogues is called “The Lesbians”. Link to read (somehow finding a pdf of Dialogues of the courtesans is pretty hard but reading it chapter by chapter online it’s not??)

The Babyloniaka - Iamblichus (somewhere in the second century AC) / Lost novel, so all you need to know is here

Of course we can’t forget this Pompeii poem

1200s

Bieiris de Romans (somewhere in the first half of the 1200s) / Bieiris was a French poet, and we only have one of her poems with us because the others have been lost. We don’t know much (anything) about her, except that she was a woman, French, and who wrote about a woman called Maria. Some say that this mysterious Maria referred to the Virgin Mary, others than Maria was her gf, and others than she was writing in the perspective of a man (because obviously a woman writing about other women in a not so platonic way is unthinkable). Anyway, feel free to get your own conclusions, here’s the poem (translated)

1500s

The Sword and the Pen: Women, Politics, and Poetry in Sixteenth-Century Siena - Konrad Eisenbichler / So while this is a modern book, it is the only one I’ve been able to find than includes Laudomia Forteguerri’s poems (1515-1555). Some historians considered her to be the earliest Italian lesbian writer. “Although only six of her sonnets have survived, all are testaments to the love she bore for other women, and five are specifically dedicated to Margaret of Austria.”

The Maitland Quarto / Manuscript (1586) / So, this is a collection of 95 scot poems, and poem 49 is pretty sapphic. It’s technically anonymous, but it has been attributed to Marie Maitland (who transcripted the manuscript and is thought to have added her own poems there). The last lines mean “'There is more constancy in our sex / Than ever among men has been”, I haven’t been able to translate the rest of it. The poem.

1600s

The Flower's Shadow Behind the Curtain - Ko Lien Hua Ying (somewhere in the 1600s) / It is said this book was written towards the end of the Ming dynasty (1368 to 1644). It’s a erotic book, and chapter 22 includes an erotic story between two 16 year old girls. I found it in Sex in China: Studies in Sexology in Chinese Culture by Fang Fu Ruan (believe it or not, I don’t just randomly know all this books, I did research)

Aphra Behn (1640-1689) / English writer, one of the first female writers to live through her writing. She was also a spy. She wrote a lot about women. “Homoeroticism is standard in Behn's verse, either in descriptions such as these of male to male relationships or in depictions of her own attractions to women. Behn was married and widowed early, and as a mature woman her primary publicly acknowledged relationship was with a gay male, John Hoyle, himself the subject of much scandal.” (here). She wrote a lesbian love poem (in the link before, it also makes an analysis of it). The poem: To The Fair Clarinda

Poems, Protest, and a Dream: Selected Writings - Juana Inés De la Cruz (1648-1695) / So the thing about Juana is than every single spanish-speaking lesbian knows her (and loves her), but hardly anyone who doesn’t speak spanish has ever heard of her, which is a shame, because she’s an absolute icon. She was a Mexican nun who was also incredibly gay. You know how Sappho is called the tenth muse? Juana is also called the (mexican) tenth muse. She’s also called the phoenix of America, which is incredibly badass. She learnt how to read at 3 years old, at 8, she asked her mother to send her to college dressed as a man (her mother refused). She learnt and studied by her own, because she wanted to learn. She studied by cutting her hair (if she got something wrong or forgot something, she cut a strand of her hair as a punishment) because she said that “a head adorned with hair is worthless if it’s a head naked of ideas”. When she was sixteen (important to note than she already spoke Latin fluently at 12, having mastered it in just a few lessons) the archbishop Payo Enríquez de Rivera heard of her, and decided to ask her to be the company lady of his wife (his wife and her eventually would have a relationship) and decided to test her intelligence. He got 40 (!!!) university profesor of all subjects, and they all asked her questions related to maths, literature, philosophy, etc. She answered all of them right. At around 21, she decided to become a nun (not out of faith, but because it was either becoming a nun and being able to continue her education, or marrying a man and stop studying. To her, the choice was clear). Also it is said she owned around 4000 books in her personal library. So yeah, an educated, extremely intelligent gal, who wrote lesbian love poems to her gf, and who was definitely not afraid to stand up for herself.

1700s

The Game of Flats - Nicholas Rowe? (1715) / Poem, “game of flats” was an 18th century slang for lesbian sex. Link to read <- that website includes lots of 18th century queer history and poems like this one

The Sappho-an - Anonymous (1735 or 1749) / When I first heard of this I couldn’t believe it. It sounds like an AO3 fanfic, or some modern erotic book (one of those than have a real person in the cover), or maybe a forgotten 1970s lesbian book. It’s none of that. It’s an anonymous poem written in the 1700s. The plot? The goddesses of Olympus are sexually unsatisfied because the gods keep on going after mortals (except Ares, he’s just too busy with war) instead of paying attention to them. The gods keep going after woman and male mortals, so Hera just says yknow what if they can sleep with men then we can sleep with each other. Sappho also appears. Link to read.

Fanny Hill, Memoirs of a Woman of Pleasure - John Cleland (1742) / Ok fine, this one is not sapphic but the main character (female) does have sex with a woman at one point. This is basically an erotic novel. Very dirty (specially for the time period) and very banned in lots of places. The main character is Fanny, a prostitute. It includes lots of straight sex, some gay (mlm) sex, and two pages where Fanny describes in detail having sex with Phoebe, bisexual prostitute. Not sapphic, but thought it was worth mentioning.

1810s

Christabel - Samuel Taylor Coleridge (1816) / So, have you heard of Carmilla (1872)? If you’re reading this post, you probably have, if you haven’t, it’s a classic (vampire) book than is said to have inspired Bram Stoker to write Dracula. It’s also incredibly gay. Well, some say it was Christabel than was the inspiration for Carmilla. Of course we don’t know this for sure, but the similarities definitely are there. Review from a reader: “what if we were the protagonist and villain of a never-completed sensual gothic poem (and we were both girls) / alternately: when you meet a wickedhot girl only she's SPOOKY but that's SEXY and turns out your dad and her dad were also gay back in the day before having a sexy gay falling-out and she's like 'babe let's get naked and hold each other close' and you're like '—wait fuck I mean uhhhh I PRETEND I DO NOT SEE IT!'” I haven’t read this one, however for what it seems Christabel is not explicitly a vampire. Since the poem is unfinished we don’t know the end, and we just think she’s a vampire because so many things used in here were also reused for vampires characterization (like not being able to enter a house unless invited)

1830s

Mademoiselle de Maupin - Théophile Gautier (1835) / “A woman uses her incredible beauty to captivate both d'Albert, a young poet, and disguised as a man, his mistress, Rosette. In this shocking tale of sexual deception, Gautier draws readers into the bedrooms and boudoirs of a French château in a compelling exploration of desire and sexual intrigue, and gives voice to a longing which is larger in scope, namely, the wish for completeness in oneself.”

1870s

Mademoiselle Giraud, My Wife - Adolphe Belot (1870) / “The sensational Mademoiselle Giraud, My Wife tells of the suffering of a naive young man whose new bride will not agree to consummate the marriage. Eventually he learns from an acquaintance, to his amazement, that their wives are lovers.” In reviews it says than this is a homophobic novel (who’s surprised) but “Christopher Rivers argues in his introduction that the protagonist's homophobic attitude toward lesbianism is ironically linked to his intimate homosocial bonds with men”

1880s

Jill - Amy Dillwyn (1884) / “Jill is the story of an unconventional heroine—a gentlewoman who disguises herself as a maid and runs away to London in search of adventure after her mother dies and her father is pursued by a Victorian gold-digger. Once in London she uses her position as lady's maid to become close to her mistress. Her life above and below stairs is portrayed with irreverent wit in this fast-paced story, but at the centre of the novel is Jill's unfolding love for the woman she works for. On the surface a feminist manifesto, Jill is a poignant story of same-sex desire and unrequited love. A new introduction tells the autobiographical story on which the novel is based —the author's own passionate attachment to a woman she called her wife, but who she couldn't have.”

Mephistophela - Catulle Mendès (1889) / “Telling the story of Baronne Sophor d'Hermelinge, a woman as thoroughly martyrized by her creator as any other heroine in the history of fiction, in spite of the enormous competition for that title established by countless writers, male and female, it is one of the archetypal novels of the Decadent Movement, and one of the most striking, precisely because is it such a discomfiting piece of writing, the deliberately controversial nature of which has been further enhanced as its surrounding social context has changed over time. Highly influential, especially on the works of such writers as Jean Lorrain and Renée Vivien, Mephistophela, in placing lesbian amour in the foreground of the story, deals forthrightly and intensively with a literary theme that had previously only been treated with delicacy and indecision, mostly in poetry. It is essentially a horror story about demonic possession, about contrived and cruel damnation, devoid even of a Faustian pact, which merely employs obsessive lesbian desire as an instrument of damnation.” Goodreads review: “As a story it is quite straightforward. Girl has same-sex desires and the novel follows her various affairs up to about the age of thirty. […] More controversially, Stableford (and the books blurb) suggests that it is a novel of demonic possession. Now Brian has probably forgotten more than I will ever learn about the period but a few of the episodes show distinct Charcotian traits (an early childhood 'illness', two doctors in conversation etc) and a (really great) fantasy/visionary episode in the book seems to show, to me, the influence of Michelets book on witchcraft. If anything, the book seems even more subversive that Stableford suggests, as Sophie seems largely 'out and proud' and the author often says that she is 'is as she is' suggesting to me that it is 'natural' rather than demonic. I wonder whether the publisher asked Mendes to add some suggestion of the demonic to 'tone down' the idea that people were actually like 'that'.”

1890s

Avant la nuit / Before the dark - Marcel Proust (1893) / Short story (seriously, less than 10 pages). I read it the other day before bed and it’s pretty good. Talks about Françoise, a woman, revealing her homosexuality to her friend Leslie.

A Sunless Heart - Edith Johnstone (1894) / “Its first third focuses on Gasparine O'Neill, who shares an intense connection with her sickly twin brother, Gaspar. Living in poverty, the two struggle to live decently until Gaspar dies. Here gritty naturalism gives way to fantasy, as Gasparine is rescued from despair by the brilliant Lotus Grace, a much-admired teacher at the local Ladies' College. Sexually exploited from the age of twelve by her sister's fiancé, Lotus cannot love anyone, not even her illegitimate child. Gasparine devotes herself to Lotus, but Lotus finds her final brief happiness with a woman student, Mona Lefcadio, a passionate Trinidadian heiress. Exploring issues of race, sexuality, and class in compelling prose, A Sunless Heart is a startling re-discovery from the late- Victorian era. The appendices to this Broadview edition provide contemporary documents that illuminate the tension between romantic friendship and lesbian consciousness in the novel and address other debates in which the novel the nature of Creole identity, the education of women, and the dangers of childhood sexual exploitation.”

The Songs of Bilitis - Pierre Louÿs (1894) / Poetry. However, believe it or not, these were not written by a woman but by a man. Why add it then, well, the story is quite original. The author (Pierre Louÿs) published this verses as written in Ancient Greece by a “disciple of sappho” named Bilitis. He created this whole character, she was a woman, she was a poet, she was a sappho disciple, her work has been lost until now, and she was a huge lesbian. Of course, this is not true, but still, it’s an interesting read. “Between their open celebration of lesbian love and the eventual revelation of their true authorship—the verses actually were written by French novelist and poet Pierre Louÿs—they became a succès de scandale. Although debunked as a work of antiquity, The Songs of Bilitis remains a classic of erotic literature.”

1900s

A Woman's Affair - Liane de Pougy (1901) / "Despite her beauty and her riches, Annhine de Lys, one of the most notorious courtesans of 1890s Paris, is bored and restless. Into her life bursts Flossie, a young American woman, and everything changes. The love she offers Annhine is dangerous, perverse and hard to resist. Ignoring the warnings of her best friend, Annhine encourages the affair."

I Await the Devil's Coming - Mary MacLane (1902) / “Mary MacLane's I Await the Devil's Coming is a shocking, brave and intelectually challenging diary of a 19-year-old girl living in Butte, Montana in 1902. Written in potent, raw prose that propelled the author to celebrity upon publication, the book has become almost completely forgotten. In the early 20th century, MacLane's name was synonymous with sexuality; she is widely hailed as being one of the earliest American feminist authors, and critics at the time praised her work for its daringly open and confesional style. In its first month of publication, the book sold 100,000 copies--a remarkable number for a debut author, and one that illustrates MacLane's broad appeal.” She’s pretty sapphic and claims her (female) lit teacher is her true love. Also an excerpt from a Goodreads review: “She awaits the Devil to come and marry her and bring happiness if only for three days, meanwhile rehearsing suicide. She prays to the Devil to deliver her from “unripe bananas; from bathless people; from a waist-line that slopes up in the front" but offers sensuous instructions on how to eat an olive, and enjoys porterhouse steaks and fudge she makes with brown sugar. It's quite a ride. Many recent reviewers pigeonhole her as an ahead-of-her-time Goth or emo, simply transcribing an eternal and universal teen angst.”

Q.E.D. - Gertrude Stein (1903) - Autobiographical short story about a love triangle between three women; Adele (Stein), Mabel, manipulative and wealthy, and Helen, who seduces Adele.

A Woman Appeared To Me - Renée Vivien (1904) / I have no idea how to explain this book other than it's all I ever wanted and it has an absolutely breathtaking prose. Think of The Picture of Dorian Gray, Oscar Wilde’s writing style and descriptions, the character's philosophy, and the queer toxic relationships in the book. Now make it lesbian and even more explicitly queer. Also I'm pretty sure the main characters want to fuck Sappho. On the second chapter the main characters + some side characters (all women + one guy) are having a discussion (a symposium of sorts) about how much they love sappho and how believing she married a man is stupid and how they don’t hate men, just really dislike them, and the guy says: "Mademoiselle, you are trying to hide from the irresistible seduction of the male. You will certainly finish your love-life in the arms of a man." And our main character being an icon finished the chapter answering him this: "That would be a crime against nature, sir. I have too much respect for our friend to believe her capable of an abnormal passion!". It’s so good. I have seen mixed opinions on this one, but I’m just gonna say: the girls than get it, get it. Everything by Renée Vivien is so good, but this is her only full novel I think (she also wrote poems and short stories). If you have to read only one book out of all the books in this post, let it be this one.

Zezé - Ángeles Vicente (1909) / Not translated (I think) but it’s the first lesbian novel written in Spanish which is pretty cool (even cooler than it was written by a woman who, in 1909 (or around it) divorced her husband and lived through her writing). The plot is basically, the narrator (the author) is on a ship and shares the cabin where she’s staying with another woman, Zezé, a cuplé singer, who tells her about her life (her childhood in a religious school, where she discovered her sexuality with had a relationship with another (female) student, her life in Madrid as an adult and living life as a woman, etc)

1910s

Despised & Rejected - Rose Allatini (1918) / A gay man and a lesbian are friends during WWI, which they are against (an anti-war novel). I think the book is in the perspective of the gay man, but his friend is also a main character.

The Scorpion - Anna Elisabet Weirauch (1919) / A review by a reader: “This book felt more like historical fiction than a novel actually written in 1919-1932, considering the explicitly lesbian relationships and coming of age and coming out style narrative. The story follows the life of Metta, a lesbian who grew up with a controlling family in Berlin. The narrative follows her from her first crush on her manipulative governess, to her first love the older and intelectual Olga, and her foray into the gay scene in Munich and beyond. The story isn't without suffering and it isn't just a love story despite how much you might want it to be. Definite trigger warnings for suicide (not Metta), poor mental health, homophobia and general cringe comments due to the time of writing. But the point of the book is for Metta to find a way to be, a way to live her life comfortably and happily, essentially to find herself.”

1920s

The Bacheloress - Victor Marqueritte (1922) / “Monique is an emancipated French woman who leaves home to escape a marriage of convenience to a man whom her parents have forced on her. She then succumbs to all sorts of carnal temptations including a lesbian love affair with a singer. The scandal provoked by Victor Margueritte's La Garçonne, here translated as The Bacheloress, led to its author having his legion d'honneur revoked, which only propelled this novel about a brazenly independent "new woman" to best-seller status. What was shocking then was not so much the reckless behavior of its heroine, who is depicted as the victim of psychological torment, but the portrait of the corrupt post-WWI society in which she lives. Authentic as Monique is, the types of love she encounters, set against the hostile and contemptuous portrayal of her peers, only amplifies her struggle.”

Yellow Rose - Nobuko Yoshiva (1923) / This is the only book than has been translated by this author, she was a lesbian who wrote Class-S romance (a Japanese book genre of the time, which focused on lesbian / homoerotic relationships between women [so-called romantic friendships], than usually take place in an all-girls boarding school). This specific story talks about a teacher-student relationship. She has other books, one called Yaneura no nishojo (two virgins in the attic) (1919) which isn’t translated, but sounds good, the story “is thought to be semi-autobiographical, and describes a female-female love experience with her dormmate. In the last scene, the two girls decide to live together as a couple. This work, in attacking male-oriented society, and showing two women as a couple after they have finished secondary education presents a strong feminist attitude, and also reveals Yoshiya's own lesbian sexual orientation”.

Freundinnen: ein Roman unter Frauen / Girlfriends: a Novel among Women - Maximiliane Ackers (1923) / Only in German, not translated. Review from an English reader: “This novel—which went through several editions in the 20s before being banned by the Nazis—is uncompromisingly, heartbreakingly queer. The novel tells the story of the love between two actresses in Wiemar Germany, Ruth and Erika. Both women struggle to support themselves on the stage, to live independently, and to come to terms with their love for each other and how they might live and express themselves and their desire.”

Surplus - Sylvia Stevenson (1924) / Review from a reader: “This book should be included in lists of seminal lesbian fiction. Published in 1924, Surplus is the story of Sally Wraith's young adult adventures after the end of WWI, during which period she served as an ambulance driver. The novel is not explicit and dos not detail a physical relationship between Sally and her romantic friend Averil but Sally refers to Averil as her "dream girl" with whom she wants to spend the rest of her life. This novel was published before Radclyffe Hall's Well of Loneliness , which is often hailed for its early negative portrayal of homophobia. But I find it compelling that Sally's love for Averil is not treated as deviant. It's just tragic for any babydyke to fall in love with a straight girl!”

The Captive - Eduard Bourdet (1926) / Theatre, “Irène is a lesbian tortured by her love for Madame d'Aiguines, but pretending engagement to Jacques (man). Though Irène attempts to leave Madame d'Aiguines and marry Jacques, she returns to the relationship, saying that it is "a prison to which I must return captive, despite myself". Madame d'Aiguines is not seen in the play, but leaves behind nosegays of violets for Irène, as a symbol of her love.” Read here

Women Lovers, or The Third Woman - Natalie Clifford Barney (1926) / “This long-lost novel recounts a passionate triangle of love and loss among three of the most daring women of belle époque Paris. In this barely disguised roman à clef, the legendary American heiress, writer, and arts patron Natalie Clifford Barney, the dashing Italian baroness Mimi Franchetti, and the beautiful French courtesan Liane de Pougy share erotic liaisons that break all taboos and end in devastation as one unexpectedly becomes the "third woman."

HERmione - H.D (1927) / “This autobiographical novel, an interior self-portrait of the poet H. D. (1886-1961) is what can best be described as a find, “a posthumous treasure”. In writing HERmione, H.D. returned to a year in her life that was peculiarly blighted. She was in her early twenties—a disappointment to her father, an odd duckling to her mother, an importunate, overgrown, unincarnated entity that had no place... Waves to fight against, to fight against alone... “I am Hermione Gart, a failure” —she cried in her dementia, “I am Her, Her, Her.” She had failed at Bryn Mawr, she felt hemmed in by her family, she did not yet know what she was going to do with her life. The return from Europe of the wild-haired George Lowndes (Ezra Pound) expanded her horizons but threatened her sense of self. An intense new friendship with Fayne Rabb (Frances Josepha Gregg), an odd girl who was, if not lesbian, then certainly of bisexual bent, brought an atmosphere that made her hold on everyday reality more tenuous. This stormy course led to mental breakdown, then to a turning point and a new beginning as her own true self, as Her"

Lucia Sánchez Saornil (1895 - 1970) / Spanish poet, putting her here because she’s part of generation ‘27. Read her Wikipedia page because she’s literally iconic (I can’t put the link here for some reason). I love her so much. She was an anarchist and very revolutionary. She wrote under a pen name to be able to explicitly write about women and lived with her partner (América Barroso) until she died. I haven’t been able to find an English translation of her writing, but I do have found a French one, so better than nothing

Dusty Answer - Rosamond Lehmann (1927) / Coming of age story of Judith Earle, sensitive, lonely, who grew up as an only child, but with 4 neighbors (all cousins) to make her company (and eventually harbor romantic feelings for). Then she moves to college, where she meets Jennifer and enters a relationship with her. Although the relationship is not explicitly romantic.

Ladies Almanack - Djuna Barnes (1928) / “Written as a medieval calendar, Ladies Almanack is a clever parody of the crazy sapphic circle of Natalie Barney and her Académie des Femmes. Sharp, biting, witty and transgressive, it is also a modern and pioneer in his vision of lesbianism and the issues surrounding relationships between women. The emotional endogamy, transvestism, motherhood, marriage or differences between sex and gender are already presented in the book with a charge of irony and acidity that is rare in the treatment of the topic. And it is also a breath of fresh air, an essential reference to know the world of lesbian women in all its breadth and diversity.”

1930s

The Angel and the Perverts - Lucie Delarue-Mardrus (around 1930) / "Set in the lesbian and gay circles of Paris in the 1920s, The Angel and the Perverts tells the story of a hermaphrodite born to upper class parents in Normandy and ignorant of his/her physical difference. As an adult, s/he lives a double life as Marion/Mario, passing undetected as a lesbian in the literary salons of the times, and as a gay man in the cocaine dens made famous by Colette." Technically not lesbian, but it’s “set in the lesbian cercles of Paris”

Broderie Anglaise - Violet Trefusis (1935) / Technically not a lesbian novel, but by a sapphic author. Do you know about Virginia Woolf and Vita Sackville-West? Of course you do, everyone does. However, do you know than Violet Trefusis used to be Vita’s lover? They dated as teens and again as adults. There’s this whole gay toxic romantic circle between Violet, Vita, and Virginia. Violet wrote this book where she’s basically adding Vita, Virginia, and herself into the characters and dissing them. The plot centers on an encounter between Alexa, a celebrated English writer (Virginia), and her rival, Anne (Violet), and their discussion about their mutual lover, Lord Shorne (Vita).

Summer Will Show - Sylvia Townsend Warner (1936) / Sophia Willoughby's husband has a mistress who he cheats on her with. So she grabs him and packs him up to Paris with his mistress. She'll raise their children and he can have his mistress all day long if he wants, what she wants is to not see him. Sadly, her children die, and she goes to Paris, where she'll find her husband's mistress, and the two of them start an affair with eachother.

Diana: A Strange Autobiography - Diana Frederics (1939) / “«This is the unusual and compelling story of Diana, a tantalizingly beautiful woman who sought love in the strange by-paths of Lesbos. Fearless and outspoken, it dares to reveal that hidden world where perfumed caresses and half-whispered endearments constitute the forbidden fruits in a Garden of Eden where men are never accepted». This is how A Strange Autobiography was described when it was published in paperback in 1952. The original 1939 hardcover edition carried with it a Publisher's This is the autobiography of a woman who tried to be normal. In the book, Diana is presented as the unexceptional daughter of an unexceptional plutocratic family. During adolescence, she finds herself drawn with mysterious intensity to a girl friend. The narrative follows Diana's progress through college; a trial marriage that proves she is incapable of heterosexuality; intelectual and sexual education in Europe; and a series of lesbian relationships culminating in a final tormented triangular struggle with two other women for the individual salvation to be found in a happy couple.”

1940s

Hidden Path - Elena Fortún (somewhere around the 1940s) / Maria Luisa grows up on 1910s/1920s Spain. She is a peculiar girl, one who despises wearing dresses and wants to dress as a sailor, who could spend all day reading, who loves painting, and who swears she will never marry. Oh, and she's also a lesbian. Based on the author's life Maria Luisa is kind of the author's alter ego, and it follows her from childhood to adulthood while dealing with a world not created with people like her in mind. (Not published until 2016)

El Pensionado de Santa Casilda / The Boarding School of Saint Casilda - Elena Fortún (somewhere around the 1940s) / This book is not translated, but if you know spanish I recommend to pick it up. A group of 14/15 year old girls who go to the same spanish all-girls boarding school, and they are all in love with each other. It follows them into adulthood and how they navigate their lives being women and lesbians in the past (Not published until 2022). Messy lesbians at its finest. Like, seriously. Lesbians still in love with their ex and not over their first love, dating their friends and their ex friend, and the ex of their friend, and having sugar mommies, etc etc

1960s

Winter Love - Han Suyin (1962) / “As a college student in London during the bitterly cold winter of 1944, Red falls in love with her married classmate Mara. Their affair unleashes a physical passion, a jealousy, and a sense of self-doubt that sweep all her previous experiences aside and will leave her changed forever. Set against the rubble of the bombed city, in a time of gray austerity and deprivation, Winter Love recalls a life at its most vivid.”

The Chinese Garden - Rosemary Manning (1962) / “A "very intelligent, sensitive, and compelling" novel of adolescent rebellion and sexual awakening at a girls' boarding school (Anthony Burgess). Set in a repressive British girls' boarding school in the late 1920s—where not only sexuality but femininity is squashed—the novel is the coming-of-age story of sixteen-year-old Rachel, a sensitive, bright, and innocent student. Rachel finds refuge from the Spartan conditions, strict regime, fierce discipline, and formidable headmistress at Bampfield in a secret garden. She also finds friendship there, with a rebellious girl named Margaret. As Margaret has her mind expanded by a scandalous tome entitled The Well of Loneliness, she engages in a bold, forbidden act—the ultimate transgression at Bampfield—and Rachel is drawn into the turmoil. Confronted with the persecution of her friend and troubled by a growing awareness of her own sensuality, Rachel faces an imposible choice that drives her to desperate measures.”

The Microcosm - Maureen Duffy (1966) / “At the House of Shades, Matt, a bar-room philosopher, tries to make sense of the disparate lives which cross here -- of Judy who saves herself and her finery for a Saturday night lover, of Steve the gym teacher who dreads a chance encounter with a pupil in this twilight environment, and of Matt herself, who needs these vicarious exchanges despite the security of her relationship with Rae and her sense that this lesbian sanctuary is a prison too, enforcing the guilt and estrangement of the city streets beyond. Elsewhere there are women such as Marie, trapped within an unwanted marriage and unable to admit her sexuality, and Cathy, for whom the discovery that she is not 'the only one in the world' is an affirmation of her existence. With its innovative structure and style, perfectly mirroring the voices and experiences of women forced by society to live on the margins, The Microcosm remains as powerful today as when originally published in 1966.”

1970s

Beginning with O - Olga Broumas (1977) / A poetry collection by a lesbian, greek writer.

The Same Sea as Every Summer - Esther Tusquets (1978) / A stream-of-consciousness type book, by an author who has been compared to Virginia Woolf. “Poetic and erotic, El mismo mar de todos los veranos ( The Same Sea As Every Summer ) was originally published in Spain in 1978, three years after the death of Franco and in the same year that government censorship was abolished. But even in a new era that fostered more liberal attitudes toward divorce, homosexuality, and women's rights, this novel by Esther Tusquets was controversial. Its feminine view of sexuality (in particular, its depiction of a lesbian relationship) was unprecedented in Spanish fiction. The disillusioned narrator of The Same Sea As Every Summer is a middle-aged woman whose unhappy life prompts a journey into she past to rediscover a more authentic self. However, events force her to realize that love or trust will inevitably be repaid by betrayal. This pattern assumes various forms in a story that moves forward as well as backward, playing out in Barcelona among the haute bourgeoisie. Richly textured with allusion, The Same Sea As Every Summer is also a commentary on post-Civil War Spanish society by an author who grew up during the repressive Franco regime.”

Así es: Mi vida 3 - Victorina Durán (somewhere in the late 1970s) / So, not translated but has great historical value. Basically, this is the third book out of Victorina’s memories that she wrote in the 70s. Victorina (1899 - 1993) was so cool. She was an icon. She was a sceneographer, a painter, a costume designer, writer (aside from her memories, she has some theatre plays), etc. She actually wanted to be an actress. She was part of the Círculo Sáfico de Madrid (the sapphic club of Madrid, a club made out of her and her friends, who were sapphic) among others. She never hid her sexuality. She was friends with almost all the importante well known people in 1920s / 1930s Spain. This book is the third one out of her memories, and it’s focused explicitly on her relationships (all with women). She said she wanted to focus on them and give them a book of their own, so this is of great historical value, giving insights into the queer spaces, lesbian scene, wlw relationships and being gay at that time. I need to read it so bad if someone has a pdf please tell me I’ll send them my fanfic wips

1980s

On Strike against God - Joanna Russ (1980) / “A lost feminist masterwork by feminist and speculative fiction icon, Joanna Russ, about a young lesbian's coming-to-consciousness during the social upheaval of the 1970s. When Esther, a recently divorced professor, has her first lesbian love affair, the fallout brings her everyday miseries into focus and precipitates a personal crisis. She flees her small, upstate New York college town, grapples with gender confusion and the ghosts of therapists past, and fumbles her way through comedic sexual self-discovery, oscillating all the while between visionary confidence and debilitating self-doubt. Confronted with the homophobia of straight feminists and the misogyny of gay men, Esther is left to forge a language for her feminism and her burgeoning lesbian desire. On Strike Against God is quintessentially experimental but accesible, alternately wry and earnest, poignantly didactic, playful, and emotionally charged.” From a review: “For anyone like me who's unfamiliar with the quote which inspired the title: A judge was sentencing a picketer from the early twentieth century shirtwaist-makers strike (the first large scale strike by women), and he told her, "You are striking against God and Nature, whose law is that man shall earn his bread by the sweat of his brow. You are on strike against God!"

Faultline - Sheila Ortiz Taylor (1982) / “An outrageous, zesty, funny Lesbian novel; the adventures of a Lesbian mother with six children, three hundred rabbits, and very relaxed attitude."

The Swashbuckler - Lee Lynch (1985) / "Frenchy Tonneau leaves her closeted home in the Bronx for the bars of New York City, the freedom of Provincetown, and the liberation of Greenwich Village in the 1960s and 1970s. Her hangouts, her women, her small yet universal world tell the stories of the times - and the stories of lesbians today. A timeless journey and a riveting read, The Swashbuckler is heart-wrenching, heartwarming, and unforgettable." Butch main character, lesbian life in the 60s/70s, lesbian-feminism, butchfemme, etc.

Fried Green Tomatoes at the Whistle Stop Café - Fannie Flagg (1987) / listen, LISTEN, I know this book is not obscure, absolutely not given it even has a movie adaptation, but people do not give this book the love it deserves. I'm constantly thinking about Idgie and Ruth, they are one of my favorite fictional couples ever, and also my favorite lesbian fictional couple. They are such interesting characters with such an interesting dynamic and I just love them so so much. A femmebutch couple in 1920s Alabama, who go through many hardships but still find eachother, still end together, and even have a restaurant, live together, and raise a kid. And not only them, but the book is made out of 4 main characters (or 3 depends on if you see Ninny as a main character or not), Idgie, Ruth, and Ninny and Evelyn. Evelyn, an 80s depressed housewife in her 40s finds solace and a true friend in Ninny, a 90 year old woman staying at a nursing home (not ‘cause she needs it, but to keep a friend company). Ninny tells her the story of Idgie (her, kind of, sister) and Ruth, her best friend and lover. Evelyn finds feminism and hope through the memories, getting inspired by Idgie and Ruth's story and becoming happier in her life. It has several points of views and it jumps between years (first 1980s, then 1920s, then 1940s, then 1980s again, etc) and it also talks a lot about racism in 1920s Alabama, and i'll just stop because I love this book so much and i could go on forever. Oh, and also they murder a man and feed him to a police officer.

Lovers' choice - Becky Birtha (1987) / A collection of eleven short stories about lesbian women.

1990s

Out Of Time - Paula Martinac (1990) / Susan finds an old photograph album with pictures from the 1920s, all pictures being of a group of women (four in total). She's told it's not for sale, but she steals it anyway. After some digging, she finds out than two of the girls from the photos were lovers! And not only is Susan trying to navigate the details of her life and of her relationship with her own girlfriend, but she obsesses over the women in the picture, and eventually, the spirits of the girls start to haunt her.

The Gilda Stories - Jewele Gomez (1991) / Gilda escaped from slavery in the 1850s, until she's taken by a vampire who (consensually) turns her into a vampire too. Gilda moves through the decades finding community and connections and helping people, and slowly builds a place for herself in time. (Fine, not actually obscure since I’ve seen it all around the internet, but it just sounds so good)

Annabel and I - Chris Anne Wolfe (1996) / Plot summed up by a reader: “Half-orphaned Jenny-Wren spends her summers at her uncle Jake's fishing lodge on Lake Chautauqua. One summer day when she's twelve years old while boating with her uncle, she finds a girl on the end of a dock reaching futilely for her escaped model boat. Jenny swims over and rescues the boat, meeting the orphaned Annabel, spending her summers at her grandmother's summer estate. This begins a friendship that endures and grows for years as the two girls spent each summer together, only to be separated at the end of summer. As the two grow older, they realize a magic is at work that keeps bringing them together, despite the near century between them. As the summers come and go, the two young women discover their love for each other, and the realization that their love is imposible. Can their love persist beyond those fleeting summers and flourish, in the face of time?”. Review from a reader: “The foreword says this book is for all wlw, and that, "Because there are as many different ways to love a woman as there are women who love women; it's the loving, not the label, that really matters." That really captured the core of what this book does, it treasures the love we create with our bare hands for and with another woman.” A time travel romance (Jenny is from the 1980s, Annabel from 1890s)

Ain't Gonna Be the Same Fool Twice - April Sinclair (1996) / Bisexual mc. “Jean "Stevie" Stevenson, the indomitable heroine of "Coffee Will Make You Black," is back—somewhat older and wiser, with some experience and a college degree -- diving headfirst into the hot tub, free love, yoga, and vegetarian lifestyle of 1970s San Francisco. In this liberating new world of raised consciousness, mind-expanding, and disco-dancing, a soul sister with passion and daring has room to experiment with life and love to find out who she "really" is.”

Beyond the Pale - Elana Dykewomon (1997) / “The story of two Jewish women living through times of darkness and inhumanity in the early 20th century, capturing their undaunted love and courage in luminous and moving prose. The richly textured novel details Gutke Gurvich's odyssey from her apprenticeship as a midwife in a Russian shtetl to her work in the suffrage movement in New York. Interwoven with her tale is that Chava Meyer, who was attended by Gurvich at her birth and grew up to survive the pogrom that took the lives of her parents. Throughout the book, historical background plays a large part: Jewish faith and traditions, the practice of midwifery, the horrific conditions in prerevolutionary Russia and New York sweatshops, and the determined work of labor unionists and suffragists." While it is a romance, it's also more than that, it's about the life of Jewish women in the 20th century.

Crystal Diary - Frankie Hucklenbroich (1997) / “Frankie Hucklenbroich's razor-edged, compelling, often wryly humorous story hustles us from the blood-and-beer-drenched corners of her St. Louis meat-packing district '50s youth, through the sex-soaked Hollywood alleys of her '60s baby butch years, into the druggy metropolis of '70s San Francisco. Moving relentlessly from one woman to another until faces and bodies blur, scamming her existence, learning what the street has to how to make a buck, how to make it with a woman, how to court the dangers of crystal meth, how to survive.”

Hers 3 - Terry Wolverton (1999) / Short stories

2000s

Valencia - Michelle Tea (2000) / "Valencia is the fast-paced account of one girl's search for love and high times in the drama-filled dyke world of San Francisco's Mission District. Through a string of narrative moments, Tea records a year lived in a world of girls: there's knife-wielding Marta, who introduces Michelle to a new world of radical sex; Willa, Michelle's tormented poet-girlfriend; Iris, the beautiful boy-dyke who ran away from the South in a dust cloud of drama; and Iris's ex, Magdalena Squalor, to whom Michelle turns when Iris breaks her heart."

Naked in the Promised Land: A Memoir - Lillian Faderman (2003) / “Born in 1940, Lillian Faderman is the only child of an uneducated and unmarried Jewish woman who left Latvia to seek a better life in America. Lillian grew up in poverty, but fantasised about becoming an actress. When her dreams led to the dangerous, seductive world of the sex trade and sham-marriages in Hollywood of the fifties, she realised she was attracted to women, and that show-biz is as cruel as they say. Desperately seeking to make her life meaningful, she studied at Berkeley; paying her way by working as a pin-up model and burlesque dancer, hiding her lesbian affairs from the outside world. At last she became a brilliant student and the woman who becomes a loving partner, a devoted mother, an acclaimed writer and ground-breaking pioneer of gay and lesbian scholarship. Told with wrenching immediacy and great power, Naked in the Promised Land is the story of an exceptional woman and her remarkable, unorthodox life.”

Her Naked Skin - Rebecca Lenkiewicz (2008) / Theatre. “Militancy in the Suffragette Movement is at its height. Thousands of women of all classes serve time in Holloway Prison in their fight to gain the vote. Amongst them is Lady Celia Cain who feels trapped by both the policies of the day and the shackles of a frustrating marriage. Inside, she meets a young seamstress, Eve Douglas, and her life spirals into an erotic but dangerous chaos. London 1913. A crucial moment when, with emancipation almost in sight, women refuse to let the establishment stand in their way.”

The Rain Before it Falls - Jonathan Coe (2008) / “A story of three generations of women whose destinies reach from the English countryside in World War Il to London, Toronto, and southern France at the turn of the new century. Evacuated to Shropshire during the Blitz, eight-year-old Rosamond forged a bond with her cousin Beatrix that augured the most treasured and devastating moments of her life. She recorded these memories sixty years later, just before her death, on cassettes she bequeathed to a woman she hadn't seen in decades. When her beloved niece, Gill, plays the tapes in hopes of locating this unwitting heir, she instead hears a family saga swathed in promise and the story of how Beatrix, starved of her mother's affection, conceived a fraught bloodline that culminated in heart-stopping tragedy—its chief victim being her own granddaughter. And as Rosamond explores the ties that bound these generations together and shaped her experience all along, Gill grows increasingly haunted by how profoundly her own recollections--not to mention the love she feels for her grown daughters, listening alongside her-- are linked to generations of women she never knew. A stirring, masterful portrait of motherhood and family secrets, "The Rain Before It Falls" is also a meditation on the tapestries we weave out of the past, whether transcendent or horrific.”

2010s

When We Were Outlaws - Jeanne Cordova (2011) / "A sweeping memoir, a raw and intimate chronicle of a young activist torn between conflicting personal longings and political goals. When We Were Outlaws offers a rare view of the life of a radical lesbian during the early cultural struggle for gay rights, Women's Liberation, and the New Left of the 1970s. Brash and ambitious, activist Jeanne Cordova is living with one woman and falling in love with another, but her passionate beliefs tell her that her first duty is "to the revolution".—to change the world and end discrimination against gays and lesbians."

Call Me Esteban - Leila Kalamuié (2015) / “With unapologetic vividness, Lejla Kalamujic depicts pre- and post-war Sarajevo by charting a daughter coping with losing her mother, but discovering herself. From imagined conversations with Franz Kafka to cozy apartments, psychiatric wards, and cemeteries, Call Me Esteban is a piercing meditation on a woman grasping at memories in the name of claiming her identity.”

Jigsaw Youth - Tiffany Scandal (2015) / “Lose your best friend because you finally Came Out. Spend days driving aimlessly because there's nothing to do. Serve your rapist breakfast because you need your job. Fall asleep to gunshots and sirens because that's the only sense of home you've ever known. Hold hands with ghosts. Your life is in pieces, but you can't be broken. Wipe off the blood. Tired of being told who to be, what to wear, how to act and who to fuck. Break the rules and learn fast how to never get caught. All you need is nothing, but you're happy with your car, guitar and camera. Throwing around polaroids of tits like they're money, you swap stories about adventures and realize that we're all running away from something.”

Creatures of Will & Temper - Molly Tanzer (2017) / Recommended as a sapphic picture of dorian gray retelling, it tells the story of Dorina (hedonistic, art lover, and woman-kisser), her older sister Evadne (fencer and responsable), Lady Henrietta (suit-wearing, cigar-smoking lesbian who is a horrible influence), and Basil, Dorina and Evadne's uncle, and who's character has not changed much. They also summon demons.

The Adventures of China Iron - Gabriela Cabezón Cámara (2017) / “1872. The pampas of Argentina. China is a young woman eking out an existence in a remote gaucho encampment. After her no-good husband is conscripted into the army, China bolts for freedom, setting off on a wagon journey through the pampas in the company of her new-found friend Liz, a settler from Scotland. While Liz provides China with a sentimental education and schools her in the nefarious ways of the British Empire, their eyes are opened to the wonders of Argentina's richly diverse flora and fauna, cultures and languages, as well as to the ruthless violence involved in nation-building. This subversive retelling of Argentina's foundational gaucho epic Martín Fierro is a celebration of the colour and movement of the living world, the open road, love and sex, and the dream of lasting freedom. With humour and sophistication, Gabriela Cabezón Cámara has created a joyful, hallucinatory novel that is also an incisive critique of national myths.”

2020s

Thirst - Marina Yuszczuk (2020) / “Across two different time periods, two women confront fear, loneliness, mortality, and a haunting yearning that will not let them rest. It is the twilight of Europe's bloody bacchanals, of murder and feasting without end. In the nineteenth century, a vampire arrives from Europe to the coast of Buenos Aires and, for the second time in her life, watches as villages transform into a cosmopolitan city, one that will soon be ravaged by yellow fever. She must adapt, intermingle with humans, and be discreet. In present-day Buenos Aires, a woman finds herself at an impasse as she grapples with her mother's terminal illness and her own relationship with motherhood. When she first encounters the vampire in a cemetery, something ignites within the two women-and they cross a threshold from which there's no turning back. With echoes of Mary Shelley's Frankenstein and written in the vein of feminist Gothic writers like Shirley Jackson, Daphne du Maurier, and Carmen Maria Machado, Thirst plays with the boundaries of genre while exploring the limits of female agency, the consuming power of desire, and the fragile vitality of even the most immortal of creatures.” Lesbian vampires!

The Lives We Left Behind - Olivia Bratherton-Wilson (2021) / I read this one so long ago and I don’t remember everything with detail, just than I really liked it. “1943. Seventeen-year-old Dorotea Miller is given the responsibility of managing the family farm when her father and brother are conscripted, leaving her with only her distant mother and the unfamiliar Land Girls for company. Angeline Carter and her four younger brothers are evacuated to the Welsh countryside to escape the bombings; the Miller farm is nothing like they've seen before and certainly more than Angeline bargained for when she meets the surly, unwelcoming farmer's daughter. Despite their rocky start, misunderstandings and tragedies, Dorothea and Angeline realise that their friendship may run deeper than either of them had prepared for.” There is also a sequel! That one I haven’t read tho.

Agatha of Little Neon - Claire Luchette (2021) / "Agatha has lived every day of the last nine years with her sisters (the other nuns) : they work together, laugh together, pray together. Their world is contained within the little house they share. The four of them are devoted to Mother Roberta and to their quiet, purposeful life. But when the parish goes broke, the sisters are forced to move. They land in Woonsocket, a formermill town now dotted with wind turbines. […] Agatha is forced to venture out into the world alone, to teach math at a local all-girls high school, where for the first time in years she will have to reckon with what she sees and feels all on her own. Who will she be if she isn't with her sisters? These women, the church, have been her home--or has she just been hiding? […] It is a novel about female friendship and devotion, the roles made available to us, and how we become ourselves." Lesbian nuns

Burning Butch - R/B Mertz (2022) / A butch lesbian memoir of their life growing up catholic and surviving in the world, while dealing with faith and what it shape it takes to them.

London on My Mind - Clara Alves (2022) / So, the English translation just came out! Funny thing is, I started this in 2022 even tho I don’t know Portuguese (translating paragraph by paragraph with google translate) and it was pretty good. I haven’t finished it (translating a whole book with google translate is definitely work) but I’m so ready to read it now that it’s translated. Dayana (seventeen, black, plus size, and Brazilian) is forced to move to London with her father (who abandoned her mother and her) and his new family after her mother died. She’s having a pretty horrible time, until, on a walk, finds a redhead girl… escaping Buckingham Palace?? So of course, she helps her escape. Who exactly is this girl? Why was she escaping?? The answer, her name is Diana and she’s sort of (super) the princess of Wales. Huh.

Helen House - Kayla Kumari Upadhyaya (2022) / “Right before meeting her girlfriend Amber's parents for the first time, the unnamed narrator of Helen House learns that she and her partner share a similar both of their sisters are dead. As the narrator wonders what else Amber has been hiding, she struggles with her own secret--using sex as a coping mechanism--as well as confusion and guilt over whether she really cares about Amber, or if she's only using her for sex. When they arrive at the parents' rural upstate home, a quaint but awkward first meeting unravels into a nightmare in which the narrator finds herself stranded in a family's decades-long mourning ritual. At turns terrifying and erotic, Helen House is a queer ghost story about trauma and grief.”

Promises in Pompeii - Violet Morley (2022) / Set in Ancient Rome, it tells the story of two girls, Octavia and Helvia, childhood friends, and their journey through life as women and through their feelings. In the author ig, she said it includes: adventure/survival, against the odds, brothels, butch/femme, coming of age, disguised as a man, first love, friends to lovers, opposites attract, etc. I’m currently reading it, and I really like it so far.

Nettleblack - Nat Reeve (2022) / “Subversive and playful, Nettleblack is a neo-Victorian queer farce that follows a runaway heir/ess and an organisation of crime-fighting misfits as they struggle with the misdeeds besieging a rural English town. The year is 1893. Having run away from her family home to escape an arranged marriage, Welsh heiress Henrietta “Henry” Nettleblack finds herself ambushed, robbed, and then saved by the mysterious Dallyangle Division - part detective agency, part neighbourhood watch. Desperate to hide from her older sisters, Henry disguises herself and enlists. But the Division soon finds itself under siege from a spate of crimes and must fight for its very survival. Assailed by strange feelings for her new colleague - the tomboyish, moody Septimus - Henry quickly sees that she's lost in a small rural town with surprisingly big problems. And to make things worse, sinister forces threaten to expose her as the missing Nettleblack sister. As the net starts to close around Henry, the new people in her life seem to offer her a way out, and a way forward. Is the world she's lost in also a place she can find herself? Told through journal entries and letters, Nettleblack is a picaresque ride through the perils and joys of finding your place in the world, challenging myths about queerness - particularly transness - as a modern phenomenon, while exploring the practicalities of articulating queer perspectives when you're struggling for words.”

Sunburn - Chloe Michelle (2023) / In Ireland, the early 1990s, Lucy feels out of place in her small town. She falls in love with her best friend and she has to find a way to find herself, make a meaning out of her feelings, and hide the truth from her conservative small town and religious peers.

Lucky Red - Claudia Cravens (2023) / "A vibrant and cinematic debut set in the American West about a scrappy orphan who finds friendship, romance, and her true calling as a revenge-seeking gunslinger." Lesbian cowboys

Neon Roses - Rachel Dawson (2023) / “Eluned Hughes is stuck. It's 1984 in a valley in south Wales: the miners' strike is ravaging her community; her sister's swanned off with a Thatcherite policeman; and her boyfriend Lloyd keeps bringing up marriage. And if they play '99 Red Balloons' on the radio one more time, she might just lose her mind. Then the fundraising group Lesbians and Gays Support the Miners comes down from London, and she meets June, a snaggle-toothed blonde in a too-big leather jacket. Suddenly, Eluned isn't stuck any more - she's in freefall. June's an artist and an activist, living in a squat in Camden. With June, Eluned can imagine a completely different - and exciting - life for herself. But as her family struggles with the strike, and her relationship with her sister deteriorates, should she really leave it all behind? From the Valleys to the nightclubs of Cardiff, London and Manchester, NEON ROSES is a heartwarming, funny and a little bit filthy queer coming-of-age story with a cracking '80s soundtrack.”

Tale of Three Ships - Darcia G. Laucerica (2023) / “In a world under the thumb of an empire, pirates sail away searching for a breath of freedom. But even the ocean is tainted by the powerful nation that has spread lies about women being bad luck at sea. Glenlivet has never cared about the fear-mongering. Her ship welcomes those who are rejected and need a home. For all the sailor' s superstitions and "codes" of piracy the captain mocks every day, not leaving the docks when it's dark is a personal boundary she swears by ever since acquiring The Outsider about eight years ago. She just might have to break her own rules to protect her crew, escape the claws of a king who wants her dead, and murder the man who raised her.” I’ve heard so many good things about this. Lesbian main character, with mlm and trans side characters. Author in social media said it includes: Chosen pirate family, sirens, indigenous and latine inspired characters, anti-colonialism, and people fighting injustice and abuse.

How to Breathe Ash - Alex Nonymous (2023) / “Eleanor Perrault doesn't know if there's a right way to handle being suddenly orphaned at sixteen, but it's definitely not the way that she's been coping with it. It's been two months since her parents died and despite her autism normally causing her to be even more emotionally volatile than most of her peers, she still hasn't even managed to cry over them yet. On top of trying to learn how to grieve properly, Eleanor's juggling starting a new semester in a new town with an aunt who seems eternally disappointed in her and a cousin who's randomly decided to start hating her. And a crush on the incredibly pretty president of her new school's QSA. How to Breathe Ash is a contemporary YA Cinderella retelling following Eleanor through elaborate dances, anonymous chat rooms, and learning the right way to not be alright.” Autistic mc! While I haven’t read anything from this author (yet) they have lots of wlw/nblw/nblnb books with autistic main characters.

War and Solace: A Tale from Norvegr - Edale Lane (2023) / “A battle-hardened shieldmaiden. A pacifist healer. Can the two find love amid the chaos of war? From Edale Lane, the award-winning, best-selling author of Sigrid & Elyn, comes a new Tale from Norgevr! Tyrdis is a stalwart warrior raised to value honor, courage, and military prowess. When a traumatic injury renders the powerful protector helpless, she depends on the lovely, tender-hearted Adelle to restore her from the brink of death. Is it merely gratitude or true love that draws Tyrdis to the healer? Defying cultural norms, Adelle despises violence and those who propagate it, but when her shieldmaiden patient saves the life of her beloved little girl, she must reexamine her values. Could Tyrdis be more than a stiff, efficient killer with an amazing body? In a kingdom steeped in conflict with their neighbors and internal strife, shocking secrets are revealed, and both women strive to ensure justice prevails. Can they overcome their differences to safeguard their friends, end the war, and fall in love, or will fate prove to be a cruel sovereign?” Historical fiction set during 643. The author also has another two sapphic books set in the same time period.

Maddalena and the Dark - Julia Fine (2023) / “A novel set in 18th-century Venice at a prestigious music school, about two girls drawn together by a dangerous wager Venice, 1717. Fifteen-year-old Luisa has only wanted one thing: to be the best at violin. As a student at the Ospedale della Pietà, she hopes to join the highest ranks of its illustrious girls' orchestra and become a protégé of the great Antonio Vivaldi. Luisa is good at violin, but she is not the best. She has peers, but she does not have friends. Until Maddalena. After a scandal threatens her noble family's reputation, Maddalena is sent to the Pietà to preserve her marriage prospects. When she meets Luisa, Maddalena feels the stirrings of a friendship unlike anything she has known. But Maddalena has a secret: she has hatched a dangerous plot to rescue her future her own way. When she invites Luisa into her plans, promising to make her dreams come true, Luisa doesn't hesitate. But every wager has its price, and as the girls are drawn into the decadent world outside the Pietà's walls, they must decide what it is they truly want—and what they will do to pay for it. Lush and heady, swirling with music and magic, Maddalena and the Dark is a Venetian fairytale about the friendship between two girls and the boundless desire that will set them free, if it doesn't consume them first.”

Greasepaint - Hannah Levene (2024) / “Set against a backdrop of 1950s New York, this experimental novel follows an ensemble cast of all-singing, all-dancing butch dykes and Yiddish anarchists through eternal Friday nights, around the table, and at the bar. In one of many bars, Frankie Gold sings while Sammy Silver plays piano after a day job at the anarchist newspaper. The Butch Piano Players Union meets in the corner next to the jukebox. Laur smokes on the back steps, sweaty thigh to thigh with Vic. Frankie's childhood sweetheart, Lily, turns up at yet another bar to see a second Sammy play every Friday night. And before all that, there's always dinner at Marg's. Fabulated out of oral histories, anthologies, as well as the fiction of the butch-femme bar scene and Yiddish anarchist tradition, Greasepaint is a rollicking whirlwind of music and politics- the currents of community embodied and held inside the bar.”

Perfume & Pain - Anna Dorn (2024) / “A controversial Los Angeles author attempts to revive her career and finally find true love in this hilarious nod to 1950s lesbian pulp fiction. Having recently moved both herself and her formidable perfume bottle collection into a tiny bungalow in Los Angeles, mid-list author Astrid Dahl finds herself back in the Zoom writer's group she cofounded, Sapphic Scribes, after an incident that leaves her and her career lightly canceled. But she temporarily forgets all that by throwing herself into a few sexy distractions—like Ivy, a grad student who smells like metallic orchids and is researching 1950s lesbian pulp, or her new neighbor, Penelope, who smells like patchouli. When Astrid receives an unexpected call from her agent with the news that actress and influencer Kat Gold wants to adapt her previous novel for TV, Astrid finally has a chance to resurrect her waning career. But the pressure causes Astrid's worst vice to rear its head—the Patricia Highsmith, a blend of Adderall, alcohol, and cigarettes-and results in blackouts and a disturbing series of events. Unapologetically feminine yet ribald, steamy yet hilarious, Anna Dorn has crafted an exquisite homage to the lesbian pulp of yore, reclaiming it for our internet—and celebrity-obsessed world”

How It Works Out - Myriam Lacroix (2024) / “Surreal, darkly comic and achingly tender, Myriam Lacroix's debut sees a queer love story play out in many alternate realities. What if you had the chance to rewrite the course of your relationship, again and again, in the hopes that it would work out? After Myriam and Allison fall in love at a show in run-down punk house, their relationship starts to unfold through a series of hypotheticals. What if they became mothers by finding a baby in an alley? What if the only cure for Myriam's depression was Allison's flesh? What if they were B-list celebrities, famous for writing a book about building healthy lesbian relationships? How much darker-or sexier-would their dynamic be if one were a power-hungry CEO, and the other her lowly employee? From the fantasies of early romance to the slow encroaching of violence that unravels the fantasy, each reality builds to complete a brilliant, painfully funny portrait of love's many promises and perils. Equal parts sexy and profane, unsentimental, and gut-wrenching, How It Works Out is a formally inventive, arresting, uncanny exploration of queerness, love, and our drive for connection, in any and all possible worlds.”

All the Painted Stars - Emma Denny (@a-kind-of-merry-war) (2024) / “Oxfordshire 1362. When Lily Barden discovers her best friend Johanna's hand in marriage is being awarded as the main prize at a tournament, she is determined to stop it. Disguised as a knight, she infiltrates the contest, preparing to fight for Jo's hand. But her conduct ruffles feathers, and when a dangerous incident escalates out of Lily's control, Jo must help her escape. Finding safety with a local brewster, Lily and Jo soon settle into their new freedom, and amongst blackberry bushes and lakeside walks an unexpected relationship blossoms. But when Jo's past caches up with her and Lily's reckless behaviour threatens their newfound happiness, both women realise that choices must always come at a cost. The question they need to ask is if the cost is worth the price of love…” The cover of the edition coming out in November is SO pretty and lately I’ve been looking for medieval sapphic books like crazy.

Gentlest of Wild Things - Sarah Underwood (2024 - out august 15th) / So this book is by the same author as Lies We Sing to the Sea, and I’m in no rush to read that book (a so-called odyssey retelling even tho the author has admitted to never actually reading the odyssey??) but this one looks compelling. “On the island of Zakynthos, nothing is more powerful than Desire-love itself, bottled and sold to the highest bidder by Leandros, a power-hungry descendent of the god Eros. Eirene and her beloved twin sister, Phoebe, have always managed to escape Desire's thrall. Until Leandros' wife dies mysteriously and he sets his sights on Phoebe. Determined to keep her sister safe, Eirene strikes a bargain with Leandros: if she can complete the four elaborate tasks he sets her, he will find another bride. But it soon becomes clear that the tasks are part of something bigger; something related to Desire and Lamia, the strange, neglected daughter Leandros keeps locked away. Lamia knows her father hides her for her own protection, though as she and Eirene grow closer, she finds herself longing for the outside world. But the price of freedom is high, and with something deadly-something hungry- stalking the night, that price must be paid in blood…” The author said that “Gentlest of Wild Things is a sapphic vampiric twist on the story of Eros and Psyche”

The End Crowns All - Bea Fitzgerald (2024 - out on July 18th) / “Princess. Priestess. The most beautiful girl in Troy. Casandra is used to being adored - and when her patron god, Apollo, offers her the power of prophecy, she sees an opportunity to rise even higher. But when she fails to uphold her end of the agreement, she discovers just how very far she has to fall. No one believes her visions. And they all seem to be of one girl - and the war she's going to bring to Troy's shores. Helen fled Sparta in pursuit of love, but it's soon clear Troy is a court like any other, with all its politics and backstabbing. And one princess seems particularly intent on driving her from the city before disaster can strike... But when war finally comes, it's more than the army at their walls they must contend with. Casandra and Helen might hold the key to reweaving fate itself - especially with the prophetic strands drawing them ever closer together. But how do you change your future when the gods themselves are dictating your demise?” Sapphic retelling of the iliad where Helen and Kassandra end up together

If asked, I’ll also do one with gay books

(No 1950s lesbians because I don’t like pulp fiction :( )

[shizuoi]

20 Questions (for fanfic writers)

thank you for tagging me @seek--rest ♡♡♡

1. how many works do you have on ao3?

81

2. what's your total ao3 word count?

468,946

3. what fandoms do you write for?

i dabble in anything that attracts my interest, but for the last year it's been exclusively lockwood & co!

4. top five fics by kudos:

my scorching sun, show me the way (marvel's eternals)

you'll find love with me somehow (marvel's eternals)

i can see your heart beneath your ribcage (you should save it for me) (enola holmes)

prepare for trouble (and make it double) (the magnus archives)

pulling teeth behind bottom lip (山河令 word of honor)

5. do you respond to comments?

yes unless they make me uncomfortable

6. what is the fic your wrote with the angstiest ending?

i don't really write non-happy endings but you might think you've caught her (but you've blown your only shot) (tua) had an open-ended dark ending which was pretty ooc for me

7. what's the fic you wrote with the happiest ending?

dskjalhsgdfjkal literally close your eyes and click on any of my fics tbh but recency bias demands the hanahaki au heartburn (l&co)

8. do you get hate on fics?

maybe once or twice but i deleted the comments immediately and haven't thought of them since. i don't tend to write in very big fandoms so i fly under the radar for the most part i think

9. do you write smut?

do i ever :3

10. craziest crossover:

i'm more an au person than a crossover person; closest thing that would qualify would be the l&co now you see me au pros and cons

11. have you ever had a fic stolen?

i...think so? it wasn't a direct copy/stolen per se, but it felt heavily inspired...

12. have you ever had a fic translated?

many times!! very honored every time people ask ♡

13. have you ever co-written a fic before?

TheMalapert and RainShadow07 and i have a few things cooking (katabasis, permutations, a secret new series coming up :3)

14. all time favorite ship?

oh jesus this is tough but i can't say no to some good spirk

15. what's a wip you want to finish but doubt you ever will?

mm not sure, my interests bounce around a lot so sometimes i'll think i won't ever pick anything up again and then BAM inspo so i'm gonna cop out of this question LOL

16. what are your writing strengths?

dialogue and realistic character interactions and introspection. characters are very important to me and i always strive to do them justice by taking readers through their struggles in a compelling way that makes the outcome that much more satisfying. i also think i do a decent job at creating interesting worlds (on the surface)

17. what are your writing weaknesses?

following up with my previous answer, i'm good at ideating smaller/surface worlds, but my worldbuilding is pretty weak when you dig deeper. i do this on purpose sometimes because if i get too sucked up in the worldbuilding/situation, it throttles my ability to explore characters without feeling trapped and that really frustrates me. i have a fic im going to post this month that i did so much research for the world and parts of the character's backstory that i'm creating that i basically paralyzed myself for months because i was too afraid to write the character inaccurately in accordance with all the research i had done and knowledge i had accumulated. definitely something i would like to improve on!

18. thoughts on dialogue in another language?

when done with respect and intention, it's a very powerful tool. i have a fic that i'm writing where there's non-english dialogue and i think about this poem often

19. first fandom you wrote in?

young justice i think? (on ye olde ff.net)

20. favorite fic you've written?

til' veins run red and blue because it has a strange longevity on ao3 and every time i go back to read it just to make sure it's not bad i always emerge very pleased with myself LOL

tagging: @ohmyoverland, @synestheticwanderings, @woahpip, @dappledwrites, @lemonsharks, and anyone else who wants to partake!! consider yourself tagged ♡♡♡

[viharistenno]

Thanks for tagging me @lilolilyr this certainly is a surprise, but well. I am a fic writer, my contribution to fandoms are just... Let's say a bit less than yours :D

1. How many works do you have on ao3? 4 as of now, I do have wips I don't put up, my one wip looks so sad there anyway. You may check them out here if you want.

2. What’s your total ao3 word count? 9541

3. What fandoms do you write for? In order of birth, Bering and Wells (Warehouse 13), Bechloe (Pitch Perfect), Avatrice (Warrior Nun)

4. What are your top five fics by kudos? Ava got 36 kudos! I was quite proud of that :) The others have 25, 18 and 9.

5. Do you respond to comments? Why or why not? Sure, I love talking in the comment section :)

6. What is the fic you wrote with the angstiest ending? The first one on Ao3, The insecurities of a Warehouse agent - I mean, this is B&W what would you expect? :D

7. What’s the fic you wrote with the happiest ending? Okay, so just to counter myself, the other B&W fic if I ever finished it.

8. Do you get hate on fic? No, although they don't have much hits.

9. Do you write smut? Not in these but the wips are promising, and my old fics that I wrote in my mothertongue have smut so...

10. Do you write crossovers? Not yet, but there are always possibilities for crossovers or AUs :)

11. Have you ever had a fic stolen? Not that I know of.

12. Have you ever had a fic translated? Not by someone else, but I did translate two to English. One is very old, the other is in the wip pack and I had a problem deciding which language I should write it in. Maybe it's part of the problem I never finished it.

13. Have you ever co-written a fic before? No, but I might

14. What’s your all-time favourite ship? Why would you ask this? :O Okay, so this is about writing. There is no ship that's all-time, moods for dynamics, characters and well, background. I need the connection and the feeling to write. That is why it's hard for me to finish something longer because once I loose the connection, that's it. Hard to get it back.

15. What’s a WIP you want to finish but probably won’t? Never say never ;)

16. What are your writing strengths? I am very good at capturing emotions or an emotional state in quite few words. (I guess that is why I usually write poems.) Short scenes. My longer wips are basically that but with more scenes :D I think I should treat them like this, maybe that would help.

17. What are your writing weaknesses? Longer ones. I just loose the momentum at one point and then it's UGH.

18. Thoughts on writing dialogue in another language in fic? 2 parts: 1. English is not my own language, so it's basically another language in itself. I got better at that in the last few years. It's not easy, but you just have to practice. 2. I speak multiple languages enough to understand a lot of times what is going on but I prefer when I don't have to google all the stuff. I'd just put it in the notes at the end of the chapter.

19. First fandom you wrote for? Sailor Moon ;) Jupiter/Mercury, I think it's called Makoamy these days. It was like 15 years ago and that is the one I translated back then.

20. Favourite fic you’ve written? I should reread all of them, but I think overall it's Enough.

Thanks for tagging me, I hope you enjoy this, it was interesting to think about these questions :)

[corneliaavenue-ao3]

20 Questions

I would like to thank @thenicestthingiveseen for the ta

How many works do you have on AO3?

I have 9 whole fics on that website

2. What's your total AO3 words count?

A whole whopping 29,110

3. What fandoms do you write for?

Only Harry Potter. I don't know what other fandom I would write for tbh

4. What are your top 5 fics by kudos?

Loves a Game, Wanna Play?

up on a roof with a school girl crush

i wrote a poem (you say what a mind)

Island Breeze with the Lights Down Low

the road not taken looks real good now

5. Do you respond to comments? Why or why not?

I usually do! I love commenting and having conversations with fanfic authors, so I try to respond. Sometimes I read a comment and struggle to really form my feelings into words because I am so overwhelmed that anyone is liking my stuff enough to comment!

6. What's the fic you wrote with the angstiest ending?

Probably the road not taken... because it ends when the death eaters interupt fleur and bill's wedding

7. What's the fic you wrote with the happiest ending?

up on a roof... ends with their second kiss and i love that for them

8. Do you get hate on fics?

you have to write popular fics to get hate i think

9. Do you write smut. If so what kind?

i do. the kind of smut i write is smut between harry potter and ginny weasley. sometimes they are step siblings in this scenerio.

here is a snippet of chapter 2 of trust him like a brother i intended to write more of last night

Harry cleared his throat at the invitation. "No, I just, er, realized that your mum was awake and leaving the house at the same time we were, you know," Harry's voice trailed off.

"Fucking?" Ginny finished for him, opening just one eye to give him a sharp look. "Your tongue has entered my vagina and you can't say the word fuck?"

10. Do you write crossovers? What's the craziest one you've written?

I do not. but i have this weird falling asleep story that i fix season 7 of the 100 by sending bellamy to hogwarts during dh and helps the da because that would still make more sense than whatever the hell the writers wrote

11. Have you ever had a fic stolen?

YES ACTUALLY. So this is not my first fanfic account. I had one at the bright age of 12, and I wrote a better than revenge fic for ginny based on cho chang, and then SOMEONE STOLE IT! IT WAS SO BAD? WHY WOULD SOMEONE STEAL THAT?

12. Have you ever had a fic translated?

Nope

13. Have you ever cowritten a fic before?

I have not

14. What's your all-time favourite ship?

Hinny <3

15. What's a WIP you want to finish, but doubt you ever will?

The one where Harry and Ginny get stuck in a time loop at grimauld during ootp. It is bad, and I don't want to take the effort to fix it.

I JUST OPENED IT AND ITS 40 PAGES???? I THOUGHT IT WAS LIKE 15

16. What are your writing strengths?

That is a great question, someone please tell me

17. What are your writing weaknesses?'

I struggle with making my writing sound pretty. Adding detail that paints an image and not so literal. Because most days this is what my writing looks like.

*** is a 71 year old male with a past medical history of HTN, HLD, CHF, GI bleed and a recent hospitalization for PE and is now on eliquis who is presenting to the hospital for significant, persistent epigastric pain. He has had this pain before and it was present during his prior hospitalization. The staff at his nursing home noticed that he was in more pain, so he was brought via EMS to the ED. The pain is primarily in the upper abdomen, specifically the epigastric and LUQ, worsened with palpation, and improved with pain medication.

18. Thoughts on writing dialogue in another language for a fic?

I struggle with English enough

19. First fandom you wrote for?

Harry Potter

20. Favourite fic you've ever written?

god rest my soul I can already tell you that would've could've should've will be my most listened to song this year and I just love looking into the relationship between Tom and Ginny

[tonkinv]

Beowulf manuscript

Beowulf manuscript series#

Christopher (final third of the tale remains) The Wonders of the East The Letter of Alexander the Great to Aristotle and Judith. There are four other tales included in the same manuscript as Beowulf: The Passion of St. The Beowulf Manuscript: The best medieval manuscripts were made of vellum (involving uteruses of unborn lambs, and so pretty exclusive). This explanation is supported in the two preceding quires, where the first and second scribes both appear to participate in this revision by taking extraordinary steps to fit additional text into their respective quires. The Beowulf Manuscript is an edition of the entire manuscript that contains Beowulf. The simplest reason for a palimpsest here would be to fashion a transition between these two parts of Beowulf's life. A third scribe erased the entire text on both sides of the first folio of this section and replaced it with another, shorter text. Beowulf is an amazing Anglo-Saxon poem about a brave hero named Beowulf who battles three savage monsters. Using a different manuscript format, the second scribe copied a text about the last year of Beowulf's life, at the end of his 50-year reign as king of the Geats, when he killed a dragon and then died of his own wounds. In this essay I will briefly examine the history of the Beowulf manuscript up to its arrival in the library of Sir Robert Bruce Cotton, paying special. Originally the poem is thought to have been oral, but was written down by an unknown author in around 750 C.E. The first scribe copied a text about Beowulf's youthful exploits against Grendel and Grendel's mother in Denmark. That particular manuscript, now known as the Nowell Codex, was the product of a single scriptorium, the work of two scribes, who included Beowulf in a. The Beowulf Manuscript (Located in British Library Cotton MS Vitellius A XV) is an epic poem which takes place in what would be known as modern day Denmark and Sweden in what is estimated to be the 6th century C.E. Taken together, their revisions appear to show their concerted efforts to bring together two originally separate manuscripts. The only copy of Beowulf to survive is found in the manuscript with the modern shelf-mark London, British Library, Cotton Vitellius. We will also discuss a number of Beowulf films and their presentation of the poem’s monsters.In addition to preserving our only copy of Beowulf, the Beowulf manuscript also preserves many signs of revision by three different scribes. In this course, we will consider some of these mysteries and study the text itself, looking at selected passages in Old English, but also considering the whole poem in various modern English translations and adaptations. It is not even known how the manuscript survived – it was missing for 500 years. The poet is unknown and the narrative itself is rich with supernatural mystery, but there are questions too about why a poem featuring a Scandinavian hero was copied down in Anglo-Saxon England, why an apparently Christian scribe recorded an apparently pagan oral poem, and why he chose to do so in a manuscript with very diverse other texts. Kevin Kiernans Beowulf and the Beowulf Manuscript was first published by. But Beowulf is as mysterious as it is celebrated. The Southwick Codex 1 - The Soliloquia of St. Interlaced with its heroic exploits are tales of human struggle and suffering in the face of darkness and evil – and more simply in the face of inevitable old age and death. Beowulf follows three prose works in the Nowell Codex and precedes the poem Judith.

Beowulf manuscript series#

Andy Orchard - In this series of detailed studies. In addition to this, it contains first a fragment of The Life of Saint. Get this from a library Pride and prodigies : studies in the monsters of the Beowulf-manuscript. Oft Scyld Scefing sceaena reatum, monegum mgum, meodosetla ofteah, egsode eorlas. We Gardena in geardagum, eodcyninga, rym gefrunon, hu a elingas ellen fremedon. A proseminar aimed at second and third yearsīeowulf is the tale of a man who kills monsters – dragons, and shadowy swamp-dwellers. It is most famous as the manuscript containing the unique copy of the epic poem Beowulf. Beowulf (Old English version) By Anonymous.

[potteresque-ire]

Happy Mid-Autumn Festival 中秋節快樂 🌕🥮🐰

In a promotion for the Autumn Gala today, Dd said for the BGM (background music) for the festival, he thinks of the song 但願人長久. And so, I thought, I should post this song so that it can everyone’s BGM this evening — and look! I found the perfect video for it too 😊.

(Under the cut: a little more about the song...)

While the tune of the song isn’t old — it was first published in 1983 and sung by the Taiwanese singer 鄧麗君 Teresa Teng — the lyrics is based on a poetry written more than a millennia ago, by the famous poet 蘇軾 Su Shi. Su wrote the poem on Mid Autumn of 1076 AD, while he was, by self-admission, very drunk and sorely missing his brother, who he hadn’t seen for seven years. References from ancient texts suggest that the poem was made into popular songs soon after it was written, and has been sung over the centuries until today. The last two lines 但願人長久，千里共嬋娟, in particular, are often quoted as a blessing, a well-wish.

明月幾時有？把酒問青天。不知天上宮闕，今夕是何年？ 我欲乘風歸去，又恐瓊樓玉宇，高處不勝寒。  起舞弄清影，何似在人間？　　 轉朱閣，低綺戶，照無眠。 不應有恨，何事長向別時圓？ 人有悲歡離合，月有陰晴圓缺，此事古難全。 但願人長久，千里共嬋娟。

The following translation of the lyrics is by the contemporary writer, linguist and translator, 林語堂 Lin Yutang:

How rare the moon, so round and clear! With cup in hand, I ask of the blue sky, "I do not know in the celestial sphere What name this festive night goes by?" I want to fly home, riding the air, But fear the ethereal cold up there, The jade and crystal mansions are so high! Dancing to my shadow, I feel no longer the mortal tie. She rounds the vermilion tower, Stoops to silk-pad doors, Shines on those who sleepless lie. Why does she, bearing us no grudge, Shine upon our parting, reunion deny? But rare is perfect happiness-- The moon does wax, the moon does wane, And so men meet and say goodbye. I only pray our life be long, And our souls together heavenward fly!

The song in Dd’s video above was sung by Teresa Teng — who, despite being Taiwanese, was very popular in Mainland China during the 1980s and 1990s. Loved for her gentle, sweet voice, one could say she was the first pop superstar in Post-Revolution China. How popular was she? At the time, there was a saying that went: 白天聽老鄧，晚間聽小鄧 Listen to Old Deng at Daytime, Listen to Little Deng at Nighttime. “Old Deng” referred to Deng Xiaoping, the supreme leader of the country at the time, while Little Deng was Teresa, who shared a surname with the leader — the difference in English spelling was due to the different romanization systems used in China and Taiwan. 

Oh, by the way, Teng was ... not exactly censored, but not exactly loved by the Chinese government, either.

She was a target of heavy criticisms by the state until 1985. Her love songs  failed to adhere to ... core socialist values, and so it said, and Teng herself was politically incorrect by being loyal to the Taiwanese government. But the people in China couldn’t help themselves — they listened to these “yellow”, ie, pornographic songs in secret at first, and then, they bought cassette tapes of the songs elsewhere in the Sinosphere (Hong Kong, Taiwan, Singapore, Malaysia etc), and exchanged the tapes among themselves. They even tuned in the radios of the elsewheres to listen to Teng’s voice ...

Teresa, singing another favourite song about the moon — 月亮代表我的心 The moon represents my heart. While she wasn’t the original singer of the song, her cover in 1977 made the song famous. This song is now a classic love song: Leslie Cheung famously sang it to make public his relationship with Daffy Tong in 1997, making him the first Chinese superstar to come out.

Tang passed away in 1995 from an asthma attack; that was the only time CCTV (the State TV Station) devoted air time for her — even though she had been so dear to so many in the country. However, since 1985, the Chinese government hadn’t put in any more effort to bar the distribution of her works. It also hadn’t put a lid on the people’s continued adoration for her. Record companies could sell her music; her songs circulated and remain sung and played today. People still look for and talk about the next Teresa Teng’s. Shows make holograms of Teresa singing with contemporary singers — their audience miss her that much.

(Here is a video of 周深 Zhou Shen singing with hologram Teresa, from NYE 2021-2022). 

Anyway, I’ve digressed again, haven’t I? With Dd being so young, Teresa is a bit ahead of his time. For the BGM of Mid-Autumn Festival and the song 但願人長久, he‘s more likely, I’d imagine, to be thinking about the cover by 王菲 Faye Wong, which was still published ahead of his birth, in 1995. I shall end this post with Faye singing the song here, as her rendition is equally beautiful and some say, better captures the lonely sadness of Su Shi’s original poem than Teng’s original:

I wish there’s no lonely sadness tonight though. 花好月圓 Flowers Bloom and the Moon is Round — that’s Gg’s wish for everyone today. Round implies full, complete; and when loved ones who are usually scattered manage to meet and spend time with each other, it’s called 團圓, literally meaning, roughly, gathered together in a circle. There’s a related well-wish to 花好月圓, 人月兩圓, which means the people (人) and the moon (月) are both (兩) round (圓), full, complete, together. I wish the same for everyone on this Mid-Autumn Festival too. 

❤️.💛.💚.

[nat-20s]

me looking at my own post: you could fanfic out of this!

Anyway here’s how I think a typical “Martin’s Poetry Corner” would go!

~*~

Martin: And for my second thing, we’re going back to the poetry corner!

Jon: Again? Didn’t you have a poetry corner last week?

Martin: It’s been well over two months since the last poetry corner, my dear. And just for that comment I’m going to up the amount of the poetry corner. From now on this podcast is me reading poetry interjected with some guy talking nonsense.

Jon: You say that like the majority of our audience wouldn’t prefer that. Also, some guy? I’m wounded! Earlier you were calling me ‘beloved husband’ and ‘cherished one’ and now I’m ‘some guy’? What did I do to deserve that level of downgrade?

Martin: You decried the poetry corner!

Jon: I decried nothing! It was a purely non-judgmental comment on the frequency of it. If you want to do poem every week, I have nothing against that.

Martin: Hmm. I might test you on that. I know the whole point of this thing is to share things we think are lovely, and I do find all the poems I read lovely, but I would be lying if I said I didn’t have an ulterior motive.

Jon: Oh? And what might your nefarious hidden agenda be?

Martin: I’m certain you’re the only one that would find it nefarious, but I can, must, shall, and will find a poem that affects you. Now, I’m sure the listeners at home would decry that goal. After all Mary Oliver, Maya Angelou, Wendy Cope, and Langston Hughes all did nothing. He didn’t even blink at “The Two-Headed Calf”, surely there can’t possibly-

Jon, laughing, which severely limits how much he’s able to sell his faux offense: I’ve been affected by poetry before!

Martin: Name one poem you had an actual strong reaction to.

Jon, smugly: It’s almost certainly not one you know. It’s called “Streets” and it’s by this really obscure author. God, what was his name? K was his middle initial I believe?

Martin, laughing: Piss off!

Jon: Well it’s true! I felt something at all of your poetry.

Martin: Liar! I very distinctly remember you calling it ‘almost affecting’! And you declared I was enamored with Keats, which doesn’t even make sense, we have wildly different composition styles.

Jon: You’re working from incomplete information. That tape was from my first read through. It was the reread where they got me.

Martin: Reread? I thought you hated rereading things?

Jon: Typically, yes. But. Ah. It was during the year you were gone.

Martin: Oh. Oh, love.

Jon: It’s been half a decade since then, Martin, I can assure you I’m fine. Though, I suppose reflecting on it, the affecting quality was more to do with who had written the poetry itself. Even now, you could write a grocery list for fun and I’d be hopelessly endeared by it.

Martin: Shut up.

Jon: I shall not! It’s been a hell of a road to get here, I think it’s more than acceptable to flaunt how much I like my husband, especially when he’s doing something he enjoys. In fact, I think it’d be more than appropriate if I did one of your poems for one of my wonderful things next week.

Martin: Absolutely not! Jon, there is a certain level of ‘embarrassing old men in love’ we’re allowed to be in the public sphere, and that would exceed it by, fuck, tenfold? Our quota would be wiped out for the year. For the next five years. No. Besides, my poems aren’t meant for anyone’s eyes and ears but my own, and occasionally you when you’re being nosy.

Jon, with audible shit eating grin: So you’re saying you wouldn’t like to hear your poetry in my voice?

Martin, having a gay panic despite being married to this man for years: I..uh..

Jon: Yes?

Martin: I would..I would like that very much. Privately. Er, please.

Jon: Well, since you asked so nicely. I suppose the poetry corner shall remain yours, for now.

Martin: Thank you for your grand generosity and understanding. Speaking of, should I get to the actual poem? I think I might have a winner with this one.

Jon: Please do.

Martin: So this week I’m bringing a poem written by an, as far as I can tell, unnamed ninth century Irish Monk-

Jon: -ninth century? Decided to abandon the contemporary route then?

Martin: Somewhat? The poem was written in the ninth century, but no one wants to hear me butcher the original, so I’m going to read the English translation by Seamus Heaney, which was done in 2006, so sort of contemporary? Depending how you look at it? Anyway, this is Pangur Bán:

Pangur Bán and I at work,

Adepts, equals, cat and clerk:

His whole instinct is to hunt,

Mine to free the meaning pent.

More than loud acclaim, I love

Books, silence, thought, my alcove.

Happy for me, Pangur Bán

Child-plays round some mouse’s den.

Truth to tell, just being here,

Housed alone, housed together,

Adds up to its own reward:

Concentration, stealthy art.

Next thing an unwary mouse

Bares his flank: Pangur pounces.

Next thing lines that held and held

Meaning back begin to yield.

All the while, his round bright eye

Fixes on the wall, while I

Focus my less piercing gaze

On the challenge of the page.

With his unsheathed, perfect nails

Pangur springs, exults and kills.

When the longed-for, difficult

Answers come, I too exult.

So it goes. To each his own.

No vying. No vexation.

Taking pleasure, taking pains,

Kindred spirits, veterans.

Day and night, soft purr, soft pad,

Pangur Bán has learned his trade.

Day and night, my own hard work

Solves the cruxes, makes a mark.

Isn’t that just delightful? Jon what did you-holy shit!

Jon, voice tight: What?

Martin: You teared up! You’re affected! Fuckin’ gottem!! I should’ve known. I should’ve fucking known that the way to Jonathan Sims’ soul was through a poem about a man feeling kinship with his cat. Incredible.

Jon, slightly sniffling: It’s a very nice poem! You read it because it’s a very nice poem!

Martin: Yes it is! That doesn’t discount the fact that I have read poems about love and hardships and finding joy in being alive and it’s the one about the cat that gets to you. Of course. I love you.

Jon: I love you too. Even if you are a bit too victorious over this. I think that will wrap it up for this week?

Martin: Think so! And as we say at the end of every episode, uh, the way to a man’s heart is not through his stomach, but through cat poems from a thousand years ago.

[loosesodamarble]

Demon Slayer Renaming Continued

Thanks again to @cringeyvanillamilk for assisting me with this renaming project! I'd also like to give a shout out to @cryo-visionary, @spindaonateaspoon, and @loafingdragon for letting me bounce my thoughts off them while I was coming up with the last few names! These guys are good friends and wonderful creators! Please, check out their blogs!

Now it’s time to reveal the new names for the other Demon Slayer character for their migration into the world of Black Clover. Like with the Pillars, it was hard breaking down these Japanese names and finding names with similar meanings/feelings to them.

Thankfully, some of these characters are related to character already given their surnames so that takes care of explaining a few of them. Still, there was quite a bit of work to do.

As always, names written in Japanese are written with the surname first. Names written in English have the given name first.

Tanjirou Kamado (竈門 炭治郎): Tanjirou’s given name contains three kanji. The first means “coal,” “charcoal,” or “cinder.” Second is the character for “govern/regulate” or “cure/heal.” The final kanji means “son,” as we’ve seen in several other characters’ names. His surname is written with the kanji for “hearth” and “gate.” As a young mage a dual affinity for Water and Sun Magic, he would be... Conleth Coaler: The name Conleth is Irish in origin, meaning “chaste fire.” I like the alliteration of the name, it works with the “hearth” character in his surname, and it’s a reference to the Breath of the Sun being called the Dance of the Fire God. As for the family name, way back when, a lot of surnames came from people being named after their jobs. Since the Kamado family were charcoal sellers and Tanjirou’s name includes the kanji for “coal,” I decided to make his surname Coaler.

Nezuko Kamado (竈門 禰豆子): Although some people might think that the “nezu” part of Nezuko’s name is meant to mean “mouse,” the kanji written actually mean “sacred” and “bean.” The final kanji in her name is the one for “child.” Nezuko’s name as an elf host with dual Fire and Light Magic user would be... Lucasta Coaler: The name Lucasta comes from a poem of the same name by Richard Lovelace to the woman he loved. It’s a nickname for her coming from the Latin phrase lux casta which literally translates into “pure light.” It is fitting as Nezuko’s blood demon art is fire, creating light, and the idea of purity relating to the “sacred” kanji in her name.

Zenitsu Agatsuma (我妻 善逸): Zenitsu’s given name is written with the kanji 善 that means “virtue/goodness” and 逸 which means “flee/hide/lost/outstanding” (one of these things is not like the others). As for his surname, it roughly translates into “my wife” as the kanji (in order) mean “I/me” and “wife.” A lot of this is very straight forward and easy to work with. So, the name he has as a Lightning Magic user in the Amber Songbird squad is... Egil McBride: The name Egil seems to come from Old Norse, derived from the term “agi” which means “awe” or “terror.” It’s fitting as “awe” has positive connotations like the first kanji in his name while “terror” has negative connotations like the second kanji. As for that surname, you all are going to have to trust me when I say that I literally had a classmate with this family name. It’s legitimate. There is no way I’m not giving the name to Zenitsu.

Inosuke Hashibira (嘴平 伊之助): To start, the first syllables of Inosuke’s name are the same as the beginning of the Japanese word for boar (inoshishi). As for the meaning of the kanji, they are as follows: “this,” a possessive particle (think of it like an ‘s), and “assistance.” Hashibira is written with characters that mean “beak” and “peace/flat.” The name I came up with for Inosuke as a Beast Magic user wandering Clover Kingdom is... Boris Fritz: The first syllable of the given name sounds like “boar” just like how “Ino” is homophonous with the beginning of the Japanese word for “boar.” It’s also a shortened version of the Slavic name Borislav, containing “borti” meaning “battle” and “slava” meaning “glory” (how very appropriate for him). As for his surname, it comes from the Germanic element of "frid," meaning "peace."

Genya Shinazugawa (不死川 玄弥): The first kanji in Genya’s name means “mysteriousness” or “occultness,” which makes sense considering his, uh, unorthodox abilities in canon. He shares the second character in his name with Sanemi, which means “increasing” or “universally.” As before with Sanemi, the name Shinazugawa means “immortal river.” As the younger brother of the Jade Raptor’s captain, Genya’s name becomes... Runard Ambrose: This name comes from combining the Old Norse word for “secret” (rún) and the Germanic word for “brave, hardy.” The first half relates to the first kanji in Genya’s name while the second is fitting of his character. The name also makes an interesting parallel to his brother’s name (Adivar) since it means “truth.” It’s ironic since Genya is a more open person while Sanemi is the one to bury his feelings deep within himself.

Kanao Tsuyuri (栗花落 カナヲ): The trouble with Kanao’s name is that it isn’t written with any kanji characters, so there’s no easily defined meaning to it. Fortunately, like, Shinobu’s name, there are words that sound similar from which her name could come from. The words I found were the volitional conjugations of the following words: “to rival” (敵おう), “to match” (適おう), or “to be fulfilled” (叶おう) in regards to dreams or wishes. Her surname does have kanji which are “chestnut,” “flower,” and “to fall or drop” respectively. As a mage in the Wisteria Butterfly squad, her name would be... Filomina Castaniva: The name combines φιλος (philos) meaning “friend” or “beloved” and μενος (menos) which means anything from “wish” to “courage” to “strength.” The “wish” meaning relates to the possible meaning of Kanao’s name and the name overall is a reference to how befriending and falling for Tanjirou opened Kanao to her own desires and a greater strength. The surname is derived from the scientific name for the Spanish chestnut, Castanea sativa. I chose this specific species since it is the species of chestnut that grows in Europe.

Kanae Kochou (胡蝶 カナエ): Same as Kanao, Kanae’s name is written without kanji but we can find words with similar sounds and go off that. Her name is homophonous with the word for “a three-legged kettle.” Not the coolest thing to be named after but her name could also come from the same words as Kanao, but as the stems of the potential conjugations - 敵える, 適える, or 叶える. Kanae definitely fits with the last definition best since she had a dream to see humans and demons co-exist peacefully, even though she never got to see it through herself. With all this in mind, the name I gave her as the retired Wisteria Butterfly captain is... Desirae Danain: One spelling of the name Désirée which is derived from the French word for “to desire,” like a want. It think it's a good complement to the “kanau” meaning “to be fulfilled.” For that and how it connects to Kanae’s dream, I went with this name. I think in the world of Black Clover, she would instead have a dream of seeing the four human kingdoms and other races learn to live in harmony. She shares her surname with Shinobu, or should I say Patience.

Sabito (錆兎): Since we don’t know Sabito’s family name, there’s not much to work with. What we do have are the kanji 錆 which means “rust” or “patina” (which is that layer of green that forms on bronze, brass, or copper due to oxidation). The second character, 兎, simply means “rabbit.” From these kanji, I give Sabito the following name as the vice captain of the Cobalt Ocean... Payton Harrison: I’m basing this given name both on the fact that it vaguely sounds similar to “patina” but also on its meaning. While the sources aren’t clear, I’ve found that the name Payton supposedly means “fighting man’s estate” which is fitting of Sabito’s character. The surname simply means “son of Harry” which doesn’t mean much but it contains the sound “hare,” an animal related to rabbits.

Tamayo (珠世): Tamayo also only has her given name and two kanji to work with. The first character in her name can be translated as “pearl,” “gem,” or “jewel.” The second kanji is commonly understood and translated at “world.” As a researcher of forbidden magic and curses, and someone working against the powers of devils, I give her the name... Margareta Verelden: The given name is used in several languages such as Romanian, German, and Croatian that comes from the Greek μαργαρίτης (margarites), meaning “pearl.” Her surname is a combination of "verden" and "wereld," the Danish and Dutch words for "world," with the Dutch word being in its plural form.

Yoriichi Tsugikuni (継国 縁壱): Yoriichi’s given name is written with the characters that mean “fate,” “relationship,” or “connection” and then “one” (it should be noted that this “one” isn’t commonly used in day-to-day life and is mostly seen in legal documents). The first character in his surname means “inherit” or “succeed” (like a line of succession, not victory) and the second means “country.” Dustyn: His given name is an alternative spelling of the name Dustin which sounds like the words “destiny” or “destined” in connection to the first kanji of Yoriichi’s name. As for the meaning, that would be “brave/valiant warrior,” coming from Old German and Old English roots. Since in canon we don't see any elves with family names, I've opted to keep to that trend.

Michikatsu Tsugikuni (継国 厳勝): Michikatsu’s given name is written using characters that mean “strict” or “stern” and “victory” respectively. The first kanji works in relation to his personality, especially during his time as a demon. The second one is probably related to the fact that he was the chosen heir of their family and wanted to be the greatest samurai. Anyways, his name as the leader of the elf resurrection cult is... Viktr: The name comes from me corrupting the spelling of Victor, which is literally just one letter shy of the word “victory” and generally means “winner” or “conquerer.” Same as with Yoriichi, Michikatsu doesn't get a family name as an elf.

Senjurou Rengoku (煉獄 千寿郎): There’s not much to explain here as most of the kanji that appear in Senjurou’s name are also in Kyoujurou’s name. The only unique kanji is the character 千 which means “thousand. So, as the younger brother of Captain Eric Enfernus, he would be named... Ezeren Enfernus: The “ezer” part of his name comes from the Hungarian word for “one thousand.” Also, there’s a mountain named Mount Ezeren in Bulgaria.

[tarn-ati0n]

Hello there, my dear Followers and fellow tumblr users.

I have been playing Kirby Star Allies once again and been battling the mage Sisters, and thought:

"hey, maybe I could translate the German version of the "Song of Supplication" for you, because I don't think that I have ever seen a German translation and thought it might be Interesting.

(Also my Brain has been nothing but a rotten pile of meat the last few days and I have to keep this Blog somehow alive)

-A pleading Request-

In spite of all, cold as ice! In spite of all, hard as stone!

In spite of all, listen to us! In spite of all, completely alone!

In spite of all, no I, just we! In spite of all, we serve you!

In spite of all, hear us three! We beg you, stand by us!

In spite of all, this Song for you!

Be our rescue, just we, no I!

In spite of all, the Sadness rises!

In spite of all, the nostalgia* stays!

We call you! Even in our dreams! In spite of all, truth remains truth!**

In spite of all, cold as ice!

In spite of all, hard as stone!

In spite of all, in time and space...

In spite of all, probably just a dream.

Hear our plead, don't leave us! (Don't leave us!) Give us our Hearts, be our Light!

Some notes for better understanding:

*I actually hate that I had to use the word Nostalgia here, but it was the best thing that Google translator could offer me, so let me elaborate:

The word "Sehnsucht" describes the feeling of craving/wanting something or someone.

This craving can be for all sorts of things, like having "Sehnsucht" for a romantic or platonic relationship or for a person that you miss.

While I'm at it, I also translated the word "Trübsal " with Sadness, which isn't wrong or bad translation but I still want to elaborate on this word too.

Yes, "Trübsal" is another word for Sadness, but it is more poetic and is something like Melancholy.

It is more than just Simple sadness, it is something that is a little more focused on the negative thoughts and Grief.

**I don't even know If this works in English like that and if it doesn't and is making no sense please tell me, but what it means is that the truth will always stay the truth, no matter what.

One last thing that wasn't really possible to portray in the English translation was the way the German version was written.

All of it is written in this sort of formal and proper style that sort of sounds like these old poems, so that's interesting too.

Also you can absolutely go wild with the analysis and/or aspects of this translation, I always liked reading through the different takes on these kind of things.

[brostateexam]

Mohan wrote me a Tamil love poem.

Rega Jha, unparvai en mele vilathaa, ne en kitta vanthu ninathaa, en dehgam suda marathaa, Rega Jha.

I found it in my Twitter “Message Requests.” Translated to English, the poem reads: “Rega Jha, won’t you let your gaze fall on me? If you come stand close to me, my body temperature will rise, Rega Jha.”

It’s the kind of message that, 15 years ago, I might’ve screenshotted and shared with girl classmates for a laugh. Bonding over the “creeps” in our social media inboxes was an early internet experience for us, where “us” was girl teens from affluent families, enrolled in English-medium schools, born and raised in urban India; and “creeps” were boys and men we didn’t know, who had made an overture, usually in broken English or a vernacular language, on social media.

I can’t remember my first creep, nor, sadly, can I remember how seeing that first message felt. What I do remember is being 12 and 13 years old, feeling flattered and impatient to tell my friends about my inbox hauls, anticipating their cracking up with me at every “Will u do franship?” and “Lukin nice.” I remember the crackle-beep-trill of dial-up modems punctuating sleepover giggling, PC screen glowing in semi-dark, our parents asleep in the next room. I remember comparing inboxes with prettier friends, hoping (anxiously! insecurely!) that the creeps had come through for me. And bless them, they always did. As we made our way from Hi5 in 2005 and 2006, to Orkut in 2006 and 2007, and finally to Facebook where we practiced seeing and being seen for a decade, the creeps came everywhere.

To be clear, though, Mohan is not a creep.

Mohan is a 26-year-old software engineer who sincerely wants to build friendships with women and is open to more-than, but he specifically doesn’t want to creep anyone out. When we spoke on the phone, he was pacing the terrace of his family home in the small Tamil Nadu town where he grew up, and where he’d returned last year when the first lockdown began. He told me about a girl he once messaged on Facebook with whom he ended up chatting for days. When her responses grew shorter, Mohan perceived a drop in interest. He stopped trying to keep the conversation alive. “I was definitely interested in her but I didn’t want to freak her out,” he said. “I don’t want to freak any girl out by sending messages often.”

We do tend to get freaked out, and for good reason. Mainstream Indian portrayals of heterosexual romance unambiguously charge men with initiating courtships, but they either fail to account for consent or, famously, encourage violating it. Meanwhile women, each of us having experienced a rattling array of violations at the hands of male strangers, have been conditioned to simultaneously expect to be (even long to be) pursued, and to be wary of our male pursuers. For us, this means the work of finding love is impossibly tied up with the work of avoiding danger. For Mohan and other well-intentioned men, “the problem comes in finding a border,” he said. “If we cross the border, it will feel like we’re stalking the girl. But if we aren’t reaching the border means our existence won’t be known to the girl.”

So when it comes to DMs, Mohan makes creative attempts to break through the clutter of ‘Hellos’ he correctly presumes is piling up in women’s inboxes. In my case, he’d seen that a childhood photo I’d posted on Instagram was geo-tagged to Chennai so he thought a Tamil rhyme might do the trick. “My initial thought was just to get your attention,” he told me. When I asked why he wanted it, Mohan said he saw me as a “crush.” In one message he’d sent long before we spoke, he’d written: “I love ur style & and I love ur attitude.” Genuinely flattered, I thanked him now on the phone. He laughed. He didn’t actually message me in hopes of a romance, he explained. Among his guy friends, it’s fairly normal to send social media messages to women they don’t know, “just for friendship.” (x)

I cannot recommend this (very long) article about love and online culture in India highly enough.

[mallowstep]

I’m thinking about writing a short OC piece about Windclan and I’d love to see your notes about its culture and the hymns you’ve written so far, everything you’ve done for Windclan appreciation month has really inspired me :)

hello anon!

alright, first things first: please send me ur piece when ur done if you're comfortable doing so! i will publish it from you, or if you don't want to be associated with it in Any Way, i will also just read it and add it to the queue with no indication why it's there. or if you don't want me to share it at all, i'd still like to read it.

as for your ask,

hymns?

i'm working on it. however, underneath the read more, i'll include a few snippets for u.

culture

alright, i'm just going to post links with some commentary as i go. feel free to ask any more questions you have.

windclan (search) | windclan (tag) | wcam tag | five clans (narrative essays)

i would link the elders den, but there's no windclan stories in there ATM.

moving on, i'm just going to go through posts in reverse chronological order.

tallstar taking a mate admittedly, this is more about cats and sexuality than windclan, but i provide the commentary that windclan...has a particular view on sexuality and fluidity. one thing i haven't explored but should is the role visiting cats have in windclan.

whoops that's a code word, my plug for solacefruit has been activated. okay, as you may be aware, based on the fact that i have a whole tag for it, i'm obsessed with solacefruit. now, i love everything they do, but i would like to point you particularly to "make a mighty sound" for a fantastic exploration of this idea.

i don't want to spoil anything, but i do think windclan, and maybe cats as a whole, but windclan has a certain view towards relationships that very much breaks them into pieces. i'm a "love is a verb" person, so the idea that you can grow to love someone romantically by going through the actions of love makes sense. not to say you will, but you can.

(to be clear i'm not out advocating for arranged marriages just saying that they can work, they're not destined to be bad, and there's a difference between forced marriage and arranged marriage.)

anyway.

this was a lot of words to say, cats do not have a human (and particularly, western/american) understanding of relationships, which makes analyzing them in those terms difficult.

early hymn talk i'll probably say more below, but it is here.

general ibtwicm notes might get you into the headspace for some of my choices in ibtwicm.

i don't have a ton to say because this pretty much all holds, but uh, yeah.

poetry and language this isn't strictly about windclan, but it does explain some of what i think about when writing hymns.

obviously, i'm writing english translations, but these general themes are what i have in mind. it's also part of why i say i don't think i'll ever release a "full hymnal" for windclan, because i don't know if my weak worldbuilding heart could take it if i only had translations.

names part two very much not about windclan, but just some thoughts on names. as i've said before, i support all names and worldbuilding equally, but if you want my thoughts on names, go buckwild.

clan culture fic rec list just stuff i think does a good job, if you want other sources of inspiration.

general clan culture notes this is really old, but it mostly holds.

i've obviously expanded a lot on windclan since i wrote it, so shrug? idk man.

alright, i'm going to move into hymn discussion below the cut, but best of luck! and i hope u have a good time. it makes my brain shut down to read that i inspired you, straight up got brain juice pouring out of my ears, but i'm really, really happy to hear that.

windclan holds a special place in my heart. (i know my oc avatar is from skyclan shhh it's because of the backstory he sees ghosts.) but i grew up in this super sporty household as a lil asthmatic klutz, and running was a sport i couldn't mess up, so of course windclan appealed to me.

they're actually third on my list of favorite clans, but they. it's a special place in my heart that they hold, especially after reading dawn of the clans and moth flight's vision, where i got an asthmatic cat and an adhd cat, both in windclan.

god i should reread dotc it's good.

alright, here's the deal on hymns: i am not going to fight to get duets to post correctly. there's a 0% chance i can in tumblr's wonky ass new editor with no markdown, not to mention how difficult it would have been in the old editor. so i'm going to talk a lil about what i've got, and post some stanzas that i think don't get explored a lot in ibtwicm.

we're discussing these in the order that they go in. a reminder that these are all sections of one epic poem. that said, i don't know where the gaps are. like, i don't know what's between these, if that makes sense.

the wind

the wind, the very first hymn. this is an ode to, well, windclan. it's a song about everything that makes them them. it's filled with poetry about the wind, about the seasons, and it's just...well, it's a bit of a genesis, in a way.

The wind — like the rain, like the river — calls the name of each star in its breath. The wind — like the earth, like the stone — anchors us to our home. The wind — like the sun, like the sky — is knowable only by name.

i wanted to share this stanza because the last line doesn't show up in ibtwicm (at least so far, i cut the reference), and it really, really, makes a difference imo.

anyway, windclan is basically tying the wind in with every other fundamental part of their life here.

they are the wind, and that's that.

the hare

okay, this one has a line that comes up a lot in ch1, but i already talked about that, so instead, i'm going to talk about this stanza

Speak of the earth and the dens, and you will be answered: By the call of the howling gales, the open earth singing in response. But speak of that which grows above, of the grass and field, And you will be answered by the softness of the buds and the roots.

okay, we get deadfoot thinking about this when he's talking to yellowfang.

i like this stanza because it really tells us what the hare is about. now, hares are not something windclan catches. hares are huge, y'all, there's no way they take one down. i take liberties with ecology, but not that many.

(i.e., a team of cats definitely could take one down, but i know too much, and would prefer letting team hunting stay a plot thing, and not fundamentally alter the environment in the way it would.)

now anyway, all of these hymns come from the time of the tunnelers. and the point of this is, even though the work of tunnelers and moor runners is disconnected, they fundamentally affect each other.

a moor runner must trust the hollows of the earth beneath them won't collapse, and a tunneler must trust that the prey they chase up will be caught.

it's all very symbiotic and is, well, in a way, a love poem. plus i really like the line "the open earth singing in response"

of the warrens

so this has one line, one you might not even know is a hymn, in ch1, but i'll share the whole stanza.

And as for the subject of fallow fields: Fallowed fields make for hungry prey, Yet hungry prey makes desperate rabbits, Who leap into our claws.

and ig my big point is, the hymns are a cultural artifact. just like many of the rules in the old testament have to do with hygiene things being codified into religion, this whole hymn is about hunting advice.

the moon on the river

okay, out of all the hymns, this is the most complete, and because ashfoot and deadfoot sing it together, and deadfoot discusses it, i only have one stanza to share.

Under the coldness, you shine back at me, And I do everything to keep the clouds from threatening you.

now, this poem is about love, grief, and being separated. it's a particular kind of grief, and windclan discourages grief, so this is one of only a few ways to really, fully express it.

and this section, in particular, is about love in times of hardship.

i don't have. a lot to say here. but the way hardship changes how you love someone can be particular and intense.

(temporarily, this happens sometime before "Spare for my chosen few / All I have is given towards the distant ground.")

the gorse in the wind

oh shit! i have so fucking much to say okay first.

the series title does not come from this hymn.

second, this is a challenging hymn okay. fuck. i have so much to say. where to start so! moors are actually relatively wet. think british countryside, not, like, a cool desert.

this is something i always knew? i read the secret garden a lot as a kid. but. i've seen stuff about moors being dry, and it's just one of those things that really...starts to eat under your skin. anyway.

okay, so. gorse is a dry plant. it does not like rain. it grows in sandy soil, etc etc, and yet. aside from everything we know about gorse and warriors, it also grows in this moor. because i say so.

okay, so. so so so. the lines quotes here are really deceptive, and i bet no one understood why, and that makes me just a little sad, but i couldn't find a good way to explain it in text, so uh, yeah, anyway. there's an exchange between ashfoot and deadfoot: "THE GORSE: You called me the heather and I grew stronger. / THE WIND: I called you the heather and brought rain for you to grow."

so...so do you see? do you see the point? it's about communication, needs, challenging each other. fadskj;l i love this. okay, so. the point is that heather is fragile, soft, pretty, and gorse is the opposite. the part of the wind is trying to be kind and complimentary, but the gorse is saying, fuck that, you are not being kind to me by undercutting my strength.

anyway, this passage is sung by the gorse:

In what good company have I set down roots, That even through snow fall I flower. You called me the heather and yet I've weathered, Far more than your sweet-named love.

so uh, yeah, this adds context. gorse! gorse is a hardy plant that continues to flower basically all season round. it's cool. it's cool. gorse is super cool. fuuuck y'all it's such a small thing and i've contained talking about it until now, but now it's too much. the floodgates are open, and i thought about this small detail too much.

okay. deep breath. gorse is a really easy plant to grow, but it's still adapted for dry environments. so the "even through snow fall I flower" part is a little tongue in cheek: gorse itself will flower in the cold, but snow is a type of precipitation, which as we've covered, is not gorse friendly.

then we have some rhyming and puns in the next line, and finally, "yet I've weathered, / Far more than your sweet-named love." like. yes. love as a form of softness is not necessarily helpful.

i mean, consider the damaging "soft trans boi" problem. same energy.

right. okay. so we've got all that? now if you remember, this is sung when deadfoot thinks ashpaw doesn't respect him, and ashpaw says she'll sing with him if she can sing the gorse, so in essence, she's telling him...not to back off, per se, but that...she is the "hard part" of the relationship. like, okay, i refuse to even bring up gender roles in human relationships, but uh, her point is very much, "i am the gorse, and you are the wind," and it's a very monumental moment.

it's anchored, i believe, in the other scenes, but this is a small thing that matters a lot to me.

like a lot.

okay, now that i've talked about like four lines for the length of this entire post, moving on.

the heather and earth

okay, this is the last hymn i have in concrete terms, and i cut a bit of it from the latest chapter, so yeah. it's also, uh, okay everything i have for it is only a line or two, but i wanted to share this closing line (sung together):

Sing a song of forgiveness, of growing together, and we will make madness, And madness from hence will everything beautiful grow.

and i just like these lines. they got cut, it was initially part of an exchange between ashfoot and deadfoot, but i can't share the part of it they talk about, because i'm reusing it for a later chapter and i'll 100% spoil shit if i try to talk about it.

but these lines? mmm they speak to me.

i don't have a ton to say about them, but i just. i like it.

if we apply the same ecology discussion from the gorse and the wind, we see heather is a plant that grows in acidic, infertile soil, and heath (which is not the same as a heather, but also kind of is) is a defining quality of heathland, which is...i'm not kidding, it's hot discourse about the difference between moorland and heathland.

i'm not getting involved, but my point is, if the gorse in the wind is a hymn about finding a working relationship, about mutual respect, etc., then the heather and earth is a hymn about working well together in a terrible situation.

god.

uh, wow! can you tell i like plants? because while parts of my ecology are dubious (see: everything regarding the rabbits in ch1), the plants part are well thought out. this shit is carefully detailed metaphor.

and that's why i won't be releasing a full hymnal. it's hard to as on top of this as i want to be. i'm not kidding, writing even four lines of a hymn usually takes me about twenty minutes, because i pull up a lot of research about how things work, how they interact with each other, etc., and then there's wordsmithing, cat worldview filter, etc.

but i hope this overview of what i've got is a good insight into my general thoughts. and i will eventually release more and more of the hymns i've got written.

[boylebingo]

fic writers tag

@montygreen​ tagged me in this ages ago but I have been having the nuttiest couple of weeks so it took me a hot sec to get to this, but I do appreciate it and if you somehow don’t already follow leila on here, you should go do that rn

now down to business :) 

1) How many works do you have on AO3? only 3 at the moment! 

2) What’s your total AO3 word count? 45238 as of today 

3) How many fandoms have you written for and what are they? just never have i ever! although i’m sure there are a few unfinished, never-published, years-old stories from assorted fandoms from when I was younger floating around in the void somewhere

4) What are your top 5 fics by kudos?

haha well I’ve only got 3 published, but the number one spot goes to vanilla ice cream, which makes sense since it’s the only one i’ve actually finished so far 🙈

5) What’s the fic you’ve written with the angstiest ending?

none of them? i feel like the reason i often read fic is because there is some unresolved canon-angst that i want someone else to resolve so while i definitely have points of tension, all of my stories tend to end (or are planned to end) happy  

6) What’s the fic you’ve written with the happiest ending?

i think vanilla ice cream will still probably be the fluffiest bc of that epilogue i decided to write last minute, even once i finish all the others. but they’re all pretty happy 🥰

7) Do you write crossovers? If so what is the craziest one you’ve written?

not so far, though i try to make it a habit to never say never. I think its one of those things that’s really difficult to write well and I’m just not sure it’s in my skillset to do so. but who knows? maybe one day! 

8) Do you write smut? If so what kind?

see above haha. it’s pretty much the exact same answer :) 

9) Do you respond to comments, why or why not? 

I really try to answer all of them, although I know I missed a bunch while I was on a sorta unplanned writing hiatus. It’s only been a year of me posting anything I’ve written and it still genuinely baffles me that people not only read but also enjoy the things I put out there into the world, so every “thank you for reading” is from the heart for me and it’s so worth taking the two seconds to make my appreciation known. 

10. Have you ever received hate on a fic?

no, thankfully! i think part of that is just i haven’t been around that long haha

11) Have you ever had a fic stolen?

i don’t... think so? 

12) Have you ever had a fic translated?

no but how cool is that? i wasn’t even really aware that was a thing that could happen! 

13) Have you ever co-written a fic before?

no! but if anyone wants to feel free to hmu 👀 i am super busy rn but i would love to eventually cuz so many of the folks who write for this show are so talented

14) What’s your all time favorite ship?

oh gosh. all time is really, really hard. obvi for NHIE i’ve fully boarded the ben/devi train, but some other all time TV faves of mine are ben/leslie from parks&rec, david/patrick from schitts creek, and josh/donna from the west wing. you might be able to tell i love a rivals to lovers moment from some of these lol 💀 but there are so many that i love for different reasons it’s like picking a favorite child lmao

15) What’s a WIP that you want to finish but don’t think you ever will?

I do have plans to finish the 2 remaining fics up on ao3, but I will admit, the rosy dot over the i of loving was... ambitious, and not exactly well thought out when I started it. so it may be a while. i haven’t started much else new since those 3 went up, since i’ve been trying to finish what i’ve started. but i have had this ben/devi idea rattling around in my brain ever since i read the book “the unhoneymooners” that I am just not sure i’ll ever quite get around to. 

16) What are your writing strengths?

i like to think i’m pretty good at writing dialogue! in college, i took a creative writing class for playwriting, where it was drilled into our head that you want to get as much of the story as humanly possible out through words, rather than actions. basically my professors argument was that any stage direction could be ignored by a director if the action/object/setting/etc. wasn’t directly referred to in lines said by a character. so if it was important to you, we should make someone talk about it! i think because of that my narration tends to be a little sparser (but hopefully that’s to the benefit of the dialogue!!)

oh, and i also took a class in humor writing and got an A, so.... 👀

17) What are your writing weaknesses?

i think i could be a lot better at coming up with themes/symbols/metaphors/etc. Having not really planned out the WIPs on AO3 now, this was hard to do, so I guess that also goes hand in hand with my time management haha. But yeah I find it a little difficult to have those sorts of literary devices in longer works (i used to write a lot more poetry and it was a little easier for me in that format so i have faith that i can get better).

18) What are your thoughts on writing dialogue in other languages in a fic?

i only fluently speak english and you do not want to see me butcher french or german, let alone a language I’ve never taken courses in. so it’s a hard no for me personally haha. that said if you know more than another language, first of all i’m jealous, and second of all, go for it! 

19) What was the first fandom you wrote for?

i don’t really know! like i said i used to write things without publishing them anywhere, so it’s hard to remember. maybe harry potter, when I was like 10? i feel like i probably wrote the same self-insert hogwarts moment that literally every 10 year old in the late-aughts was writing haha

i know for sure there was a b99 fic that was almost published on ao3 back in like season 2 or 3? that’s why my username is what it is 😊

20) What’s your favorite fic you’ve written?

i’m really proud of finishing vanilla ice cream. buuuut i am also really proud of the poems in the rosy dot over the i of loving and i think if i ever finish that one, it will be my favorite for pushing me out of my writing comfort zone.  

Tagging: fellow benvi advocate and @gross-vishwakumar and anyone else who would like to answer that hasn’t already been tagged by someone else cuz i know i got to this a bit late lol 🙈

[kickingstonesandbones]

ADA: Songs the BSD characters remind me of (even though no one asked)

I’ve recently watched all 3 seasons of the Anime, the movie and the OVA and have started reading the Manga from the beginning. Right now I am only at chapter 40 because I started reading like 2 days ago, so idk stuff that would happen after the Anime storyline (if it goes that much further than season 3 ending, I wouldn’t know). I based this off on either specific lyrics that made me think it would fit the character or a certain vibe I was getting from a character. For some characters it was easier, for some not so much lol It is why some characters have multiple songs that make me think of them while others only have one (if they even do have one, that is – but the ADA does, except for Katai). So please do not rip into me because you think a song might not fit them as well as I do, because I just have not gotten to the latest chapter of the Manga yet, so there are some characters I do not know that well yet but I wanted to do this for fun. Other than that, I hope you enjoy this list~ Also, feel free to add to my list if you have songs that I haven’t mentioned but think would fit the characters, if you want to~

My taste in music is also pretty broad and not limited to certain languages or genres (though I do have my preferences), so I will provide translations of the lyrics in different languages from English. The German ones (like Kontra K, Elif, etc.) were translated by myself (on the spot), for other languages like Romanian or Korean, etc. I had to look up translations on the internet.

Disclaimer: For the songs for Dazai, one might want to consider a TW, for one of his songs has extremely open-no-room-for-speculation suicidal lyrics. If this affects you, please skip that one, I will put that song last on his list.

And, well, because this is 12 pages long in the document, I will be making a cut here…

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𝔸𝔻𝔸 𝕚𝕟 𝕘𝕖𝕟𝕖𝕣𝕒𝕝

💙 Wölfe (Wolves) by Kontra K 💙

It’s about so much more than just strength, it’s about solidarity and virtue / It runs so much deeper than your wounds could ever get / We’re walking through the fire together until the day we die […] /

And we are so infinitely far away from being perfect / But what doesn’t kill us will make us stronger / And hope dies last / It dies last /

A lot of the members have been through quite some shit, but they hold it together all the time and always pull through and manage to keep moving forward sooo (some random arsehole I talked to spoilered me about Yosano and Mori  -_-)

💙 Born For This by The Score 💙

A force that they can’t stop / They just don’t get it, I think they forget / I’m not done until I’m on top / I know I was born for this / I know I was born for this […] /

We are the warriors, who learned to love the pain / We come from different places but have the same name / ‘Cause we were born for this / We are the broken ones, who chose to spark a flame / Watch as our fire rages, our hearts are never tame /

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ℕ𝕒𝕜𝕒𝕛𝕚𝕞𝕒 𝔸𝕥𝕤𝕦𝕤𝕙𝕚

💙 Believe by Hollywood Undead 💙

I can’t believe / That when I breathe / That there’s something good inside of me / Just one good thing inside of me / So close to me / That memory / Of that one good thing inside of me / Just one good thing inside of me /

If I went out the back door, nobody would stop me / But, where would I go? / ‘Cause I ain’t never had a real home / So, what do I know? / So, I could keep runnin’, hide until they find me / But, what would that do? /

That he really hates himself that much and how insecure he is in his right to be alive not just simply because he is a living being really hurts to see.

💙 Face it by NF 💙

Don’t know how to face it / Let’s go back to basics / Yes, say what you mean, do what you say, but man I hate this / I just don’t know what I’m chasing, don’t know what I’m chasing / Yes, somebody told me / Life is something you don’t wanna play with / But I just keep on playing like life is just a playground […] / I look at myself and I ask what the goal is / Yeah, tell me what your goal is / I’m just so lost in emotions, I don’t even notice / I just slip into a place and I don’t think straight / Devil in my ear tryna tell me everything’s great / And in a year realize I’m in the same place / Running in the same race, same pace […] /

Get that sickness out my mouth / I feel like my train is derailing / I can feel it / Yo these words are only words until they actions / Words until they actions, strive on empty satisfactions / Yeah, the fact is I don’t know, fact is I don’t know /

💙 월식  (My Tragedy) by Taeyeon 💙

At the end of an empty day / Everyone busily returns from somewhere / In the red night sky / I disappear into the darkness little by litte / These many sparkling lights / There isn’t a single light that’s mine / Under the cold shade by myself / Like it wasn’t there from the start /

💙 Oceans by Jacob Lee 💙

I learnt to let go when I was younger / Scared of growing old / I would swim far into the ocean / And try to stay afloat / Until my lungs would cough up water […] /

I don't want love no more / Though it's the one thing I've been searching for / Though it's the one thing that I miss the most / Now I'm afraid to be alone / I learnt to grow old when I was younger / Scared of staying young / Afraid of the thoughts that I had conjured / That sat atop my tongue / Knowing I'd change the worlds opinion / If they would just, listen up / But they won't, now /

I feel worthless / Maybe I should open the drawer / Burn the pages / Write poems with the ash on the floor / Pour the ink, into the sink / And watch it drain from the shore /

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𝔻𝕒𝕫𝕒𝕚 𝕆𝕤𝕒𝕞𝕦

I know Dazai has a looooot of songs, but tbh I could’ve added at least another 15 because. There. Were. Just.  S O .  M A N Y .  T H A T  F I T  H I M  S O  W E L L ‼‼ (Well, at least the ones I could think of off of the top of my head right away.)

💙 Believe by Hollywood Undead 💙

Don’t you know, little boy, they’ll lay you to waste, man / Little do they know, every song is a lifespan / Yeah, they’ve taken one, but I’m takin’ my last chance / To hold all we know and let go with both hands / Though, don’t you know that plots are made from concrete / Right through the stone, can you hear my heart beat? / Beats through my bone, like no memory left me / Not for a second or a minute when I dream […] / My heart beats heavy in an open chest / And, I wanna say goodbye, but there’s nobody left /

I broke it all, and I put to the test / Put your hands in mine, and feel this emptiness / There’s no beat in my chest / ‘Cause there’s nothin’ left / No, it ain’t goodbye, its a last caress  / What’s another dream? / You could hardly sleep /

Makes me think of Oda aka the bond they had aka the admiration Dazai had for him.

💙 Face it by NF 💙

I ain’t sleeping lately / I ain’t sleeping lately / Yes, I know that I’m the only person that can change me / Maybe, that’s why I ain’t changing / That’s why I ain’t changing / I got too much on my mind, I guess I don’t know how to face it /

He obviously has a lot of issues, and I bet he still doesn’t think of himself as a good person. It strikes me as if he’s thinking that Agency Dazai is not much different from Mafia Dazai. “Your hands are black. Mafia black,” as Higuchi said. I think he did not deny it when she said that, so he doesn’t disagree with her.

💙 Rain by Hollywood Undead 💙

I don’t mind, no I don’t mind, I don’t mind the rain / Simple things and subtleties, they always stay the same / I don’t mind, that I don’t mind, no I don’t mind the rain / Like a widow’s heart, we fall apart, but never fade away (fade away) /

Run like a child, do you know where I came from? / No, I don’t, but I’m singing all the same songs / I’m alone, and you’re looking for your anyone / Does it hurt just to know that it’s all gone? / I can feel the pain in the words that you say / Hidden in the letters that were written to no name […] / Buried in red, white, and a side of some blue / Some will die too late, and somebody too soon / If he could come back, we’ll see what it cost him / We had to lose it all, just to know that we lost one /

💙 Lass mich lieber allein (better just leave me alone) by Kontra K 💙

Man, don’t explain the world to me, it isn’t perfect / And just as imperfect are also you, her and me / All of that isn’t a problem to me / But tell me, since when does hatred laugh so audaciously into my face? / But it’s somehow alright for me […] / Man, I wish for a minuscule part of naivety back / But it seems it’s somehow too late for me / Somehow already too late for me […] /

Already been wandering for so long, you forget / Who is worthy of sacrificing yourself for and for whom you better not do it / You run along the street of success without any luck (on your side) / But she walks out of hell into heaven only once and then right back / If you end up where you started then where is the meaning? /

Because I also have my baggage to carry all on my own / Just like all of the fuckers that think I’m living in heaven all by myself / But the fire and the flames in which I’ve been standing in for so long already / Man, they refuse to see them / But it’s somehow alright for me /

You better just leave me alone / Because when they carry you on their hands, they will (eventually) let you drop / I’d rather fall alone/by myself / Rather alone/by myself /

💙 Lies by Will Jay 💙

I'd rather tell myself if I ignore / These thoughts they'll go away / And my toxic friends have changed / Truth is I hate confrontation / Deal with it tomorrow / 'Cause there's nothing I can do / That's my favourite excuse / Feeding my procrastination […] /

And I think I just realised I would do anything / To keep hiding the pain I've been burying / That's why I tell / Lie-lie-lie-lie-lie-lie-lies /

💙 Du willst es (You want it) by Kontra K 💙

Only the good ones die young, and not long after the best ones follow / No idea, ask death why he thinks that I am so damn bad / Still here, we’re almost not worthy of heaven / Working day for day, only the hatred kills the pain / Life will shoot you in the chest but only ever hit your heart / Thank God that place in my chest has been emptied a long time ago […] /

We asked God, “why” / But the devil said, “doesn’t matter” / We’re swimming in a pool full of misery / But bring us another glass of it /

💙 Wie gemacht dafür (like we were made for it) by Kontra K 💙

Pretty normal, normal / Because you can’t get me, get me further down (the hole/ditch) / Than I’ve already been, you get it? […] / I’m going one-on-one with my inner demons, and I’ve been doing that for the past 13 years / I’ve been there, no matter what happened / Ask your gangsters, they know my voice / Have respect, respect for the realness / But fucking piss me off, and I’ll be sending you to heaven […] /

What pressure are you talking about, I inhale this city deep into my lungs / Put it on the beat and I’ll be giving you a new reason for your hatred /

Like we were made for it, we’re running through hell barefooted / We’re living rent-free in their heads, with the real ones, with the real ones / Like we were made for it, always loyal to my people / Swapping none of my friends for money, for the real ones, for the real ones […] /

If you’re my enemy, I’ll give you lead (bullets) / If you’re my friend, I’ll give you love / Because a wolf stays fucking loyal only to his family /

💙 Lonely by Nathan Wagner 💙

Is everybody lonely? / Is everybody scared? / Is everybody worried / That no one really cares? / See I'm afraid to love, but afraid to be alone / Still I wonder why my heart is always broke / What a way to live, let the fear take all control / Oh, this ain't life, no / I'm not alive […] /

'Cause I'm afraid to show the people who I am / I'm not special, I'm just a simple broken man / So I will hide my face with my picture perfect mask / Oh, this ain't life, no / It's just a lie […] /

If I looked you in the eye / And showed the broken things inside / Would you run away? / Would you run away? / If you saw my darkest parts / The wicked things inside my heart / Would you run away? / Or are you the same? /

The following one makes me think of Mafia Dazai

💙 Body Count by Grey ft. Thutmose 💙

I got a hunger, I got a fever / And it just won't quit / I got a temper, I got a bullet / With your name on it / Everybody wonders what it's like on top / I don't gotta wonder 'cause I call the shots […] /

My blood runs cold and my feet run faster / I still got heart, I hear a heart don't matter / Say what you want and it'll be your last words / It ain't a secret, I got a hit list / And baby, you're up next /

Stack 'em up, stack 'em up / Teach 'em not to fuck with me / Bag 'em up, bag 'em up / Let 'em know who runs these streets / Take 'em down, take 'em down / Count 'em out like one, two, three / Add a-na-na-na-na-na-na-nother one  / To the body count /

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T r i g g e r   W a r n i n g  !

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💙 Bullet by Hollywood Undead 💙

Gone too far and yeah I'm gone again / It's gone on too long, tell you how it ends / I'm sitting on the edge with my two best friends / One’s a bottle of pills, one’s a bottle of Gin / I'm twenty stories up, yeah I'm up at the top / I'll polish off this bottle, now it's pushing me off / Asphalt to me has never looked so soft / I bet my momma found my letter, now she’s calling the cops / I gotta take this opportunity before I miss it / 'Cause now I hear the sirens and they're off in the distance / Believe me when I tell you that I've been persistent / 'Cause I'm more scarred, more scarred than my wrist is / I've been trying too long, with too dull of a knife / But tonight I made sure that I sharpened it twice / I never bought a suit before in my life / But when you go to meet god, you know you wanna look nice /

We hit the sky, there goes the light / No more sun, why's it always night / When you can't sleep, well, you can't dream / When you can't dream, well, what’s life mean? / We feel a little pity, but don't empathize / The old are getting older, watch a young man die […] /

When you were young, you never thought you'd die / Found that you could but too scared to try / You looked in the mirror and you said goodbye / Climb to the roof to see if you could fly /

So if I survive, then I'll see you tomorrow / Yeah, I'll see you tomorrow

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𝕐𝕠𝕤𝕒𝕟𝕠 𝔸𝕜𝕚𝕜𝕠

💙 Brunette Ambition by Qveen Herby 💙

'Cause it's been three weeks and four days / No days off, just runways / I’m fucked up, I'll throw shade / Outwork you on a bad day […] /

On a mission, got no competition / It's hard to sleep with brunette ambition / Revenge is sweet, pussy: my religion / They say slow down, but I never listen /

Old me forsaken, these rules are for breaking / I get lonely with no new friends / Associate, but they can't relate / When you want the world, they’re uncomfortable /

This one is 50% lyrics, 50% overall energy of the song. Yosano is a bad bitch, and I love her.

💙 STFD by TeZATalks 💙    [Flash Warning for epilepsy]

I'm not here to take no names or reservations / I'm the devil telling Satan I'm just wild / Sit the fuck down / Imma kill it let me live just how I'm livin' / Ghetto heart with good intentions / I'm just wild / Sit the fuck down /

I'm chasing freedom for the fearless / I gotta do it 'cause I can't chase fear myself / I'm 'bout as broken as I confess / But better than most that lay cower / Proud of who they crowd / You don't know me / Coming to take your crown / Bow down / You know that I can do better, better / I don't need you to come in and show me how / Settle down / Cause you know that I can do better, better /

This song is mostly just the vibe for me. Quite…. unapologetic. Like the badass bitch vibe Yosano gives off, despite (or probably especially because of) her past.

💙 Nur mir (only to myself) by Elif 💙

Can’t believe what’s happening to me / Your words have manipulated me / I shouldn’t lose the connection to myself / Because otherwise your words will always stay with me / At first, you were there for me / But then you wanted me as your property […] / This city is big enough for the two of us / I have to share it with 4 million others anyway / I get onto the same train, stand on the same platform / Oh, everything’s profit (to you), everything’s yours /

But I only belong to myself, only to myself / Belong to myself, only to myself / Not to her, not to him, not to you /

💙 Disease by Hollywood Undead 💙

Our words are broken but they’re spoken aloud / So come together, come together again / The time is now, let Armageddon begin / They say beginnings always start with the ends / I say forever and forever, Amen /

Forget what you are / Forget what you feel / We stand apart but fall together / Nothing ever lasts forever /

We’re born to live, we’re born to die / We’re forced to swallow these pills and to never ask why / What I’ve become, why can’t you see / That everybody, everybody, everybody’s got this disease? /

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𝔼𝕕𝕠𝕘𝕒𝕨𝕒 ℝ𝕒𝕟𝕡𝕠

💙 The Wolf by SIAMÉS 💙

Each and every day / Hiding from the sunshine / Wandering in the shade / Not too old, not too young / Every night again / Dancing with the moonlight / Somewhere far away / I can hear your call […] / Ain’t no fairytale / What I see in your eyes / Awaiting your mistake / Not too close, not too far /

Honestly, finding a song for Ranpo somehow was harder than it should’ve been lmao Originally, this song is about addiction, but if you read them in the sense of it being about a criminal, whom Ranpo is about to catch, it makes more sense. I am sorry I can’t provide a better song for him right now djhfksjlhdfujhhgkfc

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𝕂𝕦𝕟𝕚𝕜𝕚𝕕𝕒 𝔻𝕠𝕡𝕡𝕠

💙 Fuck You by Silent Child 💙

Am I wasting my breath on you / Feels like my words are never getting through, yeah / I never said I hate you to someone so much before / I'm light headed when we talk and then you shut the door, god damn / Like what are we still talking for, yeah /

I really hope you don’t see tomorrow  / I tried to play nice with you / 'Cause all you ever do is try to fuck up my day / And you were successful / (But I know the truth) / No you don't have anything better to do / Everything you ever loved has tried to escape you / So why would I want anything to do with you /

Fuck you /

Don’t lie, he would blast this at full volume when Dazai fucks up his schedule again HAHAHA (I love their dynamic)

💙 Waiting by Zhavia Ward 💙

The truth is you don't even / Know what the hell you believe / But you should believe / Lions don't lose sleep / Over the opinions of sheep /

So if you're waitin' / To watch me fall / Watch me fall / Watch me fall / I'ma keep you waitin' / To watch me fall / Watch me fall / Watch me fall / I'ma keep you waitin' /

Empire State kinda view / And I'm up here with the crew / I got the feelin' that you wishin' / You could be up here too / Maybe I should feel bad for you / Be a little sentimental / But I don't, no I won't / Make excuses for you to hide behind /

This one makes me think of the time Fyodor tried to break him mentally by making that little girl sacrifice herself (Season 3), but he got back up pretty quickly again after having his ideals get shaken like that.

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𝔽𝕦𝕜𝕦𝕫𝕒𝕨𝕒 𝕐𝕦𝕜𝕚𝕔𝕙𝕚

💙 S.C.A.V.A. by Hollywood Undead 💙

Here's the massacre, a mausoleum fit for me / Lived a hundred years, a hundred years I didn't see / Gave all my hope away, isn't any left for me? / Bombs are splitting atoms, what can the future bring? / We can fill a million choirs and wait till children sing / We can walk a million miles and end up in the sea / And our lungs just keep filling and lying when we breathe / The world's filled with liars, liars like me / And I look at my child, it's finite, this feeling / Eyes blue like the sky, I see all of this meaning / I reach up to God and I ask if I'm dreaming […] /

Everybody says greetings and goodbyes / Everybody pays, no one knows the price / We know the price of sin, the sin of sacrifice / I know I'll sin again, but who can save me twice? / How much can we ask? You'll get the answer first / How much can we kneel with the air that chills the earth? / The air keeps getting colder, my knees keep hitting dirt / The innocent can cry without the guilty getting hurt / You ask who you love and you don't know, no, do you? / The spirit of God just passes right through you / You gave away heaven, handed right to you / And I can see it all, tell me, is it true? /

Fukuzawa is that anime character that’s visibly been through a lot of shit (and has done a lot of shit as well, even morally grey or black), which could be why he’s so stern and not a man of many words. Marked by life, if you will. He also gives off a very “wise man” kinda vibe right from the beginning, so I think that this song somewhat fits him because it is wondering about the state of the world and human nature.

💙 Courtesy Call by Thousand Foot Krutch 💙

This is your last warning / A courtesy call / I am not afraid / Of the storm that comes my way / When it hits it shakes me to the core / And makes me stronger than before / It’s not a question about trust / But will you stand with us? […] /

There’s a rumble in the floor / So get prepared for war / When it hits it’ll knock you to the ground / When it shakes up everything around / But survivial is a must / So will you stand with us? /  

This song just has that badass vibe. And no one can deny that Fukuzawa has a badass and intimidating vibe as well as he seems so stern and stoic most of the time.

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𝕋𝕒𝕟𝕚𝕫𝕒𝕜𝕚 𝕁𝕦𝕟𝕚𝕔𝕙𝕚𝕣𝕠𝕦

💙 Nesimtit by Mark Stam 💙

I don't have lots of cash / But enough for me to buy you an ice cream / For us to go on a walk / And for you to whisper to me in the waves of the ocean / I've taken some days from the border / And I put some behind the door, on ice / For cloudy weather / So that we can have them when the movie of life passes […] /

Let me be your lifeline / When your world is in the process of demolition / Let your dreams fly / I promise, we'll catch them somewhere around the sun /

Oddly enough, the Tanizaki siblings were just as hard for me as Ranpo… There aren’t really that many songs that would make me think of them. But this Romanian one made me (partly) think of him, I also think it’s cute and would probably fit him lol Especially the last four lines make me think of him and Naomi. After all, he’d even burn down the whole world if it was for her sake. All in all, this just sounds like him in the sense of a really supporting person/friend/brother.

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𝕋𝕒𝕟𝕚𝕫𝕒𝕜𝕚 ℕ𝕒𝕠𝕞𝕚

💙 You Should See Me In A Crown by Billie Eilish 💙

You say, "Come over, baby / I think you're pretty" / I'm okay, I'm not your baby / If you think I'm pretty /

You should see me in a crown / I'm gonna run this nothing town / Watch me make 'em bow / One by one by one / One by one by / You should see me in a crown / Your silence is my favorite sound / Watch me make 'em bow / One by one by one / One by one by one /

Naomi isn’t giving me the same “badass bitch” vibe as Yosano does, but she does have that “badass princess” vibe. Is that making any kind of sense? Like, she does not have an ability, but she is neither dumb nor completely helpless in all situations. So, there is a slight badass vibe, but not the “I can and I. W i l l . Kick your stupid. Bitch. Ass.” – so a…. “badass princess”? Because she also has that elegant aura about her. I hope I am making sense…?

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ℍ𝕒𝕣𝕦𝕟𝕠 𝕂𝕚𝕣𝕒𝕜𝕠

💙 2! 3! by BTS 💙

We know that you are happy right now / That you're slaying right now / You have all what you deserve / And we are so damn proud / But you're people, like us / You have spars, you get hurt / You get tired of the pressure / You get tired of the rush / God, thank you so much! / For giving us the chance / To tell you that we're here for you / And this will never change /

Lay on us / When dark times come and surround you / Our light will help you to get through / Our love is gonna heal you / Lay on us / The ones who would go to space to / Steal some stars just to give you 'cause it would make you feel good / We're gonna stay with you forever, until the end / We swear that we're not going anywhere / Yeah we're not going anywhere / We know the road can be so tough / But with holding hands / Together we take a nice deep breath /

Haruno strikes me as the kind of person, who’d be a really supportive friend, so I thought this might fit her. I have not seen much of her and her character neither in the anime nor in the manga yet, so I don’t really know whether this is any good or if it does her any justice.

On the other hand, I feel this song would also fit the Tanizaki siblings well.

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𝕄𝕚𝕪𝕒𝕫𝕒𝕨𝕒 𝕂𝕖𝕟𝕛𝕚

💙 Puste sie weg (blow them away) by Kontra K 💙

Love in the air – blow it away / 9mm on the chest – then blow it away / 3g on the mirror – better blow it away / And the wind will do the rest / Hate in the air – blow it away / Pressure on the chest again – then blow it away / Seven sins in my head – better blow it away / And the wind will do the rest […] /

Because everyone’s talking, talking, talking too much / But unfortunately never do it, do it, do it / And I don’t hate, hate, hate the player / But I’d rather kill a whole team by myself /

I’d rather have three, four warriors than one thousand “brothers” / I’d rather pick up cents from the ground than break bread with liars / I’d rather be broke like I used to be than be a part time dealer / I’d rather have a heart of gold than sharing with no one at all (no one) /

Hatred in the air – blow it away / Pressure on the chest again – then blow it away / Seven sins in my head – better blow it away / And the wind will do the rest /

Take the lyrics quite literally, “blow them away”. The feeling of this song fits him, I think, because of his sheer strength. He just blows away hatred, malice, etc. and is unaffected by any of it as his heart and his head stay innocent and pure, even if naive.

I have to say though, it can be a pun, especially the part of “9mm (gun) on the chest” would be most obvious for it (especially considering that the “on the chest” part does not specify in German whether it’s your own chest or you are holding a gun to someone’s else’s chest lol). In general “puste xy weg” means to blow it away with the air out of your mouth, but colloquially it can also mean gunning down something or someone. And if you apply that meaning to every single line with “blow it away”, the meaning turns around from not letting it bother you to killing it, which I find interesting with this character. (Because he definitely has great potential to actually kill someone with his ability alone.) Though what I thought when I heard this song was that it might fit him with the meaning of him letting nothing bother him.

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𝕀𝕫𝕦𝕞𝕚 𝕂𝕪𝕠𝕦𝕜𝕒

💙 Alaska by Elif 💙

Sometimes I’m thinking, I’m going insane like everyone else / They said I’d be going nuts and yeah, I’m starting to believe them / -7°C, I’m walking through the city park by myself / The down jacket is keeping me warm, but in my heart, there’s Alaska /

I don’t know what love is / No matter how much of it I get, I need more of it / It’s tearing me apart on the inside / When I, once again, don’t know where I’ll be getting it from / Even my therapist says, he doesn’t know any further / My dark side, it’s stronger than the good one / My youth was poisened, the future is uncertain / It is how it is yeah, it is how it is /

💙 Godsent by Smash Into Pieces 💙

I used to share, I used to care / The good in me is gone I'm bad / I used to give, I used to feel / The things you did will never heal / Take a look at me now / See what I've become / I will no longer feed the machine / Can't control the monster in me, no / The way that I feel / Makes it harder to breathe / When I'm thinking about you / The monster is real /

This makes me think of her in the Port Mafia.

💙 Boomerang by Smash Into Pieces 💙

I've been gone for a while now / But only to gain my power / I've been fighting my demons / And I'm back up on my feet (and now) / The harder you fall down / The stronger you come back later / Now I feel like an army / And I've only just begun /

This one in turn makes me think of her in the Agency.

💙 Circles (제자리) by G.Soul 💙

Oh, we know the ending / No matter how you escape / Here again / Always come back to me / Back again / Eventually / Here again / Why is it so hard to leave? / Here again / We always stay here […] / Answer me, I don’t know, no / Just don’t know / You’re getting stuck / Forever / Oh, we know the ending / No matter how you escape / Here again /

This makes me think of what Kouyou (I hope I am remembering her name correctly) was saying about her as a flower of darkness, as she was kind of turning in circles (no pun intended)–between wanting to be in the light and “accepting” that she only belongs into the darkness–at the beginning before she finally joined the Agency.

💙 Excuses (변명) by G.Soul 💙

I told you not to be too good to me / That it would make it too hard on you / No matter what you say now / I don’t hear a word of it […] / Even though I may be making a mistake / Even though I may regret this as time goes on / Baby, I think that we should just end it here now /

Even though the song in total has a different vibe (and story lmao), these parts of the lyrics makes me think of Kyouka telling Atsushi that there is no saving her, and that the light is no place for her (directly after saving her from the Port Mafia). It kinda makes me think of the part, specifically, where Atsushi suggests going on a “date” and at the end of it, Kyouka wants the last place they go to to be the police station.

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𝔻𝕒𝕫𝕒𝕚 & 𝔸𝕥𝕤𝕦𝕤𝕙𝕚

💙 Sing To Me by Missio 💙

Somehow I got nominated as a king of sadness / Got so much I know that I could even feed the birds / And that's why / I prayed, I prayed, God sent me right to voicemail / It's like, all day my vanity is for sale / Take it away, my head is in my own hell /

Sing to me, I am not doing well / Getting tired of my own words / Sing to me 'cause I can't hear myself / Through the loudness of my own hurts / Call me selfish when I say this, say this / I'm kinda helpless, and I need you / Sing to me 'cause I'm not doing well /

Somebody told me that there's two sides to this life / I think I might've chosen darkness over light /

These two are two sides of the same coin, but no side is brighter than the other. I feel like they are kind of mirroring each other in the way they feel about themselves, which is why these lyrics mirror both of them towards each other as both are in need of salvation as they’re drowning in their own minds. Dazai is just better at hiding it from Atsushi.

💙 Namae wo yobu yo (Call A Name) by Luck Life (Season 1 Ending) 💙

I was searching / For the reason I’m able to remain as myself / If there’s a version of me / That exists within your heart / That even amid the darkness on this long, hilly road / I feel I can become a new me / Able to make my way through / So that each of us, walking our individual moments, can keep on smiling / So that we can keep moving forward, exploring the meaning of life together / I’ll call out a name / Your name / So that you can remain who you are /

Technically, lyrically it’s the entirety of the song, but I will not write down all of it lmao And it’s the Atsushi and Dazai parallels here again. It’s not just the ending with the animation that shows it for me, but the lyrics reflect both of them in them as well. I absolutely loved this ending. I never ship characters as I do not care about that, but I really love these two (separately)~ (What they mean for each other aka what they might mean for each other in the future [peace of mind/finding worth for Atsushi, and a reason to live for Dazai, etc.], how they’re already helping each other [Dazai helping Atsushi with feeling worthless, and Dazai finding a bit of piece of mind], etc. etc. etc.) I haven’t loved 2 characters in an anime as much as this in quite a long time (The last time was Kougami and Akane in Psycho Pass) as I find making up characters as complex as them and make them fit together as well as them/make them complement each other/balance each other out is actually pretty hard to do really well.

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Making up this list took waaaaay longer than it should’ve. (I did not include Katai because I couldn’t think of a single song for him, sorry.)

[potteresque-ire]

This post is Part 3 of the five-part meta series on the Zhang Zhehan (張哲瀚) Incident, based on what has transpired up to 2021/08/22.

1) The 2nd Sino-Japanese War (1937-45) & the Yasukuni Shrine 2) Post-War Sino-Japanese Relations; “Every Chinese should visit the Yasukuni Shrine” 3) The Summer of 2021: The Brewing Storms for One 4) My Thoughts on Zhang’s Incident, Part A 5) My Thoughts on Zhang’s Incident, Part B

3) The Summer of 2021: The Brewing Storms for One

Parts 1 and 2 are my very rough, … kindergartenish introduction to the historical background of Zhang’s incident. For the sake of brevity (please don’t laugh), there are so many things I haven’t touched on (such as the role of the U.S., the geopolitics). There are even more things I’ve likely missed from my admitted ignorance (Sorry).

I think a fair summary of what I’ve written so far would be as follows, before we move on to other sociopolitical factors related to Zhang’s incident?

It is true that the Japanese government, while having shown signs of repentance, has yet to truly face its own past. 

It is also true that the Chinese government has been taking advantage of its national tragedy to fuel nationalistic sentiments, to spread hatred for the purpose of propaganda ...

... Propaganda that is highly sensitive to timing, the message the regime wants to send at the moment. 

In August, 2021, Sino-Japanese relations is at a nadir. The brief thaw in early 2020, initiated by the Japanese government donating masks to Wuhan when COVID first broke out, seemed to be as old as the Chinese poem printed on the shipping boxes:  山川異域 風月同天 (“Our mountains and rivers are on different lands, but our winds and moon share the same sky”)—from the 779 BCE work of a Tang dynasty monk who had sailed to Japan as a missionary, affirming the long cultural bond between the two nations. China would give masks back to Japan.

Fast forward eighteen months later, this good will is all but gone in Chinese news, on Chinese social media. The Japanese government had just vowed to join the United States to protect Taiwan, should the Chinese government furthers its military threat towards the island — the People’s Liberation Air Forces had already intruded Taiwan’s air defence zone 393 times between January 1st and August 17th of 2021 — or should the Chinese government attempts to take over the democratic island nation by force. 

Late July came, and the Tokyo Olympics presented the opportunity for the Chinese state to broadcast anti-Japanese sentiments among the general populace. 

Like USSR and the Eastern Bloc before, the Communists-ruled China saw the Olympics medal count as a matter of national pride. After the Games began, the hot search turned immediately from the Henan flood to stories of the Tokyo Games’ subjectively awful organisation, alleged cheatings by the Japanese athletes, and the perceived unfairness of, in particular, Japanese judges towards the Chinese team that cost the latter more and better medals. This fervour cumulated to the cyberbullying of Japanese athletes by high-on-nationalism Chinese netizens, who brought back Japan’s past as a reason why Japan and its people should be universally hated. Reminders of the horrific brutality of the Imperial Japanese Army eighty years before the Games surfaced in Chinese social media posts. The derogatory slangs 小日本 (“Little Japan”), and 鬼子 (Guizi “demons”), the latter harking back to the nickname of the Imperial Japanese Army during World War II, populated online Olympics discussions.

Japanese netizens are aware of the derogatory terms Chinese nationalistic netizens use against them. In 2010, they fought back the 小日本 and 鬼子 insults by designing cute anime characters for these names. (Source1, Source2). 

August, 2021 is not a good time to be accused of liking the Japanese.

August, 2021 is not a good time to be accused of liking the Japanese, especially if the accused is a celebrity in the c-ent industry. The ongoing Clear and Bright Campaign (清朗行動) includes, as its 8th aim, the “regulation of stars and the organisations behind them, internet behaviour of their official fan clubs”. Possibly as a welcome to the summer vacation for the country’s youth, on June 15th, 2021, the Cyberspace Administration of China (CAC) had announced it would spend the next two months focused on rectifying the “chaos caused by fan circles” (‘飯圈’亂象). 

The Kris Wu (吳亦凡) case that had exploded in July then turned the public’s attention (and imagination) squarely on c-ent and the alleged “insanity” of c-ent fandoms, particularly those of idols. Wu’s fans had been met with ridicule and cyberbullying, especially those who had tried to “save” their idol by attempting to perform, when the incident had first broken out, what is customary per Chinese fan circle culture—to drown the criticisms with their supportive messages, their defences of their favourite stars; with their offences towards the accusers and in some cases, who the fans point to as the true culprits accompanied by the necessary “evidences”. Widespread reports of Wu’s fans planning a prison break after Wu’s arrest, propagated by the state media despite the number of such fans could’ve numbered to no more than a handful, further fuelled the narrative that c-ent idol worship has become cult-like, with the fans being so brainwashed that they can no longer distinguish right or wrong. 

This narrative of “fans would say or do anything to defend an idol” means that if or when accusations fall on the latter, little can be said in their defence even if the defence has its merits. Fans who make the defence are accused of being “brain-disabled” (腦殘); non-fans, of being brain-disabled fans in disguise.

Political cartoon from People’s Daily, 2021/08/02, 2 days after Kris Wu’s arrest (English translations by me). The slogan at the bottom says “The Deformed “Fan Circle Culture” has turned cold”. “Turning cold” (涼了) means to lose popularity. (Source) 

Last but not least, in August 2021, the online platforms that host the content of state propaganda, of fandom talk, of c-idols’ works are also in quicksand themselves. Without getting into too much details, since earlier this year, the Chinese government has been targeting the tech giants, once considered untouchable with their significant contributions to the economy. Most international fans of c-ent are likely familiar with Tencent. Alibaba is also a major player in c-ent: it’s the owner of Youku, for example; it is also a major investor of Sina (the company in control of Weibo) and also—a piece of trivia for turtles—of Yuehua (Dd’s management company). These tech companies have been charged with antitrust violations, been the target of cybersecurity probes, accused by the state media of hurting China’s youth with “spiritual opium” in the form of video games etc, and their stock prices have been tumbling as a result. 

The tech giants, and the online platforms under their ownership, have therefore been extra vigilant, extra compliant to messages from the state, in attempts to gain the government’s favour. Just a few days ago (2021/08/21), Tencent vowed to donate 7.7 billion USD to the government, heeding Xi’s call for “common prosperity” (re-distribution of wealth), adding to the 7.7 billion USD it already donated in April for the government’s “sustainable social values” program. While both donations are officially philanthropic, most political and market watchers interpret the donations as Tencent trying to achieve a less-than-philanthropic goal—to get the state regulators off its back.

Following this line of logic then, these tech giants, and their online platforms, have got to be extra quick on their feet in August 2021 to sever ties with anyone perceived to have drawn the displeasure of the government. If that anyone is a c-ent idol, the loss for removing their works and fandom content is nothing compared to the price these companies may pay if the eyes of the state regulators train upon them: the latest fine Alibaba paid for breaking the anti-monopoly law, in April, amounted to 2.8 billion USD.  

All these factors considered, there are better days … far better days than the ones in August 2021, for a c-ent idol to have his Yasukuni Shrine visit become an item on Weibo’s hot search.

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The Zhang Zhehan Incident Meta Series:

PART 1 PART 2 PART 3  <- YOU ARE HERE PART 4 PART 5