#a fucking life changing moment

[byfulcrums]

Most straight relationships in media: “Even though there's no development and no chemistry and we don't look like we love each other that much we'll date because we're straight and that's what we're supposed to do. Right??”

Most queer relationships in media: “If saving you is a sin, I'll gladly become a sinner.” — “Dying together also included a ‘together’.” — “You changed my destiny from the moment we touched.” — “I would know him in death, at the end of the world.” — “The hero and the warrior were like the sun and the moon...”

[petricorah]

scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]

[withdenim]

So uh. How about that time skip huh. (Corvus composing and performing the best track in the show was so hot of him btw if you care)

[superhell]

house md is wild because house tells wilson that he’ll sacrifice many things but never himself and then he sacrifices himself for wilson. and then he sacrifices himself for wilson. and then he sacrifices himself for wilson. and then he

[peace-hunter]

tfone au where OP is created as the last of the primes but way after them, a sparkling born at what were thought to be the last days of the war against the quintessons, the beginning of a new generation of peace after eons of war. a child meant to be loved and raised knowing nothing of war nor sacrifice.

he's kept mostly out of the spotlight by his siblings, who don't wish to expose him to everyone's optics so young, and want to wait until the war is done and over to properly introduce him to their people.

except of course the primes are betrayed and murdered by sentinel, the war is lost and everyone who knows and cared for the truth is either banished or outright killed in order to suppress it.

and the high guard, the ones the primes trusted the most, the ones that were supposed to protect them, the ones who failed in their most important duty, have to make a choice. to take the last prime, their last hope, with them to the surface, a hostile environment where there's little to no supplies and where they'll be hunted down by both sentinel and the quintessons as the biggest threat to their regimen.

or hide him in plain sight. place him where sentinel won't think to look for him. one more sparkling among many. and hope it will be enough to keep him alive. pray to primus that he'll protect his last child long enough for them to come back for him when it's safer (even if most of them have already lost their faith on him when he allowed the rest of his children to be massacred like that)

they almost lose their resolve when they realize they will have to take the little one's cog away in order to make him blend in with the rest of the newborns (and oh do they burn with murderous intent when they see what sentinel has done to their people but it's not the time yet-) but in the end they decide an impaired little prime is better than a dead one.

and so in the chaos of thirteen dead primes and a sudden energon crisis, a little sparkling who very few mechs really knew about and even fewer had seen completely vanishes. and in the depths of iacon a mech in charge of a new batch of newborns scratches their helm in confusion as they realize they must have miscounted the first time.

optimus prime is quietly erased from any official records by sentinel, written off as dead when they find a sparkling's frame mangled beyond recognition after an attack on the base of those rebels that insist on being a thorn on his side. killing the sparkling hadn't been precisely in his plans, he probably could've found some use for it after all, but he's not particularly upset about it either.

and orion pax grows up with an ache on his spark that tells him he's missing something far more important than a t-cog and dreams of gentle and loving hands, cradling him against the frames of mechs he cannot recall the faces of.

[adriancatrin]

soulmark au sketches. the idea of sokka in proven ‘soulmates are real’ universes consistently intrigues me—how would that impact his skepticism/interpretation of fate/destiny/free will? personally i think he’d be very angry for a very long time and probably not even understand why

[lyraofthestarsss]

The solution is they should all kiss

[thelilylav]

I’ve gotta admit as much as I know Darabella is a flawed ship (and some of the ppl who are anti for it have legit criticisms I love y’all for pointing it out cause it frustrates the hell out of me too trust) they’ll always just kind of be it for me.

Because as much as it was an “I can fix him” trope, as much as Rosabella could be selfish and Daring’s flaws got cranked up to 1000, she was also the first person to look at him after his destiny, the thing he dedicated his life to, failed, when people were questioning him as a prince and putting pressure on his and Apple’s relationship and tell him that, like, maybe it would be alright? Maybe this wasn’t his destiny, and maybe that was okay.

And the part that really gets me? She’s the first person after this happens to tell him that it doesn’t matter what’s on the outside, which as much as you can like other Daring ships or him whatever he desperately needed to hear. Not even cause he was selfish, that’s not what I’m saying, but bc he placed his whole identity on this image that people concocted for him based on him appearing the perfect prince. He was handsome, he was talented, and he was handsome! So who cares about him as a person?

Idk man. You spend four seasons (I watch the specials on Netflix so that’s why four idk if it’s three to some ppl or whatever tho) watching him be praised for his looks, watching girls fawn over him, and of course he enjoys it so nobody really questions how much he enjoys it. And then you get this girl, this girl who owes him nothing, this girl who (contrary to popular belief apparently) has a life of her own and people she cares about outside of him, and she’s nice to him. And she’s the first person after everything happens to just be nice to him, for the sake of being nice. Something about that will always hit different for me

[sholmeser]

ary scheffer / justus knetch / snake & ocelot

[tacagen]

one of the things that fascinate me about thawne: yes, he CAN be normal with kids! surprisingly normal!

((not at all times, though. his mental illness still spills through and as usual he, in trying to manipulate or hurt others, spits out at them the exact stuff that would hurt him (or have in his childhood/barry's rejection interpretation) the most in the first place lmao))

but at the same time. his like second instinct when doing his bullshit is FUCK THEM (as) KIDS

(and, well. whatever this classifies as)

[hammity-hammer]

steve harrington realizing that he’s got no purpose if he’s not protecting the people he loves from outer-dimensional beings, and has a minor (read: major) spiral about it post-vecna & the party fixing everything. he’s just a regular ole 20 something with no purpose— his friends are all in school, except eddie, who managed to pick up an apprenticeship as an electrician; putting all of that wire knowledge to use (just not in cars, he hasn’t hotwired one since 1986 and he’d like to keep it that way si vous plais) and making the rich houses have even cooler guts than they deserve.

the kids end up graduating (their first tries) and heading as one little pack to the same school (don’t ask me which, i’m a college drop out) and steve, eddie, and rob end up staying just outside of indy. rob finished school early, because of course she did, and she found that she may have a knack for hanging around high schoolers, so why not teach them how to become polyglots like she is?

steve still doesn’t know what the fuck he’s doing— he bartends at a little club in the gayborhood, because they went there so often that the bartenders just kind of pushed him into it, and don’t get him wrong— mixing drinks and flirting all night is super fun, but it also… is kind of depressing? even if he gets to be around people like him and see them happy— he knows that a lot of alcohol and drugs causes that happiness and he wants so badly for his people to be out and proud and not murdered for it. but he can’t do that,, so he does the next best thing.

he talks with one of the regulars, andy, who owns a little tattoo shop on the corner, and andy invites him to come check it out. so he does the next day he’s free, and holy fucking christ. tattoos aren’t his thing— at least not on himself, but on other people they’re gorgeous. and they’re painful, but you’re turning the pain into art and you get to live with it in your skin and look at it and think about the fact that you’re here and you made it and you fucking survived. and people purposefully put scars into their bodies? and not in the i-battled-literal-other-dimensional-beings-and-won kind of way, or the i-battled-my-personal-demons-and-won kind of way, which both are things he’s dealt with so fucking intimately— but in the i-will-decorate-this-flesh-prison-and-make-it-a-castle kind of way, and that’s fucking beautiful. queer people taking their bodies and making them into art with ink and hot metal and needles and the love that they have for each other and the passion and the fucking spite at the world that keeps them going and making their presences KNOWN.

and maybe he gets some piercings while he’s there— it’s fascinating and feels so weird and freeing when the needle punctures his flesh and the jewelry goes in— and now he’s got a shiny little ring hanging through his earlobe; his nostril; his lip.

he learns that piercings take time and effort and care and that he has to treat himself with love to be able to heal— and that he is deserving of that love and care and dedication, especially from himself.

he keeps going back, maybe not always to get stabbed, but to watch others have it done. to see how different people’s anatomy takes different piercings, how he can’t have a piercing through his cheeks because he bites them too much when he’s anxious, but the girl that just left got both of hers done and they looked good. they fit her face, like little shiny dimples.

eventually, the piercer, killie, asks steve when he’s going to help them with their needles and their piercings— and he doesn’t know how to react because he hadn’t even thought about it and yet… maybe he could help other people fall in love with themselves and their bodies and help turn them into art one day

maybe he could be a pretty boy with his scars and his metal and his missing chunks and his polos and his jeans and his sneakers.

[primus-why]

I Feel TFOne Could've Handled This Better...

Hot take but I feel like folks have been really generous with the take that OP was unable to find ~the perfect words~ in the heat of the moment (and thus should be given some grace) when he told D to stand down and "not be like Sentinel"... namely cuz I don't feel that the narrative supports this?

Like-- after all is said and done, OP doesn't reflect on that part of their split. He doesn't have a moment where he seeks validation or voices his regrets over the choice of his words, it's actually cut-and-dry. The narrative (as it stands) supports that OP saw D-16 acting up, so he called him out and stood on business, down to the last scenes where he's basically like "yeah it's a shame but y'all knew I had to do it to 'em."

It didn't have to be much! I'm not saying to absolve Megs, just show OP looking at things from a different perspective/contemplating a bit on that tough choice and the morality of the moment. Some examples of what I wish we had:

B-127 straight up blurting the obvious by later chatting with Orion like, "Wait so you told your best friend that he was acting just as bad as the guy who enslaved us for our entire lives and was torturing him like an hour ago? Oof. Seems kinda harsh." Then have some of OP's regret show on his face.

OP asking Elita-1 after Megs is banished if he did the right thing. Have Elita back his choice up, saying, "You should have seen what he did after you were... gone. It was terrifying. I know it was tough, but you made the right call." OP is grateful for the support, but a conflicted look still flashes across his face before he steels himself to look out towards the horizon... and the future.

Have OP walk past other mechs/former miners who didn't go with the High Guard saying stuff like, "Wish I could've given Sentinel a piece of my mind!" "Yeah, but I'm glad he's gone for good." "Ugh I miss everything." "Oh, it was crazy! Megatron picked him up and then he rrrrriiipped-- oops, hey there, Mr. Optimus... Prime... sir?" And have OP wave hello, looking a bit sick when they leave.

Post-credits scene with Starscream going on and on, asking Megs when they'll be back to teach the upstart Prime a lesson. Megs grabs his face to shut him up. "Patience, Starscream. The Prime thinks I'm no better than Sentinel... but I'll show him. He wants Iacon? He can have it. In the meantime we'll take the rest of the planet! Then I'll come back, crush Prime under my heel, and we'll take Iacon too. Sentinel's reign will barely be a footnote, because I'm about to become Optimus Prime's worst nightmare." The vocal performance would really need to sell this-- like picture Megs saying something like that from a place of anger and hurt, not so much a place of genuine evil or malice.

Basically instead of Orion's assertion being backed up as black and white/good vs bad, I wish we had some different opinions/reactions from the characters sprinkled in there. Like you can't tell me out of allllll the miners who weren't strong enough/willing to go with the High Guard and ended up sticking around that NONE of them were like "eyyo honestly?? Kiiiiinda glad Sentinel is dead. Wish I could have helped, tbh." like come onnnnn...

And you can't even argue that he's not an active threat-- I don't think everyone would see things that way! It's not just about the threat he physically has, but the threat he represents and is very likely to act upon if given the opportunity! He has a proven track record of not only being sneaky and conniving, but also capable of dealing some serious damage/killing people bigger and stronger than him, plus he has the backing of the Quints. All he'd need to do is wriggle his way out of jail and run off to his sponsors, then he'd probably be back to hurt more people! (If the Quints didn't just kill him out of incompetence lmao). There's a lot of "ifs" here, but I think it's a valid argument that not everyone would agree on what is the right or wrong way to handle Sentinel once he was down long enough to, like, do something about him.

I feel the situation needed a bit of nuance. In some way I wish they had kicked the can and had D and Orion bicker while Sentinel escaped, then have D get frustrated enough by the loss of Sentinel to point fingers (and his fusion canon) at Orion, who then falls and becomes OP. (Megs could still show some of thar emotion/remorse right after he does it too.) Not only would this open the door for a sequel, but tbh the Quint might have just killed Sentinel anyways and sought to deal with the miners uprising themselves lol. (Maybe that could have been an after credits scenes too instead of the B-127 bit??)

Would love to see a moment in a sequel where they have a calmer moment after arguing for a bit. Have OP mention how Megs was out of line, that it hurt and even scared him to see him act that way, and Megs can quietly point out "you said I was as bad as Sentinel... is that really how you see me? After everything we went through?"

Then OP can fumble the bag again lmao like "D, I... I'm sorry, that didn't come out right... but you still took things way too far..."

"Why am I not surprised-- your opinion is what matters the most! Maybe that's why you became a Prime, since you're so good at acting like the world revolves around you--!"

*gets interrupted by someone else before another yelling match ensues*

[vanderspeiglemd]

God like shut the fuck UP.

So Chris originally pitched vandertrees. They were supposed to be together in s2. They were supposed to take care of Bridget.

Chris says that didn't work out because Alan and Sara's 'chemistry is more mother-son' and I've never heard a more absolute bullshit excuse for 'I didn't develop my main character so when Alan played him as ND read I said oh he's a baby haha' and changed the shows trajectory after the first season. BTW that's from his own mouth, he didn't even know Harry until they got Alan literally when they were already filming the pilot and then he decided Harry was supposed to be an idiot child. Like yeah, that dynamic happened bc you FORCED the child/parent thing later, that never existed in s1. Their interactions after the whole dumber Harry thing are so stiff and miserable, it's not natural the way they were before.

They genuinely won the lottery with two super attractive, talented actors who had immediate chemistry and they shit all over it. And fine don't make it canon, why do they have to be so hostile and weird about it? You're not smarter than shippers, you make a show full of poop jokes.

[puppyeared]

man

[carlyraejepsans]

i think i found my people