#a danger to herself and others

[sarceansurvivor]

forever obsessing over books that aren’t popular enough to have their own tag

[annelisreadingroom]

Do you have any trips planned for this spring/summer? My only planned trip so far is my trip to visit my family in Finland next month. I'm pretty sure I'll travel somewhere in summer too, though.

This picture is from my trip to Denmark a couple of years ago.

[dexley-starkid]

OKAY GUYS

I know I haven’t posted anything on here in a bit

But my girlfriend just reminded me of a book I really liked and she let me rant about it to her so now you guys get to hear me yap too

A DANGER TO HERSELF AND OTHERS

RAAAAAAAAAAAAAAHHH

ITS SO GOOD

ITS SO GOOD

(Spoilers under the cut)

This is the book that made me realize I really really like the idea of an unreliable narrator

I forgot the name of the MC but she gets accused of pushing this girl Agnes out of their college dorm window

And the book start out with her in a mental hospital while she waits for her trial

So we go through the book and eventually we meet this character who I THINK was named Lily

And she becomes MCs roommate at the hospital

And she has this whole backstory like she was a ballerina with anorexia and it got so bad that her parents admitted her

And then we find out that LILY WASNT EVEN REAL

AND THE MAIN CHARACTER HAS SCHIZOPHRENIA

AND THERE WAS THIS BOY CHARACTER WHO WAS AGNES‘S BOYFRIEND WHO WAS CHEATING ON HER WITH THE MC

AND HE WASNT REAL EITHEEEEERR

And then I went back and reread it and realized that NOVODY EVER INTERACTS WITH LILY EXCEPT FOR THE MC

It’s WILD

Fantastic read 10/10 would recommend

[biggest-gaudiest-patronuses]

main take aways from Halloween (1978) rewatch:

michael myers is canonically 21??? this bitch should be at the club

*sees tiddies* ***MURDEROUS RAMPAGE NOISES***

that's it that's the movie

outside of the fact that everyone who has sex is murdered by the narrative, this is a surprisingly chill portrayal of female sexuality? these teen girls are horny and actively enjoying Getting It On with their boytoys. no pushy boyfriends sneaking in through their bedroom windows--these ladies are taking the initiative to sneak out and GET SOME. one of them gets laid and then immediately orders her boyfriend to get her a beer. (yes she gets Slashered soon afterward, but so does the boyfriend so honestly, gender equality.) yes the Final Girl is the only one not having sex, but she's not bullied for that, nor are her friends slut shamed except possibly by being murdered by the narrative

actually the only character who is shown being morally condemned on-screen is michael myers. specifically FOR his violent overreaction to other people's sex lives. (people he is spying on). metaphorically, the villain is American Puritanism sticking its judgy nose into other people's business.

aka Michael Myers Is A Republican

but actually the real villain is the doctor. guy's a judgemental, shaming, pathologizing asshole. and he's been in charge of michael's care since he was SIX YEARS OLD? kid never had a chance. i'd go on a killing spree too

also the parents. where are the parents? it's halloween night and all the teenage girls are home babysitting their younger siblings? come to think of it, michael's first victim was his own older sister, whom he killed while she was babysitting him. teen girls are really shouldering a labour burden here. maybe parentification is the true villain

side note: mike commits his first murder wearing a clown costume...which is never referenced again? his 'iconic' costume is a generic mask and wig and jumpsuit, when we coulda had a Killer Clown Michael Myers??? travesty

i like how the Final Girl and her friend casually smoke weed in her car. yeah she's an honor student and her friend is the sheriff's daughter. yeah they smoke weed. so what it's 1978

(to reiterate, mike is 21 and should be at the club. im not saying he shouldn't be rampaging, im saying it's sad that he broke out, tasted freedom for the first time in his life, and immediately snuck back into his childhood home to go rampaging. let's have a remake where he goes to a nightclub and has a few beers. maybe some slutty dancing. then rampage)

oh no he's hot

[speench]

nsbu fans listen to me, listen, most of the cast hasn't had an Ify moment yet where they talk directly to their ?? alter egos?? and before we see dynamics unfold with other characters I need everyone to consider: Liv and Kingskin as unwilling father and his newfound ride or die child trope that is all

[mayasdeluca]

Lets play a game. Truth or Scared.

[odbuoyjemmity]

"we all agree that jupiter is a bad parent" i mean. i dont

[burningcheese-merchant]

Thinking about the Yandere Beasts, Mystic Flour is the one that seems more volatile. She's not only crazily in love but denies it. Which means she might do more to prove it and hurt Dark Cacao more, then maybe feeling guilt and trying to "make it up to him", but then feeling disgusted with herself. It's very complex and crazy and I love the idea.

It can be argued that it's that same denial that, ironically, makes her worse than the others, at least in a sense. I explained in a previous post that Mystic Flour is the only Beast who possesses any self-awareness; she KNOWS she is behaving irrationally, she KNOWS that this is fucked up and downright sick. She despises it all. She despises her friends for allowing this disease to infect their minds and hearts; their words and actions disgust her on a visceral level and she wants nothing to do with any of their shenanigans regarding their respective heroes. She despises Dark Cacao for casting this spell on her; for undoing all of her hard work, for making her take back every single step she took towards enlightenment, for forcibly tethering her to the material world once again and making her feel emotions she'd discarded (or thinks she discarded) ages ago: anger, envy, longing, selfishness, attachment. Dark Cacao has done the unthinkable: he has destroyed her apathy. No longer is she free from those meaningless notions; now she is as trapped and burdened as all those selfish beings she always sought to do away with.

...But she's burdened with self-awareness, unlike the others, and so she knows that, ultimately, this is all her own fault. Thus, Mystic Flour despises herself most of all, for it was she that chose to succumb to these feelings. It was she that chose not to act when Dark Cacao brought this burden upon her (really, he did nothing of the sort. She brought this on herself). It was - is - she, Mystic Flour, that allows herself to love and obsess over this man, this thief, this living affront to her beliefs and ideals. And in a desperate attempt to lighten this burden, she denies its very existence. She denies any attachment to Dark Cacao, even if it's clear as the pale fog that it's real and already unbreakable at this point. She denies it because she honestly cannot think of any other solution to the problem. She clings to what remains of her apathy because she sees no other way out.

...Yet still, in this selfishness of hers, even combined with her denial, she wants him. She longs for his company. For his touch, for his voice, for his handsome face. The Ivory Pagoda feels emptier than ever without him around. She does not seek him out - doing so will only make it worse - but she longs for him nevertheless. She selfishly hates those he cares about, for they take a spot in his heart that she selfishly believes belongs to her. She selfishly desires Dark Cacao in his entirety, only for herself, and no one else ever again. She selfishly places her anger onto others - her friends, Dark Cacao's loved ones, Dark Cacao himself - in a vain attempt at self-soothing. She selfishly wishes she could retaliate against Dark Cacao for all of this nonsense; for this godawful dependency she's developed. Then she shakes her head and chastises herself for this selfishness.

Love, deny love, get angry, seek retribution, regain clarity, feel self-loathing. Then start back over again ad infinitum. It's like a very bizarre cycle of grief, in Yandere Flour's case. And she only ends up succumbing to obsession and madness further with every completed loop.

(Yandere Flour is fun to think about and flesh out haha. thank you for the ask, I enjoyed your thoughts/commentary)

[goodluckbabeheffron]

woah

[frowerssx2]

One of the problems I personally have with Asha is that she asks Magnifico to return ALL the ungranted wishes and gets angry/upset when he refuses. But yet, at the first opportunity she had to do that herself (which is what she kinda wished to do) she only asks Star to free her Saba's and mother's wishes. She only thinks about freeing the other wishes when Magnifico gets corrupted by the evil book and begins to destroy them. So, why couldn't she and Star free all the wishes when they broke into the Wish Chamber? Why did she say she was only going back for her mother's at her house and not all of them now she knows she can free them? She even says that Star won't go back to the sky until all the wishes are free so why didn't she do it in the first place?? She had all that time Star was looking for the two wishes she specifically wanted, to free them all. So why didn't she?

[sayakxmi]

Saiouma Puella Magi AU, but Kokichi takes Madoka's role and Shuichi takes Homura's.

For one, Kokichi's too naturally distrustful to just hear "I can grant you any wish :)" and not think ok where's the hook. So he just does what no one ever has & essentially interrogates Kyubey, so he knows it all even before he gets to make a contract. So, some of his classmstes are MGs & he won't become one himself BUT he still ends up tagging along to just protect them in his Kokichi ways. (Though I'm entertaining Kokichi lying about being a magical girl, because, well, it's Kokichi).

(I also got a small idea of Gonta being a magical girls and Kokichi originally tagging along him into labyrinths, Gonta also makes him a magic gun from the toy one he had, and at some point witches out & Kokichi manages to kill him with that gun. So he always has that spare Grief Seed on himself, bc it's still his best friend & he can't handle the idea of just giving it away or using it himself (he does anyway in the end).)

Shuichi prolly ends up being a new kid & it isn't like MadoHomu, the ppl who reach him first are Kaede & Kaito, classic. Kokichi's there, too, but he's his usual sus self. He's actually discouraging ppl from making a contract when they find out magic and miracles are real, which absolutely includes Shuichi. He's very vocal abt it, but he won't explain stutf, bc 1) he's a liar, so who'd believe him? and 2) he doesn't want them to witch out upon finding out the truth or, idk, murder everybody Mami-style.

Anyway, fast forward, bad things happen bingo & by the end of the run most charas are dead, there's Walpurgis nachting, and he makes his wish to bring back the ppl who died notably not as magical girls. Contract signed, he fights & fails, rip. I also thought it was similar to how he thought he could end the killing game by himself - he though he could finish Walpurgisnacht by himself, too. And he failed in both times. Whatevs.

Shuichi doesn't actually make his time travel wish for Ouma specifically, he wants to save all his friends. Timelines are messy esp at first bc he either tells then or it backfires or just makes himself look very sus bc he's trying not to tell them. He also realizes why Kokichi hadn't told anybody aby witches at some point, bc, yeah, it messes them a lot, assuming they believe it.

Still, Kokichi ends up one of the few people who are nearly always giving him a chance, not necessarily out of belief, but out of pragmatism - bro can stop time & knows the truth, that's just too useful. So they often work together & Shuichi grows closer to him but still we ain't there yet. But the thing is, Shuichi's time travel still makes Kokichi more & more powerful with each timeline, bc Shuichi usually goes back after Kokichi dies, so the universe figured out this guy's life's important. Anyway, another notable thing is the iconic Homura kills Madoka scene, but it's Saiouma with guest stars of Kaito & Maki. It's Walpy, it's not defeated yet, but the training trio are spent & just kinda accept their fate of turning into witches together. And then, boom, Kokichi appears & steals their Soul Gems for a sec & he's like did u know you can cleanse your Soul Gem with a darkened one? But it's a lie & he quickly tells them so, he just had a spare Grief Seed after cleansing his Soul Gem & he needs them to do some stuff. Shuichi can travel back in time & fix things, and Maki & Kaito are needed to fight Walpy here. He actually questions what happens to the timelines Shuichi leaves behin, and ofc he doesn't know. There's a chance they remain, so Kokichi needs Maki & Kaito to fight Walpy here.

Kaimaki leave, and Shuichi finally looks at Kokichi & realizes sth is Wrong. Kokichi struggles to hide how he's trembling & grimacing, and it's Kokichi, so obviously it must be extremely bad. Shuichi dreadfully realizes something worse, and he weakly asks Kokichi why aren't his wounds healing. And Kokichi just falls, laughing weakly, and Shuichi catches him & searches for his Soul Gem and, God, he knew it. It's nearly completely black. Kokichi laughs & admits he lied abt having two Grief Seeds, he only had one he never wanted to use. But they'll have the second one soon, so no need to worry. He asks Shuichi to maybe destroy his witch form as it's hatching, so he'll have the Grief Seed without any fighting… and he admits that he hates fighting, he hates this magical world and all its violence. He says that Kaito was right in calling him a coward, even here he just can't handle the idea of fighting any longer, he's so sorry. And Shuichi tells him he ISN'T a coward. He was scared, but he always followed everybody, trying to help, and when push came to shove he would always make a contract for the benefit of others rather than himself. He's a lot of things, but a coward isn't one. Kokichi actually tears up hearing that, and Shuichi promises he won't let him fight ever again, and especially he won't let him turn into a witch and hurt anybody, because he knows it's the last thing he's ever wanted. Even now he only accepts turning into a witch to help them fight to keep others safe. So Shuichi won't let him. Kokichi probably apologizes and thanks him and then he dies.

Keeping Kokichi from fighting starts off as a side quest that gains importance with time, bc it's something Shuichi won't compromise on (ah, trauma), which leads him to occassionally neglect others a bit, which makes them more likely to get hurt & ironically Kokichi more likely to make a contract, especially since he gets more powerful & Kyubey is more interested in him with each timeline. And that also makes him witch out super quick. Shuichi's paying more attention to him & over time grows resentful of others for how they're treating him. To Shuichi it's no question that Kokichi cares & is just doing his best to help, but nobody realizes that.

But the biggest obstacle in keeping Kokichi from fighting is actually Kokichi himself, bc he's too smart and nosy, lmao. Even if he knows nothing, he will find out quickly. Doesn't help that Kyubey wants him to make a contract.

Also, obviously Kaito is Sayaka-coded and Maki could be Kyouko-coded, so that's a thing, BUT it's usually Maki that witches out. Kaito is usually pretty close, but Kokichi intervenes & he survives, but Maki later cracks on her own (and since in the new timeline Kokichi isn't there, Kaito's the one to die, so he's still the secretary). So it's Kaito who gets the dramatic sacrifice. I imagine he genuinely hoped you could bring somebody back if you tried Very Hard & Kokichi called him a moron bc obviously it's not possible. If it was there'd be far less witches that there are. But it's Kaito, he doesn't listen to reason. So, Kokichi follows him to the labyrinth. At first Kaito's mad cuz what if Kokichi being there ruins the plan? Maki hates his guts! But eventually he gets hit pretty hard, and Kokichi is near immediately by his side, trying to help him get up, which kinda makes Kaito short circuit a little bc wait Kokichi's trying to help? But witch!Maki attacks them & Kokichi pushes Kaito away & gets caught himself (and choked until unconsciousness, naturally). Anyway, Kaito gets him away, Shuichi catches Kokichi & Kaito makes up his mind about going down with Maki & asks Shuichi to tell Kokichi that he's sorry. He doesn't get him, but he got hurt trying to protect him, so he'll believe in that if nothing else. F.

As for The WishTM, in the last timeline Shuichi lashes out at Kokichi for his willingness to just become part of the system. In no timeline has his wish actually helped, it did NOTHINHG, which OUCH but it also makes Kokichi think out of the box more & he becomes the Law of Cycles. And Shuichi realizes what is happening & freaks out bc Kokichi's doing it bc of what he told him & like Homura they end up having a momentTM in space & Shuichi remembers. He feels a lot of guilt even tho he also questions whether anything was real, but if it was, he pushed somebody he far too realized he loved into erasing himself from existence.

[bumblingbabooshka]

[Tuvok & Janeway: Control, Distance, Duty & Connection.] Sources: St Voyager Transcripts / Mitski 'First Love Late Spring' / Disco Elysium

[lovingdabeessss]

Yang xiao long has her mothers eyes when she is desperate and her lovers when she is kind welcome to my ted talk-

[outletcrash]

BREAKING NEWS! local transgenders pondering on how to get that bad girl/bad boy of their dreams to notice them!

harlivy and batjokes 4ever they go on a double date and everyone ends up in the hospital

[anxihazel]

I'm gonna share a random thought I had while rewatching Whitepine because I love this series and I love analyzing media <3333 Alright so, I might be wrong here but it's so unbelievably interesting to me how well everything would - and does - point to Ivory being the one that murdered Mysti . Like, imagine we weren't the viewers for a second, imagine we didn't see from her perspective at all and we watched from like, idk Maddy's pov or Ivo's or anybody else's ;; For instance, everything major started happening AFTER Ivory joined the Hemlockes, Ivory acts incredibly different from others - she's quiet and reserved, she has a tendency to go outside and out of other's sight (So all the other servants barely see her ;; although that may not actually be that big of a problem since they have to work all day and probably don't see a lot of each other anyway - but for the sake of the argument lets just say it's an incriminating fact) and out of everybody else, she's most likely the only person that reacted the way she did to the murder during the police questioning; Ivory seems like the perfect suspect, and by all means others should definitely believe she's the one that did it, but there's one major problem with that -- We know she didn't. She's the main character; We know Ivory didn't murder anyone because us, as the viewers, know where she is almost all the time ;; and while we don't have all the context in the world, we've still been following Ivory closely enough to understand that she can't be the one who did it. The reason Whitepine is so interesting to me as a series is because we follow the one person who's most mysterious, most suspicious, the one we - by all means - should have no reason to trust from an outsider's perspective ;; and here in lies the problem, we aren't outsiders. We literally see the world ONLY from Ivory's pov; Therefore, what do you do when out of the two given sides - the people you're supposed to trust and the people you shouldn't - the only certainty that you have is that the character that all red arrows point to isn't the one who did the crime, the one who sinned. If you can trust the untrustworthy in the case of murder, than who from the character's we're supposed to trust, can we trust? Anyway yeah that's all, I just wanted to share this thought process - it's most likely a very obvious part of the narrative but I haven't seen many people acknowledge it so I wanted to!!! :33

[fishareglorious]

we have little to no information on who and how matilda's dad is but for shits and giggles im gonna assume this is how it went when she told him she wanted to go to spdm (matilda canonically mentioned she joined because she saw sonetto performing a speech)