#a few philosophy books

[beazt]

I really am ebooks/pdf books georg

[iamthepulta]

*crawls onto dash like an axolotl*

i- i am alone. back home. writing time.

[susiephone]

the cool thing about graduating is that you can still keep learning and studying throughout your entire life, except now you get to pick all your subjects and you don't have to do homework

[maryasmorevna]

wow, mockingjay was. much more violent and gory than i remembered

[scyaxe]

i want to read more. what if i tried to read more?

[surgepricing]

I think about Azula shooters often and their common refrain of "if Azula hadn't had a mental breakdown, she would've won" and I'm here to tell you that no, she wouldn't have.

There is no universe in which Azula was winning that fight with Zuko (or Katara, for that matter).

Azula spent so much of Book 2 being built up as this deadly terrifying force against whom the heroes are badly outmatched that it can be difficult to catch exactly how quickly Zuko is advancing.

Back up a bit to Book One. For the fearsome exiled crown prince of the Fire Nation, Zuko's not that impressive a firebender. He's not bad by any stretch, and he's able to lay the untrained Sokka and Katara flat pretty easily. Then he gets in the ring with Aang, who is an airbending master, and the difference between a regular bender and a master becomes apparent when Aang literally puts his ass to bed:

People have attributed this to the fact that no one's fought an airbender in 100 years, but I think it's also worth noting that Aang (a 12 year old from a pacifist nation) has probably never fought anyone before. Like, ever. And yet the second Aang thinks "okay, I'll attack back", the fight's over.

Zuko's got the same genetic predisposition for firebending talent that Azula does, yet it never seems to manifest because of his mental blocks. At the beginning of the series, he's already so beat down that all he really has is conviction, pride, and anger, so even with training from Iroh (the firebending master, thank you very much), he struggles. Yet throughout Book 2, when he has no time to train because he's on the run, he actually seems to advance faster. The fact that his bending is literally tied to his character arc (as his morals become tangled and he has to fight off aforementioned mental blocks) is pretty brilliant. Like, by the time of the Crossroads of Destiny, Zuko getting his ass handed to him by Aang is a pretty consistent feature of the show--he just can't match wits with him.

Hell, at the beginning of the series, he and Iroh (again: the actual firebending master) launch a combined power surface-to-air attack...which Aang casually swats away into a nearby ice wall. Come the Crossroads of Destiny, however, and Zuko by himself launches this bigass fireball that blows through Aang's defenses.

Zuko advances so quickly that it's scary. That prodigious talent is in him even if it doesn't come through as cleanly as with Azula. Who, by the way, was busy about to get flattened by Katara some few dozen feet away, until Zuko took over and then effectively stalemated her himself.

All of this in retrospect makes it abundantly clear why Zuko's firebending seemed to skyrocket so much when he learned true firebending from the Sun Warriors: it was really the only thing left. He's hard a hard road learning how to fight waterbenders, earthbenders, and airbenders, and even if unconsciously, he's applying the philosophy Iroh taught him about augmenting his bending style with aspects of other styles (see also, the waterbending-like fire whips he uses in the above gif). Once he actually understands fire and how it works, he's got it mastered. Hence why any gap between him and Azula effectively disappears as soon as their next fight--before her friends have betrayed her and her stability goes out the window. There's no real sense of urgency to their fight at the Boiling Rock prison. True, Sokka's presence with the sword helps, but Zuko doesn't look remotely worried and he counters Azula's every attack perfectly.

All her life, Azula only ever learned fire. She was taught by the best people the fire nation can employ, so she knows all the cool tricks, but she's still poisoned by the corrupted firebending practiced in the modern ATLA timeline. Unlike Zuko, who managed to get the basics if nothing else from Iroh (fire comes from the breath, and can be used to survive as much as to kill), Azula has always used fire as a weapon and a means to hurt others. She has no true knowledge of the craft, meaning she's got the same weaknesses as Zhao, she's just better disciplined to the point she can make up for it.

Zuko's victory was a given considering Azula's complete loss of control by the time of Sozin's comet, but even had she been in a perfect mental state, she'd have lost, because in many ways Zuko is simply the better firebender.

And that's the truth of it.

[infamousbrad]

I warned you.

About 15 years ago, I had a minor moment of Internet fame when I wrote a lengthy essay series on LiveJournal called "Christians in the Hand of an Angry God." In it, I argued that right-wing evangelical "Christianity" was literally Satanic by scriptural standards, was literally the cult of anti-Christ that Jesus prophesied in Matthew 25:31-46, that they were literally worshiping a made-up guy with the same name to justify cruelty, just like Jesus predicted they would the week before the crucifixion.

And at least half of the people who read it and praised it called it excellent satire. They saw my point, thought I was onto something, but couldn't take seriously that I literally meant what I literally said.

"Do not commit the sin of empathy."

Jesus' prophesy that these people were coming was not especially miraculous, in hindsight. No philosophy or theological movement becomes a large organized church, let alone a majority faith of a nation, without needing rich people's money, and/or government funding, to pay for it all.

And rich people in general, and right-wing governments in general, get to be the way they are by believing that the poor and the down-trodden can never be shown anything but cruelty, should never be rewarded, or else they'll lose all motivation to obey, to work hard, to be good. (By contrast, they believe that the same thing would happen to rich, powerful, popular people if they were ever punished in any way, if they were ever anything but rewarded.)

And rich people and governments are not going to subsidize your church foundation funds, your church repair funds, et cetera if you tell them that they're evil. But someone definitely will come along and offer to take that money. The people who take that money and conform won't even all be lying psychopaths; if you truly believe that your organization matters, is doing irreplaceable good in the world, you'll sacrifice any principle of your faith to keep the bills paid, you'll look away from or excuse any sin. It's that or see it all shrink and crumble into irrelevance.

I've come to the conclusion that it may not actually be possible to be a good person while practicing the majority faith of the land you live in. Or, if it is possible, well, like the man said, "straight is the gate and narrow is the way, and few there be that find it."

The Episcopal Church has its own legacy of sin, they've long overlooked a laundry list of crimes to pay their own bills, so don't rush to congratulate a mainline bishop for preaching mainline Christianity or take too much pleasure from Trump and his fascist followers being surprised that that happened. But do remember this:

From the mid-1970s to the present, right-wing billionaires have poured a LOT of money into church expansion and maintenance conditional on them distorting the Bible's teachings to make it appear that Jesus was pro-fascist. "To deceive, if it were possible, the very elect." So when honest theologians tell you that this is literally anti-Christ, literally checks every box in the Bible's description of the future cult of anti-Christ, you need to hear us.

The modern book and movie image of "the Antichrist" was a well-funded propaganda campaign to distract you from the plain language of the scriptures. The biblical anti-Christ is not some socialist liberal peacenik. The biblical anti-Christ is everyone who tells you that Jesus wants you to be cruel to "the least of these, my brethren" so that they'll straighten up and fly right.

[sicklyvictorianartist]

Jean-Paul Sartre. Nausea

[prayersforpigeons]

one of the ways bakunin tried to delineate anarchists from other socialists (@ the time the movements hadnt diverged) was by contrasting a 'metaphysical approach' – the construction of a complete system in theory and trying to reshape society in its image – with the anarchist approach of finding what forms of existing organization are most aligned with anarchist ideals; constructing & enacting a critique to bring those social forms into total alignment; and using that as the basis for further social change. this was the foundation for anarchist arguments in favor of the idea of federated communes: using the existing peasant communes of the russian empire, critiquing the ways they were deeply patriarchal, and trying to bring about a form of them more fully outside of hierarchy (which would of course require the abolition of the church and aristocracy which kept the peasants in servitude).

while theres an element of caricature in his treatment of other socialists (at the time everybody was accusing everybody of metaphysics) and much of bakunin's work should be analyzed only to better understand his failings, theres an element of truth to his description of the anarchist approach. while certainly there are anarchists that have tried their best to construct blueprints of a new society, a lot of anarchist theory is more about methodology. it's about finding ways to understand & engage with the world that nurture autonomy & weaken hierarchy, and about trying to understand what in our society most empowers the ruling class, most persecutes the dispossessed, so that we can be in better conflict with those things. we do not seek to reshape the whole world in our image; we seek the ways we can empower each other, all of us, to live more fully

Sometimes critiques of anarchism seem to come from a framework that asks anarchists to have a plan for what to do if half of their society suddenly decides to stubbornly refuse to cooperate with anything despite it being in the best interests of themselves and everyone around them; but for statists takes "we'll just force compliance from above" as an answer needing no justification, as if the use of force has only ever ensured perfect obedience and never sowed discontent.

[szczekaczz]

i need to read sologub's petty demon again. i have loads of other books to read first but i've been thinking back to the lectures on russian literature when we were talking about this particular novel and yeah some of the topics really are worth thinking through one more time... plus i didn't read it as carefully as i would like back then cuz it was the end of the semester

[mollyrealized]

How Michael Met Neil

original direct link [MP3]

(Neil, if you see this, please feel free to grab the transcript and store on your site; I had no easy way of contacting you.)

DAVID TENNANT: Tell me about @neil-gaiman then, because he's in that category [previously: “such a profound effect on my life”] as well.

MICHAEL SHEEN: So this is what has brought us together.

DAVID: Yes.

MICHAEL: To the new love story for the 21st century.

DAVID: Exactly.

MICHAEL: So when I went to drama school, there was a guy called Gary Turner in my year. And within the first few weeks, we were doing something, having a drink or whatever. And he said to me, “Do you read comic books?”

And I said, “No.”  I mean, this is … what … '88?  '88, '89.  So it was … now I know that it was a period of time that was a big change, transformation going through comic books.  Rather than it being thought of as just superheroes and Batman and Superman, there was this whole new era of a generation of writers like Grant Morrison.

DAVID: The kids who'd grown up reading comic books were now making comic books

MICHAEL: Yeah, yeah, and starting to address different kinds of subjects through the comic book medium. So it wasn't about just superheroes, it was all kinds of stuff going on – really fascinating stuff. And I was totally unaware of this.

And so this guy Gary said to me, "Do you read them?" And I said, "No."  And he went, "Right, okay, here's The Watchman [sic] by Alan Moore. Here's Swamp Thing. Here's Hellblazer. And here's Sandman.”

And Sandman was Neil Gaiman's big series that put his name on the map. And I read all those, and, just – I was blown away by all of them, but particularly the Sandman stories, because he was drawing on mythology, which was something I was really interested in, and fairy tales, folklore, and philosophy, and Shakespeare, and all kinds of stuff were being mixed up in this story.  And I absolutely loved it.

So I became a big fan of Neil's, and started reading everything by him. And then fairly shortly after that, within six months to a year, Good Omens the book came out, which Neil wrote with Terry Pratchett. And so I got the book – because I was obviously a big fan of Neil's by this point – read it, loved it, then started reading Terry Pratchett’s stuff as well, because I didn't know his stuff before then – and then spent years and years and years just being a huge fan of both of them.

And then eventually when – I'd done films like the Underworld films and doing Twilight films. And I think it was one of the Twilight films, there was a lot of very snooty interviews that happened where people who considered themselves well above talking about things like Twilight were having to interview me … and, weirdly, coming at it from the attitude of 'clearly this is below you as well' … weirdly thinking I'm gonna go, 'Yeah, fucking Twilight.”

And I just used to go, "You know what? Some of the greatest writing of the last 50-100 years has happened in science fiction or fantasy."  Philip K Dick is one of my favorite writers of all time. In fact, the production of Hamlet I did was mainly influenced by Philip K Dick.  Ursula K. Le Guin and Asimov, and all these amazing people. And I talked about Neil as well. And so I went off on a bit of a rant in this interview.

Anyway, the interview came out about six months later, maybe.  Knock on the door, open the door, delivery of a big box. That’s interesting. Open the box, there's a card at the top of the box. I open the card.

It says, From one fan to another, Neil Gaiman.  And inside the box are first editions of Neil's stuff, and all kinds of interesting things by Neil. And he just sent this stuff.

DAVID: You'd never met him?

MICHAEL: Never met him. He'd read the interview, or someone had let him know about this interview where I'd sung his praises and stood up for him and the people who work within that sort of genre as being like …

And he just got in touch. We met up for the first time when he came to – I was in Los Angeles at the time, and he came to LA.  And he said, "I'll take you for a meal."

I said, “All right.”

He said, "Do you want to go somewhere posh, or somewhere interesting?”

I said, "Let's go somewhere interesting."

He said, "Right, I'm going to take you to this restaurant called The Hump." And it's at Santa Monica Airport. And it's a sushi restaurant.

I was like, “Right, okay.” So I had a Mini at the time. And we get in my Mini and we drive off to Santa Monica Airport. And this restaurant was right on the tarmac, like, you could sit in the restaurant (there's nobody else there when we got there, we got there quite early) and you're watching the planes landing on Santa Monica Airport. It's extraordinary. 

And the chef comes out and Neil says, "Just bring us whatever you want. Chef's choice."

So, I'd never really eaten sushi before. So we sit there; we had this incredible meal where they keep bringing these dishes out and they say, “This is [blah, blah, blah]. Just use a little bit of soy sauce or whatever.”  You know, “This is eel.  This is [blah].”

And then there was this one dish where they brought out and they didn't say what it was. It was like “mystery dish”, we had it ... delicious. Anyway, a few more people started coming into the restaurant as time went on.

And we're sort of getting near the end, and I said, "Neil, I can't eat anymore. I'm gonna have to stop now. This is great, but I can't eat–"

"Right, okay. We'll ask for the bill in a minute."

And then the door opens and some very official people come in. And it was the Feds. And the Feds came in, and we knew they were because they had jackets on that said they were part of the Federal Bureau of Whatever. And about six of them come in. Two of them go … one goes behind the counter, two go into the kitchen, one goes to the back. They've all got like guns on and stuff.

And me and Neil are like, "What on Earth is going on?"

And then eventually one guy goes, "Ladies and gentlemen, if you haven't ordered already, please leave. If you're still eating your meal, please finish up, pay your bill, leave."*

[* - delivered in a perfect American ‘serious law agent’ accent/impression]

And we were like, "Oh my God, are we poisoned? Is there some terrible thing that's happened?"  

We'd finished, so we pay our bill.  And then all the kitchen staff are brought out. And the head chef is there. The guy who's been bringing us this food. And he's in tears. And he says to Neil, "I'm so sorry." He apologizes to Neil.  And we leave. We have no idea what happened.

DAVID: But you're assuming it's the mystery dish.

MICHAEL: Well, we're assuming that we can't be going to – we can't be –  it can't be poisonous. You know what I mean? It can't be that there's terrible, terrible things.

So the next day was the Oscars, which is why Neil was in town. Because Coraline had been nominated for an Oscar. Best documentary that year was won by The Cove, which was by a team of people who had come across dolphins being killed, I think.

Turns out, what was happening at this restaurant was that they were having illegal endangered species flown in to the airport, and then being brought around the back of the restaurant into the kitchen.

We had eaten whale – endangered species whale. That was the mystery dish that they didn't say what it was.

And the team behind The Cove were behind this sting, and they took them down that night whilst we were there.

DAVID: That’s extraordinary.

MICHAEL: And we didn't find this out for months.  So for months, me and Neil were like, "Have you worked anything out yet? Have you heard anything?"

"No, I haven't heard anything."

And then we heard that it was something to do with The Cove, and then we eventually found out that that restaurant, they were all arrested. The restaurant was shut down. And it was because of that. And we'd eaten whale that night.

DAVID: And that was your first meeting with Neil Gaiman.

MICHAEL: That was my first meeting. And also in the drive home that night from that restaurant, he said, and we were in my Mini, he said, "Have you found the secret compartment?"

I said, "What are you talking about?" It's such a Neil Gaiman thing to say.

DAVID: Isn't it?

MICHAEL: The secret compartment? Yeah. Each Mini has got a secret compartment. I said, "I had no idea." It's secret. And he pressed a little button and a thing opened up. And it was a secret compartment in my own car that Neil Gaiman showed me.

DAVID: Was there anything inside it?

MICHAEL: Yeah, there was a little man. And he jumped out and went, "Hello!" No, there was nothing in there. There was afterwards because I started putting...

DAVID: Sure. That's a very Neil Gaiman story. All of that is such a Neil Gaiman story.

MICHAEL: That's how it began. Yeah.

DAVID: And then he came to offer you the part in Good Omens.

MICHAEL: Yeah. Well, we became friends and we would whenever he was in town, we would meet up and yeah, and then eventually he started, he said, "You know, I'm working on an adaptation of Good Omens." And I can remember at one point Terry Gilliam was going to maybe make a film of it. And I remember being there with Neil and Terry when they were talking about it. And...

DAVID: Were you involved at that point?

MICHAEL: No, no, I wasn't involved. I just happened to have met up with Neil that day.

DAVID: Right.

MICHAEL: And then Terry Gilliam came along and they were chatting, that was the day they were talking about that or whatever.

And then eventually he sent me one of the scripts for an early draft of like the first episode of Good Omens. And he said – and we started talking about me being involved in it, doing it – he said, “Would you be interested?” I was like, "Yeah, of course."  I went, "Oh my God." And he said, "Well, I'll send you the scripts when they come," and I would read them, and we'd talk about them a little bit. And so I was involved.

But it was always at that point with the idea, because he'd always said about playing Crowley in it. And so, as time went on, as I was reading the scripts, I was thinking, "I don't think I can play Crowley. I don't think I'm going to be able to do it." And I started to get a bit nervous because I thought, “I don't want to tell Neil that I don't think I can do this.”  But I just felt like I don't think I can play Crowley.

DAVID: Of course you can [play Crowley?].

MICHAEL: Well, I just on a sort of, on a gut level, sometimes you have it on a gut level.

DAVID: Sure, sure.

MICHAEL: I can do this.

DAVID: Yeah.

MICHAEL: Or I can't do this. And I just thought, “You know what, this is not the part for me. The other part is better for me, I think. I think I can do that, I don't think I could do that.”

But I was scared to tell Neil because I thought, "Well, he wants me to play Crowley" – and then it turned out he had been feeling the same way as well.  And he hadn't wanted to mention it to me, but he was like, "I think Michael should really play Aziraphale."

And neither of us would bring it up.  And then eventually we did. And it was one of those things where you go, "Oh, thank God you said that. I feel exactly the same way." And then I think within a fairly short space of time, he said, “I think we've got … David Tennant … for Crowley.” And we both got very excited about that.

And then all these extraordinary people started to join in. And then, and then off we went.

DAVID: That's the other thing about Neil, he collects people, doesn't he? So he'll just go, “Oh, yeah, I've phoned up Frances McDormand, she's up for it.” Yeah. You're, what?

MICHAEL: “I emailed Jon Hamm.”

DAVID: Yeah.

MICHAEL: And yeah, and you realize how beloved he is and how beloved his work is. And I think we would both recognise that Good Omens is one of the most beloved of all of Neil's stuff.

DAVID: Yes.

MICHAEL: And had never been turned into anything.

DAVID: Yeah.

MICHAEL: And so the kind of responsibility of that, I mean, for me, for someone who has been a fan of him and a fan of the book for so long, I can empathize with all the fans out there who are like, “Oh, they better not fuck this up.”

DAVID: Yes.

MICHAEL: “And this had better be good.” And I have that part of me. But then, of course, the other part of me is like, “But I'm the one who might be fucking it up.”

DAVID: Yeah.

MICHAEL: So I feel that responsibility as well.

DAVID: But we have Neil on site.

MICHAEL: Yes. Well, Neil being the showrunner …

DAVID: Yeah. I think it takes the curse off.

MICHAEL: … I think it made a massive difference, didn't it? Yeah. You feel like you're in safe hands.

DAVID: Well, we think. Not that the world has seen it yet.

MICHAEL (grimly): No, I know.

DAVID: But it was a -- it's been a -- it's been a joy to work with you on it. I can't wait for the world to see it.

MICHAEL: Oh my God.  Oh, well, I mean, it's the only, I've done a few things where there are two people, it's a bit of a double act, like Frost-Nixon and The Queen, I suppose, in some ways. But, and I've done it, Amadeus or whatever.

This is the only thing I've done where I really don't think of it as “my character” or “my performance as that character”.  I think of it totally as us.

DAVID: Yeah.

MICHAEL: The two of us.

DAVID: Yes.

MICHAEL: Like they, what I do is defined by what you do.

DAVID: Yeah.

MICHAEL: And that was such a joy to have that experience. And it made it so much easier in a way as well, I found, because you don't feel like you're on your own in it. Like it's totally us together doing this and the two characters totally complement each other. And the experience of doing it was just a real joy.

DAVID: Yeah.  Well, I hope the world is as excited to see it as we are to talk about it, frankly.

MICHAEL: You know, there's, having talked about T.S. Eliot earlier, there's another bit from The Wasteland where there's a line which goes, These fragments I have shored against my ruin.

And this is how I think about life now. There is so much in life, no matter what your circumstances, no matter what, where you've got, what you've done, how much money you got, all that. Life's hard.  I mean, you can, it can take you down at any point.

You have to find this stuff. You have to like find things that will, these fragments that you hold to yourself, they become like a liferaft, and especially as time goes on, I think, as I've got older, I've realized it is a thin line between surviving this life and going under.

And the things that keep you afloat are these fragments, these things that are meaningful to you and what's meaningful to you will be not-meaningful to someone else, you know. But whatever it is that matters to you, it doesn't matter what it was you were into when you were a teenager, a kid, it doesn't matter what it is. Go and find them, and find some way to hold them close to you. 

Make it, go and get it. Because those are the things that keep you afloat. They really are. Like doing that with him or whatever it is, these are the fragments that have shored against my ruin. Absolutely.

DAVID: That's lovely. Michael, thank you so much.

MICHAEL: Thank you.

DAVID: For talking today and for being here.

MICHAEL: Oh, it's a pleasure. Thank you.

[sunjoys]

i told my dad about my Film List (very long list of films i want to watch that i recently compiled) and its been great except he told my godfather + his friends and now theyre all offering to host a movie night so we can watch some of the movies on my list ... its very sweet but im embarassed !!

[jinwoosbabyboo]

I have a silly thought that I would like to share with you. Sometimes, I make random noises as a sort of verbal keysmash. Wouldn't it be funny if the verbal keysmashes were somehow Lemurian swear words? Or an old Philos curse?

Gibberish … Maybe?

How I imagine the LADS men reacting to you accidentally saying something in another language. Whole time you just made a random noise and have no clue what they’re even talking about. A/N: Imagine saying "manamana doot dee de dee tee" and they think you just cursed them out in a different language

Zayne

Doorways and staircases really suck sometimes because why did you completely forget what you came in the kitchen for as soon as you walked through the cased opening. You stood there dumbfounded and made a random noise which you could only refer to as a ‘verbal keyboard smash’

Zayne: Where did you learn that? MC: Learn what? Zayne: You just said ‘Forevermore’ in latin MC: I literally made the most random noise my brain could think of Zayne: That was latin clear as day MC: How the hell do you know latin? Zayne: I studied it MC: Why? Zayne: Why not?

From then on Zayne sends you random quotes in latin just to see if you can tell what they say. You keep telling him you never learned latin and have no clue what he’s talking about. After months of him teaching you bits of latin you two have your own little secret language now.

Rafayel

Your brain must've stopped working for a second because here you are opening the oven with your left hand and reaching in with your right hand. The problem? The oven mitt is on your left hand. Just as the tip of your finger is about to hit the edge of that scalding hot cookie sheet you pull your hand back making the most random shocked noise.

Rafayel: What did you just call me? MC: What are you talking about? Rafayel: You just basically called me a barnacle muncher in glubbanese MC: Glubba what?! Rafayel: Who taught you that? MC: Nobody taught me anything what in the blue fuck are you talking about? Rafayel: Are you seeing other Lemurians? MC: I made a random noise Raf get outta my ear with all this

You turned to pull your baked goods out of the oven and set them on the stove. You quickly turned the oven off before turning back to him.

MC: Also aren’t you the only Lemurian left Rafayel: Me and my aunt Talia … wait!

He grips you by the shoulders

Rafayel: Was it her?! I knew it! I'll be back MC: NO! I-

You didn’t get the chance to finish your sentence as he turned on his heels and made a beeline for the front door. You try to stop him from storming out the door, but he was too fast. You stare at the door dumbfounded because you still have no clue what the actual fuck glubbanese is.

Xavier

Xavier was the perfect body pillow to lean against while you read a book. Perhaps you were a little too immersed in your book because when the major plot twist came the most unintelligible string of gibberish came out of your mouth. You felt Xavier stiffen behind you which broke you immersion.

MC: What's wrong? Xavier: Why did you say that? MC: Say what? Xavier: You just said something rather strange in Philosian MC: I said what in philosophy? Xavier: I’d rather not repeat it MC: Xav I literally just made a random noise Xavier: Well that random noise is ‘hairy anus’ in philosian MC: WHAT???

You sat up so fast you somehow managed to fall off the couch hitting your elbow on the coffee table. Xavier pulled you back onto the couch checking to make sure you were okay before you notice the grin he’s trying to hold back. He finds this whole thing hilarious.

MC: Stop laughing! Xavier: I should’ve known you didn’t mean to say that MC: I didn’t say anything I made a random noise Xavier: I’m sure you’ll be more careful next time MC: If Philosian sounds like random throat noises then yea I guess I'll be more careful

Sylus

You were laying on the plush couch in Sylus’ study while he was taking a few business calls. He said he would be done soon however the boredom was getting to you. With absolutely zero thought you blurted out a random noise. You didn’t think much of it until you looked over and saw Sylus starring at you; his brows furrowed and his head cocked. You sat up confused on why he was looking at you as if you’d just called him a no neck bitch or something.

Sylus: Where did you learn that? And when? MC: Learn what? Sylus: You just tried to curse me MC: I didn’t do anything…… Sylus: That was a curse in ancient Philosian MC: That was random gibberish Sylus: …. MC: Fix your face Sylus: Trying to get rid of me sweetie? MC: I’m not trying to do anything! Sylus: Unfortunately for you those curses don’t work on me you’ll have to try something else MC: What in the blue hell do you mean ‘try something else’ I didn’t try anything in the first place!

Ever since you supposedly tried to curse him in a language you’d never heard of he’s constantly teasing you. He checks in from time to time to see if you’ve taught yourself any new spells and you tell him the same thing every time.

MC: Sylus it was a random noise Sylus: Keep telling yourself that Sorceress

[yyyyyyayy]

These self help books are saying the same shit since 500 BCE. What does it mean?

[waspgrave]

I can’t believe people are acting like Solas and Varric aren’t friends….did you listen to their dialogues? They talk philosophy, laugh, ask each other questions, give advice, Solas even goes from polite but distant ‘master tethras’ to a friendly ‘varric’ in the span of a few conversations. Solas took genuine interest in his writing and read his books. Varric even invites him to play Wicked Grace. Foolish.

[the-joy-of-knowledge]

Becoming an Intelligent Woman

My Dears,

There is no greater goal than being a fine woman who is intelligent, kind, and elegant. As much as we all want to be described with these adjectives, it takes a great amount of discipline to get there. It is very doable only if you are ready to put in the work.

Here are steps you can add to your routine in the next 4 weeks that will make you 1% more intelligent than you were before. This is a process that should become a habit not a goal. It is long term, however, I want you to devote just 4 weeks into doing these steps first and recognize the changes that follow.

Watch documentaries: This is the easiest step, we all have access to Youtube. Youtube has a great number of content on art, history, technology, food, science etc that will increase your knowledge and pique your curiosity. I really did not know much about world history especially from the perspective of World war 1 & 2, the roaring 20s, Age of Enlightenment, Jazz era, monarchies etc but with several channels dedicated to breaking down history into easily digestible forms. I have in the last 4 weeks immersed myself into these documentaries. Here are a few I watched:

The fall of monarchies

The Entire History of United Kingdom

The Eight Ages of Greece

World War 1

World War 2

The Roaring '20s

The Cuisine of the Enlightenment

2. Read Classics: I recommend starting with short classics so that you do not get easily discouraged. Try to make reading easy and interesting especially if you struggle with finishing a book. Why classics? You see, if you never went to an exclusive private school in Europe or America with well crafted syllabus that emphasized philosophy, history, art, and literary classics, you might want to know what is felt like and for me this was a strong reason. Asides that, there is so much wisdom and knowledge available in these books. In these books, you gain insights to the authors mind, the historical context of the era, the ingenuity of the author, the hidden messages, and the cultural impact of these books. Most importantly, you develop your personal philosophy from the stories and lessons you have accumulated from the lives of the characters in the books you read. Here are classics to get you started:

Animal Farm by George Orwell

Pride and Prejudice by Jane Austen

Jane Eyre by Charlotte Brontë

The Great Gatsby by F Scott Fitzgerald

Candide by Voltaire

Paradise lost by John Milton

3. Study the lives of people who inspire you: I dedicate one month to each person that fascinates me. I read their biography (date of birth, background, death, influences, work, style, education, personal life) For this month, I decided to study Frank Lloyd Wright because I was fascinated by the Guggenheim Museum in New York. I began to read about his influence in American Architecture (Organic architecture, Prairie School, Usonian style), his tumultuous personal life, his difficult relationship with his mentor (Louis Sullivan), his most iconic works etc. By the end of the year I would have learned the ins and outs of people I am inspired by through books and documentaries. Here are other people I plan to learn more about:

Winston Churchill

Jacqueline Kennedy Onassis

Ada Lovelace

Benjamin Franklin

Helen Keller

John Nash

Isabella Stewart Gardner

Caroline Herrera

Ernest Hemingway

Catherine the Great

Ann Lowe

My dears, I hope you enjoyed this read. I cannot wait to write more on my journey to becoming a fine woman. I urge you to do this for four weeks and see what changes you notice. Make sure to write as well, it is important to document your progress.

Cheers to a very prosperous 2024!