#a lot of these are from my other blogs but most of it is on this one so it's going here!

[gay-jesus-probably]

Bluntly, there is no universally useful method for getting a job. Some companies use AI to do a shitty job of sorting applications. Other companies go for a multi-step interview process. And some places are just looking to hire anyone that can do the job and will show up, nothing else required - I got my current job from basically just a two minute interview at their hiring fair, never even gave them a resume. Every workplace is different.

That said, there is some near universal advice that makes the whole process easier:

Don't use a gimmick. Absolutely terrible idea. Trying to make yourself stand out in some weird way will NEVER go over well; most of the time it'll land you straight in the reject pile. Don't try to get too chummy with the interviewer, don't send gifts, don't try to make your resume/cover letter more exciting or anything. Just apply for the damn job. Trying to use some stupid gimmick just implies that you don't think you can get the job on your own merits, or at the very least you think the company you're applying to cares more about flashy bullshit than actual competency.

Follow the application process. That sounds obvious, but by 'follow the process', I mean give them the information they want, in the method they want it, and DO NOTHING ELSE. For example, if none of the jobs you're applying to are asking to see a personal website portfolio of you, and you are stubbornly attaching your website portfolio to every single resume anyways, then getting angry and bitter that nobody ever clicks on it and you never get interviews... yeah, that may be part of the problem. All the relevant information should already be in your resume, so the website portfolio will just be filled with irrelevant bullshit. Unless you're applying for a job that specifically wants a portfolio, don't try and submit a portfolio.

Remember that the hiring process goes both ways. Your potential employers do NOT have all the power here. You're interviewing them too! And if the hiring process is an absolute nightmare... that's not a good sign for the work environment. If applying for a job is a miserable slog, you can just... decide these aren't people you'd ever want to work for and nope right out of there. Don't get me wrong, I realize that's not always a practical option, but just remembering that the option is there really helps for managing the stress of the whole process. Like mustapha--dance said up there, companies that are hiring need people to do that work! You have something they want! You're not powerless in this situation!

Anyways, if you want some more specific and detailed advice on getting hired, this blog has talked a fair amount about all of this and gives some extremely solid advice (and has also talked a lot about the bad advice that's floating around out there, such as the awful website portfolio thing).

Hey kid you want a job?

Great get online and go to a job board. Indeed, Linkedin whatever. Now you're gonna search for a role that's in your city, fits your qualifications, and doesn't seem like a bad time.

See that easy apply button? Don't hit it they just throw those in the trash. Now you're gonna want to go to the company's website and check their careers page.

Oh? That job doesn't exist anymore. Cool go back to the job board and find another one.

Great you found another job, you're on the company's career page and the job exists!! So you're going to need to make an account on the career page website. They're using Workday, the same site as the last job you applied for? Who cares? You need to make another account for THIS job's workday page.

Now you're going to upload your resume. That'll autopopulate about 15 boxes with everything on your resume, except formatted wrong and with tons of errors. So just go through and painstakingly check the dates on all of that and rewrite everything you already laid out in an aesthetically pleasing format on your resume.

Ok time for the cover letter, explain why this specific job and company are deeply important to you. You love their mission statement and wouldn't even laugh if their ceo was gunned down in the street. You'll really want to reiterate the things you just spent the last 20 minutes filling out on the resume section

(Remember to include language from the job description, people who work in HR are lower than dogs and they need patterns or they get confused.) Write about a page, but hey don't sound too desperate or robotic this is where they judge your character!

Maybe add your portfolio site at the end here, who knows if that helps no one has ever clicked mine haha.

Anywayyy time to hit apply! Congrats! You'll see that confirmation email come in and you should be getting the rejection letter in about 2 weeks. Unfortunately your resume didn't have the right buzzwords and the AI auto rejected you :(

Time to start again and try not to kill yourself!

[adieutristana]

hello omg just found your blog and might i say your writing style is so gorgeous?? absolute chefs kiss 💯. aaaaaanywho, i read your post about how the arcane women would be during aftercare. i was wondering if it would be possible to maybe write a dribble drabble of how sevika would react to reader going like completely nv (non verbal) and dissociated after said hankey pankey actions? 🤔 💭.

feel free to ignore if this makes you uncomfortable!! :3 have a good rest of your day/evening and happy holidays!

of course! thank you for the request <3 i appreciate your kind words, it means a lot that you enjoy my writing :) happy (late) holidays to you as well!

summary; sevika and her girlfriend during aftercare. reader goes nonverbal and dissociates.

characters included; sevika

tags/warnings; nothing explicit but very suggestive, comfort (no hurt), fluff, just sweet, nonverbal / dissociative episodes

men and minors dni.

your back hits the mattress, sheets clinging to your sweaty skin.

that was… intense. it usually is with sevika. but good. you can't feel it right now, but you know that in an hour or two, your legs will grow sore. your breath is coming to you slowly, although it's still a bit difficult. you're still slightly trembling. your girlfriend is in the next room, quickly rolling a cigar before she joins you in bed. it’s become a routine of sorts.

roll the cigar, climb in bed with you, hold you, talk about whatever’s on yours or her mind. sevika was always gentle, doting afterward. looking out for you, then herself. before entering a relationship with her, you’d never expected her to be affectionate. she never expected herself to be affectionate. but the moment your eyes locked with her own, things changed.

sevika slowly makes her way to the bed, sitting down next to you with her back propped on the headboard as she uses a blanket to cover her lower half. she comes to light her cigar, taking a long drag before looking down at you.

“you alright?”

you make a little ‘mm’ noise, your eyes fixed on the ceiling. your breathing has evened out for the most part, although sweat still clings to your skin and you’re still a bit shaky. sevika purses her lips, leaning down over you slightly. it’s not often that you give her this… lackluster of a response.

“you sure you’re okay?”

she presses, earning a slow nod from you. not much is getting through to you right now… it was good. amazing. but right now, you just feel so out of it. an out of body experience, in some way.

sevika lets out a heavy sigh and puts her cigar out in a bedside ashtray, deciding to inch closer to you. she's concerned, to say the very least. did she go too far? did she do something that she wasn't supposed to? not notice something you had said? she hesitantly drapes an arm over your chest, laying on her side as she takes in your flat expression.

“did i hurt you?”

she asks. always straight to the point, but she’s never seen you like this after sex. she’s worried. the anxiety is quickly relieved after she sees you frantically shaking your head. no, she didn’t hurt you. she wasn’t too rough. but that doesn’t explain why you’re just blinking with a dazed look, as if you’re only partially present. you’re aware of what she’s saying, at the very least.

but she won’t press. she’s concerned. she knows that you’re not completely yourself right now for whatever reason. she doesn’t want to force an answer out of you if you don’t want to give it to her at this moment. so instead, the woman opts to gently pull you into her arms and hold you close to her chest.

she feels your arms slowly wrap around your waist, and your head nestling into her chest. this is good. this is a good thing.

“i take it you’re just not up to talk right now, huh…?” sevika mutters, reaching to begin gently running her fingers along your bare back. lightly raking her fingernails in a soothing motion, the cold metal of her other arm slightly grounding you. “that’s alright. i can talk instead.”

sevika continues running her fingers over your back, a rhythmic motion that she hopes serves to soothe.

"you did great for me... you always do." she mutters, that low drawl of hers evident. "and you're doing great now. i don't know what's going on... maybe you need time to process?"

sevika wonders, maybe more to herself than to you. nonetheless, she presses a gentle kiss to your temple. lips the slightest bit rough, fingernails still going up and down your back.

"i don't know. but i'll be here."

she smiles when you slowly nod, making eye contact with her. you lean slightly closer to her touch, seeking the warmth that she offers. a calloused hand, firm body, soft touch. the smell of smoke and sweat. it's everything that you could hope for in this moment, paired with that low voice of hers.

"there you are."

your eyes looking at hers. what a privilege. this isn't something sevika thought she'd ever get, only having had flings and brothel visits in the past. she didn't think romance was something in the cards for her, and she didn't think she'd ever particularly want it. yet here she is, holding a woman who she loves and who loves her in return. after showing that love to her.

if that woman isn't feeling the most herself right now, then that's fine. at least she knows she enjoyed herself, but she'll be here while she finds what she needs.

"and you look as beautiful as ever."

she murmurs, moving her hand from your back to gently grasp at your shoulder. running a calloused hand up and down your upper arm in slow, caring motions. her eyes take in your expression, relaxed and a bit dissociated. you're always beautiful to her.

the curve of your cheekbones, the edge of your jawline, the softness of your cheeks, the way your lips curl up the slightest bit. sevika could melt. gods, she feels strange admitting that to herself. she could melt from how stunning her girlfriend is. who would've thought?

she continues to press light kisses to your face- your cheeks, your forehead, the bridge of your nose, over any freckles or moles you may have. this might be on sevika's list of favorite things to do, to just take you in. the way your eyes flutter closed as you feel her lips on you.

"let me know when you come to, but i'll be here until then... and after."

sevika murmurs, slowly dragging her thumb along your bottom lip. she can't deny that she's still a bit worried, although part of her will always worry. that's her job, isn't it? to make sure you're okay, you're safe, you're happy.

but right now, you just need her. and sevika is more than happy to give you everything within her reach.

[highvern]

Totally Scrooged

Pairing: Lee Seokmin x f!reader

Genre: neighbor!au, idiots to lovers, fluff/angst/smut

warnings:  alcohol consumption, fingering, oral sex (f & m receiving), protected sex, lots of crying, mentions of cheating (not reader or seokmin), theater nerd Seokmin

Length: ~16k

Note: I was hoping to post this way earlier but alas. I got sick back to back over the holidays. ANYWAYS thank u my sweet @gyuswhore for beta reading and talking me down from the edge and @miniseokminnies for all the theater knowledge. And @ugh-yoongi bc words are hard. CHECK OUT the rest of the fics on @camandemstudios and keep an eye for our next project

summary: When your ex decides to propose to his best friend he told you not to worry about only eleven months after your breakup, you decide the holidays aren’t worth it this year. You’re dedicated to ignoring the red and green splashed on every surface, but your neighbor has a way of convincing you maybe the holidays aren’t totally bad.

collab m.list || m.list

This blog is intended for 18+ only! Minors/blank blogs will be blocked.

Shot number four is about the time you realize drinking your sorrows alone in your apartment on a Saturday night is a little bit pathetic. But you unlock your phone out of habit and the same picture of your ex down on one knee in the middle of the street in marathon gear stares back at you and a fifth shot sounds exactly like what you need.

At least the burn of peppermint schnapps is festive.

Ten months. You and Sam split barely ten months and he’s already engaged to Carson. 

After three years of dating, getting Sam to talk about plans further than a month out was like pulling teeth. When he asked you to move in with him you thought there was a very real chance he suffered some head injury that day. Sam and long term commitment didn’t mix. Your entire relationship felt like borrowed time. His engagement proved it was the truth.

In hindsight, you should’ve trusted your gut about Sam’s “platonic” “childhood” “best” “friend.” 

They did everything together. Their families vacationed in Montauk every summer, they alternated who hosted which major holiday despite living next door, there isn’t a single milestone either achieved without the other. Every time you visited his parents house the plethora of photos of your boyfriend and his best friend from cradle to present day seemed to grow exponentially. 

She’s like my sister.

Most people would frown upon dating a sibling after breaking up with their long term girlfriend, who was sick at home with the flu during Christmas, via text but what do you know? You’re the one sitting on your couch in a tiny apartment you can barely afford wallowing in drunk sorrows while they’re out celebrating.

It’s addicting. Scrolling through all the comments on their engagement photos, with a blanket over your head like some fairytale witch. Sam’s friends you tried so hard to bond with flood the comments, gushing about how cute he and Carson are, how happy they are for them. 

Your friends text you how much of a jerk he is, a few call but you ignore them. All you want is to wallow in self pity.

Like the judgemental diva she is, Shinx watches from her tower in the corner, green eyes disdainful. She never liked Sam anyway.

It’d be better if Carson wasn’t objectively likable. Everyone liked her, you included. At least, until your boyfriend dumped you in a three sentence text and she posted a picture of them together on her Instagram not twenty four hours later with the caption “the best things take a while” – color coordinated for the Spencer family photo shoot in front of their lake house.

Assholes.

Even when she isn’t dolled up for pictures, you can’t even pretend she isn’t pretty. Carson looks like she belongs on a Hollywood set, even after running a 5k at the crack of dawn. Perfect messy ponytail, face rosie but not too red. It’s not fair, it’s not fair, it’s not fair. 

Shot number seven empties the bottle.

Through the living room wall your neighbor belts the lyrics to Celine Dione’s “All By Myself.”

It was ignorable the first few times he replayed it – a little poetic even given the circumstances – but it’s been nearly twenty minutes and you don’t need to be reminded how alone you are. You rocket off the couch and land against the wall with a thud.

“Keep,” knock. “It.” Knock. “Down.” Knock. Knock. KNOCK.

Mr. Neighbor, because you don’t know his name, sings louder.

In the months you’ve lived in this apartment you’ve met your neighbor exactly twice. When you first moved in only two weeks after your break up because Sam’s name was on the lease - not yours – and this was the only place you could find on such short notice in the middle of winter. You had the unfortunate privilege of riding the elevator with him in complete silence, only the sound of your pathetic cries as you moved soggy box after box. He was at least polite enough to take the stairs afterwards. And last month, during a building-wide fire drill because someone on the second floor fell asleep while making boiled eggs. Neither of you felt very chatty at four in the morning.

You couldn’t care less about splotchy cheeks or if your eyes were bloodshot. In your drunken righteousness, you don’t care that there’s mascara running down your face or the sweatshirt billowing around you has grease stains. Something snapped in you. Gritting your teeth, you rush out to the hall and straight for the neighboring door.

Your knuckles sting with each knock but he doesn’t answer until you escalate to pounding against the metal door like the police.

Mr. Neighbor must hear that because Celine cuts off mid-belt. Seconds later the door flies open.

He’s taller than you remember, your eyes level with a hole in the collar of his sweater. When you drag your gaze away from the dip of his throat the combination of tears and booze make deciphering his face incredibly difficult because he has four of them and they keep moving back and forth in blurry circles. His dark hair sticks up in a million directions. Like he put his finger in an electric socket and then tried to fix the mess himself.

Mr. Neighbor stares at you, expression unreadable. “Can I help you?”

“You know,” you start, teetering on drunk feet as you shove an indignant finger into his chest. “Some of us just want to come home from work and relax! Not listen to their neighbors screaming at the top of their lungs.”

“I didn’t realize it was that loud,” he hiccups. “I’ll turn it down.”

It’s hard to be angry when he looks like a mirror image of you. Wet, red-rimmed eyes and a sniffling nose. There’s booze in the air which could be yours but with the state he’s in it’s doubtful. Who listens to “All by Myself” ten times if they aren’t also sobbing alone in the dark? 

Guilt squeezes your chest. “Sorry, I’m just…rough day.”

Mr. Neighbor doesn’t say anything for a long time, appraising you silently. If you weren’t drunk off your rocker then the fact you aren’t wearing a bra and the old sweater you tossed on does nothing to hide that fact might be embarrassing. Or how you aren’t even wearing shoes, just fuzzy socks with a hole in the ankle. You also smell like a drunk elf who escaped the North Pole.

“It’s okay. Sorry about the music.”

Mouth moving before you know what comes out, you stop him from leaving just yet. “Why are you crying?”

“Stupid shit,” he says. “Why are you crying?”

You want to brush it off. You’re not looking for pity. Sam objectively sucked and your relationship would’ve ended one way or another. While most people preferred not to be humiliated via social media, it showed his true colors and firmly shut the door. But sometimes, it just feels good to cry all the frustration out and wish the worst on people who deserved it. And you really would prefer not to do either of those things with your neighbor you hardly know. 

Especially, when you realize he’s objectively hot even through the blur of tears and intoxication. But alcohol has a way of losing even the tightest lips.

“My ex got engaged.”

His eyes widened in shock before softening in pity. 

“Do you wanna come in?”

You don’t sense any ulterior motive. Mr. Neighbor has the vibe of someone who never met a stranger, one of those people you tell your life story to in the airport when your flights are delayed only to leave and realize the only thing you learned about him was he also hated airline food and thought flying first class on domestic flights was a waste of money.

Maybe whatever “stupid shit” he was crying over can be a distraction from your own baggage. If it can’t, at least the invite to complain to a person completely unexposed to the drama of your love life wasn’t half bad. 

But you don’t know him. His stupid shit could be infinitely worse and then you look like the asshole while he’s crying over his childhood pet passing away back at his parents house while he’s stuck in his apartment because flights during Thanksgiving were ungodly expensive.

Either way, another person to whine about the world with sounded nice.

You say yes, following him inside.

Mr. Neighbor’s apartment is similar to yours; mirrors the layout of your cramped one bedroom except with neutral colors and a lot more decor. The couch divides the living area from the kitchen. Comfy blankets and pillows littered around. Someone actually lives here, unlike your place where the most personalized thing is fridge magnets. You didn’t feel the need to decorate an apartment you didn’t see yourself staying in very long. Even if it’d been almost a year and the lease renewal sat on your countertop, signed and ready to drop off at the leasing office.

He walks into the kitchen, leaving you to stand awkwardly in the middle of the room while he fishes in the cabinet for something. You sink into one of the leather barstools and watch as he pours water from a pitcher in the sink and slides it across the counter.

“Do you want to talk about it?”

You drink it all in one go while he waits, sobering up enough to realize how embarrassing this all is. You’re drunk, in your mysterious neighbor's kitchen, crying about your ex-boyfriend. But he was drunk, listening to one of the most depressing songs in history, crying about “stupid shit.” Mutually assured destruction. 

“We only broke up at Christmas last year.”

“And he’s already engaged?”

“To his best friend.”

At that, Mr. Neighbor procures another glass and pours a little bit of whiskey before presenting it to you. “That’s rough.”

This time, you don’t even wince when you swallow.

He stares, waiting for some sort of reply, tipping the bottle into his own cup but not drinking it just yet. Now that he only has one face instead of four, your face heats. Drunk, sad and a little horny because he has really nice hands, and an even better face.

You tug your phone out and push it across the counter as a distraction for you both. Not that he probably needs it, you’re a wreck. “Here look at this picture.”

Mr. Neighbor scrolls through each picture methodically. Zooming in on strangers he doesn’t even know. Mouthing the caption in silent horror. In effort not to stare at his fingers, you focus on everything else in his apartment. 

His fridge is covered in magnets and take out menus, but mixed into the collage are pictures. Photobooth strips in black and white, some large normal photos better suited for a frame. You’re too far away to decipher any of it but curiosity itches you to get a closer look. Postcards from different places, sport theme magnets. Baseball seems to be his favorite.

“He proposed to her at a Turkey Trot?” he says, like the idea is incredibly alien.

“Their families have done it since they were born. Like their moms ran it pregnant and pushed them in strollers until they could keep up.”

“That is….”

You laugh. “Insane.”

“I’m glad you said it,” he chuckles. “Who proposes after running a marathon?”

“I know!” you cry.

You tip the bottle of whiskey into your once again empty mug. There will be hell to pay in the morning but you need something to do to distract from the way your heart pinches at the sound of his laugh. The sad drunk stage is tapering into the horny drunk stage and you really don’t need to ask your nameless neighbor if he wants to make out on his couch. Although, it looks leagues comfier than the second hand lump sitting a wall over. Drinking any more will only make it worse but you need something to do with your hands that doesn’t involve touching him, or thinking about touching him.

He circles the counter and takes the barstool next to yours. Close enough you can feel the heat from his body, the smell of soap and citrus faintly tickling your nose. You want to dive into his shirt and breathe it in until you fall asleep. 

Mr. Neighbor is just a decently attractive man that has been overly generous with his time and not been a creep. That is the only reason why your brain is latching onto him right now; you know it. In a few hours, when your head hangs limp over the toilet bowl, you’ll regret this entire interaction and even more if you make it weird.

You balk, rushing away from the thought and looking for a distraction. “I’m not like…pining over him, if that's what you’re wondering. It just sucks seeing your ex who was staunchly against any long term commitment make it clear he was only against long term commitment with you.”

Mr. Neighbor seems to believe you. So many of your friends thought you harbored feelings for Sam this long after the break up but the truth is, you almost expected things to end. Not on Christmas with nothing but a text message, but it always felt like you and Sam had one foot out of the relationship. The end brought certainty and for that you almost felt relieved.

“If it’s any help, I don’t think it was a ‘you’ problem.”

For a second, you want to believe he actually believes that. He’s not just saying it because he’s being nice and letting you cry in his kitchen and drink his booze. Everything about Mr. Neighbor screams PERPETUALLY NICE. Like he saves kittens from trees and walks old ladies across the street in his spare time.

“You don’t even know me.”

“No, but he’s the one that kept you around while waiting for someone else. Sounds like an asshole to me,” he says.

“He is an asshole,” you whisper like a secret. Mr. Neighbor smiles back and you remember you don’t know his name.

He tells you without a shred of judgment.

“Seokmin.”

“I’m YN.”

“I know,” he blurts. His ears tinge pink just before his cheeks. “You had a friend come over one time, she yelled it pretty loud.”

Lydia only had two settings when talking: loud, and louder. Seokmin probably knew a lot more than just your name but was too polite to mention those sordid details.

“So, Seokmin. My drama aside, why were you crying? Or do you listen to depressing music to pregame a wild night out?”

Seokmin nods at your offer to top off his cup and chugs half of it with a wince.

“It feels kinda dumb now but I volunteer at the city theater downtown.”

That explains the framed playbills and theater tickets splashed across the living room walls. A story of all the productions he probably attended or participated in. You only recognized a few of the names. Perpetually Nice, indeed.

“Did one of them dump pig's blood on you while on stage?”

“No, nothing like that.” His mouth unzips into an amused grin. It looks much more fitting than the tears from earlier. “The director won a month-long European cruise and now I’m in charge of the winter production.”

What do people even do on a boat for that long?

“And I’m assuming you don’t want to be the director.”

“I did!” he groans. “But everyone is already emailing me and calling me, trying to bribe me into giving them bigger parts. Have you ever dealt with theater parents?”

Shaking your head, Seokmin grabs your hand with wide, terrified eyes. “They’re like dance moms on crack. I can’t handle it. Not to mention - surprise! - there’s no money for it and I have to do all the fundraising myself.”

Instead of responding, you fill each cup with another generous shot, clink glasses, and swallow them in tandem. The burn is long gone. Now, you feel like you're standing in the ocean, bobbing at the mercy of the waves as he keeps talking about the theater. How someone held him hostage after a meeting for an extra thirty minutes trying to convince him they didn’t need to audition. Someone else proposed an original production of Dracula as a break from the holiday slush every other theater planned. It glides right over your head, until he forces a glass of water into your grip.

“Sorry about my music,” he says.

“Sorry for being a bitch.”

“It’s okay. I get it.”

“Your ex also broke up with you for their childhood best friend?”

“No. The last one broke up with me for her dog walker.”

“Ouch.”

“Yeah, well he’s bald now.” He shrugs and takes another swig. Water not whiskey by the lack of grimace. “She’s also trying to audition.”

At least you have the privilege of watching your ex’s new courtship through the filter of social media. Seokmin is watching it play out a few feet away from him with a constant reminder that his ex-girlfriend was onto seemingly better things with a man who picked up dog shit for a living. Small mercies.

“How long have you two…” you trail off.

“Three months.”

His tone makes it clear there is nothing else he wishes to share on the matter. You get it. Three months after Sam you weren’t ready to talk about it, still kept all the shared memories you two had together in one of the boxes shoved deep in the hall closet. It wasn’t until nearly eight months passed that you finally donated what you could of the gifts he bought you and threw the other half away. Now, you can laugh at the way you sobbed over the ugly monogrammed dish towels from your shared apartment. When his mom gifted them for your birthday, the first thought you had was to burn them. 

“So what’s your play?”

Seokmin looks grateful for the swift change in topic. “A Christmas Carol.”

“Never seen it.”

“What?” he gasps. “It’s a classic!”

Below the counter, his knee presses firmly against your thigh. Seokmin doesn’t notice or doesn’t care because it stays there. Warm and grounded and all too tempting but you don’t move away either. A trickle of embarrassment heats your body when you realize you’re wearing the pajama pants Lydia got you for Secret Santa last year. The ones with cartoon gingerbread people fucking in small print all over them. If Seokmin looked down he’d see them in flagrante.

It didn’t mean anything but it felt nice. No way he saw your frumpy clothes and puffy face, crying over your ex and thought I want a piece of that. Typically, drinking only had two paths. On a normal night, you’d go from pleasantly buzzed to “wooo girl drunk,” as Lydia put it, then horny drunk shortly before falling asleep. Tonight, crying drunk meant no woo-ing and definitely no inappropriate thoughts. But Seokmin is the first real man to stoke a tiny ember of interest in months. 

It’d be messy. Not the act itself. Maybe. You’re tipsy and he doesn’t look any better but a sloppy makeout wouldn’t be the worst thing in the world. However, making out with your neighbor and then dealing with the fall out of such a clumsy entanglement probably wasn’t worth whatever his hands were capable of.

So you snuff it out.

You shrug. “Not really a big Christmas person.”

“I would invite you to come see it but at this rate I doubt we’ll even have a show to begin with.”

You discover that given the chance, Seokmin talks a lot. Shares his entire life story about moving to the city with a group of friends from college, most of them living with their partners. How he found the theater while on lunch break from his job that he didn’t hate but didn’t like. Started volunteering. Met Martha, now ex-girlfriend, there. 

He also asks question after question about you, and somehow it doesn’t feel like he’s prying even though he hardly shares about himself. Probably because you’ve reached sleepy drunk and your eyes drop shut, responding while half asleep. You tell him everything. It’s not like you can embarrass yourself any further. But Seokmin doesn't make you feel the slightest bit of shame.

How you met Sam at a friend’s wedding and Carson was his plus one. How Carson’s boyfriends never seemed to meet Sam’s standards. How she was a little too friendly towards you but Sam swore Carson liked everyone. And from your experience, everyone liked her. Then, last Christmas, you stayed at home with the flu while the annual Phan/Spencer celebration took place and woke up to a nice heartfelt text message.

“That’s so fucked up.”

“Yeah, well what’s even more fucked up is his mom posting a picture of her with Carson captioned ‘the daughter I always wanted.’” you huff. “That really sucked.”

Seokmin doesn’t say anything. Not that he can. How do you comfort a stranger about a shitty relationship with even more beneath the surface? 

Instead, you both sit in comfortable silence, locked in separate trains of thought. It isn’t until he messes with his phone and Celine Dion materializes into the room once again that you realize how weird it is to be sitting there, sharing woes with a complete stranger.

“Well, I’m just gonna…” you start, sliding off the bar stool.

“Yeah…”

You don’t look back, making a beeline for the door. “Have a goodnight! I hope you aren’t eaten by steroid fueled theater nerds.”

You’re in the hallway, lock latched firmly behind, before he can respond.

You don’t see Seokmin for another week. Not like you saw him much before but now you have a name to the face, along with hobbies and a personality. And his hands. Which don’t seem to leave your memory despite the desperate effort you put into doing so.

Even if you don’t see him though, you hear him on the other side of your living room wall shuffling around when you get home from work. 

He keeps his sad playlist to a minimum, and his singing about the same, flat rumbles through the shared wall you can easily ignore. Sometimes you don’t. Occasionally, you’ll pause whatever Netflix dating show poisoning your brain and listen, eyes closed as your mind wanders.

You hear him humming as he passes your door on the way out to work in the morning while you sip coffee and answer emails from your kitchen counter. Sometimes it's showtunes you don’t recognize, others it's Christmas carols. Seokmin has a lovely voice you realize, now free from irritation. It’s weird you never noticed before.

Apparently, Lydia noticed him long before you did.

You finish telling her about the entire debacle with Sam and Carson. Lydia doesn’t believe in social media of any kind so all of her life updates come over Bananagrams and face masks during your semi-weekly Thursday girl’s night at her apartment.

“You just hang out with your hot neighbor drunk and don’t make a move?” she tsks.

“How do you know my neighbor is hot?”

“Unlike you, I pay attention to my surroundings.” 

Part of the reason she deleted all her social media was because she wanted to be more ‘in the moment.’ This proves that maybe it actually worked. 

Grabbing more letter tiles, you brush off the taunt. “Well, unlike you, I can keep it in my pants.”

“How long has it been since you let someone under the hood?”

“Not that long,” you grumble.

“Really?” Lydia rolls her eyes at the next word you spell, S-A-D. 

“Shut up. It was the only one I could find.” You take another sip of hot cider. The hangover from last week's bender still haunts you. “Horny isn’t spelled with an ‘I’ or an ‘E’.”

“It’s been so long I thought you’d forget how it's spelled.”

A few hours and a couple of episodes of Temptation Island later, you're back home. The chilly air creeps into the mailroom, numb fingers struggling to unlock your mailbox. Bill. bill, catalogue, not yours, bill…

As the elevator carries you up to your floor, you find the last letter. A gold wax seal, velvety envelope. No. No, no, no, no, no.

But it is real and it’s exactly what you’re afraid for it to be when you rip it open right there in the hallway. The picture of Carson and Sam staring deep into each other’s eyes, love-soaked down to the finest details. His hand on her knee, both oblivious to the camera and not in the faux staged way of so many wedding announcements. 

Michael and Dena Spencer along with 

Jason and Zoya Phan 

Invite you to celebrate the marriage of their children,

Samuel Spencer and Carson Phan

You fling the card away like a venomous snake. 

What the hell is wrong with them? Is it not enough you were the collateral damage in their whirlwind romance? Now they go and rub it in your face how happy they are together. You were the last obstacle to make them realize they couldn’t live without each other, the catalyst for their happiness. And now you have a tangible reminder of the fact.

Thankfully, the hallway is empty so no one witnesses your mental breakdown. A silent stand off with a glossy wedding announcement. You’re tempted to leave it there, let Sam and Carson get trodded on until they’re nothing but limp confetti. 

But you can’t. You snatch the announcement from the floor and bolt to your door, key scraping the lock again and again. You just need to get inside. Get inside and then you can go DEFCON 1, shred the entire letter and do something else rash like give yourself bangs you’ll regret in the morning.

The key still won’t find home in the lock and you’re on the verge of giving up when you realize Seokmin is singing along to some record just a few feet away.

You don’t know him well enough to go banging on his door. One drunken bitch session did not a friend make. Even if the drunk bitch session involved recounting life stories and embarrassing childhood moments. Or pajamas with gingerbread people fucking which he definitely noticed.

But you can’t be left alone with this bomb.

Seokmin is standing before you barely a second after knocking, eyebrows scrunched together. You shove the invite into his chest and wait.

“How does he have your address?” he asks.

You shrug. “I made him mail most of my stuff.”

“Why?” Seokmin turns back into his apartment, the door open in invitation as he falls onto the couch.

“Because he cheated on me. The least I could get was him paying three hundred bucks in shipping.”

“You are a very scary woman.”

You follow. This time, you notice more details. His record player is tucked in the corner, crates of vinyl stacked next to it. The candle burning on the coffee table fills the room with the scent of teak and orange. You recognize it as the same one Lydia got you for your birthday; ‘the boyfriend scent’ as she called it. Of course, he’d have it.

“Thank you.”

Now that you’re here, you’re not sure what to do. Seokmin keeps looking at the invite like some puzzle. Like some underlying explanation is written in invisible ink. There isn’t one. The reason for the invite is clear: your feelings don’t matter and they never did. 

“I can’t believe they sent you a wedding invite. That’s so fucked up.”

“I’m probably gonna see all the pictures on Instagram soon anyway. At least, this ripped the band aid off. It just sucks they get to rub it in my face.”

“You still follow them, do they follow you?”

They do. Carson and Sam both follow you but you haven’t posted a single picture since the break up so it’s not like they’re reminded of your presence. Not the same way they remind you. There hasn’t been much worth posting either. You go to work, come home, shower, sleep, repeat. The occasional weekend at the farmers market or trip to the bookstore breaks up the monotony don’t inspire you to post. 

“Why?” you ask.

“You want something to rub in their faces.”

“And what exactly would that be?”

“Is there anything he hated doing while you guys dated?”

You laugh at the irony of the one thing Sam hated more than anything else. “He hated being posted on social media.”

“I have an idea.”

“Does it involve more Celine Dion and whiskey?”

“No,” he smiles. “It’s called a ‘soft launch'. One of the high schoolers explained it to me today.”

“Why are you talking to highschoolers about relationships? Actually, nevermind.” You snatch the invite away from his hands and flip it face down onto the couch. “And what is the point of me soft launching a nonexistent relationship?”

“He sent you a wedding invitation.”

“Okay?”

“So he’s either insane or isn’t completely over you. This is a way to show him you don’t care.”

“He broke up with me on Christmas while I was dying of the stomach flu. I don’t think he cares.”

Seokmin rises from the couch and heads towards the kitchen. “Do you want some wine?”

“Just water.”

He’s wearing the same costume as last week, sweatpants and a sweater. But his hair is a little wet and falls over his glasses. The look, the boyfriend candle, everything Lydia suggested… You should go home before making an idiot of yourself.

Seokmin returns with two glasses, places them both on the coffee table before tossing you a blanket. How can you leave now? It’d be rude. Besides, you want to find out where his offer is going.

“As I was saying: soft launch.”

“I still don’t understand where this is going.”

“You post it on your story, he sees, feels like a huge idiot, and then—”

“And then what? I don’t want him back.” But the thought of making Sam squirm is a validating one. Let him see you the way he’s forced you to see him. Happily moved on with someone else. Even if it isn’t real. “Fuck it. Let’s do it.”

It’s an easy photo. In theory. Nothing too suggestive, nothing that shows his face. But should you be touching? How much touching is appropriate for a man you’ve talked to twice? Seokmin doesn’t seem to know either. He searches the internet for inspo, some far too intimate for you to dream of. Sitting on his lap? Absolutely not. Having him hold you around the waist? No way. None of it would be believable.

“Okay, what about this one?” he asks after twenty minutes of scrolling.

On the surface, it’s nothing bad. The picture is relatively innocent with Person A’s legs draped over Person B’s lap, hand placed on Person A’s shin. Nothing crazy. At this point, you just want it over with.

“Fine.”

You wore semi-decent sweatpants this time so you don’t worry about that. It’s the entire premise of touching Seokmin so casually and having him touch you in return. But you take it in stride as you both maneuver and twist until you're a perfect copy of the already existing image.

Opening the camera on your phone, you snap a pic and hand it to Seokmin for approval.

“Eh…”

“‘Eh’? What does ‘eh’ mean?”

Apparently, ‘eh’ means Seokmin is wrapping his entire hand around your knee, the other hand on your ankle, and pulling you closer until your butt rests flush against the outside of his thigh. And then he doesn’t move either hand while waiting for you to snap a new picture. It feels like a thousand  pounds.

When you’re done, he leans over to assess the photo and you’re stuck with the image of him hovering over you. The picture goes up on your story, embellished with a heart emoji and Seokmin leaves your space but only barely.

“Should I RSVP too?” you joke. It’s weak, your voice thin because you don’t know if he can tell your sweating. 

He leaves even more space between you at that, scratching the back of his neck. “Ugh—”

“I wouldn’t actually go but I like the idea of them wasting money.”

“You know what? Do it. Did they give you a plus one?”

You jolt at the idea of Seokmin filling in the role. Focus. 

Their wedding site is filled with Pinterest inspiration level engagement photos. You ignore the fact it’s at the park Sam took you to for your first date. You don’t own Emerald Park, or the fountain in the background of their pictures where you and Sam first kissed, and you certainly didn’t own the botanical gardens frozen around them as they walked hand in hand. Hundreds of other couples, you and Sam included, visited Emerald Park all the time. It just feels tacky they would do a full photoshoot where half a dozen of your relationship landmarks lay. But Carson probably owned those spots well before you came into the picture.

Once you hit ‘Yes’ on the RVSP, including your fake plus one, things peter out into awkward silence. You’re still draped over Seokmin’s lap, his hands absentmindedly running up your shin, smoothing the wrinkles in your pants.

Who gets turned on from having their shin fondled?

“How is your play going?” you ask.

“Not horrible.”

“But?”

“Our sets are old, we don’t have costumes and we open in three weeks.” 

Seokmin seems to be in the acceptance stage of his grief. At least he isn’t wailing any more Now That’s What I Call Depressing music.

“So it’s not too late for that space idea then?”

He cracks up at that and you feel glowy from the sound of his laugh, the way his chest shakes. He squeezes your ankle. You preen. He still has his hand on your knee, thumb burning uneven circles through the thick fabric.

“I don’t know if anyone wants to see Scrooge in a space suit.”

“Who?”

Seokmin takes the question as a personal affront and decides you can’t leave his apartment without watching at least one version of A Christmas Carol. 

You try not to read into things but there aren’t many explanations available. The TV plays the animated version with Jim Carry starring in almost every role which is apparently second only to the muppets version.. Seokmin popped popcorn. And when he came back to the couch, he pulled your legs back over his lap like it was normal. You’re rusty on dating but the amount of times your hand brushes his in the popcorn bowl is starting to border on ridiculous.

Instead of focusing on how this feels a lot like a date, you focus on the movie. Or try to. It helps that Seokmin remains unaware of your inner turmoil, he’s too busy gauging whether you hate or love the movie and looking for your reaction every time one of the ghosts appears. 

The angle isn’t conducive to watching the movie either. You can’t turn without straining your neck, unless you pull away from his hold which you don’t want to do at all. And Seokmin is so focused on your reactions that he isn’t catching much of the film either.

He clearly loves it, and wants you to love it too. So you act extra interested but it’s not difficult because clearly he sees something spectacular happening on screen and it makes you eager to see it too. Even if only to distract from his thumb slipping beneath your sock and circling the knob of your ankle.

The movie fades to black, Scrooge is redeemed and your neighbor is watching you with bated breath.

“So…”

You smile at his eagerness. “It was good.”

“Isn’t it? It’s a classic.”

Something about his sheer enthusiasm tugs at your heart strings. 

“I’ll help you.”

Everything in your body screeches WHAT ARE YOU DOING?

Seokmin must think the same thing, face slack in disbelief. Too late, you’ve already committed. 

“My company is always throwing money at stuff during the holidays,” you rush, face heating. “Maybe they could sponsor you guys to help with the sets or something.”

He keeps staring and you keep talking because you’re not sure if this crosses some invisible line. Unlike the touching, or the picture, or the ugly crying last week. Slowly, amazement rooted on his face.  Even in your rumpled clothes, he looks at you like you’ve dropped nothing short of a miracle in his lap.

In a flurry of motion, Seokmin drags you into a hug, arms tight around your back, crushing you into his chest. The baggy sweaters you’d seen him in all of once hid firm ridges of muscle. You try not to indulge but your hands are wedged tightly between your bodies, and you’re practically sitting in his lap at this point. 

And as fast as it happened, he lets you go and nearly flings himself off the opposite end of the couch. 

“Sorry! I just—” His head cocked to the side. “Are you sure? I don’t want you to feel obligated—”

“I love taking money from people who don’t need it. It’s one of the few joys in my life actually,” you say. “And if they don’t sign a check, we can always try armed robbery. Do you own a ski mask?”

He pretends to think before smiling. “Funnily enough, I don’t. But something tells me you do.”

“A woman never reveals her secrets.”

The next few days pass uneventfully. You hear Seokmin come home later and later, pointedly aware that you’re aware of his coming and going. Occasionally, when it’s still early, he knocks an odd rhythm on the wall separating your living rooms and you learn it's a summons. He wants to watch a movie, or share dinner because he made too much, or hear something about your day that didn’t involve a six year old attempting an accent for their character and sounding like Dick Van Dyke in Mary Poppins. 

Even when you give him your number, he still knocks. Everytime you fight the urge to squeal like you’re back in high school.

The show is going as well as it can. People have their parts (with minimal complaining). Most of the costumes are free of mold (he sent you pictures wearing half the wardrobe). And Seokmin is maintaining his sanity. Barely.

In the rush of it all, you made a promise not to fuck where you eat. One messy break up requiring a move was enough for a lifetime. While Lydia took every update as another sign he was into you, the risk was too much. What if you misread everything? What if Seokmin wasn’t completely over his ex-girlfriend? She hadn’t come up again since that first night but that didn’t mean anything. At that stage of your break-up you hardly talked about Sam. Maybe Seokmin was still pining for her and you were just there. Or vice versa. He could see you were having a difficult time with the engagement and offered a shoulder to cry on.

Even worse, what if you did sleep with him and it was bad. So bad you could never look him in the eye again. Or he could have a weird dick. Or cry after sex. What if he secretly had a piss kink and that was the real reason Marta broke up with him? The lack of red flags only point to some flaw below the surface you hadn’t learned about yet.

Lydia thought it was ridiculous.

“I will bet my first edition Hobbit that his dick is completely normal,” she huffs through the speaker, the sound of her stationary bike echoing in the background.

Your Friday nights are usually spent curled up on the couch with wine and a movie but you couldn’t wait to give Seokmin the envelope containing a metaphorical golden ticket. The downtown streets are crowded near the theater where the entire cast and crew are spending the evening polishing up the existing set pieces but you brave it, if only to see the look on his face at the number of zeroes on the check.

“You just want me to sleep with him.”

“Is it so wrong I want my best friend to sleep with a nice, attractive man? Do you know how rare those are in this city?”

Your eyes roll. “He is my neighbor.”

“Your hot neighbor. Who has a normal dick and listens to Celine Dion when he’s sad.”

Something stopped you from telling her about the picture, and how Seokmin stayed cuddled up to you the rest of the night. Probably because you know she’d add it to the mounting pile of reasons to ruin whatever tentative friendship built between you. 

You find a parking spot and bid Lydia goodbye.

The building lobby, with sleek marble archways and a dusty chandelier the size of your living room, is empty sans a lone security guard scrolling on his phone. He doesn’t try to stop you as you stroll right past and into the auditorium. You don’t want to be a creep that watches from the dark but the sight of your neighbor stops you in your tracks. To hear about his work was one thing, however, seeing him in his element is another. 

He’s got paint all over his shirt and jeans and his hair is a mess from running his hands through it but he addresses the entire cast with confidence. Answers their questions, points the crew in the right direction, scans his binder next to someone with a headset who must be important. 

Everyone is caught up in their work so they don’t notice as you approach from the aisles, footsteps muffled by the carpeted floors. You’ve never been here before but the history of the building isn’t lost on you. The walls and ceiling stretch high above, intricate moldings weaving up to frame large murals of greek-style motifs. The cushioned seats had seen better days. Red velvet crushed flat, ripped seams and stained with time. But it has a charm to it.

It was easy to imagine Seokmin finding home in this place. Losing himself on stage, spending hours and hours hidden away with a script.

He finally notices your presence when you approach one of the side stage staircases.

“And what do I owe the honor?” he asks, lips unzipping into a grin you can’t help but return.

You wave the white envelope in response, bowing comically low. “I come bearing a gift.”

“Is that—“

You nod solemnly, forcing it into his hands. “Open it!”

Seokmin stares at the envelope the same way he stared at you the night you offered to help him out. A small miracle in the palm of his hand. Your boss signed the check without question. It was a good look to sponsor local events, great publicity and a tax write off. The second you mentioned there were children in the cast and it was volunteer only he doubled the donation.

Seokmin opens the envelope, pausing to read. His eyes bulge. “Two grand? Are you serious?”

“Yep. All it took was the promise of two pages in the back of the program. So if you could get that message passed along.”

He hasn’t looked away from the check as a flush rises up his neck. “I’ll get their logo tattooed on my forehead if they want.”

“Tried that…” you joke. “They went up to two thousand with the promise you wouldn’t..”

“This is…” 

You’re swept into a hug tight enough to pop something in your back. Too tight, with your arms wedged between your chests like the first time but you don’t mind. Seokmin is warm

“Thank you, thank you, thank you,” he chants, spinning you around.

You soak in the contact for as long as you can. Seokmin gives great hugs, better than great. You didn’t realize you craved the firm comfort of his arms until you had it once again and now that you do, you don’t want him to stop.

You notice someone watching over Seokmin’s shoulder. She’s pretty. Dark curly hair, button nose, big doll eyes boiling with indignation. 

“Is that her?” you whisper into his neck.

“Her who?”

“Mrs. Bald dog walker.”

Seokmin loosens his grip just enough to look.  “Yeah. Why?”

You bury your face back into the crook of his and give him a squeeze. Seokmin returns it instinctively, arms slug across the small of your waist like a puzzle piece. 

“Marta isn’t the jealous type,” he whispers.

“Huh, that’s weird.” Your lips purse. “Because she just stormed off.”

Seokmin whips around to look at the now vacant spot where his ex-girlfriend once stood.

“Consider it as my thank you for the soft launch.”

“Did that actually work?” he asks.

You can’t admit you forgot to check if either Carson or Sam looked at your post. Coincidentally enough, you were too wrapped up in thoughts of the man before you to remember the entire reason he touched you so casually that night was for petty revenge and not because he actually wanted to.

“Who cares?” you bluff. “Anyway, I was thinking of another fundraiser. Maybe it can give you guys some money for some updated set pieces.”

They could definitely use it. One of the stagehands staples fabric across a hole in the couch so wide you’d bet money the next person who sits on it would sink straight through to the ground, another slathers a thick layer of white paint on a dry rotted board. What good are new costumes without good props?

“If you keep helping us out, they’re gonna have to change the name of the building.” Seokmin smiles down at you. His hand is still at the small of your back but even through the many layers protecting you from the chill you can feel the heat of his touch.

“I’ve always wanted a theater named after me. Like a Rockefeller or something.”

“So what is this idea?”

You gaze at him expectantly. “How many of your friends are single?”

It took little convincing for your plan. Seokmin turns out to be a bartender and his boss agrees to host it (pending a small cut of the proceeds), and several of his friends volunteer to help a good cause.

You’ve never been to this bar either but it somehow fits him too. Not a complete dive but cozy and well weathered. Multicolored string lights hang from the rafters so thick you can’t even see the ceiling, and posters, neon signs, and other decor obscure the walls. A low platform in one corner clearly meant for live entertainment becomes the auctioneer block with a banner strewn above reading THEATER FUNDRAISER in painted bubble letters.

Most of the people in the crowd are involved in the theater one way or another. Volunteers, cast and crew, a few parents coming for the drink specials and a show. A few outsiders mix in with the batch; regulars, people who saw the chalkboard sign on the street and got curious. Seokmin’s friends linger around the pool table in the corner, nervously shuffling around.

You’re on your way over to finalize the order when Seokmin and Lydia intercept you. 

“Small problem,” he says.

“What?” 

Lydia sighs. “Mingyu has a girlfriend.”

“Since when?” you ask.

“Apparently fifteen minutes ago.”

“Oh,” you say. “Good for him.”

“Except we’re a man down.”

“I’ll do it,” Seokmin interjects.

Your gut curls. The idea of someone, not you, going on a date with him leaves a sour note in your mouth. But you’re not in a position to say anything. 

But it doesn’t stop you.

“You can’t!” you blurt.

“Why not?” he asks, eyebrows furrowed.

Lydia looks down right maniacal at your outburst. No way are you going to admit whatever feelings you have for Seokmin right now. 

“Who is gonna be the host if you’re busy?”

“I’ll do it,” Lydia says. There’s a dare in her gaze. She can smell bullshit a mile away. “Unless there’s some other reason Seokmin needs to host.”

She bats her eyelashes with all the innocence of the devil.

“Fine,” you nod.

Lydia snags the mic from Seokmin and bolts for the stage. “Alright, settle in! Tonight we’re raising money for a good cause. So let’s get this show on the road, and remember—no refunds, no takesies backsies, and no funny business! We take Venmo or cash. No checks! Now, first up, we have Seungcheol!”

Seungcheol steps up to the stage, body lax as the crowd eyes him up and down. He was the first person to volunteer when you explained your idea – spawned from many sorority fundraisers in college – to Seokmin. The others followed suit shortly after, giving you six men in total willing to go on a date (no funny business) in the name of supporting the arts.

“Twenty dollars!” a woman in a dark jacket calls.

“At least let me tell you about him before going at him like a piece of meat!” Lydia jokes.

Someone else interjects. “Forty dollars!”

Lydia ignores her. “He enjoys camping, sports, and long walks on the beach,” she reads off the notecard. “And he can fix your car courtesy of Choi Mechanics.”

“Seventy five.”

People keep increasing their bids, Seungcheol clearly enjoying the attention as he jokes and winks towards the more eager ones. He’s preening while you and Seokmin watch in giddy amusement by the pool table, faces hidden in your drinks.

“Two hundred dollars!” someone near the back calls.

“Two fifty!”

“That’s Seungcheol’s girlfriend,” Seokmin whispers from your side.

You try to get a better look but Seungcheol’s girlfriend remains hidden at a table behind several others. 

“Then why is he doing this?”

Seungkwan comes up beside you. “Because they’re exhibitionists.”

“Sold!” Seungcheol yells.

“I’m the one with the gavel,” Lydia objects. She pounds the gavel to emphasize her power. “Sold for two hundred and fifty dollars!”

Seungcheol drops a wad of cash from his own wallet into the bucket at the front of the stage and disappears into the corner of the room where his girlfriend waits. You make a mental note to avoid that side of the bar for the rest of the night, just in case.

The other guys go easy, thriving on the momentum of Seungcheol. Soonyoung gets a date with a woman old enough to be your mother but he looks positively thrilled. Even Mingyu stops by to drop a couple bucks into your hand as an apology. Then it’s Seokmin’s turn.

“He can cook, he’s good with kids, and he makes a mean mojito,” Lydia announces. “Give it up for our favorite bartender, Seokmin!”

The crowd has mellowed out but remains enthusiastic, regulars and theater people alike clapping as he comes forward. Even his boss behind the bar rings a large bell mounted on the wall reserved for good tippers. Someone wolf whistles and Seokmin goes red.

“Let’s start the bidding at thirty bucks,” Lydia says.

“Fifty!” someone calls.

By some feat of the universe, Seokmin transforms into a maroon faced mess.

You look around the bar and spot her at a table close to the edge of the stage. That ugly gut punch from earlier rears its head again at the gleam in her eyes, like she can’t wait to sink her teeth into Seokmin the first chance she gets. You don’t want Seokmin going on a date with her. You don’t want him going on a date with anyone.

Your mouth is open before you realize. “A hundred.”

Seokmin, Lydia, and just about everyone else in the bar whip their head in your direction. You refuse to look at any of them, staring down your competition as she raises her hand to counter.

“One fifty.”

“Two hundred.”

“Three fifty,” she says, smirking at you.

Lydia levels you with expectant looks. Seokmin watches you like you’re a wild animal, unsure of your next move. You’re in too deep now. 

“Four hundred dollars.”

Your competition opens her mouth to rebut; however, Lydia is already swinging the gavel, “Sold! To the beautiful woman in the ugly sweater. Come get your man!”

Seokmin catches your arm before you can open your purse. “You didn’t have to do that.”

“It’s for a good cause. Besides, think of it as a thank you for saving me from spending all my money on take out.”

He stares at you for a second too long, frozen in his own disbelief. You’re lying and you both know it but to admit that him going on a date with someone else, even for a good cause, made you jealous ventures over a line you’re not ready to cross just yet.

“Alright, that was our last man of the night,” Lydia announces into the mic. “Which means we’ve raised a whopping two thousand six hundred dollars for our local theater.”

Everyone cheers once again. The atmosphere is light but the bubble surrounding you and Seokmin is anything but. 

He raises an eyebrow skeptically as you shove bills into the collection bucket, pointedly looking anywhere but him lest your face match the red of his own. It doesn’t matter though. You can feel the heat on your cheeks, the sweat at your hairline. Four hundred dollars to go out with a guy. 

At least it’s for a good cause.

Seungkwan saves you from whatever questions Seokmin has, pushing his friend back to work behind the bar before cornering you into conversation.

“You,” Seungkwan says.

“Me?”

“Yes, you. I’m having a pre-game at my house tomorrow night. You’re invited.”

“Oh,” you blink. “I’m not really a partier.”

“It’ll be a small thing. Most of the guys here and my roommate. We’re going to Jane’s after.”

“I’ve never been there before.”

Seungkwan stomps indignantly. “You’ve never been to Jane’s? Jane’s is a neighborhood institution.”

“I guess I never got around to exploring much,” you shrug.

“Why not?”

A creature of habit such as yourself, you rarely went to new places. You liked the places you already knew, the ones you didn’t have to guess if you liked. Besides, you hadn’t felt like going out much in the past few months, something always coming up including reasons, such as: you liked your apartment with cheaper drinks, less cigarette smoke, and no strange men trying to mansplain American Psycho.

Lydia appears at your side, new drink in hand. “Did someone say party?”

“It starts at eight thirty, but don’t come until nine. Seok will give you the address.”

Seungkwan disappears into the crowd, leaving you and Lydia hovering at the edge of the stage all alone. If there was one person besides Seokmin you didn’t want to be left alone with, it was her. But it’s too late to escape.

In the face of total mortification, you try to put on a brave face.

“Four hundred? Really?” Lydia asks.

“Shut up,” you mumble into the cup of melted ice.

“Are you sure you’re ready for this?”

“I’ve met your friends before,” you snort.

Seokmin rubs the back of his neck. “Yeah, but they can be a lot and that’s coming from me.”

You refused to let the car ride on the way over be awkward, plowing through whatever cobwebs lingered between you two. Luckily, Seokmin went along, recalling horror stories from Seungkwan’s yearly holiday pre-game. There was the year Soonyoung attempted making hot cider and gave everyone food poisoning. The year after where Mingyu ended up breaking the bathroom doorknob resulting in the fire department coming out to free him because he got stuck trying to crawl out the window above the shower. And most recently, Jeonghan – who you haven’t met yet – hid under the couch for the sole purpose of grabbing people’s ankles as they walked by; except he fell asleep and Seungkwan found him the next morning while cleaning.

Nothing you couldn’t handle.

“Well, if it's too much I’ll send you some code to leave.”

“What should I be looking for exactly?” he asks, lips quirked.

“I’ll start making ghost noises.”

Seokmin snorts when you start demonstrating. “But that happens so frequently. How about morse code?”

“How about I scream at the top of my lungs?” you grin.

“Works for me.”

Seokmin knocks against the dark wood door leading to Seungkwan’s apartment.

“COME IN!” Seungkwan belts, flinging the door open wide. “For me?”

You hand over the bottle of wine with flourish. Heaven forbid you show up anywhere empty handed, a habit hammered in by your mother. “For you.”

Seungkwan pulls you inside. “I like you more and more. Come on, everyone else is already here.”

The doorway leads straight into the crowded living room. You recognize Seungcheol, a woman his same height tucked into his side as they chat with Lydia on the couch. Coincidentally, she lives two floors above Seungkwan and Vernon and was thrilled to discover mailroom guy had a name and good taste in music.

You quickly scan beneath the couch for any full grown men and are mildly disappointed to find none.

Seokmin gets caught up in ‘hellos’ while you pad down the hallway after Seungkwan; into the kitchen where Mingyu stirs something on the stove.  Cocoa and vanilla flood your nose, the warmth of the kitchen driving away the lingering chill from outside. Seungkwan puts the wine on the counter before pulling mugs out of the cabinets. 

“What’s this?” you ask.

“Spiked hot chocolate,” Mingyu says. He adds a splash of peppermint schnapps to the pot and starts stirring again before pouring two mugs: one for you and one for Seokmin. “There’s whipped cream over there.”

You’re shaking the can of whipped cream when an arm reaches over your shoulder and pulls it out of your grip.

“Just say when,” Seokmin says.

He piles a comical mountain of whipped cream into your mug, and then a matching one on his own. There are sprinkles as well as chocolate shavings and you both artfully decorate your drinks with handfuls of each.

“I think we have more whipped cream than hot chocolate,” you say.

“There’s no such thing as too much whipped cream.” 

You both take a long sip and when he’s done you choke. He’s got whipped cream on his nose, his lips, and his cheeks. 

“What?” Seokmin asks.

“You’ve got,” you laugh. “Let me help.”

He stands perfectly still as you wipe his face with a paper towel. You’ve been this close to Seokmin before but with amusement instead of nerves clouding your system, you notice details you hadn’t before. The mole of his cheek. Two. One a little more pronounced than the other. Cute.

“Alright, all done,” you announce, finally noticing the way he stares down at you softly. So much for not having any nerves. “C’mon, I wanna see if Jeonghan is hiding under the couch before we leave.”

You lead him out of the kitchen, looking for anyway to cut the tension—

“KISS!” Lydia demands. 

You scan the room for who she’s screaming at in an apartment full of strangers only to find her finger pointed straight above your head.

Mistletoe.

Mingyu barrels out of the kitchen to join in on the chaos.

“Kiss! Kiss! Kiss!” they all chant. Soonyoung cups his hands around his mouth and belts it loud enough your heart lurches. 

“We don’t have to,” Seokmin whispers, cheeks and ears bright red.

“It’s fine.”

You plan for a quick peck on the cheek but Seokmin goes for his left while you go for your left and you’re not kissing but something dangerously close to it. The sticky residue of sugar and chocolate registers against your lips, a little bit of stubble missed when he shaved this morning. Barely a second of contact, just the edge of his mouth against yours but the world spins backwards and you nearly fall over. 

As fast as it happens, you both draw back, staunchly avoiding eye contact but staying pressed close.

Seokmin wraps an arm around your waist, steadying you against his check. “You okay?”

His breath skims over your lips. The temptation to roll on to your toes and kiss him for real sends your heart racing. Your chin lifts. Seokmin looks at your mouth. And…

“Who's ready to party?” Chan calls, breaking the atmosphere. 

The walk to Jane’s is nothing short of hell. Snow falls in thin sheets, frigid air sneaking past the lining of your coat and straight into your bones. In the middle of the pack you aren’t as exposed thanks to Seokmin to your right, Lydia on the other side, and a gaggle of the others walking in front. 

Your hand keeps accidentally brushing Seokmin’s, sending a rush of pins and needles up your arm each time. You both pretend to ignore it.

The barren street outside the bar doesn’t hint at what waits within except for the dull hum of life sneaking past the door. It feels like half the city is packed inside, forcing everyone to slither past each other because there is simply no room. 

Seungkwan wasn’t lying when he said it was a neighborhood institution. A stage is set up at the far wall, drunks belting their hearts out. Your group fans out to the bar, snagging drinks before taking the pilgrimage to a small table near the stage. Seokmin keeps you close the entire time. Guiding you to a seat, insisting on standing right behind the chair and talking to his friends over your shoulder.

You sag in your seat, content to soak in everyone else's conversations. The edge of your mouth still burns from the contact of the kiss, the same sensation everywhere Seokmin touches. You crave more. Like a sunflower searching for the sun. You lean against the back of the chair for a chance to feel his chest against your back. He doesn’t shy away when you do either. You can’t see his face but Lydia sits across the table watching with a pleased smirk. 

“A toast,” Seokmin starts as the song fades and the next group to the stage. Someone wrangled a tray of red and green shots to the table and Seungkwan passes them around. “To Y/N. We wouldn’t have a show without her.”

“Yes, you would,” you correct.

“But we wouldn’t have new costumes,” says Seungkwan. “Do you know how old the costumes we were gonna wear are?”

“And we have new sets. We haven’t bought a new set piece in like fifty years,” Chan interjects. 

Soonyoung speaks up next. “And I got a date!”

Seokmin slings an arm over your shoulder, squeezing you into his side. “You’re a miracle worker.”

Cheeks hot, you hide your smile at the bottom of the shot glass.

Focus shifts as Soonyoung, Seokmin, and Seungkwan take the stage for “No Scrubs” the entire bar signs along to. They’re born performers. Soaking in every minute of attention, riling the crowd up until your ears go numb.

You try not to think of the almost kiss but it’s hopeless. Two drinks down and the only thing on your mind is the eclectic feeling on his mouth on your skin. 

You’re so deep in your thoughts, you don’t notice Seokmin has come back to the table with a new drink for you until he’s nudging your shoulder with his.

“How do you like it?”

“Way better than the depression playlist,” you joke.

“Celine Dion is a classic.”

“Yeah, but after the first five times she loses her edge.”

Seokmin shakes his head in mock disappointment. “Blasphemy.”

Vernon and Seungkwan are singing Crazy in Love. Or, Seungkwan is singing and Vernon is head banging to the beat. Just watching makes your neck hurt.

Someone bumps into you from behind, sending you reeling straight into Seokmin’s chest.

“Woah, you okay?”

You nod into his chest but don’t let go. 

The shots earlier were a mistake. Seokmin looks good under the neon lights of the bar, better with the swirly haze of alcohol. You want to kiss him so bad it’s embarrassing.

“Wanna get out of here?” he asks, voice husky.

When you look up at him, something dances across his face. There and gone before you can figure out what it is. Home sounds like a great idea. Better to lock yourself in your apartment where your mind can run wild before you do something stupid – like drag Seokmin into a corner to make out – in front of all your new friends.

You step out of his grip. “I can get home on my own. You don’t have to come with me.”

“I’m good to go. Promise.”

Not willing to brave a thirty minute walk home in the snow, Seokmin orders an Uber while you say goodbye.

Once outside, Seokmin wraps his arm back around you. Away from prying eyes, you let yourself indulge with the excuse of sharing body heat. Friends share body heat all the time. There is nothing wrong with a platonic penguin huddle.

Too soon, he pulls away as a car pulls up to the curb. “This is us.”

Seokmin makes conversation with the driver while you stare out the window as the city whips by. He’s just being nice, treating you the same way he would all his friends. Touching and almost kissing aside, Seokmin is your friend and you don’t want to jeopardize it with complications.

“YN?”

“Huh?’

“We’re home.”

You stumble through the cold, Seokmin hot on your heels through the lobby and into the elevator. It’s a fragile type of silence between you. 

“I’ll see you later?”

“Night,” Seokmin says.

“Goodnight, Seok,” you murmur back, pushing open your door.

“Fuck,” he curses. “I left my keys at Kwan’s.”

“Should we call them?”

You invite Seokmin into your apartment while he tries to get ahold of his friends. Shinx offers timid emotional support by curling up in his lap, purring loudly as scratches under her chin. Now you’re jealous of a cat. 

How dmbarrassing.

Calling proves futile. Seungkwan’s phone goes straight to voicemail and Vernon doesn’t answer either. He tries texting them with the same results.

“You can sleep on the couch,” you offer.

“Are you sure? I don’t wanna impose.”

“I won’t be able to sleep knowing you’re sitting in the hall all night,” you say. “Let me get you a blanket.”

In your room, you quickly change out of your bar clothes and into pajamas. It takes some time to dig out a pair of sweats and a tshirt that’ll fit Seokmin but you eventually find something for him. Snagging a pillow from your bed and an extra blanket from the linen closet. you head into the living room.

You force the clothes into his chest. “Here. Get changed and I’ll make your bed.”

A dark look glazes his face and for a second you think he might kiss you. Or you hope he’s thinking about it half as much as you are. But the moment passes. He locks himself in your room while you busy making the lumpy, itchy couch somewhat comfortable for him. 

“Wanna watch a movie?”

You settle on Krampus. Neither of you have seen it but even after tonight you doubt you’d be able to recall a single detail. Seokmin pulls your legs over his lap like second nature, covering you both in the blanket, his hands resting on your shin. Choosing shorts over pants was a mistake. The heat of his thigh against the back of yours makes you squirm. The calluses on his palms scratch an itch leading straight between your legs as he rubs up and down absentmindedly, never trailing higher than your knee.

You’re shaking. His hand squeezes and you nearly heave.

“Cold?” 

No.

But you nod anyway. 

Seokmin pulls another blanket off the back of the couch, carefully layering it over the first, tucking you in tight before putting his arms back over your legs.

“You know, you’re a really good guy, Seok.”

“Thanks.”

It’s shameful. How bad you want to kiss him, for him to kiss you. 

“I mean it.”

“I don’t know if it's true though.”

Instead of asking what he means, you lean closer. Then Seokmin does too. You’re too busy staring at his mouth to notice him doing the same. All your thoughts hone in on if he was as good a kisser as you imagined. And if you kissed him right now, would he kiss you back? If you touched him, would he touch you too?

Someone moves first. It doesn’t matter who because his nose nudges against yours, then you're swallowing his sigh, and you both practically melt at the relief. 

It’s better than anything you could have cooked up in your head. His lips are soft, the rough pads of his fingers gentle as he tips your chin. You like it. You like him. 

Your lips catch on his bottom lip by accident but it's the first domino to topple into a chain reaction. Seokmin’s lips part, your hands bury in his hair. His thumb hones in on the strip of skin between your top and your shorts. You maneuver into his lap, fingers cataloguing the expanse of his shoulders, his neck. Back into his hair. Close as you are, it isn’t close enough. You arch into him, dragging your lips across the line of his throat when his head falls back.

His hands are everywhere. The small of your waist, the base of your spine, lifting your shirt until it’s tossed to the floor and your topless in his lap, shaking with anticipation.

“Fuck,” he mumbles. His eyes lock on your nipples, tight from just a few light touches.

Seokmin pulls you back down, kissing you slow and heavy while his hands touch you with gentle reverence. 

Clothes come off. The borrowed sweater he’s wearing reveals so much skin you don’t know where to start. But Seokmin doesn’t let you linger too long because he’s taking off your bottoms until you’re completely naked. Seokmin eases his body over yours, heavy between your thighs. 

A particularly harsh pass of his hips pulls a wire down your spine, back arching painfully, moaning at the ceiling. 

“Ha,” you waver under his teeth, his tongue worshiping your chest, leaving broad strokes you imagine will feel amazing on other parts of your body. Head tipped back, you display yourself openly for him to touch and tease.

“Take your pants off,” you beg.

“I don’t have a condom.”

“Oh.”

“It’s okay,” he says, mouthing against the sensitive spot below your jaw. His smile is clear. “We don’t have to do anything.”

You make a sound between a whine and a grunt. You want to have sex with him. Right here, on your shitty couch. But you aren’t willing to take the risk, no matter how badly you want it. Even if he does have a weird dick which you doubt based on the feeling of it against your naked cunt.

“You think my dick is weird?” he asks, half shocked and half amused.

“No! I—” you scramble. “I don’t think your dick is weird.”

“But you’ve thought about my dick?”

“I’m not supposed to.”

Seokmin grins, clearly amused. “Why not?”

“Because you’re my neighbor.”

“Oh.” He rushes to rise off you, kneeling between your spread legs. “If you don’t want to, it’s okay.”

“I do want to. That's the problem,” you whine.

He hums in acknowledgment, body shaking with barely suppressed giggles. 

You thrash. “Don’t be mean.”

“I’m not, I've just…never had someone be so eager.”

He kisses you like he’s the eager one, tongue tracing your bottom lip until you welcome him in with a lewd suck. It only lasts for a second before he’s back down your chest and then kneeling in front of the couch, nuzzling the meat of your thigh while his fingers stroke against your wetness timidly.

“Is this okay?”

“Yep!” you choke. “Great.”

Your legs verge on numbness from being bent in half for so long but Seokmin keeps finding those spots that make it worth it. You need something to hold onto; his hair, the cushions, your own breasts. Seokmin seems to love that the most. Grunting into your pussy as he watches with reverence as you play with yourself.

“Taste so good,” he rasps. “You’re so hot.”

Fingers thrusting, Seokmin strings you out. When he crooks the digits buried deep inside you, your back breaks in half. The hand pinning your waist down holds tights, the lean muscles flexing in your view. 

“J-just like that,” you hiccup. 

He never falters. Seokmin does exactly as you ask until you curl and come wet and hot on his face with a cry. It’s not until you push him off that he stops completely, rubbing the mess of his fingers on his pants and crowding you back into the couch cushion to taste yourself off his tongue. 

You moan against his mouth. “Wanna taste you.”

“I’m good.”

“I want to,” you beg.

“No like—”

You paw at his crotch only for the enticing hardness to be absent. He’s soft. Confusion furrows your brows for a brief second until the rosy tint to his cheeks registers. 

Seokmin hides in the crook of your neck, sigh ruffling your hair as he gets cozy in the warm space and allows his nose to trace the curve of your shoulder. “It usually doesn’t happen like that. I don’t—”

“That's so hot,” you mumble. The heat of his body combined with an orgasm and the last bit of your blood lulls you closer to sleep with every second.  

Seokmin tugs your shirt back over your head before pulling you close, his bare chest against your back, legs tangled beneath a quilt. Pure content tickles across your senses, followed by the warm drag of sleep.

Seokmin is gone by the time you wake up.

Shuffling from the couch into the bedroom, you accept he probably left early to get his keys from Seungkwan and didn’t want to wake you. Your head pounds in time with your pulse, stomach turning at the thought of getting off the couch. Thank God he didn’t try to wake you. There’s nothing less attractive than wanting to lay on the floor and wait for the sweet release of death.

The second time you wake up is to the sound of Shinx shredding a scrap of paper at the foot of your bed.

“You bastard,” you groan.

A set of large eyes stares back at you for a moment, before she meows and gets back to work on her kill. You nudge her off the edge of the bed with your foot. She bolts for the living room while you hide back into the pillows until it’s dark outside once again.

When you start feeling human enough to shower and eat, you check your phone. A text from Lydia and a few other notifications greet you but none from Seokmin. Not a call, or a text, or anything. Complete radio silence.

You hear him come home, the shuffle of his feet down the hallway and the slam of his front door. But there's no singing; not even so much as a hum. No knocking on the shared wall. You can’t hear a single thing from his side even when – embarrassingly – you press your ear against the wall like an eavesdropper. 

It’s like that for days.

Seokmin leaves his apartment after you get home. Or when you come back from work you hear him rush to turn down his music like he wants you to believe he’s out. He’s avoiding you. And you don’t know why.

You’ve thought about trying to catch him in the act; waiting by the door and popping out to ask him what his problem is. But you’re not sure if you want the answer to that question. He probably regrets kissing you. He definitely regrets kissing you if he's acting like this. But you don’t want to rush to conclusions either. The show opens Friday night and being director requires all hands on deck. Seokmin probably doesn’t even have time to brush his teeth let alone think about whatever it is between you too. Add the fact the actor for Scrooge broke his leg just before the auction and the only person comfortable enough with the role is also directing, he’s under a lot of pressure.

But none of the reassuring thoughts get you to leave the house the night of the show.

It wasn’t as if you had to be there. You helped fundraise but you weren’t cast or crew so your attendance was optional, even if there were two tickets waiting for you at willcall. Missed calls and texts rack up on your phone screen. Lydia, Seungkwan, Chan… But none from Seokmin. You should have turned your phone off to avoid the fall out from ditching. 

Instead, you accidentally pick up Lydia’s call. 

“Where are you?” Lydia screeches through the speaker. “The show's about to start.”

“I’m…I’m sick.”

You even fake cough but Lydia doesn’t buy it for a second.

“Seriously?”

“What?”

“Get your ass down here or I swear to god I’ll drag you by your hair.”

“Why would I go? He hasn’t talked to me all week?”

“So? Who cares!” she huffs, “You worked really hard to make sure this all got done. They wouldn’t have costumes or a set without everything you did. Forget Seokmin, come see it for yourself.”

“I—”

“Listen. Whatever happened between you two happened. But don’t let that chase you away from this. We can plot revenge tomorrow but tonight you should celebrate how hard you worked to make this happen.”

“Alright.”

You race to dress somewhat appropriately. Sweater, leggings, and a nice coat are all you can manage if you want to make it before intermission ends. It’s a miracle you’re not pulled over for speeding or running through yellow lights at the last minute but you get downtown in record time.

The street outside the theater is quiet, fog rising from the damp pavement. Through the glass doors into the theater, people mill about. You missed the first half of the show but there’s still time.

Lydia waits on the steps, exhaling a foggy breath when she finds you.  “Thank god.”

“How's it so far?”

“Good. I can’t believe I’ve never come to one of these before.” She types furiously on her phone before locking it and tossing it back into her purse. “The costumes look so good.”

The theater is packed to the brim, the lobby practically bursting at the seams as people chat through intermission. The costumes look better than good and so do the sets. Seokmin plays a more than convincing Scrooge, even better than the ones you’ve seen in the million movie versions of the play you’ve watched together. There’s no way he can see you with the bright stage lights but more than once it feels like he’s staring right where you sit, looking for someone. Looking for you.

Your eyes remain glued to the stage, unable to blink just in case you miss a second. It's dizzying watching him perform, as if you're staring up at the sky for too long and starting to feel unmoored; like you can't look away, can't accept that something so captivating exists.

After another hour, the lights go up, the cast take their bows. Without warning, you’re blinking into a harsh spotlight.

“Stand up,” Lydia whispers, prodding your side.

“What the hell is going on?”

“This production wouldn’t have been possible without Y/N. We’re so thankful for someone like her.”

You smile awkwardly and wait for the clapping to die down as the spotlight moves back to the stage. The second it's over, you’re up the aisle and into the lobby.

Straight into Seungkwan, who is subtly guarding the door like he knew you’d run at the first chance.

“You’re coming to the after party, right?” he asks.

Other people start filtering in from the auditorium. Maybe, you can lose him in the chaos and go home. 

“Of course she is,” Lydia interjects. Her arm weaves through yours, a firm threat that she’ll drag you if she has to.

The after party is for cast and crew of legal drinking age at Jane’s. Lydia and Seungkwan ride with you, another silent threat looming in the air.  They chat the entire way, undeterred by your silence. It's nice having friends that care but all you want is to hide under a blanket on your couch and spend the rest of the night crying while Shinx watches you with unveiled disgust.

Outside the bar, you promise one drink, claiming that you really are sick and want to go home. Which might be true. You’re off kilter, head spinning, stomach twisted into untangleable knots. But that might be because you can hear Seokmin’s laugh as you enter and your muscles twitch to dive beneath a table until he leaves.

You manage to find a stool in the corner. Even in an attempt to remain unseen more than half the bar stops by to thank you; crew members you haven’t met or cast you’ve seen in passing. Lydia stays by your side throughout, a steady presence as you lose yourself in the party. You can almost forget who is floating around the outskirts of the bar like a ghost. 

“Vernon sent me to ask if you want to play pool,” Seungkwan says to Lydia.

She sends you a sideways glance. Not asking for permission but like you’re a kid she can’t leave alone.

“Go,” you say, brushing her away. “I’ll be fine.”

“Don’t leave without telling me.”

“I’m leaving right now,” you tell her.

“Fine,” she sighs. Then she pulls you into a hug. Lydia isn’t a hugger, in the years you’ve known her you can count on your fingers the number of times it’s happened. “But you should clear the air before you go.”

“I live next to him. There are plenty of opportunities.”

She gives you an extra squeeze, fully aware you’ll continue pretending he doesn’t exist until everything smooths over and you and Seokmin are back to neighbors who tolerate each other's existence in fragile silence.

Which would work if the second you turn around to leave you don’t run straight into him.

He rubs the side of his head. “Hi.”

“Hi,” you say. “Can we talk?”

He nods before turning to leave the bar, not waiting to see if you follow but you do. 

The party inside the bar echoes out onto the snowy street. It seems no one else is crazy enough to have an overdue conversation in a snowstorm, but better here than anywhere else. At least after Seokmin lets you down, you can run back to your apartment and pretend he doesn’t exist anymore.

Seokmin stands a few paces away, barely illuminated in neon signs and string lights strewn across the street. You aren’t drunk, not even tipsy. Alcohol would make this conversation worse but it’d take the edge off your nerves and dull a little bit of the cold.

You shove both hands in your pockets, unsure what to say now that you have him all alone.

“The play was good.”

“Thanks. Next time you’ll have to see the first act.”

It comes out like a joke but you can feel the vitriol like a bucket of ice water. Ouch.

“I—”

“If you’re not over your ex it’s okay,” he winces. “We can stay friends.”

“What? What are you talking about?”

“Sam. You still have feelings for him. It’s fine if you do, I get it. I’m not mad or anything I just thought…”

“I am over Sam.”

“Well, congrats on getting over him I guess,” Seokmin shrugs but his grin is forced. “Is that all you wanted to talk about?”

“Are you serious?” you scoff, venom stinging the tip of your tongue. 

His face glazes with annoyance. “What else is there?”

“Why did you leave?”

“I had work.”

You want to smack to frown off his face. 

“But you didn’t text me or leave a note. I woke up and you were gone and then didn’t hear anything from you.”

“I did leave a note. You iced me out,” he argues.

“Where? Because from where I’m standing you left as soon as you could and then ignored me like it never happened.”

“My phone died so I left a note on the counter. And you never texted me or anything so I thought you were trying to let me down easy.”

He left you a note. The shredded paper on your bed…

“Oh my god,” you gasp, ire evaporating. “Shinx.”

“Your cat?”

Laughter bubbles out of your throat, so thick you choke on your next words. “I think she ate your note.”

The realization hangs in the air, Seokmin froze as your words sink in. He stares at you for a moment, still recovering from the absurdity of it all, before he finally exhales a long breath.

“I thought she liked me,” he whines, face lit up with the beginning of a smile. 

“Shinx is loyal to no one.”

His body meets yours, like cards precariously leaned against one another to prevent a topple as you both shake with laughter. The cold of the street disappears in the warmth of his touch. 

“You’re not that kind of guy. I know that. I shouldn’t have—”

“I could’ve texted you after I went to Kwan’s,” he interjects. 

“I could’ve called you.”

Seokmin’s gaze roams across your face. “How about we start over?”

“I’d like that,” you smile, closing the scant amount of space left between your bodies. 

“Me too.”

Your lips brush against his, the faintest contact sending a storm of butterflies through your stomach. You’re both smiling too much for it to count as a real kiss but neither of you seem to care. His hand slips around the back of your neck, holding you closer just for a moment longer.

Seokmin convinces you to stay at the bar for a few more hours. He holds your hand, keeps you under his arm, looks at you after each joke to make sure you’re laughing too. Seokmin is nothing like Sam. You’ve known that all along but the fear lingered and you refused to acknowledge it. He’s someone you actually could fall for if you let yourself. 

He might hurt you but the potential for something great outweighs the bad in spades.

As the night drags on, you end up closer; sitting on his laps, his hands protectively wrapped around your waist. His chin hooks over your shoulder and you lean back against him. The slow burn between you roars to a boil when you trace mindless shapes against his palm, Seokmin’s breath shaky in his chest.

“Ready to go home?” he whispers huskily. His breath rushes down your neck, goosebumps bloom in its wake. 

You shift closer – the seam of your jeans only further worsening your arousal – and nod.

Once outside, you’re tangled in each other once again, limbs indecipherable. The sudden chill of midnight air has you turning back into his chest, the arm previously on your back curling low on your waist. Seokmin orders an Uber and immediately focuses back on you the second he can. You catch a text on his screen before he can lock his phone. Seokmin holds you the same as before but it’s different this time. You’re both waiting for the damn to break and the flood to wash away whatever tension lingers between you. 

[10:56PM] Mr. Boo: do not fuck this up

[10:56PM] Mr. Boo: lydia said she would kill you and i think she’s serious

The cab ride home is a blur. You’re focused on not scandalizing the drive while Seokmin keeps a hand firmly on your knee, perfectly proper if it wasn’t for the grit in his jaw when you return the touch just high enough for your pinky to graze his zipper. 

The second the car stops, you throw the door open and pull Seokmin out and inside the lobby, straight to the elevator where he grabs your waist and uses the leverage to kiss you with so much heat you sweat.

He tries pressing you into the wall but you beat him to the punch, crowding him into the corner, front flush with him from head to toe. Seokmin groans, pushing back as you grind over his thigh. One of you pushes the button to your floor.

When the doors open, he gains the upper hand. Tugging you down the hall, he bypasses your door and goes straight for his own. He fumbles with the keys from the way you suck at his pulse but after a few tries he succeeds, pulling you inside and pressing you into the wall of the hallway.

“I like you,” he admits, rushing to unzip your coat and stuff his freezing hands inside, curling them against your waist. “This isn’t just sex.”

You nod dumbly. “I know. I like you, too.”

“And we should – hmmm – go on a date sometime.”

“Okay,” you rasp. 

His thigh slots back between yours. All those memories of his mouth and fingers rush to the forefront, teasing you with the fantasy of Seokmin on his knees right here, eating you out next to his front door. 

He presses hard against your core, fingers tracing the seam of your pants. Your hands reach beneath his shirt; pulling, squeezing. Nails digging into his tense stomach with each bump against your covered clit.

“Seokmin,” you whimper.

You're pulled off the wall. A trail of clothing is left in your wake to his room. Hats, coats, sweaters, undershirts. Seokmin manages to keep his pants on but allows you to unbutton them for a weak handjob over his briefs.

“God,” he exhales close to your ear.

In all the nights you two have hung out you’ve never been in his room. You try to take in as many details as possible but Seokmin dedicates himself to driving you insane with his lips on your neck, gently nipping and sucking until you shiver.

If you had any foresight this was going to happen then you would have at least picked matching underwear. But he seems thrilled as he crowds you into the bed. 

His mouth replaces his hand, lapping at your nipple, completely disregarding the fabric of your bra, before sucking it into his mouth. The hand that was on your chest dips beneath your panties. Fingertips circle your clit, gliding through the wet mess, dipping shallowly inside you.

Your hips rut into the touch. You want more. Need more. And you know Seokmin can give you what you need.

You guide his mouth to your neglected nipple, pushing the cup out of the way and arching as he gives it the same attention. “Please.”

“I got you,” he promises.

Seokmin melts down between your legs, kneeling at the side of the bed; one on his shoulder, the other pressed up your chest. Your hands bury in his hair as he licks a long strip up your core. Each pathetic sound fleeing your lips is rewarded with a deeper curl of his fingers, a harsher lap of his tongue. He leaves wet kisses on your thighs, spreading the mess of arousal and spit before diving back.

You squeeze tight on his fingers. “O-oh, oh fuck.”

Your hips stutter into his mouth. It washes over you, muscles clenched so hard it hurts. The way your heels dig into his back must hurt too but you don’t care. Neither does Seokmin. He doesn’t stop as you claw at him, following that inferno scorching through every tissue, begging him to keep going until you wilt into the sheets.

The ceiling comes slowly into focus, dots floating across your vision. You’re sweating despite the chill hanging in the air. Thankfully, Seokmin blankets you in his heat as he kisses across your hips, then your sternum, then buries his face into your neck. Your shivers have nothing to do with the cold.

“Wow,” you pant. 

Seokmin’s face cracks into a tired grin. Fatigue ghosts over the room but you're not done yet. The weight of his cock between your legs demands attention, and you’re all too eager to touch him.

He doesn’t object when you push him onto his back, or to the trail of soft kisses down his front, allowing you to mark up the smooth expanse of his chest and belly how you see fit. You savor the warmth of his body with each touch. Allow your fingers to gently wash away each press of your lips and warm him up for what's to come.

You suck the head of his cock through the fabric, teasing him with your tongue until the taste of pre-cum floods your mouth. 

He sinks into the bed. A hand finds its way into your hair, unsure if he wants to pull you off or sink deeper into the heat of your mouth, even if it is just a tease. You tug his underwear out of the way and continue torturing him. Thrilled by the way his stomach tense with each desperate whine from the way your tongue traces every ridge.

He gently guides you back and forth, taking the strain off your neck as you take more and more before he pulls you off. “Wait, shit.”

“What–”

“I was gonna come,” Seokmin explains, pulling you up his chest to drop placating kisses against your chin.

“That’s okay,” you smile. “I want you to.”

“But I want to fuck you.”

“Next time?”

“Fuck yes, next time,” he pants as he rolls you on to your back.

He keeps his mouth on yours, tongue sliding hotly against your own while blindly searching for a condom in the bedside table. 

Your hips angle and so do his, a little wiggle and then he’s inside you and it ruins your life. Just the first inch seals your eyes shut, vision filled with stars. You can feel everything; full in a way you’ve never felt before.

Seokmin draws back timidly, allowing you both to watch the way your body takes him so easily.

Somehow he manages to rock deeper, stretch you at just the right angle. Surges right into that spot that curls your chest tight with rough fluidity. The muscles in your thighs are at war with whether to spread wider or squeeze around his waist.

“I wanna ride you.”

There are so many things you want to do with him. To him. But you start with this, taking command of his lap, sinking back on his dick with another tight stretch; glowing as Seokmin watches slack-jawed.

“God, you’re perfect,” he praises.

You fuck yourself on him, knees digging into the mattress as you grind back and forth and all Seokmin can do is watch. A loose grip on your hips as his face glazes over. Your thighs cramp but the way he looks against the pillows, hazy around the edges, hair flat at one side and wild on the other, encourages you to finish what you started.

“Touch me,” you beg.

His neck goes red, ears too, when his hand wedges back between your thighs. “Wanna see you come again. Fuck, you’re so pretty when you come for me.”

Your hips cant wildly, stuttering under his free flowing praise. Too full, too much. You nearly scramble off his lap to snatch at your sanity drifting away.

He kisses you gently, sweet praise ghosting over your lips. “That’s it. Just like that.”

You’re not even moving. Seokmin works your clit raw, fucks up into you with limited motion as you choke on another orgasm that leaves you wet at the eyes and the room spinning. 

“U-ugh. Fuck,” you shiver, collapsing into his chest.

“Can,” he chokes. “Can I—”

An imperceivable dip of your chin and Seokmin rolls you back over and flattens your thighs open; hard rushes of his hips, stomach taunt.

“Come for me. Want you to come inside me,” you sigh. 

“Shit, shit, shit,” he chants as he shakes beneath your hands before slumping over.

You rebound faster than Seokmin; he’s almost snoring against your chest as you rake a hand through the tangled mess of his hair, melting under the weight on your lips against his hairline.

“You’re pretty when you come, too,” you tease. 

He swats your hand away, rising off you to dispose of the condom in the bathroom before rushing back into bed to clean you with a washcloth. When he’s done, he throws it into some forgotten corner of the room where the rest of your clothes hide and dives under the covers with you in tow. 

Your limbs lace with his, all nude skin on skin. 

“I would like to take you out for real sometime,” Seokmin whispers.

“Good thing I have a four hundred dollar date to cash in on.”

“You know,” he smiles into your cheek. “You could have asked me for free.”

“Yeah, but where’s the fun in that?”

taglist: @tomodachiii @cvpidyunho @/miniseokminnies @ddaengpotate @arycutie

@gaebestie @primoppang @gyuguys @mine-gyu @doremifasire

@missminhoe @toplinehyunjin @crvs4vldtn @prettygyuuu @sliceofwoozi

@writingbarnes @dokyeomkyeom @christinewithluv @minwonfairy @wobblewobble822

@futuristicenemychaos @seungkw1 @horanghaezone @jespecially @scoupsjin

@isabellah29 @luvseungcheol @crisle19 @iamawkwardandshy @lukeys-giggle

@aaa-sia @tinkerbell460 @gyuhao365 @ourkivee  @bokk-minnie

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@whrryuu @wonrangwoo @xchaenx @champagnenoona

[werehounded]

I get upwards of 5 asks a day from bots seeking donations. Some of the bots, (clarifying that as i have NO spoons to check who is and isn't legit and do a deep dive on anyone's gfm, so i assume everyone is malicious as i'd rather not get my followers scammed or worse,) send multiple asks and follow me also.

I always block them tbh. It's meant i don't get repeat asks, at least, once I banhammer them from my blog.

I want to know why everyone stopped thinking critically about what they see/do online. This, misinformation generally, but especially the rise of far right rich fascists controlling all social media and bending unwitting users to their will, other GFM scams and mdoern phishing attempts... Like sure we know not to click on a link in an email that you get sent out of the blue in case it's a virus or phishing scam (most of us, anyway... teach everyone but especially the elders in your life about this shit too cos they're vulnerable in this regard quite often!) but how many people know how to vet a gfm? How many of us fact check every article we post or reblog? (I know I don't, even though i REALLY should)

It's depressing that we can't talk about this maturely anymore. THe faux moral outrage when you point out a very real problem has to stop. People who are rabid to seem like the Best Person In The Room Who Gets The Internet Gold Star need to think more critically.

If it were a right winger, (not a fascist necessarily, just anyone with the opposite of your political or moral compass will do for this imaginary scenario,) who was plugging away in your inbox for donations to a GFM in all caps with lots of images of dead children and body parts along with a glut of emojis?

I KNOW you'd all shut that down ASAP. It'd have callout posts and 'how to avoid' guides. The fact is that the latest wave of bots is playing on your good sensibilities to phish for your info, scam you, and take money for a cause they likely don't even care about or have a stake in.

NO ONE wants to think about the genocide happening under our noses. But there are proper channels for donations to go through. I know it's difficult with Zionist propaganda and stoppage of aid trucks etc. But there are people on the ground doing amazing work. You just have to do your research.

And I'm sure they'd do better with your money than phishers or scammers who just want to do nefarious shit with your money and data.

OK. I'm off my soap box now.

I swear we used to be able to think critically about random GoFundMe asks

It used to be understood that if someone using a throwaway blog suddenly starts messaging a bunch of accounts to beg for money, they were most likely a scammer.

Now suddenly there are fucking swarms of throwaway bots relentlessly shilling GoFundMe campaigns to anyone who even so much as breathes in the direction of a trending tag or post, yet the mere suggestion that any of these could be a scam will immediately get you yelled at by self-righteous strangers.

What changed?

[thewalrusespublicist]

"Tbh I was starting to feel a bit down about my blog and what I was putting out ( the eternal crisis on how to give full answers and opinions without being stupid, boring and annoying lol)"

OMG no way! Your blog is one of the best here! What i love the most is reading the analysis and meta from the users, there's always more information and good takes, and yours are always quite deep and insightful.

I would love if you share your opinions about Stuart as well. I feel like he is obviously more sanctified that he should be since he died young (like that insane quote from his mom saying that Brian told her that Stuart could have been the Beatles' manager, no way lol) and i feel his memory has been used to attack Paul, sometimes in a very unfair way. Like, i don't deny the teenage drama and jealousy that Paul felt about him but he *was* a shitty bass player and the band was Paul's future, he was allowed to criticized him not only for being John's new bestie. I also think John played with them both but i lack of your eloquence so i will love to read your take about it.

Hi anon! And the other anons!

Thank you again and to all the other messages I got, they were extremely sweet and really made my day. :)

From my inbox, it's clear you guys want to know about Stu and his role in the Beatles legacy. Well you asked for it and a novel you shall have. Be warned this might be the longest post I've done so grab like a drink or something.

A few disclaimers: I wish and had intended for this to be more of a deep dive into Stu as a whole person rather than just his relationship with John and Paul. Unfortunately I just didn't have the space to do it. If you want to know more about Stu I would highly recommend @eppysboys' blog which is the source for all things Stu Sutcliffe and where I got a lot of this info. Please check their stuff out. Also, I'm going to be a bit blunter on this than maybe I usually am because this topic has been irritating me for some time. Oh also I’m trying my best to answer a lot of asks in one post so please forgive if I don’t fully answer your specific ask about this!

Stu in a perfect world should be a fandom darling: an exciting cipher, a handsome artistic talent that died way too soon who had a major influence in the early Beatles style. It's like there’s this secret other James Dean looking mf Beatle hidden away to uncover, that's cool and he is cool! The problem is that he’s sort of becomes radioactive to talk about in a normal way due to how he's been portrayed and utilised in some biographies and fandom spaces, particularly those that have been infected by John Lennon aspirational boy bestie syndrome. As those types of spaces cannot seem to exist without tearing down Paul to prop John up as their special lil guy, Stu as John's other best friend has become the ideal heavy object to hit Paul McCartney over the head with. It's like a corrosive element, the minute Stu hits a Beatles bio, the biographer suddenly loses all training in objectivity and source work and starts waxing lyrical about 100 percent reliable never biased or wrong Saint Stu of Hamburg who died for our condom arson sins and that Paul McCartney should feel bad about every day of his life for not worshipping Stu and not accepting his own ‘place’ in life as John's just-some-guy placeholder best friend. I’ve personally seen so many posts and forums where Stu being mentioned leads to a legion of comments about how Paul could never have been Stu (correct both ways) and how John would never have even glanced at Paul for much longer if Stu had been alive. Sidenote: If you seriously think that the musical savant from down the road whom John went on to produce the most prolific song writing partnership in history with couldnt have kept his attention for long then I'm begging you on hands and knees to get your head out of the arse of your John Lennon body pillow and be serious. But anyway…

This boy bestie battle royale approach has in turn lead to a reflex reaction where Stu gets studiously ignored by other sections of the fandom as a precedent has been set that shining a light on him diminishes Paul and John's relationship with Paul. It's frustrating because if people weren't so keen to cut Paul out of his own story then we would get a much better nuanced view of every single person involved.

So let's put aside all of our defenses, cut the John Lennon loved one ranking system bullshit and lets look at the actual question here which is what was John and Stu's relationship really like and what did he mean to John?

John and Stu met at art college a year or so after Paul and John met. Up to that point John and Paul had their fun little codependant thing going on but Stu quickly became a huge fixture in John's life. Stu had things that Paul couldn't really offer at that point in time. John was at his heart a musician who aspired to be seen as an artist (he would later express surprise that he didn't become an artist). Stu was the passionate artist who knew tons about the art of the period that could teach and inspire John. Their creative leanings meant they could work on projects together and share art notebooks and poetry. (Including yes the one with anti-semitic story which I mention again as I believe it's an important thing to remember when it comes to both John and Stu and the culture of the time.) Stuart by the sounds of it was even writing a novel about John at the time of his death. They were fascinated and inspired by each other.

So, creatively they fired each other up but more importantly perhaps, Stu and John were peers. It's funny to think about when you see the Beatles later but at the time Paul and George were the kids in their school uniform coming to see their cool older friend at art school. That's an important divide. When Paul and George's parents insisted their kids do their homework and go to bed, John and Stu could stay up and talk all hours of the night, which they did. They also could rent a place together and spend long hours chatting (despite John moving out later after realising electricity cost money lol.) There's a different dynamic that the age similarity offered as well. Whilst Paul would later somewhat grow into this role, Stu could act as an authority figure to John as well as open up to John in a way you can really only do with your peers. Stu was the person John opened up to throughout Stu's life:

How long can one go on writing and writing like you. I now don’t really know who I’m writing to or why it’s quiet peculiar. I usually write like this and forget about it but if I put it in a little part of my [almost?] secret self in the hands of someone miles away who will wonder what the hell is going on or just pass it off as toilet paper. Anyway I don’t care really what happens because when I think about it, it’s so bloody unimportant – but what is important who has the right to say that this letter is not important and this is a something any way – anyway – anyway – yeah! I wonder what it would be like to be a cretin or something. I bet it’s gear. & how are you keepin Stuart old chap are you as ok – is life as good – bad shite, great – wonderful as it was or is it just a thousand years of nothing and coolness on and on and on. I think this is it Goodbye Stu don’t write out of – er what is it? well not because you think you ought to write when you feel like So goodbye (from John you know the one with glasses) ANYWAY BYE BYE see you soon I don’t know why I said that I remember a time when everyone I loved hated me because I hated them so what so what so fucking what I remember a time when belly buttons were knee high when only shitting was dirty and everything else clean + beautiful I can’t remember anything without a sadness So deep that it hardly becomes known to me so deep that its tears leave me a spectator of my own STUPIDITY + so I go rambling on with a hey nonny nonny nonny no

Extract from a letter to Stuart Sutcliffe from John Lennon, 1961

By lots of accounts Stu was gentle but firm when it came to telling John he'd gone too far. John references this aspect of Stu to Hunter Davies:

"I looked up to Stu. I depended on him to tell me the truth. Stu would tell me if something was good and I'd believe him."

The Beatles: The Authorised Biography (Hunter Davies)

In this way I kind of see Stu as a proto-Yoko. John was so insecure and uncertain about his grip on the world and reality that he relied on Stu to be his point of reference and guide. Paul did this too later and I think in Hunter Davies John mentions this, but not at this time period and not as much due to their competitiveness. This may be why some people saw Stu as the person that really understood John at this time period:

"During the turbulent adolescence that prefaced a turbulent manhood, hardly anyone knew Lennon as intimately as Stuart Sutcliffe. If they weren't exactly David and Jonathan, June Furlong, one of the life models at Liverpool's Regional College of Art, had "never seen two teenagers as close as those two."

The Gospel According To Lennon by Alan Clayson

Now this person likely never met John and Paul together but this is only one of many similar quotes and even Julia captain of John and Paul's friendship boat seems to agree there was a period where Stu dominated and Paul 'kept his distance' from the John-Cyn-Stu 'menage-a-trois'. But the friendship wasn't perfect and his position as John's ultimate best friend was never iron clad. This is best outlined by the shit they pulled when John convinced him to join on Bass for the Beatles.

Despite being John's best friend, Stu was teased and bullied:

"They argued as usual amongst themselves, but most of all they picked on Stu, the newest member of the group. John, George and Paul had been with each other long enough to know that rows and arguments and criticism didn't mean much. If it did, you just argued back. "We were terrible," says John. "We'd tell Stu he couldn't sit with us, or eat with us. We'd tell him to go away, and he did." At one hotel they stayed at, a variety show had just left. There had been a dwarf in the show and they found out which bed he had slept in and said that would have to be Stu's. They certainly weren't going to sleep in it. So Stu had to. "That was how he learned to be with us," says John. "It was all stupid, but that was what we were like."

The Beatles: The Authorised Biography (Hunter Davies)

Why John encouraged this I have no idea, maybe jealousy over Stu's looks and wanting to play people off each other? Things were tense in both Scotland and Hamburg, especially between Stu and Paul. As I said in my last post, the girls were fighting and it was mutual. Paul was mad for both fair and immature teenage-boy reasons. Stu could not be bothered with the bass most of the time and couldn't really play well and was only there as he was '(John's) best friend' (ouch for Paul). Paul conversely had given up higher education to be there and was sending lots of money back home. He also was dating the girl Paul fancied. Stu was popular with the new group and also did mean things like help John steal Paul's money when money was really tight for him. Paul in turn was a passive aggressive, jealous and mean. It all came to ahead in the punch up onstage which according to Spitz came about from Paul wanting money back and saying that Stu could borrow some from Astrid. Stu goes for him and reports vary from full-on bust up to embarrassing scuffle. Stu then goes to where Astrid and Paul's gf Dot are, demands Dot leaves and goes on a rant about Paul. Now all of this must be framed in the context of Stu receiving increasing brain damage from his condition that seemingly lead to mood swings and anger. Nevertheless, the mutual needling and anger, as well as John's refusal to do/say fuck all about it, especially given how protective John was of Stu, suggests that it wasn’t straightforward and/or John may have been playing some games to make both feel threatened. This would also make sense as to why we hear conflicting accounts of John and Stu being the centre of everything and everyone else in orbit AND John and Paul being the centre and everyone else playing catch-up, as well as John giving Paul the lead to take him round the Reeperbahn when John got dressed in the gorilla costume. (I know Paul may have just been the closest there but that always gave off bestie behaviour to me.)

(I did get an ask about how John and Paul's friendship survived it, I think it was damaged by Hamburg. When Paul got back home he got a job at a construction site and there's just a vibe of everything being a bit on tenterhooks. John also acts a bit weird at the period, not talking to anyone for a few weeks then making a lot of weird demands from Paul. I'm really not sure what to make of it.)

Even when he's back in Liverpool, John still writes long letters to Stu and vice-versa. I can't find it at all but I’ve read a really sad interview with John saying he missed his best mate and it's a shame that he's not with them. He had no idea at that point that Stu had already died of a brain hemorrhage at 21.

John is said to have gone into hysterics when he found out Stu had died. A lot of people who've spoken about this time (Aunt Mimi, his sister Julia, the Exsis) concur that at this point Stu was his best friend and the death shattered him. He even told Astrid he wished he could give his life for Stu’s. This is backed up by the fact that John never forgot Stu and his shadow lingered for the rest of John's life:

Stu was recalled in In My Life

Years later, after John composed the first of his truly poignant and heartfelt Beatles songs, "In My Life"—with its lines about "friends I still can recall/some are dead and some are living"—he revealed to me that the two people he had had uppermost in mind were myself and Stuart Sutcliffe. And then he stunned me with a statement that I'd never heard him address to anyone—least of all to another man. "You know, Pete," he said softly, "I do love you. But," he quickly added, "I loved Stuart as well."

Weird that Paul isn't mentioned surely you think that he would be mentioned if Pete was there too okay, okay my tin hat is going away this isn't the time

Pete Shotton, Nicholas Schaffner, John Lennon: In My Life

In 1965 John drew Stu on a postcard

He apparently said this about Stu prior to sending the postcard, prompted by an article about Stuart.

The card had been sent from Genoa mid-way through the Beatles' Italian tour. [...] But the conversation had become maudlin when I reminded him that he was going to talk to me for an article about Stuart. [...] In that sad telephone conversation before they set off for Milan, I asked him if he was happy: 'I'd be a lot happier if Stuart was still part of us,' he said, 'The Beatles would be complete.' And before he rang off he said 'Ill send you something.'

He also appears on the cover of Sgt Pepper

As mentioned, Stu gets mentioned in Hunter Davies in terms of wistfulness and guilt AND he gets a mention in John's insane 'if I were a homosexual' ramblings in early 70s. According to Yoko, John also wanted Yoko to write letters to him and didn't think it would be strange because Stu wrote letters to him.

I have a pet theory that as with a lot of things for John, his unresolved grief over Stu really came to the fore in the late 60s now that he had actually had a chance to sit down and think about things. I believe it was partially why he wanted Yoko to write letters and why he gets mentioned in the early 70s as a collaborator/best friend and not in 1980 where John only gives that credit to Paul and Yoko. I think with the cracks with Paul, John had started to think back on his old friend and guide and what advice he would give.

Stuarts presence is still felt throughout the seventies:

“He told me everything. He loved to talk about Hamburg. There were no secrets. It was the kind of life I never knew…. It meant total freedom. At his side always was Stuart, sweet Stuart. There wasn’t a time in John’s life when he didn’t think about Stuart. He spoke always of his love and respect for Stuart.”

Yoko discussing Stu in When They Were Boys: The True Story of the Beatles’ Rise to the Top by Larry Kane

Coming to grips with his death is also present in Skywriting

SEAN O’HAIRE: What happened to Stuart Cliff? DR. FISCHY: What happened was a full exchange of energy where it was not needed within the expression of your own self or in the energies involved around and about you. We cannot call it a happening. We’ll say it is an awakening, for in that way it has served an expression from the past to the present and to the future to where there shall be more of that incomplete vibration expressed to you in a more fuller understanding.

Skywriting by Word of Mouth, John Lennon

This isn't exhaustive but I think from all this it's pretty clear that John adored Stu, John grieved Stu and kept grieving Stu. Stu had a specific place in his life as a confidant that he tried to recreate with Yoko. At the time of Stu's death, he was John's best friend, probably slightly over Paul. Stuart had been able to be both a friend and paternal presence, a confidant and an artistic collaborator. His presence and loss was one of the foundational points in John's life.

But as we've been asked to play this stupid game and so many bios like to make a hoopla about it, were they at their closest ever as close as John and Paul were at their height?

No.

How do we know? Because John told us so:

" He [Paul] still is the closest friend I've ever had, except for Yoko, so I'm still close to him whatever goes on."

John Lennon to an interviewer, 1971

But Walrus! John just says shit! How do we know he isn't leaving out Stu because the press don't know Stu. Well true John does just say shit but this is at a time where John isn't the most glowing about Paul and he's had no problem mentioning Stu in this time period ('one of my best friends ever' would have made a similar point).

But Walrus again! If John picked Stu over Paul when they were young why wouldn't he be the boy bestie of all time, and why would John say that he was closer to Paul? Well, because of the environment and timings. Stu's death happened near the beginning of John and Paul's major bonding moments. If you look at their personal timeline, Paris, the Nerk twins, and getting signed happened just before Stu died. That's missing the major years of Beatlemania, Key West, LSD, Paul growing more into being John's peer and a load of other huge moments in their lives. It's like how John writes to Cyn in 1962 about wanting the house to themselves and not have Paul around all the time. Would you say because he feels closer to Cyn then that John in his overall lifetime loved Cyn more than Paul? No, because relationships change over time and theirs were no exception. (One thing to consider as well is that we don't yet have many letters between John and Paul during their Beatles years and earlier, probably because they were spending so much time with each other. We know a couple exist that Paul considers too personal for publication but I'm sure there are others. It's easy to understand what John felt for Stu as we have the letters, I think we would also have an easier time understanding what John felt for Paul if we had the equivalent of those.)

At the end of the day Paul was the man he believed he had a psychic bond with, the man he couldn’t shut up about, the man whom he’d conquered the world with with their endless collaboration, the man with a twin personality to him and according to John spent more time with throughout the 60s than he had with Yoko ever. To be frank if Paul had died in 67' I don't think this would have been a conversation.

As mentioned early, in early 1970s John elevates his partnership with Stu to his collaborations with Paul and Yoko but by 1980 he’s pretty clear that Paul and Yoko are their own category.

"I was saying to somebody the other day, “There’s only two artists I’ve ever worked with for more than a one night stand, as it were. That’s Paul McCartney, and Yoko Ono.” And I think that’s a pretty damned good choice!!"

John Lennon interview with DJ Dave Sholin, 1980

There are of course the what ifs. Would Stu still being alive mean that John was not as close with Paul? Maybe, highly doubtful though as the Beatles experience was so intense. If Stu remained a Beatle would John be as close with Paul? If Stu remained a Beatle he wouldn't be Stu so no. At the same time who knows what it would have been like if Paul and John were peers from the off? I said this to @the62ndbugsfan when it comes to Stu vs Paul (hi girl sorry i've made our chat a whole ass post lol) but to go a bit Wuthering Heights, soulmates are made as much from the earth as they are of the stars. What binds us is our experiences just as much as our personalities. There may be a universe where Stu and John took on the art world together or became inseparable bffs again after the Beatles disbanded, but it is not our universe. In this universe Stu tragically died and John and Paul chose to become Lennon/McCartney and artistically unite themselves forever.

Even going back to Stu's lifetime, I've said it before and I'll say it again I find it interesting that not only did John choose to go to Paris with Paul rather than pay to meet up with Stu somewhere but that they arranged to meet up with Juergen and nobody told Stu until they'd already gone. Stu was shocked and didn't know if it meant the end of the Beatles which is a pretty big thing for him not to know about. Why didn't John tell him if they're apparently still writing long letters? Was it because he really wanted to do this with Paul and didn't want to hurt Stu's feelings? And that's really the point I want to make here. Due to his trauma John was preoccupied with reinforcing ranking of relationships within his life. But the thing is friendship rankings are made up guidelines and the reality is far more complicated. You can have a designated best friend but feel closer to another friend at times, you can want to do one thing specifically with one friend and not the other for various reasons. You can (as I do) have more than one equal best friend. Friendship as with most relationships are in a constant state of flux and each friendship you have will give and mean a different thing, even if they are of similar value to you.

Paul may have ended up closer to John than Stu had been, but that doesen't make John's relationship with Stu any less special. Nor does Stu negate the significance of Paul. Whilst both fit into John's pattern of intense relationships and demands related to that, both had unique positions and meaning to him. Considering what I've gone into about John's closeness to Stu, it actually says something deeply, borderline unnervingly, intense about John and Paul that Paul pipped Stu to the post. Maybe it's time Beatles bios accept the fact that John Lennon just wouldn't be into them like that, stop using a tragically prematurely deceased young man as a prop in their jealous psychological warfare against Paul McCartney, stop perpetuating one of the most damaging games that John did to his loved ones and allow both relationships the space to shine and showcase the amazing talent that was the Beatles and those that surrounded them.

[hyperions-light]

Making Fanfic Banners/Collages with Canva for FREE

Hello friends! Canva is an online software tool that mostly gets used for creating social media advertisements, but YOU can use it to make pretty, custom banners/collages/images for your fanfiction! For FREE!

WHY should you do this?

Fun

Custom art thing for your fic!

If you put pictures on your fic posts, sometimes you get more notes (sometimes)

The joy of creation!!!

I will walk you through it (with pictures) below the cut!

STEP ONE: GO TO CANVA, MAKE AN ACCOUNT

You can sign up with email, gmail, or FB. Gmail is the most convenient, but I think they do 2FA no matter what, so take that into account.

STEP TWO: DON'T PAY ANY MONEY & IGNORE AI

Every time you login or make stuff or do ANYTHING, Canva will try to get you to pay for Canva Pro. Don't do that. I've had access to the Pro and free versions and there's no reason to pay for anything on here. Also, they have an AI that's supposed to make things for you, but it sucks & isn't fun. Ignore it.

STEP 3: CHOOSE A TEMPLATE

Okay, so if you're a graphic designer... I mean I'm not sure why you're reading this tutorial, you can definitely make cooler stuff than I can! You should just use the 'create blank [post type]' button and go to town! But if you're not (like me) what I usually do is pick a type of template that Canva has (like blog banners, instagram posts, facebook covers, etc) and go browse their designs. My advice is not to look for something that you completely like, but something that has the right vibe-- you're going to be messing with all the individual aspects of the post anyway, so just pick based on aesthetics. Try to make sure that if you're going to put your fic title on your work that you pick/create a design where the text is clearly displayed/in an easily legible font.

NOTE: Some of the designs will have a little crown in the corner, and these designs are only available if you pay for premium. If they have a little $ on them, instead, that just means they have individual paid elements in them that you can get rid of, so feel free to use those, too!

STEP 4: CHOOSE YOUR PICTURES

Okay, so I like this screaming seagull one. I clicked on it, and selected 'customize template'. So now I want to get rid of the seagull, and replace him with my own stuff. You can do this a couple of ways: if you have screenshots from your game/show/other media, you can upload them by clicking on the little cloud icon on the left side that says "Uploads". If you DON'T have pictures, or you don't have ones you need, there are a couple options:

You can try to browse Canva's selection of pictures. It is in the "Elements" tab; you type in a search, and then select the "photos" filter from the little marquee below the search bar. My advice is to only use one word search terms, because Canva loves showing you all the photos that you can use if you pay for them, and if you use more words, they do that more often. There ARE free photos in there, but you have to scroll a bit.

If you don't want to deal with the search system or can't find what you're looking for, sites like Pixabay, Pexels, and Unsplash provide free photos that you can use without attribution, and do not require you to have an account to download. Please DO NOT just search using google/other engines and take things from there-- those photos are often not licensed for free use. The sites I linked will try to sell you pictures, but not as much as Canva, and there's usually a lot of free stuff to choose from. Download the pictures you want in a good resolution and upload them to Canva!

STEP 5: MESS AROUND WITH STUFF!

Okay, so now you can add your stuff and mess around with it!! Just click on the element (like the seagull) and delete it. Then go to your uploads and click + drag the image you want onto the canvas. You can use them as the background by dragging them to one of the corners, but you can also just put them on the canvas and mess around with them. In the left picture, you can see some of the options you have to resize and move around the image, so different elements appear on top of or behind it. If you click on the button that says 'edit' on the little bar menu that comes up when you select the image, you'll get the menu in the right picture, where you can mess with filters and colors, etc. It's not a completely comprehensive editing software, but you can do a lot of things! I encourage you to mess around and see what looks cool!

STEP SIX: ADD MORE STUFF, IF YOU WANT!

I love adding more stuff. You can change and add text by clicking on the textboxes that are already there, or you can use the "text" section on the left menu to add new blocks. They have some fun combinations and a lot of fonts! A thing I like to do is go in the elements tab and search for 'patterns'; you can add them on top of your image or elsewhere! The opacity setting is your best friend; you can overlay a bunch of stuff and create interesting/unique collages! You can also add basic shapes, frames, moving elements, and clipart, if you want!

STEP SEVEN (FINAL): DOWNLOAD YOUR THING!

When you're done, the 'share' menu in the upper right corner will let you download your image in a bunch of different formats (I'm pretty sure you could make a looping GIF for your fic here on Canva, too!) I usually do PNGs for the quality. I haven't had any issues uploading on Tumblr (or on Twitter, when I used it).

Anyway, I hope you'll try making these! I didn't show it, but there are a lot of different templates you can use, so if you want to make a collage instead, just look around! I think it's super fun to do for my fics! If you have any questions, you can bother me on my blog or in the replies section of this post, just please be polite! Thanks for reading!

[mondongooo]

Ok Salem,i'm going to say in a way You understand why people are still mad at You: responsibility: You are incapable to Say "damn i was stupid for saying this and a dumbass for making that and i need to rethink My decisions".when people tell You to stop drawing trans folks in fetishist positions,You ignore that and double down the treatment with "no,You are a transphobic and fasict person because You don't let me draw something that most trans people feel insecure". when people tell You to stop following weird people who make pedo and zoo art,You said "nooo,they are weird queers,the real queers.you just a hater and a fake queer if You cant accept them".when people tell You to talk about fung fu reevy and how is racist towards asían people,You said "don't sorry guys,it's just My headmate Andi so she has the fault".when people talks about You defending a groomer,you got silent and act like nothing happends.You never FELT some guilty and responsable of Your actions. cooldown: You talk too much about this or that,but never make the action to stop the things You think are bad.remember,actions talks more than words. if You actually are going to take break,then go do it.dont use it as a form of fear mongering Your own fans to follow You on bluesky.use the money from kofi to buy clothes and things that You need,instead of dildos and food. Use a app that regulate your internet use,Even new phone models has one .make yourself other hobbies than drawing.i know usa is a car only place but you can walk to the library alone or a bar and eat here,going to explore helps a lot to the mind than being in the house all the time.change yourself and Your mindset before waiting for people to change their opinion of you. Your girlfriend: please distance yourself from Your girlfriend,shes now a problem trying to DEFEND Your ass from "the evil kiwi farms anons"(Guess what,most of the people that try to tell You to stop are other queer,poc,kinkters and disabled people of tumblr that know You from Twitter),and by being associated with her,is going to ruin Your career again. And most important: STOP BRINGING PUPPYCHAN TO THE CONVERSATION!.i know it's difficult to rebrand when You got many drama behind,but if You are a new person then..... stop drawing Tammy and magma,stop drawing Andi and STOP.MAKING.A.CJ.CLONE, draw new characters atleast and stop talking of the past,but You cant.because You know You can't attract new people to Your Portfolio without bringing the puppychan era.you can't post something without screaming "i am puppychan".You can't be yourself without puppychan. The day that You let rest puppychan persona,it's going to be the day that callout blogs disappears and the day the kiwi farms thread of You became inactive.

good luck

uhhmm how do I word this lolol

I said this in the past but I'll repeat it but make it less weird soupy: I do relate to a lot of experiences transfem/transgender women face especially online when it comes to just, existing???

I do understand the uncomfortable feeling of being hypermasculinized, fetishized, tokenized, and spoke over against your will, coming from a black trans guy who is GNC point of view.

but at the same time I don't truly understand it in total depth because in afab but I do listen and learn from other transfems experiences, especially my girlfriend's. and it really fucking breaks my heart with how disgusting and ugly transmisogyny is, I'm not the primary target of it whatsoever but I have felt the fringes of it from what I described before and it's just so bad.

I do get worried I'm speaking over transfemme folks for this so I apologize but I'm just saying this in solidarity and that I will always be here for y'all (wife included)

[fagcrisis]

this is already a super long post and someone else explained why this is completely fucking insane (THIS IS TORTURE THEY DO THIS TO PEOPLE TO TORTURE THEM) but i just wanna add my 2 cents

so i have long covid syndrome right, and so does my sister. what the both of us actually have is (among some other things in my case) is chronic fatigue syndrome. because its not a very well understood illness, there is a lot of grifts and just unhelpful/harmful advice out there about it. even if you turn to people who actually have it and have had it for years, their tips will likely be completely useless.

people sometimes recover, and then they will say its because of X thing they did (if theyre a disability influencer its X thing they bought) but the reality is that nobody really knows why some people recover from cfs and some dont.

researching this stuff for yourself is hard, but these are some things i do, if it helps

- never buy anything and never believe anybody who is selling you anything. if you read a blog post, or watch a video by someone with cfs and they try to sell you a product or god forbid a training course, disregard everything theyve said

- check every source, ask for sources on unsourced claims. google scholar is your friend, inputting some variation of cfs/long covid and the keywords in the claim is bound to bring up something interesting. if nothing else youll learn something new. it sucks that you have to do this. but you gotta

- dont assume you have to do everything people say you do. there is a lot of legit advice out there, by people who have recovered or simply learned to live with cfs. it still wont necessarily work for you. the most important thing is to be patient with yourself

- get mobility aids. seriously a cane was a gamechanger for me and a wheelchair allowed my sister to go outside for the first time in a year. this is the one thing i 100% believe everybody should do, even if you dont have trouble with going places right now, you might in in the future. just remember its an option

- try to keep yourself entertained by doing new things sometimes. on my worst days i get stuck on my phone for hours and it just makes me upset and doesnt help. u may think there isnt a lot to do in bed but you can always try getting into formula 1 or something. just, some kimd of new stimulatiom for your brain to chew on. you could take a pair of pants you were gonna throw out and dismantle it completely. pull out the seams. unravel the fabric thread by thread. ive done this and it helped. yknow. something

anyway absolutely do not solitary confine urself, take care, stay safe, talk to people and ask for help. it sucks. do not solitary confine yourself please

[horse-girl-anthy]

this is gonna be an off the cuff ramble/vent so don't read if that doesn't interest you.

I am thinking I'm going to back away from Ikuhara fandom in the next six months (coinciding with when I finish the rewatches I'm doing in my server). I feel like I've exhausted what I have to say about his shows, and I've also developed a very specific way of understanding them which clashes with others. I'm torn between feeling like it's worth trying to delineate my own understanding and feeling that I'm just being territorial, pedantic, or close minded. at a certain point, even if I could be proved "right" on my interpretations, I'm losing the enjoyment I should have in the stories by caring what other people think about them. at the moment, I'm thinking I want to flesh a couple more ideas and then let it rest. I'll always be grateful to Ikuhara and happy I put time into this blog, but nothing lasts forever.

so all of that to say... I was on the fence about writing what I'm about to write. I recommend people who don't want to read someone objecting to common RGU fan interpretations to just check out now. I'm not trying to start anything. but after reflecting on it, I decided it to share my thoughts on this topic; I think it's worth saying, even if it makes me look contrarian or problematic.

---

I watched RGU in 2014, right as the western fandom was experiencing a shift in how it approached the show. I won't detail all that went on during that time--today I'm specifically interested in two characters: Nanami and Miki.

before, I'd say the fandom was overall less critical. things were taken more at face value. for instance, Nanami was not always taken seriously, while characters like Miki, just because they were "nice," were seen as "good guys." however as time's wore on, there's been a backlash to that way of approaching the show. the characters most likely to have received misogynistic hate in the past (Anthy, Shiori, Nanami, and Kozue, mainly) were reinterpreted, while "good guy" characters were increasingly scrutinized.

that was a good thing, as it was a counterbalance to the previous attitude. however, it's been more than a decade since I joined the fandom, and I still see people talking like it's 2014. the way that people have reinterpreted the anime has, often, not resulted in interesting readings. this is because people are still applying an ideological lens to the story, rather than engaging with how it presents itself.

I specifically want to highlight Nanami in this regard. I check the RGU tag almost every single day, and I have seen scores of posts which are nigh-identical to each other. it's always people talking about how she's a "calf to the slaughter," she's actually a victim, etc. and I just... don't get anything out of it.

I think a lot of this shift began with this essay series called Palace Perspective. it's been a long time since I read it--actually before my Utena renaissance--but I didn't like it at the time. it was written in this very self-serious style, and all I remember it arguing was "Nanami is a victim, Touga is a bad guy." I'd loved the Touga/Nanami relationship since I first watched RGU, and that was never how I felt about it. Touga certainly harms Nanami, but based on the series itself, it seemed to me that in large part, Touga was the victim, and Nanami was harmed by his victimization.

anyway, since around the time that essay series came out, people have had this attitude of "actually Nanami is a very deep character, you guys," as if it needs to be repeated over and over. and there's a denial that Nanami is a comic relief character--"actually her being funny is just a ruse because the show is camouflaging that she's a victim!" okay, yes, they do lure you in to Nanami's story slowly; she's initially silly, but all along hiding under that was some serious shit. I'm not denying that. but I'm also not buying that line entirely.

the Shadow Girls do an entire play about how Nanami's comedic suffering is the result of her own actions (they call it "divine justice"). take episode 16 specifically. yes, we have Nanami dreaming about being a calf for the slaughter. that is a great scene and indicative of the unhealthy relationship between her and Touga. but isn't the crux of the episode that Nanami is making a fool of herself??? she tries to one-up Juri at a party. her failure to realize what the cowbell is highlights her ignorance. the show is absolutely poking fun at her. you can go into why Nanami ended up this way, but I don't understand how we've gotten to the point where people are so over-serious about Nanami--and RGU in general--that they can't laugh at it.

I'll take a detour here to talk about Miki. it's become increasingly popular to frame him as a sexist--I've even seen him termed a "raging misogynist." he gets blamed for his strained relationship with his sister and written off as "just as bad as the other male characters." that's another case where I really don't see it. or at least, I feel like people have lost track of degrees in these things. Miki seems unsure of what he believes, sometimes expressing progressive views but other times regressive ones, and he does act within a patriarchal system. but does he comport himself that badly? or is he just a normal 13-year-old boy who falls into temptation?

I want to make a comparison between him and Nanami here. I think you could make a very real case that Nanami has far more sexist beliefs than Miki. she treats every female character as competition, as a hussy out to steal her brother. when she finds out the truth about Anthy and Akio, she immediately jumps to victim blaming Anthy. and another thing: Nanami plays princess.

the fact that so many people write about Nanami but this aspect of her character is rarely commented on is mind boggling. it's like, her whole thing. Nanami wants to be the center of the universe; Touga is her everything and she wants to possess Touga. she constantly acts the victim and tries to manipulate things so her enemies look like the villain.

I'm not saying this to shit on Nanami! I love Nanami, she's one of my favorite characters of all time! but I've found it alienating to be in a fandom where whitewashing is framed as appreciation. even her backstory: people make post after post about how it wasn't Nanami's fault she killed the cat, because she's a victim. here's the problem with that: why are we engaging with the story on the level of blame? I recently read an essay on methods of analysis that placed "vilification and heroization" as the lowest form of engagement with fiction. I understand why someone would want to defend a character from attack, but aside from like, youtube comments or old forum posts, who exactly is attacking Nanami? and also, how is saying "actually she's a victim so that explains everything" accomplishing anything?

I am being unfair here, because some people do engage with the work enough to say more than that. people will point to the neglect Nanami experienced as the cause of her behavior. that's there, it's certainly there. I'm not objecting to serious attempts to explain character motivation in reaction to vilifiction, but more to the impulse to try to paint characters as morally pure. isn't Nanami so great because she's so complicated? when people approach the story with the drive to whitewash, so much of the nuance and feeling of the work goes unnoticed. episode 31 and 32 do portray Nanami as a victim (of Touga and of her parents and of Akio). however, they also portray Nanami's motivations, and not all of them are pretty. over the course of the arc, you watch her entire worldview fall apart. it doesn't matter whether not it's "her fault" she has that worldview--the process is painful and humiliating either way.

all of this carries through to how people react to both Nanami's final scene in the show and her comic relief section in the film. the comic relief scene is bad because it doesn't take Nanami seriously enough, while her final scene is bad because it shows her waiting on Touga and Saionji, which is sexist because she's partaking in traditional gender roles. the only way I can understand those reactions is that people didn't actually pay attention to how she was portrayed in the show, as a comic relief character or as a serious character. I'd understand the objection if Anthy's final scene involved her waiting on Akio, but Anthy and Nanami are different characters (I also don't get much out of the endless Anthy/Nanami posts because of how they are flattened in comparisons). unlike Anthy, Nanami spent the entire show demanding to be waited on, but when we see her for the last time, she's contentedly serving others. that is called character development.

I wanted to highlight Miki and Nanami because I feel they point to a major problem of the fandom: the maintenance of the prince and the princess, just with new definitions. the prince is bad, masculine, harmful, and needs to be rejected. the princess is good, feminine, eternally victimized, and above question. I find this sad because I thought we were supposed to be transcending the gender binary. I know saying this makes me sound anti-feminist, but I'm not. I'm not saying "oh we need to transcend the gender binary by never criticizing men or ignoring how women are victimized"; that would be stupid. but my vision of feminism is vigilantly critical of all things, evaluates each situation on an individual basis, and avoids self-flattery and self-deception.

[jiraiconfessions]

you know, i really do hate everyone in this community, and i really mean that. you can sit there and try to act as unstable as you want but in reality most people here are surrounded by loving families and this is just the modern version of the 2015 edgelord emo phase. none of you do fucking anything jirai-like except sit there bitching about shit you could easily fucking fix if you put any effort into doing so.

"i cant make friends" "im so suicidal" "i just wanna cut" i dont fucking care. can you talk about literally anything else? yeah its an unstable subculture thats very true but are you like actually aware that the reason you arent making any jirai friends is because nobody wants to be around people threatening to cut 24/7? its the same in japan, i feel like some of you have this weird notion that jp jirai are all friends with each other and dancing around in lovely circles while being drunk on the streets but in actuality its just like literally any other friend groups where people fight and cry and then never see each other again. except when you fight with a friend in one of those groups theres a chance theyll fucking overdose and die in the streets without ever having a chance to fix it

youre all so fucking weird. all of you, none of you are free from this except for maybe like 2 people in the community. "i want to join the toyoko kids" "i wish there was an american version of the toyoko kids" then go outside and fucking talk to the homeless people around you, they'll hook you up with drugs and alcohol so you can run around the street like a real toyoko kid. oh, wait, but none of you will because the fact of the matter is you dont actually care about the lifestyle itself you just want to be around cute asian girls— you know its fucking true, reposting random photos of random jp jirai from twt with some shitty caption above it, acting like you fucking care. one of the biggest girls who gets posted in those memes is currently going through domestic violence and is posting about it on her twitter, and for a community that "cares" about each other ive seen literally nobody giving her any support or anything. just more shitty reposts of her photos going like "omgggg this is so me >.<" like id fucking hope it isnt you.

by the way none of you freaks wanting to be a toyoko kid could survive it. you scream and cry when theres a pedophile in your dms but if you were a toyoko kid those same people would be dictating how much money you get to spend that month. "ewww there's a pedophile in my dms" omgggg no way?? in the community commonly associated with child prostitutes theres a pedophile trying to talk to you?? who couldve seen that coming

none of you have the right to sit on a high throne and call yourself "real jirais" when the only lifestyle you fuckers engage in is being minorly mentally ill. none of you get to sit there and call people elitists when you actively look down on sex workers and people who can afford higher brands. btw if youd have done literally any research youd know that the style is indeed called "jirai kei" in japan, and not dark girly, but that point has been hammered to death on this blog so whatever.

anyway to the non fetishisers in the community i love u

TL;DR A vast majority of this community consists of people who do not understand the struggles of Japanese landmines. It gets to a point where the complaining can be insufferable, and often misses the mark entirely. There's a huge fetishism issue, and a lot of landmines on here just want to be around Asian girls. Also, it's not called "dark girly," it's called jirai kei.

(Hopefully that covers it effectively.)

Normally I'd just flat out queue things, but I'm going to post this one immediately. Anon, I don't know who the user you're talking about going through DV is, since I'm not active in those spaces, but If you're able to please do send another ask sharing her username. I would like to post anything I can to help her.

Also, I personally would like to thank you for pointing out how people look down on sex workers. I don't usually insert my own opinion but as a former sex worker myself I often feel left behind in this community. Thank you.

[poorly-drawn-mdzs]

Thank you all for an incredible 500 days of love and support. I offer you: answers to questions that no one has asked.

(As always, more can be found in the tags <3)

[starflungwaddledee]

from: @starflungwaddledee to: @post-it-notes7

message from santa: "happy holidays post-it-notes! 🎄🥳 i know you very politely only wished for a few modest things- characters high fiving, or struggling in christmas attire- but i hope you'll still enjoy this given that i kinda went the opposite direction entirely! i'm an enormous fan of your work and most times you post anything i wind up browsing your art tag from tip-to-tail in enraptured delight. as such, i thought it was only fair i give back something a little more significant in gratitude for all the joy your work has given me. i knew i wanted to do a comic, so i was thrilled you already had a whole storyverse for me to work from!! this scene seemed the most obvious choice (chapter 8 of "wishful thinking" on ao3) given that i enjoy a dramatic fight scene 😂 i tried to stick as beat-by-beat to the writing as i could and worked in as many details as possible; i hope it'll be fun to see it envisioned this way! merry christmas! ~starflung 🎀🔔 "

[onesnoopyaday]

I AM AT MY LIMIT

Snoopy #90

30/12/2024

description under the cut

[description: a cartoon-style drawing of Snoopy's head. Snoopy is a white dog with black ears. His eyes are shut and his mouth is a horizontal line. There are two large blue teardrops, one under each eye. The text "I am at my limit" is handwritten across the top of the image.]

[wonder-worker]

Thinking about Elizabeth Woodville as a gothic heroine is making me go insane. She entered the story by overturning existing social structures, provoking both ire and fascination. She married into a dynasty doomed to eat itself alive. She was repeatedly associated with the supernatural, both in terms of love and death. Her life was shaped entirely by uncanny repetitions - two marriages, two widowhoods, two depositions, two flights to sanctuary, two ultimate reclamations, all paralleling and ricocheting off each other. Her plight after 1483 exposed the true rot at the heart of the monarchy - the trappings of royalty pulled away to reveal nothing, a never-ending cycle of betrayal and war, the price of power being the (literal) blood of children. She lived past the end of her family name, she lived past the end of her myth. She ended her life in a deeply anomalous position, half-in and half-out of royal society. She was both a haunting tragedy and the ultimate survivor who was finally free.

[b3ndy]

Hey question. Has anyone ever like. Been territorial over media (source especially if fictionfolk) and found a way to get over it. If you have I'd really, really like advice. Even if you haven't but have things to say I'd appreciate it. Thanks. Elaboration in tags, I suppose.

[huellitaa]

i giggle so hard whenever i see one of my posts on someone else's blog like omg..... i'm actually liked by people..... blushing rn